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Lawn ornaments are everywhere—but for something so ubiquitous, they're also mysterious. What's the person with the flamingo or the gargoyle in their yard trying to say—and why do they want to say it so publicly? From the garden-variety to the not so common, the adorable to the odious—lawn ornaments speak volumes, without saying a word. In this episode, we travel from Germany to England and back home to look at the history and meaning behind three specific lawn ornaments: the garden gnome, the lawn jockey, and the 18th century ornamental hermit. You'll hear from historian Twigs Way, Sven Berrar of the Zwergstatt Gräfenroda, David Pilgrim of the Jim Crow Museum, Kenneth Goings who is an emeritus professor at the Ohio State University, and art historian Ned Harwood. This episode was written by Evan Chung and Willa Paskin. It was produced by Evan Chung. We produce Decoder Ring with Katie Shepherd and Max Freedman. We had additional production from Cheyna Roth and Martina Weber. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. Thank you to Friedemann Brenneis, Heather Joseph-Witham, and Elise Gramza. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lawn ornaments are everywhere—but for something so ubiquitous, they're also mysterious. What's the person with the flamingo or the gargoyle in their yard trying to say—and why do they want to say it so publicly? From the garden-variety to the not so common, the adorable to the odious—lawn ornaments speak volumes, without saying a word. In this episode, we travel from Germany to England and back home to look at the history and meaning behind three specific lawn ornaments: the garden gnome, the lawn jockey, and the 18th century ornamental hermit. You'll hear from historian Twigs Way, Sven Berrar of the Zwergstatt Gräfenroda, David Pilgrim of the Jim Crow Museum, Kenneth Goings who is an emeritus professor at the Ohio State University, and art historian Ned Harwood. This episode was written by Evan Chung and Willa Paskin. It was produced by Evan Chung. We produce Decoder Ring with Katie Shepherd and Max Freedman. We had additional production from Cheyna Roth and Martina Weber. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. Thank you to Friedemann Brenneis, Heather Joseph-Witham, and Elise Gramza. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lawn ornaments are everywhere—but for something so ubiquitous, they're also mysterious. What's the person with the flamingo or the gargoyle in their yard trying to say—and why do they want to say it so publicly? From the garden-variety to the not so common, the adorable to the odious—lawn ornaments speak volumes, without saying a word. In this episode, we travel from Germany to England and back home to look at the history and meaning behind three specific lawn ornaments: the garden gnome, the lawn jockey, and the 18th century ornamental hermit. You'll hear from historian Twigs Way, Sven Berrar of the Zwergstatt Gräfenroda, David Pilgrim of the Jim Crow Museum, Kenneth Goings who is an emeritus professor at the Ohio State University, and art historian Ned Harwood. This episode was written by Evan Chung and Willa Paskin. It was produced by Evan Chung. We produce Decoder Ring with Katie Shepherd and Max Freedman. We had additional production from Cheyna Roth and Martina Weber. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. Thank you to Friedemann Brenneis, Heather Joseph-Witham, and Elise Gramza. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lawn ornaments are everywhere—but for something so ubiquitous, they're also mysterious. What's the person with the flamingo or the gargoyle in their yard trying to say—and why do they want to say it so publicly? From the garden-variety to the not so common, the adorable to the odious—lawn ornaments speak volumes, without saying a word. In this episode, we travel from Germany to England and back home to look at the history and meaning behind three specific lawn ornaments: the garden gnome, the lawn jockey, and the 18th century ornamental hermit. You'll hear from historian Twigs Way, Sven Berrar of the Zwergstatt Gräfenroda, David Pilgrim of the Jim Crow Museum, Kenneth Goings who is an emeritus professor at the Ohio State University, and art historian Ned Harwood. This episode was written by Evan Chung and Willa Paskin. It was produced by Evan Chung. We produce Decoder Ring with Katie Shepherd and Max Freedman. We had additional production from Cheyna Roth and Martina Weber. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. Thank you to Friedemann Brenneis, Heather Joseph-Witham, and Elise Gramza. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lawn ornaments are everywhere—but for something so ubiquitous, they're also mysterious. What's the person with the flamingo or the gargoyle in their yard trying to say—and why do they want to say it so publicly? From the garden-variety to the not so common, the adorable to the odious—lawn ornaments speak volumes, without saying a word. In this episode, we travel from Germany to England and back home to look at the history and meaning behind three specific lawn ornaments: the garden gnome, the lawn jockey, and the 18th century ornamental hermit. You'll hear from historian Twigs Way, Sven Berrar of the Zwergstatt Gräfenroda, David Pilgrim of the Jim Crow Museum, Kenneth Goings who is an emeritus professor at the Ohio State University, and art historian Ned Harwood. This episode was written by Evan Chung and Willa Paskin. It was produced by Evan Chung. We produce Decoder Ring with Katie Shepherd and Max Freedman. We had additional production from Cheyna Roth and Martina Weber. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. Thank you to Friedemann Brenneis, Heather Joseph-Witham, and Elise Gramza. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

McGruff the Crime Dog arrived on the scene at the dawn of the 1980s, just as a firehose of anti-drug PSAs was inundating the youth of America. These messages didn't always work as intended—but they did work their way into the long term memories of the kids who heard them.  In the second episode of our two-part series on the weird world of PSAs and very special episodes, we look at how the McGruff Smart Kids Album influenced everything from straight-edge hardcore to a couple's wedding playlist. We'll hear from Sarah Hubbard, Dan Danger, Joseph Cappella, David Farber, Mike Hawes, Robin Nelson, Daisy Rosario, and Tatiana Peralta. This podcast was written by Willa Paskin, who produces Decoder Ring with Katie Shepherd. This episode was edited by Jamie York. Derek John is Slate's Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is Sr. Technical Director. Thank you to Tatiana Peralta, Ari Merkin, Wendy Melillo, Dan McQuade, Dale Mantley, Larissa Zargeris, Dave Bledsoe, Larre Johnson, Duane Poole, Eric Greenberg, Charles and Karen Rosen, and Jennifer Holland, Orla Mejia, Andres Martinez and everyone else at the Rutgers library who helped me listen to some old cassette tapes.  A few things that were helpful in working on this piece: How McGruff and the Crying Indian Changed America: A History of Iconic Ad Council Campaigns by Wendy Melillo, Taking a Bite out of Crime: the Impact of the National Citizens Crime Prevention Media Campaign by Garrett J O'keefe and others, and “This McGruff Drug Album Might As Well Be By Weird Al,” by Dan McQuade for Defector Media. You can hear Daniel Danger's McGruff cover album in it's entirety or you can purchase it here. And lastly, if you are interested in hearing the full McGruff educational program or any of Puppet Productions productions they are available for purchase at puppetsinc.com, part of a company that Rob Nelson still runs. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Check out Remote Works here.  Learn more about your ad choices. Visit megaphone.fm/adchoices

