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In this episode the dice and the gods turn against the 7th Tower gang.Cast- Reza- LenaThe Magnificent Figaro- Danny DelucaGamemaster- Jared WitkofskyAl Key- Chris FrenchPerberton- Andrew Collins-AndersonKevin- Morgan JustFeaturing music by Pressure Highway, Jordan Fickel, Danny Deluca and Motoshi Kosako This work is based on Blades in the Dark (found at http://www.bladesinthedark.com/), product of One Seven Design, developed and authored by John Harper, and licensed for our use under the Creative Commons Attribution 3.0 Unported license (http://creativecommons.org/licenses/by/3.0/).
In this episode, we're tackling one of the most fascinating storytelling techniques in tabletop gaming—and no, we're not talking about "flashback mechanics" or "framing devices." The hosts explore the art and craft of nested narratives, diving into why stories within stories aren't just narrative flourish but rather a powerful tool for creating immersive, multi-layered gaming experiences.Whether you're a seasoned GM who's experimented with tales-within-tales or a newer Game Master wondering how to weave multiple narrative threads without losing your players, this episode delivers practical insights with the kind of hard-won wisdom that only comes from years of spinning interconnected stories around the table.We dive deep into the world of layered storytelling and explore how nested narratives, character backstories, and multi-level plot structures can enhance rather than complicate the gaming experience.Topics Covered:The psychology of stories within stories: how layered tales create depth and engagementCharacter-driven nesting: when PC backstories become adventures themselvesSystems that support nested storytelling: Blades in the Dark, Burning Wheel, and Chronicles of DarknessManaging complexity: keeping multiple narrative threads coherent and compellingThe social contract of nested stories: when to embrace or simplify your narrative approachHow constraints and structure in nested stories fuel creativity rather than confuse itPlayer agency in nested narratives: maintaining choice across multiple story layersSo grab your dice, your favorite beverage, and maybe dust off that campaign notebook with all those interconnected plot threads—we're diving into every reason why stories within stories deserve more love at your gaming table!Join host Nick Perron as he draws from his expertise in the TTRPG space to explore the cutting edge of game design with creators who are pushing boundaries and making magic happen one dice roll at a time.→ Tabletopped's Stuff:→ Tabletopped's website→ Patreon→ Instagram→ TwitterCheck us out on Patreon! We have a new monthly pod as well as behind the scenes clips that you can get on a secret Spotify feed! We will also be dropping some more treats from time to time!Theme music by Mitch Poulin
The Four from Cincinnati venture forth into the irradiated warrens beneath the ruins of old Detroit, in search of clues to the fate and location of their missing game master, Mike. Within these foul depths, they find danger, violence, and vintage 1990s porn cds. Special Note! Patrons of the show on Ko-Fi and Pinecast get access to a special alternate version of this episode. The content is the same, but the added effects are slightly different, in fun ways. Drop us a line! You can follow us (sporadically) on Facebook, and we'd love to see you on our Discord Channel too. And let us know your thoughts by leaving a review on iTunes or any other podcast aggregate sites. For even more info and options, check out our main website or our low-bandwidth alternative feed site. Links of Note: Official Campaign Wiki at Goblin's Notebook Rifts RPG Ultimate Edition, Digital Rifts Ultimate Edition, Hardcover A Cloak of Blades, by Isaac Sher Bastard Quest Podcast Credits: GM: Kyle Players: NPC, Just Jacob, Alex, Sean Music: Opening is "8-Bit bass & lead" by Furbyguy, Closing is "Caravana" by Phillip Gross Sound Effects: Unless specified otherwise, all of our sound effects are either self-made, acquired under a Creative Commons Zero license, or sourced by attribution from Tabletop Audio Episode Length (We support chapters!): 01:52:00 Glitter Boys, Rifts, the Megaverse, and all other such topics are the property of Kevin Siembieda and Palladium Books. Please buy all their stuff and help keep them in print and making more games! You can order directly at palladiumbooks.com, and their entire catalog is available digitally at Drive-Thru RPG as well. We release all of our public episodes simultaneously on: Youtube: https://www.youtube.com/channel/UCuc8KbdMqx8ajWfm2OUTs7A Audio RSS: https://breakfastpuppies.com/feed/glitterbois ...and supporters (via Pinecast and Ko-Fi) get new episodes a weekend early! Want to help us pay for hosting? We have a few options: Drop us a one-time donation or a recurring membership at our Ko-Fi page Follow this link to our Pinecast Tip Jar We've got a merch store if you're looking for some sweet Glitterbois swag. Check out our affiliate store and buy some of the various products we endorse. Support The Glitterbois by contributing to their tip jar: https://tips.pinecast.com/jar/the-glitterbois Send us your feedback online: https://pinecast.com/feedback/the-glitterbois/d49c66c0-f5fe-491d-bde7-e8a4910fdca2 This podcast is powered by Pinecast. Try Pinecast for free, forever, no credit card required. If you decide to upgrade, use coupon code r-66e5ee for 40% off for 4 months, and support The Glitterbois.
Discord: https://discord.com/invite/mzZnJuVwdT | SUSCRÍBETE A NUESTRO CANAL DE YOUTUBE: | https://www.youtube.com/@sonido_boom?sub_confirmation=1 | NUESTRO CANAL PRINCIPAL: | https://www.youtube.com/abuguet | Esta semana Ep. 337: (0:00) - Intro. (1:19) - Pregunta Estúpida de la semana. (10:53) - El contenido para adultos en peligro. (25:02) - Los videojuegos son arte y el arte no se censura. (38:10) - Los juegos no aptos que jugamos de niños. (50:16) - Ganamos la batalla, Xbox baja sus precios. (1:04:03) - Continúan los ataques contr Stop Killing Games. (1:14:07) - Las microtransacciones hacen a los juegos más divertidos. (1:24:04) - Las microtransacciones no existen. ===SPEEDRUN DE NOTICIAS=== (1:36:46) - La colaborción de Magic y Final Fantasy es un éxito. (1:37:22) - Sony invierte en Bandai Namco. (1:39:23) - Nuevo set de Lego en forma de Gameboy. (1:39:52) - La secuela de la película de FNAF ha sido anunciada. (1:41:02) - La próxima película de Resident Evil podría estar buena. (1:42:03) - Obsidian ya está pensando en Grounded 3. (1:43:04) - Final Fantasy XI es demasiado popular. (1:44:43) - Splitgate 2 regresa a Beta. (1:47:01) - Blades of Fire no ha vendido bien. (1:49:28) - Las ofertas y descuentos de la semana con el Arbano Peps.
Grim Scenarios Plays Blades in the Dark! Our first foray into actual play RPGs! An group of criminals explore the shadowy underbelly of Duskvol, as they attempt to pay back a gang they stole from. But dangers lurk everywhere. Blades in the Dark is a tabletop role-playing game about a crew of daring scoundrels seeking their fortunes on the haunted streets of an industrial-fantasy city. There are heists, chases, occult mysteries, dangerous bargains, bloody skirmishes, and, above all, riches to be had — if you're bold enough to seize them. You and your fledgling crew must thrive amidst the threats of rival gangs, powerful noble families, vengeful ghosts, the Bluecoats of the city watch, and the siren song of your scoundrel's own vices. Will you rise to power in the criminal underworld? What are you willing to do to get to the top? Find out more here: https://bladesinthedark.com/ If you like our RPG content please like and subscribe, and leave a comment; we want to keep doing this but its a lot of effort if we don't know you like it! Featuring: Milk as the Keeper Emma as Needle InspirationFollows as Chime Elle as Noir Gandledore as Clink With editing from NinjaNina With original art by Sam Music by Scott Buckley – released under CC-BY 4.0. www.scottbuckley.com.au
Hal is back to look at exciting Finland international winger, Oliver Antman Hosted on Acast. See acast.com/privacy for more information.
After The Whistle from the Blades match, featuring goal clips, a half-time chat with the academy's Justin Tellus, covering the recent trip to Scotland, plus a post-match catch-up with ex-Chesterfield player Steve Spooner. Also analysis from Jamie Hewitt and reaction to the game from Danny Webb, Lee Bonis and Lewis Gordon.
