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10 episodes with kaitlyn tiffany
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2 episodes with kaitlyn tiffany
2 episodes with kaitlyn tiffany
2 episodes with kaitlyn tiffany
For episode 49 of Staffcast, Tom and Richard are joined by The Atlantic's Ellen Cushing and Kaitlyn Tiffany to talk about what Juan Soto is actually doing in the bullpen, baseball as reality TV, our beautiful Pete Alonso, vibing while kids suffer, horror stories of Mets past, asking to get stepped on, pandering Bryce Harper, Hack's first and only game as a fan, amendments on jerseys, naked streakers, and more!Listen and subscribe to Hits Different!Follow your incredibly cool hosts and guest:Ellen CushingKaitlyn TiffanySean DoolittleTrevor HildenbergerRichard StaffTom HackimerEpisode art by Abigail Noy (sympatheticinker.com)Edited by Italian Dave (twitter.com/theitaliandave)Intro: I'm So Blessed - CAINOutro: Shooting Stars - Bag Raiders
Products often tell you exactly how they're intended to be used. But why leave it at that? As a culture, we have long had a knack for finding ingenious, off-label uses for things. In this episode, we take a close look at a few examples of products that are ostensibly meant for one thing, but are better known for something else entirely. We explore Q-tips, which we are explicitly told not to put into our ears; the Hitachi Magic Wand, the iconic sex toy marketed as a body massager; the musical washboard; and the children's electrolyte solution Pedialyte that many adults swear by as a hangover cure. You'll hear from Hallie Lieberman, author of Buzz: A Stimulating History of the Sex Toy; Jacqui Barnett of the Columbus Washboard Company; Christopher Wilson, curator and chair of the Division of Home and Community Life at the Smithsonian; musician and educator Súle Greg Wilson; zydeco musicians C.J. Chenier and Steve Nash; Shaughnessy Bishop-Stall, author of Hungover: The Morning After and One Man's Quest for the Cure; as well as writers Roberto Ferdman, Dan Brooks, and Kaitlyn Tiffany. Decoder Ring is produced by Willa Paskin, Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring's supervising producer. We had additional production from Sofie Kodner. Merritt Jacob is Senior Technical Director. Special thanks to Kate Sloan, Dr. Carol Queen, Bryony Cole, Amber Singer, Molly Born, Laura Selikson, and Nell McShane Wulfhart. If you have any cultural mysteries you want us to decode, please email us at DecoderRing@slate.com, or leave a message on our hotline at 347-460-7281. Sources for This Episode Bishop-Stall, Shaughnessy. Hungover: The Morning After and One Man's Quest for the Cure, Penguin, 2018. Brooks, Dan. “Letter of Recommendation: Pedialyte,” New York Times Magazine, Jan. 26, 2017. Comella, Lynn. Vibrator Nation: How Feminist Sex-Toy Stores Changed the Business of Pleasure, Duke University Press, 2017. Dodson, Betty. “Having Sex with Machines: The Return of the Electric Vibrator,” Dodson and Ross, June 9, 2010. Feran, Tim. “Pedialyte Is Not Just For Kids,” Columbus Dispatch, July 19, 2015. Ferdman, Roberto A. “The strange life of Q-tips, the most bizarre thing people buy,” Washington Post, Jan. 20, 2016. Kushner, David. “Inside Orgasmatron,” Village Voice, March 26, 1999. Lieberman, Hallie. Buzz: A Stimulating History of the Sex Toy, Pegasus Books, 2017. Lieberman, Hallie. “Selling Sex Toys: Marketing and the Meaning of Vibrators in Early Twentieth-Century America,” Enterprise & Society, June 2016. Russel, Ruth. “Hangover Remedies? I'll Drink to That!,” Idaho Statesman, Jan. 1, 1978. Sloan, Kate. Making Magic, 2024. Tiffany, Kaitlyn. “How Pedialyte got Pedialit,” Vox, Sep. 10, 2018. Williams, Dell. “The Roots of the Garden,” Journal of Sex Research, August 1990. Wulfhart, Nell McShane. “The Best Hangover Cure,” Slate, Aug. 29, 2013. Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
Products often tell you exactly how they're intended to be used. But why leave it at that? As a culture, we have long had a knack for finding ingenious, off-label uses for things. In this episode, we take a close look at a few examples of products that are ostensibly meant for one thing, but are better known for something else entirely. We explore Q-tips, which we are explicitly told not to put into our ears; the Hitachi Magic Wand, the iconic sex toy marketed as a body massager; the musical washboard; and the children's electrolyte solution Pedialyte that many adults swear by as a hangover cure. You'll hear from Hallie Lieberman, author of Buzz: A Stimulating History of the Sex Toy; Jacqui Barnett of the Columbus Washboard Company; Christopher Wilson, curator and chair of the Division of Home and Community Life at the Smithsonian; musician and educator Súle Greg Wilson; zydeco musicians C.J. Chenier and Steve Nash; Shaughnessy Bishop-Stall, author of Hungover: The Morning After and One Man's Quest for the Cure; as well as writers Roberto Ferdman, Dan Brooks, and Kaitlyn Tiffany. Decoder Ring is produced by Willa Paskin, Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring's supervising producer. We had additional production from Sofie Kodner. Merritt Jacob is Senior Technical Director. Special thanks to Kate Sloan, Dr. Carol Queen, Bryony Cole, Amber Singer, Molly Born, Laura Selikson, and Nell McShane Wulfhart. If you have any cultural mysteries you want us to decode, please email us at DecoderRing@slate.com, or leave a message on our hotline at 347-460-7281. Sources for This Episode Bishop-Stall, Shaughnessy. Hungover: The Morning After and One Man's Quest for the Cure, Penguin, 2018. Brooks, Dan. “Letter of Recommendation: Pedialyte,” New York Times Magazine, Jan. 26, 2017. Comella, Lynn. Vibrator Nation: How Feminist Sex-Toy Stores Changed the Business of Pleasure, Duke University Press, 2017. Dodson, Betty. “Having Sex with Machines: The Return of the Electric Vibrator,” Dodson and Ross, June 9, 2010. Feran, Tim. “Pedialyte Is Not Just For Kids,” Columbus Dispatch, July 19, 2015. Ferdman, Roberto A. “The strange life of Q-tips, the most bizarre thing people buy,” Washington Post, Jan. 20, 2016. Kushner, David. “Inside Orgasmatron,” Village Voice, March 26, 1999. Lieberman, Hallie. Buzz: A Stimulating History of the Sex Toy, Pegasus Books, 2017. Lieberman, Hallie. “Selling Sex Toys: Marketing and the Meaning of Vibrators in Early Twentieth-Century America,” Enterprise & Society, June 2016. Russel, Ruth. “Hangover Remedies? I'll Drink to That!,” Idaho Statesman, Jan. 1, 1978. Sloan, Kate. Making Magic, 2024. Tiffany, Kaitlyn. “How Pedialyte got Pedialit,” Vox, Sep. 10, 2018. Williams, Dell. “The Roots of the Garden,” Journal of Sex Research, August 1990. Wulfhart, Nell McShane. “The Best Hangover Cure,” Slate, Aug. 29, 2013. Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
