Podcasts about blades

Will Ferrell stars as a past-his-prime golfer in the new Netflix series, The Hawk. If you loved watching him play self-absorbed athletes in Talladega Nights: The Ballad of Ricky Bobby and Blades of Glory, you might be into this too. He reunited with some funny former collaborators like Molly Shannon, Luke Wilson, and Chris Parnell. The Frat Pack vibes are high, but does this old school sports comedy feel fresh or stuck in the past?If you want more big goofy gags, check out these episodes:‘Gail Daughtry and the Celebrity Sex Pass' is a fun dumb time at the movies'Stop! That! Train!' goes off the rails in a good wayConnect with Pop Culture Happy Hour:Letterboxd / FacebookOur weekly newsletterSupport Pop Culture Happy Hour+See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

LISTEN TO THE FULL BONUS EPISODE ON PATREON: https://www.patreon.com/sleazoidspodcast/posts/bonus-72-odyssey-164353410 GET YOUR SLEAZOIDS SHIRT + HAT: https://blackbeltcinema.ca/search?q=sleazoids&options%5Bprefix%5D=last WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl/ Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller/

Papaya Dada & Los Cumbia Stars, Mari Froes, Humazapas, Monsieur Periné, Silvia Pérez Cruz, Carminho, El Pantorrillas, La Niña, Maria Arnal i Marcel Bagés, Lila Downs, Silvana Estrada, Margarita Laso, Oumou Sangaré, Sona Jobarteh, Σtella, Xoel Lopez, Bandalos Chinos y Rubén Blades con Roberto Delgado & Orquesta .

Entre la canción de autor y la música de raíz latinoamericana, el espíritu abierto y mestizo de La Mar de Músicas 2026, con Ecuador como país invitado, recorre hoy también nuestras Músicas posibles. Figa De Guiné, Mari Froes, Figa De Guiné QUE ME QUITEN+  PELLIZCO, Maria Arnal, AMA Bailar Contigo, Monsieur Periné, Encanto Tropical Como Un Pájaro, Silvana Estrada, Vendrán Suaves Lluvias Te Guardo, Silvana Estrada, Primeras Canciones Tumba 7, Lila Downs, Tumba 7 Paloma Negra, Lila Downs, One Blood (Una Sangre) Tariik, Rachid B, El Ghorba Al Makan, Rachid B, El Ghorba Witches, Alice Phoebe Lou, Witches Crujidos y fantasmas, Xoel López, Oniria Popular Tierra, Xoel López, Atlántico El plan maestro, Jorge Dréxler y Rubén Blades, Tinta y tiempo Pedro Navaja, Willie Colón y Rubén Blades, Siembra Escuchar audio

Si te quieres divertirCon encanto y con primorSólo tienes que vivirUn verano en Nueva yorkNueva York ha sido y siempre será lugar de encuentro, una ciudad construida y vivida por gentes llegadas de todos los rincones del mundo. Nueva York es una urbe vibrante, que se disfruta y se padece, pero por encima de todo la ciudad es un territorio donde la música suena en calles y esquinas de los barrios.Nos vamos a Nueva York, a divertirnos, a gozar, aprovechando este verano en que España ha ganado en la ciudad de los rascacielos la copa mundial de Futbol.Nos montamos tremendo Quilombo recuperando a los grandes de la Salsa, el Bogaloo. Nos imaginamos en El Barrio bailando a : Willy ColónFruko & OrquestaHector LavoeSpanish Harlem OrchestraJoe CubaRubén BladesJoe BattanBad GyalSidonieLos Alpha y Willie GarciaEscuchar audio

Mad-Dog, Blades, Chuck and Spork descend beneath the Lighthouse Keepers Respite and enter into a world completely unlike our own. Spatial distortion, gravitational fluctuation, and Elder beings that just want to take a bite. The shit hits the fan, and our Operators are in a race to save Little Tregaw, and themselves. Content Warnings: Adult language, adult humour, fantasy, horror & violence. Cast: Steve Miller as The Handler David Ricks as Chris ‘Mad Dog' Gray Danny Hodge as Charles ‘Chuck' Jenkins Matt Isbell as Simon ‘Spork' Sutton Bodhi Kambouris as Mike ‘Blades' Hunt Enjoying the adventure? Follow Malt and Magic on Spotify, catch every episode on YouTube, join us live on Twitch, and support us on Patreon for ad-free episodes, behind-the-scenes debriefs, and exclusive homebrew content. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Blades descend into the ocean depths to retrieve the sunken cargo while a mysterious sea monster approaches.Follow us on Instagram @radioddpod Podcast Artwork:DrawForthArts: https://www.etsy.com/shop/drawforthartsMusic (Freemusicarchive.org):Cavern by Jahzzar (CC BY-SA 4.0: Attribution-ShareAlike 4.0 International: https://creativecommons.org/licenses/by-sa/4.0/) Jazzy Detective by John Bartmann (CC0 1.0: CC01.0 Universal: https://creativecommons.org/publicdomain/zero/1.0/)Scars by Jahzzar (CC BY-SA 4.0: Attribution-ShareAlike 4.0 International: https://creativecommons.org/licenses/by-sa/4.0/)SeeUSoon by Jahzzar (CC BY-SA 4.0: Attribution-ShareAlike 4.0 International: https://creativecommons.org/licenses/by-sa/4.0/)Vibe Ace by Kevin MacLeod (Attribution 3.0 Unported: https://creativecommons.org/licenses/by/3.0/) Water on Mars by Rue Sova (CC0 1.0: CC0 1.0 Universal: https://creativecommons.org/publicdomain/zero/1.0/) Music: Www.Purple-Planet.comLittle FishesSound Effects (Freesound.org):FM Radio Tuning Sweep by davidbain (CC0 1.0: CC0 1.0 Universal: https://creativecommons.org/publicdomain/zero/1.0/)Heavy Rain with Thunder by lebastion100 (CC BY 4.0: Attribution 4.0 International: https://creativecommons.org/licenses/by/4.0/)Pacific Ocean Chile with strong wind by ibrizie (CC0 1.0: CC0 1.0 Universal: https://creativecommons.org/publicdomain/zero/1.0/)

En esta emisión del 16 de julio de 2026, el informativo aborda la reunión del presidente electo Abelardo de la Espriella con directivos del Banco Mundial y el procurador Gregorio Eljach, en medio de los preparativos para asumir el Gobierno y fortalecer la cooperación internacional, la institucionalidad y la agenda económica del país.También incluye la posición de Estados Unidos sobre las sanciones al presidente Gustavo Petro, las nuevas reglas para el cierre de minas en Colombia, las investigaciones por presuntas irregularidades en la Unidad Nacional para la Gestión del Riesgo, la sanción a American Airlines, el asesinato de una lideresa social en Cauca y las alertas por el deterioro de importantes corredores viales en Santander y Norte de Santander.En el ámbito político, continúan las negociaciones para definir la presidencia del Senado y la Cámara de Representantes, mientras los partidos buscan acuerdos de cara a la instalación del nuevo Congreso el próximo 20 de julio. Además, el Centro Democrático anunció los proyectos de ley que impulsará en la nueva legislatura. El noticiero también cubre deportes, cultura y entretenimiento, con la clasificación de Argentina a la final del Mundial 2026, donde enfrentará a España, la actualidad del Tour de Francia, el restablecimiento de relaciones diplomáticas entre Colombia e Israel anunciado para el 7 de agosto, el homenaje a Celia Cruz y el cumpleaños número 78 de Rubén Blades, dos íconos de la música latinoamericana.

Nick reacts to news that Sheffield United are interested in signing former Everton legend, Seamus Coleman. Hosted on Acast. See acast.com/privacy for more information.

Nueva entrega de Música de Contrabando, semanario de actualidad musical ( 16/07/2026) . Con Ángel H. Sopena Entrevistas:- La Mar de Músicas leva anclas. Su director, Eugenio González Cremades, nos pone al tanto de las novedades de la 31° edición. Noticias:Adiós a Peppino di Capri, emblema de la canzone italiana. -Muere Bonnie Tyler. Black Sabbath anuncian el libro The Masters of Reality – Why Black Sabbath Matter, en el que documentan su historia desde finales de la década de 1960 hasta su último concierto, en julio de 2025. Cherry Red anuncia No static at all (A journey into AOR 1976-1986), una antología en tres cedés del AOR (Adult Orientated Rock), que será publicada el 18 de septiembre.. Fundación SGAE crea el Premio SGAE Urban Gata Cattana. King Gizzard & The Lizard Wizard se lanzan a la electrónica y el drum'n'bass en su nuevo single "Level 5", anticipo de lo que será "Alien Metal". Miembros de Green Day, Blink-182 y Rancid homenajearán a Ramones. Los australianos Hoodoo Gurus regresan a España con una gira de siete fechas. Madrid dedica una placa a Franco Battiato en reconocimiento a su legado. Bad Bunny, Taylor Swift, Gaga, Sabrina y Tate McRae, en los Emmy. Nueva entrega de Música de Contrabando, semanario de actualidad musical ( 16/07/2026) . Con Ángel H. Sopena Entrevistas:- La Mar de Músicas leva anclas. Su director, Eugenio González Cremades, nos pone al tanto de las novedades de la 31° edición. Noticias:Adiós a Peppino di Capri, emblema de la canzone italiana. -Muere Bonnie Tyler. Black Sabbath anuncian el libro The Masters of Reality – Why Black Sabbath Matter, en el que documentan su historia desde finales de la década de 1960 hasta su último concierto, en julio de 2025. Cherry Red anuncia No static at all (A journey into AOR 1976-1986), una antología en tres cedés del AOR (Adult Orientated Rock), que será publicada el 18 de septiembre.. Fundación SGAE crea el Premio SGAE Urban Gata Cattana. King Gizzard & The Lizard Wizard se lanzan a la electrónica y el drum'n'bass en su nuevo single "Level 5", anticipo de lo que será "Alien Metal". Miembros de Green Day, Blink-182 y Rancid homenajearán a Ramones. Los australianos Hoodoo Gurus regresan a España con una gira de siete fechas. Madrid dedica una placa a Franco Battiato en reconocimiento a su legado. Bad Bunny, Taylor Swift, Gaga, Sabrina y Tate McRae, en los Emmy. Novedades musicales:U2, Mystery Jets,Jungle, Sharp Pins, Arde Bogotá, Jack White, HUG (Devendra Banhart), The Mountains Goats, Nothing But Thieves, Radie Peat (Lankum), Nation of Languages , Baiuca y Carlos Ares, Marco Benevento, Victorias, Levitants, Hidrogenesse, Morreo, Manu Márquez, Love of Lesbian, Rolling Stones, Poster Boy, Ruto Neón, Celia es Celíaca. Agenda de conciertos: Belle and Sebastian, Juan Luis Guerra, ZZ Top, Los Marañones. LA MAR DE MÚSICAS: Lila Dows, La Niña, Machuca, Humazapas, Rubén Blades; Carminho, Silvia Pérez Cruz. LUCA Filastro...Novedades musicales:U2, Mystery Jets,Jungle, Sharp Pins, Arde Bogotá, Jack White, HUG (Devendra Banhart), The Mountains Goats, Nothing But Thieves, Radie Peat (Lankum), Nation of Languages , Baiuca y Carlos Ares, Marco Benevento, Victorias, Levitants, Hidrogenesse, Morreo, Manu Márquez, Love of Lesbian, Rolling Stones, Poster Boy, Ruto Neón, Celia es Celíaca. Agenda de conciertos: Belle and Sebastian, Juan Luis Guerra, ZZ Top, Los Marañones. LA MAR DE MÚSICAS: Lila Dows, La Niña, Machuca, Humazapas, Rubén Blades; Carminho, Silvia Pérez Cruz. LUCA Filastro...