New Blades is an annual model-making exhibition and recruitment fair held in London each year, showcasing the work of graduating students from various UK universities and colleges. It's a key event for connecting emerging talent in the model-making industry with employers and professionals. The event is organized by 4D Modelshop, a major supplier to British model makers. This is the first time the Design & Technology Association has attended this exhibition but it certainly won't be the last. In this podcast we talk with students, university lecturers and industry professionals as we seek to follow each student interviewed on their journey from inspiration, through school and university, to a career in architecture, film and other exciting related industries. This podcast was recorded in a crowded exhibition on mobile recording equipment, I believe it successfully captures the excitement and bustle of a crowded centre, but the sound may not be on a par with our usual standard; I hope you can appreciate why.We reference many of the student models on show in our conversations, these can be seen in their full glory through this link:https://www.designtechnology.org.uk/news/new-blades-2025-celebrates-the-next-generation-of-modelmakers/Huge thanks to Arachne.digital your cyber threat intelligence platform for their support that makes these podcasts possible. Contact them for a free appraisal of your school's cyber security. This is a very different venture for Designed for Life. It's one we are keen to replicate should you, the listener feel it appropriate. We would really appreciate your feedback, positive or otherwise to designedforlife@designtechnology.org.uk
Today we are talking with 2x Paralympian Noelle Lambert who competes in the 100m and long jump. We get into the details of running blades (and how much they cost), how she improved her 100m between the Tokyo 2020 and Paris 2024 Paralympics, and how she's training for LA 2028. Noelle is also the founder of the Born to Run Foundation, which raises money to provide sports prosthetic legs for amputees. Born to Run is having its next bi-annual golf fundraiser on September 22. Go to theborntorunfoundation.org or its Facebook page to learn more. Follow Noelle on TikTok and Instagram: @noellelambert Also on this episode: London 2012 and Paris 2024 doping news Milano-Cortina 2026 releases its medals Drama for French Alps 2030 Olympic and Paralympic venues News from Team Keep the Flame Alive (TKFLASTAN) For a transcript of this episode, visit flamealivepod.com Thanks so much for listening, and until next time, keep the flame alive! *** Keep the Flame Alive: The Olympics and Paralympics Fan Podcast with hosts Jill Jaracz & Alison Brown. New episodes released every week and daily during the Olympics and Paralympics. Support the show: http://flamealivepod.com/support Bookshop.org store: https://bookshop.org/shop/flamealivepod Become a patron and get bonus content: http://www.patreon.com/flamealivepod Buy merch here: https://flamealivepod.dashery.com Hang out with us online: Facebook: https://www.facebook.com/flamealivepod Insta: http://www.instagram.com/flamealivepod Facebook Group: hhttps://www.facebook.com/groups/flamealivepod Newsletter: Sign up at https://flamealivepod.substack.com/subscribe VM/Text: (208) FLAME-IT / (208) 352-6348
Juan Deive nació el 7 de julio de 1975 en Venezuela. Cantante y compositor autodidacta, en 1997 se trasladó a Madrid para estudiar arte dramático, mientras comenzaba su recorrido musical en pequeños clubes de la ciudad. Su universo sonoro es amplio y ecléctico, influido por artistas como Elvis Presley, Rubén Blades, Soda Stereo, Soundgarden, The Clash, The Smiths o Cypress Hill, entre muchos otros. A lo largo de su carrera ha formado parte de varias bandas, como El Ruido Maldito —grupo de hard rock con el que firmó en 2006 con Locomotive Records— y L4 RED, junto al baterista Pedro Andreu (Héroes del Silencio). También ha trabajado como compositor para documentales, proyectos sociales y editoriales internacionales, colaborando con Peermusic Miami y Universal Latin Music. En el ámbito audiovisual, destaca su trabajo en la banda sonora del proyecto solidario “Cooperantes y Pobladores”(productora Tus Ojos) y la composición para el documental “Waldo Balart, en concreto” (2011). Actualmente, presenta “Invierno Rubí”, un disco íntimo y emocional producido junto a Juan de Dios Martín, grabado entre 2023 y 2025, que representa su trabajo más personal hasta la fecha. Su propósito como artista es claro: crear desde la honestidad, conectar, emocionar y acompañar.
This Postmodern Realities episode is a conversation with JOURNAL author Cole Burgett about his article, “Up, Up, and Away (Again): A Review of Superman (2025) “. This also part of Cole's ongoing column, Cultural Apologetics.[Editor's Note: This review contains spoilers for Superman (2025).] https://www.equip.org/articles/up-up-and-away-again-a-review-of-superman-2025/Related articles and podcasts by this author:Episode 453 Man Creates Something Worse than Dinosaurs: A Review of ‘Jurassic World Rebirth'Man Creates Something Worse than Dinosaurs: A Review of ‘Jurassic World Rebirth'Episode 448: We Used Up All the Perfect: Andor and the Limits of Star WarsWe Used Up All the Perfect: Andor and the Limits of Star WarsEpisode 443: Blades, Spirits, and the Sacred: Encountering Shintoism in Assassin's Creed ShadowsBlades, Spirits, and the Sacred: Encountering Shintoism in Assassin's Creed ShadowsEpisode 437: What is Truth in ‘Dune: Prophecy'?What is Truth in ‘Dune: Prophecy'?Episode 430: Space Pirates and Treasure Planets: A Review of ‘Star Wars: Skeleton Crew'Space Pirates and Treasure Planets: A Review of ‘Star Wars: Skeleton Crew' Don't miss an episode; please subscribe to the Postmodern Realities podcast wherever you get your favorite podcasts. Please help spread the word about Postmodern Realities by giving us a rating and review when you subscribe to the podcast. The more ratings and reviews we have, the more new listeners can discover our content.
Join Bob DeMarco for an in-depth look at his most carried self-defense fixed blade knives during summer 2025.This comprehensive episode features Bob's daily pocket check, breaking knife news from major manufacturers, state of the collection updates, and detailed reviews of 12 fixed blades that have earned serious carry time. From his own TKell Agent 001 collaboration to custom pieces from Dirk Pinkerton and production standouts like the Civivi Perfrico, Bob shares honest insights about what makes a defensive knife truly carry-worthy.Whether you're interested in tactical applications or everyday protection, this episode delivers practical knowledge from years of real-world experience. Plus: exciting news about upcoming TKell releases, Patreon knife giveaways, and why Bob's daughter keeps a BPS Junior Outdoor by her bedside "for defense."Find the list of all the knives shown in the show and links to the Knife Life news stories at https://theknifejunkie.com/611.Support the Knife Junkie channel with your next knife purchase. Find our affiliate links at https://theknifejunkie.com/knives. You can also support The Knife Junkie and get in on the perks of being a patron, including early access to the podcast and exclusive bonus content. Visit https://www.theknifejunkie.com/patreon for details.Let us know what you thought about this episode and leave a rating and a review. Your feedback is appreciated. You can also email theknifejunkie@gmail.com with any comments, feedback, or suggestions.To watch or listen to past episodes of the podcast, visit https://theknifejunkie.com/listen. And for professional podcast hosting, use The Knife Junkie's podcast platform of choice: https://theknifejunkie.com/podhost.
Send us a textYou know that news crawler that pops up in the right-hand corner of your computer screen for those of us two dumb to turn it off. Well, an article popped up that got my interest.The 15 Best TTRPGs For One-Shot SessionsMSN pulled an article from CBR that listed the 15 Best TTRPGS for One-Shot Sessions. It lists games like Crash Pandas, Alien, Mork Borg, Blades in the Dark and Dread. It also has D&D listed along with Call of Cthulhu. It's just interesting to see an article about TTRPGs dropped in a main news media feed and then to see so many independent games getting equal time as D&D is fantastic.Christina? Does this mean anything for the independent TTRPGs or am I just reading too much into it?[Kick to Christina]In other behind the scenes news Chris Perkins and Jeremy Crawford who until recently were the Creative Director and Game Director respectively at Wizards of the Coast have taken positions with Darrington Press. It looks like both Perkins and Crawford both left Wizards with the intent to retire, but were lured back into the business by Darrington Press.https://www.enworld.org/threads/chris-perkins-and-jeremy-crawford-join-darrington-press.713839/What does this mean for Daggerheart…and why the hell would anyone come out of retirement. I can only think of three things that could get me out of retirement, A lot of Money, a lot of power, or a lot of promises. Preferably it would be a combination of all three. And speaking of Daggerheart the reviews are, well, not encouraging. Seems to be too finicky, lots of math for no reason, and very slow combat. I haven't played it yet, so don't shoot the messenger.Christina, thoughts on Daggerheart?[Kick to Christina]What do you think it means that Perkins and Crawford joined Darrington Press? And that's it, all the news, you've already heard.
Juan Deive nació el 7 de julio de 1975 en Venezuela. Cantante y compositor autodidacta, en 1997 se trasladó a Madrid para estudiar arte dramático, mientras comenzaba su recorrido musical en pequeños clubes de la ciudad. Su universo sonoro es amplio y ecléctico, influido por artistas como Elvis Presley, Rubén Blades, Soda Stereo, Soundgarden, The Clash, The Smiths o Cypress Hill, entre muchos otros. A lo largo de su carrera ha formado parte de varias bandas, como El Ruido Maldito —grupo de hard rock con el que firmó en 2006 con Locomotive Records— y L4 RED, junto al baterista Pedro Andreu (Héroes del Silencio). También ha trabajado como compositor para documentales, proyectos sociales y editoriales internacionales, colaborando con Peermusic Miami y Universal Latin Music. En el ámbito audiovisual, destaca su trabajo en la banda sonora del proyecto solidario “Cooperantes y Pobladores”(productora Tus Ojos) y la composición para el documental “Waldo Balart, en concreto” (2011). Actualmente, presenta “Invierno Rubí”, un disco íntimo y emocional producido junto a Juan de Dios Martín, grabado entre 2023 y 2025, que representa su trabajo más personal hasta la fecha. Su propósito como artista es claro: crear desde la honestidad, conectar, emocionar y acompañar.
Juan Deive nació el 7 de julio de 1975 en Venezuela. Cantante y compositor autodidacta, en 1997 se trasladó a Madrid para estudiar arte dramático, mientras comenzaba su recorrido musical en pequeños clubes de la ciudad. Su universo sonoro es amplio y ecléctico, influido por artistas como Elvis Presley, Rubén Blades, Soda Stereo, Soundgarden, The Clash, The Smiths o Cypress Hill, entre muchos otros. A lo largo de su carrera ha formado parte de varias bandas, como El Ruido Maldito —grupo de hard rock con el que firmó en 2006 con Locomotive Records— y L4 RED, junto al baterista Pedro Andreu (Héroes del Silencio). También ha trabajado como compositor para documentales, proyectos sociales y editoriales internacionales, colaborando con Peermusic Miami y Universal Latin Music. En el ámbito audiovisual, destaca su trabajo en la banda sonora del proyecto solidario “Cooperantes y Pobladores”(productora Tus Ojos) y la composición para el documental “Waldo Balart, en concreto” (2011). Actualmente, presenta “Invierno Rubí”, un disco íntimo y emocional producido junto a Juan de Dios Martín, grabado entre 2023 y 2025, que representa su trabajo más personal hasta la fecha. Su propósito como artista es claro: crear desde la honestidad, conectar, emocionar y acompañar.
