Podcasts about The Real Thing

On today's episode of The Pod At The Palace with Curtis Wilkerson: - Crazy contrasts between last year's exhibition takeaways to today - 5 areas Arkansas can still improve on - Meleek Thomas lands on no-slander list - Razorback Regular Season Readiness Scale OFFICIAL MERCH: https://insidearkansas.myshopify.com/ #arkansas #razorbacks #football #basketball #baseball #sampittman #johncalipari SHOUTOUT TO OUR SPONSORS: BET SARACEN Arkansas' #1 Sports Betting App! Click link below & use code INSIDEAR so when you bet $25, get $125 BONUS! https://sportsbook.betsaracen.com/en-us/sports/mma?referrer=singular_click_id%3Dbc1b71ae-56d0-4f58-9775-c5bd8f6676e9 ----------------------------------------------------------------------------- WALTER CHRISTMAS LIGHTING OF ARKANSAS IF YOU ARE IN NORTHWEST ARKANSAS OR THE RIVER VALLEY, have Walter Christmas Lighting install & set up your house with professional Halloween & Christmas lighting like you've never seen before! - All materials provided - Any color, any pattern - Free maintenance throughout the holiday season If you sign up for Halloween lights you will also get your Christmas Lights for 50% off! Text our guy Brett for a free estimate at 479-459-1380 IT'S WALTER CHRISTMAS LIGHTING OF ARKANSAS…YOUR LOCAL HOLIDAY LIGHTING EXPERTS! ----------------------------------------------------------------------------- OZK INSURANCE Alright Razorback fans—let's talk insurance. Nobody wants to deal with the hassle of shopping around, and that's why we use and recommend OZK Insurance. They're based right here in Arkansas, and they shop multiple carriers to find the best coverage and price for you—whether it's home, auto, business, you name it. Whether it's Saturdays at Razorback Stadium or everyday life, you want protection you can count on. So count on OZK Insurance & get a free online quote at ozkinsurance.com, or call (479) 715-4200. OZK Insurance—Protection made simple. Learn more about your ad choices. Visit megaphone.fm/adchoices

Follow Everyday Encounters with the Lord on Facebook.

Jubilee - The Real Thing | Pastor John Tufaro | Baptisms Sunday

Jubilee - The Real Thing | Pastor John Tufaro | Baptisms Sunday

Jubilee - The Real Thing | Pastor John Tufaro | Baptisms Sunday

The night begins with a slow burn… Greg Wilson's version of Love Is the Drug by Roxy Music — a timeless groove celebrating 50 years of a record that still drips with danger, desire, and velvet allure.

10-26-25

Some beef labels that simply say “grass fed” often still involve grain finishing; only “100% grass fed” and “grass-finished” with certification ensure a lifetime forage diet The American Grassfed Association (AGA) sets the strongest standard, requiring pasture raising, no feedlot confinement, and independent audits Organic beef is not the same as grass fed — organic animals can still be finished on organic grain Grass-finishing improves nutrient density, boosting omega-3s, CLA, and phytochemicals, while grain finishing reduces these health-promoting compounds Shoppers can avoid fake grass fed beef by using a 10-point checklist, asking butchers direct questions, and checking the AGA producer directory

Does anybody actually eat midnight snacks?

Why is the price of chocolate rising so much and can you tell the difference between 'chocolate flavour' biscuits and the real thing? Frank spoke to top chocolatier Geri Martin from Chocolate Manor Hosted on Acast. See acast.com/privacy for more information.

