Podcasts about blades

David, Devindra, and Jeff go for a swim with The Plague, go undercover with the 4K edition of Hard Boiled, and sharpen their weapons for Blades of the Guardians. Then they assemble an unlikely troupe to save the world from a dark future in Good Luck, Have Fun, Don't Die.We're making video versions of our reviews! Be sure to follow us on the following platforms: YouTube Tiktok Instagram Threads Thanks to our SPONSORS: SVS: If you want your next movie night to deliver the full impact, emotion, and artistry you were intended to experience, visit SVSound.com to learn what SVS is all about.HUEL: Get Huel today with an exclusive offer of 15% OFF online with code FILMCAST at huel.com/FILMCAST (New Customers Only).Weekly PlugsDavid - Decoding Everything: Does Anybody Want AI Entertainment? Devindra - Engadget Podcast on the RAMaggedon getting worse Jeff - Jeff's Cameo PageShownotes (All timestamps are approximate only)   What we've been watching (~00:17:26)David - Hard Boiled 4K, Megadoc (Criterion)Devindra - The Plague, Scarlet, A Knight of the Seven Kingdoms, On This Day…1776, IndustryJeff - Blades of the Guardians, Nirvanna the Band the ShowFeatured Review (~01:09:58)    Good Luck, Have Fun, Don't DieSPOILERS (~01:25:00)Support David's artistic endeavors at his Patreon and subscribe to his free newsletter Decoding Everything. Check out Jeff Cannata's podcasts DLC and We Have Concerns. Listen to Devindra's podcast with Engadget on all things tech. You can always e-mail us at slashfilmcast(AT)gmail(DOT)com.Credits: Our theme song is by Tim McEwan from The Midnight. This episode was edited by Noah Ross who also created our weekly plugs and spoiler bumper music. Our Slashfilmcourt music comes from Simon Harris. If you'd like to advertise with us or sponsor us, please e-mail slashfilmcast@gmail.com. You can support the podcast by going to patreon.com/filmpodcast or by leaving a review on Apple Podcasts.