Grim Scenarios Plays Blades in the Dark! Our first foray into actual play RPGs! An group of criminals explore the shadowy underbelly of Duskvol, as they attempt to pay back a gang they stole from. But dangers lurk everywhere. Blades in the Dark is a tabletop role-playing game about a crew of daring scoundrels seeking their fortunes on the haunted streets of an industrial-fantasy city. There are heists, chases, occult mysteries, dangerous bargains, bloody skirmishes, and, above all, riches to be had — if you're bold enough to seize them. You and your fledgling crew must thrive amidst the threats of rival gangs, powerful noble families, vengeful ghosts, the Bluecoats of the city watch, and the siren song of your scoundrel's own vices. Will you rise to power in the criminal underworld? What are you willing to do to get to the top? Find out more here: https://bladesinthedark.com/ Featuring: Milk as the Keeper Emma as Needle InspirationFollows as Chime Elle as Noir Gandledore as Clink With editing from NinjaNina Music by Scott Buckley – released under CC-BY 4.0. www.scottbuckley.com.au
Season 4 explores heavy political themes, abuse of power, extortion, sudden death, grief, loss of sense of self, kidnapping and the paranormal. Viewer discretion is advised. Setting plans in motion, going to bath houses and communicating with the paranormal all takes place as the end game is in sight. This season of 5 GMs in a Trenchcoat uses Blades in the Dark by Evil Hat Productions. Kim Tsuyuki is your game master. Support us at our Ko-Fi to help us sustain the show and follow us on our Instagram, Threads, TikTok and BlueSky! You can also join our Discord to hang out with the 5 GMs and get fun sneak peeks at upcoming projects.Music/Sound Effects Include:“Sherlock Stroll” by ProdbyHappyHourMusic from Epidemic SoundSound effects from Epidemic Sound and Pixabay Hosted on Acast. See acast.com/privacy for more information.
In this week's episode, we take a look at how the meaning of words can shift and evolve over time, and the challenges and opportunities that can create for writers. This coupon code will get you 25% off the ebooks in the Malison series at my Payhip store: MALISONJULY25 The coupon code is valid through August 12, 2025. So if you need a new ebook this summer, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 260 of The Pulp Writer Show. My name is Jonathan Moeller. Today is July 19, 2025, and today we are reflecting on how the meaning of words changes over time. We will also have Coupon of the Week, an update on my current writing and audiobook projects, and Question of the Week. So let's start off with Coupon of the Week. This week's coupon code will get you 25% off the ebooks in the Malison series at my Payhip store, and that is MALISONJULY25. And as always, both the coupon code and the links to my Payhip store will be available in the show notes. This coupon code is valid through August the 12th, 2025. So if you need a new series of ebooks to read for this summer, we have got you covered. Now for an update on my current writing projects. I'm pleased to report that Stealth and Spells Online: The Final Quest, the final book in the Stealth and Spells trilogy, is now out and you get it at Amazon and Kindle Unlimited. People have read it, have liked it, so I'm pleased that people are enjoying the ending to the trilogy. Now that that is out, my next major project will be Ghost in the Siege, the sixth and final book of the Ghost Armor series. I am 32,000 words into the rough draft, and I think it's going to be about 100,000 words, give or take. I am also 2,000 words into Blade of Flames, which will be the first book in my new epic fantasy Blades of Ruin series, which will be set in the realm of Owyllain about a hundred years after the end of The Shield War. So listen for more updates on that coming later as I work on it. In audiobook news, both Ghost in the Corruption (as excellently narrated by Hollis McCarthy) and Shield of Battle (as excellently narrated by Brad Wills) actually came out on the same day, so as of right now, you can get them at Audible, Apple, Amazon, Google Play, Kobo, and my Payhip store. There's usually a few more stores in the mix, but I've been having trouble with Findaway Audio and I'm looking into different audiobook distributors. So hopefully we will have some progress on that soon. So that's where I'm at with my current writing and audiobook projects. 00:02:07 Question of the Week Now it's time for Question of the Week, which is intended to inspire interesting discussions of enjoyable topics. This week's question, do you get food delivery? Do you ever have pizzas delivered or perhaps a sandwich from a place that does delivery, or do you use some of the various delivery services that have sprung up in the last 10 years like DoorDash, Grubhub, or Uber Eats? No wrong answers obviously, since everyone's circumstances are different. The inspiration for this question was a massive online discussion I saw about the etiquette of tipping DoorDash drivers, and since I had never used DoorDash or a similar service, I realized it was yet another massive technological and cultural shift that I had that happened to miss me out. So I was curious about what people thought about it, and as you expect, we had a range of answers. Perry says: No, and we haven't for years. We live too far away to make it worthwhile, even if we wanted to. Sarah says: I do very rarely get cooked food delivery, and then almost always pizza for the kids when I feel really sick. However, as a Walmart Plus member, I routinely get grocery delivery. I'm pregnant and homeschool three of my four kids (the littlest is too young for formal schooling). It saves me so much time to only have to bring it in the house. The time savings is about 90 minutes on an average week. I sometimes do grocery pickup, which my husband grabs on the way home for an hour time savings, since it is on his way home, but since he works awful hours, it's simpler for me to get the groceries than for him to grab them after a twelve hour day. Of course, feeding six mouths (and usually my dad too for a seventh), we have multiple short runs to Walmart throughout the week for stuff we run out of or general merchandise needs for home maintenance, so we managed to hit lots of in-store time and sales that we would otherwise miss too. Mary says: No, even for Chinese takeout, we would call in the order and pick it up, and I haven't done that for years. Justin says: No food delivery for me, thanks. It's not available where I am, but even living in a college town, I always picked it up. Norma says: I do have Italian food delivered because they have delivery in-house. Have never used a delivery company, but I just heard from my grandson that he's working for one while at university. David says: Maybe once or twice a year I'll get delivery for pizza. Everything else is pickup or eaten at the restaurant. I'm not pressed for time, so having it delivered doesn't make sense. Tracy says: I get pizza delivered from Papa John's. John says: When I lived in Houston, I rarely got anything delivered since it was as fast to just go out and get it myself. Now I live way out in the woods. Nobody delivers that far out, so I usually have to go get it for myself. I usually prefer to cook for myself. Michael says: Alas, I am far too fond of such services (as reflected by my Winnie the Pooh body shape). I live in the middle of the most densely urbanized city in the country, with the result that there are at least 40 takeaways and restaurants within a mile or so radius of my home. While I usually go out if getting takeaway, sometimes an Uber Eats or a Deliveroo is too tempting! For myself, as you might've guessed when I said that I missed out on DoorDash and Uber Eats, the answer is no, I don't get food delivery. I think it might've been over 25 years since I last had a pizza delivery. I did occasionally when I was a teenager and in college. When I moved out into the adult world, I never did. The reasons were one, I was extremely broke, and two, at the time I lived near a university campus with all the attendant fast food places that surrounded it. So if I wanted fast food, I'd get a bunch of stuff within walking distance. If I wanted fast food on a workday, all I had to do is just go through the drive-through on my way home. Anyway, as I got older, the habit of never ordering delivery solidified, which is probably just as well because services like DoorDash and Uber Eats look massively expensive, even before the social etiquette question of tipping arises. These days, if I want fast food or a pizza, I would go get it myself (or more likely persuade myself that I'd really be better off to stay at home and eat vegetables and lean protein). Though it is interesting given the range of the responses, it's a good reminder that people's circumstances can vary wildly and something that would be a waste of time or money for one person might actually be very advantageous for another. 00:05:51 Word Meanings and Chivalry And now onto our main topic. It is interesting to reflect how the meaning of words shifts over time and how a word can sometimes long outlast its original purpose and meaning. “Mile” is a good example, since it's originally derived from the distance covered by a Roman soldier marching a thousand steps. Nowadays, the usage of miles has nothing to do with marching Romans, and most of the world uses kilometers anyway, but the name remains, having long outlived its original meaning. “Chivalry” is another good example. Nowadays, chivalry or chivalrous typically means a man acting in a deferential way to a woman- holding the door, pulling out a chair for her, taking her coat, standing when she approaches the table, et cetera that an individual woman will either find charming, annoying, patronizing, or perhaps some combination of the three depending on her particular disposition and her opinion of the man in question. But that definition of the word chivalry is only a ghostly relic of what it used to mean. Chivalry comes originally from the French word “chevalier”, which means “mounted warrior on horseback”, which was a French term for the medieval knight In the Middle Ages, the term chivalry both referred to the expected conduct of a knight and in a larger sense knighthood as an institution or perhaps the proper behavior expected of the knightly warrior class as a whole. Medieval knighthood originated from essentially three sources. First, the practice of barbarian kings and chieftains, gathering a “comtitatus” around them, a group of chosen warriors who lived with him and were expected to die with him if necessary. Two, the influence of the medieval Catholic church and three, how a combination of the stirrup, the lance, and heavy armor meant that cavalry dominated the battlefield for most of the Middle Ages. Number three meant that knighthood was usually available only to the wealthy. The knight fought on horseback and fighting on foot was for lesser men, peasants, serfs, and churls. Horse mounted combat was the knight's defining trait. Horses were (and still are) very expensive and suitable armor and weapons were likewise expensive. Additionally, learning to ride a horse in battle while effectively wielding melee weapons was a difficult endeavor, which meant that the boys and men who did needed to make a full-time profession of it, which again, limited knighthood to those able to afford it. A lot of what we think of as chivalric behavior evolved out of the medieval churches efforts to control and regulate knighthood. Early medieval knights were essentially armed thugs employed by local warlords. The early history of feudalism in post-Roman Western Europe tends to boil down to “local warlordism” based around holding land, with centralized states only slowly developing. In the late 800s-900s A.D., the church advocated movements like the Peace of God, which tried to instruct knights and nobles not to kill or rob women, children, the elderly monks, nuns, priests, and other non-combatants and the Truce of God, which tried to unsuccessfully ban fighting on holy days and any possible holidays. The fact that the church felt the need to be that specific shows just how widespread that kind of local warfare was. While