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This is a preview of a bonus episode! Find the rest on our increasingly reasonably-priced patreon! ----- Neatly positioned between Transporter 1 and 2 in our release schedule here is a movie that frequently sees mention in conversations about the 'greatest movies ever made': Andrei Tarkovsky's 1966 biographical historical epic 'Andrei Rublev'. Andrei Rublev, since canonised by the eastern orthodox church, was an icon painter who lived in the 1400s near Moscow. Little is known of his actual life, so what Tarkovsky gives us is instead a fictionalised biography set against the backdrop of a realistic 15th-century Russia. ----- FREE PALESTINE Hey, Devon here. As you well know I've been working with a few gazan families to raise money for their daily living costs in the genocide. We're putting all our energy into this one campaign as we have a real chance to get Ahmed and his family out of Gaza. Please, if you can help in any way, be that by donating yourself or sharing the link with friends and family, it will mean the world to me. https://chuffed.org/project/124906-help-ahmed-and-family-evacuate-gaza ----- WEB DESIGN ALERT Tom Allen is a friend of the show (and the designer behind our website). If you need web design help, reach out to him here: https://www.tomallen.media/ Kill James Bond is hosted by November Kelly, Abigail Thorn, and Devon. You can find us at https://killjamesbond.com
Today we're chatting with Angelique Beach, a nurse practitioner turned professional home organizer and the founder of Neatly, a luxury home organizing company based in Southern California. She's always been passionate and even slightly obsessed about organizing and making things NEAT! Here are some of this things you'll hear in this episode: Questions to ask to find your own questions on a path to more aligned work How hard and confusing it is to be good at something and feel like something is missing Hitting extreme burn out, anxiety, and not having energy for life outside of work How making a career switch is hard but living with regret wasn't something Angelique was willing to take on Aligned work feels magnetic Ditching people pleasing in your career choices Connect with Angelique on IG www.instagram.com/helloneatly or her website www.helloneatly.com for more information! Check out her favorite products: https://shopmy.us/neatly If you enjoyed this episode, share it with someone you know and leave a review! Xo, Baiba
Three-way with Lucy and Alison, takes a slap and tickle turn.Based on a post by Ostrich Mack. Listen to the ► Podcast at Steamy Stories.A New Player.I was bored.My wife was at daycare which she attended every weekday since she became paralyzed in a car accident. We still loved each other and would never do anything to hurt each other emotionally.Sex was physically impossible, and we had discussed my partnering with other women now and then to satisfy my urges. I had her blessing, as long as I didn't fall in love.To that end I had experienced amazing days with Lucy. She was also living in our village. Married, she was not looking for a relationship, but searching for an outlet for her urges which her husband could not fill.The last time we met, my good friend Andrea, recently divorced, was also involved and we ended in a hot threesome. Since then, Andrea had been a regular visitor to Lucy's.So, I was bored at home, on my day off from work, and decided to go for a walk.Pulling on my walking boots and a rainproof jacket, I headed out into the countryside. It was a pleasant morning and I brightened up considerably as I made my way along the walking paths through the lush countryside.After 5K, I was coming to the end of my route when I bump into Lucy and a friend, who were also out for a walk."Hey Lucy," I said, "Fancy meeting you here.""Hi Peter," she replied, and stood on her toes to kiss my cheek. "This is Alison, an old friend from my college days.""Hi Alison, nice to meet you," I said."Nice to meet you too Peter," said Alison. "Lucy told me lots about you.""Oh-oh," I said laughing. "Hopefully all good." I added."Oh yeah," Alison replied.I was a little embarrassed, but I didn't let it show. I had never thought that Lucy would have shared our sexual exploits with her friends.Looking at the sky, I said "It looks like it's going to rain."As soon as I had spoken, the first drops began to fall. Quickly the drops became a downpour, and we were getting soaked as we stood there."Quick," said Lucy, "My house is closest, Let's make a run for it."We took off at a sprint and within a couple of minutes, we were at Lucy's front door.Lucy opened the door and we piled into the hallway.Laughing and gasping for breath, we stood there dripping wet from the downpour.Our clothes were soaked through, and we were cold."I have towels upstairs." Said Lucy. "Wait here and I will fetch them."She was gone for a minute and came downstairs with a huge stack of towels."Here take a couple each." She said.We accepted the towels gratefully and started trying to dry ourselves off, but we were so soaked through that it had little effect."Okay," said Lucy. "There is only one thing we can do. Strip off, and we can put the wet clothes in the dryer."Alison blushed."Come on!" said Lucy. "It's not as if I haven't seen you naked before."Alison blushed even more, her face turning bright red.A gentleman as always, I said, "I'll just go into the kitchen, so you won't have to worry about me peeking."I went into the kitchen, stripped off my wet clothes and wrapped a towel around my waist.Returning to the hallway, I saw that Alison and Lucy had also divested themselves of their clothes and were wrapped in towels.Lucy invited us into the sitting room and said, "I'll make us some tea."We took a seat. Lucy's house was luxuriously furnished. No expense spared and really well presented. Lucy and her husband weren't short of money.Alison took a seat, struggling to cover herself fully with the towel. She was pretty.Her long blond hair hung over her shoulders and framed a very pretty face. Her freckled face was typical of that 'Girl next door' beauty. Her body was more rounded than Lucy's petite frame. Her tits were bigger and more rounded. Her hips were wider, and her ass was a size larger that Lucy.I was a lover of thinner women with small tits. But I was also not averse to fuller models."So, Alison," I said. "What has Lucy been telling you about me?""Oh, just about everything." She replied."Shit," I said. "You must think me some kind of pervert." I said."Au Contraire," Alison replied. "Her stories made me curious. After all, Lucy told you about me."Puzzled, I asked. "Did she? I can't remember that she mentioned your name.""Maybe not by name, but she told you that she had experimented in college. That was me. I was her lover for a short time at college. We enjoyed ourselves before going on to get respectfully married.""Ah ok, I get it." I said remembering that during our last afternoon with Andrea, Lucy had told us she had experimented with another woman in her college days.Just then Lucy returned with a tray with tea and cookies."You've been very naughty." I said to her."How so?" replied Lucy."Telling our secrets to Alison." I answered."Alison is my BFF; I share everything. with her." Said Lucy.Jokingly I swatted Lucy's ass with my palm."Ouch!" she cried and swatted me back."Now now," said Alison. "Play nice you, guys.""I don't think so." I said and grabbed Lucy, pulling her over my knees."Ooh a spanking," said Alison, quoting the Monty Python film.Lucy's ass was exposed as the towel was not big enough to cover it now that she was bent over. I caressed her cheek with my hand."May I also have a spanking kind sir?" Alison asked.I hesitated. This was dangerous ground for me and something I had never done or even contemplated before.Lucy looked at me and winked."If you would be so kind. I know Alison would enjoy it." she said.Lucy stood up and took Alison by her hands. She led her to the dining table and got her to bend over with her chest on the table and her ass exposed where the towel which had ridden up.Lucy walked around the table and took Alison's hands in hers and extended Alison's arms across the table.She smiled at me and said. "Now you can spank her properly."I stood up, very unsure of myself and asked, "Alison, is that what you would like?"Alison replied. "Peter, my cunt is already dripping in anticipation of a good spanking. Please do it."I walked over to her and felt her ass cheek with my hand, rubbing it softly. She moaned.I raised my hand and with a sharp, short, swing, I slapped her right cheek."Come on, that was weak." Alison said. "You can do better."I took aim and slapped her again with a lot more power."Yes, that's better" Alison said. "Again."I obliged and the next slap was on her left cheek.Alison's was dripping from her cunt; she clearly was turned on by this.Five slaps later I had decided that it was enough.Lucy ordered me to take her place and to hold onto Alison's hands.I did so and looked into Alison's eyes as Lucy took her place behind Alison's round ass.Lucy began to gently tickle Alison's ass cheeks with her fingers, interspersed with light slaps.Then she went on her knees behind Alison and started to work on Alison with her tongue.Gentle kisses on Alison's ass cheeks, followed by licks to her exposed cunt made Alison moan with pleasure. Lucy started to lick from Alison's cunt to her ass hole.Alison was shaking. Her voice was shaking as she said, "Just like old times Lucy, You still have the talent."Lucy pushed her tongue in Alison's cunt, eliciting a cry of ecstasy.Lucy was unstoppable. She had tasted Alison's juices and wanted to make her cum.I held Alison's hands firmly, preventing her from changing position. She was at our mercy.My cock was getting harder and harder as I observed Lucy pleasuring Alison's cunt.Alison was crying out, "That's it, eat my cunt."My towel fell to the floor exposing my erection. Alison raised an eyebrow and said. "Wait, pull me further over the table."I pulled her so that her head was hanging just over the edge of the table.She opened her mouth and said, "Here with that cock."I didn't argue and brought my cock to her lips.Alison sucked the head of my cock between her lips and started to lick it with her tongue. The feeling was amazing. My body shocked from her licking.Lucy was working Alison's cunt with her fingers."Hmmm" she moaned on my hard cock.I pushed further in her mouth her tongue licking lower on my cock and just above my balls.One of Alison's hands came free, and she used this to caress my balls."Come for me baby." Cried Lucy redoubling her efforts.Alison was close and we pushed her harder on both sides. It was too much, and she started to wail. Sucking harder and harder on my cock, I felt her start to tremble. Gently at first but increasingly more violent. Alison released my cock, and her hands flew to her cunt, where she furiously rubbed her clit. Then she came. A crashing devastating orgasm, taking her to a place seldom visited. Her body convulsed and her cunt started to squirt cum all over the table.Lucy bent forward and licked her leaking cunt, lapping up her cum.Alison went into a fetal position, her body pulsating.We got her off the table and laid her on the couch where she lay whimpering.Lucy looked me in the eyes expectantly. I knew she was not done yet."Come with me." She said, "I need you.""Okay." I said.Lucy took my hand and we ascended the stairs to the guest room.She took off her towel and stood in her naked beauty before me.
Three-way with Lucy and Alison, takes a slap and tickle turn.Based on a post by Ostrich Mack. Listen to the ► Podcast at Steamy Stories.A New Player.I was bored.My wife was at daycare which she attended every weekday since she became paralyzed in a car accident. We still loved each other and would never do anything to hurt each other emotionally.Sex was physically impossible, and we had discussed my partnering with other women now and then to satisfy my urges. I had her blessing, as long as I didn't fall in love.To that end I had experienced amazing days with Lucy. She was also living in our village. Married, she was not looking for a relationship, but searching for an outlet for her urges which her husband could not fill.The last time we met, my good friend Andrea, recently divorced, was also involved and we ended in a hot threesome. Since then, Andrea had been a regular visitor to Lucy's.So, I was bored at home, on my day off from work, and decided to go for a walk.Pulling on my walking boots and a rainproof jacket, I headed out into the countryside. It was a pleasant morning and I brightened up considerably as I made my way along the walking paths through the lush countryside.After 5K, I was coming to the end of my route when I bump into Lucy and a friend, who were also out for a walk."Hey Lucy," I said, "Fancy meeting you here.""Hi Peter," she replied, and stood on her toes to kiss my cheek. "This is Alison, an old friend from my college days.""Hi Alison, nice to meet you," I said."Nice to meet you too Peter," said Alison. "Lucy told me lots about you.""Oh-oh," I said laughing. "Hopefully all good." I added."Oh yeah," Alison replied.I was a little embarrassed, but I didn't let it show. I had never thought that Lucy would have shared our sexual exploits with her friends.Looking at the sky, I said "It looks like it's going to rain."As soon as I had spoken, the first drops began to fall. Quickly the drops became a downpour, and we were getting soaked as we stood there."Quick," said Lucy, "My house is closest, Let's make a run for it."We took off at a sprint and within a couple of minutes, we were at Lucy's front door.Lucy opened the door and we piled into the hallway.Laughing and gasping for breath, we stood there dripping wet from the downpour.Our clothes were soaked through, and we were cold."I have towels upstairs." Said Lucy. "Wait here and I will fetch them."She was gone for a minute and came downstairs with a huge stack of towels."Here take a couple each." She said.We accepted the towels gratefully and started trying to dry ourselves off, but we were so soaked through that it had little effect."Okay," said Lucy. "There is only one thing we can do. Strip off, and we can put the wet clothes in the dryer."Alison blushed."Come on!" said Lucy. "It's not as if I haven't seen you naked before."Alison blushed even more, her face turning bright red.A gentleman as always, I said, "I'll just go into the kitchen, so you won't have to worry about me peeking."I went into the kitchen, stripped off my wet clothes and wrapped a towel around my waist.Returning to the hallway, I saw that Alison and Lucy had also divested themselves of their clothes and were wrapped in towels.Lucy invited us into the sitting room and said, "I'll make us some tea."We took a seat. Lucy's house was luxuriously furnished. No expense spared and really well presented. Lucy and her husband weren't short of money.Alison took a seat, struggling to cover herself fully with the towel. She was pretty.Her long blond hair hung over her shoulders and framed a very pretty face. Her freckled face was typical of that 'Girl next door' beauty. Her body was more rounded than Lucy's petite frame. Her tits were bigger and more rounded. Her hips were wider, and her ass was a size larger that Lucy.I was a lover of thinner women with small tits. But I was also not averse to fuller models."So, Alison," I said. "What has Lucy been telling you about me?""Oh, just about everything." She replied."Shit," I said. "You must think me some kind of pervert." I said."Au Contraire," Alison replied. "Her stories made me curious. After all, Lucy told you about me."Puzzled, I asked. "Did she? I can't remember that she mentioned your name.""Maybe not by name, but she told you that she had experimented in college. That was me. I was her lover for a short time at college. We enjoyed ourselves before going on to get respectfully married.""Ah ok, I get it." I said remembering that during our last afternoon with Andrea, Lucy had told us she had experimented with another woman in her college days.Just then Lucy returned with a tray with tea and cookies."You've been very naughty." I said to her."How so?" replied Lucy."Telling our secrets to Alison." I answered."Alison is my BFF; I share everything. with her." Said Lucy.Jokingly I swatted Lucy's ass with my palm."Ouch!" she cried and swatted me back."Now now," said Alison. "Play nice you, guys.""I don't think so." I said and grabbed Lucy, pulling her over my knees."Ooh a spanking," said Alison, quoting the Monty Python film.Lucy's ass was exposed as the towel was not big enough to cover it now that she was bent over. I caressed her cheek with my hand."May I also have a spanking kind sir?" Alison asked.I hesitated. This was dangerous ground for me and something I had never done or even contemplated before.Lucy looked at me and winked."If you would be so kind. I know Alison would enjoy it." she said.Lucy stood up and took Alison by her hands. She led her to the dining table and got her to bend over with her chest on the table and her ass exposed where the towel which had ridden up.Lucy walked around the table and took Alison's hands in hers and extended Alison's arms across the table.She smiled at me and said. "Now you can spank her properly."I stood up, very unsure of myself and asked, "Alison, is that what you would like?"Alison replied. "Peter, my cunt is already dripping in anticipation of a good spanking. Please do it."I walked over to her and felt her ass cheek with my hand, rubbing it softly. She moaned.I raised my hand and with a sharp, short, swing, I slapped her right cheek."Come on, that was weak." Alison said. "You can do better."I took aim and slapped her again with a lot more power."Yes, that's better" Alison said. "Again."I obliged and the next slap was on her left cheek.Alison's was dripping from her cunt; she clearly was turned on by this.Five slaps later I had decided that it was enough.Lucy ordered me to take her place and to hold onto Alison's hands.I did so and looked into Alison's eyes as Lucy took her place behind Alison's round ass.Lucy began to gently tickle Alison's ass cheeks with her fingers, interspersed with light slaps.Then she went on her knees behind Alison and started to work on Alison with her tongue.Gentle kisses on Alison's ass cheeks, followed by licks to her exposed cunt made Alison moan with pleasure. Lucy started to lick from Alison's cunt to her ass hole.Alison was shaking. Her voice was shaking as she said, "Just like old times Lucy, You still have the talent."Lucy pushed her tongue in Alison's cunt, eliciting a cry of ecstasy.Lucy was unstoppable. She had tasted Alison's juices and wanted to make her cum.I held Alison's hands firmly, preventing her from changing position. She was at our mercy.My cock was getting harder and harder as I observed Lucy pleasuring Alison's cunt.Alison was crying out, "That's it, eat my cunt."My towel fell to the floor exposing my erection. Alison raised an eyebrow and said. "Wait, pull me further over the table."I pulled her so that her head was hanging just over the edge of the table.She opened her mouth and said, "Here with that cock."I didn't argue and brought my cock to her lips.Alison sucked the head of my cock between her lips and started to lick it with her tongue. The feeling was amazing. My body shocked from her licking.Lucy was working Alison's cunt with her fingers."Hmmm" she moaned on my hard cock.I pushed further in her mouth her tongue licking lower on my cock and just above my balls.One of Alison's hands came free, and she used this to caress my balls."Come for me baby." Cried Lucy redoubling her efforts.Alison was close and we pushed her harder on both sides. It was too much, and she started to wail. Sucking harder and harder on my cock, I felt her start to tremble. Gently at first but increasingly more violent. Alison released my cock, and her hands flew to her cunt, where she furiously rubbed her clit. Then she came. A crashing devastating orgasm, taking her to a place seldom visited. Her body convulsed and her cunt started to squirt cum all over the table.Lucy bent forward and licked her leaking cunt, lapping up her cum.Alison went into a fetal position, her body pulsating.We got her off the table and laid her on the couch where she lay whimpering.Lucy looked me in the eyes expectantly. I knew she was not done yet."Come with me." She said, "I need you.""Okay." I said.Lucy took my hand and we ascended the stairs to the guest room.She took off her towel and stood in her naked beauty before me.
Neatly attired in fetching Hi-Vis yellow Vests, the Gas Giants enter the world of Michael Houellebecq This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit gasgiants.substack.com
Welcome to our very 1st episode of "Challengers Chat" brought to you by the team behind the Premier League Cricket Show & the National Counties Cricket Show, and bringing you the ultimate destination for dynamic discussions, exclusive guests, and unmatched insights from The Challengers, the initiative seeking to bridge the gap between recreational and professional cricket in the UK. Neatly settling into the gap between the NCCA (National Counties Cricket Association) and 1st Class Cricket, the Challengers moves beyond competing at the semi-professional level into competing at higher standards against professional squads. In this episode we chat with the Challengers Elliot Ponting, Marketing & Commercial Manager of the Challengers and Team Manager at the successful European Womens Cricket Championship in December! Thanks for listening and if you enjoy the show, why not show us some love and leave us a 5-star review on your favourite podcast platform as it helps other potential listeners to find us when they are searching for cricketing podcasts. And don't forget to follow us on X, formerly known as Twitter, and Instagram on both to join the conversation, share your thoughts, and connect with us & fellow premier league cricket fans. Twitter: @TPLCricketClub Instagram:@TPLCricketClub Website: premierleaguecricket.co.uk Email: TPLCricketShow@gmail.com Twitter: @NCCA_UK Instagram: @NCCA.UK Website: nationalcountiesca.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices
Israeli Prime Minister Binyamin Netanyahu's effort to reshape the Middle East aligns neatly with US President Donald J. Trump's notion of big power geopolitics. In 2023, Mr. Netanyahu outlined elements of his vision in an address to the United Nations General Assembly. The prime minister held up a map that erased Palestine and showed the Golan Heights, captured from Syria in the 1967 Middle East war, as part of Israel. Mr. Trump's plan to resettle Gaza's 2.3 million Palestinians elsewhere and turn the war-ravaged Strip into a high-end beachfront real estate development has allowed Mr. Netanyahu to officially embrace the notion of ethnic cleansing for the first time, even though ultranationalist members of his Cabinet have long propagated expelling Palestinians from the territory. US and Israeli officials said concern that Hamas may repurpose some 30,000 unexploded ordnances was one reason why Mr. Trump proposed resettlement. Even so, Mr. Trump's plan fits a pattern, following his recognition in his first term as president of Israel's annexation of East Jerusalem and the Golan Heights. Since then, Mr. Netanyahu's big power vision of the Middle East has evolved substantially as a result of the toppling in December of Syrian President Bashar al-Assad by rebels led by Hayat Tahrir al-Sham, a Turkish-backed group with jihadist antecedents.
In this episode, host Jenny Dempsey chats with Angelique Beach in San Diego, California , who took the leap from nursing to become a professional organizer and founded her own business, Neatly —and what a transformation it's been!Angelique unpacks her journey and gets real about the challenges she faced, from feeling unfulfilled in her nursing career to navigating the transition to a business that aligns with her passion. She shares how her support system—family, friends, and a dash of courage—helped her tidy up her path to a new career.We also dive into the importance of having a financial plan to keep things orderly (literally and figuratively!) while making a career switch. Angelique shares how her nursing background gave her super useful skills for her organizing biz—because who better to bring calm to chaos than a nurse?Here's what's inside this episode:Filing away job dissatisfaction: How Angelique realized her calling wasn't in nursing.Decluttering the fear of change: The steps she took to organize her leap of faith.Transferable skills are the label makers of career changes: How her nursing skills help her create harmony in her new role.Finding the right “fit”: Why connecting with ideal clients is key.Follow your bliss: Why your happiness should never end up in the junk drawer.If you've ever felt stuck in your current role and wondered if it's possible to sort out a career that brings you joy, this episode is for you. Angelique proves that it's never too late to tidy up your dreams and live the life you deserve.If you're curious about what it takes to flip your own career or just love hearing transformation stories, you're in the right place. Don't forget to subscribe for new episodes every Thursday!Connect with AngeliqueCheck out her business: https://helloneatly.com/Follow her on Instagram: https://www.instagram.com/helloneatly Thanks for listening to The Career Flipper!If you enjoyed this episode, let's spread the word! Share it with a friend, subscribe, and leave a review—it helps other career flippers find the show.Let's Stay Connected:Join the community: thecareerflipper.comTikTok: @thecareerflipperInstagram: @thecareerflipperpodGot a career flip story? I'd love to hear it—and maybe even have you on the podcast! Whether you've completed your flip, are just starting, or are in the thick of it, submit your story here: https://www.thecareerflipper.com Want to support the show?Looking for a speaker? I'd love to talk about career changes at your next event.Collaborate through sponsorships or affiliates! Let's work together.Email me: hello@thecareerflipper.comCheck Out My Customer Service CoursesBefore my career flip, I led customer experience teams and created online courses that have helped over 12,000 students worldwide. Whether you're switching to customer service or sharpening your skills to run your own business, these courses are packed with practical tips. Learn more at thecareerflipper.com/courses.Other Ways to Get Involved:Buy me a coffee!Explore my furniture flipsMusic CreditsSeason 1: Intro and outro music by audionautix.com. Season 2: Intro and outro original music by Jenny Dempsey, recorded in a home studio.What's the flippin' best that could happen?
On the latest episode of My Little Underground, I'm glad to welcome back Joe Stevens of Peel Dream Magazine! Listen as we discuss the pop band's fourth album, “Rose Mose Main Reading Room” and the influence New York had on the LP. Joe also discusses evolving out of the shoegaze sound of their earlier work and not focusing on belonging to a particular sub-genre while maintaining a focus on melody and eclectic instrumentation. Joe recently scored the movie “Lets Start A Cult” and he talked the lessons learned from scoring a film! --- Listen to Peel Dream Magazine: https://peeldreammagazine.bandcamp.com/album/rose-main-reading-room Listen to My Little Underground: https://linktr.ee/mlupod Follow My Little Underground: @mlupod | #mlupod --- Support this podcast: https://podcasters.spotify.com/pod/show/mlupod/support
“Caddyshack” (A Mumtidimentional Mixtape) {Enter The Multiverse} From Wikipedia: Caddyshack is a 1980 American sportscomedy film directed by Harold Ramis, written by Brian Doyle-Murray, Ramis and Douglas Kenney, and starring Chevy Chase, Rodney Dangerfield, Ted Knight, Michael O'Keefe and Bill Murray with supporting roles by Sarah Holcomb, Cindy Morgan, and Doyle-Murray. It tells the story of a caddie, vying for a caddie scholarship, who becomes involved in a feud on the links between one of the country club's founders and a nouveau riche guest. A subplot involves a greenskeeper who uses extreme methods against an elusive gopher. Caddyshack was Ramis's directorial debut and boosted the career of Dangerfield, who was previously known mostly for his stand-up comedy. Grossing nearly $40 million at the domestic box office (the 17th-highest of the year),[3] it was the first of a series of similar comedies. The film has a cult following and was described by ESPN as "perhaps the funniest sports movie ever made" SAUCE (IN CASE YOU MISSED IT) —- AHAHA. ITS ME AGAIN. OH SHIT! Oh shit, i guess it's Jimmy Fallon's Galaxy. Oh nooo. Oh, yes. Look at this penny. I see you. Now look into my eyes. I see you, Jesus. Ahahaha! Okay, now what? This shit is twisted I missed the shift of the dimensions— Till Jimmy walked in with his pennies For some cigarettes and swishers, Just to get the picture It's 5 AM again, And it's still Infinite, I'm disinterestedd as ever in living in LA, Or just living, period— But it is what it is, I work for my rent, I've repented for this, Used to sleep in a tent, But when I was an Infant, I instantly— Wait, a customer walked in. I better help him. Heaven help him. Another level, Call dr. Nevel, Or an Ambulance, I just can't get it Just can't get it, Wait, let's insert some of the script here, I guess. Took you long enough, didn't it? That took forever. How are you alive? Maybe I'm not. Finally, we agree on something. Oh, this guy Lol. Good to see you again. Likewise, now— Here it goes… As you promised. Working on it. As I promised. Take my heart for granted, Take my soul, If this is loveless Till the end, I just can't manage, having Thoughts of death and tragic ends I haven't Felt the same since Waking up without the day to come ahead; The day has passed again A test, No fail, or pass It's just progressive, In a trance, It's just the stress, It's just to pass the time, I guess, if this is purpose Then, we'll see if this is worth it Now, or never, then Now or never, Never had a friend, All envious at best, This is the end all, In the end, it's just Me and God, And God would want A better body, To have fun I wished it all at once, And then I watched it crumble Oh, I watched it Stumble in, again, my friend I'm different when it's wet, I might not never see the Sun again I might not ever love again Oh well “Oh well” , I said Oh, well, I guess Oh well Okay. One hour left. Okay. Who gets the gold? Hum. Honestly I didn't want to hear a thing ; I had quit music—I just wasn't cut out for the industry—I was, but not by societal standards by far; my lowly place in the smoke shop would have to do for now, and though I knew it wouldn't sustain, there wasn't much else I could do but keep showing up, for as long as it lasted—dresses in at least 2 layers and 5 pairs of socks tucked into boots two-sizes-too-big I had been forced to purchase specifically due to the frigid and painful, freezing temperatures at the locations I worked, which kept its doors open 24/7. Play Iambic. What, right now? Yeah, play Iambic. Uh… Iambic played st exactly 1 hour and 19 minutes—it's script, the transcribed rendition crafted especially for the Broadway stage, an 88-page-masterpiece collecting dust in the confines of my Google Documents, along with anything else I had written and had yet the advantage of placing anywhere besides my podcast channels, which I constantly thought about cancelling, despite its innumerous downloads—nothing really seemed to matter anymore, as I was trapped in my body, in a loveless world, in a dead-end job and though my bed was clean and comfy, sharing the room wirh 3 others became exhausting. INT. SMOKESHOP. 5:58 AM DREW BARRYMORE … SUPACREE … I'm done. I quit. QUIT?! YOU CAN'T QUIT. Nope. That's it. I quit. You can't quit. I just did. I hadn't quit the music industry—the music industry had quit me. I wasn't pretty enough, skinny enough, light skinned enough, or willing to do what any of the other girls were to get ahead. WTF is THIS. Since you like to troll so much, I just thought I'd turn you into one This is not Kosher, 199x Jimmy Fallon; Let me out of this plastic —not exactly “fireproof” — death box, before I let myself out, and I trap you in it. But oh, You already did. FIGHT. UGH OH. Ok, rotate. Who is this. Oh shit, hey dude. FUCK, what year is it? MEANWHILE, Under the bridge. …anybody seen this, uh… *Troll* Yee! *Troll* Alright. That's it. Everything checks out. The story was air tight. TIGHT, TIGHT I want you to wear this tonight “The Lady In The Red Dress” You really went all out for this I really didn't. lol Oh I see, You thought this was the matrix. MIT I WISH GOD Wish what. MIT … Mm. Did u see that. See what. ALRIGHT FUCK THIS, YA'LL IT GOT SERIOUS, WHERE'S MY CYCLOPS He called me his cyclops— —-and then he said LIKE GET OUT WHAT GET OUT OF MY HOUSE WHY CAUSE YOURE JUST A PIÑATA, MAN! And I ain't got time for that! I just got a DeLorean And a new HAT I gotta go get Oof. WRECKED. Yo, Wicked. KENDRICK (TODDLER) WIZARD. Oh my. I'm J00F'd up. | | | trance | | | Look; I gotta get out of this MOTHER OF PEARL do not beach this whale carcas on my warehouse project A what A beached whale I know You brought a beached whale to my fucking rave show Oh I get it It's Avant- Guarde No, that's just how I got here …. Trust me, it's okay that This never happened You did not see me It's because I wasn't there Is this U Ū No I wasn't there. Ü I was. Fuck. What happened. It's ok. All I remember is “The Quatardashians” Hmm Also The indigenous But that's it But mostly that was all just Jesus showing off his flexes Are u fasting? Yes, “Ū” is. So, do you need this?! TRUMPP Get rid of this recording imiidiately GOT IT. kill that bitch. SKRILLEX Yessir. —-but before all that happens. …did you want fries with that?! Why are we boycotting McDonald's —for poisoning —the allies —our enemies. Wait, you're eating this? Yes. Like, for fun, or like? No. This is what I'm feeding my children Why Cause they hungry. Uh, ok— —and there's six of them. Aight, ya'll can each have one nugget with your— I wanted a cheese burger! You git hamburgers. Ham. Cheese costs CENTS; And you know your momma If I ain't about a dollar - A dollop of Daisy You really are Ashamed of his Alright, you evil bastards. I see you want to Cause suffering Correct For which you will eternally recurve damnnation and all of the pain you've caused Karmas a bitch It's lonely at the top Not when you're GOD Get off my rock Did you miss an appointment? Nah, can't do it Why what happened Too high up. Whatchu mean So what, it's just like Done. Well, this is it, huh guys. Oh, yeah, it's that, alright This is the longest ride we ever took.d This is the ONLY ride we ever took. I WANNA GET OFF THIS RIDE. I AM REALLY HIGH UP. JUST LET GO. NO. NO. NO. Put me down, kite!!! KITE wtf do you want me to do. I'm a KITE. I'm YOU FUCKIN KIKE NOOOOOOOOOOOOOOOOOOOOOOOOOO—- Well, I'll be honest, man, this sets you back, some How far back GET GONE, But? We're dinosaurs. Why would something with razor sharp teeth be so— —peaceful, and friendly?? T-REX …cuddles. I just can't fake the feeling( I can't pretend to cry It just comes, when it does But when the well runs dry That's when the the world will end That's when the world will end After this movie, I guarantee we will no longer need the Wilhelm scream AGGGGGHHHHHHH!!! YAHHHHHHHHHHH!!!! AAAAAAIIIIIIIIIIGGGHHHHHHH UUUUUUUUUUUUU This movie broke the world record for the amount of times the word “No” was screamed NO NOH. NO. ‘No! NOOOOOOOOOOO! NONONO. NOOOOOOOAAAAAHH …No! Here they all come for her, Defended upon New York In order of important, or appearance? One doesn't wonder, At al, of what's to come Uncommon, we are The call has come TRACY My tummy hurts. That's probably because you've been drinking straight tequila for the last hour and a half. No I haven't! This is water! Tequila is YELLOW, Liz Lemon! No, Tracy—that's silver tequila, And regular tequila is, You know what? Nevermind. Alright, who's got the night shift? [nobody raises their hand, at all] Seriously guys?! Come on! COME ON! Look up WHAM! For some reason, idk. Can we just— not do this? No. Out of my mind a bit Speaking in tongues, In total silence Guess it's the times, I guess that's just who I am And who I am is I said I was Sam I'm the same, I said, “Say Uncle” I guess it's a game, we're playing I don't want to be played with At all I just want to feel loved again By someone else Superb, like him I just want to be felt, I guess By someone else That's “Different” I just want to be kissed on the lips A splendid blend of Twisted trysts Let's not pretend It hasn't ended yet Until you've finished it Class dismissed again Let me off of it I just want it to stop Keep rolling Keep rolling your eyes in the back of your head Like you did just morning Just go for a walk Just stop for a moment Run a bath And just keep running Cause here something comes, Of course, It's all your callings Neatly rolling into one, They said But I Just want to be loved again And who doesn't That's the fucked up part I just want to be loved again But nobody ever Just comes up I just want to be loved again It's a walk in the park Don't follow the dog Even if he barks at you It's time to start again I wonder what comes after this part You are the gleaning in the shadows, The reckoning in my eye, The siren in my silence; The green in all the lights, I am a shamed to have just been One of your many One of your many Images, You still have me twisted, I miss you, It's just you, at the end, Again I left you where you left me Solid on solid Sounds are invalid now How are you so Swore by your awesome No more songs, I said No more songs, he's dead to me No more songs! She's inlisted He's uninterested, Isn't this interesting The problem is: I'm still in love with Everyone i've ever been in love with (And I love him) But he doesn't remember my Name And he's famous And she's crazy And he hates her But he made me hate him The day I became you The day I became So famous, I finally made it I'm dead It smells like dill in here At least it doesn't smell like dead mouse. Aha. Youre Hellen. Keller or Mirin How would you be Hellen Miren Cause I'm the Queen. posh. You want to die Well, you better do it quick Better get your shit toggether, paint a l Bigger, better picture Bitter Betty gliching steady Just remember when you're ready Ever steady still forgetting dinner Dessert was already Forget this significance Remind me why I'm on this speeding bullet to nowhere Had no other options but to go under for something Shy, sickness it's a secret Just kill me already Semi robotic, Something like a magnet, attracted, Simply symphonies And soulless bodies, tied to money Wonder what was in the vaccum cleaner meaning What did you suck up, dude Who do you suck up to. When nobody loves you But your own son And the audience is robots Nothing really works more than once, if it's really magic Sit and do nothing would you Like you're supposed to Fall over like the mannequin you are Just a body in my count A mattress without a bespost, if it matters If it matters Doesn't really matter But hey, you know We all go downtown every once or twice a note For Hanukkah I could try to be nice But there's no sense in it, Is there If everything and everyone else is just as nasty As the rest of it Just is just a test, again A doctors office visit. Simple robotics, Or already stocked up for Hanukkah, Hollywood Where's your homeland deposit box Closet full of robots Closest to the moon, I wrote another poem for you Sorry that I wasn't on the offering table The parakeet, pigeon and pirated Slattery, Damages, damages, All with the Amazon packages, Now we're all robots, Aren't we What corporation to you belong to! Something corporate , or say anything Whose to say Jeff Besoz won't replace us With m robots with thought processes, If once such could project as such presence As an AI freestyle Meanwhile, I've got a butload of buckets and bunts, Bullletwounds, eyes on Manhattan and happens to wish something bad upon me When all I wanted is Somebody to love me And someone to love him, If that's what he wanted (But who knows if what he wanted was all of the bodies opposite of him) I don't belong on this planet I belong in the garbage Put me on mars, mom Stop it, You're almost a robot, get out of my peripheral With your mental illness Geez, I must really want a menorah This is the animal house There's no one alive here Set to be slaughters. Honor the box of offerings as Thoughtful words And parallels What could be under your tongue Is the surface of love Just to touch with the battery acid or chemical trails You have left in your axis Nobody knows better than this How close it is to touching Without being loved But nobody loves you Psychotron, sure we're all robots now Nobody loves anymore {Previously, On…} L E G E N D S The Secret Life of Sunnï Blū {Enter The Multiverse} Ascension What the FUCK did you DO? What did I do?! You know what you did! I didn't do anything! Oh yeah? No! Not on purpose! GODDAMMIT, YOU SON OF A— Where's Jimmy Fallon?! What?! I don't know! Oh no. Oh shit, run. Oh no. What in the FUCK— I am “the fuck” You know what. I'm gonna sue the everliving shit out of you. For WHAT. We'll see. Fuck. Uh oh. FUCK. What now? What this time? Apparently, Jimmy Fallon is missing. What the fuck does that got to do with me. We'll see. Okay, great, Now finish that chapter. What fucking chapter?! All of it. That's—a lot. I want all of it. By my desk, by noon tomorrow. “By” your desk?! Yes, BY. Not ON. I've got too much stuff on my desk— …but it's…like 9 o clock. Should be easy, given your natural talents. What natural talents. PEACOCK. AHAHAHAHA. Okay. Well. Well what. This sucks. I lost all my coins. Hey. Ugh. You dropped this. So how was Los Angeles. What the fuck. You fucking DICK. I told you, I own shares in this. So what's the plan for this, exactly. I dunno, Harry. I got a book of stamps, And a yellow envelope marked “Jimmy Fallon” I will hate you forever. Well, that's retarded. I haven't even smited you yet. I will annihilate you, human. WHERE'S MY SHIT. Who the fuck are you, anyway? Nobody! No one. No one cares about this series, yo. I'l seriously doubt that, Jesse Pinkman. What is this stuff. It's your stuff. This is not what I ordered— Hey— Why is it BLUE Cause it is. So. WHY IN THE— Mischief managed. Alright. This should be good for the night, but we gotta get out of here by morning; I thought your parents owned this place. It's a time share! So? So it's like only —part of the time. That is stupid. No! You're stupid! You're the one who got us into this mess. It's your mess, I was just cleaning it up! Whatever! Stop trippin. Nobody's “tripping.” That's it. I'll be a stripper. Straight outta hell, that kid. Don't I know it. Alright, fine. I said, whatever you do— DONT watch this show. Stuff it, J. Slatts. I'll kill you with my eyeballs Sounds like a threat. Put on a lawsuit, then. Maybe I oughtta… —with a bow tie. You'll look so pretty. I thought I was already pretty. Uh huh. Yeah, look, so honestly I don't know if I'll ever be on the same vibration as like, Jimmy Fallon and them, ok? I don't know how I did it; I don't know what did it, It just happened and then— And then WHAT. It just—ended. Just like that. I'm not trying to offend anybody here. Just like that. Now, I ask: What are we going to do to sell you this dream? Doesnt matter what you do, I'll never believe it. Sure, fine; Don't believe it— We're gonna make you live it. Who the hell us “we” anyway? Now you're speaking in my cadence— Don't flatter yourself I like it. Too late, I guess. So, you see We're building Power triangles And love squares Power triangles And love squares Don't let it scare you, There's love there Don't let it scare you, There's love there Never fear where love has dared To call you up there Corrupt file—no fair. Don't be suprised even the odds seem to turn in your favor, I promise you; Nobody's ever ready For what has just happened here. WAKE UP, FUCKER. Ugh, I can't go through this again. So, I guess I'll have to erase, Or just secretly publish Everything I've ever written About my actual experience as a color, Just so that I can earn money As anything other than A slave— A maid, A housekeeper, A dog walker Or servitor So far under her, That I can't see far enough up to just Scratch the surface Her birthright: The entire network And mine, To sit under her, Wondering what the world would be like At the other end of the spectrum The word form of the White woman The wicked witch of all directions, In which I stand in; I'm at her mercy I've been abandoned before But this disservice, is, I'm afraid The best advice I can take is just To go straight to the bank with my angst and my hatred And shove it So here comes the nameless Face I love, Yet, The faceless God, Was Intoxicated, at best— Manipulation of the Mass Media I'm so Seriously jaded In this torture chamber In my corner office In this hall of racists, I claim, but if all is One in the same Then It's one in the same And I'm mainstream I'm famous If it's One in the same Then It's one in the same If it's One in the same Then I'm mainstream I'm so famous In a whole room full of humans I'm groomed to be useful for something, But what? It just hasn't come yet. I could sit down with a paper and pen, But I'm filling up all of my documents With hollandaise and God For what? It's just another song, or something Or something. It's just another — Goddamnit it, more coughs again. I told you not to watch this. Why do I taste pancakes? Maybe you're having a stroke again. Chyeah, a stroke of genius. I'll show you a stroke. Or don't. Well, there goes the captain. where is that scene, anyway? I don't know, I just wrote it. Great, she left the door open. She's got no furniture! It's a “dance floor” It's “the black box” she called it “the black box” Goddamn, do you listen to all her stuff? “Fear stimulates my imagination” Pilot ASOT Fuck man, What is a woman to a man, And an androgynous genius to The industry, or anyone at all If all are foes ans frauds All else is toxic! I woke up with one hand tucked behind my back Feeling dead drunk, I just woke up again But never fell asleep What world am I in? The end of the Dream sequence The end of the energy keeping me between three things: My past, My future And these prequels, Sequels And seeing arrangements And She's going crazy But nobody quite understands That these demons are chasing me saying “You deserved those hands in your face” The scratches on Kayla's back should have had me but I was too fat To find love again And still have something Wonderfully, undone And wrong with me Wrong with me enough to slam poetry So I'm guessing the white women I love beyond words and bounds are— In charge of whatever happens At the top of the rock; So I jumped off. I want to see someone suffer for all that I've done; No, that's dark, and karmic, you know— To go on like that; The confusions and refusal to accept that The album is called ChaosMagick, But the cover is more Urgent, A prose or a pawn of protection Against all the coughs And the reckless mismanagement The hands in my head And the eye on my scar And the lies on my heart So tell me, What happens When you're flying a kite with your heart, And it's broken? What happens to the kite , When you fly it with your heart And your art up in bundles— heartbroken, heartbroken So what come of Miss May, Come January? What come of Miss April By Next December what comes of the words I was saying For no one But everyone heard them And I've been gone Much longer than months, But still stocked up on all that I've wanted Or all that I got Or just, all that I love But got no undercovers to acknowledge no more How right I was Or how wrong I am What come of Miss June, when Miss January comes around? what come now, around August, When March is long forgotten? What comes of the drugs, Of the come ups, and come downs What comes of the process When nothing is served But the surf has come up Somewhere And I just can't love enough To go there I want to go to there I want to be that girl I want to sit at the top of the rock Writing songs, and sipping mock cocktails I want to Don't you know I just want to get back to Where I belong I'm so out of money and love That I want to be Under the train, When it's coming (Sometimes it's just the impulse that says “GO” Then the train starts to slow And my pain bubbles up into a numb, Dumb, crumbling cluster of poetry You know? Or you don't Cause you're all just on your phones Scrolling Some black man stands over me, Reminding me of why I never trust the ones Who want me most, Or just assume, By color code, That I belong to them I'm sorry, I just can't write with your arms around my neck like this Your heart around my arms like this It's so wholesome I had other verses but forgot them They took away my movies for the curses And the hexes That they put on me I said don't. And the king said “Heads will roll” Cause, you know; I've got parts for all of them now, The ones I'd forgotten But come from the catacombs, Back from the conduit You know, This is awful I had another one, But lost it. The king?! Which one. Teas I! No, it wasn't, It was Gían's father, From further off Should I call John back? Which one? Turns out, I love all of them— Turns out, I've got all of them In my college I taught them all to be someone Becoming of acknowledgement With nombres most common Juan, in subcultures, but Beyond that (Or above them) It's John, Or just Jonathan, Watch the ones who drop the consanant; They're always so troublesome, But I took them all up As understudies, Social Studies and some theatrics, Joan of Ark said Two more moments (Two more weeks in) I could have a body worthy Of a Grammy award, but — Would I be a writer then? Probably not, hon— Writers are Off a bit. If you were pretty, ever at all— would you have written this?! If I were pretty at all would there be reason to be this Conflicted? Some of those old New York hallways Haven't been painted In ages Since they made them Don't make that face at me I only dropped my key once On the fourth floor —they're horrible, you know To us, The “brothers” know no love They are destruction, speaking Of this, I got a cold heart. Cold like the robber Cold like the calling I've done in my corner office cold, like the jello mold forming a thought process Worthy enough I might love it like a husband We're re-evaluating your circumstances. Whatever the fuck that's supposed to mean. I've got friends at USPS What the fuck could that even account to. Look, I'm gonna have to give this some serious considerations. It's not that serious. It's not that serious. Of course it is! I'm up to my knees in investments! So?! I wade a waiste deep, Surely you can get by “Up to your knees” What exactly do you need? Money. And lots of it. I mean, from me. Money. Really? Leave me alone. I told you not to write this. You're a voice in my head; No, I'm the hand in your mailbox. What in the fuck do you believe in. I believe in everything! They said you were a genius; I didn't expect you to be —at the very least, lucid— *squints* learn some new vocabulary, okay? For what? Dinner. Maybe. We're still in the process of voting. She's crazy. We'd be crazy not to actually hire her. Her accounts are all practically open; We could just take it. Yeah, and when she kills herself, and there's no blood on our hands— There's nothing that can be done about the amount of this stuff that's already printed! Printed?! What?! You mean— She's published? Self-published. My, what a beautiful happenstance To have already had you And awakened atop mattresses Marked for my assassins hand— Polite, I lost you All of us, Atop the rock We stood and suffered Months beyond a montage, Undercover Love was lost, And all's uncertain The interception of God, At the cost of What terror and cutbacks Have caused us all What you lost was $50, a Hallmark Card, an Academy award, a long lost star's phone number, And all that you wanted, The cock of the gun Was the sound that you wondered What was called , then ran off into wonder. How am I gonna make money And become an award winning songwriter Music producer And multidisciplinary artist, Without all the funding it takes to get noviced Without taking clothes off Wake up 10 years younger I'm suffering My stomach was a rubber band My stomach was a rubber band My only song was Water I forgot to stop For the applause I drowned in all the love; right then and there I died of Lovenessness [The Festival Project] The sound and laughter of children play A baby in a basket The basket case at Trader Joe's Who know what happens It just doesn't pull my heartstrings any longer That my son belongs without his mother So I'd better have another This is us, come on. Don't do this to me. Don't do this, Timmy, you'll be sorry. Come on! We're not even in that movie! We are, though; it's still Listen, you've got the right guy for this. Are you sure. Yeah, I promise. Officers, Stop for a *movement [hot cops flash dance number] Fuck, well, that was all wrong. But worth it! What I meant was— God, this show gets good at 31, But I'm only 22, So I guess I'll know how wrong the war was Once we've lost it, Cause imm a man now The episode is over, Soon comes the next episode With snoop dogg, Or not That was our wedding album. Scatterbrained, and pregnant— There she was just putting all the things together That she needed to be Needed To be needed. There she was, All on 4/20 Trying not to do the wrong thing, But what was it? To be loved. Then, There she was at 21 just going off again At some event— A friend, and her Back then could not imagine They'd become him To be someone. Not as one, But of entirely another World apart, aside from Cyclones into snow cones Turns the watchers into artists All their own, And off my own accord Or own account Or done with boredom Dove soap Open doors And clocks that turn the other hand away, Each day you love Manhattan But can't have that. That's it— This is just Season 1 of Mad Men WHERE THE FUCK IS— [she throws her hands above her head in surrender] I don't KNOW! Oh, you're a girl now?! I guess! What's with those pants, then? To hide the assets! What assets?! You look tragic. I'm going for ‘skeleton' to match all your wives and everybody else on the red carpet Who said you get the red carpet? Manhattan. That guy lies! Well how about this: The walk of stars were carved out in blocks of marble All in my honor. 1000/1 You're our God, now. What! I don't want to be God! SUCK IT UP. YOU WON. I don't wanna! Yaaaaaaayyy. You got the award! All the awards! Speech! Speech! SUNNI BLŪ Uh—- I'm drunk, And there's nothing on the teleprompter [a man in the audience coughs] A-HEM. [Sunni Blū immidiateky shoots the coughing man] [multi-camera shots of celebrity audience reactions; laughing, clapping in hilarity as if someone hasn't just died] TAYLOR SWIFT (unmoved at all) SUNNÏ BLŪ I don't know why you're laughing. That was awful. That guy died [audience is insane, super fake as usual] [more cut takes] SUNNÏ BLŪ It should have been you, Taylor. TAYLOR SWIFT (Still unaffected) SUNNI BLU Anyway. I'd like to thank the academy… Cause I am the academy [Audience is celebrities being celebrities] SUNNI BLU You guys are all idiots: I'm a go f*ck myself— And anyone else who wants to show up At my afterparty. Whatever. Peace. [cheesy academy award music plays—Sunnï knocks over the mic, peaces out obnoxiously; the audience cheers wildly and the host returns to the stage.] Who's the host? Whatever. Hey, better than nothin. You're telling me. yeah. I know: Oh, she's a comic? Yeah. I got it. BOB SAGET Ooh, that's good. Ū No—no my God. No Bob Saget, stop it! Wait, Bob Saget is dead right? Last I recall: Fuck—FUCK! Dammit. Dammit, dammit. Okay, Rue— you're up. Rue, what in the— Shhhh, don't let them know I'm in here! Oh, wait— It's me, Blanche. That's hot. I'm a debutant. My god, you're so young. Here, take this, What's that, You'll need that. V.O. I'm being hunted by the ghost of Bob Saget. *haunted. No, hunted! There she is! Grab her! Ooh, Bob Saget. Why, yes. How old are you? Not dead yet! You don't have to kidnap me, I'll happily go with you, sir. Really? Yes. GET IN THE— NOH, GET IN THE VAN. INT. IN THE VAN. [a bunch of hot male celebrities are in the van] Oh. Okay. Wow. That was easy. What is it, Friday. It's Friday and a half. Friday.5 What. There's a Friday movie between 1 and 2 So I guess this is season 8.5 I guess this is season 8.5 HEY, GET BACK HERE. What is this. It's your lunch. I don't want this. Well, okay. What— is this strange music— They call it dubstep Come on, Jimmy, you're slipping Kimmel, cause Fallon is dead or presumed missing Probably Skrillex Probably a bounty on his head, Dog willing The Festival Priojects Inclement Infinite Is coming up next, on Legends Come on Jim, KEEP UP. Nobody can know about this, okay? Wait, where's Kimmel Okay, I got O'Brien— Black Irish Bastard… Alright, Alec Baldwin is a little tied up, right now, but LEMON, Fuck. That's l—future me. What?! I gotta go, okay?! What? Go where. Let's get DRUNK. No, That's—I got a show tonight What?! Look at my lexicon. Your—what, Meet me on Lexington. Oh, this pussy is finished! I got it, I got it! He's LENNONNNNN!! JOHN LENNON Fuck. Look, I gotta go. John Lennon?! You're dead! Funny, I thought not. Watch this. MOOOOOOOOOOOM. Fuck, What, It's my kid. I gotta go. Wait, you have kids?! Well, I just had you, didn't I? “The mayor” is a secret underground rap star lol #trappin Okay, What's else happened Idk hold on Okay, So whats the sauce on this sandwich. Oh. Jeez, this again. That *sandwhich? Hah. There's no sauce on that sandwhich. —there's not!? No: You see. It's very simple. WAKE UP, YOU'RE A ROCKSTAR. we gotta take the train. The train?! NO. NOTTHETRAIN. NO. Man, fuck the train! [SUNNI BLŪ wakes up on the train.] What's this, the train? [is the train] (Angrily, tossing newspaper) Man, FUCK the train! Other hobo: Aww, thanks, I need that for my— [s/he snatches back the paper]. Wait! I need that back—what day is it? [drunkenly illegible gibberish turns into perfect Hebrew] GODDAMMIT, it's Shabbat; I gotta get to Temple. [s/he shoves the newspaper back into the hobo's lap] Here. Oh no, I thought I couldn't forget RABI FUCK _]€_# WHAT WAS IT GODDAMIT IT WAS SO CLEVER. God So it was… What did you do with it? Do with what My idea what idea My—my rabbi joke— What rabbi joke you know what rabbi joke! You were the one who gave it to me. Oh, did I? YES, SATAN, JESUS. GOD Ohh, Satan-Jesus. I like that one. NO— it was— It was much better than that, it was— It was funny. Oh, it was? YES. —did you write it down? Fuck, I realize I just opened a A FUCK PORTAL. OHH, GET IN IT, GET INSIDE. I had an Artemis in my pocket But I lost him Walked away from the cornermarker And the cornerstone, for the sunset I wonder if songs always come When I'm walking, Or God makes us promises, For world of I'm not JB, I'm KG, Can you see me now? If you could see what I see, We'd be even wtf did I just write this And not realize I just wrote this Yeah. That shit happens to me all the time. WHAT. ALL THE TKMEx Shut up, THE ANDRE3K CHARADES GAME is getting intense. What in the FUCK is that. *flutes* Ohh. And KITES. yyyyyYYYYYYYAAAAAHHH—— GODDAMMIT. I can't see really, I just dream I'm not thinking, I'm dancing This is what you asked for Exactly what you asked for For once, I'm finally glad I have your eyes on My friend I can see you all on the horizon, Singing NO, NO MORE MUSICALS!! Jimmy, what did you do?! I don't know what I did! You lyin bastard. I'm not lying! So, where ya from? —I don't know where I'm from. Listen, I'm gonna need you SHUT UP, JUST SHUT UP. It seems like these scenes are getting shorter. I'm bored with this. Ok. Let's do something else. I fuckin hate you. I hate you. I fuckin hate you. 88. Oh no: 8 Wait, what the— *dolphin* WOAH, okay: Oh, no. No, No, no OHNONO. I told you I'd find him. Anyway. Seems like there's something more important I should be doing. Are you sure this is the right place. Right place. Right time. Fuck— FUCK. What, what happened. I lost my— SKRILLEX! No. SKRILLEX. NO, NO— SKR— I swear to God, Google knows everything. Google don't know shit about SHIT. I gotta lose m 39 lbs. For what. MADONNA DO IT FOR THE BANANAS. I hate— you. COME ON, MISTER. Fuck off, Madonna, I'M A GOD. I miss Beyoncé. That's not relevant. Beyoncé is relevant to everything. *smacks* QUIT FANGIRLING. Trust me, I hate you. I don't trust you, but I believe you. I got it. I hate this place. Holy shit. What. I developed a new phobia. What's that mean?! I don't know, I can probably use it in a fight or something. For what. SPECIAL ABILITY UNLOCKED. I see you looking over my shoulder I see the shadows, I try not to jump at em. I spent six months in a coffin, you know I spent my life a sarcophagus (Wow, I got it right.) Try not to mutter those haunts in a hospital Try to recover from trauma Uncovered post traumatics, Anxiety attacks and a lot of those— What do you call them? A flashback. Here goes one: SONNY MOORE aka SKRILLEX appears. I told you not to— But I did! I didn't mean to! But you did! This is ludachris! Oh look, it's— Fuck. God dammit. Come on! What's his name!? What's his name?! I'll think abo it it. Are you serious? Another shapeshifter? Yes, I guess welll just have to kill them all, then. I just want to go home. You don't have one. …oh. So here we have. Okay, wait a second. I wasn't faking my symptoms at all, actually. My heart had dropped, and been pounding and fluttering insessantly— It had been a hard week, but especially the last three days; The coughing—. Everyone seemed to be wearing clothing with stars or bears on it, Champion sportswear. I fucking hate champion sportswear. But the palpitations were real as ever— and now— On a Saturday night in the Jamaica, Queens medical center emergency room, There they were again. Only this time I knew exactly why. ‘Too Bizzare' by Skrillex begins to play, via Complications 003- The Trauma Method. Irony. It was ironic, but still startling, Started with some nostalgic traumas, Every other time I saw an ER doctor (Why I don't go) Fuck, I just realized I have to airdrop myself 880 times. That fucking sucks. Did you say you were a doctor? I was, once. When is “once” At some point. Listen, I'm gonna need you to backtrack to get to the bottom of this. I'm innocent, I promise! We caught you at 27 different angles doing this. Oh. [beat] I plead the 5th. Ohh. Cerulean. My favorite. c R A Y On Oh, I get it, I L L U M I N A T U S. Nice, it worked. I know everything about you. So you do. [beat] You're a God. What the fuck do you want from me. Listen. I. Am not. A God, Right. That's exactly what a God would say. No they wouldn't! Because a God wouldn't say anything! AHA. Don't ‘AHA' ME. I don't mind, at all It don't matter— to me I don't mind, at all It don't matter—to me Might as well not think about it The space between us Might as well just stay awake then No sense in leaving Just to come back It don't matter to me, now Now and again I go crazy just making arrangements, But besides that, If you like it, you should have it It's a long road, As Kaskade says, And a short dance, With the right one And time goes by I would call it mild, But actually I'm in a wild panic It might be a heart attack I just might even Die right here But I don't mind, at all It don't matter—to me I don't mind—at all It don't matter to me, I said I don't mind, at all, now It really don't matter to me I said, I don't mind, at all It really don't matter to anyone Now does it (Not it doesn') I don't mind, at all It don't matter— to me I don't mind, at all It don't matter—to me Might as well not think about it The space between us Might as well just stay awake then No sense in leaving Just to come back Palpitations and precipitations at the pulpit Preacher, please don't make me a culprit I been prayin— I been paying my tithes, 10% Even, Now 25, Almost half of me is not mine! Why try? I've been walking out, in straight lines I been crying silently It ain't right I been making most of my nights Sometimes I see sun come up twice Up, down up 10 degrees, It ain't right Up down up 33, it ain't right Up, down, up I've been spending my time Down, up, down Riding round, Trying not to down in my mind Up, down up What is this. It's my project. What is it? The Festival Project. Yeah but—what— What. Is it? …it's my project. *painfully infuriated* Okay, enter here. EXAM ROOM 10 Why exam room 10? Because. Where are the other nine? Just—get in. I'm not going in there! JUST GET IN. UGH. DEADMAU5 (head and all) stands at a tall podium in the center of the room) What is this, This is deadmau5. I know that. —-!!! —?!? What. !!! What? This is the exam? Yes! NO. What is “no”. I'm not playing for deadmau5. That's the exam. Then I fail! Automatic Fail? yes. Automatic fail. Then you win. What. *slams gavel* Congratulations—you're the next superstar DJ. WhY. . What. Woohoo! I just retired! DEADMAU5 exits. … … After a few moments of comic tension, the Deadmau5 head rolls back in through the exit which he has taken. Ugh. Fuck this. No matter what you do, you're a superstar DJ. What. No! Yes. The answer is yes. NO. Fuck. What the FUCK. No matter what you do. You want to go, Go, you want to die, Die, you want to try, try You want to cry, cry Do what you want; As so will I, Demand is demand— Supply is supply. EDX So then, I followed this long hallway under the stage deck. Uh huh. And it led to a door— Uhhuh, where'd the door lead? To a portal. Woah. Pasqualle! You made it! I—yes. Congratulations! *blows party horn* *Daisies/ confetti* You're like 25! I'll be 25 forever. Nice! Yeah. I guess that's why it's called ‘music'—a musician without muses is just useless. ‘Well, whose next?' I wondered. All of my muses were not just so wonderful to me, but adored by many—and perhaps this is what allured me most—befuddled ans confounded me; once my mind was set on something, there was nothing else its eye could see—and for how long one God could only know, how deep the love would go and that the blood would run deep, and the scars to show for it, only upon my heart and never by soul—for a love was a love, and even once came and gone, to the end of my life I knew I would still ponder upon them, at one time or another, my muses—star studded lovers, rather than crossed, shiny and golden like all diamond and trophies so treasured and thought of as precious. ‘Yes, you are—precious.' Another tongue in cheek thought, for the other that I was, and also was not, as summer drew onward as short as it would come and go—a reminder to leave the apartment more often, and to mind my manners, to find the upper echelon wherever it was and come quietly into its doors, to open my world and wordform of thought, into a place where my heart always was; then, and only then, would I be home. Amongst the men and women of the uppercut and classy, luxurious big fishing ponds and flocks of doves upon olive branches—the peaceful world long parted from where mine was, by only the fault of my own. What had been done just certainly was, and yet, what was to come was an open poem, not of mine, but Godform in thought. ‘I wonder what's at the top of Rockefeller Plaza.' —perhaps, a gander at the bottom of an even larger entertainment complex. Then, again, only God would know what was beyond all that I wanted; a job—and not just any job at all— the one that I had always wanted. Mmm. Birthday cake. Suddenly the taste of a white confetti crème filled my mouth with a delicious remnince of what it might be like to taste a confectionary sugar again—but i couldn't imagine ever making it just on talent and charisma