Products often tell you exactly how they're intended to be used. But why leave it at that? As a culture, we have long had a knack for finding ingenious, off-label uses for things. In this episode, we take a close look at a few examples of products that are ostensibly meant for one thing, but are better known for something else entirely. We explore Q-tips, which we are explicitly told not to put into our ears; the Hitachi Magic Wand, the iconic sex toy marketed as a body massager; the musical washboard; and the children's electrolyte solution Pedialyte that many adults swear by as a hangover cure. You'll hear from Hallie Lieberman, author of Buzz: A Stimulating History of the Sex Toy; Jacqui Barnett of the Columbus Washboard Company; Christopher Wilson, curator and chair of the Division of Home and Community Life at the Smithsonian; musician and educator Súle Greg Wilson; zydeco musicians C.J. Chenier and Steve Nash; Shaughnessy Bishop-Stall, author of Hungover: The Morning After and One Man's Quest for the Cure; as well as writers Roberto Ferdman, Dan Brooks, and Kaitlyn Tiffany. Decoder Ring is produced by Willa Paskin, Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring's supervising producer. We had additional production from Sofie Kodner. Merritt Jacob is Senior Technical Director. Special thanks to Kate Sloan, Dr. Carol Queen, Bryony Cole, Amber Singer, Molly Born, Laura Selikson, and Nell McShane Wulfhart. If you have any cultural mysteries you want us to decode, please email us at DecoderRing@slate.com, or leave a message on our hotline at 347-460-7281. Sources for This Episode Bishop-Stall, Shaughnessy. Hungover: The Morning After and One Man's Quest for the Cure, Penguin, 2018. Brooks, Dan. “Letter of Recommendation: Pedialyte,” New York Times Magazine, Jan. 26, 2017. Comella, Lynn. Vibrator Nation: How Feminist Sex-Toy Stores Changed the Business of Pleasure, Duke University Press, 2017. Dodson, Betty. “Having Sex with Machines: The Return of the Electric Vibrator,” Dodson and Ross, June 9, 2010. Feran, Tim. “Pedialyte Is Not Just For Kids,” Columbus Dispatch, July 19, 2015. Ferdman, Roberto A. “The strange life of Q-tips, the most bizarre thing people buy,” Washington Post, Jan. 20, 2016. Kushner, David. “Inside Orgasmatron,” Village Voice, March 26, 1999. Lieberman, Hallie. Buzz: A Stimulating History of the Sex Toy, Pegasus Books, 2017. Lieberman, Hallie. “Selling Sex Toys: Marketing and the Meaning of Vibrators in Early Twentieth-Century America,” Enterprise & Society, June 2016. Russel, Ruth. “Hangover Remedies? I'll Drink to That!,” Idaho Statesman, Jan. 1, 1978. Sloan, Kate. Making Magic, 2024. Tiffany, Kaitlyn. “How Pedialyte got Pedialit,” Vox, Sep. 10, 2018. Williams, Dell. “The Roots of the Garden,” Journal of Sex Research, August 1990. Wulfhart, Nell McShane. “The Best Hangover Cure,” Slate, Aug. 29, 2013. Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
Products often tell you exactly how they're intended to be used. But why leave it at that? As a culture, we have long had a knack for finding ingenious, off-label uses for things. In this episode, we take a close look at a few examples of products that are ostensibly meant for one thing, but are better known for something else entirely. We explore Q-tips, which we are explicitly told not to put into our ears; the Hitachi Magic Wand, the iconic sex toy marketed as a body massager; the musical washboard; and the children's electrolyte solution Pedialyte that many adults swear by as a hangover cure. You'll hear from Hallie Lieberman, author of Buzz: A Stimulating History of the Sex Toy; Jacqui Barnett of the Columbus Washboard Company; Christopher Wilson, curator and chair of the Division of Home and Community Life at the Smithsonian; musician and educator Súle Greg Wilson; zydeco musicians C.J. Chenier and Steve Nash; Shaughnessy Bishop-Stall, author of Hungover: The Morning After and One Man's Quest for the Cure; as well as writers Roberto Ferdman, Dan Brooks, and Kaitlyn Tiffany. Decoder Ring is produced by Willa Paskin, Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring's supervising producer. We had additional production from Sofie Kodner. Merritt Jacob is Senior Technical Director. Special thanks to Kate Sloan, Dr. Carol Queen, Bryony Cole, Amber Singer, Molly Born, Laura Selikson, and Nell McShane Wulfhart. If you have any cultural mysteries you want us to decode, please email us at DecoderRing@slate.com, or leave a message on our hotline at 347-460-7281. Sources for This Episode Bishop-Stall, Shaughnessy. Hungover: The Morning After and One Man's Quest for the Cure, Penguin, 2018. Brooks, Dan. “Letter of Recommendation: Pedialyte,” New York Times Magazine, Jan. 26, 2017. Comella, Lynn. Vibrator Nation: How Feminist Sex-Toy Stores Changed the Business of Pleasure, Duke University Press, 2017. Dodson, Betty. “Having Sex with Machines: The Return of the Electric Vibrator,” Dodson and Ross, June 9, 2010. Feran, Tim. “Pedialyte Is Not Just For Kids,” Columbus Dispatch, July 19, 2015. Ferdman, Roberto A. “The strange life of Q-tips, the most bizarre thing people buy,” Washington Post, Jan. 20, 2016. Kushner, David. “Inside Orgasmatron,” Village Voice, March 26, 1999. Lieberman, Hallie. Buzz: A Stimulating History of the Sex Toy, Pegasus Books, 2017. Lieberman, Hallie. “Selling Sex Toys: Marketing and the Meaning of Vibrators in Early Twentieth-Century America,” Enterprise & Society, June 2016. Russel, Ruth. “Hangover Remedies? I'll Drink to That!,” Idaho Statesman, Jan. 1, 1978. Sloan, Kate. Making Magic, 2024. Tiffany, Kaitlyn. “How Pedialyte got Pedialit,” Vox, Sep. 10, 2018. Williams, Dell. “The Roots of the Garden,” Journal of Sex Research, August 1990. Wulfhart, Nell McShane. “The Best Hangover Cure,” Slate, Aug. 29, 2013. Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
Tomorrow is Opening Day for the 2025 Major League Baseball season. Kaitlyn Tiffany, staff writer at The Atlantic, is a big baseball fan, but she's increasingly wondered about why there aren't more opportunities for women to play the game. She discusses her recent article, “Why Aren't Women Allowed to Play Baseball?” and female listeners share their experiences on efforts to play and navigating being a female fan of America's pastime.