Allen, Rosemary, and Yolanda, joined by Morten Handberg from Wind Power LAB, recap WOMA 2026 live from Melbourne. The crew discusses leading edge erosion challenges unique to Australia, the frustration operators face getting data from full service agreements, and the push for better documentation during project handovers. Plus the birds and bats management debate, why several operators said they’d choose smaller glass fiber blades over bigger carbon fiber ones, and what topics WOMA 2027 should tackle next year. Sign up now for Uptime Tech News, our weekly newsletter on all things wind technology. This episode is sponsored by Weather Guard Lightning Tech. Learn more about Weather Guard’s StrikeTape Wind Turbine LPS retrofit. Follow the show on YouTube, Linkedin and visit Weather Guard on the web. And subscribe to Rosemary’s “Engineering with Rosie” YouTube channel here. Have a question we can answer on the show? Email us! [00:00:00] The Uptime Wind Energy Podcast brought to you by Strike Tape protecting thousands of wind turbines from lightning damage worldwide. Visit strike tape.com and now your hosts. Welcome to the Uptime Winner Energy podcast. I’m your host, Alan Hall. I’m here with Yolanda Pone, Rosemary Barnes, and the Blade Whisperer, Morton Hamburg. And we’re all in Melbourne at the Pullman on the park. We just finished up Woma 2026. Massive event. Over 200 people, two days, and a ton of knowledge. Rosemary, what did you think? Yeah, I mean it was a, a really good event. It was really nice ’cause we had event organization, um, taken care of by an external company this time. So that saved us some headaches, I think. Um. But yeah, it was, it was really good. It was different than last year, and I think next year will be different again because yeah, we don’t need to talk about the same topics every single year. But, um, yeah, I got really great [00:01:00] feedback. So that’s shows we’re doing something right? Yeah, a lot of the, the sessions were based upon feedback from Australian industry and, uh, so we did AI rotating bits, the, the drive train blades. Uh, we had a. Master class on lightning to start off. Uh, a number of discussions about BOP and electrical, BOP. All those were really good. Mm-hmm. Uh, the, the content was there, the expertise was there. We had worldwide representation. Morton, you, you talked about blades a good bit and what the Danish and Worldwide experience was. You know, talked about the American experience on Blades. That opened up a lot of discussions because I’m never really sure where Australia is in the, uh, operations side, because a lot of it is full service agreements still. But it does seem like from last year to this year. There’s more onboarding of the technical expertise internally at the operators. Martin, [00:02:00] you saw, uh, a good bit of it. This is your first time mm-hmm. At this conference. What were your impressions of the, the content and the approach, which is a little bit different than any other conference? I see an industry that really wants to learn, uh, Australia, they really want to learn how to do this. Uh, and they’re willing to listen to us, uh, whether you live in Australia, in the US or in Europe. You know, they want to lean on our experiences, but they wanna, you know, they want to take it out to their wind farms and they ga then gain their own knowledge with it, which I think is really amicable. You know, something that, you know, we should actually try and think about how we can copy that in Europe and the US. Because they, they are, they’re listening to us and they’re taking in our input, and then they try and go out. They go out and then they, they try and implement it. Um, so I think really that is something, uh, I’ve learned, you know, and, and really, um, yeah, really impressed by, from this conference. Yeah. Yolanda, you were on several panels over the, the two days. What were your impressions of the conference and what were your thoughts [00:03:00] on the Australia marketplace? I think the conference itself is very refreshing or I think we all feel that way being on the, on the circuit sometimes going on a lot of different conferences. It was really sweet to see everybody be very collaborative, as Morton was saying. Um, and it was, it was just really great about everybody. Yes, they were really willing to listen to us, but they were also really willing to share with each other, which is nice. Uh, I did hear about a few trials that we’re doing in other places. From other people, just kind of, everybody wants to learn from each other and everybody wants to, to make sure they’re in as best a spot as they can. Yeah, and the, the, probably the noisiest part of the conferences were at the coffees and the lunch. Uh, the, the collaboration was really good. A lot of noise in the hallways. Uh, just people getting together and then talking about problems, talking about solutions, trying to connect up with someone they may have seen [00:04:00]somewhere else in the part of the world that they were here. It’s a different kind of conference. And Rosemary, I know when, uh, you came up to with a suggestion like, Hey. If there’s not gonna be any sales talks, we’re not gonna sit and watch a 30 minute presentation about what you do. We’re gonna talk about solutions. That did play a a different dynamic because. It allowed people to ingest at their own rate and, and not just sit through another presentation. Yeah. It was made it more engaging, I think. Yeah, and I mean, anyway, the approach that I take for sales for my company that I think works best is not to do the hard sell. It’s to talk about smart things. Um, and if you are talking about describing a problem or a solution that somebody in the audience has that problem or solution, then they’re gonna seek you out afterwards. And so. There’s plenty of sales happening in an event like this, but you’re just not like, you know, subjecting people to sales. It’s more presenting them with the information that they need. And then I, I think also the size of the conference really [00:05:00] helps ’cause yeah, about 200 people. Any, everybody is here for the same technical kind. Content. So it’s like if you just randomly start talking to somebody while you’re waiting for a coffee or whatever, you have gonna have heaps to talk about with them, with ev every single other person there. And so I think that that’s why, yeah, there was so much talking happening and you know, we had social events, um, the first two evenings and so. Mo like I was surprised actually. So many people stayed. Most people, maybe everybody stayed for those events and so just so much talking and yeah, we did try to have quite long breaks, um, and quite a lot of them and, you know, good enough food and coffee to keep people here. And I think that that’s as important as, you know, just sitting and listening. Well, that was part of the trouble, some of the conference that you and I have been at, it’s just like six hours of sitting down listening to sort of a droning mm-hmm. Presenter trying to sell you something. Here we were. It was back and forth. A lot more panel talk with experts from around the world and then.[00:06:00] Break because you just can’t absorb all that without having a little bit of a brain rest, some coffee and just trying to get to the next session. I, I think that made it, uh, a, a, a more of a takeaway than I would say a lot of other conferences are, where there’s spender booze, and. Brochures and samples being handed out and all that. We didn’t have any of that. No vendor booze, no, uh, upfront sales going on and even into the workshop. So there was specific, uh, topics provided by people that. Provide services mostly, uh, speaking about what they do, but more on a case study, uh, side. And Rosie, you and I sat in on one that was about, uh, birds and bats, birds and bats in Australia. That one was really good. Yeah, that was great. I learned, I learned a lot. Your mind was blown, but Totally. Yeah. It is crazy how much, how much you have to manage, um, bird and wildlife deaths related to wind farms in Australia. Like compared to, I mean, ’cause you see. Dead birds all the time, right? Cars hit [00:07:00] birds, birds hit buildings, power lines kill birds, and no one cares about those birds. But if a bird is injured near a wind farm, then you know, everybody has to stop. We have to make sure that you can do a positive id. If you’re not sure, send it away for a DNA analysis. Keep the bird in a freezer for a year and make sure that it’s logged by the, you know, appropriate people. It’s, it’s really a lot. And I mean, on the one hand, like I’m a real bird lover, so I am, I’m glad that birds are being taken seriously, but on the other hand, I. I think that it is maybe a little bit over the top, like I don’t see extra birds being saved because of that level of, of watching throughout the entire life of the wind farm. It feels more like something for the pre-study and the first couple of years of operation, and then you can chill after that if everything’s under control. But I, I guess it’s quite a political issue because people do. Do worry about, about beds and bats? Mm-hmm. Yeah, I thought the output of that was more technology, a little or a little more technology. Not a lot of technology in today’s world [00:08:00] because we could definitely monitor for where birds are and where bats are and, uh, you know. Slow down the turbines or whatever we’re gonna do. Yeah. And they are doing that in, in sites where there is a problem. But, um, yeah, the sites we’re talking about with that monitoring, that’s not sites that have a big, big problem at sites that are just Yeah, a few, a few birds dying every year. Um, yeah. So it’s interesting. And some of the blade issues in Australia, or a little unique, I thought, uh, the leading edge erosion. Being a big one. Uh, I’ve seen a lot of leading edge erosion over the last couple of weeks from Australia. It is Texas Times two in some cases. And, uh, the discussion that was had about leading edge erosion, we had ETT junker from Stack Raft and, and video form all the way from Sweden, uh, talking to us live, which was really nice actually. Uh, the, the amount of knowledge that the Global Blade group. Brought to the discussion and just [00:09:00] opening up some eyes about what matters in leading edge erosion. It’s not so much the leading edge erosion in terms of a EP, although there is some a EP loss. It’s more about structural damage and if you let the structure go too far. And Martin, you’ve seen a lot of this, and I think we had a discussion about this on the podcast of, Hey, pay attention to the structural damage. Yeah, that’s where, that’s where your money is. I mean, if you go, if you get into structural damage, then your repair costs and your downtime will multiply. That is just a known fact. So it’s really about keeping it, uh, coding related because then you can, you can, you can move really fast. You can get it the blade up to speed and you won’t have the same problems. You won’t have to spend so much time rebuilding the blade. So that’s really what you need to get to. I do think that one of the things that might stand out in Australia that we’re going to learn about. Is the effect of hail, because we talked a lot about it in Europe, that, you know, what is the effect of, of hail on leading edge erosion? We’ve never really been able to nail it down, but down here I heard from an, [00:10:00] from an operator that they, they, uh, referenced mangoes this year in terms of hail size. It was, it was, it was incredible. So if you think about that hitting a leading edge, then, uh, well maybe we don’t really need to, we don’t really get to the point where, so coding related, maybe we will be structural from the beginning, but. Then at least it can be less a structural. Um, but that also means that we need to think differently in terms of leading edge, uh, protection and what kinds of solutions that are there. Maybe some of the traditional ones we have in Europe, maybe they just don’t work, want, they, they won’t work in some part of Australia. Australia is so big, so we can’t just say. Northern Territory is the same as as, uh, uh, um, yeah. Victoria or uh, or Queensland. Or Queensland or West Australia. I think that what we’re probably going to learn is that there will be different solutions fitting different parts of Australia, and that will be one of the key challenges. Um, yeah. And Blades in Australia sometimes do. Arrive without leading edge protection from the OEMs. [00:11:00] Yeah, I’m sure some of the sites that I’ve been reviewing recently that the, the asset manager swears it’s got leading edge protection and even I saw some blades on the ground and. I don’t, I don’t see any leading edge protection. I can’t feel any leading edge protection. Like maybe it’s a magical one that’s, you know, invisible and, um, yeah, it doesn’t even feel different, but I suspect that some people are getting blades that should have been protected that aren’t. Um, so why? Yeah, it’s interesting. I think before we, we rule it out. Then there are some coatings that really look like the original coating. Mm. So we, we, I know that for some of the European base that what they come out of a factory, you can’t really see the difference, but they’re multilayer coating, uh, on the blades. What you can do is that you can check your, uh, your rotor certificate sometimes will be there. You can check your, uh, your blade sheet, uh, that you get from manufacturer. If you get it. Um, if you get it, then it will, it will be there. But, um, yeah, I, I mean, it can be difficult to say, to see from the outset and there’s no [00:12:00]documentation then. Yeah, I mean. If I can’t see any leading edge erosion protection, and I don’t know if it’s there or not, I don’t think I will go so far and then start installing something on something that is essentially a new blade. I would probably still put it into operation because most LEP products that can be installed up tower. So I don’t think that that necessarily is, is something we should, shouldn’t still start doing just because we suspect there isn’t the LEP. But one thing that I think is gonna be really good is, um, you know, after the sessions and you know, I’ve been talking a lot. With my clients about, um, leading edge erosion. People are now aware that it’s coming. I think the most important thing is to plan for it. It’s not right to get to the point where you’ve got half a dozen blades with, you know, just the full leading edge, just fully missing holes through your laminate, and then your rest of your blades have all got laminate damage. That’s not the time to start thinking about it because one, it’s a lot more expensive for each repair than it would’ve been, but also. No one’s got the budget to, to get through all of that in one season. So I do really [00:13:00] like that, you know, some of the sites that have been operating for five years or so are starting to see pitting. They can start to plan that into their budget now and have a strategy for how they’re going to approach it. Um, yeah. And hopefully avoid getting over to the point where they’ve missing just the full leading edge of some of their blades. Yeah. But to Morton’s earlier point, I think it’s also important for people to stop the damage once it happens too. If, if it’s something that. You get a site or for what, whatever reason, half of your site does look like terrible and there’s holes in the blade and stuff. You need to, you need to patch it up in some sort of way and not just wait for the perfect product to come along to, to help you with that. Some of the hot topics this week were the handover. From, uh, development into production and the lack of documentation during the transfer. Uh, the discussion from Tilt was that you need to make sure it is all there, uh, because once you sign off. You probably can’t go back and get it. And [00:14:00] some of the frustration around that and the, the amount of data flow from the full service provider to the operator seemed to be a, a really hot topic. And, and, uh, we did a little, uh, surveyed a about that. Just the amount of, um, I don’t know how to describe it. I mean, it was bordering on anger maybe is a way. Describe it. Uh, that they feel that operators feel like they don’t have enough insight to run the turbines and the operations as well as they can, and that they should have more insight into what they have operating and why it is not operat. A certain way or where did the blades come from? Are there issues with those blades? Just the transparency WA was lacking. And we had Dan Meyer, who is from the States, he’s from Colorado, he was an xge person talking about contracts, uh, the turbine supply agreement and what should be in there, the full service [00:15:00] agreement, what should be in there. Those are very interesting. I thought a lot of, uh, operators are very attentive to that, just to give themselves an advantage of what you can. Put on paper to help yourself out and what you should think about. And if you have a existing wind farm from a certain OEM and you’re gonna buy another wind farm from ’em, you ought to be taking the lessons learned. And I, I thought that was a, a very important discussion. The second one was on repairs. And what you see from the field, and I know Yolanda’s been looking at a lot of repairs. Well, all of you have been looking at repairs in Australia. What’s your feeling on sort of the repairs and the quality of repairs and the amount of data that comes along with it? Are we at a place that we should be, or do we need a little more detail as to what’s happening out there? It’s one of the big challenges with the full service agreements is that, you know, if everything’s running smoothly, then repairs are getting done, but the information isn’t. Usually getting passed on. And so it’s seems fine and it seems like really good actually. Probably if you’re an [00:16:00] asset manager and everything’s just being repaired without you ever knowing about it, perfect. But then at some point when something does happen, you’ve got no history and especially like even before handover. You need to know all of the repairs that have happened for, you know, for or exchanges for any components because you know, you’re worried about, um, serial defects, for example. You need every single one. ’cause the threshold is quite high to, you know, ever reach a serial defect. So you wanna know if there were five before there was a handover. Include that in your population. Um, yeah, so that’s probably the biggest problem with repairs is that they’re just not being. Um, the reports aren’t being handed over. You know, one of the things that Jeremy Hanks from C-I-C-N-D-T, and he’s an NDT expert and has, has seen about everything was saying, is that you really need to understand what’s happening deep inside the blade, particularly for inserts or, uh, at the root, uh, even up in, with some, some Cory interactions happening or splicing that It’s hard to [00:17:00] see that hard to just take a drone inspection and go, okay, I know what’s happening. You need a little more technology in there at times, especially if you have a serial defect. Why do you have a serial defect? Do you need to be, uh, uh, scanning the, the blade a little more deeply, which hasn’t really happened too much in Australia, and I think there’s some issues I’ve seen where it may come into use. Yeah, I think it, it, it’ll be coming soon. I know some people are bringing stuff in. I’ve got emails sitting in my inbox I need to chase up, but I’m, I’m really going to, to get more into that. Yeah. And John Zalar brought up a very similar, uh, note during his presentation. Go visit your turbines. Yeah, several people said that. Um, actually Liz said that too. Love it. And, um, let’s this, yeah, you just gotta go have a look. Oh, Barend, I think said bar said it too. Go on site. Have a look at the lunchroom. If the lunch room’s tidy, then you know, win turbine’s gonna be tidy too. And I don’t know about that ’cause I’ve seen some tidy lunchroom that were associated with some, you know, uh, less well performing assets, but it’s, you know, it’s [00:18:00] a good start. What are we gonna hope for in 2027? What should we. Be talking about it. What do you think we’ll be talking about a year from now? Well, a few people, quite a few people mentioned to me that they were here, they’re new in the industry, and they heard this was the event to go to. Um, and so I, I was always asking them was it okay? ’cause we pitch it quite technical and I definitely don’t wanna reduce. How technical it is. One thing I thought of was maybe we start with a two to five minute introduction, maybe prerecorded about the, the topic, just to know, like for example, um, we had some sessions on rotating equipment. Um, I’m a Blades person. I don’t know that much about rotating equipment, so maybe, you know, we just explain this is where the pitch bearings are. They do this and you know, there’s the main bearing and it, you know, it does this and just a few minutes like that to orient people. Think that could be good. Last, uh, this year we did a, a masterclass on lightning, a half day masterclass. Maybe we change that topic every year. Maybe next year it’s blade design, [00:19:00] certification, manufacturing. Um, and then, you know, the next year, whatever, open to suggestions. I mean, in general, we’re open to suggestions, right? Like people write in and, and tell us what you’d wanna see. Um, absolutely. I think we could focus more on technologies might be an, an area like. It’s a bit, it’s a bit hard ’cause it gets salesy, but Yeah. I think one thing that could actually be interesting and that, uh, there was one guy came up with an older turbine on the LPS system. Mm. Where he wanted to look for a solution and some of the wind farms are getting older and it’s older technology. So maybe having some, uh, uh, some sessions on that. Because the older turbines, they are vastly different from what we, what we see in the majority with wind farms today. But the maintenance of those are just as important. And if you do that correctly, they’re much easier to lifetime extent than it will likely be for some of the nuance. But, you know, let. Knock on wood. Um, but, but I think that’s something that could be really interesting and really relevant for the industry and something [00:20:00] that we don’t talk enough about. Yeah. Yeah, that’s true because I, I’m working on a lot of old wind turbines now, and that has been, um, quite a challenge for me because they’re design and built in a way that’s quite different to when, you know, I was poking, designing and building, uh, wind turbine components. So that’s a good one. Other people mentioned end of life. Mm-hmm. Not just like end of life, like the life is over, but how do you decide when the life end of life is going to be? ’cause you know, like you have a planned life and then you might like to extend, but then you discover you’ve got a serial issue. Are you gonna fix it? Or you know, how are you gonna fix it? Those are all very interesting questions that, um, can occur. And then also, yeah, what to do with the. The stuff at the end of the Wind Farm lifetime, we could make a half day around those kinds of sessions. I think recycling could actually be good to, to also touch upon and, and I think, yeah, Australia is more on the front of that because of, of your high focus on, on nature and sustainability. So looking at, well, what do we do with these blades? Or what do we do with the towers of foundation once, uh, [00:21:00] once we do need to decommission them, you know, what is, what are we going to do in Australia about that? Or what is Australia going to do about that? But, you know, what can we bring to the, to the table that that can help drive that discussion? I think maybe too, helping people sort of templates for their formats on, on how to successfully shadow, monitor, maybe showing them a bit mute, more of, uh. Like cases and stuff, so to get them going a bit more. ’cause we heard a lot of people too say, oh, we’re, we’re teetering on whether we should self operate or whether we continue our FSA, but we, we we’re kind of, we don’t know what we’re doing. Yeah. In, in not those words. Right. But just providing a bit more of a guidance too. On that side, we say shadow monitoring and I think we all know what it means. If you’ve seen it done, if you haven’t seen it done before. It seems daunting. Mm-hmm. What do you mean shadow monitoring? You mean you got a crack into the SCADA system? Does that mean I’ve gotta, uh, put CMS out there? Do I do, do I have to be out [00:22:00] on site all the time? The answer that is no to all of those. But there are some fundamental things you do need to do to get to the shadow monitoring that feels good. And the easy one is if there’s drone inspections happening because your FSA, you find out who’s doing the drone inspections and you pay ’em for a second set of drone inspections, just so you have a validation of it, you can see it. Those are really inexpensive ways to shadow monitor. Uh, but I, I do think we say a lot of terms like that in Australia because we’ve seen it done elsewhere that. Doesn’t really translate. And I, if I, I’m always kind of looking at Rosemary, like, does it, this make sense? What I’m saying makes sense, Rosemary, because it’s hard to tell because so many operators are in sort of a building mode. I, I see it as. When I talked to them a few years ago, they’re completely FSA, they had really small staffs. Now the staffs are growing much larger, which makes me feel like they’re gonna transition out an FSA. Do we need to provide a little more, uh, insight into how that is done deeper. [00:23:00] Like, these are the tools you, you will need. This is the kind of people you need to have on staff. This is how you’re gonna organize it, and this is the re these are the resources that you should go after. Mm. Does that make a little si more sense? Yeah. That might be a good. Uh, idea for getting somebody who’s, you know, working for a company that is shadow monitoring overseas and bring them in and they can talk through what that, what that means exactly. And that goes back to the discussion we were having earlier today by having operators talk about how they’re running their operations. Mm. And I know the last year we tried to have everybody do that and, and they were standoffish. I get it. Because you don’t want to disclose things that your company doesn’t want out in public. And year two, it felt like there’s a little more. Openness about that. Yeah, there was a few people were quite open about, um, yeah, talking about challenges and some successes as well. I think we’ll have more successes next year ’cause we’ve got more, more things going on. But yeah, definitely would encourage any operators to think about what’s a you A case study that you could give about? Yeah, it could just be a problem that’s unsolved and I bet you’ll find people that wanna help you [00:24:00] solve that problem. Or it could be something that you struggled with and then you’re doing a better job and Yeah, I mean the. Some operators think that they’re in competition with each other and some think that they’re not really, and the answer is somewhere, somewhere in the middle. There are, you know, some at least small amounts of competition. But, you know, I just, I just really think that. We’re fighting against each other, trying to win within the wind industry. Then, you know, in 10, 20 years time, especially in Australia, there won’t be any new wind. It’ll just be wind and solar everywhere and, and the energy transition stalled because everyone knows that’s not gonna get us all the way to, you know, a hundred percent renewables. So, um, I do think that we need to, first of all, fight for wind energy to improve. The status quo is not good enough to take us through the next 20 years. So we do need to collaborate to get better. And then, yeah, I don’t know, once we’re, once we’re one, wind has won, then we can go back to fighting amongst ourselves, I guess. Is Australia that [00:25:00] laboratory? Yeah, I think I, I say it all the time. I think Australia is the perfect place because I, I do think we’re a little bit more naturally collaborative. For some reason, I don’t know why, it’s not really like a, a cultural thing, but seems to be the case in Australian wind. Um, and also our, our problems are harder than, uh, than what’s being faced elsewhere. I mean, America has some specific problems right now that are, you know, worse, but in general, operating environment is very harsh Here. We’re so spread out. Everything is so expensive. Cranes are so expensive. Repairs are so expensive. Spares spare. Yeah, spares are crazy expensive. You know, I look every now and then and do reports for people about, you know, what, what’s the average cost for and times for repairs and you know, you get an American values and it’s like, okay, well at a minimum times by five Australia and you know, so. It, there’s a lot more bang for buck. And the other thing is we just do not have enough, um, enough people, enough. Uh, we’ve got some really smart people. We need a lot more [00:26:00] people that are as smart as that. And you can’t just get that immediately. Like there has been a lot of good transfer over from related industries. A lot of people that spoke so that, you know, they used to work for thermal power plants and, um, railway, a guy that spoke to a guy had come in from railway. Um. That’s, that’s really good. But it will take some years to get them up to speed. And so in the meantime, we just need to use technology as much as we can to be able to, you know, make the people that good people that we do have, you know, make them go a lot further, um, increase what they can do. ’cause yeah, I don’t think there’s a single, um, asset owner where they couldn’t, you know, double the number of asset managers they had and, you know, ev everyone could use twice as many I think. Yeah, I agree. Yeah. I think something that we really focused on this year is kind of removing the stones that are in people’s path or like helping at least like to, to say like, don’t trip over there. Don’t trip over here. And I think part of that, like, like you mentioned, is that. [00:27:00] The, the collaborative manner that everyone seemed to have and just, I think 50% of our time that we were in those rooms was just people asking questions to experts, to anybody they really wanted to. Um, and it, it just, everybody getting the same answers, which is really just a really different way to, to do things, I think. But more than, I mean, we, we we’re still. We’re still struggling with quality in Australia. That’s still a major issue on, on a lot of the components. So until we have that solved, we don’t really know how much of an influence the other factors they really have because it just overshadows everything. And yes, it will be accelerated by extreme weather conditions, but. What will, how will it work if, if the components are actually fit, uh, fit for purpose in the sense that we don’t have wrinkles in the laminates, that we don’t have, uh, bond lines that are detaching. Mm-hmm. Maybe some of it is because of, uh, mango size hails hitting the blades. Maybe it’s because of extreme temperatures. Maybe it’s [00:28:00] because of, uh, uh, yeah. At extreme topography, you know, creating, uh, wind conditions that the blades are not designed for. We don’t really know that. We don’t really know for sure. Uh, we just assume, um, Australia has some problems with, not problems, but some challenges with remoteness. We don’t, with, uh, with getting new, new spares that much is absolutely true. We can’t do anything about that. We just have to, uh, find a way to, to mitigate that. Mm-hmm. But I think we should really be focused on getting quality, uh, getting the quality in, in order. You know, one thing that’s interesting about that, um, so yeah, Australia should be focused more on quality than anybody else, but in, in, in the industry, yeah. Uh, entire world should be more focused on quality, but also Australia. Yeah. But Australia, probably more than anyone considering how hard it is to, you know, make up for poor quality here. Um. At the same time, Australia for some reason, loves to be the first one with a new technology, loves to have the biggest [00:29:00] turbine. Um, and the, the latest thing and the newest thing, and I thought it was interesting. I mean, this was operations and maintenance, um, conference, so not really talking about new designs and manufacturing too much, but at least three or four people said, uh. Uh, I would be using less carbon fiber in blades. I would not be, not be going bigger and bigger and bigger. If I was buying turbines for a new wind farm, I would have, you know, small glass blades and just more of them. So I think that that was really interesting to hear. So many people say it, and I wasn’t even one of them, even though, you know, I would definitely. Say that. I mean, you know, in terms of business, I guess it’s really good to get a lot of, a lot of big blades, but, um, because they just, people, I don’t think people understand that, that bigger blades just have dramatically more quality problems than the smaller ones. Um, were really kind of exceeded the sweet spot for the current manufacturing methods and materials. I don’t know if you would agree, but it’s, it’s. Possible, but [00:30:00] it’s, it, you know, it’s not like a blade that’s twice as long, doesn’t have twice as many defects. It probably has a hundred times as many defects. It’s just, uh, it’s really, really challenging to make those big blades, high quality, and no one is doing it all that well right now. I would, however, I got an interesting hypothetical and they’re. Congrats to her for, for putting out that out. But there was an operator that said to me at the conference, so what would you choose hypothetically? A 70 meter glass fiber blade or a 50 meter carbon fiber blade, so a blade with carbon fiber reinforcement. And I did have to think quite a while about it because there was, it was she say, longer blades, more problems, but carbon blade. Also a lot of new problems. So, so what is it? So I, I ended up saying, well, glass fiber, I would probably go for a longer glass fiber blade, even though it will have some, some different challenges. It’s easier to repair. Yeah, that’s true. So we can overcome some of the challenges that are, we can also repair carbon. We have done it in air, air, uh, aeronautics for many, many years. But wind is a different beast because we don’t have, uh, [00:31:00] perfect laboratory conditions to repair in. So that would just be a, a really extreme challenge. So that’s, that’s why I, I would have gone for carbon if, for glass fiber, if, if I, if I could in that hypothe hypothetical. Also makes more energy, the 70 meter compared to it’s a win-win situation. Well, it’s great to see all of you. Australia. I thought it was a really good conference. And thanks to all our sponsors, uh, til being the primary sponsor for this conference. Uh, we are starting to ramp up for 2027. Hopefully all of you can attend next year. And, uh, Rosie, it’s good to see you in person. Oh, it’s, uh, it’s, it’s exciting when we are actually on the same continent. Uh, it doesn’t happen very often. And Morton, it’s great to see you too, Yolanda. I see you every day pretty much. So she’s part of our team, so I, it’s great to see you out. This is actually the first time, me and Rosie, we have seen each other. We’ve, we’ve known each other for years. Yeah. Yeah. The first time we actually, uh, been, been, yeah. Within, uh, yeah. [00:32:00] Same room. Yep. And same continent. Yeah. Yeah. So that’s been awesome. And also it’s my first time meeting Yolanda in person too. So yeah, that’s our first time. And same. So thanks so much for everybody that attended, uh, woma 2026. We’ll see you at Woma 2027 and uh, check us out next week for the Uptime Wind Energy Podcast.