In this week's episode, we interview narrator Hollis McCarthy, who has narrated over 300 audiobooks, including many of THE GHOSTS and CLOAK MAGES. She is also co-author with her mother Dee Maltby of the MAGIC OF LARLION series, which you can learn more about at https://deemaltbyauthor.com/. This coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store: DRAGONSKULL25 The coupon code is valid through October 27, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT Introduction and Writing Updates (00:00): Hello, everyone. Welcome to Episode 273 of The Pulp Writer Show. My name is Jonathan Moller. Today is October 17th, 2025, and today we have an interview with audiobook narrator Hollis McCarthy. Hollis has narrated many audiobooks, including numerous books from the Ghost and Cloak Mage series, so we'll talk with her about that. Before we get to our main topic, we'll have Coupon of the Week and then a progress update on my current writing projects. This week's coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store, and that coupon code is DRAGONSKULL25. The coupon code is valid through October 27th, 2025. So if you need some new ebooks to read for this fall, we've got you covered. And as always, the coupon code and the links to my store will be available in the show notes. Now for an update on my current writing projects. As of this recording, I am 80% of the way through the first round of edits in Cloak of Worlds, so making good progress and if all goes well, the book should be out before the end of the month. I'm also 14,000 words into Blade of Shadows, which will be my next main project after Cloak of Worlds is published, which means I also have to write the outline for Elven-Assassin soon, and that will be the fifth book in the Rivah series. In audiobook news, recording will be underway next week for Blade of Flames. That will be narrated excellently by Brad Wills. Ghost in Siege is now out. It should be available at of all the audiobook stories (except Spotify) and it should be available there in a few days. And that is the final book in my Ghost Armor series that is excellently narrated by Hollis McCarthy. So that is where I'm at with my current writing and audiobook and publishing projects, which makes for a good segue into our main topic, our interview with Hollis McCarthy, which begins now. 00:03:56 Interview With Hollis McCarthy Hi everyone. I'm here today with Hollis McCarthy, who is a classically trained actor. Hollis has played leads in regional and off-Broadway theater, specializing in Shakespeare. On CBS. she's been a recurring guest star judge on Bull, the president of Ireland on Bluebloods, and a senator on Netflix's House of Cards. She's narrated more than 300 books for a variety of publishers and is the proud co-author of her mom Dee Maltby's epic fantasy series, The Magic of Larlion. Hollis, thanks for coming on the show today. Hollis: My pleasure. Jonathan: So to start, can you tell us a little bit about yourself and how you got into acting and performing? Hollis: That's a great question. I think it all started with doing my little brother's Sesame Street finger puppets. He's 10 years younger than me, so I mean, I got to reread all my favorite books with him and I started voicing the finger puppets to Burt, Ernie and Cookie Monster and all those guys in the backseat of the car and playing all the characters. And then my brother went into theater. My other brother's seven years older than me, and I used to go see his shows up at the college when I was in high school and kind of fell in love with it there. I absolutely meant to be an aeronautical engineer/physicist like my dad, but it didn't end up working out. I fell in love with theater and went to Stratford. I had a dual major because I was in an honors program, so I didn't have to declare a major until my fifth year of undergrad. But then I went to Stratford up in Canada and I saw two Shakespeare shows in one day and that was it. I had to do that. That was what I loved. Jonathan: Well, since we've had many audiobooks together, I'm glad it worked out that way. Hollis: Me too. Yeah, so I got my BFA in acting, and then I got my MFA from the University of Missouri-Kansas City in performance, and I was lucky enough to have some great coaches from the RSC and did a bunch more Shakespeare, and I've done that regionally a lot. And then I fell into audiobooks because I got tired of traveling, and I love to work from my home in my jammies. Jonathan: That is the dream. Speaking of that, could you tell us a bit more about how you sort of got into audiobooks or ended up doing a lot of that? Hollis: Yeah. Well, again, it starts with my childhood. My mom, who was a writer and an artist, she had, there were five of us kids and she would read out loud to us in the kitchen to keep us from fighting when we were cleaning up. So she started with Tolkien and Watership Down and Narnia and all of that. And then I got to, like I said, read to my little brother all my favorite books. And so I started doing all different voices for the characters and I always thought that was normal until, of course I volunteered to read in class in high school and people thought I was some sort of freak, but I always loved playing all the characters. And so when I started looking at staying home more and what could I do to work from home instead of being on the road for work, which was great for a long time, but then at some point you want to stay home and have a life as an actor as well as doing what you love. And audiobooks seemed a good fit. So my husband, who's also an actor, took a class from Paul Rubin here in the city in New York. We live in the New York area now. And he got a bunch of good tips from that that he passed on to me. And then my agent got me an audition with Audible and Mike Charzuk there. I came in and read a couple of pieces for him and he came back to the booth with a book he wanted me to start on. And from there I just kept building and got a lot of great indie authors through ACX like you. I don't know how many books we've done together now. Jonathan: It's over 30, I think. Yeah, 30 over the last seven years. So it's been a while. Hollis: And you're seriously, I mean, I'm not saying this because I'm on your blog, but your series are absolutely my favorites, especially because, yeah, the two series that I do, one is Nadia from the Midwest like me and then the other one with Caina, the epic fantasy world, which uses all my British and Irish bits and I absolutely love them. So yeah, I've just kept building up, getting in with a few more publishers now, which is harder to do and I just love it. Our first booth, when the pandemic hit, we had to build a booth at home and I had been going to studios in the city up until that point, but it hit pretty suddenly. It was obvious on St. Patrick's Day when it was like us going to the studio and people who were absolutely desperate folks were the only other ones on the street. We had to stay home. So my husband took our rapier blade (we fight with swords. We're actor combatants, like you said). He took two broadsword blades and a rapier blade, and he's handy with carpentry, fortunately. That's how he worked his way through school. He bracketed those to the wall and we ordered through Amazon before they kind of shut down too. We ordered packing blankets to hang over them and I ordered a new microphone and a new interface and it was trial and error for a bunch of days. And we had an engineer on call who talked us through how to run the software programs and stuff, how to set them up. And from there I've just kept recording at home. I sometimes still go into the studios when they have a budget where they can spring for a studio, but mostly they want you to work from home these days. So that's mostly what I do. Jonathan: Oh, building a recording booth out of swords. That's very Caina. Hollis: It's very Caina. I love Caina. Caina is me as a young woman. If I had been a superhero, I would've been a Caina. All my favorite roles in Shakespeare were the girl as boy ones. You asked, one of my favorite roles in theater was when I was at Alabama Shakespeare and I was playing Queen Elizabeth in Richard III and dressing in gorgeous gowns and being very seductive and very powerful and manipulative and all that. But in the earlier scenes, we did the three plays and in the Richard III and the Henry VI we did all three. And in the earlier scenes where Elizabeth wasn't in, I got to dress up and doublet and hose and I like stippled some stipple of beard on my face and climbed a siege ladder with a sword in one hand and did a spectacular pratfall running away from the bad guys and would slide on my stomach on the deck of the stage and I would come out into the lobby and the other guys who were playing my fellow fighters would be holding up rating cards for how far I'd slid that day. Jonathan: Sounds like very practical cardio. Hollis: Yeah, very. It was a lot of fun. That was probably my most fun I've ever done, though I also loved Beatrice and Much Ado, which I got to do twice because she's just so funny and witty and passionate. She's great, and Shakespeare, you know. Jonathan: Very good. So after all these audiobooks, what goes into preparing to record an audiobook? Hollis: That's a great question, too. It depends on the book, really. And I'm lucky enough to do a lot of series now, so when you're doing a series, it gets easier as you go along. I remember with the first ones I did for you, the first Caina, it probably took me an hour of prep to get through the first chapter. There were so many made up place names that I needed to figure out how to say, and then you have to be consistent. Even if they're made up, you still have to be consistent. So I really used my theater training there because I learned the international phonetic alphabet when I was in school, and so I can write down phonetic pronunciations and for each book, I'm old school with my prep, I'll keep a legal pad and I'll write down phonetic pronunciations, the word, page number, and the phonetic pronunciation for each word, so I have a record. You don't retain them from book to book. Pronunciations is a big part of what you do. Also, character voices, because again, you want to be true to the author's intent and you want to stay consistent. Again, for Caina, it became very complicated because you had to have Caina's basic voice, which is this [speaks in Caina's voice]. She started out a bit higher because she was younger. And then as she aged, she's gotten more medium pitch-wise, but then she was in disguise as various people. She was disguised as a cockney guy for a while, and she was an Irish guy for a while. And so for each of those personas, you have to notate for yourself in the script. Oh, now she has this accent. Now she has this one. And really for each chunk of dialogue, every time a character speaks, I'll put the initial of their name and if there are a lot of characters in the scene, I will have to differentiate between them pretty frequently. If it's two characters and I know them both very well, then I kind of have the shorthand in my head. So the different character voices I also put on my legal pad so I have a record, so Calvia sounds like this [speaks a line in the character's voice]. And sometimes I'll write down physical aspects of them so that I can just kind of feel the character. And after I do them for a while, the feel of the character will give me the voice and you write down everything that the author says about the character too. I'll just notate for myself that will oftentimes give you the voice. If it's a good author, which thank God you are, you write in different voices, which makes my job easier. Jonathan: The joke I sometimes say is I didn't do audiobooks for the first seven years I was publishing, and people would ask me, how do you pronounce this? I say, I don't care, pronounce it however you want. And then suddenly we started doing audiobooks and suddenly no, it matters very much how it's pronounced. Hollis: Yeah, exactly. It's funny, I'm just looking at my tablet. I have your Shield of Power up on my tablet. I've been reading that on the treadmill and at lunch. But yeah, we have to keep tabs. And when we have so many books now, I've started special folders just for the Ghost series and the Cloak series because a lot of times a character will show up from several books previous and I go, I remember them, but I don't remember what they sounded like. So I will have notated forward alto, slightly Irish or something like that for them. I have shorthand for all of it, and so I'll do that. Jonathan: Yeah, I spent a lot of time with Control + F searching through Word documents, trying to remember the first time I wrote this character and what they looked like. Hollis: Yeah, I bet you do. Some writers I guess do, well, if they don't do it all themselves. And if they have somebody who's like an administrative assistant, they have somebody who gives you, I've gotten these from authors before. Their assistant will send me a story log of characters with everything