Podcast appearances and mentions of Peter Frampton

The Puba Aaron Martel returns to discuss Peter Frampton's 1976 live release Frampton Comes Alive!  Rock On!Peter Frampton Comes Alive Anaheim, CA & Miami, FL 1976https://youtu.be/vUqCvdf5j2w?list=RDvUqCvdf5j2w'Frampton Comes Alive II' 1995https://youtu.be/W7d7oilIxdI?list=RDW7d7oilIxdITheme music by The Steepwater Band.  Follow them @steepwaterband.Website: https://ridiculousrockrecordreviews.buzzsprout.comContact us! e-mail: ridiculousrockrecords@gmail.comFacebook: https://www.facebook.com/R4podcastTwitter/X: @r4podcasterInstagram: https://www.instagram.com/r4podcaster/

 "A wonderful guitar player and great songwriter " - Steve Miller      "Curry is the next guitar hero" - Peter Frampton     Acclaimed singer-songwriter Matthew Curry returns with his new album ONE FOR THE RIDE, a dynamic and heartfelt collection that showcases the full range of his musicianship -- from fiery, virtuostic guitar work to intimate, emotionally rich songwriting. The album explores life on the road, love celebration, personal reflection, and Americana storytelling, all delivered with Curry's signature depth and gritty authenticity.   Born and raised in Bloomington, Illinois, Curry picked up the guitar at age four, was performing live by eight, and leading his own band by eleven. Curry's distinctive blend of blues, rock, southern rock, and old-school country has earned him a devoted audience across the globe. Over the years, Matthew has toured with major icons including the Doobie Brothers, Steve Miller Band, Peter Frampton, Journey, Don Felder, with Steve Miller praising Curry as "a wonderful guitar player and great songwriter in the league of Stevie Ray Vaughan."   One For The Ride captures Curry's life on the road, his love for storytelling, and the musical influences that shaped him. The album bursts open with high-energy southern rock flair, drawing inspiration from the raw spirit of bands like ZZ Top and the timeless road-song tradition.Tracks like "Rum Stumblin'" showcase Curry's knack for crafting fun, bluesy, party-driven grooves, while "Born Behind The Wheel" leans into gritty riffs and harmonies rooted in the southern rock Curry grew up listening to.For more on Matthew Curry check at the website:https://matthewcurry.com

In this episode of the XS Noize Podcast, Mark Millar sits down with Dave Pen of Archive to talk about Glass Minds — the band's 13th studio album and a bold new chapter in a 30-year journey defined by reinvention, collaboration and creative risk. Formed in Croydon, South London in 1994, Archive have evolved from trip-hop pioneers into one of Europe's most respected alternative collectives. Glass Minds, released Friday 27th February 2026 via Dangervisit through [PIAS], follows the ambitious 2022 triple-album Call to Arms & Angels, which charted Top 10 across Europe and culminated in their biggest headline show to date at Paris' Accor Arena. Produced by Archive alongside long-time collaborator Jerome Devoise, and recorded in Brighton, London and Paris, Glass Minds marks a shift toward a more minimal, down-tempo sound — built on space and emotional weight. New textures emerge through Essex rapper Jimmy Collins on "Heads Are Gonna Roll," while Lisa Mottram shines on the title track and "The Love The Light." At its core is the eight-minute "So Far From Losing You," one of the band's most personal and expansive pieces to date. In this conversation, Dave Pen reflects on joining Archive and becoming part of a true creative collective. He discusses the trust and experimentation that shape the band's process, the evolution of their sound over three decades, embracing AI in the album's visual identity, and why live performance remains the ultimate space where Archive's songs continue to grow and transform. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Paul Draper, Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

Send a textOn this Episode Tom and Bert continue  "The Spotlight Series" on entertainment influencers thru the decades!There are Stories to tell and the Guys will cover and discuss the beginnings and the careers of some of the greatest influencers throughout ALL of the entertainment industry.Today's Podcast will cover some of the "Greatest Guitar Songs" and Axemen in Music History Part 1!From Jimi Hendrix, Eddie Van Halen, Keith Richards, Jimmy Page, Terry Kath, B.B. King, Chuck Berry and many, many others we bring you our best of the best!FEATURED CHAPTERS:(2:10) Carlos Santana explains the feeling and emotions of a Guitar Solo!(5:35) Eddie Van Halen's "Eruption" (11:56) Hendrix, Queen and Bobby Fuller 4 classics(23:24) Pink Floyd hits it big with "Money" and Zeppelin with Jimmy Page goes to Heaven!(29:00) Peter Frampton "Shows us The Way"....to a huge hit!(36:20) Elvis and The Eagles Classics(43:34) CCR, Pure Prairie League, Willie Nelson and Chicago(53:32) The Isley's, Chuck Berry and B.B. King and then we wrap it up with our closing comments and a bit of Jimi HendrixEnjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.

Black Rebel Motorcycle Club's third album Howl was a risk — one that nearly broke the band. In this episode of the XS Noize Podcast, Mark Millar sits down with Robert Levon Been to revisit the record that stripped away the noise and reshaped their identity. Originally released in 2005, Howl arrived as an unexpected curveball. The reverb-drenched guitars and white noise that defined the band's early records were stripped back, replaced with folk, blues and gospel-inspired arrangements built around space, restraint and raw emotion. It was a risk — one that confused some at the time, but has since come to feel essential within the band's catalogue. In this conversation, Robert Levon Been reflects on the creative decisions that shaped the album, the deliberate use of silence and atmosphere, and how stepping away from distortion opened up a deeper emotional register in the songwriting. He discusses the impact of critical reception, the perspective that comes with revisiting the record years later, and what it feels like to bring that material back to life on tour. Robert also shares insights into the band's current creative landscape, highlights key entry points for new listeners, and speaks about protecting the spirit of music in an era driven by speed and algorithms. A thoughtful and reflective conversation about evolution, instinct, and trusting your creative compass — even when it takes you somewhere unexpected. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Paul Draper, Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