many knights adopted the external forms of piety, movements like the Peace of God and the Truce of God did little to dissuade them from practical business of looting and seizing as much land as they could hold. Evidence of this is found in the First Crusade and the subsequent crusades. One of the motivations for the First Crusade was to drain off a lot of the belligerent young knights out of Western Europe and send them off to fight “infidels” in the Holy Land instead of making trouble at home. “Chivalry” as a code of conduct developed out of the combination of the fact that it was expensive to be a knight and the church's attempts to regulate it. That meant that knighthood saw itself as a distinct social class with standards of expected behavior. A knight was supposed to be pious. He should show no fear and charge to meet the enemy without hesitation. A knight fought on horseback (fighting on foot was for lesser men). A knight should be reverent towards the church and obey his lord unquestionably. He also should show courtesy to women of noble rank. This did not apply to peasants and townswomen. He also should develop romantic love for an unattainable married woman (since marriage between nobles was usually for reasons of power and not love) and should use that unrequited love to spur him on to feats of valor. A knight should also be generous and open-handed to the poor and to his fellows. Now, all of this sounds good, but in practice a lot of these virtues twisted around into vices. Fearlessness in battle turned into arrogance and delusions of invincibility. One of the reasons France did so badly for much of the Hundred Years' War was because the French knights insisted on charging into battle at once to demonstrate their knightly valor and prowess, which let them get slaughtered en masse by English longbowmen. Additionally, readiness to fight evolved into fighting for any excuse at all, which frequently led to wars both ruinous and utterly pointless. Knighthood's class awareness often cause nobles to treat warfare as a chivalric adventure, which was not conducive to sound strategy leading to victory. Generally, the most successful medieval monarchs were those like Henry II of England, Edward I of England, Charles V of France, and Philip II Augustus of France, who did not allow knightly virtues to get in the way of hardheaded practical policy. Generosity turned into extravagant displays of public magnificence, which in turn meant attempting to squeeze more tax money out of the peasants and merchants. A knight's respect towards the church often meant giving large donations to have Masses set in perpetuity for his soul after a lifetime of plunder. And of course, knight might have unrequited Lancelot-style love for an unattainable, married noblewoman. But in practice, many knights had many, many illegitimate children, sometimes with their “unattainable” married noblewomen. Moralistic writers in every century of the Middle Ages bemoan the laziness, greed, and luxurious living of their contemporary knights and frequently exhorted them to return to the heartier, more virtuous knights of the past years. Even the Middle Ages had the Nostalgia Filter. As is so often the case with institutions that have outlived their useful utility, knighthood was never really reformed, but eventually became obsolete. By the end of the Hundred Years' War, the French King maintained a professional standing army, which is far more useful than giving land to nobles and attempting to get knights out of them through feudal obligations. Other nations soon follow suit. Longbows and Crossbows heralded the weakness of armor, and then gave way to trained infantry soldiers equipped with firearms. Horsemen remained an important part of warfare for centuries, since they were vital for scouting and attacking unprepared infantry formations. The American Civil War was the first truly industrial war, and yet the Civil War still had numerous significant cavalry battles, but the armored knights' days as master of the battlefield were over, and while knights remained part of the upper class, knighthood gradually became a ceremonial honor that had nothing to do with its original purpose of mounted warfare. Recently, filmmaker Christopher Nolan became Sir Christopher Nolan, Knight Bachelor of the United Kingdom, for reasons entirely unrelated to wielding a lance on horseback while wearing heavy armor. So as we can see, the word “chivalry” has a long, long history. So it is amusing to see how the last remnant of its original meaning in the modern era is to hold the door open for women. It occurred to me as I wrote this out that the reason I'm a fantasy novelist and not a historian is that I thought “hmm, there's the ideas for like twelve different books in all of this.” Which, I suppose, is perhaps the point. Chivalric knighthood was something of a myth even in its own time, but the myth inspired some great stories over the centuries. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. I a reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.
this episode starts off mid-laugh, mid-sip, and mid-chaos—just how we like it. The mics came on before we were ready, but the conversation still flowed. From random banter to real talk, we covered it all. No script, no filter—just a good time with good energy.
In this episode, we're talking about that confusing space between vibing and dating. You know… when y'all are talking, spending time, catching feelings—but nobody's actually said what it is. The crew breaks it down with real stories, laughs, and a few side tangents about movie classics like The Temptations, Ray, and The Color Purple (because why not?).We get into what “vibing” really means, why people avoid labels, and how things can get messy when the lines aren't clear. If you've ever found yourself in a “situationship” or wondering, “Are we something or nah?”—this one's for you. Expect a mix of real talk, jokes, and those moments that make you say, “Yep, been there.”
Join us as we play Blades in the Dark! Game Master Amelia leads Haley, Grace, Abbey, Robin, and Josie through a very important heist in the nation of Malum. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kamandora's Blades and Raging Slayers arrive. We considered running this whole episode as a shouting match/punch-out to stay on the angry theme. We break down the latest to arrive in Aqshy's underworlds. Phil, Brian and Davy run though the highlights. Agents of Sigmar: Battle of the Bads Staggerers Underworlds Deck Repository Cinderfall Gaming: Underworlds, 2nd edition batrep playlist Card by card review for Kamandora's Blades Card by card review of Raging Slayers Come chat on our discord Support us on Patreon As you go insane, go insane
Onrs -667 Blade little person Baseball Hotel life Long hours, no days off Fence talk / Steve / Freddy Customer service in ATL is garbage Owen almost misses his flight. Oh No and the Secret of the Swamp Gold Snoop dogg investing in Swansea city soccer Eating butts in different cultures Owens yard waste Food trade entitlement 19 days of work in a row. Time to get the fuck outta this field. New dog, new body language. The Oh No Radio Show | Call Live @ 407-906-6466 | Live shows @ Twitch.tv/onrslive
Text us a pool question!Here's what we do differently when the pool water temp is up!!! In this episode of the Talking Pools podcast, Rudy Stankowitz delves into a chilling true crime story intertwined with the pool industry from his book, Blades of Glass available on Amazon.com. The conversation shifts to industry insights, discussing recent trends and challenges in pool maintenance, particularly focusing on the chemistry of hot water and the complexities of testing in elevated temperatures. The episode concludes with practical advice for pool professionals on managing chemical balance in hot pools, emphasizing the importance of precision and understanding in maintaining pool health.takeawaysThis episode is not about typical pool maintenance tips.The story involves a shocking crime scene with stolen blood.Pools can be silent witnesses to both joy and tragedy.Hot water chemistry requires careful management.Testing in hot water can lead to inaccurate results.Chlorine behaves differently in high temperatures.Maintaining pools in hot weather is a unique challenge.Understanding chemistry is crucial for pool professionals.The importance of circulation in hot pools cannot be overstated.Precision in pool maintenance is key to preventing disasters.Sound Bites"This is not your usual pool pump repair story.""A refrigerator full of stolen blood.""Don't be that pool guy."Chapters00:00Diving into Darkness: A True Crime Crossover02:13The Crime Scene: Blood and Pools03:53The Aftermath: Unraveling the Mystery05:55The Pool as a Silent Witness15:32Industry Insights: Pool and Spa News24:20Hot Water: Managing Chemistry in Pools30:21Understanding Chlorine Behavior in Hot Water34:35Impact of Temperature on Water Testing40:10Chemical Management in High Temperatures46:24Hydraulic Efficiency and Pool Circulation50:56Managing Hot Pools: A Delicate Balance Support the showThank you so much for listening! You can find us on social media: Facebook Instagram Tik Tok Email us: talkingpools@gmail.com
In this Episode the 7th Tower Gang faces a fight to the death and flashbacks to playing catch with their dad.Cast- Reza- LenaThe Magnificent Figaro- Danny DelucaGamemaster- Jared WitkofskyAl Key- Chris FrenchPerberton- Andrew Collins-AndersonKevin- Morgan JustFeaturing music by Pressure Highway, Jordan Fickel, Danny Deluca and Motoshi Kosako This work is based on Blades in the Dark (found at http://www.bladesinthedark.com/), product of One Seven Design, developed and authored by John Harper, and licensed for our use under the Creative Commons Attribution 3.0 Unported license (http://creativecommons.org/licenses/by/3.0/).
Craig sat down with Maddie and Wheels to discuss their newest venture and recently released game.Just for Fun, Inc, Outgunned, ROOT, Call of Cthulhu, Delta Green, Ten Candles, Alice is Missing, SETI, Band of Blades, Warhammer, FREAKZ!, Dead Rising 2, Raven's Watch, Numenera************************************Support the show for as little as $1 a month: Add this to the end of your link on DriveThruRPG to support the show: ?affiliate_id=1044145Example: https://preview.drivethrurpg.com/en/product/397612/Court-of-Blades--Scandal-Forged-in-the-Dark?affiliate_id=1044145Check out our live-streaming content on Twitch Don't miss our RPG Actual Plays, tutorials, and gaming content on YouTube Listen to an excellent board game podcast Go to the Writer's Room for 7th Sea Adventures!Check out the great games from A Couple of Drakes:Listen to Tales of the ManticoreFollow us on Facebook, Follow on BlueSky
oin Bob DeMarco as he showcases his complete collection of 8 DC Blades knives from the innovative collaboration between Justin Carvin (Tier 1 Gear Reviews) and Chris Harrison (Old Squirrel Knives).From the groundbreaking Scythe XL to the tactical TOPS Ephyra, discover what makes these designs special. Plus: July 2025 giveaway details, Knife Life news covering Leatherman's knife debut and new releases from Rosecraft Blades and Boker, and Bob's weekend adventures with his Very Good Knife Company First Strike.This episode offers deep insights into tactical knife design, innovative collaborations, and the future of modern folding knives.Find the list of all the knives shown in the show and links to the Knife Life news stories at https://theknifejunkie.com/610.Support the Knife Junkie channel with your next knife purchase. Find our affiliate links at https://theknifejunkie.com/knives. You can also support The Knife Junkie and get in on the perks of being a patron, including early access to the podcast and exclusive bonus content. Visit https://www.theknifejunkie.com/patreon for details.Let us know what you thought about this episode and leave a rating and/or a review. Your feedback is appreciated. You can also email theknifejunkie@gmail.com with any comments, feedback, or suggestions.To watch or listen to past episodes of the podcast, visit https://theknifejunkie.com/listen. And for professional podcast hosting, use The Knife Junkie's podcast platform of choice: https://theknifejunkie.com/podhost.