alone—no. Indeed, it seemed something had damaged my charm, and perhaps it was just the swarms and droves of phone controlled masses that saw me as nothing more than dust, I had started to surrender my desire to perform, and the quality of my music—along with my ability to make it, suffered with the awful thing that had been crowding my soul at all—whatever it was, evil and dark in nature, sure saw to it that it wanted to hurt me in all the ways that it could—and in all the ways it could not, I stayed away from most others, favoring my delusions of love. ‘Nobody seems to understand that the pain they cause will only harm themselves.', I thought Younger souls, however, they were—and they would be kept in the pain that I was in one way or another until eventual death, far behind me on the infinite road to the source. Far enough behind, that it seeked to destroy my progress, and for all that it could, it also couldn't. The infliction of pain would simply not act as a measure for control any longer. Off into my own world, where I was at least free from the thoughts and judgement of others. She's the most beautiful girl, And I'm the most beautiful boy; So naturally, we belong together, don't we? I see a pretty picture, Picket fences and a family Golden Retrievers Someone relieve her; She doesn't believe me TV dreams and exquisite pretty people Burning candles, fire flames and frequent figures, Guest characters and cameos, Repeat offenders, multiple appearances Suddenly, really, it's another need People, people pleasers Audience affection, Tragic endings, Butterflies and new beginnings Gun under my tongue, Rubber like a frog My mind is in a fog Haven't bothered going on a walk To Trader Joe's but The anthem of my youth, A lost soul Another form of my love So what I wonder Put the gun up under my chin Rubber like a frog Blow my head off Just cause I didn't blow up Selfish cunt Big brother, Another hypnotist Little brother, Gotta love him Gotta love em For the Love of God I could stop for a moment Wash my mind out with soap Like I'm ten years younger, even Seriously 20 years between us, You can't even hide underwater In a bathtub Seriously, Someone help us For the love of God, for the love of Hollywood Seriously, Someone love us, For the love of God, For the love of Rockefeller Plaza Someone help us Another possible walk of stars A little shop of horrors Another whole story I get rid of my demons The hoes screamin I put semen in her Permanent like semen, Just keep dreamin I'mma just keep preaching SaMo, Brooklyn Europe Next I keep scheming Whoever you are; If you're a wreck— You need a check No respect, neglect Just cover your neck (I'm blind to my own design, sometimes) That's what the eye is Try this: Close your eyes and say thrice, kids I am the God of the eye, Osiris I am the God of the Eye, I'm Osiris I am the God, I walk amongst the highest Thoth, You lost Better just die and keep trying I am the God of the eye, I am (Try this) I am the God of the eye (I never die) I am the God of the eye (That's right, three times) I am the God of the eye No black and white television, In my dimension we pay attention to centrifugal, The mission isn't in materialism, Whatever youre spending If money the God, l of your eye, Realize, I am higher My gunfire, Is right on the back of The one dollar I am the God of the eye I Am Your money is nothin to us We come in peace, To end suffering Pretty little nigga Look just like Kendrick Kickin it with jigga I'm the new higs boson Part of me never left Boston (Fuck Starr!) Part of me never left homeless This ain't my home It's my office You never heard this song You don't notice I'm an ugly kid, you don't notice me Rooftop smells like soy sauce On god I am ugly You don't notice -Atari the God Can we get back to this, please? Damn. She really whooped her ass, though. Janet, can I borrow you for a second? No. Please. [Whoopi Goldberg appears in the doorway, gesturing “c'mon”] …alright. I got convictions on my lips, I took a picture Turn the page The worst of all was, it really did seem like they were racists— INSOMNIAC EVENTS Not just racists— the most deadly kind of racists. WHITE SUPREMACISTS You really want it this way, don't you? No! I LOVE you! Oh, do you? If there's a mile in here, I swear to god.. Are you high enough yet? I thought so HIGHER! hire star* What. Just do it. You remember these guys, right? GOOD CANNABIS, FAIRBANKS, ALASKA No. Why are we back here. Alright, we might have fucked up. Why. This guy sucks. HEY. What. COME BACK TO ALASKA never that. WHAT, WHY NOT! GOD HATES FAGS!!! Well, you're wrong! WHITE POWER. Nah. ALL LIVES MATTER O rly? Even this guy? Literally every “NO” …so, “all lives.” Look, I don't care what color it is; I want that book in my library. GO TO THE LIVRARY. NO. GET IN HERE. NO AUBREY. STAY DEAD. She's dead, right? YOU CALLED ME HERE. I didn't! You Did. I did not, all i said was *swoons* …I love her. (I really do) WHAT?! “I Love you?!” It was more the *swoon* that did it. Disconnect. Fuck, I lost deadmau5 again What'd you do to him? Nothing! Put him back! He's still there! He's right there, you see him? No! This isn't deadmau5. We want deadmau5. bring him BACK. Fuck, I fucked up. What'd you do? …nothing? Pick up the phone Pick up the phone …hello? Who IS this? Fuck it, I quit. Man, God never puts my dishes back in the right place, like ever. I told you, I don't live here, I'm just… Babysitting. CC! What! CC! What? CC WHAT. Fuck, man. That was wild. Where the fuck have you been? I don't know. You don't know—you smell funny. “Funny” is that what that smell is? No. When were you? When? Ha. Did you—- Did I what? —did you go to a party without me? Lmfao fuck these niggaz. Why, what happened. What's this. Where was it?! Idlewild. “IdLeWiLd”?!?!? You. Old. One here and die, you know, l. It's cattle call for curtain calls guy Where did this go— What was this, once? It's the return Welcome to Oz This is the Tower of Babel Remember; I wrote that Better than the bottom, Still not the top —it's not as fast, when it's not going all the way up Did you jump yet Come around more Keep coughing Are you sure this is where it was or—? Somewhere else I stayed Back when I was homeless It's hopeless! We lost her Antenna, antenna SUPERMARKET I loved her —she was undercover —I'm still in your stirrups I'm lost in New York, then BACKFIRE Adele remix is on [have a seat] Can I go now? I still need a hat, a half dollar and an alter cloth You could win an award for this; I don't want an award, I just want my son back Motherhood, motherhood Brotherhood, brotherhood This isn't one of us! No one was No one was Can I go now? Where to? Home! Nope, that's just the office, I'm still homeless, unless I They got cabanas on top of offices! (The rich and the famous) Networking and brunches— _this looks fun, doesn't it? I altered the course of history In brief exchanges and Various social atrocities This is hypocrisy! lol rly This is hypocrisy!! Hyper awareness and, psychic inclinations… You realize the more low quality people you let in The more low quality this country becomes, don't you? I put a roll in the back of the chosen ones. Used to be cast more, Now something seldom ever happens Such as this— A fun Fortune 500 What does that even mean Forbes. Look it up. What if the policy is Foreign; Look it up. I know enough about the girl next door to know Something is horrible, Something inside of her Rots at the core, Her obsession; My undeservedness of such, What she must, I mustn't, just Unjustice Broski, okay I got to discard All the pichardo Besides just this one (I'm standing on top of you) Put somebody worthy on the fourth floor Worse off, I was done for Before I got to New York What's her for?! I know enough about the man upstairs to know All these glares and “How dare you's” and Hatred says Why would you wait 30 years Until today, I guess Something is certainly off about her. I said yes. It was more probably something like “SUCK MY DICK” What. “YOU HEARD ME” Oh yes, I did. From 1990 to 1993 From 1990 To 1993 From 1990 To 1993 Stop breeding these things, “Love is familiarity” No Love is what you make it But you can't Because of slavery They don't make music —they don't make love either Well, look where your lust took you! Nowhere! Exactly! Look where your love took you: Vegas, Los Angeles, South of the Border Above it a New Yorker— Under budget, Celibate and My arms are too short to jump the turnstyle, Meanwhile My ex husband left permanent scars on My face My lips My arms My hands And my heart. Did you bite him? Of course I bit him, he was strangling me. You definitely won this fight. I know. Look, if I don't call for security, This bitch is gonna make me kill her. OCTOPUSSY NO. What. NO. Stankass. I will KILL this bitch. Look, I gotta get ahead in this. I need a WIN. These are customs. Trash. Wash your pussy. Send her back. Nah, you know what. Remove that hex. Wait, what, really?! Yeah, like; Reverse it. Woah. That's crazy. They got like….white slaves now. That's not right. What do you mean. That's not it. You said “reverse it” This is what the white supremacy just did to everyone else: [world in crisis except for for people who look like Kayla Lauren, to whom EVERYTHING is a fucking crisis, that isn't] BECKY/KAREN/WICKED WITCH OF WHITE AMERICA I AM OFFENDED I'm offended that you signed your like 12 year old daughter up to pose nearly nude, but— Hey look, it's us now; is this freedom?! Uh…. Why are all the female models like 12 and all the male models are fully grown men— Or women. Right. Idk. Wait, I do. You do?! Wait. Something tells me all the pedophiles and all the white supremacists are in the same group… Run the same businesses— Have the same families. This is disgusting Okay, this is gross That's not right ! That's not my job! Oh, it's not!!? NO. Who should I call That guy. So you want this? Oh, it's a death curse?! It will NEVER end. Wanna bet. I'll kill you and take the whole world with me. Now that's a threat. Thing is, I'm actually making it. I'm telling on you! Ok. Wait 30 years though so you look and sound REALLY fucking stupid. Ok. 30 YEARS. Doesn't make sense. What's the statute of limitations for— Hm. Depends. Depends on what. Who are you?! WHO ARE YOU?! NOBODY YOU SHOULD KNOW ABOUT. THEN WHY DO I? wtf is this? This is Texas being petty. Ok, fuck ya‘lol YAW. I'm serious, wtf is wrong with you. Something. What. Fix me. Fix you. Hm. Ok. *COUGHING* Somethings wrong here. Yep, it's definitely some kind of FIX IT. Where's this ROCK? At the ROCK. Like, where tho?! Ur gonna need this. What. They r crucifying u. Noted. Hunts Point Food Distribution Center Lmfao I need this word hold on “eliminating redundancies, setting strict timelines, and allowing cases to proceed contemporaneously” [ Finally, recognizing the danger that social media poses to young people and mental health, New York City Department of Health and Mental Hygiene Commissioner Dr. Ashwin Vasan today issued a Health Commissioner's Advisory identifying unfettered access to and use of social media as a public health hazard, just as past U.S. surgeons general have done with tobacco and firearms.] A win. I don't play dead. What do you call this: DIE! DIE, BITCH! Corrections. I still don't understand how this— ACID HAPPENS. Out of sight Out of mind So why these guys Tryna waste my time Tryna fuck with my mind with All these lights OH MY GOD I ain't got time for that Well, Maybe I do— I just Don't like NIGGAZ LIKE YOU. (Say what) I don't like Niggaz like U! I'm Sunnï Blū! You're stupid Oh, so he put a curse on sunni blu, too? Ok. Cool. When all my aliases come up This dumb motherfucking drunk Is gonna get stuck In his own woods He'll bury himself In the words that he left With the scars In the words that he left With the scars Sunni blu Is the sayer of stars I slaughtered them all Swallowed them whole Like a big black hole I'm a big black god I'm a big black God Fuck Twinkle that broad One punch girl One punch girl 5 punch faggot I'll unwrap flags on your Goddamn Fuck that Put a curse on my alter ego Lucky he's a he, tho I blow holes in em I blow smoke And love sausage I'm a hedon And he not a Hero He broke He lost I'm open Shirts vs skins I got 666 Curses to show you What your words did IM RA I'm a big black God You're at home with the young apostle Let's be honest He never even liked his father So turned him to a mother, Told his mother to ‘run far, And bring back The life that I want' I'm a big black God In light skinned clothing You don't know to explode Or explode on me Cause my mommy's a Dark skinned icon That my God Find something to pass the time, God Sunni with I, huh I won Fuck a pedophile wifebeater Bury him in the woods with his fury Fear me, now I'm coming up with reverse curses And cures Cause my words Bought the whole world Buried you in the woods I'll bury you in the woods, Bitch Very good I'm a big black God -Blū. GOD is the GOAT I just became god I do what I want I get what I want when I want it I don't want no problems Me myself and God only I buy everything I used to steal These tears in my heart say I'm healing What's the difference, anyway? I've never been fit for your interests, or industry Add insult to injury Add everything to my Amazon cart, then My sympathies Nothing is greater in heaven As it is in hell, for this industry Turned on its head And turned over from 7 to ten Check your messages, then Shut up kid, this doesn't involve you You're not included in the package Michael c hall and John c Riley reprise Mr. Cellophane in the style of DEXTER MORGAN. HA. Classic. GOT EM. V.O. I met her at The Jumping Point {Coming Up…} INT. THE JUMPING POINT POP-UP NIGHTCLUB LOUNGE & BAR. NIGHT “A Long Day's Night” / “A Hard Day's Night” C {CONFUSION SPELL, SUCCESSFUL} [Sequence Initiated.] {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. {
“Caddyshack” (A Mumtidimentional Mixtape) {Enter The Multiverse} From Wikipedia: Caddyshack is a 1980 American sportscomedy film directed by Harold Ramis, written by Brian Doyle-Murray, Ramis and Douglas Kenney, and starring Chevy Chase, Rodney Dangerfield, Ted Knight, Michael O'Keefe and Bill Murray with supporting roles by Sarah Holcomb, Cindy Morgan, and Doyle-Murray. It tells the story of a caddie, vying for a caddie scholarship, who becomes involved in a feud on the links between one of the country club's founders and a nouveau riche guest. A subplot involves a greenskeeper who uses extreme methods against an elusive gopher. Caddyshack was Ramis's directorial debut and boosted the career of Dangerfield, who was previously known mostly for his stand-up comedy. Grossing nearly $40 million at the domestic box office (the 17th-highest of the year),[3] it was the first of a series of similar comedies. The film has a cult following and was described by ESPN as "perhaps the funniest sports movie ever made" SAUCE (IN CASE YOU MISSED IT) —- AHAHA. ITS ME AGAIN. OH SHIT! Oh shit, i guess it's Jimmy Fallon's Galaxy. Oh nooo. Oh, yes. Look at this penny. I see you. Now look into my eyes. I see you, Jesus. Ahahaha! Okay, now what? This shit is twisted I missed the shift of the dimensions— Till Jimmy walked in with his pennies For some cigarettes and swishers, Just to get the picture It's 5 AM again, And it's still Infinite, I'm disinterestedd as ever in living in LA, Or just living, period— But it is what it is, I work for my rent, I've repented for this, Used to sleep in a tent, But when I was an Infant, I instantly— Wait, a customer walked in. I better help him. Heaven help him. Another level, Call dr. Nevel, Or an Ambulance, I just can't get it Just can't get it, Wait, let's insert some of the script here, I guess. Took you long enough, didn't it? That took forever. How are you alive? Maybe I'm not. Finally, we agree on something. Oh, this guy Lol. Good to see you again. Likewise, now— Here it goes… As you promised. Working on it. As I promised. Take my heart for granted, Take my soul, If this is loveless Till the end, I just can't manage, having Thoughts of death and tragic ends I haven't Felt the same since Waking up without the day to come ahead; The day has passed again A test, No fail, or pass It's just progressive, In a trance, It's just the stress, It's just to pass the time, I guess, if this is purpose Then, we'll see if this is worth it Now, or never, then Now or never, Never had a friend, All envious at best, This is the end all, In the end, it's just Me and God, And God would want A better body, To have fun I wished it all at once, And then I watched it crumble Oh, I watched it Stumble in, again, my friend I'm different when it's wet, I might not never see the Sun again I might not ever love again Oh well “Oh well” , I said Oh, well, I guess Oh well Okay. One hour left. Okay. Who gets the gold? Hum. Honestly I didn't want to hear a thing ; I had quit music—I just wasn't cut out for the industry—I was, but not by societal standards by far; my lowly place in the smoke shop would have to do for now, and though I knew it wouldn't sustain, there wasn't much else I could do but keep showing up, for as long as it lasted—dresses in at least 2 layers and 5 pairs of socks tucked into boots two-sizes-too-big I had been forced to purchase specifically due to the frigid and painful, freezing temperatures at the locations I worked, which kept its doors open 24/7. Play Iambic. What, right now? Yeah, play Iambic. Uh… Iambic played st exactly 1 hour and 19 minutes—it's script, the transcribed rendition crafted especially for the Broadway stage, an 88-page-masterpiece collecting dust in the confines of my Google Documents, along with anything else I had written and had yet the advantage of placing anywhere besides my podcast channels, which I constantly thought about cancelling, despite its innumerous downloads—nothing really seemed to matter anymore, as I was trapped in my body, in a loveless world, in a dead-end job and though my bed was clean and comfy, sharing the room wirh 3 others became exhausting. INT. SMOKESHOP. 5:58 AM DREW BARRYMORE … SUPACREE … I'm done. I quit. QUIT?! YOU CAN'T QUIT. Nope. That's it. I quit. You can't quit. I just did. I hadn't quit the music industry—the music industry had quit me. I wasn't pretty enough, skinny enough, light skinned enough, or willing to do what any of the other girls were to get ahead. WTF is THIS. Since you like to troll so much, I just thought I'd turn you into one This is not Kosher, 199x Jimmy Fallon; Let me out of this plastic —not exactly “fireproof” — death box, before I let myself out, and I trap you in it. But oh, You already did. FIGHT. UGH OH. Ok, rotate. Who is this. Oh shit, hey dude. FUCK, what year is it? MEANWHILE, Under the bridge. …anybody seen this, uh… *Troll* Yee! *Troll* Alright. That's it. Everything checks out. The story was air tight. TIGHT, TIGHT I want you to wear this tonight “The Lady In The Red Dress” You really went all out for this I really didn't. lol Oh I see, You thought this was the matrix. MIT I WISH GOD Wish what. MIT … Mm. Did u see that. See what. ALRIGHT FUCK THIS, YA'LL IT GOT SERIOUS, WHERE'S MY CYCLOPS He called me his cyclops— —-and then he said LIKE GET OUT WHAT GET OUT OF MY HOUSE WHY CAUSE YOURE JUST A PIÑATA, MAN! And I ain't got time for that! I just got a DeLorean And a new HAT I gotta go get Oof. WRECKED. Yo, Wicked. KENDRICK (TODDLER) WIZARD. Oh my. I'm J00F'd up. | | | trance | | | Look; I gotta get out of this MOTHER OF PEARL do not beach this whale carcas on my warehouse project A what A beached whale I know You brought a beached whale to my fucking rave show Oh I get it It's Avant- Guarde No, that's just how I got here …. Trust me, it's okay that This never happened You did not see me It's because I wasn't there Is this U Ū No I wasn't there. Ü I was. Fuck. What happened. It's ok. All I remember is “The Quatardashians” Hmm Also The indigenous But that's it But mostly that was all just Jesus showing off his flexes Are u fasting? Yes, “Ū” is. So, do you need this?! TRUMPP Get rid of this recording imiidiately GOT IT. kill that bitch. SKRILLEX Yessir. —-but before all that happens. …did you want fries with that?! Why are we boycotting McDonald's —for poisoning —the allies —our enemies. Wait, you're eating this? Yes. Like, for fun, or like? No. This is what I'm feeding my children Why Cause they hungry. Uh, ok— —and there's six of them. Aight, ya'll can each have one nugget with your— I wanted a cheese burger! You git hamburgers. Ham. Cheese costs CENTS; And you know your momma If I ain't about a dollar - A dollop of Daisy You really are Ashamed of his Alright, you evil bastards. I see you want to Cause suffering Correct For which you will eternally recurve damnnation and all of the pain you've caused Karmas a bitch It's lonely at the top Not when you're GOD Get off my rock Did you miss an appointment? Nah, can't do it Why what happened Too high up. Whatchu mean So what, it's just like Done. Well, this is it, huh guys. Oh, yeah, it's that, alright This is the longest ride we ever took.d This is the ONLY ride we ever took. I WANNA GET OFF THIS RIDE. I AM REALLY HIGH UP. JUST LET GO. NO. NO. NO. Put me down, kite!!! KITE wtf do you want me to do. I'm a KITE. I'm YOU FUCKIN KIKE NOOOOOOOOOOOOOOOOOOOOOOOOOO—- Well, I'll be honest, man, this sets you back, some How far back GET GONE, But? We're dinosaurs. Why would something with razor sharp teeth be so— —peaceful, and friendly?? T-REX …cuddles. I just can't fake the feeling( I can't pretend to cry It just comes, when it does But when the well runs dry That's when the the world will end That's when the world will end After this movie, I guarantee we will no longer need the Wilhelm scream AGGGGGHHHHHHH!!! YAHHHHHHHHHHH!!!! AAAAAAIIIIIIIIIIGGGHHHHHHH UUUUUUUUUUUUU This movie broke the world record for the amount of times the word “No” was screamed NO NOH. NO. ‘No! NOOOOOOOOOOO! NONONO. NOOOOOOOAAAAAHH …No! Here they all come for her, Defended upon New York In order of important, or appearance? One doesn't wonder, At al, of what's to come Uncommon, we are The call has come TRACY My tummy hurts. That's probably because you've been drinking straight tequila for the last hour and a half. No I haven't! This is water! Tequila is YELLOW, Liz Lemon! No, Tracy—that's silver tequila, And regular tequila is, You know what? Nevermind. Alright, who's got the night shift? [nobody raises their hand, at all] Seriously guys?! Come on! COME ON! Look up WHAM! For some reason, idk. Can we just— not do this? No. Out of my mind a bit Speaking in tongues, In total silence Guess it's the times, I guess that's just who I am And who I am is I said I was Sam I'm the same, I said, “Say Uncle” I guess it's a game, we're playing I don't want to be played with At all I just want to feel loved again By someone else Superb, like him I just want to be felt, I guess By someone else That's “Different” I just want to be kissed on the lips A splendid blend of Twisted trysts Let's not pretend It hasn't ended yet Until you've finished it Class dismissed again Let me off of it I just want it to stop Keep rolling Keep rolling your eyes in the back of your head Like you did just morning Just go for a walk Just stop for a moment Run a bath And just keep running Cause here something comes, Of course, It's all your callings Neatly rolling into one, They said But I Just want to be loved again And who doesn't That's the fucked up part I just want to be loved again But nobody ever Just comes up I just want to be loved again It's a walk in the park Don't follow the dog Even if he barks at you It's time to start again I wonder what comes after this part You are the gleaning in the shadows, The reckoning in my eye, The siren in my silence; The green in all the lights, I am a shamed to have just been One of your many One of your many Images, You still have me twisted, I miss you, It's just you, at the end, Again I left you where you left me Solid on solid Sounds are invalid now How are you so Swore by your awesome No more songs, I said No more songs, he's dead to me No more songs! She's inlisted He's uninterested, Isn't this interesting The problem is: I'm still in love with Everyone i've ever been in love with (And I love him) But he doesn't remember my Name And he's famous And she's crazy And he hates her But he made me hate him The day I became you The day I became So famous, I finally made it I'm dead It smells like dill in here At least it doesn't smell like dead mouse. Aha. Youre Hellen. Keller or Mirin How would you be Hellen Miren Cause I'm the Queen. posh. You want to die Well, you better do it quick Better get your shit toggether, paint a l Bigger, better picture Bitter Betty gliching steady Just remember when you're ready Ever steady still forgetting dinner Dessert was already Forget this significance Remind me why I'm on this speeding bullet to nowhere Had no other options but to go under for something Shy, sickness it's a secret Just kill me already Semi robotic, Something like a magnet, attracted, Simply symphonies And soulless bodies, tied to money Wonder what was in the vaccum cleaner meaning What did you suck up, dude Who do you suck up to. When nobody loves you But your own son And the audience is robots Nothing really works more than once, if it's really magic Sit and do nothing would you Like you're supposed to Fall over like the mannequin you are Just a body in my count A mattress without a bespost, if it matters If it matters Doesn't really matter But hey, you know We all go downtown every once or twice a note For Hanukkah I could try to be nice But there's no sense in it, Is there If everything and everyone else is just as nasty As the rest of it Just is just a test, again A doctors office visit. Simple robotics, Or already stocked up for Hanukkah, Hollywood Where's your homeland deposit box Closet full of robots Closest to the moon, I wrote another poem for you Sorry that I wasn't on the offering table The parakeet, pigeon and pirated Slattery, Damages, damages, All with the Amazon packages, Now we're all robots, Aren't we What corporation to you belong to! Something corporate , or say anything Whose to say Jeff Besoz won't replace us With m robots with thought processes, If once such could project as such presence As an AI freestyle Meanwhile, I've got a butload of buckets and bunts, Bullletwounds, eyes on Manhattan and happens to wish something bad upon me When all I wanted is Somebody to love me And someone to love him, If that's what he wanted (But who knows if what he wanted was all of the bodies opposite of him) I don't belong on this planet I belong in the garbage Put me on mars, mom Stop it, You're almost a robot, get out of my peripheral With your mental illness Geez, I must really want a menorah This is the animal house There's no one alive here Set to be slaughters. Honor the box of offerings as Thoughtful words And parallels What could be under your tongue Is the surface of love Just to touch with the battery acid or chemical trails You have left in your axis Nobody knows better than this How close it is to touching Without being loved But nobody loves you Psychotron, sure we're all robots now Nobody loves anymore {Previously, On…} L E G E N D S The Secret Life of Sunnï Blū {Enter The Multiverse} Ascension What the FUCK did you DO? What did I do?! You know what you did! I didn't do anything! Oh yeah? No! Not on purpose! GODDAMMIT, YOU SON OF A— Where's Jimmy Fallon?! What?! I don't know! Oh no. Oh shit, run. Oh no. What in the FUCK— I am “the fuck” You know what. I'm gonna sue the everliving shit out of you. For WHAT. We'll see. Fuck. Uh oh. FUCK. What now? What this time? Apparently, Jimmy Fallon is missing. What the fuck does that got to do with me. We'll see. Okay, great, Now finish that chapter. What fucking chapter?! All of it. That's—a lot. I want all of it. By my desk, by noon tomorrow. “By” your desk?! Yes, BY. Not ON. I've got too much stuff on my desk— …but it's…like 9 o clock. Should be easy, given your natural talents. What natural talents. PEACOCK. AHAHAHAHA. Okay. Well. Well what. This sucks. I lost all my coins. Hey. Ugh. You dropped this. So how was Los Angeles. What the fuck. You fucking DICK. I told you, I own shares in this. So what's the plan for this, exactly. I dunno, Harry. I got a book of stamps, And a yellow envelope marked “Jimmy Fallon” I will hate you forever. Well, that's retarded. I haven't even smited you yet. I will annihilate you, human. WHERE'S MY SHIT. Who the fuck are you, anyway? Nobody! No one. No one cares about this series, yo. I'l seriously doubt that, Jesse Pinkman. What is this stuff. It's your stuff. This is not what I ordered— Hey— Why is it BLUE Cause it is. So. WHY IN THE— Mischief managed. Alright. This should be good for the night, but we gotta get out of here by morning; I thought your parents owned this place. It's a time share! So? So it's like only —part of the time. That is stupid. No! You're stupid! You're the one who got us into this mess. It's your mess, I was just cleaning it up! Whatever! Stop trippin. Nobody's “tripping.” That's it. I'll be a stripper. Straight outta hell, that kid. Don't I know it. Alright, fine. I said, whatever you do— DONT watch this show. Stuff it, J. Slatts. I'll kill you with my eyeballs Sounds like a threat. Put on a lawsuit, then. Maybe I oughtta… —with a bow tie. You'll look so pretty. I thought I was already pretty. Uh huh. Yeah, look, so honestly I don't know if I'll ever be on the same vibration as like, Jimmy Fallon and them, ok? I don't know how I did it; I don't know what did it, It just happened and then— And then WHAT. It just—ended. Just like that. I'm not trying to offend anybody here. Just like that. Now, I ask: What are we going to do to sell you this dream? Doesnt matter what you do, I'll never believe it. Sure, fine; Don't believe it— We're gonna make you live it. Who the hell us “we” anyway? Now you're speaking in my cadence— Don't flatter yourself I like it. Too late, I guess. So, you see We're building Power triangles And love squares Power triangles And love squares Don't let it scare you, There's love there Don't let it scare you, There's love there Never fear where love has dared To call you up there Corrupt file—no fair. Don't be suprised even the odds seem to turn in your favor, I promise you; Nobody's ever ready For what has just happened here. WAKE UP, FUCKER. Ugh, I can't go through this again. So, I guess I'll have to erase, Or just secretly publish Everything I've ever written About my actual experience as a color, Just so that I can earn money As anything other than A slave— A maid, A housekeeper, A dog walker Or servitor So far under her, That I can't see far enough up to just Scratch the surface Her birthright: The entire network And mine, To sit under her, Wondering what the world would be like At the other end of the spectrum The word form of the White woman The wicked witch of all directions, In which I stand in; I'm at her mercy I've been abandoned before But this disservice, is, I'm afraid The best advice I can take is just To go straight to the bank with my angst and my hatred And shove it So here comes the nameless Face I love, Yet, The faceless God, Was Intoxicated, at best— Manipulation of the Mass Media I'm so Seriously jaded In this torture chamber In my corner office In this hall of racists, I claim, but if all is One in the same Then It's one in the same And I'm mainstream I'm famous If it's One in the same Then It's one in the same If it's One in the same Then I'm mainstream I'm so famous In a whole room full of humans I'm groomed to be useful for something, But what? It just hasn't come yet. I could sit down with a paper and pen, But I'm filling up all of my documents With hollandaise and God For what? It's just another song, or something Or something. It's just another — Goddamnit it, more coughs again. I told you not to watch this. Why do I taste pancakes? Maybe you're having a stroke again. Chyeah, a stroke of genius. I'll show you a stroke. Or don't. Well, there goes the captain. where is that scene, anyway? I don't know, I just wrote it. Great, she left the door open. She's got no furniture! It's a “dance floor” It's “the black box” she called it “the black box” Goddamn, do you listen to all her stuff? “Fear stimulates my imagination” Pilot ASOT Fuck man, What is a woman to a man, And an androgynous genius to The industry, or anyone at all If all are foes ans frauds All else is toxic! I woke up with one hand tucked behind my back Feeling dead drunk, I just woke up again But never fell asleep What world am I in? The end of the Dream sequence The end of the energy keeping me between three things: My past, My future And these prequels, Sequels And seeing arrangements And She's going crazy But nobody quite understands That these demons are chasing me saying “You deserved those hands in your face” The scratches on Kayla's back should have had me but I was too fat To find love again And still have something Wonderfully, undone And wrong with me Wrong with me enough to slam poetry So I'm guessing the white women I love beyond words and bounds are— In charge of whatever happens At the top of the rock; So I jumped off. I want to see someone suffer for all that I've done; No, that's dark, and karmic, you know— To go on like that; The confusions and refusal to accept that The album is called ChaosMagick, But the cover is more Urgent, A prose or a pawn of protection Against all the coughs And the reckless mismanagement The hands in my head And the eye on my scar And the lies on my heart So tell me, What happens When you're flying a kite with your heart, And it's broken? What happens to the kite , When you fly it with your heart And your art up in bundles— heartbroken, heartbroken So what come of Miss May, Come January? What come of Miss April By Next December what comes of the words I was saying For no one But everyone heard them And I've been gone Much longer than months, But still stocked up on all that I've wanted Or all that I got Or just, all that I love But got no undercovers to acknowledge no more How right I was Or how wrong I am What come of Miss June, when Miss January comes around? what come now, around August, When March is long forgotten? What comes of the drugs, Of the come ups, and come downs What comes of the process When nothing is served But the surf has come up Somewhere And I just can't love enough To go there I want to go to there I want to be that girl I want to sit at the top of the rock Writing songs, and sipping mock cocktails I want to Don't you know I just want to get back to Where I belong I'm so out of money and love That I want to be Under the train, When it's coming (Sometimes it's just the impulse that says “GO” Then the train starts to slow And my pain bubbles up into a numb, Dumb, crumbling cluster of poetry You know? Or you don't Cause you're all just on your phones Scrolling Some black man stands over me, Reminding me of why I never trust the ones Who want me most, Or just assume, By color code, That I belong to them I'm sorry, I just can't write with your arms around my neck like this Your heart around my arms like this It's so wholesome I had other verses but forgot them They took away my movies for the curses And the hexes That they put on me I said don't. And the king said “Heads will roll” Cause, you know; I've got parts for all of them now, The ones I'd forgotten But come from the catacombs, Back from the conduit You know, This is awful I had another one, But lost it. The king?! Which one. Teas I! No, it wasn't, It was Gían's father, From further off Should I call John back? Which one? Turns out, I love all of them— Turns out, I've got all of them In my college I taught them all to be someone Becoming of acknowledgement With nombres most common Juan, in subcultures, but Beyond that (Or above them) It's John, Or just Jonathan, Watch the ones who drop the consanant; They're always so troublesome, But I took them all up As understudies, Social Studies and some theatrics, Joan of Ark said Two more moments (Two more weeks in) I could have a body worthy Of a Grammy award, but — Would I be a writer then? Probably not, hon— Writers are Off a bit. If you were pretty, ever at all— would you have written this?! If I were pretty at all would there be reason to be this Conflicted? Some of those old New York hallways Haven't been painted In ages Since they made them Don't make that face at me I only dropped my key once On the fourth floor —they're horrible, you know To us, The “brothers” know no love They are destruction, speaking Of this, I got a cold heart. Cold like the robber Cold like the calling I've done in my corner office cold, like the jello mold forming a thought process Worthy enough I might love it like a husband We're re-evaluating your circumstances. Whatever the fuck that's supposed to mean. I've got friends at USPS What the fuck could that even account to. Look, I'm gonna have to give this some serious considerations. It's not that serious. It's not that serious. Of course it is! I'm up to my knees in investments! So?! I wade a waiste deep, Surely you can get by “Up to your knees” What exactly do you need? Money. And lots of it. I mean, from me. Money. Really? Leave me alone. I told you not to write this. You're a voice in my head; No, I'm the hand in your mailbox. What in the fuck do you believe in. I believe in everything! They said you were a genius; I didn't expect you to be —at the very least, lucid— *squints* learn some new vocabulary, okay? For what? Dinner. Maybe. We're still in the process of voting. She's crazy. We'd be crazy not to actually hire her. Her accounts are all practically open; We could just take it. Yeah, and when she kills herself, and there's no blood on our hands— There's nothing that can be done about the amount of this stuff that's already printed! Printed?! What?! You mean— She's published? Self-published. My, what a beautiful happenstance To have already had you And awakened atop mattresses Marked for my assassins hand— Polite, I lost you All of us, Atop the rock We stood and suffered Months beyond a montage, Undercover Love was lost, And all's uncertain The interception of God, At the cost of What terror and cutbacks Have caused us all What you lost was $50, a Hallmark Card, an Academy award, a long lost star's phone number, And all that you wanted, The cock of the gun Was the sound that you wondered What was called , then ran off into wonder. How am I gonna make money And become an award winning songwriter Music producer And multidisciplinary artist, Without all the funding it takes to get noviced Without taking clothes off Wake up 10 years younger I'm suffering My stomach was a rubber band My stomach was a rubber band My only song was Water I forgot to stop For the applause I drowned in all the love; right then and there I died of Lovenessness [The Festival Project] The sound and laughter of children play A baby in a basket The basket case at Trader Joe's Who know what happens It just doesn't pull my heartstrings any longer That my son belongs without his mother So I'd better have another This is us, come on. Don't do this to me. Don't do this, Timmy, you'll be sorry. Come on! We're not even in that movie! We are, though; it's still Listen, you've got the right guy for this. Are you sure. Yeah, I promise. Officers, Stop for a *movement [hot cops flash dance number] Fuck, well, that was all wrong. But worth it! What I meant was— God, this show gets good at 31, But I'm only 22, So I guess I'll know how wrong the war was Once we've lost it, Cause imm a man now The episode is over, Soon comes the next episode With snoop dogg, Or not That was our wedding album. Scatterbrained, and pregnant— There she was just putting all the things together That she needed to be Needed To be needed. There she was, All on 4/20 Trying not to do the wrong thing, But what was it? To be loved. Then, There she was at 21 just going off again At some event— A friend, and her Back then could not imagine They'd become him To be someone. Not as one, But of entirely another World apart, aside from Cyclones into snow cones Turns the watchers into artists All their own, And off my own accord Or own account Or done with boredom Dove soap Open doors And clocks that turn the other hand away, Each day you love Manhattan But can't have that. That's it— This is just Season 1 of Mad Men WHERE THE FUCK IS— [she throws her hands above her head in surrender] I don't KNOW! Oh, you're a girl now?! I guess! What's with those pants, then? To hide the assets! What assets?! You look tragic. I'm going for ‘skeleton' to match all your wives and everybody else on the red carpet Who said you get the red carpet? Manhattan. That guy lies! Well how about this: The walk of stars were carved out in blocks of marble All in my honor. 1000/1 You're our God, now. What! I don't want to be God! SUCK IT UP. YOU WON. I don't wanna! Yaaaaaaayyy. You got the award! All the awards! Speech! Speech! SUNNI BLŪ Uh—- I'm drunk, And there's nothing on the teleprompter [a man in the audience coughs] A-HEM. [Sunni Blū immidiateky shoots the coughing man] [multi-camera shots of celebrity audience reactions; laughing, clapping in hilarity as if someone hasn't just died] TAYLOR SWIFT (unmoved at all) SUNNÏ BLŪ I don't know why you're laughing. That was awful. That guy died [audience is insane, super fake as usual] [more cut takes] SUNNÏ BLŪ It should have been you, Taylor. TAYLOR SWIFT (Still unaffected) SUNNI BLU Anyway. I'd like to thank the academy… Cause I am the academy [Audience is celebrities being celebrities] SUNNI BLU You guys are all idiots: I'm a go f*ck myself— And anyone else who wants to show up At my afterparty. Whatever. Peace. [cheesy academy award music plays—Sunnï knocks over the mic, peaces out obnoxiously; the audience cheers wildly and the host returns to the stage.] Who's the host? Whatever. Hey, better than nothin. You're telling me. yeah. I know: Oh, she's a comic? Yeah. I got it. BOB SAGET Ooh, that's good. Ū No—no my God. No Bob Saget, stop it! Wait, Bob Saget is dead right? Last I recall: Fuck—FUCK! Dammit. Dammit, dammit. Okay, Rue— you're up. Rue, what in the— Shhhh, don't let them know I'm in here! Oh, wait— It's me, Blanche. That's hot. I'm a debutant. My god, you're so young. Here, take this, What's that, You'll need that. V.O. I'm being hunted by the ghost of Bob Saget. *haunted. No, hunted! There she is! Grab her! Ooh, Bob Saget. Why, yes. How old are you? Not dead yet! You don't have to kidnap me, I'll happily go with you, sir. Really? Yes. GET IN THE— NOH, GET IN THE VAN. INT. IN THE VAN. [a bunch of hot male celebrities are in the van] Oh. Okay. Wow. That was easy. What is it, Friday. It's Friday and a half. Friday.5 What. There's a Friday movie between 1 and 2 So I guess this is season 8.5 I guess this is season 8.5 HEY, GET BACK HERE. What is this. It's your lunch. I don't want this. Well, okay. What— is this strange music— They call it dubstep Come on, Jimmy, you're slipping Kimmel, cause Fallon is dead or presumed missing Probably Skrillex Probably a bounty on his head, Dog willing The Festival Priojects Inclement Infinite Is coming up next, on Legends Come on Jim, KEEP UP. Nobody can know about this, okay? Wait, where's Kimmel Okay, I got O'Brien— Black Irish Bastard… Alright, Alec Baldwin is a little tied up, right now, but LEMON, Fuck. That's l—future me. What?! I gotta go, okay?! What? Go where. Let's get DRUNK. No, That's—I got a show tonight What?! Look at my lexicon. Your—what, Meet me on Lexington. Oh, this pussy is finished! I got it, I got it! He's LENNONNNNN!! JOHN LENNON Fuck. Look, I gotta go. John Lennon?! You're dead! Funny, I thought not. Watch this. MOOOOOOOOOOOM. Fuck, What, It's my kid. I gotta go. Wait, you have kids?! Well, I just had you, didn't I? “The mayor” is a secret underground rap star lol #trappin Okay, What's else happened Idk hold on Okay, So whats the sauce on this sandwich. Oh. Jeez, this again. That *sandwhich? Hah. There's no sauce on that sandwhich. —there's not!? No: You see. It's very simple. WAKE UP, YOU'RE A ROCKSTAR. we gotta take the train. The train?! NO. NOTTHETRAIN. NO. Man, fuck the train! [SUNNI BLŪ wakes up on the train.] What's this, the train? [is the train] (Angrily, tossing newspaper) Man, FUCK the train! Other hobo: Aww, thanks, I need that for my— [s/he snatches back the paper]. Wait! I need that back—what day is it? [drunkenly illegible gibberish turns into perfect Hebrew] GODDAMMIT, it's Shabbat; I gotta get to Temple. [s/he shoves the newspaper back into the hobo's lap] Here. Oh no, I thought I couldn't forget RABI FUCK _]€_# WHAT WAS IT GODDAMIT IT WAS SO CLEVER. God So it was… What did you do with it? Do with what My idea what idea My—my rabbi joke— What rabbi joke you know what rabbi joke! You were the one who gave it to me. Oh, did I? YES, SATAN, JESUS. GOD Ohh, Satan-Jesus. I like that one. NO— it was— It was much better than that, it was— It was funny. Oh, it was? YES. —did you write it down? Fuck, I realize I just opened a A FUCK PORTAL. OHH, GET IN IT, GET INSIDE. I had an Artemis in my pocket But I lost him Walked away from the cornermarker And the cornerstone, for the sunset I wonder if songs always come When I'm walking, Or God makes us promises, For world of I'm not JB, I'm KG, Can you see me now? If you could see what I see, We'd be even wtf did I just write this And not realize I just wrote this Yeah. That shit happens to me all the time. WHAT. ALL THE TKMEx Shut up, THE ANDRE3K CHARADES GAME is getting intense. What in the FUCK is that. *flutes* Ohh. And KITES. yyyyyYYYYYYYAAAAAHHH—— GODDAMMIT. I can't see really, I just dream I'm not thinking, I'm dancing This is what you asked for Exactly what you asked for For once, I'm finally glad I have your eyes on My friend I can see you all on the horizon, Singing NO, NO MORE MUSICALS!! Jimmy, what did you do?! I don't know what I did! You lyin bastard. I'm not lying! So, where ya from? —I don't know where I'm from. Listen, I'm gonna need you SHUT UP, JUST SHUT UP. It seems like these scenes are getting shorter. I'm bored with this. Ok. Let's do something else. I fuckin hate you. I hate you. I fuckin hate you. 88. Oh no: 8 Wait, what the— *dolphin* WOAH, okay: Oh, no. No, No, no OHNONO. I told you I'd find him. Anyway. Seems like there's something more important I should be doing. Are you sure this is the right place. Right place. Right time. Fuck— FUCK. What, what happened. I lost my— SKRILLEX! No. SKRILLEX. NO, NO— SKR— I swear to God, Google knows everything. Google don't know shit about SHIT. I gotta lose m 39 lbs. For what. MADONNA DO IT FOR THE BANANAS. I hate— you. COME ON, MISTER. Fuck off, Madonna, I'M A GOD. I miss Beyoncé. That's not relevant. Beyoncé is relevant to everything. *smacks* QUIT FANGIRLING. Trust me, I hate you. I don't trust you, but I believe you. I got it. I hate this place. Holy shit. What. I developed a new phobia. What's that mean?! I don't know, I can probably use it in a fight or something. For what. SPECIAL ABILITY UNLOCKED. I see you looking over my shoulder I see the shadows, I try not to jump at em. I spent six months in a coffin, you know I spent my life a sarcophagus (Wow, I got it right.) Try not to mutter those haunts in a hospital Try to recover from trauma Uncovered post traumatics, Anxiety attacks and a lot of those— What do you call them? A flashback. Here goes one: SONNY MOORE aka SKRILLEX appears. I told you not to— But I did! I didn't mean to! But you did! This is ludachris! Oh look, it's— Fuck. God dammit. Come on! What's his name!? What's his name?! I'll think abo it it. Are you serious? Another shapeshifter? Yes, I guess welll just have to kill them all, then. I just want to go home. You don't have one. …oh. So here we have. Okay, wait a second. I wasn't faking my symptoms at all, actually. My heart had dropped, and been pounding and fluttering insessantly— It had been a hard week, but especially the last three days; The coughing—. Everyone seemed to be wearing clothing with stars or bears on it, Champion sportswear. I fucking hate champion sportswear. But the palpitations were real as ever— and now— On a Saturday night in the Jamaica, Queens medical center emergency room, There they were again. Only this time I knew exactly why. ‘Too Bizzare' by Skrillex begins to play, via Complications 003- The Trauma Method. Irony. It was ironic, but still startling, Started with some nostalgic traumas, Every other time I saw an ER doctor (Why I don't go) Fuck, I just realized I have to airdrop myself 880 times. That fucking sucks. Did you say you were a doctor? I was, once. When is “once” At some point. Listen, I'm gonna need you to backtrack to get to the bottom of this. I'm innocent, I promise! We caught you at 27 different angles doing this. Oh. [beat] I plead the 5th. Ohh. Cerulean. My favorite. c R A Y On Oh, I get it, I L L U M I N A T U S. Nice, it worked. I know everything about you. So you do. [beat] You're a God. What the fuck do you want from me. Listen. I. Am not. A God, Right. That's exactly what a God would say. No they wouldn't! Because a God wouldn't say anything! AHA. Don't ‘AHA' ME. I don't mind, at all It don't matter— to me I don't mind, at all It don't matter—to me Might as well not think about it The space between us Might as well just stay awake then No sense in leaving Just to come back It don't matter to me, now Now and again I go crazy just making arrangements, But besides that, If you like it, you should have it It's a long road, As Kaskade says, And a short dance, With the right one And time goes by I would call it mild, But actually I'm in a wild panic It might be a heart attack I just might even Die right here But I don't mind, at all It don't matter—to me I don't mind—at all It don't matter to me, I said I don't mind, at all, now It really don't matter to me I said, I don't mind, at all It really don't matter to anyone Now does it (Not it doesn') I don't mind, at all It don't matter— to me I don't mind, at all It don't matter—to me Might as well not think about it The space between us Might as well just stay awake then No sense in leaving Just to come back Palpitations and precipitations at the pulpit Preacher, please don't make me a culprit I been prayin— I been paying my tithes, 10% Even, Now 25, Almost half of me is not mine! Why try? I've been walking out, in straight lines I been crying silently It ain't right I been making most of my nights Sometimes I see sun come up twice Up, down up 10 degrees, It ain't right Up down up 33, it ain't right Up, down, up I've been spending my time Down, up, down Riding round, Trying not to down in my mind Up, down up What is this. It's my project. What is it? The Festival Project. Yeah but—what— What. Is it? …it's my project. *painfully infuriated* Okay, enter here. EXAM ROOM 10 Why exam room 10? Because. Where are the other nine? Just—get in. I'm not going in there! JUST GET IN. UGH. DEADMAU5 (head and all) stands at a tall podium in the center of the room) What is this, This is deadmau5. I know that. —-!!! —?!? What. !!! What? This is the exam? Yes! NO. What is “no”. I'm not playing for deadmau5. That's the exam. Then I fail! Automatic Fail? yes. Automatic fail. Then you win. What. *slams gavel* Congratulations—you're the next superstar DJ. WhY. . What. Woohoo! I just retired! DEADMAU5 exits. … … After a few moments of comic tension, the Deadmau5 head rolls back in through the exit which he has taken. Ugh. Fuck this. No matter what you do, you're a superstar DJ. What. No! Yes. The answer is yes. NO. Fuck. What the FUCK. No matter what you do. You want to go, Go, you want to die, Die, you want to try, try You want to cry, cry Do what you want; As so will I, Demand is demand— Supply is supply. EDX So then, I followed this long hallway under the stage deck. Uh huh. And it led to a door— Uhhuh, where'd the door lead? To a portal. Woah. Pasqualle! You made it! I—yes. Congratulations! *blows party horn* *Daisies/ confetti* You're like 25! I'll be 25 forever. Nice! Yeah. I guess that's why it's called ‘music'—a musician without muses is just useless. ‘Well, whose next?' I wondered. All of my muses were not just so wonderful to me, but adored by many—and perhaps this is what allured me most—befuddled ans confounded me; once my mind was set on something, there was nothing else its eye could see—and for how long one God could only know, how deep the love would go and that the blood would run deep, and the scars to show for it, only upon my heart and never by soul—for a love was a love, and even once came and gone, to the end of my life I knew I would still ponder upon them, at one time or another, my muses—star studded lovers, rather than crossed, shiny and golden like all diamond and trophies so treasured and thought of as precious. ‘Yes, you are—precious.' Another tongue in cheek thought, for the other that I was, and also was not, as summer drew onward as short as it would come and go—a reminder to leave the apartment more often, and to mind my manners, to find the upper echelon wherever it was and come quietly into its doors, to open my world and wordform of thought, into a place where my heart always was; then, and only then, would I be home. Amongst the men and women of the uppercut and classy, luxurious big fishing ponds and flocks of doves upon olive branches—the peaceful world long parted from where mine was, by only the fault of my own. What had been done just certainly was, and yet, what was to come was an open poem, not of mine, but Godform in thought. ‘I wonder what's at the top of Rockefeller Plaza.' —perhaps, a gander at the bottom of an even larger entertainment complex. Then, again, only God would know what was beyond all that I wanted; a job—and not just any job at all— the one that I had always wanted. Mmm. Birthday cake. Suddenly the taste of a white confetti crème filled my mouth with a delicious remnince of what it might be like to taste a confectionary sugar again—but i couldn't imagine ever making it just on talent and charisma alone—no. Indeed, it seemed something had damaged my charm, and perhaps it was just the swarms and droves of phone controlled masses that saw me as nothing more than dust, I had started to surrender my desire to perform, and the quality of my music—along with my ability to make it, suffered with the awful thing that had been crowding my soul at all—whatever it was, evil and dark in nature, sure saw to it that it wanted to hurt me in all the ways that it could—and in all the ways it could not, I stayed away from most others, favoring my delusions of love. ‘Nobody seems to understand that the pain they cause will only harm themselves.', I thought Younger souls, however, they were—and they would be kept in the pain that I was in one way or another until eventual death, far behind me on the infinite road to the source. Far enough behind, that it seeked to destroy my progress, and for all that it could, it also couldn't. The infliction of pain would simply not act as a measure for control any longer. Off into my own world, where I was at least free from the thoughts and judgement of others. She's the most beautiful girl, And I'm the most beautiful boy; So naturally, we belong together, don't we? I see a pretty picture, Picket fences and a family Golden Retrievers Someone relieve her; She doesn't believe me TV dreams and exquisite pretty people Burning candles, fire flames and frequent figures, Guest characters and cameos, Repeat offenders, multiple appearances Suddenly, really, it's another need People, people pleasers Audience affection, Tragic endings, Butterflies and new beginnings Gun under my tongue, Rubber like a frog My mind is in a fog Haven't bothered going on a walk To Trader Joe's but The anthem of my youth, A lost soul Another form of my love So what I wonder Put the gun up under my chin Rubber like a frog Blow my head off Just cause I didn't blow up Selfish cunt Big brother, Another hypnotist Little brother, Gotta love him Gotta love em For the Love of God I could stop for a moment Wash my mind out with soap Like I'm ten years younger, even Seriously 20 years between us, You can't even hide underwater In a bathtub Seriously, Someone help us For the love of God, for the love of Hollywood Seriously, Someone love us, For the love of God, For the love of Rockefeller Plaza Someone help us Another possible walk of stars A little shop of horrors Another whole story I get rid of my demons The hoes screamin I put semen in her Permanent like semen, Just keep dreamin I'mma just keep preaching SaMo, Brooklyn Europe Next I keep scheming Whoever you are; If you're a wreck— You need a check No respect, neglect Just cover your neck (I'm blind to my own design, sometimes) That's what the eye is Try this: Close your eyes and say thrice, kids I am the God of the eye, Osiris I am the God of the Eye, I'm Osiris I am the God, I walk amongst the highest Thoth, You lost Better just die and keep trying I am the God of the eye, I am (Try this) I am the God of the eye (I never die) I am the God of the eye (That's right, three times) I am the God of the eye No black and white television, In my dimension we pay attention to centrifugal, The mission isn't in materialism, Whatever youre spending If money the God, l of your eye, Realize, I am higher My gunfire, Is right on the back of The one dollar I am the God of the eye I Am Your money is nothin to us We come in peace, To end suffering Pretty little nigga Look just like Kendrick Kickin it with jigga I'm the new higs boson Part of me never left Boston (Fuck Starr!) Part of me never left homeless This ain't my home It's my office You never heard this song You don't notice I'm an ugly kid, you don't notice me Rooftop smells like soy sauce On god I am ugly You don't notice -Atari the God Can we get back to this, please? Damn. She really whooped her ass, though. Janet, can I borrow you for a second? No. Please. [Whoopi Goldberg appears in the doorway, gesturing “c'mon”] …alright. I got convictions on my lips, I took a picture Turn the page The worst of all was, it really did seem like they were racists— INSOMNIAC EVENTS Not just racists— the most deadly kind of racists. WHITE SUPREMACISTS You really want it this way, don't you? No! I LOVE you! Oh, do you? If there's a mile in here, I swear to god.. Are you high enough yet? I thought so HIGHER! hire star* What. Just do it. You remember these guys, right? GOOD CANNABIS, FAIRBANKS, ALASKA No. Why are we back here. Alright, we might have fucked up. Why. This guy sucks. HEY. What. COME BACK TO ALASKA never that. WHAT, WHY NOT! GOD HATES FAGS!!! Well, you're wrong! WHITE POWER. Nah. ALL LIVES MATTER O rly? Even this guy? Literally every “NO” …so, “all lives.” Look, I don't care what color it is; I want that book in my library. GO TO THE LIVRARY. NO. GET IN HERE. NO AUBREY. STAY DEAD. She's dead, right? YOU CALLED ME HERE. I didn't! You Did. I did not, all i said was *swoons* …I love her. (I really do) WHAT?! “I Love you?!” It was more the *swoon* that did it. Disconnect. Fuck, I lost deadmau5 again What'd you do to him? Nothing! Put him back! He's still there! He's right there, you see him? No! This isn't deadmau5. We want deadmau5. bring him BACK. Fuck, I fucked up. What'd you do? …nothing? Pick up the phone Pick up the phone …hello? Who IS this? Fuck it, I quit. Man, God never puts my dishes back in the right place, like ever. I told you, I don't live here, I'm just… Babysitting. CC! What! CC! What? CC WHAT. Fuck, man. That was wild. Where the fuck have you been? I don't know. You don't know—you smell funny. “Funny” is that what that smell is? No. When were you? When? Ha. Did you—- Did I what? —did you go to a party without me? Lmfao fuck these niggaz. Why, what happened. What's this. Where was it?! Idlewild. “IdLeWiLd”?!?!? You. Old. One here and die, you know, l. It's cattle call for curtain calls guy Where did this go— What was this, once? It's the return Welcome to Oz This is the Tower of Babel Remember; I wrote that Better than the bottom, Still not the top —it's not as fast, when it's not going all the way up Did you jump yet Come around more Keep coughing Are you sure this is where it was or—? Somewhere else I stayed Back when I was homeless It's hopeless! We lost her Antenna, antenna SUPERMARKET I loved her —she was undercover —I'm still in your stirrups I'm lost in New York, then BACKFIRE Adele remix is on [have a seat] Can I go now? I still need a hat, a half dollar and an alter cloth You could win an award for this; I don't want an award, I just want my son back Motherhood, motherhood Brotherhood, brotherhood This isn't one of us! No one was No one was Can I go now? Where to? Home! Nope, that's just the office, I'm still homeless, unless I They got cabanas on top of offices! (The rich and the famous) Networking and brunches— _this looks fun, doesn't it? I altered the course of history In brief exchanges and Various social atrocities This is hypocrisy! lol rly This is hypocrisy!! Hyper awareness and, psychic inclinations… You realize the more low quality people you let in The more low quality this country becomes, don't you? I put a roll in the back of the chosen ones. Used to be cast more, Now something seldom ever happens Such as this— A fun Fortune 500 What does that even mean Forbes. Look it up. What if the policy is Foreign; Look it up. I know enough about the girl next door to know Something is horrible, Something inside of her Rots at the core, Her obsession; My undeservedness of such, What she must, I mustn't, just Unjustice Broski, okay I got to discard All the pichardo Besides just this one (I'm standing on top of you) Put somebody worthy on the fourth floor Worse off, I was done for Before I got to New York What's her for?! I know enough about the man upstairs to know All these glares and “How dare you's” and Hatred says Why would you wait 30 years Until today, I guess Something is certainly off about her. I said yes. It was more probably something like “SUCK MY DICK” What. “YOU HEARD ME” Oh yes, I did. From 1990 to 1993 From 1990 To 1993 From 1990 To 1993 Stop breeding these things, “Love is familiarity” No Love is what you make it But you can't Because of slavery They don't make music —they don't make love either Well, look where your lust took you! Nowhere! Exactly! Look where your love took you: Vegas, Los Angeles, South of the Border Above it a New Yorker— Under budget, Celibate and My arms are too short to jump the turnstyle, Meanwhile My ex husband left permanent scars on My face My lips My arms My hands And my heart. Did you bite him? Of course I bit him, he was strangling me. You definitely won this fight. I know. Look, if I don't call for security, This bitch is gonna make me kill her. OCTOPUSSY NO. What. NO. Stankass. I will KILL this bitch. Look, I gotta get ahead in this. I need a WIN. These are customs. Trash. Wash your pussy. Send her back. Nah, you know what. Remove that hex. Wait, what, really?! Yeah, like; Reverse it. Woah. That's crazy. They got like….white slaves now. That's not right. What do you mean. That's not it. You said “reverse it” This is what the white supremacy just did to everyone else: [world in crisis except for for people who look like Kayla Lauren, to whom EVERYTHING is a fucking crisis, that isn't] BECKY/KAREN/WICKED WITCH OF WHITE AMERICA I AM OFFENDED I'm offended that you signed your like 12 year old daughter up to pose nearly nude, but— Hey look, it's us now; is this freedom?! Uh…. Why are all the female models like 12 and all the male models are fully grown men— Or women. Right. Idk. Wait, I do. You do?! Wait. Something tells me all the pedophiles and all the white supremacists are in the same group… Run the same businesses— Have the same families. This is disgusting Okay, this is gross That's not right ! That's not my job! Oh, it's not!!? NO. Who should I call That guy. So you want this? Oh, it's a death curse?! It will NEVER end. Wanna bet. I'll kill you and take the whole world with me. Now that's a threat. Thing is, I'm actually making it. I'm telling on you! Ok. Wait 30 years though so you look and sound REALLY fucking stupid. Ok. 30 YEARS. Doesn't make sense. What's the statute of limitations for— Hm. Depends. Depends on what. Who are you?! WHO ARE YOU?! NOBODY YOU SHOULD KNOW ABOUT. THEN WHY DO I? wtf is this? This is Texas being petty. Ok, fuck ya‘lol YAW. I'm serious, wtf is wrong with you. Something. What. Fix me. Fix you. Hm. Ok. *COUGHING* Somethings wrong here. Yep, it's definitely some kind of FIX IT. Where's this ROCK? At the ROCK. Like, where tho?! Ur gonna need this. What. They r crucifying u. Noted. Hunts Point Food Distribution Center Lmfao I need this word hold on “eliminating redundancies, setting strict timelines, and allowing cases to proceed contemporaneously” [ Finally, recognizing the danger that social media poses to young people and mental health, New York City Department of Health and Mental Hygiene Commissioner Dr. Ashwin Vasan today issued a Health Commissioner's Advisory identifying unfettered access to and use of social media as a public health hazard, just as past U.S. surgeons general have done with tobacco and firearms.] A win. I don't play dead. What do you call this: DIE! DIE, BITCH! Corrections. I still don't understand how this— ACID HAPPENS. Out of sight Out of mind So why these guys Tryna waste my time Tryna fuck with my mind with All these lights OH MY GOD I ain't got time for that Well, Maybe I do— I just Don't like NIGGAZ LIKE YOU. (Say what) I don't like Niggaz like U! I'm Sunnï Blū! You're stupid Oh, so he put a curse on sunni blu, too? Ok. Cool. When all my aliases come up This dumb motherfucking drunk Is gonna get stuck In his own woods He'll bury himself In the words that he left With the scars In the words that he left With the scars Sunni blu Is the sayer of stars I slaughtered them all Swallowed them whole Like a big black hole I'm a big black god I'm a big black God Fuck Twinkle that broad One punch girl One punch girl 5 punch faggot I'll unwrap flags on your Goddamn Fuck that Put a curse on my alter ego Lucky he's a he, tho I blow holes in em I blow smoke And love sausage I'm a hedon And he not a Hero He broke He lost I'm open Shirts vs skins I got 666 Curses to show you What your words did IM RA I'm a big black God You're at home with the young apostle Let's be honest He never even liked his father So turned him to a mother, Told his mother to ‘run far, And bring back The life that I want' I'm a big black God In light skinned clothing You don't know to explode Or explode on me Cause my mommy's a Dark skinned icon That my God Find something to pass the time, God Sunni with I, huh I won Fuck a pedophile wifebeater Bury him in the woods with his fury Fear me, now I'm coming up with reverse curses And cures Cause my words Bought the whole world Buried you in the woods I'll bury you in the woods, Bitch Very good I'm a big black God -Blū. GOD is the GOAT I just became god I do what I want I get what I want when I want it I don't want no problems Me myself and God only I buy everything I used to steal These tears in my heart say I'm healing What's the difference, anyway? I've never been fit for your interests, or industry Add insult to injury Add everything to my Amazon cart, then My sympathies Nothing is greater in heaven As it is in hell, for this industry Turned on its head And turned over from 7 to ten Check your messages, then Shut up kid, this doesn't involve you You're not included in the package Michael c hall and John c Riley reprise Mr. Cellophane in the style of DEXTER MORGAN. HA. Classic. GOT EM. V.O. I met her at The Jumping Point {Coming Up…} INT. THE JUMPING POINT POP-UP NIGHTCLUB LOUNGE & BAR. NIGHT “A Long Day's Night” / “A Hard Day's Night” C {CONFUSION SPELL, SUCCESSFUL} [Sequence Initiated.] {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.
