Podcast appearances and mentions of Peter Frampton

Pat Bergeson joins me on the show this week. Pat is one of those musicians who makes you stop and rethink what's actually possible on a guitar. And on a harmonica.Pat Bergeson is a true master of touch, tone, and taste, and one of the most deeply musical players you'll ever hear.Pat's guitar playing is rooted in the blues, jazz, and country traditions, but it's always personal, always expressive, and always unmistakably his own. He's been here in Nashville for a number of decades now, and has amassed an impressive list of credits, playing on records for artists like Dolly Parton, John Paul White, Suzy Bogguss, Blake Shelton, Alison Krauss and Lyle Lovett. But Pat has never been one to devote himself to session work, so he's led a much more rounded life, with tons of live playing and touring, including his current touring gig in Peter Frampton's band. When I first saw him, it was with the band Les Brers, which was Butch Trucks' band playing mostly Allman Brothers music, and seeing Pat teamed up with the band's other guitarist Jack Pearson, was a one-two punch of two of my absolute favorite guitarists in music city!One of the most meaningful chapters in Pat's career was his close association with the legendary Chet Atkins. Chet didn't just admire Pat's playing - he brought him to Nashville. Pat recorded and performed with Chet, and you can really hear that shared philosophy: musical elegance, deep respect for melody, and an understanding that less can truly be more. Pat played with Chet for years, both on records but also as part of his band that used to have a weekly gig here in Nashville at a little Italian joint downtown.And then there's the harmonica.Pat isn't just a great guitarist — he's one of the finest diatonic harmonica players you'll ever hear. So whether you know him from his work with Chet Atkins, his collaborations with Peter Frampton, his session work, his solo recordings, or his unforgettable harmonica playing, you're in for a great conversation today.Enjoy my conversation with Pat Bergeson!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

This week we're sharing a series of episodes that capture one of our favorite themes on Second Act Stories: the moment when life changes key. These Key Changes episodes feature people whose lives have been shaped by music: some who left it behind for something new; others who found their way to it later than expected. Together, they're the stories we return to when we want to show how reinvention really works, not as a clean break, but as a shift in rhythm, perspective, and purpose. Whether you're a longtime listener or just discovering the show, these episodes reflect the heart of the podcast: bold pivots, unexpected harmony, and second acts that still have plenty to say. Rick Beato is one of the most successful YouTube stars in the world. His channel, Everything Music, has 3.5 million subscribers and is approaching 600 million views. Among the different types of videos Rick posts are his Top 20 Countdowns, What Makes This Song Great?, and his Rants on all things music. Rick also has an incredible series of long-form, sit-down interviews with some of the most acclaimed music artists in the world, including Peter Frampton, Sting, Derek Trucks, Brian May, and a group interview with grunge legends Krist Novoselic, Kim Thayil and Jack Endino. But Rick didn't find success on YouTube until he was in his mid-50s, following the viral success of a video he posted of his 8-year-old son Dylan demonstrating his perfect pitch. In fact, he didn't even launch his channel until he was 54. Prior to his YouTube success, Rick taught music at the college level, he held private lessons (by his estimation, he taught more than 12,000 lessons), he was a music producer and engineer, and he even co-wrote the song "Carolina" by the band Parmalee, which hit #1 on the Billboard Country chart. Rick is also one of the only people in the world who isn't a rock star to have his own Gibson Artist Series Signature Les Paul Special guitars. In this episode, Rick shares his journey from childhood, when he first played the cello, to the classrooms of upstate New York, to his experience working in the music industry, to the incredible success he enjoys today as one of the world's most well-respected experts on "Everything Music." ******* If you enjoy Second Act Stories, please leave us a review here. We may read your review on a future episode! Subscribe to the Second Act stories Substack. Check out the Second Act Stories YouTube channel. Follow Second Act Stories on social media: Facebook LinkedIn Instagram Second Act Stories theme music: "Between 1 and 3 am" by Echoes.

Nashville bassist Alison Prestwood joins Blake for a deep-dive hang that zig-zags through the kind of career that only makes sense in hindsight: a near-miss with Waylon Jennings, a pivotal run with Rodney Crowell, getting the call to jump in with Patti Loveless on a few days' notice, and why saying “no” at the wrong time can still be the right move. They talk shop on what it really takes to break in today (attitude, reputation, the bus factor, and yes… learn the number system), plus why studio work still has that magic when a whole band builds something together in real time. Also: a midlife detour into law school and practicing as an attorney before returning to music full-time, and a proper gear spiral, including her 1973 P-bass, vintage favorites, and why touring with Peter Frampton can actually be safer for great instruments than leaving them at home. Check out her podcast Hey, Good For You! (podcasts.apple.com) Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

What more can be said about the much maligned 1978 musical film 'Sgt. Pepper's Lonely Hearts Club Band' that hasn't been said already (11% on Rotten Tomatoes)? But this week's guest, multi-instrumentalist, artist and songwriter Robbie Gennet, contends that the movie - and especially its accompanying soundtrack - deserves a second look. Featuring the Bee Gees, Peter Frampton, and a slew of guest artists covering Beatles songs (AND produced by none other than George Martin!), as well as a murderer's row of side men including  Max Middleton, Wilbur Bascomb and Bernard Purdie, it's an eclectic, at times bizarre collection of songs you've known for all these years. We hope you will enjoy the show. Songs discussed in this episode: Sgt. Pepper's Lonely Hearts Club Band - Bee Gees with Paul Nicholas; Vacillate, Don't Wait (Live, 2025) - Robbie Gennet; I've Gotta Get A Message To You (Live at The Forum, 1976), Too Much Heaven - Bee Gees; I'm In You, Show Me The Way (Live) - Peter Frampton; Cause We've Ended As Lovers, Head For Backstage Pass - Jeff Beck; Fire and Brimstone - Hummingbird; Here Comes The Sun - Sandy Farina; Theme song from 'Which Way Is Up' - Stargard; Lucy In The Sky With Diamonds - Dianne Steinberg with Stargard; Lucy In The Sky With Diamonds - Elton John; I Want You (She's So Heavy) - Bee Gees with Donald Pleasence; Good Morning Good Morning - Bee Gees with Peter Frampton; Oh! Darling - Dana Fuchs; Maxwell's Silver Hammer - Steve Martin; Sgt. Pepper's Lonely Hearts Club Band (Reprise) - Bee Gees with Peter Frampton; Got To Get You Into My Life - Earth, Wind & Fire; Night Fever - Bee Gees; I Want You (She's So Heavy) - Eddie Hazel; Because - Bee Gees with Alice Cooper; Come Together - Aerosmith; A Day In The Life - Bee Gees; Get Back - Billy Preston; Sgt. Pepper's Lonely Hearts Club Band (Finale) - Bee Gees, Peter Frampton, Cast; No Questions - Robbie Gennet