McGruff the Crime Dog arrived on the scene at the dawn of the 1980s, just as a firehose of anti-drug PSAs was inundating the youth of America. These messages didn't always work as intended—but they did work their way into the long term memories of the kids who heard them.  In the second episode of our two-part series on the weird world of PSAs and very special episodes, we look at how the McGruff Smart Kids Album influenced everything from straight-edge hardcore to a couple's wedding playlist. We'll hear from Sarah Hubbard, Dan Danger, Joseph Cappella, David Farber, Mike Hawes, Robin Nelson, Daisy Rosario, and Tatiana Peralta. This podcast was written by Willa Paskin, who produces Decoder Ring with Katie Shepherd. This episode was edited by Jamie York. Derek John is Slate's Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is Sr. Technical Director. Thank you to Tatiana Peralta, Ari Merkin, Wendy Melillo, Dan McQuade, Dale Mantley, Larissa Zargeris, Dave Bledsoe, Larre Johnson, Duane Poole, Eric Greenberg, Charles and Karen Rosen, and Jennifer Holland, Orla Mejia,  Andres Martinez and everyone else at the Rutgers library who helped me listen to some old cassette tapes.  A few things that were helpful in working on this piece: How McGruff and the Crying Indian Changed America: A History of Iconic Ad Council Campaigns by Wendy Melillo, Taking a Bite out of Crime: the Impact of the National Citizens Crime Prevention Media Campaign by Garrett J O'keefe and others, and “This McGruff Drug Album Might As Well Be By Weird Al,” by Dan McQuade for Defector Media. You can hear Daniel Danger's McGruff cover album in it's entirety or you can purchase it here. And lastly, if you are interested in hearing the full McGruff educational program or any of Puppet Productions productions they are available for purchase at puppetsinc.com, part of a company that Rob Nelson still runs. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Check out Remote Works here.  Learn more about your ad choices. Visit megaphone.fm/adchoices

McGruff the Crime Dog arrived on the scene at the dawn of the 1980s, just as a firehose of anti-drug PSAs was inundating the youth of America. These messages didn't always work as intended—but they did work their way into the long term memories of the kids who heard them.  In the second episode of our two-part series on the weird world of PSAs and very special episodes, we look at how the McGruff Smart Kids Album influenced everything from straight-edge hardcore to a couple's wedding playlist. We'll hear from Sarah Hubbard, Dan Danger, Joseph Cappella, David Farber, Mike Hawes, Robin Nelson, Daisy Rosario, and Tatiana Peralta. This podcast was written by Willa Paskin, who produces Decoder Ring with Katie Shepherd. This episode was edited by Jamie York. Derek John is Slate's Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is Sr. Technical Director. Thank you to Tatiana Peralta, Ari Merkin, Wendy Melillo, Dan McQuade, Dale Mantley, Larissa Zargeris, Dave Bledsoe, Larre Johnson, Duane Poole, Eric Greenberg, Charles and Karen Rosen, and Jennifer Holland, Orla Mejia, Andres Martinez and everyone else at the Rutgers library who helped me listen to some old cassette tapes.  A few things that were helpful in working on this piece: How McGruff and the Crying Indian Changed America: A History of Iconic Ad Council Campaigns by Wendy Melillo, Taking a Bite out of Crime: the Impact of the National Citizens Crime Prevention Media Campaign by Garrett J O'keefe and others, and “This McGruff Drug Album Might As Well Be By Weird Al,” by Dan McQuade for Defector Media. You can hear Daniel Danger's McGruff cover album in it's entirety or you can purchase it here. And lastly, if you are interested in hearing the full McGruff educational program or any of Puppet Productions productions they are available for purchase at puppetsinc.com, part of a company that Rob Nelson still runs. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Check out Remote Works here.  Learn more about your ad choices. Visit megaphone.fm/adchoices

McGruff the Crime Dog arrived on the scene at the dawn of the 1980s, just as a firehose of anti-drug PSAs was inundating the youth of America. These messages didn't always work as intended—but they did work their way into the long term memories of the kids who heard them.  In the second episode of our two-part series on the weird world of PSAs and very special episodes, we look at how the McGruff Smart Kids Album influenced everything from straight-edge hardcore to a couple's wedding playlist. We'll hear from Sarah Hubbard, Dan Danger, Joseph Cappella, David Farber, Mike Hawes, Robin Nelson, Daisy Rosario, and Tatiana Peralta. This podcast was written by Willa Paskin, who produces Decoder Ring with Katie Shepherd. This episode was edited by Jamie York. Derek John is Slate's Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is Sr. Technical Director. Thank you to Tatiana Peralta, Ari Merkin, Wendy Melillo, Dan McQuade, Dale Mantley, Larissa Zargeris, Dave Bledsoe, Larre Johnson, Duane Poole, Eric Greenberg, Charles and Karen Rosen, and Jennifer Holland, Orla Mejia, Andres Martinez and everyone else at the Rutgers library who helped me listen to some old cassette tapes.  A few things that were helpful in working on this piece: How McGruff and the Crying Indian Changed America: A History of Iconic Ad Council Campaigns by Wendy Melillo, Taking a Bite out of Crime: the Impact of the National Citizens Crime Prevention Media Campaign by Garrett J O'keefe and others, and “This McGruff Drug Album Might As Well Be By Weird Al,” by Dan McQuade for Defector Media. You can hear Daniel Danger's McGruff cover album in it's entirety or you can purchase it here. And lastly, if you are interested in hearing the full McGruff educational program or any of Puppet Productions productions they are available for purchase at puppetsinc.com, part of a company that Rob Nelson still runs. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Check out Remote Works here.  Learn more about your ad choices. Visit megaphone.fm/adchoices