I got to sit down with Alison Prestwood, an A-list bassist, singer, and bandleader whose playing has been anchoring records and stages for decades, and it felt like catching up with someone I should've known for years.We talked about her leap from Atlanta to Nashville in the early '90s, what it's like leaving steady work to chase the next chapter, and how those five-to-six-nights-a-week club years built the kind of chops and confidence that translate anywhere. Alison shares the winding path that led her into Nashville's session world (including a wild early moment overdubbing on a Ronnie Milsap master), and how hearing players like Glenn Worf and Michael Rhodes up close pushed her into that “forever climbing” mindset that great musicians live in.She also goes deep on her musical north stars: Paul McCartney, James Jamerson, Willie Weeks, Lee Sklar, and especially Carol Kaye, including an incredible story about spending a full weekend at Carol's house working on pick technique and soaking up stories and wisdom.From there, we get into the nuts and bolts: how Alison thinks about the difference between R&B feel vs. country feel, note length, subdivisions, and the “rules” you learn in Nashville, plus when to break them. She's also launching a brand-new Merle Haggard tribute band called We Are the Merle.We also talk about her time touring with Peter Frampton, how that gig came together, what it's like playing major stages (including the Rock & Roll Hall of Fame experience), and the weight and gratitude of watching a legend keep doing the work.And because Alison is also a fellow podcaster, we dig into her show “Hey, Good For You”, a funny, honest, and sharp look at life as a working bassist (and the absurd things people say to women musicians).It's part career map, part hang, part deep musicianship chat, and by the end, we basically agree this needs to be part one.Music from the Episode:Nadine (Is It You) (George Benson)Turning Waylon Down (Alison Prestwood)Austin (Blake Shelton)Beautiful Man (Alison Prestwood & Rodney Crowell)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Andy Bown found the 20 year-old recordings of “a deep-space love story” he'd written with the sci-fi author Russell Hoban and he's just reworked and released them. He talks to us here about “Out There” and life in the Herd, Judas Jump and Status Quo, which involves … … playing the Three Tuns in Beckenham with Bowie … “Foot gun, gun foot. I always tell the truth.” … Peter Frampton when he was The Face of ‘68 … “we were earning £225 a night and got £15 a week. Where did the money go?” … Quo's Whatever You Want and how co-writing works … David's memories of the Herd supporting Chuck Berry in 1968 … opening for Hendrix at Saville Theatre, eight feet from his flaming guitar: “you could feel the heat” … Judas Jump, Don Arden, the huge advance and the “appalling” album … sessions with Jerry Lee Lewis who played the solo with his foot … early days in Status Quo when he played behind a curtain and how they got to be Live Aid's opening act … “You'd think John Fogerty would be pleased about Rockin' All Over The World. Au contraire!” Order ‘Out There: A Deep-Space Love Story' here: https://andybown.com/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Andy Bown found the 20 year-old recordings of “a deep-space love story” he'd written with the sci-fi author Russell Hoban and he's just reworked and released them. He talks to us here about “Out There” and life in the Herd, Judas Jump and Status Quo, which involves … … playing the Three Tuns in Beckenham with Bowie … “Foot gun, gun foot. I always tell the truth.” … Peter Frampton when he was The Face of ‘68 … “we were earning £225 a night and got £15 a week. Where did the money go?” … Quo's Whatever You Want and how co-writing works … David's memories of the Herd supporting Chuck Berry in 1968 … opening for Hendrix at Saville Theatre, eight feet from his flaming guitar: “you could feel the heat” … Judas Jump, Don Arden, the huge advance and the “appalling” album … sessions with Jerry Lee Lewis who played the solo with his foot … early days in Status Quo when he played behind a curtain and how they got to be Live Aid's opening act … “You'd think John Fogerty would be pleased about Rockin' All Over The World. Au contraire!” Order ‘Out There: A Deep-Space Love Story' here: https://andybown.com/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In this episode of the XS Noize Podcast, Mark Millar sits down with Mark Shaw of Then Jerico to talk about The Return — a moment that reconnects legacy, live energy, and purpose as the band bring their full show to Ireland for the first time. Watch the full XS Noize Podcast conversation below. Then Jerico are currently touring the UK and Europe, with debut full-band Irish headline shows at Belfast's Limelight 2 on Thursday 19 February and Dublin's Whelan's Main Room on Friday 20 February 2026. The tour features a 90-minute set spanning the band's classic first two albums — First (The Sound of Music) and The Big Area (Outside) — alongside material from Mark Shaw's 1990s solo releases. In this conversation, Mark Shaw reflects on a four-decade journey through success, setbacks, and survival. He talks about the importance of audience connection, shaping setlists that balance momentum with meaning, and the breakthrough impact of Big Area. Shaw also opens up about carrying the legacy of Then Jerico as the sole founder, revisiting early recordings and B-sides with fresh perspective, and why he's still driven to write songs that speak directly to the present moment. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Paul Draper, Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

Andy Bown found the 20 year-old recordings of “a deep-space love story” he'd written with the sci-fi author Russell Hoban and he's just reworked and released them. He talks to us here about “Out There” and life in the Herd, Judas Jump and Status Quo, which involves … … playing the Three Tuns in Beckenham with Bowie … “Foot gun, gun foot. I always tell the truth.” … Peter Frampton when he was The Face of ‘68 … “we were earning £225 a night and got £15 a week. Where did the money go?” … Quo's Whatever You Want and how co-writing works … David's memories of the Herd supporting Chuck Berry in 1968 … opening for Hendrix at Saville Theatre, eight feet from his flaming guitar: “you could feel the heat” … Judas Jump, Don Arden, the huge advance and the “appalling” album … sessions with Jerry Lee Lewis who played the solo with his foot … early days in Status Quo when he played behind a curtain and how they got to be Live Aid's opening act … “You'd think John Fogerty would be pleased about Rockin' All Over The World. Au contraire!” Order ‘Out There: A Deep-Space Love Story' here: https://andybown.com/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

"One is the loneliest number that you'll ever doTwo can be as bad as oneIt's the loneliest number since the number one"Please be my number 2 and  join me this afternoon, Super Bowl Sunday, for Super Sounds Of The 70's. Stopping by are David Bowie, Boz Scaggs, Pink Floyd, Peter Frampton, Yes, Robin Trower, Renaissance, Stevie Ray Vaughn, Michael Bloomfield, Blues Image, Phil Manzanera, Procol Harum, Mountain, Tom Petty & The Heartbreakers, Chicago, Crosby, Stills, Nash & Young, and Three Dog Night with a brief tribute to Chuck Negron who passed away last week.  

In this episode of the XS Noize Podcast, Mark Millar sits down with Kula Shaker frontman Crispian Mills to talk about Wormslayer — a record that captures the band feeling revitalised, confident, and creatively fearless. Watch the full video conversation. Released on 30 January 2026, Wormslayer is Kula Shaker's eighth studio album and sees the original line-up distil their explosive live energy into something cinematic, playful, and expansive. Often described as a natural companion to Natural Magic, the album allows songs to stretch and evolve, blending tight pop instincts with longer, more exploratory moments. In this conversation, Crispian Mills reflects on trust, chemistry, and why the band feels more alive now than at any point in their history. He talks about symbolism and synchronicity, the meaning behind key tracks including Lucky Number, Charge of the Light Brigade, and Broke as Folk, and the idea of creativity as an ongoing quest rather than a destination. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Paul Draper, Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

We celebrate the great Comes Alive!https://www.frampton.com/index2.php#peterframptonEvery Friday, Live at 5PM from Los Angeles https://www.youtube.com/@rocktailsradiohttps://rocktailsradio.comThis podcast is hosted on Buzzsprout. See privacy policy here: https://www.buzzsprout.com/privacy

S9E6 went out live from the TSORR Studio on Myoli Beach on 5 Feb 2026 at 19h00 on Bulldogs Radio.  Things are back to normal down here, and it's a bit quiet in the studio without my daughter, but I had a great show regardless, lots of fun in the chat groups. The Diabolical Challenge featured the first 4 of 16 live albums that will go into the quarterfinal in week 10. Votes were tied for Frampton Comes Alive and Deep Purple Made in Japan.  We'll need another couple of votes during the week to get a winner. Check out the TSORR Facebook page if you want to vote, see below. Please vote on the Diabolical Challenge every week on The Story of Rock and Roll Facebook page. Check out the website: www.storyofrockandroll.com  and join TSORR Central https://chat.whatsapp.com/LQFVLqOUIpR0ArBarIAQEuIf you want to be on the mailing list for all the weekly videos and documentaries of show-related material, send an email to:  thestoryofrockandroll1@gmail.com Artists featured: Queens of the Stone Age, Accept, Halestorm, Volbeat, Cinderella, Skid Row, Hellsmoke, Blackberry Smoke, Joe Bonamassa, The Cult, Alter Bridge, Chrome Division, Motörhead, Sex Pistols, Iron Maiden, Guns N' Roses, Alice Cooper, Fleetwood Mac, Rob Zombie, Duff McKagan, Hole, Billy Idol, Slash, Metallica, AC/DC, Led Zeppelin, The Who, Peter Frampton, Cheap Trick, Deep Purple, The Jam, Megadeth, Creator, Manimal, Judas Priest, Thin LizzyThe Story of Rock and Roll. TSORR - Your one-stop shop for Rock