Welcome back to the Hangar Z Podcast, brought to you by Vertical HeliCASTS, in partnership with Valor Plus. We are on our first stop of the 2026 Blades of Valor Tour. This is our third annual tour, and we are excited to be in the great state of Florida. Today we are with Lt Pilot Drew Nicoletti and Pilot Ron Bloezer from the Palm Beach County Sheriff's Office Aviation Unit. Both are military veterans who bring that experience to one of the most versatile aviation units in the country. We'll take a deep dive into the Bell 429 and why it's such an outstanding platform for the wide range of missions this unit must be ready to handle. The conversation also covers how the aviation unit works closely with specialized teams including SWAT, K9, and Marine units, the extensive training cycle required to stay sharp across so many skill sets, and what emergency preparedness in Florida really looks like-from daily operations to major natural disasters. This is a great discussion on mission readiness, teamwork, aviation done right, so let's get started.Thank you to our sponsors Robinson Helicopter, Rotorcraft Support and Spectrolab.

Yuen Wo Ping and Jet Li are back. It's 1994 again and we're talking about Fists of Legend.---

Get ready for a deep dive into the golden age of hockey video games! On this special episode of the NHL '94 Podcast, your host, Len the Lengend, sits down with Josh Yohe from The Athletic for an unforgettable discussion.They cover everything from the timeless appeal of NHL '94 to Josh's fond memories of playing NHL '95 with his friend Jesse. But it doesn't stop there! The conversation branches out into other classic sports titles, including RBI Baseball, NES Ice Hockey and Blades of Steel.Relive the nostalgia as they reminisce about gaming on Super Nintendo and the Sega Genesis, and even touch upon the excitement of the Winter Olympics Hockey games. This episode is packed with personal anecdotes, insights, and a shared love for 16-bit gaming that any retro enthusiast will appreciate. Tune in for a chat that's as entertaining as it is informative!Follow Josh on X: https://x.com/JoshYohe_PGH#NHL94 #RetroGaming #JoshYohe #TheAthletic #LenTheLengend #NESIceHockey #BladesOfSteel #RBIBaseball #WinterOlympicsHockey #SuperNintendo #SegaGenesis #GamingPodcast #ClassicGaming #VideoGameHistory #HockeyPodcast #RetroConsoleGaming #NHL95 #Sega #Nintendo_______________________________________________________Twitter / X - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/NHL94Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@NHL94Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rumble - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://rumble.com/c/c-5524878⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠NHL94Pod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Other Work (Canadian Bitcoiners Podcast): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/CanadianBitcoiners⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠A proud member of the CBP Media Network! (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/CBPMediaNetwork⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)

Brandon Vick reviews Nirvanna: The Band - The Show - The Movie, Crime 101, Blades of the Guardians, and EPiC: Elvis Presley in Concert on the latest edition of The Cinema Chronicles! Nirvanna: The Band - The Show - The Movie - 6:18Crime 101 - 17:05Blades of the Guardians - 24:21EPiC: Elvis Presley in Concert - 33:17

Larry Mantle and LAist film critics Tim Cogshell and Christy Lemire review this weekend’s latest movie releases in theaters and on streaming platforms. Films: How To Make A Killing, Wide Release EPiC: Elvis Presley in Concert, In Select IMAX Theaters|Expands February 27 Redux Redux, In Select Theaters I Can Only Imagine 2, In Select Theaters This Is Not a Test, In Select Theaters Threshold, Streaming on Peacock One Mile: Chapter One & Chapter Two, Two films available simultaneously on digital Blades of the Guardians, In Select Theaters The Dreadful, In Select Theaters Diabolic, Available on Digital and On Demand

In this episode Pemberton is still missing, there's a rooftop chase and a new character is introduced...Reza- LenaThe Magnificent Figaro- Danny DelucaGamemaster- Jared WitkofskyAl Key- Chris FrenchPerberton- Andrew Collins-AndersonKevin- Morgan JustTony 'The Toe' Tito- Chris ThielFeaturing music by Pressure Highway, Jordan Fickel,  Danny Deluca and Motoshi Kosako  This work is based on Blades in the Dark (found at http://www.bladesinthedark.com/), product of One Seven Design, developed and authored by John Harper, and licensed for our use under the Creative Commons Attribution 3.0 Unported license (http://creativecommons.org/licenses/by/3.0/). 

Send a textWith the 2026 Milano Cortina Olympics wrapping up soon, Shawn and Colin have set our sights on figure skating, with the 2000s comedy classic 'Blades Of Glory'. We discuss all those important things like the physicality of the stars, what would be clear violations in real figure skating competition, heightened realities, great supporting cast, and so very much more. Is this the best figure skating movie ever made? What did we think? Tune in to find out!5 Star reviews help drive us up the charts. Please take a minute and review us.If you would like to contact or donate to us: iusedtolikethisone@gmail.comwww.patreon.com/iusedtolikethisoneWebsite: www.iusedtolikethisone.comInstagram: @iusedtolikethisoneTwitter: @iused2likethis1Facebook: I Used To Like This OneBluesky: @iusedtolikethisone.bsky.socialCreated/Produced/Hosted by: Shawn Wells and Colin StewartEdited by: Shawn WellsOriginal Music by: Lindon Carter (look for his band 'Carter & the Capitals' on all music streaming platforms)Official Substitute Co-hosts: Aaron Knowles (@ShortBoxHero), Chris Goffredo. Sponsorship Corner sponsored by movieposters.com *****With over 100,000 titles to choose from, movieposters.com is the #1 destination for posters from your favorite films + stars. Use LIKETHISONE at checkout for 15% off your purchase. *****Special Thanks To: Tracy Sheremeta, Lindon Carter, David Son, Aaron Knowles, Chris Goffredo, Kris Wells and Graham Wells for their contributions to the show.Hear more content from Shawn with his other podcast 'In Front Of The Yellow Line'.Buy friend and sometimes co-host Aaron's Book! 'The Algorithmic Frontier: Exploring the Power of AI in Social Media and Content Creation'   https://a.co/d/1gIpsgQ©️2026 And Sometimes Why? Productions.

Hoy nos acompaña Sech, que llega con su nuevo EP “ESA NOCHE TERMINÓ DE DÍA”, ocho canciones que recorren una madrugada completa —de la 1:00 AM a las 9:00 AM— entre reggaetón, dancehall y afrobeat, con colaboraciones junto a Danny Ocean, Myke Towers y Los Avengers. Hablamos de su presentación este 19 de febrero en Premio Lo Nuestro con “Novio No” y del homenaje a Arcángel. También recordó la noche histórica como primer invitado internacional en la residencia “No Me Quiero Ir de Aquí” de Bad Bunny. Pero la conversación fue más profunda: habló de cómo perdió peso y transformó su salud, opinó sobre el retiro de Rubén Blades, si alguna vez consideraría la política, cómo fue su llegada a Rimas Entertainment, y reaccionó a lo que dijo Farruko sobre los artistas que quieren copiar a Bad Bunny. Una entrevista honesta sobre evolución, mentalidad y la nueva etapa de Sech cuando sale el sol. See omnystudio.com/listener for privacy information.