Pro-anorexia content is spreading on all social media platforms, but on X it is thriving. So-called “pro-ana” communities, which attract tens of thousands of users, circulate photos glorifying thinness and promote unhealthy dieting advice, which is then amplified through algorithmic recommendations. Although some tech companies have attempted to curb this issue, the rollback of content moderation efforts following Elon Musk's acquisition of X has allowed this harmful content to grow “out of control” according to The Atlantic's Kaitlyn Tiffany. We'll talk about the impacts on adolescents and get advice for parents and caregivers. Guests: Dr. Jennie Wang-Hall, psychologist, specializes in eating disorders, anxiety, and relationship issues Kaitlyn Tiffany, staff writer covering internet culture and technology, The Atlantic Kristina Lerman, senior principal scientist at the Information Sciences Institute, University of Southern California
Writer Kaitlyn Tiffany is a smart culture critic, podcasts host, and longtime fan of One Direction. All of these things are almost equally relevant to our episode this month. Her new book, Everything I Need I Get From You, offers insight into the idea of the screaming female fan, from Beatlemania to the present. Tiffany, a longtime follower of 1D, asks important questions about the internet and what it means to be a fan. Why did a 1D devotee make a shrine to Harry Styles's vomit? What's at stake in fandom communities on the web? Why have many people traded anonymity on the web for having a brand? Maybe the internet is just a bunch of tubes, but Tiffany makes us think about them as complicated echo chambers, too. Original air date: February 15, 2023
The Princess Diaries is a novel about an ordinary teen, Mia Thermopolis, who discovers she is actually heir to a throne in a distant country few people have even heard of. In addition to the challenges of math class, Mia has to decide if she would like to be the ruler (someday) of this small, fictional foreign nation. We discuss this classic coming-of-age story and the enduring allure (or fear) of being a princess. Since this is also the same month that Prince Harry's memoir debuted, we also got into the connections between these two royals. What does it mean to take charge of your own story? Next up: We'll cover Everything I Need I Get from You: How Fangirls Created the Internet as We Know It by Kaitlyn Tiffany. Original air date: January 28, 2023
As we revisit this crowd favorite episode from last year, can we ask you to leave us VMs and tell you how you're coping with cringe now? Is it changing? What's to thank (or blame)? 833-632-5463! If you're not getting our newsletter!Today's prompt: Nell Diamond's repost of a tweet from @isabelunraveled. (For more on Nell, founder of Hill House Home, dip into these profiles from New York Magazine and Harper's Bazaar.)The Justin Long post. Discuss!For some cringe backstory: Kaitlyn Tiffany's story “How Did We Get So ‘Cringe'?” for The Atlantic.We had to revisit Elizabeth Gilbert's Big Magic—because avoiding cringe and chasing perfectionism are related…no? See also: Ninth Street Women by Mary Gabriel, David Brandon Geeting's installment of the Perfectly Imperfect newsletter, and the edition of Kaelen Haworth's Kael Mail newsletter about ins but no outs. Check out Her Country by Marissa R. Moss. Among the themes: how Kacey Musgraves, Maren Morris, and Mickey Guyton gave up on wanting people to like them to find success. On finding affection for your younger self: this Anne Helen Petersen newsletter, Jonah Hill's doc Stutz, the podcast Mortified, Justin Cooley on his role in Kimberly Akimbo, and Mo Willems in the NYT.A definition of post-cringe; an example of post-cringe: Kaitlin Phillips.How are you embracing cringe? Who's your cringe-spiration? You know where to find us: 833-632-5463, podcast@athingortwohq.com, @athingortwohq, or our Geneva!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Merriam-Webster's Word of the Day for May 16, 2024 is: debacle • dee-BAH-kul • noun Debacle is usually used synonymously with fiasco to mean “a complete failure.” It can also refer to a great disaster (though typically not one that causes significant suffering or loss). // After the debacle of his first novel, he had trouble getting a publisher for his next book. // The state has made a great deal of progress in recovering from its economic debacle. See the entry > Examples: “Earlier this year, on an Amtrak train from Northern Virginia to Sanford, Florida, passengers repeatedly called the police during the train's 20-hour delay. ‘For those of you that are calling the police,' the conductor had to announce, ‘we are not holding you hostage.' That debacle was caused by a freight train ahead of them, which had crashed into an empty car parked on the tracks in rural South Carolina. Nothing you can do about that. A train just has to wait until whatever's in front of it is gone.” — Kaitlyn Tiffany, The Atlantic, 21 Nov. 2023 Did you know? If you need an icebreaker in some social setting, why not recount the history of debacle? After all, when it was first used in English, debacle referred to the literal breaking up of ice (such as the kind that occurs in a river after a long, cold winter), as well as to the rush of ice or water that follows such an event. Eventually, it was also used to mean “a violent, destructive flood.” If that's not enough to make some fast friends, you could let loose the fact that debacle comes from the French noun débâcle, which in turn comes from the verb débâcler, meaning “to clear, unbolt, or unbar.” You might then add, to your listeners' grateful appreciation, that these uses led naturally to such meanings as “a breaking up,” “collapse,” and finally the familiar “disaster” and “fiasco.” We can feel the silence thawing already.
DescriptionWhy'd you like that celebrity photo on Instagram? Why'd you leave that restaurant review on Yelp? Why'd you text in lowercase, or turn on read receipts, or share your location? The Verge's Ashley Carman and Kaitlyn Tiffany ask the hard, weird, and occasionally dumb questions about how your tiny tech decisions impact your social lifeWebsite: https://www.theverge.com/whyd-you-push-that-button What I Liked About This EpisodeThe intro does a good job of getting us acquainted with each person's voice and explains what the show is about.What I Thought Could Use Some PolishingThe intro has a ton of hiss. I give you a pass cause it was 2020, but all the "Chit chat" at the beginning would've been better at the end. In the end, I'm not the target audience for this. I love Ashley's articles in The Verge.The Goal Of This ShowThis show aims to help you make the best episodes and grow your downloads. If you'd like a deeper dive here are some additional servicesGet Your Podcast ReviewedProfit From Your Podcast BookPut Dave In Your PocketSubscribe and Follow the Show Listen to Podcast Rodeo Show: Reviews and First Impressions of Your Podcast Mentioned in this episode:Join the School of Podcasting!Are you looking to start your podcast but don't know where to begin? Look no further than the School of Podcasting. Our comprehensive online courses and one-on-one coaching will teach you everything you need to know, from equipment and editing to marketing and monetization. With our proven methods and expert instructors, you'll create high-quality, engaging content in no time. Say goodbye to the frustration and uncertainty and hello to a successful podcasting career with the School of PodcastingJoin the School of PodcastingAgain, sign up for the Free Book Launch Webinar using the link below (aff)Book Launch Secrets Book Launch Secrets Free WebinarWant proven methods to make your next book launch more successful? Then you need to know about a webinar I'm co-hosting that will do exactly that. The webinar will teach you proven principles and methods to help your next book launch go off like a rocket. Then, at the end of the webinar, Thomas Umstattd Jr. and I will answer any of your questions about how to launch a book. Webinar Details: Topic: Book Launch Secrets Cost: Free Hosted By: Dave and Thomas Umstattd Jr. When: This Thursday, March 21st at 2:30pm PST, 4:30pm CT, 5:30pm EST Register by clicking the link below. Free replay? Yes, but only if you register. I've known Thomas for a long time and can think of no better person to teach you the keys to having a successful book launch. This is going to be excellent. Don't miss it. Register for the free webinar below..Book Launch Secrets
Julia Gray (Washington Post, The Ringer) and Drew H. are joined once again by Atlantic staff writer and author Kaitlyn Tiffany (Everything I Need I Get From You) to discuss episode eight of Season Six. The girls discuss Adam and Hannah's last day together, fuzzy bralettes, the timeless elegance of LuAnn de Lesseps, and Bing Crosby. Follow Drew on Twitter. Follow Julia on Twitter. Follow Kaitlyn on Twitter.