In this episode, I sit down with bassist and vocalist Keith Horne, and it feels like reconnecting with a player I've admired for decades. I talk about the first time I experienced Keith live in 1996, when I was a freshman at Belmont University, and he was on the road with Peter Frampton. I still remember the impact of his touch, time, and musical confidence. From there, Keith and I dig into how his musical life started as a kid playing bluegrass with his dad, how flatpicking shaped his speed and articulation, and why being a multi-instrumentalist gave him an unusually complete view of the bandstand. We talk about his left-handed approach to playing guitar, how he learned guitar upside down, how he originally played drums left-handed, and why he eventually switched to a right-handed kit to survive the reality of shared backlines and sit-ins.Keith tells some incredible stories about chasing complex instruments, including the moment he finally found a left-handed pedal steel, how watching great steel players for years taught him the mechanics before he ever owned one, and how quickly he was able to apply that knowledge once the instrument was in front of him. We also trace the exact moment bass became his leading voice, when a bassist in his dad's band left his instrument at the house, and Keith quietly learned it without telling anyone, then shocked his dad by switching instruments mid-gig at age twelve and never looking back. That leads to a bigger conversation about why starting on drums is a superpower for a bassist, how it teaches you the unspoken communication between rhythm section players, and why Keith's time feel became one of his calling cards, including a compliment from Dennis Chambers that still stands out as one of the biggest of his life.Keith and I go deep on the singing bassist problem, how to keep vocals expressive while staying locked on bass, and how harmony singing often becomes the secret weapon that gets you the gig. He shares how his range and high harmony work opened doors, how constant performing strengthened his voice over time, and how he learned to shift between full voice and falsetto through heavy gigging and demanding material. We talk about the artists and songs that shaped his bass worldview, from Earth, Wind & Fire and Verdine White to Bernard Edwards, Stanley Clarke, Marcus Miller, Chuck Rainey, and Jaco. Keith tells the story of hearing Stanley Clarke for the first time and having his entire concept of the instrument explode overnight.A significant highlight is Keith's time in the Virginia fusion band Secrets, a band he calls the best musical situation he's ever been in. He tells the story of sitting in on Jeff Lorber's Tune 88, getting a standing ovation for a bass solo, and then immediately being offered the gig. We talk about how quickly great players elevate your musicianship, how his first night in the band was also Carter Beauford's first night, and the feeling of instant chemistry that made it seem like they'd been playing together forever. Keith also shares stories of opening for the Yellowjackets, becoming friends with Jimmy Haslip, and the surreal mirror-image moment when the band watching their soundcheck saw an upside-down bassist and an open-handed drummer and realized they were looking at a parallel-universe version of themselves.From there, we follow Keith's move to Nashville, living with the Wooten Brothers early on, playing jam nights seven nights a week, and building a reputation fast because he could authentically cover multiple genres on demand. He breaks down how his first major Nashville gig came through the Stockyard, leading to Tanya Tucker, and how the road unfolded from there with Waylon Jennings, Peter Frampton, and Trisha Yearwood, including singing Walkaway Joe with Trisha and what it's like to work with singers so accurate they can survive monitor failures in arenas without losing pitch. We also spend time on Hot Apple Pie, the magic of that record, why it still sounds fresh, and the frustration of how label shifts and industry timing kept the band from reaching the level the music deserved.We wrap with what Keith is doing now in Florida at the Orange Blossom Opry, what makes the venue unique, how the band tailors its opening set to match each headliner, and why the schedule can be intense during the season but still sustainable because the owners take care of the musicians in a rare way. It's a wide-ranging conversation about musicianship, time feel, harmony, career longevity, and the kind of stories you only get from someone who has genuinely lived on bandstands for decades.Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

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 Emmy Award–winning music journalist Alan Light is the author of numerous books including The Holy or the Broken: Leonard Cohen, Jeff Buckley, and the Unlikely Ascent of “Hallelujah” (which was adapted into an acclaimed documentary), as well as Let's Go Crazy: Prince and the Making of Purple Rain and biographies of Johnny Cash, Nina Simone, and the Beastie Boys. He was the cowriter of bestselling memoirs by Gregg Allman and Peter Frampton. Alan was a senior writer at Rolling Stone and the editor-in-chief of Vibe and Spin. He contributes frequently to The New York Times, Esquire, and The Wall Street Journal, among many publications, and cohosts the podcast Sound Up! With Mark Goodman and Alan Light.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Hello friends! What a year. For our 2025 year in review, "How Did I Get Here?" teams up with the power trio from the "Hey, Good For You!" podcast - bass players, Rachel Loy, Alison Prestwood, and Harmoni Kelley (who have collectively played with Kenny Chesney, Miranda Lambert, Peter Frampton, Willie Nelson, Trace Adkins, Faith Hill, Tim McGraw, Blake Shelton, Joe Bonamassa, Wynonna Judd, Vince Gill, Peter Frampton, and many more) to discuss our 2025. We get into everything from our personal highs and lows, some of our favorite music, movies, shows, and books, things we learned, and there's a lot of laughter. I am a big fan of these women and their awesome podcast, "Hey, Good For You!" which you can find on Apple, Spotify or wherever you pod. I hope you all have a safe and happy new year. See you in 2026! Let's get down! Follow us on Instagram, TikTok, X, Facebook, Spotify, Apple Podcasts, or anywhere you pod. Send someone the gift of Johnny with Cameo.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

Alan Light has released a new book, "Don't Stop: Why We (Still) Love Fleetwood Mac's Rumours". Alan co-wrote "My Cross To Bear" with Gregg Allman plus books on the Beastie Boys, Prince, Peter Frampton and Johnny Cash. Alan was a lead writer for Rolling Stone magazine and a consutlant for the Rock & Roll Hall of Fame.See omnystudio.com/listener for privacy information.

Music journalist Alan Light discusses spirituality and song, as well as his new book Don't Stop: Why We (Still) Love Fleetwood Mac's Rumours, which examines the enduring relevance of Fleetwood Mac's album Rumours 50 years after its release. He is interviewed by radio host Ryan Arnold. This conversation originally took place November 24, 2025 and was recorded live at the American Writers Museum. This episode is presented in conjunction with the American Writers Museum's new special exhibit American Prophets: Writers, Religion, and Culture. This exhibit and programming series explores the profound ways writing reflects and influences our understanding of religion. American Prophets is now open. AWM PODCAST NETWORK HUB More about Don't Stop: The author of The Holy or the Broken and former editor-in-chief of Vibe brings his "thoughtful and illuminating" (New York Times) insight to Fleetwood Mac's iconic album Rumours, celebrating its story, mythology, and enduring impact. On January 1, 1975, struggling young singer-songwriter Lindsey Buckingham was invited to join the veteran blues band Fleetwood Mac. He agreed on the condition that his girlfriend, an equally unknown vocalist named Stevie Nicks, also be included. Within two years, Rumours was born—and went on to become one of the most popular albums of all time. Almost five decades later, it is the only classic rock record that still attracts young listeners and continues to top sales and streaming charts. In Don't Stop, award-winning journalist and bestselling author Alan Light unravels the enduring allure of Fleetwood Mac's monumental album. Since its 1977 release, Rumours has captivated generations with its unparalleled blend of romantic turmoil and musical genius. Light explores the album's transformation from a pop phenomenon to a cultural touchstone, and its unique ability to remain relevant in today's rapidly changing music scene. Drawing on in-depth interviews with current artists inspired by Fleetwood Mac, as well as fans who have only recently discovered the album, Light investigates what keep Rumours at the forefront of popular culture, from Glee to Saturday Night Live to Daisy Jones & the Six. Through insightful analysis and storytelling, Don't Stop celebrates the album's trail blazing sound and diverse voices, and the emotional depth that continues to fascinate audiences. From the incredible soap opera behind the album's creation to its embrace in the age of TikTok, this book presents a kaleidoscopic view of a landmark work that has transcended its time. Emmy Award–winning music journalist ALAN LIGHT is the author of numerous books including The Holy or the Broken: Leonard Cohen, Jeff Buckley, and the Unlikely Ascent of “Hallelujah” (which was adapted into an acclaimed documentary), as well as Let's Go Crazy: Prince and the Making of Purple Rain and biographies of Johnny Cash, Nina Simone, and the Beastie Boys. He was the cowriter of bestselling memoirs by Gregg Allman and Peter Frampton. Alan was a senior writer at Rolling Stone and the editor-in-chief of Vibe and Spin. He contributes frequently to The New York Times, Esquire, and The Wall Street Journal, among many publications, and cohosts the podcast Sound Up! With Mark Goodman and Alan Light.