'A spirited swashbuckling fantasy about family, revenge and the price of justice' - Silvia Moreno-Garcia, author of Mexican GothicTwo sisters: divided by tragedy, united by steel. The incredible new novel in the Court of Shadows series by the bestselling author of TRAITOR'S BLADE and THE MALEVOLENT SEVEN!Blood Week may have been banned in Rijou, but the streets still run red - and now murder is being sanctioned by the courts. Only a reckless fool would believe they can beat the system. But then, the Greatcoats have always been more than a little reckless . . .Rijou's notorious Court of Blades is as corrupt as it is cutthroat, destroying lives with impunity. Now the city's all-powerful Ascendant Houses have started buying and selling verdicts to enslave and even execute those who oppose them.Into this depraved world of licensed death comes a mysterious duellist who dares to foil the intrigues of the city's elite. They call her Lady Consequence, but years ago she had a different name, until her family was slaughtered and she was consigned to the hellish prison known as the House of Tears.Lady Consequence means to rescue her idealistic younger brother, restore their House and wreak vengeance upon those who betrayed them. But a far more dangerous game is unfolding in the shadows, one which threatens the freedom of the entire nation.Support this show http://supporter.acast.com/houseofmysteryradio. Hosted on Acast. See acast.com/privacy for more information.

This interview originally aired in January 2023, and we've updated it with a fresh opening and "One Quick Thing." Comedian Gianmarco Soresi is brutally honest with us this week: he deeply relates to Antonio Salieri (F. Murray Abraham!) in Milos Forman's 1984 classical classic, Amadeus. But while Gianmarco can own his Salieri-like insecurities, he can't let it keep him from pursuing virtuosity.Then, Jordan has one quick thing about an exciting new action film from master Yuen Woo-Ping, Blades of the Guardians.Gianmarco's latest special is Thief of Joy. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

Tempers flare as the team discusses the outcome of their qualifier and exactly what Eloise was up to outside of Yona. Later, Carmen digs into the mysteries of Persephone Protocol's finances, and Cedar looks for some extra spending money. CW: Police Sirens, police encounter. Check out the Blades '68 Backerkit from our Sponsors, Evil Hat Productions! For Transcripts, our Tip Jar, merch, and the official Discord Server: https://bloomandblight.com/ Be sure to stick around after our credits for a word from friends of the show, The Heart is a Dungeon! Theme Song: "PRESS/LEAD" and "Seconds Rising Star (Reprise)" by Harper S.K. Songs featured courtesy Epidemic Sound: "Black Hawks" by Akibakid, "Electromagic" by Akibakid, "Arcane Sun" by Max Anson, "Blah Blah" by Heyson, and "You're a Believer (Instrumental Version)" by Stonekeepers.

Chris Wilder is BACK at Sheffield United… but is this a masterstroke — or a step backwards?After the Ruben Selles experiment fell apart and a nightmare start to the season, the Blades have turned to a familiar face. But can Wilder really fix things, or are United stuck looking backwards while the game moves on?In this heated Steel City football debate, a Sheffield Wednesday fan puts a Sheffield United supporter under pressure — questioning expectations, identity, and whether the Wilder era still has magic left in it.

Nick and Connor are joined by former Steel City Derby hero Carl Asaba, who reflects on that unforgettable day in 2001, shares his thoughts on the present-day fixture, and discusses his lasting affinity with the Blades and Sheffield football. Hosted on Acast. See acast.com/privacy for more information.

¿Vale la pena Styx: Blades of Greed? No es un videojuego de sigilo perfecto, pero tiene cosas que sí me han gustado de él -Estudia el máster en diseño y desarrollo de videojuegos de UNIR: https://www.unir.net/diseno/master-diseno-videojuegos/Compra Los Secretos de Shadow Moses: https://amzn.to/4rbhiKB

The dead aren't finished with them yet.At the edge of the ruined chapel, steel finally meets bone. Ghouls charge from the darkness, skeletons scatter across the grounds, and the party is forced into a brutal, chaotic fight where every second matters. Stakes fly. Blades bite. Eldritch energy tears through rotting bodies as the rain slicks the battlefield beneath their feet.

Don't call it the Olympics! Emma & Katie talk about the early 00's Will Ferrel sports comedy Blades of Glory, which almost sortakinda has a romantic subplot with Pam Beasley and Napoleon Dynamite??

In this week's episode, we take a look at five Instagram tips for writers, and we also discuss recent Facebook ad changes. This coupon code will get you 25% off the ebooks in the Ghost Night series at my Payhip store: CAINA25 The coupon code is valid through February 23, 2026. So if you need a new ebook this winter, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates   Hello, everyone. Welcome to Episode 290 of The Pulp Writer Show. My name is Jonathan Moeller. Today is February 13th, 2026, and today we're looking at five tips for Instagram marketing for writers. We will also have Coupon of the Week and an update on my current writing and publishing projects.   So let's first start with Coupon of the Week. This week's coupon code will get you 25% off the ebooks in the Ghost Night series at my Payhip store, and that code is CAINA25. The coupon code is valid through February the 23rd, 2026 so if you need a new ebook for this winter, we've got you covered.   And now on my current writing and publishing projects. I'm currently 91,000 words into Cloak of Summoning, which will be the 14th book in my Cloak Mage urban fantasy series. I am hoping to finish the rough draft in the coming week, and then it's going to need a fair bit of editing because I've decided to change things and move things around to improve it. So if all goes well, I hope that book will be out in the first week of March, assuming nothing comes up before then.   I am also 8,000 words into Blade of Wraiths, which will be the fourth book in my Blades of Ruin epic fantasy series, and I am hoping that will be out in April, if all goes well.   In audiobook news, Blade of Storms is completely finished and I believe as of right now you can buy it at my Payhip store, Kobo, and Google Play, and it is currently working its way through processing at all the other audiobook stores. Hollis McCarthy has finished recording Cloak of Titans, which is the 11th book in the Cloak Mage urban fantasy series, and if all goes well, my proofer should be able to listen to it this week and then hopefully the audiobook will be available to you sometime in March. So that's where I'm at with my current writing and publishing and audiobook projects.   00:01:51 Thoughts on Facebook Ads   Before we get to our main topic, I want to have a brief digression into another part of the Meta empire, specifically Facebook ads and my recent experiences therein. I've mentioned before that I stopped using Facebook ads in October since the Advantage Plus system, which is their AI targeting system, was giving me headaches.   For a brief summary of my experience with Facebook ads. I started using them in 2019, did really well with them in 2020, then Facebook randomly started banning accounts during this craziness of summer 2020. I got my account reinstated, used them less frequently more and more until October of 2025 when I stopped using them altogether because Advantage Plus made targeting so hard. Since then, I've relied mostly on Amazon ads and BookBub ads to good results. However, I've also read various blog posts from people who have been struggling with the Advantage Plus system as well, and they've been investigating it thoroughly as internet marketers tend to do, and they've uncovered something interesting that isn't mentioned at all in Facebook's documentation about the new changes, specifically that Advantage Plus uses the text content of your ad to target it.   Under the old system, it didn't work that way at all. You would select interests that match your ad, usually popular authors in the fantasy genre (like J.R.R Tolkien, Robert E. Howard, George R.R. Martin, Brandon Sanderson, and so forth) and then you wrote the text of the ad and supplied an image, which was usually called a creative. The creative was like 80% of a successful Facebook ad. You just needed a good picture, more or less. The Advantage Plus system by contrast targets according to the text in the ad. So while you still need a good creative, you need to be precise in the ad text. So for example, you need to write something like this: "Fans of The Lord of the Rings, Conan the Barbarian, Mistborn, and Game of Thrones will love this free epic fantasy available for Kindle readers." Now, I found the arguments in these blog posts persuasive, so I decided to give it a try. The results are on the better side of okay-ish, I will admit. I didn't lose any money and did make a bit of money. The results were definitely better than I expected, though the ad using Advantage Plus typically only has a shelf life of six to 10 days before it stops working. That said, the old system was still better because the interests were more granular and I could assign them more precisely. I used to be able to advertise Frostborn, Cloak Mage, The Ghosts, and Demonsouled all at the same time because I could target the ads so precisely and granularly. There's absolutely no way I could do that now because the Advantage Plus system is a black box. It basically boils down to "trust us, the AI will figure it out" when it very obviously can't.   So for the moment I will have one Facebook ad in the rotation until Meta changes something and everything breaks. There's no way I'll run as many Facebook ads as I did in 2020, when sometimes I had eight different Facebook ads going at once. Apparently in the last three years, Meta spent around 130 billion on AI, give or take, and what they got for that money is an ad targeting system that frequently doesn't work, and when it does work, doesn't work as well as the old system did. Spending unfathomable sums of money to replace a system that worked pretty well with one that intermittently doesn't work, and then when it does function, doesn't work as well as the previous system seems to be a pretty good summary of the "AI revolution" so far.   00:05:05 Main Topic: 5 Tips for Instagram Marketing for Indie Authors     Now onto our main topic this week, five tips for Instagram marketing for indie authors. Because I'm looking for new alternatives to Facebook ads for reasons I just discussed, I have just started using Instagram as part of my marketing strategy, and many indie authors, especially in the romance genre, have reported a lot of success marketing through Instagram so I wanted to learn more about it and share what I learned. In today's episode, I'm going to focus on marketing through your author account, not paid Instagram ads, which could be a separate podcast topic in the future. Here are five tips that might help you with running an author Instagram account.   #1: Find a strategy beyond book promotion. Like any other form of social media, if all you post is promotion for your books, it'll be hard to gain a following. Before you start posting regularly, you'll have to think about what else you have to offer your audience. Even if you want to keep your posts exclusive to writing, there are other types of posts you can make, like behind the scenes peeks, extra facts about a character, or using the poll/question feature to engage with your followers about the books. Follow other author accounts from writers in your genre to learn about their successes and how they engage with their followers. That said, a warning with that, spending a lot of time looking at posts from engaging with other authors creates a closed loop and doesn't further your goal of getting your books into the hands of your readers. Looking at other author accounts and engaging with them definitely falls into the category of what I've called writing adjacent activities that can easily give you the illusion of progress but not actual progress that I've talked about on this podcast before. Ideally, you should spend most of your time on Instagram with readers, not other authors.   It's also important to find the balance between providing personal content to make readers feel more connected to you and having it drift too far into being a personal account. Most of us have seen author accounts and social media accounts that post far too personal of relationship details or various long types of rants on various topics that I find it hard to believe help sell any books. The balance will be different for everyone, but always keep in mind that your primary goal on your author accounts is to be a space for your brand as an author. In that same vein, posting negative reviews of other books or negative comments about other writers is not a smart idea in the long run. At best, it looks like you're attacking someone else to make yourself look better, and at worst, you can end up as part of one of the many Bookstagram dramas that crop up with predictable and tedious frequency and in the process, you may make yourself some enemies for life. Nobody wants that.   Spamming your books by promoting them in other author's accounts, comments sections, or worse, DMing them is considered bad form and not even remotely effective in the long run.     #2: Your space, your rules. Don't be shy about blocking people or deleting comments, especially from spam accounts. Remember that it's your space, not theirs. The flip side of that is turning off comments altogether will limit your reach on Instagram. Although engagement with other accounts matters on Instagram, not every single comment or DM needs a reply, and it would be a waste of precious writing time to even try. Many authors find a compromise in liking non-spammy, well-intentioned comments instead of replying to each one. Although it's important to post regularly, putting out a public schedule for what you'll post is an invitation for people to get upset when you miss a day.     #3: Captions matter. Although Instagram is about images and video, substantial captions are important for helping people to find your content. The algorithm rewards decent size but not overly long captions with good hashtags, even if people don't read them. The more specific you make your hashtags, the more effective they will be. Broad ones like "writing" and "author" won't be as effective as "Arthurian Fantasy" or "Enemies to Lovers Historical Romance." There are also a lot of genre specific abbreviations, especially in romance such as "HEA" (which stands for happily ever after) or the pepper emoji to suggest that the romance is a spicy one (which is a euphemism for saying that it gets explicit). Take the time to learn these by following other authors or accounts in your genre because it'll help others find your posts.   #4: Try Instagram Reels. The algorithm for Instagram Reels (the short videos on Instagram) rewards interaction more than videos on TikTok. So it's best to watch videos in your genre, post regularly, and expect that you won't get a lot of views starting out or the views might come much later after the initial post than they would on TikTok. Some authors report that it took months of regular posting before they saw success, or that videos would take off weeks after posting. So keep on posting consistently, even if you're not seeing a lot of followers and engagement at first. Some authors use Reels for off topic things like memes and lighthearted content so their posts remain completely about their writing. Pick a strategy of things you can consistently post Reels about two to three times per week because the algorithm rewards frequent posting of Reels.   #5: Don't pay influencers or accounts to promote your content. If someone approaches you to pay for reviews or promotion, it is 99.9% likely that it is a scam. Delete and move on. When in doubt, assume it is a scam. Even if that person or account who wants to be paid to promote you is magically legitimate (which is, as I mentioned, very unlikely) the Bookstagram community is very savvy and distrustful of paid reviews. It's not good strategy. Real reviews from real, unpaid people take time, but the results are far more effective. You could try a raffle giveaway of your book to get reviews instead of paying an influencer or offering a special Smashwords coupon code just on your Instagram account.   Above all, Instagram will work if you're authentic, post regularly, and are patient in building up a following. Taking shortcuts like buying followers or spamming other accounts is not an effective strategy. Like so many things, there isn't a magic pill that substitutes for hard work over time, which if there was an overwhelming theme of this podcast over the last 290 episodes, I think that hard work over time is probably the lesson we want to take away here. So that's it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

Nick reacts to the Blades beating Portsmouth at Fratton Park. Hosted on Acast. See acast.com/privacy for more information.