In this episode of the XS Noize Podcast, Mark Millar sits down with Dani Larkin to talk about Next Of Kin — a deeply emotive record shaped by time, patience, and a renewed sense of creative clarity.  Released on 23 January 2026, Next Of Kin marks a bold progression in Larkin's sound and vision. Co-produced with Ruth O'Mahony Brady, the album expands her acclaimed storytelling into a cinematic, emotionally rich landscape that explores life's most universal milestones — from birth and coming of age to love, loss, and acceptance. Structured as a trilogy, the record moves through distinct phases. Part I traces a journey from darkness toward revelation and youth. Part II sits in the complexity of adulthood, weaving love, fear, doubt, courage, and hope through expansive orchestral arrangements and intimate songwriting. Part III closes with a sense of resolution and homecoming, culminating in the poignant farewell Danny Boy. In this conversation, Larkin reflects on how releasing her debut Notes For A Maiden Warrior during the COVID era shaped her outlook, and why Next Of Kin feels like a true arrival moment. She talks about patience, self-acceptance, and the importance of creating space — both personally and creatively — between records. She also discusses the album's lead single End Of It All, a striking and urgent track that blends industrial drum beats, raw guitar, and a haunting reimagining of Row, Row, Row Your Boat — capturing the contradictions, anxiety, and fragile hope of modern life. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here.  

In this episode of the XS Noize Podcast, Mark Millar sits down with Paul Draper to talk about Mansun Retold — a project shaped by distance, perspective, and the strange experience of meeting your younger self through song. Watch the full video conversation. Releasing on 20 February, Mansun Retold sees Draper revisit and reimagine key songs from the Mansun catalogue, rebuilding them from the ground up as full-band, acoustic unplugged recordings. Rather than revisiting the past for nostalgia's sake, the album is about clarity — hearing familiar songs anew, stripped of urgency, ego, and expectation. Recorded at The Loft Studios in Surrey, the album was co-produced by Paul Draper alongside Paul "PDub" Walton (The Cure, U2, Björk, Massive Attack, Oasis). The sessions feature a string quartet arranged and led by Audrey Riley (Muse, Coldplay, Nick Cave), with drums performed by Julian Fenton — Mansun's original early-era drummer. Draper performs acoustic bass, acoustic lead and rhythm guitar, and piano throughout the record. In this conversation, Draper reflects on the emotional weight of returning to songs so closely tied to his own life, how he decided which tracks felt ready to be retold, and the responsibility he feels toward fans who have lived with this music for decades. He also talks about life beyond music, creative fulfilment, and how Mansun Retold is intended to be experienced — not as a retrospective, but as a living record, rooted firmly in the present. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

Pat Bergeson joins me on the show this week. Pat is one of those musicians who makes you stop and rethink what's actually possible on a guitar. And on a harmonica.Pat Bergeson is a true master of touch, tone, and taste, and one of the most deeply musical players you'll ever hear.Pat's guitar playing is rooted in the blues, jazz, and country traditions, but it's always personal, always expressive, and always unmistakably his own. He's been here in Nashville for a number of decades now, and has amassed an impressive list of credits, playing on records for artists like Dolly Parton, John Paul White, Suzy Bogguss, Blake Shelton, Alison Krauss and Lyle Lovett. But Pat has never been one to devote himself to session work, so he's led a much more rounded life, with tons of live playing and touring, including his current touring gig in Peter Frampton's band. When I first saw him, it was with the band Les Brers, which was Butch Trucks' band playing mostly Allman Brothers music, and seeing Pat teamed up with the band's other guitarist Jack Pearson, was a one-two punch of two of my absolute favorite guitarists in music city!One of the most meaningful chapters in Pat's career was his close association with the legendary Chet Atkins. Chet didn't just admire Pat's playing - he brought him to Nashville. Pat recorded and performed with Chet, and you can really hear that shared philosophy: musical elegance, deep respect for melody, and an understanding that less can truly be more. Pat played with Chet for years, both on records but also as part of his band that used to have a weekly gig here in Nashville at a little Italian joint downtown.And then there's the harmonica.Pat isn't just a great guitarist — he's one of the finest diatonic harmonica players you'll ever hear. So whether you know him from his work with Chet Atkins, his collaborations with Peter Frampton, his session work, his solo recordings, or his unforgettable harmonica playing, you're in for a great conversation today.Enjoy my conversation with Pat Bergeson!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

This week, dear listeners, we summon you into the shadowed realm of British folk horror. In honor of Hammer Glamour icon Linda Hayden's birthday on January 19th, the Scary Spirits Podcast dares to revisit the chilling masterpiece of 1971—The Blood on Satan's Claw. Prepare yourselves as hosts Karen and Greg dissect this sinister tale of pagan terror, possession, and the creeping corruption of innocence. But what is terror without a touch of indulgence? As they dissect this masterpiece, our hosts will savor a devilishly inspired cocktail—the Basil Hayden Winter Sour. Crafted with elegance and a hint of darkness, this drink is the perfect companion for an evening of horror and revelry. So, pour yourself a glass, dim the lights, and prepare to be transported into a world where superstition reigns and evil walks among us. Join the Scary Spirits Podcast for an episode that celebrates Linda Hayden, explores the legacy of The Blood on Satan's Claw, and tempts you with a cocktail worthy of the occasion. Dare you listen? The Crocodile Cocktail • 2 oz vodka• 1 oz Mezcal• 1 oz triple sec• 2 oz lemon juice Instructions: Add all ingredients to a cocktail shaker with ice. Shake well for 10-15 seconds. Strain into a chilled cocktail glass and serve. Source: makemeacocktail.com A Brief Synopsis: When a mysterious corpse is accidentally dug up by a boy in a small town, a group of local teens starts acting very strangely. The adolescents, led by a girl named Angel, are convinced the corpse was once possessed. Hoping to get in touch with the devil through the body, the teens act out a series of demonic rituals that causes a stir among the townspeople. When word of the satanic activity spreads, certain parents start trying to lock up the kids behind the spooky stunts. Some of the topics discussed and highlights of this episode include: Karen tells us the story of Boaz & Ruth From The Bible. We discuss throwing a person into water to see if they are a witch. We learn the Biblical definition of the word “shod”. References are made to Peter Frampton & Rex Smith! Our rating of the film: This movie was OK. It took us 3 cocktails to get through it. Take our online survey! We want to know more about you! Please take our survey. All questions are optional and you can remain completely anonymous if you prefer. Tell us what you like or would like to hear more of! All music on the Scary Spirits Podcast is provided by the band “Verse 13”. Please check them out. You can listen to all their music on their Bandcamp page. Get social with us! Connect with us on Facebook and Instagram Subscribe on YouTube to watch Greg attempt to make all the featured cocktails Follow @ScarySpiritsPod Questions, comments or suggestions? Shoot us an email at info@scaryspirits.com As an Amazon Associate, we may earn a small percentage of qualifying purchases through our links.