In this week's episode, we share nine tips and tricks to help indie authors manage their files. Since I now have 174 novels, file management has become important! This coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store: JULYSKULL The coupon code is valid through July 27, 2026. So if you need a new ebook this summer, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 311 of The Pulp Writer Show. My name is Jonathan Moeller. Today is July 10th, 2026. Today we are discussing file management tips for indie authors. Before we get into that, we'll have Coupon of the Week and an update on my current writing, publishing, and audiobook projects. First up, let's do Coupon of the Week. This coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store. That coupon code is JULYSKULL. As always, the coupon code and the links to the appropriate pages in my Payhip store will be available in the show notes for this episode. This coupon code is valid through July the 27th, 2026. So if you need a new ebook for this summer, we have got you covered. Now let's have an update on my current writing, publishing, and audiobook projects. As I mentioned last week, Blade of Thieves is now out. You can get it at Amazon, Barnes & Noble, Kobo, Google Play, Apple Books, Smashwords, Bookshop.org, and my own Payhip store. It is selling well and people seem to be enjoying it, so thank you all for that. Now that Blade of Thieves is out, my next main project is Cloak of Frost, which will be the 15th book in the Cloak Mage urban fantasy series. As of this recording, I am 52,000 words into it. I'm thinking the rough draft will be about 100,000 words. So if all goes well, I hope to have the book out in August. My secondary project is Blade of Visions, the sequel to Blade of Thieves, and I am 4,000 words into that. Once Cloak of Frost is finished, Blade of Visions will become my new main project. In audiobook news, recording is done for Dragon-Mage, the sixth book in the Rivah series, and that will be excellently narrated by Leanne Woodward. I just have to proof/listen to that and then we can submit it to QA and then it should be showing up on the audiobook stories in a few weeks. Recording has started on Cloak of Worlds, which will be [recorded by] Hollis McCarthy, and Blade of Thieves, which will be [recorded by] Brad Wills. So look for more news and updates about that in the coming weeks. So that is where I'm at with current writing, publishing, and audiobook projects. 00:02:16 Main Topic of the Week: File Organization for Writers So let's move on to our main topic this week, file organization tips for writers. One of the inspirations for this episode was an episode of the sitcom Community, which is quite funny. In the episode, the college is making a movie based on a legal loophole because they have some archival footage of a suddenly popular actor. One of the characters, Jeff, becomes concerned that people aren't treating the movie as seriously as they would deserve. So he steals the laptop with the movie and sets out to edit it himself. However, Jeff doesn't know anything about editing a movie, so he watches a YouTube tutorial about how to edit videos. The first lesson is "Step 1: How to properly organize your files." Jeff rages that no, he just wants to learn how to edit movies. While realizing that proper file organization is vital in the age of digital video editing, maintaining a good file structure isn't quite as rigid for authors and writers as it would be for video editors. However, even though many people consider file structure to be old-fashioned or pointless in the age of Google Docs and AI, in my years working in IT, I found that people wasted many hours trying to find files unnecessarily. For example, I always flinch a little bit when I see someone whose desktop is just a wall of misplaced icons and thousands of documents stacked upon each other. I used to do tech support for someone who had the most amazing gift for the most unhelpful and un-useful file names, often with misspelled words. He would get very frustrated and angry that he couldn't find anything because he hadn't labeled files properly with good file names. Better file structures and file naming conventions would have saved them all that stress and time. It's not wise to have all your files stacked up on your desktop and hope for the best. As you grow as a writer, files suddenly become much more complicated than one single draft in a word processing file. There needs to be organization for audiobook files, cover art, marketing materials, research, and much more. Blade of Thieves was my 174th book. So if you think about it, that means I have 174 separate book files on my computer. Many of them have audiobooks. They all have cover art. The audiobooks have cover art, to say nothing of the hundreds of short stories I've written and all of that needs to be organized properly so I can find it when I need it to. So today we're going to talk about setting up and organizing file structures for your writing work. First of all, what do I mean by file structures? In traditional computing, files like Word documents and Excel spreadsheets are organized in folders. How you navigate through the folder structure on your computer or server to find the files is called a path. Much like with a real path on a hiking trail, you want the path to find a file in a folder to be as clear from junk and confusion as possible. Good file and folder naming is like setting up signs on that hiking trail to help you find the way. Setting up your folders and files correctly makes them easier to use, find, and share with others. So let's go through some tips on how to properly organize your writing files and save yourself much stress and hassle of trying to find things. #1: Make a plan before you begin. Instead of borrowing someone else's file structure, take some time to think about how you use your writing files every day. Do you have a lot of project files for each book like book research, cover ideas, mood boards, and so on? Do you do most of your writing collaboratively? Think about your working style, the amount of files you have, and what kind of files you have that need organizing. It helps to plan for flexibility and growth in the future as the amount of files you have grows. For example, if someone currently runs only ads on Amazon but wants to add other companies like Facebook or BookBub, it'd be messier to add files from those projects if everything in their advertising folder was all Amazon documents with no sub-folder for Amazon. Making an Amazon sub-folder right away in your advertising folder prevents confusion as you start to add other companies into your advertising strategy. What you design should be realistic and as simple to use as possible. Are you someone who makes grand and complicated plans, but then sees them fall by the wayside after a couple of weeks? Many people are. Good organization is something where it's easy to let the perfect be the enemy of the possible. If you design overly complicated file and folder structures and naming conventions that you can't remember without a 20-page guide, you're not very likely to keep up with it. It's better to make something simple that it's easy to remember. Carve out the time to do this with your full attention instead of trying to do it in bits and pieces on the fly. It may take anywhere from an hour to days, depending on how many writing files you have. At the very least, set up the initial folders in one chunk of time so the organization is in place before you start moving files around. #2: Clean up before you start organizing. Get rid of duplicate and obsolete files before starting to organize other files. It will save time and make the process easier. #3: File structure is supported by good naming. Versions and drafts should be numbered to find the most recent one. Be specific. "Second draft" or "Volume one" without a book title isn't helpful if there are multiple books with that name across multiple folders. If you are using dates, be sure to include day, month, and year because in 10 years, "March ads" is not going to make much sense without the context of a year. Be consistent in how you order month, date, and year in a file because being inconsistent with it could make for mixed up dates. #4: Version control. "Rough draft THIS ONE" is not a good name to indicate that this is the latest draft and never use "final" as part of a draft or project name until it's well and truly done. On both Windows, Mac, and Linux, you get 256 characters for file names and it's a good idea to use them to be as descriptive as possible in your file names. #5: Be consistent. Don't make a folder called "Fix These File Names Later" because guess what? That date won't come. In the meantime, you'll probably get annoyed trying to find one of those files that don't have a correct name. If you're struggling with remembering to use your folder and file names, either make yourself a one-page reminder guide or take it as a sign that you might have made your structure and naming conventions too complicated. Remember that simpler is always better. #6: Document it. As with so many areas of life, proper documentation will help you remember something in the future. Write out how your folders are going to be structured, what style and formatting you will use to name the folders and files, and give yourselves some examples to jog your memory. If you're sharing the files and folders with others, make sure to share documentation with them and go over the system with them. That will save much time later since you won't have to spend so much time explaining to people where to find things in your file structure. #7: Decluttering isn't just for your college t-shirts. Schedule a regular time monthly or quarterly to declutter and fix anything in your file structure that isn't working or isn't consistent or correct. Much like organizing a drawer of shirts, things will only stay in order if you keep up with putting in and taking things out using your system. #8: It should fix, not create problems. Your first attempt at file organization may not work once you've added more files or tried it out for a while. Reflect on what is causing problems, what you would like your system to be able to do, and what you dislike about your current system. Train others who will use it. For example, differences in month/[day]/year naming conventions between countries can lead to incorrect dates if it isn't clear what date style is being used. Abbreviations should be standard to prevent confusion. For example, United States state abbreviations could follow the US Postal Service Conventions instead of writing your own abbreviations. MN would be Minnesota instead of M-I-N-N or M-I-N-N-E-S. (Though this can cause a confusion if you're not accustomed to them since, for example, in the postal codes, people often get Missouri and Minnesota mixed up.) Tip #9: Sharing isn't always caring. You can set up password protection on folders and files you don't want to share with others, especially if you're in a shared storage space. Read-only access is a way to share documents with others without worrying about them changing the files. For example, I have read-only access set for my book files so that someone working on my series bibles can download them without editing or changing the files themselves. So instead of having to make extra folders and files that are safe for someone to use without changing, I just set read-only access to those files [for that user]. Now let's take a look at some pros and cons of some typical structures. I'm going to provide examples of three possible folder structures you could use for writing and give you some of the pros and cons for each. #1: Organizing by date. In this system, the year is the first file and more specific files like quarters and months are sub-folders. This system might work best if you write based on challenges or projects such as National Novel Writing Month where each year is its own project. If you're taking writing courses, organizing by date and then by semester or course also would make sense for many people. For many writers, however, this could be a difficult way to organize because then you have to remember what year each book was written and many books are written across several years or months. If you're sharing the files with others, then you have to give them information on the history of each book project so they know which folder dates to look at, which creates extra work and most likely confusion. Like for example, off the top of my head, I could tell you that Ghost in the Forge is the sixth book in the Ghost series. However, I couldn't remember what year or month it was written in. I think it would be 2012, maybe February of 2012, but I would not be able to confirm that without looking it up, which would mean trying to find the file for Ghost in the Forge if I needed it would be a bit of a challenge. #2: Organizing by book. In this system, each book has its own folder and then other aspects like drafts, marketing materials, research, and covers are subfolders. If you don't have a large volume of books and don't have many writing adjacent activity files like research and advertising and don't share files with others, often this is a pretty straightforward way to organize your writing files. #3: Organizing by project type. In this system, the type of project is the main subfolder and sub-folders such as the books, marketing materials, covers, and series bibles would be in folders instead of being organized by individual books. For example, there would be a folder for marketing images. Instagram would be a sub-folder, and then there would be sub-folders in that folder for specific images and ads or individual books. If you have a lot of marketing images, that can be easier than trying to remember what image was for a certain book. This file organization system is more complex than just organizing by book and could be hard to keep up without some dedication. It might be unnecessarily complex for someone who only has a handful of books and only a small amount of files. As your writing adjacent activities like marketing and social media grow, it can be easier to organize this way than just by individual books. It's also much easier to share folders in a granular way using this method. For example, if you hire an assistant to help with social media posts, you can give them access to the social media marketing folders without having to give them access to the folders that have the book files and drafts in them. Now, what do I do for my own file organization system? Now, my system has partly been thought out and partly developed organically over the 15 years I've been doing this. And I found for me, since I've written so many books and series, that the best organizational principle is to run by series. My rough drafts are not super organized because once I am done with the book, I tend not to look back at the rough draft files. So usually my rough drafts are sitting in individual folders for the series like Frostborn, Dragontiarna, Blades of Ruin, and so forth. I am much more organized in the final drafts. Each individual series has its own folder and within the series, each individual book has its own folder as well. To help with keeping things in order, I usually number the folders. So for example, in Blades of Ruin, the first folder within it would be 01 Blade of Flames, then 02 Blade of Shadows, 03 Blade of Storms, and so forth. Within the individual book folders, I have the final files in ePub and PDF form for the books along with the cover images for both ebook, audiobook, and paperback. However, as I mentioned earlier in the podcast, I don't have just the book files. I also have audiobook files, advertising files, and a very large photo library from a combination of stock photos, 3D renders, and photographs I have specifically taken over the years for the purpose of using for ebook covers and advertising materials. For advertising images and materials, like I said, I found the best organizing principle for me is by series. So I generally tend to just organize them by series. So Frostborn, Sevenfold Sword, Dragontiarna, and the Andomhaim books generally have just one folder of advertising images since I can use the advertising image for both Frostborn: the Gray Knight and Sevenfold Sword: Champion. For my audiobooks, I keep those on a separate drive because they eat up a lot of space. But then I just have them organized out by book and series, which is pretty easy when I need to find something. For my stock photos, I do have those pretty well organized and again, in a separate drive, which I back up separately. I divide out the images by type. So I have a folder for castles, a folder for medieval or ancient cities, a folder for modern cities, a folder for fireballs and so forth. And so if I'm making a book cover image and I think, hmm, I want a sword, I can go into the swords folder and look at appropriate pictures of swords until I find one that would work for the project. How this [has] changed over time is I've had to become a bit more organized with the files because I started using Vellum, which generates a separate file of its own. So then I had to make sure that those were organized into proper files. I used to keep all my stock photos in just one big folder that quickly became unmanageable. So I once took two days to properly organize these stock photos. Just keeping all the rough drafts in one big folder for the series has worked pretty well for me because once I am done with the rough draft and have turned into the final draft, I just ignore the rough draft file and any changes that need to be made are obviously made to the final draft file. I also used to keep all the cover images in one folder for some reason and that was a bad idea. So then I started keeping the specific cover image in the folder with the specific book and that has worked out well. Would this be something I would recommend to someone just starting out? I think so. You can obviously get more complicated with this and my file structure is pretty simple overall, but it works for me. I can find anything I need to pretty quickly. In fact, my folder structure is deep enough I find sometimes that I get halfway down the folder structure and forget what I am looking for before I find it, which is a separate problem from folder organization. But I've stuck to this pretty consistently over the last 15 years and it's worked well for me. So I think I could recommend this to someone starting out. I'd have a folder for your rough drafts and then a folder with separate folders within it for your final drafts. Conclusion File organization is not glamorous, but as any records manager at a US government agency can tell you, it is extremely important for finding, organizing, and preserving what you create. Searching for files is not a writing adjacent activity that you want to take up your time and you definitely don't want the stress of losing something that you worked on for a long time by naming and storing it incorrectly. Finally, I want to close out with a reminder that however you set up your writing files and organizing them, they absolutely need to be backed up on a regular basis. I would recommend using a combination of cloud and local backups since they reinforce each other. If heaven forbid your house explodes and you lose your local backups, you still have your cloud backups. And if your cloud provider goes down or gets hacked or something, you still have your local backups. So no matter how you organize your files or how well organized they are, you definitely want to back them up on a very regular basis. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all of the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy and we'll see you all next week.  

Nick reacts to Chesterfield holding the Blades to a goalless draw at SMH Group Stadium. Hosted on Acast. See acast.com/privacy for more information.

"Curved Blades" by Carolyn Wells is a gripping whodunit centered around the murder of a wealthy dowager, found dead in her lavish boudoir, adorned in pearls and gems. As the investigation unfolds, suspicion falls on her niece, social secretary, cousin, a mysterious count, and a maid, creating a web of intrigue and deceit. The renowned criminologist Fleming Stone steps in to untangle the mystery, but his growing admiration for one of the primary suspects complicates his pursuit of the truth. This tale of greed, betrayal, and the complexities of human relationships resonates today, reminding us of the timeless nature of crime and the tangled motives that drive individuals to commit unspeakable acts.

Real Duel at the Maze Was Never Fought With BladesBecome a supporter of this podcast: https://www.spreaker.com/podcast/dark-mysteries-unsolved-mysteries-forgotten-secrets-unanswered-questions--5684156/support.Darkest Mysteries Online

We're back Formlining…Riley's away on holiday, but there's no streamlining of the pod squad. The same cannot be said of Sheffield United Football Club.After a mini summer break — during which we continued to publish articles, podcasts and pulled together a fanzine — Sam and David reconvene to work through an oddly busy and not entirely reassuring Blades summer.From Alan Knill's departure and Phil Jones's arrival to the release list, André Brooks's move to Norwich, Jairo Riedewald's return and Romelle Donovan's arrival on loan, there is plenty of squad reshaping to discuss. There's also the small matter of Seamus Coleman training with the club, the transfers that may or may not happen and how many more players United actually need.Off the pitch, we tackle the £35 million question: the winding-up petition issued against the club's former parent company, another change to the ownership structure and the communication vacuum that continues to surround Bramall Lane.So, not for the first time, we go again. Are there reasons to be cheerful ahead of the 2026/27 season, or are United already storing up problems for the next one? Get full access to The Pinch at www.thepinch.uk/subscribe

Joseph Herreman has dedicated more than 25 years to the study, instruction, preservation, and promotion of traditional martial arts, establishing himself as one of the Northern Plains’ most respected martial arts instructors and school owners. His martial arts journey began in 1999 under the guidance of Hanchi Julio “Mutch” Usera in Rapid City, South Dakota. While earning a degree in biology at South Dakota State University, Joseph founded the SDSU Jujitsu Club, transforming a small practice group into a thriving collegiate martial arts organization. After relocating to Sioux Falls, he opened Dynamic Martial Arts in 2007. Over the years, the academy has grown into one of the region’s premier multi-disciplinary martial arts schools, offering instruction in Bujin Ki Ryu Jujitsu, Matsumura Shorin Ryu Karate, Kobudo, Iaido, Kenjutsu, Tai Chi, HEMA Longsword, self-defense, and law enforcement defensive tactics. Through his longtime instructor, Julio Usera, Joseph was introduced to the late Ken Penland and later to George Alexander Hanshi, further expanding his training in Okinawan Kobudo, Japanese sword arts, and Matsumura Shorin Ryu Karate. His dedication led to earning Menkyo Okuden, a full instructor license, in Kamagata Ryu Kenjutsu. Joseph holds advanced black belt ranks in numerous martial arts, including Rokudan in both Bujin Ki Ryu Jujitsu and Shorinji Ryu Jujitsu, along with advanced ranks in Taiho Jutsu, Matsumura Kobudo, Matsumura Shorin Ryu Karate, and Eishin Ryu Iaido. Before becoming a full-time martial arts instructor, Joseph spent years teaching high school physics and chemistry. That scientific background continues to influence his approach to martial arts instruction, emphasizing biomechanics, practical application, and pressure-tested fundamentals. Beyond the dojo, Joseph is an author, media producer, and the founder of BudoTV, a streaming platform dedicated to preserving and sharing traditional martial arts knowledge. He also organizes major regional events, including the Sioux Falls Open Martial Arts Tournament and the Tourney of Blades, bringing together practitioners from traditional martial arts, HEMA, and weapons-based disciplines throughout the Midwest. Committed to honoring tradition while embracing effective modern instruction, Joseph continues to help develop skilled martial artists while preserving the history, culture, and values that define the martial arts. Please enjoy my interview with Joseph Herreman! DYNAMIC MARTIAL ARTS OF SIOUX FALLS – Dynamic Martial Arts of Sioux Falls SIOUX FALLS OPEN MARTIAL ARTS TOURNAMENT – Home BudoTV SIOUX FALLS TOURNAMENT OF BLADES – Home

LIKKLE SHORT SKIRT 2026 LIVE AUDIO (DJ KING BLADES & SELECTOR GENNAJAY) PT.2 by OneVoiceFamilySoundSystem

LIKKLE SHORT SKIRT 2026 LIVE AUDIO (DJ KING BLADES & SELECTOR GENNAJAY) PT.1 by OneVoiceFamilySoundSystem

On this episode of The Best Thing We Watched This Week, Ruben and Chris discuss Human Vapor, Blades of the Guardians, The Cellar, Reunion, Enola Holmes 3, and more! What's the best thing you watched this week?Join our Discord for more discussions: https://bit.ly/thebeardedonesTake a peek at our Patreon: https://www.patreon.com/thebeardedones

Could this be the ultimate attacking spark for Chris Wilder's squad?