Kaitlyn Tiffany, Atlantic reporter and author of Everything I Need I Get from You, joins Offline to break down internet trolls. She and Jon unpack who these people are, and examine why the online trend of celebrating the misfortunes of strangers – including their deaths – is still very much alive. They talk about how trolls from across the political spectrum see their victims not as nuanced individuals with feelings, but as representatives of an enemy ideology, and thus fair game for online bullying and evening doxing. Then, it's time for a tech roundup with Max on Walter Isaacson's new Elon Musk biography, Congress's AI hearings, and why President Biden's DOJ is suing the internet's largest search engine. For a closed-captioned version of this episode, click here. For a transcript of this episode, please email transcripts@crooked.com and include the name of the podcast.
Kaitlyn Tiffany guides us through the online world of fans, stans, and boy bands in Everything I Need I Get From You. Along the way, we meet girls who damage their lungs screaming too loudly, fans rallying together to manipulate the charts, and an underworld of inside jokes surrounding One Direction. Everything I Need I Get From You in one sentence: Mary Paige: 1D Fans: unhinged Erica: Will I ever love anything as much as these fans love One Direction?? Courtney: A love letter to 1 Direction. Read along with us! Coming up next: September: Fourth Wing by Rebecca Yarros October: The Undertaking of Hart & Mercy by Megan Bannen November: All the Living and the Dead by Hayley Campbell Check us out on Instagram @realfriendsbookclub or visit our website, RealFriendsBookClub.com
Up this week, Everything I Need I Get From You by Kaitlyn Tiffany. Come along for a deep dive into internet fandom and what's behind the obsession. As Goodreads says—From alarming, fandom-splitting conspiracy theories about secret love and fake children, to the interplays between high and low culture and capitalism, Tiffany's book is a riotous chronicle of the movement that changed the internet forever. Warning: As one astute reviewer pointed out, this book is mostly about One Direction. Proceed with caution. Let's get reading! Don't forget to tune in on August 22nd for the full book discussion! We'll see you on the interwebs! Check out our instagram @realfriendsbookclub or our website realfriendsbookclub.com.
Politicians, pundits, and even the surgeon general have been highlighting the risks that social media poses to young people's mental health. The problem is real—but is it as serious as those caused by cigarettes or drunk driving, and what can be done about it? Host Hanna Rosin talks to the Atlantic tech reporter Kaitlyn Tiffany about what the research actually shows regarding teens and social media. “It creates this frustrating moment where legislators want to do something now. And I bet the surgeon general's report will make that more intense. But the research isn't quite caught up. In order to know what to do, you have to know more precisely what the problem is.” Learn more about your ad choices. Visit megaphone.fm/adchoices
Find AC @acfacci on twitter Find Matt at MattHorton.LIVE Art by Scout (https://ko-fi.com/humblegoat) Music by Ethan Geller (@pragmatism on Twitter) Everything I Need I Get From You: How Fangirls Created the Internet as We Know It on bookshop.org 00:00 - Taylor Swift fans killing it 00:56 - Talkin' about the Internet 01:38 - CW: Harry Potter 03:01 - Kaitlyn Tiffany on fandom 07:26 - AC's first online fandom 10:38 - Loving something deeply 13:43 - The problem of fallible people 16:57 - Fandom archeology 24:10 - The value of fandom 26:57 - A sense of belonging 27:32 - CW: Harry Potter 31:32 - CW: HP // The consequences of fandom 36:55 - Different ways to be a fan 39:04 - CW: Harry Potter, abuse 43:59 - Stan culture 49:24 - Fan service 52:19 - Women in fandom 56:10 - CW: Harry Potter 57:41 - fandom physicality 1:03:26 - collective effervescence 1:05:55 - Connection and disconnection 1:08:47 - The name of the book Find out more at http://cantletitgo.gay
Mark Zuckerberg est l'homme qui débarque dans la Silicon Valley avec Facebook en 2004, alors qu'il n'a que 20 ans. Et son look, comme celui de tous ses employés d'ailleurs, est la marque de fabrique de sa société. C'est ce qui en fait d'ailleurs aujourd'hui l'un des patrons de la tech les plus reconnaissables, mais aussi une icône de la culture geek. Dans cet épisode consacré au PDG de Meta, je vous invite à découvrir l'homme qui se cache derrière le pull à capuche. Celui qu'on surnomme “Zuch”, mais que sa mère surnommait “le Prince”, marié depuis 10 ans, père de deux enfants, qui protège sa vie privée autant qu'il monétise celle des autres. Dans cet épisode de Scandales, la journaliste Marion Galy-Ramounot vous propose de découvrir qui est l'hommederrière l'éternel adolescent de la Silicon Valley. À son micro se succèdent : - David Kirkpatrick, auteur du best-sell The Facebook Effect - Kaitlyn Tiffany, journaliste à The Atlantic, spécialiste de la culture Internet - David Peyron, maître de conférences en sciences de l'information et de la communication - Bénédicte Haubold, psychologue, conseil en management et auteure de Vertiges du miroir, le narcissisme des dirigeants Scandales est un podcast de Madame Figaro, écrit et présenté par Marion Galy-Ramounot, et produit par Lucile Rousseau-Garcia. Chloé Berry a participé à la production de cet épisode. Jean Thévenin en a fait la réalisation, le mix, et a composé la musique. Océane Ciuni est la responsable éditoriale de Scandales, un podcast produit par Louie Créative, l'agence de contenus audios de Louie Média.
Drew and Julia are joined by Atlantic staff writer and author Kaitlyn Tiffany (Everything I Need I Get From You) to discuss the first two episodes of Girls season two. The girls discuss Donald Glover, Marnie & Elijah's tryst, Shosh's revenge, and convalescence. Follow Drew on Twitter and Instagram. Follow Julia on Twitter and Instagram. Follow Kaitlyn on Twitter.