Send me a text and please visit www.livefrommydrumroom.com Celebrating the 50th Anniversary of the iconic album "Frampton Comes Alive" released January 15, 1976, with legendary FCA bassist, Stanley Sheldon. Stanley takes us back to his audition and joining Peter Frampton's band in early 1975, going on tour and ultimately recording this live masterpiece. He also shares stories and insights from his many years with Peter. So come along for the ride, and please subscribe! Check out E137 TrackTalk With Stanley Sheldon for a deep dive into "Do You Feel Like We Do" https://youtu.be/yGccpJoPIOA?si=8Cfiy0HyCnW9JMhY Live From My Drum Room T-shirts and Hoodies are now available! 100% of the proceeds go toward my PAS scholarship. Visit https://livefrommydrumroom.com for details! Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://livefrommydrumroom.comwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

In this episode of the XS Noize Podcast, Mark Millar sits down with Alexander Wolfe to talk about his deeply personal new album Everythinglessness. Watch the full video conversation. Written after a period of intense personal reckoning — including time spent in a mental health rehabilitation facility in 2023 — Everythinglessness explores masculinity, mental health, and emotional survival. Drawing on experiences of depression, anxiety, and ADHD, Wolfe turns vulnerability into something raw, intimate, and quietly powerful. Raised in 1990s Woolwich, Wolfe blends observational grit with cinematic songwriting, using analogue textures, layered harmonies, and stark piano lines to create a record that unfolds like a coming-of-age story — moving through grief, identity, and acceptance. In this conversation, Wolfe reflects on the mindset behind the album, the challenge of expressing softness in a culture shaped by silence and stoicism, and how music became a form of recovery rather than escape. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

This week we're sharing a series of episodes that capture one of our favorite themes on Second Act Stories: the moment when life changes key. These Key Changes episodes feature people whose lives have been shaped by music: some who left it behind for something new; others who found their way to it later than expected. Together, they're the stories we return to when we want to show how reinvention really works, not as a clean break, but as a shift in rhythm, perspective, and purpose. Whether you're a longtime listener or just discovering the show, these episodes reflect the heart of the podcast: bold pivots, unexpected harmony, and second acts that still have plenty to say. Rick Beato is one of the most successful YouTube stars in the world. His channel, Everything Music, has 3.5 million subscribers and is approaching 600 million views. Among the different types of videos Rick posts are his Top 20 Countdowns, What Makes This Song Great?, and his Rants on all things music. Rick also has an incredible series of long-form, sit-down interviews with some of the most acclaimed music artists in the world, including Peter Frampton, Sting, Derek Trucks, Brian May, and a group interview with grunge legends Krist Novoselic, Kim Thayil and Jack Endino. But Rick didn't find success on YouTube until he was in his mid-50s, following the viral success of a video he posted of his 8-year-old son Dylan demonstrating his perfect pitch. In fact, he didn't even launch his channel until he was 54. Prior to his YouTube success, Rick taught music at the college level, he held private lessons (by his estimation, he taught more than 12,000 lessons), he was a music producer and engineer, and he even co-wrote the song "Carolina" by the band Parmalee, which hit #1 on the Billboard Country chart. Rick is also one of the only people in the world who isn't a rock star to have his own Gibson Artist Series Signature Les Paul Special guitars. In this episode, Rick shares his journey from childhood, when he first played the cello, to the classrooms of upstate New York, to his experience working in the music industry, to the incredible success he enjoys today as one of the world's most well-respected experts on "Everything Music." ******* If you enjoy Second Act Stories, please leave us a review here. We may read your review on a future episode! Subscribe to the Second Act stories Substack. Check out the Second Act Stories YouTube channel. Follow Second Act Stories on social media: Facebook LinkedIn Instagram Second Act Stories theme music: "Between 1 and 3 am" by Echoes.

Nashville bassist Alison Prestwood joins Blake for a deep-dive hang that zig-zags through the kind of career that only makes sense in hindsight: a near-miss with Waylon Jennings, a pivotal run with Rodney Crowell, getting the call to jump in with Patti Loveless on a few days' notice, and why saying “no” at the wrong time can still be the right move. They talk shop on what it really takes to break in today (attitude, reputation, the bus factor, and yes… learn the number system), plus why studio work still has that magic when a whole band builds something together in real time. Also: a midlife detour into law school and practicing as an attorney before returning to music full-time, and a proper gear spiral, including her 1973 P-bass, vintage favorites, and why touring with Peter Frampton can actually be safer for great instruments than leaving them at home. Check out her podcast Hey, Good For You! (podcasts.apple.com) Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

What more can be said about the much maligned 1978 musical film 'Sgt. Pepper's Lonely Hearts Club Band' that hasn't been said already (11% on Rotten Tomatoes)? But this week's guest, multi-instrumentalist, artist and songwriter Robbie Gennet, contends that the movie - and especially its accompanying soundtrack - deserves a second look. Featuring the Bee Gees, Peter Frampton, and a slew of guest artists covering Beatles songs (AND produced by none other than George Martin!), as well as a murderer's row of side men including  Max Middleton, Wilbur Bascomb and Bernard Purdie, it's an eclectic, at times bizarre collection of songs you've known for all these years. We hope you will enjoy the show. Songs discussed in this episode: Sgt. Pepper's Lonely Hearts Club Band - Bee Gees with Paul Nicholas; Vacillate, Don't Wait (Live, 2025) - Robbie Gennet; I've Gotta Get A Message To You (Live at The Forum, 1976), Too Much Heaven - Bee Gees; I'm In You, Show Me The Way (Live) - Peter Frampton; Cause We've Ended As Lovers, Head For Backstage Pass - Jeff Beck; Fire and Brimstone - Hummingbird; Here Comes The Sun - Sandy Farina; Theme song from 'Which Way Is Up' - Stargard; Lucy In The Sky With Diamonds - Dianne Steinberg with Stargard; Lucy In The Sky With Diamonds - Elton John; I Want You (She's So Heavy) - Bee Gees with Donald Pleasence; Good Morning Good Morning - Bee Gees with Peter Frampton; Oh! Darling - Dana Fuchs; Maxwell's Silver Hammer - Steve Martin; Sgt. Pepper's Lonely Hearts Club Band (Reprise) - Bee Gees with Peter Frampton; Got To Get You Into My Life - Earth, Wind & Fire; Night Fever - Bee Gees; I Want You (She's So Heavy) - Eddie Hazel; Because - Bee Gees with Alice Cooper; Come Together - Aerosmith; A Day In The Life - Bee Gees; Get Back - Billy Preston; Sgt. Pepper's Lonely Hearts Club Band (Finale) - Bee Gees, Peter Frampton, Cast; No Questions - Robbie Gennet