"Do you know how to use a sword?" "Yes. The pointy end goes into the other man." While that exchange from the Old Zorro to the Young Zorro in a movie sounds funny, it's part of David Baker's everyday life. The bladesmith is in the middle of shooting his newest show, "Baker's Blades," for distribution on YouTube. He's getting from here to there for each episode thanks to his motorcycle, and we dig into all of it. The news touches on BMW, TVS, Ducati and each of Japan's Big Four motorcycle manufacturers. Chasing the Horizon is brought to you by Wunderlich America and the BMW Motorcycle Owners of America. Get all the links for our guest and the news on the show notes page on chasingthehorizon.us.

Scooping a job out from under their Ward Boss's nose, inSPECTRE is moving up in the world. Watch on YouTube!

We continue our deep dive into the various Rifts extended combat options today with a focused look at the oft-forgotten "Simultaneous Attack" defense option. What's your favorite story of using this one in a game? Drop us a line! You can follow us (sporadically) on Facebook, and we'd love to see you on our Discord Channel too. And let us know your thoughts by leaving a review on iTunes or any other podcast aggregate sites. For even more info and options, check out our main website or our low-bandwidth alternative feed site. Links of Note: Rifts RPG Ultimate Edition, Digital Rifts Ultimate Edition, Hardcover A Cloak of Blades, by Isaac Sher Credits: Hosts: NPC, Just Jacob, and Matt Buckley Music: Opening is "8-Bit bass & lead" by Furbyguy, Closing is "Caravana" by Phillip Gross Sound Effects: Unless specified otherwise, all of our sound effects are either self-made, acquired under a Creative Commons Zero license, or sourced by attribution from Tabletop Audio Episode Length (We support chapters!): 19:57 Glitter Boys, Rifts, the Megaverse, and all other such topics are the property of Kevin Siembieda and Palladium Books. Please buy all their stuff and help keep them in print and making more games! You can order directly at palladiumbooks.com, and their entire catalog is available digitally at Drive-Thru RPG as well. We release all of our public episodes simultaneously on: Youtube: https://www.youtube.com/channel/UCuc8KbdMqx8ajWfm2OUTs7A Audio RSS: https://breakfastpuppies.com/feed/glitterbois Want to help us pay for hosting? We have a few options: Drop us a one-time donation or a recurring membership at our Ko-Fi page Follow this link to our Pinecast Tip Jar We've got a merch store if you're looking for some sweet Glitterbois swag. Check out our affiliate store and buy some of the various products we endorse. Support The Glitterbois by contributing to their tip jar: https://tips.pinecast.com/jar/the-glitterbois Send us your feedback online: https://pinecast.com/feedback/the-glitterbois/a3d7aa33-5c72-4f2d-95e3-78fc32e556de This podcast is powered by Pinecast. Try Pinecast for free, forever, no credit card required. If you decide to upgrade, use coupon code r-66e5ee for 40% off for 4 months, and support The Glitterbois.

After allowing Jaïro Riedewald to leave the club in search of that perfect central midfielder the Blades are set to reopen talks with the dutchman. Hosted on Acast. See acast.com/privacy for more information.

David, Devindra, and Jeff reflect on a history of violence with The Death of Robin Hood, slash through Blades of the Guardians, and take flight with the season premiere of House of the Dragon. Then they keep it in the family with the latest entry in the DCU Supergirl.We're making video versions of our reviews! Be sure to follow us on the following platforms: YouTube Tiktok Instagram Threads Weekly PlugsDavid - Weekly box office report: Supergirl bombs Devindra - It's time to dump RokuJeff - We Have Concerns Corporate BSShownotes (All timestamps are approximate only)   What we've been watching (~00:13:18)David - Blades of the Guardians, Citizen VigilanteDevindra - The Death of Robin Hood, The Vampire Lestat, Blow OutJeff - House of the Dragon S3, Life, Larry, and the Pursuit of UnhappinessFeatured Review (~01:11:42)    SupergirlSPOILERS (~01:30:44)Support David's artistic endeavors at his Patreon and subscribe to his free newsletter Decoding Everything. Check out Jeff Cannata's podcasts DLC and We Have Concerns. Listen to Devindra's podcast with Engadget on all things tech. You can always e-mail us at slashfilmcast(AT)gmail(DOT)com.Credits: Our theme song is by Tim McEwan from The Midnight. This episode was edited by Noah Ross who also created our weekly plugs and spoiler bumper music. Our Slashfilmcourt music comes from Simon Harris. If you'd like to advertise with us or sponsor us, please e-mail slashfilmcast@gmail.com. You can support the podcast by going to patreon.com/filmpodcast or by leaving a review on Apple Podcasts.

Encara que sembli mentida, enguany s'estrena un nou festival al Poble Espanyol de Barcelona que aposta per una programaci

This month's movie was Masters of the Universe (no, not that one). Directed by Gary Goddard and released in 1987, this starred Dolph Lundgren, Frank Langella, and Courteney Cox, of all people. This episode features contributions from: (in order of appearance) Jason Connerley of Nerd's RPG Variety Cast (podcast) Joe Richter of Hindsightless (podcast) Goblin's henchman (podcast, blog) and the UmberBulk of the Southwest Sofa Crew Mirke the Meek (podcast) Karl Rodriguez of The GMologist Presents… (podcast, YouTube) Lex Mandrake of Dank Dungeons (YouTube, itch) Honourable mentions: Lifeforce dir. Tobe Hooper (1985), John Blanche (1948 - June 2026) Check of the Cerebravore review of Masters of the Universe (2026) If there's still time, you can back James Spahn's Blades of Power here https://www.kickstarter.com/projects/barrelridergames/retroquest?utm_source=substack&utm_medium=email Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ With Christopher Nolan's The Odyssey looming over the horizon, I felt this was the perfect opportunity to visit the ancient Greece of 1963 and the Ray Harryhausen classic Jason and the Argonauts, directed by Don Chaffey. That episode will air on July 25th, so please send in your submissions by the 27th if you'd like to be included in the show. Send submissions to ⁠spencer.freethrall@gmail.com⁠ or look me up on Discord as FreeThrall “Warning” by Lieren of Updates From the Middle of Nowhere Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

Read transcriptIn this episode, the four most responsible and upstanding members of the party do some recon while carrying deep conversations on whether the Tits are or are not truly in the air. Drop us a line! You can follow us (sporadically) on Facebook, and we'd love to see you on our Discord Channel too. And let us know your thoughts by leaving a review on iTunes or any other podcast aggregate sites. For even more info and options, check out our main website or our low-bandwidth alternative feed site. Links of Note: Official Campaign Wiki at Goblin's Notebook Rifts RPG 1st Edition, Digital Rifts RPG Ultimate Edition, Digital Rifts Ultimate Edition, Hardcover A Cloak of Blades, by Isaac Sher Bastard Quest Podcast Credits: GM: Kyle Players: NPC, Alex, Sean Music: Opening is "8-Bit bass & lead" by Furbyguy, Closing is "Caravana" by Phillip Gross Sound Effects: Unless specified otherwise, all of our sound effects are either self-made, acquired under a Creative Commons Zero license, or sourced by attribution from Tabletop Audio Episode Length (We support chapters!): 1:32:05 Glitter Boys, Rifts, the Megaverse, and all other such topics are the property of Kevin Siembieda and Palladium Books. Please buy all their stuff and help keep them in print and making more games! You can order directly at palladiumbooks.com, and their entire catalog is available digitally at Drive-Thru RPG as well. We release all of our public episodes simultaneously on: Youtube: https://www.youtube.com/channel/UCuc8KbdMqx8ajWfm2OUTs7A Audio RSS: https://breakfastpuppies.com/feed/glitterbois Want to help us pay for hosting? We have a few options: Drop us a one-time donation or a recurring membership at our Ko-Fi page Follow this link to our Pinecast Tip Jar We've got a merch store if you're looking for some sweet Glitterbois swag. Check out our affiliate store and buy some of the various products we endorse. Support The Glitterbois by contributing to their tip jar: https://tips.pinecast.com/jar/the-glitterbois Send us your feedback online: https://pinecast.com/feedback/the-glitterbois/d9048f95-fe5f-4f02-9dc6-17df36aca939 This podcast is powered by Pinecast. Try Pinecast for free, forever, no credit card required. If you decide to upgrade, use coupon code r-66e5ee for 40% off for 4 months, and support The Glitterbois.

Federal officials warn a disturbing new wave of vandalism is hitting the National Mall, with incidents ranging from blood-written messages on the Washington Monument to damage of the Lincoln Memorial Reflecting Pool. June 25th 2026 --- Please Like, Comment and Follow 'The Ray Appleton Show' on all platforms: --- 'The Ray Appleton Show’ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. --- 'The Ray Appleton Show’ Weekdays 11 AM -2 PM Pacific on News/Talk 580 AM & 105.9 KMJ | Website | Facebook | Podcast | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