McGruff the Crime Dog arrived on the scene at the dawn of the 1980s, just as a firehose of anti-drug PSAs was inundating the youth of America. These messages didn't always work as intended—but they did work their way into the long term memories of the kids who heard them.  In the first of two episodes, we take a look at PSAs and their strange afterlife through the lens of a trench-coat wearing bloodhound and his bizarre, yet catchy anti-drug songs. We'll talk to Dan Danger, Sherry Nemmers, Joseph Cappella, David Farber, Mike Hawes and Robin Nelson to discover how the McGruff Smart Kids Album came to exist in the first place. This podcast was written by Willa Paskin. Decoder Ring is produced by Willa Paskin and Katie Shepherd. We had production help from Sam Kim.  Editing by Jamie York and Derek John, Slate's Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is Sr. Technical Director. Thank you to Wendy Melillo, Dan McQuade, Dale Mantley, Larissa Zargeris, Daisy Rosario, Drew Bledsoe, Larre Johnson, Duane Poole, Ari Merkin, Charles and Karen Rosen and Eric Greenberg.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Check out Remote Works here Learn more about your ad choices. Visit megaphone.fm/adchoices

McGruff the Crime Dog arrived on the scene at the dawn of the 1980s, just as a firehose of anti-drug PSAs was inundating the youth of America. These messages didn't always work as intended—but they did work their way into the long term memories of the kids who heard them.  In the first of two episodes, we take a look at PSAs and their strange afterlife through the lens of a trench-coat wearing bloodhound and his bizarre, yet catchy anti-drug songs. We'll talk to Dan Danger, Sherry Nemmers, Joseph Cappella, David Farber, Mike Hawes and Robin Nelson to discover how the McGruff Smart Kids Album came to exist in the first place. This podcast was written by Willa Paskin. Decoder Ring is produced by Willa Paskin and Katie Shepherd. We had production help from Sam Kim.  Editing by Jamie York and Derek John, Slate's Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is Sr. Technical Director. Thank you to Wendy Melillo, Dan McQuade, Dale Mantley, Larissa Zargeris, Daisy Rosario, Drew Bledsoe, Larre Johnson, Duane Poole, Ari Merkin, Charles and Karen Rosen and Eric Greenberg.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Check out Remote Works here Learn more about your ad choices. Visit megaphone.fm/adchoices

McGruff the Crime Dog arrived on the scene at the dawn of the 1980s, just as a firehose of anti-drug PSAs was inundating the youth of America. These messages didn't always work as intended—but they did work their way into the long term memories of the kids who heard them.  In the first of two episodes, we take a look at PSAs and their strange afterlife through the lens of a trench-coat wearing bloodhound and his bizarre, yet catchy anti-drug songs. We'll talk to Dan Danger, Sherry Nemmers, Joseph Cappella, David Farber, Mike Hawes and Robin Nelson to discover how the McGruff Smart Kids Album came to exist in the first place. This podcast was written by Willa Paskin. Decoder Ring is produced by Willa Paskin and Katie Shepherd. We had production help from Sam Kim.  Editing by Jamie York and Derek John, Slate's Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is Sr. Technical Director. Thank you to Wendy Melillo, Dan McQuade, Dale Mantley, Larissa Zargeris, Daisy Rosario, Drew Bledsoe, Larre Johnson, Duane Poole, Ari Merkin, Charles and Karen Rosen and Eric Greenberg.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Check out Remote Works here Learn more about your ad choices. Visit megaphone.fm/adchoices

McGruff the Crime Dog arrived on the scene at the dawn of the 1980s, just as a firehose of anti-drug PSAs was inundating the youth of America. These messages didn't always work as intended—but they did work their way into the long term memories of the kids who heard them.  In the first of two episodes, we take a look at PSAs and their strange afterlife through the lens of a trench-coat wearing bloodhound and his bizarre, yet catchy anti-drug songs. We'll talk to Dan Danger, Sherry Nemmers, Joseph Cappella, David Farber, Mike Hawes and Robin Nelson to discover how the McGruff Smart Kids Album came to exist in the first place. This podcast was written by Willa Paskin. Decoder Ring is produced by Willa Paskin and Katie Shepherd. We had production help from Sam Kim.  Editing by Jamie York and Derek John, Slate's Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is Sr. Technical Director. Thank you to Wendy Melillo, Dan McQuade, Dale Mantley, Larissa Zargeris, Daisy Rosario, Drew Bledsoe, Larre Johnson, Duane Poole, Ari Merkin, Charles and Karen Rosen and Eric Greenberg.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Check out Remote Works here Learn more about your ad choices. Visit megaphone.fm/adchoices