that's said about the character. I'm like, oh, well, that's very organized and helpful, but I would think it would be massively time consuming. Jonathan: It is. I did hire someone to help me with that this year. It was getting to be too much to go back and search through things and it is a very time consuming project, but once it's done, it's very helpful because it's quite easy to find things and look things up and refresh your memory. Hollis: I bet so. When I was working on my mom's books, we hired an editor and she did a spreadsheet, a database kind of different terms and characters and what was said about them. And I go back to that and amend it all the time now that I'm trying to write book eight. Jonathan: Yeah, that kind of thing is very helpful. But on a related topic of preparation, since you've done audiobooks, stage, and TV, how would say narrating audiobooks is different from the experience of doing theater or TV? Hollis: The major thing and the hardest thing for me when I was starting out was you can't move around all the time. I had an engineer at Audible. It was just, and a lot of times the chair is very important because if you move, what you're bound to do, if you're producing your voice correctly, you need to sit up and you need to use your hands to express yourself, and you have to have an absolutely silent chair. And the chairs at Audible at that time, were not absolutely silent. So every time I moved, the chair would squeak and we'd have to stop and start again. So that was very, very hard for me. In fact, I've been doing so much audiobooks now, and I also do TV and film, but that's gone to all for auditioning for that. It's all self tape, which means it's just like head and shoulders, so still you're just kind of using a little part of your body. And I had a theater callback for Pygmalion in the city the other day, in person, in a studio, in a rehearsal room. The day before, I used to do those all the time, and that's so rare now for them to do in-person auditions since the pandemic. But I put on my character shoes and my skirt and I practice just being bigger, opening my body up and doing all this stuff I learned to do in school and that you do when you're on stage to own the space because the space is the back wall of the theater. And that's a big difference between theater, film, TV, and audiobooks is the scope of it. When I did Beatrice, I was in an 1,100 seat unamplified stone amphitheater outdoors in Colorado. So you can imagine the scope physically and vocally is so big. And then for TV, film and you have to what they say, reach the back wall of whatever space you're in. Well, for film and TV, the back wall is the camera. It's right in front of your face a lot of the times. And the back wall is really kind of the inside of your head. It's almost like you have to have internal gaze so that the thoughts are just happening. You don't have to project them, you don't have to project your voice because all the equipment comes right to you, and all you have to do is feel the feelings and think the thoughts and the camera and microphone picked that up. Similarly with audiobooks, I'm just in a little tiny padded booth. My microphone is just a few inches from my face, and so I could be very, very intimate and everything gets picked up, and you have to do a lot less work for the emotion to come through. Again, really all you have to do is kind of feel the emotion. And for me, that's always for me is being in the moment and feeling the moment and letting that dictate the pace and the vocals and everything. I guess I'm pretty Method. I'm very Method, but that's how I trained. It's what works for me. Not every narrator is like that. There's a million different proper ways to narrate, and that's just my take on it. But everything is right there. So it's just kind of keeping it much smaller and more intimate. And in fact, when you want to be big like [character name's said in the character's] voice and he was yelling a lot, and I would have to pull back from the microphone to let his scope come out. Jonathan: Well, after 30 audiobooks together, I can say that method definitely works. Related to that, as we mentioned earlier, you're now at over 300 titles on Audible over the last 12 years. Congratulations for that. What would you say is most surprising or unexpected things about audiobooks you learned during that time? Hollis: Oh, well, it was very surprising that we could make a booth out of sword blades and blankets. That surprised me. Yeah, that's a great question. It's surprising to me how simple I can be. I went back and I had an author recently who wanted me to do a new chapter to begin and end a book that I had done like 2014, something like that, shortly after I started. And I thought at the time that I was really filling these voices and what I did was fine. You're always your own worst critic. But what I've discovered now is the more you do it, the more you record, the more you use your instrument every single day for 300 some books, the more effortless it becomes and the more depth you can bring to it. And as a young actor, we always resist that. My acting coach used to say, age and experience. There's no substitute for it. I'm like, yeah, yeah, but talent and hard work, that's something. But it's really true that just the repetition, there's no substitute for it. Those chapters that I did, they were the same voices basically. But when I went back and listened to the original, I was like, oh, it surprised me how without really changing anything mechanically, the work has just gotten deeper, more effortless, but it sounds better at the same time. Does that make sense? Jonathan: It does. Because you've probably noticed I've redesigned the covers for the Caina series like seven times over the last 10 years. And every time you think this is it, this is it. I'm done. This is good. And then with more practice, you look back and think, well, maybe I can improve this again, though. I suppose that's not often something that happens in the audiobook world where you get to go back and revisit something you did previously. Hollis: That is one of the hardest and most surprising things about audiobooks. And I've heard people say that this happens to every young narrator when they're starting out, you get through the first two chapters of a new book and you go, oh God, now I get it. I want to go back and start again. Well, there's no do overs with audiobooks. With audiobooks, “done is good” is what they always tell you when you're starting out. So even in film and TV, which you don't get much rehearsal for, you get a couple of run run-throughs, but with audiobooks, you got your prep. Not everyone does, but I always read the whole book before I start if possible, because otherwise you get surprises. But you get your one read through, your prep, and then you go and yes, you can stop. You can punch and roll, edit over. If you make a mistake, you go back half a line, you start again there. But there's no evolution of the work, which is what's great about series too, I think, because with the series you get, yeah, Caina was here last time I did her and now she's going through something new. And then the character grows and it becomes less and less effortful, but it also becomes like someone you really know so that it gets so much deeper and it's so much more fun to play with. Jonathan: That makes sense. 12 years really is a long time to have done audio narration or anything. So what do you think is the key to sticking it out for audiobooks for the long term? Hollis: Well, a lot of things make a difference. I didn't do it before this interview, which is why my voice is kind of rocky, but I always warm up in the morning when I'm setting up a session. I always do a vocal warmup. You got to get a good night's sleep, you have to drink water every couple of pages. I have a tea that I drink that keeps my stomach quiet because stomach gurgles is another bad thing about audiobooks. You have to eat very carefully and drink tea to keep your stomach quiet. You don't want to have to stop every time for that. And a lot of training, a lot of vocal training. I had Linklater training and the Lavan training, and Linklater to me is the most useful. And a lot of the stuff that applies to Shakespeare applies to audiobooks too. You warm up, you get yourself breathing, you warm up your resonators, your sinus, your mask resonators, the back of your head, your chest resonators. For the men [imitates male voice], you really have to have your chest warmed up, get the vibrations going here. And so I get all that kind of going before I sit down in the booth. And that also keeps you, then you keep your throat open so you're not hurting yourself. You have to have good posture so that the air can move from your diaphragm up to your throat and have it be open. And then optimally, like with Caina, Caina has a lot of mask resonance. Brits do; they are very far forward. So you really have to have all that warmed up and then that has to have no impediments between the front of your face all the way down to your diaphragm where the breath originates. And if you can do all that, then you could be an audiobook narrator. Also diction. I warm up my diction to everything from [imitates several vocal exercises] in just to get your mouth moving. You don't want lazy mouth with, there's a lot of enunciation in audiobooks that's important. But I also don't like, I really hate when you hear people enunciating. I don't like that. And with Caina, even though she's upper class, she's not like that. She's not pretentious. And certainly Nadia, you want to be able to understand what she says, but you don't want her to be enunciating. That be weird. So all of all that stuff I worked on in grad school and did all the Shakespeare plays, I would always get to the theater an hour early. You have to be there half hour for makeup and check in, but I would always get there an hour early and do at least 15 to 20 minutes of physical and vocal warmups. And so those habits have really helped me. I think I have pipes of iron, fortunately. I'm very lucky. So all that stuff really matters with audiobooks. Jonathan: It's amazing in how many different fields of life the answer seems to boil down to do the things you're supposed to over and over again forever. Hollis: Exactly. That's really true. When are we going to get old enough that we don't have to do that anymore? [laughs] Jonathan: Just one side question. What is Linklater training? I don't think I've heard that term before. Hollis: Oh, Kristen Linklater is, she's probably the biggest American vocal coach. She has a lot of books out there about voice and the actor and all of her training stems from allowing the breathing to drop in as she calls it, not forcing it to drop into the diaphragm, and then creating a pool of vocal vibrations that go from the diaphragm through an open throat to the resonators. And you can use every resonator in your body to project that sound. When I was doing Beatrice and Gertrude at Colorado Shakes in that unamplified stone amphitheater in the foothills of the Rockies, there was winds that would come down out of the mountains when we were on stage, and that theater was known for eating women's voices. And I had to thank God the vocal coach that summer was a Linklater coach, which is the method that I trained in, and he helped me work with even resonators. If you can imagine in your back, just using the whole chest box and shaking the vibrations through your body so that basically you're making your whole human skeleton an amplifier for the vocal energy coming from your breath. And that's Linklater. She's fascinating. If you ever want to study voice, you can't do better than Linklater, to my mind. Cicely Berry is another one I studied. She's the British guru for the RSC and the Royal Shakespeare Company and all those people, and she's great too. Jonathan: Well, that's just exciting. I learned something new today. Hollis: That's always good. Always learning from your books too about Medieval combat. Jonathan: We always want to learn something new every day, whether we like it or not. Hollis: Right. Jonathan: So to turn it around a little bit, what advice would you give a new indie author who is working with a narrator for the first time? Hollis: Oh yeah, I actually, I made some notes. I thought that was such a good question. Make sure that your narrator knows what you expect from them upfront. If you go through ACX, they have this great thing called the first 15 where your narrator is, if you're new to this author, you record the first 15 minutes of the book and you put that on ACX for your author to listen to and approve. You don't have to approve it if you don't like it. And in fact, if you don't like it, it's very important you don't approve it and you tell your narrator specifics about what you need them to change before they go on with the book. Because what you can't really do is once a book is recorded, say, oh, I really don't like it. I'm not going to pay you for it. I need you to go back and do it again. That's not