James Timmins, VP of Engineering at Everpoint Services, joins to discuss how recycled wind turbine blades become BladeBlok, a drilling fluid additive for oil, gas, and geothermal wells. Sign up now for Uptime Tech News, our weekly newsletter on all things wind technology. This episode is sponsored by Weather Guard Lightning Tech. Learn more about Weather Guard’s StrikeTape Wind Turbine LPS retrofit. Follow the show on YouTube, Linkedin and visit Weather Guard on the web. And subscribe to Rosemary’s “Engineering with Rosie” YouTube channel here. Have a question we can answer on the show? Email us! Welcome to Uptime Spotlight, shining light on wind energy’s brightest innovators. This is the progress powering tomorrow Allen Hall: James, welcome to the podcast. Thank you. There has been a lot of activity at EverPoint Services. So I wanna back up first because if you’re not familiar with EverPoint Services, they are a recycler f- for renewable projects.  James Timmins: So we’re a, a renewable energy service company that specializes in, um, decommissioning and remediation services for, uh, wind and solar assets. Allen Hall: So when a solar farm gets hit by hail and the panels are broken, EverPoint comes up and cleans up that mess to, to allow the repair to happen.  James Timmins: Correct, yes.  Allen Hall: And on the wind turbine side, you’re t- decommissioning wind turbines, but you’re also taking the [00:01:00] blades.  James Timmins: Yes. So it’s our responsibility to haul off the damaged, I guess, the scrap. And, um, obviously there’s a very healthy market for scrap steel that you find in the tower base- Yes … but the fiberglass is a little less straightforward when it comes to disposal and/or recycling.  Allen Hall: So typically with the fiberglass blades or any composite that’s, that’s being recycled, th- there’s really two techniques that are being implemented right now. Uh, well, really three. Let’s go over three of ’em. One of ’em is you can just bury them. They’re c- essentially construction materials, so you can bury them. Not ideal, but it has happened in the past. The second is they grind up the, the blades and use ’em in, uh, c- the cement-making process, where they’re burning some of the things that are combustible there and using it for fuel, but also the fiber can help with the cement. Does, does that sound right? Correct. And, and then the third one I’ve seen is just as a reinforcement product. [00:02:00] So it’s, uh, they chop up the fiber in different lengths, they clean it up, and you can u- use it as an additive to different products. Yes. And, and that generally has been the marketplace in the blade recycling area for- Going on 20 years now probably Yes Until now. And that’s where Everpoint has really changed the game because you’re thinking about blade recycling a completely different way.  James Timmins: Correct. So my background is oil and gas. I was a drilling engineer, uh, for major oil companies, so it was my job to plan, execute, and oversee drilling operations. So I worked kind of all over the world, and this project started as an icebreaker at a friend’s birthday. I had never met Tyler Goodell before. I- Wait,  Allen Hall: wait, wait. So you’re at a birthday party-  James Timmins: Yes …  Allen Hall: and your kids are having fun. They’re eating cake. Oh,  James Timmins: we were at a dive bar, so we- Oh, okay … yeah, watching a band, uh- … sitting over a bucket of Lone Stars and yeah.  Allen Hall: Okay. That’s the [00:03:00] best place for new ideas to occur clearly. So you’re, you’re, you’re at a birthday event, you’re hanging out, and what happens?  James Timmins: He asked me what, what I would do with tens of thousands of tons of scrap fiberglass.  Allen Hall: And you get asked that every day, or is it- No. Okay.  James Timmins: And I thought it was a weird question, and I kinda put it in the back of my mind. And about 15 minutes later I was like, “Well, I have an idea that we could, uh- Put at least some of that to work. Allen Hall: And what was that idea?  James Timmins: The idea was that we could grind it to a specific particle size distribution and use it as a fluid loss additive in oil, gas, and geothermal drilling operations.  Allen Hall: Okay. That’s a unique application.  James Timmins: Yes.  Allen Hall: So I think we need to walk into what happens when we’re drilling an oil well or any sort of well, I suppose. Uh, there’s unique things that happen that require specialty fluids or specially …  James Timmins: Uh, specialty additives you could say. Additives.  Allen Hall: Yes. [00:04:00] So- Okay. That’s a, that’s a good way to describe it. All right. So, uh, I’m drilling a well. I’m in Texas. I’m an oil tycoon. I wanna drill this well. What am I doing?  James Timmins: So you have what’s called drilling mud, which is pumped down the drill string through the bit. Um, helps cool the bit, um, power down hole tools, and sweep the cuttings out, which is the- Okay … drilled up rock.  Allen Hall: Yep.  James Timmins: So there’s a, a hydrostatic pressure that the fluid column exerts on the formation. And if that fluid column exerts more pressure than the formation can stand, it splits open like a fracture. Allen Hall: Okay.  James Timmins: In this case, an accidental fracture. Or you could have just a porous formation of, uh, low pressure. And so you have this pressure imbalance from the wellbore where the fluid wants to flow to the area of low pressure. And, uh, this mud is $300 or $400 a barrel. And if you’re- Whoa … losing 100 barrels an hour, the costs add up really quick. Can’t drill ahead. Um, it’s what’s called non-productive time. [00:05:00] So you’re spending 80 or $100,000 a day for all this equipment to be out there, and you’re not drilling ahead, so.  Allen Hall: Okay. So as the, the drill bit goes down into the formation, you’re hitting rock. You hit a crack in a rock, or you create a crack in a rock. All your drilling mud, and it’s not really mud, right? No, it’s- It’s, it’s a special compound-  James Timmins: Yes … that we call mud. Very,  Allen Hall: uh,  James Timmins: yeah, it’s drilling fluid, I guess, is the technical term. Okay . But, um- I’ve  Allen Hall: heard mud used universally.  James Timmins: It kinda looks like chocolate milk most of the time.  Allen Hall: There you go. Yeah. Okay. So it’s an expensive fluid. You’re pushing it down in, but then you get a, a crack or a formation that you run into, and all that precious fluid goes running off somewhere else. Yep. So which it doesn’t allow you to cool the bit, which basically stops all drilling.  James Timmins: Correct.  Allen Hall: Okay, that’s a big problem.  James Timmins: And in worst case scenario, the fluid column falls and the pressure on the formation falls, and then the well starts flowing and you have a well control problem, so. Allen Hall: So now you got a big problem.  James Timmins: Yep. [00:06:00] Allen Hall: All right. So now you have fluid coming back at you that you’re not ready for.  James Timmins: Correct, yeah.  Allen Hall: Okay, that seems like quite the mess.  James Timmins: Yeah, so it’s actually one of the… You know, in some parts of the world, one of the top drivers of non-productive time and cost. So it’s a, kind of a problem as old as the oil field itself, but… Allen Hall: Okay, c- ’cause at the end of the day, you would like to have a specific hole tapped at a specific location pulling-  James Timmins: Yes …  Allen Hall: hopefully petroleum products from that area or whatever you’re going for. It’s could, could be gas- Yeah … uh, off of that site, but you have to have some constraints about it, right? Right. You d- d- to control everything. Okay. So n- that sets the problem. All right. We’re gonna run to this, uh, area where we’ve, we’ve cracked the found- the, the rock or there’s porous rock and we’re pumping this, a really expensive fluid down it and we would like to stop that from happening. How does that end up involving wind turbine blade recycling? James Timmins: So we grind this material to a specific size and you mix it at a certain [00:07:00] concentration. Could be two pounds per barrel of mud or 80, uh, depending on the severity of the losses. But, um, this mixture is pumped down into the formation and this, um, kind of acts like a… Technical term is bridging. So this, these fibers from the recycled turbine blades cannot fit through all of the pore spaces. Sure. And gradually they be- begin to accumulate on the wall of the, the wellbore. So they- Okay … uh, eventually it’s kinda like a clogged sink with… You know, you get enough- So you get enough hair in the sink … chopped vegetables. Yeah. Yeah. It, it eventually will stop flowing.  Allen Hall: Oh, well, who hasn’t experienced that? So it’s, it’s… So you, you wanna put things down into this hole that prevent the fluid from running off. Recycled blades seems like a very viable option just because it’s in an inert substance, it’s pretty durable.  James Timmins: It is.  Allen Hall: It’s tough. It can handle high temperatures [00:08:00] and it now can be pumped.  James Timmins: Yes.  Allen Hall: Wow. All right. So that’s a, that’s a remarkable idea. But ideas and products, there’s usually a long distance between those two.  James Timmins: Correct, yes.  Allen Hall: So from initial concept to where you are today, walk through what you had to go do to make this into a real product.  James Timmins: Uh, so we… I basically have- was familiar with these types of products in the past, but at the level I was at, I was not getting into the granular detail-  Allen Hall: Sure James Timmins: of the qualification of the product, of the spec of the product. So, um, I kind of had to do a lot of research reading technical papers online about product development for this particular type of product. So, um, I started with a, basically in my garage, um, a geologist sieve. Okay. I got a sample of shredded fiberglass, which I think was, was like five-inch shred. So I [00:09:00] bought a blender from Target, not knowing what else to use, and I stuffed it down in, with a crescent wrench and blended it up and broke the blender and eventually got enough usable material to, uh, start testing it in a lab. And so-  Allen Hall: Oh …  James Timmins: there are third-party labs that do these kind of tests, and they’re all industry standard, um, prescribed methods, so they’re called mud checks and, uh, what’s called a pore plugging apparatus, which is like a, either a ceramic disc that’s simulates a formation and it’s porous, it’s got a certain permeability, or you have what’s called a slotted liner, which is a stainless steel plate with two-millimeter slots on it. And you put the mixture in, and you pressurize it, and if it stops it, then you know it works. So- So  Allen Hall: you’re plugging a hole- Yeah … in a laboratory,  James Timmins: basically. Exactly, and it’s under high temperature and pressure, so it’s designed to simulate kinda downhole conditions. But-  Allen Hall: [00:10:00] Wow. Yeah Okay, so- Got a  James Timmins: little into the weeds,  Allen Hall: but So you’re, no, you’re in your garage, you chop up some material, you go, “All right, let’s go check this out.” You, you get a, a- an independent laboratory to try it, and they say it works.  James Timmins: Yes.  Allen Hall: And then it’s, then you’re off to the races now because- Well, that’s what I thought … you opened Pandora’s box  James Timmins: Yeah … a  Allen Hall: little  James Timmins: bit. So I was not expecting how much, how rigorous the t- the qualification would be on the industry side as well. Right. Sure. Yeah So, um, that was kind of the starting line for, uh, product qualification, but, um, I had a very coarse particle size, thinking that would be adequate because I was not familiar with what’s actually used.  Allen Hall: What the ingredients are, yeah.  James Timmins: Right. So, um, I was kinda shopping it around to friends, and they’re like, “It’s a niche product where it is right now. It needs to be finer.” So that’s kind of been the process is, okay, it needs to be [00:11:00] this particle size D50, which is 50th percentile mean particle size, basically. And so then the question is how do we get there? And- Right … so- Grinding composites  Allen Hall: can be difficult because- It is … they’re tough, and they’re, as you have learned with the, the- The- blender experiment  James Timmins: Right … chopping them is not easy. Right. Very abrasive, uh, very high tensile strength. It’s basically designed not to be cut or not to be torn. Um-  Allen Hall: Right. That’s why we love it …  James Timmins: not to be, not to ever degrade in weather. So it has been an ongoing Kind of research project to find out what’s the best equipment for this, uh, can we do this at, you know, a reasonable cost? ‘Cause it’s not gonna be as cheap as grinding up or, you know, picking up sawdust from a sawmill or- Right … or chopping up cedar trees or whatever. So- Which  Allen Hall: are generally soft and easy to, to chop and-  James Timmins: Right. And not nearly as abrasive and so- Right … we [00:12:00] have identified, um, a process that we think is economical, and we’ve demonstrated it in, you know, kind of a small commercial run. But, uh, you know, it’s kind of going back and forth to consumers and them saying, “We want this product size,” and then me going back and forth to our partners saying, “Can we do this? Can we do a lot of it? Can we do it-”  Allen Hall: Right. The quantity’s gonna  James Timmins: be big. Right. Exactly. So, you know, talking to equipment manufacturers, they’ll all tell you that their product, their, their machine can handle this material. And they’re usually all right, but, you know- Can they  Allen Hall: handle the quantity?  James Timmins: Exactly. Without- They can do it for a month, or, you know, six months, and then it’s, well, do we have to overhaul the whole machine now ’cause this- That’s it … yeah.  Allen Hall: It’s, those composites are rough on blades.  James Timmins: Yep.  Allen Hall: So you’ve, you’ve broken through that barrier. You obviously have figured out a way to, to chop the material down or grind the material down into the right particle size. So [00:13:00] now you have a material that is, one, clean, is using existing blades right off the turbines, being ground down, and is a, a product that will be consumed by industry in large quantities. James Timmins: Yes.  Allen Hall: So all these blades that have, that were gonna be recycled anyway because of the age of the turbine now have a home-  James Timmins: Yes …  Allen Hall: in the oil and gas industry, which is sort of ironic, right? Right. The renewable industry is taking over oil and gas. At the same time, we’re supporting it in a way, but, uh, the product is called what? James Timmins: BladeBlock.  Allen Hall: BladeBlock. Okay. Great name. So BladeBlock is then, is a product that’s, it comes in a, in a bag, or is it a cylinder? Is it a truckload?  James Timmins: Comes in whatever the customer wants it to come in.  Allen Hall: Okay.  James Timmins: So 50-pound sacks, uh, super sacks, or bulk trucks.  Allen Hall: So it must have a really unique, uh, application i- in terms of, I have a big problem where I can’t use off-the-shelf expensive mud. I need to f- fill this hole relatively quickly. [00:14:00] I’m just gonna go grab some BladeBlock and solve this problem right now.  James Timmins: Yes.  Allen Hall: And, and it… So that changes the industry quite a bit. So places that you may have had trouble drilling wells in, you can now drill wells.  James Timmins: Yes.  Allen Hall: That’s remarkable. So what has been the response from the industry? James Timmins: Uh, they love it. Um- I bet … they love the idea. They, they kind of giggle at the irony of- … you know, oil and gas solving a renewable problem. Um, and-  Allen Hall: And a renewable problem solving an oil and gas problem.  James Timmins: Right. We are selling on the performance and the cost of the product, but there is also a sustainability and circular economy, you know, aspect as well that is marketable, and there’s still an appetite on both the operator side and the oil field service side for that. Allen Hall: This is not a… We’re in Texas at the moment, but this is not a Texas, Oklahoma, N- uh, New Mexico kind of problem. You’re actually fixing problems globally with BladeBlock.  James Timmins: Yes.  Allen Hall: So the product is, [00:15:00] although made in the United States, can be shipped anywhere I would assume. Yep. So, uh, y- are you getting any requests outside of the United States for it? James Timmins: We have talked to overseas partners, I guess, kind of industry leaders overseas, and there is definitely some interest. Um, we are also talking to, uh, service companies domestically headquartered who have operations internationally who have expressed interest in, uh, using it overseas. But, I mean, right now, you know, we’re close enough to the ship channel that we can ship it wherever they want it. That’s amazing.  Allen Hall: And it’s a patented product also,  James Timmins: right? Yes. So- We are in the… I guess, we’ve received our notice of allowance, and we’re in the final stages of issuance, so.  Allen Hall: So you have a, a patented, US patented, or is it, is it a world patent? Are you, you going outside the United States- Uh, we will … on patent? James Timmins: Yes.  Allen Hall: Wow. All right. So you have eventually a somewhat global patent, so to speak. That’s not how it works, but it… that’s essentially [00:16:00] what you’ll have, uh, for BladeBlock to solve problems globally. Would, would that also involve, like, offshore wells too? Yes. Do they have the same problem? So I’m thinking of Texas ’cause we’re here, but offshore of the coast of Norway where they’re drilling wells, or in the North Sea or-  James Timmins: Persian Gulf. Yeah …  Allen Hall: Persian Gulf, sure, that they can use BladeBlock to solve some of their problems- Yes … which they couldn’t have solved today.  James Timmins: Yeah.  Allen Hall: So d- have they abandoned wells because of this problem?  James Timmins: Yes. Um, especially in certain formations you have what are called vugs, which are basically just large limestone caves that have been-  Allen Hall: Limestone  James Timmins: is tough. Yeah … so you can put a whole car down there if you want- … and, uh, still not fill it in. So, um, you know, this product, it basically is practically inexhaustible from you know, it’s… We’re kind of only limited by how much we can manufacture on- How much you can  Allen Hall: process …  James Timmins: right. So, um- It’s kind of a good problem to have for us, but  Allen Hall: [00:17:00] Yes. It changes the whole dynamic of blade recycling, because the blade recycling effort up to this point has been the operator or the OEM pays the recycler to grind the blades, and then they have to find a way to source out that material. But the, basically everybody’s trying to reuse the material because it, it does have value. How do we best reuse this, right? This is what the recycling efforts are on the recyclable blade, uh, resin systems that are happening. But you’re just taking the existing blades that weren’t meant to be recycled and recycling now in a product that has a lot of value.  James Timmins: Correct, yes. So obviously the biggest challenge everyone faces is the economics of it. And you-  Allen Hall: You know how many people have been working on that problem? Literally thousands of people have been working that problem, and you guys figured it out at a birthday event.  James Timmins: Yeah, uh- … totally out of left field. Um, it, it just, it’s one of those things that sticks in the back of your head, and you think about it for 10 minutes, and you’re like, “Oh, uh, why-” But  Allen Hall: I have [00:18:00] a, I have a solution. Like, we can use it here. Yeah, which, you know, most people, that would never have occurred to.  James Timmins: Right. And it’s kind of a technical rabbit hole, like the drilling fluid is- It is … it’s, it’s, so it’s not a whole lot of people out there thinking about lost circulation material- … uh, on a daily basis. Um, but that was, you know… The problem with so many of these applications is you’re competing with, in some cases, literal dirt and sand. We pay f- five cents a pound for sand or concrete filler, fly ash, whatever, and it’s like, well, you’re never gonna process it that cheap, or you’re never gonna way to, to be able to economically process it that cheaply, so. Allen Hall: Sure, but there’s unique applications where those things don’t work.  James Timmins: Right.  Allen Hall: And you can now make an unprofitable drill hole profitable.  James Timmins: Yes.  Allen Hall: That’s a game changer. So this is remarkable, and I, I know you guys have been working on this for a couple of years, and it’s, EverPoint has always been, [00:19:00] and we’ve talked to EverPoint for a couple of years now on the podcast of, when we talk to recyclers, we don’t act- we actually have talked to a number of recyclers, but we don’t have them on the podcast because it’s, seems like the amount of material coming into their facility and the amount of material going out are not the same. Correct. They’re landfilling them or whatever’s going on, which is, it, it to me is trouble, right?  James Timmins: Right.  Allen Hall: You, your, EverPoint has always been, “We are actually gonna do what we say we’re gonna do. We’re gonna take the solar panels, we’re gonna recycle, we’re gonna…” You’ll be able to follow it. Correct, yeah. Which is one of the technologies that EverPoint brought, is you could follow your recycling product all the way from the site to where it finally ended up at. That was remarkable. That was an industry-changing, uh, idea, and I appreciate that EverPoint was doing that. Now, you’re actually turning it into a viable product called Blade Block. Game changer. Now, our podcast is probably not heard by a lot of oil and gas folk, but the, you know, the word does spread and we [00:20:00] have almost two million YouTube subscribers at this point. How do people get ahold of you to purchase BladeBlock? Do they go onto your website? Are they-  James Timmins: Yeah. I mean, LinkedIn, website.  Allen Hall: Okay. However.  James Timmins: Yeah.  Allen Hall: So- And, and what’s your website address?  James Timmins: It’s everpointservices.com.  Allen Hall: Okay. And you’re based in Texas?  James Timmins: We are. Houston.  Allen Hall: In Houston, right. So the, everybody that is interested in having improved oil and gas drilling mud, uh, can use BladeBlock now, and it’s a viable product that’s being offered, it’s patented, it’s gonna ship globally. It’s the right time and it’s the right way to recycle your blades. So if you have a, a wind turbine farm that’s being decommissioned, there’s a lot of repowering happening right now, uh, there should be a lot of, of blade material available to make BladeBlock with. So congratulations. That’s remarkable. James Timmins: Thank you so much.  Allen Hall: James, so thank you so much for being on the podcast. Of course. It was great to meet you.  James Timmins: Nice to meet you as  [00:21:00] well.

RNZ Pacific's Johnny Blades with news on PNG's vote on Bougainville independence and more from the region. 

The Blades look to turn their attention to Dan Neil following the uncertainty of Kalvin Phillips. Hosted on Acast. See acast.com/privacy for more information.