In the early 1930s, Mae West's dirty talk and hip swiveling walk made her one of the biggest movie stars in America. But before West hit the big-screen, she was prosecuted for staging not one, but two scandalous plays. In this episode, we look at how West honed her persona when she was under the bright lights of Broadway and the flashbulbs of the tabloids — and briefly behind bars. More than a century later, her career arc offers a blueprint on how to survive a scandal…and maybe even come out ahead. This episode relied heavily on a lot of archival material and innumerable books: When I'm Bad, I'm Better: Mae West, Sex and American Entertainment by Marybeth Hamilton; When Brooklyn was Queer by Hugh Ryan; Lillian Schlissel's introduction to Three Plays by Mae West,  Mae West: a biography by George Eells and Stanley Musgrove; Mae West: An Icon in Black and White by Jill Watts;  Becoming May West by Emily Wortis Leider; Gay New York by George Chauncey;  Mae West, She Who Laughs Last, by June Sochen: Goodness Has Nothing to Do with It by Mae West; and Linda Ann Losciavo's play “Courting Mae West” and her blog, which you can find at Maewest.blogspot.com.  This episode of Decoder Ring was written by Willa Paskin. It was produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. Thank you to Benjamin Frisch for this topic.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the early 1930s, Mae West's dirty talk and hip swiveling walk made her one of the biggest movie stars in America. But before West hit the big-screen, she was prosecuted for staging not one, but two scandalous plays. In this episode, we look at how West honed her persona when she was under the bright lights of Broadway and the flashbulbs of the tabloids — and briefly behind bars. More than a century later, her career arc offers a blueprint on how to survive a scandal…and maybe even come out ahead. This episode relied heavily on a lot of archival material and innumerable books: When I'm Bad, I'm Better: Mae West, Sex and American Entertainment by Marybeth Hamilton; When Brooklyn was Queer by Hugh Ryan; Lillian Schlissel's introduction to Three Plays by Mae West,  Mae West: a biography by George Eells and Stanley Musgrove; Mae West: An Icon in Black and White by Jill Watts;  Becoming May West by Emily Wortis Leider; Gay New York by George Chauncey;  Mae West, She Who Laughs Last, by June Sochen: Goodness Has Nothing to Do with It by Mae West; and Linda Ann Losciavo's play “Courting Mae West” and her blog, which you can find at Maewest.blogspot.com.  This episode of Decoder Ring was written by Willa Paskin. It was produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. Thank you to Benjamin Frisch for this topic.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the early 1930s, Mae West's dirty talk and hip swiveling walk made her one of the biggest movie stars in America. But before West hit the big-screen, she was prosecuted for staging not one, but two scandalous plays. In this episode, we look at how West honed her persona when she was under the bright lights of Broadway and the flashbulbs of the tabloids — and briefly behind bars. More than a century later, her career arc offers a blueprint on how to survive a scandal…and maybe even come out ahead. This episode relied heavily on a lot of archival material and innumerable books: When I'm Bad, I'm Better: Mae West, Sex and American Entertainment by Marybeth Hamilton; When Brooklyn was Queer by Hugh Ryan; Lillian Schlissel's introduction to Three Plays by Mae West,  Mae West: a biography by George Eells and Stanley Musgrove; Mae West: An Icon in Black and White by Jill Watts;  Becoming May West by Emily Wortis Leider; Gay New York by George Chauncey;  Mae West, She Who Laughs Last, by June Sochen: Goodness Has Nothing to Do with It by Mae West; and Linda Ann Losciavo's play “Courting Mae West” and her blog, which you can find at Maewest.blogspot.com.  This episode of Decoder Ring was written by Willa Paskin. It was produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. Thank you to Benjamin Frisch for this topic.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the early 1930s, Mae West's dirty talk and hip swiveling walk made her one of the biggest movie stars in America. But before West hit the big-screen, she was prosecuted for staging not one, but two scandalous plays. In this episode, we look at how West honed her persona when she was under the bright lights of Broadway and the flashbulbs of the tabloids — and briefly behind bars. More than a century later, her career arc offers a blueprint on how to survive a scandal…and maybe even come out ahead. This episode relied heavily on a lot of archival material and innumerable books: When I'm Bad, I'm Better: Mae West, Sex and American Entertainment by Marybeth Hamilton; When Brooklyn was Queer by Hugh Ryan; Lillian Schlissel's introduction to Three Plays by Mae West,  Mae West: a biography by George Eells and Stanley Musgrove; Mae West: An Icon in Black and White by Jill Watts;  Becoming May West by Emily Wortis Leider; Gay New York by George Chauncey;  Mae West, She Who Laughs Last, by June Sochen: Goodness Has Nothing to Do with It by Mae West; and Linda Ann Losciavo's play “Courting Mae West” and her blog, which you can find at Maewest.blogspot.com.  This episode of Decoder Ring was written by Willa Paskin. It was produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. Thank you to Benjamin Frisch for this topic.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the early 1930s, Mae West's dirty talk and hip swiveling walk made her one of the biggest movie stars in America. But before West hit the big-screen, she was prosecuted for staging not one, but two scandalous plays. In this episode, we look at how West honed her persona when she was under the bright lights of Broadway and the flashbulbs of the tabloids — and briefly behind bars. More than a century later, her career arc offers a blueprint on how to survive a scandal…and maybe even come out ahead. This episode relied heavily on a lot of archival material and innumerable books: When I'm Bad, I'm Better: Mae West, Sex and American Entertainment by Marybeth Hamilton; When Brooklyn was Queer by Hugh Ryan; Lillian Schlissel's introduction to Three Plays by Mae West,  Mae West: a biography by George Eells and Stanley Musgrove; Mae West: An Icon in Black and White by Jill Watts;  Becoming May West by Emily Wortis Leider; Gay New York by George Chauncey;  Mae West, She Who Laughs Last, by June Sochen: Goodness Has Nothing to Do with It by Mae West; and Linda Ann Losciavo's play “Courting Mae West” and her blog, which you can find at Maewest.blogspot.com.  This episode of Decoder Ring was written by Willa Paskin. It was produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. Thank you to Benjamin Frisch for this topic.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

When you think of an alien abduction, what do you picture? Humanoid creatures, medical experiments, lost memories retrieved through hypnosis? That narrative was largely unknown until Betty and Barney Hill went public about their own alien abduction in the 1960s. Betty Hill's niece, Kathleen Marden, recounts how the story went viral and her aunt and uncle became unwitting celebrities. Then professors Susan Lepselter, Chris Bader, Joseph O. Baker and Stephanie Kelley-Romano explain how the Hills' alien abduction changed science fiction forever. Thanks to Eric Molinsky for bringing us this story that originally aired on his terrific podcast Imaginary Worlds. Eric's got a lot more stories like this one so subscribe wherever you listen.  Decoder Ring is written by Willa Paskin and produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

When you think of an alien abduction, what do you picture? Humanoid creatures, medical experiments, lost memories retrieved through hypnosis? That narrative was largely unknown until Betty and Barney Hill went public about their own alien abduction in the 1960s. Betty Hill's niece, Kathleen Marden, recounts how the story went viral and her aunt and uncle became unwitting celebrities. Then professors Susan Lepselter, Chris Bader, Joseph O. Baker and Stephanie Kelley-Romano explain how the Hills' alien abduction changed science fiction forever. Thanks to Eric Molinsky for bringing us this story that originally aired on his terrific podcast Imaginary Worlds. Eric's got a lot more stories like this one so subscribe wherever you listen.  Decoder Ring is written by Willa Paskin and produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