 Emmy Award–winning music journalist Alan Light is the author of numerous books including The Holy or the Broken: Leonard Cohen, Jeff Buckley, and the Unlikely Ascent of “Hallelujah” (which was adapted into an acclaimed documentary), as well as Let's Go Crazy: Prince and the Making of Purple Rain and biographies of Johnny Cash, Nina Simone, and the Beastie Boys. He was the cowriter of bestselling memoirs by Gregg Allman and Peter Frampton. Alan was a senior writer at Rolling Stone and the editor-in-chief of Vibe and Spin. He contributes frequently to The New York Times, Esquire, and The Wall Street Journal, among many publications, and cohosts the podcast Sound Up! With Mark Goodman and Alan Light.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Plongez dans l'univers musical des années 60, 70 et 80 avec Ombline Roche dans Les Enfants d'Europe 1. Entre archives inédites et tubes mythiques, cet épisode vous fait voyager à travers trois décennies emblématiques. De Véronique Sanson à Daniel Balavoine, en passant par Michel Polnareff, Peter Frampton et Otis Redding, découvrez des moments cultes, des anecdotes surprenantes et des sons qui ont marqué l'histoire.À retenirIcônes et tubes légendaires : Véronique Sanson, Daniel Balavoine, Michel Polnareff, Otis Redding, Serge Gainsbourg.Archives Europe 1 : conseils mode des années 60, leçon de twist par Richard Anthony, émission culte Tout peut arriver.Innovations musicales : Peter Frampton et la talkbox, précurseur du vocodeur.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Tous les jours, entre 14h et 15h, Ombline Roche vous fait revivre la musique des années 1950 à la fin des années 1980 !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

"I've been lost now, days uncounted, and it's months since I've seen homeCan you hear me, can you hear me, or am I all alone?"Well, I certainly hope not, so please join me for this week's musical journey in my Way Back Machine dialed for the 70's. Coming along are Queen, The Doobie Brothers, The Illusion, Doors, Moody Blues, Steve Miller Band, Grateful Dead, Robin Trower, Fleetwood Mac, Genesis, Traffic, Thunderclap Newman, Peter Frampton, Mountain, Small Faces, Guess Who, The Who and Booker T & The MG's...

Running a boutique audiophile label is not easy, as Shane Buettner has learned in the 10 years since he founded Intervention Records. There are licensing agreements to be negotiated, artists to please, mastering engineers and pressing plants to be engaged, vinyl formulation and cover design to be arranged, plus marketplace changes and ever-increasing competition to be navigated. The label's first release was Stealer's Wheel's debut, with standout pressings featuring Joe Jackson, Judee Sill, Matthew Sweet, the Flying Burrito Brothers, Peter Frampton, Everclear and others to follow. With so many labels jumping into the audiophile pool, has licensing recordings become harder? What dictates pricing? Do Buettner's customers care more about 180-gram vinyl or tip-on jackets? And how did he land Intervention's new Sun Records deal, with Kevin Gray-mastered 45 RPM releases from Carl Perkins and Johnny Cash on the way?

In this episode of the XS Noize Podcast, Mark Millar is joined by acclaimed filmmaker Oliver Murray — the British writer–director redefining modern music documentary through his bold, cinematic approach. Following his 2023 short film Now and Then, The Last Beatles Song — made in collaboration with Paul McCartney, Ringo Starr, Sean Lennon and the Harrison Estate to celebrate the release of the Beatles' final single — Oliver continues his creative relationship with the band by directing the brand-new, final chapter of the legendary Anthology series. First released three decades ago, The Beatles Anthology reinvented the music documentary format. Instead of outside narration and talking heads, it featured John, Paul, George, and Ringo telling their story in their own words — a groundbreaking approach that shaped the way music history is now documented. Under Murray's direction, the series now receives its long-awaited conclusion: Episode Nine, a completely new instalment filled with unseen footage, including intimate behind-the-scenes moments of Paul, George and Ringo reuniting between 1994 and 1995 at Abbey Road. Oliver discusses how he approached taking on one of the most important music stories ever told, the responsibility of handling unreleased Beatles material, and the emotional legacy carried by Episode Nine — both for the surviving members and for generations of fans discovering the band anew. "Watching Paul, Ringo and George together in the '90s, the chemistry is exactly the same as when they were young — it's hard-wired. It feels almost scripted, but it isn't. That bond is still alive." — Oliver Murray A rising force in film and music storytelling, Murray has previously collaborated with some of the biggest names in music, including The Rolling Stones (My Life As a Rolling Stone), The Beatles (Now & Then), and Quincy Jones (They All Came Out to Montreux). His work spans genres — from jazz in Ronnie's: The Story of Ronnie Scott's Jazz Club to classical music with Lang Lang — and has been featured on Disney, Netflix, and the BBC. Listen as Oliver Murray takes us inside the making of Episode Nine — revealing unseen moments of Beatles history and the evolution of his craft — exclusively on the XS Noize Podcast. This is the definitive deep dive into the Beatles' final chapter. "Episode nine concludes the anthology, but it's not an end. The Beatles' legacy isn't a full stop — it's something that's in the groundwater now, something we all inherit." — Oliver Murray About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.  

You guys voted, and we're delivering on democracy. The Pearl Jam show that was voted the #3 show of the year is the second night in Nashville! This was a show that streamed live on Sirius XM, which means that the band had plans for a special evening. One of the top moments of the year came early in the set when they invited the legendary Peter Frampton on stage to perform Black. We'll talk about what it meant for him to be up there and how his performance on the song impacted the show. Javier attended this one and has many stories to share, including his journey during the off day finding guitar stores and record shops just to be greeted by a couple of familiar faces. Approaching Third Man Records, Javi finds Eddie inside, and it leads to a massive group photo and a huge piece to an unforgettable day. Javi and friends also got to meet Josh Klinghoffer at a minor league baseball game, so he'll share all of those great memories prior to breaking down the setlist. Tune in to check out that full breakdown, including why perhaps the set wasn't capitalized on after the big Peter Frampton moment. Visit the Concerpedia - http://liveon4legs.com Contact The Show - liveon4legspodcast@gmail.com Donate to the Show - http://patreon.com/liveon4legs

We we end "Rock'n World" month with a doozey. This one has a reputation of being very bad...well sometimes those reputations are warranted. Join us as we try to unravel this crazy musical featuring Peter Frampton and the Bee Gees, George Burns, Donald Pleasance and more. Will we roast this film like chestnuts on a fire? Tune in.Ian's Site: https://www.kickseat.com

In this episode of the XS Noize Podcast, Mark Millar is joined by legendary producer Steve Lillywhite — the Grammy-winning studio mastermind behind iconic records by U2, The Rolling Stones, Talking Heads, The Smiths, The Killers, Peter Gabriel, and many more. Steve talks about the release of a brand-new 4-track EP featuring a completely unreleased live version of "Fairytale of New York" — recorded at Glasgow Barrowlands in December 1987. This historic performance captures the first time The Pogues ever played the song live, and the first time Kirsty MacColl performed it onstage with the band. The EP is released on 12 December. Recorded by Steve himself — producer of the original version and then-husband of Kirsty MacColl — the Barrowlands tape offers a rare window into the early live life of what has become the UK's favourite Christmas song for over a decade. Originally charting at No. 2 in 1987, "Fairytale of New York" has returned to the UK Top 20 every year since 2005. Steve reflects on the making of the classic track, the energy of that unforgettable night in Glasgow, and key moments from across his remarkable career. Listen to Steve Lillywhite discuss the new EP, the legacy of Fairytale of New York, and the stories behind his legendary productions — exclusively on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

In this episode of the XS Noize Podcast, Mark Millar is joined by guitarist and songwriter Cathal Mac Gabhann from Cork alt-rock and shoegaze outfit The Altered Hours — one of Ireland's most vital underground bands. The Altered Hours released their self-titled third album on November 7th via Pizza Pizza Records. Recorded to tape by analogue producer Julie McLarnon (New Order, Lankum, Happy Mondays), the album captures the band at their most raw, warm, and emotionally direct. Formed in 2010, the band have carved out a unique place in the European alternative scene through two albums, a run of EPs, and a reputation for immersive, fuzz-drenched live shows. Their independent spirit has earned them admiration from peers and fans alike. Cathal discusses the band's evolution, the creative shift behind the new record, and how recording to tape has brought out their most dynamic sound yet. He also reflects on touring with Fontaines D.C., playing venues like The Bataclan and Alexandra Palace, and stepping in as their live guitarist across Japan and Australia. Now signed to Pizza Pizza Records, The Altered Hours step confidently into a new phase — honouring their psych-rock roots while pushing into bolder, more atmospheric territory. Listen to Cathal Mac Gabhann discuss the making of the new album, the journey behind it, and where The Altered Hours go next — exclusively on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.    