Brandon & Boomer discuss David DeCoteau's uncharacteristically sincere romance drama Leather Jacket Love Story (1998) https://swampflix.com/ 00:00 Spacecon 14:55 Masters of the Universe (2026) 22:31 Swing Shift Maisie (1943) 26:00 Maisie Goes to Reno (1944) 31:20 All the President's Men (1976) 35:55 Ministry of Fear (1944) 40:31 Die Nibelungen - Kriemhild's Revenge (1924) 45:40 Blades of the Guardians (2026) 50:30 Ramekin (2018) 58:07 The Doll (1962) 1:01:55 Across the Hall (2009) 1:08:15 The Currents (2026) 1:11:45 Relic (2020) 1:16:40 Mr. Monkey's Magic Merry Go Round (2026) 1:21:14 Leather Jacket Love Story (1998)

A federal court restores the 5% safe harbor for wind tax credits, Norway’s parliament pauses the 35 billion krone Utsira Nord floating wind program, and the crew digs into Australia’s battery boom and the looming blade technician shortage. Sign up now for Uptime Tech News, our weekly newsletter on all things wind technology. This episode is sponsored by Weather Guard Lightning Tech. Learn more about Weather Guard’s StrikeTape Wind Turbine LPS retrofit. Follow the show on YouTube, Linkedin and visit Weather Guard on the web. And subscribe to Rosemary’s “Engineering with Rosie” YouTube channel here. Have a question we can answer on the show? Email us! Uptime324 Matthew Stead: [00:00:00] The Uptime Wind Energy podcast, brought to you by StrikeTape. Protecting thousands of wind turbines from lightning damage worldwide. Visit StrikeTape.com. And now, your hosts Allen Hall: Welcome to this edition of the Uptime Wind Energy podcast. I’m Allen Hall here with Matthew Stead, Rosemary Barnes, and Yolanda Padron. And our week starts off in the courtroom. And if you’ve been watching the news lately, there’s a pretty substantial IRS case involving large-scale wind and solar having to do with the, uh, production tax credit and, uh, investment tax credit at the same time on the safe harbor, 5% safe harbor rule. Uh, a federal judge handed the wind industry and solar industry a pretty substantial legal win that could reshape how the [00:01:00] projects qualify for tax credits. So a judge up in, uh, the District of Columbia vacated IRS Notice 2025-42. So if you remember that, uh, from a- about a year or so ago, uh, f- it found that the, that notice was arbitrary and capricious under the Administrative Procedure Act. The notice, which was issued following a July 2025 executive order, had eliminated the 5% safe harbor for wind projects, uh, a provision developers have relied on since about 2013 to establish construction start dates without breaking ground. The court found the IRS failed to justify removing it, ignored industry comments, which I had read, and I agree with that, and gave no reason for treating wind differently f- than other clean energy technologies. So That his executive order came down and said, “Hey, we don’t like wind. [00:02:00] IRS, write a rule and make it hard for wind to get installed in the United States.” And so they dutifully did it, but a court is throwing it out. This has some pretty significant implications because if you hadn’t broken ground before this ruling, I think the– what was happening was be- if you hadn’t broken ground by July 4th, your project wouldn’t qualify for some tax credits. But now, if you have 5% safe harbor, you still are in the game, at least for now. Now, Wanda, that’s gonna make a big difference to asset managers and developers, won’t it?  Yolanda Padron: Yeah, it’s really exciting. I think it opens up the, the playing field for, for some of these projects that might be a little bit behind schedule. Um, of course, a lot of teams had to change their plans and their pipeline when, um, you know, the big, beautiful bill passed and, I mean, it’s– of course, it adds a little bit of additional volatility, right, to, to wind and, and solar in the US, but it’s exciting to see at least things for, [00:03:00] for those of us that are in the wind and solar side, the, it’s a little, little bit of, of hope there. Allen Hall: And Matthew, uh, even in terms of opening up o-o-operations and, uh, getting contracts signed, this should make a big difference in sort of opening the floodgates a little bit. Although there is a short timeframe. We’re, we’re recording on, what, what is today? June 10th. So you have, in theory, less than 30 days before the July 4th deadline, but hopefully this stays. You think there’s a chance this just gets completely, uh, wiped out, the executive order and the IRS notice and- It’s back to what we remember for the, for the last, ooh, 12, 13 years?  Matthew Stead: Uh, yeah. I’m, I’m, I’m hopeful, and I, I agree with Yolanda. I think you, you said it really well. Um, I think this is a, a glimmer of hope in, um, a sometimes gloomy, um, environment. So I think that’s great. In terms of going back to where it was, um, I mean, I guess my observation has been that, [00:04:00] you know, things in the US were a bit, um, distorted. You know, distorted through the, the PTC, um, and the whole repowering thing after 10 years is quite a distortion. So I think, um, you’re not necessarily going back to the good old days, um, might be the way, what will happen. Allen Hall: I think there is a lot of people actively trying to dig holes at the moment, and I, I’m sure they’re gonna continue to do that. Yolanda, do you th- you think anybody’s gonna stop and kinda say, “Oh, we have the 5% rule. We’re, we’re good”? Do you think, or you think they’re gonna still go ahead and really start construction and then just keep things continually moving on site? Yolanda Padron: I don’t think they, they can really stop, right? Because you, you don’t know if, if anything strange happens. A lot of people didn’t think the, a lot of the provisions in the big beautiful bill were gonna, were gonna see the light of day, and they did. Um, but it does, I really hope it brings at least a little bit of breathing room for some people. I know it’s, it must be… I mean, I have some friends in development, and they’re, they’re q- a little [00:05:00] bit stressed right now just with everything going on. Um, so, so I really hope for them at least they, you know, if, if they’re a little bit behind schedule, then it, it’ll be, it’ll still be fine.  Allen Hall: Delamination and bondline failures in blades are difficult problems to detect early. These hidden issues can cost you millions in repairs and lost energy production. CIC-NDT are specialists to detect these critical flaws before they become expensive burdens. Their nondestructive test technology penetrates deep into blade materials to find voids and cracks traditional inspections completely miss. CIC-NDT maps every critical defect, delivers actionable reports, and provides support to get your blades back in service. So visit cicndt.com because catching blade problems early will save you millions[00:06:00] Norway’s Storting has voted to pause the 35 billion Norwegian krone support program for floating offshore wind at Utsira Nord. The Conservative Party secured a parliamentary majority for the external quality assurance review, a socioeconomic analysis, and a technology development assessment, all before the Storting will authorize any commitments. Equinor and Vårgrønn, along with EDF and Deepwind Offshore, each hold allocated 500-megawatt areas and were preparing to compete for that subsidy. Equinor says the project will continue for now. I think everybody is saying that at the moment. But, uh, Equinor cannot rule out consequences as framework uncertainty compounds in the already challenging nature of floating offshore wind development. So Utsira Nord is a massive project. So it’s, it’s about three and a half billion US dollars [00:07:00] to go do this. We had Mads Furuseth and Anders Naslund about a year or so ago, maybe a little bit longer, talking about the project and how big it was and how important it was that Norway did this for floating offshore wind. But with this, uh, recent change in the parliament of Norway, it does seem like they’re slowly going to try to kill it by putting in a number of, uh, reviews, which is how bureaucracies tend to kill things. Is put it under six, seven, eight reviews, different committees. They all take time to get together. They have to put out a report. It could be two, three years from now. At that point, the world has completely changed, and everybody’s moved on. Does that seem like the outcome here at the moment?  Matthew Stead: Yes.  Allen Hall: In my mind, there’s really two big areas for floating offshore, which UK, right? That there, there’s some massive projects there, Green Volt being one of them, and then there was Sue & Nord. So between the two, I feel like the, the UK one was going to [00:08:00] happen. The question whether the world was gonna move towards floating offshore wind was gonna happen up in Norway. If Norway decided to do it and could get it developed, and it has the capability to do it because, because they have that skill set, uh, right there in Norway. If they could do it in Norway, everybody in the world would learn from it and figure out how to do it. Does this really set back floating offshore wind globally?  Matthew Stead: Yeah. I mean, going back to what I said before, and I, I’ll defer to Rosie on this as well, but, um, when I was at, at Blades Europe, um, one of the, one of my long-term contacts, um, y- was in floating wind, um, and had, um, left the industry. He basically said i- in his view that the offshore wind industry was slowly, um, in decline or slowly dying. Um, so I’m just wondering if this is just evolution of viability of offshore wind.  Rosemary Barnes: Is offshore wind in decline? I think if you look globally, it’s, it’s not in decline. I, I haven’t looked in, in depth at the figures just based on what, you know, [00:09:00] headlines I’ve seen and podcasts I’ve heard, but I think that globally it’s still on the rise. It’s just that- It’s only in Europe that things are really moving with speed, right? Like, people were expecting heaps of growth in the US and now no- nobody expects that. Floating offshore wind, it’s… I th- I still think it’s too early to say. There are plenty of countries that don’t have any good energy options besides, um, floating offshore wind, like Japan. What their energy transition looks like is gonna depend a lot on their culture and what people think, ’cause, like, if you go through, like, the engineering solutions that Japan could have, the ones that make the most sense from an engineering point of view are not popular at all, are not politically viable. Like, Japan could easily have a subsea cable connecting it with, um, with China, for example, or Korea, but I don’t think anybody, anybody thinks that that will ever happen because, you know, politically it’s, it’s very far from being possible. What else could they have? Geothermal. They’ve got heaps of [00:10:00]geothermal resources, like really good traditional geothermal resources, but my understanding is that it’s super unpopular because their onsen, um, community doesn’t want it. Uh, my understanding is that they’re worried that if you put geothermal, um, if you exploit geothermal resources, then the onsens will not be hot anymore, and again, my limited research understanding is that it’s not true. It’s different resources. The two aren’t connected in any way. Um, and yeah, there’s actually a community geothermal, um, facility near Fukushima. I’m trying really hard to get over there, but I’m, I’ve got a roadblock at the moment because, uh, n- no one there speaks English, so I need to find somebody to, to come with me and, you know, I’ll have one, one day to try and get there on the fast train and back to Tokyo in, in a single day. So it’s, it’s a bit of a stretch, but I’m gonna try. But anyway, so yeah, what have we… We’ve ruled out, like, subsea cables, ruled out geothermal. Floating wind is good.  Allen Hall: Well, speaking of Fukushima, [00:11:00] there’s been a more recent push in Japan to start up some of the nuclear facilities. So after the tsunami, was that 2012, 2014 when that happened? It was a while ago. Uh, when the tsunami happened and h- had that, uh, nuclear accident, they, they s- shut down all the nuclear facilities in Japan, but it does seem like they’re trying to restart some of them And, and maybe it’s just the demand for energy and, and they’re trying to weigh that off with offshore wind or floating offshore wind. At what point, you know, which one do you choose? It has to be driven by cost and availability.  Rosemary Barnes: Yeah. And so Fukushima, I just looked it up, it was 2011. Um, and yeah, so I mean, I think it is very fair that they had a reaction to that and they wanted to put the handbrake on nuclear at that time, or they did more than put the handbrake on, they did like a handbrake turn. Allen Hall: They shut it down.  Rosemary Barnes: So, and it, you know, it’s gradually ramping up. I think that their target for nuclear now is to, to regain, um, 20% of their electricity from [00:12:00] nuclear by 2040, something like that. It was 30% prior to that incident. Um, so that will be part of it, but it’s not, um, it’s not all of it. And then even if you think of, uh, okay, so forget climate change, just, you know, we want, Japan just wants energy and they don’t care about climate change, you know, ’cause that, that, that could be true. What are their ch- choices for that? They import a whole bunch of… They, they import nearly all their energy. Everything that’s not nuclear basically is, is imported. Um, coal, but a lot of LNG, and, you know, that is not exactly an appealing prospect at the moment either. It’s not secure. Prices are very volatile. We’ve had, like, two fossil fuel shocks in the last, what, like four years or something like that, and how many more, how many more are we g- are we going to have? You know, like energy security is important, totally separate from climate change issues. So I don’t think we need to rely on Japan, like, you know, [00:13:00] steadfastly staying the course because their, their existing o- opportunities are not, are not great for fossil fuels either. Allen Hall: I don’t know what country’s gonna stay the course right now, really. Maybe the UK?  Rosemary Barnes: Oh, I think it’s- Countries that have other reasons for going to renewables are the ones that are gonna stay the, stay the course. Um, and there are plenty of examples of countries where it just, it is by far the easiest, cheapest, fastest option to get more electricity. Um, you know, like all of Africa, for example, is, is facing that as a, uh, a better development path than trying to build big, um, fossil fuel power plants. But even that, you know, like in India, they’re making a huge transition, Pakistan, not to mention Australia, where now batteries are having more of an impact on electricity prices than gas is. So our electricity prices now finally are dropping, um, this year for the first time because of how many batteries have come on and are now, you [00:14:00]know… Like they’ve just flattened. The evening price peak used to be on average about, like, I think $400 or something dollars a megawatt hour, and now it’s like 100. In one year we had that, we had that change, yeah, just from the amount of batteries that have come on in the last year or two.  Allen Hall: Why does that make such a big difference in the price of electricity, the battery aspect?  Rosemary Barnes: Because, so the way that Australia… Australia’s electricity market is pretty similar to Texas, so if you understand that, then you can probably understand Australia’s. But, you know, at any five-minute interval, people, like, they know how much demand there’s going to be, and then people are bidding in how much they would supply electricity for in that five minutes, in real time as well. It’s not like day ahead or anything like that in Australia. The, like, last one they need is what everybody gets paid. So, like, solar power is gonna bid in at, like, you know, practically zero, um, or maybe negative prices actually if they’ve got power purchase agreements in place. And then, you know, wind a little bit more, and then coal, uh, you know, a, a bit [00:15:00] more than that, and then gas, the open cycle gas turbines, the peakers, they’re very expensive. They’re bidding in at 400, $400 a megawatt hour. If there’s enough batteries that that gas doesn’t need to bid in, then all of a sudden we don’t have the gas price that everybody has to pay. We have the battery price that everyone has to pay, and that is very, very cheap and will become cheaper as there’s more of them in the, in the system. So it’s like a threshold event. You, you know, um, even if you’re using only a tiny bit of gas, if you need any gas at all, even like, you know, one megawatt of gas, everybody gets paid the gas price. If you just get a little bit more battery in and you don’t need it anymore, bam, the price just falls. So that’s what we… We’ve passed that threshold now.  Allen Hall: Isn’t that where the UK is trying to get, is to get past that threshold where renewables are that last addition to the grid and kick off peaker plants and some expensive other- fuel sources. That’s I, I [00:16:00] think where everybody’s gone because they have the same system where the, the last one in is what sets the price for everybody. Rosemary Barnes: Yeah. The UK’s a little bit different because one, they’re connected to Europe, and two, they’ve got nuclear, so they do have that kind of base load.  Allen Hall: Let’s go down the rabbit hole just for a second. So if the peaker plants don’t come on, that means that the battery electricity supplying the grid is pretty low in price. It seems like they are losing money on their investment in the battery That they were hoping the price would be higher. Because if the peaker plants are still going on, that would be a $400 price and they’re gonna come in at, like, 350, so that would make sense. It, it helps pay off the battery investment. But if they’re dropping the price down from 400 to 100, it would seem like the battery investment may not be a, a wise decision.  