When you think of an alien abduction, what do you picture? Humanoid creatures, medical experiments, lost memories retrieved through hypnosis? That narrative was largely unknown until Betty and Barney Hill went public about their own alien abduction in the 1960s. Betty Hill's niece, Kathleen Marden, recounts how the story went viral and her aunt and uncle became unwitting celebrities. And professors Susan Lepselter, Chris Bader, Joseph O. Baker and Stephanie Kelley-Romano explain how the Hills' alien abduction changed science fiction forever. Thanks to Eric Molinsky for bringing us this story that originally aired on his terrific podcast Imaginary Worlds. Eric's got a lot more stories like this one so subscribe wherever you listen.  Decoder Ring is written by Willa Paskin and produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

When you think of an alien abduction, what do you picture? Humanoid creatures, medical experiments, lost memories retrieved through hypnosis? That narrative was largely unknown until Betty and Barney Hill went public about their own alien abduction in the 1960s. Betty Hill's niece, Kathleen Marden, recounts how the story went viral and her aunt and uncle became unwitting celebrities. And professors Susan Lepselter, Chris Bader, Joseph O. Baker and Stephanie Kelley-Romano explain how the Hills' alien abduction changed science fiction forever. Thanks to Eric Molinsky for bringing us this story that originally aired on his terrific podcast Imaginary Worlds. Eric's got a lot more stories like this one so subscribe wherever you listen.  Decoder Ring is written by Willa Paskin and produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rod McKuen sold multiple millions of poetry books in the 60s and 70s. He released dozens of albums, was a regular on late night, and was even nominated for an Oscar. So, how did the most salable poet in American history simply disappear? On today's episode, Slate writer Dan Kois went searching for Rod McKuen, a famous poet who isn't so famous anymore. We'll hear from Stephanie Burt, Mike Chasar and Barry Alfonso, author of Rod's biography A Voice of the Warm. Along the way, Dan meets Andy Zax, a guy who, like him, was bewildered by this forgotten star—until he became an accidental fan, and then somehow the only person keeping Rod McKuen's flame alive. This episode of Decoder Ring was written by Dan Kois and edited by Willa Paskin. It was produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rod McKeun sold multiple millions of poetry books in the 60s and 70s. He released dozens of albums, was a regular on late night, and was even nominated for an Oscar. So, how did the most salable poet in American history simply disappear? On today's episode, Slate writer Dan Kois went searching for Rod McKuen, a famous poet who isn't so famous anymore. We'll hear from Stephanie Burt, Mike Chasar and Barry Alfonso, author of Rod's biography A Voice of the Warm. Along the way, Dan meets Andy Zax, a guy who, like him, was bewildered by this forgotten star—until he became an accidental fan, and then somehow the only person keeping Rod McKuen's flame alive. This episode of Decoder Ring was written by Dan Kois and edited by Willa Paskin. It was produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rod McKeun sold multiple millions of poetry books in the 60s and 70s. He released dozens of albums, was a regular on late night, and was even nominated for an Oscar. So, how did the most salable poet in American history simply disappear? On today's episode, Slate writer Dan Kois went searching for Rod McKuen, a famous poet who isn't so famous anymore. We'll hear from Stephanie Burt, Mike Chasar and Barry Alfonso, author of Rod's biography A Voice of the Warm. Along the way, Dan meets Andy Zax, a guy who, like him, was bewildered by this forgotten star—until he became an accidental fan, and then somehow the only person keeping Rod McKuen's flame alive. This episode of Decoder Ring was written by Dan Kois and edited by Willa Paskin. It was produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rod McKeun sold multiple millions of poetry books in the 60s and 70s. He released dozens of albums, was a regular on late night, and was even nominated for an Oscar. So, how did the most salable poet in American history simply disappear? On today's episode, Slate writer Dan Kois went searching for Rod McKuen, a famous poet who isn't so famous anymore. We'll hear from Stephanie Burt, Mike Chasar and Barry Alfonso, author of Rod's biography A Voice of the Warm. Along the way, Dan meets Andy Zax, a guy who, like him, was bewildered by this forgotten star—until he became an accidental fan, and then somehow the only person keeping Rod McKuen's flame alive. This episode of Decoder Ring was written by Dan Kois and edited by Willa Paskin. It was produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rod McKuen sold multiple millions of poetry books in the 60s and 70s. He released dozens of albums, was a regular on late night, and was even nominated for an Oscar. So, how did the most salable poet in American history simply disappear? On today's episode, Slate writer Dan Kois went searching for Rod McKuen, a famous poet who isn't so famous anymore. We'll hear from Stephanie Burt, Mike Chasar and Barry Alfonso, author of Rod's biography A Voice of the Warm. Along the way, Dan meets Andy Zax, a guy who, like him, was bewildered by this forgotten star—until he became an accidental fan, and then somehow the only person keeping Rod McKuen's flame alive. This episode of Decoder Ring was written by Dan Kois and edited by Willa Paskin. It was produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

(While we work on the next season of Slow Burn we're showcasing Slate's other narrative podcasts, starting with a new season of Decoder Ring.) What do we lose if we lose the mall? 70 years into their existence, these hulking temples to commerce are surprisingly resilient and filled with contradictions. In this episode, Alexandra Lange, the author of the new book Meet Me at the Fountain: an Inside History of the Mall walks us through the atriums, escalators, and food courts of this singular suburban space. We also hear from mall-goers whose personal experiences help us make sense of this disdained yet beloved, disappearing yet surviving place. This episode of Decoder Ring was written by Willa Paskin and produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

What do we lose if we lose the mall? 70 years into their existence, these hulking temples to commerce are surprisingly resilient and filled with contradictions. In this episode, Alexandra Lange, the author of the new book Meet Me at the Fountain: an Inside History of the Mall walks us through the atriums, escalators, and food courts of this singular suburban space. We also hear from mall-goers whose personal experiences help us make sense of this disdained yet beloved, disappearing yet surviving place. This episode of Decoder Ring was written by Willa Paskin and produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

What do we lose if we lose the mall? 70 years into their existence, these hulking temples to commerce are surprisingly resilient and filled with contradictions. In this episode, Alexandra Lange, the author of the new book Meet Me at the Fountain: an Inside History of the Mall walks us through the atriums, escalators, and food courts of this singular suburban space. We also hear from mall-goers whose personal experiences help us make sense of this disdained yet beloved, disappearing yet surviving place. This episode of Decoder Ring was written by Willa Paskin and produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