Buckle in, listeners, because we're diving head-first down the rabbit hole of *cringe*. What does cringe look like these days? How do we embrace it—the good kind? How do cut everyone (ourselves included) some cringe slack? If you're not getting our newsletter! Today's prompt: Nell Diamond's repost of a tweet from @isabelunraveled. (For more on Nell, founder of Hill House Home, dip into these profiles from New York Magazine and Harper's Bazaar.) The Justin Long post. Discuss! For some cringe backstory: Kaitlyn Tiffany's story “How Did We Get So ‘Cringe'?” for The Atlantic. We had to revisit Elizabeth Gilbert's Big Magic—because avoiding cringe and chasing perfectionism are related…no? See also: Ninth Street Women by Mary Gabriel, David Brandon Geeting's installment of the Perfectly Imperfect newsletter, and the edition of Kaelen Haworth's Kael Mail newsletter about ins but no outs. Check out Her Country by Marissa R. Moss. Among the themes: how Kacey Musgraves, Maren Morris, and Mickey Guyton gave up on wanting people to like them to find success. On finding affection for your younger self: this Anne Helen Petersen newsletter, Jonah Hill's doc Stutz, the podcast Mortified, Justin Cooley on his role in Kimberly Akimbo, and Mo Willems in the NYT. A definition of post-cringe; an example of post-cringe: Kaitlin Phillips. How are you embracing cringe? Who's your cringe-spiration? We need your thoughts at 833-632-5463, podcast@athingortwohq.com, or @athingortwohq—or join our Geneva! For a whole lot more recommendations, try out a Secret Menu membership. Download the free Zocdoc app and book that doctor's appointment—now's the time! Help out your hair with Nutrafol. Take $15 off your first month's subscription with the code ATHINGORTWO. YAY. Produced by Dear Media
Drew welcomes writer and author Kaitlyn Tiffany (The Atlantic, Everything I Need I Get From You: How Fangirls Created the Internet as We Know It) to discuss this week's cultural emergency: the Joan Didion estate sale. The girlies marvel over $7,000 pebbles, leaving a legacy through leather trashcans, Katy Perry and Rick Caruso's flop era, and a little song called "If I Die Young." Plus--they tackle the eternal question: "Are the Barbs alright?" All this and more on the ninety-first episode of Crisis Twink: the only podcast intelligent and sexy enough to fix a culture in crisis. Make sure to rate, review, and subscribe wherever you get your podcasts. Follow Crisis Twink on Twitter and Instagram. Follow Drew on Twitter and Instagram. Follow Kaitlyn on Twitter. --- Send in a voice message: https://anchor.fm/crisis-twink/message Support this podcast: https://anchor.fm/crisis-twink/support
On this week's episode of GIRLS ROOM, writer Kaitlyn Tiffany (The Atlantic) joins Drew and Julia to recapping Season 2, Episodes 1 & 2 of HBO's Girls. The delusional girls discuss Donald Glover, Marnie & Elijah's tryst, Shosh's revenge, and convalescence. Join us next week with another extra special guest! Follow Drew on Twitter and Instagram. Follow Julia on Twitter and Instagram. Follow Kaitlyn on Twitter. --- Send in a voice message: https://anchor.fm/crisis-twink/message Support this podcast: https://anchor.fm/crisis-twink/support
Happy Halloween from two people who nailed the theme! Today we're celebrating the joy of dressing up for *any* occasion and sharing some more thoughts on travel when it just feels like everyone is going to the same places. The inspiration behind our conversation about travel: Rebecca Jenning's article “The Instagram capital of the world is a terrible place to be” for Vox. If you want some outfit inspo for your next concert, Harry Styles or otherwise, check out this New Yorker Photo Booth feature or Paola Mathe's GRWM. For more on the impact fandom has on popular culture, check out Everything I Need I Get From You by Kaitlyn Tiffany. Come at us with your hot takes! Share them with us at 833-632-5463, podcast@athingortwohq.com, or @athingortwohq. And try out a Secret Menu membership for many more recommendations. Produced by Dear Media.
Join couple's psychologist, Dr. Greg, to compare what's “toxic” relationship behavior versus normal conflict. Also in this episode:Toxic = abusive and other insights from Kaitlyn Tiffany's article in The Atlantic. Reaction: Netflix's Indian Matchmaker + honoring cultural differences.Skill of the Week: Micro-repairs and how to stay more emotionally attuned.❤️ Join our weekly live show on TikTok: https://www.tiktok.com/@abetterloveproject❤️ This episode is brought to you by Halcyon Therapy Group, Concierge Therapy For Busy Professionals And Couples in San Antonio, Texas. ❤️ Become a sponsor of the show: https://www.patreon.com/abetterloveproject
Responding to Kaitlyn Tiffany's recent article in The Atlantic about toxic people title 'That's It. You're Dead to Me.' What is a toxic person? Are we all toxic? Is there ever a place for distancing ourselves from people? How should this happen within the church? Nate Morgan Locke, Glen Scrivener and Paul Feesey from Speak Life discuss. Your podcast host is Thomas Thorogood.Read the article: https://www.theatlantic.com/magazine/archive/2022/09/toxic-person-tiktok-internet-slang-meaning/670599/Contact the show: info@speaklife.org.ukThis conversation was recorded on 30th August 22.Speak Life is a UK based charity that resources the church to reach the world.Learn more about us here: speaklife.org.ukThese episodes and more are also available to watch on our YouTube channel: youtube.com/speaklifemediaJoin our internship programme here: speaklife.org.uk/foundrySocial Mediafacebook.com/speakLifeuktwitter.com/speaklifeukinstagram.com/speaklifeuktiktok.com/@speaklifeukSupport the show
This month in The Atlantic, writer Kaitlyn Tiffany described a conflict with a friend over which Lorde album was best. A slammed door signaled the end of the relationship, and a text to Tiffany's boyfriend described her as “toxic.” “I had rarely heard [the word] used offline, and then only semi-ironically, or in regard to people who were objectively terrible,” she wrote. “I had never had to consider whether it was a word that could be applied to me.” The story epitomizes the relational crises that face our culture. Of course, there are plenty of situations that require boundaries, distance, and healthy confrontation. But our culture-wide turn inward, which prioritizes one's own sense of self over everything else can escalate conflict quickly. Next comes an accusation of “toxicity,” which tends to lack specificity or meaning. Missing are three virtues: humility (an awareness that all is not centered on us), resilience (the courage to face challenges rather than avoid them), and forgiveness (the expression of grace for the good of the other). Without these things, there's no way forward.
In Everything I Need I Get from You, Kaitlyn Tiffany, a staff writer at The Atlantic and a superfan herself, guides us through the online world of fans, stans, and boybands. Along the way we meet girls who damage their lungs from screaming too loud, fans rallying together to manipulate chart numbers using complex digital subversion, and an underworld of inside jokes and shared memories surrounding band members' allergies, internet typos, and hairstyles. In the process, Tiffany makes a convincing, and often moving, argument that fangirls, in their ingenuity and collaboration, created the social internet we know today. “Before most people were using the internet for anything,” Tiffany writes, “fans were using it for everything.” Join us for a conversation between Tiffany and Skylight's Mike Jeffrey about the Tumblr-fication of conspiracy theories, morality wars in celebrity gossip, and Kaitlyn's journey through One Direction standom. _______________________________________________ Produced by Nat Freeman, Lance Morgan, & Michael Kowaleski. Theme: "I Love All My Friends," an unreleased demo by Fragile Gang.