Rosemary Barnes: For sure they’re making less money, but it was– they were making crazy profits for the first little, the first few, few years of, you know, grid-scale batteries. And even [00:17:00] home batteries, people were making a l- a lot of money off that, and it was crazy. Like, I’m on some, um, some Reddit subreddits about, uh, you know, people with home batteries and-  Allen Hall: Slash battery?  Rosemary Barnes: Matt probably is too. Matt’s a Beta G enthusiast, so I’m sure that he is just as excited as me. But anyway, so on one of these subreddits, you know, people used to talk about, “Oh, I made 100 bucks last night,” um, or, or whatever, you know, just a household. And now all the posts are complaining about there’s been no price spikes all year. You know, I thought that I was gonna make heaps of money off my battery, but people are really change- changing how they think of it. And now it’s like… And l- like I want– used to want to do this. I don’t have solar panels yet ’cause we need a new roof, and I’ve been waiting a few years to, one, live in a house that I own, and then two, get a freaking new roof. Um, and I thought I’m gonna just, like, cover it in solar panels, get a huge battery, and I’m gonna be an energy trader in my free time and make heaps of money, and now that is [00:18:00] not the strategy anymore. The strategy is to just reduce your bills to the m- the minimum that you can. Um, that’s basically, that’s basically it. So you are right that some of this arbitrage is, um, the opportunity’s over, and that it will be less, um, exciting for, uh, opportunity for people to put more, more batteries in.  Matthew Stead: Just to add to that, through the middle of the day quite often there’s, uh, negative pricing. So if you’ve got a battery, you’re being paid to charge through the middle of the day. So that actually takes away some of the pain from having a lower, a lower price, um, during the peak.  Rosemary Barnes: But the thing about negative prices is that you need coal power plants for them to be… Like, the only reason we have such pervasive negative prices is not because solar plants have PPAs that are, you know, make it worthwhile for them to generate even when the price is slightly negative. The real thing is that coal power plants don’t want to turn down below, I don’t know, yeah, like 20, 30% during the middle of the day. They have to be on if they want to make money in the evening, and that means that they bid in at, like, [00:19:00] negative 50, um, so that people– so that they can stay running. And that’s where the bulk of our negative prices come from. So As coal power plants close, those negative prices will go away. Um, and when they close, we should get some better evening price spikes again. So, you know, like nothing ever stays the same for long, which is why it is such a fascinating hobby to have, being interested in the electricity market, because it’s never the same from one year to another. You’ll never understand it, ’cause it’s never, it never stays the same long enough to really get your head around it.  Allen Hall: You need other hobbies. You really do.  Matthew Stead: A friend of mine works in trading, and, uh, he said, “As long as there’s volatility, there will be progress.” So much like what Rosie was saying is the more volatile it is, the more opportunity there is for people to come in, um, and change it. Allen Hall: I just don’t know how the battery thing plays out once that threshold is reached. When you have more batteries on the system and you knock down the price that [00:20:00] much, I think battery sales, industrial batteries really slow down because they’re all looking for that quick ROI And they’re not gonna get it. Rosemary Barnes: You have to wait for all of the coal to close before you would find out what’s the right amount of batteries to have in the, in the grid.  Allen Hall: Yeah, yeah, yeah. That, I totally agree there, yeah.  Yolanda Padron: You’d still get, like in extreme weather events and stuff, you’d still get a big price spike, right, for all these batteries. Allen Hall: Back to Matt’s point, more volatility.  Rosemary Barnes: If you want the market to respond, you need to give enough incentive to invest in assets so you’ll have enough when it’s needed. And because it’s really infrequent, then it has to be a super high price to, um, bring on enough investment. And will this system… The system has worked absolutely, you know, pretty well in Aus- Australia at least. Will it continue into the future with more variable prices and renewables? I, I don’t know, and the government is starting to do some things like, uh, you know, like a lot of [00:21:00] electricity markets have, um, not just energy markets but also capacity markets where you will pay a battery or a gas plant something to be on standby basically, um, so that if there is, um, if there’s a shortfall then they, then they have to respond. So in Western Australia they have that, but across the east of Australia th- they currently do not, do not have that. It’s energy only.  Allen Hall: Really? How do you not have capacity payments?  Rosemary Barnes: The majority of their profits are made in just a few hours a year when there are those price spikes, so that’s, that’s h- part of their business case. Allen Hall: I mean, there, there is arbitrage happening on the electricity grid. That’s not the best place to be arbitraging things because you will have players that won’t provide electricity just to drive up the price.  Rosemary Barnes: Uh, and it happens in Australia too, but, um, you know, because batteries are such a distributed resource, it, it will become harder and harder to do that when, you know, the, um, the ownership of these batteries is, you know, households as well as, um, yeah, as well as [00:22:00] big companies. Matthew Stead: So offshore wind, I was talking to an OEM a, a little while ago and, uh, talking about blade repairs for offshore wind, you know, floating, floating wind. Um, so specifically floating wind. The OEM was extremely concerned about floating wind, um, because it makes it very, very, very hard to change blades. So the story was that if you’ve got an offshore floating platform, you’re basically gonna have to tow the wind turbine back to port to change a, a blade. Rosemary Barnes: They see that as a, as a pro, not a con though. Yeah. That, that’s because it’s very hard to… Like, it’s not only floating offshore wind where it’s very hard to remove a, a blade out at sea, like fixed bottom offshore wind, that’s incredibly expensive to remove a blade. So floating is like, well, you can just tow it back to shore and then you can do it all in the port. I, I, you’re looking skeptical, Matt, and I’m also skeptical about how it actually plays out. I know that, um, what was it? The, [00:23:00] the one- An EOL project off the coast of Scotland. I can’t remember what it’s called now. Like what, the first big one, the big wind farm, a floating offshore wind farm  Allen Hall: HiWind Scotland  Rosemary Barnes: They had a, a problem. I don’t know if it was a serial issue or also, like it’s the first big wind farm, and there might have been like some operating condition they weren’t aware of that caused some problems. They had to tow back everything to port, and they stayed there for months and months. So like maybe, maybe close to a year or over a year, I’m not sure. It was a really long time. And so, um, yeah. But then, you know, like what’s the alternative? If that had happened out at sea, it would’ve been more expensive. If, it still would’ve been shut down, not doing anything, and you would’ve had like helicopters out there every single day bringing teams and, um, you know, huge vessels with cranes and yeah. So like it’s, maintenance at sea is never good.  Allen Hall: But the whole point of the HiWind project was to get some of these problems figured out, and one of them was just towing it back to port and [00:24:00] doing major repairs or component exchanges make sense. I think it’s a, it’s a lesson well learned, and we’ve moved on. I guess the question is, does offshore, floating offshore in particular, have much of a future if Norway’s not willing to do it?  Matthew Stead: I think it’s a good comparison with, um, data centers in space.  Rosemary Barnes: You know where else they’re planning to put data centers? Not just space and offshore, also like, um, underwater ones, like on the deep ocean floor, um, on the moon somewhat. Like there’s an actual company that is apparently developing a, a data center on the moon  Allen Hall: As wind energy professionals, staying informed is crucial, and let’s face it, difficult. That’s why the Uptime podcast recommends PES Wind magazine. PES Wind offers a diverse range of in-depth articles and expert insights that dive into the most pressing issues facing our energy future. Whether you’re an industry veteran or new to wind, PES Wind has the high-quality content you need. Don’t [00:25:00] miss out. Visit peswind.com today. Well, in this quarter’s PES Wind magazine, there are a number of great articles, and if you haven’t downloaded your copy, you should do that at peswind.com. There’s a good article from Global Blade Services USA, and it’s talking about the technician problem and how it’s not gonna, it solve itself, obviously. But Global Blade Service is putting some numbers to it. And Rosemary, this is really directed at you. Blades represent roughly 20% of the total, total turbine capital cost and are the leading driver of unplanned downtime.  Rosemary Barnes: Yeah, 40% of O&M.  Allen Hall: Right, and 75% of all blade repairs are already handled outside OEM warranty. That number seems really high, but maybe after the warranty expires?  Rosemary Barnes: Do you say 30% of, of repairs are repaired under warranty? That’s, uh, unexpectedly high from my point of view. [00:26:00] But, you know, how would I know? No one’s getting in touch with me if, you know, they’ve got a problem with their blades and it just got fixed under warranty. Then they’re not paying a consultant to come sort it out. I only, I’m, I’m only there when the warranty is nearly up or it’s already over.  Allen Hall: So they, they’re saying that the, the ratio’s even gonna grow more towards out of warranty repairs. But the problem is having technicians. And the deeper problem is developing all those technicians in time as that need grows. Uh, reaching full structural repair competency takes a rope access technician eight to 10 years. A basket technician is five to seven, and a factory technician is four to five years, meaning the workforce, uh, the industry needs for the next decade has to start training now. I, I think we’re seeing this in full force. I- the issue is keeping good people in the industry as it fluctuates up and [00:27:00] down all the time and is very seasonal. Because there are really good rope technicians out there who know what they are doing, and it does take a, a minimum of three years to be competent. And then to be that lead person, it takes four or five solid. And to be, uh, the, the relied-upon person, especially for some of the more complicated repairs, it’s gonna be six, seven, eight years before you’re there. It’s just an exposure thing. Are we in a technician crisis?  Rosemary Barnes: Crisis is maybe a little bit inflammatory, but, uh, we’re in a technician challenge  Matthew Stead: But it’s a pretty, it’s a pretty basic topic, Allen, isn’t it? Like, um, you know, there’s more and more wind turbines, there have to be more and more technicians. It takes time to train. So, you know, it’s, it’s just, it’s pretty much basic maths and, um, you know, it’s like te- you know, tradies to build houses. Um, you know, unless you’ve got the tradies, you can’t build houses in a cheap way. Yolanda Padron: Part of the issue is that, you know, say there’s [00:28:00] 10 technicians that are available in the area, right? Then you … maybe they work under two different companies, and then one company goes bankrupt, so then they all work with the same company. Another company pops up, or someone gets kicked off site from the OEM side, and then a month later they’re back with the third party. And then it’s just really difficult to keep track of kind of who’s still there and who’s not, because some people have the certifications and maybe they’re not really, really great at what they do, or other people have a lot of training and a lot of experience, and it’s just difficult to track exactly, you know, where they are now. I know that the, the strategy here oftentimes is you’ll find one person that you like and you kind of follow him around, or follow them around whatever company they’re, they’re with at the moment, and then just use that company.  Matthew Stead: The other point I was going to make is that there’s also the seasonality, isn’t there? So you know, if you’ve got a great, a great technician, when it’s cold, they can’t earn cash from [00:29:00] repairing blades.  Rosemary Barnes: Aren’t they hired as, like, seasonal workers in America and they just don’t get paid for part of the year? That’s not how it’s done here. I mean, I guess we don’t have the climate where you have to, like, totally shut down, so they’re not, like, sitting around getting paid for nothing. But, like, that’s a really unim- unappealing feature of the of the, um, field, isn’t it? If you’re deciding what you wanna, what kinda job you wanna do, you want one where you can get paid for 12 months out of the year, not just, I don’t know, like eight or whatever it is.  Matthew Stead: I know there’s been a lot of discussion between, like, Australian US repair companies of, like, shipping technicians down here during the Northern Hemisphere winter and vice versa, and it gives, you know, chance of exploring the world. But, you know, if you’ve got kids and family, you’re not gonna necessarily wanna do that either.  Rosemary Barnes: It’s such a tiring job, though. I don’t… Like, there’s, um, I think it’s fine if people do it for, like, a hard 10 years and then, um, yeah, move on to… Because you obviously learn a lot as a technician, so y- you know, like, there’s a lot of office jobs that you would be really good at [00:30:00] because you had that physical experience. But yeah, like, I, I do think that there’s heaps of young people that are traveling the world being wind turbine technicians.  Yolanda Padron: At least in Texas, I know a lot of rural areas where they don’t necessarily have a lot of opportunities to get higher education, and so going to be a technician is a good route for them to then go into a larger part of the industry, um, to, to kinda get a head start there. Um, and they get a lot of really valuable skills, and oftentimes, like you said, Rosie, they’ll, they’ll get picked up by, um, by the owners or the OEMs or someone, um, because of their experience there. But it, but it is quite a bit of, of hard work and, and physical, physical labor. I climbed one tower and I was sore for two weeks, so really, really not my cup of tea. Rosemary Barnes: I’m always, like, so excited to, to be climbing towers ’cause I only do it, like, you know, sometimes no times in a year, sometimes twice a year. Um, yeah, so, like, I’m really excited to go climb, and it’s really cool the first day, and then the second day it’s like, “Oh, this harness is [00:31:00] so heavy. Am I really putting this on again? Oh my God.” Yeah, so it’s, uh, it’s ob- obviously you get used to it if you, um, if you do climb a lot. The last, uh, last site that I was at, a lot of the technicians were just climbing the ladders so that they wouldn’t have to, you know, go to the gym afterwards. So there’s a lift there, but they use the ladder because then they get their cardio for the day. So, you know, they’ve obviously got some surplus energy.  Allen Hall: I think it is kind of a myth outside the US, uh, uh, seasonal workers, uh, at least in Europe, I haven’t seen a lot of seasonal workers. It doesn’t mean they don’t exist, of course. But in the United States, there’s a lot of seasonal workers from construction and all kinds of other industries. People figure it out And it, it’s a lot more common than I think y- being an engineer you think it is, but there are a lot of seasonal workers. So being a, a wind technician is not a bad job.  Rosemary Barnes: I guess they’re just getting [00:32:00] paid extra for the time that they’re working and they just know they’re used to budgeting to cover the few months off. Allen Hall: They have a winter job. They’ll, they have employment. They already have it lined up where when it gets cold outside, they have someplace else to go. Back into construction for a few months. They’re maybe driving a truck or doing other things that, that bring in income. They have it pretty well figured out. When– At least the technicians I’ve talked to seem to have a, a plan about it, and they’re not sitting by the television for six months. That’s not what’s happening. It, that there’s a lot of employment opportunities here in the States, and so they, they’re pretty nimble. So if you haven’t read this article or a number of our other great articles in PES Wind, you should go to peswind.com right now and download a copy today. That wraps up another episode of the Uptime Wind Energy podcast. If today’s discussion sparked any questions or ideas, we’d love to hear from you. Reach out to us on LinkedIn, and don’t forget to subscribe so you never miss an episode. [00:33:00] For Yolanda, Rosemary, and Matthew, I’m Allen Hall, and we’ll see you here next week on the Uptime Wind Energy podcast.