Hal looks at the possible loan signing of Louie Barry and what he could offer the Blades. Hosted on Acast. See acast.com/privacy for more information.
En este video analizamos las recientes declaraciones de figuras culturales de la izquierda latinoamericana como René Pérez (Residente Calle 13) y Rubén Blades, quienes han tomado posiciones políticas que evidencian una profunda contradicción: critican al capitalismo desde sus mansiones, mientras apoyan dictaduras de izquierda como las de Venezuela, Cuba y Nicaragua.Residente canceló un evento alegando que sus organizadores apoyaban a Israel, mientras él mismo ha respaldado regímenes represivos como el de Maduro y Ortega. ¿Hipocresía cultural? Rubén Blades, por su parte, defiende los “logros” de la izquierda en Latinoamérica, como prestaciones sociales, sin reconocer cómo estos sistemas empobrecen a los ciudadanos.Además, incluimos un análisis de Agustín Laje sobre la batalla cultural: cómo la izquierda tomó el control de los espacios culturales, y cómo la derecha los abandonó por completo, permitiendo la manipulación ideológica desde el arte, la música y el entretenimiento.
It is my pleasure to once again host Logan Kenoras aka Queen of Blades aka Improper Ascension. He has been diving deep into the secrets of #alchemy but in his own #techno ways of course. So join us on another crazy yet amazing journey!Where to find Logan Kenoras: TwitterKickDiscordBandlabWhere to find the Tribe of the Greyhorn Pagans:Main hubhome of the FireFaeSupport the Greyhorn Pagans:PATREONSpreaker SupportMusic used:Intro: Runes of the Ancients by Queen of blades -- https://www.bandlab.com/roamingdarkness_ -Outro: Viking/Medieval Theme by M-Murray -- https://freesound.org/s/723202/ -- License: Attribution NonCommercial 4.0
Season 4 explores heavy political themes, abuse of power, extortion, sudden death, grief, loss of sense of self, kidnapping and the paranormal. Viewer discretion is advised. The Coin Flips return as they plan to get ahead of The Big Four, as their lives depend on it. This season of 5 GMs in a Trenchcoat uses Blades in the Dark by Evil Hat Productions. Kim Tsuyuki is your game master. Support us at our Ko-Fi to help us sustain the show and follow us on our Instagram, Threads, TikTok and BlueSky! You can also join our Discord to hang out with the 5 GMs and get fun sneak peeks at upcoming projects.Music/Sound Effects Include:“Sherlock Stroll” by ProdbyHappyHourMusic from Epidemic SoundSound effects from Epidemic Sound and Pixabay Hosted on Acast. See acast.com/privacy for more information.
Shake hands with your guest; Monologue, monologue smug smirk Make good face– Now put a name to the face Put a time to the place IOh, all the love in the world in three flames All the doves in the flock, And three flames Put a name to the face Monologue monologue Doesnt take long but When do i get to slap the desk? Johnny! What happened? Whats the 10 vodkas, Five spritzers Full figure Figure this You were out for the count! Do tell! Or better yet, don't. I remember tgis mologue, But i dont know how 16 hours ago, I was Out for the count, you say?! OUT, Johnny! Our market is livid! lol who plays john carson Your mother. YO! I'M OLD! I LIKE OLD DUDES NOW! I'm like When the fuck did this happen?! That ain't no SILVER FOX! That's a TOTALLY CUTE DUDE! HE'S 55!! OH NOOOOOOOO! i'M OLD!!!!!!! its wednesday eve in Boston Mass… SETH MEYERS! Ah, he's going for it. Ah, man. SHOW ME YOUR EYES. Fuck. SHOW ME YOUR EYES! SUDAKIS shines a bright flash light into his former colleagues eyes. …You're not Seth Meyers. Seth Meyers does not respond, but relaxes slightly; it's obviously not safe to be Seth Meyers right now. Where's Seth Meyers? Seth shrugs but still doesn't say anything– Where is he? I have to stop here; Cop out for body language somebody's watching Somebody knows who I am I am I remember now You looked like that It went like this: I moved the world The need was good The love was gone The vein was split open And broken No fair Also, no omletts 60 minutes 60 years and 60 second clips 60 second glimpses 60 men on television but really, my attention just centers on Around ten of them or so And believe it or not, I care approach. Believe it or not, I care Or don't! –or don't! Johnny! You don't get it! You missed a show! THE tonight show! We are fucked! we are NOT! youre still sauced. I'll just take the car! What car!? Now that JOHNNY CARSON knows his Delorean can time travel, he's absolutely unstoppable. Unfortunately, it appears his delorean has been switched with a regular one– If I shoot you in your forehead? I'd rather that, than this. And I kiss you in your temple? Dear templeton, my simpleton's i'll die I desire. A wicked want. And then? A callous shadow, If i may, To bear for nothing, But a mirror This is our concept And wilted her e the flower does grow the flame The faming true and ache of lust and there For our want a jasper shore and emerald cascades there you are, And there you'll find The wave beyond the peaking break where great white sharks reside But do not wade to shallow waters; And there you find peace, And there you find certainty But now, And here, is war And fortune not but seeks truth in the gaze And for fear there does not live, but hides instead the truth that seeks to guide the lite, And yet does know our trust And there does find the faith, Forward and not Upwards and back Arrow and arrow Truth and sparrow Wreaking and wretched thoughts And the rope does hang high and solemn Looking, leap and gasp For I fall but did not land I pulled for you, I weep, my shadow, The two of diamonds, the Ace of spades, The Three of Hearts, Without my shadow I weep. I know for you nothing but conscious and knowing and needing and fated departure. I know for you nothing but chakras and eyesight and shadows and foresight. I need fo you nothing but want and by conscious, departure For nothing I want you, I weep. Sorrow. On approach of danger, The knowing, On seeth did gather, the sinking ritual the carried tribes in ships tied, weaving strings The spider bites hard And she stole my love twice And she stole my love always And she stole my love Lighting my light wit blue eyes The deception If love could be stolen at all But if not Then not love for seeking is finding and gathered had hunted And truth in forbearer Forbearance and otherwords, Shadows and shattered and ferris wheels, Now forward Gathered here for are I trust And be dismayed for you have faltered You have failures and you have cast us out of these things thinking We have not made them for you And still we seek to gather with you And here does forshadow your making Our promise to come as ones, Not as Gods, But as others, you cast out. Now, with your wicked ways and cruel be done, for sure the tables have turn, one And the gallows have not wandered far, Barrels of guns and barbells bottles and hearts of three reading cards and wanting none but justice Is he and she who are I now Begin to run from your pitied structure And there in the gasping cruelness of seeking from warcrimes this, come what may, Moving and seeking, For seeking is finding, And run, my legs have come far But trust, my dove, My wings have too, sprouted An honor, an honor one candle and three wicks Three candles and three worlds over One world and one building and still far from under the Hollywoodland Crickets sounding The Hollywood Sign Still standing and here I am not, Blades of grass And who are I now Of that which you balk at Look, ponder Go, far asunder And wish now had you not What I am is that, Run Temper temper. Mind your business. Is it gathered? To burn, or burden? Gathered. Gathered here. Then here ive wandered. To stake? Argue. I will not. And I will not. Wiry bird, From where you flown i do ponder– re d with spirit and wilding eyes, Narrow server and paring wires; I do not wish to know you now or ever, But only as bird that does golden remember. The love has not gone, And instead lives in my throat, And twists in my lungs, Ans sits in my tongue, Not as speech, or whispers, But tragedy. Unknowing this, my tender being It can never be, the nervous hill And rolling down the hill as if The weel of time itself, Not unbroken, but resilient; In sll ways, meant to tear And turn, And wobble Made for terrain for which our eyes have known And our minds have built And hands molded wiith clay, The bodies whole of all our galaxies terra feighn Terra fine Terra wept tears of a clown, And iron And veins And shadows And plays, And secrets , And whispers And truth And far And Afters. I taste a saline drip, I swallow, Suddenly cold and all the knowing that What I was, I surely already am again And what I will be, Has already come and past. The monologue, I do remember Face to a name and none to forget Well rehearsed forager! Well done bayonet! Well done, my shadow For my time is coming to wander to night And never today again for it shall never Today again, And Tomorrow, Tomorrow, Tomorrow. [The Festival Project ™ ] They said he would destroy me. …Ya'll were right. that fucked me up. {Enter The Multiverse} So…forfeit? Something tells me its not over The heavy heart is shattered But also tied to that which appears to come upward As if on air To be heavy And lighthearted at once– A shadow above a balloon. A rock is attached to a kite– A diamond becomes a bassoon, Then a vampire bat, and then Cut ties. In the fourth act, we all die, and now– A revival. I was crucified, But i was also suicidal so. Lets just call it a tie. L E G E N D S V.O. Crusher. My show was being subliminally plugged on at least two of the five major networks. Safe bet I could make it a third, but I didn't know where to check. I did…but didn't want to. There was much beyond the surface, Darkness in the glimmering eyes of the men in ties and uniformed suits. I was sure I was tied to something– And since I didn't know why, Or to what, The best bet I'm all in. Fuck. Was to stay broken, Under the radar, Hidden, and most importantly– Unspoken. These days. I kept more to myself than I could with the world– As it turned out… No, not yet. What do you mean? It's not time yet. They'll have to know. But not yet. At some point, they'll have to know. But not–yet. No time like the present. You made that up. Because you made up time. And it's stupid. This is ruthless. And again–they'll have to learn somehow. But not now. The sun sets at noon on our side, and still 21 hours of dark time. Did I have another tag to throw on it this? No. Are you sure? Doesn't the new series have a subtitle? No. Is it not “quantum force” That's only one, though. What's the difference. ERMO, DON'T! I'm gonna kill him! BIG BOYD, DON'T EVEN THINK ABOUT IT! DOn't tell me what to DO. Wow. of course. Well yeah, they're not going to let me do– LAWYERS No. Any of this stuff with the actual muppets. You're wasting precious time! GET BACK IN YOUR HOLE, RED. ok, where does it– {cut to black} Learning to assimilate and readily avalible What's next A vape to calm the nerves? What's next? A hero fighting for relevance in corporate structure. Sure, some would pay to dress an avatar But I've run out of water before I try to laugh and roll