Blades ’68 is an official 450-page expansion for the TTRPG Blades in the Dark. This supplement advances the timeline 100 years to the “Swinging Sixties” in the city of Doskvol, an age of electroplasmic fusion and “Bluetime” spy games. The expansion introduces new playbooks, crews, and a revamped setting, alongside new rules for Harm, Resistance, Keys, Deadlocks, and an adapted Trouble Engine. The campaign has been overwhelmingly funded, with an expected delivery date of August 2026. Paizo, the publisher of Pathfinder, announced the new Pathfinder Beginner Box: Secrets of the Unlit Star, an all-inclusive entry point to Pathfinder Second Edition set for release on May 6th, 2026. The box set features a solo adventure, a 72-page Hero’s Handbook, an 88-page Game Master’s Guide, and updated rules for character options and adventure scenarios. Additionally, Paizo confirmed its commitment to the Pathfinder 2E Remaster with the release of Dark Archive Remastered and the announcement of Season of Ghosts Remastered. The company also partnered with One Page Rules to launch Paizo Printables, a new line of 3D printable wargaming miniature STLs compatible with the Age of Fantasy system, starting in Spring 2026. Maestro Media unveiled Avatar: Pandora's Power, a two-player asymmetric lane-battling card game based on the Avatar films. The game pits the resource-extractive RDA against the adaptive, land-rooted Na'vi factions, with the goal of reaching 30 points to decide Pandora’s fate. CEO Javon Frazier emphasized that the core experience is the asymmetry, with each faction playing a distinctly different game. Designed for ages 12 and up, the game plays in approximately 20-45 minutes and includes 170 Faction Cards, 18 Location Cards, and various tokens. Hasbro CEO Chris Cocks touted the company’s AI integration as a “clear success” during a recent earnings call, though he primarily referred to its deployment in non-creative, operational workflows such as financial planning, supply chains, and general productivity. Cocks stated that AI, in partnership with platforms like Google Gemini and OpenAI, is expected to free up over 1 million hours of lower-value work within the year. While he maintains a “human-centric creator-led approach,” Wizards of the Coast (WotC) has an explicit policy prohibiting its artists and writers from using generative AI for final D&D products, a stance that aligns with a user survey indicating over 60% of consumers would not buy D&D products made with AI. #blades68 #pathfinder #paizo #hasbro Blades ‘68 on Backerkit: https://www.backerkit.com/c/projects/evil-hat/blades-68 40-page Preview on DTRPG: https://www.drivethrurpg.com/ja/product/553040/blades-68-preview?affiliate_id=2081746 Empire of Bones on Kickstarter: https://www.kickstarter.com/projects/thepaintedwastelands/empire-of-bones Preview: https://www.drivethrurpg.com/en/product/554430?affiliate_id=2081746 Call of Cthulhu Bundle: https://humblebundleinc.sjv.io/Xmz13G Warmachine on MyMiniFactory: https://mmf.io/upturned Mantic Companion App: https://companion.manticgames.com/ Use our Referral code: MCTXEE Support us by Shopping at Miniature Market (afilliate link): https://miniature-market.sjv.io/K0yj7n Support Us by Shopping on DTRPG (afilliate link): https://www.drivethrurpg.com?affiliate_id=2081746 Matt’s DriveThruRPG Publications: https://www.drivethrurpg.com/browse.php?author=Matthew%20Robinson https://substack.com/@matthewrobinson3 Chris on social media: https://hyvemynd.itch.io/​​ Jeremy's Links: http://www.abusecartoons.com/​​ http://www.rcharvey.com ​​Support Us on Patreon: https://www.patreon.com/upturnedtable Give us a tip on our livestream: https://streamlabs.com/upturnedtabletop/tip​ Donate or give us a tip on Paypal: https://www.paypal.com/ncp/payment/2754JZFW2QZU4 Intro song is “Chips” by KokoroNoMe https://kokoronome.bandcamp.com/

Where's Pemberton?Reza- LenaThe Magnificent Figaro- Danny DelucaGamemaster- Jared WitkofskyAl Key- Chris FrenchPerberton- Andrew Collins-AndersonKevin- Morgan JustTony 'The Toe' Tito- Chris ThielFeaturing music by Pressure Highway, Jordan Fickel,  Danny Deluca and Motoshi Kosako  This work is based on Blades in the Dark (found at http://www.bladesinthedark.com/), product of One Seven Design, developed and authored by John Harper, and licensed for our use under the Creative Commons Attribution 3.0 Unported license (http://creativecommons.org/licenses/by/3.0/). 

Hugh and Freddie break down a busy deadline day at Fratton Park, giving the full lowdown on Pompey's new signings and what they bring to the squad. The lads also review the Preston game, discuss the injury crisis, and preview game against Sheffield United.

Nick gives his reaction to a Blades defeat, live from Bramall Lane as Sheffield United lose to Middlesbrough. Hosted on Acast. See acast.com/privacy for more information.

Mark and Tommy Radio react to Joey Porter's comments about Big Ben on Cam Heyward's podcast See omnystudio.com/listener for privacy information.

Mark and Tommy Radio react to Joey Porter's comments about Big Ben on Cam Heyward's podcast

Doug Marcaida of Forged in Fire on the History Channel brings the Filipino Martial art of Kali to the world of comics in Lineage. Estranged Brothers Miguel and Virgil are reunited by the death of their father and the trauma of a mysterious cult that has haunted them since they were children. Miguel and Virgil must remember the training given to to them by their father as the Blades passed down by generation are very distinct to their culture. The story not only brings the action you would expect from a martial arts comic, but the studies and philosophies built in the foundation of Kali and the idea of Legacy and Mentorship in the reunion of Family. Arriving 2/16 on KickstarterConcept/Story by Doug MarcaidaWritten by Justin Quizon & Earl BaylonArtwork by Felix MoralesColors by Raymund LeeLetters by PatricioGinelsaSupport this podcast at — https://redcircle.com/the-faqs-project-hosted-by-james-grandmaster-faqs-boyce/donations

Following a 1-2 defeat at the hands of Middlesbrough, United's hopes for a run into the playoffs are likely toast. We discuss what Blades fans can look forward to now. Pompey preview on the back half of the pod. Red Half of SheffieldTwitter/x - @redsheffieldBlueSky - @redsheffieldFacebook - @redhalfofsheffieldYoutube- @redhalfofsheffieldNoah SnyderTwitter/x and BlueSky- @nessman930Insta - @sunpuckChad JarvisTwitter/x/Insta - @Cjarvis_13 Hosted on Acast. See acast.com/privacy for more information.

One Great Teaching: Overcoming the Divided Mind with Cortney McDermott In this episode of Learn From People Who Lived It, hosts Mathew Blades and Cortney McDermott dive into the power of decision and the exhaustion caused by a divided mind, inspired by the wisdom of James 1:8. Cortney McDermott shares her practical techniques for quieting internal conflict, emphasizing the importance of relaxation, trust over hope, and playful dialogue with a higher intelligence. The conversation addresses why we often resist slowing down and how small pattern shifts like pausing instead of pushing through can help us access clarity and inner guidance. Listeners are guided through a calming meditation designed to foster self-trust and open the door to inspired choices. If you've ever felt pulled in different directions, this episode offers gentle strategies to find stability in both mind and life.   To get in touch with our podcast, email INFO@Learnfrompeoplewholivedit.com Visit our Guests: Mathew Blades - MathewBlades.com Dr. Anna Marie Frank - https://drannamarie.com Cortney McDermott - https://www.cortneymcdermott.com Dr. Dave - https://www.drdaveaz.com/ Jill McMahon - Jillmcmahoncounseling.com To grab a copy of our 6-Week Wellness course, which is video-led, visit https://a.co/d/0ihE1vaw If you want to use Streamyard to create a podcast like this, use this link: https://streamyard.com/pal/c/4656111098003456

Sean is the Director of Projects at Evil Hat Productions, a game developer and TTRPG enthusiast who has played more games than almost anyone we know.  He's been part of the design team for great titles like Agon, Apocalypse Galactica, Blades in the Dark, Dead World, and Stone Dragon Mountain. He adds a refreshing energy and commitment to the world of TTRPG's—he's been doing it for decades. In today's episode, we break down different gameplay styles and the realities of various mechanics, how they affect the flow of play, and how players interact with the world. It's a deep dive into how game hacking and open-source development work, and it's great for homebrewers and developers alike. Sean discusses what makes for a robust mechanical structure and how best to integrate a game's structure and story into an evocative product. He explores how to deliver mechanics to your audience, how to tell more enticing stories, red and green flags in game-making, and details his awesome experiences in the field over This conversation was a blast, running nearly two hours. A true deep dive, there's a lot to learn here.Check out Sean's websiteVisit the amazing titles sold by Evil Hat ProductionsTitles and subjects we reference: OSR MothershipPBTA Forged in the DarkCall of Cthulu KnaveMythic BastionlandWhite Hack & Black HackScum and VillainyProject PERSEUSBand of BladesSpell and BladeDraw SteelApocalypse WorldTiān Dēng: Tales of the Immortal God ShipOutgunnedShadows of TruthTomb RaiderBlades in the Dark Apocalypse KeysWork CleanLittle OraclesShadowdarkPluribusTed Lasso************************************⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show for as little as $1 a month: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Add this to the end of your link on DriveThruRPG to support the show: ?affiliate_id=1044145Example: ⁠⁠⁠⁠⁠⁠https://preview.drivethrurpg.com/en/product/397612/Court-of-Blades--Scandal-Forged-in-the-Dark?affiliate_id=1044145⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our live-streaming content on ⁠⁠Twitch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Don't miss our RPG Actual Plays, tutorials, and gaming content on ⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to an excellent board game ⁠⁠podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Go to the Writer's Room for ⁠⁠7th Sea Adventures!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out the great games from ⁠⁠A Couple of Drakes:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Tales of the Manticore⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on ⁠⁠Facebook,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow on BlueSky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠

In this episode, we look at how the classic black & white Universal movie monsters tap into universal fears, and how you can use that to create compelling villains in your book. This coupon code will get you 50% off the audiobook of Dragonskull: Shield of the Knight, Book #2 in the Dragonskull series, (as excellently narrated by Brad Wills) at my Payhip store: GARETH50 The coupon code is valid through February 16, 2026. So if you need a new audiobook this winter, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 289 of The Pulp Writer Show. My name is Jonathan Moeller. Today is February 6, 2026, and today we are discussing how you can use the Universal monsters to write interesting villains. Before we get into that, we will have Coupon of the Week and an update on my current writing and publishing projects. First up is Coupon of the Week and this week's coupon code will get you 50% off the audiobook of Dragonskull: Shield of the Knight, Book #2 of my Dragonskull series (as excellently narrated by Brad Wills), at my Payhip store. And that code is GARETH50. And as always, the coupon code and the link to my Payhip store will be available in the show notes. This coupon code is valid through February 16th, 2026, so if you need a new audiobook to get you through the middle of February, we have got you covered. Now let's see where I'm at with my current writing and publishing projects. As of this recording, I am 63,000 words into Cloak of Summoning and I am almost but not quite halfway through my outline. So this is definitely going to be a long book and it's probably going to come out in the first part of March because it's long enough that it will take me a while to finish writing it and then to edit and proof it and everything else. So I'm making good progress on it. It was a very productive week, but I am still not even halfway through, so I think it's probably going to be March. I am also 5,000 words into Blade of Wraiths. That will be the fourth book of my epic fantasy Blades of Ruin series, and that will probably be in April, if all goes well. In audiobook news, Blade of Shadows (as narrated by Brad Wills) is done and it is slowly starting to roll out to the various platforms. I think as of this recording, the only place it is live right now is my Payhip store and Google Play, but hopefully by the time I record the next episode, it will be available at even more stores than that. Hollis McCarthy is working on Cloak of Titans and I think she's about halfway or two thirds of the way through recording, so we should be able to get that to you before too much longer. So that is where I'm at with my current writing and publishing and audiobook projects. 00:02:13 Main Topic: Universal Monsters, Universal Fears, and Creating Villains Now our main topic, which is the Universal monsters and the universal fears and how you can use that to create villains. One idea a writer can use to create compelling villains is to tap into some of the universal fears, and in some ways, those universal fears are embodied by the classic Universal monster movies. I mentioned before that in Halloween of 2025, I saw that a bunch of the old black and white Universal monster movies were on Prime Video. So I watched them for the first time since I was a kid, and I was pleased to see that they held up pretty well for movies that are nearly a century old, especially considering these were some of the very first movies ever made with sound and the filmmakers were kind of figuring it out as they went along. Dracula is a bit uneven because they tried to cram the stage play version of the book into a 70 minute movie, which really doesn't work, though Bela Lugosi's performance as Dracula and Edward Van Sloan as Van Helsing really carried the movie and helped define the characters in the public eye, but the others are all good and Bride of Frankenstein is legitimately a great movie, but why have these particular movies lasted so long in the public consciousness? For that matter, why do people keep coming back to new versions and new stories of Dracula and Frankenstein's Creature and all the others? Partly it's because these characters are in the public domain and you can use them without getting sued. True, but there's a lot of stuff in the public domain that doesn't see the light of day nearly as often as these classic monsters. I think it's because the classic monsters tap into the universal (small U) fears or classic archetypes of the things that people fear in real life. It's interesting to note that most of the classic Universal monsters were either originally humans who became monstrous or creations by humans that turn monstrous. Essentially, the monsters tap into archetypal fears and are exaggerated versions of villains and monsters we might actually encounter on a day-to-day basis. What do I mean? Let's expound. First up, Dracula. Count Dracula is in some ways the easiest metaphor to explain. He's an aristocratic vampire that feeds upon people and gives them nothing but evil in return. Perhaps he will pass on his own immortality to some of his victims, but it's a cursed and hellish form of immortality and any vampires that he creates are essentially his slaves, sometimes his mindless slaves. Dracula is the fear of the Evil Elite. This of course, takes many different forms in the modern era, but it is very much alive and well. The various conspiracy theories that the elite of society might be devil worshippers or engaged in sinister cults are definitely Dracula adjacent (and based on recent news reports, it indeed appears at least some of these conspiracy theories turned out to be accurate). More prosaically, "rent seeking behavior" is often characterized as vampirism. Rent seeking behavior is defined as finding ways to extract profit without adding value by manipulating the legal or regulatory environment. The landlord who raises rent by $500 a month for no reason. A software developer who reduces features while raising the subscription price or a financier who manipulates the regulations for an industry while investing in it are good examples of rent seeking behavior that is metaphorically vampiric. For that matter, it can be downright mundane. The middle manager who bullies his employees and then takes all the credit for their work is a very boring and unpleasant, but nonetheless, an all too common example of the vampire metaphor in real life. Frankenstein's monster is a much easier metaphor to explain now than it would've been before ChatGPT went mainstream. There is always a fear that we will be destroyed by the works of our own hands, especially in the last a hundred years since the creation of nuclear technology and gene editing. Probably most famous examples of that in science fiction are The Terminator and The Matrix movies series. However, these days the metaphor for Frankenstein's monster is almost ridiculously easy. We have generative AI to fulfill the metaphor of Frankenstein's monster for us. Karl Marx famously said that history repeats twice, the first time as tragedy, the second as farce. Nuclear weapons as a metaphor for Frankenstein's monster was a tragedy but generative AI is a farce. The tech bros sold it as this omniscient mind that could solve all problems and eliminate all jobs. What we've actually gotten is an imbecilic chatbot that makes a lot of mistakes, can't remember anything, can't actually do anything right, inflicts widespread damage to the economy, drives up electricity costs, and makes existing products like Windows 11 and Google search much worse. It's like as if Frankenstein's monster was really, really stupid and wanted you to add glue to your pizza to keep the cheese from sliding off. The Wolf Man, of course, is a metaphor for the potentially bestial nature of man. We all know, of course, or are eventually forced to learn that human beings have a dark side that can come out in times of anger and stress. Civilization is sometimes a thin veneer over the animalistic side of humans. Sometimes the veneer grows even thinner and the dark side comes raging out in riots and wars and mass slaughter. For Larry Talbot, the original Wolf Man in the movie, his situation is even more terrifying. He's a rational man who believes in science and psychology and doesn't believe in things like werewolves. Yet when he is bitten, he nonetheless loses control and transforms into the Wolf Man. He doesn't want to transform and attack people, but he has lost control of himself to the werewolf curse, and so he does. In a sense, all humans are werewolves in that we have a monstrous side that can come out under the right or the wrong conditions. The worst of us embrace that fact, just as in medieval legends, sometimes people would make pacts with the devil to become werewolves. The Invisible Man was originally a science fiction story, which means that the Invisible Man represents a new fear created by science. "Transhumanism" is an idea that eventually humans will merge with machines and evolve and become something new. Naturally, many people think this is a bad idea, and so a new idea has emerged: "posthumans" or humans that have been so modified by science that they are no longer recognizably human. So far, this has remained mostly science fiction, but you can see the glimmers of it beginning in biology and medical science. There's a reason performance enhancing drugs are banned in most sports. Genetic engineering opens up the possibility that corporations could create their own custom humans, essentially their own posthumans. The possibilities for abuse in such situations are sadly endless. So the Invisible Man, like Frankenstein's Creature, taps into the fear of science or more accurately the fear of what horrors science might create. On the surface, the Creature from the Black Lagoon is a monster story about a creature that carries off a pretty girl. I think it taps into a deeper fear, however, namely that the world is older and stranger and more alien and incomprehensible than we can possibly know. Like hardcore creationists say that the earth is 6,000 years old or so, and the traditional scientific view is that the earth has been around for four and a half billion years or so, and both groups have detailed charts explaining why their theories are correct, but what if they're both wrong? Oceanographers say that we don't fully understand the oceans. And a common theory among UFO people is that UFOs emerged from hidden bases at the bottom of the ocean, inaccessible by any human. There are other theories that there have been entire civilizations such as Atlantis that have vanished without a trace and were more advanced than our own, or that all of human civilization is a cycle that constantly destroys itself and restarts without a memory of its previous failures, or that aliens have influenced and controlled human history or that aliens created the earth and this is all some sort of elaborate science experiment. Of course, all these theories are likely bunk. Probably. I think it is true to say that not only is the world stranger than we know, it is stranger than the human mind is actually capable of comprehending. And depending on how far that goes, that could be a terrifying thought. So the Creature from the Black Lagoon, the idea that some race of fishmen lurks beneath the waves that we don't know about, taps into that fear. Like The Creature from the Black Lagoon, The Mummy on the surface is another story about the monster who wants the girl since Imhotep waits 3,000 years for his love to be reincarnated. But I think this taps into a deeper fear, namely that we can't escape history, that no matter what we do or how hard we try, history will catch up to us (whether our own personal history or national history). Political philosopher Francis Fukuyama famously wrote a book called The End of History and The Last Man in 1992, arguing that with the collapse of Communism, liberal democracy was the final form of government achieved by mankind and it would have no serious competitors in the future. This was a nice dream, but I think it's fair to say that the last 34 years since 1992 have proven that thesis profoundly wrong. History is definitely not over and in every domestic or international political crisis of the last 34 years, you can trace its roots back for decades or even centuries. It took 3,000 years for the dead hand of Imhotep to affect the present, but it usually doesn't take nearly that long for history to have negative effects in the present world. The Phantom of the Opera is considered one of the Universal monsters, but I don't think he really taps into a deeper fear, maybe just to be wary of a creepy guy who lives in a theater basement and is unhealthily obsessed with the leading actress. Honestly, that just seems like good common sense. Maybe poor Christine Daae just needs some pepper spray or a good solid shotgun. In conclusion, I think each of these Universal monsters remains popular because they tap into a deeper, more profound fear. So if you're a writer looking to create a memorable villain, you could do worse than to follow those universal fears. You don't even explicitly have to write horror, science fiction, or fantasy to do it. In a mystery novel, you could have a Dracula type villain in the form of a slumlord who traps his tenants with restrictive lease agreements to bleed them dry financially or an Invisible Man villain in the form of a scientist who is illegally injecting college athletes with an experimental drug without their knowledge. The Wolf Man appears quite often in detective and thriller fiction as a serial killer or some other kind of violent criminal. Naturally we cannot escape history, so the Mummy can appear as a conflict that had its roots in events that happened decades ago. Of course, the range for universal fear villains in science fiction and fantasy is much greater. Then you don't even have to be metaphorical. So hopefully this look at the Universal monsters and the universal fears they tap into will give you some good tips and ideas for writing villains in your book. So that's it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes in https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.  

Welcome to The Knife Junkie Podcast, Episode 654. This week, Bob DeMarco sits down with John Curran of Curran Blades, a custom knife maker from Vero Beach, Florida, who builds bold, one-of-a-kind tactical folders and fixed blades.John began making knives about 20 years ago after he could not find a specific hunting knife in stores. That first rough blade, built with a torch and motor oil, sparked a passion that eventually became a full-time career. Three years ago, John caught what he calls 'the bug' for building folders, and it has become an obsession driven by the search for perfection.In this conversation, John discusses the technical challenges of building custom folders, why attention to detail matters most, and how he creates knives that look bold yet remain rooted in real-world function. He shares his thoughts on building a sustainable knife-making business without trying to become the next big production company, and why repeat customers mean more to him than anything else.You will also hear about the materials John works with, including CPM-154 steel and high-carbon options like 1095 and O1. Plus, John reveals his dream project: a big, beautiful Damascus Bowie knife that he plans to build when the time is right.Check out the full episode at TheKnifeJunkie.com/654.Find John Curran and Curran Blades at CurranBlades.com, on Instagram @curran_blades, and on Facebook.Be sure to support The Knife Junkie and get in on the perks of being a patron, including early access to the podcast and exclusive bonus content. Visit https://www.theknifejunkie.com/patreon for details.You can also support The Knife Junkie channel with your next knife purchase. Find our affiliate links at https://theknifejunkie.com/knives.Let us know what you thought about this episode and leave a rating and/or a review. Your feedback is appreciated. You can also email theknifejunkie@gmail.com with any comments, feedback, or suggestions.To watch or listen to past episodes of the podcast, visit https://theknifejunkie.com/listen. And for professional podcast hosting, use our podcast platform of choice: https://theknifejunkie.com/podhost.

In this Episode Permberton sounds awful Cast- Reza- LenaThe Magnificent Figaro- Danny DelucaGamemaster- Jared WitkofskyAl Key- Chris FrenchPerberton- Andrew Collins-AndersonKevin- Morgan JustTony 'The Toe' Tito- Chris ThielFeaturing music by Pressure Highway, Jordan Fickel,  Danny Deluca and Motoshi Kosako  This work is based on Blades in the Dark (found at http://www.bladesinthedark.com/), product of One Seven Design, developed and authored by John Harper, and licensed for our use under the Creative Commons Attribution 3.0 Unported license (http://creativecommons.org/licenses/by/3.0/). 

Golf Coach Virgil Herring on 3HL - Blades Brown's AscensionSee omnystudio.com/listener for privacy information.

In this second part of our TMNT Redux Kickstarter retrospective, we take a deeper look at the books that were ultimately the main focus of the project. Our primary focus here is on the first book, its content, its art, and its ultimate value to us and our gaming tables (and collections!). We've got a full stack of all four variant editions, and a whole lot to say about them! Drop us a line! You can follow us (sporadically) on Facebook, and we'd love to see you on our Discord Channel too. And let us know your thoughts by leaving a review on iTunes or any other podcast aggregate sites. For even more info and options, check out our main website or our low-bandwidth alternative feed site. Links of Note: TMNT & Other Strangeness Redux Edition at the Palladium Books store TMNT Transdimensional Adventures Redux Editon at the Palladium Books Store A Cloak of Blades, by Isaac Sher Credits: Hosts: NPC, Just Jacob, and Matt Buckley Music: Opening is "8-Bit bass & lead" by Furbyguy, Closing is "Caravana" by Phillip Gross Episode Length (We support chapters!): 56:24 Glitter Boys, Rifts, the Megaverse, and all other such topics are the property of Kevin Siembieda and Palladium Books. Please buy all their stuff and help keep them in print and making more games! You can order directly at palladiumbooks.com, and their entire catalog is available digitally at Drive-Thru RPG as well. We release all of our public episodes simultaneously on: Youtube: https://www.youtube.com/channel/UCuc8KbdMqx8ajWfm2OUTs7A Audio RSS: https://breakfastpuppies.com/feed/glitterbois Want to help us pay for hosting? We have a few options: Drop us a one-time donation or a recurring membership at our Ko-Fi page Follow this link to our Pinecast Tip Jar We've got a merch store if you're looking for some sweet Glitterbois swag. Check out our affiliate store and buy some of the various products we endorse. Support The Glitterbois by contributing to their tip jar: https://tips.pinecast.com/jar/the-glitterbois Send us your feedback online: https://pinecast.com/feedback/the-glitterbois/5fc9234b-9459-4dec-9007-2bea871f8718 This podcast is powered by Pinecast. Try Pinecast for free, forever, no credit card required. If you decide to upgrade, use coupon code r-66e5ee for 40% off for 4 months, and support The Glitterbois.

Golf Coach Virgil Herring on 3HL - Blades Brown's AscensionSee omnystudio.com/listener for privacy information.

Oli and Andrew preview Sheffield United vs Middlesbrough. Hosted on Acast. See acast.com/privacy for more information.