Barry Krutchik is an legendary Hollywood and pop culture journalist who has conducted over 2000 celebrity interviews across music, film & television over the past 40 years, capturing raw, unscripted moments — from Bob Hope to The Beastie Boys, Santana to Stevie Wonder, Jerry Seinfeld to Jay Z, Mick Jagger, Keanu Reaves, Dave Chappelle, Celine Dion ... basically, the biggest stars EVER! Whether backstage or behind the camera, Barry's authenticity & quick humor helped high-profile stars feel at home, resulting in raw, unscripted moments. Barry makes things fun! After a decade, he stopped doing interviews in 2002. “By the third time you're interviewing Peter Frampton, it might be time to try something else” he jokes, a surreal realization, considering that twelve-year-old Barry would've never believed he'd even meet Frampton. So, he launched Krutchie Entertainment and, using his vast trove of celebrity contacts, began booking talent and producing high-impact media events for the Grammys, MTV, BET, FOX, Cirque du Soleil, and more. Over the decades, as technology, public relations and the world of entertainment  changed radically, Barry's professional opportunities also changed. He was no longer a hungry young journalist but a seasoned gentleman in an industry looking for youth and diversity. Then, Covid destroyed his live events business overnight. Terrified, Barry had to reinvent himself. This journeyman is now activating his extraordinary content. He has a new book coming out, Classic Conversations: ‘90s Hip Hop and R&B featuring his intimate, one-of-a-kind moments and quotes with hip hop and R&B royalty. Each interview includes entertaining commentary that only Barry has the ability to provide. In addition, Barry recently returned to interviewing with a one-on-one sit down with Lady Gaga. And, he has new projects in the pipeline harnessing his treasure trove of celebrity content

In this episode of the XS Noize Podcast, Mark Millar is joined by Pearce Macca — frontman of Birmingham indie-rockers The Clause, a band whose rise has become one of the most inspiring new stories in modern British guitar music. The Clause have just unveiled their long-awaited debut album Victim of a Casual Thing — a record built on pure graft, unshakable friendship, and more than a decade of refusing to give in. What started in a cramped school practice room in 2011 — with Pearce Macca, Jonny Fyffe and Niall Fennell learning their favourite songs before Liam Deakin completed the line-up — has grown into a band with a fiercely loyal fanbase and a reputation for electrifying live shows. Pearce looks back on the full journey: the teenage beginnings, the countless setbacks, the near-misses, the belief that kept them going, and the breakthrough moments that finally pushed the band to album one. He reflects on the stories they've lived together — the wins, the losses, the friendships, the heartbreaks — and how those experiences became the emotional engine of Victim of a Casual Thing. We also dive into The Clause's rise on the live circuit, from sweatbox early gigs to lighting up festival crowds at Radio 1's Big Weekend, Isle of Wight, Truck, Tramlines, and Rock 'n' Roll Circus. And Pierce takes us inside the making of the album itself — the sound that defines The Clause, the writing and recording process, and why this record feels less like a finish line and more like the start of the real story. "We've done this the long way — but it's the right way. It's made us the band we are." – Pearce Macca Listen to Pearce Macca talk about the decade-long journey behind The Clause, the heart and honesty driving Victim of a Casual Thing, and the breakthrough moment they've been chasing — exclusively on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

This episode is more fun than an emotionally charged summer road trip with a famous band in the 1970s! We're doing Cameron Crowe again this week, this time with the 2000 film "Almost Famous" and the band at the heart of it - Stillwater! We'll cover all the nods to other 70s rockers – intended or not – plus get some behind-the-scenes info on how these songs came together with the help of Peter Frampton, and Nancy Wilson from Heart. Also, as with our last Crowe flick, there is a grunge element. Plus, caller Aviv Rubenstien hits us with an absolute deluge of Almost Famous facts and goodies!

In this episode of the XS Noize Podcast, Mark Millar is joined by Roland Gift — the iconic voice of Fine Young Cannibals and one of the most instantly recognisable singers in British music. With era-defining hits like "She Drives Me Crazy," "Good Thing," "Johnny Come Home," and their electrifying version of "Ever Fallen In Love," Fine Young Cannibals became global chart-toppers — selling over five million records and earning two BRIT Awards, an Ivor Novello, and three Grammy nominations. Their sharp, soulful sound continues to influence generations. Roland returns with two major releases — FYC40, a definitive 40-year anthology, and his brand-new festive single "Everybody Knows It's Christmas", showcasing that unmistakable voice in glorious form. Roland looks back on the band's beginnings, the explosive success of The Raw & The Cooked, and how his Otis Redding-inspired delivery fused with David Steele and Andy Cox's songwriting to create something completely unique. He also reflects on Fine Young Cannibals' continued cultural impact — including "She Drives Me Crazy" becoming the musical centrepiece of the 2025 Chanel campaign starring Dua Lipa and Jennie from BLACKPINK. We also talk about Roland's return to performing — touring with Jools Holland, shining at the 2022 Hootenanny, and his triumphant 40 Years of Songs tour, which launched with a sold-out London Palladium show. And we dive into "Everybody Knows It's Christmas" — a glam-rock, wall-of-sound celebration co-written with Ben Barson, full of warmth, nostalgia, and classic Roland soul. "Wherever you are I hope this song brings a bit of warmth, a smile, and maybe a bit of that Christmas magic your way." – Roland Gift Listen to Roland Gift discuss 40 years of Fine Young Cannibals, the making of FYC40, and the joy behind his new Christmas single — exclusively on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

In this episode of the XS Noize Podcast, Mark Millar is joined by ALKY — the Dublin-born indie-rock artist and former Emmy-nominated audio engineer whose raw, heartfelt songwriting is making serious waves across Ireland's indie scene. From his breakout singles "Dirty Tricks," "All Because of Love," "Perfect," and "How Do You?" to sold-out shows at Whelan's and The Workman's Club, ALKY has built a growing reputation for pairing widescreen anthems with brutally honest storytelling. Now, he's stepping into a defining new chapter with the release of his debut album Rinse & Repeat, a powerful exploration of addiction, love, and the endless cycles we fight to escape. In our conversation, ALKY talks about the messy truth behind his lyrics, his transition from studio engineer to full-time artist, and how facing his own patterns of self-destruction became the creative spark for the record. He opens up about sobriety, resilience, and why imperfection — both in music and in life — can be the most honest sound of all. We also dive into the making of standout tracks "All Because of Love," "How Do You?," "Perfect," and "Dirty Tricks," his experience coming up through Dublin's live circuit, and how Rinse & Repeat became a cathartic statement on falling, getting back up, and finding meaning in repetition. "I noticed I kept falling into the same destructive behaviours — the same chaos regarding alcohol and my relationship choices. Rinse & Repeat is a reflection of that cycle and putting it into songs." – ALKY Listen to ALKY discuss the making of his debut album Rinse & Repeat, addiction, love, and finding strength in repetition on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here New episodes of the XS Noize Podcast drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.  

We're kicking things off with exclusive footage I filmed this morning at Sylvan Music in Santa Cruz, California — then diving into an incredible story that'll hit every guitarist right in the feels. “I started crying. I never thought in these 42 years I'd see my work on the stage. I'm going, ‘Damn it, Joe!'”