We're looking at women in fandoms through a couple of different lenses today. First, Mariquita and Renee discuss a book that took them both completely by surprise. This Is Not a Book About Benedict Cumberbatch: The Joy of Loving Something–Anything–Like your Life Depends on It by Tabitha Carvan is sort of about Benedict Cumberbatch, but it's mostly about fandom, women's desire, motherhood, passion, and joy. Then Renee chats with Kaitlyn Tiffany, author of Everything I Need I Get From You: How Fangirls Created the Internet As We Know It, about fandom as cultural production, subversive power, and identity discovery, particularly for girls and women in the One Direction fandom. Support our guest and hosts: Kaitlyn Tiffany: The Atlantic // Twitter Follow Mariquita: Instagram Follow Renee: Instagram // Twitter Beyond the Box: Our weekly round-up of blog and podcast content delivered directly to your inbox every Friday Check out our online community here! This episode was edited and produced by Renee Powers on the ancestral land of the Dakota people. Original music by @iam.onyxrose Learn more about Feminist Book Club on our website, sign up for our emails, shop our Bookshop.org recommendations, and follow us on Instagram, Twitter, TikTok, Facebook, Pinterest.
In Episode 178, Flourish and Elizabeth sit down with Kaitlyn Tiffany, an internet culture reporter at The Atlantic and the author of the book Everything I Need I Get from You: How Fangirls Created the Internet as We Know It. They talk about One Direction—the source of the book's title and one of its central subjects—and Kaitlyn's journey from 1D fan to covering fandom in the mainstream press, touching on ideas about writing for different audiences, personal versus collective perceptions of fannish conversations, and the dangers of credulity when writing about online subcultures.
Kaitlyn Tiffany talks about her new book, "Everything I Need I Get from You: How Fangirls Created the Internet as We Know It," a study of how fans of the boy-band One Direction changed online life. Recorded July 13, 2022 LINKSKaitlyn's book, "Everything I Need I Get from You"https://www.amazon.com/Everything-Need-Get-You-Fangirls/dp/0374539189Follow @kait_tiffanyFollow @AryehCW See acast.com/privacy for privacy and opt-out information.
Canadian music legend Anne Murray reflects on her groundbreaking career and lifelong love of Nova Scotia in a new CBC documentary about her life, Anne Murray: Full Circle. Culture reporter and author Kaitlyn Tiffany argues that teenage fangirls have helped shape the Internet as we know it and deserve more credit than they often get Peter Saville on the interstellar origins of Joy Division's famous debut album artwork. The rapper Classified and singer-songwriter R&B powerhouse Jully Black talk about their collaboration on the track Young Soul.
Jackson Howard is an editor and writer from Los Angeles who lives in Brooklyn. He's an Editor at Farrar, Straus and Giroux and its imprint MCD, where he acquires and edits a broad range of fiction and nonfiction. Writers he publishes include Judith Butler, Brontez Purnell, Sarah Schulman, Catherine Lacey, Fernando A. Flores, Susan Straight, Venita Blackburn, Imogen Binnie, Thomas Grattan, Missouri Williams, Jonathan Escoffery, Kaitlyn Tiffany, and many others. As a writer, his reviews, profiles, and essays have appeared in The New York Times Magazine, Pitchfork, The Cut, Rolling Stone, The Ringer, them., W., ELLE, i-D, office, Document, and elsewhere. He regularly visits undergrad and MFA programs for workshops and talks, and judges for fellowships; he's also spoken on panels for the Miami Book Fair, One Story, and the New York Foundation for the Arts, and he's read at Housing Works and MOMA PS1. He is also part of the team behind the FSG Writer's Fellowship, and is passionate about efforts to increase transparency and access within publishing at large. He graduated from the University of Michigan in 2016 and is very much a Taurus.
It's Big Week On Tumblr, for the week of June 20, 2022. This week, in our trends section: Avatar: The Last Airbender, The Umbrella Academy, & The Quarry. In our chat segment, guest host Allegra Rosenberg chats to Kaitlyn Tiffany, author of new book about One Direction and Tumblr, Everything I Need I Get From You. Text posts courtesy of @fanonical, @jesussyfruit, & @moonmoon-moxie. You can subscribe to Big Week On Tumblr on Spotify, Apple, or Pocket Casts!
Beyond their songs or record sales, the greatest legacy of One Direction, a new book argues, might be their massive, passionate, predominantly female fanbase. Kaitlyn Tiffany, a staff writer for The Atlantic, joins us to discuss her new book, Everything I Need I Get From You: How Fangirls Created the Internet as We Know It, which examines how our lives online are shaped by the behavior of fan communities, and the good and ill that can come from these groups.
Fangirls often don't get taken seriously in pop culture. But in her new book, Everything I Need, I Get From You: How Fangirls Created the Internet as We Know It, culture reporter Kaitlyn Tiffany explores just how much fangirls have shaped online life. She talks with guest host B.A. Parker about how fans used Tumblr to transform internet culture, how being a One Direction fan enriched her own life and why fandom is more complicated than we might think. You can follow us on Twitter @NPRItsBeenAMin and email us at ibam@npr.org.
Throughout the 2010s, the One Direction fandom was inescapable online. On today's show, Atlantic writer Kaitlyn Tiffany is here to discuss her new book all about that subject, Everything I Need I Get From You: How Fangirls Created the Internet as We Know It. Rachelle and Madison talk to Kaitlyn about why she chose One Direction, how fan theories get out of hand, and why neither she nor Rachelle would ever want to meet Harry Styles. Podcast production by Daniel Schroeder, Rachelle Hampton, and Madison Malone Kircher. Learn more about your ad choices. Visit megaphone.fm/adchoices
Throughout the 2010s, the One Direction fandom was inescapable online. On today's show, Atlantic writer Kaitlyn Tiffany is here to discuss her new book all about that subject, Everything I Need I Get From You: How Fangirls Created the Internet as We Know It. Rachelle and Madison talk to Kaitlyn about why she chose One Direction, how fan theories get out of hand, and why neither she nor Rachelle would ever want to meet Harry Styles. Podcast production by Daniel Schroeder, Rachelle Hampton, and Madison Malone Kircher. Learn more about your ad choices. Visit megaphone.fm/adchoices
Throughout the 2010s, the One Direction fandom was inescapable online. On today's show, Atlantic writer Kaitlyn Tiffany is here to discuss her new book all about that subject, Everything I Need I Get From You: How Fangirls Created the Internet as We Know It. Rachelle and Madison talk to Kaitlyn about why she chose One Direction, how fan theories get out of hand, and why neither she nor Rachelle would ever want to meet Harry Styles. Podcast production by Daniel Schroeder, Rachelle Hampton, and Madison Malone Kircher. Learn more about your ad choices. Visit megaphone.fm/adchoices
Throughout the 2010s, the One Direction fandom was inescapable online. On today's show, Atlantic writer Kaitlyn Tiffany is here to discuss her new book all about that subject, Everything I Need I Get From You: How Fangirls Created the Internet as We Know It. Rachelle and Madison talk to Kaitlyn about why she chose One Direction, how fan theories get out of hand, and why neither she nor Rachelle would ever want to meet Harry Styles. Podcast production by Daniel Schroeder, Rachelle Hampton, and Madison Malone Kircher. Learn more about your ad choices. Visit megaphone.fm/adchoices