In this episode, I sit down with bassist and vocalist Keith Horne, and it feels like reconnecting with a player I've admired for decades. I talk about the first time I experienced Keith live in 1996, when I was a freshman at Belmont University, and he was on the road with Peter Frampton. I still remember the impact of his touch, time, and musical confidence. From there, Keith and I dig into how his musical life started as a kid playing bluegrass with his dad, how flatpicking shaped his speed and articulation, and why being a multi-instrumentalist gave him an unusually complete view of the bandstand. We talk about his left-handed approach to playing guitar, how he learned guitar upside down, how he originally played drums left-handed, and why he eventually switched to a right-handed kit to survive the reality of shared backlines and sit-ins.Keith tells some incredible stories about chasing complex instruments, including the moment he finally found a left-handed pedal steel, how watching great steel players for years taught him the mechanics before he ever owned one, and how quickly he was able to apply that knowledge once the instrument was in front of him. We also trace the exact moment bass became his leading voice, when a bassist in his dad's band left his instrument at the house, and Keith quietly learned it without telling anyone, then shocked his dad by switching instruments mid-gig at age twelve and never looking back. That leads to a bigger conversation about why starting on drums is a superpower for a bassist, how it teaches you the unspoken communication between rhythm section players, and why Keith's time feel became one of his calling cards, including a compliment from Dennis Chambers that still stands out as one of the biggest of his life.Keith and I go deep on the singing bassist problem, how to keep vocals expressive while staying locked on bass, and how harmony singing often becomes the secret weapon that gets you the gig. He shares how his range and high harmony work opened doors, how constant performing strengthened his voice over time, and how he learned to shift between full voice and falsetto through heavy gigging and demanding material. We talk about the artists and songs that shaped his bass worldview, from Earth, Wind & Fire and Verdine White to Bernard Edwards, Stanley Clarke, Marcus Miller, Chuck Rainey, and Jaco. Keith tells the story of hearing Stanley Clarke for the first time and having his entire concept of the instrument explode overnight.A significant highlight is Keith's time in the Virginia fusion band Secrets, a band he calls the best musical situation he's ever been in. He tells the story of sitting in on Jeff Lorber's Tune 88, getting a standing ovation for a bass solo, and then immediately being offered the gig. We talk about how quickly great players elevate your musicianship, how his first night in the band was also Carter Beauford's first night, and the feeling of instant chemistry that made it seem like they'd been playing together forever. Keith also shares stories of opening for the Yellowjackets, becoming friends with Jimmy Haslip, and the surreal mirror-image moment when the band watching their soundcheck saw an upside-down bassist and an open-handed drummer and realized they were looking at a parallel-universe version of themselves.From there, we follow Keith's move to Nashville, living with the Wooten Brothers early on, playing jam nights seven nights a week, and building a reputation fast because he could authentically cover multiple genres on demand. He breaks down how his first major Nashville gig came through the Stockyard, leading to Tanya Tucker, and how the road unfolded from there with Waylon Jennings, Peter Frampton, and Trisha Yearwood, including singing Walkaway Joe with Trisha and what it's like to work with singers so accurate they can survive monitor failures in arenas without losing pitch. We also spend time on Hot Apple Pie, the magic of that record, why it still sounds fresh, and the frustration of how label shifts and industry timing kept the band from reaching the level the music deserved.We wrap with what Keith is doing now in Florida at the Orange Blossom Opry, what makes the venue unique, how the band tailors its opening set to match each headliner, and why the schedule can be intense during the season but still sustainable because the owners take care of the musicians in a rare way. It's a wide-ranging conversation about musicianship, time feel, harmony, career longevity, and the kind of stories you only get from someone who has genuinely lived on bandstands for decades.Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

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 Emmy Award–winning music journalist Alan Light is the author of numerous books including The Holy or the Broken: Leonard Cohen, Jeff Buckley, and the Unlikely Ascent of “Hallelujah” (which was adapted into an acclaimed documentary), as well as Let's Go Crazy: Prince and the Making of Purple Rain and biographies of Johnny Cash, Nina Simone, and the Beastie Boys. He was the cowriter of bestselling memoirs by Gregg Allman and Peter Frampton. Alan was a senior writer at Rolling Stone and the editor-in-chief of Vibe and Spin. He contributes frequently to The New York Times, Esquire, and The Wall Street Journal, among many publications, and cohosts the podcast Sound Up! With Mark Goodman and Alan Light.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Hello friends! What a year. For our 2025 year in review, "How Did I Get Here?" teams up with the power trio from the "Hey, Good For You!" podcast - bass players, Rachel Loy, Alison Prestwood, and Harmoni Kelley (who have collectively played with Kenny Chesney, Miranda Lambert, Peter Frampton, Willie Nelson, Trace Adkins, Faith Hill, Tim McGraw, Blake Shelton, Joe Bonamassa, Wynonna Judd, Vince Gill, Peter Frampton, and many more) to discuss our 2025. We get into everything from our personal highs and lows, some of our favorite music, movies, shows, and books, things we learned, and there's a lot of laughter. I am a big fan of these women and their awesome podcast, "Hey, Good For You!" which you can find on Apple, Spotify or wherever you pod. I hope you all have a safe and happy new year. See you in 2026! Let's get down! Follow us on Instagram, TikTok, X, Facebook, Spotify, Apple Podcasts, or anywhere you pod. Send someone the gift of Johnny with Cameo.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

 Emmy Award–winning music journalist Alan Light is the author of numerous books including The Holy or the Broken: Leonard Cohen, Jeff Buckley, and the Unlikely Ascent of “Hallelujah” (which was adapted into an acclaimed documentary), as well as Let's Go Crazy: Prince and the Making of Purple Rain and biographies of Johnny Cash, Nina Simone, and the Beastie Boys. He was the cowriter of bestselling memoirs by Gregg Allman and Peter Frampton. Alan was a senior writer at Rolling Stone and the editor-in-chief of Vibe and Spin. He contributes frequently to The New York Times, Esquire, and The Wall Street Journal, among many publications, and cohosts the podcast Sound Up! With Mark Goodman and Alan Light.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

"I've been lost now, days uncounted, and it's months since I've seen homeCan you hear me, can you hear me, or am I all alone?"Well, I certainly hope not, so please join me for this week's musical journey in my Way Back Machine dialed for the 70's. Coming along are Queen, The Doobie Brothers, The Illusion, Doors, Moody Blues, Steve Miller Band, Grateful Dead, Robin Trower, Fleetwood Mac, Genesis, Traffic, Thunderclap Newman, Peter Frampton, Mountain, Small Faces, Guess Who, The Who and Booker T & The MG's...

Running a boutique audiophile label is not easy, as Shane Buettner has learned in the 10 years since he founded Intervention Records. There are licensing agreements to be negotiated, artists to please, mastering engineers and pressing plants to be engaged, vinyl formulation and cover design to be arranged, plus marketplace changes and ever-increasing competition to be navigated. The label's first release was Stealer's Wheel's debut, with standout pressings featuring Joe Jackson, Judee Sill, Matthew Sweet, the Flying Burrito Brothers, Peter Frampton, Everclear and others to follow. With so many labels jumping into the audiophile pool, has licensing recordings become harder? What dictates pricing? Do Buettner's customers care more about 180-gram vinyl or tip-on jackets? And how did he land Intervention's new Sun Records deal, with Kevin Gray-mastered 45 RPM releases from Carl Perkins and Johnny Cash on the way?