What do we lose if we lose the mall? 70 years into their existence, these hulking temples to commerce are surprisingly resilient and filled with contradictions. In this episode, Alexandra Lange, the author of the new book Meet Me at the Fountain: an Inside History of the Mall walks us through the atriums, escalators, and food courts of this singular suburban space. We also hear from mall-goers whose personal experiences help us make sense of this disdained yet beloved, disappearing yet surviving place. This episode of Decoder Ring was written by Willa Paskin and produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2004, the indie flick Sideways was released in just four theaters, but it had a big impact, earning five Oscar nominations and $110 million worldwide. “I thought it was just going to be a nice little comedy,” filmmaker Alexander Payne tells us. Instead, the movie became known for something else so notable that it has a name: The Sideways Effect.  In this episode, we explore all the outsized effects of this one little movie on the huge wine industry. Did a single line of dialogue really tank merlot sales for decades? Did an ode to pinot noir jumpstart demand for this expensive grape? Did Paul Giamatti's sad sack character change our relationship to yet another wine, one that was barely mentioned in the film? Today on Decoder Ring, all of these questions and this one: Is it long past time to start drinking merlot? Some of the voices in this episode include Laura Lippmann, crime novelist; Tim Farrell, wine buyer for Brooklyn Wine Exchange; Rex Pickett, novelist and author of ‘Sideways,' Alexander Payne, director, screenwriter, and producer; Jeff Bundschu, owner of Gundlach Bundschu; Steve Cuellar, professor of economics at Sonoma State University; and Kathy Joseph, owner of Fiddlehead Cellars. We also mention Travis Lybbert's paper corroborating the “Sideways Effect,” which you can find here. Decoder Ring is written and produced by Willa Paskin. This episode was produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

When did everyone become a storyteller? Decades after George Lucas and Steve Jobs made storytelling a big business, every company now wants to tell “Our Story.” Instagram and TikTok let everyone else tell their “stories,” and the number of people calling themselves storytellers on LinkedIn is now more than half a million. Something we have done for the entirety of our existence as a species has become just another fad.  In this episode of Decoder Ring, we're going to look at where this trend came from and where it's going. What Willa discovered changed the way she now thinks about stories—and it might do the same for you.  Some of the voices you'll hear in this episode include Margaret O'Mara, historian and author of The Code: Silicon Valley and the Remaking of America; Michael Simon, director and producer; Francesca Polletta, sociologist at University of California, Irvine; Steve Clayton, Chief Storyteller at Microsoft; Seth Godin, entrepreneur and author of All Marketers Tell Stories; Everett Cook, Associate Editor at Axios Local; and David Paskin, Willa's father.  Decoder Ring is written and produced by Willa Paskin. This episode was edited by Dan Kois and produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Thanks Avast.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

When did everyone become a storyteller? Decades after George Lucas and Steve Jobs made storytelling a big business, every company now wants to tell “Our Story.” Instagram and TikTok let everyone else tell their “stories,” and the number of people calling themselves storytellers on LinkedIn is now more than half a million. Something we have done for the entirety of our existence as a species has become just another fad.  In this episode of Decoder Ring, we're going to look at where this trend came from and where it's going. What Willa discovered changed the way she now thinks about stories—and it might do the same for you.  Some of the voices you'll hear in this episode include Margaret O'Mara, historian and author of The Code: Silicon Valley and the Remaking of America; Michael Simon, director and producer; Francesca Polletta, sociologist at University of California, Irvine; Steve Clayton, Chief Storyteller at Microsoft; Seth Godin, entrepreneur and author of All Marketers Tell Stories; Everett Cook, Associate Editor at Axios Local; and David Paskin, Willa's father.  Decoder Ring is written and produced by Willa Paskin. This episode was edited by Dan Kois and produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Thanks Avast.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