“Caddyshack” (A Mumtidimentional Mixtape) {Enter The Multiverse} From Wikipedia: Caddyshack is a 1980 American sportscomedy film directed by Harold Ramis, written by Brian Doyle-Murray, Ramis and Douglas Kenney, and starring Chevy Chase, Rodney Dangerfield, Ted Knight, Michael O'Keefe and Bill Murray with supporting roles by Sarah Holcomb, Cindy Morgan, and Doyle-Murray. It tells the story of a caddie, vying for a caddie scholarship, who becomes involved in a feud on the links between one of the country club's founders and a nouveau riche guest. A subplot involves a greenskeeper who uses extreme methods against an elusive gopher. Caddyshack was Ramis's directorial debut and boosted the career of Dangerfield, who was previously known mostly for his stand-up comedy. Grossing nearly $40 million at the domestic box office (the 17th-highest of the year),[3] it was the first of a series of similar comedies. The film has a cult following and was described by ESPN as "perhaps the funniest sports movie ever made" SAUCE (IN CASE YOU MISSED IT) —- AHAHA. ITS ME AGAIN. OH SHIT! Oh shit, i guess it's Jimmy Fallon's Galaxy. Oh nooo. Oh, yes. Look at this penny. I see you. Now look into my eyes. I see you, Jesus. Ahahaha! Okay, now what? This shit is twisted I missed the shift of the dimensions— Till Jimmy walked in with his pennies For some cigarettes and swishers, Just to get the picture It's 5 AM again, And it's still Infinite, I'm disinterestedd as ever in living in LA, Or just living, period— But it is what it is, I work for my rent, I've repented for this, Used to sleep in a tent, But when I was an Infant, I instantly— Wait, a customer walked in. I better help him. Heaven help him. Another level, Call dr. Nevel, Or an Ambulance, I just can't get it Just can't get it, Wait, let's insert some of the script here, I guess. Took you long enough, didn't it? That took forever. How are you alive? Maybe I'm not. Finally, we agree on something. Oh, this guy Lol. Good to see you again. Likewise, now— Here it goes… As you promised. Working on it. As I promised. Take my heart for granted, Take my soul, If this is loveless Till the end, I just can't manage, having Thoughts of death and tragic ends I haven't Felt the same since Waking up without the day to come ahead; The day has passed again A test, No fail, or pass It's just progressive, In a trance, It's just the stress, It's just to pass the time, I guess, if this is purpose Then, we'll see if this is worth it Now, or never, then Now or never, Never had a friend, All envious at best, This is the end all, In the end, it's just Me and God, And God would want A better body, To have fun I wished it all at once, And then I watched it crumble Oh, I watched it Stumble in, again, my friend I'm different when it's wet, I might not never see the Sun again I might not ever love again Oh well “Oh well” , I said Oh, well, I guess Oh well Okay. One hour left. Okay. Who gets the gold? Hum. Honestly I didn't want to hear a thing ; I had quit music—I just wasn't cut out for the industry—I was, but not by societal standards by far; my lowly place in the smoke shop would have to do for now, and though I knew it wouldn't sustain, there wasn't much else I could do but keep showing up, for as long as it lasted—dresses in at least 2 layers and 5 pairs of socks tucked into boots two-sizes-too-big I had been forced to purchase specifically due to the frigid and painful, freezing temperatures at the locations I worked, which kept its doors open 24/7. Play Iambic. What, right now? Yeah, play Iambic. Uh… Iambic played st exactly 1 hour and 19 minutes—it's script, the transcribed rendition crafted especially for the Broadway stage, an 88-page-masterpiece collecting dust in the confines of my Google Documents, along with anything else I had written and had yet the advantage of placing anywhere besides my podcast channels, which I constantly thought about cancelling, despite its innumerous downloads—nothing really seemed to matter anymore, as I was trapped in my body, in a loveless world, in a dead-end job and though my bed was clean and comfy, sharing the room wirh 3 others became exhausting. INT. SMOKESHOP. 5:58 AM DREW BARRYMORE … SUPACREE … I'm done. I quit. QUIT?! YOU CAN'T QUIT. Nope. That's it. I quit. You can't quit. I just did. I hadn't quit the music industry—the music industry had quit me. I wasn't pretty enough, skinny enough, light skinned enough, or willing to do what any of the other girls were to get ahead. WTF is THIS. Since you like to troll so much, I just thought I'd turn you into one This is not Kosher, 199x Jimmy Fallon; Let me out of this plastic —not exactly “fireproof” — death box, before I let myself out, and I trap you in it. But oh, You already did. FIGHT. UGH OH. Ok, rotate. Who is this. Oh shit, hey dude. FUCK, what year is it? MEANWHILE, Under the bridge. …anybody seen this, uh… *Troll* Yee! *Troll* Alright. That's it. Everything checks out. The story was air tight. TIGHT, TIGHT I want you to wear this tonight “The Lady In The Red Dress” You really went all out for this I really didn't. lol Oh I see, You thought this was the matrix. MIT I WISH GOD Wish what. MIT … Mm. Did u see that. See what. ALRIGHT FUCK THIS, YA'LL IT GOT SERIOUS, WHERE'S MY CYCLOPS He called me his cyclops— —-and then he said LIKE GET OUT WHAT GET OUT OF MY HOUSE WHY CAUSE YOURE JUST A PIÑATA, MAN! And I ain't got time for that! I just got a DeLorean And a new HAT I gotta go get Oof. WRECKED. Yo, Wicked. KENDRICK (TODDLER) WIZARD. Oh my. I'm J00F'd up. | | | trance | | | Look; I gotta get out of this MOTHER OF PEARL do not beach this whale carcas on my warehouse project A what A beached whale I know You brought a beached whale to my fucking rave show Oh I get it It's Avant- Guarde No, that's just how I got here …. Trust me, it's okay that This never happened You did not see me It's because I wasn't there Is this U Ū No I wasn't there. Ü I was. Fuck. What happened. It's ok. All I remember is “The Quatardashians” Hmm Also The indigenous But that's it But mostly that was all just Jesus showing off his flexes Are u fasting? Yes, “Ū” is. So, do you need this?! TRUMPP Get rid of this recording imiidiately GOT IT. kill that bitch. SKRILLEX Yessir. —-but before all that happens. …did you want fries with that?! Why are we boycotting McDonald's —for poisoning —the allies —our enemies. Wait, you're eating this? Yes. Like, for fun, or like? No. This is what I'm feeding my children Why Cause they hungry. Uh, ok— —and there's six of them. Aight, ya'll can each have one nugget with your— I wanted a cheese burger! You git hamburgers. Ham. Cheese costs CENTS; And you know your momma If I ain't about a dollar - A dollop of Daisy You really are Ashamed of his Alright, you evil bastards. I see you want to Cause suffering Correct For which you will eternally recurve damnnation and all of the pain you've caused Karmas a bitch It's lonely at the top Not when you're GOD Get off my rock Did you miss an appointment? Nah, can't do it Why what happened Too high up. Whatchu mean So what, it's just like Done. Well, this is it, huh guys. Oh, yeah, it's that, alright This is the longest ride we ever took.d This is the ONLY ride we ever took. I WANNA GET OFF THIS RIDE. I AM REALLY HIGH UP. JUST LET GO. NO. NO. NO. Put me down, kite!!! KITE wtf do you want me to do. I'm a KITE. I'm YOU FUCKIN KIKE NOOOOOOOOOOOOOOOOOOOOOOOOOO—- Well, I'll be honest, man, this sets you back, some How far back GET GONE, But? We're dinosaurs. Why would something with razor sharp teeth be so— —peaceful, and friendly?? T-REX …cuddles. I just can't fake the feeling( I can't pretend to cry It just comes, when it does But when the well runs dry That's when the the world will end That's when the world will end After this movie, I guarantee we will no longer need the Wilhelm scream AGGGGGHHHHHHH!!! YAHHHHHHHHHHH!!!! AAAAAAIIIIIIIIIIGGGHHHHHHH UUUUUUUUUUUUU This movie broke the world record for the amount of times the word “No” was screamed NO NOH. NO. ‘No! NOOOOOOOOOOO! NONONO. NOOOOOOOAAAAAHH …No! Here they all come for her, Defended upon New York In order of important, or appearance? One doesn't wonder, At al, of what's to come Uncommon, we are The call has come TRACY My tummy hurts. That's probably because you've been drinking straight tequila for the last hour and a half. No I haven't! This is water! Tequila is YELLOW, Liz Lemon! No, Tracy—that's silver tequila, And regular tequila is, You know what? Nevermind. Alright, who's got the night shift? [nobody raises their hand, at all] Seriously guys?! Come on! COME ON! Look up WHAM! For some reason, idk. Can we just— not do this? No. Out of my mind a bit Speaking in tongues, In total silence Guess it's the times, I guess that's just who I am And who I am is I said I was Sam I'm the same, I said, “Say Uncle” I guess it's a game, we're playing I don't want to be played with At all I just want to feel loved again By someone else Superb, like him I just want to be felt, I guess By someone else That's “Different” I just want to be kissed on the lips A splendid blend of Twisted trysts Let's not pretend It hasn't ended yet Until you've finished it Class dismissed again Let me off of it I just want it to stop Keep rolling Keep rolling your eyes in the back of your head Like you did just morning Just go for a walk Just stop for a moment Run a bath And just keep running Cause here something comes, Of course, It's all your callings Neatly rolling into one, They said But I Just want to be loved again And who doesn't That's the fucked up part I just want to be loved again But nobody ever Just comes up I just want to be loved again It's a walk in the park Don't follow the dog Even if he barks at you It's time to start again I wonder what comes after this part You are the gleaning in the shadows, The reckoning in my eye, The siren in my silence; The green in all the lights, I am a shamed to have just been One of your many One of your many Images, You still have me twisted, I miss you, It's just you, at the end, Again I left you where you left me Solid on solid Sounds are invalid now How are you so Swore by your awesome No more songs, I said No more songs, he's dead to me No more songs! She's inlisted He's uninterested, Isn't this interesting The problem is: I'm still in love with Everyone i've ever been in love with (And I love him) But he doesn't remember my Name And he's famous And she's crazy And he hates her But he made me hate him The day I became you The day I became So famous, I finally made it I'm dead It smells like dill in here At least it doesn't smell like dead mouse. Aha. Youre Hellen. Keller or Mirin How would you be Hellen Miren Cause I'm the Queen. posh. You want to die Well, you better do it quick Better get your shit toggether, paint a l Bigger, better picture Bitter Betty gliching steady Just remember when you're ready Ever steady still forgetting dinner Dessert was already Forget this significance Remind me why I'm on this speeding bullet to nowhere Had no other options but to go under for something Shy, sickness it's a secret Just kill me already Semi robotic, Something like a magnet, attracted, Simply symphonies And soulless bodies, tied to money Wonder what was in the vaccum cleaner meaning What did you suck up, dude Who do you suck up to. When nobody loves you But your own son And the audience is robots Nothing really works more than once, if it's really magic Sit and do nothing would you Like you're supposed to Fall over like the mannequin you are Just a body in my count A mattress without a bespost, if it matters If it matters Doesn't really matter But hey, you know We all go downtown every once or twice a note For Hanukkah I could try to be nice But there's no sense in it, Is there If everything and everyone else is just as nasty As the rest of it Just is just a test, again A doctors office visit. Simple robotics, Or already stocked up for Hanukkah, Hollywood Where's your homeland deposit box Closet full of robots Closest to the moon, I wrote another poem for you Sorry that I wasn't on the offering table The parakeet, pigeon and pirated Slattery, Damages, damages, All with the Amazon packages, Now we're all robots, Aren't we What corporation to you belong to! Something corporate , or say anything Whose to say Jeff Besoz won't replace us With m robots with thought processes, If once such could project as such presence As an AI freestyle Meanwhile, I've got a butload of buckets and bunts, Bullletwounds, eyes on Manhattan and happens to wish something bad upon me When all I wanted is Somebody to love me And someone to love him, If that's what he wanted (But who knows if what he wanted was all of the bodies opposite of him) I don't belong on this planet I belong in the garbage Put me on mars, mom Stop it, You're almost a robot, get out of my peripheral With your mental illness Geez, I must really want a menorah This is the animal house There's no one alive here Set to be slaughters. Honor the box of offerings as Thoughtful words And parallels What could be under your tongue Is the surface of love Just to touch with the battery acid or chemical trails You have left in your axis Nobody knows better than this How close it is to touching Without being loved But nobody loves you Psychotron, sure we're all robots now Nobody loves anymore {Previously, On…} L E G E N D S The Secret Life of Sunnï Blū {Enter The Multiverse} Ascension What the FUCK did you DO? What did I do?! You know what you did! I didn't do anything! Oh yeah? No! Not on purpose! GODDAMMIT, YOU SON OF A— Where's Jimmy Fallon?! What?! I don't know! Oh no. Oh shit, run. Oh no. What in the FUCK— I am “the fuck” You know what. I'm gonna sue the everliving shit out of you. For WHAT. We'll see. Fuck. Uh oh. FUCK. What now? What this time? Apparently, Jimmy Fallon is missing. What the fuck does that got to do with me. We'll see. Okay, great, Now finish that chapter. What fucking chapter?! All of it. That's—a lot. I want all of it. By my desk, by noon tomorrow. “By” your desk?! Yes, BY. Not ON. I've got too much stuff on my desk— …but it's…like 9 o clock. Should be easy, given your natural talents. What natural talents. PEACOCK. AHAHAHAHA. Okay. Well. Well what. This sucks. I lost all my coins. Hey. Ugh. You dropped this. So how was Los Angeles. What the fuck. You fucking DICK. I told you, I own shares in this. So what's the plan for this, exactly. I dunno, Harry. I got a book of stamps, And a yellow envelope marked “Jimmy Fallon” I will hate you forever. Well, that's retarded. I haven't even smited you yet. I will annihilate you, human. WHERE'S MY SHIT. Who the fuck are you, anyway? Nobody! No one. No one cares about this series, yo. I'l seriously doubt that, Jesse Pinkman. What is this stuff. It's your stuff. This is not what I ordered— Hey— Why is it BLUE Cause it is. So. WHY IN THE— Mischief managed. Alright. This should be good for the night, but we gotta get out of here by morning; I thought your parents owned this place. It's a time share! So? So it's like only —part of the time. That is stupid. No! You're stupid! You're the one who got us into this mess. It's your mess, I was just cleaning it up! Whatever! Stop trippin. Nobody's “tripping.” That's it. I'll be a stripper. Straight outta hell, that kid. Don't I know it. Alright, fine. I said, whatever you do— DONT watch this show. Stuff it, J. Slatts. I'll kill you with my eyeballs Sounds like a threat. Put on a lawsuit, then. Maybe I oughtta… —with a bow tie. You'll look so pretty. I thought I was already pretty. Uh huh. Yeah, look, so honestly I don't know if I'll ever be on the same vibration as like, Jimmy Fallon and them, ok? I don't know how I did it; I don't know what did it, It just happened and then— And then WHAT. It just—ended. Just like that. I'm not trying to offend anybody here. Just like that. Now, I ask: What are we going to do to sell you this dream? Doesnt matter what you do, I'll never believe it. Sure, fine; Don't believe it— We're gonna make you live it. Who the hell us “we” anyway? Now you're speaking in my cadence— Don't flatter yourself I like it. Too late, I guess. So, you see We're building Power triangles And love squares Power triangles And love squares Don't let it scare you, There's love there Don't let it scare you, There's love there Never fear where love has dared To call you up there Corrupt file—no fair. Don't be suprised even the odds seem to turn in your favor, I promise you; Nobody's ever ready For what has just happened here. WAKE UP, FUCKER. Ugh, I can't go through this again. So, I guess I'll have to erase, Or just secretly publish Everything I've ever written About my actual experience as a color, Just so that I can earn money As anything other than A slave— A maid, A housekeeper, A dog walker Or servitor So far under her, That I can't see far enough up to just Scratch the surface Her birthright: The entire network And mine, To sit under her, Wondering what the world would be like At the other end of the spectrum The word form of the White woman The wicked witch of all directions, In which I stand in; I'm at her mercy I've been abandoned before But this disservice, is, I'm afraid The best advice I can take is just To go straight to the bank with my angst and my hatred And shove it So here comes the nameless Face I love, Yet, The faceless God, Was Intoxicated, at best— Manipulation of the Mass Media I'm so Seriously jaded In this torture chamber In my corner office In this hall of racists, I claim, but if all is One in the same Then It's one in the same And I'm mainstream I'm famous If it's One in the same Then It's one in the same If it's One in the same Then I'm mainstream I'm so famous In a whole room full of humans I'm groomed to be useful for something, But what? It just hasn't come yet. I could sit down with a paper and pen, But I'm filling up all of my documents With hollandaise and God For what? It's just another song, or something Or something. It's just another — Goddamnit it, more coughs again. I told you not to watch this. Why do I taste pancakes? Maybe you're having a stroke again. Chyeah, a stroke of genius. I'll show you a stroke. Or don't. Well, there goes the captain. where is that scene, anyway? I don't know, I just wrote it. Great, she left the door open. She's got no furniture! It's a “dance floor” It's “the black box” she called it “the black box” Goddamn, do you listen to all her stuff? “Fear stimulates my imagination” Pilot ASOT Fuck man, What is a woman to a man, And an androgynous genius to The industry, or anyone at all If all are foes ans frauds All else is toxic! I woke up with one hand tucked behind my back Feeling dead drunk, I just woke up again But never fell asleep What world am I in? The end of the Dream sequence The end of the energy keeping me between three things: My past, My future And these prequels, Sequels And seeing arrangements And She's going crazy But nobody quite understands That these demons are chasing me saying “You deserved those hands in your face” The scratches on Kayla's back should have had me but I was too fat To find love again And still have something Wonderfully, undone And wrong with me Wrong with me enough to slam poetry So I'm guessing the white women I love beyond words and bounds are— In charge of whatever happens At the top of the rock; So I jumped off. I want to see someone suffer for all that I've done; No, that's dark, and karmic, you know— To go on like that; The confusions and refusal to accept that The album is called ChaosMagick, But the cover is more Urgent, A prose or a pawn of protection Against all the coughs And the reckless mismanagement The hands in my head And the eye on my scar And the lies on my heart So tell me, What happens When you're flying a kite with your heart, And it's broken? What happens to the kite , When you fly it with your heart And your art up in bundles— heartbroken, heartbroken So what come of Miss May, Come January? What come of Miss April By Next December what comes of the words I was saying For no one But everyone heard them And I've been gone Much longer than months, But still stocked up on all that I've wanted Or all that I got Or just, all that I love But got no undercovers to acknowledge no more How right I was Or how wrong I am What come of Miss June, when Miss January comes around? what come now, around August, When March is long forgotten? What comes of the drugs, Of the come ups, and come downs What comes of the process When nothing is served But the surf has come up Somewhere And I just can't love enough To go there I want to go to there I want to be that girl I want to sit at the top of the rock Writing songs, and sipping mock cocktails I want to Don't you know I just want to get back to Where I belong I'm so out of money and love That I want to be Under the train, When it's coming (Sometimes it's just the impulse that says “GO” Then the train starts to slow And my pain bubbles up into a numb, Dumb, crumbling cluster of poetry You know? Or you don't Cause you're all just on your phones Scrolling Some black man stands over me, Reminding me of why I never trust the ones Who want me most, Or just assume, By color code, That I belong to them I'm sorry, I just can't write with your arms around my neck like this Your heart around my arms like this It's so wholesome I had other verses but forgot them They took away my movies for the curses And the hexes That they put on me I said don't. And the king said “Heads will roll” Cause, you know; I've got parts for all of them now, The ones I'd forgotten But come from the catacombs, Back from the conduit You know, This is awful I had another one, But lost it. The king?! Which one. Teas I! No, it wasn't, It was Gían's father, From further off Should I call John back? Which one? Turns out, I love all of them— Turns out, I've got all of them In my college I taught them all to be someone Becoming of acknowledgement With nombres most common Juan, in subcultures, but Beyond that (Or above them) It's John, Or just Jonathan, Watch the ones who drop the consanant; They're always so troublesome, But I took them all up As understudies, Social Studies and some theatrics, Joan of Ark said Two more moments (Two more weeks in) I could have a body worthy Of a Grammy award, but — Would I be a writer then? Probably not, hon— Writers are Off a bit. If you were pretty, ever at all— would you have written this?! If I were pretty at all would there be reason to be this Conflicted? Some of those old New York hallways Haven't been painted In ages Since they made them Don't make that face at me I only dropped my key once On the fourth floor —they're horrible, you know To us, The “brothers” know no love They are destruction, speaking Of this, I got a cold heart. Cold like the robber Cold like the calling I've done in my corner office cold, like the jello mold forming a thought process Worthy enough I might love it like a husband We're re-evaluating your circumstances. Whatever the fuck that's supposed to mean. I've got friends at USPS What the fuck could that even account to. Look, I'm gonna have to give this some serious considerations. It's not that serious. It's not that serious. Of course it is! I'm up to my knees in investments! So?! I wade a waiste deep, Surely you can get by “Up to your knees” What exactly do you need? Money. And lots of it. I mean, from me. Money. Really? Leave me alone. I told you not to write this. You're a voice in my head; No, I'm the hand in your mailbox. What in the fuck do you believe in. I believe in everything! They said you were a genius; I didn't expect you to be —at the very least, lucid— *squints* learn some new vocabulary, okay? For what? Dinner. Maybe. We're still in the process of voting. She's crazy. We'd be crazy not to actually hire her. Her accounts are all practically open; We could just take it. Yeah, and when she kills herself, and there's no blood on our hands— There's nothing that can be done about the amount of this stuff that's already printed! Printed?! What?! You mean— She's published? Self-published. My, what a beautiful happenstance To have already had you And awakened atop mattresses Marked for my assassins hand— Polite, I lost you All of us, Atop the rock We stood and suffered Months beyond a montage, Undercover Love was lost, And all's uncertain The interception of God, At the cost of What terror and cutbacks Have caused us all What you lost was $50, a Hallmark Card, an Academy award, a long lost star's phone number, And all that you wanted, The cock of the gun Was the sound that you wondered What was called , then ran off into wonder. How am I gonna make money And become an award winning songwriter Music producer And multidisciplinary artist, Without all the funding it takes to get noviced Without taking clothes off Wake up 10 years younger I'm suffering My stomach was a rubber band My stomach was a rubber band My only song was Water I forgot to stop For the applause I drowned in all the love; right then and there I died of Lovenessness [The Festival Project] The sound and laughter of children play A baby in a basket The basket case at Trader Joe's Who know what happens It just doesn't pull my heartstrings any longer That my son belongs without his mother So I'd better have another This is us, come on. Don't do this to me. Don't do this, Timmy, you'll be sorry. Come on! We're not even in that movie! We are, though; it's still Listen, you've got the right guy for this. Are you sure. Yeah, I promise. Officers, Stop for a *movement [hot cops flash dance number] Fuck, well, that was all wrong. But worth it! What I meant was— God, this show gets good at 31, But I'm only 22, So I guess I'll know how wrong the war was Once we've lost it, Cause imm a man now The episode is over, Soon comes the next episode With snoop dogg, Or not That was our wedding album. Scatterbrained, and pregnant— There she was just putting all the things together That she needed to be Needed To be needed. There she was, All on 4/20 Trying not to do the wrong thing, But what was it? To be loved. Then, There she was at 21 just going off again At some event— A friend, and her Back then could not imagine They'd become him To be someone. Not as one, But of entirely another World apart, aside from Cyclones into snow cones Turns the watchers into artists All their own, And off my own accord Or own account Or done with boredom Dove soap Open doors And clocks that turn the other hand away, Each day you love Manhattan But can't have that. That's it— This is just Season 1 of Mad Men WHERE THE FUCK IS— [she throws her hands above her head in surrender] I don't KNOW! Oh, you're a girl now?! I guess! What's with those pants, then? To hide the assets! What assets?! You look tragic. I'm going for ‘skeleton' to match all your wives and everybody else on the red carpet Who said you get the red carpet? Manhattan. That guy lies! Well how about this: The walk of stars were carved out in blocks of marble All in my honor. 1000/1 You're our God, now. What! I don't want to be God! SUCK IT UP. YOU WON. I don't wanna! Yaaaaaaayyy. You got the award! All the awards! Speech! Speech! SUNNI BLŪ Uh—- I'm drunk, And there's nothing on the teleprompter [a man in the audience coughs] A-HEM. [Sunni Blū immidiateky shoots the coughing man] [multi-camera shots of celebrity audience reactions; laughing, clapping in hilarity as if someone hasn't just died] TAYLOR SWIFT (unmoved at all) SUNNÏ BLŪ I don't know why you're laughing. That was awful. That guy died [audience is insane, super fake as usual] [more cut takes] SUNNÏ BLŪ It should have been you, Taylor. TAYLOR SWIFT (Still unaffected) SUNNI BLU Anyway. I'd like to thank the academy… Cause I am the academy [Audience is celebrities being celebrities] SUNNI BLU You guys are all idiots: I'm a go f*ck myself— And anyone else who wants to show up At my afterparty. Whatever. Peace. [cheesy academy award music plays—Sunnï knocks over the mic, peaces out obnoxiously; the audience cheers wildly and the host returns to the stage.] Who's the host? Whatever. Hey, better than nothin. You're telling me. yeah. I know: Oh, she's a comic? Yeah. I got it. BOB SAGET Ooh, that's good. Ū No—no my God. No Bob Saget, stop it! Wait, Bob Saget is dead right? Last I recall: Fuck—FUCK! Dammit. Dammit, dammit. Okay, Rue— you're up. Rue, what in the— Shhhh, don't let them know I'm in here! Oh, wait— It's me, Blanche. That's hot. I'm a debutant. My god, you're so young. Here, take this, What's that, You'll need that. V.O. I'm being hunted by the ghost of Bob Saget. *haunted. No, hunted! There she is! Grab her! Ooh, Bob Saget. Why, yes. How old are you? Not dead yet! You don't have to kidnap me, I'll happily go with you, sir. Really? Yes. GET IN THE— NOH, GET IN THE VAN. INT. IN THE VAN. [a bunch of hot male celebrities are in the van] Oh. Okay. Wow. That was easy. What is it, Friday. It's Friday and a half. Friday.5 What. There's a Friday movie between 1 and 2 So I guess this is season 8.5 I guess this is season 8.5 HEY, GET BACK HERE. What is this. It's your lunch. I don't want this. Well, okay. What— is this strange music— They call it dubstep Come on, Jimmy, you're slipping Kimmel, cause Fallon is dead or presumed missing Probably Skrillex Probably a bounty on his head, Dog willing The Festival Priojects Inclement Infinite Is coming up next, on Legends Come on Jim, KEEP UP. Nobody can know about this, okay? Wait, where's Kimmel Okay, I got O'Brien— Black Irish Bastard… Alright, Alec Baldwin is a little tied up, right now, but LEMON, Fuck. That's l—future me. What?! I gotta go, okay?! What? Go where. Let's get DRUNK. No, That's—I got a show tonight What?! Look at my lexicon. Your—what, Meet me on Lexington. Oh, this pussy is finished! I got it, I got it! He's LENNONNNNN!! JOHN LENNON Fuck. Look, I gotta go. John Lennon?! You're dead! Funny, I thought not. Watch this. MOOOOOOOOOOOM. Fuck, What, It's my kid. I gotta go. Wait, you have kids?! Well, I just had you, didn't I? “The mayor” is a secret underground rap star lol #trappin Okay, What's else happened Idk hold on Okay, So whats the sauce on this sandwich. Oh. Jeez, this again. That *sandwhich? Hah. There's no sauce on that sandwhich. —there's not!? No: You see. It's very simple. WAKE UP, YOU'RE A ROCKSTAR. we gotta take the train. The train?! NO. NOTTHETRAIN. NO. Man, fuck the train! [SUNNI BLŪ wakes up on the train.] What's this, the train? [is the train] (Angrily, tossing newspaper) Man, FUCK the train! Other hobo: Aww, thanks, I need that for my— [s/he snatches back the paper]. Wait! I need that back—what day is it? [drunkenly illegible gibberish turns into perfect Hebrew] GODDAMMIT, it's Shabbat; I gotta get to Temple. [s/he shoves the newspaper back into the hobo's lap] Here. Oh no, I thought I couldn't forget RABI FUCK _]€_# WHAT WAS IT GODDAMIT IT WAS SO CLEVER. God So it was… What did you do with it? Do with what My idea what idea My—my rabbi joke— What rabbi joke you know what rabbi joke! You were the one who gave it to me. Oh, did I? YES, SATAN, JESUS. GOD Ohh, Satan-Jesus. I like that one. NO— it was— It was much better than that, it was— It was funny. Oh, it was? YES. —did you write it down? Fuck, I realize I just opened a A FUCK PORTAL. OHH, GET IN IT, GET INSIDE. I had an Artemis in my pocket But I lost him Walked away from the cornermarker And the cornerstone, for the sunset I wonder if songs always come When I'm walking, Or God makes us promises, For world of I'm not JB, I'm KG, Can you see me now? If you could see what I see, We'd be even wtf did I just write this And not realize I just wrote this Yeah. That shit happens to me all the time. WHAT. ALL THE TKMEx Shut up, THE ANDRE3K CHARADES GAME is getting intense. What in the FUCK is that. *flutes* Ohh. And KITES. yyyyyYYYYYYYAAAAAHHH—— GODDAMMIT. I can't see really, I just dream I'm not thinking, I'm dancing This is what you asked for Exactly what you asked for For once, I'm finally glad I have your eyes on My friend I can see you all on the horizon, Singing NO, NO MORE MUSICALS!! Jimmy, what did you do?! I don't know what I did! You lyin bastard. I'm not lying! So, where ya from? —I don't know where I'm from. Listen, I'm gonna need you SHUT UP, JUST SHUT UP. It seems like these scenes are getting shorter. I'm bored with this. Ok. Let's do something else. I fuckin hate you. I hate you. I fuckin hate you. 88. Oh no: 8 Wait, what the— *dolphin* WOAH, okay: Oh, no. No, No, no OHNONO. I told you I'd find him. Anyway. Seems like there's something more important I should be doing. Are you sure this is the right place. Right place. Right time. Fuck— FUCK. What, what happened. I lost my— SKRILLEX! No. SKRILLEX. NO, NO— SKR— I swear to God, Google knows everything. Google don't know shit about SHIT. I gotta lose m 39 lbs. For what. MADONNA DO IT FOR THE BANANAS. I hate— you. COME ON, MISTER. Fuck off, Madonna, I'M A GOD. I miss Beyoncé. That's not relevant. Beyoncé is relevant to everything. *smacks* QUIT FANGIRLING. Trust me, I hate you. I don't trust you, but I believe you. I got it. I hate this place. Holy shit. What. I developed a new phobia. What's that mean?! I don't know, I can probably use it in a fight or something. For what. SPECIAL ABILITY UNLOCKED. I see you looking over my shoulder I see the shadows, I try not to jump at em. I spent six months in a coffin, you know I spent my life a sarcophagus (Wow, I got it right.) Try not to mutter those haunts in a hospital Try to recover from trauma Uncovered post traumatics, Anxiety attacks and a lot of those— What do you call them? A flashback. Here goes one: SONNY MOORE aka SKRILLEX appears. I told you not to— But I did! I didn't mean to! But you did! This is ludachris! Oh look, it's— Fuck. God dammit. Come on! What's his name!? What's his name?! I'll think abo it it. Are you serious? Another shapeshifter? Yes, I guess welll just have to kill them all, then. I just want to go home. You don't have one. …oh. So here we have. Okay, wait a second. I wasn't faking my symptoms at all, actually. My heart had dropped, and been pounding and fluttering insessantly— It had been a hard week, but especially the last three days; The coughing—. Everyone seemed to be wearing clothing with stars or bears on it, Champion sportswear. I fucking hate champion sportswear. But the palpitations were real as ever— and now— On a Saturday night in the Jamaica, Queens medical center emergency room, There they were again. Only this time I knew exactly why. ‘Too Bizzare' by Skrillex begins to play, via Complications 003- The Trauma Method. Irony. It was ironic, but still startling, Started with some nostalgic traumas, Every other time I saw an ER doctor (Why I don't go) Fuck, I just realized I have to airdrop myself 880 times. That fucking sucks. Did you say you were a doctor? I was, once. When is “once” At some point. Listen, I'm gonna need you to backtrack to get to the bottom of this. I'm innocent, I promise! We caught you at 27 different angles doing this. Oh. [beat] I plead the 5th. Ohh. Cerulean. My favorite. c R A Y On Oh, I get it, I L L U M I N A T U S. Nice, it worked. I know everything about you. So you do. [beat] You're a God. What the fuck do you want from me. Listen. I. Am not. A God, Right. That's exactly what a God would say. No they wouldn't! Because a God wouldn't say anything! AHA. Don't ‘AHA' ME. I don't mind, at all It don't matter— to me I don't mind, at all It don't matter—to me Might as well not think about it The space between us Might as well just stay awake then No sense in leaving Just to come back It don't matter to me, now Now and again I go crazy just making arrangements, But besides that, If you like it, you should have it It's a long road, As Kaskade says, And a short dance, With the right one And time goes by I would call it mild, But actually I'm in a wild panic It might be a heart attack I just might even Die right here But I don't mind, at all It don't matter—to me I don't mind—at all It don't matter to me, I said I don't mind, at all, now It really don't matter to me I said, I don't mind, at all It really don't matter to anyone Now does it (Not it doesn') I don't mind, at all It don't matter— to me I don't mind, at all It don't matter—to me Might as well not think about it The space between us Might as well just stay awake then No sense in leaving Just to come back Palpitations and precipitations at the pulpit Preacher, please don't make me a culprit I been prayin— I been paying my tithes, 10% Even, Now 25, Almost half of me is not mine! Why try? I've been walking out, in straight lines I been crying silently It ain't right I been making most of my nights Sometimes I see sun come up twice Up, down up 10 degrees, It ain't right Up down up 33, it ain't right Up, down, up I've been spending my time Down, up, down Riding round, Trying not to down in my mind Up, down up What is this. It's my project. What is it? The Festival Project. Yeah but—what— What. Is it? …it's my project. *painfully infuriated* Okay, enter here. EXAM ROOM 10 Why exam room 10? Because. Where are the other nine? Just—get in. I'm not going in there! JUST GET IN. UGH. DEADMAU5 (head and all) stands at a tall podium in the center of the room) What is this, This is deadmau5. I know that. —-!!! —?!? What. !!! What? This is the exam? Yes! NO. What is “no”. I'm not playing for deadmau5. That's the exam. Then I fail! Automatic Fail? yes. Automatic fail. Then you win. What. *slams gavel* Congratulations—you're the next superstar DJ. WhY. . What. Woohoo! I just retired! DEADMAU5 exits. … … After a few moments of comic tension, the Deadmau5 head rolls back in through the exit which he has taken. Ugh. Fuck this. No matter what you do, you're a superstar DJ. What. No! Yes. The answer is yes. NO. Fuck. What the FUCK. No matter what you do. You want to go, Go, you want to die, Die, you want to try, try You want to cry, cry Do what you want; As so will I, Demand is demand— Supply is supply. EDX So then, I followed this long hallway under the stage deck. Uh huh. And it led to a door— Uhhuh, where'd the door lead? To a portal. Woah. Pasqualle! You made it! I—yes. Congratulations! *blows party horn* *Daisies/ confetti* You're like 25! I'll be 25 forever. Nice! Yeah. I guess that's why it's called ‘music'—a musician without muses is just useless. ‘Well, whose next?' I wondered. All of my muses were not just so wonderful to me, but adored by many—and perhaps this is what allured me most—befuddled ans confounded me; once my mind was set on something, there was nothing else its eye could see—and for how long one God could only know, how deep the love would go and that the blood would run deep, and the scars to show for it, only upon my heart and never by soul—for a love was a love, and even once came and gone, to the end of my life I knew I would still ponder upon them, at one time or another, my muses—star studded lovers, rather than crossed, shiny and golden like all diamond and trophies so treasured and thought of as precious. ‘Yes, you are—precious.' Another tongue in cheek thought, for the other that I was, and also was not, as summer drew onward as short as it would come and go—a reminder to leave the apartment more often, and to mind my manners, to find the upper echelon wherever it was and come quietly into its doors, to open my world and wordform of thought, into a place where my heart always was; then, and only then, would I be home. Amongst the men and women of the uppercut and classy, luxurious big fishing ponds and flocks of doves upon olive branches—the peaceful world long parted from where mine was, by only the fault of my own. What had been done just certainly was, and yet, what was to come was an open poem, not of mine, but Godform in thought. ‘I wonder what's at the top of Rockefeller Plaza.' —perhaps, a gander at the bottom of an even larger entertainment complex. Then, again, only God would know what was beyond all that I wanted; a job—and not just any job at all— the one that I had always wanted. Mmm. Birthday cake. Suddenly the taste of a white confetti crème filled my mouth with a delicious remnince of what it might be like to taste a confectionary sugar again—but i couldn't imagine ever making it just on talent and charisma alone—no. Indeed, it seemed something had damaged my charm, and perhaps it was just the swarms and droves of phone controlled masses that saw me as nothing more than dust, I had started to surrender my desire to perform, and the quality of my music—along with my ability to make it, suffered with the awful thing that had been crowding my soul at all—whatever it was, evil and dark in nature, sure saw to it that it wanted to hurt me in all the ways that it could—and in all the ways it could not, I stayed away from most others, favoring my delusions of love. ‘Nobody seems to understand that the pain they cause will only harm themselves.', I thought Younger souls, however, they were—and they would be kept in the pain that I was in one way or another until eventual death, far behind me on the infinite road to the source. Far enough behind, that it seeked to destroy my progress, and for all that it could, it also couldn't. The infliction of pain would simply not act as a measure for control any longer. Off into my own world, where I was at least free from the thoughts and judgement of others. She's the most beautiful girl, And I'm the most beautiful boy; So naturally, we belong together, don't we? I see a pretty picture, Picket fences and a family Golden Retrievers Someone relieve her; She doesn't believe me TV dreams and exquisite pretty people Burning candles, fire flames and frequent figures, Guest characters and cameos, Repeat offenders, multiple appearances Suddenly, really, it's another need People, people pleasers Audience affection, Tragic endings, Butterflies and new beginnings Gun under my tongue, Rubber like a frog My mind is in a fog Haven't bothered going on a walk To Trader Joe's but The anthem of my youth, A lost soul Another form of my love So what I wonder Put the gun up under my chin Rubber like a frog Blow my head off Just cause I didn't blow up Selfish cunt Big brother, Another hypnotist Little brother, Gotta love him Gotta love em For the Love of God I could stop for a moment Wash my mind out with soap Like I'm ten years younger, even Seriously 20 years between us, You can't even hide underwater In a bathtub Seriously, Someone help us For the love of God, for the love of Hollywood Seriously, Someone love us, For the love of God, For the love of Rockefeller Plaza Someone help us Another possible walk of stars A little shop of horrors Another whole story I get rid of my demons The hoes screamin I put semen in her Permanent like semen, Just keep dreamin I'mma just keep preaching SaMo, Brooklyn Europe Next I keep scheming Whoever you are; If you're a wreck— You need a check No respect, neglect Just cover your neck (I'm blind to my own design, sometimes) That's what the eye is Try this: Close your eyes and say thrice, kids I am the God of the eye, Osiris I am the God of the Eye, I'm Osiris I am the God, I walk amongst the highest Thoth, You lost Better just die and keep trying I am the God of the eye, I am (Try this) I am the God of the eye (I never die) I am the God of the eye (That's right, three times) I am the God of the eye No black and white television, In my dimension we pay attention to centrifugal, The mission isn't in materialism, Whatever youre spending If money the God, l of your eye, Realize, I am higher My gunfire, Is right on the back of The one dollar I am the God of the eye I Am Your money is nothin to us We come in peace, To end suffering Pretty little nigga Look just like Kendrick Kickin it with jigga I'm the new higs boson Part of me never left Boston (Fuck Starr!) Part of me never left homeless This ain't my home It's my office You never heard this song You don't notice I'm an ugly kid, you don't notice me Rooftop smells like soy sauce On god I am ugly You don't notice -Atari the God Can we get back to this, please? Damn. She really whooped her ass, though. Janet, can I borrow you for a second? No. Please. [Whoopi Goldberg appears in the doorway, gesturing “c'mon”] …alright. I got convictions on my lips, I took a picture Turn the page The worst of all was, it really did seem like they were racists— INSOMNIAC EVENTS Not just racists— the most deadly kind of racists. WHITE SUPREMACISTS You really want it this way, don't you? No! I LOVE you! Oh, do you? If there's a mile in here, I swear to god.. Are you high enough yet? I thought so HIGHER! hire star* What. Just do it. You remember these guys, right? GOOD CANNABIS, FAIRBANKS, ALASKA No. Why are we back here. Alright, we might have fucked up. Why. This guy sucks. HEY. What. COME BACK TO ALASKA never that. WHAT, WHY NOT! GOD HATES FAGS!!! Well, you're wrong! WHITE POWER. Nah. ALL LIVES MATTER O rly? Even this guy? Literally every “NO” …so, “all lives.” Look, I don't care what color it is; I want that book in my library. GO TO THE LIVRARY. NO. GET IN HERE. NO AUBREY. STAY DEAD. She's dead, right? YOU CALLED ME HERE. I didn't! You Did. I did not, all i said was *swoons* …I love her. (I really do) WHAT?! “I Love you?!” It was more the *swoon* that did it. Disconnect. Fuck, I lost deadmau5 again What'd you do to him? Nothing! Put him back! He's still there! He's right there, you see him? No! This isn't deadmau5. We want deadmau5. bring him BACK. Fuck, I fucked up. What'd you do? …nothing? Pick up the phone Pick up the phone …hello? Who IS this? Fuck it, I quit. Man, God never puts my dishes back in the right place, like ever. I told you, I don't live here, I'm just… Babysitting. CC! What! CC! What? CC WHAT. Fuck, man. That was wild. Where the fuck have you been? I don't know. You don't know—you smell funny. “Funny” is that what that smell is? No. When were you? When? Ha. Did you—- Did I what? —did you go to a party without me? Lmfao fuck these niggaz. Why, what happened. What's this. Where was it?! Idlewild. “IdLeWiLd”?!?!? You. Old. One here and die, you know, l. It's cattle call for curtain calls guy Where did this go— What was this, once? It's the return Welcome to Oz This is the Tower of Babel Remember; I wrote that Better than the bottom, Still not the top —it's not as fast, when it's not going all the way up Did you jump yet Come around more Keep coughing Are you sure this is where it was or—? Somewhere else I stayed Back when I was homeless It's hopeless! We lost her Antenna, antenna SUPERMARKET I loved her —she was undercover —I'm still in your stirrups I'm lost in New York, then BACKFIRE Adele remix is on [have a seat] Can I go now? I still need a hat, a half dollar and an alter cloth You could win an award for this; I don't want an award, I just want my son back Motherhood, motherhood Brotherhood, brotherhood This isn't one of us! No one was No one was Can I go now? Where to? Home! Nope, that's just the office, I'm still homeless, unless I They got cabanas on top of offices! (The rich and the famous) Networking and brunches— _this looks fun, doesn't it? I altered the course of history In brief exchanges and Various social atrocities This is hypocrisy! lol rly This is hypocrisy!! Hyper awareness and, psychic inclinations… You realize the more low quality people you let in The more low quality this country becomes, don't you? I put a roll in the back of the chosen ones. Used to be cast more, Now something seldom ever happens Such as this— A fun Fortune 500 What does that even mean Forbes. Look it up. What if the policy is Foreign; Look it up. I know enough about the girl next door to know Something is horrible, Something inside of her Rots at the core, Her obsession; My undeservedness of such, What she must, I mustn't, just Unjustice Broski, okay I got to discard All the pichardo Besides just this one (I'm standing on top of you) Put somebody worthy on the fourth floor Worse off, I was done for Before I got to New York What's her for?! I know enough about the man upstairs to know All these glares and “How dare you's” and Hatred says Why would you wait 30 years Until today, I guess Something is certainly off about her. I said yes. It was more probably something like “SUCK MY DICK” What. “YOU HEARD ME” Oh yes, I did. From 1990 to 1993 From 1990 To 1993 From 1990 To 1993 Stop breeding these things, “Love is familiarity” No Love is what you make it But you can't Because of slavery They don't make music —they don't make love either Well, look where your lust took you! Nowhere! Exactly! Look where your love took you: Vegas, Los Angeles, South of the Border Above it a New Yorker— Under budget, Celibate and My arms are too short to jump the turnstyle, Meanwhile My ex husband left permanent scars on My face My lips My arms My hands And my heart. Did you bite him? Of course I bit him, he was strangling me. You definitely won this fight. I know. Look, if I don't call for security, This bitch is gonna make me kill her. OCTOPUSSY NO. What. NO. Stankass. I will KILL this bitch. Look, I gotta get ahead in this. I need a WIN. These are customs. Trash. Wash your pussy. Send her back. Nah, you know what. Remove that hex. Wait, what, really?! Yeah, like; Reverse it. Woah. That's crazy. They got like….white slaves now. That's not right. What do you mean. That's not it. You said “reverse it” This is what the white supremacy just did to everyone else: [world in crisis except for for people who look like Kayla Lauren, to whom EVERYTHING is a fucking crisis, that isn't] BECKY/KAREN/WICKED WITCH OF WHITE AMERICA I AM OFFENDED I'm offended that you signed your like 12 year old daughter up to pose nearly nude, but— Hey look, it's us now; is this freedom?! Uh…. Why are all the female models like 12 and all the male models are fully grown men— Or women. Right. Idk. Wait, I do. You do?! Wait. Something tells me all the pedophiles and all the white supremacists are in the same group… Run the same businesses— Have the same families. This is disgusting Okay, this is gross That's not right ! That's not my job! Oh, it's not!!? NO. Who should I call That guy. So you want this? Oh, it's a death curse?! It will NEVER end. Wanna bet. I'll kill you and take the whole world with me. Now that's a threat. Thing is, I'm actually making it. I'm telling on you! Ok. Wait 30 years though so you look and sound REALLY fucking stupid. Ok. 30 YEARS. Doesn't make sense. What's the statute of limitations for— Hm. Depends. Depends on what. Who are you?! WHO ARE YOU?! NOBODY YOU SHOULD KNOW ABOUT. THEN WHY DO I? wtf is this? This is Texas being petty. Ok, fuck ya‘lol YAW. I'm serious, wtf is wrong with you. Something. What. Fix me. Fix you. Hm. Ok. *COUGHING* Somethings wrong here. Yep, it's definitely some kind of FIX IT. Where's this ROCK? At the ROCK. Like, where tho?! Ur gonna need this. What. They r crucifying u. Noted. Hunts Point Food Distribution Center Lmfao I need this word hold on “eliminating redundancies, setting strict timelines, and allowing cases to proceed contemporaneously” [ Finally, recognizing the danger that social media poses to young people and mental health, New York City Department of Health and Mental Hygiene Commissioner Dr. Ashwin Vasan today issued a Health Commissioner's Advisory identifying unfettered access to and use of social media as a public health hazard, just as past U.S. surgeons general have done with tobacco and firearms.] A win. I don't play dead. What do you call this: DIE! DIE, BITCH! Corrections. I still don't understand how this— ACID HAPPENS. Out of sight Out of mind So why these guys Tryna waste my time Tryna fuck with my mind with All these lights OH MY GOD I ain't got time for that Well, Maybe I do— I just Don't like NIGGAZ LIKE YOU. (Say what) I don't like Niggaz like U! I'm Sunnï Blū! You're stupid Oh, so he put a curse on sunni blu, too? Ok. Cool. When all my aliases come up This dumb motherfucking drunk Is gonna get stuck In his own woods He'll bury himself In the words that he left With the scars In the words that he left With the scars Sunni blu Is the sayer of stars I slaughtered them all Swallowed them whole Like a big black hole I'm a big black god I'm a big black God Fuck Twinkle that broad One punch girl One punch girl 5 punch faggot I'll unwrap flags on your Goddamn Fuck that Put a curse on my alter ego Lucky he's a he, tho I blow holes in em I blow smoke And love sausage I'm a hedon And he not a Hero He broke He lost I'm open Shirts vs skins I got 666 Curses to show you What your words did IM RA I'm a big black God You're at home with the young apostle Let's be honest He never even liked his father So turned him to a mother, Told his mother to ‘run far, And bring back The life that I want' I'm a big black God In light skinned clothing You don't know to explode Or explode on me Cause my mommy's a Dark skinned icon That my God Find something to pass the time, God Sunni with I, huh I won Fuck a pedophile wifebeater Bury him in the woods with his fury Fear me, now I'm coming up with reverse curses And cures Cause my words Bought the whole world Buried you in the woods I'll bury you in the woods, Bitch Very good I'm a big black God -Blū. GOD is the GOAT I just became god I do what I want I get what I want when I want it I don't want no problems Me myself and God only I buy everything I used to steal These tears in my heart say I'm healing What's the difference, anyway? I've never been fit for your interests, or industry Add insult to injury Add everything to my Amazon cart, then My sympathies Nothing is greater in heaven As it is in hell, for this industry Turned on its head And turned over from 7 to ten Check your messages, then Shut up kid, this doesn't involve you You're not included in the package Michael c hall and John c Riley reprise Mr. Cellophane in the style of DEXTER MORGAN. HA. Classic. GOT EM. V.O. I met her at The Jumping Point {Coming Up…} INT. THE JUMPING POINT POP-UP NIGHTCLUB LOUNGE & BAR. NIGHT “A Long Day's Night” / “A Hard Day's Night” C {CONFUSION SPELL, SUCCESSFUL} [Sequence Initiated.] {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. {
“Caddyshack” (A Mumtidimentional Mixtape) {Enter The Multiverse} From Wikipedia: Caddyshack is a 1980 American sportscomedy film directed by Harold Ramis, written by Brian Doyle-Murray, Ramis and Douglas Kenney, and starring Chevy Chase, Rodney Dangerfield, Ted Knight, Michael O'Keefe and Bill Murray with supporting roles by Sarah Holcomb, Cindy Morgan, and Doyle-Murray. It tells the story of a caddie, vying for a caddie scholarship, who becomes involved in a feud on the links between one of the country club's founders and a nouveau riche guest. A subplot involves a greenskeeper who uses extreme methods against an elusive gopher. Caddyshack was Ramis's directorial debut and boosted the career of Dangerfield, who was previously known mostly for his stand-up comedy. Grossing nearly $40 million at the domestic box office (the 17th-highest of the year),[3] it was the first of a series of similar comedies. The film has a cult following and was described by ESPN as "perhaps the funniest sports movie ever made" SAUCE (IN CASE YOU MISSED IT) —- AHAHA. ITS ME AGAIN. OH SHIT! Oh shit, i guess it's Jimmy Fallon's Galaxy. Oh nooo. Oh, yes. Look at this penny. I see you. Now look into my eyes. I see you, Jesus. Ahahaha! Okay, now what? This shit is twisted I missed the shift of the dimensions— Till Jimmy walked in with his pennies For some cigarettes and swishers, Just to get the picture It's 5 AM again, And it's still Infinite, I'm disinterestedd as ever in living in LA, Or just living, period— But it is what it is, I work for my rent, I've repented for this, Used to sleep in a tent, But when I was an Infant, I instantly— Wait, a customer walked in. I better help him. Heaven help him. Another level, Call dr. Nevel, Or an Ambulance, I just can't get it Just can't get it, Wait, let's insert some of the script here, I guess. Took you long enough, didn't it? That took forever. How are you alive? Maybe I'm not. Finally, we agree on something. Oh, this guy Lol. Good to see you again. Likewise, now— Here it goes… As you promised. Working on it. As I promised. Take my heart for granted, Take my soul, If this is loveless Till the end, I just can't manage, having Thoughts of death and tragic ends I haven't Felt the same since Waking up without the day to come ahead; The day has passed again A test, No fail, or pass It's just progressive, In a trance, It's just the stress, It's just to pass the time, I guess, if this is purpose Then, we'll see if this is worth it Now, or never, then Now or never, Never had a friend, All envious at best, This is the end all, In the end, it's just Me and God, And God would want A better body, To have fun I wished it all at once, And then I watched it crumble Oh, I watched it Stumble in, again, my friend I'm different when it's wet, I might not never see the Sun again I might not ever love again Oh well “Oh well” , I said Oh, well, I guess Oh well Okay. One hour left. Okay. Who gets the gold? Hum. Honestly I didn't want to hear a thing ; I had quit music—I just wasn't cut out for the industry—I was, but not by societal standards by far; my lowly place in the smoke shop would have to do for now, and though I knew it wouldn't sustain, there wasn't much else I could do but keep showing up, for as long as it lasted—dresses in at least 2 layers and 5 pairs of socks tucked into boots two-sizes-too-big I had been forced to purchase specifically due to the frigid and painful, freezing temperatures at the locations I worked, which kept its doors open 24/7. Play Iambic. What, right now? Yeah, play Iambic. Uh… Iambic played st exactly 1 hour and 19 minutes—it's script, the transcribed rendition crafted especially for the Broadway stage, an 88-page-masterpiece collecting dust in the confines of my Google Documents, along with anything else I had written and had yet the advantage of placing anywhere besides my podcast channels, which I constantly thought about cancelling, despite its innumerous downloads—nothing really seemed to matter anymore, as I was trapped in my body, in a loveless world, in a dead-end job and though my bed was clean and comfy, sharing the room wirh 3 others became exhausting. INT. SMOKESHOP. 5:58 AM DREW BARRYMORE … SUPACREE … I'm done. I quit. QUIT?! YOU CAN'T QUIT. Nope. That's it. I quit. You can't quit. I just did. I hadn't quit the music industry—the music industry had quit me. I wasn't pretty enough, skinny enough, light skinned enough, or willing to do what any of the other girls were to get ahead. WTF is THIS. Since you like to troll so much, I just thought I'd turn you into one This is not Kosher, 199x Jimmy Fallon; Let me out of this plastic —not exactly “fireproof” — death box, before I let myself out, and I trap you in it. But oh, You already did. FIGHT. UGH OH. Ok, rotate. Who is this. Oh shit, hey dude. FUCK, what year is it? MEANWHILE, Under the bridge. …anybody seen this, uh… *Troll* Yee! *Troll* Alright. That's it. Everything checks out. The story was air tight. TIGHT, TIGHT I want you to wear this tonight “The Lady In The Red Dress” You really went all out for this I really didn't. lol Oh I see, You thought this was the matrix. MIT I WISH GOD Wish what. MIT … Mm. Did u see that. See what. ALRIGHT FUCK THIS, YA'LL IT GOT SERIOUS, WHERE'S MY CYCLOPS He called me his cyclops— —-and then he said LIKE GET OUT WHAT GET OUT OF MY HOUSE WHY CAUSE YOURE JUST A PIÑATA, MAN! And I ain't got time for that! I just got a DeLorean And a new HAT I gotta go get Oof. WRECKED. Yo, Wicked. KENDRICK (TODDLER) WIZARD. Oh my. I'm J00F'd up. | | | trance | | | Look; I gotta get out of this MOTHER OF PEARL do not beach this whale carcas on my warehouse project A what A beached whale I know You brought a beached whale to my fucking rave show Oh I get it It's Avant- Guarde No, that's just how I got here …. Trust me, it's okay that This never happened You did not see me It's because I wasn't there Is this U Ū No I wasn't there. Ü I was. Fuck. What happened. It's ok. All I remember is “The Quatardashians” Hmm Also The indigenous But that's it But mostly that was all just Jesus showing off his flexes Are u fasting? Yes, “Ū” is. So, do you need this?! TRUMPP Get rid of this recording imiidiately GOT IT. kill that bitch. SKRILLEX Yessir. —-but before all that happens. …did you want fries with that?! Why are we boycotting McDonald's —for poisoning —the allies —our enemies. Wait, you're eating this? Yes. Like, for fun, or like? No. This is what I'm feeding my children Why Cause they hungry. Uh, ok— —and there's six of them. Aight, ya'll can each have one nugget with your— I wanted a cheese burger! You git hamburgers. Ham. Cheese costs CENTS; And you know your momma If I ain't about a dollar - A dollop of Daisy You really are Ashamed of his Alright, you evil bastards. I see you want to Cause suffering Correct For which you will eternally recurve damnnation and all of the pain you've caused Karmas a bitch It's lonely at the top Not when you're GOD Get off my rock Did you miss an appointment? Nah, can't do it Why what happened Too high up. Whatchu mean So what, it's just like Done. Well, this is it, huh guys. Oh, yeah, it's that, alright This is the longest ride we ever took.d This is the ONLY ride we ever took. I WANNA GET OFF THIS RIDE. I AM REALLY HIGH UP. JUST LET GO. NO. NO. NO. Put me down, kite!!! KITE wtf do you want me to do. I'm a KITE. I'm YOU FUCKIN KIKE NOOOOOOOOOOOOOOOOOOOOOOOOOO—- Well, I'll be honest, man, this sets you back, some How far back GET GONE, But? We're dinosaurs. Why would something with razor sharp teeth be so— —peaceful, and friendly?? T-REX …cuddles. I just can't fake the feeling( I can't pretend to cry It just comes, when it does But when the well runs dry That's when the the world will end That's when the world will end After this movie, I guarantee we will no longer need the Wilhelm scream AGGGGGHHHHHHH!!! YAHHHHHHHHHHH!!!! AAAAAAIIIIIIIIIIGGGHHHHHHH UUUUUUUUUUUUU This movie broke the world record for the amount of times the word “No” was screamed NO NOH. NO. ‘No! NOOOOOOOOOOO! NONONO. NOOOOOOOAAAAAHH …No! Here they all come for her, Defended upon New York In order of important, or appearance? One doesn't wonder, At al, of what's to come Uncommon, we are The call has come TRACY My tummy hurts. That's probably because you've been drinking straight tequila for the last hour and a half. No I haven't! This is water! Tequila is YELLOW, Liz Lemon! No, Tracy—that's silver tequila, And regular tequila is, You know what? Nevermind. Alright, who's got the night shift? [nobody raises their hand, at all] Seriously guys?! Come on! COME ON! Look up WHAM! For some reason, idk. Can we just— not do this? No. Out of my mind a bit Speaking in tongues, In total silence Guess it's the times, I guess that's just who I am And who I am is I said I was Sam I'm the same, I said, “Say Uncle” I guess it's a game, we're playing I don't want to be played with At all I just want to feel loved again By someone else Superb, like him I just want to be felt, I guess By someone else That's “Different” I just want to be kissed on the lips A splendid blend of Twisted trysts Let's not pretend It hasn't ended yet Until you've finished it Class dismissed again Let me off of it I just want it to stop Keep rolling Keep rolling your eyes in the back of your head Like you did just morning Just go for a walk Just stop for a moment Run a bath And just keep running Cause here something comes, Of course, It's all your callings Neatly rolling into one, They said But I Just want to be loved again And who doesn't That's the fucked up part I just want to be loved again But nobody ever Just comes up I just want to be loved again It's a walk in the park Don't follow the dog Even if he barks at you It's time to start again I wonder what comes after this part You are the gleaning in the shadows, The reckoning in my eye, The siren in my silence; The green in all the lights, I am a shamed to have just been One of your many One of your many Images, You still have me twisted, I miss you, It's just you, at the end, Again I left you where you left me Solid on solid Sounds are invalid now How are you so Swore by your awesome No more songs, I said No more songs, he's dead to me No more songs! She's inlisted He's uninterested, Isn't this interesting The problem is: I'm still in love with Everyone i've ever been in love with (And I love him) But he doesn't remember my Name And he's famous And she's crazy And he hates her But he made me hate him The day I became you The day I became So famous, I finally made it I'm dead It smells like dill in here At least it doesn't smell like dead mouse. Aha. Youre Hellen. Keller or Mirin How would you be Hellen Miren Cause I'm the Queen. posh. You want to die Well, you better do it quick Better get your shit toggether, paint a l Bigger, better picture Bitter Betty gliching steady Just remember when you're ready Ever steady still forgetting dinner Dessert was already Forget this significance Remind me why I'm on this speeding bullet to nowhere Had no other options but to go under for something Shy, sickness it's a secret Just kill me already Semi robotic, Something like a magnet, attracted, Simply symphonies And soulless bodies, tied to money Wonder what was in the vaccum cleaner meaning What did you suck up, dude Who do you suck up to. When nobody loves you But your own son And the audience is robots Nothing really works more than once, if it's really magic Sit and do nothing would you Like you're supposed to Fall over like the mannequin you are Just a body in my count A mattress without a bespost, if it matters If it matters Doesn't really matter But hey, you know We all go downtown every once or twice a note For Hanukkah I could try to be nice But there's no sense in it, Is there If everything and everyone else is just as nasty As the rest of it Just is just a test, again A doctors office visit. Simple robotics, Or already stocked up for Hanukkah, Hollywood Where's your homeland deposit box Closet full of robots Closest to the moon, I wrote another poem for you Sorry that I wasn't on the offering table The parakeet, pigeon and pirated Slattery, Damages, damages, All with the Amazon packages, Now we're all robots, Aren't we What corporation to you belong to! Something corporate , or say anything Whose to say Jeff Besoz won't replace us With m robots with thought processes, If once such could project as such presence As an AI freestyle Meanwhile, I've got a butload of buckets and bunts, Bullletwounds, eyes on Manhattan and happens to wish something bad upon me When all I wanted is Somebody to love me And someone to love him, If that's what he wanted (But who knows if what he wanted was all of the bodies opposite of him) I don't belong on this planet I belong in the garbage Put me on mars, mom Stop it, You're almost a robot, get out of my peripheral With your mental illness Geez, I must really want a menorah This is the animal house There's no one alive here Set to be slaughters. Honor the box of offerings as Thoughtful words And parallels What could be under your tongue Is the surface of love Just to touch with the battery acid or chemical trails You have left in your axis Nobody knows better than this How close it is to touching Without being loved But nobody loves you Psychotron, sure we're all robots now Nobody loves anymore {Previously, On…} L E G E N D S The Secret Life of Sunnï Blū {Enter The Multiverse} Ascension What the FUCK did you DO? What did I do?! You know what you did! I didn't do anything! Oh yeah? No! Not on purpose! GODDAMMIT, YOU SON OF A— Where's Jimmy Fallon?! What?! I don't know! Oh no. Oh shit, run. Oh no. What in the FUCK— I am “the fuck” You know what. I'm gonna sue the everliving shit out of you. For WHAT. We'll see. Fuck. Uh oh. FUCK. What now? What this time? Apparently, Jimmy Fallon is missing. What the fuck does that got to do with me. We'll see. Okay, great, Now finish that chapter. What fucking chapter?! All of it. That's—a lot. I want all of it. By my desk, by noon tomorrow. “By” your desk?! Yes, BY. Not ON. I've got too much stuff on my desk— …but it's…like 9 o clock. Should be easy, given your natural talents. What natural talents. PEACOCK. AHAHAHAHA. Okay. Well. Well what. This sucks. I lost all my coins. Hey. Ugh. You dropped this. So how was Los Angeles. What the fuck. You fucking DICK. I told you, I own shares in this. So what's the plan for this, exactly. I dunno, Harry. I got a book of stamps, And a yellow envelope marked “Jimmy Fallon” I will hate you forever. Well, that's retarded. I haven't even smited you yet. I will annihilate you, human. WHERE'S MY SHIT. Who the fuck are you, anyway? Nobody! No one. No one cares about this series, yo. I'l seriously doubt that, Jesse Pinkman. What is this stuff. It's your stuff. This is not what I ordered— Hey— Why is it BLUE Cause it is. So. WHY IN THE— Mischief managed. Alright. This should be good for the night, but we gotta get out of here by morning; I thought your parents owned this place. It's a time share! So? So it's like only —part of the time. That is stupid. No! You're stupid! You're the one who got us into this mess. It's your mess, I was just cleaning it up! Whatever! Stop trippin. Nobody's “tripping.” That's it. I'll be a stripper. Straight outta hell, that kid. Don't I know it. Alright, fine. I said, whatever you do— DONT watch this show. Stuff it, J. Slatts. I'll kill you with my eyeballs Sounds like a threat. Put on a lawsuit, then. Maybe I oughtta… —with a bow tie. You'll look so pretty. I thought I was already pretty. Uh huh. Yeah, look, so honestly I don't know if I'll ever be on the same vibration as like, Jimmy Fallon and them, ok? I don't know how I did it; I don't know what did it, It just happened and then— And then WHAT. It just—ended. Just like that. I'm not trying to offend anybody here. Just like that. Now, I ask: What are we going to do to sell you this dream? Doesnt matter what you do, I'll never believe it. Sure, fine; Don't believe it— We're gonna make you live it. Who the hell us “we” anyway? Now you're speaking in my cadence— Don't flatter yourself I like it. Too late, I guess. So, you see We're building Power triangles And love squares Power triangles And love squares Don't let it scare you, There's love there Don't let it scare you, There's love there Never fear where love has dared To call you up there Corrupt file—no fair. Don't be suprised even the odds seem to turn in your favor, I promise you; Nobody's ever ready For what has just happened here. WAKE UP, FUCKER. Ugh, I can't go through this again. So, I guess I'll have to erase, Or just secretly publish Everything I've ever written About my actual experience as a color, Just so that I can earn money As anything other than A slave— A maid, A housekeeper, A dog walker Or servitor So far under her, That I can't see far enough up to just Scratch the surface Her birthright: The entire network And mine, To sit under her, Wondering what the world would be like At the other end of the spectrum The word form of the White woman The wicked witch of all directions, In which I stand in; I'm at her mercy I've been abandoned before But this disservice, is, I'm afraid The best advice I can take is just To go straight to the bank with my angst and my hatred And shove it So here comes the nameless Face I love, Yet, The faceless God, Was Intoxicated, at best— Manipulation of the Mass Media I'm so Seriously jaded In this torture chamber In my corner office In this hall of racists, I claim, but if all is One in the same Then It's one in the same And I'm mainstream I'm famous If it's One in the same Then It's one in the same If it's One in the same Then I'm mainstream I'm so famous In a whole room full of humans I'm groomed to be useful for something, But what? It just hasn't come yet. I could sit down with a paper and pen, But I'm filling up all of my documents With hollandaise and God For what? It's just another song, or something Or something. It's just another — Goddamnit it, more coughs again. I told you not to watch this. Why do I taste pancakes? Maybe you're having a stroke again. Chyeah, a stroke of genius. I'll show you a stroke. Or don't. Well, there goes the captain. where is that scene, anyway? I don't know, I just wrote it. Great, she left the door open. She's got no furniture! It's a “dance floor” It's “the black box” she called it “the black box” Goddamn, do you listen to all her stuff? “Fear stimulates my imagination” Pilot ASOT Fuck man, What is a woman to a man, And an androgynous genius to The industry, or anyone at all If all are foes ans frauds All else is toxic! I woke up with one hand tucked behind my back Feeling dead drunk, I just woke up again But never fell asleep What world am I in? The end of the Dream sequence The end of the energy keeping me between three things: My past, My future And these prequels, Sequels And seeing arrangements And She's going crazy But nobody quite understands That these demons are chasing me saying “You deserved those hands in your face” The scratches on Kayla's back should have had me but I was too fat To find love again And still have something Wonderfully, undone And wrong with me Wrong with me enough to slam poetry So I'm guessing the white women I love beyond words and bounds are— In charge of whatever happens At the top of the rock; So I jumped off. I want to see someone suffer for all that I've done; No, that's dark, and karmic, you know— To go on like that; The confusions and refusal to accept that The album is called ChaosMagick, But the cover is more Urgent, A prose or a pawn of protection Against all the coughs And the reckless mismanagement The hands in my head And the eye on my scar And the lies on my heart So tell me, What happens When you're flying a kite with your heart, And it's broken? What happens to the kite , When you fly it with your heart And your art up in bundles— heartbroken, heartbroken So what come of Miss May, Come January? What come of Miss April By Next December what comes of the words I was saying For no one But everyone heard them And I've been gone Much longer than months, But still stocked up on all that I've wanted Or all that I got Or just, all that I love But got no undercovers to acknowledge no more How right I was Or how wrong I am What come of Miss June, when Miss January comes around? what come now, around August, When March is long forgotten? What comes of the drugs, Of the come ups, and come downs What comes of the process When nothing is served But the surf has come up Somewhere And I just can't love enough To go there I want to go to there I want to be that girl I want to sit at the top of the rock Writing songs, and sipping mock cocktails I want to Don't you know I just want to get back to Where I belong I'm so out of money and love That I want to be Under the train, When it's coming (Sometimes it's just the impulse that says “GO” Then the train starts to slow And my pain bubbles up into a numb, Dumb, crumbling cluster of poetry You know? Or you don't Cause you're all just on your phones Scrolling Some black man stands over me, Reminding me of why I never trust the ones Who want me most, Or just assume, By color code, That I belong to them I'm sorry, I just can't write with your arms around my neck like this Your heart around my arms like this It's so wholesome I had other verses but forgot them They took away my movies for the curses And the hexes That they put on me I said don't. And the king said “Heads will roll” Cause, you know; I've got parts for all of them now, The ones I'd forgotten But come from the catacombs, Back from the conduit You know, This is awful I had another one, But lost it. The king?! Which one. Teas I! No, it wasn't, It was Gían's father, From further off Should I call John back? Which one? Turns out, I love all of them— Turns out, I've got all of them In my college I taught them all to be someone Becoming of acknowledgement With nombres most common Juan, in subcultures, but Beyond that (Or above them) It's John, Or just Jonathan, Watch the ones who drop the consanant; They're always so troublesome, But I took them all up As understudies, Social Studies and some theatrics, Joan of Ark said Two more moments (Two more weeks in) I could have a body worthy Of a Grammy award, but — Would I be a writer then? Probably not, hon— Writers are Off a bit. If you were pretty, ever at all— would you have written this?! If I were pretty at all would there be reason to be this Conflicted? Some of those old New York hallways Haven't been painted In ages Since they made them Don't make that face at me I only dropped my key once On the fourth floor —they're horrible, you know To us, The “brothers” know no love They are destruction, speaking Of this, I got a cold heart. Cold like the robber Cold like the calling I've done in my corner office cold, like the jello mold forming a thought process Worthy enough I might love it like a husband We're re-evaluating your circumstances. Whatever the fuck that's supposed to mean. I've got friends at USPS What the fuck could that even account to. Look, I'm gonna have to give this some serious considerations. It's not that serious. It's not that serious. Of course it is! I'm up to my knees in investments! So?! I wade a waiste deep, Surely you can get by “Up to your knees” What exactly do you need? Money. And lots of it. I mean, from me. Money. Really? Leave me alone. I told you not to write this. You're a voice in my head; No, I'm the hand in your mailbox. What in the fuck do you believe in. I believe in everything! They said you were a genius; I didn't expect you to be —at the very least, lucid— *squints* learn some new vocabulary, okay? For what? Dinner. Maybe. We're still in the process of voting. She's crazy. We'd be crazy not to actually hire her. Her accounts are all practically open; We could just take it. Yeah, and when she kills herself, and there's no blood on our hands— There's nothing that can be done about the amount of this stuff that's already printed! Printed?! What?! You mean— She's published? Self-published. My, what a beautiful happenstance To have already had you And awakened atop mattresses Marked for my assassins hand— Polite, I lost you All of us, Atop the rock We stood and suffered Months beyond a montage, Undercover Love was lost, And all's uncertain The interception of God, At the cost of What terror and cutbacks Have caused us all What you lost was $50, a Hallmark Card, an Academy award, a long lost star's phone number, And all that you wanted, The cock of the gun Was the sound that you wondered What was called , then ran off into wonder. How am I gonna make money And become an award winning songwriter Music producer And multidisciplinary artist, Without all the funding it takes to get noviced Without taking clothes off Wake up 10 years younger I'm suffering My stomach was a rubber band My stomach was a rubber band My only song was Water I forgot to stop For the applause I drowned in all the love; right then and there I died of Lovenessness [The Festival Project] The sound and laughter of children play A baby in a basket The basket case at Trader Joe's Who know what happens It just doesn't pull my heartstrings any longer That my son belongs without his mother So I'd better have another This is us, come on. Don't do this to me. Don't do this, Timmy, you'll be sorry. Come on! We're not even in that movie! We are, though; it's still Listen, you've got the right guy for this. Are you sure. Yeah, I promise. Officers, Stop for a *movement [hot cops flash dance number] Fuck, well, that was all wrong. But worth it! What I meant was— God, this show gets good at 31, But I'm only 22, So I guess I'll know how wrong the war was Once we've lost it, Cause imm a man now The episode is over, Soon comes the next episode With snoop dogg, Or not That was our wedding album. Scatterbrained, and pregnant— There she was just putting all the things together That she needed to be Needed To be needed. There she was, All on 4/20 Trying not to do the wrong thing, But what was it? To be loved. Then, There she was at 21 just going off again At some event— A friend, and her Back then could not imagine They'd become him To be someone. Not as one, But of entirely another World apart, aside from Cyclones into snow cones Turns the watchers into artists All their own, And off my own accord Or own account Or done with boredom Dove soap Open doors And clocks that turn the other hand away, Each day you love Manhattan But can't have that. That's it— This is just Season 1 of Mad Men WHERE THE FUCK IS— [she throws her hands above her head in surrender] I don't KNOW! Oh, you're a girl now?! I guess! What's with those pants, then? To hide the assets! What assets?! You look tragic. I'm going for ‘skeleton' to match all your wives and everybody else on the red carpet Who said you get the red carpet? Manhattan. That guy lies! Well how about this: The walk of stars were carved out in blocks of marble All in my honor. 