In this episode of the XS Noize Podcast, Mark Millar is joined by Martin Blunt — founding member and bassist of The Charlatans, one of Britain's most enduring and beloved bands. From their breakthrough with Some Friendly to the anthemic Tellin' Stories and the reflective Modern Nature, The Charlatans have spent more than three decades making music that moves between euphoria and heart. Now, with We Are Love, they've created a record that feels like a true celebration — warm, hopeful, and full of connection. Martin talks about the chemistry that's kept the band together, the highs and heartbreaks along the way, and how they still find joy in playing together after all these years. He also pays heartfelt tribute to the late Rob Collins and Jon Brookes, whose spirit and influence continue to guide the band's sound and soul. "If you gave us the being-in-a-band tick sheet, I think we've ticked quite a few of the boxes." – Martin Blunt Listen to the full episode and join Martin as he looks back on the band's story, the soul behind We Are Love, and why — after all this time — The Charlatans are still chasing that same spark that started it all. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Gary 'Mani' Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here New episodes of the XS Noize Podcast drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

Marc Bonilla is a renowned guitarist, composer, and producer whose dynamic career spans decades across the worlds of rock, film, and television. He first gained recognition touring with Warner Bros. recording artists Toy Matinee and later released three critically acclaimed instrumental guitar albums on Reprise Records: EE Ticket, American Matador, and Celluloid Debris.  A versatile and south-after collaborator, Bonill has performed, recorded and produced with an impressive roster of artists including Asia, Ronnie Montrose, Gamma, Glenn Hughes, Eddie Jobson, Slash, Little Richard, Peter Frampton, Rob Halford, David Coversale, Paul Rodgers, Edgar Winter, Ambrosia, David Pack, Todd Rundgren, Robby Krieger, Don Felder, Sammy Hagar and Tesla, among many others. In the Realm of film and television, Marc has composed and performed on scores for numersous major motion pictures such as The Bourne Legacy, Iron Man 2, Green Lantern, The Scorpion King, Falling Down, Waterworld, The Replacements, Spiderman 2, Bruce Almighty, ER and many more. He has collaborated with top Hollywood composers including James Newton Howard, John Debney, Joel McNeely, and Snuffy Walden, earning an Emmy nomination in 2001 for his work on David Milch's Big Apple. For Show notes and more info, visit our website: www.rockandrollconfessional.rocks Also Marc mentions many of our previoius guests that you may want to hear those interviews, including Lee Sklar, Glenn Hughes, Kipp Lennon, Peter Frampton, Robby Krieger and more. Find those interviews where ever you found this one!   More info on Marc's site: https://marcbonillamusic.com/

This episode of Across The Margin : The Podcast features an interview with film and TV producer, writer, and director Rick Korn. Rick is the co-founder of In Plain View Entertainment which specializes in creating socially conscious documentaries. Rick has produced benefit concerts with Bruce Springsteen, Bon Jovi, Sheryl Crow, Peter Frampton, Kevin Bacon, and Joan Jett (amongst others). He executive produced the documentary about Paul McCartney, My Old Friend, and in 2024, he directed and released A Father's Promise, the inspiring story of professional musician Mark Barden who lost all joy in music when his son Daniel was murdered at Sandy Hook Elementary school. Mark rewired himself and became a powerful voice and activist when he co-founded Sandy Hook Promise. Rick's latest documentary, the focus of this episode, is entitled Harry Chapin — Cat's In The Cradle: The Song That Changed Our Lives. This new documentary explores Harry Chapin's deeply affecting folk song's lasting impact on music and culture decades later. In it, reflecting on the song's universal themes of parenthood, time, and relationships, are legendary musicians Billy Joel, Pat Benatar, Judy Collins, Dee Snider (Twisted Sister), Darryl McDaniels (Run-D.M.C.), Mandy Patinkin, Robert Lamm (Chicago), Whitfield Crane (Ugly Kid Joe) and more. In this episode host Michael Shields and Rick discuss what it is about “Cat's In The Cradle” that has affected generations of people from across the world so deeply. Join in on a celebration of Harry Chapin who was more than just a singer-songwriter; he was a storyteller, activist, and humanitarian whose life and music touched the hearts of millions.The documentary will benefit WhyHunger, Long Island Cares and the Harry Chapin Foundation. Hosted on Acast. See acast.com/privacy for more information.

In this episode of the XS Noize Podcast, Mark Millar is joined by Moya Brennan — the unmistakable voice of Clannad, often hailed as the First Lady of Celtic Music. This year marks the 40th anniversary of Clannad's landmark 1985 album Macalla — a record that bridged ancient Celtic roots with modern pop and ambient textures. Produced by Steve Nye (Japan, David Sylvian) and recorded across Dublin, Surrey, and Switzerland, Macalla captured the moment when Irish music stepped confidently onto the global stage — featuring the iconic duet with Bono, In a Lifetime. In this conversation, Moya looks back on the creative and spiritual journey behind Macalla — from the evolving sound that carried Clannad from Donegal's Irish-speaking Gaeltacht region to worldwide acclaim, to the energy of recording during a golden era for Irish music, with U2 at Live Aid and the world discovering Celtic voices anew. She recalls the "lightning in a bottle" studio sessions with Bono and explores the deeper sense of faith, family, and identity that continues to echo through her work. "If Macalla helps someone feel something, even for a moment — that's what it was meant for." – Moya Brennan Moya also reflects on Clannad's role in reshaping how Irish music was seen around the world, and the blending of Gaelic language and modern production that became their signature sound. She discusses how her collaborations have taken her voice from folk stages to global dance floors — most famously with Chicane on Saltwater — and the enduring power of songs such as Closer to Your Heart, Buachaill Ón Éirne, Caisleán Óir, Almost Seems (Too Late to Turn), The Wild Cry, and Journey's End to connect generations. Listen to the full episode and join Moya Brennan as she reflects on 40 years of Macalla — the memories, the music, and the lasting echo of Clannad's legacy. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here  

With more than 25 years of experience guiding Grammy-winning and Rock & Roll Hall of Fame artists, Lisa Jenkins has built a career defined by integrity, strategy, and a deep respect for artistry. Most recognized for her longtime role managing Peter Frampton, Lisa has been a driving force behind key milestones in his career,  from his Grammy win in 2007 to his New York Times bestselling memoir Do You Feel Like I Do?, and his 2024 induction into the Rock & Roll Hall of Fame.Lisa began her career in the 1980s, working with artists including Laura Branigan and later supporting acts such as The Mavericks, Lucinda Williams, Junior Brown, and Jack Ingram. As part of Gold Mountain Entertainment, FCC Management, and later Nuages Music, she developed a reputation for her calm leadership, meticulous organization, and artist-first approach.From 2006 through 2024, she served as an Artist Manager at Vector Management, overseeing every facet of her clients' creative and professional lives, from touring and recording to branding, media, and publishing. Her collaborative and compassionate management style has earned her the trust of artists and industry peers alike.Currently, Lisa is the Executive Producer of Peter Frampton's upcoming documentary and remains active within the industry through her involvement in The Recording Academy, Leadership Music, and Music Columbus, where she serves as Secretary of the Board.She believes success in the music business isn't about rigid methods or formulas,  it's about kindness, professionalism, and staying true to yourself.In this episode of the Leading Ladies podcast, Lisa shares her extensive journey in the music industry, from her beginnings in modeling to managing rock legend Peter Frampton for over 26 years. She discusses the challenges and rewards of artist management, the evolution of the Nashville music scene, and the importance of mental health awareness in the industry. Lisa emphasizes the significance of kindness and support in management roles, while also providing valuable advice for the next generation of women in music.This Episode is brought to you by Lightswitch