acceptable and it will make narrators never want to work with you. But what's great about the first 15 is you have that chance to say, well, this voice was, she was a little higher than I wanted. I hear her in my head more as an alto because for me as a narrator, what I want to do is I want to take what you, Jonathan, hear your characters being as you're writing them in your head. I want to take that and translate that into an audiobook for you. So the more you give your narrators information about your characters, the better they're going to voice it. Also, if there's a style in your head, like with Nadia books, there's a little touch of noir there. It was a dark and stormy night kind of feel. If there's a style you kind of hear in your head, that would be a good thing to give them. But ACX has also, I think a character sheet where you can tell them about the different characters. You can fill that out for your narrator. That's tremendously helpful, age of the character, if you hear a vocal pitch range, soprano, alto, tenor, bass, any dialects, they need to know that. The narrator's nightmare is you finish up a book and you shouldn't do this, you should read ahead, but you get to the last line: “I love you, darling,” he said in his beautiful French accent. Jonathan: It explicitly shows up there for the first time. Hollis: Exactly. And then for the narrator, it's like, oh my God, I have to go back and rerecord everything this guy said, which is hours and hours and hours of work for you and your editor who will kill you. But yeah, let them know about all the character traits that you can and just, I think it's on the narrator too, to, I've been lucky with my authors, we always have a good give and take. I come from a theater background and you want to collaborate. You want to realize the author's vision and you want to be a partner in creating that. So try to be partners and give them more information than you think they need and use that first 15. It is totally acceptable to send it back and say, I'm going to need you to do this again, and I'm going to need these changes. And then once you get that ironed out, then you'll probably be ready to go ahead and have a book. And when you get the book, you won't be shocked and you'll be happy (hopefully) with the read. Is that helpful? Jonathan: It does. New authors, if you're listening to this, listen to that advice. Hollis: Yeah. Jonathan: Now for a slightly different topic, can you tell us about the Magic of Larlion books and how you ended up publishing that series? Hollis: Yeah. The Magic of Larlion is an epic fantasy adventures series seven, almost eight volumes. I'm working on finishing book eight now. The first book, Wizard Stone, my brilliant mother Dee Maltby started years and years ago, probably, gosh, maybe 20 years ago now, I think when my little brother moved out from home and she had an empty nest and she had more time to write, and she wrote Wizard Stone, and she sent it out a few places, and that was the only way you could get published back when she wrote it and didn't pursue it, she got discouraged, I think, by rejections from publishers, sat in her drawer for a while, and my sister-in-law, Dana Benningfield, who's also an actor, and she was my best friend even before she married my brother. I introduced them. So yeah, that was all me. She was an editor professionally for a while, and when she moved to Ohio where I'm from and was living with my brother and my parents lived right across the orchard, I told her about this book. And she wasn't editing at the time, she was kind of done with it, but she asked mom if she could read it. So she read it and edited it, and then it became a much better book and really encouraged my mom to keep writing, which I had been telling her to do for years. But hearing somebody who wasn't family, somehow giving her that input that it was really something special, changed her perspective. So she kept writing and she and I started, I was on the road doing Shakespeare a lot. We started trading chapters. She'd send me a chapter a week and I would edit it and send it back. And so Wizard Stone evolved from there into its current form, and then she started the next book, Wizard Wind and Wizard Storm. And we went that way through five and a half books. And my dad finally, when he retired from being a physicist, said he was going to, I always told you I'd get your published Dee, I'm going to take it down to the print shop and get a hundred copies made. And by this time I was working with you and a bunch of other great indie authors who were letting thousands of happy readers read their books through an independent platform. And I said, well, wait a minute. I could do better than that. So I convinced them to hire an editor that I had worked with, and I did the rewrites and got it through the pre-production process and hired a cover artist, very talented artist. And you and Meara Platt, another of my authors, gave me so much information and help. And we got it published in 2022, I believe. We had three ready to go. And we published those all within a month of each other. One a month for three months, and then four and five, and then six came. And I co-authored five, six, and seven because my mother was losing her sight and her hearing at that point. We got those done. We had six out and a lot of people reading them and loving them and reviewing them before my mom passed. And I think it's probably one of the most satisfying things I've done in my life, because not only do I love the books, and they're just a rip roaring, fantastic adventure-filled epic trip through this incredible world my mom invented. But when she was about to, one of the last things she said to me was, I told her how many people had read her books. I just went through the Kindle numbers and thousands of people in different countries and all over the world were reading and loving her books. And I told her that, and she said, that's all that matters. And she felt such a sense of pride in herself and accomplishment because they were being received for what they are, which is a brilliant creative flight of fancy, this magical world in the tradition of all the books she loved, always Tolkien. And so I promised her I'd finish it. So after she died, I published six and seven and I've got eight about 90% written now, and I'm hoping to bring that out by the end of the year, although I've been too darn busy with narration to really spend the time. I've got the big climactic Jonathan Moeller type battle at the end sketched in my head and on an outline, but I got to write that. And then we can get that out there and finish that too. Jonathan: Will you stop with eight or keep going after eight? Hollis: My feeling is that this series will culminate with book eight. It's been a long saga of Beneban, this young wizard who kind of gets flung off a mountain by his evil wizard master and has to master his fledgling wizardry powers and his magical sword to win his love Laraynia, a powerful sorceress, and save the kingdom. And that's book one. And there's ice dragons, and then they have kids, and then the later books have become much more about their kids. And the more I write, the more it's become about young women fighting with swords. Jonathan: Well, they say write what you know. Hollis: Defeating the bad guys. Plucky young women, overachieving, competing with men. And so I think that's all going to come to a head with book eight, and that will be the end of that series. But I do think I'm going to spin it off into possibly more on the younger characters. I don't know if it's going to be YA per se, I think it'll still be for adults, but more of a YA feel to it, the younger characters of the ice dragon riding school of battle and the wizarding school. I don't know if I want to make it schools necessarily, it might limit you too much. And that's kind of been done too. But I do think the ice dragons are going to figure largely in it. Oh, and I don't know, there's a plot point I probably shouldn't give away, but my mother's full name was Willa Dee Maltby. She writes under Dee Maltby and there is a character, a very magical character named Willa that shows up in this book eight. So I think Willa will be a big character going forward and the younger generation of women and some boys too. I like boys, I do. Jonathan: Well, I suppose if people want to know more, they will have to read and find out. Hollis: Yes. And please go to the website is deemaltbyauthor.com and everything you want to know (well, maybe not everything), but everything you can know for now is there. Jonathan: Well, I was going to ask you what you would say was the most rewarding things about publishing the books, but I think you covered that pretty well. On the flip side, what was the biggest unexpected challenge in publishing them? Hollis: The PR is hard. You seem to be great at it. I even did PR professionally to work my way through undergrad and then in between grad school and undergrad and after I graduated and I had an assistantship in it at my university. But the book world specifically is a whole different kind of PR and learning Amazon ads and Facebook ads and it's a lot. It's a lot. And again, you have been so helpful with it. And I mean, there are a lot of online resources out there too, which is great. But what I'm really finding, trying to do it part-time is overwhelming. You really need a full-time block of time to not only write the books, but then to publicize them the way they deserve to be publicized. Jonathan: Yeah, the tricky part is, as you said, book advertising is very different from anything else. I was talking with a guy who is an Amazon reseller for various toiletries and hygiene products and makes a good living doing that. I was telling him how much I pay per click on Amazon ads. He's just appalled. It's like, you can't make any money doing that. And then the flip side of that too is that Internet marketing is so different than any other form of PR, so it's just sort of constant challenge there. Hollis: I know, and I know I actually signed up for a TikTok account and I just don't, again at the time. Plus every time I turn it on, I'm like, I don't want to watch that. I'm allergic to the format. You'd think being an actor, being used to being on camera, I could come up easily with little things to do for the books and I probably could for TikTok. But again, just learning the platform and then applying yourself to it is just such a big time hack that I don't have that amount of time. I know that narrators are now more and more marketing themselves by recording themselves on camera narrating and putting that out there, which I can do, I guess. And that's why I got this ring light and everything. I can do that now. I haven't done anything with it, but I guess if some of the book work dries up, I'll be more motivated to do it. Jonathan: Well, that's how anything works. You try it and if you enjoy it and it works, keep doing it. And if you don't enjoy it and it doesn't work, no point in carrying on with it. Hollis: I think that's true. And you just have to keep learning too, as we know with everything. You got to keep learning new things. Jonathan: Well, this has been a very enjoyable interview and thank you for coming on the show. Hollis: My pleasure. Jonathan: Let's close out with one last question. You've obviously done a lot of theater, so what, out of all the productions you've done was the one you would say was your favorite or that you enjoyed the most? Hollis: I think I have to go back to Beatrice probably. I mean, the Alabama Shakes getting to play a man thing, that was a lot of fun. But Beatrice, we did a Wild West Much Ado about Nothing at Colorado Shakespeare. The premise was that I was the niece of Leonardo, who is the tavern keeper, the bar keeper in this Wild West world. And there was a bar fight opening this Wild West production, and I entered through a swinging tavern door with a six shooter in one hand and a bull whip in the other. And I shot the pistol and cracked the bull whip and broke up the fight and then got to do Shakespeare's incredible Beatrice and Benedict story from there. It was so much fun. Jonathan: It almost seems like the soundtrack could have been “I Shot the Sheriff.” Hollis: Yeah. Yeah, it really could. It was a heck of a lot of fun. Jonathan: Well, speaking of fun, it was good talking with you, and thank you for taking the time to be on the show. Hollis: Yeah, I am excited to start the next Cloak book soon. So I was going to offer to do a little snatch of you want the introduction for Cloak here? Jonathan: Oh, I think we'll save it for the Real Thing. Hollis: Oh, okay. All right. Well thank you, Jonathan. It's been a pleasure. Jonathan: It's been a pleasure. And see you soon for Cloak Mage #10. Hollis: Alright. So that was our interview with Hollis McCarthy. Thank you for coming on the show and giving us a very informative and entertaining interview. A reminder that the website with the Magic of Larlion books is deemaltbyauthor.com. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.