It's the first Friday of February which means it's our monthly trivia show. Our special guest today is Ted Blades.

It's Persephone Protocol vs Team Intergalactic! With only one spot left in the Hades Cup, it's all on the line. Will Persephone Protocol take the victory, or will the team get more than they bargained for... CW: Simulated sci-fi combat sounds, fireworks/explosions Check out the Blades '68 Backerkit from our Sponsors, Evil Hat Productions! For Transcripts, our Tip Jar, and the official Discord Server: https://bloomandblight.com/ Be sure to stick around after our credits for a word from friends of the show, Game Master Monday!Theme Song: "PRESS/LEAD" and "Seconds Rising Star (Reprise)" by Harper S.K. Songs featured courtesy Epidemic Sound: "Black Hawks" by Akibakid, "Electromagic" by Akibakid, "Arcane Sun" by Max Anson, "Blah Blah" by Heyson, and "You're a Believer (Instrumental Version)" by Stonekeepers.

You can support this show on Patreon⁠⁠!In this episode, I talk to Tim Denee, a Wellington-based graphic designer, illustrator, and game designer. His graphic design work has been recognised by the Best Awards, Tokyo Design Week and the International Society of Typographic Designers. He's also the co-author of We Are Here: An Atlas of Aotearoa, which was shortlisted for the Ockham NZ Book Awards. Through Old Dog Games, he's published free RPG products like a hack of Band of Blades for playing in the Warhammer old world and last year, a hack for Twilight 2000 to play Andor. And recently, he's partnered with Evil Hat to release Deathmatch Island, a battle royale adaptation of Agon, and crowdfunding now, Blades '68, an expansion for the seminal Blades in the Dark. Tim's personal website: https://timdenee.com/ Old Dog Games: https://www.olddog.games/ Blades ‘68 crowdfunding: https://www.backerkit.com/call_to_action/c7788a1e-2f1c-4525-bc66-2a99b84ebae9/landing Show Notes:Austin PowersMad Men (TV Show)Games MentionedDeathloopDishonoredMythic BastionlandIf you liked this podcast, check out the weekly Indie RPG NewsletterMusic: "eastern" provided by mobygratis.

In this week's episode, we look at five business lessons for indie authors from Brandon Sanderson's recent Apple TV deal. Once again it is time for Coupon of the Week! This coupon code will get you 25% off the ebooks in the Silent Order series at my Payhip store: CALASKAR25 The coupon code is valid through February 9, 2026. So if you need a new ebook this winter, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 288 of The Pulp Writer Show. My name is Jonathan Moeller. Today is January the 30th, 2026 and today we are discussing five additional business lessons for indie authors from Brandon Sanderson in the aftermath of his recent Apple TV deal. Before we get into that, we will have a Coupon of the Week and an update on my current writing and publishing progress. First up is Coupon of the Week. This week's coupon code will get you 25% off the ebooks in the Silent Order series at my Payhip store. And that coupon code is CALASKAR25. And as always, you can get the coupon code and the links to my Payhip store in the show notes of this episode. This coupon code will be valid through February the 9th, 2026. So if you need a new science fiction ebook to read for this winter, we have got you covered. And now for an update on my current writing and publishing projects. Now that Blade of Storms is out and is doing well (thank you all for that), my main project is now Cloak of Summoning, and I am 34,000 words into it as of this recording, which puts me on Chapter 6 of 23 in the outline. I think it's probably going to come out in March because February is a short month and Cloak of Summoning is going to be a long book. So hopefully it should come out early in March. I'm also 1,000 words into Blade of Wraiths, which will be the fourth book in my Blades of Ruin epic fantasy series. That will be my main project once Cloak of Summoning is done. So hopefully that will come out in probably April or thereabouts. In audiobook news, recording is very nearly completed for Blade of Shadows, the second book in the Blades of Ruin epic fantasy series, and that will be narrated by Brad Wills. Hollis McCarthy is currently working on the audiobook of Cloak of Titans, and I think she's about halfway through. So hopefully we should have some new audiobooks for you to listen to before much longer. And that is where I'm at with my current writing and publishing projects. 00:02:04 Main Topic of the Week: 5 Business Lessons For Indie Authors From Brandon Sanderson Now onto our main topic this week, five additional business lessons for indie authors from Brandon Sanderson. And I think it is objectively factual to say that Brandon Sanderson is probably the most successful fantasy author who is currently publishing. Beyond the sheer number of sales, what many find most impressive about what he's achieved is his company, Dragonsteel Entertainment, that he has been able to create. It consists of Kickstarter campaign work, special book editions, a successful convention, merchandising (including an RPG), and a whole slew of other things. Even for authors like me operating on a much smaller scale, there are a few things to learn from his success at publishing and creating a specialized empire. Now what's amusing is the notes for the show were prepared a couple of weeks ago, but a few days ago, the news was announced that Brandon Sanderson entered into a licensing deal with Apple TV to produce adaptations based on his Mistborn and Stormlight Archive series. As the author himself said on Reddit, "The decision to pick Apple was due to two factors. First, the levels of approvals and control. Apple wants to be a true partner with me and they feel like they really get what I want to do. Second, their track record. Apple does fewer things, but higher quality than some other studios. I find virtually everything of theirs I watch is excellent and creator driven." So that and an impressive degree of creative control he wrung out of Apple for this and if you are at all familiar with the history of movie adaptations, you know that the author getting any degree of creative control does not happen all that often. Usually what happens is the studio cranks out the adaptation that butchers the book and then it disappears into obscurity. So this actually happens to tie in quite well with the original theme of today's episode, which is the Five Business Lessons from Brandon Sanderson. He was able to reach this level of success by following these five business lessons consistently over a period of decades. So we will go into that now. #1: Find a way to meet fan demand and find gaps in the market. Sanderson was ahead of traditional publishing when it came to responding to fan requests for high quality letter bound or other enhanced special editions. By focusing on this gap in the market, he was able to meet a need expressed by his most passionate fans and get an additional round of sales from existing customers who already have the mass market paperbacks or ebook versions. Even in an age with ebooks and audiobooks, physical copies are still important to many readers, partly because they can't be deleted off your ereader. This is even more true of special editions being gifted or displayed like decor. He further cemented the respect of his fans by spending a great deal of time and effort adding elaborate details like gilding and full color illustrations to the premium editions. He listened to fan demand and exceeded their expectations without pricing out or alienating fans by only offering the premium versions. It's also been long been a complaint of readers that they can't buy bundles of the physical book, ebook, and audiobook at the same time. There's a wide variety of reasons it's not easy or even possible to bundle these formats together, but Brandon Sanderson found a way to make it work with books from his largest Kickstarter campaign because he was controlling the production of all three formats. He found a gap in the market by addressing this need and made fans feel like they're getting a more complete experience by getting the formats all at once. #2: Take advantage of an opportunity. One of the most surprising parts of Brandon's largest Kickstarter campaign is how one of the Secret Project books, Tress of the Emerald Sea, took off on BookTok and became popular with readers who haven't read other Brandon Sanderson or even fantasy books before. Tress also gave potential readers who are intimidated by how prolific he is and how long and interconnected the books in his series are a chance to try his writing in a less intimidating way. Dragonsteel responded to this development by commissioning special editions of Tress, Mistborn, and The Emperor's Soul in a Sanderson starter pack on the TikTok shop, which did extremely well. Authors who are prolific would do well to think about entry points in a similar way. What are your "starter pack" books? How can people feel more comfortable trying out your work and sampling from your books in your different genres? For myself, one way I do this is making the first book in almost all my series permafree. This gives people a chance to try my work without making a financial commitment, and usually the second book is $0.99, which is a little bit of a financial commitment, but not very much. And if someone has read the first two books in the series, odds are they are probably going to continue on to the full price rest of the series. #3: Be transparent. Brandon uses weekly update videos and his podcast to update readers on his writing and publishing progress as well as new merchandise releases. If there is a delay or an unexpected development, he can use this outlet to explain what happened in more detail. For example, when there was a delay in the printing of the premium hardcover of Tress of the Emerald Sea, he posted to Kickstarter, social media, and his weekly video to explain what happened and what Dragonsteel was doing to address it. For myself, I include writing updates at the beginning of each of my podcast episodes and also post updates to my website and Facebook page on a regular basis. He also posts a State of the Sanderson every year on his website and YouTube channel that summarizes the status of his various projects in a more collected form so more casual fans can catch up on his news there. This level of transparency builds trust with your readers. Some authors hide from failed promises about publishing dates or future books, but it's better to be transparent when something changes than to act like it never happened or keep giving vague answers. For example, very recently, I'd hoped Cloak of Summoning was going to come out in February, but like I explained at the start of the episode, it's a long book, February is a short month and I've got a bunch of stuff to do in February that's not related to writing, so it's probably going to be early March that the book comes out. #4: Keep creative control. One of the reasons that even during the era of peak streaming, we did not see an adaptation of a Brandon Sanderson book (besides Wheel of Time, which doesn't really count because it mostly belongs to Robert Jordan and the series didn't last long enough to get to the final books in the series that Sanderson authored). It was in part because creative control of the work is important to him. He wants to find a production company that respects his work and is at least reasonably faithful to the original books. As anyone who has been disappointed by a show or movie that was created by people unfamiliar with the work or uninterested in following the original plot knows, that is not as simple of a request as you might think. Like of all the books I've read that have had TV or movie adaptations, I think I can think of only three adaptations that were better than the original book: Goldfinger (because Goldfinger's plot in the movie made more sense than it did in the book), The Godfather (because The Godfather movie frankly eliminated some unnecessary and frankly weird subplots from the book), and I think the show adaptation of Wolf Hall (because I've been reading the Wolf Hall books this year and while the books are good, I think the show kind of gets to the point in a better way and avoids some of the long internal monologues that Cromwell has that seem to kind of not be necessary, but that could be a matter of taste). So, but back to the main point, out of all the adaptations I've seen, I think I've only encountered three that were better than the original source material. So you can see how having creative control of the adaptation will be very important for an author. Even though most books will never become movies or shows, keeping as much creative control as possible is extremely important as a writer in general and indie publishing allows you to do that, which I found has been very useful to me in my writing career, especially after I started doing my own audiobooks because then I can move the audiobooks to different stores and make bundles of them as I want without having to fight with the rights holder about that. #5: Find good people you can trust and treat them well. One of the most underrated elements of Sanderson's success is that he has built a strong and loyal team at Dragonsteel headed by his wife, Emily, who is co-president of Dragonsteel Entertainment. The company has over 50 employees that work on merchandise, the podcast, the convention, and all of Sanderson's various projects, which baffles my mind because I don't think I talk to 50 different people in a month, let alone every day. Many of the employees are longtime friends (some going back as far as college) or family members, but Emily says that it's still important that each employee is qualified for their role. Treating employees well is a stated priority of Sanderson. One specific example is how he structures his major annual sale, which is called Light Day, early in November to not take place over the American Thanksgiving holiday, and the Dragonsteel Shop has earlier Christmas holiday ordering deadlines than most online stores do so his employees can have more time off around that holiday. Another example of treating others well is although many people have offered to volunteer at the Dragonsteel Nexus Convention, he hired temp employees instead. I hope that one of the reasons I've been able to keep employees like a cover designer and narrators for so long is that I try to treat people well. I try to act professionally, not make unreasonable quote requests, and pay people promptly. You can get away with a lot if you pay people on time as agreed. I'm not saying this is an excuse to act like a jerk, however, you will find that people are much more patient with you and much more willing to accommodate reasonable requests when they know that you will in fact pay on time when they are done. So finally, although you and I may never manage a media empire like Dragonsteel Entertainment, you and I can still learn from Sanderson's success and take lessons and apply them to our own businesses from what he has done well. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful and interesting. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.    