In this episode, #254 of the XS Noize Podcast, Mark Millar is joined by a true architect of punk — Glen Matlock, the original bassist and founding spark of The Sex Pistols. Glen co-wrote ten of the twelve songs on the band's legendary 1977 album Never Mind the Bollocks, giving its chaos a melodic backbone that helped define an era. Now, he's reclaiming his story in the new documentary I Was a Teenage Sex Pistol — a compelling, filmic portrait of the Pistols' rise told through wry, honest, and often hilarious first-hand accounts. In this conversation, Glen looks back on the bleak yet electric energy of 1970s Britain, the provocations of Malcolm McLaren and Vivienne Westwood's SEX shop, Steve Jones' infamous thieving, and the band's chaotic search for a frontman that would ultimately change music forever. From bust-ups and fan mania to the tabloid outrage that followed, Glen offers a frank and insightful portrait of a group of misfits who tore down the old order — and the cost that came with it. He also talks about the real story behind I Was a Teenage Sex Pistol, co-writing the songs that built Never Mind the Bollocks, the truth about his split from the Sex Pistols, the spirit of early punk culture, fashion and rebellion, and the life lessons learned from one of rock's great survivors. Hear Glen Matlock reflect on the chaos, the craft, the myth — and the man behind it all. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here  

In this episode of the XS Noize Podcast, Mark Millar is joined by Charles Cave and Jack Lawrence-Brown from White Lies to discuss their electrifying seventh album "Night Light". This bold, live-driven reinvention captures the band at their most instinctive and free-flowing. Recorded live in the room for the first time, Night Light sees White Lies embracing spontaneity and creative risk — from the motorik rush of “Nothing On Me” and the 70s-inspired swagger of “Going Nowhere”, to the sweeping ambition of “All The Best” and the hypnotic finale “In The Middle.” Charles and Jack take us inside the fearless process behind the record — how rehearsing and performing songs before recording transformed the sound, how the influence of The Midnight Special inspired their approach, and how working with longtime collaborator Seth Evans unlocked a new sense of chemistry and space within the band. They also reflect on 16 years of White Lies — from their debut To Lose My Life… to the creative confidence of Night Light — exploring what keeps their partnership strong, how they've continued to evolve, and the joy of still finding new ground to explore together. “This record felt like freedom — the sound of a band who finally know exactly who they are.” — Charles Cave “It's amazing what happens when you stop chasing perfection and just play.” — Jack Lawrence-Brown White Lies' seventh album "Night Light" arrives November 7 via Play It Again Sam — a bold new chapter in the band's sixteen-year journey. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here.  

In this episode, #252 of the XS Noize Podcast, Mark Millar talks with Aaron Starkie of The Slow Readers Club to celebrate A Decade of Cavalcade — the Manchester band's breakthrough album that defined their sound and changed everything. As Aaron reflects: “Cavalcade was the moment where it all started to click — we found our sound, our confidence, and that connection with the audience that's carried us ever since.” — Aaron Starkie Across its ten tracks, Cavalcade captured The Slow Readers Club's signature blend of brooding intensity and euphoric release — from the pulsating urgency of “Forever In Your Debt” and the anthemic hope of “Plant The Seed,” to the haunting emotion of “Days Like This Will Break Your Heart” and the hypnotic title track itself. In this conversation, Aaron takes us inside that pivotal era — from writing and recording Cavalcade to creating the album's striking geometric artwork himself, and how those songs continue to evolve a decade later. He also discusses the band's creative growth, the importance of their DIY ethos, and the emotional power of seeing those tracks come alive again onstage. The episode arrives as The Slow Readers Club prepare to hit the road for their A Decade of Cavalcade tour — revisiting the record in full while celebrating a new chapter of momentum following the Top 20 success of their latest album, Out Of A Dream. Listen now and follow the XS Noize Podcast for more in-depth conversations with music's most inspiring artists. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here.    

In this episode, Mark Millar is joined by Miles Kane to discuss his new album Sunlight in the Shadows — a swaggering, soulful record made with Dan Auerbach of The Black Keys. Recorded live in Nashville over three days, the album blends British beat energy, Motown soul, and Miles' unmistakable tremolo swagger. He opens up about the instant chemistry with Auerbach, finding calm and spirituality in his music, and why this feels like the defining moment of his career. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more.

In episode #250 of the XS Noize Podcast, Mark Millar is joined by Andrew Davie from Bear's Den and Irish singer-songwriter Ciaran Lavery to discuss their beautiful new collaborative EP Promiser — a stripped-back collection celebrating love, simplicity, and connection. Quietly recorded over just five days in Andrew's home studio and released via Communion Records, Promiser explores the art of restraint — capturing songs in one-take performances filled with birdsong, rain, and real human imperfection. “There was this lyrical idea early on of trying to write songs that didn't need innate conflict or tragedy to exist — songs that celebrated love in its simple, domestic moments, without the need for high drama.” — Andrew Davie, Bear's Den Drawing inspiration from the intimacy of Bruce Springsteen's Nebraska and Adrianne Lenker's Bright Future, Promiser sees both artists embracing the beauty of limitation, joined by guests Emma Gatrill and Joshua Burnside for instinctive, emotionally charged one-take performances. In this conversation, Bear's Den and Ciaran Lavery reflect on the friendship and creative spark behind Promiser — writing songs without conflict, finding meaning in everyday love, capturing raw home-studio moments, and bringing the record to life on their fast-selling Irish tour. “Working with Bear's Den felt almost accidental — we followed what felt right, not what was perfect.” — Ciaran Lavery “Ciaran's songs would just appear — almost fully formed — and that was a real joy to witness.” — Andrew Davie, Bear's Den Bear's Den are known worldwide for their cinematic folk sound and emotional honesty. Ciaran Lavery, one of Ireland's most acclaimed singer-songwriters, is celebrated for his poetic lyricism and intimate storytelling. Together, they've created something special with Promiser — a record that captures the raw beauty of two songwriters in complete creative trust. About The XS Noize Podcast With over 240 episodes, XS Noize Podcast has welcomed legends and trailblazers including Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — and many more.

Por si aún quedase alguna duda de que el fútbol español está en manos de una banda de trapaceros, el partido Villareal-Barcelona que se disputaría en Miami ha sido la prueba definitiva. Un encuentro que se va a jugar en Estados Unidos por la ley del ordeno y mando, sin que ninguno de los restantes clubs haya podido decir nada al respecto, y mucho menos votar. Es el despotismo iletrado, todo para el beneficio de LaLiga, o eso dicen, pero sin contar con los clubs que la conforman. Min. 01 Seg. 49 – Intro Min. 09 Seg. 00 – Un equipo invencible y endeble Min. 13 Seg. 53 – Radio Boixos Min. 21 Seg. 44 – Jugar en casa ya no es determinante Min. 29 Seg. 58 – El equipo más ladrón de la historia Min. 35 Seg. 12 – Oscurantismo y beneficio económico para dos Min. 42 Seg. 07 – Los nuevos mejores amigos Min. 49 Seg. 40 – Muchas explicaciones que no se han dado Min. 56 Seg. 04 - Despedida Neil Young & The Trans Band (Salinas, CA 12/08/1982) Cowgirl In The Sand Hey Hey, My My (Into The Black) Like An Inca Like A Hurricane Everybody Knows This Is Nowhere Southern Man Sample & Hold Nil's Tune Trey Anastasio, Peter Frampton & Grace Bowers - While My Guitar Gently Weeps (New York 07/03/2025)

In this episode, #249 of the XS Noize Podcast, Mark Millar is joined by Maddy Myers and Gustav Moltke from the Californian-Danish dream-pop collective Moon Panda to talk about their stunning third album, Dumb Luck. Recorded between California and Copenhagen, Dumb Luck is a lush dream-pop record exploring love, luck, and creative rebirth — Moon Panda's most sensuous and emotionally open work to date. Written and recorded with keyboardist/guitarist George Godwin and drummer Josh Cabitac, and completed with producer Adam Thein (Djo), the album also features the shimmering single “Space Elevator.” In this conversation, Moon Panda open up about: Recording from home and collaborating across continents The themes of luck, love, and creative survival that shaped Dumb Luck The emotional rollercoaster of motherhood and rediscovering identity through music The deep friendship and “dumb luck” that keeps the band connected across the world “We've been so lucky to find each other and keep creating together — even though we come from different sides of the world,” says Maddy Myers. With Dumb Luck, Moon Panda have created their finest and most heartfelt record yet — a dreamy soundtrack for life's changes, losses, and rediscoveries. XS Noize Podcast Guests Over 240 episodes in, XS Noize has welcomed legends and trailblazers, including: Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more. Find The XS Noize Podcast's complete archive of episodes here.