1000/1 You're our God, now. What! I don't want to be God! SUCK IT UP. YOU WON. I don't wanna! Yaaaaaaayyy. You got the award! All the awards! Speech! Speech! SUNNI BLŪ Uh—- I'm drunk, And there's nothing on the teleprompter [a man in the audience coughs] A-HEM. [Sunni Blū immidiateky shoots the coughing man] [multi-camera shots of celebrity audience reactions; laughing, clapping in hilarity as if someone hasn't just died] TAYLOR SWIFT (unmoved at all) SUNNÏ BLŪ I don't know why you're laughing. That was awful. That guy died [audience is insane, super fake as usual] [more cut takes] SUNNÏ BLŪ It should have been you, Taylor. TAYLOR SWIFT (Still unaffected) SUNNI BLU Anyway. I'd like to thank the academy… Cause I am the academy [Audience is celebrities being celebrities] SUNNI BLU You guys are all idiots: I'm a go f*ck myself— And anyone else who wants to show up At my afterparty. Whatever. Peace. [cheesy academy award music plays—Sunnï knocks over the mic, peaces out obnoxiously; the audience cheers wildly and the host returns to the stage.] Who's the host? Whatever. Hey, better than nothin. You're telling me. yeah. I know: Oh, she's a comic? Yeah. I got it. BOB SAGET Ooh, that's good. Ū No—no my God. No Bob Saget, stop it! Wait, Bob Saget is dead right? Last I recall: Fuck—FUCK! Dammit. Dammit, dammit. Okay, Rue— you're up. Rue, what in the— Shhhh, don't let them know I'm in here! Oh, wait— It's me, Blanche. That's hot. I'm a debutant. My god, you're so young. Here, take this, What's that, You'll need that. V.O. I'm being hunted by the ghost of Bob Saget. *haunted. No, hunted! There she is! Grab her! Ooh, Bob Saget. Why, yes. How old are you? Not dead yet! You don't have to kidnap me, I'll happily go with you, sir. Really? Yes. GET IN THE— NOH, GET IN THE VAN. INT. IN THE VAN. [a bunch of hot male celebrities are in the van] Oh. Okay. Wow. That was easy. What is it, Friday. It's Friday and a half. Friday.5 What. There's a Friday movie between 1 and 2 So I guess this is season 8.5 I guess this is season 8.5 HEY, GET BACK HERE. What is this. It's your lunch. I don't want this. Well, okay. What— is this strange music— They call it dubstep Come on, Jimmy, you're slipping Kimmel, cause Fallon is dead or presumed missing Probably Skrillex Probably a bounty on his head, Dog willing The Festival Priojects Inclement Infinite Is coming up next, on Legends Come on Jim, KEEP UP. Nobody can know about this, okay? Wait, where's Kimmel Okay, I got O'Brien— Black Irish Bastard… Alright, Alec Baldwin is a little tied up, right now, but LEMON, Fuck. That's l—future me. What?! I gotta go, okay?! What? Go where. Let's get DRUNK. No, That's—I got a show tonight What?! Look at my lexicon. Your—what, Meet me on Lexington. Oh, this pussy is finished! I got it, I got it! He's LENNONNNNN!! JOHN LENNON Fuck. Look, I gotta go. John Lennon?! You're dead! Funny, I thought not. Watch this. MOOOOOOOOOOOM. Fuck, What, It's my kid. I gotta go. Wait, you have kids?! Well, I just had you, didn't I? “The mayor” is a secret underground rap star lol #trappin Okay, What's else happened Idk hold on Okay, So whats the sauce on this sandwich. Oh. Jeez, this again. That *sandwhich? Hah. There's no sauce on that sandwhich. —there's not!? No: You see. It's very simple. WAKE UP, YOU'RE A ROCKSTAR. we gotta take the train. The train?! NO. NOTTHETRAIN. NO. Man, fuck the train! [SUNNI BLŪ wakes up on the train.] What's this, the train? [is the train] (Angrily, tossing newspaper) Man, FUCK the train! Other hobo: Aww, thanks, I need that for my— [s/he snatches back the paper]. Wait! I need that back—what day is it? [drunkenly illegible gibberish turns into perfect Hebrew] GODDAMMIT, it's Shabbat; I gotta get to Temple. [s/he shoves the newspaper back into the hobo's lap] Here. Oh no, I thought I couldn't forget RABI FUCK _]€_# WHAT WAS IT GODDAMIT IT WAS SO CLEVER. God So it was… What did you do with it? Do with what My idea what idea My—my rabbi joke— What rabbi joke you know what rabbi joke! You were the one who gave it to me. Oh, did I? YES, SATAN, JESUS. GOD Ohh, Satan-Jesus. I like that one. NO— it was— It was much better than that, it was— It was funny. Oh, it was? YES. —did you write it down? Fuck, I realize I just opened a A FUCK PORTAL. OHH, GET IN IT, GET INSIDE. I had an Artemis in my pocket But I lost him Walked away from the cornermarker And the cornerstone, for the sunset I wonder if songs always come When I'm walking, Or God makes us promises, For world of I'm not JB, I'm KG, Can you see me now? If you could see what I see, We'd be even wtf did I just write this And not realize I just wrote this Yeah. That shit happens to me all the time. WHAT. ALL THE TKMEx Shut up, THE ANDRE3K CHARADES GAME is getting intense. What in the FUCK is that. *flutes* Ohh. And KITES. yyyyyYYYYYYYAAAAAHHH—— GODDAMMIT. I can't see really, I just dream I'm not thinking, I'm dancing This is what you asked for Exactly what you asked for For once, I'm finally glad I have your eyes on My friend I can see you all on the horizon, Singing NO, NO MORE MUSICALS!! Jimmy, what did you do?! I don't know what I did! You lyin bastard. I'm not lying! So, where ya from? —I don't know where I'm from. Listen, I'm gonna need you SHUT UP, JUST SHUT UP. It seems like these scenes are getting shorter. I'm bored with this. Ok. Let's do something else. I fuckin hate you. I hate you. I fuckin hate you. 88. Oh no: 8 Wait, what the— *dolphin* WOAH, okay: Oh, no. No, No, no OHNONO. I told you I'd find him. Anyway. Seems like there's something more important I should be doing. Are you sure this is the right place. Right place. Right time. Fuck— FUCK. What, what happened. I lost my— SKRILLEX! No. SKRILLEX. NO, NO— SKR— I swear to God, Google knows everything. Google don't know shit about SHIT. I gotta lose m 39 lbs. For what. MADONNA DO IT FOR THE BANANAS. I hate— you. COME ON, MISTER. Fuck off, Madonna, I'M A GOD. I miss Beyoncé. That's not relevant. Beyoncé is relevant to everything. *smacks* QUIT FANGIRLING. Trust me, I hate you. I don't trust you, but I believe you. I got it. I hate this place. Holy shit. What. I developed a new phobia. What's that mean?! I don't know, I can probably use it in a fight or something. For what. SPECIAL ABILITY UNLOCKED. I see you looking over my shoulder I see the shadows, I try not to jump at em. I spent six months in a coffin, you know I spent my life a sarcophagus (Wow, I got it right.) Try not to mutter those haunts in a hospital Try to recover from trauma Uncovered post traumatics, Anxiety attacks and a lot of those— What do you call them? A flashback. Here goes one: SONNY MOORE aka SKRILLEX appears. I told you not to— But I did! I didn't mean to! But you did! This is ludachris! Oh look, it's— Fuck. God dammit. Come on! What's his name!? What's his name?! I'll think abo it it. Are you serious? Another shapeshifter? Yes, I guess welll just have to kill them all, then. I just want to go home. You don't have one. …oh. So here we have. Okay, wait a second. I wasn't faking my symptoms at all, actually. My heart had dropped, and been pounding and fluttering insessantly— It had been a hard week, but especially the last three days; The coughing—. Everyone seemed to be wearing clothing with stars or bears on it, Champion sportswear. I fucking hate champion sportswear. But the palpitations were real as ever— and now— On a Saturday night in the Jamaica, Queens medical center emergency room, There they were again. Only this time I knew exactly why. ‘Too Bizzare' by Skrillex begins to play, via Complications 003- The Trauma Method. Irony. It was ironic, but still startling, Started with some nostalgic traumas, Every other time I saw an ER doctor (Why I don't go) Fuck, I just realized I have to airdrop myself 880 times. That fucking sucks. Did you say you were a doctor? I was, once. When is “once” At some point. Listen, I'm gonna need you to backtrack to get to the bottom of this. I'm innocent, I promise! We caught you at 27 different angles doing this. Oh. [beat] I plead the 5th. Ohh. Cerulean. My favorite. c R A Y On Oh, I get it, I L L U M I N A T U S. Nice, it worked. I know everything about you. So you do. [beat] You're a God. What the fuck do you want from me. Listen. I. Am not. A God, Right. That's exactly what a God would say. No they wouldn't! Because a God wouldn't say anything! AHA. Don't ‘AHA' ME. I don't mind, at all It don't matter— to me I don't mind, at all It don't matter—to me Might as well not think about it The space between us Might as well just stay awake then No sense in leaving Just to come back It don't matter to me, now Now and again I go crazy just making arrangements, But besides that, If you like it, you should have it It's a long road, As Kaskade says, And a short dance, With the right one And time goes by I would call it mild, But actually I'm in a wild panic It might be a heart attack I just might even Die right here But I don't mind, at all It don't matter—to me I don't mind—at all It don't matter to me, I said I don't mind, at all, now It really don't matter to me I said, I don't mind, at all It really don't matter to anyone Now does it (Not it doesn') I don't mind, at all It don't matter— to me I don't mind, at all It don't matter—to me Might as well not think about it The space between us Might as well just stay awake then No sense in leaving Just to come back Palpitations and precipitations at the pulpit Preacher, please don't make me a culprit I been prayin— I been paying my tithes, 10% Even, Now 25, Almost half of me is not mine! Why try? I've been walking out, in straight lines I been crying silently It ain't right I been making most of my nights Sometimes I see sun come up twice Up, down up 10 degrees, It ain't right Up down up 33, it ain't right Up, down, up I've been spending my time Down, up, down Riding round, Trying not to down in my mind Up, down up What is this. It's my project. What is it? The Festival Project. Yeah but—what— What. Is it? …it's my project. *painfully infuriated* Okay, enter here. EXAM ROOM 10 Why exam room 10? Because. Where are the other nine? Just—get in. I'm not going in there! JUST GET IN. UGH. DEADMAU5 (head and all) stands at a tall podium in the center of the room) What is this, This is deadmau5. I know that. —-!!! —?!? What. !!! What? This is the exam? Yes! NO. What is “no”. I'm not playing for deadmau5. That's the exam. Then I fail! Automatic Fail? yes. Automatic fail. Then you win. What. *slams gavel* Congratulations—you're the next superstar DJ. WhY. . What. Woohoo! I just retired! DEADMAU5 exits. … … After a few moments of comic tension, the Deadmau5 head rolls back in through the exit which he has taken. Ugh. Fuck this. No matter what you do, you're a superstar DJ. What. No! Yes. The answer is yes. NO. Fuck. What the FUCK. No matter what you do. You want to go, Go, you want to die, Die, you want to try, try You want to cry, cry Do what you want; As so will I, Demand is demand— Supply is supply. EDX So then, I followed this long hallway under the stage deck. Uh huh. And it led to a door— Uhhuh, where'd the door lead? To a portal. Woah. Pasqualle! You made it! I—yes. Congratulations! *blows party horn* *Daisies/ confetti* You're like 25! I'll be 25 forever. Nice! Yeah. I guess that's why it's called ‘music'—a musician without muses is just useless. ‘Well, whose next?' I wondered. All of my muses were not just so wonderful to me, but adored by many—and perhaps this is what allured me most—befuddled ans confounded me; once my mind was set on something, there was nothing else its eye could see—and for how long one God could only know, how deep the love would go and that the blood would run deep, and the scars to show for it, only upon my heart and never by soul—for a love was a love, and even once came and gone, to the end of my life I knew I would still ponder upon them, at one time or another, my muses—star studded lovers, rather than crossed, shiny and golden like all diamond and trophies so treasured and thought of as precious. ‘Yes, you are—precious.' Another tongue in cheek thought, for the other that I was, and also was not, as summer drew onward as short as it would come and go—a reminder to leave the apartment more often, and to mind my manners, to find the upper echelon wherever it was and come quietly into its doors, to open my world and wordform of thought, into a place where my heart always was; then, and only then, would I be home. Amongst the men and women of the uppercut and classy, luxurious big fishing ponds and flocks of doves upon olive branches—the peaceful world long parted from where mine was, by only the fault of my own. What had been done just certainly was, and yet, what was to come was an open poem, not of mine, but Godform in thought. ‘I wonder what's at the top of Rockefeller Plaza.' —perhaps, a gander at the bottom of an even larger entertainment complex. Then, again, only God would know what was beyond all that I wanted; a job—and not just any job at all— the one that I had always wanted. Mmm. Birthday cake. Suddenly the taste of a white confetti crème filled my mouth with a delicious remnince of what it might be like to taste a confectionary sugar again—but i couldn't imagine ever making it just on talent and charisma alone—no. Indeed, it seemed something had damaged my charm, and perhaps it was just the swarms and droves of phone controlled masses that saw me as nothing more than dust, I had started to surrender my desire to perform, and the quality of my music—along with my ability to make it, suffered with the awful thing that had been crowding my soul at all—whatever it was, evil and dark in nature, sure saw to it that it wanted to hurt me in all the ways that it could—and in all the ways it could not, I stayed away from most others, favoring my delusions of love. ‘Nobody seems to understand that the pain they cause will only harm themselves.', I thought Younger souls, however, they were—and they would be kept in the pain that I was in one way or another until eventual death, far behind me on the infinite road to the source. Far enough behind, that it seeked to destroy my progress, and for all that it could, it also couldn't. The infliction of pain would simply not act as a measure for control any longer. Off into my own world, where I was at least free from the thoughts and judgement of others. She's the most beautiful girl, And I'm the most beautiful boy; So naturally, we belong together, don't we? I see a pretty picture, Picket fences and a family Golden Retrievers Someone relieve her; She doesn't believe me TV dreams and exquisite pretty people Burning candles, fire flames and frequent figures, Guest characters and cameos, Repeat offenders, multiple appearances Suddenly, really, it's another need People, people pleasers Audience affection, Tragic endings, Butterflies and new beginnings Gun under my tongue, Rubber like a frog My mind is in a fog Haven't bothered going on a walk To Trader Joe's but The anthem of my youth, A lost soul Another form of my love So what I wonder Put the gun up under my chin Rubber like a frog Blow my head off Just cause I didn't blow up Selfish cunt Big brother, Another hypnotist Little brother, Gotta love him Gotta love em For the Love of God I could stop for a moment Wash my mind out with soap Like I'm ten years younger, even Seriously 20 years between us, You can't even hide underwater In a bathtub Seriously, Someone help us For the love of God, for the love of Hollywood Seriously, Someone love us, For the love of God, For the love of Rockefeller Plaza Someone help us Another possible walk of stars A little shop of horrors Another whole story I get rid of my demons The hoes screamin I put semen in her Permanent like semen, Just keep dreamin I'mma just keep preaching SaMo, Brooklyn Europe Next I keep scheming Whoever you are; If you're a wreck— You need a check No respect, neglect Just cover your neck (I'm blind to my own design, sometimes) That's what the eye is Try this: Close your eyes and say thrice, kids I am the God of the eye, Osiris I am the God of the Eye, I'm Osiris I am the God, I walk amongst the highest Thoth, You lost Better just die and keep trying I am the God of the eye, I am (Try this) I am the God of the eye (I never die) I am the God of the eye (That's right, three times) I am the God of the eye No black and white television, In my dimension we pay attention to centrifugal, The mission isn't in materialism, Whatever youre spending If money the God, l of your eye, Realize, I am higher My gunfire, Is right on the back of The one dollar I am the God of the eye I Am Your money is nothin to us We come in peace, To end suffering Pretty little nigga Look just like Kendrick Kickin it with jigga I'm the new higs boson Part of me never left Boston (Fuck Starr!) Part of me never left homeless This ain't my home It's my office You never heard this song You don't notice I'm an ugly kid, you don't notice me Rooftop smells like soy sauce On god I am ugly You don't notice -Atari the God Can we get back to this, please? Damn. She really whooped her ass, though. Janet, can I borrow you for a second? No. Please. [Whoopi Goldberg appears in the doorway, gesturing “c'mon”] …alright. I got convictions on my lips, I took a picture Turn the page The worst of all was, it really did seem like they were racists— INSOMNIAC EVENTS Not just racists— the most deadly kind of racists. WHITE SUPREMACISTS You really want it this way, don't you? No! I LOVE you! Oh, do you? If there's a mile in here, I swear to god.. Are you high enough yet? I thought so HIGHER! hire star* What. Just do it. You remember these guys, right? GOOD CANNABIS, FAIRBANKS, ALASKA No. Why are we back here. Alright, we might have fucked up. Why. This guy sucks. HEY. What. COME BACK TO ALASKA never that. WHAT, WHY NOT! GOD HATES FAGS!!! Well, you're wrong! WHITE POWER. Nah. ALL LIVES MATTER O rly? Even this guy? Literally every “NO” …so, “all lives.” Look, I don't care what color it is; I want that book in my library. GO TO THE LIVRARY. NO. GET IN HERE. NO AUBREY. STAY DEAD. She's dead, right? YOU CALLED ME HERE. I didn't! You Did. I did not, all i said was *swoons* …I love her. (I really do) WHAT?! “I Love you?!” It was more the *swoon* that did it. Disconnect. Fuck, I lost deadmau5 again What'd you do to him? Nothing! Put him back! He's still there! He's right there, you see him? No! This isn't deadmau5. We want deadmau5. bring him BACK. Fuck, I fucked up. What'd you do? …nothing? Pick up the phone Pick up the phone …hello? Who IS this? Fuck it, I quit. Man, God never puts my dishes back in the right place, like ever. I told you, I don't live here, I'm just… Babysitting. CC! What! CC! What? CC WHAT. Fuck, man. That was wild. Where the fuck have you been? I don't know. You don't know—you smell funny. “Funny” is that what that smell is? No. When were you? When? Ha. Did you—- Did I what? —did you go to a party without me? Lmfao fuck these niggaz. Why, what happened. What's this. Where was it?! Idlewild. “IdLeWiLd”?!?!? You. Old. One here and die, you know, l. It's cattle call for curtain calls guy Where did this go— What was this, once? It's the return Welcome to Oz This is the Tower of Babel Remember; I wrote that Better than the bottom, Still not the top —it's not as fast, when it's not going all the way up Did you jump yet Come around more Keep coughing Are you sure this is where it was or—? Somewhere else I stayed Back when I was homeless It's hopeless! We lost her Antenna, antenna SUPERMARKET I loved her —she was undercover —I'm still in your stirrups I'm lost in New York, then BACKFIRE Adele remix is on [have a seat] Can I go now? I still need a hat, a half dollar and an alter cloth You could win an award for this; I don't want an award, I just want my son back Motherhood, motherhood Brotherhood, brotherhood This isn't one of us! No one was No one was Can I go now? Where to? Home! Nope, that's just the office, I'm still homeless, unless I They got cabanas on top of offices! (The rich and the famous) Networking and brunches— _this looks fun, doesn't it? I altered the course of history In brief exchanges and Various social atrocities This is hypocrisy! lol rly This is hypocrisy!! Hyper awareness and, psychic inclinations… You realize the more low quality people you let in The more low quality this country becomes, don't you? I put a roll in the back of the chosen ones. Used to be cast more, Now something seldom ever happens Such as this— A fun Fortune 500 What does that even mean Forbes. Look it up. What if the policy is Foreign; Look it up. I know enough about the girl next door to know Something is horrible, Something inside of her Rots at the core, Her obsession; My undeservedness of such, What she must, I mustn't, just Unjustice Broski, okay I got to discard All the pichardo Besides just this one (I'm standing on top of you) Put somebody worthy on the fourth floor Worse off, I was done for Before I got to New York What's her for?! I know enough about the man upstairs to know All these glares and “How dare you's” and Hatred says Why would you wait 30 years Until today, I guess Something is certainly off about her. I said yes. It was more probably something like “SUCK MY DICK” What. “YOU HEARD ME” Oh yes, I did. From 1990 to 1993 From 1990 To 1993 From 1990 To 1993 Stop breeding these things, “Love is familiarity” No Love is what you make it But you can't Because of slavery They don't make music —they don't make love either Well, look where your lust took you! Nowhere! Exactly! Look where your love took you: Vegas, Los Angeles, South of the Border Above it a New Yorker— Under budget, Celibate and My arms are too short to jump the turnstyle, Meanwhile My ex husband left permanent scars on My face My lips My arms My hands And my heart. Did you bite him? Of course I bit him, he was strangling me. You definitely won this fight. I know. Look, if I don't call for security, This bitch is gonna make me kill her. OCTOPUSSY NO. What. NO. Stankass. I will KILL this bitch. Look, I gotta get ahead in this. I need a WIN. These are customs. Trash. Wash your pussy. Send her back. Nah, you know what. Remove that hex. Wait, what, really?! Yeah, like; Reverse it. Woah. That's crazy. They got like….white slaves now. That's not right. What do you mean. That's not it. You said “reverse it” This is what the white supremacy just did to everyone else: [world in crisis except for for people who look like Kayla Lauren, to whom EVERYTHING is a fucking crisis, that isn't] BECKY/KAREN/WICKED WITCH OF WHITE AMERICA I AM OFFENDED I'm offended that you signed your like 12 year old daughter up to pose nearly nude, but— Hey look, it's us now; is this freedom?! Uh…. Why are all the female models like 12 and all the male models are fully grown men— Or women. Right. Idk. Wait, I do. You do?! Wait. Something tells me all the pedophiles and all the white supremacists are in the same group… Run the same businesses— Have the same families. This is disgusting Okay, this is gross That's not right ! That's not my job! Oh, it's not!!? NO. Who should I call That guy. So you want this? Oh, it's a death curse?! It will NEVER end. Wanna bet. I'll kill you and take the whole world with me. Now that's a threat. Thing is, I'm actually making it. I'm telling on you! Ok. Wait 30 years though so you look and sound REALLY fucking stupid. Ok. 30 YEARS. Doesn't make sense. What's the statute of limitations for— Hm. Depends. Depends on what. Who are you?! WHO ARE YOU?! NOBODY YOU SHOULD KNOW ABOUT. THEN WHY DO I? wtf is this? This is Texas being petty. Ok, fuck ya‘lol YAW. I'm serious, wtf is wrong with you. Something. What. Fix me. Fix you. Hm. Ok. *COUGHING* Somethings wrong here. Yep, it's definitely some kind of FIX IT. Where's this ROCK? At the ROCK. Like, where tho?! Ur gonna need this. What. They r crucifying u. Noted. Hunts Point Food Distribution Center Lmfao I need this word hold on “eliminating redundancies, setting strict timelines, and allowing cases to proceed contemporaneously” [ Finally, recognizing the danger that social media poses to young people and mental health, New York City Department of Health and Mental Hygiene Commissioner Dr. Ashwin Vasan today issued a Health Commissioner's Advisory identifying unfettered access to and use of social media as a public health hazard, just as past U.S. surgeons general have done with tobacco and firearms.] A win. I don't play dead. What do you call this: DIE! DIE, BITCH! Corrections. I still don't understand how this— ACID HAPPENS. Out of sight Out of mind So why these guys Tryna waste my time Tryna fuck with my mind with All these lights OH MY GOD I ain't got time for that Well, Maybe I do— I just Don't like NIGGAZ LIKE YOU. (Say what) I don't like Niggaz like U! I'm Sunnï Blū! You're stupid Oh, so he put a curse on sunni blu, too? Ok. Cool. When all my aliases come up This dumb motherfucking drunk Is gonna get stuck In his own woods He'll bury himself In the words that he left With the scars In the words that he left With the scars Sunni blu Is the sayer of stars I slaughtered them all Swallowed them whole Like a big black hole I'm a big black god I'm a big black God Fuck Twinkle that broad One punch girl One punch girl 5 punch faggot I'll unwrap flags on your Goddamn Fuck that Put a curse on my alter ego Lucky he's a he, tho I blow holes in em I blow smoke And love sausage I'm a hedon And he not a Hero He broke He lost I'm open Shirts vs skins I got 666 Curses to show you What your words did IM RA I'm a big black God You're at home with the young apostle Let's be honest He never even liked his father So turned him to a mother, Told his mother to ‘run far, And bring back The life that I want' I'm a big black God In light skinned clothing You don't know to explode Or explode on me Cause my mommy's a Dark skinned icon That my God Find something to pass the time, God Sunni with I, huh I won Fuck a pedophile wifebeater Bury him in the woods with his fury Fear me, now I'm coming up with reverse curses And cures Cause my words Bought the whole world Buried you in the woods I'll bury you in the woods, Bitch Very good I'm a big black God -Blū. GOD is the GOAT I just became god I do what I want I get what I want when I want it I don't want no problems Me myself and God only I buy everything I used to steal These tears in my heart say I'm healing What's the difference, anyway? I've never been fit for your interests, or industry Add insult to injury Add everything to my Amazon cart, then My sympathies Nothing is greater in heaven As it is in hell, for this industry Turned on its head And turned over from 7 to ten Check your messages, then Shut up kid, this doesn't involve you You're not included in the package Michael c hall and John c Riley reprise Mr. Cellophane in the style of DEXTER MORGAN. HA. Classic. GOT EM. V.O. I met her at The Jumping Point {Coming Up…} INT. THE JUMPING POINT POP-UP NIGHTCLUB LOUNGE & BAR. NIGHT “A Long Day's Night” / “A Hard Day's Night” C {CONFUSION SPELL, SUCCESSFUL} [Sequence Initiated.] {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. {
Is it Psy or Sai I'm depressed because I don't know how to publish anything and I can't stop writing; I don't know what to do with anything I've written, And I'm always, Constantly stressed about money The things I need, And feel I should be working As if I haven't written more than what some writers with notoriety and fame have or had written in their lifetimes And now, to think, the fame and notoriety seem so small to me; I really just want the money and to be able to go away To some place quiet and peaceful, And to hold my son again. Shout out to the bass pod That's probably why my minds gone Shout out to the old God Your lady is a robot I am the programmer Might need a controller Take it all apart Put it back together I ain't in the ghetto Certified, it's gentrified Ah, dag. What. I missed the helipads AH DAG?! We're about to die, and all you can say is “ AH DAG” THERES MY INVISIBLE MOTORCYCLE. SHHH. Sorry. Unh.OUCH. Sorry. Well, I'm fresh out of [explitive] There's on FUUUUUUU—— F-f-f-f This is not cool! I have magical powers! HEY, watch it! That's odd—it should be cool having magical powers. It's not cool! I don't know what to do! What do I do with my hands! AGGHHHHHH. Well first of all, stop blowing shit up. [Dillon Francis is somehow, just—not famous; he is at camp EDC, being a wooky wook] READ: [Dillon Francis is a wooky wook. ] Correct. Damn, that is— Woah. That is wook. King James is getting into this narrative real deep Let's see why, I fictionalized this dick just to rationalize quickly What a king is I sing good, Cook dinner Me look awesome “Kill the kid,” they called for Another round, And another run So here I come I'm coming up On up-down rollercoasters Cardboard for your cup Cupboards, rocks and cutters Underwater, wishing of surfboard For sure mom, you kinda suck The energy from those is daughters But I wonder what it's worth If stars fall from the sky, To cross lovers Whatever Just a 30 rock crossword I'm Sunnï Blū but, Tracy just a replacement of me Sure it was I'm done God, I fully fucked up. Good job By putting all of my words into google documents In forms of proses and poses Instead of posing for pictures Or asking for roses It doesn't matter what happens The dirt was mud, But I rose up Like no one thought I could From sinking sand And ash dust In God, we don't trust the justice system Fuckin me up Keeping me married to pedophile A while longer So I fuckin die In due time What is right will find the judge And God of all on earth Will tell the story of Starr, And how he tossed his son on the couch Just to punch his mom Yep. He yeeted my baby I eated the nothing The revenge plot twist comes When Skrillex cosmic something Something some It was a downward spiral I was a backwards a hole And my scholarship Cussed out my mother Called her a cunt In her own country Cunty-cunty What the fuck you want? A doorknob that talks and locks A cat or caterpillar to smoke with And karma to choke Starr Like he golf balled And followed me all the way to Brooklyn Just to piss me off Just like a pussy I started the second book Where I left the first one off At Whole Foods market Where I left my snotted scarf at If you support Starr, You're more retarded than I thought If you support War You're better off Swallowin a gun, Like his mom Cause Mike Roberts Beat her up If you support Starr You're probably a predatory gangstalker But what for? You don't even know You got a small award For taking a walk Supporting physiological terrorism But never even Bothered to read the Terms of agreement: They said “Kill this nigger bitch” Keep her from getting any money or education So she can never be president I'm just a DJ, man But since then I've had secret enemies trying to kill me By psychology So they can see me die By my own hand And nothing can ever lead back to them That's how terrorism works, ya'll You're worried about Gaza When genocide happens right in the subway car On your way to work Where they make you late on purpose Even if you leave early Trying to workout, write a book, and leave your apartment looking perfect Who would deserve this? You think you're so perfect, But youre cursed by words, And worthless I think this earth is covered in stuff that it shouldn't be I think I'm 5'7 but the man of my dreams is 5'3 so I been meeting in the middle and stopped eating meat, Hanging from trees praying for freedom Cause something diseased has been following me coughing Like I'm the one who started poverty If that's the case, I must really be God or something But i'm not yo, I dropped my wallet on the bus, And somebody got a come up. A human error I need my hair done. I'm aware you're up there somewhere cause I hear you in my left ear, Jesus left us right here Cause the end is near When everybody's taking the side of a wifebeater And my eyes are wide closed Cause I still owe klarna money on my clothes This nobody is throwing weights, And nothing makes sense Cause karma's gonna take him Heavy, like the weights is Throw your weights pussy I was late coming But ain't had a rest day in 8 crazy days straight It's Christmas in LA Hollywood that is, Here's the blacklist: I hate blacks when They do that shit, Act whack like fucking crackheads Codeswitch like it isnt just niggers vs niggers The only enemy is inner, Fuck it, I'm late for dinner I been here nearly an hour, And lost my power to some animal wired to an app Fuck this matrix, I want my power back WTF is THIS. Since you like to troll so much, I just thought I'd turn you into one This is not Kosher, 199x Jimmy Fallon; Let me out of this plastic —not exactly “fireproof” — death box, before I let myself out, and I trap you in it. But oh, You already did. FIGHT. UGH OH. Ok, rotate. Who is this. Oh shit, hey dude. FUCK, what year is it? MEANWHILE, Under the bridge. …anybody seen this, uh… *Troll* Yee! *Troll* Alright. That's it. Everything checks out. The story was air tight. TIGHT, TIGHT I want you to wear this tonight “The Lady In The Red Dress” You really went all out for this I really didn't, lol Oh I see, You thought this was the matrix. MIT I WISH GOD Wish what. MIT … Mm. Did u see that. See what. ALRIGHT FUCK THIS, YA'LL IT GOT SERIOUS, WHERE'S MY CYCLOPS He called me his cyclops— —-and then he said LIKE GET OUT WHAT GET OUT OF MY HOUSE WHY CAUSE YOURE JUST A PIÑATA, MAN! And I ain't got time for that! I just got a DeLorean And a new HAT I gotta go get Oof. WRECKED. Yo, Wicked. KENDRICK (TODDLER) WIZARD. Oh my. I'm J00F'd up. | | | trance | | | Look; I gotta get out of this MOTHER OF PEARL do not beach this whale carcas on my warehouse project A what A beached whale I know You brought a beached whale to my fucking rave show Oh I get it It's Avant- Guarde No, that's just how I got here …. Trust me, it's okay that This never happened You did not see me It's because I wasn't there Is this U Ū No I wasn't there. Ü I was. Fuck. What happened. It's ok. All I remember is “The Quatardashians” Hmm Also The indigenous But that's it But mostly that was all just Jesus showing off his flexes Are u fasting? Yes, “Ū” is. So, do you need this?! TRUMPP Get rid of this recording imiidiately GOT IT. kill that bitch. SKRILLEX Yessir. —-but before all that happens. …did you want fries with that?! Why are we boycotting McDonald's —for poisoning —the allies —our enemies. Wait, you're eating this? Yes. Like, for fun, or like? No. This is what I'm feeding my children Why Cause they hungry. Uh, ok— —and there's six of them. Aight, ya'll can each have one nugget with your— I wanted a cheese burger! You git hamburgers. Ham. Cheese costs CENTS; And you know your momma If I ain't about a dollar - A dollop of Daisy You really are Ashamed of his Alright, you evil bastards. I see you want to Cause suffering Correct For which you will eternally recurve damnnation and all of the pain you've caused Karmas a bitch It's lonely at the top Not when you're GOD Get off my rock Did you miss an appointment? Nah, can't do it Why what happened Too high up. Whatchu mean So what, it's just like Done. Well, this is it, huh guys. Oh, yeah, it's that, alright This is the longest ride we ever took.d This is the ONLY ride we ever took. I WANNA GET OFF THIS RIDE. I AM REALLY HIGH UP. JUST LET GO. NO. NO. NO. Put me down, kite!!! KITE wtf do you want me to do. I'm a KITE. I'm YOU FUCKIN KIKE NOOOOOOOOOOOOOOOOOOOOOOOOOO—- Well, I'll be honest, man, this sets you back, some How far back GET GONE, But? We're dinosaurs. Why would something with razor sharp teeth be so— —peaceful, and friendly?? T-REX …cuddles. I just can't fake the feeling( I can't pretend to cry It just comes, when it does But when the well runs dry That's when the the world will end That's when the world will end After this movie, I guarantee we will no longer need the Wilhelm scream AGGGGGHHHHHHH!!! YAHHHHHHHHHHH!!!! AAAAAAIIIIIIIIIIGGGHHHHHHH UUUUUUUUUUUUU This movie broke the world record for the amount of times the word “No” was screamed NO NOH. NO. ‘No! NOOOOOOOOOOO! NONONO. NOOOOOOOAAAAAHH …No! Here they all come for her, Defended upon New York In order of important, or appearance? One doesn't wonder, At al, of what's to come Uncommon, we are The call has come TRACY My tummy hurts. That's probably because you've been drinking straight tequila for the last hour and a half. No I haven't! This is water! Tequila is YELLOW, Liz Lemon! No, Tracy—that's silver tequila, And regular tequila is, You know what? Nevermind. Alright, who's got the night shift? [nobody raises their hand, at all] Seriously guys?! Come on! COME ON! Look up WHAM! For some reason, idk. Can we just— not do this? No. Out of my mind a bit Speaking in tongues, In total silence Guess it's the times, I guess that's just who I am And who I am is I said I was Sam I'm the same, I said, “Say Uncle” I guess it's a game, we're playing I don't want to be played with At all I just want to feel loved again By someone else Superb, like him I just want to be felt, I guess By someone else That's “Different” I just want to be kissed on the lips A splendid blend of Twisted trysts Let's not pretend It hasn't ended yet Until you've finished it Class dismissed again Let me off of it I just want it to stop Keep rolling Keep rolling your eyes in the back of your head Like you did just morning Just go for a walk Just stop for a moment Run a bath And just keep running Cause here something comes, Of course, It's all your callings Neatly rolling into one, They said But I Just want to be loved again And who doesn't That's the fucked up part I just want to be loved again But nobody ever Just comes up I just want to be loved again It's a walk in the park Don't follow the dog Even if he barks at you It's time to start again I wonder what comes after this part You are the gleaning in the shadows, The reckoning in my eye, The siren in my silence; The green in all the lights, I am a shamed to have just been One of your many One of your many Images, You still have me twisted, I miss you, It's just you, at the end, Again I left you where you left me Solid on solid Sounds are invalid now How are you so Swore by your awesome No more songs, I said No more songs, he's dead to me No more songs! She's inlisted He's uninterested, Isn't this interesting The problem is: I'm still in love with Everyone i've ever been in love with (And I love him) But he doesn't remember my Name And he's famous And she's crazy And he hates her But he made me hate him The day I became you The day I became So famous, I finally made it I'm dead It smells like dill in here At least it doesn't smell like dead mouse. Aha. Youre Hellen. Keller or Mirin How would you be Hellen Miren Cause I'm the Queen. posh. You want to die Well, you better do it quick Better get your shit toggether, paint a l Bigger, better picture Bitter Betty gliching steady Just remember when you're ready Ever steady still forgetting dinner Dessert was already Forget this significance Remind me why I'm on this speeding bullet to nowhere Had no other options but to go under for something Shy, sickness it's a secret Just kill me already Semi robotic, Something like a magnet, attracted, Simply symphonies And soulless bodies, tied to money Wonder what was in the vaccum cleaner meaning What did you suck up, dude Who do you suck up to. When nobody loves you But your own son And the audience is robots Nothing really works more than once, if it's really magic Sit and do nothing would you Like you're supposed to Fall over like the mannequin you are Just a body in my count A mattress without a bespost, if it matters If it matters Doesn't really matter But hey, you know We all go downtown every once or twice a note For Hanukkah I could try to be nice But there's no sense in it, Is there If everything and everyone else is just as nasty As the rest of it Just is just a test, again A doctors office visit. Simple robotics, Or already stocked up for Hanukkah, Hollywood Where's your homeland deposit box Closet full of robots Closest to the moon, I wrote another poem for you Sorry that I wasn't on the offering table The parakeet, pigeon and pirated Slattery, Damages, damages, All with the Amazon packages, Now we're all robots, Aren't we What corporation to you belong to! Something corporate , or say anything Whose to say Jeff Besoz won't replace us With m robots with thought processes, If once such could project as such presence As an AI freestyle Meanwhile, I've got a butload of buckets and bunts, Bullletwounds, eyes on Manhattan and happens to wish something bad upon me When all I wanted is Somebody to love me And someone to love him, If that's what he wanted (But who knows if what he wanted was all of the bodies opposite of him) I don't belong on this planet I belong in the garbage Put me on mars, mom Stop it, You're almost a robot, get out of my peripheral With your mental illness Geez, I must really want a menorah This is the animal house There's no one alive here Set to be slaughters. Honor the box of offerings as Thoughtful words And parallels What could be under your tongue Is the surface of love Just to touch with the battery acid or chemical trails You have left in your axis Nobody knows better than this How close it is to touching Without being loved But nobody loves you Psychotron, sure we're all robots now Nobody loves anymore {Previously, On…} L E G E N D S The Secret Life of Sunnï Blū {Enter The Multiverse} Ascension What the FUCK did you DO? What did I do?! You know what you did! I didn't do anything! Oh yeah? No! Not on purpose! GODDAMMIT, YOU SON OF A— Where's Jimmy Fallon?! What?! I don't know! Oh no. Oh shit, run. Oh no. What in the FUCK— I am “the fuck” You know what. I'm gonna sue the everliving shit out of you. For WHAT. We'll see. Fuck. Uh oh. FUCK. What now? What this time? Apparently, Jimmy Fallon is missing. What the fuck does that got to do with me. We'll see. Okay, great, Now finish that chapter. What fucking chapter?! All of it. That's—a lot. I want all of it. By my desk, by noon tomorrow. “By” your desk?! Yes, BY. Not ON. I've got too much stuff on my desk— …but it's…like 9 o clock. Should be easy, given your natural talents. What natural talents. PEACOCK. AHAHAHAHA. Okay. Well. Well what. This sucks. I lost all my coins. Hey. Ugh. You dropped this. So how was Los Angeles. What the fuck. You fucking DICK. I told you, I own shares in this. So what's the plan for this, exactly. I dunno, Harry. I got a book of stamps, And a yellow envelope marked “Jimmy Fallon” I will hate you forever. Well, that's retarded. I haven't even smited you yet. I will annihilate you, human. WHERE'S MY SHIT. Who the fuck are you, anyway? Nobody! No one. No one cares about this series, yo. I'l seriously doubt that, Jesse Pinkman. What is this stuff. It's your stuff. This is not what I ordered— Hey— Why is it BLUE Cause it is. So. WHY IN THE— Mischief managed. Alright. This should be good for the night, but we gotta get out of here by morning; I thought your parents owned this place. It's a time share! So? So it's like only —part of the time. That is stupid. No! You're stupid! You're the one who got us into this mess. It's your mess, I was just cleaning it up! Whatever! Stop trippin. Nobody's “tripping.” That's it. I'll be a stripper. Straight outta hell, that kid. Don't I know it. Alright, fine. I said, whatever you do— DONT watch this show. Stuff it, J. Slatts. I'll kill you with my eyeballs Sounds like a threat. Put on a lawsuit, then. Maybe I oughtta… —with a bow tie. You'll look so pretty. I thought I was already pretty. Uh huh. Yeah, look, so honestly I don't know if I'll ever be on the same vibration as like, Jimmy Fallon and them, ok? I don't know how I did it; I don't know what did it, It just happened and then— And then WHAT. It just—ended. Just like that. I'm not trying to offend anybody here. Just like that. Now, I ask: What are we going to do to sell you this dream? Doesnt matter what you do, I'll never believe it. Sure, fine; Don't believe it— We're gonna make you live it. Who the hell us “we” anyway? Now you're speaking in my cadence— Don't flatter yourself I like it. Too late, I guess. So, you see We're building Power triangles And love squares Power triangles And love squares Don't let it scare you, There's love there Don't let it scare you, There's love there Never fear where love has dared To call you up there Corrupt file—no fair. Don't be suprised even the odds seem to turn in your favor, I promise you; Nobody's ever ready For what has just happened here. WAKE UP, FUCKER. Ugh, I can't go through this again. So, I guess I'll have to erase, Or just secretly publish Everything I've ever written About my actual experience as a color, Just so that I can earn money As anything other than A slave— A maid, A housekeeper, A dog walker Or servitor So far under her, That I can't see far enough up to just Scratch the surface Her birthright: The entire network And mine, To sit under her, Wondering what the world would be like At the other end of the spectrum The word form of the White woman The wicked witch of all directions, In which I stand in; I'm at her mercy I've been abandoned before But this disservice, is, I'm afraid The best advice I can take is just To go straight to the bank with my angst and my hatred And shove it So here comes the nameless Face I love, Yet, The faceless God, Was Intoxicated, at best— Manipulation of the Mass Media I'm so Seriously jaded In this torture chamber In my corner office In this hall of racists, I claim, but if all is One in the same Then It's one in the same And I'm mainstream I'm famous If it's One in the same Then It's one in the same If it's One in the same Then I'm mainstream I'm so famous In a whole room full of humans I'm groomed to be useful for something, But what? It just hasn't come yet. I could sit down with a paper and pen, But I'm filling up all of my documents With hollandaise and God For what? It's just another song, or something Or something. It's just another — Goddamnit it, more coughs again. I told you not to watch this. Why do I taste pancakes? Maybe you're having a stroke again. Chyeah, a stroke of genius. I'll show you a stroke. Or don't. Well, there goes the captain. where is that scene, anyway? I don't know, I just wrote it. Great, she left the door open. She's got no furniture! It's a “dance floor” It's “the black box” she called it “the black box” Goddamn, do you listen to all her stuff? “Fear stimulates my imagination” Pilot ASOT Fuck man, What is a woman to a man, And an androgynous genius to The industry, or anyone at all If all are foes ans frauds All else is toxic! I woke up with one hand tucked behind my back Feeling dead drunk, I just woke up again But never fell asleep What world am I in? The end of the Dream sequence The end of the energy keeping me between three things: My past, My future And these prequels, Sequels And seeing arrangements And She's going crazy But nobody quite understands That these demons are chasing me saying “You deserved those hands in your face” The scratches on Kayla's back should have had me but I was too fat To find love again And still have something Wonderfully, undone And wrong with me Wrong with me enough to slam poetry So I'm guessing the white women I love beyond words and bounds are— In charge of whatever happens At the top of the rock; So I jumped off. I want to see someone suffer for all that I've done; No, that's dark, and karmic, you know— To go on like that; The confusions and refusal to accept that The album is called ChaosMagick, But the cover is more Urgent, A prose or a pawn of protection Against all the coughs And the reckless mismanagement The hands in my head And the eye on my scar And the lies on my heart So tell me, What happens When you're flying a kite with your heart, And it's broken? What happens to the kite , When you fly it with your heart And your art up in bundles— heartbroken, heartbroken So what come of Miss May, Come January? What come of Miss April By Next December what comes of the words I was saying For no one But everyone heard them And I've been gone Much longer than months, But still stocked up on all that I've wanted Or all that I got Or just, all that I love But got no undercovers to acknowledge no more How right I was Or how wrong I am What come of Miss June, when Miss January comes around? what come now, around August, When March is long forgotten? What comes of the drugs, Of the come ups, and come downs What comes of the process When nothing is served But the surf has come up Somewhere And I just can't love enough To go there I want to go to there I want to be that girl I want to sit at the top of the rock Writing songs, and sipping mock cocktails I want to Don't you know I just want to get back to Where I belong I'm so out of money and love That I want to be Under the train, When it's coming (Sometimes it's just the impulse that says “GO” Then the train starts to slow And my pain bubbles up into a numb, Dumb, crumbling cluster of poetry You know? Or you don't Cause you're all just on your phones Scrolling Some black man stands over me, Reminding me of why I never trust the ones Who want me most, Or just assume, By color code, That I belong to them I'm sorry, I just can't write with your arms around my neck like this Your heart around my arms like this It's so wholesome I had other verses but forgot them They took away my movies for the curses And the hexes That they put on me I said don't. And the king said “Heads will roll” Cause, you know; I've got parts for all of them now, The ones I'd forgotten But come from the catacombs, Back from the conduit You know, This is awful I had another one, But lost it. The king?! Which one. Teas I! No, it wasn't, It was Gían's father, From further off Should I call John back? Which one? Turns out, I love all of them— Turns out, I've got all of them In my college I taught them all to be someone Becoming of acknowledgement With nombres most common Juan, in subcultures, but Beyond that (Or above them) It's John, Or just Jonathan, Watch the ones who drop the consanant; They're always so troublesome, But I took them all up As understudies, Social Studies and some theatrics, Joan of Ark said Two more moments (Two more weeks in) I could have a body worthy Of a Grammy award, but — Would I be a writer then? Probably not, hon— Writers are Off a bit. If you were pretty, ever at all— would you have written this?! If I were pretty at all would there be reason to be this Conflicted? Some of those old New York hallways Haven't been painted In ages Since they made them Don't make that face at me I only dropped my key once On the fourth floor —they're horrible, you know To us, The “brothers” know no love They are destruction, speaking Of this, I got a cold heart. Cold like the robber Cold like the calling I've done in my corner office cold, like the jello mold forming a thought process Worthy enough I might love it like a husband We're re-evaluating your circumstances. Whatever the fuck that's supposed to mean. I've got friends at USPS What the fuck could that even account to. Look, I'm gonna have to give this some serious considerations. It's not that serious. It's not that serious. Of course it is! I'm up to my knees in investments! So?! I wade a waiste deep, Surely you can get by “Up to your knees” What exactly do you need? Money. And lots of it. I mean, from me. Money. Really? Leave me alone. I told you not to write this. You're a voice in my head; No, I'm the hand in your mailbox. What in the fuck do you believe in. I believe in everything! They said you were a genius; I didn't expect you to be —at the very least, lucid— *squints* learn some new vocabulary, okay? For what? Dinner. Maybe. We're still in the process of voting. She's crazy. We'd be crazy not to actually hire her. Her accounts are all practically open; We could just take it. Yeah, and when she kills herself, and there's no blood on our hands— There's nothing that can be done about the amount of this stuff that's already printed! Printed?! What?! You mean— She's published? Self-published. My, what a beautiful happenstance To have already had you And awakened atop mattresses Marked for my assassins hand— Polite, I lost you All of us, Atop the rock We stood and suffered Months beyond a montage, Undercover Love was lost, And all's uncertain The interception of God, At the cost of What terror and cutbacks Have caused us all What you lost was $50, a Hallmark Card, an Academy award, a long lost star's phone number, And all that you wanted, The cock of the gun Was the sound that you wondered What was called , then ran off into wonder. How am I gonna make money And become an award winning songwriter Music producer And multidisciplinary artist, Without all the funding it takes to get noviced Without taking clothes off Wake up 10 years younger I'm suffering My stomach was a rubber band My stomach was a rubber band My only song was Water I forgot to stop For the applause I drowned in all the love; right then and there I died of Lovenessness [The Festival Project] The sound and laughter of children play A baby in a basket The basket case at Trader Joe's Who know what happens It just doesn't pull my heartstrings any longer That my son belongs without his mother So I'd better have another This is us, come on. Don't do this to me. Don't do this, Timmy, you'll be sorry. Come on! We're not even in that movie! We are, though; it's still Listen, you've got the right guy for this. Are you sure. Yeah, I promise. Officers, Stop for a *movement [hot cops flash dance number] Fuck, well, that was all wrong. But worth it! What I meant was— God, this show gets good at 31, But I'm only 22, So I guess I'll know how wrong the war was Once we've lost it, Cause imm a man now The episode is over, Soon comes the next episode With snoop dogg, Or not That was our wedding album. Scatterbrained, and pregnant— There she was just putting all the things together That she needed to be Needed To be needed. There she was, All on 4/20 Trying not to do the wrong thing, But what was it? To be loved. Then, There she was at 21 just going off again At some event— A friend, and her Back then could not imagine They'd become him To be someone. Not as one, But of entirely another World apart, aside from Cyclones into snow cones Turns the watchers into artists All their own, And off my own accord Or own account Or done with boredom Dove soap Open doors And clocks that turn the other hand away, Each day you love Manhattan But can't have that. That's it— This is just Season 1 of Mad Men WHERE THE FUCK IS— [she throws her hands above her head in surrender] I don't KNOW! Oh, you're a girl now?! I guess! What's with those pants, then? To hide the assets! What assets?! You look tragic. I'm going for ‘skeleton' to match all your wives and everybody else on the red carpet Who said you get the red carpet? Manhattan. That guy lies! Well how about this: The walk of stars were carved out in blocks of marble All in my honor. 1000/1 You're our God, now. What! I don't want to be God! SUCK IT UP. YOU WON. I don't wanna! Yaaaaaaayyy. You got the award! All the awards! Speech! Speech! SUNNI BLŪ Uh—- I'm drunk, And there's nothing on the teleprompter [a man in the audience coughs] A-HEM. [Sunni Blū immidiateky shoots the coughing man] [multi-camera shots of celebrity audience reactions; laughing, clapping in hilarity as if someone hasn't just died] TAYLOR SWIFT (unmoved at all) SUNNÏ BLŪ I don't know why you're laughing. That was awful. That guy died [audience is insane, super fake as usual] [more cut takes] SUNNÏ BLŪ It should have been you, Taylor. TAYLOR SWIFT (Still unaffected) SUNNI BLU Anyway. I'd like to thank the academy… Cause I am the academy [Audience is celebrities being celebrities] SUNNI BLU You guys are all idiots: I'm a go f*ck myself— And anyone else who wants to show up At my afterparty. Whatever. Peace. [cheesy academy award music plays—Sunnï knocks over the mic, peaces out obnoxiously; the audience cheers wildly and the host returns to the stage.] Who's the host? Whatever. Hey, better than nothin. You're telling me. yeah. I know: Oh, she's a comic? Yeah. I got it. BOB SAGET Ooh, that's good. Ū No—no my God. No Bob Saget, stop it! Wait, Bob Saget is dead right? Last I recall: Fuck—FUCK! Dammit. Dammit, dammit. Okay, Rue— you're up. Rue, what in the— Shhhh, don't let them know I'm in here! Oh, wait— It's me, Blanche. That's hot. I'm a debutant. My god, you're so young. Here, take this, What's that, You'll need that. V.O. I'm being hunted by the ghost of Bob Saget. *haunted. No, hunted! There she is! Grab her! Ooh, Bob Saget. Why, yes. How old are you? Not dead yet! You don't have to kidnap me, I'll happily go with you, sir. Really? Yes. GET IN THE— NOH, GET IN THE VAN. INT. IN THE VAN. [a bunch of hot male celebrities are in the van] Oh. Okay. Wow. That was easy. What is it, Friday. It's Friday and a half. Friday.5 What. There's a Friday movie between 1 and 2 So I guess this is season 8.5 I guess this is season 8.5 HEY, GET BACK HERE. What is this. It's your lunch. I don't want this. Well, okay. What— is this strange music— They call it dubstep Come on, Jimmy, you're slipping Kimmel, cause Fallon is dead or presumed missing Probably Skrillex Probably a bounty on his head, Dog willing The Festival Priojects Inclement Infinite Is coming up next, on Legends Come on Jim, KEEP UP. Nobody can know about this, okay? Wait, where's Kimmel Okay, I got O'Brien— Black Irish Bastard… Alright, Alec Baldwin is a little tied up, right now, but LEMON, Fuck. That's l—future me. What?! I gotta go, okay?! What? Go where. Let's get DRUNK. No, That's—I got a show tonight What?! Look at my lexicon. Your—what, Meet me on Lexington. Oh, this pussy is finished! I got it, I got it! He's LENNONNNNN!! JOHN LENNON Fuck. Look, I gotta go. John Lennon?! You're dead! Funny, I thought not. Watch this. MOOOOOOOOOOOM. Fuck, What, It's my kid. I gotta go. Wait, you have kids?! Well, I just had you, didn't I? “The mayor” is a secret underground rap star lol #trappin Okay, What's else happened Idk hold on Okay, So whats the sauce on this sandwich. Oh. Jeez, this again. That *sandwhich? Hah. There's no sauce on that sandwhich. —there's not!? No: You see. It's very simple. WAKE UP, YOU'RE A ROCKSTAR. we gotta take the train. The train?! NO. NOTTHETRAIN. NO. Man, fuck the train! [SUNNI BLŪ wakes up on the train.] What's this, the train? [is the train] (Angrily, tossing newspaper) Man, FUCK the train! Other hobo: Aww, thanks, I need that for my— [s/he snatches back the paper]. Wait! I need that back—what day is it? [drunkenly illegible gibberish turns into perfect Hebrew] GODDAMMIT, it's Shabbat; I gotta get to Temple. [s/he shoves the newspaper back into the hobo's lap] Here. Oh no, I thought I couldn't forget RABI FUCK _]€_# WHAT WAS IT GODDAMIT IT WAS SO CLEVER. God So it was… What did you do with it? Do with what My idea what idea My—my rabbi joke— What rabbi joke you know what rabbi joke! You were the one who gave it to me. Oh, did I? YES, SATAN, JESUS. GOD Ohh, Satan-Jesus. I like that one. NO— it was— It was much better than that, it was— It was funny. Oh, it was? YES. —did you write it down? Fuck, I realize I just opened a A FUCK PORTAL. OHH, GET IN IT, GET INSIDE. I had an Artemis in my pocket But I lost him Walked away from the cornermarker And the cornerstone, for the sunset I wonder if songs always come When I'm walking, Or God makes us promises, For world of I'm not JB, I'm KG, Can you see me now? If you could see what I see, We'd be even wtf did I just write this And not realize I just wrote this Yeah. That shit happens to me all the time. WHAT. ALL THE TKMEx Shut up, THE ANDRE3K CHARADES GAME is getting intense. What in the FUCK is that. *flutes* Ohh. And KITES. yyyyyYYYYYYYAAAAAHHH—— GODDAMMIT. I can't see really, I just dream I'm not thinking, I'm dancing This is what you asked for Exactly what you asked for For once, I'm finally glad I have your eyes on My friend I can see you all on the horizon, Singing NO, NO MORE MUSICALS!! Jimmy, what did you do?! I don't know what I did! You lyin bastard. I'm not lying! So, where ya from? —I don't know where I'm from. Listen, I'm gonna need you SHUT UP, JUST SHUT UP. It seems like these scenes are getting shorter. I'm bored with this. Ok. Let's do something else. I fuckin hate you. I hate you. I fuckin hate you. 88. Oh no: 8 Wait, what the— *dolphin* WOAH, okay: Oh, no. No, No, no OHNONO. I told you I'd find him. Anyway. Seems like there's something more important I should be doing. Are you sure this is the right place. Right place. Right time. Fuck— FUCK. What, what happened. I lost my— SKRILLEX! No. SKRILLEX. NO, NO— SKR— I swear to God, Google knows everything. Google don't know shit about SHIT. I gotta lose m 39 lbs. For what. MADONNA DO IT FOR THE BANANAS. I hate— you. COME ON, MISTER. Fuck off, Madonna, I'M A GOD. I miss Beyoncé. That's not relevant. Beyoncé is relevant to everything. *smacks* QUIT FANGIRLING. Trust me, I hate you. I don't trust you, but I believe you. I got it. I hate this place. Holy shit. What. I developed a new phobia. What's that mean?! I don't know, I can probably use it in a fight or something. For what. SPECIAL ABILITY UNLOCKED. I see you looking over my shoulder I see the shadows, I try not to jump at em. I spent six months in a coffin, you know I spent my life a sarcophagus (Wow, I got it right.) Try not to mutter those haunts in a hospital Try to recover from trauma Uncovered post traumatics, Anxiety attacks and a lot of those— What do you call them? A flashback. Here goes one: SONNY MOORE aka SKRILLEX appears. I told you not to— But I did! I didn't mean to! But you did! This is ludachris! Oh look, it's— Fuck. God dammit. Come on! What's his name!? What's his name?! I'll think abo it it. Are you serious? Another shapeshifter? Yes, I guess welll just have to kill them all, then. I just want to go home. You don't have one. …oh. So here we have. Okay, wait a second. I wasn't faking my symptoms at all, actually. My heart had dropped, and been pounding and fluttering insessantly— It had been a hard week, but especially the last three days; The coughing—. Everyone seemed to be wearing clothing with stars or bears on it, Champion sportswear. I fucking hate champion sportswear. But the palpitations were real as ever— and now— On a Saturday night in the Jamaica, Queens medical center emergency room, There they were again. Only this time I knew exactly why. ‘Too Bizzare' by Skrillex begins to play, via Complications 003- The Trauma Method. Irony. It was ironic, but still startling, Started with some nostalgic traumas, Every other time I saw an ER doctor (Why I don't go) Fuck, I just realized I have to airdrop myself 880 times. That fucking sucks. Did you say you were a doctor? I was, once. When is “once” At some point. Listen, I'm gonna need you to backtrack to get to the bottom of this. I'm innocent, I promise! We caught you at 27 different angles doing this. Oh. [beat] I plead the 5th. Ohh. Cerulean. My favorite. c R A Y On Oh, I get it, I L L U M I N A T U S. Nice, it worked. I know everything about you. So you do. [beat] You're a God. What the fuck do you want from me. Listen. I. Am not. A God, Right. That's exactly what a God would say. No they wouldn't! Because a God wouldn't say anything! AHA. Don't ‘AHA' ME. I don't mind, at all It don't matter— to me I don't mind, at all It don't matter—to me Might as well not think about it The space between us Might as well just stay awake then No sense in leaving Just to come back It don't matter to me, now Now and again I go crazy just making arrangements, But besides that, If you like it, you should have it It's a long road, As Kaskade says, And a short dance, With the right one And time goes by I would call it mild, But actually I'm in a wild panic It might be a heart attack I just might even Die right here But I don't mind, at all It don't matter—to me I don't mind—at all It don't matter to me, I said I don't mind, at all, now It really don't matter to me I said, I don't mind, at all It really don't matter to anyone Now does it (Not it doesn') I don't mind, at all It don't matter— to me I don't mind, at all It don't matter—to me Might as well not think about it The space between us Might as well just stay awake then No sense in leaving Just to come back Palpitations and precipitations at the pulpit Preacher, please don't make me a culprit I been prayin— I been paying my tithes, 10% Even, Now 25, Almost half of me is not mine! Why try? I've been walking out, in straight lines I been crying silently It ain't right I been making most of my nights Sometimes I see sun come up twice Up, down up 10 degrees, It ain't right Up down up 33, it ain't right Up, down, up I've been spending my time Down, up, down Riding round, Trying not to down in my mind Up, down up What is this. It's my project. What is it? The Festival Project. Yeah but—what— What. Is it? …it's my project. *painfully infuriated* Okay, enter here. EXAM ROOM 10 Why exam room 10? Because. Where are the other nine? Just—get in. I'm not going in there! JUST GET IN. UGH. DEADMAU5 (head and all) stands at a tall podium in the center of the room) What is this, This is deadmau5. I know that. —-!!! —?!? What. !!! What? This is the exam? Yes! NO. What is “no”. I'm not playing for deadmau5. That's the exam. Then I fail! Automatic Fail? yes. Automatic fail. Then you win. What. *slams gavel* Congratulations—you're the next superstar DJ. WhY. . What. Woohoo! I just retired! DEADMAU5 exits. … … After a few moments of comic tension, the Deadmau5 head rolls back in through the exit which he has taken. Ugh. Fuck this. No matter what you do, you're a superstar DJ. What. No! Yes. The answer is yes. NO. Fuck. What the FUCK. No matter what you do. You want to go, Go, you want to die, Die, you want to try, try You want to cry, cry Do what you want; As so will I, Demand is demand— Supply is supply. EDX So then, I followed this long hallway under the stage deck. Uh huh. And it led to a door— Uhhuh, where'd the door lead? To a portal. Woah. Pasqualle! You made it! I—yes. Congratulations! *blows party horn* *Daisies/ confetti* You're like 25! I'll be 25 forever. Nice! Yeah. I guess that's why it's called ‘music'—a musician without muses is just useless. ‘Well, whose next?' I wondered. All of my muses were not just so wonderful to me, but adored by many—and perhaps this is what allured me most—befuddled ans confounded me; once my mind was set on something, there was nothing else its eye could see—and for how long one God could only know, how deep the love would go and that the blood would run deep, and the scars to show for it, only upon my heart and never by soul—for a love was a love, and even once came and gone, to the end of my life I knew I would still ponder upon them, at one time or another, my muses—star studded lovers, rather than crossed, shiny and golden like all diamond and trophies so treasured and thought of as precious. ‘Yes, you are—precious.' Another tongue in cheek thought, for the other that I was, and also was not, as summer drew onward as short as it would come and go—a reminder to leave the apartment more often, and to mind my manners, to find the upper echelon wherever it was and come quietly into its doors, to open my world and wordform of thought, into a place where my heart always was; then, and only then, would I be home. Amongst the men and women of the uppercut and classy, luxurious big fishing ponds and flocks of doves upon olive branches—the peaceful world long parted from where mine was, by only the fault of my own. What had been done just certainly was, and yet, what was to come was an open poem, not of mine, but Godform in thought. ‘I wonder what's at the top of Rockefeller Plaza.' —perhaps, a gander at the bottom of an even larger entertainment complex. Then, again, only God would know what was beyond all that I wanted; a job—and not just any job at all— the one that I had always wanted. Mmm. Birthday cake. Suddenly the taste of a white confetti crème filled my mouth with a delicious remnince of what it might be like to taste a confectionary sugar again—but i couldn't imagine ever making it just on talent and charisma alone—no. Indeed, it seemed something had damaged my charm, and perhaps it was just the swarms and droves of phone controlled masses that saw me as nothing more than dust, I had started to surrender my desire to perform, and the quality of my music—along with my ability to make it, suffered with the awful thing that had been crowding my soul at all—whatever it was, evil and dark in nature, sure saw to it that it wanted to hurt me in all the ways that it could—and in all the ways it could not, I stayed away from most others, favoring my delusions of love. ‘Nobody seems to understand that the pain they cause will only harm themselves.', I thought Younger souls, however, they were—and they would be kept in the pain that I was in one way or another until eventual death, far behind me on the infinite road to the source. Far enough behind, that it seeked to destroy my progress, and for all that it could, it also couldn't. The infliction of pain would simply not act as a measure for control any longer. Off into my own world, where I was at least free from the thoughts and judgement of others. She's the most beautiful girl, And I'm the most beautiful boy; So naturally, we belong together, don't we? I see a pretty picture, Picket fences and a family Golden Retrievers Someone relieve her; She doesn't believe me TV dreams and exquisite pretty people Burning candles, fire flames and frequent figures, Guest characters and cameos, Repeat offenders, multiple appearances Suddenly, really, it's another need People, people pleasers Audience affection, Tragic endings, Butterflies and new beginnings Gun under my tongue, Rubber like a frog My mind is in a fog Haven't bothered going on a walk To Trader Joe's but The anthem of my youth, A lost soul Another form of my love So what I wonder Put the gun up under my chin Rubber like a frog Blow my head off Just cause I didn't blow up Selfish cunt Big brother, Another hypnotist Little brother, Gotta love him Gotta love em For the Love of God I could stop for a moment Wash my mind out with soap Like I'm ten years younger, even Seriously 20 years between us, You can't even hide underwater In a bathtub Seriously, Someone help us For the love of God, for the love of Hollywood Seriously, Someone love us, For the love of God, For the love of Rockefeller Plaza Someone help us Another possible walk of stars A little shop of horrors Another whole story I get rid of my demons The hoes screamin I put semen in her Permanent like semen, Just keep dreamin I'mma just keep preaching SaMo, Brooklyn Europe Next I keep scheming Whoever you are; If you're a wreck— You need a check No respect, neglect Just cover your neck (I'm blind to my own design, sometimes) That's what the eye is Try this: Close your eyes and say thrice, kids I am the God of the eye, Osiris I am the God of the Eye, I'm Osiris I am the God, I walk amongst the highest Thoth, You lost Better just die and keep trying I am the God of the eye, I am (Try this) I am the God of the eye (I never die) I am the God of the eye (That's right, three times) I am the God of the eye No black and white television, In my dimension we pay attention to centrifugal, The mission isn't in materialism, Whatever youre spending If money the God, l of your eye, Realize, I am higher My gunfire, Is right on the back of The one dollar I am the God of the eye I Am Your money is nothin to us We come in peace, To end suffering Pretty little nigga Look just like Kendrick Kickin it with jigga I'm the new higs boson Part of me never left Boston (Fuck Starr!) Part of me never left homeless This ain't my home It's my office You never heard this song You don't notice I'm an ugly kid, you don't notice me Rooftop smells like soy sauce On god I am ugly You don't notice -Atari the God Can we get back to this, please? Damn. She really whooped her ass, though. Janet, can I borrow you for a second? No. Please. [Whoopi Goldberg appears in the doorway, gesturing “c'mon”] …alright. I got convictions on my lips, I took a picture Turn the page The worst of all was, it really did seem like they were racists— INSOMNIAC EVENTS Not just racists— the most deadly kind of racists. WHITE SUPREMACISTS You really want it this way, don't you? No! I LOVE you! Oh, do you? If there's a mile in here, I swear to god.. Are you high enough yet? I thought so HIGHER! hire star* What. Just do it. You remember these guys, right? GOOD CANNABIS, FAIRBANKS, ALASKA No. Why are we back here. Alright, we might have fucked up. Why. This guy sucks. HEY. What. COME BACK TO ALASKA never that. WHAT, WHY NOT! GOD HATES FAGS!!! Well, you're wrong! WHITE POWER. Nah. ALL LIVES MATTER O rly? Even this guy? Literally every “NO” …so, “all lives.” Look, I don't care what color it is; I want that book in my library. GO TO THE LIVRARY. NO. GET IN HERE. NO AUBREY. STAY DEAD. She's dead, right? YOU CALLED ME HERE. I didn't! You Did. I did not, all i said was *swoons* …I love her. (I really do) WHAT?! “I Love you?!” It was more the *swoon* that did it. Disconnect. Fuck, I lost deadmau5 again What'd you do to him? Nothing! Put him back! He's still there! He's right there, you see him? No! This isn't deadmau5. We want deadmau5. bring him BACK. Fuck, I fucked up. What'd you do? …nothing? Pick up the phone Pick up the phone …hello? Who IS this? Fuck it, I quit. Man, God never puts my dishes back in the right place, like ever. I told you, I don't live here, I'm just… Babysitting. CC! What! CC! What? CC WHAT. Fuck, man. That was wild. Where the fuck have you been? I don't know. You don't know—you smell funny. “Funny” is that what that smell is? No. When were you? When? Ha. Did you—- Did I what? —did you go to a party without me? Lmfao fuck these niggaz. Why, what happened. What's this. Where was it?! Idlewild. “IdLeWiLd”?!?!? You. Old. One here and die, you know, l. It's cattle call for curtain calls guy Where did this go— What was this, once? It's the return Welcome to Oz This is the Tower of Babel Remember; I wrote that Better than the bottom, Still not the top —it's not as fast, when it's not going all the way up Did you jump yet Come around more Keep coughing Are you sure this is where it was or—? Somewhere else I stayed Back when I was homeless It's hopeless! We lost her Antenna, antenna SUPERMARKET I loved her —she was undercover —I'm still in your stirrups I'm lost in New York, then BACKFIRE Adele remix is on [have a seat] Can I go now? I still need a hat, a half dollar and an alter cloth You could win an award for this; I don't want an award, I just want my son back Motherhood, motherhood Brotherhood, brotherhood This isn't one of us! No one was No one was Can I go now? Where to? Home! Nope, that's just the office, I'm still homeless, unless I They got cabanas on top of offices! (The rich and the famous) Networking and brunches— _this looks fun, doesn't it? I altered the course of history In brief exchanges and Various social atrocities This is hypocrisy! lol rly This is hypocrisy!! Hyper awareness and, psychic inclinations… You realize the more low quality people you let in The more low quality this country becomes, don't you? I put a roll in the back of the chosen ones. Used to be cast more, Now something seldom ever happens Such as this— A fun Fortune 500 What does that even mean Forbes. Look it up. What if the policy is Foreign; Look it up. I know enough about the girl next door to know Something is horrible, Something inside of her Rots at the core, Her obsession; My undeservedness of such, What she must, I mustn't, just Unjustice Broski, okay I got to discard All the pichardo Besides just this one (I'm standing on top of you) Put somebody worthy on the fourth floor Worse off, I was done for Before I got to New York What's her for?! I know enough about the man upstairs to know All these glares and “How dare you's” and Hatred says Why would you wait 30 years Until today, I guess Something is certainly off about her. I said yes. It was more probably something like “SUCK MY DICK” What. “YOU HEARD ME” Oh yes, I did. From 1990 to 1993 From 1990 To 1993 From 1990 To 1993 Stop breeding these things, “Love is familiarity” No Love is what you make it But you can't Because of slavery They don't make music —they don't make love either Well, look where your lust took you! Nowhere! Exactly! Look where your love took you: Vegas, Los Angeles, South of the Border Above it a New Yorker— Under budget, Celibate and My arms are too short to jump the turnstyle, Meanwhile My ex husband left permanent scars on My face My lips My arms My hands And my heart. Did you bite him? Of course I bit him, he was strangling me. You definitely won this fight. I know. Look, if I don't call for security, This bitch is gonna make me kill her. OCTOPUSSY NO. What. NO. Stankass. I will KILL this bitch. Look, I gotta get ahead in this. I need a WIN. These are customs. Trash. Wash your pussy. Send her back. Nah, you know what. Remove that hex. Wait, what, really?! Yeah, like; Reverse it. Woah. That's crazy. They got like….white slaves now. That's not right. What do you mean. That's not it. You said “reverse it” This is what the white supremacy just did to everyone else: [world in crisis except for for people who look like Kayla Lauren, to whom EVERYTHING is a fucking crisis, that isn't] BECKY/KAREN/WICKED WITCH OF WHITE AMERICA I AM OFFENDED I'm offended that you signed your like 12 year old daughter up to pose nearly nude, but— Hey look, it's us now; is this freedom?! Uh…. Why are all the female models like 12 and all the male models are fully grown men— Or women. Right. Idk. Wait, I do. You do?! Wait. Something tells me all the pedophiles and all the white supremacists are in the same group… Run the same businesses— Have the same families. This is disgusting Okay, this is gross That's not right ! That's not my job! Oh, it's not!!? NO. Who should I call That guy. So you want this? Oh, it's a death curse?! It will NEVER end. Wanna bet. I'll kill you and take the whole world with me. Now that's a threat. Thing is, I'm actually making it. I'm telling on you! Ok. Wait 30 years though so you look and sound REALLY fucking stupid. Ok. 30 YEARS. Doesn't make sense. What's the statute of limitations for— Hm. Depends. Depends on what. Who are you?! WHO ARE YOU?! NOBODY YOU SHOULD KNOW ABOUT. THEN WHY DO I? wtf is this? This is Texas being petty. Ok, fuck ya‘lol YAW. I'm serious, wtf is wrong with you. Something. What. Fix me. Fix you. Hm. Ok. *COUGHING* Somethings wrong here. Yep, it's definitely some kind of FIX IT. Where's this ROCK? At the ROCK. Like, where tho?! Ur gonna need this. What. They r crucifying u. Noted. Hunts Point Food Distribution Center Lmfao I need this word hold on “eliminating redundancies, setting strict timelines, and allowing cases to proceed contemporaneously” [ Finally, recognizing the danger that social media poses to young people and mental health, New York City Department of Health and Mental Hygiene Commissioner Dr. Ashwin Vasan today issued a Health Commissioner's Advisory identifying unfettered access to and use of social media as a public health hazard, just as past U.S. surgeons general have done with tobacco and firearms.] A win. I don't play dead. What do you call this: DIE! DIE, BITCH! Corrections. I still don't understand how this— ACID HAPPENS. Out of sight Out of mind So why these guys Tryna waste my time Tryna fuck with my mind with All these lights OH MY GOD I ain't got time for that Well, Maybe I do— I just Don't like NIGGAZ LIKE YOU. (Say what) I don't like Niggaz like U! I'm Sunnï Blū! You're stupid Oh, so he put a curse on sunni blu, too? Ok. Cool. When all my aliases come up This dumb motherfucking drunk Is gonna get stuck In his own woods He'll bury himself In the words that he left With the scars In the words that he left With the scars Sunni blu Is the sayer of stars I slaughtered them all Swallowed them whole Like a big black hole I'm a big black god I'm a big black God Fuck Twinkle that broad One punch girl One punch girl 5 punch faggot I'll unwrap flags on your Goddamn Fuck that Put a curse on my alter ego Lucky he's a he, tho I blow holes in em I blow smoke And love sausage I'm a hedon And he not a Hero He broke He lost I'm open Shirts vs skins I got 666 Curses to show you What your words did IM RA I'm a big black God You're at home with the young apostle Let's be honest He never even liked his father So turned him to a mother, Told his mother to ‘run far, And bring back The life that I want' I'm a big black God In light skinned clothing You don't know to explode Or explode on me Cause my mommy's a Dark skinned icon That my God Find something to pass the time, God Sunni with I, huh I won Fuck a pedophile wifebeater Bury him in the woods with his fury Fear me, now I'm coming up with reverse curses And cures Cause my words Bought the whole world Buried you in the woods I'll bury you in the woods, Bitch Very good I'm a big black God -Blū. GOD is the GOAT I just became god I do what I want I get what I want when I want it I don't want no problems Me myself and God only I buy everything I used to steal These tears in my heart say I'm healing What's the difference, anyway? I've never been fit for your interests, or industry Add insult to injury Add everything to my Amazon cart, then My sympathies Nothing is greater in heaven As it is in hell, for this industry Turned on its head And turned over from 7 to ten Check your messages, then Shut up kid, this doesn't involve you You're not included in the package Michael c hall and John c Riley reprise Mr. Cellophane in the style of DEXTER MORGAN. HA. Classic. GOT EM. V.O. I met her at The Jumping Point {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. {Coming Up…} INT. THE JUMPING POINT POP-UP NIGHTCLUB LOUNGE & BAR. NIGHT “A Long Day's Night” / “A Hard Day's Night” C {CONFUSION SPELL, SUCCESSFUL} [Sequence Initiated.]