Fluent Fiction - Dutch: Kinderdijk Whispers: The Mystery of Missing Windmill Blades Find the full episode transcript, vocabulary words, and more:fluentfiction.com/nl/episode/2026-01-31-23-34-02-nl Story Transcript:Nl: De lucht was grijs en koud, terwijl sneeuw vlokken langzaam naar beneden dwarrelden op Kinderdijk.En: The sky was gray and cold, while snowflakes drifted slowly down on Kinderdijk.Nl: De wind had de gewoonte om over de top van de windmolens te fluisteren, vroeger zo trots, nu vreemd stil.En: The wind had the habit of whispering over the tops of the windmills, once so proud, now strangely silent.Nl: Bram, een enthousiaste gids, keek bezorgd naar een van de windmolens.En: Bram, an enthusiastic guide, looked worriedly at one of the windmills.Nl: De wieken waren verdwenen, een raadsel dat hij moest oplossen.En: The blades were gone, a mystery he had to solve.Nl: Bram voelde dat hij nu zijn kans had om iets belangrijks te doen.En: Bram felt that now was his chance to do something important.Nl: In de stilte van de winter hoorde hij het zachte gekraak van de oude molens.En: In the silence of winter, he heard the soft creaking of the old mills.Nl: "Ik moet dit oplossen," mompelde hij, meer tegen zichzelf dan tegen iemand anders.En: "I must solve this," he muttered, more to himself than to anyone else.Nl: Hij kende Sanne, een fotograaf met een passie voor het vangen van unieke momenten.En: He knew Sanne, a photographer with a passion for capturing unique moments.Nl: Ze stond altijd klaar met haar camera, klaar voor het perfecte shot dat haar grote doorbraak zou zijn.En: She was always ready with her camera, poised for the perfect shot that would be her big break.Nl: Bram benaderde haar en vroeg: "Kun je me helpen?En: Bram approached her and asked, "Can you help me?Nl: Misschien zie je iets wat ik niet zie."En: Maybe you'll see something I don't."Nl: Sanne lachte.En: Sanne laughed.Nl: "Tuurlijk, ik houd wel van een avontuur," zei ze, de lens van haar camera scherp stellend.En: "Sure, I love an adventure," she said, adjusting the focus on her camera lens.Nl: Samen begonnen ze hun zoektocht langs de besneeuwde paden van Kinderdijk, op zoek naar sporen in de sneeuw.En: Together they began their search along the snowy paths of Kinderdijk, looking for tracks in the snow.Nl: Onderweg kwamen ze Elsa tegen, de voormalige ingenieur met een geheimzinnig verleden bij de molens.En: Along the way, they encountered Elsa, the former engineer with a mysterious past at the mills.Nl: Ze stond daar, het hoofd gebogen, verzonken in gedachten.En: She stood there, head bowed, deep in thought.Nl: Bram merkte op dat ze iets verborg.En: Bram noticed that she was hiding something.Nl: Hij vroeg voorzichtig: "Elsa, we hebben je advies nodig.En: He asked cautiously, "Elsa, we need your advice.Nl: Wat denk je dat er met de wieken gebeurd kan zijn?"En: What do you think happened to the blades?"Nl: Elsa aarzelde, haar ogen verrieden een innerlijke strijd.En: Elsa hesitated, her eyes betraying an inner struggle.Nl: "Er was een ontwerpfout," gaf ze uiteindelijk toe.En: "There was a design flaw," she eventually admitted.Nl: "Ik heb het nooit aangepast.En: "I never corrected it.Nl: Het was een kleine fout, maar het had gevolgen."En: It was a small mistake, but it had consequences."Nl: Sanne was klaar met haar camera, de opname van Elsa's bekentenis nu veilig vastgelegd.En: Sanne was ready with her camera, the recording of Elsa's confession now safely captured.Nl: Tegelijkertijd nam Bram een besluit.En: At the same time, Bram made a decision.Nl: Het ging niet alleen om de verdwenen wieken; het ging om het herstellen van vertrouwen en traditie.En: It wasn't just about the missing blades; it was about restoring trust and tradition.Nl: Met Elsa's bekentenis kon hij verder werken aan een oplossing.En: With Elsa's confession, he could work on a solution.Nl: De wieken werden uiteindelijk teruggevonden, enigszins beschadigd maar nog steeds intact.En: The blades were eventually found, somewhat damaged but still intact.Nl: Elsa voelde zich opgelucht, maar schaamde zich ook.En: Elsa felt relieved, but also ashamed.Nl: Bram besloot een evenement te organiseren om de historische betekenis van de windmolens te vieren.En: Bram decided to organize an event to celebrate the historical significance of the windmills.Nl: Tijdens het evenement vertelde hij over Elsa's bijdragen, inclusief de fouten, want zelfs fouten konden leiden tot groei en verzoening.En: During the event, he spoke about Elsa's contributions, including the mistakes, because even mistakes could lead to growth and reconciliation.Nl: Bram voelde zich eindelijk voldaan.En: Bram finally felt fulfilled.Nl: Hij had niet alleen de wieken teruggevonden, maar ook een brug gebouwd tussen het verleden en de toekomst.En: Not only had he found the blades, but he had also built a bridge between the past and the future.Nl: Terwijl de mensen dansten en hossen voor carnaval, wist Bram dat hij iets waardevols had bereikt.En: As people danced and celebrated for carnaval, Bram knew he had achieved something valuable.Nl: En daar, te midden van de sneeuw en de feestgeluiden, begon een nieuw hoofdstuk voor de historische molens van Kinderdijk.En: And there, amidst the snow and the festive sounds, a new chapter began for the historic mills of Kinderdijk. Vocabulary Words:gray: grijsdrifted: dwarreldenwhispering: fluisterenenthusiastic: enthousiasteworriedly: bezorgdblades: wiekensolve: oplossencreaking: gekraakmuttered: mompeldepassion: passiepoised: klaarconfession: bekenteniscaptured: vastgelegddesign flaw: ontwerpfoutconsequences: gevolgenrestore: herstellentradition: traditiefulfilled: voldaanreconciliation: verzoeningcelebrate: vierensignificance: betekeniscontrition: schaamdeengineer: ingenieurmysterious: geheimzinnigcapturing: vangentracks: sporenencountered: tegenkwamenhesitated: aarzeldeintact: intactsignificance: betekenis

In this episode Pemberton hosts a pancake breakfast.Cast- Reza- LenaThe Magnificent Figaro- Danny DelucaGamemaster- Jared WitkofskyAl Key- Chris FrenchPerberton- Andrew Collins-AndersonKevin- Morgan JustTony 'The Toe' Tito- Chris ThielFeaturing music by Pressure Highway, Jordan Fickel,  Danny Deluca and Motoshi Kosako  This work is based on Blades in the Dark (found at http://www.bladesinthedark.com/), product of One Seven Design, developed and authored by John Harper, and licensed for our use under the Creative Commons Attribution 3.0 Unported license (http://creativecommons.org/licenses/by/3.0/). 

Send us a textA teenager shoots 60 on the Nicklaus course and suddenly the game looks younger, faster, and braver. We open with Blades Brown's breakout and the ripple effect of a prodigy who can go low under cameras and crowds, then zoom out to what early crowning means in a sport that remembers both fireworks and flameouts. It's a celebration and a caution: talent draws a spotlight, and pressure keeps the bulb hot.That theme of pressure runs straight into the psychology of mulligans. On the first tee, swagger meets physics, and sometimes the shaft meets a tree. We unpack why golfers love do-overs, how self-handicapping protects the ego, and why charity mulligans sell more hope than strokes. Then we take the idea off-course: the text you wish you unsent, the meeting you dreaded, the decision you delayed. Momentum comes from action, not perfection, which is why Mel Robbins' 5-4-3-2-1 rule becomes a practical tool. Count down, move, and stop negotiating with the couch. If it must be done eventually, do it now.From there, the stakes scale up. College football's NIL era and the transfer portal have scrambled the map, letting new contenders rise fast and forcing legacy programs to adapt. We break down why playoffs feel different, how peak performance compresses into inches, and what we learn from athletes who execute when the clock refuses to wait. Finally, we turn to power, process, and trust around ICE actions and media narratives—because rules only matter if evidence and accountability keep them honest. Sports teach us to accept shared standards; civic life demands the same, or the game doesn't feel fair.Hit play for a ride from fairways to front pages, from do-overs to doing the hard thing. If this spoke to you, follow the show, share it with a friend, and leave a review with one action you'll start in 5-4-3-2-1.Spotify Apple podcastsAmazon Music all other streaming services

This episode is part one of what turned into a two-parter, wherein we look at the Kickstarter for Teenage Mutant Ninja Turtles and Other Strangeness Redux, and its deliverings. We start with a brief informal port-mortem on the project, and then dive right into our thoughts on all the many rewards we received from it. We don't go too deeply into the books themselves, though - that's in the next episode. Also, as a bonus for our supporters, there is a special short bonus session on our patron feeds (Ko-Fi and Pinecast) where we look at all the super awesome contents that came in the Ultimate Benefactor box! Drop us a line! You can follow us (sporadically) on Facebook, and we'd love to see you on our Discord Channel too. And let us know your thoughts by leaving a review on iTunes or any other podcast aggregate sites. For even more info and options, check out our main website or our low-bandwidth alternative feed site. Links of Note: TMNT & Other Strangeness Redux Edition at the Palladium Books store TMNT Transdimensional Adventures Redux Editon at the Palladium Books Store A Cloak of Blades, by Isaac Sher Credits: Hosts: NPC, Just Jacob, and Matt Buckley Music: Opening is "8-Bit bass & lead" by Furbyguy, Closing is "Caravana" by Phillip Gross Episode Length (We support chapters!): 37:54 Glitter Boys, Rifts, the Megaverse, and all other such topics are the property of Kevin Siembieda and Palladium Books. Please buy all their stuff and help keep them in print and making more games! You can order directly at palladiumbooks.com, and their entire catalog is available digitally at Drive-Thru RPG as well. We release all of our public episodes simultaneously on: Youtube: https://www.youtube.com/channel/UCuc8KbdMqx8ajWfm2OUTs7A Audio RSS: https://breakfastpuppies.com/feed/glitterbois Want to help us pay for hosting? We have a few options: Drop us a one-time donation or a recurring membership at our Ko-Fi page Follow this link to our Pinecast Tip Jar We've got a merch store if you're looking for some sweet Glitterbois swag. Check out our affiliate store and buy some of the various products we endorse. Support The Glitterbois by contributing to their tip jar: https://tips.pinecast.com/jar/the-glitterbois Send us your feedback online: https://pinecast.com/feedback/the-glitterbois/e2726a44-a176-4712-aaea-a5025c87a574 This podcast is powered by Pinecast. Try Pinecast for free, forever, no credit card required. If you decide to upgrade, use coupon code r-66e5ee for 40% off for 4 months, and support The Glitterbois.

Al & Jerry: 1982 MLB All Star program, why is there no innovation in wiper blades, and things you can buy in the store and use as a weapon To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Al & Jerry: 1982 MLB All Star program, why is there no innovation in wiper blades, and things you can buy in the store and use as a weapon--plus warm up To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

From 'Al & Jerry's Postgame Podcast' (subscribe here): 1982 MLB All Star program, why is there no innovation in wiper blades, and things you can buy in the store and use as a weapon To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Fresh off a full week of broadcasting the American Express on the Golf Channel, Smylie Kaufman joins Charlie Hulme to break down the 20th win of Scottie Scheffler's PGA TOUR career.Smylie and Charlie are then joined by 18-year-old Blades Brown, fresh off an incredible week that saw him nearly shoot 59, and star alongside the world No. 1 in the final group on Sunday.Smylie and Charlie return to wrap remaining AmEx storylines before closing the show with Smylie's first-ever earthquake experience (complete with a stunning Smylie reveal), plus a cameo from producer Jaxon Brown explaining the viral phenomenon of exploding trees in extreme cold.Don't forget to like, comment & subscribe! CHAPTERS:00:00 – Intro / Setting the scene in La Quinta02:40 – Scottie Scheffler wins again: what felt inevitable07:45 – Why Scottie's control under pressure is unmatched12:30 – Comparing Scottie's dominance to recent great runs17:10 – Why the American Express format continues to work22:10 – Early-season trends & players gaining momentum27:05 –

After 5+ years, Lexi aka LexiChuChu on IG returns to the podcast! Lexi's been busy over on their side of the country and we finally had the stars (and schedules) align for their return! We get to catch up a bit before we dive into the realm of Video Games. We kick things off by talking about Hades. Lexi has put in a lot of hours with that game and you'll find out how many hours they've got, plus their favorite weapons for dear ol Zagreus. Plus, we discuss Hades 2 and the different mechanics and gameplay from Hades. Lexi also talks about a game category that we have determined to call Catharsis Games. No, they're not the cozy games you're used to hearing about. Lexi talks about what games are in her catharsis game category and what draws them to those particular games. From there, we're venturing back into Tabletop Roleplaying Games. In Lexi's first episode, this was a topic we had talked about. Now here we are with even more to say. Lexi talks about the multiple Dungeons and Dragons games they play and/or DM in, along with other TTRPG's like Pathfinder, Coyote and Crow, and more. We discuss the gameplay at the table versus online, the storylines that have been created, and the TTRPG systems they'd love to try in the future (here's looking at you, Blades in the Dark!) We then come full circle with more Cosplay. Lexi talks about the past 5 years and what they've been doing in that space, and getting back into building/crafting some cosplay pieces for competition this year. We talk about what they're working on and even more ideas for the future. We also talk about Cosplay Judging, as Lexi has judged for several competitions. We talk about what it's like having seams looked at, techniques being judged, and how to be a good competitor (in skill and respect for others) in cosplay competitions. You can find Lexi at:  https://www.instagram.com/lexichuchu/ You can listen to Lexi's first episode here: https://talesfromthefandom.libsyn.com/episode-194-lexichu-cosplay-talks-mmorpgs-book-recommendations-ttrpgs-and-cosplay