In this episode of the XS Noize Podcast, Mark Millar is joined by acclaimed filmmaker Oliver Murray — the British writer–director redefining modern music documentary through his bold, cinematic approach. Following his 2023 short film Now and Then, The Last Beatles Song — made in collaboration with Paul McCartney, Ringo Starr, Sean Lennon and the Harrison Estate to celebrate the release of the Beatles' final single — Oliver continues his creative relationship with the band by directing the brand-new, final chapter of the legendary Anthology series. First released three decades ago, The Beatles Anthology reinvented the music documentary format. Instead of outside narration and talking heads, it featured John, Paul, George, and Ringo telling their story in their own words — a groundbreaking approach that shaped the way music history is now documented. Under Murray's direction, the series now receives its long-awaited conclusion: Episode Nine, a completely new instalment filled with unseen footage, including intimate behind-the-scenes moments of Paul, George and Ringo reuniting between 1994 and 1995 at Abbey Road. Oliver discusses how he approached taking on one of the most important music stories ever told, the responsibility of handling unreleased Beatles material, and the emotional legacy carried by Episode Nine — both for the surviving members and for generations of fans discovering the band anew. "Watching Paul, Ringo and George together in the '90s, the chemistry is exactly the same as when they were young — it's hard-wired. It feels almost scripted, but it isn't. That bond is still alive." — Oliver Murray A rising force in film and music storytelling, Murray has previously collaborated with some of the biggest names in music, including The Rolling Stones (My Life As a Rolling Stone), The Beatles (Now & Then), and Quincy Jones (They All Came Out to Montreux). His work spans genres — from jazz in Ronnie's: The Story of Ronnie Scott's Jazz Club to classical music with Lang Lang — and has been featured on Disney, Netflix, and the BBC. Listen as Oliver Murray takes us inside the making of Episode Nine — revealing unseen moments of Beatles history and the evolution of his craft — exclusively on the XS Noize Podcast. This is the definitive deep dive into the Beatles' final chapter. "Episode nine concludes the anthology, but it's not an end. The Beatles' legacy isn't a full stop — it's something that's in the groundwater now, something we all inherit." — Oliver Murray About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.  

You guys voted, and we're delivering on democracy. The Pearl Jam show that was voted the #3 show of the year is the second night in Nashville! This was a show that streamed live on Sirius XM, which means that the band had plans for a special evening. One of the top moments of the year came early in the set when they invited the legendary Peter Frampton on stage to perform Black. We'll talk about what it meant for him to be up there and how his performance on the song impacted the show. Javier attended this one and has many stories to share, including his journey during the off day finding guitar stores and record shops just to be greeted by a couple of familiar faces. Approaching Third Man Records, Javi finds Eddie inside, and it leads to a massive group photo and a huge piece to an unforgettable day. Javi and friends also got to meet Josh Klinghoffer at a minor league baseball game, so he'll share all of those great memories prior to breaking down the setlist. Tune in to check out that full breakdown, including why perhaps the set wasn't capitalized on after the big Peter Frampton moment. Visit the Concerpedia - http://liveon4legs.com Contact The Show - liveon4legspodcast@gmail.com Donate to the Show - http://patreon.com/liveon4legs

We we end "Rock'n World" month with a doozey. This one has a reputation of being very bad...well sometimes those reputations are warranted. Join us as we try to unravel this crazy musical featuring Peter Frampton and the Bee Gees, George Burns, Donald Pleasance and more. Will we roast this film like chestnuts on a fire? Tune in.Ian's Site: https://www.kickseat.com

In this episode of the XS Noize Podcast, Mark Millar is joined by legendary producer Steve Lillywhite — the Grammy-winning studio mastermind behind iconic records by U2, The Rolling Stones, Talking Heads, The Smiths, The Killers, Peter Gabriel, and many more. Steve talks about the release of a brand-new 4-track EP featuring a completely unreleased live version of "Fairytale of New York" — recorded at Glasgow Barrowlands in December 1987. This historic performance captures the first time The Pogues ever played the song live, and the first time Kirsty MacColl performed it onstage with the band. The EP is released on 12 December. Recorded by Steve himself — producer of the original version and then-husband of Kirsty MacColl — the Barrowlands tape offers a rare window into the early live life of what has become the UK's favourite Christmas song for over a decade. Originally charting at No. 2 in 1987, "Fairytale of New York" has returned to the UK Top 20 every year since 2005. Steve reflects on the making of the classic track, the energy of that unforgettable night in Glasgow, and key moments from across his remarkable career. Listen to Steve Lillywhite discuss the new EP, the legacy of Fairytale of New York, and the stories behind his legendary productions — exclusively on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

In this episode of the XS Noize Podcast, Mark Millar is joined by guitarist and songwriter Cathal Mac Gabhann from Cork alt-rock and shoegaze outfit The Altered Hours — one of Ireland's most vital underground bands. The Altered Hours released their self-titled third album on November 7th via Pizza Pizza Records. Recorded to tape by analogue producer Julie McLarnon (New Order, Lankum, Happy Mondays), the album captures the band at their most raw, warm, and emotionally direct. Formed in 2010, the band have carved out a unique place in the European alternative scene through two albums, a run of EPs, and a reputation for immersive, fuzz-drenched live shows. Their independent spirit has earned them admiration from peers and fans alike. Cathal discusses the band's evolution, the creative shift behind the new record, and how recording to tape has brought out their most dynamic sound yet. He also reflects on touring with Fontaines D.C., playing venues like The Bataclan and Alexandra Palace, and stepping in as their live guitarist across Japan and Australia. Now signed to Pizza Pizza Records, The Altered Hours step confidently into a new phase — honouring their psych-rock roots while pushing into bolder, more atmospheric territory. Listen to Cathal Mac Gabhann discuss the making of the new album, the journey behind it, and where The Altered Hours go next — exclusively on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.    

Barry Krutchik is an legendary Hollywood and pop culture journalist who has conducted over 2000 celebrity interviews across music, film & television over the past 40 years, capturing raw, unscripted moments — from Bob Hope to The Beastie Boys, Santana to Stevie Wonder, Jerry Seinfeld to Jay Z, Mick Jagger, Keanu Reaves, Dave Chappelle, Celine Dion ... basically, the biggest stars EVER! Whether backstage or behind the camera, Barry's authenticity & quick humor helped high-profile stars feel at home, resulting in raw, unscripted moments. Barry makes things fun! After a decade, he stopped doing interviews in 2002. “By the third time you're interviewing Peter Frampton, it might be time to try something else” he jokes, a surreal realization, considering that twelve-year-old Barry would've never believed he'd even meet Frampton. So, he launched Krutchie Entertainment and, using his vast trove of celebrity contacts, began booking talent and producing high-impact media events for the Grammys, MTV, BET, FOX, Cirque du Soleil, and more. Over the decades, as technology, public relations and the world of entertainment  changed radically, Barry's professional opportunities also changed. He was no longer a hungry young journalist but a seasoned gentleman in an industry looking for youth and diversity. Then, Covid destroyed his live events business overnight. Terrified, Barry had to reinvent himself. This journeyman is now activating his extraordinary content. He has a new book coming out, Classic Conversations: ‘90s Hip Hop and R&B featuring his intimate, one-of-a-kind moments and quotes with hip hop and R&B royalty. Each interview includes entertaining commentary that only Barry has the ability to provide. In addition, Barry recently returned to interviewing with a one-on-one sit down with Lady Gaga. And, he has new projects in the pipeline harnessing his treasure trove of celebrity content

In this episode of the XS Noize Podcast, Mark Millar is joined by Pearce Macca — frontman of Birmingham indie-rockers The Clause, a band whose rise has become one of the most inspiring new stories in modern British guitar music. The Clause have just unveiled their long-awaited debut album Victim of a Casual Thing — a record built on pure graft, unshakable friendship, and more than a decade of refusing to give in. What started in a cramped school practice room in 2011 — with Pearce Macca, Jonny Fyffe and Niall Fennell learning their favourite songs before Liam Deakin completed the line-up — has grown into a band with a fiercely loyal fanbase and a reputation for electrifying live shows. Pearce looks back on the full journey: the teenage beginnings, the countless setbacks, the near-misses, the belief that kept them going, and the breakthrough moments that finally pushed the band to album one. He reflects on the stories they've lived together — the wins, the losses, the friendships, the heartbreaks — and how those experiences became the emotional engine of Victim of a Casual Thing. We also dive into The Clause's rise on the live circuit, from sweatbox early gigs to lighting up festival crowds at Radio 1's Big Weekend, Isle of Wight, Truck, Tramlines, and Rock 'n' Roll Circus. And Pierce takes us inside the making of the album itself — the sound that defines The Clause, the writing and recording process, and why this record feels less like a finish line and more like the start of the real story. "We've done this the long way — but it's the right way. It's made us the band we are." – Pearce Macca Listen to Pearce Macca talk about the decade-long journey behind The Clause, the heart and honesty driving Victim of a Casual Thing, and the breakthrough moment they've been chasing — exclusively on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

This episode is more fun than an emotionally charged summer road trip with a famous band in the 1970s! We're doing Cameron Crowe again this week, this time with the 2000 film "Almost Famous" and the band at the heart of it - Stillwater! We'll cover all the nods to other 70s rockers – intended or not – plus get some behind-the-scenes info on how these songs came together with the help of Peter Frampton, and Nancy Wilson from Heart. Also, as with our last Crowe flick, there is a grunge element. Plus, caller Aviv Rubenstien hits us with an absolute deluge of Almost Famous facts and goodies!