Is it Psy or Sai I'm depressed because I don't know how to publish anything and I can't stop writing; I don't know what to do with anything I've written, And I'm always, Constantly stressed about money The things I need, And feel I should be working As if I haven't written more than what some writers with notoriety and fame have or had written in their lifetimes And now, to think, the fame and notoriety seem so small to me; I really just want the money and to be able to go away To some place quiet and peaceful, And to hold my son again. Shout out to the bass pod That's probably why my minds gone Shout out to the old God Your lady is a robot I am the programmer Might need a controller Take it all apart Put it back together I ain't in the ghetto Certified, it's gentrified Ah, dag. What. I missed the helipads AH DAG?! We're about to die, and all you can say is “ AH DAG” THERES MY INVISIBLE MOTORCYCLE. SHHH. Sorry. Unh.OUCH. Sorry. Well, I'm fresh out of [explitive] There's on FUUUUUUU—— F-f-f-f This is not cool! I have magical powers! HEY, watch it! That's odd—it should be cool having magical powers. It's not cool! I don't know what to do! What do I do with my hands! AGGHHHHHH. Well first of all, stop blowing shit up. [Dillon Francis is somehow, just—not famous; he is at camp EDC, being a wooky wook] READ: [Dillon Francis is a wooky wook. ] Correct. Damn, that is— Woah. That is wook. King James is getting into this narrative real deep Let's see why, I fictionalized this dick just to rationalize quickly What a king is I sing good, Cook dinner Me look awesome “Kill the kid,” they called for Another round, And another run So here I come I'm coming up On up-down rollercoasters Cardboard for your cup Cupboards, rocks and cutters Underwater, wishing of surfboard For sure mom, you kinda suck The energy from those is daughters But I wonder what it's worth If stars fall from the sky, To cross lovers Whatever Just a 30 rock crossword I'm Sunnï Blū but, Tracy just a replacement of me Sure it was I'm done God, I fully fucked up. Good job By putting all of my words into google documents In forms of proses and poses Instead of posing for pictures Or asking for roses It doesn't matter what happens The dirt was mud, But I rose up Like no one thought I could From sinking sand And ash dust In God, we don't trust the justice system Fuckin me up Keeping me married to pedophile A while longer So I fuckin die In due time What is right will find the judge And God of all on earth Will tell the story of Starr, And how he tossed his son on the couch Just to punch his mom Yep. He yeeted my baby I eated the nothing The revenge plot twist comes When Skrillex cosmic something Something some It was a downward spiral I was a backwards a hole And my scholarship Cussed out my mother Called her a cunt In her own country Cunty-cunty What the fuck you want? A doorknob that talks and locks A cat or caterpillar to smoke with And karma to choke Starr Like he golf balled And followed me all the way to Brooklyn Just to piss me off Just like a pussy I started the second book Where I left the first one off At Whole Foods market Where I left my snotted scarf at If you support Starr, You're more retarded than I thought If you support War You're better off Swallowin a gun, Like his mom Cause Mike Roberts Beat her up If you support Starr You're probably a predatory gangstalker But what for? You don't even know You got a small award For taking a walk Supporting physiological terrorism But never even Bothered to read the Terms of agreement: They said “Kill this nigger bitch” Keep her from getting any money or education So she can never be president I'm just a DJ, man But since then I've had secret enemies trying to kill me By psychology So they can see me die By my own hand And nothing can ever lead back to them That's how terrorism works, ya'll You're worried about Gaza When genocide happens right in the subway car On your way to work Where they make you late on purpose Even if you leave early Trying to workout, write a book, and leave your apartment looking perfect Who would deserve this? You think you're so perfect, But youre cursed by words, And worthless I think this earth is covered in stuff that it shouldn't be I think I'm 5'7 but the man of my dreams is 5'3 so I been meeting in the middle and stopped eating meat, Hanging from trees praying for freedom Cause something diseased has been following me coughing Like I'm the one who started poverty If that's the case, I must really be God or something But i'm not yo, I dropped my wallet on the bus, And somebody got a come up. A human error I need my hair done. I'm aware you're up there somewhere cause I hear you in my left ear, Jesus left us right here Cause the end is near When everybody's taking the side of a wifebeater And my eyes are wide closed Cause I still owe klarna money on my clothes This nobody is throwing weights, And nothing makes sense Cause karma's gonna take him Heavy, like the weights is Throw your weights pussy I was late coming But ain't had a rest day in 8 crazy days straight It's Christmas in LA Hollywood that is, Here's the blacklist: I hate blacks when They do that shit, Act whack like fucking crackheads Codeswitch like it isnt just niggers vs niggers The only enemy is inner, Fuck it, I'm late for dinner I been here nearly an hour, And lost my power to some animal wired to an app Fuck this matrix, I want my power back WTF is THIS. Since you like to troll so much, I just thought I'd turn you into one This is not Kosher, 199x Jimmy Fallon; Let me out of this plastic —not exactly “fireproof” — death box, before I let myself out, and I trap you in it. But oh, You already did. FIGHT. UGH OH. Ok, rotate. Who is this. Oh shit, hey dude. FUCK, what year is it? MEANWHILE, Under the bridge. …anybody seen this, uh… *Troll* Yee! *Troll* Alright. That's it. Everything checks out. The story was air tight. TIGHT, TIGHT I want you to wear this tonight “The Lady In The Red Dress” You really went all out for this I really didn't, lol Oh I see, You thought this was the matrix. MIT I WISH GOD Wish what. MIT … Mm. Did u see that. See what. ALRIGHT FUCK THIS, YA'LL IT GOT SERIOUS, WHERE'S MY CYCLOPS He called me his cyclops— —-and then he said LIKE GET OUT WHAT GET OUT OF MY HOUSE WHY CAUSE YOURE JUST A PIÑATA, MAN! And I ain't got time for that! I just got a DeLorean And a new HAT I gotta go get Oof. WRECKED. Yo, Wicked. KENDRICK (TODDLER) WIZARD. Oh my. I'm J00F'd up. | | | trance | | | Look; I gotta get out of this MOTHER OF PEARL do not beach this whale carcas on my warehouse project A what A beached whale I know You brought a beached whale to my fucking rave show Oh I get it It's Avant- Guarde No, that's just how I got here …. Trust me, it's okay that This never happened You did not see me It's because I wasn't there Is this U Ū No I wasn't there. Ü I was. Fuck. What happened. It's ok. All I remember is “The Quatardashians” Hmm Also The indigenous But that's it But mostly that was all just Jesus showing off his flexes Are u fasting? Yes, “Ū” is. So, do you need this?! TRUMPP Get rid of this recording imiidiately GOT IT. kill that bitch. SKRILLEX Yessir. —-but before all that happens. …did you want fries with that?! Why are we boycotting McDonald's —for poisoning —the allies —our enemies. Wait, you're eating this? Yes. Like, for fun, or like? No. This is what I'm feeding my children Why Cause they hungry. Uh, ok— —and there's six of them. Aight, ya'll can each have one nugget with your— I wanted a cheese burger! You git hamburgers. Ham. Cheese costs CENTS; And you know your momma If I ain't about a dollar - A dollop of Daisy You really are Ashamed of his Alright, you evil bastards. I see you want to Cause suffering Correct For which you will eternally recurve damnnation and all of the pain you've caused Karmas a bitch It's lonely at the top Not when you're GOD Get off my rock Did you miss an appointment? Nah, can't do it Why what happened Too high up. Whatchu mean So what, it's just like Done. Well, this is it, huh guys. Oh, yeah, it's that, alright This is the longest ride we ever took.d This is the ONLY ride we ever took. I WANNA GET OFF THIS RIDE. I AM REALLY HIGH UP. JUST LET GO. NO. NO. NO. Put me down, kite!!! KITE wtf do you want me to do. I'm a KITE. I'm YOU FUCKIN KIKE NOOOOOOOOOOOOOOOOOOOOOOOOOO—- Well, I'll be honest, man, this sets you back, some How far back GET GONE, But? We're dinosaurs. Why would something with razor sharp teeth be so— —peaceful, and friendly?? T-REX …cuddles. I just can't fake the feeling( I can't pretend to cry It just comes, when it does But when the well runs dry That's when the the world will end That's when the world will end After this movie, I guarantee we will no longer need the Wilhelm scream AGGGGGHHHHHHH!!! YAHHHHHHHHHHH!!!! AAAAAAIIIIIIIIIIGGGHHHHHHH UUUUUUUUUUUUU This movie broke the world record for the amount of times the word “No” was screamed NO NOH. NO. ‘No! NOOOOOOOOOOO! NONONO. NOOOOOOOAAAAAHH …No! Here they all come for her, Defended upon New York In order of important, or appearance? One doesn't wonder, At al, of what's to come Uncommon, we are The call has come TRACY My tummy hurts. That's probably because you've been drinking straight tequila for the last hour and a half. No I haven't! This is water! Tequila is YELLOW, Liz Lemon! No, Tracy—that's silver tequila, And regular tequila is, You know what? Nevermind. Alright, who's got the night shift? [nobody raises their hand, at all] Seriously guys?! Come on! COME ON! Look up WHAM! For some reason, idk. Can we just— not do this? No. Out of my mind a bit Speaking in tongues, In total silence Guess it's the times, I guess that's just who I am And who I am is I said I was Sam I'm the same, I said, “Say Uncle” I guess it's a game, we're playing I don't want to be played with At all I just want to feel loved again By someone else Superb, like him I just want to be felt, I guess By someone else That's “Different” I just want to be kissed on the lips A splendid blend of Twisted trysts Let's not pretend It hasn't ended yet Until you've finished it Class dismissed again Let me off of it I just want it to stop Keep rolling Keep rolling your eyes in the back of your head Like you did just morning Just go for a walk Just stop for a moment Run a bath And just keep running Cause here something comes, Of course, It's all your callings Neatly rolling into one, They said But I Just want to be loved again And who doesn't That's the fucked up part I just want to be loved again But nobody ever Just comes up I just want to be loved again It's a walk in the park Don't follow the dog Even if he barks at you It's time to start again I wonder what comes after this part You are the gleaning in the shadows, The reckoning in my eye, The siren in my silence; The green in all the lights, I am a shamed to have just been One of your many One of your many Images, You still have me twisted, I miss you, It's just you, at the end, Again I left you where you left me Solid on solid Sounds are invalid now How are you so Swore by your awesome No more songs, I said No more songs, he's dead to me No more songs! She's inlisted He's uninterested, Isn't this interesting The problem is: I'm still in love with Everyone i've ever been in love with (And I love him) But he doesn't remember my Name And he's famous And she's crazy And he hates her But he made me hate him The day I became you The day I became So famous, I finally made it I'm dead It smells like dill in here At least it doesn't smell like dead mouse. Aha. Youre Hellen. Keller or Mirin How would you be Hellen Miren Cause I'm the Queen. posh. You want to die Well, you better do it quick Better get your shit toggether, paint a l Bigger, better picture Bitter Betty gliching steady Just remember when you're ready Ever steady still forgetting dinner Dessert was already Forget this significance Remind me why I'm on this speeding bullet to nowhere Had no other options but to go under for something Shy, sickness it's a secret Just kill me already Semi robotic, Something like a magnet, attracted, Simply symphonies And soulless bodies, tied to money Wonder what was in the vaccum cleaner meaning What did you suck up, dude Who do you suck up to. When nobody loves you But your own son And the audience is robots Nothing really works more than once, if it's really magic Sit and do nothing would you Like you're supposed to Fall over like the mannequin you are Just a body in my count A mattress without a bespost, if it matters If it matters Doesn't really matter But hey, you know We all go downtown every once or twice a note For Hanukkah I could try to be nice But there's no sense in it, Is there If everything and everyone else is just as nasty As the rest of it Just is just a test, again A doctors office visit. Simple robotics, Or already stocked up for Hanukkah, Hollywood Where's your homeland deposit box Closet full of robots Closest to the moon, I wrote another poem for you Sorry that I wasn't on the offering table The parakeet, pigeon and pirated Slattery, Damages, damages, All with the Amazon packages, Now we're all robots, Aren't we What corporation to you belong to! Something corporate , or say anything Whose to say Jeff Besoz won't replace us With m robots with thought processes, If once such could project as such presence As an AI freestyle Meanwhile, I've got a butload of buckets and bunts, Bullletwounds, eyes on Manhattan and happens to wish something bad upon me When all I wanted is Somebody to love me And someone to love him, If that's what he wanted (But who knows if what he wanted was all of the bodies opposite of him) I don't belong on this planet I belong in the garbage Put me on mars, mom Stop it, You're almost a robot, get out of my peripheral With your mental illness Geez, I must really want a menorah This is the animal house There's no one alive here Set to be slaughters. Honor the box of offerings as Thoughtful words And parallels What could be under your tongue Is the surface of love Just to touch with the battery acid or chemical trails You have left in your axis Nobody knows better than this How close it is to touching Without being loved But nobody loves you Psychotron, sure we're all robots now Nobody loves anymore {Previously, On…} L E G E N D S The Secret Life of Sunnï Blū {Enter The Multiverse} Ascension What the FUCK did you DO? What did I do?! You know what you did! I didn't do anything! Oh yeah? No! Not on purpose! GODDAMMIT, YOU SON OF A— Where's Jimmy Fallon?! What?! I don't know! Oh no. Oh shit, run. Oh no. What in the FUCK— I am “the fuck” You know what. I'm gonna sue the everliving shit out of you. For WHAT. We'll see. Fuck. Uh oh. FUCK. What now? What this time? Apparently, Jimmy Fallon is missing. What the fuck does that got to do with me. We'll see. Okay, great, Now finish that chapter. What fucking chapter?! All of it. That's—a lot. I want all of it. By my desk, by noon tomorrow. “By” your desk?! Yes, BY. Not ON. I've got too much stuff on my desk— …but it's…like 9 o clock. Should be easy, given your natural talents. What natural talents. PEACOCK. AHAHAHAHA. Okay. Well. Well what. This sucks. I lost all my coins. Hey. Ugh. You dropped this. So how was Los Angeles. What the fuck. You fucking DICK. I told you, I own shares in this. So what's the plan for this, exactly. I dunno, Harry. I got a book of stamps, And a yellow envelope marked “Jimmy Fallon” I will hate you forever. Well, that's retarded. I haven't even smited you yet. I will annihilate you, human. WHERE'S MY SHIT. Who the fuck are you, anyway? Nobody! No one. No one cares about this series, yo. I'l seriously doubt that, Jesse Pinkman. What is this stuff. It's your stuff. This is not what I ordered— Hey— Why is it BLUE Cause it is. So. WHY IN THE— Mischief managed. Alright. This should be good for the night, but we gotta get out of here by morning; I thought your parents owned this place. It's a time share! So? So it's like only —part of the time. That is stupid. No! You're stupid! You're the one who got us into this mess. It's your mess, I was just cleaning it up! Whatever! Stop trippin. Nobody's “tripping.” That's it. I'll be a stripper. Straight outta hell, that kid. Don't I know it. Alright, fine. I said, whatever you do— DONT watch this show. Stuff it, J. Slatts. I'll kill you with my eyeballs Sounds like a threat. Put on a lawsuit, then. Maybe I oughtta… —with a bow tie. You'll look so pretty. I thought I was already pretty. Uh huh. Yeah, look, so honestly I don't know if I'll ever be on the same vibration as like, Jimmy Fallon and them, ok? I don't know how I did it; I don't know what did it, It just happened and then— And then WHAT. It just—ended. Just like that. I'm not trying to offend anybody here. Just like that. Now, I ask: What are we going to do to sell you this dream? Doesnt matter what you do, I'll never believe it. Sure, fine; Don't believe it— We're gonna make you live it. Who the hell us “we” anyway? Now you're speaking in my cadence— Don't flatter yourself I like it. Too late, I guess. So, you see We're building Power triangles And love squares Power triangles And love squares Don't let it scare you, There's love there Don't let it scare you, There's love there Never fear where love has dared To call you up there Corrupt file—no fair. Don't be suprised even the odds seem to turn in your favor, I promise you; Nobody's ever ready For what has just happened here. WAKE UP, FUCKER. Ugh, I can't go through this again. So, I guess I'll have to erase, Or just secretly publish Everything I've ever written About my actual experience as a color, Just so that I can earn money As anything other than A slave— A maid, A housekeeper, A dog walker Or servitor So far under her, That I can't see far enough up to just Scratch the surface Her birthright: The entire network And mine, To sit under her, Wondering what the world would be like At the other end of the spectrum The word form of the White woman The wicked witch of all directions, In which I stand in; I'm at her mercy I've been abandoned before But this disservice, is, I'm afraid The best advice I can take is just To go straight to the bank with my angst and my hatred And shove it So here comes the nameless Face I love, Yet, The faceless God, Was Intoxicated, at best— Manipulation of the Mass Media I'm so Seriously jaded In this torture chamber In my corner office In this hall of racists, I claim, but if all is One in the same Then It's one in the same And I'm mainstream I'm famous If it's One in the same Then It's one in the same If it's One in the same Then I'm mainstream I'm so famous In a whole room full of humans I'm groomed to be useful for something, But what? It just hasn't come yet. I could sit down with a paper and pen, But I'm filling up all of my documents With hollandaise and God For what? It's just another song, or something Or something. It's just another — Goddamnit it, more coughs again. I told you not to watch this. Why do I taste pancakes? Maybe you're having a stroke again. Chyeah, a stroke of genius. I'll show you a stroke. Or don't. Well, there goes the captain. where is that scene, anyway? I don't know, I just wrote it. Great, she left the door open. She's got no furniture! It's a “dance floor” It's “the black box” she called it “the black box” Goddamn, do you listen to all her stuff? “Fear stimulates my imagination” Pilot ASOT Fuck man, What is a woman to a man, And an androgynous genius to The industry, or anyone at all If all are foes ans frauds All else is toxic! I woke up with one hand tucked behind my back Feeling dead drunk, I just woke up again But never fell asleep What world am I in? The end of the Dream sequence The end of the energy keeping me between three things: My past, My future And these prequels, Sequels And seeing arrangements And She's going crazy But nobody quite understands That these demons are chasing me saying “You deserved those hands in your face” The scratches on Kayla's back should have had me but I was too fat To find love again And still have something Wonderfully, undone And wrong with me Wrong with me enough to slam poetry So I'm guessing the white women I love beyond words and bounds are— In charge of whatever happens At the top of the rock; So I jumped off. I want to see someone suffer for all that I've done; No, that's dark, and karmic, you know— To go on like that; The confusions and refusal to accept that The album is called ChaosMagick, But the cover is more Urgent, A prose or a pawn of protection Against all the coughs And the reckless mismanagement The hands in my head And the eye on my scar And the lies on my heart So tell me, What happens When you're flying a kite with your heart, And it's broken? What happens to the kite , When you fly it with your heart And your art up in bundles— heartbroken, heartbroken So what come of Miss May, Come January? What come of Miss April By Next December what comes of the words I was saying For no one But everyone heard them And I've been gone Much longer than months, But still stocked up on all that I've wanted Or all that I got Or just, all that I love But got no undercovers to acknowledge no more How right I was Or how wrong I am What come of Miss June, when Miss January comes around? what come now, around August, When March is long forgotten? What comes of the drugs, Of the come ups, and come downs What comes of the process When nothing is served But the surf has come up Somewhere And I just can't love enough To go there I want to go to there I want to be that girl I want to sit at the top of the rock Writing songs, and sipping mock cocktails I want to Don't you know I just want to get back to Where I belong I'm so out of money and love That I want to be Under the train, When it's coming (Sometimes it's just the impulse that says “GO” Then the train starts to slow And my pain bubbles up into a numb, Dumb, crumbling cluster of poetry You know? Or you don't Cause you're all just on your phones Scrolling Some black man stands over me, Reminding me of why I never trust the ones Who want me most, Or just assume, By color code, That I belong to them I'm sorry, I just can't write with your arms around my neck like this Your heart around my arms like this It's so wholesome I had other verses but forgot them They took away my movies for the curses And the hexes That they put on me I said don't. And the king said “Heads will roll” Cause, you know; I've got parts for all of them now, The ones I'd forgotten But come from the catacombs, Back from the conduit You know, This is awful I had another one, But lost it. The king?! Which one. Teas I! No, it wasn't, It was Gían's father, From further off Should I call John back? Which one? Turns out, I love all of them— Turns out, I've got all of them In my college I taught them all to be someone Becoming of acknowledgement With nombres most common Juan, in subcultures, but Beyond that (Or above them) It's John, Or just Jonathan, Watch the ones who drop the consanant; They're always so troublesome, But I took them all up As understudies, Social Studies and some theatrics, Joan of Ark said Two more moments (Two more weeks in) I could have a body worthy Of a Grammy award, but — Would I be a writer then? Probably not, hon— Writers are Off a bit. If you were pretty, ever at all— would you have written this?! If I were pretty at all would there be reason to be this Conflicted? Some of those old New York hallways Haven't been painted In ages Since they made them Don't make that face at me I only dropped my key once On the fourth floor —they're horrible, you know To us, The “brothers” know no love They are destruction, speaking Of this, I got a cold heart. Cold like the robber Cold like the calling I've done in my corner office cold, like the jello mold forming a thought process Worthy enough I might love it like a husband We're re-evaluating your circumstances. Whatever the fuck that's supposed to mean. I've got friends at USPS What the fuck could that even account to. Look, I'm gonna have to give this some serious considerations. It's not that serious. It's not that serious. Of course it is! I'm up to my knees in investments! So?! I wade a waiste deep, Surely you can get by “Up to your knees” What exactly do you need? Money. And lots of it. I mean, from me. Money. Really? Leave me alone. I told you not to write this. You're a voice in my head; No, I'm the hand in your mailbox. What in the fuck do you believe in. I believe in everything! They said you were a genius; I didn't expect you to be —at the very least, lucid— *squints* learn some new vocabulary, okay? For what? Dinner. Maybe. We're still in the process of voting. She's crazy. We'd be crazy not to actually hire her. Her accounts are all practically open; We could just take it. Yeah, and when she kills herself, and there's no blood on our hands— There's nothing that can be done about the amount of this stuff that's already printed! Printed?! What?! You mean— She's published? Self-published. My, what a beautiful happenstance To have already had you And awakened atop mattresses Marked for my assassins hand— Polite, I lost you All of us, Atop the rock We stood and suffered Months beyond a montage, Undercover Love was lost, And all's uncertain The interception of God, At the cost of What terror and cutbacks Have caused us all What you lost was $50, a Hallmark Card, an Academy award, a long lost star's phone number, And all that you wanted, The cock of the gun Was the sound that you wondered What was called , then ran off into wonder. How am I gonna make money And become an award winning songwriter Music producer And multidisciplinary artist, Without all the funding it takes to get noviced Without taking clothes off Wake up 10 years younger I'm suffering My stomach was a rubber band My stomach was a rubber band My only song was Water I forgot to stop For the applause I drowned in all the love; right then and there I died of Lovenessness [The Festival Project] The sound and laughter of children play A baby in a basket The basket case at Trader Joe's Who know what happens It just doesn't pull my heartstrings any longer That my son belongs without his mother So I'd better have another This is us, come on. Don't do this to me. Don't do this, Timmy, you'll be sorry. Come on! We're not even in that movie! We are, though; it's still Listen, you've got the right guy for this. Are you sure. Yeah, I promise. Officers, Stop for a *movement [hot cops flash dance number] Fuck, well, that was all wrong. But worth it! What I meant was— God, this show gets good at 31, But I'm only 22, So I guess I'll know how wrong the war was Once we've lost it, Cause imm a man now The episode is over, Soon comes the next episode With snoop dogg, Or not That was our wedding album. Scatterbrained, and pregnant— There she was just putting all the things together That she needed to be Needed To be needed. There she was, All on 4/20 Trying not to do the wrong thing, But what was it? To be loved. Then, There she was at 21 just going off again At some event— A friend, and her Back then could not imagine They'd become him To be someone. Not as one, But of entirely another World apart, aside from Cyclones into snow cones Turns the watchers into artists All their own, And off my own accord Or own account Or done with boredom Dove soap Open doors And clocks that turn the other hand away, Each day you love Manhattan But can't have that. That's it— This is just Season 1 of Mad Men WHERE THE FUCK IS— [she throws her hands above her head in surrender] I don't KNOW! Oh, you're a girl now?! I guess! What's with those pants, then? To hide the assets! What assets?! You look tragic. I'm going for ‘skeleton' to match all your wives and everybody else on the red carpet Who said you get the red carpet? Manhattan. That guy lies! Well how about this: The walk of stars were carved out in blocks of marble All in my honor. 1000/1 You're our God, now. What! I don't want to be God! SUCK IT UP. YOU WON. I don't wanna! Yaaaaaaayyy. You got the award! All the awards! Speech! Speech! SUNNI BLŪ Uh—- I'm drunk, And there's nothing on the teleprompter [a man in the audience coughs] A-HEM. [Sunni Blū immidiateky shoots the coughing man] [multi-camera shots of celebrity audience reactions; laughing, clapping in hilarity as if someone hasn't just died] TAYLOR SWIFT (unmoved at all) SUNNÏ BLŪ I don't know why you're laughing. That was awful. That guy died [audience is insane, super fake as usual] [more cut takes] SUNNÏ BLŪ It should have been you, Taylor. TAYLOR SWIFT (Still unaffected) SUNNI BLU Anyway. I'd like to thank the academy… Cause I am the academy [Audience is celebrities being celebrities] SUNNI BLU You guys are all idiots: I'm a go f*ck myself— And anyone else who wants to show up At my afterparty. Whatever. Peace. [cheesy academy award music plays—Sunnï knocks over the mic, peaces out obnoxiously; the audience cheers wildly and the host returns to the stage.] Who's the host? Whatever. Hey, better than nothin. You're telling me. yeah. I know: Oh, she's a comic? Yeah. I got it. BOB SAGET Ooh, that's good. Ū No—no my God. No Bob Saget, stop it! Wait, Bob Saget is dead right? Last I recall: Fuck—FUCK! Dammit. Dammit, dammit. Okay, Rue— you're up. Rue, what in the— Shhhh, don't let them know I'm in here! Oh, wait— It's me, Blanche. That's hot. I'm a debutant. My god, you're so young. Here, take this, What's that, You'll need that. V.O. I'm being hunted by the ghost of Bob Saget. *haunted. No, hunted! There she is! Grab her! Ooh, Bob Saget. Why, yes. How old are you? Not dead yet! You don't have to kidnap me, I'll happily go with you, sir. Really? Yes. GET IN THE— NOH, GET IN THE VAN. INT. IN THE VAN. [a bunch of hot male celebrities are in the van] Oh. Okay. Wow. That was easy. What is it, Friday. It's Friday and a half. Friday.5 What. There's a Friday movie between 1 and 2 So I guess this is season 8.5 I guess this is season 8.5 HEY, GET BACK HERE. What is this. It's your lunch. I don't want this. Well, okay. What— is this strange music— They call it dubstep Come on, Jimmy, you're slipping Kimmel, cause Fallon is dead or presumed missing Probably Skrillex Probably a bounty on his head, Dog willing The Festival Priojects Inclement Infinite Is coming up next, on Legends Come on Jim, KEEP UP. Nobody can know about this, okay? Wait, where's Kimmel Okay, I got O'Brien— Black Irish Bastard… Alright, Alec Baldwin is a little tied up, right now, but LEMON, Fuck. That's l—future me. What?! I gotta go, okay?! What? Go where. Let's get DRUNK. No, That's—I got a show tonight What?! Look at my lexicon. Your—what, Meet me on Lexington. Oh, this pussy is finished! I got it, I got it! He's LENNONNNNN!! JOHN LENNON Fuck. Look, I gotta go. John Lennon?! You're dead! Funny, I thought not. Watch this. MOOOOOOOOOOOM. Fuck, What, It's my kid. I gotta go. Wait, you have kids?! Well, I just had you, didn't I? “The mayor” is a secret underground rap star lol #trappin Okay, What's else happened Idk hold on Okay, So whats the sauce on this sandwich. Oh. Jeez, this again. That *sandwhich? Hah. There's no sauce on that sandwhich. —there's not!? No: You see. It's very simple. WAKE UP, YOU'RE A ROCKSTAR. we gotta take the train. The train?! NO. NOTTHETRAIN. NO. Man, fuck the train! [SUNNI BLŪ wakes up on the train.] What's this, the train? [is the train] (Angrily, tossing newspaper) Man, FUCK the train! Other hobo: Aww, thanks, I need that for my— [s/he snatches back the paper]. Wait! I need that back—what day is it? [drunkenly illegible gibberish turns into perfect Hebrew] GODDAMMIT, it's Shabbat; I gotta get to Temple. [s/he shoves the newspaper back into the hobo's lap] Here. Oh no, I thought I couldn't forget RABI FUCK _]€_# WHAT WAS IT GODDAMIT IT WAS SO CLEVER. God So it was… What did you do with it? Do with what My idea what idea My—my rabbi joke— What rabbi joke you know what rabbi joke! You were the one who gave it to me. Oh, did I? YES, SATAN, JESUS. GOD Ohh, Satan-Jesus. I like that one. NO— it was— It was much better than that, it was— It was funny. Oh, it was? YES. —did you write it down? Fuck, I realize I just opened a A FUCK PORTAL. OHH, GET IN IT, GET INSIDE. I had an Artemis in my pocket But I lost him Walked away from the cornermarker And the cornerstone, for the sunset I wonder if songs always come When I'm walking, Or God makes us promises, For world of I'm not JB, I'm KG, Can you see me now? If you could see what I see, We'd be even wtf did I just write this And not realize I just wrote this Yeah. That shit happens to me all the time. WHAT. ALL THE TKMEx Shut up, THE ANDRE3K CHARADES GAME is getting intense. What in the FUCK is that. *flutes* Ohh. And KITES. yyyyyYYYYYYYAAAAAHHH—— GODDAMMIT. I can't see really, I just dream I'm not thinking, I'm dancing This is what you asked for Exactly what you asked for For once, I'm finally glad I have your eyes on My friend I can see you all on the horizon, Singing NO, NO MORE MUSICALS!! Jimmy, what did you do?! I don't know what I did! You lyin bastard. I'm not lying! So, where ya from? —I don't know where I'm from. Listen, I'm gonna need you SHUT UP, JUST SHUT UP. It seems like these scenes are getting shorter. I'm bored with this. Ok. Let's do something else. I fuckin hate you. I hate you. I fuckin hate you. 88. Oh no: 8 Wait, what the— *dolphin* WOAH, okay: Oh, no. No, No, no OHNONO. I told you I'd find him. Anyway. Seems like there's something more important I should be doing. Are you sure this is the right place. Right place. Right time. Fuck— FUCK. What, what happened. I lost my— SKRILLEX! No. SKRILLEX. NO, NO— SKR— I swear to God, Google knows everything. Google don't know shit about SHIT. I gotta lose m 39 lbs. For what. MADONNA DO IT FOR THE BANANAS. I hate— you. COME ON, MISTER. Fuck off, Madonna, I'M A GOD. I miss Beyoncé. That's not relevant. Beyoncé is relevant to everything. *smacks* QUIT FANGIRLING. Trust me, I hate you. I don't trust you, but I believe you. I got it. I hate this place. Holy shit. What. I developed a new phobia. What's that mean?! I don't know, I can probably use it in a fight or something. For what. SPECIAL ABILITY UNLOCKED. I see you looking over my shoulder I see the shadows, I try not to jump at em. I spent six months in a coffin, you know I spent my life a sarcophagus (Wow, I got it right.) Try not to mutter those haunts in a hospital Try to recover from trauma Uncovered post traumatics, Anxiety attacks and a lot of those— What do you call them? A flashback. Here goes one: SONNY MOORE aka SKRILLEX appears. I told you not to— But I did! I didn't mean to! But you did! This is ludachris! Oh look, it's— Fuck. God dammit. Come on! What's his name!? What's his name?! I'll think abo it it. Are you serious? Another shapeshifter? Yes, I guess welll just have to kill them all, then. I just want to go home. You don't have one. …oh. So here we have. Okay, wait a second. I wasn't faking my symptoms at all, actually. My heart had dropped, and been pounding and fluttering insessantly— It had been a hard week, but especially the last three days; The coughing—. Everyone seemed to be wearing clothing with stars or bears on it, Champion sportswear. I fucking hate champion sportswear. But the palpitations were real as ever— and now— On a Saturday night in the Jamaica, Queens medical center emergency room, There they were again. Only this time I knew exactly why. ‘Too Bizzare' by Skrillex begins to play, via Complications 003- The Trauma Method. Irony. It was ironic, but still startling, Started with some nostalgic traumas, Every other time I saw an ER doctor (Why I don't go) Fuck, I just realized I have to airdrop myself 880 times. That fucking sucks. Did you say you were a doctor? I was, once. When is “once” At some point. Listen, I'm gonna need you to backtrack to get to the bottom of this. I'm innocent, I promise! We caught you at 27 different angles doing this. Oh. [beat] I plead the 5th. Ohh. Cerulean. My favorite. c R A Y On Oh, I get it, I L L U M I N A T U S. Nice, it worked. I know everything about you. So you do. [beat] You're a God. What the fuck do you want from me. Listen. I. Am not. A God, Right. That's exactly what a God would say. No they wouldn't! Because a God wouldn't say anything! AHA. Don't ‘AHA' ME. I don't mind, at all It don't matter— to me I don't mind, at all It don't matter—to me Might as well not think about it The space between us Might as well just stay awake then No sense in leaving Just to come back It don't matter to me, now Now and again I go crazy just making arrangements, But besides that, If you like it, you should have it It's a long road, As Kaskade says, And a short dance, With the right one And time goes by I would call it mild, But actually I'm in a wild panic It might be a heart attack I just might even Die right here But I don't mind, at all It don't matter—to me I don't mind—at all It don't matter to me, I said I don't mind, at all, now It really don't matter to me I said, I don't mind, at all It really don't matter to anyone Now does it (Not it doesn') I don't mind, at all It don't matter— to me I don't mind, at all It don't matter—to me Might as well not think about it The space between us Might as well just stay awake then No sense in leaving Just to come back Palpitations and precipitations at the pulpit Preacher, please don't make me a culprit I been prayin— I been paying my tithes, 10% Even, Now 25, Almost half of me is not mine! Why try? I've been walking out, in straight lines I been crying silently It ain't right I been making most of my nights Sometimes I see sun come up twice Up, down up 10 degrees, It ain't right Up down up 33, it ain't right Up, down, up I've been spending my time Down, up, down Riding round, Trying not to down in my mind Up, down up What is this. It's my project. What is it? The Festival Project. Yeah but—what— What. Is it? …it's my project. *painfully infuriated* Okay, enter here. EXAM ROOM 10 Why exam room 10? Because. Where are the other nine? Just—get in. I'm not going in there! JUST GET IN. UGH. DEADMAU5 (head and all) stands at a tall podium in the center of the room) What is this, This is deadmau5. I know that. —-!!! —?!? What. !!! What? This is the exam? Yes! NO. What is “no”. I'm not playing for deadmau5. That's the exam. Then I fail! Automatic Fail? yes. Automatic fail. Then you win. What. *slams gavel* Congratulations—you're the next superstar DJ. WhY. . What. Woohoo! I just retired! DEADMAU5 exits. … … After a few moments of comic tension, the Deadmau5 head rolls back in through the exit which he has taken. Ugh. Fuck this. No matter what you do, you're a superstar DJ. What. No! Yes. The answer is yes. NO. Fuck. What the FUCK. No matter what you do. You want to go, Go, you want to die, Die, you want to try, try You want to cry, cry Do what you want; As so will I, Demand is demand— Supply is supply. EDX So then, I followed this long hallway under the stage deck. Uh huh. And it led to a door— Uhhuh, where'd the door lead? To a portal. Woah. Pasqualle! You made it! I—yes. Congratulations! *blows party horn* *Daisies/ confetti* You're like 25! I'll be 25 forever. Nice! Yeah. I guess that's why it's called ‘music'—a musician without muses is just useless. ‘Well, whose next?' I wondered. All of my muses were not just so wonderful to me, but adored by many—and perhaps this is what allured me most—befuddled ans confounded me; once my mind was set on something, there was nothing else its eye could see—and for how long one God could only know, how deep the love would go and that the blood would run deep, and the scars to show for it, only upon my heart and never by soul—for a love was a love, and even once came and gone, to the end of my life I knew I would still ponder upon them, at one time or another, my muses—star studded lovers, rather than crossed, shiny and golden like all diamond and trophies so treasured and thought of as precious. ‘Yes, you are—precious.' Another tongue in cheek thought, for the other that I was, and also was not, as summer drew onward as short as it would come and go—a reminder to leave the apartment more often, and to mind my manners, to find the upper echelon wherever it was and come quietly into its doors, to open my world and wordform of thought, into a place where my heart always was; then, and only then, would I be home. Amongst the men and women of the uppercut and classy, luxurious big fishing ponds and flocks of doves upon olive branches—the peaceful world long parted from where mine was, by only the fault of my own. What had been done just certainly was, and yet, what was to come was an open poem, not of mine, but Godform in thought. ‘I wonder what's at the top of Rockefeller Plaza.' —perhaps, a gander at the bottom of an even larger entertainment complex. Then, again, only God would know what was beyond all that I wanted; a job—and not just any job at all— the one that I had always wanted. Mmm. Birthday cake. Suddenly the taste of a white confetti crème filled my mouth with a delicious remnince of what it might be like to taste a confectionary sugar again—but i couldn't imagine ever making it just on talent and charisma alone—no. Indeed, it seemed something had damaged my charm, and perhaps it was just the swarms and droves of phone controlled masses that saw me as nothing more than dust, I had started to surrender my desire to perform, and the quality of my music—along with my ability to make it, suffered with the awful thing that had been crowding my soul at all—whatever it was, evil and dark in nature, sure saw to it that it wanted to hurt me in all the ways that it could—and in all the ways it could not, I stayed away from most others, favoring my delusions of love. ‘Nobody seems to understand that the pain they cause will only harm themselves.', I thought Younger souls, however, they were—and they would be kept in the pain that I was in one way or another until eventual death, far behind me on the infinite road to the source. Far enough behind, that it seeked to destroy my progress, and for all that it could, it also couldn't. The infliction of pain would simply not act as a measure for control any longer. Off into my own world, where I was at least free from the thoughts and judgement of others. She's the most beautiful girl, And I'm the most beautiful boy; So naturally, we belong together, don't we? I see a pretty picture, Picket fences and a family Golden Retrievers Someone relieve her; She doesn't believe me TV dreams and exquisite pretty people Burning candles, fire flames and frequent figures, Guest characters and cameos, Repeat offenders, multiple appearances Suddenly, really, it's another need People, people pleasers Audience affection, Tragic endings, Butterflies and new beginnings Gun under my tongue, Rubber like a frog My mind is in a fog Haven't bothered going on a walk To Trader Joe's but The anthem of my youth, A lost soul Another form of my love So what I wonder Put the gun up under my chin Rubber like a frog Blow my head off Just cause I didn't blow up Selfish cunt Big brother, Another hypnotist Little brother, Gotta love him Gotta love em For the Love of God I could stop for a moment Wash my mind out with soap Like I'm ten years younger, even Seriously 20 years between us, You can't even hide underwater In a bathtub Seriously, Someone help us For the love of God, for the love of Hollywood Seriously, Someone love us, For the love of God, For the love of Rockefeller Plaza Someone help us Another possible walk of stars A little shop of horrors Another whole story I get rid of my demons The hoes screamin I put semen in her Permanent like semen, Just keep dreamin I'mma just keep preaching SaMo, Brooklyn Europe Next I keep scheming Whoever you are; If you're a wreck— You need a check No respect, neglect Just cover your neck (I'm blind to my own design, sometimes) That's what the eye is Try this: Close your eyes and say thrice, kids I am the God of the eye, Osiris I am the God of the Eye, I'm Osiris I am the God, I walk amongst the highest Thoth, You lost Better just die and keep trying I am the God of the eye, I am (Try this) I am the God of the eye (I never die) I am the God of the eye (That's right, three times) I am the God of the eye No black and white television, In my dimension we pay attention to centrifugal, The mission isn't in materialism, Whatever youre spending If money the God, l of your eye, Realize, I am higher My gunfire, Is right on the back of The one dollar I am the God of the eye I Am Your money is nothin to us We come in peace, To end suffering Pretty little nigga Look just like Kendrick Kickin it with jigga I'm the new higs boson Part of me never left Boston (Fuck Starr!) Part of me never left homeless This ain't my home It's my office You never heard this song You don't notice I'm an ugly kid, you don't notice me Rooftop smells like soy sauce On god I am ugly You don't notice -Atari the God Can we get back to this, please? Damn. She really whooped her ass, though. Janet, can I borrow you for a second? No. Please. [Whoopi Goldberg appears in the doorway, gesturing “c'mon”] …alright. I got convictions on my lips, I took a picture Turn the page The worst of all was, it really did seem like they were racists— INSOMNIAC EVENTS Not just racists— the most deadly kind of racists. WHITE SUPREMACISTS You really want it this way, don't you? No! I LOVE you! Oh, do you? If there's a mile in here, I swear to god.. Are you high enough yet? I thought so HIGHER! hire star* What. Just do it. You remember these guys, right? GOOD CANNABIS, FAIRBANKS, ALASKA No. Why are we back here. Alright, we might have fucked up. Why. This guy sucks. HEY. What. COME BACK TO ALASKA never that. WHAT, WHY NOT! GOD HATES FAGS!!! Well, you're wrong! WHITE POWER. Nah. ALL LIVES MATTER O rly? Even this guy? Literally every “NO” …so, “all lives.” Look, I don't care what color it is; I want that book in my library. GO TO THE LIVRARY. NO. GET IN HERE. NO AUBREY. STAY DEAD. She's dead, right? YOU CALLED ME HERE. I didn't! You Did. I did not, all i said was *swoons* …I love her. (I really do) WHAT?! “I Love you?!” It was more the *swoon* that did it. Disconnect. Fuck, I lost deadmau5 again What'd you do to him? Nothing! Put him back! He's still there! He's right there, you see him? No! This isn't deadmau5. We want deadmau5. bring him BACK. Fuck, I fucked up. What'd you do? …nothing? Pick up the phone Pick up the phone …hello? Who IS this? Fuck it, I quit. Man, God never puts my dishes back in the right place, like ever. I told you, I don't live here, I'm just… Babysitting. CC! What! CC! What? CC WHAT. Fuck, man. That was wild. Where the fuck have you been? I don't know. You don't know—you smell funny. “Funny” is that what that smell is? No. When were you? When? Ha. Did you—- Did I what? —did you go to a party without me? Lmfao fuck these niggaz. Why, what happened. What's this. Where was it?! Idlewild. “IdLeWiLd”?!?!? You. Old. One here and die, you know, l. It's cattle call for curtain calls guy Where did this go— What was this, once? It's the return Welcome to Oz This is the Tower of Babel Remember; I wrote that Better than the bottom, Still not the top —it's not as fast, when it's not going all the way up Did you jump yet Come around more Keep coughing Are you sure this is where it was or—? Somewhere else I stayed Back when I was homeless It's hopeless! We lost her Antenna, antenna SUPERMARKET I loved her —she was undercover —I'm still in your stirrups I'm lost in New York, then BACKFIRE Adele remix is on [have a seat] Can I go now? I still need a hat, a half dollar and an alter cloth You could win an award for this; I don't want an award, I just want my son back Motherhood, motherhood Brotherhood, brotherhood This isn't one of us! No one was No one was Can I go now? Where to? Home! Nope, that's just the office, I'm still homeless, unless I They got cabanas on top of offices! (The rich and the famous) Networking and brunches— _this looks fun, doesn't it? I altered the course of history In brief exchanges and Various social atrocities This is hypocrisy! lol rly This is hypocrisy!! Hyper awareness and, psychic inclinations… You realize the more low quality people you let in The more low quality this country becomes, don't you? I put a roll in the back of the chosen ones. Used to be cast more, Now something seldom ever happens Such as this— A fun Fortune 500 What does that even mean Forbes. Look it up. What if the policy is Foreign; Look it up. I know enough about the girl next door to know Something is horrible, Something inside of her Rots at the core, Her obsession; My undeservedness of such, What she must, I mustn't, just Unjustice Broski, okay I got to discard All the pichardo Besides just this one (I'm standing on top of you) Put somebody worthy on the fourth floor Worse off, I was done for Before I got to New York What's her for?! I know enough about the man upstairs to know All these glares and “How dare you's” and Hatred says Why would you wait 30 years Until today, I guess Something is certainly off about her. I said yes. It was more probably something like “SUCK MY DICK” What. “YOU HEARD ME” Oh yes, I did. From 1990 to 1993 From 1990 To 1993 From 1990 To 1993 Stop breeding these things, “Love is familiarity” No Love is what you make it But you can't Because of slavery They don't make music —they don't make love either Well, look where your lust took you! Nowhere! Exactly! Look where your love took you: Vegas, Los Angeles, South of the Border Above it a New Yorker— Under budget, Celibate and My arms are too short to jump the turnstyle, Meanwhile My ex husband left permanent scars on My face My lips My arms My hands And my heart. Did you bite him? Of course I bit him, he was strangling me. You definitely won this fight. I know. Look, if I don't call for security, This bitch is gonna make me kill her. OCTOPUSSY NO. What. NO. Stankass. I will KILL this bitch. Look, I gotta get ahead in this. I need a WIN. These are customs. Trash. Wash your pussy. Send her back. Nah, you know what. Remove that hex. Wait, what, really?! Yeah, like; Reverse it. Woah. That's crazy. They got like….white slaves now. That's not right. What do you mean. That's not it. You said “reverse it” This is what the white supremacy just did to everyone else: [world in crisis except for for people who look like Kayla Lauren, to whom EVERYTHING is a fucking crisis, that isn't] BECKY/KAREN/WICKED WITCH OF WHITE AMERICA I AM OFFENDED I'm offended that you signed your like 12 year old daughter up to pose nearly nude, but— Hey look, it's us now; is this freedom?! Uh…. Why are all the female models like 12 and all the male models are fully grown men— Or women. Right. Idk. Wait, I do. You do?! Wait. Something tells me all the pedophiles and all the white supremacists are in the same group… Run the same businesses— Have the same families. This is disgusting Okay, this is gross That's not right ! That's not my job! Oh, it's not!!? NO. Who should I call That guy. So you want this? Oh, it's a death curse?! It will NEVER end. Wanna bet. I'll kill you and take the whole world with me. Now that's a threat. Thing is, I'm actually making it. I'm telling on you! Ok. Wait 30 years though so you look and sound REALLY fucking stupid. Ok. 30 YEARS. Doesn't make sense. What's the statute of limitations for— Hm. Depends. Depends on what. Who are you?! WHO ARE YOU?! NOBODY YOU SHOULD KNOW ABOUT. THEN WHY DO I? wtf is this? This is Texas being petty. Ok, fuck ya‘lol YAW. I'm serious, wtf is wrong with you. Something. What. Fix me. Fix you. Hm. Ok. *COUGHING* Somethings wrong here. Yep, it's definitely some kind of FIX IT. Where's this ROCK? At the ROCK. Like, where tho?! Ur gonna need this. What. They r crucifying u. Noted. Hunts Point Food Distribution Center Lmfao I need this word hold on “eliminating redundancies, setting strict timelines, and allowing cases to proceed contemporaneously” [ Finally, recognizing the danger that social media poses to young people and mental health, New York City Department of Health and Mental Hygiene Commissioner Dr. Ashwin Vasan today issued a Health Commissioner's Advisory identifying unfettered access to and use of social media as a public health hazard, just as past U.S. surgeons general have done with tobacco and firearms.] A win. I don't play dead. What do you call this: DIE! DIE, BITCH! Corrections. I still don't understand how this— ACID HAPPENS. Out of sight Out of mind So why these guys Tryna waste my time Tryna fuck with my mind with All these lights OH MY GOD I ain't got time for that Well, Maybe I do— I just Don't like NIGGAZ LIKE YOU. (Say what) I don't like Niggaz like U! I'm Sunnï Blū! You're stupid Oh, so he put a curse on sunni blu, too? Ok. Cool. When all my aliases come up This dumb motherfucking drunk Is gonna get stuck In his own woods He'll bury himself In the words that he left With the scars In the words that he left With the scars Sunni blu Is the sayer of stars I slaughtered them all Swallowed them whole Like a big black hole I'm a big black god I'm a big black God Fuck Twinkle that broad One punch girl One punch girl 5 punch faggot I'll unwrap flags on your Goddamn Fuck that Put a curse on my alter ego Lucky he's a he, tho I blow holes in em I blow smoke And love sausage I'm a hedon And he not a Hero He broke He lost I'm open Shirts vs skins I got 666 Curses to show you What your words did IM RA I'm a big black God You're at home with the young apostle Let's be honest He never even liked his father So turned him to a mother, Told his mother to ‘run far, And bring back The life that I want' I'm a big black God In light skinned clothing You don't know to explode Or explode on me Cause my mommy's a Dark skinned icon That my God Find something to pass the time, God Sunni with I, huh I won Fuck a pedophile wifebeater Bury him in the woods with his fury Fear me, now I'm coming up with reverse curses And cures Cause my words Bought the whole world Buried you in the woods I'll bury you in the woods, Bitch Very good I'm a big black God -Blū. GOD is the GOAT I just became god I do what I want I get what I want when I want it I don't want no problems Me myself and God only I buy everything I used to steal These tears in my heart say I'm healing What's the difference, anyway? I've never been fit for your interests, or industry Add insult to injury Add everything to my Amazon cart, then My sympathies Nothing is greater in heaven As it is in hell, for this industry Turned on its head And turned over from 7 to ten Check your messages, then Shut up kid, this doesn't involve you You're not included in the package Michael c hall and John c Riley reprise Mr. Cellophane in the style of DEXTER MORGAN. HA. Classic. GOT EM. V.O. I met her at The Jumping Point {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. {Coming Up…} INT. THE JUMPING POINT POP-UP NIGHTCLUB LOUNGE & BAR. NIGHT “A Long Day's Night” / “A Hard Day's Night” C {CONFUSION SPELL, SUCCESSFUL} [Sequence Initiated.]
Is it Psy or Sai I'm depressed because I don't know how to publish anything and I can't stop writing; I don't know what to do with anything I've written, And I'm always, Constantly stressed about money The things I need, And feel I should be working As if I haven't written more than what some writers with notoriety and fame have or had written in their lifetimes And now, to think, the fame and notoriety seem so small to me; I really just want the money and to be able to go away To some place quiet and peaceful, And to hold my son again. Shout out to the bass pod That's probably why my minds gone Shout out to the old God Your lady is a robot I am the programmer Might need a controller Take it all apart Put it back together I ain't in the ghetto Certified, it's gentrified Ah, dag. What. I missed the helipads AH DAG?! We're about to die, and all you can say is “ AH DAG” THERES MY INVISIBLE MOTORCYCLE. SHHH. Sorry. Unh.OUCH. Sorry. Well, I'm fresh out of [explitive] There's on FUUUUUUU—— F-f-f-f This is not cool! I have magical powers! HEY, watch it! That's odd—it should be cool having magical powers. It's not cool! I don't know what to do! What do I do with my hands! AGGHHHHHH. Well first of all, stop blowing shit up. [Dillon Francis is somehow, just—not famous; he is at camp EDC, being a wooky wook] READ: [Dillon Francis is a wooky wook. ] Correct. Damn, that is— Woah. That is wook. King James is getting into this narrative real deep Let's see why, I fictionalized this dick just to rationalize quickly What a king is I sing good, Cook dinner Me look awesome “Kill the kid,” they called for Another round, And another run So here I come I'm coming up On up-down rollercoasters Cardboard for your cup Cupboards, rocks and cutters Underwater, wishing of surfboard For sure mom, you kinda suck The energy from those is daughters But I wonder what it's worth If stars fall from the sky, To cross lovers Whatever Just a 30 rock crossword I'm Sunnï Blū but, Tracy just a replacement of me Sure it was I'm done God, I fully fucked up. Good job By putting all of my words into google documents In forms of proses and poses Instead of posing for pictures Or asking for roses It doesn't matter what happens The dirt was mud, But I rose up Like no one thought I could From sinking sand And ash dust In God, we don't trust the justice system Fuckin me up Keeping me married to pedophile A while longer So I fuckin die In due time What is right will find the judge And God of all on earth Will tell the story of Starr, And how he tossed his son on the couch Just to punch his mom Yep. He yeeted my baby I eated the nothing The revenge plot twist comes When Skrillex cosmic something Something some It was a downward spiral I was a backwards a hole And my scholarship Cussed out my mother Called her a cunt In her own country Cunty-cunty What the fuck you want? A doorknob that talks and locks A cat or caterpillar to smoke with And karma to choke Starr Like he golf balled And followed me all the way to Brooklyn Just to piss me off Just like a pussy I started the second book Where I left the first one off At Whole Foods market Where I left my snotted scarf at If you support Starr, You're more retarded than I thought If you support War You're better off Swallowin a gun, Like his mom Cause Mike Roberts Beat her up If you support Starr You're probably a predatory gangstalker But what for? You don't even know You got a small award For taking a walk Supporting physiological terrorism But never even Bothered to read the Terms of agreement: They said “Kill this nigger bitch” Keep her from getting any money or education So she can never be president I'm just a DJ, man But since then I've had secret enemies trying to kill me By psychology So they can see me die By my own hand And nothing can ever lead back to them That's how terrorism works, ya'll You're worried about Gaza When genocide happens right in the subway car On your way to work Where they make you late on purpose Even if you leave early Trying to workout, write a book, and leave your apartment looking perfect Who would deserve this? You think you're so perfect, But youre cursed by words, And worthless I think this earth is covered in stuff that it shouldn't be I think I'm 5'7 but the man of my dreams is 5'3 so I been meeting in the middle and stopped eating meat, Hanging from trees praying for freedom Cause something diseased has been following me coughing Like I'm the one who started poverty If that's the case, I must really be God or something But i'm not yo, I dropped my wallet on the bus, And somebody got a come up. A human error I need my hair done. I'm aware you're up there somewhere cause I hear you in my left ear, Jesus left us right here Cause the end is near When everybody's taking the side of a wifebeater And my eyes are wide closed Cause I still owe klarna money on my clothes This nobody is throwing weights, And nothing makes sense Cause karma's gonna take him Heavy, like the weights is Throw your weights pussy I was late coming But ain't had a rest day in 8 crazy days straight It's Christmas in LA Hollywood that is, Here's the blacklist: I hate blacks when They do that shit, Act whack like fucking crackheads Codeswitch like it isnt just niggers vs niggers The only enemy is inner, Fuck it, I'm late for dinner I been here nearly an hour, And lost my power to some animal wired to an app Fuck this matrix, I want my power back WTF is THIS. Since you like to troll so much, I just thought I'd turn you into one This is not Kosher, 199x Jimmy Fallon; Let me out of this plastic —not exactly “fireproof” — death box, before I let myself out, and I trap you in it. But oh, You already did. FIGHT. UGH OH. Ok, rotate. Who is this. Oh shit, hey dude. FUCK, what year is it? MEANWHILE, Under the bridge. …anybody seen this, uh… *Troll* Yee! *Troll* Alright. That's it. Everything checks out. The story was air tight. TIGHT, TIGHT I want you to wear this tonight “The Lady In The Red Dress” You really went all out for this I really didn't, lol Oh I see, You thought this was the matrix. MIT I WISH GOD Wish what. MIT … Mm. Did u see that. See what. ALRIGHT FUCK THIS, YA'LL IT GOT SERIOUS, WHERE'S MY CYCLOPS He called me his cyclops— —-and then he said LIKE GET OUT WHAT GET OUT OF MY HOUSE WHY CAUSE YOURE JUST A PIÑATA, MAN! And I ain't got time for that! I just got a DeLorean And a new HAT I gotta go get Oof. WRECKED. Yo, Wicked. KENDRICK (TODDLER) WIZARD. Oh my. I'm J00F'd up. | | | trance | | | Look; I gotta get out of this MOTHER OF PEARL do not beach this whale carcas on my warehouse project A what A beached whale I know You brought a beached whale to my fucking rave show Oh I get it It's Avant- Guarde No, that's just how I got here …. Trust me, it's okay that This never happened You did not see me It's because I wasn't there Is this U Ū No I wasn't there. Ü I was. Fuck. What happened. It's ok. All I remember is “The Quatardashians” Hmm Also The indigenous But that's it But mostly that was all just Jesus showing off his flexes Are u fasting? Yes, “Ū” is. So, do you need this?! TRUMPP Get rid of this recording imiidiately GOT IT. kill that bitch. SKRILLEX Yessir. —-but before all that happens. …did you want fries with that?! Why are we boycotting McDonald's —for poisoning —the allies —our enemies. Wait, you're eating this? Yes. Like, for fun, or like? No. This is what I'm feeding my children Why Cause they hungry. Uh, ok— —and there's six of them. Aight, ya'll can each have one nugget with your— I wanted a cheese burger! You git hamburgers. Ham. Cheese costs CENTS; And you know your momma If I ain't about a dollar - A dollop of Daisy You really are Ashamed of his Alright, you evil bastards. I see you want to Cause suffering Correct For which you will eternally recurve damnnation and all of the pain you've caused Karmas a bitch It's lonely at the top Not when you're GOD Get off my rock Did you miss an appointment? Nah, can't do it Why what happened Too high up. Whatchu mean So what, it's just like Done. Well, this is it, huh guys. Oh, yeah, it's that, alright This is the longest ride we ever took.d This is the ONLY ride we ever took. I WANNA GET OFF THIS RIDE. I AM REALLY HIGH UP. JUST LET GO. NO. NO. NO. Put me down, kite!!! KITE wtf do you want me to do. I'm a KITE. I'm YOU FUCKIN KIKE NOOOOOOOOOOOOOOOOOOOOOOOOOO—- Well, I'll be honest, man, this sets you back, some How far back GET GONE, But? We're dinosaurs. Why would something with razor sharp teeth be so— —peaceful, and friendly?? T-REX …cuddles. I just can't fake the feeling( I can't pretend to cry It just comes, when it does But when the well runs dry That's when the the world will end That's when the world will end After this movie, I guarantee we will no longer need the Wilhelm scream AGGGGGHHHHHHH!!! YAHHHHHHHHHHH!!!! AAAAAAIIIIIIIIIIGGGHHHHHHH UUUUUUUUUUUUU This movie broke the world record for the amount of times the word “No” was screamed NO NOH. NO. ‘No! NOOOOOOOOOOO! NONONO. NOOOOOOOAAAAAHH …No! Here they all come for her, Defended upon New York In order of important, or appearance? One doesn't wonder, At al, of what's to come Uncommon, we are The call has come TRACY My tummy hurts. That's probably because you've been drinking straight tequila for the last hour and a half. No I haven't! This is water! Tequila is YELLOW, Liz Lemon! No, Tracy—that's silver tequila, And regular tequila is, You know what? Nevermind. Alright, who's got the night shift? [nobody raises their hand, at all] Seriously guys?! Come on! COME ON! Look up WHAM! For some reason, idk. Can we just— not do this? No. Out of my mind a bit Speaking in tongues, In total silence Guess it's the times, I guess that's just who I am And who I am is I said I was Sam I'm the same, I said, “Say Uncle” I guess it's a game, we're playing I don't want to be played with At all I just want to feel loved again By someone else Superb, like him I just want to be felt, I guess By someone else That's “Different” I just want to be kissed on the lips A splendid blend of Twisted trysts Let's not pretend It hasn't ended yet Until you've finished it Class dismissed again Let me off of it I just want it to stop Keep rolling Keep rolling your eyes in the back of your head Like you did just morning Just go for a walk Just stop for a moment Run a bath And just keep running Cause here something comes, Of course, It's all your callings Neatly rolling into one, They said But I Just want to be loved again And who doesn't That's the fucked up part I just want to be loved again But nobody ever Just comes up I just want to be loved again It's a walk in the park Don't follow the dog Even if he barks at you It's time to start again I wonder what comes after this part You are the gleaning in the shadows, The reckoning in my eye, The siren in my silence; The green in all the lights, I am a shamed to have just been One of your many One of your many Images, You still have me twisted, I miss you, It's just you, at the end, Again I left you where you left me Solid on solid Sounds are invalid now How are you so Swore by your awesome No more songs, I said No more songs, he's dead to me No more songs! She's inlisted He's uninterested, Isn't this interesting The problem is: I'm still in love with Everyone i've ever been in love with (And I love him) But he doesn't remember my Name And he's famous And she's crazy And he hates her But he made me hate him The day I became you The day I became So famous, I finally made it I'm dead It smells like dill in here At least it doesn't smell like dead mouse. Aha. Youre Hellen. Keller or Mirin How would you be Hellen Miren Cause I'm the Queen. posh. You want to die Well, you better do it quick Better get your shit toggether, paint a l Bigger, better picture Bitter Betty gliching steady Just remember when you're ready Ever steady still forgetting dinner Dessert was already Forget this significance Remind me why I'm on this speeding bullet to nowhere Had no other options but to go under for something Shy, sickness it's a secret Just kill me already Semi robotic, Something like a magnet, attracted, Simply symphonies And soulless bodies, tied to money Wonder what was in the vaccum cleaner meaning What did you suck up, dude Who do you suck up to. When nobody loves you But your own son And the audience is robots Nothing really works more than once, if it's really magic Sit and do nothing would you Like you're supposed to Fall over like the mannequin you are Just a body in my count A mattress without a bespost, if it matters If it matters Doesn't really matter But hey, you know We all go downtown every once or twice a note For Hanukkah I could try to be nice But there's no sense in it, Is there If everything and everyone else is just as nasty As the rest of it Just is just a test, again A doctors office visit. Simple robotics, Or already stocked up for Hanukkah, Hollywood Where's your homeland deposit box Closet full of robots Closest to the moon, I wrote another poem for you Sorry that I wasn't on the offering table The parakeet, pigeon and pirated Slattery, Damages, damages, All with the Amazon packages, Now we're all robots, Aren't we What corporation to you belong to! Something corporate , or say anything Whose to say Jeff Besoz won't replace us With m robots with thought processes, If once such could project as such presence As an AI freestyle Meanwhile, I've got a butload of buckets and bunts, Bullletwounds, eyes on Manhattan and happens to wish something bad upon me When all I wanted is Somebody to love me And someone to love him, If that's what he wanted (But who knows if what he wanted was all of the bodies opposite of him) I don't belong on this planet I belong in the garbage Put me on mars, mom Stop it, You're almost a robot, get out of my peripheral With your mental illness Geez, I must really want a menorah This is the animal house There's no one alive here Set to be slaughters. Honor the box of offerings as Thoughtful words And parallels What could be under your tongue Is the surface of love Just to touch with the battery acid or chemical trails You have left in your axis Nobody knows better than this How close it is to touching Without being loved But nobody loves you Psychotron, sure we're all robots now Nobody loves anymore {Previously, On…} L E G E N D S The Secret Life of Sunnï Blū {Enter The Multiverse} Ascension What the FUCK did you DO? What did I do?! You know what you did! I didn't do anything! Oh yeah? No! Not on purpose! GODDAMMIT, YOU SON OF A— Where's Jimmy Fallon?! What?! I don't know! Oh no. Oh shit, run. Oh no. What in the FUCK— I am “the fuck” You know what. I'm gonna sue the everliving shit out of you. For WHAT. We'll see. Fuck. Uh oh. FUCK. What now? What this time? Apparently, Jimmy Fallon is missing. What the fuck does that got to do with me. We'll see. Okay, great, Now finish that chapter. What fucking chapter?! All of it. That's—a lot. I want all of it. By my desk, by noon tomorrow. “By” your desk?! Yes, BY. Not ON. I've got too much stuff on my desk— …but it's…like 9 o clock. Should be easy, given your natural talents. What natural talents. PEACOCK. AHAHAHAHA. Okay. Well. Well what. This sucks. I lost all my coins. Hey. Ugh. You dropped this. So how was Los Angeles. What the fuck. You fucking DICK. I told you, I own shares in this. So what's the plan for this, exactly. I dunno, Harry. I got a book of stamps, And a yellow envelope marked “Jimmy Fallon” I will hate you forever. Well, that's retarded. I haven't even smited you yet. I will annihilate you, human. WHERE'S MY SHIT. Who the fuck are you, anyway? Nobody! No one. No one cares about this series, yo. I'l seriously doubt that, Jesse Pinkman. What is this stuff. It's your stuff. This is not what I ordered— Hey— Why is it BLUE Cause it is. So. WHY IN THE— Mischief managed. Alright. This should be good for the night, but we gotta get out of here by morning; I thought your parents owned this place. It's a time share! So? So it's like only —part of the time. That is stupid. No! You're stupid! You're the one who got us into this mess. It's your mess, I was just cleaning it up! Whatever! Stop trippin. Nobody's “tripping.” That's it. I'll be a stripper. Straight outta hell, that kid. Don't I know it. Alright, fine. I said, whatever you do— DONT watch this show. Stuff it, J. Slatts. I'll kill you with my eyeballs Sounds like a threat. Put on a lawsuit, then. Maybe I oughtta… —with a bow tie. You'll look so pretty. I thought I was already pretty. Uh huh. Yeah, look, so honestly I don't know if I'll ever be on the same vibration as like, Jimmy Fallon and them, ok? I don't know how I did it; I don't know what did it, It just happened and then— And then WHAT. It just—ended. Just like that. I'm not trying to offend anybody here. Just like that. Now, I ask: What are we going to do to sell you this dream? Doesnt matter what you do, I'll never believe it. Sure, fine; Don't believe it— We're gonna make you live it. Who the hell us “we” anyway? Now you're speaking in my cadence— Don't flatter yourself I like it. Too late, I guess. So, you see We're building Power triangles And love squares Power triangles And love squares Don't let it scare you, There's love there Don't let it scare you, There's love there Never fear where love has dared To call you up there Corrupt file—no fair. Don't be suprised even the odds seem to turn in your favor, I promise you; Nobody's ever ready For what has just happened here. WAKE UP, FUCKER. Ugh, I can't go through this again. So, I guess I'll have to erase, Or just secretly publish Everything I've ever written About my actual experience as a color, Just so that I can earn money As anything other than A slave— A maid, A housekeeper, A dog walker Or servitor So far under her, That I can't see far enough up to just Scratch the surface Her birthright: The entire network And mine, To sit under her, Wondering what the world would be like At the other end of the spectrum The word form of the White woman The wicked witch of all directions, In which I stand in; I'm at her mercy I've been abandoned before But this disservice, is, I'm afraid The best advice I can take is just To go straight to the bank with my angst and my hatred And shove it So here comes the nameless Face I love, Yet, The faceless God, Was Intoxicated, at best— Manipulation of the Mass Media I'm so Seriously jaded In this torture chamber In my corner office In this hall of racists, I claim, but if all is One in the same Then It's one in the same And I'm mainstream I'm famous If it's One in the same Then It's one in the same If it's One in the same Then I'm mainstream I'm so famous In a whole room full of humans I'm groomed to be useful for something, But what? It just hasn't come yet. I could sit down with a paper and pen, But I'm filling up all of my documents With hollandaise and God For what? It's just another song, or something Or something. It's just another — Goddamnit it, more coughs again. I told you not to watch this. Why do I taste pancakes? Maybe you're having a stroke again. Chyeah, a stroke of genius. I'll show you a stroke. Or don't. Well, there goes the captain. where is that scene, anyway? I don't know, I just wrote it. Great, she left the door open. She's got no furniture! It's a “dance floor” It's “the black box” she called it “the black box” Goddamn, do you listen to all her stuff? “Fear stimulates my imagination” Pilot ASOT Fuck man, What is a woman to a man, And an androgynous genius to The industry, or anyone at all If all are foes ans frauds All else is toxic! I woke up with one hand tucked behind my back Feeling dead drunk, I just woke up again But never fell asleep What world am I in? The end of the Dream sequence The end of the energy keeping me between three things: My past, My future And these prequels, Sequels And seeing arrangements And She's going crazy But nobody quite understands That these demons are chasing me saying “You deserved those hands in your face” The scratches on Kayla's back should have had me but I was too fat To find love again And still have something Wonderfully, undone And wrong with me Wrong with me enough to slam poetry So I'm guessing the white women I love beyond words and bounds are— In charge of whatever happens At the top of the rock; So I jumped off. I want to see someone suffer for all that I've done; No, that's dark, and karmic, you know— To go on like that; The confusions and refusal to accept that The album is called ChaosMagick, But the cover is more Urgent, A prose or a pawn of protection Against all the coughs And the reckless mismanagement The hands in my head And the eye on my scar And the lies on my heart So tell me, What happens When you're flying a kite with your heart, And it's broken? What happens to the kite , When you fly it with your heart And your art up in bundles— heartbroken, heartbroken So what come of Miss May, Come January? What come of Miss April By Next December what comes of the words I was saying For no one But everyone heard them And I've been gone Much longer than months, But still stocked up on all that I've wanted Or all that I got Or just, all that I love But got no undercovers to acknowledge no more How right I was Or how wrong I am What come of Miss June, when Miss January comes around? what come now, around August, When March is long forgotten? What comes of the drugs, Of the come ups, and come downs What comes of the process When nothing is served But the surf has come up Somewhere And I just can't love enough To go there I want to go to there I want to be that girl I want to sit at the top of the rock Writing songs, and sipping mock cocktails I want to Don't you know I just want to get back to Where I belong I'm so out of money and love That I want to be Under the train, When it's coming (Sometimes it's just the impulse that says “GO” Then the train starts to slow And my pain bubbles up into a numb, Dumb, crumbling cluster of poetry You know? Or you don't Cause you're all just on your phones Scrolling Some black man stands over me, Reminding me of why I never trust the ones Who want me most, Or just assume, By color code, That I belong to them I'm sorry, I just can't write with your arms around my neck like this Your heart around my arms like this It's so wholesome I had other verses but forgot them They took away my movies for the curses And the hexes That they put on me I said don't. And the king said “Heads will roll” Cause, you know; I've got parts for all of them now, The ones I'd forgotten But come from the catacombs, Back from the conduit You know, This is awful I had another one, But lost it. The king?! Which one. Teas I! No, it wasn't, It was Gían's father, From further off Should I call John back? Which one? Turns out, I love all of them— Turns out, I've got all of them In my college I taught them all to be someone Becoming of acknowledgement With nombres most common Juan, in subcultures, but Beyond that (Or above them) It's John, Or just Jonathan, Watch the ones who drop the consanant; They're always so troublesome, But I took them all up As understudies, Social Studies and some theatrics, Joan of Ark said Two more moments (Two more weeks in) I could have a body worthy Of a Grammy award, but — Would I be a writer then? Probably not, hon— Writers are Off a bit. If you were pretty, ever at all— would you have written this?! If I were pretty at all would there be reason to be this Conflicted? Some of those old New York hallways Haven't been painted In ages Since they made them Don't make that face at me I only dropped my key once On the fourth floor —they're horrible, you know To us, The “brothers” know no love They are destruction, speaking Of this, I got a cold heart. Cold like the robber Cold like the calling I've done in my corner office cold, like the jello mold forming a thought process Worthy enough I might love it like a husband We're re-evaluating your circumstances. Whatever the fuck that's supposed to mean. I've got friends at USPS What the fuck could that even account to. Look, I'm gonna have to give this some serious considerations. It's not that serious. It's not that serious. Of course it is! I'm up to my knees in investments! So?! I wade a waiste deep, Surely you can get by “Up to your knees” What exactly do you need? Money. And lots of it. I mean, from me. Money. Really? Leave me alone. I told you not to write this. You're a voice in my head; No, I'm the hand in your mailbox. What in the fuck do you believe in. I believe in everything! They said you were a genius; I didn't expect you to be —at the very least, lucid— *squints* learn some new vocabulary, okay? For what? Dinner. Maybe. We're still in the process of voting. She's crazy. We'd be crazy not to actually hire her. Her accounts are all practically open; We could just take it. Yeah, and when she kills herself, and there's no blood on our hands— There's nothing that can be done about the amount of this stuff that's already printed! Printed?! What?! You mean— She's published? Self-published. My, what a beautiful happenstance To have already had you And awakened atop mattresses Marked for my assassins hand— Polite, I lost you All of us, Atop the rock We stood and suffered Months beyond a montage, Undercover Love was lost, And all's uncertain The interception of God, At the cost of What terror and cutbacks Have caused us all What you lost was $50, a Hallmark Card, an Academy award, a long lost star's phone number, And all that you wanted, The cock of the gun Was the sound that you wondered What was called , then ran off into wonder. How am I gonna make money And become an award winning songwriter Music producer And multidisciplinary artist, Without all the funding it takes to get noviced Without taking clothes off Wake up 10 years younger I'm suffering My stomach was a rubber band My stomach was a rubber band My only song was Water I forgot to stop For the applause I drowned in all the love; right then and there I died of Lovenessness [The Festival Project] The sound and laughter of children play A baby in a basket The basket case at Trader Joe's Who know what happens It just doesn't pull my heartstrings any longer That my son belongs without his mother So I'd better have another This is us, come on. Don't do this to me. Don't do this, Timmy, you'll be sorry. Come on! We're not even in that movie! We are, though; it's still Listen, you've got the right guy for this. Are you sure. Yeah, I promise. Officers, Stop for a *movement [hot cops flash dance number] Fuck, well, that was all wrong. But worth it! What I meant was— God, this show gets good at 31, But I'm only 22, So I guess I'll know how wrong the war was Once we've lost it, Cause imm a man now The episode is over, Soon comes the next episode With snoop dogg, Or not That was our wedding album. Scatterbrained, and pregnant— There she was just putting all the things together That she needed to be Needed To be needed. There she was, All on 4/20 Trying not to do the wrong thing, But what was it? To be loved. Then, There she was at 21 just going off again At some event— A friend, and her Back then could not imagine They'd become him To be someone. Not as one, But of entirely another World apart, aside from Cyclones into snow cones Turns the watchers into artists All their own, And off my own accord Or own account Or done with boredom Dove soap Open doors And clocks that turn the other hand away, Each day you love Manhattan But can't have that. That's it— This is just Season 1 of Mad Men WHERE THE FUCK IS— [she throws her hands above her head in surrender] I don't KNOW! Oh, you're a girl now?! I guess! What's with those pants, then? To hide the assets! What assets?! You look tragic. I'm going for ‘skeleton' to match all your wives and everybody else on the red carpet Who said you get the red carpet? Manhattan. That guy lies! Well how about this: The walk of stars were carved out in blocks of marble All in my honor. 1000/1 You're our God, now. What! I don't want to be God! SUCK IT UP. YOU WON. I don't wanna! Yaaaaaaayyy. You got the award! All the awards! Speech! Speech! SUNNI BLŪ Uh—- I'm drunk, And there's nothing on the teleprompter [a man in the audience coughs] A-HEM. [Sunni Blū immidiateky shoots the coughing man] [multi-camera shots of celebrity audience reactions; laughing, clapping in hilarity as if someone hasn't just died] TAYLOR SWIFT (unmoved at all) SUNNÏ BLŪ I don't know why you're laughing. That was awful. That guy died [audience is insane, super fake as usual] [more cut takes] SUNNÏ BLŪ It should have been you, Taylor. TAYLOR SWIFT (Still unaffected) SUNNI BLU Anyway. I'd like to thank the academy… Cause I am the academy [Audience is celebrities being celebrities] SUNNI BLU You guys are all idiots: I'm a go f*ck myself— And anyone else who wants to show up At my afterparty. Whatever. Peace. [cheesy academy award music plays—Sunnï knocks over the mic, peaces out obnoxiously; the audience cheers wildly and the host returns to the stage.] Who's the host? Whatever. Hey, better than nothin. You're telling me. yeah. I know: Oh, she's a comic? Yeah. I got it. BOB SAGET Ooh, that's good. Ū No—no my God. No Bob Saget, stop it! Wait, Bob Saget is dead right? Last I recall: Fuck—FUCK! Dammit. Dammit, dammit. Okay, Rue— you're up. Rue, what in the— Shhhh, don't let them know I'm in here! Oh, wait— It's me, Blanche. That's hot. I'm a debutant. My god, you're so young. Here, take this, What's that, You'll need that. V.O. I'm being hunted by the ghost of Bob Saget. *haunted. No, hunted! There she is! Grab her! Ooh, Bob Saget. Why, yes. How old are you? Not dead yet! You don't have to kidnap me, I'll happily go with you, sir. Really? Yes. GET IN THE— NOH, GET IN THE VAN. INT. IN THE VAN. [a bunch of hot male celebrities are in the van] Oh. Okay. Wow. That was easy. What is it, Friday. It's Friday and a half. Friday.5 What. There's a Friday movie between 1 and 2 So I guess this is season 8.5 I guess this is season 8.5 HEY, GET BACK HERE. What is this. It's your lunch. I don't want this. Well, okay. What— is this strange music— They call it dubstep Come on, Jimmy, you're slipping Kimmel, cause Fallon is dead or presumed missing Probably Skrillex Probably a bounty on his head, Dog willing The Festival Priojects Inclement Infinite Is coming up next, on Legends Come on Jim, KEEP UP. Nobody can know about this, okay? Wait, where's Kimmel Okay, I got O'Brien— Black Irish Bastard… Alright, Alec Baldwin is a little tied up, right now, but LEMON, Fuck. That's l—future me. What?! I gotta go, okay?! What? Go where. Let's get DRUNK. No, That's—I got a show tonight What?! Look at my lexicon. Your—what, Meet me on Lexington. Oh, this pussy is finished! I got it, I got it! He's LENNONNNNN!! JOHN LENNON Fuck. Look, I gotta go. John Lennon?! You're dead! Funny, I thought not. Watch this. MOOOOOOOOOOOM. Fuck, What, It's my kid. I gotta go. Wait, you have kids?! Well, I just had you, didn't I? “The mayor” is a secret underground rap star lol #trappin Okay, What's else happened Idk hold on Okay, So whats the sauce on this sandwich. Oh. Jeez, this again. That *sandwhich? Hah. There's no sauce on that sandwhich. —there's not!? No: You see. It's very simple. WAKE UP, YOU'RE A ROCKSTAR. we gotta take the train. The train?! NO. NOTTHETRAIN. NO. Man, fuck the train! [SUNNI BLŪ wakes up on the train.] What's this, the train? [is the train] (Angrily, tossing newspaper) Man, FUCK the train! Other hobo: Aww, thanks, I need that for my— [s/he snatches back the paper]. Wait! I need that back—what day is it? [drunkenly illegible gibberish turns into perfect Hebrew] GODDAMMIT, it's Shabbat; I gotta get to Temple. [s/he shoves the newspaper back into the hobo's lap] Here. Oh no, I thought I couldn't forget RABI FUCK _]€_# WHAT WAS IT GODDAMIT IT WAS SO CLEVER. God So it was… What did you do with it? Do with what My idea what idea My—my rabbi joke— What rabbi joke you know what rabbi joke! You were the one who gave it to me. Oh, did I? YES, SATAN, JESUS. GOD Ohh, Satan-Jesus. I like that one. NO— it was— It was much better than that, it was— It was funny. Oh, it was? YES. —did you write it down? Fuck, I realize I just opened a A FUCK PORTAL. OHH, GET IN IT, GET INSIDE. I had an Artemis in my pocket But I lost him Walked away from the cornermarker And the cornerstone, for the sunset I wonder if songs always come When I'm walking, Or God makes us promises, For world of I'm not JB, I'm KG, Can you see me now? If you could see what I see, We'd be even wtf did I just write this And not realize I just wrote this Yeah. That shit happens to me all the time. WHAT. ALL THE TKMEx Shut up, THE ANDRE3K CHARADES GAME is getting intense. What in the FUCK is that. *flutes* Ohh. And KITES. yyyyyYYYYYYYAAAAAHHH—— GODDAMMIT. I can't see really, I just dream I'm not thinking, I'm dancing This is what you asked for Exactly what you asked for For once, I'm finally glad I have your eyes on My friend I can see you all on the horizon, Singing NO, NO MORE MUSICALS!! Jimmy, what did you do?! I don't know what I did! You lyin bastard. I'm not lying! So, where ya from? —I don't know where I'm from. Listen, I'm gonna need you SHUT UP, JUST SHUT UP. It seems like these scenes are getting shorter. I'm bored with this. Ok. Let's do something else. I fuckin hate you. I hate you. I fuckin hate you. 88. Oh no: 8 Wait, what the— *dolphin* WOAH, okay: Oh, no. No, No, no OHNONO. I told you I'd find him. Anyway. Seems like there's something more important I should be doing. Are you sure this is the right place. Right place. Right time. Fuck— FUCK. What, what happened. I lost my— SKRILLEX! No. SKRILLEX. NO, NO— SKR— I swear to God, Google knows everything. Google don't know shit about SHIT. I gotta lose m 39 lbs. For what. MADONNA DO IT FOR THE BANANAS. I hate— you. COME ON, MISTER. Fuck off, Madonna, I'M A GOD. I miss Beyoncé. That's not relevant. Beyoncé is relevant to everything. *smacks* QUIT FANGIRLING. Trust me, I hate you. I don't trust you, but I believe you. I got it. I hate this place. Holy shit. What. I developed a new phobia. What's that mean?! I don't know, I can probably use it in a fight or something. For what. SPECIAL ABILITY UNLOCKED. I see you looking over my shoulder I see the shadows, I try not to jump at em. I spent six months in a coffin, you know I spent my life a sarcophagus (Wow, I got it right.) Try not to mutter those haunts in a hospital Try to recover from trauma Uncovered post traumatics, Anxiety attacks and a lot of those— What do you call them? A flashback. Here goes one: SONNY MOORE aka SKRILLEX appears. I told you not to— But I did! I didn't mean to! But you did! This is ludachris! Oh look, it's— Fuck. God dammit. Come on! What's his name!? What's his name?! I'll think abo it it. Are you serious? Another shapeshifter? Yes, I guess welll just have to kill them all, then. I just want to go home. You don't have one. …oh. So here we have. Okay, wait a second. I wasn't faking my symptoms at all, actually. My heart had dropped, and been pounding and fluttering insessantly— It had been a hard week, but especially the last three days; The coughing—. Everyone seemed to be wearing clothing with stars or bears on it, Champion sportswear. I fucking hate champion sportswear. But the palpitations were real as ever— and now— On a Saturday night in the Jamaica, Queens medical center emergency room, There they were again. Only this time I knew exactly why. ‘Too Bizzare' by Skrillex begins to play, via Complications 003- The Trauma Method. Irony. It was ironic, but still startling, Started with some nostalgic traumas, Every other time I saw an ER doctor (Why I don't go) Fuck, I just realized I have to airdrop myself 880 times. That fucking sucks. Did you say you were a doctor? I was, once. When is “once” At some point. Listen, I'm gonna need you to backtrack to get to the bottom of this. I'm innocent, I promise! We caught you at 27 different angles doing this. Oh. [beat] I plead the 5th. Ohh. Cerulean. My favorite. c R A Y On Oh, I get it, I L L U M I N A T U S. Nice, it worked. I know everything about you. So you do. [beat] You're a God. What the fuck do you want from me. Listen. I. Am not. A God, Right. That's exactly what a God would say. No they wouldn't! Because a God wouldn't say anything! AHA. Don't ‘AHA' ME. I don't mind, at all It don't matter— to me I don't mind, at all It don't matter—to me Might as well not think about it The space between us Might as well just stay awake then No sense in leaving Just to come back It don't matter to me, now Now and again I go crazy just making arrangements, But besides that, If you like it, you should have it It's a long road, As Kaskade says, And a short dance, With the right one And time goes by I would call it mild, But actually I'm in a wild panic It might be a heart attack I just might even Die right here But I don't mind, at all It don't matter—to me I don't mind—at all It don't matter to me, I said I don't mind, at all, now It really don't matter to me I said, I don't mind, at all It really don't matter to anyone Now does it (Not it doesn') I don't mind, at all It don't matter— to me I don't mind, at all It don't matter—to me Might as well not think about it The space between us Might as well just stay awake then No sense in leaving Just to come back Palpitations and precipitations at the pulpit Preacher, please don't make me a culprit I been prayin— I been paying my tithes, 10% Even, Now 25, Almost half of me is not mine! Why try? I've been walking out, in straight lines I been crying silently It ain't right I been making most of my nights Sometimes I see sun come up twice Up, down up 10 degrees, It ain't right Up down up 33, it ain't right Up, down, up I've been spending my time Down, up, down Riding round, Trying not to down in my mind Up, down up What is this. It's my project. What is it? The Festival Project. Yeah but—what— What. Is it? …it's my project. *painfully infuriated* Okay, enter here. EXAM ROOM 10 Why exam room 10? Because. Where are the other nine? Just—get in. I'm not going in there! JUST GET IN. UGH. DEADMAU5 (head and all) stands at a tall podium in the center of the room) What is this, This is deadmau5. I know that. —-!!! —?!? What. !!! What? This is the exam? Yes! NO. What is “no”. I'm not playing for deadmau5. That's the exam. Then I fail! Automatic Fail? yes. Automatic fail. Then you win. What. *slams gavel* Congratulations—you're the next superstar DJ. WhY. . What. Woohoo! I just retired! DEADMAU5 exits. … … After a few moments of comic tension, the Deadmau5 head rolls back in through the exit which he has taken. Ugh. Fuck this. No matter what you do, you're a superstar DJ. What. No! Yes. The answer is yes. NO. Fuck. What the FUCK. No matter what you do. You want to go, Go, you want to die, Die, you want to try, try You want to cry, cry Do what you want; As so will I, Demand is demand— Supply is supply. EDX So then, I followed this long hallway under the stage deck. Uh huh. And it led to a door— Uhhuh, where'd the door lead? To a portal. Woah. Pasqualle! You made it! I—yes. Congratulations! *blows party horn* *Daisies/ confetti* You're like 25! I'll be 25 forever. Nice! Yeah. I guess that's why it's called ‘music'—a musician without muses is just useless. ‘Well, whose next?' I wondered. All of my muses were not just so wonderful to me, but adored by many—and perhaps this is what allured me most—befuddled ans confounded me; once my mind was set on something, there was nothing else its eye could see—and for how long one God could only know, how deep the love would go and that the blood would run deep, and the scars to show for it, only upon my heart and never by soul—for a love was a love, and even once came and gone, to the end of my life I knew I would still ponder upon them, at one time or another, my muses—star studded lovers, rather than crossed, shiny and golden like all diamond and trophies so treasured and thought of as precious. ‘Yes, you are—precious.' Another tongue in cheek thought, for the other that I was, and also was not, as summer drew onward as short as it would come and go—a reminder to leave the apartment more often, and to mind my manners, to find the upper echelon wherever it was and come quietly into its doors, to open my world and wordform of thought, into a place where my heart always was; then, and only then, would I be home. Amongst the men and women of the uppercut and classy, luxurious big fishing ponds and flocks of doves upon olive branches—the peaceful world long parted from where mine was, by only the fault of my own. What had been done just certainly was, and yet, what was to come was an open poem, not of mine, but Godform in thought. ‘I wonder what's at the top of Rockefeller Plaza.' —perhaps, a gander at the bottom of an even larger entertainment complex. Then, again, only God would know what was beyond all that I wanted; a job—and not just any job at all— the one that I had always wanted. Mmm. Birthday cake. Suddenly the taste of a white confetti crème filled my mouth with a delicious remnince of what it might be like to taste a confectionary sugar again—but i couldn't imagine ever making it just on talent and charisma alone—no. Indeed, it seemed something had damaged my charm, and perhaps it was just the swarms and droves of phone controlled masses that saw me as nothing more than dust, I had started to surrender my desire to perform, and the quality of my music—along with my ability to make it, suffered with the awful thing that had been crowding my soul at all—whatever it was, evil and dark in nature, sure saw to it that it wanted to hurt me in all the ways that it could—and in all the ways it could not, I stayed away from most others, favoring my delusions of love. ‘Nobody seems to understand that the pain they cause will only harm themselves.', I thought Younger souls, however, they were—and they would be kept in the pain that I was in one way or another until eventual death, far behind me on the infinite road to the source. Far enough behind, that it seeked to destroy my progress, and for all that it could, it also couldn't. The infliction of pain would simply not act as a measure for control any longer. Off into my own world, where I was at least free from the thoughts and judgement of others. She's the most beautiful girl, And I'm the most beautiful boy; So naturally, we belong together, don't we? I see a pretty picture, Picket fences and a family Golden Retrievers Someone relieve her; She doesn't believe me TV dreams and exquisite pretty people Burning candles, fire flames and frequent figures, Guest characters and cameos, Repeat offenders, multiple appearances Suddenly, really, it's another need People, people pleasers Audience affection, Tragic endings, Butterflies and new beginnings Gun under my tongue, Rubber like a frog My mind is in a fog Haven't bothered going on a walk To Trader Joe's but The anthem of my youth, A lost soul Another form of my love So what I wonder Put the gun up under my chin Rubber like a frog Blow my head off Just cause I didn't blow up Selfish cunt Big brother, Another hypnotist Little brother, Gotta love him Gotta love em For the Love of God I could stop for a moment Wash my mind out with soap Like I'm ten years younger, even Seriously 20 years between us, You can't even hide underwater In a bathtub Seriously, Someone help us For the love of God, for the love of Hollywood Seriously, Someone love us, For the love of God, For the love of Rockefeller Plaza Someone help us Another possible walk of stars A little shop of horrors Another whole story I get rid of my demons The hoes screamin I put semen in her Permanent like semen, Just keep dreamin I'mma just keep preaching SaMo, Brooklyn Europe Next I keep scheming Whoever you are; If you're a wreck— You need a check No respect, neglect Just cover your neck (I'm blind to my own design, sometimes) That's what the eye is Try this: Close your eyes and say thrice, kids I am the God of the eye, Osiris I am the God of the Eye, I'm Osiris I am the God, I walk amongst the highest Thoth, You lost Better just die and keep trying I am the God of the eye, I am (Try this) I am the God of the eye (I never die) I am the God of the eye (That's right, three times) I am the God of the eye No black and white television, In my dimension we pay attention to centrifugal, The mission isn't in materialism, Whatever youre spending If money the God, l of your eye, Realize, I am higher My gunfire, Is right on the back of The one dollar I am the God of the eye I Am Your money is nothin to us We come in peace, To end suffering Pretty little nigga Look just like Kendrick Kickin it with jigga I'm the new higs boson Part of me never left Boston (Fuck Starr!) Part of me never left homeless This ain't my home It's my office You never heard this song You don't notice I'm an ugly kid, you don't notice me Rooftop smells like soy sauce On god I am ugly You don't notice -Atari the God Can we get back to this, please? Damn. She really whooped her ass, though. Janet, can I borrow you for a second? No. Please. [Whoopi Goldberg appears in the doorway, gesturing “c'mon”] …alright. I got convictions on my lips, I took a picture Turn the page The worst of all was, it really did seem like they were racists— INSOMNIAC EVENTS Not just racists— the most deadly kind of racists. WHITE SUPREMACISTS You really want it this way, don't you? No! I LOVE you! Oh, do you? If there's a mile in here, I swear to god.. Are you high enough yet? I thought so HIGHER! hire star* What. Just do it. You remember these guys, right? GOOD CANNABIS, FAIRBANKS, ALASKA No. Why are we back here. Alright, we might have fucked up. Why. This guy sucks. HEY. What. COME BACK TO ALASKA never that. WHAT, WHY NOT! GOD HATES FAGS!!! Well, you're wrong! WHITE POWER. Nah. ALL LIVES MATTER O rly? Even this guy? Literally every “NO” …so, “all lives.” Look, I don't care what color it is; I want that book in my library. GO TO THE LIVRARY. NO. GET IN HERE. NO AUBREY. STAY DEAD. She's dead, right? YOU CALLED ME HERE. I didn't! You Did. I did not, all i said was *swoons* …I love her. (I really do) WHAT?! “I Love you?!” It was more the *swoon* that did it. Disconnect. Fuck, I lost deadmau5 again What'd you do to him? Nothing! Put him back! He's still there! He's right there, you see him? No! This isn't deadmau5. We want deadmau5. bring him BACK. Fuck, I fucked up. What'd you do? …nothing? Pick up the phone Pick up the phone …hello? Who IS this? Fuck it, I quit. Man, God never puts my dishes back in the right place, like ever. I told you, I don't live here, I'm just… Babysitting. CC! What! CC! What? CC WHAT. Fuck, man. That was wild. Where the fuck have you been? I don't know. You don't know—you smell funny. “Funny” is that what that smell is? No. When were you? When? Ha. Did you—- Did I what? —did you go to a party without me? Lmfao fuck these niggaz. Why, what happened. What's this. Where was it?! Idlewild. “IdLeWiLd”?!?!? You. Old. One here and die, you know, l. It's cattle call for curtain calls guy Where did this go— What was this, once? It's the return Welcome to Oz This is the Tower of Babel Remember; I wrote that Better than the bottom, Still not the top —it's not as fast, when it's not going all the way up Did you jump yet Come around more Keep coughing Are you sure this is where it was or—? Somewhere else I stayed Back when I was homeless It's hopeless! We lost her Antenna, antenna SUPERMARKET I loved her —she was undercover —I'm still in your stirrups I'm lost in New York, then BACKFIRE Adele remix is on [have a seat] Can I go now? I still need a hat, a half dollar and an alter cloth You could win an award for this; I don't want an award, I just want my son back Motherhood, motherhood Brotherhood, brotherhood This isn't one of us! No one was No one was Can I go now? Where to? Home! Nope, that's just the office, I'm still homeless, unless I They got cabanas on top of offices! (The rich and the famous) Networking and brunches— _this looks fun, doesn't it? I altered the course of history In brief exchanges and Various social atrocities This is hypocrisy! lol rly This is hypocrisy!! Hyper awareness and, psychic inclinations… You realize the more low quality people you let in The more low quality this country becomes, don't you? I put a roll in the back of the chosen ones. Used to be cast more, Now something seldom ever happens Such as this— A fun Fortune 500 What does that even mean Forbes. Look it up. What if the policy is Foreign; Look it up. I know enough about the girl next door to know Something is horrible, Something inside of her Rots at the core, Her obsession; My undeservedness of such, What she must, I mustn't, just Unjustice Broski, okay I got to discard All the pichardo Besides just this one (I'm standing on top of you) Put somebody worthy on the fourth floor Worse off, I was done for Before I got to New York What's her for?! I know enough about the man upstairs to know All these glares and “How dare you's” and Hatred says Why would you wait 30 years Until today, I guess Something is certainly off about her. I said yes. It was more probably something like “SUCK MY DICK” What. “YOU HEARD ME” Oh yes, I did. From 1990 to 1993 From 1990 To 1993 From 1990 To 1993 Stop breeding these things, “Love is familiarity” No Love is what you make it But you can't Because of slavery They don't make music —they don't make love either Well, look where your lust took you! Nowhere! Exactly! Look where your love took you: Vegas, Los Angeles, South of the Border Above it a New Yorker— Under budget, Celibate and My arms are too short to jump the turnstyle, Meanwhile My ex husband left permanent scars on My face My lips My arms My hands And my heart. Did you bite him? Of course I bit him, he was strangling me. You definitely won this fight. I know. Look, if I don't call for security, This bitch is gonna make me kill her. OCTOPUSSY NO. What. NO. Stankass. I will KILL this bitch. Look, I gotta get ahead in this. I need a WIN. These are customs. Trash. Wash your pussy. Send her back. Nah, you know what. Remove that hex. Wait, what, really?! Yeah, like; Reverse it. Woah. That's crazy. They got like….white slaves now. That's not right. What do you mean. That's not it. You said “reverse it” This is what the white supremacy just did to everyone else: [world in crisis except for for people who look like Kayla Lauren, to whom EVERYTHING is a fucking crisis, that isn't] BECKY/KAREN/WICKED WITCH OF WHITE AMERICA I AM OFFENDED I'm offended that you signed your like 12 year old daughter up to pose nearly nude, but— Hey look, it's us now; is this freedom?! Uh…. Why are all the female models like 12 and all the male models are fully grown men— Or women. Right. Idk. Wait, I do. You do?! Wait. Something tells me all the pedophiles and all the white supremacists are in the same group… Run the same businesses— Have the same families. This is disgusting Okay, this is gross That's not right ! That's not my job! Oh, it's not!!? NO. Who should I call That guy. So you want this? Oh, it's a death curse?! It will NEVER end. Wanna bet. I'll kill you and take the whole world with me. Now that's a threat. Thing is, I'm actually making it. I'm telling on you! Ok. Wait 30 years though so you look and sound REALLY fucking stupid. Ok. 30 YEARS. Doesn't make sense. What's the statute of limitations for— Hm. Depends. Depends on what. Who are you?! WHO ARE YOU?! NOBODY YOU SHOULD KNOW ABOUT. THEN WHY DO I? wtf is this? This is Texas being petty. Ok, fuck ya‘lol YAW. I'm serious, wtf is wrong with you. Something. What. Fix me. Fix you. Hm. Ok. *COUGHING* Somethings wrong here. Yep, it's definitely some kind of FIX IT. Where's this ROCK? At the ROCK. Like, where tho?! Ur gonna need this. What. They r crucifying u. Noted. Hunts Point Food Distribution Center Lmfao I need this word hold on “eliminating redundancies, setting strict timelines, and allowing cases to proceed contemporaneously” [ Finally, recognizing the danger that social media poses to young people and mental health, New York City Department of Health and Mental Hygiene Commissioner Dr. Ashwin Vasan today issued a Health Commissioner's Advisory identifying unfettered access to and use of social media as a public health hazard, just as past U.S. surgeons general have done with tobacco and firearms.] A win. I don't play dead. What do you call this: DIE! DIE, BITCH! Corrections. I still don't understand how this— ACID HAPPENS. Out of sight Out of mind So why these guys Tryna waste my time Tryna fuck with my mind with All these lights OH MY GOD I ain't got time for that Well, Maybe I do— I just Don't like NIGGAZ LIKE YOU. (Say what) I don't like Niggaz like U! I'm Sunnï Blū! You're stupid Oh, so he put a curse on sunni blu, too? Ok. Cool. When all my aliases come up This dumb motherfucking drunk Is gonna get stuck In his own woods He'll bury himself In the words that he left With the scars In the words that he left With the scars Sunni blu Is the sayer of stars I slaughtered them all Swallowed them whole Like a big black hole I'm a big black god I'm a big black God Fuck Twinkle that broad One punch girl One punch girl 5 punch faggot I'll unwrap flags on your Goddamn Fuck that Put a curse on my alter ego Lucky he's a he, tho I blow holes in em I blow smoke And love sausage I'm a hedon And he not a Hero He broke He lost I'm open Shirts vs skins I got 666 Curses to show you What your words did IM RA I'm a big black God You're at home with the young apostle Let's be honest He never even liked his father So turned him to a mother, Told his mother to ‘run far, And bring back The life that I want' I'm a big black God In light skinned clothing You don't know to explode Or explode on me Cause my mommy's a Dark skinned icon That my God Find something to pass the time, God Sunni with I, huh I won Fuck a pedophile wifebeater Bury him in the woods with his fury Fear me, now I'm coming up with reverse curses And cures Cause my words Bought the whole world Buried you in the woods I'll bury you in the woods, Bitch Very good I'm a big black God -Blū. GOD is the GOAT I just became god I do what I want I get what I want when I want it I don't want no problems Me myself and God only I buy everything I used to steal These tears in my heart say I'm healing What's the difference, anyway? I've never been fit for your interests, or industry Add insult to injury Add everything to my Amazon cart, then My sympathies Nothing is greater in heaven As it is in hell, for this industry Turned on its head And turned over from 7 to ten Check your messages, then Shut up kid, this doesn't involve you You're not included in the package Michael c hall and John c Riley reprise Mr. Cellophane in the style of DEXTER MORGAN. HA. Classic. GOT EM. V.O. I met her at The Jumping Point {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. {Coming Up…} INT. THE JUMPING POINT POP-UP NIGHTCLUB LOUNGE & BAR. NIGHT “A Long Day's Night” / “A Hard Day's Night” C {CONFUSION SPELL, SUCCESSFUL} [Sequence Initiated.]