When did everyone become a storyteller? Decades after George Lucas and Steve Jobs made storytelling a big business, every company now wants to tell “Our Story.” Instagram and TikTok let everyone else tell their “stories,” and the number of people calling themselves storytellers on LinkedIn is now more than half a million. Something we have done for the entirety of our existence as a species has become just another fad.  In this episode of Decoder Ring, we're going to look at where this trend came from and where it's going. What Willa discovered changed the way she now thinks about stories—and it might do the same for you.  Some of the voices you'll hear in this episode include Margaret O'Mara, historian and author of The Code: Silicon Valley and the Remaking of America; Michael Simon, director and producer; Francesca Polletta, sociologist at University of California, Irvine; Steve Clayton, Chief Storyteller at Microsoft; Seth Godin, entrepreneur and author of All Marketers Tell Stories; Everett Cook, Associate Editor at Axios Local; and David Paskin, Willa's father.  Decoder Ring is written and produced by Willa Paskin. This episode was edited by Dan Kois and produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Thanks Avast.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1970s, a song about protesting truckers topped the music charts in multiple countries, and kicked off a pop culture craze for CB radios. In early 2022, that same song became an anthem for a new trucker-led protest movement in Canada and the US. How did C.W. McCall's “Convoy” come to exist, and what had it been trying to say?  For this episode, which was inspired by a listener's question, we've updated a story that originally aired in 2017, but that could not be more relevant today. Slate producer Evan Chung is going to take us through the history of this bizarre number-one smash, an artifact from a time when truckers were also at the center of the culture. It touches on advertising, hamburger buns, and speed limits but also global conflict, sky-rocketing gas prices, and aggrieved, protesting truck drivers.  Some of the voices you'll hear in this episode include Bill Fries, advertising executive; Chip Davis, singer and songwriter; and Meg Jacobs, historian and author of Panic at the Pump. This episode of Decoder Ring was written and produced by Evan Chung and Willa Paskin with help from Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1970s, a song about protesting truckers topped the music charts in multiple countries, and kicked off a pop culture craze for CB radios. In early 2022, that same song became an anthem for a new trucker-led protest movement in Canada and the US. How did C.W. McCall's “Convoy” come to exist, and what had it been trying to say?  For this episode, which was inspired by a listener's question, we've updated a story that originally aired in 2017, but that could not be more relevant today. Slate producer Evan Chung is going to take us through the history of this bizarre number-one smash, an artifact from a time when truckers were also at the center of the culture. It touches on advertising, hamburger buns, and speed limits but also global conflict, sky-rocketing gas prices, and aggrieved, protesting truck drivers.  Some of the voices you'll hear in this episode include Bill Fries, advertising executive; Chip Davis, singer and songwriter; and Meg Jacobs, historian and author of Panic at the Pump. This episode of Decoder Ring was written and produced by Evan Chung and Willa Paskin with help from Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1970s, a song about protesting truckers topped the music charts in multiple countries, and kicked off a pop culture craze for CB radios. In early 2022, that same song became an anthem for a new trucker-led protest movement in Canada and the US. How did C.W. McCall's “Convoy” come to exist, and what had it been trying to say?  For this episode, which was inspired by a listener's question, we've updated a story that originally aired in 2017, but that could not be more relevant today. Slate producer Evan Chung is going to take us through the history of this bizarre number-one smash, an artifact from a time when truckers were also at the center of the culture. It touches on advertising, hamburger buns, and speed limits but also global conflict, sky-rocketing gas prices, and aggrieved, protesting truck drivers.  Some of the voices you'll hear in this episode include Bill Fries, advertising executive; Chip Davis, singer and songwriter; and Meg Jacobs, historian and author of Panic at the Pump. This episode of Decoder Ring was written and produced by Evan Chung and Willa Paskin with help from Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1970s, a song about protesting truckers topped the music charts in multiple countries, and kicked off a pop culture craze for CB radios. In early 2022, that same song became an anthem for a new trucker-led protest movement in Canada and the US. How did C.W. McCall's “Convoy” come to exist, and what had it been trying to say?  For this episode, which was inspired by a listener's question, we've updated a story that originally aired in 2017, but that could not be more relevant today. Slate producer Evan Chung is going to take us through the history of this bizarre number-one smash, an artifact from a time when truckers were also at the center of the culture. It touches on advertising, hamburger buns, and speed limits but also global conflict, sky-rocketing gas prices, and aggrieved, protesting truck drivers.  Some of the voices you'll hear in this episode include Bill Fries, advertising executive; Chip Davis, singer and songwriter; and Meg Jacobs, historian and author of Panic at the Pump. This episode of Decoder Ring was written and produced by Evan Chung and Willa Paskin with help from Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2004, the indie flick Sideways was released in just four theaters, but it had a big impact, earning five Oscar nominations and $110 million worldwide. “I thought it was just going to be a nice little comedy,” filmmaker Alexander Payne tells us. Instead, the movie became known for something else so notable that it has a name: The Sideways Effect.  In this episode, we explore all the outsized effects of this one little movie on the huge wine industry. Did a single line of dialogue really tank merlot sales for decades? Did an ode to pinot noir jumpstart demand for this expensive grape? Did Paul Giamatti's sad sack character change our relationship to yet another wine, one that was barely mentioned in the film? Today on Decoder Ring, all of these questions and this one: Is it long past time to start drinking merlot? Some of the voices in this episode include Laura Lippmann, crime novelist; Tim Farrell, wine buyer for Brooklyn Wine Exchange; Rex Pickett, novelist and author of ‘Sideways,' Alexander Payne, director, screenwriter, and producer; Jeff Bundschu, owner of Gundlach Bundschu; Steve Cuellar, professor of economics at Sonoma State University; and Kathy Joseph, owner of Fiddlehead Cellars. We also mention Travis Lybbert's paper corroborating the “Sideways Effect,” which you can find here. Decoder Ring is written and produced by Willa Paskin. This episode was produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2004, the indie flick Sideways was released in just four theaters, but it had a big impact, earning five Oscar nominations and $110 million worldwide. “I thought it was just going to be a nice little comedy,” filmmaker Alexander Payne tells us. Instead, the movie became known for something else so notable that it has a name: The Sideways Effect.  In this episode, we explore all the outsized effects of this one little movie on the huge wine industry. Did a single line of dialogue really tank merlot sales for decades? Did an ode to pinot noir jumpstart demand for this expensive grape? Did Paul Giamatti's sad sack character change our relationship to yet another wine, one that was barely mentioned in the film? Today on Decoder Ring, all of these questions and this one: Is it long past time to start drinking merlot? Some of the voices in this episode include Laura Lippmann, crime novelist; Tim Farrell, wine buyer for Brooklyn Wine Exchange; Rex Pickett, novelist and author of ‘Sideways,' Alexander Payne, director, screenwriter, and producer; Jeff Bundschu, owner of Gundlach Bundschu; Steve Cuellar, professor of economics at Sonoma State University; and Kathy Joseph, owner of Fiddlehead Cellars. We also mention Travis Lybbert's paper corroborating the “Sideways Effect,” which you can find here. Decoder Ring is written and produced by Willa Paskin. This episode was produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2004, the indie flick Sideways was released in just four theaters, but it had a big impact, earning five Oscar nominations and $110 million worldwide. “I thought it was just going to be a nice little comedy,” filmmaker Alexander Payne tells us. Instead, the movie became known for something else so notable that it has a name: The Sideways Effect.  In this episode, we explore all the outsized effects of this one little movie on the huge wine industry. Did a single line of dialogue really tank merlot sales for decades? Did an ode to pinot noir jumpstart demand for this expensive grape? Did Paul Giamatti's sad sack character change our relationship to yet another wine, one that was barely mentioned in the film? Today on Decoder Ring, all of these questions and this one: Is it long past time to start drinking merlot? Some of the voices in this episode include Laura Lippmann, crime novelist; Tim Farrell, wine buyer for Brooklyn Wine Exchange; Rex Pickett, novelist and author of ‘Sideways,' Alexander Payne, director, screenwriter, and producer; Jeff Bundschu, owner of Gundlach Bundschu; Steve Cuellar, professor of economics at Sonoma State University; and Kathy Joseph, owner of Fiddlehead Cellars. We also mention Travis Lybbert's paper corroborating the “Sideways Effect,” which you can find here. Decoder Ring is written and produced by Willa Paskin. This episode was produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