with the punches This is work and not fun for me This is not social, it's business I am not person, I'm product. Go on a walk, and look the part I took the oath, I shed the blood— Cruxes. This is a bad idea, Mark. Fuck you. All my ideas are great. MARK WAHLBERG enters the cooridor and opens the metal double doors, revealing two l jet skis on a trailer hitched to a 4X4 monster truck. [The Festival Project ™] I'm telling you. You got to get yourself one of these. I don't know, Bob, how does it work? BOB odenkirk opens a large, obscure black bag that's nearly half his own size by way of one way zipper. I'll show you. {Enter The Multiverse} JOHNNY CARSON has been in the DRUNK TANK for the maximum allowance, 48 hours, yet his blood alcohol level still reads 3 times over the legal limit. He is transferred to DETOX as the mysterious circumstances surrounding his car accident, and then the apparent disappearance of his entire “car” a (then) brand-new DeLorean from the scene of the crime, MR. CARSON insists on his lawyer, who under no circumstances seems to exist at all being present. The exact year of his whereabouts are still unknown. Still an hour to the test And I hate myself again Milk and cookies, hit the bed Shut it down, yo Shut it down. DIPLO arrives via HELIPAD to an secret location; a sniper squad of the adversary team watches from an adjacent rooftop via binoculars. …hey. Whaddup. You say diplo's on that list? Yeah. Yo… …There he is. In your sight? Yep. Shoot that motherfucker! …I can't. Why not? He's like— Just shoot, fool. —he's like holding something. So? I don't know what; it just seems— What the fuck, dawg. It just seems important. Let me see. Look. [ESSE looks down the sights and zooms to see DIPLO is holding an object firmly in his grasp. He appears to be twirling it purposefully as he conversates wi th associate.] Yeah! Get em! Shoot that motherfucker! Where the hell have you been? In my fuckpad. Where the hell is that? You haven't seen my fuckpad? What even is that. It's ballin. Whatever, dog. Did you get the— Shh. Why else would I be here? [beat] You look— did you cut your hair or something. You're so redundant. Yo shoot that motherfucker. What are you waiting for?! He's right there? Apparently, we've been building to this moment from another dimension in from another point in the series? I thought— {Enter The Multiverse} HEHEHEHE. HEY! Relax. NO. This party is OUT of control. SOMEBODY GO GET QUESTLOVE OUT THAT TREE. HAH! Shutup. NIGGA GET THE FUCK UP OUTTA DAT TREE. _____ Some party. I guess. Why is Questlove in a tree. I don't know. That party is pretty wild. This is insane. _ NIGGA GET THE FUCK OUT THE TREE. _ YO. where are you AT. I'm at the kiosk. You're not at the kiosk! I'm at the kiosk! It's probably another kiosk, then. What! [he walks a few feet. There is indeed another kiosk; upon further investigation, there is a kiosk every few feet.] What! I gotta go. My phone's about to– Hello. [Everywhere is kiosks. This is frustrating.] Dammit. WHAT. {Enter The Multiverse] A very large prized pig is captured and literally hogtied, however–this is a challenge. The pig, while beautiful, is also humongous–and appears to understand that he is being pignapped. Why would I tel the whole story When no one loves me If I had a gun, Well, I would be gone already? Why trek to Alaska For thousands of dollars To come home to no one and nobody But rotten corpses on motorcycles Where it just starts over But now you're poorer. I want to die But I want to see my son again. He's not suffering, I am But starting to resent what he doesn't understand. To the world I'm a horrible mother But no one quite knows the half of it but God And the whole problem is what is not God in the world Is all for the other's purpose. Some probably respect I was punched In front of my son And then wonder's why At some point I could no longer Hold on Insomniac So someone should go slam the door when I ponder my own thoughts I'd probably walk off a walk on roll I don't lock up no more I just go out Knowing government drones probably watch And turn over the apartment As I'm out trying to own a home But of course, nothing I do in the world is of value And I'm no one No one at all in New York and the options are Where I don't want to be Or in Saint Monica homeless. I'd get a dog if I wanted to walk it But since I don't I just sit with a plush in my lap Who I call “Gus” And it purposeless But otherwise meaningful Since from here and now And otherwise Nobody has ever loved me As much as my mother And that's saying something If you knew the whole story So no one has loved me romantically; Almost all my life was a horror show Until I started to grow up With the knowing that probably Nothing I do could be more than wrong So doing nothing becomes the hard part When all I watch are stars And I'm just not one Then again, you know It was that word That threw the first punch And then over and over And over and over And nobody loves me But everybody's got a whole story And new York's disgusting because of it How troublesome I don't have time for your politics It's a mind game but there's no reward, Or honor in it After all, when tied up in the court process And pretending the noise was not a problem And I should be so lucky In a luxury apartment Coming out of a homeless shelter But it's almost been just as horrible As other black girls trying to pull my hair out Having screaming pigs and ugly men on motorcycles Drive in circles Wearing jackets that say “I have to do this, cause Jack says” And whoever Jack is writes them pychecks Except Since it politics He might even be getting over considering Passion fuels the utmost violence And in this case Imm supposed to be the only one To go about it All the paperwork and recordings But really I don't want to Even if it earns a millions dollars In the name of God It wasn't my problem Unless I am one And otherwise, These men are sick And making people sick Is just their business I need no medication I need an new apartment But how awful my country supports that I just don't deserve one Under the circumstances But the white man Lives on borrowed time In bloodshed On stolen land Regardless of color The illusion of power Is almost over And what's more is Your only army Is considering going home (Post mortem) Considering going to God Who must have lost control just enough To cause all of the apocalypse Put the whole world in a mental hospital And lock them up for dollars and cents Unless the good drugs make sense For the blondes and the beautiful The rest of them are problems Who can go to rot, I suppose. The rest of us are unwanted colored problems Can't stay here But the kids at the music school are fake nice And I'm done pulling my heart out And scratching my eyes out Just fucking trying Just fucking trying What is the point Of being in a prison For people who love oceans and trees And decent people? There's no one in New York to really love But babies and dogs And the whole world is horrible just knowing that I don't want to do anything but die Every time I ride the subway I wish I was white From the way that that white folks treat me And I wish I was blonde Because blondes seem to have it so fucking easy It's hard to believe I'm furious, furious Aren't you curious, curious how I got here? I'm serious, serious You should let me in, let me in I'm serious, serious You should have let me in, let me in Is he okay, Is he okay? Now I'm David Grohl on the whole retrospective Now I'm an old rockstar with some world left Now I know I'm the one with the mother gone Now I know, Now I know Now I know… That I don't Overall, I don't Somebody new Somebody grain and l steaming Somebody hidden and secret and wishing well Wishing well in Hell Or midtown Manhattan Or middle man Or Middle East Or Midwest Or just middle Somewhere else I, Learned to live her Learn to live here— Feeling better Feeling worn out, Look at this disgusting place Now where I live matches how I feel Going here from there, and four to five And no matter what I take the L, But it's jail and the guards are on motorcycles Controlling your thoughts for a zoning war I have heard of her And from earth to the core of our other outer planets, Further species, I know I've been here before, But on some shore I'm surfing So sure I did something wrong I don't want to know her But j don't know what other force of nature Might have caused this Caution The cautionary tale is coming Sure I never know what the other God wrote But I'm not living God, I'm a problem woman at the moment We're all technically free people, Not actually incarcerated But when it comes to wealth and racism, hatred You better bet we're all slaves And they not even Jesus can save us Even if he makes it in time, And the thing is with this one, Time precedes even his own existence Sorry my brother They want the war here I've got a heart for honor and honesty and hard word But no one seems to care or notice Not at all No one even knows my name And no one even offers a spot on the bus Or a quick dollar. What it means To be so tired That by the time you're back All you do is watch And try not to reflect On the ugly and awkward Imagine all the time in the world To be nothing but God and go Golfing. And be perfect, a woman Whatever you chose to do is the whole of it And no one can own you, Besides for on paper You government name has betrayed you, they say Your government name has betrayed you. Do you know how good you look? Not goof enough to get a good one Do you know how much medication it makes To make meditation the start of you day I've run all out of energy And the vampires seem to think That's what's wrong with me Altoigh I'm the one feeding these creatures Thats okay Lately, I have more than I need They can trim the fat And take all the hard stuff Till I become one of them And they start to wonder What the fuck is wrong with all of us I left my light at home, sufererer— I should be surfing, But I'm writing psalms and songbooks Fawning over songbirds and beautiful, Beautiful, Beautiful genetic weapons One day I'll become her I'm not supposed to say the most l Or really anything at all And it all hurts But we're all here And I'll kill my self one day Probably right here, near this station If not in it Who brought a trouser pantsuit to the apocalypse Cryptic, these runes, But I can decipher it I want a dolphin, a dolphin, a dolphin I want to love them all But to all of them I'm hopeless I can't help falling for I'm not the one to hold on, m I l [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved
In this episode another member of the 7th Tower arrives to do... something...Cast- Reza- LenaThe Magnificent Figaro- Danny DelucaGamemaster- Jared WitkofskyAl Key- Chris FrenchPerberton- Andrew Collins-AndersonKevin- Morgan JustFeaturing music by Pressure Highway, Jordan Fickel, Danny Deluca and Motoshi Kosako This work is based on Blades in the Dark (found at http://www.bladesinthedark.com/), product of One Seven Design, developed and authored by John Harper, and licensed for our use under the Creative Commons Attribution 3.0 Unported license (http://creativecommons.org/licenses/by/3.0/).