10-19-5-1

If you've ever seen Couples Retreat, you probably laughed and maybe thought, “Please tell me real retreats aren't like that.”You're not alone. Hollywood's version of “healing” is filled with forced sharing, public breakdowns, and humiliation disguised as therapy.In this episode of the Get Your Sexy Back Podcast for Couples, we share the truth about what real couples retreats are like and why they're nothing like the movie. What You'll Hear in This Episode:Why Hollywood's version of couples retreats creates more fear than healing, and how that misconception stops couples from getting real help.What is the truth about tantra and what it actually is (and isn't)What is the importance of consentWhy waiting until your relationship is “on the rocks” makes healing harder and how coming sooner can transform everything.What real retreats feel like ...how depth, laughter, sensuality, and play in a space where transformation happens through safety, not shame, looks like You don't have to wait for a crisis to reconnect. Real retreats aren't about breaking you down...they're about helping you remember the truth of who you are, together. REGISTRATION IS OPEN NOW FOR OUR FEBRUARY 12-15 GROUP COUPLES RETREAT AT PHOENIX RISING.Here's what you can expect:• Daily practices to help you reconnect beyond the day-to-day• Space to set down stress and rediscover each other as lovers• Guidance from us and the support of a like-minded group• Private moments where intimacy can naturally rekindleWe keep this retreat intentionally small. It is just 5 couples, so there's space for genuine connection.

Coca Cola launched this popular advertising slogan: "It's the Real Thing." In the spiritual realm, eternal life through Jesus Christ is the real thing, but there are many cheap imitations and dangerous imposters. The world sets forth money, success, drugs, sex, and other empty pursuits as the path to real life, but they are merely devilish deceptions. Do you experience the real life that is found only in Jesus Christ? Dr. Barnhouse teaches from Romans 8:13 on today's episode of Dr. Barnhouse and the Bible. To support this ministry financially, visit: https://www.oneplace.com/donate/791/29

This week, screenwriter and author Nicholas Meyer discusses his latest mystery novel Sherlock Holmes and the Real Thing. In this latest book, Sherlock Holmes and Dr. Watson delve into the world of art forgery. Meyer is interviewed by Allison Sansone, Director of Programs at the American Writers Museum. This conversation originally took place September 18, [...]

This week, screenwriter and author Nicholas Meyer discusses his latest mystery novel Sherlock Holmes and the Real Thing. In this latest book, Sherlock Holmes and Dr. Watson delve into the world of art forgery. Meyer is interviewed by Allison Sansone, Director of Programs at the American Writers Museum. This conversation originally took place September 18, 2025 and was recorded live at the American Writers Museum. We hope you enjoy entering the Mind of a Writer. PODCAST NETWORK HUB More about Sherlock Holmes and the Real Thing: London, 189–: The great city is brought to a standstill by a series of blizzards and Sherlock Holmes is bored to distraction. It would take a miracle to bring a case to the detective's door... What arrives is not promising: a landlady who complains her artist tenant is behind on rent. Not exactly the miracle for which Holmes was hoping. But, next thing you know, there are several corpses and Sherlock Holmes and his biographer, John H. Watson, MD, find themselves drawn into one of the most bizarre cases of the great detective's career. And into the cutthroat big business of Art, where chicanery and mendacity (and cut throats) proliferate. What makes a work of art worth killing for? Is it the artist, his mistress, his dealer, or his blackmailer? The cast of characters is large. But are they perpetrators, accomplices, or victims? And just who is Juliet Packwood, with whom Watson has become infatuated? Oh, and there's one other problem: Is this a genuine Holmes case or a clever forgery? Is this the real thing? If you can't tell the difference, what is the difference? About Nicholas Meyer: NICHOLAS MEYER is the "editor" of several Watson manuscripts, including The Seven-Per-Cent Solution, which spent forty weeks on the New York Times bestseller list. His screenplay of the film received an Oscar nomination. His film credits include writing and directing Star Trek II: The Wrath of Khan, Star Trek IV: The Voyage Home, and Star Trek VI: The Undiscovered Country. He wrote and directed Time After Time, co-created Medici: Masters of Florence, and directed The Day After, about nuclear war that attracted the largest audience ever for a television movie. A native of New York City, he lives in Santa Monica, California.