In this episode of the XS Noize Podcast, Mark Millar is joined by Roland Gift — the iconic voice of Fine Young Cannibals and one of the most instantly recognisable singers in British music. With era-defining hits like "She Drives Me Crazy," "Good Thing," "Johnny Come Home," and their electrifying version of "Ever Fallen In Love," Fine Young Cannibals became global chart-toppers — selling over five million records and earning two BRIT Awards, an Ivor Novello, and three Grammy nominations. Their sharp, soulful sound continues to influence generations. Roland returns with two major releases — FYC40, a definitive 40-year anthology, and his brand-new festive single "Everybody Knows It's Christmas", showcasing that unmistakable voice in glorious form. Roland looks back on the band's beginnings, the explosive success of The Raw & The Cooked, and how his Otis Redding-inspired delivery fused with David Steele and Andy Cox's songwriting to create something completely unique. He also reflects on Fine Young Cannibals' continued cultural impact — including "She Drives Me Crazy" becoming the musical centrepiece of the 2025 Chanel campaign starring Dua Lipa and Jennie from BLACKPINK. We also talk about Roland's return to performing — touring with Jools Holland, shining at the 2022 Hootenanny, and his triumphant 40 Years of Songs tour, which launched with a sold-out London Palladium show. And we dive into "Everybody Knows It's Christmas" — a glam-rock, wall-of-sound celebration co-written with Ben Barson, full of warmth, nostalgia, and classic Roland soul. "Wherever you are I hope this song brings a bit of warmth, a smile, and maybe a bit of that Christmas magic your way." – Roland Gift Listen to Roland Gift discuss 40 years of Fine Young Cannibals, the making of FYC40, and the joy behind his new Christmas single — exclusively on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

In this episode of the XS Noize Podcast, Mark Millar is joined by ALKY — the Dublin-born indie-rock artist and former Emmy-nominated audio engineer whose raw, heartfelt songwriting is making serious waves across Ireland's indie scene. From his breakout singles "Dirty Tricks," "All Because of Love," "Perfect," and "How Do You?" to sold-out shows at Whelan's and The Workman's Club, ALKY has built a growing reputation for pairing widescreen anthems with brutally honest storytelling. Now, he's stepping into a defining new chapter with the release of his debut album Rinse & Repeat, a powerful exploration of addiction, love, and the endless cycles we fight to escape. In our conversation, ALKY talks about the messy truth behind his lyrics, his transition from studio engineer to full-time artist, and how facing his own patterns of self-destruction became the creative spark for the record. He opens up about sobriety, resilience, and why imperfection — both in music and in life — can be the most honest sound of all. We also dive into the making of standout tracks "All Because of Love," "How Do You?," "Perfect," and "Dirty Tricks," his experience coming up through Dublin's live circuit, and how Rinse & Repeat became a cathartic statement on falling, getting back up, and finding meaning in repetition. "I noticed I kept falling into the same destructive behaviours — the same chaos regarding alcohol and my relationship choices. Rinse & Repeat is a reflection of that cycle and putting it into songs." – ALKY Listen to ALKY discuss the making of his debut album Rinse & Repeat, addiction, love, and finding strength in repetition on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here New episodes of the XS Noize Podcast drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.  

We're kicking things off with exclusive footage I filmed this morning at Sylvan Music in Santa Cruz, California — then diving into an incredible story that'll hit every guitarist right in the feels. “I started crying. I never thought in these 42 years I'd see my work on the stage. I'm going, ‘Damn it, Joe!'”

In this episode of the XS Noize Podcast, Mark Millar is joined by Martin Blunt — founding member and bassist of The Charlatans, one of Britain's most enduring and beloved bands. From their breakthrough with Some Friendly to the anthemic Tellin' Stories and the reflective Modern Nature, The Charlatans have spent more than three decades making music that moves between euphoria and heart. Now, with We Are Love, they've created a record that feels like a true celebration — warm, hopeful, and full of connection. Martin talks about the chemistry that's kept the band together, the highs and heartbreaks along the way, and how they still find joy in playing together after all these years. He also pays heartfelt tribute to the late Rob Collins and Jon Brookes, whose spirit and influence continue to guide the band's sound and soul. "If you gave us the being-in-a-band tick sheet, I think we've ticked quite a few of the boxes." – Martin Blunt Listen to the full episode and join Martin as he looks back on the band's story, the soul behind We Are Love, and why — after all this time — The Charlatans are still chasing that same spark that started it all. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Gary 'Mani' Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here New episodes of the XS Noize Podcast drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

Marc Bonilla is a renowned guitarist, composer, and producer whose dynamic career spans decades across the worlds of rock, film, and television. He first gained recognition touring with Warner Bros. recording artists Toy Matinee and later released three critically acclaimed instrumental guitar albums on Reprise Records: EE Ticket, American Matador, and Celluloid Debris.  A versatile and south-after collaborator, Bonill has performed, recorded and produced with an impressive roster of artists including Asia, Ronnie Montrose, Gamma, Glenn Hughes, Eddie Jobson, Slash, Little Richard, Peter Frampton, Rob Halford, David Coversale, Paul Rodgers, Edgar Winter, Ambrosia, David Pack, Todd Rundgren, Robby Krieger, Don Felder, Sammy Hagar and Tesla, among many others. In the Realm of film and television, Marc has composed and performed on scores for numersous major motion pictures such as The Bourne Legacy, Iron Man 2, Green Lantern, The Scorpion King, Falling Down, Waterworld, The Replacements, Spiderman 2, Bruce Almighty, ER and many more. He has collaborated with top Hollywood composers including James Newton Howard, John Debney, Joel McNeely, and Snuffy Walden, earning an Emmy nomination in 2001 for his work on David Milch's Big Apple. For Show notes and more info, visit our website: www.rockandrollconfessional.rocks Also Marc mentions many of our previoius guests that you may want to hear those interviews, including Lee Sklar, Glenn Hughes, Kipp Lennon, Peter Frampton, Robby Krieger and more. Find those interviews where ever you found this one!   More info on Marc's site: https://marcbonillamusic.com/