In Episode #248 of the XS Noize Podcast, host Mark Millar is joined by Rick McMurray — drummer of Northern Irish rock legends Ash — for a deep dive into their brand-new ninth studio album, Ad Astra. Arriving just two years after Race the Night, Ad Astra finds Ash in rocket-fuelled form. Featuring collaborations with Graham Coxon and a wild cover of “Jump in the Line,” the record fuses ferocious riffs with reflective moments, showing a band still evolving three decades in. In this episode, Rick talks about the making of Ad Astra, the madness behind “Fun People” (and working with Coxon), the defiance/hope at the heart of “Give Me Back My World,” why the “Jump in the Line” cover made sense now, and how songs like “My Favourite Ghost” and “Keep Dreaming” bring balance. He also reflects on being “lifers, not part-timers,” Ash's place in today's scene, and taking the new songs on the road. XS Noize Podcast Guests Over 240 episodes in, XS Noize has welcomed legends and trailblazers, including: Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more. Find The XS Noize Podcast's complete archive of episodes here.

John Procaccini is a veteran tour production manager and entertainment executive with over 45 years in the live events industry. Currently the Tour Production Manager for Peter Frampton, John has worked with legendary artists including Jefferson Starship, The Doobie Brothers, REO Speedwagon, Boston, and Sammy Hagar. Beyond touring, he is Co-Owner of the Nashville Social Club and Principal of ChiliBop Entertainment Group, with past leadership roles at Base Hologram, Base Experiential, and Stage Craft. Known for blending creativity with operational excellence, John continues to deliver unforgettable experiences while shaping the future of live entertainment.In this engaging conversation, Marcel and John Procaccini explore a variety of topics ranging from the innovative launch of GearShare, an AI-driven search engine for sub-rental gear, to the evolving dynamics of real estate in Tahoe. They discuss the importance of community support in the live events industry, the impact of health choices on touring professionals, and the cultural differences in food and health. John shares his unique journey from working in a deli to becoming a veteran production manager in the rock and roll industry, while also addressing security concerns in live events and the shift from generalists to specialists in production management. The conversation highlights personal experiences, lessons learned, and current projects, providing valuable insights into the world of live entertainment. In this conversation, John shares insights from his extensive career in the music industry, discussing the evolution of touring, the impact of health on artists, and the importance of mentorship in sustaining the industry. He reflects on personal experiences with Peter, the challenges of managing health issues, and the significance of lifestyle changes. The discussion also touches on the future of concert experiences, including the use of holograms and the need for enhanced security measures for artists.This Episode is brought to you by Elation and Main Light

In Episode #247 of the XS Noize Podcast, host Mark Millar is joined by Finn O'Brien — frontman of London via Bristol indie band The Jacques — to discuss the band's powerful new album Make Repetition. The Jacques' story is one of resilience, tragedy, and survival. Formed as teenagers, they rose quickly with early festival slots and a Libertines support show at Hyde Park, before facing devastating setbacks — including the loss of bandmate Will Hicks and Finn's own battle with addiction. Now, with Make Repetition!, produced by Dan Swift, Jules Apollinaire, and Gordon Raphael, the band have emerged with their strongest, most confident work to date. In this episode, Finn talks about the stories behind songs like “Nothing Amazing” and “Via Dolorosa,” how he ended up making John Lydon cry while touring with PiL, and what really happened when the band's gear was stolen by their tour manager. He also reflects on music as a vital lifeline, the resilience that has carried The Jacques forward, and why their next record might be a concept album. Previous XS Noize Podcast Guests Over 240 episodes in, XS Noize has welcomed legends and trailblazers, including: Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more. Find The XS Noize Podcast's complete archive of episodes here.

The next entry in The Chuck Granata Pet Sounds Interview Series is Chuck's chat with David Wild, a contributing editor at Rolling Stone magazine. His published books include Seinfeld: The Totally Unauthorized Tribute (1998), And the Grammy Goes To...: The Official Story of Music's Most Coveted Award (2007), He Is . . . I Say: How I Learned to Stop Worrying and Love Neil Diamond (2009), and others. Wild hosted the Bravo television series Musicians, and has written for the Grammy Awards since 2001, becoming a producer for the show in 2016. In 2022, his Naked Lunch podcast debuted, featuring a wide range of guests, including Graham Nash, Susanna Hoffs, Keanu Reeves with his band Dogstar, Peter Frampton, Jimmy Kimmel, and many more.      Here's just a few of the many things that David discusses with Discograffiti in this podcast:   Why Pet Sounds is perfect; Tony Asher's incredibly commendable side gig; The reliance on Brian's inner child to produce greatness; And what Brian Wilson revealed as his favorite Beach Boys record to David.   There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we'll all have world peace.   Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up)   Free Sneak Peek: linktr.ee/discograffiti   Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It's completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti's weekly bonus episodes and access to our entire Patreon episode archive. There are now over 300 Patreon episodes.

Gary Numan joins The XS Noize Podcast to reflect on Telekon at 45, his emotional Wembley return, debut at Glastonbury, and the future of AI in music. In one of his most open and revealing interviews, Numan discusses resilience, mental health, and the moments he nearly walked away from music — while revisiting the ghosts of his past and looking ahead to the creative future. From Cars and Are ‘Friends' Electric? to Intruder and beyond, this is Gary Numan at his most candid — sharing insights into legacy, technology, and what still drives him after decades in music. Previous XS Noize Podcast Guests With over 240 episodes, XS Noize has welcomed legends and trailblazers including: Matt Berninger (The National), John Lydon (Sex Pistols), Peter Hook (Joy Division & New Order), Snow Patrol, Doves, Saint Etienne, Cast, Anton Newcombe, Peter Frampton, Razorlight, Ocean Colour Scene, Gary Kemp, Chesney Hawkes, and many more. Find The XS Noize Podcast's complete archive of episodes here.  