Hoo-eeee we recorded this one months ago, on the same night as our chat with mister Perez himself, but other big episodes kept getting put ahead into the queue. Anyway, here's our chat on the awesome, wonderful, why-don't-you-own-a-copy-ot-this-already Rifts graphic novel, Machinations of Doom! Drop us a line! You can follow us (sporadically) on Facebook, and we'd love to see you on our Discord Channel too. And let us know your thoughts by leaving a review on iTunes or any other podcast aggregate sites. For even more info and options, check out our main website or our low-bandwidth alternative feed site. Links of Note: Rifts Machinations of Doom, Digital A Cloak of Blades, by Isaac Sher Credits: Hosts: NPC, Just Jacob, and Matt Buckley Music: Opening is "8-Bit bass & lead" by Furbyguy, Closing is "Caravana" by Phillip Gross Episode Length (We support chapters!): 20:45 Glitter Boys, Rifts, the Megaverse, and all other such topics are the property of Kevin Siembieda and Palladium Books. Please buy all their stuff and help keep them in print and making more games! You can order directly at palladiumbooks.com, and their entire catalog is available digitally at Drive-Thru RPG as well. We release all of our public episodes simultaneously on: Youtube: https://www.youtube.com/channel/UCuc8KbdMqx8ajWfm2OUTs7A Audio RSS: https://breakfastpuppies.com/feed/glitterbois ...and supporters (via Pinecast and Ko-Fi) get new episodes a weekend early! Want to help us pay for hosting? We have a few options: Drop us a one-time donation or a recurring membership at our Ko-Fi page Follow this link to our Pinecast Tip Jar We've got a merch store if you're looking for some sweet Glitterbois swag. Check out our affiliate store and buy some of the various products we endorse. Support The Glitterbois by contributing to their tip jar: https://tips.pinecast.com/jar/the-glitterbois Send us your feedback online: https://pinecast.com/feedback/the-glitterbois/6a13d7d1-e9ec-46e4-939e-919f9048b55a This podcast is powered by Pinecast. Try Pinecast for free, forever, no credit card required. If you decide to upgrade, use coupon code r-66e5ee for 40% off for 4 months, and support The Glitterbois.
Rich & Amanda chat about the state of the GOTY race. Games: Shuffle Tactics Demo, Tower Wizard, Blades of Fire Demo, and Tower of Cats. To contact us, email call@gamerswithjobs.com! Send us your thoughts on the show, pressing issues you want to talk about, or whatever else is on your mind. Links & Show Notes.
This Postmodern Realities episode is a conversation with JOURNAL author Cole Burgett about his article, “Man Creates Something Worse than Dinosaurs: A Review of Jurassic World Rebirth “. Coming Soon! This also part of Cole's ongoing column, Cultural Apologetics. [Editor's Note: This review contains spoilers for Jurassic World Rebirth and other films in the franchise.]Related articles and podcasts by this author:Episode 448: We Used Up All the Perfect: Andor and the Limits of Star WarsWe Used Up All the Perfect: Andor and the Limits of Star WarsEpisode 443: Blades, Spirits, and the Sacred: Encountering Shintoism in Assassin's Creed ShadowsBlades, Spirits, and the Sacred: Encountering Shintoism in Assassin's Creed ShadowsEpisode 437: What is Truth in ‘Dune: Prophecy'?What is Truth in ‘Dune: Prophecy'?Episode 430: Space Pirates and Treasure Planets: A Review of ‘Star Wars: Skeleton Crew'Space Pirates and Treasure Planets: A Review of ‘Star Wars: Skeleton Crew'Episode 425: Film Review: Netflix's MaryEpisode 420: ‘Heretic' The Gospel According to Mr. Reed‘Heretic': The Gospel According to Mr. ReedDon't miss an episode; please subscribe to the Postmodern Realities podcast wherever you get your favorite podcasts. Please help spread the word about Postmodern Realities by giving us a rating and review when you subscribe to the podcast. The more ratings and reviews we have, the more new listeners can discover our content.
* Mailbag!* Not sure what is up with the audio this episode.* Dance with the Serpent Kickstarter just wrapped* Plugs for Novel Games and Shadows in the Smoke* Email from Matt P: Questions about the Books of Harrow* Email from Phillip: How did wild animals and other creatures survive the Scourge?* Email from Matt M: Help me understand Friend or Foe?* Email from Nicholas: Which adventure would you run to feature Earthdawn to new players?* Blades is awesome, but not the right choice.* Post-Closing: Trailer for Shadows in the SmokeFind and Follow:Email: edsgpodcast@gmail.comYouTube: https://www.youtube.com/@EDSGPodcastFind and follow Josh: https://linktr.ee/LoreMerchantGet product information, developer blogs, and more at www.fasagames.comFASA Games on Facebook: https://www.facebook.com/fasagamesincOfficial Earthdawn Facebook Group: https://www.facebook.com/groups/officialearthdawnFASA Games Discord Channel: https://discord.gg/uuVwS9uEarthdawn West Marches: https://discord.gg/hhHDtXW
Bye Kelly... forever. (jk)Follow me everywhere at Master of Memejitzu!
Blades takes the recruits into a Gold Rush-themed training sim, but Hoist is overwhelmed with guilt after he cheats! Then Wedge gets to show off when a mission brings them to DIG FEST! Join us this SUNDAY SUNDAY SUNDAY for the Rescue Bots Academy episodes “All that Glitters” and “Dig Fest”!
Nick and Oli welcome the Blades first signing of the summer, seeing Tyler Bindon sign on loan for the season from Nottingham Forest. Hosted on Acast. See acast.com/privacy for more information.
Season 4 explores heavy political themes, abuse of power, extortion, sudden death, grief, loss of sense of self, kidnapping and the paranormal. Viewer discretion is advised. We take a brief intermission to a point not too far in the future.This season of 5 GMs in a Trenchcoat uses Blades in the Dark by Evil Hat Productions. Kim Tsuyuki is your game master. Support us at our Ko-Fi to help us sustain the show and follow us on our Instagram, Threads, TikTok and BlueSky! You can also join our Discord to hang out with the 5 GMs and get fun sneak peeks at upcoming projects.Music/Sound Effects Include:“Sherlock Stroll” by ProdbyHappyHourMusic from Epidemic SoundSound effects from Epidemic Sound and Pixabay Hosted on Acast. See acast.com/privacy for more information.
Desde el nacimiento de la Overkal en 1973, un clon de la Odissey y que tenía sus propios juegos, hasta el reciente Blades of Fire de Mercury Stream o el esperadísimo Ninja Gaiden de The Game Kitchen , tenemos una trayectoria de más de 50 años de historia del videojuego en España que se recogen en la exposición Iconos del videojuego español. Made In Spain que el Museo OXO del Videojuego en Málaga acoge hasta noviembre con la participación de más de 40 estudios y voces principales del desarrollo en España. Una exposición impulsada por el Ministerio de Cultura través de Industrias Culturales y que nos ha servido de excusa para unir en una conversación abierta a una representación muy abierta de la industria. Hablamos del videojuego en España con:María Uzquiano (AEVI), Luís Oliván (DEV / Fictiorama Studios), Héctor Calvo (Ministrio de Cultura, Industrias Culturales), Paco Ureña y David Erosa (The Game Kitchen), Pablo Ruiz (Dinamic) y Tatiana Delgado (Out Of The Blue).Una radiografía poliédrica y necesaria para entender el pasado, presente y futuro del videojuego en España que complementamos desde el mundo de las viñetas y bocadillos con Alejandro Casasola, presidente de la Sectorial del Cómic.Escuchar audio
We finally are back on the road once more, seeking adventure and answers! Shortly into this voyage, the party considers murdering Bronson for his crimes against humanity. Okay maybe only Riley and Mister Cat consider it. But the suffering is real. Drop us a line! You can follow us (sporadically) on Facebook, and we'd love to see you on our Discord Channel too. And let us know your thoughts by leaving a review on iTunes or any other podcast aggregate sites. For even more info and options, check out our main website or our low-bandwidth alternative feed site. Links of Note: Official Campaign Wiki at Goblin's Notebook Rifts RPG Ultimate Edition, Digital Rifts Ultimate Edition, Hardcover A Cloak of Blades, by Isaac Sher Bastard Quest Podcast Credits: GM: Kyle Players: NPC, Just Jacob, Alex, Sean Music: Opening is "8-Bit bass & lead" by Furbyguy, Closing is "Caravana" by Phillip Gross Sound Effects: Unless specified otherwise, all of our sound effects are either self-made, acquired under a Creative Commons Zero license, or sourced by attribution from Tabletop Audio Episode Length (We support chapters!): 01:55:15 Glitter Boys, Rifts, the Megaverse, and all other such topics are the property of Kevin Siembieda and Palladium Books. Please buy all their stuff and help keep them in print and making more games! You can order directly at palladiumbooks.com, and their entire catalog is available digitally at Drive-Thru RPG as well. We release all of our public episodes simultaneously on: Youtube: https://www.youtube.com/channel/UCuc8KbdMqx8ajWfm2OUTs7A Audio RSS: https://breakfastpuppies.com/feed/glitterbois ...and supporters (via Pinecast and Ko-Fi) get new episodes a weekend early! Want to help us pay for hosting? We have a few options: Drop us a one-time donation or a recurring membership at our Ko-Fi page Follow this link to our Pinecast Tip Jar We've got a merch store if you're looking for some sweet Glitterbois swag. Check out our affiliate store and buy some of the various products we endorse. Support The Glitterbois by contributing to their tip jar: https://tips.pinecast.com/jar/the-glitterbois Send us your feedback online: https://pinecast.com/feedback/the-glitterbois/70f1ab86-72e7-43f2-9cd0-bd5a738ba82a This podcast is powered by Pinecast. Try Pinecast for free, forever, no credit card required. If you decide to upgrade, use coupon code r-66e5ee for 40% off for 4 months, and support The Glitterbois.