Nick reacts to reports that Phil Jones could be the Blades next coach...or more. Hosted on Acast. See acast.com/privacy for more information.

I answer some Q&A's today including whether RBRB or WHOG are postmodernist in their design. 

The Fork In Your Ear Ep#215 Eternia of Games! - Podcast Show Notes Summary 6-13-26 Gaming News – Oops All Games Edition! Tim and Nate kick off with an "oops all games" episode packed wall-to-wall with fresh showcases. They open with the Xbox Games Showcase (June 7). Tim watched with Jessica while making breakfast; Nate and Cara ran it live in the Discord. Key highlights: Gears of War: E-Day (Oct 6, Xbox Series X/S, PC, Game Pass day one, Unreal Engine 5 built from the ground up by The Coalition). The prequel Emergence Day story stars Marcus and Dom. The Coalition's deep Unreal expertise and "from-scratch" approach have everyone hyped for performance and visuals. Tim and Nate debate third-person cover shooters (Nate's not a fan of the mechanic; Tim loves the destroyed world, underground critters, and chainsaw guns). Fable – New cinematic trailer confirms Haley Atwell (Agent Carter) as the long-teased villain Isabel. Jack of Blades gets a surprise tease, hinting at multiple villains. A 30-minute full gameplay video dropped days later showing a talking pig quest, romance options, UI, and systems in action. Delayed to February 23, 2027 (Xbox, PC, Game Pass, and still coming to PS5) to polish and avoid GTA 6. Tim is very excited; Nate is cautiously optimistic but holding judgment on open-world RPG scope. Halo: Campaign Evolved (July 28, Xbox, PC, PS5, Game Pass) – UE5 remake of Halo 1 with core Blam engine (physics/game logic pulled from Halo: Reach) for that authentic "spongy" feel. New Sergeant Johnson voice actor, prequel missions (Assault on the Control Room & Silent Cartographer) locked behind the main campaign, vehicle jacking, new weapons (energy sword, fuel rod, brute spiker), sprint, clambering, 40+ skulls, and a "Remix Mode" for wild enemy swaps/randomization. 4-player co-op (local split-screen + online). Previews are extremely positive; limited collector's editions sold out fast. Tim is all-in on the respectful-yet-improved remake treatment and wants to share it with new players. Other Xbox news: Persona 6 trailer reactions (mixed/underwhelmed), new Spyro game from Toys for Bob (Tom Kenny returning as Spyro, Dragonflight mechanics), Clockwork Revolution (InXile steampunk RPG, Xbox ecosystem exclusive vibes), S.T.A.L.K.E.R.-era title getting Unreal Engine help from The Coalition + Grounded-style cross-world system, new dark Metro game from the Ukrainian team (still developing in wartime conditions), Resonance (Plague Tale legacy?), Minecraft Dungeons 2, new Senua Hellblade-universe action game (Nate loved the first, mixed on the second; Tim was never a fan but this one looks more classic Ninja Theory), Crazy Taxi World Tour (2027, pure arcade nostalgia), and Castlevania: Belmont's Curse (Oct 15 – Tim is already hooked into his veins; Switch 2 version delayed, which upsets him).

We're continuing this new exploration of combat rules options with an episode dedicated to one that - we've been told - doesn't get used nearly as often as it should these days. So let's bring it back! This one is the rather brutal and insidious "Body Block & Tackle" move, found in at least two different places in the Ultimate Edition of Rifts. Drop us a line! You can follow us (sporadically) on Facebook, and we'd love to see you on our Discord Channel too. And let us know your thoughts by leaving a review on iTunes or any other podcast aggregate sites. For even more info and options, check out our main website or our low-bandwidth alternative feed site. Links of Note: Rifts RPG 1st Edition, Digital Rifts RPG Ultimate Edition, Digital Rifts Ultimate Edition, Hardcover A Cloak of Blades, by Isaac Sher Credits: Hosts: NPC, Just Jacob, and Matt Buckley Music: Opening is "8-Bit bass & lead" by Furbyguy, Closing is "Caravana" by Phillip Gross Sound Effects: Unless specified otherwise, all of our sound effects are either self-made, acquired under a Creative Commons Zero license, or sourced by attribution from Tabletop Audio Episode Length (We support chapters!): 19:09 Glitter Boys, Rifts, the Megaverse, and all other such topics are the property of Kevin Siembieda and Palladium Books. Please buy all their stuff and help keep them in print and making more games! You can order directly at palladiumbooks.com, and their entire catalog is available digitally at Drive-Thru RPG as well. We release all of our public episodes simultaneously on: Youtube: https://www.youtube.com/channel/UCuc8KbdMqx8ajWfm2OUTs7A Audio RSS: https://breakfastpuppies.com/feed/glitterbois Want to help us pay for hosting? We have a few options: Drop us a one-time donation or a recurring membership at our Ko-Fi page Follow this link to our Pinecast Tip Jar We've got a merch store if you're looking for some sweet Glitterbois swag. Check out our affiliate store and buy some of the various products we endorse. Support The Glitterbois by contributing to their tip jar: https://tips.pinecast.com/jar/the-glitterbois Send us your feedback online: https://pinecast.com/feedback/the-glitterbois/7ff373c7-e4f2-424b-b46a-b8a6bbb7dec8 This podcast is powered by Pinecast. Try Pinecast for free, forever, no credit card required. If you decide to upgrade, use coupon code r-66e5ee for 40% off for 4 months, and support The Glitterbois.

Are Xbox exclusives officially back, or is this just another strange chapter in Microsoft's gaming strategy? This week on Triangle Squared: A PlayStation Podcast, we react to the latest Xbox Showcase and Nintendo Direct, breaking down the biggest reveals, surprises, and questions coming out of both events. Gears of War E-Day is now being positioned as an Xbox console exclusive, Clockwork Revolution looks genuinely fantastic, Fable brought back Jack of Blades, and Xbox suddenly seems interested in making exclusives matter again. But does any of this actually move the needle? We get into Xbox's identity crisis, whether Game Pass has changed the value of exclusives, what Asha Sharma's leadership could mean after Phil Spencer, and whether PlayStation players should believe these games are truly staying off PS5. We also discuss State of Decay 3, Halo Campaign Evolved, the Xbox 25th Anniversary console, Persona, Spyro, Final Fantasy, Nintendo's showcase strategy, and which company had the best showing overall. New episodes post every other Wednesday! This show is possible thanks to the support of our Patrons. Consider becoming one today: https://www.patreon.com/nartech JOIN OUR DISCORD! Talk PlayStation, gaming news, movies, music, and more with the Triangle Squared community: https://discord.gg/cEvKzqm Email/Tweet us your thoughts & suggestions: X: https://www.twitter.com/TriangleSqrd Email: trianglesquaredpodcast@gmail.com PSN ID's: Brett - Chaimera086 Chris - Figz21k ------------------------------------- 00:00 - Intro 02:10 - Gears of War E-Day Looks Great 09:49 - Xbox Makes Games Exclusive Again? 25:53 - Clockwork Revolution Actually Tempts Us 38:53 - Did Xbox Change After Phil Spencer? 47:29 - Could Xbox Win Us Over? 55:55 - Fable Brings Back Jack of Blades 59:15 - Xbox's 25th Anniversary Console Problem 1:06:08 - State of Decay 3 Comes to PlayStation 1:21:59 - Metro, Bad Magpie & Indie Surprises 1:27:18 - Crazy Taxi Returns & Xbox's Showcase Style 1:48:19 - Persona, Game Pass & Xbox's Identity Crisis 1:56:51 - Spyro, Ocarina & Final Fantasy Resonance 2:13:10 - Who Had the Best Showcase? ------------------------------------- #Xbox #PlayStation #GearsOfWar #Fable #XboxShowcase #PS5 #GamingPodcast

After two actual play episodes, we finally sat down to answer the important questions. Why was there a demon in the basement? Why were people making drugs out of supernatural whale juice? Why did our cult immediately choose violence as a conflict resolution strategy? And perhaps most importantly, how many times can you accidentally make things worse before it becomes your crew's official business model? As it turns out, the answer is "a lot." And somehow that's exactly how Blades in the Dark is supposed to work. Show Notes We wrapped up our Blades in the Dark series by pulling back the curtain on everything that happened during the score. Randall finally revealed what was actually going on behind the scenes, explaining the Grey Cloaks, the corrupt Bluecoats, the illegal refinery, and the fact that our crew only uncovered about thirty percent of the mystery. Somehow, despite missing most of the conspiracy, we still managed to completely ruin everyone's plans. From there, we dug into the mechanics that make Blades in the Dark feel different from traditional fantasy RPGs. We talked about consequences, stress, trauma, healing, advancement, and how the game expects complications to drive the story rather than stop it. Coming from games like Dungeons and Dragons and Pathfinder, we spent some time discussing how strange it feels when success and consequences regularly happen at the same time. The downtime system ended up being one of the most interesting parts of the discussion. Recovering from injuries, indulging vices, reducing heat, building territory, and even potentially spending time in prison all create opportunities for new stories instead of simply resetting everything between adventures. Apparently prison gangs and ghost cults can coexist surprisingly well. By the end of the episode, we came away with a better appreciation for how tightly the mechanics and setting work together. Blades in the Dark constantly rewards messy stories, weird complications, and players who are willing to embrace disaster. Which is fortunate, because disaster seems to be our party's greatest strength. Key Takeaways The crew only uncovered a fraction of the conspiracy surrounding the illegal refinery The Grey Cloaks hired the crew to expose corruption tied to the Bluecoats The operation involved trapped spirits, electroplasm extraction, and an imprisoned demon Blades in the Dark expects consequences to create new stories instead of ending them Stress and trauma are resources that players are encouraged to spend and manage Downtime activities allow characters to heal, reduce stress, train, and pursue projects Heat and Wanted Levels create long-term consequences for reckless crews Prison and faction politics can become entire story arcs in longer campaigns Claims and territory expansion give crews long-term goals beyond individual scores Advancement is tied to roleplaying choices and embracing character flaws The setting and mechanics are deeply connected, making the world feel integral to gameplay Our cult somehow solved a major criminal conspiracy while understanding only about thirty percent of what was actually happening Releasing a demon may not have been the original mission objective, but it certainly made the score memorable Welcome to the RPGBOT Podcast. If you love Dungeons & Dragons, Pathfinder, and tabletop RPGs, this is the podcast for you. Support the show for free: Rate and review us on Apple Podcasts, Spotify, or any podcast app. It helps new listeners find the best RPG podcast for D&D and Pathfinder players. Level up your experience: Join us on Patreon to unlock ad-free access to RPGBOT.net and the RPGBOT Podcast, chat with us and the community on the RPGBOT Discord, and jump into live-streamed RPG podcast recordings. Support while you shop: Use our Amazon affiliate link at https://amzn.to/3NwElxQ and help us keep building tools and guides for the RPG community. Meet the Hosts Tyler Kamstra – Master of mechanics, seeing the Pathfinder action economy like Neo in the Matrix. Randall James – Lore buff and technologist, always ready to debate which Lord of the Rings edition reigns supreme. Ash Ely – Resident cynic, chaos agent, and AI's worst nightmare, bringing pure table-flipping RPG podcast energy. Join the RPGBOT team where fantasy roleplaying meets real strategy, sarcasm, and community chaos. How to Find Us: In-depth articles, guides, handbooks, reviews, news on Tabletop Role Playing at RPGBOT.net Tyler Kamstra BlueSky: @rpgbot.net TikTok: @RPGBOTDOTNET Ash Ely Professional Game Master on StartPlaying.Games BlueSky: @GravenAshes YouTube: @ashravenmedia Randall James BlueSky: @GrimoireRPG Amateurjack.com Read Melancon: A Grimoire Tale (affiliate link) Producer Dan @Lzr_illuminati

In this episode, Bill and Dave dive into three Batman issues and continue their in-depth journey through the epic Knightfall saga.They kick things off with a breakdown of  Batman Legends of the Dark Knight #34, move on to Batman: The Brave and the Bold #17, and wrap it all up with a discussion of Batman #499, part of their ongoing “A Walk Thru Knightfall” series.Timestamps:00:00 – Intro02:58 – Batman Legends of the Dark Knight #3417:34 – Podcast Promo: Is It Jaws19:12 – Batman: The Brave and the Bold #1731:50 – Batman #499 (Knightfall continues!)45:31– What We LearnedGet in Touch:

We're back to another Rules Talk episode! This time, NPC presents a different take on handling the combat initiative flow in Palladium games, inspired by the "pair them off" concepts from the more recent rules books. Some of you may scoff at this, others may even already do this in their own games. We'd love to hear your thoughts, so please leave comments, or drop by Discord and let us know! Drop us a line! You can follow us (sporadically) on Facebook, and we'd love to see you on our Discord Channel too. And let us know your thoughts by leaving a review on iTunes or any other podcast aggregate sites. For even more info and options, check out our main website or our low-bandwidth alternative feed site. Links of Note: Rifts RPG Ultimate Edition, Digital Dead Reign RPG, Digital A Cloak of Blades, by Isaac Sher Credits: Hosts: NPC and Matt Buckley Music: Opening is "8-Bit bass & lead" by Furbyguy, Closing is "Caravana" by Phillip Gross Episode Length (We support chapters!): 27:51 Glitter Boys, Rifts, the Megaverse, and all other such topics are the property of Kevin Siembieda and Palladium Books. Please buy all their stuff and help keep them in print and making more games! You can order directly at palladiumbooks.com, and their entire catalog is available digitally at Drive-Thru RPG as well. We release all of our public episodes simultaneously on: Youtube: https://www.youtube.com/channel/UCuc8KbdMqx8ajWfm2OUTs7A Audio RSS: https://breakfastpuppies.com/feed/glitterbois Want to help us pay for hosting? We have a few options: Drop us a one-time donation or a recurring membership at our Ko-Fi page Follow this link to our Pinecast Tip Jar We've got a merch store if you're looking for some sweet Glitterbois swag. Check out our affiliate store and buy some of the various products we endorse. Support The Glitterbois by contributing to their tip jar: https://tips.pinecast.com/jar/the-glitterbois Send us your feedback online: https://pinecast.com/feedback/the-glitterbois/e5b94402-a47c-462e-a0bf-7933a9cc61a0 This podcast is powered by Pinecast. Try Pinecast for free, forever, no credit card required. If you decide to upgrade, use coupon code r-66e5ee for 40% off for 4 months, and support The Glitterbois.