Is it Psy or Sai I'm depressed because I don't know how to publish anything and I can't stop writing; I don't know what to do with anything I've written, And I'm always, Constantly stressed about money The things I need, And feel I should be working As if I haven't written more than what some writers with notoriety and fame have or had written in their lifetimes And now, to think, the fame and notoriety seem so small to me; I really just want the money and to be able to go away To some place quiet and peaceful, And to hold my son again. Shout out to the bass pod That's probably why my minds gone Shout out to the old God Your lady is a robot I am the programmer Might need a controller Take it all apart Put it back together I ain't in the ghetto Certified, it's gentrified Ah, dag. What. I missed the helipads AH DAG?! We're about to die, and all you can say is “ AH DAG” THERES MY INVISIBLE MOTORCYCLE. SHHH. Sorry. Unh.OUCH. Sorry. Well, I'm fresh out of [explitive] There's on FUUUUUUU—— F-f-f-f This is not cool! I have magical powers! HEY, watch it! That's odd—it should be cool having magical powers. It's not cool! I don't know what to do! What do I do with my hands! AGGHHHHHH. Well first of all, stop blowing shit up. [Dillon Francis is somehow, just—not famous; he is at camp EDC, being a wooky wook] READ: [Dillon Francis is a wooky wook. ] Correct. Damn, that is— Woah. That is wook. King James is getting into this narrative real deep Let's see why, I fictionalized this dick just to rationalize quickly What a king is I sing good, Cook dinner Me look awesome “Kill the kid,” they called for Another round, And another run So here I come I'm coming up On up-down rollercoasters Cardboard for your cup Cupboards, rocks and cutters Underwater, wishing of surfboard For sure mom, you kinda suck The energy from those is daughters But I wonder what it's worth If stars fall from the sky, To cross lovers Whatever Just a 30 rock crossword I'm Sunnï Blū but, Tracy just a replacement of me Sure it was I'm done God, I fully fucked up. Good job By putting all of my words into google documents In forms of proses and poses Instead of posing for pictures Or asking for roses It doesn't matter what happens The dirt was mud, But I rose up Like no one thought I could From sinking sand And ash dust In God, we don't trust the justice system Fuckin me up Keeping me married to pedophile A while longer So I fuckin die In due time What is right will find the judge And God of all on earth Will tell the story of Starr, And how he tossed his son on the couch Just to punch his mom Yep. He yeeted my baby I eated the nothing The revenge plot twist comes When Skrillex cosmic something Something some It was a downward spiral I was a backwards a hole And my scholarship Cussed out my mother Called her a cunt In her own country Cunty-cunty What the fuck you want? A doorknob that talks and locks A cat or caterpillar to smoke with And karma to choke Starr Like he golf balled And followed me all the way to Brooklyn Just to piss me off Just like a pussy I started the second book Where I left the first one off At Whole Foods market Where I left my snotted scarf at If you support Starr, You're more retarded than I thought If you support War You're better off Swallowin a gun, Like his mom Cause Mike Roberts Beat her up If you support Starr You're probably a predatory gangstalker But what for? You don't even know You got a small award For taking a walk Supporting physiological terrorism But never even Bothered to read the Terms of agreement: They said “Kill this nigger bitch” Keep her from getting any money or education So she can never be president I'm just a DJ, man But since then I've had secret enemies trying to kill me By psychology So they can see me die By my own hand And nothing can ever lead back to them That's how terrorism works, ya'll You're worried about Gaza When genocide happens right in the subway car On your way to work Where they make you late on purpose Even if you leave early Trying to workout, write a book, and leave your apartment looking perfect Who would deserve this? You think you're so perfect, But youre cursed by words, And worthless I think this earth is covered in stuff that it shouldn't be I think I'm 5'7 but the man of my dreams is 5'3 so I been meeting in the middle and stopped eating meat, Hanging from trees praying for freedom Cause something diseased has been following me coughing Like I'm the one who started poverty If that's the case, I must really be God or something But i'm not yo, I dropped my wallet on the bus, And somebody got a come up. A human error I need my hair done. I'm aware you're up there somewhere cause I hear you in my left ear, Jesus left us right here Cause the end is near When everybody's taking the side of a wifebeater And my eyes are wide closed Cause I still owe klarna money on my clothes This nobody is throwing weights, And nothing makes sense Cause karma's gonna take him Heavy, like the weights is Throw your weights pussy I was late coming But ain't had a rest day in 8 crazy days straight It's Christmas in LA Hollywood that is, Here's the blacklist: I hate blacks when They do that shit, Act whack like fucking crackheads Codeswitch like it isnt just niggers vs niggers The only enemy is inner, Fuck it, I'm late for dinner I been here nearly an hour, And lost my power to some animal wired to an app Fuck this matrix, I want my power back WTF is THIS. Since you like to troll so much, I just thought I'd turn you into one This is not Kosher, 199x Jimmy Fallon; Let me out of this plastic —not exactly “fireproof” — death box, before I let myself out, and I trap you in it. But oh, You already did. FIGHT. UGH OH. Ok, rotate. Who is this. Oh shit, hey dude. FUCK, what year is it? MEANWHILE, Under the bridge. …anybody seen this, uh… *Troll* Yee! *Troll* Alright. That's it. Everything checks out. The story was air tight. TIGHT, TIGHT I want you to wear this tonight “The Lady In The Red Dress” You really went all out for this I really didn't, lol Oh I see, You thought this was the matrix. MIT I WISH GOD Wish what. MIT … Mm. Did u see that. See what. ALRIGHT FUCK THIS, YA'LL IT GOT SERIOUS, WHERE'S MY CYCLOPS He called me his cyclops— —-and then he said LIKE GET OUT WHAT GET OUT OF MY HOUSE WHY CAUSE YOURE JUST A PIÑATA, MAN! And I ain't got time for that! I just got a DeLorean And a new HAT I gotta go get Oof. WRECKED. Yo, Wicked. KENDRICK (TODDLER) WIZARD. Oh my. I'm J00F'd up. | | | trance | | | Look; I gotta get out of this MOTHER OF PEARL do not beach this whale carcas on my warehouse project A what A beached whale I know You brought a beached whale to my fucking rave show Oh I get it It's Avant- Guarde No, that's just how I got here …. Trust me, it's okay that This never happened You did not see me It's because I wasn't there Is this U Ū No I wasn't there. Ü I was. Fuck. What happened. It's ok. All I remember is “The Quatardashians” Hmm Also The indigenous But that's it But mostly that was all just Jesus showing off his flexes Are u fasting? Yes, “Ū” is. So, do you need this?! TRUMPP Get rid of this recording imiidiately GOT IT. kill that bitch. SKRILLEX Yessir. —-but before all that happens. …did you want fries with that?! Why are we boycotting McDonald's —for poisoning —the allies —our enemies. Wait, you're eating this? Yes. Like, for fun, or like? No. This is what I'm feeding my children Why Cause they hungry. Uh, ok— —and there's six of them. Aight, ya'll can each have one nugget with your— I wanted a cheese burger! You git hamburgers. Ham. Cheese costs CENTS; And you know your momma If I ain't about a dollar - A dollop of Daisy You really are Ashamed of his Alright, you evil bastards. I see you want to Cause suffering Correct For which you will eternally recurve damnnation and all of the pain you've caused Karmas a bitch It's lonely at the top Not when you're GOD Get off my rock Did you miss an appointment? Nah, can't do it Why what happened Too high up. Whatchu mean So what, it's just like Done. Well, this is it, huh guys. Oh, yeah, it's that, alright This is the longest ride we ever took.d This is the ONLY ride we ever took. I WANNA GET OFF THIS RIDE. I AM REALLY HIGH UP. JUST LET GO. NO. NO. NO. Put me down, kite!!! KITE wtf do you want me to do. I'm a KITE. I'm YOU FUCKIN KIKE NOOOOOOOOOOOOOOOOOOOOOOOOOO—- Well, I'll be honest, man, this sets you back, some How far back GET GONE, But? We're dinosaurs. Why would something with razor sharp teeth be so— —peaceful, and friendly?? T-REX …cuddles. I just can't fake the feeling( I can't pretend to cry It just comes, when it does But when the well runs dry That's when the the world will end That's when the world will end After this movie, I guarantee we will no longer need the Wilhelm scream AGGGGGHHHHHHH!!! YAHHHHHHHHHHH!!!! AAAAAAIIIIIIIIIIGGGHHHHHHH UUUUUUUUUUUUU This movie broke the world record for the amount of times the word “No” was screamed NO NOH. NO. ‘No! NOOOOOOOOOOO! NONONO. NOOOOOOOAAAAAHH …No! Here they all come for her, Defended upon New York In order of important, or appearance? One doesn't wonder, At al, of what's to come Uncommon, we are The call has come TRACY My tummy hurts. That's probably because you've been drinking straight tequila for the last hour and a half. No I haven't! This is water! Tequila is YELLOW, Liz Lemon! No, Tracy—that's silver tequila, And regular tequila is, You know what? Nevermind. Alright, who's got the night shift? [nobody raises their hand, at all] Seriously guys?! Come on! COME ON! Look up WHAM! For some reason, idk. Can we just— not do this? No. Out of my mind a bit Speaking in tongues, In total silence Guess it's the times, I guess that's just who I am And who I am is I said I was Sam I'm the same, I said, “Say Uncle” I guess it's a game, we're playing I don't want to be played with At all I just want to feel loved again By someone else Superb, like him I just want to be felt, I guess By someone else That's “Different” I just want to be kissed on the lips A splendid blend of Twisted trysts Let's not pretend It hasn't ended yet Until you've finished it Class dismissed again Let me off of it I just want it to stop Keep rolling Keep rolling your eyes in the back of your head Like you did just morning Just go for a walk Just stop for a moment Run a bath And just keep running Cause here something comes, Of course, It's all your callings Neatly rolling into one, They said But I Just want to be loved again And who doesn't That's the fucked up part I just want to be loved again But nobody ever Just comes up I just want to be loved again It's a walk in the park Don't follow the dog Even if he barks at you It's time to start again I wonder what comes after this part You are the gleaning in the shadows, The reckoning in my eye, The siren in my silence; The green in all the lights, I am a shamed to have just been One of your many One of your many Images, You still have me twisted, I miss you, It's just you, at the end, Again I left you where you left me Solid on solid Sounds are invalid now How are you so Swore by your awesome No more songs, I said No more songs, he's dead to me No more songs! She's inlisted He's uninterested, Isn't this interesting The problem is: I'm still in love with Everyone i've ever been in love with (And I love him) But he doesn't remember my Name And he's famous And she's crazy And he hates her But he made me hate him The day I became you The day I became So famous, I finally made it I'm dead It smells like dill in here At least it doesn't smell like dead mouse. Aha. Youre Hellen. Keller or Mirin How would you be Hellen Miren Cause I'm the Queen. posh. You want to die Well, you better do it quick Better get your shit toggether, paint a l Bigger, better picture Bitter Betty gliching steady Just remember when you're ready Ever steady still forgetting dinner Dessert was already Forget this significance Remind me why I'm on this speeding bullet to nowhere Had no other options but to go under for something Shy, sickness it's a secret Just kill me already Semi robotic, Something like a magnet, attracted, Simply symphonies And soulless bodies, tied to money Wonder what was in the vaccum cleaner meaning What did you suck up, dude Who do you suck up to. When nobody loves you But your own son And the audience is robots Nothing really works more than once, if it's really magic Sit and do nothing would you Like you're supposed to Fall over like the mannequin you are Just a body in my count A mattress without a bespost, if it matters If it matters Doesn't really matter But hey, you know We all go downtown every once or twice a note For Hanukkah I could try to be nice But there's no sense in it, Is there If everything and everyone else is just as nasty As the rest of it Just is just a test, again A doctors office visit. Simple robotics, Or already stocked up for Hanukkah, Hollywood Where's your homeland deposit box Closet full of robots Closest to the moon, I wrote another poem for you Sorry that I wasn't on the offering table The parakeet, pigeon and pirated Slattery, Damages, damages, All with the Amazon packages, Now we're all robots, Aren't we What corporation to you belong to! Something corporate , or say anything Whose to say Jeff Besoz won't replace us With m robots with thought processes, If once such could project as such presence As an AI freestyle Meanwhile, I've got a butload of buckets and bunts, Bullletwounds, eyes on Manhattan and happens to wish something bad upon me When all I wanted is Somebody to love me And someone to love him, If that's what he wanted (But who knows if what he wanted was all of the bodies opposite of him) I don't belong on this planet I belong in the garbage Put me on mars, mom Stop it, You're almost a robot, get out of my peripheral With your mental illness Geez, I must really want a menorah This is the animal house There's no one alive here Set to be slaughters. Honor the box of offerings as Thoughtful words And parallels What could be under your tongue Is the surface of love Just to touch with the battery acid or chemical trails You have left in your axis Nobody knows better than this How close it is to touching Without being loved But nobody loves you Psychotron, sure we're all robots now Nobody loves anymore {Previously, On…} L E G E N D S The Secret Life of Sunnï Blū {Enter The Multiverse} Ascension What the FUCK did you DO? What did I do?! You know what you did! I didn't do anything! Oh yeah? No! Not on purpose! GODDAMMIT, YOU SON OF A— Where's Jimmy Fallon?! What?! I don't know! Oh no. Oh shit, run. Oh no. What in the FUCK— I am “the fuck” You know what. I'm gonna sue the everliving shit out of you. For WHAT. We'll see. Fuck. Uh oh. FUCK. What now? What this time? Apparently, Jimmy Fallon is missing. What the fuck does that got to do with me. We'll see. Okay, great, Now finish that chapter. What fucking chapter?! All of it. That's—a lot. I want all of it. By my desk, by noon tomorrow. “By” your desk?! Yes, BY. Not ON. I've got too much stuff on my desk— …but it's…like 9 o clock. Should be easy, given your natural talents. What natural talents. PEACOCK. AHAHAHAHA. Okay. Well. Well what. This sucks. I lost all my coins. Hey. Ugh. You dropped this. So how was Los Angeles. What the fuck. You fucking DICK. I told you, I own shares in this. So what's the plan for this, exactly. I dunno, Harry. I got a book of stamps, And a yellow envelope marked “Jimmy Fallon” I will hate you forever. Well, that's retarded. I haven't even smited you yet. I will annihilate you, human. WHERE'S MY SHIT. Who the fuck are you, anyway? Nobody! No one. No one cares about this series, yo. I'l seriously doubt that, Jesse Pinkman. What is this stuff. It's your stuff. This is not what I ordered— Hey— Why is it BLUE Cause it is. So. WHY IN THE— Mischief managed. Alright. This should be good for the night, but we gotta get out of here by morning; I thought your parents owned this place. It's a time share! So? So it's like only —part of the time. That is stupid. No! You're stupid! You're the one who got us into this mess. It's your mess, I was just cleaning it up! Whatever! Stop trippin. Nobody's “tripping.” That's it. I'll be a stripper. Straight outta hell, that kid. Don't I know it. Alright, fine. I said, whatever you do— DONT watch this show. Stuff it, J. Slatts. I'll kill you with my eyeballs Sounds like a threat. Put on a lawsuit, then. Maybe I oughtta… —with a bow tie. You'll look so pretty. I thought I was already pretty. Uh huh. Yeah, look, so honestly I don't know if I'll ever be on the same vibration as like, Jimmy Fallon and them, ok? I don't know how I did it; I don't know what did it, It just happened and then— And then WHAT. It just—ended. Just like that. I'm not trying to offend anybody here. Just like that. Now, I ask: What are we going to do to sell you this dream? Doesnt matter what you do, I'll never believe it. Sure, fine; Don't believe it— We're gonna make you live it. Who the hell us “we” anyway? Now you're speaking in my cadence— Don't flatter yourself I like it. Too late, I guess. So, you see We're building Power triangles And love squares Power triangles And love squares Don't let it scare you, There's love there Don't let it scare you, There's love there Never fear where love has dared To call you up there Corrupt file—no fair. Don't be suprised even the odds seem to turn in your favor, I promise you; Nobody's ever ready For what has just happened here. WAKE UP, FUCKER. Ugh, I can't go through this again. So, I guess I'll have to erase, Or just secretly publish Everything I've ever written About my actual experience as a color, Just so that I can earn money As anything other than A slave— A maid, A housekeeper, A dog walker Or servitor So far under her, That I can't see far enough up to just Scratch the surface Her birthright: The entire network And mine, To sit under her, Wondering what the world would be like At the other end of the spectrum The word form of the White woman The wicked witch of all directions, In which I stand in; I'm at her mercy I've been abandoned before But this disservice, is, I'm afraid The best advice I can take is just To go straight to the bank with my angst and my hatred And shove it So here comes the nameless Face I love, Yet, The faceless God, Was Intoxicated, at best— Manipulation of the Mass Media I'm so Seriously jaded In this torture chamber In my corner office In this hall of racists, I claim, but if all is One in the same Then It's one in the same And I'm mainstream I'm famous If it's One in the same Then It's one in the same If it's One in the same Then I'm mainstream I'm so famous In a whole room full of humans I'm groomed to be useful for something, But what? It just hasn't come yet. I could sit down with a paper and pen, But I'm filling up all of my documents With hollandaise and God For what? It's just another song, or something Or something. It's just another — Goddamnit it, more coughs again. I told you not to watch this. Why do I taste pancakes? Maybe you're having a stroke again. Chyeah, a stroke of genius. I'll show you a stroke. Or don't. Well, there goes the captain. where is that scene, anyway? I don't know, I just wrote it. Great, she left the door open. She's got no furniture! It's a “dance floor” It's “the black box” she called it “the black box” Goddamn, do you listen to all her stuff? “Fear stimulates my imagination” Pilot ASOT Fuck man, What is a woman to a man, And an androgynous genius to The industry, or anyone at all If all are foes ans frauds All else is toxic! I woke up with one hand tucked behind my back Feeling dead drunk, I just woke up again But never fell asleep What world am I in? The end of the Dream sequence The end of the energy keeping me between three things: My past, My future And these prequels, Sequels And seeing arrangements And She's going crazy But nobody quite understands That these demons are chasing me saying “You deserved those hands in your face” The scratches on Kayla's back should have had me but I was too fat To find love again And still have something Wonderfully, undone And wrong with me Wrong with me enough to slam poetry So I'm guessing the white women I love beyond words and bounds are— In charge of whatever happens At the top of the rock; So I jumped off. I want to see someone suffer for all that I've done; No, that's dark, and karmic, you know— To go on like that; The confusions and refusal to accept that The album is called ChaosMagick, But the cover is more Urgent, A prose or a pawn of protection Against all the coughs And the reckless mismanagement The hands in my head And the eye on my scar And the lies on my heart So tell me, What happens When you're flying a kite with your heart, And it's broken? What happens to the kite , When you fly it with your heart And your art up in bundles— heartbroken, heartbroken So what come of Miss May, Come January? What come of Miss April By Next December what comes of the words I was saying For no one But everyone heard them And I've been gone Much longer than months, But still stocked up on all that I've wanted Or all that I got Or just, all that I love But got no undercovers to acknowledge no more How right I was Or how wrong I am What come of Miss June, when Miss January comes around? what come now, around August, When March is long forgotten? What comes of the drugs, Of the come ups, and come downs What comes of the process When nothing is served But the surf has come up Somewhere And I just can't love enough To go there I want to go to there I want to be that girl I want to sit at the top of the rock Writing songs, and sipping mock cocktails I want to Don't you know I just want to get back to Where I belong I'm so out of money and love That I want to be Under the train, When it's coming (Sometimes it's just the impulse that says “GO” Then the train starts to slow And my pain bubbles up into a numb, Dumb, crumbling cluster of poetry You know? Or you don't Cause you're all just on your phones Scrolling Some black man stands over me, Reminding me of why I never trust the ones Who want me most, Or just assume, By color code, That I belong to them I'm sorry, I just can't write with your arms around my neck like this Your heart around my arms like this It's so wholesome I had other verses but forgot them They took away my movies for the curses And the hexes That they put on me I said don't. And the king said “Heads will roll” Cause, you know; I've got parts for all of them now, The ones I'd forgotten But come from the catacombs, Back from the conduit You know, This is awful I had another one, But lost it. The king?! Which one. Teas I! No, it wasn't, It was Gían's father, From further off Should I call John back? Which one? Turns out, I love all of them— Turns out, I've got all of them In my college I taught them all to be someone Becoming of acknowledgement With nombres most common Juan, in subcultures, but Beyond that (Or above them) It's John, Or just Jonathan, Watch the ones who drop the consanant; They're always so troublesome, But I took them all up As understudies, Social Studies and some theatrics, Joan of Ark said Two more moments (Two more weeks in) I could have a body worthy Of a Grammy award, but — Would I be a writer then? Probably not, hon— Writers are Off a bit. If you were pretty, ever at all— would you have written this?! If I were pretty at all would there be reason to be this Conflicted? Some of those old New York hallways Haven't been painted In ages Since they made them Don't make that face at me I only dropped my key once On the fourth floor —they're horrible, you know To us, The “brothers” know no love They are destruction, speaking Of this, I got a cold heart. Cold like the robber Cold like the calling I've done in my corner office cold, like the jello mold forming a thought process Worthy enough I might love it like a husband We're re-evaluating your circumstances. Whatever the fuck that's supposed to mean. I've got friends at USPS What the fuck could that even account to. Look, I'm gonna have to give this some serious considerations. It's not that serious. It's not that serious. Of course it is! I'm up to my knees in investments! So?! I wade a waiste deep, Surely you can get by “Up to your knees” What exactly do you need? Money. And lots of it. I mean, from me. Money. Really? Leave me alone. I told you not to write this. You're a voice in my head; No, I'm the hand in your mailbox. What in the fuck do you believe in. I believe in everything! They said you were a genius; I didn't expect you to be —at the very least, lucid— *squints* learn some new vocabulary, okay? For what? Dinner. Maybe. We're still in the process of voting. She's crazy. We'd be crazy not to actually hire her. Her accounts are all practically open; We could just take it. Yeah, and when she kills herself, and there's no blood on our hands— There's nothing that can be done about the amount of this stuff that's already printed! Printed?! What?! You mean— She's published? Self-published. My, what a beautiful happenstance To have already had you And awakened atop mattresses Marked for my assassins hand— Polite, I lost you All of us, Atop the rock We stood and suffered Months beyond a montage, Undercover Love was lost, And all's uncertain The interception of God, At the cost of What terror and cutbacks Have caused us all What you lost was $50, a Hallmark Card, an Academy award, a long lost star's phone number, And all that you wanted, The cock of the gun Was the sound that you wondered What was called , then ran off into wonder. How am I gonna make money And become an award winning songwriter Music producer And multidisciplinary artist, Without all the funding it takes to get noviced Without taking clothes off Wake up 10 years younger I'm suffering My stomach was a rubber band My stomach was a rubber band My only song was Water I forgot to stop For the applause I drowned in all the love; right then and there I died of Lovenessness [The Festival Project] The sound and laughter of children play A baby in a basket The basket case at Trader Joe's Who know what happens It just doesn't pull my heartstrings any longer That my son belongs without his mother So I'd better have another This is us, come on. Don't do this to me. Don't do this, Timmy, you'll be sorry. Come on! We're not even in that movie! We are, though; it's still Listen, you've got the right guy for this. Are you sure. Yeah, I promise. Officers, Stop for a *movement [hot cops flash dance number] Fuck, well, that was all wrong. But worth it! What I meant was— God, this show gets good at 31, But I'm only 22, So I guess I'll know how wrong the war was Once we've lost it, Cause imm a man now The episode is over, Soon comes the next episode With snoop dogg, Or not That was our wedding album. Scatterbrained, and pregnant— There she was just putting all the things together That she needed to be Needed To be needed. There she was, All on 4/20 Trying not to do the wrong thing, But what was it? To be loved. Then, There she was at 21 just going off again At some event— A friend, and her Back then could not imagine They'd become him To be someone. Not as one, But of entirely another World apart, aside from Cyclones into snow cones Turns the watchers into artists All their own, And off my own accord Or own account Or done with boredom Dove soap Open doors And clocks that turn the other hand away, Each day you love Manhattan But can't have that. That's it— This is just Season 1 of Mad Men WHERE THE FUCK IS— [she throws her hands above her head in surrender] I don't KNOW! Oh, you're a girl now?! I guess! What's with those pants, then? To hide the assets! What assets?! You look tragic. I'm going for ‘skeleton' to match all your wives and everybody else on the red carpet Who said you get the red carpet? Manhattan. That guy lies! Well how about this: The walk of stars were carved out in blocks of marble All in my honor. 1000/1 You're our God, now. What! I don't want to be God! SUCK IT UP. YOU WON. I don't wanna! Yaaaaaaayyy. You got the award! All the awards! Speech! Speech! SUNNI BLŪ Uh—- I'm drunk, And there's nothing on the teleprompter [a man in the audience coughs] A-HEM. [Sunni Blū immidiateky shoots the coughing man] [multi-camera shots of celebrity audience reactions; laughing, clapping in hilarity as if someone hasn't just died] TAYLOR SWIFT (unmoved at all) SUNNÏ BLŪ I don't know why you're laughing. That was awful. That guy died [audience is insane, super fake as usual] [more cut takes] SUNNÏ BLŪ It should have been you, Taylor. TAYLOR SWIFT (Still unaffected) SUNNI BLU Anyway. I'd like to thank the academy… Cause I am the academy [Audience is celebrities being celebrities] SUNNI BLU You guys are all idiots: I'm a go f*ck myself— And anyone else who wants to show up At my afterparty. Whatever. Peace. [cheesy academy award music plays—Sunnï knocks over the mic, peaces out obnoxiously; the audience cheers wildly and the host returns to the stage.] Who's the host? Whatever. Hey, better than nothin. You're telling me. yeah. I know: Oh, she's a comic? Yeah. I got it. BOB SAGET Ooh, that's good. Ū No—no my God. No Bob Saget, stop it! Wait, Bob Saget is dead right? Last I recall: Fuck—FUCK! Dammit. Dammit, dammit. Okay, Rue— you're up. Rue, what in the— Shhhh, don't let them know I'm in here! Oh, wait— It's me, Blanche. That's hot. I'm a debutant. My god, you're so young. Here, take this, What's that, You'll need that. V.O. I'm being hunted by the ghost of Bob Saget. *haunted. No, hunted! There she is! Grab her! Ooh, Bob Saget. Why, yes. How old are you? Not dead yet! You don't have to kidnap me, I'll happily go with you, sir. Really? Yes. GET IN THE— NOH, GET IN THE VAN. INT. IN THE VAN. [a bunch of hot male celebrities are in the van] Oh. Okay. Wow. That was easy. What is it, Friday. It's Friday and a half. Friday.5 What. There's a Friday movie between 1 and 2 So I guess this is season 8.5 I guess this is season 8.5 HEY, GET BACK HERE. What is this. It's your lunch. I don't want this. Well, okay. What— is this strange music— They call it dubstep Come on, Jimmy, you're slipping Kimmel, cause Fallon is dead or presumed missing Probably Skrillex Probably a bounty on his head, Dog willing The Festival Priojects Inclement Infinite Is coming up next, on Legends Come on Jim, KEEP UP. Nobody can know about this, okay? Wait, where's Kimmel Okay, I got O'Brien— Black Irish Bastard… Alright, Alec Baldwin is a little tied up, right now, but LEMON, Fuck. That's l—future me. What?! I gotta go, okay?! What? Go where. Let's get DRUNK. No, That's—I got a show tonight What?! Look at my lexicon. Your—what, Meet me on Lexington. Oh, this pussy is finished! I got it, I got it! He's LENNONNNNN!! JOHN LENNON Fuck. Look, I gotta go. John Lennon?! You're dead! Funny, I thought not. Watch this. MOOOOOOOOOOOM. Fuck, What, It's my kid. I gotta go. Wait, you have kids?! Well, I just had you, didn't I? “The mayor” is a secret underground rap star lol #trappin Okay, What's else happened Idk hold on Okay, So whats the sauce on this sandwich. Oh. Jeez, this again. That *sandwhich? Hah. There's no sauce on that sandwhich. —there's not!? No: You see. It's very simple. WAKE UP, YOU'RE A ROCKSTAR. we gotta take the train. The train?! NO. NOTTHETRAIN. NO. Man, fuck the train! [SUNNI BLŪ wakes up on the train.] What's this, the train? [is the train] (Angrily, tossing newspaper) Man, FUCK the train! Other hobo: Aww, thanks, I need that for my— [s/he snatches back the paper]. Wait! I need that back—what day is it? [drunkenly illegible gibberish turns into perfect Hebrew] GODDAMMIT, it's Shabbat; I gotta get to Temple. [s/he shoves the newspaper back into the hobo's lap] Here. Oh no, I thought I couldn't forget RABI FUCK _]€_# WHAT WAS IT GODDAMIT IT WAS SO CLEVER. God So it was… What did you do with it? Do with what My idea what idea My—my rabbi joke— What rabbi joke you know what rabbi joke! You were the one who gave it to me. Oh, did I? YES, SATAN, JESUS. GOD Ohh, Satan-Jesus. I like that one. NO— it was— It was much better than that, it was— It was funny. Oh, it was? YES. —did you write it down? Fuck, I realize I just opened a A FUCK PORTAL. OHH, GET IN IT, GET INSIDE. I had an Artemis in my pocket But I lost him Walked away from the cornermarker And the cornerstone, for the sunset I wonder if songs always come When I'm walking, Or God makes us promises, For world of I'm not JB, I'm KG, Can you see me now? If you could see what I see, We'd be even wtf did I just write this And not realize I just wrote this Yeah. That shit happens to me all the time. WHAT. ALL THE TKMEx Shut up, THE ANDRE3K CHARADES GAME is getting intense. What in the FUCK is that. *flutes* Ohh. And KITES. yyyyyYYYYYYYAAAAAHHH—— GODDAMMIT. I can't see really, I just dream I'm not thinking, I'm dancing This is what you asked for Exactly what you asked for For once, I'm finally glad I have your eyes on My friend I can see you all on the horizon, Singing NO, NO MORE MUSICALS!! Jimmy, what did you do?! I don't know what I did! You lyin bastard. I'm not lying! So, where ya from? —I don't know where I'm from. Listen, I'm gonna need you SHUT UP, JUST SHUT UP. It seems like these scenes are getting shorter. I'm bored with this. Ok. Let's do something else. I fuckin hate you. I hate you. I fuckin hate you. 88. Oh no: 8 Wait, what the— *dolphin* WOAH, okay: Oh, no. No, No, no OHNONO. I told you I'd find him. Anyway. Seems like there's something more important I should be doing. Are you sure this is the right place. Right place. Right time. Fuck— FUCK. What, what happened. I lost my— SKRILLEX! No. SKRILLEX. NO, NO— SKR— I swear to God, Google knows everything. Google don't know shit about SHIT. I gotta lose m 39 lbs. For what. MADONNA DO IT FOR THE BANANAS. I hate— you. COME ON, MISTER. Fuck off, Madonna, I'M A GOD. I miss Beyoncé. That's not relevant. Beyoncé is relevant to everything. *smacks* QUIT FANGIRLING. Trust me, I hate you. I don't trust you, but I believe you. I got it. I hate this place. Holy shit. What. I developed a new phobia. What's that mean?! I don't know, I can probably use it in a fight or something. For what. SPECIAL ABILITY UNLOCKED. I see you looking over my shoulder I see the shadows, I try not to jump at em. I spent six months in a coffin, you know I spent my life a sarcophagus (Wow, I got it right.) Try not to mutter those haunts in a hospital Try to recover from trauma Uncovered post traumatics, Anxiety attacks and a lot of those— What do you call them? A flashback. Here goes one: SONNY MOORE aka SKRILLEX appears. I told you not to— But I did! I didn't mean to! But you did! This is ludachris! Oh look, it's— Fuck. God dammit. Come on! What's his name!? What's his name?! I'll think abo it it. Are you serious? Another shapeshifter? Yes, I guess welll just have to kill them all, then. I just want to go home. You don't have one. …oh. So here we have. Okay, wait a second. I wasn't faking my symptoms at all, actually. My heart had dropped, and been pounding and fluttering insessantly— It had been a hard week, but especially the last three days; The coughing—. Everyone seemed to be wearing clothing with stars or bears on it, Champion sportswear. I fucking hate champion sportswear. But the palpitations were real as ever— and now— On a Saturday night in the Jamaica, Queens medical center emergency room, There they were again. Only this time I knew exactly why. ‘Too Bizzare' by Skrillex begins to play, via Complications 003- The Trauma Method. Irony. It was ironic, but still startling, Started with some nostalgic traumas, Every other time I saw an ER doctor (Why I don't go) Fuck, I just realized I have to airdrop myself 880 times. That fucking sucks. Did you say you were a doctor? I was, once. When is “once” At some point. Listen, I'm gonna need you to backtrack to get to the bottom of this. I'm innocent, I promise! We caught you at 27 different angles doing this. Oh. [beat] I plead the 5th. Ohh. Cerulean. My favorite. c R A Y On Oh, I get it, I L L U M I N A T U S. Nice, it worked. I know everything about you. So you do. [beat] You're a God. What the fuck do you want from me. Listen. I. Am not. A God, Right. That's exactly what a God would say. No they wouldn't! Because a God wouldn't say anything! AHA. Don't ‘AHA' ME. I don't mind, at all It don't matter— to me I don't mind, at all It don't matter—to me Might as well not think about it The space between us Might as well just stay awake then No sense in leaving Just to come back It don't matter to me, now Now and again I go crazy just making arrangements, But besides that, If you like it, you should have it It's a long road, As Kaskade says, And a short dance, With the right one And time goes by I would call it mild, But actually I'm in a wild panic It might be a heart attack I just might even Die right here But I don't mind, at all It don't matter—to me I don't mind—at all It don't matter to me, I said I don't mind, at all, now It really don't matter to me I said, I don't mind, at all It really don't matter to anyone Now does it (Not it doesn') I don't mind, at all It don't matter— to me I don't mind, at all It don't matter—to me Might as well not think about it The space between us Might as well just stay awake then No sense in leaving Just to come back Palpitations and precipitations at the pulpit Preacher, please don't make me a culprit I been prayin— I been paying my tithes, 10% Even, Now 25, Almost half of me is not mine! Why try? I've been walking out, in straight lines I been crying silently It ain't right I been making most of my nights Sometimes I see sun come up twice Up, down up 10 degrees, It ain't right Up down up 33, it ain't right Up, down, up I've been spending my time Down, up, down Riding round, Trying not to down in my mind Up, down up What is this. It's my project. What is it? The Festival Project. Yeah but—what— What. Is it? …it's my project. *painfully infuriated* Okay, enter here. EXAM ROOM 10 Why exam room 10? Because. Where are the other nine? Just—get in. I'm not going in there! JUST GET IN. UGH. DEADMAU5 (head and all) stands at a tall podium in the center of the room) What is this, This is deadmau5. I know that. —-!!! —?!? What. !!! What? This is the exam? Yes! NO. What is “no”. I'm not playing for deadmau5. That's the exam. Then I fail! Automatic Fail? yes. Automatic fail. Then you win. What. *slams gavel* Congratulations—you're the next superstar DJ. WhY. . What. Woohoo! I just retired! DEADMAU5 exits. … … After a few moments of comic tension, the Deadmau5 head rolls back in through the exit which he has taken. Ugh. Fuck this. No matter what you do, you're a superstar DJ. What. No! Yes. The answer is yes. NO. Fuck. What the FUCK. No matter what you do. You want to go, Go, you want to die, Die, you want to try, try You want to cry, cry Do what you want; As so will I, Demand is demand— Supply is supply. EDX So then, I followed this long hallway under the stage deck. Uh huh. And it led to a door— Uhhuh, where'd the door lead? To a portal. Woah. Pasqualle! You made it! I—yes. Congratulations! *blows party horn* *Daisies/ confetti* You're like 25! I'll be 25 forever. Nice! Yeah. I guess that's why it's called ‘music'—a musician without muses is just useless. ‘Well, whose next?' I wondered. All of my muses were not just so wonderful to me, but adored by many—and perhaps this is what allured me most—befuddled ans confounded me; once my mind was set on something, there was nothing else its eye could see—and for how long one God could only know, how deep the love would go and that the blood would run deep, and the scars to show for it, only upon my heart and never by soul—for a love was a love, and even once came and gone, to the end of my life I knew I would still ponder upon them, at one time or another, my muses—star studded lovers, rather than crossed, shiny and golden like all diamond and trophies so treasured and thought of as precious. ‘Yes, you are—precious.' Another tongue in cheek thought, for the other that I was, and also was not, as summer drew onward as short as it would come and go—a reminder to leave the apartment more often, and to mind my manners, to find the upper echelon wherever it was and come quietly into its doors, to open my world and wordform of thought, into a place where my heart always was; then, and only then, would I be home. Amongst the men and women of the uppercut and classy, luxurious big fishing ponds and flocks of doves upon olive branches—the peaceful world long parted from where mine was, by only the fault of my own. What had been done just certainly was, and yet, what was to come was an open poem, not of mine, but Godform in thought. ‘I wonder what's at the top of Rockefeller Plaza.' —perhaps, a gander at the bottom of an even larger entertainment complex. Then, again, only God would know what was beyond all that I wanted; a job—and not just any job at all— the one that I had always wanted. Mmm. Birthday cake. Suddenly the taste of a white confetti crème filled my mouth with a delicious remnince of what it might be like to taste a confectionary sugar again—but i couldn't imagine ever making it just on talent and charisma alone—no. Indeed, it seemed something had damaged my charm, and perhaps it was just the swarms and droves of phone controlled masses that saw me as nothing more than dust, I had started to surrender my desire to perform, and the quality of my music—along with my ability to make it, suffered with the awful thing that had been crowding my soul at all—whatever it was, evil and dark in nature, sure saw to it that it wanted to hurt me in all the ways that it could—and in all the ways it could not, I stayed away from most others, favoring my delusions of love. ‘Nobody seems to understand that the pain they cause will only harm themselves.', I thought Younger souls, however, they were—and they would be kept in the pain that I was in one way or another until eventual death, far behind me on the infinite road to the source. Far enough behind, that it seeked to destroy my progress, and for all that it could, it also couldn't. The infliction of pain would simply not act as a measure for control any longer. Off into my own world, where I was at least free from the thoughts and judgement of others. She's the most beautiful girl, And I'm the most beautiful boy; So naturally, we belong together, don't we? I see a pretty picture, Picket fences and a family Golden Retrievers Someone relieve her; She doesn't believe me TV dreams and exquisite pretty people Burning candles, fire flames and frequent figures, Guest characters and cameos, Repeat offenders, multiple appearances Suddenly, really, it's another need People, people pleasers Audience affection, Tragic endings, Butterflies and new beginnings Gun under my tongue, Rubber like a frog My mind is in a fog Haven't bothered going on a walk To Trader Joe's but The anthem of my youth, A lost soul Another form of my love So what I wonder Put the gun up under my chin Rubber like a frog Blow my head off Just cause I didn't blow up Selfish cunt Big brother, Another hypnotist Little brother, Gotta love him Gotta love em For the Love of God I could stop for a moment Wash my mind out with soap Like I'm ten years younger, even Seriously 20 years between us, You can't even hide underwater In a bathtub Seriously, Someone help us For the love of God, for the love of Hollywood Seriously, Someone love us, For the love of God, For the love of Rockefeller Plaza Someone help us Another possible walk of stars A little shop of horrors Another whole story I get rid of my demons The hoes screamin I put semen in her Permanent like semen, Just keep dreamin I'mma just keep preaching SaMo, Brooklyn Europe Next I keep scheming Whoever you are; If you're a wreck— You need a check No respect, neglect Just cover your neck (I'm blind to my own design, sometimes) That's what the eye is Try this: Close your eyes and say thrice, kids I am the God of the eye, Osiris I am the God of the Eye, I'm Osiris I am the God, I walk amongst the highest Thoth, You lost Better just die and keep trying I am the God of the eye, I am (Try this) I am the God of the eye (I never die) I am the God of the eye (That's right, three times) I am the God of the eye No black and white television, In my dimension we pay attention to centrifugal, The mission isn't in materialism, Whatever youre spending If money the God, l of your eye, Realize, I am higher My gunfire, Is right on the back of The one dollar I am the God of the eye I Am Your money is nothin to us We come in peace, To end suffering Pretty little nigga Look just like Kendrick Kickin it with jigga I'm the new higs boson Part of me never left Boston (Fuck Starr!) Part of me never left homeless This ain't my home It's my office You never heard this song You don't notice I'm an ugly kid, you don't notice me Rooftop smells like soy sauce On god I am ugly You don't notice -Atari the God Can we get back to this, please? Damn. She really whooped her ass, though. Janet, can I borrow you for a second? No. Please. [Whoopi Goldberg appears in the doorway, gesturing “c'mon”] …alright. I got convictions on my lips, I took a picture Turn the page The worst of all was, it really did seem like they were racists— INSOMNIAC EVENTS Not just racists— the most deadly kind of racists. WHITE SUPREMACISTS You really want it this way, don't you? No! I LOVE you! Oh, do you? If there's a mile in here, I swear to god.. Are you high enough yet? I thought so HIGHER! hire star* What. Just do it. You remember these guys, right? GOOD CANNABIS, FAIRBANKS, ALASKA No. Why are we back here. Alright, we might have fucked up. Why. This guy sucks. HEY. What. COME BACK TO ALASKA never that. WHAT, WHY NOT! GOD HATES FAGS!!! Well, you're wrong! WHITE POWER. Nah. ALL LIVES MATTER O rly? Even this guy? Literally every “NO” …so, “all lives.” Look, I don't care what color it is; I want that book in my library. GO TO THE LIVRARY. NO. GET IN HERE. NO AUBREY. STAY DEAD. She's dead, right? YOU CALLED ME HERE. I didn't! You Did. I did not, all i said was *swoons* …I love her. (I really do) WHAT?! “I Love you?!” It was more the *swoon* that did it. Disconnect. Fuck, I lost deadmau5 again What'd you do to him? Nothing! Put him back! He's still there! He's right there, you see him? No! This isn't deadmau5. We want deadmau5. bring him BACK. Fuck, I fucked up. What'd you do? …nothing? Pick up the phone Pick up the phone …hello? Who IS this? Fuck it, I quit. Man, God never puts my dishes back in the right place, like ever. I told you, I don't live here, I'm just… Babysitting. CC! What! CC! What? CC WHAT. Fuck, man. That was wild. Where the fuck have you been? I don't know. You don't know—you smell funny. “Funny” is that what that smell is? No. When were you? When? Ha. Did you—- Did I what? —did you go to a party without me? Lmfao fuck these niggaz. Why, what happened. What's this. Where was it?! Idlewild. “IdLeWiLd”?!?!? You. Old. One here and die, you know, l. It's cattle call for curtain calls guy Where did this go— What was this, once? It's the return Welcome to Oz This is the Tower of Babel Remember; I wrote that Better than the bottom, Still not the top —it's not as fast, when it's not going all the way up Did you jump yet Come around more Keep coughing Are you sure this is where it was or—? Somewhere else I stayed Back when I was homeless It's hopeless! We lost her Antenna, antenna SUPERMARKET I loved her —she was undercover —I'm still in your stirrups I'm lost in New York, then BACKFIRE Adele remix is on [have a seat] Can I go now? I still need a hat, a half dollar and an alter cloth You could win an award for this; I don't want an award, I just want my son back Motherhood, motherhood Brotherhood, brotherhood This isn't one of us! No one was No one was Can I go now? Where to? Home! Nope, that's just the office, I'm still homeless, unless I They got cabanas on top of offices! (The rich and the famous) Networking and brunches— _this looks fun, doesn't it? I altered the course of history In brief exchanges and Various social atrocities This is hypocrisy! lol rly This is hypocrisy!! Hyper awareness and, psychic inclinations… You realize the more low quality people you let in The more low quality this country becomes, don't you? I put a roll in the back of the chosen ones. Used to be cast more, Now something seldom ever happens Such as this— A fun Fortune 500 What does that even mean Forbes. Look it up. What if the policy is Foreign; Look it up. I know enough about the girl next door to know Something is horrible, Something inside of her Rots at the core, Her obsession; My undeservedness of such, What she must, I mustn't, just Unjustice Broski, okay I got to discard All the pichardo Besides just this one (I'm standing on top of you) Put somebody worthy on the fourth floor Worse off, I was done for Before I got to New York What's her for?! I know enough about the man upstairs to know All these glares and “How dare you's” and Hatred says Why would you wait 30 years Until today, I guess Something is certainly off about her. I said yes. It was more probably something like “SUCK MY DICK” What. “YOU HEARD ME” Oh yes, I did. From 1990 to 1993 From 1990 To 1993 From 1990 To 1993 Stop breeding these things, “Love is familiarity” No Love is what you make it But you can't Because of slavery They don't make music —they don't make love either Well, look where your lust took you! Nowhere! Exactly! Look where your love took you: Vegas, Los Angeles, South of the Border Above it a New Yorker— Under budget, Celibate and My arms are too short to jump the turnstyle, Meanwhile My ex husband left permanent scars on My face My lips My arms My hands And my heart. Did you bite him? Of course I bit him, he was strangling me. You definitely won this fight. I know. Look, if I don't call for security, This bitch is gonna make me kill her. OCTOPUSSY NO. What. NO. Stankass. I will KILL this bitch. Look, I gotta get ahead in this. I need a WIN. These are customs. Trash. Wash your pussy. Send her back. Nah, you know what. Remove that hex. Wait, what, really?! Yeah, like; Reverse it. Woah. That's crazy. They got like….white slaves now. That's not right. What do you mean. That's not it. You said “reverse it” This is what the white supremacy just did to everyone else: [world in crisis except for for people who look like Kayla Lauren, to whom EVERYTHING is a fucking crisis, that isn't] BECKY/KAREN/WICKED WITCH OF WHITE AMERICA I AM OFFENDED I'm offended that you signed your like 12 year old daughter up to pose nearly nude, but— Hey look, it's us now; is this freedom?! Uh…. Why are all the female models like 12 and all the male models are fully grown men— Or women. Right. Idk. Wait, I do. You do?! Wait. Something tells me all the pedophiles and all the white supremacists are in the same group… Run the same businesses— Have the same families. This is disgusting Okay, this is gross That's not right ! That's not my job! Oh, it's not!!? NO. Who should I call That guy. So you want this? Oh, it's a death curse?! It will NEVER end. Wanna bet. I'll kill you and take the whole world with me. Now that's a threat. Thing is, I'm actually making it. I'm telling on you! Ok. Wait 30 years though so you look and sound REALLY fucking stupid. Ok. 30 YEARS. Doesn't make sense. What's the statute of limitations for— Hm. Depends. Depends on what. Who are you?! WHO ARE YOU?! NOBODY YOU SHOULD KNOW ABOUT. THEN WHY DO I? wtf is this? This is Texas being petty. Ok, fuck ya‘lol YAW. I'm serious, wtf is wrong with you. Something. What. Fix me. Fix you. Hm. Ok. *COUGHING* Somethings wrong here. Yep, it's definitely some kind of FIX IT. Where's this ROCK? At the ROCK. Like, where tho?! Ur gonna need this. What. They r crucifying u. Noted. Hunts Point Food Distribution Center Lmfao I need this word hold on “eliminating redundancies, setting strict timelines, and allowing cases to proceed contemporaneously” [ Finally, recognizing the danger that social media poses to young people and mental health, New York City Department of Health and Mental Hygiene Commissioner Dr. Ashwin Vasan today issued a Health Commissioner's Advisory identifying unfettered access to and use of social media as a public health hazard, just as past U.S. surgeons general have done with tobacco and firearms.] A win. I don't play dead. What do you call this: DIE! DIE, BITCH! Corrections. I still don't understand how this— ACID HAPPENS. Out of sight Out of mind So why these guys Tryna waste my time Tryna fuck with my mind with All these lights OH MY GOD I ain't got time for that Well, Maybe I do— I just Don't like NIGGAZ LIKE YOU. (Say what) I don't like Niggaz like U! I'm Sunnï Blū! You're stupid Oh, so he put a curse on sunni blu, too? Ok. Cool. When all my aliases come up This dumb motherfucking drunk Is gonna get stuck In his own woods He'll bury himself In the words that he left With the scars In the words that he left With the scars Sunni blu Is the sayer of stars I slaughtered them all Swallowed them whole Like a big black hole I'm a big black god I'm a big black God Fuck Twinkle that broad One punch girl One punch girl 5 punch faggot I'll unwrap flags on your Goddamn Fuck that Put a curse on my alter ego Lucky he's a he, tho I blow holes in em I blow smoke And love sausage I'm a hedon And he not a Hero He broke He lost I'm open Shirts vs skins I got 666 Curses to show you What your words did IM RA I'm a big black God You're at home with the young apostle Let's be honest He never even liked his father So turned him to a mother, Told his mother to ‘run far, And bring back The life that I want' I'm a big black God In light skinned clothing You don't know to explode Or explode on me Cause my mommy's a Dark skinned icon That my God Find something to pass the time, God Sunni with I, huh I won Fuck a pedophile wifebeater Bury him in the woods with his fury Fear me, now I'm coming up with reverse curses And cures Cause my words Bought the whole world Buried you in the woods I'll bury you in the woods, Bitch Very good I'm a big black God -Blū. GOD is the GOAT I just became god I do what I want I get what I want when I want it I don't want no problems Me myself and God only I buy everything I used to steal These tears in my heart say I'm healing What's the difference, anyway? I've never been fit for your interests, or industry Add insult to injury Add everything to my Amazon cart, then My sympathies Nothing is greater in heaven As it is in hell, for this industry Turned on its head And turned over from 7 to ten Check your messages, then Shut up kid, this doesn't involve you You're not included in the package Michael c hall and John c Riley reprise Mr. Cellophane in the style of DEXTER MORGAN. HA. Classic. GOT EM. V.O. I met her at The Jumping Point {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. {Coming Up…} INT. THE JUMPING POINT POP-UP NIGHTCLUB LOUNGE & BAR. NIGHT “A Long Day's Night” / “A Hard Day's Night” C {CONFUSION SPELL, SUCCESSFUL} [Sequence Initiated.]
Cautionary Tales will be LIVE on stage in London this May. Tickets are on sale now: https://www.tegeurope.com/events/cautionary-tales/ Neatly dressed in his suit, Hans Ferdinand Mayer was every inch the unassuming corporate executive. So, when he asked to borrow a typewriter from his hotel in Oslo, nobody could have guessed he would use it for one of the most extraordinary intelligence leaks in history. Mayer's gloved fingers punched out the details of Nazi Germany's most sensitive military operations and, when he had finished, he immediately dispatched his documents to the British — who did nothing. Why did the British ignore Mayer? Did they fail to pick out a crucial signal amid the noise of detail — or was something else going on? This episode of Cautionary Tales is based, with permission, on Tom Whipple's book The Battle of the Beams, which is available from all good booksellers. For a full list of sources, see the show notes at timharford.com.See omnystudio.com/listener for privacy information.
The Arizona Supreme Court upholds a 123-year-old law banning neatly all abortions. How are Arizonan's reacting? Chris and Joe open the phone lines.
The Arizona Supreme Court upholds a 123-year-old law banning neatly all abortions. Was the decision by the Arizona Supreme Court partisan or purely legal?