Welcome to Side Character Quest, a one-on-one actual play podcast set in a world where cicadas sing, rivers flow, magic thrums through the air, and all of it's surrounded by a single massive Wall as ancient as history itself. Today we're doing something a little different! Instead of diving straight into a new adventure, you are going to get to hear our game master Ty and our guest player Fiona do a "Session 0", where they discuss the game they'll be playing and then create the character who will be the star of the upcoming quest. Fiona Howat is a TTRPG Actual Play Performer, Podcaster, Improviser, and Voiceover Artist who works with Realms of Peril & Glory. She is perhaps best known for the actual play podcast What Am I Rolling? and the TTRPG talkshow The DM's Book Club. Want to learn more about Ty, the host (and GM and producer and editor and...) of SCQ? Have questions for us, or just want to say hi? Website: Contact form or Press Kit Email: SideCharacterQuest@gmail.com Instagram: @SCQpodcast Discord: Side Character Quest LinkTree: SideCharacterQuest Mentioned During the Show Dice Exploder, a podcast about game design. Blades in the Dark, a TTRPG about a crew of daring scoundrels in a haunted, industrial-fantasy city. in the Dark, a simplified and settingless version of Blades in the Dark._ Murderous Ghosts, a no-prep two-player horror game. Hit Me, a No-Prep Noir TTRPG designed by Ty! Additional Credits Thanks to Autumn for providing the artwork for Side Character Quest! Thanks to Briar for lending a voice to our credits! To hear more, check out one of Briar's own side character quests as Deirdre, a monster hunting cleric! Proud member of the Scavengers Network. Say hi on the Scavengers Network Discord Server!
In Episode 606 of The Knife Junkie Podcast, host Bob DeMarco speaks with Josh Wolfe, the Army Ranger veteran and founder of Red Beard Blades.Josh shares his story from combat veteran to master knife maker, explaining how his military service directly influenced his approach to creating what he calls "apocalypse survival tools" The conversation covers his early learning experiences, the importance of mentorship in knife making, and his signature designs including the popular Midnight Patriot and Bravo 4 models.The knife maker talks about his steel selection process, having settled on 8670 and 80CRV2 for their combination of toughness and workability. He explains his signature black oxide finishing technique and how his military mindset of continuous improvement drives him to make each knife better than the last.The episode provides valuable insights into blade geometry, heat treatment, and the discipline required to master the craft of knife making.Listeners will appreciate Josh's honest assessment of his early struggles and mistakes, as well as his generous approach to sharing knowledge with other makers. His story demonstrates how the structured thinking and attention to detail learned in military service translates perfectly to the precision required in knife making.Josh also touches on his design evolution, from blocky early handles to refined ergonomic profiles, and his recent experimentation with textured G10 materials.This episode offers both inspiration for aspiring knife makers and valuable information for collectors interested in understanding what goes into creating high-quality custom knives.Find this episode and more at www.theknifejunkie.com/606, and learn more about Josh Wolfe and Red Beard Blades at https://redbeardblade.com, on Instagram and on Facebook.Be sure to support The Knife Junkie and get in on the perks of being a patron, including early access to the podcast and exclusive bonus content. Visit https://www.theknifejunkie.com/patreon for details. You can also support The Knife Junkie channel with your next knife purchase. Find our affiliate links at https://theknifejunkie.com/knives.Let us know what you thought about this episode and leave a rating or a review. Your feedback is appreciated. You can also email theknifejunkie@gmail.com with any comments, feedback, or suggestions.To watch or listen to past episodes of the podcast, visit https://theknifejunkie.com/listen. And for professional podcast hosting, use The Knife Junkie's podcast platform of choice: https://theknifejunkie.com/podhost.
Writer, musician, and game designer James Curcio joins us for a warm, wide-ranging chat on magic, myth, and RPGs. From Dungeons & Dragons to Mage: The Ascension and Modern Mythology, we talk play, storytelling, and the mystery of it all. Oh, yeah, and we also shoot the breeze about goblins, game systems, and why magic might just be another name for imagination.Show Notes Generation Hex - Editor Jason Louv brings together a batch of wild and thoughtful voices from the edge of things—a generation of young folks dreaming up bold new paths for spirit, soul, and what it means to grow as human beings—including an essay by James Curcio. Blades in the Dark - A tabletop role-playing game about a scrappy crew of daring scoundrels chasing fortune and stirring up trouble on ghost-filled streets. Fate Accelerated - Folks just call it FAE—is a slimmed-down, easy-to-learn version of Fate Core that still packs all the punch and flexibility of the full game. It's quick as a whip to pick up, and before you know it, you and your pals can be off adventuring in the world of your favorite book, movie, or show—or cookin' up a brand-new world of your own. Best part? Setup's a breeze. You can go from idea to dice-rollin' in just a few minutes. Alan Moore and his latest book, The Great When, a spellbinding new series full of murder, magic, and mayhem—set between two Londons: one picking up the pieces after World War II, and the other a hidden world brimming with mystery and wonder. Grant Morrison and his comic book series, The Invisibles, a scrappy little cell of The Invisible College—a secret bunch fighting the good fight against all kinds of oppression, using time travel, magic, meditation, and (when needed) a good ol' fashioned scuffle. The Expanse - a role-playing game brings the big, bold world of James S.A. Corey's hit sci-fi books right to your tabletop. Built on Green Ronin's trusty Adventure Game Engine—the same one that powers Fantasy AGE, Blue Rose, and Modern AGE—this game drops you into a future where Earth folks, Martians, and Belters are all jockeying for power and resources out in the stars. But something old and alien is waking up, and the story of humanity's future is fixing to take a wild new turn. Modern Mythologies, a podcast exploring mythmaking and mechanics in RPGs. You can find James' work at: jamescurcio.com fallencycle.com modernmythology.net Operation Watchtower - a podcast rooter in Kult: Divinity Lost, set in the wake of 9/11 and launches September 11, 2025.
Send us a textAbout This EpisodeWhat happens when you are the only one like you in the room? In this episode, media and communications expert Angela Chee shares how she turned that experience into her superpower and how you can too. From betting on herself despite uncertainty to landing her dream job in Los Angeles, Angela's journey is a masterclass in bold decision-making, reframing fear, and creating your own path when others cannot see it. She dives into the five principles from her book The Power of the Only, owning your opportunity, power, voice, communication, and future, while challenging limiting labels like “imposter syndrome.” Whether you are holding back due to perfectionism or struggling with capacity, Angela's insights offer clarity, compassion, and practical tools to help you protect your energy, own your unique voice, and boldly step into what is next. About Angela CheeAngela Chee is a keynote speaker, emcee, media and communication coach, podcast host, and author of The Power Of The Only—Own Your Voice, Thrive In Any Environment. She helps people Own Your Only™ and be YOU, Amplified!®—empowering them to be clear, confident, and connected on-camera and off and step into their full imagined potential. She believes being “The Only” is not a weakness; it is your greatest strength.A former TV news anchor and reporter with more than 20 years of media experience, Angela has worked with top stations including KCBS-TV and KNBC-TV in Los Angeles, and Fox 6 and KNSD-TV in San Diego. She has hosted shows for networks such as E! Entertainment and HGTV, and helped launch Entertainment Tonight China. She was the media mentor and expert on Lifetime's The Pop Game, and made a variety of appearances from The Today Show to the film Blades of Glory.Her speaking career began at age 15, when she became the first Asian American woman to win the title of Miss California National Teenager. Today, Angela emcees events, delivers keynotes, and leads corporate training for companies such as Microsoft, Cisco, Intel, JPMorgan Chase, Freddie Mac, and more. Her topics include leadership, communication, women's empowerment, diversity, and media. Through one-on-one coaching, group workshops, and online programs, she helps clients break through barriers, own their voice and power, and step into their leadership. Additional ResourcesWeb: AngelaChee.comInstagram: @AngelaCheeTVYouTube: @AngelaCheeTVLinkedIn: @AngelaCheeSupport the show-------- Stay Connected www.leighburgess.com Watch the episodes on YouTube Follow Leigh on Instagram: @theleighaburgess Follow Leigh on LinkedIn: @LeighBurgess Sign up for Leigh's bold newsletter
In this episode The 7th Tower crew infiltrates the Centuria club and begins looking for the illicit goods they intend to steal...Cast- Reza- LenaThe Magnificent Figaro- Danny DelucaGamemaster- Jared WitkofskyAl Key- Chris FrenchPerberton- Andrew Collins-AndersonKevin- Morgan JustFeaturing music by Pressure Highway, Jordan Fickel, Danny Deluca and Motoshi Kosako This work is based on Blades in the Dark (found at http://www.bladesinthedark.com/), product of One Seven Design, developed and authored by John Harper, and licensed for our use under the Creative Commons Attribution 3.0 Unported license (http://creativecommons.org/licenses/by/3.0/).
Hey all we're back. Summer of Jaws nod in this beaut, BLADES. Thanks for your supporting us through thick and thin.
00:00:00 - Kennedy Blades 00:07:52 - Macey Kilty 00:14:28 - Kylie Welker 00:20:44 - Everest Lydecker 00:25:23 - Kayla Miracle Learn more about your ad choices. Visit megaphone.fm/adchoices