Throughout the 2010s, the One Direction fandom was inescapable online. On today's show, Atlantic writer Kaitlyn Tiffany is here to discuss her new book all about that subject, Everything I Need I Get From You: How Fangirls Created the Internet as We Know It. Rachelle and Madison talk to Kaitlyn about why she chose One Direction, how fan theories get out of hand, and why neither she nor Rachelle would ever want to meet Harry Styles. Podcast production by Daniel Schroeder, Rachelle Hampton, and Madison Malone Kircher. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Verge is all about how technology make us feel. Our screens and our systems aren't inert, or neutral – they create emotions, sometimes the strongest emotions anyone actually feels in their day to day lives. I've been thinking about that a lot ever since I read a new book called Everything I Need I Get From You: How Fangirls Created the Internet by Kaitlyn Tiffany, who was a culture reporter at The Verge several years ago. The thesis of her book is that online fandom, specifically the hardcore fans of the British boy band One Direction, created much of the online culture we live in today on social platforms. And her bigger thesis is that fandom overall is a cultural and political force that can't be ignored; it shapes elections, it drives cultural conversation, it can bring joy to people who feel lonely, and it can result in dramatic harassment campaigns when fans turn on someone. Links: Kaitlyn Tiffany Verge Archive One Direction Playlist Transcript: https://www.theverge.com/e/22930314 Credits: Decoder is a production of The Verge, and part of the Vox Media Podcast Network. Today's episode was produced by Creighton DeSimone and Jackie McDermott and it was edited by Callie Wright. The Decoder music is by Breakmaster Cylinder. Our Sr Audio Director is Andrew Marino and our Executive Producer is Eleanor Donovan. Learn more about your ad choices. Visit podcastchoices.com/adchoices
By Walt HickeyWelcome to the Numlock Sunday edition.This week I spoke to Kaitlyn Tiffany, the author of the new book Everything I Need I Get From You, out this week. The book is a deep dive into the nature of fandom, and how fangirls have been instrumental in the design, growth and evolution of the internet and social media. It's a great look that combines digital culture and pop culture. The book can be found wherever books are sold, and Tiffany can be found at The Atlantic and on Twitter. This interview has been condensed and edited. You are the author of the brand new book Everything I Need I Get From You. It is all about the intersection of fandom and internet culture, and how they each feed one another. What got you interested in this topic?I was part of fandom myself, which is very obvious in the book and not a secret. I spent a lot of time on Tumblr when I was 19 and 20 and 21. Then I moved to New York to start working in journalism, and I started working at a tech website that was getting into internet culture coverage. It was sort of the only thing I felt I could contribute; I didn't know anything about tech, and as soon as they were talking about expanding their cultural coverage, I was like, "well, I can do Tumblr, that's tech, right?" That was how I started reporting on fandom professionally.Later on, I knew that I wanted to do a book about fandom because there was a lot of academic work about fandom already, but there hadn't really been, I felt, a satisfying, non-academic popular press explanation of how fandom and internet culture were intertwined. It just made sense to do it through the lens of One Direction, because that was where my personal experience was, and it's really hard to parachute into a fandom that you aren't a part of at the length and level of detail that I wanted to do.I love that you took it from the point of One Direction because I feel like boy bands have this habit of really dominating an entire conversation on fandom for a while. You can almost follow different eras with them, and the era where One Direction was phenomenally popular was a super transformational one for the internet as a whole. Do you want to kind of talk about One Direction, their run, and their role in the internet's fandom history?One of the academics I talked to for the book, Allison McCracken, I actually asked her, "When did fandom start on Tumblr? How did Tumblr become the fandom platform?" And she said it's three things that happened all the same time: Harry Potter, Glee and One Direction. Those three fandoms were huge in the early days of Tumblr, and I think really Glee and One Direction in particular, really solidified the visual culture of fandom, the tradition of making really elaborate gif sets and also of shipping. Shipping was huge. Anybody who doesn't know what that is, it's fan fiction, imaginative relationship pairings between characters. I want to get into that a little bit later, too, cause that's a huge part of this, but yeah, go on.Totally. That was huge with Glee fandom and it was also big with One Direction fandom. Numerous famous pairings in One Direction fandom. Then with Twitter, I think One Direction just kind of coincidentally came along at the same moment when teenagers and younger than teenagers were joining Twitter. Those were really the first big years of Twitter having a youth culture. I think it was the combination of those two things, and then also sort of an underlooked part of the One Direction history, I think, is how much the YouTube algorithm was driving people to One Direction. I heard that from so many people that I interviewed who started out as just watching whatever pop music videos, and getting recommended the One Direction videos. Then, crucially with One Direction, there was just so much content that it was really easy to fall down a rabbit hole, if you will. Once you got done watching all their music videos, with another pop star, you'd be like, "Oh, well that was fun, but there's nothing else to look at right now. I guess I'll have to wait." But One Direction was constantly putting out behind-the-scenes stuff on YouTube in a way that was on a much quicker pace, I think, than other pop stars were up to that point. Part of their allure was that they were just really rambunctious and irreverent to the idea of marketing, and it felt really immediate and genuine and authentic, which was something people really craved, the ability to connect directly or feel like they were connecting directly with celebrities at that time.The book is just so phenomenal. I thought it was really interesting because one of the bigger ideas now is parasocial relationships where fans feel that they have a specific relationship to an artist of various different degrees of fame. It felt like they were just some of the first folks to really monetize that and capitalize on that and really engage with their fans to almost encourage that at times, at least at the pop star level.I think it's hard to know, too, how much of that was actually deliberate and how much of that was just the fact that they were also teenagers and also just kind of wanted to be on Twitter and on social media. I think it was genuinely fun for them — maybe not for their whole career, I think there's definitely a point where it became less fun for them — but at the beginning I think they were just so shocked to be famous that they were like, yeah, let's record to front-facing camera video diaries all the time. Why not? And respond to people's tweets. And tweet about what kind of cereal we're eating for breakfast and whatever. Why wouldn't we? Everyone loves it.I loved how you really tie the development and the creation of internet culture to dominant musical acts at the time. I love the part that you wrote about the Grateful Dead and the early, early internet. Do you want to talk a little bit about the old days so to speak and what role music played in forming how internet subcultures form?Obviously that part of the book was not from firsthand experience, it was from historical research because that was before I was allowed to use the internet or even knew what the internet was. I actually have the book right behind me, The Virtual Community, which is the history of the WELL, which is really fascinating and talks a lot about Grateful Dead fans in the early forums, the kind where you had to pay to use them because they had to pay for server space. The most enthusiastic participants in these early forums in California were Grateful Dead fans. One of the early operators of the WELL even said, "I think that they were kind of single-handedly keeping us afloat, keeping us in the black."I thought that was really interesting. Grateful Dead fans were huge in early online bulletin board culture and when I was doing the research for the book, it was really remarkable to see just how every step of the way, each time some new platform or some new use of the internet was created, the first people to really eagerly use it would be fans and often music fans in particular. I don't know exactly why that is, but it was pretty consistent. There was Nancy Baym, who is a researcher, an academic, and has a really great book called Playing To The Crowd that has a lot of that history in it, and I cite quite a bit in the book.I just like how the very structure of the internet at times is like you just mentioned, informed directly by the music nerds and obsessed fans that immediately rush to it and really bear out its potential.And platforms will create or kind of take shape around fandom and ultimately end up creating features or having to respond to fandom like Twitter. It's funny to go back and kind of read the news coverage of how Twitter was dealing with fans in its