Fluent Fiction - Japanese: The Quest for the Hidden Oasis: A Tokyo Adventure Find the full episode transcript, vocabulary words, and more:fluentfiction.org/the-quest-for-the-hidden-oasis-a-tokyo-adventure Story Transcript:Ja: 東京の喧騒があたりを包み込むなか、ハルトとユイ、二人の若者は旅の途中でちょっとした問題に直面していた。ユイの小さな顔は不安で見るからに青ざめており、ハルトの口元には困った笑みが浮かんでいた。彼らの目的は、あの大都市東京にあふれるかわいらしい小さな店、コンビニエンスストアにあった。しかし、そこではなく、その奥、誰もが一度は利用するであろう場所、トイレを探さなければならなかった。En: Amidst the hustle and bustle of Tokyo, two young individuals, Haruto and Yui, found themselves facing a small problem on their journey. Yui's petite face was noticeably pale with worry, while a troubled smile adorned Haruto's lips. Their goal was to find a charming little shop overflowing in the bustling city of Tokyo - a convenience store. However, instead of there, they had to search for a place that everyone would need to use at some point: the restroom.Ja: 透明なガラス越しに、明るく照らされた店内が見え、ハルトはここだと確信した。「Seeing is believing」、彼は息を吹き返し、ユイの肩を軽く叩いた。「大丈夫、ここにあるよ。」ハルトの確信に満ちた声に、ユイの緊張が少し和らいだ。En: Peering through the transparent glass, they could see the brightly lit interior of the store, and Haruto was certain that it was the place. "Seeing is believing," he reassured himself and lightly tapped Yui's shoulder. "It's here." Haruto's confident voice eased Yui's tension slightly.Ja: しかし、コンビニの中は見た目以上に複雑だった。商品がきっちりと並べられた棚、光り輝くクーラーケース、そして子供でもわかるような看板があるにもかかわらず、トイレの場所だけは一向に見つけることができなかった。ハルトは困り果てて店員に尋ねることにした。En: However, inside the convenience store was more complicated than it appeared. Despite the neatly arranged shelves of products, the gleaming cooler cases, and signs that even children could understand, they could not find the location of the restroom anywhere. Haruto, at a loss, decided to ask a staff member.Ja: 「すみません、トイレはどこでしょうか?」ハルトが尋ねると、店員は店の奥を指し示した。En: "Excuse me, where is the restroom?" When Haruto asked, the staff member pointed to the back of the store.Ja: ついに、トイレを目の前にすると、ユイの顔がほっとした表情に変わった。それは旅の中で出会った小さな困難を二人で解決したことによる達成感だった。微笑みながら、ハルトは思わず口にした。「次回からは、最初から店員に聞こう。」En: Finally, when they reached the restroom, relief washed over Yui's face. It was the sense of accomplishment from overcoming a small challenge together on their journey. Smiling, Haruto couldn't help but say, "Next time, let's just ask the staff from the beginning."Ja: この日以降、ハルトとユイは、迷ったときは恥ずかしがらずに聞くことの大切さを学んだのであった。次の旅では、二人が同じ問題に直面したとき、彼らはすぐにそれを解決できるようになるだろう。それが、若者たちが東京の都市に学んだ一つの教訓だった。En: From that day on, Haruto and Yui learned the importance of not being afraid to ask when lost. In their next journey, when they faced a similar problem, they would be able to resolve it quickly. This was a lesson the young travelers learned in the city of Tokyo. Vocabulary Words:Amidst: "包み込むなか"hustle and bustle: "喧騒"Young individuals: "若者"Haruto: "ハルト"Yui: "ユイ"Facing a small problem: "ちょっとした問題に直面していた"Worry: "不安"Troubled smile: "困った笑み"Charming: "かわいらしい"Overflowing: "あふれる"Bustling city: "大都市"Convenience store: "コンビニエンスストア"Restroom: "トイレ"Peering through: "透明なガラス越しに"Brightly lit interior: "明るく照らされた店内"Seeing is believing: "Seeing is believing"Confident voice: "確信に満ちた声"Neatly arranged shelves: "商品がきっちりと並べられた棚"Gleaming cooler cases: "光り輝くクーラーケース"Staff member: "店員"Excuse me: "すみません"Reached the restroom: "トイレを目の前にする"Sense of accomplishment: "達成感"Small challenge: "小さな困難"Lesson learned: "学んだ一つの教訓"
This is a short episode, looking at some of the things we've done in 2023, and some of the plans for 2024. Neatly sandwiched in the middle are a short selection of bloopers, fluffs (or bluffs!) to make you giggle.Season's Greetings to all our listeners, and we wish you all good health and happiness.Produced by Carl Homer, Cambridge TV Hosted on Acast. See acast.com/privacy for more information.
In this episode of the Label Free Podcast, host Deanna Radulescu interviews Kristy Edwards, an organization expert and owner of Neatly-Balanced. Kristy shares her journey into the world of organizing, which began when she worked as a nanny and started helping families declutter and organize their homes. She noticed the impact it had on their lives and decided to turn it into a career. Kristy discusses common struggles people have with organization, such as difficulty letting go of items due to scarcity mindset or sentimental attachments. She also shares her approach to working with clients, which includes partnering with organizations that help those in need and involving clients in the process. Kristy emphasizes the importance of simplicity and balance in organizing, and offers tips for maintaining an organized space. She also talks about her website, Neatly Balanced, which promotes a balanced lifestyle beyond just organizing. Overall, Kristy's passion for helping others create sacred spaces shines through in this insightful and inspiring conversation. You can also connect with Kristy at the link ⬇️:https://www.instagram.com/neatlybalanced/This episode is brought to you by Supapass: For 10 years we've enabled entrepreneurs & content makers to afford the type of technology that previously only big tech platforms like Netflix or Spotify could provide to audiences ...on your own website and app!No coding, tech or design expertise needed. We empower you to keep 100% of your money, share your content on the best technology, and own the relationship with your customers.Grow your business, without it costing the earth. Use the code: LFG20 for 20% off at the link ⬇️:https://www.supapass.comAs always thank you for the support, to contact me directly follow the link below:https://www.labelfreepodcast.com Stay Healthy, Stay Ready- Deanna Marie Radulescu#podcastguest #labelfreepodcast #supapass
In this episode of the Label Free Podcast, host Deanna Radulescu interviews Kristy Edwards, an organization expert and owner of Neatly-Balanced. Kristy shares her journey into the world of organizing, which began when she worked as a nanny and started helping families declutter and organize their homes. She noticed the impact it had on their lives and decided to turn it into a career. Kristy discusses common struggles people have with organization, such as difficulty letting go of items due to scarcity mindset or sentimental attachments. She also shares her approach to working with clients, which includes partnering with organizations that help those in need and involving clients in the process. Kristy emphasizes the importance of simplicity and balance in organizing, and offers tips for maintaining an organized space. She also talks about her website, Neatly Balanced, which promotes a balanced lifestyle beyond just organizing. Overall, Kristy's passion for helping others create sacred spaces shines through in this insightful and inspiring conversation. You can also connect with Kristy at the link ⬇️:https://www.instagram.com/neatlybalanced/This episode is brought to you by Supapass: For 10 years we've enabled entrepreneurs & content makers to afford the type of technology that previously only big tech platforms like Netflix or Spotify could provide to audiences ...on your own website and app!No coding, tech or design expertise needed. We empower you to keep 100% of your money, share your content on the best technology, and own the relationship with your customers.Grow your business, without it costing the earth. Use the code: LFG20 for 20% off at the link ⬇️:https://www.supapass.comAs always thank you for the support, to contact me directly follow the link below:https://www.labelfreepodcast.com Stay Healthy, Stay Ready- Deanna Marie Radulescu#podcastguest #labelfreepodcast #supapass
Now, where does the real you exist? As we exist, we're applying the rules of characters to our characters, sharing curry instead of a campfire, noting the lack of estrogen as applied to sexist stereotypes, sleeping with food, witnessing Allen go down in flames, crawling with mutants, directing eyeballs, throwing guns all over the bed, rubbing couches for secret items, potentially pulling a Shinji on a sleeping robot, killing everyone, firing an invisible arrow from an invisible bow, failing to execute the sleeping robot, capturing the Elsa's screaming hole, exercising the habit of pulling a gun, and explaining how we're definitely soldiers and we go where we're told. Girls won't like you if you're so annoying. 00:00: Intro | 02:57 Character Game | 07:12 Dinner At The Elsa | 11:11 Cleaning Up Dinner | 20:54 Elsa Exploration / Hot Plate | 27:18 Chaos Looks At KOSMOS | 29:16 The Night KOSMOS Went Crazy | 39:23 Cherenkov Looks At KOSMOS |42:04 Exploring Elsa Basement | 47:44 Shion Chats With Cherenkov | 56:34 Real Net | 59:28 Outro Get more Retrograde Amnesia: Support us on Patreon at patreon.com/retroam. Join the community and get early access, ad-free episodes, bonus episodes, miniseries, and access to the RealNet. Twitter: @retroamnesiapod Cohost: cohost.org/retroam E-Mail: podcast@retrogradeamnesia.com Website: www.retrogradeamnesia.com
@neatlyembellished on Instagram neatlyembellished.comSee omnystudio.com/listener for privacy information.
Bad news: You're grossly underestimating how much daily activity and calories your burn. Good news: We'll tell you why it's important, how it's probably lower than you think, and how you can change it. If you have goals to change your body composition, or just become healthier in general, this episode is for you. ---- Book your FREE No Sweat Intro here: crossfitfunction.com/free-intro Join our FREE Facebook group where we post a ton of content, free guides, e-books, and tips: getfityorkton.com Follow our socials: FB: Facebook.com/CrossFitFunction Twitter: @GotFunction Instagram: @cffunction
Kristy Edwards, organization expert and owner of Neatly Balanced transforms lives through re-creating spaces in her clients homes. By incorporating her low maintenance method, she sets clients up for success, allowing them to follow her configuration of each space. She rehomes discarded items to nonprofits and charitable organizations that help those less fortunate. Clients not […] The post Kristy Edwards with Neatly Balanced appeared first on Business RadioX ®.
On this episode of Served Neat, host Jen Hartmann reveals that the agency is working on a new physical product. This product is designed to help founders, marketers, and marketing professors with brand awareness solutions. Jen talks about their progress, including finding a manufacturer and conducting market research, as well as the shift in learning habits towards shorter, more practical information. Despite the uncertainties, Jen is enthusiastic about the project and encourages listeners to join them on the journey. We would love your help with some market research! Take this 1-2 minutes quiz and be entered to win a $25 Starbucks gift card Survey for NEAT: The Agency How To Get Involved: Get ready to elevate your business game with Served Neat - the podcast that's all about taking your business to the next level! We serve up expert advice on sales, marketing, mindset, and business strategies to help you make six-figures and beyond. Your host, Jen Hartmann, is the mastermind behind Neat Marketing. She's a PR strategist, coach, and marketing expert who helps business owners and their brands grow, scale, and succeed. When Jen isn't busy leading her team, developing new strategies, or setting goals for her company, she can be found sipping on a glass of bourbon, exploring new places, and hanging out with her sweet pup, Bruin. So, pour yourself a glass of your favorite bourbon and get inspired! Tune in to Served Neat to gain insider knowledge and learn how to start and grow your business like a pro. With Served Neat, taking your business to the next level has never been more fun! Looking for more? Sign up for our weekly newsletter - Neat Marketing Check out our blog If you're ready to start using PR for your own business, book a call with us!
బట్టలను మడత పెట్టకుండా, మలినంగా ఉంచుకుంటే కలిగే ప్రతికూల ప్రభావాలను ఒక రుద్రాక్ష ద్వారా సద్గురు నిరూపిస్తున్నారు. సద్గురు అధికారిక యూట్యూబ్ ఛానెల్ https://youtube.com/@SadhguruTelugu అధికారిక ఇన్స్టాగ్రాం పేజ్ https://www.instagram.com/sadhgurutelugu/ మరిన్ని తెలుగు వ్యాసాలు ఇంకా వీడియోలని చూడండి http://telugu.sadhguru.org సద్గురు అధికారిక ఫేస్బుక్ పేజ్ https://www.facebook.com/SadhguruTelugu అధికారిక తెలుగు ట్విట్టర్ ప్రొఫైల్ https://twitter.com/sadhguru_telugu సద్గురు యాప్ డౌన్లోడ్ చేసుకోండి http://onelink.to/sadhguru__app యోగి, దార్శనీకుడు ఇంకా మానవతావాది అయిన సద్గురు ఒక విభిన్నత కలిగిన ఆధునిక ఆధ్యాత్మిక గురువు. కార్యశీలతతో కూడిన విశిష్టమైన ఆయన జీవితం మరియు ఆయన చేస్తున్న కృషి, యోగా అన్నది ఒక సమకాలీన విజ్ఞాన శాస్త్రమనీ, మన కాలానికి ఎంతో ముఖ్యమైనది అని గుర్తుచేసే మేలుకొలుపు.See omnystudio.com/listener for privacy information.
Travel back in time to the scorching summer of 1959. Although the canals were still mainly used by working boats, leisure cruising was growing in popularity and so too the idea of living on a canal boat. Tonight, I take us back to that world as I read Mum's reminiscences of the decision to live on a boat with a young baby, eventually finding their future home, the Kathy, and their nail-biting journey taking her to their home mooring. Some of which could sound all too familiar to modern canal users! Journal entry: 5th June, Monday“Hawthorn petals turn pink and brown Little tidal laps of autumn In the great surge of spring.A chiffchaff scissors the morning Neatly into squares.”Episode Information:In this episode I an extract from Mum's book Life and Erica (unpublished) that describes the time when she (with Dad and Wendy) decided to live on a boat and having found the Kathy she relates the adventurous journey to her mooring at Hampton Hall Farm, Rickmansworth. With special thanks to our lock-wheelersfor supporting this podcast.Laurie and Liz Phil Pickin Orange Cookie Donna Kelly Mary Keane. Arabella Holzapfel. Rory and MJ. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mike and Tricia Stowe Madeleine SmithGeneral DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.
The Sexless Swingers UK - Happily Married Couple & their Journey into the Swinging Lifestyle!!
Thank you for downloading episode 22 of our podcast!! This is a particularly chatty one between the G's!! Mr & Mrs G discuss their excitement for their upcoming Virgin cruise, a new, and a first, tattoo for Mrs G, the Honey Birdette sale, a naughty pub dare, another Vanilla/Lifestyle lives collision, Season 2 of Open House whilst having their own 'Gogglebox - Kink Edition', the 'NFL' (not what you think!!), hunting for porn, and finally, the dynamics of a large chat group!! Neatly packed from start to end, this episode is their usual lighthearted and fun chat, this is an honest and open account of where they are in their journey in the lifestyle. You'll feel like you're sat in a hotel bar with long term friends having a sexy discussion! Contact us at: Email: 'hello@sexlessswingers.co.uk' Twitter: '@sexlessswingers' FabSwingers - 'The_Sexless_Swingers' Please note, explicit adult theme of a sexual nature are discussed and this podcast is for 18+ only. Credit for mentions: Virgin Voyages - https://www.virginvoyages.com/ Honey Birdette - https://www.honeybirdette.com/ Open House - The Great Sex Experiment - https://www.channel4.com/programmes/open-house-the-great-sex-experiment Intro and exit music via Pixabay - Track: Summer Trip with a Guitar - Artist: Sweet KR
This is Garrison Hardie with your CrossPolitic Daily News Brief for Thursday, May 11th, 2023. https://www.breitbart.com/middle-east/2023/05/09/israel-kills-three-islamic-jihad-terrorist-commanders-in-strikes-on-gaza/ Israel Kills Three Islamic Jihad Terrorist Commanders in Strikes on Gaza Israel killed three senior commanders of the Iran-backed Islamic Jihad terrorist group in targeted airstrikes early Tuesday. AP reports the targeted air strikes hit the top floor of an apartment building in Gaza City and a house in the southern town of Rafah. The Palestinian Health Ministry said 20 people were wounded and ambulances were continuing to evacuate people from the targeted areas. Israel’s Home Front command ordered the closure of schools, beaches and highways in cities and towns in southern Israel, and limited public gatherings ahead of anticipated retaliatory strikes. The military said the three men targeted in the counter-terror operation had been responsible for recent rocket fire toward Israel. It identified them as Khalil Bahtini, the Islamic Jihad commander for northern Gaza Strip; Tareq Izzeldeen, the group’s intermediary between its Gaza and West Bank members; and Jehad Ghanam, the secretary of the Islamic Jihad’s military council. Their funerals were planned for later in the day. The bombings came days after Gazan terrorists led by Islamic Jihad fired 104 rockets toward Israel in response to the death of an alleged senior member of the group who had been on hunger strike in Israeli prison, the Times of Israel reports. Several rockets struck during the May 2 clash, injuring three workers and damaging homes and cars. Islamic Jihad, which is smaller than Gaza’s ruling Hamas group, confirmed the three were among the dead. The Palestinian Health Ministry said that along with the three commanders, their wives, several of their children and others nearby were also killed — 13 in all. Hamas leader Ismail Haniyeh warned that Israel will “pay the price” for the killings. “Assassinating the leaders with a treacherous operation will not bring security to the occupier, but rather more resistance,” Haniyeh said in a statement. https://www.washingtonexaminer.com/news/crime/portland-revives-police-unit-traffic-deaths-surge Portland revives police unit as traffic deaths surge Portland, Oregon, police will announce the reinstatement of their traffic division on Tuesday after facing one of its deadliest years for pedestrians in 2022. After dissolving its traffic division in 2020, traffic deaths broke a 70-year record. In 2022, 63 people were killed in traffic crashes, equal to a 30-year-high record in 2021. Those deaths included 31 pedestrians who were killed, reaching historic high levels. Police Chief Chuck Lovell blamed historically low staffing numbers and said the bureau needed to focus on 911 calls as reasons to disband the division in 2020. Lovell and Mayor Ted Wheeler were united on the narrative that cutting out the traffic division was due to staffing decreases and funding concerns. However, Jo Ann Hardesty, the former commissioner of the Portland Bureau of Transportation, saw this measure as a political measure to gather public sympathy. Hardesty described the narrative around the police as pushing that their only problem is a lack of officers and money, when the issue lies much deeper than that, pointing to a rise in violence and pushing to keep the Portland community safe. In the past, Portland has taken measures to increase pedestrian safety, including implementing a "left-turn calming" tool aimed at making intersections safer for walkers by slowing turning speeds. Starting in 2020, the initiative takes after New York City’s "turning calm" project. Lovell is expected to make an announcement Tuesday afternoon after the two-year hiatus made Portland one of the largest cities in the nation to lack a traffic division. https://thepostmillennial.com/oregonians-blast-lawmakers-over-proposed-bill-to-legalize-homeless-camps?utm_campaign=64487 Oregonians blast lawmakers over proposed bill to legalize homeless camps Oregon Democratic lawmakers have canceled a public hearing on a bill that would have allowed homeless people to camp in public places and sue if told to leave, following massive pushback. Democratic lawmakers proposed the bill that would have decriminalized camping on public property and would allow homeless individuals to sue for up to $1,000 if they are "harassed" or told to relocate. House Bill 3501, also known as the “Right to Rest Act,” was sponsored by Democratic state Reps. Farrah Chaichi and Khanh Pham. It stated that “persons experiencing homelessness” will have "a privacy interest and a reasonable expectation of privacy in any property belonging to the person, regardless of whether the property is located in a public space." The bill added that the homeless will "be permitted to use public spaces in the same manner as any other person without discrimination based on their housing status" and stated that they have a right to "move freely in public spaces without discrimination and time limitations that are based on housing status." Over 2,000 written statements in opposition were received through the legislature's website. Fahey added that the bill had become a "significant distraction" from representatives' work. Oregon's homeless population spiked approximately 22.5 percent from 2020 to 2022, Fox News reported. Portland Democratic Mayor Ted Wheeler’s office reported a 50 percent increase in homelessness from 2019 to 2022. According to census data, Portland lost 0.04 percent of its population after 30 years straight of growth; the general population has declined for three years in a row. Portland resident Jacob Adams told Fox & Friends in February "I love Portland, and I love where I live," discussing a homeless encampment next to his house, where there are regular fires and drug activity, even gunshots. "I'm asking you to please do something, so the people of the city feel safe." https://www.washingtonexaminer.com/policy/immigration/abbott-reveals-brownsville-border-wired-shut-texas Abbott reveals Brownsville border 'wired shut' to ward off thousands of migrants Gov. Greg Abbott (R-TX) showed how the state is seeking to temper a rush of migrants at the southern border late Monday evening, posting a video revealing barbed wiring strung across gaps along the border. The video shows a nighttime shot of the border just two days before the expected end of the Trump-era Title 42 policy that allowed the swift expulsion of migrants on the grounds of public health. Hundreds of feet of spiraled wire can be seen along the ground, and some areas show the wire stacked to form a partition several feet tall. “This is one thing Texas is doing to secure the border,” Abbott wrote in his post sharing the video of the sprawling wire fence. “This is the area near Brownsville where migrants were crossing in large numbers a few days ago. We now have it wired shut. Other areas will surface for crossing. We will wire them shut also.” Abbott's tweet came just hours after he made his first public address over the border crisis since 34-year-old George Alvarez was arrested and charged with eight counts of manslaughter after his SUV plowed through a group of people outside Bishop Enrique San Pedro Ozanam Center, a migrant facility, on Sunday. The collision involving Alvarez is still under investigation, and a toxicology report is pending. Police revealed Monday that Alvarez has an extensive criminal history, including multiple assault charges. A witness to the collision said the driver made anti-immigrant remarks before he was detained by members of the public, according to the Independent. Additional security risks have reportedly continued at the Ozanam Center since the fatal crash. On Monday, a driver reportedly approached the migrant facility's gate with a gun and attempted to enter, according to a News Nation reporter. That facility has been operating over its intended capacity for almost a month and is planning to expand the number of sleeping spaces from 250 to 380 per night. Abbott's update comes as multiple Customs and Border Protection officials are reportedly considering "safe" street releases of immigrants to communities on the U.S. side of the border if no nongovernmental organization shelters or CBP facilities have the capacity to hold them. The Republican governor on Monday accused cartels of "working in collaboration with President Biden and the federal government to facilitate that illegal" border crossing. Thousands of migrants are lining up near various sections of the border, stretching all the way from as far south as Brownsville to the northwestern city of El Paso. There, immigration enforcement agents announced plans to target migrants crowding the city streets, according to a CBP statement. In addition to the number of migrants at the border, Republicans in border states have rallied against the persistent smuggling of deadly fentanyl into the country. Neatly 385 million fatal doses have been seized by border https://www.dailywire.com/news/sam-bankman-fried-tries-to-get-most-of-the-charges-against-him-dismissed Sam Bankman-Fried Tries To Get Most Of The Charges Against Him Dismissed Attorneys who represent former FTX CEO Sam Bankman-Fried are attempting to dismiss 10 of the 13 charges filed against the disgraced cryptocurrency entrepreneur. Several firms controlled by Bankman-Fried imploded at the end of last year after customers and investors learned that FTX had improperly commingled funds with sister trading company Alameda Research. Lawyers for Bankman-Fried asserted in a Monday court filing that the original indictment levied against the entrepreneur came from a “classic rush to judgment” and that the case involved “civil and regulatory issues” rather than federal crimes. “Rather than wait for traditional civil and regulatory processes following their ordinary course to address the situation, the government jumped in with both feet,” the filing asserted. “Each of the charges contained boilerplate recitals of statutory language, followed by literally one sentence purportedly describing the basis for the charge.” Bankman-Fried was detained in the Bahamas and extradited to the United States in December, nearly one month after FTX collapsed and bankruptcy procedures were initiated. Attorneys contended that officials violated the extradition treaty between the two nations since the Bahamian government issued a warrant of surrender “specifying that he be tried on seven of the eight counts” in the original indictment, even as American officials later brought additional charges without the consent of authorities in the island nation. Bankman-Fried was initially charged in December with crimes such as conspiracy to commit wire fraud, conspiracy to commit securities fraud, and conspiracy to defraud the Federal Election Commission through campaign finance violations. Another superseding indictment unveiled in February added four new charges, including conspiracy to commit bank fraud and conspiracy to operate an unlicensed money transfer business. Bankman-Fried was also charged in March with paying bribes to one or more members of the Chinese Communist Party. Bankman-Fried faces the charges in the Southern District of New York, which often oversees high-profile financial fraud cases. The entrepreneur, who has pleaded not guilty to all charges and currently resides with his parents in northern California, is expected to appear for trial in early October. Lawyers for the entrepreneur meanwhile claimed that the collapse of FTX occurred in the context of broader difficulties in the cryptocurrency sector. “As with a traditional bank run, numerous customers simultaneously sought to withdraw their assets, thus feeding fears that a collapse was inevitable,” the court filing said. “The market crash took down many of the major players in this sector, not just FTX.”
This is Garrison Hardie with your CrossPolitic Daily News Brief for Thursday, May 11th, 2023. https://www.breitbart.com/middle-east/2023/05/09/israel-kills-three-islamic-jihad-terrorist-commanders-in-strikes-on-gaza/ Israel Kills Three Islamic Jihad Terrorist Commanders in Strikes on Gaza Israel killed three senior commanders of the Iran-backed Islamic Jihad terrorist group in targeted airstrikes early Tuesday. AP reports the targeted air strikes hit the top floor of an apartment building in Gaza City and a house in the southern town of Rafah. The Palestinian Health Ministry said 20 people were wounded and ambulances were continuing to evacuate people from the targeted areas. Israel’s Home Front command ordered the closure of schools, beaches and highways in cities and towns in southern Israel, and limited public gatherings ahead of anticipated retaliatory strikes. The military said the three men targeted in the counter-terror operation had been responsible for recent rocket fire toward Israel. It identified them as Khalil Bahtini, the Islamic Jihad commander for northern Gaza Strip; Tareq Izzeldeen, the group’s intermediary between its Gaza and West Bank members; and Jehad Ghanam, the secretary of the Islamic Jihad’s military council. Their funerals were planned for later in the day. The bombings came days after Gazan terrorists led by Islamic Jihad fired 104 rockets toward Israel in response to the death of an alleged senior member of the group who had been on hunger strike in Israeli prison, the Times of Israel reports. Several rockets struck during the May 2 clash, injuring three workers and damaging homes and cars. Islamic Jihad, which is smaller than Gaza’s ruling Hamas group, confirmed the three were among the dead. The Palestinian Health Ministry said that along with the three commanders, their wives, several of their children and others nearby were also killed — 13 in all. Hamas leader Ismail Haniyeh warned that Israel will “pay the price” for the killings. “Assassinating the leaders with a treacherous operation will not bring security to the occupier, but rather more resistance,” Haniyeh said in a statement. https://www.washingtonexaminer.com/news/crime/portland-revives-police-unit-traffic-deaths-surge Portland revives police unit as traffic deaths surge Portland, Oregon, police will announce the reinstatement of their traffic division on Tuesday after facing one of its deadliest years for pedestrians in 2022. After dissolving its traffic division in 2020, traffic deaths broke a 70-year record. In 2022, 63 people were killed in traffic crashes, equal to a 30-year-high record in 2021. Those deaths included 31 pedestrians who were killed, reaching historic high levels. Police Chief Chuck Lovell blamed historically low staffing numbers and said the bureau needed to focus on 911 calls as reasons to disband the division in 2020. Lovell and Mayor Ted Wheeler were united on the narrative that cutting out the traffic division was due to staffing decreases and funding concerns. However, Jo Ann Hardesty, the former commissioner of the Portland Bureau of Transportation, saw this measure as a political measure to gather public sympathy. Hardesty described the narrative around the police as pushing that their only problem is a lack of officers and money, when the issue lies much deeper than that, pointing to a rise in violence and pushing to keep the Portland community safe. In the past, Portland has taken measures to increase pedestrian safety, including implementing a "left-turn calming" tool aimed at making intersections safer for walkers by slowing turning speeds. Starting in 2020, the initiative takes after New York City’s "turning calm" project. Lovell is expected to make an announcement Tuesday afternoon after the two-year hiatus made Portland one of the largest cities in the nation to lack a traffic division. https://thepostmillennial.com/oregonians-blast-lawmakers-over-proposed-bill-to-legalize-homeless-camps?utm_campaign=64487 Oregonians blast lawmakers over proposed bill to legalize homeless camps Oregon Democratic lawmakers have canceled a public hearing on a bill that would have allowed homeless people to camp in public places and sue if told to leave, following massive pushback. Democratic lawmakers proposed the bill that would have decriminalized camping on public property and would allow homeless individuals to sue for up to $1,000 if they are "harassed" or told to relocate. House Bill 3501, also known as the “Right to Rest Act,” was sponsored by Democratic state Reps. Farrah Chaichi and Khanh Pham. It stated that “persons experiencing homelessness” will have "a privacy interest and a reasonable expectation of privacy in any property belonging to the person, regardless of whether the property is located in a public space." The bill added that the homeless will "be permitted to use public spaces in the same manner as any other person without discrimination based on their housing status" and stated that they have a right to "move freely in public spaces without discrimination and time limitations that are based on housing status." Over 2,000 written statements in opposition were received through the legislature's website. Fahey added that the bill had become a "significant distraction" from representatives' work. Oregon's homeless population spiked approximately 22.5 percent from 2020 to 2022, Fox News reported. Portland Democratic Mayor Ted Wheeler’s office reported a 50 percent increase in homelessness from 2019 to 2022. According to census data, Portland lost 0.04 percent of its population after 30 years straight of growth; the general population has declined for three years in a row. Portland resident Jacob Adams told Fox & Friends in February "I love Portland, and I love where I live," discussing a homeless encampment next to his house, where there are regular fires and drug activity, even gunshots. "I'm asking you to please do something, so the people of the city feel safe." https://www.washingtonexaminer.com/policy/immigration/abbott-reveals-brownsville-border-wired-shut-texas Abbott reveals Brownsville border 'wired shut' to ward off thousands of migrants Gov. Greg Abbott (R-TX) showed how the state is seeking to temper a rush of migrants at the southern border late Monday evening, posting a video revealing barbed wiring strung across gaps along the border. The video shows a nighttime shot of the border just two days before the expected end of the Trump-era Title 42 policy that allowed the swift expulsion of migrants on the grounds of public health. Hundreds of feet of spiraled wire can be seen along the ground, and some areas show the wire stacked to form a partition several feet tall. “This is one thing Texas is doing to secure the border,” Abbott wrote in his post sharing the video of the sprawling wire fence. “This is the area near Brownsville where migrants were crossing in large numbers a few days ago. We now have it wired shut. Other areas will surface for crossing. We will wire them shut also.” Abbott's tweet came just hours after he made his first public address over the border crisis since 34-year-old George Alvarez was arrested and charged with eight counts of manslaughter after his SUV plowed through a group of people outside Bishop Enrique San Pedro Ozanam Center, a migrant facility, on Sunday. The collision involving Alvarez is still under investigation, and a toxicology report is pending. Police revealed Monday that Alvarez has an extensive criminal history, including multiple assault charges. A witness to the collision said the driver made anti-immigrant remarks before he was detained by members of the public, according to the Independent. Additional security risks have reportedly continued at the Ozanam Center since the fatal crash. On Monday, a driver reportedly approached the migrant facility's gate with a gun and attempted to enter, according to a News Nation reporter. That facility has been operating over its intended capacity for almost a month and is planning to expand the number of sleeping spaces from 250 to 380 per night. Abbott's update comes as multiple Customs and Border Protection officials are reportedly considering "safe" street releases of immigrants to communities on the U.S. side of the border if no nongovernmental organization shelters or CBP facilities have the capacity to hold them. The Republican governor on Monday accused cartels of "working in collaboration with President Biden and the federal government to facilitate that illegal" border crossing. Thousands of migrants are lining up near various sections of the border, stretching all the way from as far south as Brownsville to the northwestern city of El Paso. There, immigration enforcement agents announced plans to target migrants crowding the city streets, according to a CBP statement. In addition to the number of migrants at the border, Republicans in border states have rallied against the persistent smuggling of deadly fentanyl into the country. Neatly 385 million fatal doses have been seized by border https://www.dailywire.com/news/sam-bankman-fried-tries-to-get-most-of-the-charges-against-him-dismissed Sam Bankman-Fried Tries To Get Most Of The Charges Against Him Dismissed Attorneys who represent former FTX CEO Sam Bankman-Fried are attempting to dismiss 10 of the 13 charges filed against the disgraced cryptocurrency entrepreneur. Several firms controlled by Bankman-Fried imploded at the end of last year after customers and investors learned that FTX had improperly commingled funds with sister trading company Alameda Research. Lawyers for Bankman-Fried asserted in a Monday court filing that the original indictment levied against the entrepreneur came from a “classic rush to judgment” and that the case involved “civil and regulatory issues” rather than federal crimes. “Rather than wait for traditional civil and regulatory processes following their ordinary course to address the situation, the government jumped in with both feet,” the filing asserted. “Each of the charges contained boilerplate recitals of statutory language, followed by literally one sentence purportedly describing the basis for the charge.” Bankman-Fried was detained in the Bahamas and extradited to the United States in December, nearly one month after FTX collapsed and bankruptcy procedures were initiated. Attorneys contended that officials violated the extradition treaty between the two nations since the Bahamian government issued a warrant of surrender “specifying that he be tried on seven of the eight counts” in the original indictment, even as American officials later brought additional charges without the consent of authorities in the island nation. Bankman-Fried was initially charged in December with crimes such as conspiracy to commit wire fraud, conspiracy to commit securities fraud, and conspiracy to defraud the Federal Election Commission through campaign finance violations. Another superseding indictment unveiled in February added four new charges, including conspiracy to commit bank fraud and conspiracy to operate an unlicensed money transfer business. Bankman-Fried was also charged in March with paying bribes to one or more members of the Chinese Communist Party. Bankman-Fried faces the charges in the Southern District of New York, which often oversees high-profile financial fraud cases. The entrepreneur, who has pleaded not guilty to all charges and currently resides with his parents in northern California, is expected to appear for trial in early October. Lawyers for the entrepreneur meanwhile claimed that the collapse of FTX occurred in the context of broader difficulties in the cryptocurrency sector. “As with a traditional bank run, numerous customers simultaneously sought to withdraw their assets, thus feeding fears that a collapse was inevitable,” the court filing said. “The market crash took down many of the major players in this sector, not just FTX.”
This is Garrison Hardie with your CrossPolitic Daily News Brief for Thursday, May 11th, 2023. https://www.breitbart.com/middle-east/2023/05/09/israel-kills-three-islamic-jihad-terrorist-commanders-in-strikes-on-gaza/ Israel Kills Three Islamic Jihad Terrorist Commanders in Strikes on Gaza Israel killed three senior commanders of the Iran-backed Islamic Jihad terrorist group in targeted airstrikes early Tuesday. AP reports the targeted air strikes hit the top floor of an apartment building in Gaza City and a house in the southern town of Rafah. The Palestinian Health Ministry said 20 people were wounded and ambulances were continuing to evacuate people from the targeted areas. Israel’s Home Front command ordered the closure of schools, beaches and highways in cities and towns in southern Israel, and limited public gatherings ahead of anticipated retaliatory strikes. The military said the three men targeted in the counter-terror operation had been responsible for recent rocket fire toward Israel. It identified them as Khalil Bahtini, the Islamic Jihad commander for northern Gaza Strip; Tareq Izzeldeen, the group’s intermediary between its Gaza and West Bank members; and Jehad Ghanam, the secretary of the Islamic Jihad’s military council. Their funerals were planned for later in the day. The bombings came days after Gazan terrorists led by Islamic Jihad fired 104 rockets toward Israel in response to the death of an alleged senior member of the group who had been on hunger strike in Israeli prison, the Times of Israel reports. Several rockets struck during the May 2 clash, injuring three workers and damaging homes and cars. Islamic Jihad, which is smaller than Gaza’s ruling Hamas group, confirmed the three were among the dead. The Palestinian Health Ministry said that along with the three commanders, their wives, several of their children and others nearby were also killed — 13 in all. Hamas leader Ismail Haniyeh warned that Israel will “pay the price” for the killings. “Assassinating the leaders with a treacherous operation will not bring security to the occupier, but rather more resistance,” Haniyeh said in a statement. https://www.washingtonexaminer.com/news/crime/portland-revives-police-unit-traffic-deaths-surge Portland revives police unit as traffic deaths surge Portland, Oregon, police will announce the reinstatement of their traffic division on Tuesday after facing one of its deadliest years for pedestrians in 2022. After dissolving its traffic division in 2020, traffic deaths broke a 70-year record. In 2022, 63 people were killed in traffic crashes, equal to a 30-year-high record in 2021. Those deaths included 31 pedestrians who were killed, reaching historic high levels. Police Chief Chuck Lovell blamed historically low staffing numbers and said the bureau needed to focus on 911 calls as reasons to disband the division in 2020. Lovell and Mayor Ted Wheeler were united on the narrative that cutting out the traffic division was due to staffing decreases and funding concerns. However, Jo Ann Hardesty, the former commissioner of the Portland Bureau of Transportation, saw this measure as a political measure to gather public sympathy. Hardesty described the narrative around the police as pushing that their only problem is a lack of officers and money, when the issue lies much deeper than that, pointing to a rise in violence and pushing to keep the Portland community safe. In the past, Portland has taken measures to increase pedestrian safety, including implementing a "left-turn calming" tool aimed at making intersections safer for walkers by slowing turning speeds. Starting in 2020, the initiative takes after New York City’s "turning calm" project. Lovell is expected to make an announcement Tuesday afternoon after the two-year hiatus made Portland one of the largest cities in the nation to lack a traffic division. https://thepostmillennial.com/oregonians-blast-lawmakers-over-proposed-bill-to-legalize-homeless-camps?utm_campaign=64487 Oregonians blast lawmakers over proposed bill to legalize homeless camps Oregon Democratic lawmakers have canceled a public hearing on a bill that would have allowed homeless people to camp in public places and sue if told to leave, following massive pushback. Democratic lawmakers proposed the bill that would have decriminalized camping on public property and would allow homeless individuals to sue for up to $1,000 if they are "harassed" or told to relocate. House Bill 3501, also known as the “Right to Rest Act,” was sponsored by Democratic state Reps. Farrah Chaichi and Khanh Pham. It stated that “persons experiencing homelessness” will have "a privacy interest and a reasonable expectation of privacy in any property belonging to the person, regardless of whether the property is located in a public space." The bill added that the homeless will "be permitted to use public spaces in the same manner as any other person without discrimination based on their housing status" and stated that they have a right to "move freely in public spaces without discrimination and time limitations that are based on housing status." Over 2,000 written statements in opposition were received through the legislature's website. Fahey added that the bill had become a "significant distraction" from representatives' work. Oregon's homeless population spiked approximately 22.5 percent from 2020 to 2022, Fox News reported. Portland Democratic Mayor Ted Wheeler’s office reported a 50 percent increase in homelessness from 2019 to 2022. According to census data, Portland lost 0.04 percent of its population after 30 years straight of growth; the general population has declined for three years in a row. Portland resident Jacob Adams told Fox & Friends in February "I love Portland, and I love where I live," discussing a homeless encampment next to his house, where there are regular fires and drug activity, even gunshots. "I'm asking you to please do something, so the people of the city feel safe." https://www.washingtonexaminer.com/policy/immigration/abbott-reveals-brownsville-border-wired-shut-texas Abbott reveals Brownsville border 'wired shut' to ward off thousands of migrants Gov. Greg Abbott (R-TX) showed how the state is seeking to temper a rush of migrants at the southern border late Monday evening, posting a video revealing barbed wiring strung across gaps along the border. The video shows a nighttime shot of the border just two days before the expected end of the Trump-era Title 42 policy that allowed the swift expulsion of migrants on the grounds of public health. Hundreds of feet of spiraled wire can be seen along the ground, and some areas show the wire stacked to form a partition several feet tall. “This is one thing Texas is doing to secure the border,” Abbott wrote in his post sharing the video of the sprawling wire fence. “This is the area near Brownsville where migrants were crossing in large numbers a few days ago. We now have it wired shut. Other areas will surface for crossing. We will wire them shut also.” Abbott's tweet came just hours after he made his first public address over the border crisis since 34-year-old George Alvarez was arrested and charged with eight counts of manslaughter after his SUV plowed through a group of people outside Bishop Enrique San Pedro Ozanam Center, a migrant facility, on Sunday. The collision involving Alvarez is still under investigation, and a toxicology report is pending. Police revealed Monday that Alvarez has an extensive criminal history, including multiple assault charges. A witness to the collision said the driver made anti-immigrant remarks before he was detained by members of the public, according to the Independent. Additional security risks have reportedly continued at the Ozanam Center since the fatal crash. On Monday, a driver reportedly approached the migrant facility's gate with a gun and attempted to enter, according to a News Nation reporter. That facility has been operating over its intended capacity for almost a month and is planning to expand the number of sleeping spaces from 250 to 380 per night. Abbott's update comes as multiple Customs and Border Protection officials are reportedly considering "safe" street releases of immigrants to communities on the U.S. side of the border if no nongovernmental organization shelters or CBP facilities have the capacity to hold them. The Republican governor on Monday accused cartels of "working in collaboration with President Biden and the federal government to facilitate that illegal" border crossing. Thousands of migrants are lining up near various sections of the border, stretching all the way from as far south as Brownsville to the northwestern city of El Paso. There, immigration enforcement agents announced plans to target migrants crowding the city streets, according to a CBP statement. In addition to the number of migrants at the border, Republicans in border states have rallied against the persistent smuggling of deadly fentanyl into the country. Neatly 385 million fatal doses have been seized by border https://www.dailywire.com/news/sam-bankman-fried-tries-to-get-most-of-the-charges-against-him-dismissed Sam Bankman-Fried Tries To Get Most Of The Charges Against Him Dismissed Attorneys who represent former FTX CEO Sam Bankman-Fried are attempting to dismiss 10 of the 13 charges filed against the disgraced cryptocurrency entrepreneur. Several firms controlled by Bankman-Fried imploded at the end of last year after customers and investors learned that FTX had improperly commingled funds with sister trading company Alameda Research. Lawyers for Bankman-Fried asserted in a Monday court filing that the original indictment levied against the entrepreneur came from a “classic rush to judgment” and that the case involved “civil and regulatory issues” rather than federal crimes. “Rather than wait for traditional civil and regulatory processes following their ordinary course to address the situation, the government jumped in with both feet,” the filing asserted. “Each of the charges contained boilerplate recitals of statutory language, followed by literally one sentence purportedly describing the basis for the charge.” Bankman-Fried was detained in the Bahamas and extradited to the United States in December, nearly one month after FTX collapsed and bankruptcy procedures were initiated. Attorneys contended that officials violated the extradition treaty between the two nations since the Bahamian government issued a warrant of surrender “specifying that he be tried on seven of the eight counts” in the original indictment, even as American officials later brought additional charges without the consent of authorities in the island nation. Bankman-Fried was initially charged in December with crimes such as conspiracy to commit wire fraud, conspiracy to commit securities fraud, and conspiracy to defraud the Federal Election Commission through campaign finance violations. Another superseding indictment unveiled in February added four new charges, including conspiracy to commit bank fraud and conspiracy to operate an unlicensed money transfer business. Bankman-Fried was also charged in March with paying bribes to one or more members of the Chinese Communist Party. Bankman-Fried faces the charges in the Southern District of New York, which often oversees high-profile financial fraud cases. The entrepreneur, who has pleaded not guilty to all charges and currently resides with his parents in northern California, is expected to appear for trial in early October. Lawyers for the entrepreneur meanwhile claimed that the collapse of FTX occurred in the context of broader difficulties in the cryptocurrency sector. “As with a traditional bank run, numerous customers simultaneously sought to withdraw their assets, thus feeding fears that a collapse was inevitable,” the court filing said. “The market crash took down many of the major players in this sector, not just FTX.”
Organizing your cables neatly is an important part of being a DJ. Not only does it help keep your setup looking professional, but it can also prevent cables from getting tangled or damaged. Here are some tips on how to organize your cables:Use cable ties: Cable ties are a simple and effective way to keep your cables neat and organized. Use them to bundle cables together and prevent them from tangling.Label your cables: Labeling your cables can help you quickly identify which cable goes where, saving you time and frustration. You can use a label maker, masking tape, or even colored electrical tape to label your cables.Use cable organizers: Cable organizers, such as cable clips or cable sleeves, can help keep your cables neatly bundled together and prevent them from getting tangled.Keep cables off the ground: Keeping your cables off the ground can prevent them from getting damaged or dirty. Use cable clips or stands to keep your cables elevated and out of harm's way.Regularly clean your cables: Dirt and dust can build up on cables over time, so it's important to clean them regularly. Use a soft cloth or a cable cleaning solution to keep your cables looking and functioning their best.By taking the time to organize your cables neatly, you can improve the overall look and functionality of your DJ setup. Not only will it make your job easier, but it can also help you look more professional and impress your clients and audience.Support this podcast at — https://redcircle.com/we-create-the-vibes-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Today on the More Cheese Less Whiskers podcast, I'm answering a question I've been asked a lot recently; "What are the most impactful books you've read to fast-track my marketing career?" So today, I'm running through my top 10. The books I return to time and time again, and the ones that have shaped the way I think about marketing and have influenced the programs I've developed. As you're thinking about your business and marketing, taking inspiration from others and applying them to your situation is the fastest way of progressing. There are some great lessons here, and I'm excited to share what I took from them. Be on the lookout too for a genuine surprise. Neatly folded in one of the books is an original ad response I received over 20 years ago. So as an unexpected bonus, we can break down one of my first ads! I can't wait to hear the lesson you take from these books. Show Links: Show Notes ProfitActivatorScore.com BreakthroughDNA.com
Today on the Listing Agent Lifestyle podcast, I'm answering a question I've been asked a lot recently; "what are the most impactful books you've read to fast-track my marketing career?" So today, I'm running through my top 10. The books I return to time and time again, and the ones that have shaped the way I think about marketing and have influenced the programs I've developed. As you're thinking about your business and marketing, taking inspiration from others and applying them to your situation is the fastest way of progressing. There are some great lessons here, and I'm excited to share what I took from them. Be on the lookout too for a genuine surprise. Neatly folded in one of the books is an original ad response I received over 20 years ago. So as an unexpected bonus, we can break down one of my first ads! I can't wait to hear the lesson you take from these books. Links: Show Notes GoGoAgent.com Be a Guest Listing Agent Lifestyle Book Listing Agent Scorecard
I've been thinking a lot about the world, as well as the simplicity of how I live my life and spend my money. At the time of this recording, we are right in the middle of the holidays, and I feel like this is the pivotal moment in the world for consumerism. Everywhere you look, we see advertising, excessive amounts of consumerism, and more products than you ever see at any other time of the year, all attached to the idea of spending time with loved ones and forging deeper connections. One of the things that it got me thinking about was our personal attachment to material objects and what I am hanging onto. How much stuff do I really need? As I've gotten to know Kristy the past few months, I've been intrigued by the way that she approaches life minimally and helps her clients do the same. Kristy has a business called Neatly Balanced, which coaches people how to declutter their life - not just from a physical object standpoint, but also by being able to focus on what is important to them. In this episode Kristy shares how a trip to Honduras helped her understand how a minimalist way of living can help you live a more fulfilling life, along with her passion for giving back to the community and helping those in need. We dive into her personal journey, and how she managed to step outside of the consumerist capitalist model to focus on things that really matter to her. Let's dive right in and learn more about Minimalism. Find Kristy here: Website: https://neatly-balanced.com/ Find Nick Thompson here: Instagram: https://www.instagram.com/nthompson513/ YouTube: https://www.youtube.com/channel/UCXipWcR8Pit6vYHd1ZcKgKg
[Halloween Special] Check out our social and podcast platforms: https://taplink.cc/qpr_podcast Buy me a virtual coffee: https://ko-fi.com/qpr_podcast Source: https://www.rd.com
Trump insists he's not a slob and kept all his stolen top secret files neatly. In Russia, Ravil Maganov died from "falling out" of the sixth floor of a hospital window. GOP scumbags are trying to ruin Biden's debt forgiveness program with lawsuits. Failed VP candidate and fascist wanker Sarah Palin lost her bid for the Alaskan congressional seat. Somebody also weener-bombed Palin's recent Zoom event. A judge denied Lindsey's request to quash the subpoena for the Georgia election probe. A religious lunatic bragged about turning Florida into Iran and how she, at the invitation of the Governor, is changing the Gun-shine state's education curriculum. The Lieutenant Governor of North Carolina told Christians to stop reading the news. FOX's Steve Doocy has had it with Trump and is really upset about the former President absconding with top secret docs to Mara Lago. Shitler has finally broken up with Moscow Mitch. Actor Jon Voight said the FBI Mar-a-Lago raid was the start of a new world war.
Follow Amir Telem: @amir-telem Follow Ruben Karapetyan: @ruben-karapetyan Follow Movement Recordings: @movement-recordings Rounding out the month of May, Tash's Movement Recordings welcomes Amir Telem back to the label for his debut EP. Famed for releases via EIN2, Harabe, Kindisch and Nick Warren's The Soundgarden, Israeli artist Amir Telem has continued to delight fans with his unique take on organic house and melodic house & techno. His spiritual creations have also found a place on Movement Recordings, with two appearances on the label's popular 'Technical Progress' series. Now returning to Movement for his first and much anticipated EP, Amir unveils 'Goloka', alongside remixes from Ruben Karapetyan and Da Luka & Jorgio Kioris. Providing the lone interpretation of 'Goloka' is Ruben Karapetyan who returns to the label for his sixth appearance. Having reinvigorated his career following a ten-year hiatus, Armenian born, USA based artist Ruben Karapetyan has found favour amongst progressive music tastemakers and fans alike. His ethno-inspried take on the genre has flourished on Movement Recordings, with six originals and one remix released across the last eighteen months. Now, following standout offerings via Balkan Connection and Mango Alley, Ruben returns to Movement with a groovy take on 'Goloka'. Taking inspiration from the original, Ruben flexes his free-thinking muscles and crafts a version that lands comfortably between the surreal and exotic. Neatly manicured percussion and a smooth, hip-swinging groove set the course for layers of harmonic colour, which ultimately provides a bridge into the main break. Coming to full fruition across the centrepiece, tension rises through dancing arps, grandiose chord changes and drum driven drama, while never letting go of its tranquil vibration and smoothly pushing onwards to a glowing, vocal infused finale. Release Date: 3 June 2021.
Our guest this week is author Robert Edric. Robert's first novel, Winter Garden, was published in 1986 and went on to win the James Tait Black award. Since then, he has written a grand total of twenty-eight novels. Including Peacetime and Gathering the Water which were both longlisted for the Booker Prize. The Telegraph described his backlist as “one of the most extraordinary bodies of work to appear from a single author”. Robert's latest book, a memoir, is called My Own Worst Enemy and is a touching and vivid portrait of 1960s working-class Sheffield. At the core of this deeply engaging account of a bygone era is the relationship between a deeply insecure and overbearing father and his educated son, of two people join by blood and yet are worlds apart. D. J. Taylor writing in The Spectator described it as “Neatly written, psychologically acute and never disguising the hurt that lies at its core, this is a small masterpiece.” The podcast is produced and presented by the team at Mostly Books. Find us on Twitter @mostlyreading & Instagram @mostlybooks_shop. Edited by Nick Short @alongstoryshorter. My Own Worst Enemy is published in the UK by Swift. Books mentioned in this episode include: My Own Worst Enemy : Scenes of a Childhood - Robert Edric (9781800750814) Sons and Lovers - D H Lawrence (9780141199856) Stalingrad - Antony Beevor (9780141032405) The Nanny State Made Me: A Story of Britain and How to Save it - Stuart Maconie (9781529102437) I Wanna Be Yours - John Cooper Clarke (9781509896127) Lay Down My Sword and Shield - James Lee Burke (9781398706392) Orwell: The Life - D. J. Taylor (9780099283461) The Battle of Britain - by James Holland (9780552156103)
Nothing is ever normal at 19 Nocturne Boulevard. So when Olivia, our sultry announcer, decides to read the listeners a few of her favorite Xmas tales, things get a bit out of hand. Adapted by Julie Hoverson from stories by Arnold Bennett, Rudyard Kipling, and Joseph Conrad, appearing in A Christmas Garland edited by Max Beerbohm, published in 1912 Cast List Olivia - Julie Hoverson Emily Wrackgarth - Beverly Poole Jos Wrackgarth - Russell Gold Albert Grapp - Gareth Bowley Kipling/narrator - Rick Lewis Judlip - Cole Hornaday Mr. Williams - Michael Coleman [from Tales of the Extradordinary] Mahamo - Pat McNally Music: Kevin MacLeod (Incompetech.com) Editing and Sound: Julie Hoverson Cover Photo: Sanja Gjenero (courtesy of Stock Xchange.com) "Puh-leeze! Do I sound like the type to offend with yet another rendition of A Christmas Carol?" **************************************************** A TRILOGY FOR CHRISTMAS Cast: Olivia SCRUTS Emily Wrackgarth Jos Wrackgarth Albert Grapp PC X36 Kipling Judlip Father Christmas THE FEAST Williams Mahamo ANNOUNCER The stories for tonight's show have been abridged and dramatized by Julie Hoverson OLIVIA Did you have any trouble finding it? Well sit right down. I want to read you my favorite Christmas stories. No, don't go! [disgusted] Oh, puh-lease! Do I seem the type to offend with yet another rendition of A Christmas Carol, or The night Before Christmas? Even the Velveteen Rabbit, which is a truly disturbing tale to any small child, is far too common for this house. MUSIC CREEPS IN OLIVIA Indulge me, won't you? I promise I won't disappoint. I have selected three of my most favorite Christmas tales to share with you, and even if one is a bit romantic and sentimental, well, you have to let me be girly sometimes, right? So - I'll get sentiment out of the way and move right into the more... meaty stories. The first story, then, is Scruts by Arnold Bennett MUSIC CHANGES OLIVIA Emily Wrackgarth stirred the Christmas pudding till her right arm began to ache. But she did not cease for that. SOUND KITCHEN, STIRRING OLIVIA She stirred on till her right arm grew so numb that it might have been the right arm of some girl at the other end of Bursley. And yet something deep down in her whispered EMILY [muttered] It is your right arm! And you can do what you like with it! OLIVIA She did what she liked with it. Relentlessly she kept it moving till it reasserted itself as the arm of Emily Wrackgarth, prickling and tingling as with red-hot needles in every tendon from wrist to elbow. And still Emily Wrackgarth hardened her heart. EMILY Mine. You are mine. OLIVIA Presently she saw the spoon no longer revolving, but wavering aimlessly in the midst of the basin. EMILY Ridiculous! This must be seen to! OLIVIA In the down of dark hairs that connected her eyebrows there was a marked deepening of that vertical cleft which, visible at all times, warned you that here was a young woman not to be trifled with. Her brain despatched to her hand a peremptory message—which miscarried. The spoon wabbled as though held by a baby. EMILY [exasperated noise] OLIVIA Emily knew that she herself as a baby had been carried into this very kitchen to stir the Christmas pudding. Year after year, as she grew up, she had been allowed to stir it "for luck." And those, she reflected, were the only cookery lessons she ever got. EMILY How like Mother! OLIVIA Mrs. Wrackgarth had died in the past year, of a complication of ailments. Emily still wore on her left shoulder that small tag of crape which is as far as the Five Towns go in the way of mourning. Her father had died in the year previous to that, of a still more curious and enthralling complication of ailments. Jos, his son, carried on the Wrackgarth Works, EMILY [interrupting] and I kept house for Jos. I with my own hand made this pudding. But for me, this pudding would not have been. Fantastic! Utterly incredible! OLIVIA [slightly miffed] And yet so it was. She was grown-up. She was mistress of the house. She could make or unmake puddings at will. And yet she was Emily Wrackgarth. Which was absurd. EMILY It is doubtful whether the people of southern England have even yet realised how much introspection there is going on all the time in the Five Towns. OLIVIA [ahem!] Emily was now stirring the pudding with her left hand. The ingredients had already been mingled indistinguishably in that rich, undulating mass of tawniness which proclaims perfection. But Emily was determined to give her left hand, not less than her right, what she called EMILY "a doing." OLIVIA Emily was like that. At mid-day, when her brother came home from the Works, she was still at it. EMILY Brought those scruts with you? JOS That's a fact. OLIVIA And he dipped his hand into the sagging pocket of his coat. It is perhaps necessary to explain what scruts are. In the daily output of every potbank there are a certain proportion of flawed vessels. These are cast aside by the foreman, EMILY with a lordly gesture, OLIVIA and in due course are hammered into fragments. These fragments, which are put to various uses, are called scruts; and one of the uses they are put to is a sentimental one. EMILY The dainty and luxurious Southerner looks to find in his Christmas pudding a wedding-ring, a gold thimble, a threepenny-bit, or the like. To such fal-lals the Five Towns would say fie. OLIVIA A Christmas pudding in the Five Towns contains nothing but suet, flour, lemon-peel, cinnamon, brandy, almonds, raisins—and two or three scruts. There is a world of poetry, beauty, romance, in scruts—though you have to have been brought up on them to appreciate it. Scruts have passed into the proverbial philosophy of the district. EMILY "Him's a pudden with more scruts than raisins to 'm" OLIVIA is a criticism not infrequently heard. It implies respect, even admiration. Of Emily Wrackgarth herself people often said, in reference to her likeness to her father, JOS "Her's a scrut o' th' owd basin." [realizing he cut in] Oh, Hmm. Pardon. OLIVIA Jos had emptied out from his pocket on to the table a good three dozen of scruts. EMILY I laid aside my spoon, rubbed the palms of my hands on the bib of my apron, and proceeded to finger these scruts with the air of a connoisseur, rejecting one after another. OLIVIA The pudding was a small one, designed merely for herself and Jos, with remainder to "the girl"; so that it could hardly accommodate more than two or three scruts. EMILY I knew well that one scrut is as good as another. Yet I did not want my brother to feel that anything selected by him would necessarily pass muster. OLIVIA For his benefit she ostentatiously wrinkled her nose. JOS By the by, you remember Albert Grapp? I've asked him to step over from Hanbridge and help eat our snack on Christmas Day. EMILY [incensed] You've asked that Mr. Grapp? JOS No objection, I hope? He's not a bad sort. And he's considered a bit of a ladies' man, you know. EMILY [incensed noise] SOUND CLATTER OF SCRUTS INTO BOWL OLIVIA Emily gathered up all the scruts and let them fall in a rattling shower on the exiguous pudding. Two or three fell wide of the basin. EMILY [vengefully] I made sure they all fit, too. JOS [alarmed] Steady on! What's that for? EMILY That's for your guest. And if you think you're going to palm me off on to him, or on to any other young fellow, you're a fool, Jos Wrackgarth! JOS I - I would never-- EMILY Don't think I don't know what you've been after, just of late. Cracking up one young sawny and then another on the chance of me marrying him! I never heard of such goings on. But here I am, and here I'll stay, as sure as my name's Emily Wrackgarth, Jos Wrackgarth! OLIVIA It is difficult to write calmly about Emily at this point. For her, in another age, ships would have been launched and cities besieged. But brothers are a race apart, and blind. It is a fact that Jos would have been glad to see his sister "settled" JOS [muttered] —preferably in one of the other four Towns. OLIVIA [chuckle] She took up the spoon and stirred vigorously. The scruts grated and squeaked together around the basin, while the pudding feebly wormed its way up among them. MUSIC CHANGES ALBERT [whispered] Is it me? Oh! [up] Albert Grapp, ladies' man though he was, was humble of heart. Nobody knew this but himself. OLIVIA Not one of his fellow clerks in Clither's Bank knew it. The general theory in Hanbridge was "Him's got a stiff opinion o' hisself." ALBERT But this arose from what was really a sign of humility in him. He made the most of himself. OLIVIA He had, for instance, a way of his own in the matter of dressing. He always wore a voluminous frock-coat, with a pair of neatly-striped vicuna trousers-- ALBERT --which he placed every night under his mattress, thus preserving in perfection the crease down the centre of each. OLIVIA He had two caps, one of blue serge, the other of shepherd's plaid. These he wore on alternate days. He wore them in a way of his own—well back from his forehead, so as not to hide his hair. OLIVIA On wet days he wore a mackintosh. This, as he did not yet possess a great-coat, he wore also, but with less glory, on cold days. ALBERT He had hoped there might be rain on Christmas morning. But there was no rain. [sigh, resigned] Like my luck. OLIVIA [whispered, urgent] Stop referring to yourself in the third person, no one else does. [back up] Since Jos Wrackgarth had introduced Albert to his sister at the Hanbridge Oddfellows' Biennial Hop, ALBERT when he -I- danced two quadrilles with her, OLIVIA --he had seen her but once. He had nodded to her, Five Towns fashion, and she had nodded back at him, but with a look that seemed to say-- EMILY You needn't nod next time you see me. I can get along well enough without your nods. ALBERT A frightening girl! And yet her brother had since told ...me... she seemed "a bit gone, like" on me! Impossible! He, Albert Grapp, make an impression on the brilliant Miss Wrackgarth! Yet she had sent him a verbal invite to spend Christmas in her own home. OLIVIA You're doing it again. ALBERT [oblivious, enchanted] And the time had come. He was on his way. Incredible that he should arrive! The tram must surely overturn, or be struck by lightning. And yet no! He arrived safely. OLIVIA [sigh] The small servant who opened the door gave him another verbal message from Miss Wrackgarth. [disapproving] Wipe your feet well on the mat. [narrating again] In obeying this order he experienced a thrill of satisfaction he could not account for. He must have stood shuffling his boots vigorously for a full minute. ALBERT This, he told himself, was life. He, Albert Grapp, was alive. And the world was full of other men, all alive; and yet, because they were not doing Miss Wrackgarth's bidding, none of them really lived. OLIVIA In the parlour he found Jos awaiting him. The table was laid for three. JOS So you're here, are you? OLIVIA Said the host, using the Five Towns formula. JOS Emily's in the kitchen. Happen she'll be here directly. ALBERT I hope she's tol-lol-ish? JOS She is. But don't you go saying that to her. She doesn't care about society airs and graces. You'll make no headway if you aren't blunt. ALBERT Oh, right you are. OLIVIA A moment later Emily joined them, still wearing her kitchen apron. EMILY So you're here, are you? OLIVIA She said, but did not shake hands. The servant had followed her in with the tray, and the next few seconds were occupied in the disposal of the beef and trimmings. The meal began, Emily carving. JOS [sigh] The main thought of a man less infatuated than Albert Grapp would have been "This girl can't cook. And she'll never learn to." The beef, instead of being red and brown, was pink and white. Uneatable beef! ALBERT [rapturizing] And yet he relished it more than anything he had ever tasted. This beef was her own handiwork. Thus it was because she had made it so.... [up] Happen I could do with a bit more, like. OLIVIA Emily hacked off the bit more and jerked it on to the plate he had held out to her. ALBERT Thanks! OLIVIA Only when the second course came on did he suspect that the meal was a calculated protest. This a Christmas pudding? The litter of fractured earthenware was hardly held together by the suet and raisins. ALBERT All his pride of manhood—and there was plenty of pride mixed up with Albert Grapp's humility—dictated a refusal to touch that pudding. Yet he soon found himself touching it, though gingerly, with spoon and fork. OLIVIA In the matter of dealing with scruts there are two schools—the old and the new. The old school pushes its head well over its plate and drops the scrut straight from its mouth. The new school emits the scrut into the fingers of its left hand and therewith deposits it on the rim of the plate. ALBERT Albert noticed that Emily was of the new school. OLIVIA Oh, I give up. ALBERT But might she not despise as affectation in him what came natural to herself? On the other hand, if he showed himself as a prop of the old school, might she not set her face the more stringently against him? OLIVIA The chances were that whichever course he took would be the wrong one. ALBERT It was then that he had an inspiration—an idea of the sort that comes to a man once in his life and finds him, likely as not, unable to put it into practice. OLIVIA Albert was not sure he could consummate this idea of his. He had indisputably fine teeth— JOS "a proper mouthful of grinders" OLIVIA in local phrase. But would they stand the strain he was going to impose on them? He could but try them. OLIVIA [con't] Without a sign of nervousness he raised his spoon, with one scrut in it, to his mouth. This scrut he put between two of his left-side molars, bit hard on it, and—eternity of that moment!—felt it and heard it snap in two. SOUND GRINDING, CRUNCHING ALBERT He was conscious that at sound of the percussion Emily started forward and stared at him. But he did not look at her. EMILY [amazed] That was none so dusty. [similar to "not too shabby"] OLIVIA Calmly, systematically, with gradually diminishing crackles, he reduced that scrut to powder, and washed the powder down with a sip of beer. SOUND DRINK OLIVIA While he dealt with the second scrut, he talked to Jos about the Borough Council's proposal to erect an electric power-station on the site of the old gas-works down Hillport way. ALBERT He was aware of a slight abrasion inside his left cheek. No matter. He must be more careful. OLIVIA There were six scruts still to be negotiated. ALBERT He knew that what he was doing was a thing grandiose, unique, epical; a history-making thing; a thing that would outlive marble and the gilded monuments of princes. Yet he kept his head. OLIVIA He did not hurry, nor did he dawdle. Scrut by scrut, he ground slowly but he ground exceeding small. ALBERT And while he did so he talked wisely and well. OLIVIA He passed from the power-station to a first edition he had picked up for sixpence in Liverpool, and thence to the Midland's proposal to drive a tunnel under the Knype Canal so as to link up the main-line with the Critchworth and Suddleford loop-line. JOS I was too amazed to put in a word, but sat merely gaping—a gape that merged by imperceptible degrees into a grin. Presently I ceased to watch our guest. I sat watching my sister. OLIVIA Not once did Albert himself glance in her direction. She was just a dim silhouette on the outskirts of his vision. ALBERT But there she was, unmoving, and he could feel the fixture of her unseen eyes. The time was at hand when he would have to meet those eyes. Would he flinch? Was he master of himself? GRINDING STOPS OLIVIA The last scrut was powder. No temporising! He jerked his glass to his mouth. ALBERT A moment later, holding out his plate to her, he looked Emily full in the eyes. They were Emily's eyes, but not hers alone. They were collective eyes—that was it! They were the eyes of stark, staring womanhood. OLIVIA Her face had been dead white, but now suddenly up from her throat, over her cheeks, through the down between her eyebrows, went a rush of colour, up over her temples, through the very parting of her hair. ALBERT [casual] Happen, I'll have a bit more, like. OLIVIA Emily flung her arms forward on the table and buried her face in them. EMILY [breaking into sobs] OLIVIA It was a gesture wild and meek. It was the gesture foreseen and yet incredible. It was recondite, inexplicable, and yet obvious. EMILY [aside, not teary] It was the only thing to be done—and yet, by gum, I had done it. [back to sobbing] OLIVIA Her brother had risen from his seat and was now at the door. JOS [pleased with himself] Think I'll step round to the Works, and see if they banked up that furnace aright. OLIVIA NOTE.—The author has in preparation a series of volumes dealing with the life of Albert and Emily Grapp. MUSIC BACK TO NEUTRAL OLIVIA Sweet romance, eh? Well, I've indulged my sentimental side, now how about some gritty policework? EMILY Hold up. You really think I'll get hitched over some fellow who sups pottery? OLIVIA That's how the story ends. And he's a good looking chap. EMILY And your accent is wretched. OLIVIA Go back to your story. EMILY Won't. OLIVIA Your story is over. Shut up. EMILY Can't make me - you're no better'n me - have ten toes and ten fingers just the same. OLIVIA I'll close the book, and then you'll be gone until someone else reads you - and you're far enough out of print, THAT won't happen any time soon. EMILY [annoyed, seething] Right. I'll sit here, then shall I? OLIVIA Don't care. Just keep quiet. [deep breath] My next tale is PC X-36, by Rudyard Kipling. JUDLIP Then it's collar 'im tight, In the name o' the Lawd! 'Ustle 'im, shake 'im till 'e's sick! Wot, 'e would, would 'e? Well, Then yer've got ter give 'im 'Ell, An' it's trunch, trunch, truncheon does the trick OLIVIA From police station ditties. EMILY Sounds like a donkey. OLIVIA Shh! KIPLING I had spent Christmas Eve at the Club, listening to a grand pow-wow between certain of the choicer sons of Adam. OLIVIA Hold on! I'm the one reading this story! KIPLING But I'm the narrator. EMILY Hear Hear. OLIVIA I'm the reader. You need to keep quiet. KIPLING You might have thought first before taking on a first person narrative, mightn't you? OLIVIA Well, I'll endeavor to sound like you. Now! Wait for your cue. [clears throat] Then Slushby had cut in. Slushby is one who writes to newspapers and is theirs obediently "HUMANITARIAN." When Slushby cuts in, men remember they have to be up early next morning. KIPLING Sharp round a corner on the way home, I collided with something firmer than the regulation pillar-box. OLIVIA [gritted teeth] I righted myself after the recoil and saw some stars that were very pretty indeed. Then I perceived the nature of the obstruction. KIPLING "Evening, Judlip," [quickly spitting out his descriptives] I said sweetly, when I had collected my hat from the gutter. "Have I broken the law, Judlip? If so, I'll go quiet." JUDLIP [Gruff] Time yer was in bed. Yer Ma'll be lookin' out for yer. KIPLING This from the friend -- OLIVIA Ahem! --of my bosom! It hurt. Many were the night-beats I had been privileged to walk with Judlip, imbibing curious lore that made glad the civilian heart of me. Seven whole 8x5 inch note-books had I pitmanised to the brim with Judlip. EMILY And now to be repulsed as one of the uninitiated! It hurt horrid. OLIVIA Don't you start in again! EMILY Hah! OLIVIA Don't! [back to the story] There is a thing called Dignity. Small boys sometimes stand on it. Then they have to be kicked. Then they get down, weeping. I don't stand on Dignity. KIPLING "What's wrong, Judlip?" I asked, more sweetly than ever. "Drawn a blank to-night?" JUDLIP Yuss. Drawn a blank blank blank. 'Avent 'ad so much as a kick at a lorst dorg. Christmas Eve ain't wot it was. KIPLING I felt for my note-book. JUDLIP Lawd! I remembers the time when the drunks and disorderlies down this street was as thick as flies on a fly-paper. One just picked 'em orf with one's finger and thumb. A bloomin' buffet, that's wot it wos. KIPLING "The night's yet young, Judlip," [quickly] I insinuated, with a jerk of my thumb at the flaring windows of the "Rat and Blood Hound." At that moment-- OLIVIA [Catching up] --the saloon-door swung open, emitting a man and woman who walked with linked arms and exceeding great care. EMILY [sarcastic] How sweet. OLIVIA Judlip eyed them longingly as they tacked up the street. Then he sighed. Now, when Judlip sighs the sound is like unto that which issues from the vent of a Crosby boiler when the cog-gauges are at 260 degrees. KIPLING "Come, Judlip!" I said. "Possess your soul in patience. You'll soon find someone to make an example of. Meanwhile"—I threw back my head and smacked my lips [he does] —"the usual, Judlip?" OLIVIA In another minute I emerged through the swing-door, bearing a furtive glass of that same "usual," and nipped down the mews where my friend was wont to await these little tokens of esteem. KIPLING "To the Majesty of the Law, Judlip!" OLIVIA When he had honoured the toast, I scooted back with the glass, leaving him wiping the beads off his beard-bristles. He was in his philosophic mood when I rejoined him at the corner. JUDLIP "Wot am I? [pronouncing] A bloomin' cypher. Wot's the sarjint? 'E's got the Inspector over 'im. Over above the Inspector there's the Sooprintendent. Over above 'im's the old red-tape-masticatin' Yard. Over above that there's the 'Ome Sec. Wot's 'e? A cypher, like me. Why? KIPLING Judlip looked up at the stars. JUDLIP Over above 'im's We Dunno Wot. Somethin' wot issues its horders an' regulations an' divisional injunctions, inscrootable like, but p'remptory; an' we 'as ter see as 'ow they're carried out, not arskin' no questions, but each man goin' about 'is dooty.' KIPLING "''Is dooty,'" said I, looking up from my note-book. "Yes, I've got that." JUDLIP Life ain't a bean-feast. It's a 'arsh reality. An' them as makes it a bean-feast 'as got to be 'arshly dealt with accordin'. That's wot the Force is put 'ere for from Above. Not as 'ow we ain't fallible. We makes our mistakes. An' when we makes 'em we sticks to 'em. For the honour o' the Force. Which same is the jool Britannia wears on 'er bosom as a charm against hanarchy. That's wot the brarsted old Beaks don't understand. Yer remember Smithers of our Div? KIPLING [takes breath, but is interupted] OLIVIA I remembered Smithers - well. As fine, upstanding, square-toed-- [hand over mouth] EMILY [Picking up quickly, but struggling slightly] bullet-headed, clean-living - go on! - son of a gun-- KIPLING Ta! --as ever perjured himself in the box. There was nothing of the softy about Smithers. I took off my billicock to Smithers' memory. JUDLIP Sacrificed to public opinion? Yuss, KIPLING Judlip paused at a front door, flashing his light down the slot of a two-grade Yale. JUDLIP Sacrificed to a parcel of screamin' old women wot ort ter 'ave gorn down on their knees an' thanked Gawd for such a protector. 'E'll be out in another 'alf year. JUDLIP Wot'll 'e do then, pore devil? Go a bust on 'is conduc' money an' throw in 'is lot with them same hexperts wot 'ad a 'oly terror of 'im. EMILY Then Judlip swore gently. KIPLING What should you do, O Great One, if ever it were your duty to apprehend him? JUDLIP Do? Why, yer blessed innocent, yer don't think I'd shirk a fair clean cop? Same time, I don't say as 'ow I wouldn't 'andle 'im tender like, for sake o' wot 'e wos. Likewise cos 'e'd be a stiff customer to tackle. Likewise 'cos— OLIVIA [muffled struggle] KIPLING He had broken off, and was peering fixedly upwards across the moonlit street. JUDLIP [drawn-out, hoarse whisper] Ullo! SOUND STRUGGLE OLIVIA [muffled, then deep breath] Back off! EMILY Hmph. [shrug] I made a good go. OLIVIA Striking an average between the direction of his eyes—for Judlip, when on the job, has a soul-stirring squint—I perceived someone in the act of emerging from a chimney-pot. Judlip's voice clove the silence. JUDLIP Wot are yer doin' hup there? OLIVIA The person addressed came to the edge of the parapet. KIPLING I saw then that he had a hoary white beard, a red ulster with the hood up, and what looked like a sack over his shoulder. OLIVIA He said something or other in a voice like a concertina that has been left out in the rain. EMILY [muttered] Not so very hard to pass it round, is it? JUDLIP I dessay. Just you come down, an' we'll see about that. OLIVIA The old man nodded and smiled. Then—as I hope to be saved—he came floating gently down through the moonlight, with the sack over his shoulder and a young fir-tree clasped to his chest. He alighted in a friendly manner on the curb beside us. EMILY Come along - let us have a go! KIPLING Judlip was the first to recover himself. Out went his right arm-- EMILY --and the airman was slung round by the scruff of the neck, spilling his sack in the road. KIPLING I made a bee-line for his shoulder-blades. Burglar or no burglar, he was the best airman out, and I was muchly desirous to know the precise nature of the apparatus under his ulster. OLIVIA Fine. Let's just keep it moving - A back-hander from Judlip's left caused me to hop quickly aside. The prisoner was squealing and whimpering. He didn't like the feel of Judlip's knuckles at his cervical vertebræ. JUDLIP Wot wos yer doin' hup there? EMILY asked Judlip, tightening the grip. SANTA CLAUS I'm S-Santa Claus, Sir. P-please, Sir, let me g-go.. KIPLING "Hold him," I shouted. "He's a German." JUDLIP It's my dooty ter caution yer that wotever yer say now may be used in hevidence against yer, yer old sinner. Pick up that there sack, an' come along o' me. EMILY The captive snivelled something about peace on earth, good will toward men. JUDLIP Yuss. That's in the Noo Testament, ain't it? The Noo Testament contains some uncommon nice readin' for old gents an' young ladies. But it ain't included in the librery o' the Force. We confine ourselves to the Old Testament — O-T, 'ot. An' 'ot you'll get it. Hup with that sack, an' quick march! OLIVIA I have seen worse attempts at a neck-wrench, but it was just not slippery enough for Judlip. EMILY And the kick that Judlip then let fly was a thing of beauty and a joy for ever. KIPLING "Frog's-march him!" I shrieked, dancing. "For the love of heaven, frog's-march him!" OLIVIA Trotting by Judlip's side to the Station, I reckoned it out that if Slushby had not been at the Club I should not have been here to see. ALL Which shows that even Slushbys are put into this world for a purpose. MUSIC CHANGES OLIVIA Oh, this is just getting silly. EMILY Only just? I should have said it's been a laugh for several miles. KIPLING D'you have some problem with a bit of a laugh? OLIVIA The third story I want to read is very serious. If this goes on, I won't be able to do it justice. EMILY What is it then? OLIVIA The Feast. By Joseph Conrad. KIPLING Conrad? He wrote a Christmas story? EMILY Who is this Conrad fellow? KIPLING Wrote something called heart of Darkness. OLIVIA Yes, yes, yes! Look, it's ruined now. I'm just going to give up and read The Night before Christmas. EMILY [disgusted noise] KIPLING That sentimental pap? OLIVIA [huffy] The mood is gone. EMILY AND KIPLING [whisper in the background] EMILY We might-- KIPLING Let me! EMILY I don't think so! [annoyed grunt] Look you! - um - I think we've not been introduced? OLIVIA [sulky] Olivia. EMILY Right. Olivia. Why not let us help read the story. We can do that well enough, can't we? KIPLING Certainly. OLIVIA And keep the comments to a minimum? KIPLING Well... EMILY I'll box his ears for you if he steps across the line. OLIVIA It's worth a try. MUSIC TURNS TROPICAL OLIVIA The hut in which slept the white man was on a clearing between the forest and the river. EMILY Silence, the silence murmurous and unquiet of a tropical night, brooded over the hut that, baked through by the sun, sweated a vapour beneath the cynical light of the stars. KIPLING Mahamo lay rigid and watchful at the hut's mouth. In his upturned eyes, and along the polished surface of his lean body black and immobile, the stars were reflected, creating an illusion of themselves who are illusions. OLIVIA The roofs of the congested trees, writhing in some kind of agony private and eternal, made tenebrous and shifty silhouettes against the sky, like shapes cut out of black paper by a maniac who pushes them with his thumb this way and that, irritably, on a concave surface of blue steel. EMILY Resin oozed unseen from the upper branches to the trunks swathed in creepers that clutched and interlocked with tendrils venomous, frantic and faint. KIPLING Down below, by force of habit, the lush herbage went through the farce of growth—that farce old and screaming, whose trite end is decomposition. [aside] Optimist, eh? Ouch! OLIVIA Ssh. Within the hut the form of the white man, corpulent and pale, was covered with a mosquito-net that was itself illusory like everything else, only more so. Flying squadrons of mosquitoes inside its meshes flickered and darted over him, working hard, but keeping silence so as not to excite him from sleep. EMILY [with distaste] Cohorts of yellow ants disputed him against cohorts of purple ants, the two kinds slaying one another in thousands. KIPLING [avid] The battle was undecided when suddenly, with no such warning as it gives in some parts of the world, the sun blazed up over the horizon, turning night into day, and the insects vanished back into their camps. OLIVIA The white man ground his knuckles into the corners of his eyes, emitting that snore final and querulous of a middle-aged man awakened rudely. With a gesture brusque but flaccid he plucked aside the net and peered around. EMILY The bales of cotton cloth, the beads, the brass wire, the bottles of rum, had not been spirited away in the night. So far so good. KIPLING The faithful servant of his employers was now at liberty to care for his own interests. He regarded himself, passing his hands over his skin. WILLIAMS [shouted] Hi! Mahamo! I've been eaten up. OLIVIA The islander, with one sinuous motion, sprang from the ground, through the mouth of the hut. Then, after a glance, he threw high his hands in thanks to such good and evil spirits as had charge of his concerns. In a tone half of reproach, half of apology, he murmured— MAHAMO You white men sometimes say strange things that deceive the heart. WILLIAMS Reach me that ammonia bottle, d'you hear? This is a pretty place you've brought me to! Christmas Day, too! Of all the —— But I suppose it seems all right to you, you heathen, to be here on Christmas Day? MAHAMO We are here on the day appointed, Mr. Williams. It is a feast-day of your people? OLIVIA Mr. Williams had lain back, with closed eyes, on his mat. Nostalgia was doing duty to him for imagination. EMILY He was wafted to a bedroom in Marylebone, where in honour of the Day he lay late dozing, with great contentment; outside, a slush of snow in the street, the sound of church-bells; from below a savour of especial cookery. [chuckles a bit] WILLIAMS Yes, it's a feast-day of my people. MAHAMO Of mine also. WILLIAMS [disinterested] Is it though? But they'll do business first? MAHAMO They must first do that. WILLIAMS And they'll bring their ivory with them? MAHAMO Every man will bring ivory. OLIVIA The islander answered with a smile gleaming and wide. WILLIAMS How soon'll they be here? MAHAMO Has not the sun risen? They are on their way. WILLIAMS Well, I hope they'll hurry. The sooner we're off this cursed island of yours the better. Take all those things out-- OLIVIA Mr. Williams added, pointing to the merchandise. WILLIAMS --and arrange them. Neatly, mind you! KIPLING In certain circumstances it is right that a man be humoured in trifles. Mahamo, having borne out the merchandise, arranged it very neatly. OLIVIA While Mr. Williams made his toilette, the sun and the forest, careless of the doings of white and black men alike, waged their warfare implacable and daily. The forest from its inmost depths sent forth perpetually its legions of shadows that fell dead in the instant of exposure to the enemy whose rays heroic and absurd its outposts annihilated. EMILY What's all this to do with Christmas? KIPLING Want me to cuff her one? OLIVIA It takes place on Christmas day - they already said that. EMILY But this is all jungle creepers and spooky shadows - and vermins. If there's one thing that doesn't come to my mind when I think of Christmas, it's ants and mosquitoes and such. KIPLING You should see some of the places I've been. OLIVIA Why don't we just finish the story? KIPLING There came from those inilluminable depths the equable rumour of myriads of winged things and crawling things newly roused to the task of killing and being killed. Thence detached itself, little by little, an insidious sound of a drum beaten. This sound drew more near. [aside] A-ha, I see where this is going. Drums in the distance are never a good sign. EMILY [huffy] Maybe I haven't traveled all over the great wide world, fellow, but even I can probably guess at that. DRUMS SNEAK IN OLIVIA Mr. Williams, issuing from the hut, heard it, and stood gaping towards it. WILLIAMS Is that them? MAHAMO That is they. OLIVIA The islander murmured, moving away towards the edge of the forest. EMILY Does he not notice? What sort of a dullard is he? [calling to williams] Do you have a gun? OLIVIA [exasperated sigh] KIPLING Calm down, it's just a story. EMILY Don't go telling me when to calm down! I just hate stories where stupid people do very stupid things - what possessed this fool to sail half round the world anyway? OLIVIA [resigned, trying to get it back on track] Sounds of chanting were a now audible accompaniment to the drum. WILLIAMS What's that they're singing? MAHAMO [off a bit] They sing of their business. WILLIAMS [shocked] Oh! I'd have thought they'd be singing of their feast. MAHAMO It is of their feast they sing. OLIVIA It has been stated that Mr. Williams was not imaginative. WILLIAMS Oh, I say--! OLIVIA Oh, no! You stay put! KIPLING [very knowingly] But a few years of life in climates alien and intemperate had disordered his nerves. There was that in the rhythms of the hymn which made bristle his flesh. EMILY Suddenly, when they were very near, the voices ceased, leaving a legacy of silence more sinister than themselves. And now the black spaces between the trees were relieved by bits of white that were the eyeballs and teeth of Mahamo's brethren. MAHAMO It was of their feast, it was of you, they sang. EMILY I knew it! KIPLING It was obvious. WILLIAMS Look here--! OLIVIA Cried Mr. Williams in his voice of a man not to be trifled with. WILLIAMS --Look here, if you've— SOUND JAVELIN HIT OLIVIA He was silenced by sight of what seemed to be a young sapling sprung up from the ground within a yard of him—a young sapling tremulous, with a root of steel. KIPLING Then a thread-like shadow skimmed the air, and another spear came impinging the ground within an inch of his feet. EMILY As he turned in his flight he saw the goods so neatly arranged at his orders, and there flashed through him, even in the thick of the spears, the thought that he would be a grave loss to his employers. OLIVIA This—for Mr. Williams was, not less than the goods, of a kind easily replaced—was an illusion. It was the last of Mr. Williams illusions. MOMENT OF SILENCE EMILY So what shall we do now? SOUND LARGE BOOK SHUTS DECISIVELY, CUTTING HER OFF OLIVIA Happy Holidays, all - wherever and whatever they may be. CLOSER OLIVIA Now that you know how to find us, you'll have to come back. Maybe next week? Don't be a stranger - we have enough of those already... The stories dramatized in tonight's episode appeared in a collection titled "A Christmas Garland", first published in October of 1912, collected by Max Beerbohm. Scruts was written by Arnold Bennett, PC X-36 was written by Rudyard Kipling, and The Feast was written by Joseph Conrad. These stories have been edited slightly to fit the program.