When we think of method acting, we tend to think of actors going a little over the top for a role – like Jared Leto, who allegedly sent his colleagues dead rats when he was preparing to be The Joker, or Robert De Niro refusing to break character on the set of the movie Raging Bull. But that's not how method acting began. On this episode of Decoder Ring: we look at how “The Method” came to be so well-known and yet so widely misunderstood. It's a saga that spans three centuries and involves scores of famous actors, directors and teachers. And it altered how we think about realism, authenticity, and a good performance. Our guest today is Isaac Butler, who wrote The Method: How The 20th Century Learned to Act. Decoder Ring is written and produced by Willa Paskin. This episode was produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

When we think of method acting, we tend to think of actors going a little over the top for a role – like Jared Leto, who allegedly sent his colleagues dead rats when he was preparing to be The Joker, or Robert De Niro refusing to break character on the set of the movie Raging Bull. But that's not how method acting began. On this episode of Decoder Ring: we look at how “The Method” came to be so well-known and yet so widely misunderstood. It's a saga that spans three centuries and involves scores of famous actors, directors and teachers. And it altered how we think about realism, authenticity, and a good performance. Our guest today is Isaac Butler, who wrote The Method: How The 20th Century Learned to Act. Decoder Ring is written and produced by Willa Paskin. This episode was produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. ------ Thanks Avast.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

When we think of method acting, we tend to think of actors going a little over the top for a role – like Jared Leto, who allegedly sent his colleagues dead rats when he was preparing to be The Joker, or Robert De Niro refusing to break character on the set of the movie Raging Bull. But that's not how method acting began. On this episode of Decoder Ring: we look at how “The Method” came to be so well-known and yet so widely misunderstood. It's a saga that spans three centuries and involves scores of famous actors, directors and teachers. And it altered how we think about realism, authenticity, and a good performance. Our guest today is Isaac Butler, who wrote The Method: How The 20th Century Learned to Act. Decoder Ring is written and produced by Willa Paskin. This episode was produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Thanks Avast.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

When we think of method acting, we tend to think of actors going a little over the top for a role – like Jared Leto, who allegedly sent his colleagues dead rats when he was preparing to be The Joker, or Robert De Niro refusing to break character on the set of the movie Raging Bull. But that's not how method acting began. On this episode of Decoder Ring: we look at how “The Method” came to be so well-known and yet so widely misunderstood. It's a saga that spans three centuries and involves scores of famous actors, directors and teachers. And it altered how we think about realism, authenticity, and a good performance. Our guest today is Isaac Butler, who wrote The Method: How The 20th Century Learned to Act. Decoder Ring is written and produced by Willa Paskin. This episode was produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Thanks Avast.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

When we think of method acting, we tend to think of actors going a little over the top for a role – like Jared Leto, who allegedly sent his colleagues dead rats when he was preparing to be The Joker, or Robert De Niro refusing to break character on the set of the movie Raging Bull. But that's not how method acting began. On this episode of Decoder Ring: we look at how “The Method” came to be so well-known and yet so widely misunderstood. It's a saga that spans three centuries and involves scores of famous actors, directors and teachers. And it altered how we think about realism, authenticity, and a good performance. Our guest today is Isaac Butler, who wrote The Method: How The 20th Century Learned to Act. Decoder Ring is written and produced by Willa Paskin. This episode was produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Thanks Avast.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

In the early 2000s, an arms race broke out in the world of men's shaving. After decades with razors that had only one blade and then decades with razors that had only two, the number of blades rapidly spiraled up and up and up. It's a skirmish sometimes referred to as The Razor Blade Wars, and it was a face-off about innovation, competition, capitalism, masculinity, and most of all, how strange things can become after you've created something that's the best a consumer can get — and then you have to keep going. Some of the voices you'll hear in this episode include Rebecca Herzig, author of Plucked: A History of Hair Removal; Tim Dowling, Guardian columnist and author of Inventor of the Disposable Culture: King Camp Gillette 1855-1932; Dan Koeppel, razor blade zelig; and Kaitlyn Tiffany, writer for the Atlantic.  If you want to read more about razor blades, check out: Cutting edge : Gillette's journey to global leadership King C. Gillette, the man and his wonderful shaving device Satisfaction Guaranteed: The Making of the American Mass Market Decoder Ring is written and produced by Willa Paskin. This episode was produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Check out Home. Made. here Learn more about your ad choices. Visit megaphone.fm/adchoices

In the early 2000s, an arms race broke out in the world of men's shaving. After decades with razors that had only one blade and then decades with razors that had only two, the number of blades rapidly spiraled up and up and up. It's a skirmish sometimes referred to as The Razor Blade Wars, and it was a face-off about innovation, competition, capitalism, masculinity, and most of all, how strange things can become after you've created something that's the best a consumer can get — and then you have to keep going. Some of the voices you'll hear in this episode include Rebecca Herzig, author of Plucked: A History of Hair Removal; Tim Dowling, Guardian columnist and author of Inventor of the Disposable Culture: King Camp Gillette 1855-1932; Dan Koeppel, razor blade zelig; and Kaitlyn Tiffany, writer for the Atlantic.  If you want to read more about razor blades, check out: Cutting edge : Gillette's journey to global leadership King C. Gillette, the man and his wonderful shaving device Satisfaction Guaranteed: The Making of the American Mass Market Decoder Ring is written and produced by Willa Paskin. This episode was produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Check out Home. Made. here Learn more about your ad choices. Visit megaphone.fm/adchoices

In the early 2000s, an arms race broke out in the world of men's shaving. After decades with razors that had only one blade and then decades with razors that had only two, the number of blades rapidly spiraled up and up and up. It's a skirmish sometimes referred to as The Razor Blade Wars, and it was a face-off about innovation, competition, capitalism, masculinity, and most of all, how strange things can become after you've created something that's the best a consumer can get — and then you have to keep going. Some of the voices you'll hear in this episode include Rebecca Herzig, author of Plucked: A History of Hair Removal; Tim Dowling, Guardian columnist and author of Inventor of the Disposable Culture: King Camp Gillette 1855-1932; Dan Koeppel, razor blade zelig; and Kaitlyn Tiffany, writer for the Atlantic.  If you want to read more about razor blades, check out: Cutting edge : Gillette's journey to global leadership King C. Gillette, the man and his wonderful shaving device Satisfaction Guaranteed: The Making of the American Mass Market Decoder Ring is written and produced by Willa Paskin. This episode was produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Check out Home. Made. here Learn more about your ad choices. Visit megaphone.fm/adchoices