You've got a full day of appointments… great! But do you have everything you need? Don't miss our list of small items that agents often forget. Remembering them can make a big difference in keeping you organized and stress-free when you're on the road.   Read the text version   Get Connected:

ABIDING and ENDURING they often go hand in hand, because there will always be challenges to our faith. Main Text: 1 John 2:18-28 1 John 2:18Matthew 24:4-51 John 2:19Psalm 55:4-5, 12-141 John 2:191 John 2:20-27ABIDEIntimacyBeliefsDecisionsActionsEndurance 1 John 2:281 John 2:24-25 Going Deeper Questions Ice Breaker Question: have you ever been betrayed or ignored by someone close … Continue reading The Real Thing: Real Endurance (1 John 2:18-28) →

Don't let counterfeit Christianity blind you to the reality of a faith that is genuine and life-changing.

This week, we answer some of your burning questions about the economy. Like, why does Canada import stuff that we produce here? Should you pay in CAD when travelling abroad? And, how expensive is the #rvlife?

When folks began reporting wild rabbits with what appeared to be horns this summer,…

When folks began reporting wild rabbits with what appeared to be horns this summer, it wasn't just another tall tale. This was the real deal. The rabbits they were seeing...

Josh Hamilton has worked as an actor since he was a teenager in NYC. On stage, he's been in the original productions of Kenneth Lonergan's This is Our Youth, The Waverly Gallery and The Medieval Play, on Broadway in Proof, The Real Thing, The Coast of Utopia and Dead Accounts. Off-Broadway includes Annie Baker's The Antipodes, Jonathan Marc Sherman's Things We Want, HurlyBurly(Drama Desk nom), Scene Partners, Lie of the Mind, The Cider House Rules, Reasons to be Happy, Cherry Orchard and Three Sisters(CSC), The Bridge Project(BAM/Old Vic) and Wallace Shawn's Evening at the Talkhouse(National Theater). His film work has included Reality, 8th Grade(Indie Spirit nom), Maestro, Manchester by the Sea, Blaze, Landscape with Invisible Hand, Away We Go, Outsourced, Kicking and Screaming, The House of Yes, Alive. And on TV in The Walking Dead, 13 Reasons Why, The Last Thing He Told Me, Mrs. Fletcher, At Home with Amy Sedaris, Louie, Accused, and Ray Donovan. He can be seen in the upcoming The Long Walk, Noah Baumbach's Jay Kelly, Concessions, Mayday(Apple), Something Very Bad is Going to Happen(Netflix), The Last Thing He Told Me season 2(Apple) and The Five Star Weekend(Peacock). And on stage in Wallace Shawn's new play “What We Did Before Our Moth Days” directed by Andre Gregory at the Greenwich House Theater in early 2026. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Message Outline 1 John 2:12-14 (reference) Children: You have real victory because your sins have been forgiven, and you know the Father.  Young Men: You have real victory because you are strong in Christ through the Spirit of God in you. Fathers: You have real victory through Jesus, your first love.  1 John 2:15-17  1 … Continue reading The Real Thing: Real Victory (1 John 2:12-17) →

Sports journalist James Knight explores what motivates people to run in a new book. 

In this candid car conversation, Marc and Fuller tackle some of the most common and difficult questions about church life that the RTC Online Facebook Community has been asking. They dive deep into the thorny issue of church attendance - when it's okay to miss and when you might be making excuses - while sharing personal stories about their own church search experiences. The discussion gets particularly honest when they explore the challenges of finding a new church home, including what to look for, how long the process might take, and the difference between healthy church transfers versus unhealthy "church shopping." The conversation takes a personal turn as they share their own stories of leaving churches - one for doctrinal reasons and another for family reestablishment after major life changes. They also wrestle with one of the most challenging scenarios many couples face: what to do when your spouse, whether saved or unsaved, simply doesn't want to attend church. Their advice emphasizes patience, prayer, and having difficult but loving conversations while maintaining the importance of remaining connected to the body of Christ, even when circumstances make it complicated. On, and we almost hit a deer.   //Other Episode You Might Enjoy// 36: What's Up With All of These Different Denominations? 121: Why Mega Church Pastors Fall 198: Is Church Membership a Real Thing? 217: Has the Church Become Too Corporate? 220: When Should I Leave My Church?   // Helpful Links // https://www.youtube.com/@realtalkchristianpodcast The Christian Standard Bible: https://csbible.com Lifeway Christian Resources: www.lifeway.com Got Questions?: www.gotquestions.org Dwell Bible App: https://dwellapp.io Cross Formed Kids from Ryan Coatney: https://www.crossformedkids.com RTC Quick Links: https://linktr.ee/realtalkchristianpodcast RTC Online: www.realtalkchristianpodcast.com Twin Valley Coffee:  https://www.coffeehelpingmissions.com Revive festival : Music Festival | En Gedi Music Fest | Leonidas, MI (myrevivefest.com) Toccoa Coffee:https://toccoacoffee.com RTC Merch-https://rtcpodcast.redbubble.com Let Them Live: https://letthemlive.org  

Whether or not you're a Sherlockian, whether or not you believe that Arthur Conan Doyle was the literary agent for Holmes and Watson and not the author of fantastical tales, you might be curious to learn that there's a new mysterious Sherlock Holmes tale to untangle. Author, screenwriter, and director Nicholas Meyer would like to share that tale in his book, Sherlock Holmes and The Real Thing. Picture the setting: London, 189–. The great city is brought to a standstill by a series of blizzards, and Sherlock Holmes is bored to distraction. It would take a miracle to bring a case to the detective's door. . . But next thing you know, there are several corpses—and Holmes and his biographer, John H. Watson, MD, find themselves drawn into one of the most bizarre cases of the great detective's career: the cutthroat world of big Art, where trickery and deceit abound. Like any good Sherlock Holmes story, there seem to be more questions than answers. What makes a work of art worth killing for? Is it the artist, his mistress, his dealer, or his blackmailer? Who are the perpetrators? The accomplices? The victims? And just who is Juliet Packwood, with whom Watson has become infatuated? Oh, and there's one other problem: Is this a genuine Holmes case or a clever forgery? Is this the real thing? Nicholas Meyer spins a tale for new and seasoned Sherlockians alike. Nicholas Meyer is the “editor” of several Watson manuscripts, including The Seven-Per-Cent Solution, which spent forty weeks on the New York Times bestseller list. His screenplay of the film received an Oscar nomination. His film credits include writing and directing Star Trek II: The Wrath of Khan, Star Trek IV: The Voyage Home, and Star Trek VI: The Undiscovered Country. He wrote and directed Time After Time, co-created Medici: Masters of Florence, and directed The Day After, about nuclear war that attracted the largest audience ever for a television movie. George Meyer wrote for Late Night with David Letterman, Saturday Night Live, and The Simpsons. An Eagle Scout, he practices yoga and meditation and supports frog and turtle conservation. His favorite Grateful Dead song is “Unbroken Chain.” Buy the Book Sherlock Holmes and the Real Thing Third Place Books

We are honored to have author, movie director of Star Trek 2 The Wrath of Kahn, and Star Trek 6 the Undiscovered Country Nicholas Meyer! Dive into mystery, legacy, and literary truth with the legendary storyteller behind The Wrath of Khan—only on The Captains Quadrant.Love what you heard? Then be sure to buy his new book Sherlock Holmes: And The Real Thing #amazonhttps://www.amazon.com/Sherlock-Holmes-Thing-Nicholas-Meyer/dp/1613166567NYC bookstore The Mysterious Book Shop (Get a Signed Copy) https://www.mysteriousbookshop.com/products/nicholas-meyer-sherlock-holmes-and-the-real-thing-preorder-signed Please enjoy our latest video for the Captains Quadrant a Star Trek podcast we dive into all things Star Trek and SciFi! Be sure to like share and subscribe. If you enjoy the show even more you can enjoy our incredible patreonNew MERCH! https://captainsquadrant.myspreadshop.com/https://linktr.ee/captainsquadranthttps://www.patreon.com/CaptainsQuadrantDiscord- Become a memeber of our Patreon to chat with us in Discord after every show!Goup Chat on FB- https://www.facebook.com/groups/980469412947636/people/?should_open_welcome_member_composer=1#sherlockholmes #NicholasMeyer#RealSherlockRevealed #MysteryMeetsReality #MustWatchInterview #FromKhanToHolmes #StarTrekTheWrathofKahn #StarTrekTheUndiscoveredCountry