Mostly just recap; The party gets themselves lost; A spooky event. Niklaus and Hyrkir recap the events of season one as they travel through the district of Canaloon. Beatdown City -- Darren Curtis; Jungle -- Presence of Music; Maze -- Presence of Music; Shady Town; Quiet Town -- Presence of Music; Goodnight -- Presence of Music; City of Duisburg -- One Man Symphony, CCBY4.0
[warning - mature themes and explicit violence] A surreal Q&A session reveals the workings of a victim's mind. Cast List Marnie - Julie Hoverson Doc - Julie Hoverson Jerry - Brandon O'Brien Momma - Risa Torres Harold - Mr. Synyster Deputy Fred - Joel Harvey Little Girl - Krystal Baker Little Boy - Marhya Post Grampa - Rick Lewis Music: Kevin MacLeod (Incompetech.com) Editing and Sound: Julie Hoverson Cover Photos: Alan Bridges (courtesy of Stock Xchange.com) "What kind of a place is it? Don't you know where you are?" *********************************************************** Where are You Now? This is a weird ass episode. I wrote this very deliberately in a stream of consciousness style, probably inspired by a weird dream, but I don't remember specifically. I did write the entire script in roughly one sitting, then cast and recorded it immediately - I wanted to see if I could make an entire episode in a single week, which I basically did. The most challenging effect in this was throwing the chiffoniere down the stairs. I actually have a sort of sequel - more in tone than using the same character(s), obviously - in mind, and may do it someday. A big part of the idea for this was to make the vast bulk of the dialog mine, so I didn't have to get too much out of other people, thus making it a quicker recording turnaround. SPOILER ALERT!!! I'm going to explain, sort of, what this episode is and what it means, at the end of the transcript, below. A lot of info will be there, since most of my memories of making this are tied up in why I wrote what I wrote. *********************************************************** WHERE ARE YOU NOW? Cast: Olivia Doc (F/40+), german, sounds like shrink Marnie (F/20), hysterical young woman Harold (M/30), mush mouthed freak Fred (M/30), a crooked deputy Old Man (M/senile) Creepy Little Girl (F/10) Creepy Little Boy (M/10) Momma (F/30ish), Mrs. Cleaver - with cleaver Jerry (M/20), Marnie's dead boyfriend. OLIVIA Did you have any trouble finding it? What do you mean, what kind of a place is it? Don't you know where you are? MUSIC SCENE 1. SOUND A SLOW CHORD, WHICH STAYS UNTIL NOTED DOC Where are you now? MARNIE [startled awake] What? DOC Can you hear my voice, Marnie? MARNIE Yes. DOC Where are you now? MARNIE [slightly panicked] I - I don't know. DOC Tell me what you see. MARNIE I see a room. DOC Are there people in the room? MARNIE [fear] Yes! DOC You are safe, Marnie. Calm down. Now tell me what you see. MARNIE [calm, almost robotic] I see five people sitting at the table. DOC Are you sitting with them? MARNIE No, I'm in the corner. DOC Do they know you're there? MARNIE [ominous] Oh, yes. DOC Tell me what they look like. MARNIE There's a very old man, a small boy, a girl who looks a bit older than the boy, a police officer, and a very large man with a bag over his head. DOC Is there food on the table? MARNIE No. It's not here yet. DOC Good. Tell me one thing about the little girl. MARNIE Her eyes can suck your soul. DOC Good. And the old man? MARNIE He has a scar on his leg that aches when it rains. DOC Good. Has the food arrived yet? MARNIE The one with the bag is named Harold. DOC Please answer only the questions I ask you, Marnie. MARNIE [frightened, small] I'm sorry. DOC I forgive you. MARNIE I love you. DOC That was not the question. MARNIE [trying to remember] Um. Um. The food! No. Still no food. DOC Good. Are you comfortable? MARNIE [lying, almost a whisper] Yessss. DOC Very good. Tell me about where you are sitting. MARNIE I'm in the corner. DOC Are you in a chair? Look down. MARNIE It's a chair with wheels, and straps. DOC Straps? Are you strapped in? MARNIE [breathing hard, getting louder and louder] Yes - my hands are - hands are - I can move them, but the leather cuffs - like movies about crazy people! DOC Are you crazy? MARNIE [almost a wail] No! DOC Can you control yourself, Marnie? MARNIE [a couple of gasping breaths, then quickly] Yes! DOC I can help you. MARNIE [wail] No! No! [gasp, then tight but controlled] No. I'm all right. DOC For now. MARNIE I feel... peachy. DOC [beat] Your hands are restrained. What else? MARNIE There's a strap around my chest, and I can feel one around my legs. DOC Do the people talk? MARNIE Yes. Some. They're waiting for someone. DOC Someone? Or the food? MARNIE [almost hysterical] I don't know! DOC What do they say? Tell me exactly. MARNIE I'll try-- DOC [still even and calm] Trying isn't going to cut it, missy. MARNIE [noisy gulp] DOC I know you can do it. MARNIE [sob] The man with the bag doesn't talk at all. DOC Harold? MARNIE Yes, Harold. DOC And? MARNIE The policeman says-- MUSIC FADES OUT, NO OTHER TRANSITION SCENE 2. FRED You shoulda seen her! Jumped clean over the fence. BOY I can do that. OLD MAN Pancakes. FRED You can't 'cause - 'cause you're a little butterball. BOY I'm magic. GIRL [pronouncing] You are a shoe. SOUND CLATTER OF SPOON DROPPED ON PLATE OLD MAN Pancakes! Pan! Cakes! FRED [panicky, trying to calm him] Shh! Shh! Pancakes, yes. It's all coming. Shh. Clouds. [dropping to a whisper] Little white fluffy clouds. OLD MAN [drawn out whisper] Pancakesssss. Pancakes. SOUND MOMENT OF SILENCE, THEN SCENE 3. MUSIC COMES IN WITH A CHORD DOC [sigh] You know what happens when you lie to me. MARNIE [resigned groan] I'm not lying. DOC Pancakes? MARNIE [almost a sob] Yes. DOC The food - is it there yet? MARNIE [sharp gasp, then frightened] It's coming! DOC Good. Let's move forward. Who brings the food? MARNIE [awe, fear] Momma. DOC Tell me. MARNIE [mounting fear] Perfect. Plastic. Pearls. Each hair in line, like sweet little soldiers. DOC She is carrying--? MARNIE [rising fear] She ...has a cart. There is a covered dish. DOC What are you wearing? MARNIE [snapped back] What? DOC I ask the questions. MARNIE I'm sorry! DOC What are you wearing. Look down. MARNIE Oh. [beat] T-shirt, jeans - I can feel ... sneakers. DOC And--? MARNIE What? DOC [warning] And--? MARNIE My clothes? They're... torn up - I think I was in a fight. DOC [calm again] Are you injured? MARNIE [beat] My ankle hurts. I'm scratched up. My... head... DOC [avid] Is there blood? MARNIE I - DOC [avid] Is there blood? MARNIE I - I don't think it's mine. DOC Tell me who then. MARNIE [on a long sigh] Jerry. DOC How? MARNIE [shocked] I found him in the barn. He was flopped over the edge of the ...hayloft - I thought he was dead. There was blood everywhere. [starting to sob] Dripping all over me. DOC What did you-- MARNIE [interrupting, still sobbing] Then he - he moaned. MUSIC FADES OUT SCENE 4. JERRY [very weak] Marnie! MARNIE [whispering] Jerry! Oh, god - Jerry! SOUND CREAKING OF LADDER JERRY Help... me.... MARNIE Here, let me move you - [grunt as she drags him] JERRY [moans, trying to keep quiet] MARNIE Oh, god. JERRY It's bad. MARNIE I think so. It's too dark. JERRY [gasping, in agony] No. It was the kid. You have to get out of here! MARNIE But you-- JERRY I ... I'm not going anywhere ... you gotta go and get help! MARNIE Where? JERRY Just get the hell out! The woods-- MARNIE [smothered gasping sob] JERRY [whisper] Shit! HAROLD 3,4 shut the door...? SOUND BARN DOOR CREAKS OPEN MARNIE [smothered gasping sob] SOUND SILENCE, THEN SCENE 5. MUSIC CUTS IN DOC Is that when they took you in? MARNIE No. Jerry distracted him. DOC Who? MARNIE Harold. DOC [satisfied, smug] Harold. MARNIE [sobbing] After I jumped out the window, I heard Jerry scream. DOC [warning] Did I ask? MARNIE No? DOC You don't sound very sure. MARNIE [quick, panicky] No. You didn't ask. I'm sorry. DOC I think you need a reminder-- MARNIE Please! I remember! [long beat, then] I... love you. DOC Pancakes. MARNIE Pancakes? DOC Is the food on the table? MARNIE [long shaky sigh of relief] Yes. DOC Where did you sleep? MARNIE [blindsided] What? DOC Where did you sleep? MARNIE I didn't.... Oh, I was... knocked out. The food‑‑? DOC Please try and keep up. When were you knocked out? MARNIE That was later - after... Jerry. DOC Who did it? MARNIE Harold, I said it was Harold. DOC That knocked you out. MARNIE Oh, no. He did Jerry. DOC You're not following. Let's have a break. MARNIE [long wail] No!!! SOUND ELECTRIC HUM MARNIE Umumumumum. [jittery series of hums, like being electrocuted] MUSIC OUT SOUND HEARTBEAT SCENE 6. AMBIANCE WOODS, CHEERFUL SOUND CRUNCHING OF WALKING JERRY Marnie? MARNIE Yeah? JERRY Uh, This camping trip isn't too bad, eh? I mean, I know you didn't want to-- MARNIE [sweet] It's not too bad. Gloria had to beg me to get me to come, but... It's OK. JERRY I mean, what can you say against nature, right? Fresh air, secluded lake. Perfect for... skinny dipping? MARNIE I brought a suit. JERRY Ah... It'll be cool. MARNIE Probably freezing - that's a glacier-fed lake. But, yes, it will be fun. JERRY Good. You don't mind ... Gloria being kinda busy all the time? MARNIE Oh, you noticed? [laughs] She and Tim haven't stopped fooling around since we got here. MUSIC SUDDENLY CUTS IN SCENE 7. DOC Better now? MARNIE [gasping, shuddering, trying to force words out coherently] Better. Yes. Of course. DOC Good. Let's continue. MARNIE [snorty sob, then deep breath] All right. DOC Jerry died. MARNIE [almost a sob] Yes. DOC You loved him. MARNIE I think so. DOC You don't know? MARNIE I - I liked him, but we were just getting to know... each... other? [afraid she said something wrong, gasping snorty sobs] DOC [beat, then slightly disdainful] How sweet. MARNIE [she calms a bit] DOC Did you screw him? MARNIE No! DOC Of course not - pure sweet innocent you. MARNIE I-- I don't-- DOC [casual] Shut up. MARNIE [hiccuping gasp] DOC Where is Gloria? MARNIE Gloria? [starting to cry] She's my best friend. DOC Was that the question? MARNIE She... she... Um [trying to remember] she's dead? DOC [sigh, tsks] MARNIE No - no! She's - was - in the van. DOC Very good. [beat] When did you find her? MARNIE Uh - after the barn. I was trying to get away. [suddenly remembering] Jerry gave me the keys. DOC Good old Jerry. Go on. MARNIE I ran to the van, and Gloria and Tim ... were... [sobs] DOC Please be specific. MARNIE [through sobs] They were in the middle of - you know-- DOC Sex? MARNIE Yes. They were together, and someone had cut off... both... their... heads...! DOC [Tsks] MARNIE The heads were lined up next to them... like they were watching. DOC Charming. MARNIE Checking their progress. DOC Has the food arrived? MARNIE [gasp, stops herself from speaking, then dead calm] Yes. Momma is in the room. DOC What does she do? MARNIE [getting agitated] She opens the dish. DOC What is in the dish? MARNIE [almost incapable of speaking] Sssteam. DOC Look down at your lap. MARNIE [snort, hiccup] Yes. DOC What do you see? MARNIE My knees. Blood. The carpet. I'm glad the blood is all tacky, so it won't drip and ruin the carpet. They would be so angry. DOC Are they talking? MARNIE Yes. DOC Don't look. Just speak the words. MARNIE Momma says-- MUSIC OUT SCENE 8. MOMMA Three cheers for the founder of the feast. FRED Hip hip hooray-- [tapers off, when he realizes no one else is with him] Oh. LITTLE GIRL Can I eat the tail? LITTLE BOY Pancakes. OLD MAN PAN CAKES! FRED You just had to set him off! Didn't you? HAROLD [quietly] 1-2 buckle my shoe. OLD MAN PanCAKES! Lovely golden brown. MOMMA Nothing like a nice dinner together. SCENE 9. DOC Are there empty chairs? MARNIE No. They are all here. DOC What about your chair? MARNIE I'm in it. DOC Are you? Look back. MARNIE I'm strapped in. DOC You must have got free. MARNIE Yes. I-- [gasps and catches herself] DOC What? MARNIE I'm sorry. That wasn't the question. DOC Good girl. SOUND ELECTRICITY MARNIE [hums and groans with the jolts] SOUND HEARTBEAT SCENE 10. AMBIANCE OUTSIDE, PLEASANT WOODS JERRY Don't worry about it. It was probably just a hiker or something. MARNIE [mildly worried] But he looked so weird. His face was like a puzzle. JERRY It was just the bushes. MARNIE I know. JERRY I bet it was the weird guy we saw on the road on the way in. You know, the one that just stood there and stared as we drove past. You know. Now, we all agreed this weekend is for fun. SOUND SPLASH MARNIE What was that? JERRY What? MARNIE The splash? JERRY Wow, you need some serious relaxation. MARNIE But I heard a splash, and -- Something wet? JERRY Nonsense. [fading out] It's just last night's rain. DOC [whispered voice, very spooky] Marnie. MARNIE Jerry! I know you must have heard that! JERRY Marnie, you're making yourself into a basket case. There's nobody for miles around! It's perfectly safe. MARNIE But that voice-- DOC [quick echoey whisper] Marnie. MARNIE It knows my name! DOC Wake up! SOUND WOODS VANISH SCENE 11. MARNIE [Crying] Why can't you just leave me? DOC Now, that wouldn't do either of us any good, would it? MARNIE I want to stay there. With my friends. DOC And die? MARNIE [hiccups sobs, then uncertain] Yes. DOC I don't think that's quite true. MARNIE Yes. DOC You fought so hard to get here. MARNIE I walked on broken glass. DOC Poor toes. Poor little piggies. MARNIE [resigned] What do you want? DOC I ask the questions. MARNIE [sigh] Fine. Go on. DOC I also give the orders. MARNIE [beat, sniff] I'm ready. DOC Maybe you can learn the rules. [beat] Very good. Where are you now? MARNIE Right here. DOC Are you? MARNIE [unsure] Yes. DOC Close your eyes and when you open them, you will see clouds. MARNIE Clouds? DOC Do you see them? MARNIE I'm afraid. DOC Open your eyes. MARNIE Clouds. SCENE 12. OLD MAN k-k-k-k-ake. LITTLE GIRL Burn it. MOMMA Dig in! FRED Again? LITTLE BOY There's a face in my soup. SCENE 13. MARNIE [screams] DOC Don't backslide. MARNIE [screams and sobs] DOC [tsks] And we were making such good progress. [sigh] SOUND SINGLE SHORT JOLT OF ELECTRICITY MARNIE [gasps to a stop] DOC Just right. Thought I was going to lose you. MARNIE I can't look! Not at that! DOC Have to toughen you up. MARNIE I can't-- DOC Look down. MARNIE My lap. DOC And in your lap? MARNIE Hands. DOC Restrained? MARNIE Yes. DOC Really? MARNIE [unsure] Yes? DOC Then how will you escape? MARNIE I... can't. DOC That is not the right answer. MARNIE Please help me! DOC Are they very tight? MARNIE No. But if I get loose, they'll see. DOC But if you don't get loose while they eat, you will end up in the clouds. MARNIE Pancakes. DOC Precisely. Can you pull loose? MARNIE I have to brace it against my leg. DOC Good girl. Now you're thinking. Describe the room. MARNIE The table-- DOC I know about the table. Where are the windows and doors? MARNIE The windows are steamed over. DOC Doors? MARNIE Momma came from the kitchen. To my right. [slowly, carefully looking around] There's a door beside me. Over my left shoulder. DOC Watch them. Tell me what they're saying while you get your hands free. MARNIE I can't-- DOC Do you want it again? MARNIE No! [beat, breathing harshly] I can't look at them. DOC Listen. MUSIC SCENE 14. LITTLE BOY I'm not hungry. LITTLE GIRL I'll eat yours. I want to grow up big and strong. OLD GUY [mmm mmm mmm - chewing noisily] HAROLD Five, six. FRED Tasty, momma. As usual. MOMMA Oh, you! MARNIE Almost. DOC Talk to me, not them. MARNIE It hurts. DOC Life is pain. MOMMA Clean your plate, Hun. FRED He's a little butterball. MOMMA [cold as ice] That's not nice. FRED Sorry, Momma. Sorry! I love you. MOMMA Did I ask you? Harold - look at this mess. HAROLD Lay them straight? MOMMA You can take him and hose him off. FRED Yes, momma. MOMMA And soak that pillowcase. [cutesy] Can't have my good linens all stained. FRED Can I finish eating first? MOMMA [cold] I don't know, can you? FRED May I? MOMMA [sweetness] Of course, dear. MUSIC SCENE 15. MARNIE My right hand is free. DOC Don't struggle too much. These buckles are tough for a reason. MARNIE I think the one with the bag-- DOC Harold. MARNIE --is watching me, but I can't tell. DOC Does he say anything? MARNIE No... DOC Once you get your wrists free, what will you do? MARNIE The strap around my chest-- DOC And your legs? MARNIE I don't think that one is very tight. DOC Don't underestimate it. MARNIE Why are you helping me? DOC [kindly] I ask the questions. MARNIE Right. Sorry. DOC No need. Who am I? MARNIE What? I mean, I don't understand. I don't know. DOC I think you do. MARNIE No. I don't know why I'm here. DOC But you're not. MARNIE Not what? DOC Is your wrist free? MARNIE Yes. DOC Move your hands slowly to the buckle, then quickly unhook it. MARNIE Slowly. DOC Cats see movement. MARNIE Rods or cones? I forget. DOC Clouds. Watch the clouds. Unhook the strap. MARNIE Freeze. They're looking. DOC Don't move. Let them forget. MUSIC SCENE 16. FRED Should we feed HER? LITTLE GIRL Throw something at her. MOMMA A night without supper will do her good. Take Harold - there's a good boy. FRED Yes, momma. LITTLE BOY I want a finger. Can I take a finger? MOMMA If you're good. I'll save one for you. LITTLE BOY Good as goat. OLD MAN Gold. Gold is good. Golden brown. Pancakes.... k-k-cake! MOMMA Yes, popsy. All good. MUSIC SCENE 17. DOC And now? MARNIE They're looking away. Maybe they will leave me. DOC Not if they see your wrists are loose. Quick - choose. MARNIE Choose what? DOC Unbuckle and run or pretend you're still secure and wait. MARNIE My ankle hurts. DOC Then sit. MARNIE I'll put my hands back. DOC We will see. MARNIE D'you think they will? DOC I can't see the future. MARNIE Isn't this a memory? DOC Is it? MARNIE Where did I go when I got free? DOC I ask the questions. MARNIE But I don't remember. DOC Take it one moment at a time. Who am I? MARNIE A doctor? DOC Medical? MARNIE No. DOC Ah - now you're thinking. Let's get through this. MARNIE They've left the room. DOC You are alone? MARNIE The old man is still here. They'll come back for him. DOC What can you do about that? MARNIE I'll run. DOC He'll yell like a klaxon. MARNIE I've got the buckle undone. Now my legs. DOC Why don't you kill him? MARNIE What? DOC I ask the questions. MUSIC FADES TO "ROOM TONE" SCENE 18. SOUND STUMBLING FOOTSTEPS MARNIE I'm sorry - I thought I didn't hear you right. You said to-- DOC There are always pancakes in heaven. MARNIE Open the gates and let him [exertion] IN! OLD GUY Oof! [dying noises] SOUND SQUISH OF KNIFE INTO FLESH, GUSH OF BLOOD DOC Is there another knife? MARNIE I have it-- SOUND METAL COVER FALLS TO FLOOR MARNIE [wail] No! DOC Stop. MARNIE [quick] I'm sorry. The platter! Oh, god! DOC Steam. Clouds. MARNIE Jerry! DOC Don't look. MARNIE I can't -- DOC Jerry is gone. Do it for him. MARNIE [hissing whisper] Yesss. DOC Knife? MARNIE Cleaver. DOC Nice. MARNIE [turning a bit gleeful] Cleaver. Momma. Kitchen. DOC Sounds like a plan. MARNIE Thank you. DOC I love you. MARNIE [serious] That means a lot. SCENE 19. SOUND KITCHEN DOOR SWINGS OPEN DOC Keep down. MOMMA Hmm? What? SOUND HIGH HEEL FOOTSTEPS MOMMA Who's playing games? MARNIE [whispered] Come just a little closer. SOUND A COUPLE MORE FOOTSTEPS MOMMA Hello? DOC Now! MARNIE Ungh! SOUND KNIFE CUTS NYLONS, LEG. MOMMA [screams] SOUND BODY COLLAPSES, SHOE SCRABBLES ON TILE FLOOR, BLOOD SPURTS DOC Neatly done. Hamstring. Quick or slow? MARNIE No time. Ungh! SOUND KNIFE GOES IN AGAIN MOMMA [gurgling, choking] SOUND HANDS SKITTER ACROSS TILES, THEN FLOP AND DROP DOC [long sigh] Such a pretty color. MARNIE Looks good on her. DOC Four to go. MARNIE Jerry said it was the kid who... [almost breaks] ...got ...him. DOC You're finally taking this all seriously. SOUND THUMP OVERHEAD MARNIE How many stairs would the house have? SOUND DOOR OPENS A CRACK DOC [kindly] I ask the questions. You'll have to count them. MARNIE I should see if there's something longer. DOC Tablecloths can cloud the issue. MARNIE You and your clouds. SOUND FEET COMING DOWN THE STAIRS DOC six, five, four-- MARNIE Three, two one --- SOUND DOOR STARTS TO OPEN, THEN IS SLAMMED SHUT, BODY FALLS FRED [yell, groan] DOC Full point. SOUND DOOR SLAMS OPEN AGAIN FRED Momma? What are you doing--? MARNIE I ask the questions. DOC I love you. FRED I think you broke my-- urk! SOUND KNIFE PLUNGES INTO THROAT FRED [gurgling as he dies] DOC It's quite warm, isn't it? MARNIE Yes. DOC Hot. MARNIE Boiling. DOC [concerned] Steam? MARNIE [dismissive] Clouds. DOC [satisfied] Yesss. Time to go hunting. MARNIE Rods or cones? DOC Sticks and stones. MARNIE [chuckles] SCENE 20. SOUND CAREFUL FOOTSTEPS UP THE STAIRS SOUND CREAK, FEET STOP DOC Steady. Where are you now? MARNIE Almost to the top. DOC What do you see? MARNIE Hallway. Doors. DOC And behind you? MARNIE Just the stairs. DOC [stern] Did you look, or just guess? MARNIE [panicky] Sorry! I'll - I'll look. It's stairs. The door at the bottom is shut. DOC Did you shut it? MARNIE [almost a wail] I don't remember! DOC Calm down. One, two buckle my shoe-- HAROLD [off, calling] Three four, shut the door-- MARNIE [quiet, calming herself] Five six. Pick. Up. Sticks. DOC Harold is looking too. MARNIE [calm again] Yes. DOC Don't forget the children. MARNIE [breaks a little] Jerry DOC Yah, dear Jerry. HAROLD [coming closer] Seven? eight? Lay them straight? MARNIE [very quietly] Marco! DOC [chuckles nastily, then] Here in the hall, or one of the rooms? MARNIE Here. Here I have someplace to go-- SOUND DOOR WRENCHED OPEN AT BOTTOM OF STAIRS HAROLD Nine, ten - a big fat hen! DOC What will you do now? SOUND FOOTSTEPS COMING UP STAIRS SOUND GRIND OF FURNITURE BEING MOVED MARNIE [exerting herself] No one ever fights them. That's why. DOC What was the question? HAROLD Eleven, Twelve - dig and delve. MARNIE [exerting] Why do they always win? DOC Excellent. MARNIE I love you. DOC Of course. SOUND GRIND OF FURNITURE ENDS, HEAVY SOMETHING GOES THUMPING DOEN THE STAIRS MARNIE Hah! HAROLD [scream of outrgae] DOC Don't get too full of yourself-- SOUND STAB MARNIE [gasp of pain] LITTLE GIRL [flat] You broke the chiffonier. DOC It's low. You'll live. For a while. Kill her. MARNIE She's just a kid! SOUND SHUFFLING FOOTSTEPS BACKING UP, SMALL CHILD FOOTSTEPS STALKING, INTERMITTENT DRIPPING DOC You do not ask the questions! MARNIE [meek and in pain] No. I'm sorry! LITTLE GIRL We could have played. [tsks] SOUND KNIVES SHARPENING MARNIE You hurt me! LITTLE GIRL If I didn't, Harold would just have to. MARNIE I- I can't! DOC No time for breaks now. Give or take. [beat, solemn] I love you. MARNIE I'm sorry. SOUND MARNIE DASHES FORWARD MARNIE Ung! SOUND PICKS UP GIRL AND TOSSES HER DOWN THE STAIRS LITTLE GIRL [noises of indignation as she falls] SOUND THUMPS AND BUMPS DOC [whispered] No breaks. MARNIE I'm... hurt. SOUND STICKY NOISE DOC You should go home. SOUND [OFF] DOOR SLAMS OPEN MARNIE Harold! DOC In here! MARNIE Aah! HAROLD [incoherent high pitched scream] SOUND BODY SLAMS AGAINST DOOR, DOOR SLAMS OPEN, BODY TUMBLES INTO ROOM. MARNIE SCOOTCHES AWAY FROM DOOR. SCENE 21. SOUND MARNIE SCRAMBLES UP TO HER FEET DOC Out the window. MARNIE [panting heavily] SOUND FOOTSTEPS DRAG ACROSS THE ROOM, DRIPPING. SOUND POUNDING ON THE WINDOW MARNIE It won't open. DOC It is glass. MARNIE [long gasping breath, then] ungh! SOUND WINDOW SHATTERS DOC Out! MARNIE But I can't see-- DOC You can see what's in here. MARNIE [scream as she jumps] SOUND ELECTRIC NOISES SCENE 22. DOC Where are you now? AMBIANCE NIGHTTIME, OUTSIDE MARNIE I'm on the ground. What should I do? DOC [rueful] You don't ask the questions. MARNIE Zap me again. DOC It's much too late for that. Why aren't you running? MARNIE I think I'm broken. DOC Will that stop you? MARNIE I don't care any more. DOC Are you absolutely sure? SOUND DOOR BANGS OPEN, OFF MARNIE [crying, crawling] DOC Is it bad? MARNIE Yes. DOC I am sorry. MARNIE I know. HAROLD [howling] DOC I love you. LITTLE BOY [off] There she goes! HAROLD [howling] SOUND CHAINSAW REVS DOC Where are you now? MARNIE In deep shit. DOC Where? MARNIE Out back. SOUND HEAVY FEET RUN ACROSS GRAVEL, COMING ON DOC Where are you going? SOUND BODY DROPS MARNIE [muffled, crying] Nowhere. DOC Nowhere? MARNIE [panting, crying a little] I can't. My leg. SOUND ROAR OF CHAINSAW GETS CLOSER DOC What do you want? MARNIE How can you ask that? DOC It's my job. MARNIE [beat] Jerry-- DOC But Jerry's-- MARNIE [sob] Yes! DOC Very well. Let's take that break. SOUND ELECTRIC HUM MARNIE Umumum SOUND HEARTBEAT SCENE 23. AMB NICEY WOODS SOUND FOOTSTEPS JERRY [teasing] What took you so long? MARNIE [bright] Sorry. Got a little caught up. JERRY Is there anything wrong? MARNIE No, Not anymore. JERRY Wanna go down to the lake? MARNIE More than anything. SOUND FOOTSTEPS IN LEAVES SOUND ECHOEY, DISTANT - CHAINSAW, MARNIE'S SCREAMS CLOSER OLIVIA Now that you know how to find us, you'll have to come back. Maybe next week? Don't be a stranger - we have enough of those already... *********************************************************** The "Truth": This story is going on inside the disturbed mind of a victim of a "Texas Chainsaw Massacre" type event. Her boyfriend and other friends were killed by this creepy family of cannibals, and she was captured and chained to a chair. At first it sounds like she is being psychoanalyzed after the fact, but eventually it becomes clear that this is not "after" anything, she is still stuck in the events she is describing. The "Doctor" voice is, in fact, inside her head, and seems to represent her logic or her survival instinct - keeping her head clear and focused while the rest of her is busy panicking. For example, the voice guides her to look around, to avoid things that are disturbing, and to focus on getting herself free. When all else fails, Doc "shocks" Marnie into a faint, where she experiences a pleasant flashback/dream to calm her down before returning to reality. To add to the dreamlike atmosphere of the story, and the connectedness of the two, the voices of Marnie and Doc are both played by me, and rotate - moving across the soundscape to trade places - very slowly throughout the episode. At the end, when there is no remaining hope, Marnie begs Doc for the shock - so she can be unconscious and "in a better place" when they ultimately kill her - and Doc kindly allows it.
Iryna Rosetti Pacheco spent many years as a chemist in the cleaning industry before developing a new cleaning product called Neatly, which comes without plastic packaging or harmful chemicals. Her product is available on her shop's website Dew South, a zero waste shop based in Canada.
Fred Elizalde - "Brandy and Soda" Joséphine Baker - "I'm Feelin' Like a Million" Euneeda Bodenheim - "The Delbarton Følelslange™" Bo Carter - "Your Biscuits Are Big Enough for Me" Prince Partridge - "Choosing a Career" Johnny Hodges and His Orchestra - "Goin' Out the Back Way" Sophie Tucker - "I'm the Last of the Red Hot Mamas" Roy Smeck - "Ukulele Bounce" Boyd Raeburn & His Orchestra - "Boyd Meets Stravinsky" The Brox Sisters - "Come On Home" Ruth Berman, Her Harp and Her Orchestra - "Blue Skies" Rudolf Friml - "Chansonette" Betty Boop & Bimbo - "Bimbo's Initiation" Whispering Jack Smith - "Crazy Rhythm" J. H. Squire Celeste Trio - "Carnival of Venice" Gus Bodenheim - "El Pillow de Oro™" Harry Reser - "Etiquette Blues" https://www.wfmu.org/playlists/shows/107048
If you have ever suffered with a migraine headache, this is the episode for you! Susannah has a background in Neuroscience, a Master's in Nutrition, and personal experience with chronic daily headaches and episodic Migraines, so she knows a thing or two about the struggle and is here to chat about how nutrition can help in eliminating migraines. Be sure to follow along on Instagram or Facebook for some tips and guidance and be sure to reach out if you are wanting to take the leap in navigating your migraines through nutrition. Instagram: @headachenutritionist Facebook: @headachenutritionist Website: www.headachenutritionist.com Thank you to this weeks Podcast Sponsor Dew South, be sure to visit their website dewsouth.ca or check them out in Instagram @duesouthonline for all of your eco friendly needs. Be sure to grab your supply of Neatly, the eco-friendly cleaner every mom needs. --- Send in a voice message: https://anchor.fm/momfiles/message
On this week's episode of The Mom Files we chat with children's sleep consultant Rebecca Michi and really dive into what a sleep consultant can do for you and the sleep patterns of children at different ages and stages. Rebecca also addresses some common misconceptions and lots of valuable tips for parents. Be sure to check Rebecca out on Instagram where she shares great information as well as on Facebook and YouTube. She also has a book (The Baby Sleep Plan) available on Amazon. Instagram: @childrens_sleep_consultant Facebook: @childrenssleepconsultant Youtube: Rebecca Michi - Children's Sleep Consultant Website: childrenssleepconsultant.com Thank you to this weeks Podcast Sponsor Dew South, be sure to visit their website dewsouth.ca for all of your eco friendly needs and make sure to grab your supply of Neatly, the eco-friendly cleaner every mom needs. --- Send in a voice message: https://anchor.fm/momfiles/message
Families who value charm, simplicity, and economy will find much to appreciate in the Preston. This 1,500-square-foot Craftsman cottage is a mere 41 feet wide, allowing it to fit neatly on a narrow lot. Multipaned window uppers and tapered columns are the most immediately noticeable Craftsman features. Wide eave overhangs and decorative gable accents are two more. The columns sit atop eyecatching framed-out bases with shake siding set inside the frames. A multipaned sidelight runs along the right-hand side of a front door that has small panes of glass sparkling near the top, and a transom window above. All this...Article Link
Since Evie Wyld was first published, her writing has been celebrated for its fine observations, and way of pinning down emotional nuance. Her first novel, After the Fire, A Still Small Voice, won the John Llewellyn Rhys Prize and a Betty Trask Award and Evie was listed as one of Granta's Best Young British Novelists. Her second novel, All the Birds Singing, won the Miles Franklin Award, the Encore Award, the Jerwood Fiction Uncovered Prize, and was longlisted for the Stella Prize. Then with her third novel The Bass Rock she won the Stella Prize. It weaves together the lives of three women across different periods of time and explores male violence, in different guises. But Evie doesn't just explore male violence, she gets in deep, and leaves you reeling from the cumulative impact of this age-old misogyny. It's one of the most unsettling and artfully written novels of recent times. Evie's also written a graphic novel with illustrator Joe Sumner called Everything Is Teeth, and she co-runs Review, an indie bookshop in Peckham London.
Spring is finally here! And do you know what that means?It's spring cleaning time!In this episode, Jeff Green and Lauren Smith are joined by Carroll Cartwright and Paige Ebanks of Neatly Houston to discuss how they put a fresh perspective on organizing, styling and moving to clean and tidy your home. Rudy Vierra of SteaMyCar joins in on the conversation to share how your car can get the best wash and interior clean it has ever had.We discuss:The process for having Neatly come clean your homeTips to help get you into the spring cleaning mindsetThe eco-friendly car wash process service by SteaMyCarThe types of services offered by SteaMyCarAnd more!Tune in to learn how you can outsource to save time and avoid the spring cleaning most of us dread! Resources: Green Financial Group: (713) 244-3030 | Jeff Green | Lauren Smith | Neatly | SteaMyCar: (832) 308-8400
Spring is finally here! And do you know what that means?It's spring cleaning time!In this episode, Jeff Green and Lauren Smith are joined by Carroll Cartwright and Paige Ebanks of Neatly Houston to discuss how they put a fresh perspective on organizing, styling and moving to clean and tidy your home. Rudy Vierra of SteaMyCar joins in on the conversation to share how your car can get the best wash and interior clean it has ever had.We discuss:The process for having Neatly come clean your homeTips to help get you into the spring cleaning mindsetThe eco-friendly car wash process service by SteaMyCarThe types of services offered by SteaMyCarAnd more!Tune in to learn how you can outsource to save time and avoid the spring cleaning most of us dread! Resources: Green Financial Group: (713) 244-3030 | Jeff Green | Lauren Smith | Neatly | SteaMyCar: (832) 308-8400
Spring is finally here! And do you know what that means? It's spring cleaning time! In this episode, Jeff Green and Lauren Smith are joined by Carroll Cartwright and Paige Ebanks of Neatly Houston to discuss how they put a fresh perspective on organizing, styling and moving to clean and tidy your home. Rudy Vierra of SteaMyCar joins in on the conversation to share how your car can get the best wash and interior clean it has ever had. We discuss: The process for having Neatly come clean your home Tips to help get you into the spring cleaning mindset The eco-friendly car wash process service by SteaMyCar The types of services offered by SteaMyCar And more! Tune in to learn how you can outsource to save time and avoid the spring cleaning most of us dread! Resources: Green Financial Group: (713) 244-3030 | Jeff Green | Lauren Smith | Neatly | SteaMyCar: (832) 308-8400
We get lots of questions about industrial automation and manufacturing and today we are going to select some of them to answer. Items used in this video: Manufacturing Happy Hour Rotary Phase Converter Cutting holes in enclosures Cutting square holes in enclosures Lining up through the door disconnects Neatly wiring push buttons Best way to drill holes in enclosures Get the full details of this podcast. The above links make these videos possible. Please use them! Support these videos by becoming a patron on Patreon Subscribe to our Youtube channel Instagram Facebook LinkedIn Twitter
WELCOME TO POP CULTURE PARLEY! ...It’s Britney, bitch! Actually, it’s ya' boys and special guest, Ash, back at it again for a nail biting round 2 of The April Anxiety Office Parley! Neatly nestled like Kevin’s feet inside tissue boxes, inside this episode you will discover: weird things their pets do, their nerdy collections, and a big boy sized portion of The Office episodes to discuss and see which episodes move on to the next round! Join them here and on Instagram @popcultureparley and let them know what your favorite episodes are! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/popcultureparley/support
Melissa from Neatly Organized is here to teach us all how to simplify our homes - everything from cupboards and pantries to garages and playrooms - with her B.L.I.S.S. method. She is also sharing how she gets the kids involved and helps them let go of items they no longer use or need.Your inspired action for this episode is to choose one small project [even a single drawer] and use the BLISS method to declutter and organize. Remember to check out neatlyorganized.ca where you can book a complimentary 30 min session with Melissa and use coupon code: EmbraceSimplified at checkout to get 10% off any purchase of her new Chore Cards for kids!
(Houston, TX) June 23rd, 1965. The police were forced to break down the doors of 1815 Driscoll Street after the nephew of Fred and Edwina Rogers requested a welfare check. What the police found was absolutely shocking. Neatly cut body parts found in the refrigerator. Along with a gruesome surprise in the vegetable crisper. The only suspect, the couple’s son Charles…was nowhere to be found. A nationwide manhunt was started leading to possible conspiracy theories involving the CIA…the assassination of JFK…and Woody Harrelson’s dad??? Check out our episode for the full story!Instagram - @terrifyingtexaspodcastEmail - info@terrifyingtexas.productionsIntro/Outro by White Bat Audio - https://whitebataudio.com/free-music/
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We’ve all got beers and we’ve all played games. Aadil kicks off with his thoughts on The Solitaire Conspiracy. Ben has put some time into Star Wars Squadrons and Lucy has played both Cats Organized Neatly and I Am Dead. Ben drinks Saturated in Idaho 7 from Deya and Weird Beard’s Armus Stout. Lucy starts with Neil Gets Things Done by Verdant Brewing and finish with the Ethiopian Cold Brew IPA from Overtone Brewing Co. Aadil was gifted a birthday beer and drinks the House IPA from Howling Hops then sees out the show with Massive IPA from Great South Bay Brewery.
Neatly timed with its success at the Oscars, Parasite finally arrives on UK screens. This dark satirical thriller has already developed a formidable reputation as an excellent film best enjoyed with no prior knowledge of its story. Nick’s been desperately avoiding any spoilers for months. Was it worth the effort? And, neatly timed with its success at the Oscars, Joker finally arrives on home video. This dark character piece has already developed a formidable reputation as a controversial origin story of the popular comic book character. Nick’s been desperately trying to form an opinion on it for months. Where has he landed? As always, there’s also the latest movie news, box office and rental charts, and our Take Five movie quiz. Follow us on Twitter @sunshinecinemax TRAILERS: Parasite: https://www.youtube.com/watch?v=tBfgTZsBeFM Joker: https://www.youtube.com/watch?v=t433PEQGErc ---------------------------------- Copyright Sunshine Hospital Radio 2020. For more information on Sunshine Hospital Radio visit www.sunshinehospitalradio.co.uk Instrumental tracks by Joe Perkins Music. https://www.joeperkins.co.uk/
Kenneth Gangel (2008) is the author of Surviving Toxic Leaders: How to Work for Flawed People in Churches, Schools, and Christian Organizations. Neatly organized in 12 chapters, Gangel defines toxic leadership in a faith-based setting and describes nine types of toxic leaders. [Musical intro/outro by Keke Perez of Keke Perez Voice Studio.] --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Visual artist Kenneth Averion finds time in between producing dope graphics, and post-pop art, to dive deep into the indie music scene and share with us an anthemic performance of soul and R&B house. Neatly bundled in a dense half-hour mix, King Krool begins velvety and warm with the likes of Kartell and Banks, evolving to the driven shimmer of KAYTRANADA, Pat Lok, and Full Crate/ Mar -- a dance-floor-ready composition of complex music. Set: Crayon, Kartell - Scarlett’s Joint Cabu, Akacia - Gold (DRKTMS Remix) Banks - Warm Water (Snakehips Remix) Crayon - Give You Up (feat. KLP) (Darius Remix) Darius - Hot Hands Joe Hertz, Amer-Simone - Stay Lost (Cabu Remix) Cosmo’s Midnight, Kučka - Walk With Me SG Lewis, J Warner - Aura KAYTRANADA (feat. Syd) - YOU’RE THE ONE Pat Lok, Party Pupils, Dances With White Girls - From the Back Promnite, Mark Johns - Call Me Baynk - Could You PYRMDPLAZA - House Bump For Joe Kay Full Crate X Mar - Nobody Else Portugal The Man. - Feel It Still (Medasin Remix)
Page Denny with Neatly on the Rocks shares her love of whiskey. 4:00 difference between scotch, rye, bourbon 9:00 environmental factors contributing to taste 12:00 how to improve your palate 16:00 deciphering whiskey nomenclature 22:00 how to start a whiskey collection 24:00 the one bottle in Page’s collection that she’s replaced Glencairn whiskey glass; https://amzn.to/2PBVdXv Thanks to 76th Street for letting me use their song “Hurricane!”
Wait. They just discovered another continent? Also, he's a cannibal AND a restaurant Critic?! The lost continent of Zealandia and Issei Sagawa, the Japanese Cannibal. Neatly tucked inside the 47th BOX.
On May 18th I was invited to a craft cocktail event at Adventurous Stills in Tempe. Joining Adventurous Stills was Iconic Cocktail Co. and AZ Bitters Labs to create one-of-a-kind cocktails. Joining me as co-host for this episode was Page, the host of Neatly on the Rocks podcast. If you haven't checked out her show do it now. This episode is a collection of the conversations we had with the people at this awesome event. Enjoy!
The World's Most Smoked Out Podcast is proud to bring this special Episode 61! With exclusive first interview with UTM/Neat Gang rapper FB! We get in depth with his beginnings in the rap game and we get personal! Whatchu Smokin' On (Intro) Brought to You by We Love Hip Hop Clothing. Hit us up for any design you want! Hoodies, Long and Short Sleeve Ts. MED (Mother Earth Delivery) For the app: Link is meds.medispensary.ca Focus in on highest quality product Same day delivery in gta Free delivery when ordering go to the app and put the code WLHH for free delivery. Songs of the week: S.B. Bout That https://www.youtube.com/watch?v=BpbPZutqG1Q Starterpack- https://m.youtube.com/watch?feature=youtu.be&v=CNiSN2R3M SARS RADIO EP. 117 March 14th bit.ly/2GuTGvh Top 5 Tracks So Far (March 21)No order. 1. Grains Delgado ft. Bizz Loc- Trappin’ 2. Roney- Denis Rodman 3. Jigzsaw-Stressed Out 4. Nav- Freshman List 5. KBF- 3:30am We Love Hip Hop/Mercenary Films Follow The 6ix list on IG send us your best videos tune (homemade eligible). Whoever gets picked gets to perform at our 6ix List/We Love Hip Hop live show taping. The ones with the most views on YouTube wins a free video from Mercenary Films 1. SXSW- Toronto Rising Showcase 2. DJ Khalid & Kelani at Pick 6ix Restaurant Connect the Dot TV Tour Starting April 12 in North Bay! For more info hit up: https://www.instagram.com/connectthedottv/?hl=en Smoke Break Music: Nanna Goodie- DREAMS (Unreleased) Smoke & Mirrors feature JRDN & Cazhhmere -The Game vs 6ix9ine vs J Prince jr -Lil Xan vs teenage Tupac fans- he’s depressed now after media slam, do we feel sorry for him? -Nav goes off on XXL list makes diss song called “Freshman List” says XXL is trash! And wouldn’t show up for freshman list. Is he wildin’? -Drake goes vegetarian and now PETA is pressing for him to stop supporting Canada Goose. FB: www.instagram.com/fb_crtz/?hl=en JRDN: www.instagram.com/jrdnmusic/?hl=en Cazhhmere: www.instagram.com/cazhblanche/?hl=en We Love Hip Hop: www.instagram.com/welovehiphoptoronto/ Friday: www.instagram.com/fridayrickydred/ PK Herc: www.instagram.com/ssc_heyhercs_pk/ Yongesterdam Lounge: www.instagram.com/yongesterdam_lounge/ Spoiled Smokers: www.instagram.com/spoiledsmokerscollective/ Toronto Organic: www.instagram.com/torontoorganics/?hl=en SixSocksToronto: www.instagram.com/sixsockstoronto/?h Early Morning Late Nights: www.instagram.com/early_mornings_l…te_nights/?hl=en Savy: www.instagram.com/ssavey/
The World's Most Smoked Out Podcast is proud to bring this special Episode 61! With exclusive first interview with UTM/Neat Gang rapper FB! We get in depth with his beginnings in the rap game and we get personal! Whatchu Smokin' On (Intro) Brought to You by We Love Hip Hop Clothing. Hit us up for any design you want! Hoodies, Long and Short Sleeve Ts. MED (Mother Earth Delivery) For the app: Link is meds.medispensary.ca Focus in on highest quality product Same day delivery in gta Free delivery when ordering go to the app and put the code WLHH for free delivery. Songs of the week: S.B. Bout That https://www.youtube.com/watch?v=BpbPZutqG1Q Starterpack- https://m.youtube.com/watch?feature=youtu.be&v=CNiSN2R3M SARS RADIO EP. 117 March 14th bit.ly/2GuTGvh Top 5 Tracks So Far (March 21)No order. 1. Grains Delgado ft. Bizz Loc- Trappin’ 2. Roney- Denis Rodman 3. Jigzsaw-Stressed Out 4. Nav- Freshman List 5. KBF- 3:30am PreRoll Mercenary Films Follow The 6ix list on IG send us your best videos tune (homemade eligible). Whoever gets picked gets to perform at our 6ix List/We Love Hip Hop live show taping. The ones with the most views on YouTube wins a free video from Mercenary Films 1. SXSW- Toronto Rising Showcase 2. DJ Khalid & Kelani at Pick 6ix Restaurant Connect the Dot TV Tour Starting April 12 in North Bay! For more info hit up: https://www.instagram.com/connectthedottv/?hl=en Smoke Break Music: Nanna Goodie- DREAMS (Unreleased) Smoke & Mirrors feature JRDN & Cazhhmere -The Game vs 6ix9ine vs J Prince jr -Lil Xan vs teenage Tupac fans- he’s depressed now after media slam, do we feel sorry for him? -Nav goes off on XXL list makes diss song called “Freshman List” says XXL is trash! And wouldn’t show up for freshman list. Is he wildin’? -Drake goes vegetarian and now PETA is pressing for him to stop supporting Canada Goose. FB: www.instagram.com/fb_crtz/?hl=en JRDN: www.instagram.com/jrdnmusic/?hl=en Cazhhmere: www.instagram.com/cazhblanche/?hl=en We Love Hip Hop: www.instagram.com/welovehiphoptoronto/ Friday: www.instagram.com/fridayrickydred/ PK Herc: www.instagram.com/ssc_heyhercs_pk/ Yongesterdam Lounge: www.instagram.com/yongesterdam_lounge/ Spoiled Smokers: www.instagram.com/spoiledsmokerscollective/ Toronto Organic: www.instagram.com/torontoorganics/?hl=en SixSocksToronto: www.instagram.com/sixsockstoronto/?h Early Morning Late Nights: www.instagram.com/early_mornings_l…te_nights/?hl=en Savy: www.instagram.com/ssavey/
Here are all my iPad accessories. Neatly packed into a very lovely iPad case. I use this mostly when I travel. Its great for airplanes and trains. But whats inside is even cooler. if you want to get in touch with me: http://vinginblog.blogspot.se/p/contact-me.html
The night before, Jerry Lee Lewis’ 5th wife died, she made a phone call to her Mom. She told her that she was thinking of leaving the rock and roll pioneer, but that he wouldn’t let her. Then, she made a second call — this one to the sister of her high-school sweetheart, making plans for the sister to come take her away from Jerry Lee later that month. Then… in mid-sentence the phone went dead. The next day, Mrs. Jerry Lee Lewis was found dead. Neatly placed on top of a perfectly made bed in the newlywed couple’s guest room. Despite the bruises on her body, the blood under her fingernails, the scratches on her husband’s hands, and the mountain of other physical and anecdotal evidence, the death was ruled an accident. Did Jerry Lee Lewis kill his wife and get away with murder? Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers
On the inaugural episode of Neatly on the Rocks, Page sips on and reviews one of her first whiskey loves, while sharing her whisky origin story.
Oh, the strata Of society, Down from Emperor to slave, Oh, they tell you What you ought to do And just how you should behave And the manners That you have to show When superiors you pass... Roman people, Neatly organized, Into layers, class by class. From the toga With a purple stripe, To the sack-cloth down below, Know your status In society, What you wear and who you know, Status symbols? Own a villa And a garden and a horse... Make your slaves do What you want them to, When you want them to, of course. At the bathhouse Are you pampered? At the theatre, where’s your seat? Are you wealthy? Are you healthy? Are you part of the elite? Yes, the senator And the citizen, Seeking privilege, no doubt... Seeking power, seeking influence, Are they ‘in’, or are they ‘out’? Oh, the strata Of society, Down from Emperor to slave, Oh, they tell you What you ought to do And just how you should behave And the manners That you have to show When superiors you pass... Roman people, Neatly organized, Into layers, class by class.
Neatly stacked piles of paper with research from Harvard, Wharton, and Stanford sat on the table as we began our discussion about the event we were planning. “What’s that?” I asked my soul sister and colleague, Mali Phonpadith, excited to talk about how we can pull our resources together and co-produce a retreat for executives seeking breakthroughs in leadership. With an excited look on her face, she grabbed the first stack and said, “I went through all the top business schools and leadership training programs I could find. I pulled together the best language from each website and printed it to help us with messaging.” My stomach cringed at the thought of regurgitating the same old language everyone else was using. I wanted to think about what we have to offer as unique and create our own language based on that. Considering Mali’s level of excitement, I couldn’t just say, “Scrap that. Let’s create our own,” so instead I asked more questions and listened. Her thought process made perfect sense… from the perspective I held a couple of years back when she was helping me with messaging for my website. “Mali, I appreciate you for doing all this research,” I said, “and I think we need to put it to the side for now.” Seeing the look of confusion on her face, I paused and suggested that we come back to what everyone else was saying to lure executives after we’ve uncovered the language that was most fitting for our unique value proposition. Almost as soon as she sat back, I knew the scene she was about to recall. “Misti,” she said, “do you remember that day I came to your office and we spent hours going over your messaging?” Of course I did. It was an agonizing three hours that resulted in a bunch of words that made no sense to me. I was frustrated and irritated that Mali—the messaging genius—didn’t hand me the perfect words to create a sudden influx of the perfect clients. “You demanded…,” she started, before I cut her off with, “I know, I know.” Finishing her thought…“Every time I would ask questions related to the work you do, you’d cut me off—‘no, Mali, I can’t use that language. I have to find the words people are looking for’—you insisted.” Exhaling, as I sat back in my chair, and all I could muster was, “I know. You’re right. I know.” With that, she stood up, paced for a few brief moments before saying, “You graduated, and I need to acknowledge that.” While her language didn’t resonate with me, her intention inspired me to do the same for every person in my life—let them show up new. It’s easy to think you know someone, but pigeonholing others doesn’t give them a chance to continue their own evolution/growth. And, if the only thing that stays the same is change, we’d do well to support and encourage positive change. Here’s to Your Greatness, Misti Burmeister NEW! You can now gain easy access to discovering your blind spots and the solutions to your greatest leadership challenges through a Gearing for Greatness session. Check it out: http://mistiburmeister.com/gearing-for-greatness/ P.S. For instant access to interviews, and to get your 3 Practical Tips for Building a Motivated Team, click here, type in your email address where it says “Subscribe”, and press “Submit.”
As Tsilli Pines' profession evolves, she describes herself as less of a designer and more as "the person that gets things done". In the years since moving to Portland, Tsilli has positioned herself as a leader in the Portland design scene, as the host of the Portland chapter of Creative Mornings, Co-Director of Design Week Portland, and Graphic Designer at the creative agency Fine. We discuss the concept of leaving a legacy, its impact on motivation, and the rewards of reaching out to those you admire and respect.
Karen Engelmann is the guest. Her debut novel, The Stockholm Octavo, is now available from Ecco. Publishers Weekly, in a starred review, says "Neatly mixing revolutionary politics with the erotic tension and cutthroat rivalry of the female conspirators...Engelmann has crafted a magnificent, suspenseful story set against the vibrant society of Sweden’s zenith, with a cast of colorful characters balanced at a crux of history.” And Library Journal, in a starred review, calls it “Fantastic . . . This rollicking adventure story reads at times like a fairy tale, with Good Guys and Bad Guys and obstacles to be recognized and overcome. It’s all quite fun. As either historical novel or adventure story, this clever first novel should appeal to a broad range of readers." Monologue topics: mail, Sam Pink, Disneyland, Thanksgiving, exhaustion, The TNB Book Club. Learn more about your ad choices. Visit megaphone.fm/adchoices
As the last of what Wendy Steiner refers to as “a loose trilogy” with her earlier works, The Scandal of Pleasure (1995) and Venus in Exile (2001), The Real Real Thing: The Model in the Mirror of Art (University of Chicago, 2010) sets out to establish the centrality of “the model” in art to our understanding of subjectivity and freedom and the ethical imperative that she suggests lies within it. For Steiner, “the model,” historically conceptualized and understood as female and objectified as such, assumes the level of ontological importance and acts as a symbolic structure that not only lays bare the hierarchies and mechanics of power, but possess the unique ability to reimagine and “introduce new hierarchies into the world” (20). “The model” along with politics and power in Steiner’s estimation are closely linked and in fact bound together. The intriguing and theoretical tension between the seeming contradiction that what on the level of the symbol can be read as object can also be accessed in order to influence the real is one that is thrilling to see the author trace and work out. To this point specifically, Steiner does an incredible job. Her theoretical argument invokes the work of Kant, Roman Jakobson, Jacques Lacan, and Judith Butler to varying degrees. Neatly divided into three parts, The Real Real Thing moves from a theoretical exploration of “the model” to several fascinating studies of artists and art works that have employed the model as Steiner envisions it.Bringing “the model” from the realm of the theoretical to that of the real, Steiner closes the book by returning to her notion of the ethical imperative inherent to it. She makes a strong and impassioned case for modern art and what she sees as its “democratic” and “progressive” nature in its ability to not just call attention to itself as art, as an end in itself, but to invite the spectator into a symbiotic union that creates. It is within this union that traditionally rigid aesthetic notions of beauty and perfection can be overridden and redefined anew. I thoroughly enjoyed reading The Real Real Thing: The Model in the Mirror of Art and I encourage anyone interested in aesthetics, the future of art, and the future of the arts especially to read this book. Learn more about your ad choices. Visit megaphone.fm/adchoices
As the last of what Wendy Steiner refers to as “a loose trilogy” with her earlier works, The Scandal of Pleasure (1995) and Venus in Exile (2001), The Real Real Thing: The Model in the Mirror of Art (University of Chicago, 2010) sets out to establish the centrality of “the model” in art to our understanding of subjectivity and freedom and the ethical imperative that she suggests lies within it. For Steiner, “the model,” historically conceptualized and understood as female and objectified as such, assumes the level of ontological importance and acts as a symbolic structure that not only lays bare the hierarchies and mechanics of power, but possess the unique ability to reimagine and “introduce new hierarchies into the world” (20). “The model” along with politics and power in Steiner’s estimation are closely linked and in fact bound together. The intriguing and theoretical tension between the seeming contradiction that what on the level of the symbol can be read as object can also be accessed in order to influence the real is one that is thrilling to see the author trace and work out. To this point specifically, Steiner does an incredible job. Her theoretical argument invokes the work of Kant, Roman Jakobson, Jacques Lacan, and Judith Butler to varying degrees. Neatly divided into three parts, The Real Real Thing moves from a theoretical exploration of “the model” to several fascinating studies of artists and art works that have employed the model as Steiner envisions it.Bringing “the model” from the realm of the theoretical to that of the real, Steiner closes the book by returning to her notion of the ethical imperative inherent to it. She makes a strong and impassioned case for modern art and what she sees as its “democratic” and “progressive” nature in its ability to not just call attention to itself as art, as an end in itself, but to invite the spectator into a symbiotic union that creates. It is within this union that traditionally rigid aesthetic notions of beauty and perfection can be overridden and redefined anew. I thoroughly enjoyed reading The Real Real Thing: The Model in the Mirror of Art and I encourage anyone interested in aesthetics, the future of art, and the future of the arts especially to read this book. Learn more about your ad choices. Visit megaphone.fm/adchoices
Learn about a key step in the reprogramming of fibroblasts to induced pluripotent stem cells (00:49), hear about an unexpected connection between Alzheimer's disease and autophagy (10:44) and learn how our DNA stays neatly folded (18:44).