Every tabletop group eventually reaches a point where someone says, We should absolutely not do that. In this episode, that point arrives roughly every thirty seconds. Faced with a secret ghost-harvesting operation, a trapped demon, corrupt Bluecoats, and enough evidence to bring down an entire criminal enterprise, our heroes make a series of carefully considered decisions such as stealing haunted jars, feeding a paralyzed rival to a demon, and debating whether releasing an eldritch horror is a reasonable business strategy. Somehow, these are not even the worst ideas discussed. Show Notes The second part of our Blades in the Dark actual play drops us back into the depths beneath a seemingly ordinary apothecary, where Roper and Talon discover that the illegal leviathan blood refinery is hiding something far worse than drug manufacturing. What begins as a simple investigation quickly spirals into ghost prisons, demonic experiments, and the sort of moral decision-making that only a cult dedicated to a vampire bat god could justify. After encountering a mysterious hospital-like corridor filled with dying victims, the crew discovers that the entire area has been sealed off from the ghost field using occult runes. The situation becomes even stranger when a dead body fails to trigger the usual supernatural alarms, leading Roper to investigate through the ghost field and uncover evidence of a much larger operation at work. Following clues deeper into the complex reveals the refinery's true purpose. Rather than merely refining leviathan blood, the operation is harvesting spirits from dying people and draining them to produce electroplasm. Rows of trapped ghosts, spirit jars, and meticulous records provide the evidence the crew needs, but things become personal when Roper discovers that an old rival named Flint is directly involved in the scheme. The score reaches peak Blades in the Dark chaos when the crew encounters a captive demon being drained for its blood. Faced with an immobilized enemy, a suffering demon, and absolutely no adult supervision, Talon and Roper decide that feeding Flint to the demon is the most efficient solution available. The plan works far better than anyone expected, which immediately makes it everyone's problem. Armed with demon blood, stolen spirit jars, incriminating documents, and several future psychological scars, the cult narrowly escapes while the facility collapses into supernatural disaster behind them. The result is a perfect demonstration of how Blades in the Dark rewards bold decisions, terrible ideas, and players who are willing to embrace the consequences of both. Key Takeaways The score showcases how investigation, stealth, and horror can blend seamlessly in Blades in the Dark. Attuning to the ghost field reveals hidden truths while often creating entirely new problems. The refinery's true purpose is harvesting spirits from dying people and converting them into electroplasm. Spirit jars, hospital records, and captured ghosts provide concrete evidence of the criminal operation. Teamwork mechanics allow players to combine actions and improve their chances of success during critical moments. Talon's alchemical abilities repeatedly save the operation, from paralysis poisons to perfectly timed smoke bombs. Roper's professional hatred of Flint becomes a surprisingly effective motivator. The crew discovers a demon being harvested for its blood, adding another layer to the facility's horrors. Sometimes the easiest way to deal with a rival is letting a demon handle the problem for you. Whether that is a good idea remains debatable. The episode highlights one of Blades in the Dark's greatest strengths: success often comes from turning disasters into opportunities rather than avoiding disasters entirely. Welcome to the RPGBOT Podcast. If you love Dungeons & Dragons, Pathfinder, and tabletop RPGs, this is the podcast for you. Support the show for free: Rate and review us on Apple Podcasts, Spotify, or any podcast app. It helps new listeners find the best RPG podcast for D&D and Pathfinder players. Level up your experience: Join us on Patreon to unlock ad-free access to RPGBOT.net and the RPGBOT Podcast, chat with us and the community on the RPGBOT Discord, and jump into live-streamed RPG podcast recordings. Support while you shop: Use our Amazon affiliate link at https://amzn.to/3NwElxQ and help us keep building tools and guides for the RPG community. Meet the Hosts Tyler Kamstra – Master of mechanics, seeing the Pathfinder action economy like Neo in the Matrix. Randall James – Lore buff and technologist, always ready to debate which Lord of the Rings edition reigns supreme. Ash Ely – Resident cynic, chaos agent, and AI's worst nightmare, bringing pure table-flipping RPG podcast energy. Join the RPGBOT team where fantasy roleplaying meets real strategy, sarcasm, and community chaos. How to Find Us: In-depth articles, guides, handbooks, reviews, news on Tabletop Role Playing at RPGBOT.net Tyler Kamstra BlueSky: @rpgbot.net TikTok: @RPGBOTDOTNET Ash Ely Professional Game Master on StartPlaying.Games BlueSky: @GravenAshes YouTube: @ashravenmedia Randall James BlueSky: @GrimoireRPG Amateurjack.com Read Melancon: A Grimoire Tale (affiliate link) Producer Dan @Lzr_illuminati

Welcome to The Hangar Z Podcast, brought to you by Vertical HeliCASTS, in partnership with Vertical Valor Plus.This three-part series comes to you from the hangar at Broward Sheriff's Office as part of the 2026 Blades of Valor Tour, where we had the opportunity to interview Sgt Paul Seda and pilot Carl Spear.The Blades of Valor Tour spotlights public safety aviation units recognized for outstanding service and celebrates those who go above and beyond. We aim to promote the good work these agencies do and highlight the standard of excellence they set.These teams serve as a benchmark for the public aviation community. Our mission is to share their stories of unwavering commitment, courage, innovative leadership, teamwork, and technological innovation from agencies setting the standard in public safety aviation.Thank you to our 2026 Blades of Valor Tour sponsor, Switlik Survival Products, for making this tour possible.  Switlik Survival Products supports aviation, marine, military, and search-and-rescue with a wide variety of high-quality survival products. To learn more, go to Switlik.com Massif provides the flight suits that support our crew in the field.This Hangar Z episode, recorded on location at the Broward Sheriff's Office (BSO) in Fort Lauderdale, marks the second stop of the 2026 Blades of Valor Tour.The episode dives deep into the operational excellence of the Broward Sheriff's Office. Sgt Seda and Officer Spear explain the "hunt bad guys" philosophy that drives their mission and the transition from a multi-mission medevac/LEO hybrid to a dedicated, high-tempo law enforcement unit.The episode concludes with a tribute to Spear, who reflects on a 39-year law enforcement career. The crew discusses the "culture of consistency" and the passion required to sustain a long, successful career in the cockpit.This stop on the Blades of Valor tour highlights a unit built on trust, transparency, and a relentless commitment to supporting the men and women on the ground.Thank you to our sponsors Airbus, CNC Technologies and Dallas Avionics.

You are probably wondering, what the heck is a Slurmph? Dustin is. He's a Slurmph. And he'll let you know, in case you forgot. It's time to meet Dustin and Edmundo, best friends forever! EDITOR'S NOTES: A couple of additional tech notes here. Ironically, although we all touted the great qualities of the alternate FX-heavy patron-exclusive renders at the end of this episode, there didn't end up being many moments worth adding sound effects to in this one. Additionally, due to some audio issues, this episode took a lot longer to edit than normal and I really wanted to get it out the door. So this time around, there is no alternate FX version. My apologies! If it's any consolation, since we just finished recording it, I can promise you that the next episode has a lot more effects. Also, due to the normal biological needs of the human body, Alex had stepped away from the table right before we closed out, and thus wasn't present when we were introducing ourselves. In case you were not aware, Henry is played by Alex. Thanks, Alex! Drop us a line! You can follow us (sporadically) on Facebook, and we'd love to see you on our Discord Channel too. And let us know your thoughts by leaving a review on iTunes or any other podcast aggregate sites. For even more info and options, check out our main website or our low-bandwidth alternative feed site. Links of Note: Official Campaign Wiki at Goblin's Notebook Rifts RPG 1st Edition, Digital Rifts RPG Ultimate Edition, Digital Rifts Ultimate Edition, Hardcover A Cloak of Blades, by Isaac Sher Bastard Quest Podcast Credits: GM: Kyle Players: NPC, Just Jacob, Alex, Sean Music: Opening is "8-Bit bass & lead" by Furbyguy, Closing is "Caravana" by Phillip Gross Sound Effects: Unless specified otherwise, all of our sound effects are either self-made, acquired under a Creative Commons Zero license, or sourced by attribution from Tabletop Audio Episode Length (We support chapters!): 1:50:44 Glitter Boys, Rifts, the Megaverse, and all other such topics are the property of Kevin Siembieda and Palladium Books. Please buy all their stuff and help keep them in print and making more games! You can order directly at palladiumbooks.com, and their entire catalog is available digitally at Drive-Thru RPG as well. We release all of our public episodes simultaneously on: Youtube: https://www.youtube.com/channel/UCuc8KbdMqx8ajWfm2OUTs7A Audio RSS: https://breakfastpuppies.com/feed/glitterbois Want to help us pay for hosting? We have a few options: Drop us a one-time donation or a recurring membership at our Ko-Fi page Follow this link to our Pinecast Tip Jar We've got a merch store if you're looking for some sweet Glitterbois swag. Check out our affiliate store and buy some of the various products we endorse. Support The Glitterbois by contributing to their tip jar: https://tips.pinecast.com/jar/the-glitterbois Send us your feedback online: https://pinecast.com/feedback/the-glitterbois/6bbf6242-26fd-4124-915d-9941cd95a847 This podcast is powered by Pinecast. Try Pinecast for free, forever, no credit card required. If you decide to upgrade, use coupon code r-66e5ee for 40% off for 4 months, and support The Glitterbois.

Welcome to The Hangar Z Podcast, brought to you by Vertical HeliCASTS, in partnership with Vertical Valor Plus.This three-part series comes to you from the hangar at Broward Sheriff's Office as part of the 2026 Blades of Valor Tour, where we had the opportunity to interview Sgt Paul Seda and pilot Carl Spear.The Blades of Valor Tour spotlights public safety aviation units recognized for outstanding service and celebrates those who go above and beyond. We aim to promote the good work these agencies do and highlight the standard of excellence they set.These teams serve as a benchmark for the public aviation community. Our mission is to share their stories of unwavering commitment, courage, innovative leadership, teamwork, and technological innovation from agencies setting the standard in public safety aviation.Thank you to our 2026 Blades of Valor Tour sponsor, Switlik Survival Products, for making this tour possible.  Switlik Survival Products supports aviation, marine, military, and search-and-rescue with a wide variety of high-quality survival products. To learn more, go to Switlik.com Massif provides the flight suits that support our crew in the field.This Hangar Z episode, recorded on location at the Broward Sheriff's Office (BSO) in Fort Lauderdale, marks the second stop of the 2026 Blades of Valor Tour.The episode dives deep into the operational excellence of the Broward Sheriff's Office. Sgt Seda and Officer Spear explain the "hunt bad guys" philosophy that drives their mission and the transition from a multi-mission medevac/LEO hybrid to a dedicated, high-tempo law enforcement unit.The episode concludes with a tribute to Spear, who reflects on a 39-year law enforcement career. The crew discusses the "culture of consistency" and the passion required to sustain a long, successful career in the cockpit.This stop on the Blades of Valor tour highlights a unit built on trust, transparency, and a relentless commitment to supporting the men and women on the ground.Thank you to our sponsors Airbus, CNC Technologies and SHOTOVER.

Brendan and The Boys return for a Monday recording recapping perhaps the biggest content week of the year! Now armed with a weekend of data following Friday's bonus Happy Hour episode, the three further unpack the absolute domination of Lanny Wadkins' $25 million renovation of TPC Craig Ranch by this week's field at THE CJ CUP Byron Nelson. Wyndham Clark shot a final-round 60 en route to his first win in over two years, edging out Si Woo Kim and Scottie Scheffler atop the leaderboard. Joseph comes armed with stats showing that this might've been the easiest PGA Tour event ever and PJ is basking in the glow of a week that provided some of the most insane quotes possible regarding a host venue's ability to test the best players in the world. Brendan ponders whether Wyndham is back on track for a spot at this year's Presidents Cup as he seems to be in a better place after a "year of adversity" as was so often referenced on the broadcast. Blades Brown felt right at home during this week's birdie-fest, claiming that his time on the Korn Ferry Tour prepared him for tournaments like this. He secured his Special Temporary Membership on the PGA Tour with his top-15 finish, leading to a perplexing situation where he'll have to sacrifice much-needed KFT points in order to continue playing PGA Tour events. Brendan and Joseph argue that this should not be the case and wonder if this pathway will be adjusted moving forward. The three whip through the rest of this weekend's results, with PJ providing some exclusive on-the-ground nuggets from the Champions Tour stop in Morocco. They foray into a brief bit of news reporting from Eamon Lynch regarding the "Tier One" and "Tier Two" events on the 2028 PGA Tour schedule and whether the top-tier of players will be allowed to "move down" for a week and play "Tier Two" events. To close things out, Brendan, Joseph, and PJ follow up just a little bit on Friday's breaking news that Don Rea was dismissed from his post as President of the PGA of America. Don has stayed silent to this point, and so has the PGA despite promising a formal announcement on Friday afternoon. How long will this silence last? This podcast pledges to provide the most in-depth coverage possible regarding this ongoing situation. Visit BDraddy.com and use promo code SGS30 for 30% off your 2026 Presidents Cup gear!See omnystudio.com/listener for privacy information.

Smylie Kaufman and Charlie Hulme recap Wyndham Clark's win at the CJ CUP Byron Nelson, where Clark closed with a final-round 60 to reach 30-under par and win by three over Si Woo Kim — despite TPC Craig Ranch's much-discussed renovation. They break down why an unusual weather week in Dallas - with soft conditions and no wind - still kept the course vulnerable to low scoring.Smylie and Charlie also dive into Blades Brown earning PGA TOUR Special Temporary Membership, the pros and cons of chasing Korn Ferry Tour status versus PGA TOUR starts, Bryson DeChambeau's comments about possibly choosing content creation over professional golf, and the latest reports that LIV Golf is pitching a reduced 10-event international schedule while seeking new investment.Follow us on socials @thesmylieshow ⛳️ and don't forget to like, comment and subscribe!CHAPTERS:00:00 Weekend golf recap + Charlie's Biltmore Forest trip05:00 Smylie's 16-man game at Vestavia06:00 The yellow ball game explained12:00 TPC Craig Ranch renovation reaction14:15 Why 30-under still happened17:00 Zoysia, Bermuda, soft conditions + course setup21:50 Wyndham Clark's win and putting heater27:15 Why Wyndham could be dangerous again31:00 Wyndham's mental reset after Oakmont34:36 Blades Brown earns Special Temporary Membership36:15 How Blades should manage his schedule40:20 Blades Brown vs. the college golf route44:22 Why college golf and pro golf are so different51:52 Bryson DeChambeau's content creator comments
56:10 Bryson, LIV money, and what comes next
01:05:48 LIV's reported 10-event future
01:12:22 Closing thoughts#golf #pgatour #LIV #Bryson #bladesbrown #smyliekaufman #smylieshow

Welcome to The Hangar Z Podcast, brought to you by Vertical HeliCASTS, in partnership with Vertical Valor Plus.This three-part series comes to you from the hangar at Broward Sheriff's Office as part of the 2026 Blades of Valor Tour, where we had the opportunity to interview Sgt Paul Seda and pilot Carl Spear.The Blades of Valor Tour spotlights public safety aviation units recognized for outstanding service and celebrates those who go above and beyond. We aim to promote the good work these agencies do and highlight the standard of excellence they set.These teams serve as a benchmark for the public aviation community. Our mission is to share their stories of unwavering commitment, courage, innovative leadership, teamwork, and technological innovation from agencies setting the standard in public safety aviation.Thank you to our 2026 Blades of Valor Tour sponsor, Switlik Survival Products, for making this tour possible.  Switlik Survival Products supports aviation, marine, military, and search-and-rescue with a wide variety of high-quality survival products. To learn more, go to Switlik.com Massif provides the flight suits that support our crew in the field.This Hangar Z episode, recorded on location at the Broward Sheriff's Office (BSO) in Fort Lauderdale, marks the second stop of the 2026 Blades of Valor Tour.The episode dives deep into the operational excellence of the Broward Sheriff's Office. Sgt Seda and Officer Spear explain the "hunt bad guys" philosophy that drives their mission and the transition from a multi-mission medevac/LEO hybrid to a dedicated, high-tempo law enforcement unit.The episode concludes with a tribute to Spear, who reflects on a 39-year law enforcement career. The crew discusses the "culture of consistency" and the passion required to sustain a long, successful career in the cockpit.This stop on the Blades of Valor tour highlights a unit built on trust, transparency, and a relentless commitment to supporting the men and women on the ground.Thank you to our sponsors Airbus, Metro Aviation and Precision Aviation Group.

Join Evan and Chad for the weekly Monday Morning Minute! An episode recapping the many nerdy things our hosts have delved into. Listen ad-free on Patreon Join the BRK Discord Preorder Evan's Book Anji In Shadow Buy Evan's book Anji Kills a King New Release Radar: Our Lady of Blades by Sebastien de Castell Pretend You're Dead and I Carry You by Julian Delgato Lopera Books Mentioned: Shroud - Adrian Tchaikovsky Manipulation - Sean Oswald Violence of Mind - Varg Freeborn Dungeon Crawler Carl - Matt Dinniman Batman: Year One - Frank Miller Batman: Court of Owls - Scott Snyder Absolute Batman - Scott Snyder Outlander - Diana Gabaldon Movies Mentioned: Send Help Shows mentioned: Waco Mindhunter Dark Crystal: Age of Resistance Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.