This episode of Across The Margin : The Podcast features an interview with film and TV producer, writer, and director Rick Korn. Rick is the co-founder of In Plain View Entertainment which specializes in creating socially conscious documentaries. Rick has produced benefit concerts with Bruce Springsteen, Bon Jovi, Sheryl Crow, Peter Frampton, Kevin Bacon, and Joan Jett (amongst others). He executive produced the documentary about Paul McCartney, My Old Friend, and in 2024, he directed and released A Father's Promise, the inspiring story of professional musician Mark Barden who lost all joy in music when his son Daniel was murdered at Sandy Hook Elementary school. Mark rewired himself and became a powerful voice and activist when he co-founded Sandy Hook Promise. Rick's latest documentary, the focus of this episode, is entitled Harry Chapin — Cat's In The Cradle: The Song That Changed Our Lives. This new documentary explores Harry Chapin's deeply affecting folk song's lasting impact on music and culture decades later. In it, reflecting on the song's universal themes of parenthood, time, and relationships, are legendary musicians Billy Joel, Pat Benatar, Judy Collins, Dee Snider (Twisted Sister), Darryl McDaniels (Run-D.M.C.), Mandy Patinkin, Robert Lamm (Chicago), Whitfield Crane (Ugly Kid Joe) and more. In this episode host Michael Shields and Rick discuss what it is about “Cat's In The Cradle” that has affected generations of people from across the world so deeply. Join in on a celebration of Harry Chapin who was more than just a singer-songwriter; he was a storyteller, activist, and humanitarian whose life and music touched the hearts of millions.The documentary will benefit WhyHunger, Long Island Cares and the Harry Chapin Foundation. Hosted on Acast. See acast.com/privacy for more information.

In this episode of the XS Noize Podcast, Mark Millar is joined by Moya Brennan — the unmistakable voice of Clannad, often hailed as the First Lady of Celtic Music. This year marks the 40th anniversary of Clannad's landmark 1985 album Macalla — a record that bridged ancient Celtic roots with modern pop and ambient textures. Produced by Steve Nye (Japan, David Sylvian) and recorded across Dublin, Surrey, and Switzerland, Macalla captured the moment when Irish music stepped confidently onto the global stage — featuring the iconic duet with Bono, In a Lifetime. In this conversation, Moya looks back on the creative and spiritual journey behind Macalla — from the evolving sound that carried Clannad from Donegal's Irish-speaking Gaeltacht region to worldwide acclaim, to the energy of recording during a golden era for Irish music, with U2 at Live Aid and the world discovering Celtic voices anew. She recalls the "lightning in a bottle" studio sessions with Bono and explores the deeper sense of faith, family, and identity that continues to echo through her work. "If Macalla helps someone feel something, even for a moment — that's what it was meant for." – Moya Brennan Moya also reflects on Clannad's role in reshaping how Irish music was seen around the world, and the blending of Gaelic language and modern production that became their signature sound. She discusses how her collaborations have taken her voice from folk stages to global dance floors — most famously with Chicane on Saltwater — and the enduring power of songs such as Closer to Your Heart, Buachaill Ón Éirne, Caisleán Óir, Almost Seems (Too Late to Turn), The Wild Cry, and Journey's End to connect generations. Listen to the full episode and join Moya Brennan as she reflects on 40 years of Macalla — the memories, the music, and the lasting echo of Clannad's legacy. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here  

With more than 25 years of experience guiding Grammy-winning and Rock & Roll Hall of Fame artists, Lisa Jenkins has built a career defined by integrity, strategy, and a deep respect for artistry. Most recognized for her longtime role managing Peter Frampton, Lisa has been a driving force behind key milestones in his career,  from his Grammy win in 2007 to his New York Times bestselling memoir Do You Feel Like I Do?, and his 2024 induction into the Rock & Roll Hall of Fame.Lisa began her career in the 1980s, working with artists including Laura Branigan and later supporting acts such as The Mavericks, Lucinda Williams, Junior Brown, and Jack Ingram. As part of Gold Mountain Entertainment, FCC Management, and later Nuages Music, she developed a reputation for her calm leadership, meticulous organization, and artist-first approach.From 2006 through 2024, she served as an Artist Manager at Vector Management, overseeing every facet of her clients' creative and professional lives, from touring and recording to branding, media, and publishing. Her collaborative and compassionate management style has earned her the trust of artists and industry peers alike.Currently, Lisa is the Executive Producer of Peter Frampton's upcoming documentary and remains active within the industry through her involvement in The Recording Academy, Leadership Music, and Music Columbus, where she serves as Secretary of the Board.She believes success in the music business isn't about rigid methods or formulas,  it's about kindness, professionalism, and staying true to yourself.In this episode of the Leading Ladies podcast, Lisa shares her extensive journey in the music industry, from her beginnings in modeling to managing rock legend Peter Frampton for over 26 years. She discusses the challenges and rewards of artist management, the evolution of the Nashville music scene, and the importance of mental health awareness in the industry. Lisa emphasizes the significance of kindness and support in management roles, while also providing valuable advice for the next generation of women in music.This Episode is brought to you by Lightswitch

In this episode, #254 of the XS Noize Podcast, Mark Millar is joined by a true architect of punk — Glen Matlock, the original bassist and founding spark of The Sex Pistols. Glen co-wrote ten of the twelve songs on the band's legendary 1977 album Never Mind the Bollocks, giving its chaos a melodic backbone that helped define an era. Now, he's reclaiming his story in the new documentary I Was a Teenage Sex Pistol — a compelling, filmic portrait of the Pistols' rise told through wry, honest, and often hilarious first-hand accounts. In this conversation, Glen looks back on the bleak yet electric energy of 1970s Britain, the provocations of Malcolm McLaren and Vivienne Westwood's SEX shop, Steve Jones' infamous thieving, and the band's chaotic search for a frontman that would ultimately change music forever. From bust-ups and fan mania to the tabloid outrage that followed, Glen offers a frank and insightful portrait of a group of misfits who tore down the old order — and the cost that came with it. He also talks about the real story behind I Was a Teenage Sex Pistol, co-writing the songs that built Never Mind the Bollocks, the truth about his split from the Sex Pistols, the spirit of early punk culture, fashion and rebellion, and the life lessons learned from one of rock's great survivors. Hear Glen Matlock reflect on the chaos, the craft, the myth — and the man behind it all. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here  

Por si aún quedase alguna duda de que el fútbol español está en manos de una banda de trapaceros, el partido Villareal-Barcelona que se disputaría en Miami ha sido la prueba definitiva. Un encuentro que se va a jugar en Estados Unidos por la ley del ordeno y mando, sin que ninguno de los restantes clubs haya podido decir nada al respecto, y mucho menos votar. Es el despotismo iletrado, todo para el beneficio de LaLiga, o eso dicen, pero sin contar con los clubs que la conforman. Min. 01 Seg. 49 – Intro Min. 09 Seg. 00 – Un equipo invencible y endeble Min. 13 Seg. 53 – Radio Boixos Min. 21 Seg. 44 – Jugar en casa ya no es determinante Min. 29 Seg. 58 – El equipo más ladrón de la historia Min. 35 Seg. 12 – Oscurantismo y beneficio económico para dos Min. 42 Seg. 07 – Los nuevos mejores amigos Min. 49 Seg. 40 – Muchas explicaciones que no se han dado Min. 56 Seg. 04 - Despedida Neil Young & The Trans Band (Salinas, CA 12/08/1982) Cowgirl In The Sand Hey Hey, My My (Into The Black) Like An Inca Like A Hurricane Everybody Knows This Is Nowhere Southern Man Sample & Hold Nil's Tune Trey Anastasio, Peter Frampton & Grace Bowers - While My Guitar Gently Weeps (New York 07/03/2025)