On this episode, Angela and Kristin explore the phenomenon of parental imposter syndrome. They look at where it comes from, how it shows up for parents, and ways to address it with compassion.Angela Nelson, EdD, BCBA, and Kristin Bandi, MA, BCBA, are Board Certified Behavior Analysts with expertise on human behavior and child development. They spend their days working with parents and caregivers of both typically developing children as well as children with learning, social, and behavioral challenges, or developmental disabilities. This podcast is brought to you by RethinkCare. If you need support as a parent or caregiver of a child, we encourage you to ask your Human Resources team if RethinkCare is a part of your employer-provided benefits.  RethinkCare reaches millions of lives globally through partnerships with top organizations and Fortune 1,000 companies.

Gather in black masses!Show topic starts at 0:28:27Email: podcastcroissant@gmail.comfacebook.com/podcastcroissantInstagram - @podcastcroissantTwitter - @podcroissantFaith No More Followers

The book of Ecclesiastes provides an unvarnished look at reality. There is a flaw in the system that is designed to reward the good and unless you understand the law of random chance life will be hard to understand.

Why art is so important.

In this week's episode of Nacho Fitness Coach, Caleigh and Sara ask the big question: is motivation even real, or are we all just waiting for a magical spark that never shows up? We dig into why consistency and discipline often matter more than fleeting bursts of motivation, and why strength training deserves a bigger spotlight than cardio when it comes to everyday fitness.Along the way we share practical ways to actually get started—fixing your sleep, drinking more water, taking short walks, and stacking small habits that add up over time. We also call out the unrealistic “perfect routines” plastered all over social media, and laugh through some of our own real-life fails (including Pokémon Go walks and 5 a.m. alarm disasters).We wrap things up with tips on accountability, building keystone habits, and reflecting on the biggest takeaways from this season.Connect with us on social media!Instagram | TikTok | Threads | Youtube | Facebook | X (Twitter) | WebsiteThis podcast offers health, fitness, and nutritional information and is designed for educational and entertainment purposes only. You should not rely on this information as a substitute for, nor does it replace professional medical advice, diagnosis, or treatment. If you have any concerns or questions about your health, you should always consult with a physician or other healthcare professional. Do not disregard, avoid, or delay obtaining medical or health-related advice from your healthcare professional because of something you may have heard on this podcast. The use of any information provided by Nacho Fitness Coach podcast is solely at your own risk.

In this episode, we dive into the second part of our series, "The Fundamental List." Join us as we explore the essential beliefs about Jesus that are crucial for following Him. We begin with a personal story about the excitement of experiencing something greater than expected, drawing parallels to our understanding of God. The discussion highlights the confusion surrounding different interpretations of Christianity and the importance of distinguishing between fundamental beliefs and non-essentials. As we unpack the question, "What must you believe about Jesus to follow Him?" we emphasize that Jesus is not just a historical figure but the unique Son of God and our King. We also address the misconceptions that can arise from traditional teachings and how they can lead to obstacles in faith. Throughout the episode, we encourage listeners to reflect on their views of God and Jesus, emphasizing that Jesus came to illustrate and demonstrate what God is truly like. Whether you're deconstructing your faith or seeking a deeper understanding of Jesus, this episode offers valuable insights and encouragement. Key Takeaways: -The importance of understanding the fundamental beliefs about Jesus. -How cultural and peripheral beliefs can become obstacles to faith. -Jesus as the ultimate revelation of God's character and love. Read along with our chosen scripture: Matthew 16:16; John 14:1, 7–10; Colossians 2:17; Hebrews 10:1 ------------------------------------------------------------------------------------------- We are an alternative to church as usual. Our Sunday worship service is approximately a 75-minute experience designed to introduce people to the message of Jesus and equip believers to live their lives in response to the Gospel while their kids enjoy one of our safe children's environments. Centerpoint is designed to meet you wherever you are on the journey whether you are just checking out the "church thing" or you are a committed Christ follower. Centerpoint is a casual environment that combines today's music with creative media and relevant teaching. We hope you will visit us at Centerpoint Church regardless of what your past church experience has looked like.

Message Outline 1 John 2:1-11  1 John 2:3 Ginosko means to know from first-hand experience.  Real knowledge of Jesus is demonstrated when we keep His commands.  John 14:15, 21, 23, 24; John 15:10 1 John 3:11 John 15:12 The command that shows we really know Jesus is this: Love one another. All sin is a … Continue reading The Real Thing: Real Knowledge 1 John 2:3-11 →

Ain't Nothing Like the Real Thing Baby, Or Is It@asahisuperdry @heineken @stellaartoisusa @coronausa #beer #nonalcoholic #radioshow #podcast #beerreview Co hosts : Good ol Boy Dave, Good ol Boy Mike, and Good ol Gal Julieanna SUDS  Episode – Join us for a Summer of Questionable Decisions as we dive into the world of macro lagers and their non-alcoholic counterparts! This episode features a blind tasting of fan favorites including Asahi Super Dry, Stella Artois, Heineken, and Corona, paired with their 0.0 versions. Our hosts will put their taste buds to the test to see if they can tell the difference between the real deal and the NA versions. Expect plenty of laughs, spirited debates, and some surprising revelations as they rate each beer on a scale from 1 to 5. Whether you're a beer enthusiast or just curious about the growing trend of non-alcoholic options, this episode promises to be both entertaining and informative! 8:041.Asahi Super Dry Japanese Rice Lager -5% ABV.  Mike-SUDS-2 Dave SUDS-32.Asahi Super Dry 0.0 NA Japanese Rice Lager 0% ABV Mike-SUDS-4 Dave SUDS-3Asahi Group Holdings- brewed and bottled by Birra Peroni  Rome Italy14:251.Heineken 0.0- NA lager- Mike SUDS-3 Dave SUDS-32.Heineken- Euro Pale lager 5% ABV Mike SUDS-3 Dave SUDS-3Heineken Macro Brewery Zoeterwoude, Zuid-Holland Netherlands23:361.Stella Artois 0.0%- NA Lager- Mike SUDS-2 Dave SUDS-32.Stella Artois Pale Lager- 5% ABV Mike SUDS-3 Dave SUDS-3Stella Artois Macro Brewery Leuven, Vlaams Gewest Belgium29:401.Corona Extra- 4.5 ABV Mike SUDS-3 Dave SUDS-32.Corona Non-Alcoholic  Mike SUDS-2 Dave SUDS-2Groupo Modelo Cuidad de Méxicoinfo@sipssudsandsmokes.com X- @sipssudssmokes IG/FB/Bluesky - @sipssudsandsmokes Sips, Suds, & Smokes® is produced by One Tan Hand Productions using the power of beer, whiskey, and golf.  Available on Apple Podcasts, YouTube Music, Amazon Music, Pandora, iHeart, and nearly anywhere you can find a podcast.Check out Good ol Boy Dave on 60 Second Reviewshttps://www.instagram.com/goodoleboydave/ Enjoying that cool new Outro Music, it's from Woods & Whitehead – Back Roads Download your copy here: https://amzn.to/2XblorcThe easiest way to find this award winning podcast on your phone is ask Alexa, Siri or Google, “Play Podcast , Sips, Suds, & Smokes” Credits:TITLE: Maxwell Swing/ FlapperjackPERFORMED BY: Texas GypsiesCOMPOSED BY: Steven R Curry (BMI)PUBLISHED BY: Alliance AudioSparx (BMI)TITLE: Back RoadsPERFORMED BY: Woods & WhiteheadCOMPOSED BY: Terry WhiteheadPUBLISHED BY: Terry WhiteheadCOURTESY OF: Terry WhiteheadPost production services : Pro Podcast SolutionsAdvertising sales: Contact us directlyContent hosting services: Talk Media Network, Audioport, Earshot, Radio4All, PodBeanProducer: Good ol Gal Julieanna & Good ol Boy DaveExecutive Producer: Good ol Boy MikeBeer Tasting, Non-Alcoholic Beers, Macro Lagers, Asahi Super Dry, Heineken, Stella Artois, Corona Extra, Blind Tasting, Summer Of Questionable Decisions, Alcohol-Free Beer, Beer Reviews, Craft Beer, Beer Pairing, Beer Culture, Taste Test, Beer Comparison, Brewery Innovations, Beer Trends, Drinking Alternatives, Beverage Industry