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Tom "Bones" Malone.   About Tom : Tom “Bones” Malone, trombonist, multi-instrumentalist, arranger & producer is best known for his work with The Blues Brothers, David Letterman Show and Saturday Night Live. Tom has played on 4,400+ television shows, 3,500+ radio & television commercials, over 1,500 recordings and thousands of live performances throughout the world. Tom has done 3,000 arrangements for television.   Tom plays trombone, tuba, bass trombone, contrabass trombone, euphonium, bass trumpet, trumpet, flugelhorn, piccolo trumpet, alto sax, tenor sax, baritone sax, flute, piccolo, alto flute and bass flute.   “Tom Bones Malone, a multi-instrumentalist, is perhaps the most successful musician in the history of film, live television and sound recording production.” - Ray Hair, president, American Federation of Musicians   Tom has performed, recorded and/or arranged for Ray Charles, James Brown, Stevie Wonder, Paul McCartney, Gil Evans, Yes, Miles Davis, Beck, Aretha Franklin, Spyro Gyra, Jimmy Cliff, Frank Zappa, Stuff, The Temptations, The Supremes, Sting, Elton John, James Taylor, J Giels Band, Blood Sweat & Tears, The Band, Levon Helm, Phil Collins, Wilson Pickett, Sam & Dave, Ben E. King, The BeeGees, Meco, The Coasters, Bon Jovie, Carly Simon, Dr. John, Olivia Newton-John, Joe Cocker, The Meters, The Neville Brothers, Leo Sayer, Boz Skaggs, Chuck Berry, Robert Plant, Jeff Beck, Jimmy Page, Gypsy Kings, Willie Nelson, Clint Black, Dolly Parton, George Benson, B B King, Vince Gill, John Mayer, Steve Winwood, The Killers, Blues Traveler, The Stylistics, Busta Rhymes, Bonnie Raitt, Bruce Springsteen, Al Green, Gloria Estefan, Garth Brooks, Faith Hill, Eddie Harris, Cyndi Lauper, David Bowie, ‘N Sync, Coolio, Snoop Dog, 50 Cent, Solomon Burke, Steely Dan, Aerosmith, Tony Bennett, Mary J. Blige, Peter Frampton, Lyle Lovett, Etta James, Jon Secada, Joe Cocker, Sinead O'Conner, Toni Braxton, Harry Connick, Jr., Randy Newman, Little Richard, Pointer Sisters, Eric Clapton, Billy Preston, Marvin Gaye, Whitney Houston, Chaka Kahn, Four Tops, Elephant's Memory, Eddie Floyd, Count Basie, The Spinners, The Stylistics, Barry Manilow, Jose Feliciano, Woody Herman, Tom Petty, Macy Grey, Van Morrison, Frankie Valli, Hanson, Peggy Lee, Brenda Lee, Liza Minelli, Cab Calloway, The O'Jay's, Nancy Wilson, Shirley Bassey, Billy Joel, Bonnie Tyler, Lou Reed, Baja Men, Dr. Buzzard's Savannah Band, Joss Stone, Dionne Warwick, Meatloaf, Ashford & Simpson, Pat Metheny, David Sanborn, Luther Vandross, Teddy Pendergrass, Glen Campbell, Malo, Vicki Sue Robinson, Mandrill, Gladys Knight & The Pips, Diana Ross, Average White Band, Dreamgirls, Van McCoy, Mongo Santamaria, Instant Funk, Stephanie Mills, Herbie Mann, Paul Simon, Gloria Gayner, Plácido Domingo, Village People, Bobby Blue Bland, Pink Floyd, Hubert Laws, Tina Turner, Joe Jackson, Chuck Mangione, Lou Rawls, David Byrne, Phil Woods, James Ingram, Hank Crawford, Carmen McRae, Bette Midler, Phoebe Snow, Rupert Holmes, BJ Thomas, Samantha Sang, Al Jarreau, Sheena Easton, Johnny Taylor, Little Milton, Stanley Clark, Little Anthony & The Imperials, Joe Pesche, Ron Carter, Buddy Rich, Les Elgart, Larry Elgart, Billy Cobham, Louis Bellson, Stanley Turrentine, Gato Barbieri, Ringo Starr, Lady Gaga, Bob Geldoff, Debbie Harry, Run DMC, Ricky Martin, John Mellencamp, Eurythmics, Rufus Thomas, Debby Harry, Run DMC, Ricky Martin, Shaggy, John Mellencamp, Chris Montez, Joey Dee, Dusty Springfield, The Blues Brothers, Hanson and many others.

In Episode #245 of the XS Noize Podcast, host Mark Millar is joined by Neil Hannon — the brilliant mind behind The Divine Comedy — for a revealing conversation about his stunning new album, Rainy Sunday Afternoon, out this September on Divine Comedy Records. His 13th studio album and perhaps his finest to date, Rainy Sunday Afternoon, was recorded at Abbey Road and finds Hannon blending lush orchestral arrangements with sharp lyrical insight. Written as a response to personal reflection and global unrest, the record explores themes of memory, mortality, and melancholy — all delivered with his trademark wit and elegance. The Divine Comedy's 13th album, balancing grief and absurdity, and why songwriting still feels like emotional alchemy. The album's lead single Achilles, inspired by a 1915 WWI poem, is a moving meditation on bravery and loss. Elsewhere, Hannon reflects on writing songs for the hit film Wonka and revisiting his past through the remastered Divine Comedy back catalogue. In this episode, Neil discusses the emotional and philosophical ideas behind the new record, the creative freedom of writing for film, and why music — now more than ever — needs both sadness and silliness. He also teases the upcoming UK tour and shares reflections on a career spent crafting one of Britain's most unique and literate songbooks. Whether you've followed The Divine Comedy since Casanova, or are discovering Neil's genius for the first time, this is a rich, witty, and deeply human episode not to be missed. Previous XS Noize Podcast Guests Over 240 episodes in, XS Noize has welcomed legends and trailblazers, including: Matt Beringer, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more. Find The XS Noize Podcast's complete archive of episodes here.

In Episode #244 of the XS Noize Podcast, host Mark Millar chats with Tom Smith — frontman of Editors — about his debut solo album There Is Nothing In The Dark That Isn't There In The Light, released 5 December on Play It Again Sam. After two decades leading Editors through seven acclaimed albums and two records with Smith & Burrows, Tom is stepping into solo territory for the first time. Motivated by a desire to reconnect with the raw, acoustic beginnings of his songwriting, he set out to create something more intimate and personal — a world away from the collaborative nature of his band projects. Produced with Iain Archer, the album blends stripped-back honesty with cinematic flourishes, moving from the nostalgic ache of Lights Of New York City to the soaring drama of Life Is For Living. Along the way, Tom explores themes of memory, resilience, and connection, balancing melancholy with hope. In this episode, Tom talks about finding his voice as a solo artist, the stories and emotions behind these songs, and we also revisit the Editors' back catalogue that made him one of the UK's most distinctive frontmen. Whether you've followed Tom's journey from the very first Editors record or are meeting him here for the first time, this is an intimate and revealing look at an artist entering a bold new chapter. Previous XS Noize Podcast Guests Over 240 episodes in, XS Noize has welcomed legends and trailblazers, including: Matt Beringer, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more. Find The XS Noize Podcast's complete archive of episodes here.

Humble Pie is often overshadowed by bands like Led Zeppelin, Aerosmith, and Queen, but they were a considered a "supergroup" when they formed in 1969-- fronted by Steve Marriott from the Small Faces and Peter Frampton from The Herd. Their first 2 albums are a mixed bag, but by the time they signed with A&M Records in 1970 they had refined their style down to a bluesy, hard-rockin' sound. Rock On (1971) was their most successful album to date and features "Stone Cold Fever", which is itself a stone cold classic. "Stone Cold Fever" (Steve Marriott, Peter Frampton, Greg Ridley, Jerry Shirley) Copyright 1971 Unart Music Corp (BMI), UMG Recordings, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices

Humble Pie is often overshadowed by bands like Led Zeppelin, Aerosmith, and Queen, but they were a considered a "supergroup" when they formed in 1969-- fronted by Steve Marriott from the Small Faces and Peter Frampton from The Herd. Their first 2 albums are a mixed bag, but by the time they signed with A&M Records in 1970 they had refined their style down to a bluesy, hard-rockin' sound. Rock On (1971) was their most successful album to date, and features "Stone Cold Fever" -- which is itself a stone cold classic. "Stone Cold Fever" (Steve Marriott, Peter Frampton, Greg Ridley, Jerry Shirley) Copyright 1971 Unart Music Corp (BMI), UMG Recordings, Inc. Visit OldGlory.com and pick up some t-shirts & merch from your favorite bands-- and use our discount code lovethatsong to save 15% off! Learn more about your ad choices. Visit megaphone.fm/adchoices

From PETER FRAMPTON to JOE PERRY (Aerosmith) to last week's tenth-anniversary guest, Night Ranger's BRAD GILLIS, guitar tech par excellence DARREN HURST has worked for several world-class guitar heroes, so we had go deep with the veteran guitar tech to find out his philosophies on rig design, guitar tone, and real-time gig survival — and the results are fascinating. How does Darren help Joe Perry achieve his "Dinosaurs eating cars" stage tone? Why does Brad Gillis make only one patch change per show, yet Darren makes 128?! How is Frampton's sprawling "guitar city" of rig "simple"? And we all know Night Ranger, but who the heck is "Day Ranger"? For the answers to these questions and more, just hit play. Thanks to Guitar Player and guitar player.com for making this happen. Enjoy! —JUDE GOLD, Host and Creator, No Guitar Is Safe