Today’s Bible Verse:"For the Lord will be your confidence and will keep your foot from being caught." — Proverbs 3:26 So many of us put on a brave face—masking insecurity with a polished smile or forced boldness. But fake confidence only takes us so far before fear and doubt creep back in. Proverbs 3:26 reminds us that real, lasting confidence doesn’t come from ourselves—it comes from the Lord. “Want to listen without ads? Become a BibleStudyTools.com PLUS Member today: https://www.biblestudytools.com/subscribe/ Meet Today’s Host: Reverend Jessica Van Roekel

@asahisuperdry @heineken @stellaartoisusa @coronausa #beer #nonalcoholic #radioshow #podcast #beerreview

Message Outline Each Time John revisits a theme it amplifies the idea even more. 1 John 1:5-10 5 This is the message we have heard from him [Jesus] and proclaim to you, that God is light, and in him is no darkness at all.6If we say we have fellowship with him while we walk in darkness, we … Continue reading The Real Thing: Real Light (1 John 1:5 – 2:2) →

Scripture: Romans 12:9-16

Ed, Rob, and Jeremy took some time from the second hour of Friday's BBMS to discuss the idea of bulletin board material in pro sports. Do athletes at the highest level need more of a reason to get amped? Is it all just posturing?

Scripture: Romans 12:9-16

We pick up where we left off with Faith No More (Check out 045 Introduce Yourself) - the funk-metal carnival continues with a new singer and an oddball classic of an album that somehow wedged it's way into the 1989 popular music zeitgeist amongst an overstuffed populace of Pop Stars and Hair Hunx.

Entemann's doughnuts are treif!?Why can't you pass bread hand to hand!?3 levels of kashrut of milk (Chalav stam is not a real thing!?)

1 John 1:1-4 Koinonia (fellowship) means partnership; sharing in participation together. What does REAL FELLOWSHIP WITH JESUS look like?When we spend time with God, we get the real treasure: God himself! What does REAL FELLOWSHIP WITH OTHERS look like?MY joy can't be complete without you. And OUR joy can't be complete without each other. Challenge … Continue reading The Real Thing: Real Fellowship (1 John 1:1-4) →

Welcome back to the Homeward podcast!  In this week's episode I share the greatest unlock when it comes to setting yourself free. How our deep work asks us to hold ourselves accountable to the life we claim to want, and how we can set ourselves on the path to living it.  I can't wait for you to listen.    Links Mentioned: Step into Your Frequency Era My brand new 3-part wealth callibration series!  Take the quiz and discover your Entrepreneurial Archetype Learn more about IGNITE Your Business Book your Breakthrough Call today! Tag me in your big shifts + takeaways: @amberlilyestrom Did you hear something you loved here today?! Leave a Review + Subscribe via iTunes   

Romans 12:9-13 | August 31, 2025 | Hanley Liuhttps://youtu.be/-J5MLHugq6A

“Pooh, pooh! Forgery.” [SCAN]  Nicholas Meyer, BSI ("A Fine Morocco Case") is an accomplished storyteller who has made a mark in both the literary and film worlds. He's best known for his 1974 best-selling novel, , which revitalized Sherlock Holmes for a new generation of readers. His other Holmes novels, including , , , and , and have cemented his place as a celebrated perpetuator of Watson's reports.  Beyond his literary achievements, Nick is a prolific screenwriter and director, credited with directing the iconic films Star Trek II: The Wrath of Khan and Star Trek VI: The Undiscovered Country. He also directed the landmark television movie The Day After, which remains one of the most-watched television films ever made. Nick's latest novel is . In the book, Holmes and Watson are drawn into a bizarre and deadly case set in the cutthroat world of art. The mystery begins with a seemingly mundane complaint from a landlady about her artist tenant, but quickly escalates as corpses begin to appear. The pair navigate a fascinating cast of characters — including an artist, his mistress, and his dealer — to discover what makes a work of art worth killing for.  Join our wide-ranging discussion, which touches, in this age of artificial intelligence, on what makes one work genuine and another just a clever forgery. Then we look ahead to Sherlockian gatherings for the last half of October in "The Learned Societies" segment. Madeline Quiñones is back with "A Chance of Listening," bringing us an introduction to her own show, Dynamics of a Podcast, the only podcast dedicated to Professor James Moriarty, archnemesis of Sherlock Holmes. The Canonical Couplet quiz tests your Sherlock Holmes knowledge, with a copy of Nick's new book for the winner. Send your answer to comment @ ihearofsherlock .com by September 29, 2025 at 11:59 a.m. EST. All listeners are eligible to play. As a reminder, our  can listen to the show ad-free and have access to occasional bonus material. Join us on the platform of your choice ( | ).      Leave I Hear of Sherlock Everywhere a five-star rating on  and ; listen to us .     Sponsors  has a number of new Sherlock Holmes books out by various authors, including The Other Woman by Richard Ryan, The Infinitely Stranger Cases of Sherlock Holmes by Paula Hammond, and A Necessary End by Ellora Lawhorn. You'll want to check out the breadth of their offerings by  to learn more.   Would you care to advertise with us? You can find . Let's chat!     Links Sherlock Holmes and the Real Thing ( | ) (website) Previous episode Nick has appeared on: Other links: A Chance of Listening:  The Learned Societies:  Bonus event: on September 6 Find all of our relevant links and social accounts at .   And would you consider leaving us a rating and or a review on Apple Podcasts, Spotify, or Goodpods? It would help other Sherlockians to find us.   Your thoughts on the show? Leave a comment below, send us an email (comment AT ihearofsherlock DOT com), call us at 5-1895-221B-5. That's (518) 952-2125.      

Getting it on with some A.I.? You do you but.. ok.. Headlines with Paige saying some story I can't remember but we had fun talking about other shit instead lol Sports with an update on Hulk Hogan's death investigation

THE SPIRIT OF CHRIST vs THE SPIRIT OF THIS WORLD / THE RIGHT AND THE WRONG SPIRITS Part 1: The Truest Evidence of the Real Thing is the Right Spirit, and The Greatest Identity Marker of the Body of Christ is the Spirit of ChristSend us a textSupport the showThank you for listening to our podcast!If you have any questions, subjects you would like to hear discussed, or feedback of any kind, you can contact us at:greengac@yahoo.com or through the links below, where you can find additional information about our work as well as other materials: Green Gospel Assembly Church – The Church that is Different (church website)