early years in 2009, 2010, because they were completely baffled by its energy. There's an odd tension there, because these are extremely enthusiastic and frequent users of their product. But they're also people who tend to be kind of breaking the rules or breaking the features. They're trying to game the trending topics. They're circulating content to which they do not own copyright. They are sometimes harassing people. I feel like Twitter was caught on its heels and had to really figure out how do we keep fans on the platform, but also make sure that it doesn't become completely unusable for anybody who doesn't want to participate in fandom.It definitely gets things very real for platforms very quickly. You can tell even with BTS and Army, and there was an early story with Twitter that Justin Bieber, an apocryphal story I should say, was responsible for 3 percent of their traffic for a good while there. It's just so interesting that fandom is so intense that even servers have trouble with it sometimes.Yeah, totally. I think the Justin Bieber story was funny to me because journalists who were writing about it kept saying there are specific servers in Twitter headquarters for Justin Bieber tweets. And I was like, how would that work? There's just one server that's got the song “Baby” on it. It's in charge of playing that for anybody who listens.Yeah, yeah, exactly.I do want to talk a little bit about how you mentioned that they played trending topics, they played the algorithm. You had some amazing stuff in there about how One Direction fans attempted to play the Billboard charts and attempted to do whatever was necessary to do that. Obviously Numlock is a newsletter that loves data and the stories that inform it. I love that part where it was all about the lengths that a fandom will go to to specifically exploit algorithms designed to rank what music is popular at the time. Can you talk about that?That was based on reporting that I did when I was at The Verge and I was just scrolling through my Tumblr feed being like, I've got to find something to write about. I came across fans who were posting about gifting iTunes singles, which was something that was really interesting to me. The purposes of it were several, but it was whenever there's a new One Direction song coming out — or at the time I think it was Harry Styles' first solo single — in order to boost the sales in hopes of getting him better chart performance, and also in order to engage in a spirit of community, people would sign up to gift the iTunes single to someone else because you can only buy it once yourself, but you can gift it and that also counts as a sale. But you can only gift to people who live in your country. So they made this elaborate system for pairing people up in a spreadsheet. Oh we got 30 people willing to give away iTunes singles in Brazil, do we have 30 people who will accept the gift? All of that stuff. That was very elaborate. I was really intrigued by that. Then once I was asking people about that, they started to tell me about the other things they were doing to boost the single, which I just thought were so interesting. There are the kind of obvious ones of getting everybody in the fandom to just blast radio requests on Twitter and whatever, or Shazam the song over and over so that's recommended in Shazam.Then the really interesting one was that in order to boost the song's positioning on American Billboard charts, people who did not live in the US would download VPNs and basically fake their Spotify streams so they would appear to be American Spotify streams. I think a couple of other reporters asked Spotify and Apple Music and other streaming platforms about their awareness of that kind of behavior. They definitely did not give straight answers on whether that would work. The Billboard charts similarly were kind of vague about how they determine inauthentic activity. I thought that was a fun story. I mean, obviously the number of fans who were participating was not high enough to really make a difference.Also just the basic math of how many times a person would even be able to stream the song in a day, it just didn't add up to the point where you were going to really make a dent, but it was really just funny and fun to see people trying. I thought it was really interesting that that became kind of a ritual of waiting for a single to come out, preparing to put this giant machine in action. In the final edits of the book when it was read by a lawyer at FSG, she asked me to rephrase that section a little bit, because it read too much like an instruction manual on how to do those things. And I was like, "I don't know if these things are illegal, but okay."For those who are interested, the book is called The Anarchist Cookbook For Fans. How to Blow Up A Spotify Code.Again, it's a really incredible book, folks should check it out. I would like to read my favorite two sentences from it. One Direction fans' relationship with the entertainment industry is adversarial, but mostly because they think they could run it better. Literally. In 2015, there were two separate fan efforts to buy One Direction out of their record label contract.What on earth is happening there?Yeah, I can't say that I was personally involved in that effort, but I think that's part of the fun thing about fandom, that there are things that people walk around their daily lives accepting as impossible and unrealistic. And then fans are so on the very edge between reality and fantasy that it would occur to them, well, there are millions of us, logically, and if each of us gave a few dollars, we would have many, many millions of dollars, and we could just intercede in One Direction's career. I mean, I don't have any understanding of how their contract works and I'm sure that these fans didn't either, but you can see how they got there.That's incredible. I love how you talk about some of the mechanics of fandom. You talk about how they grow fandom and how some of the platforms can encourage fandom. I also just really like how you really dive into some of the nature of obsession. We talk about conspiracy theories in fandom a lot, but in this specific case, there were a ton circling around this. It's not the first time. We're all familiar with Paul is Dead of the Beatles and whatnot, but why do you think fandom lends itself so inextricably to conspiracy theories and things like that?I think part of it is that if you are paying such close attention to something over such an extended period of time, you're going to start to notice things that seem to be important or seem to be overlooked, and pull them out. Especially in internet fandom, and especially on Tumblr, there is sort of an incentive to be the one to notice something that other fans didn't notice yet. You saw that a lot in the conspiracy theories around One Direction, which just to clarify, started with this theory that Harry Styles and Louis Tomlinson, two members of the band, were secretly gay and secretly in love and secretly being forcibly closeted by their management. When it started out, a lot of people were really into it and it was fun and totally harmless.Then later it took a little bit of a darker turn, just because of the extent that people went to defend it, which involved a lot of misogynistic vitriol around the women that either one of them were dating at the time. Most darkly when Louis Tomlinson became a father, a lot of fans became convinced at first that the baby was a doll, and then later that it was either a hired actor or the child of the stepfather of the woman who Tomlinson had been dating and who was his co-parent. That obviously was over a line for some people. It didn't feel over a line for others. Once you cross that line, you can go down some interesting routes. But to return to the question of why fandom lends itself to that, I think fandom is also in opposition to mainstream media a lot of the time. The Larry Stylinson community was very defensive about any kind of media attention and with internet fandom in particular and with One Direction even more so. There is just so much to look at and to wade through and so much evidence and proof that you can find. This is something people bring up when they talk about all kinds of internet conspiracy theorizing, including QAnon or whatever else. Not that I think that there are really a lot of powerful similarities between Larry Stylinson and QAnon, but part of why people get involved in that is because it feels like anybody can participate. Anybody can find something. Anybody could be the one to have an important discovery and kind of get clout within the community. I think that's part of it, and, yeah, I mean maybe fandom also does tend to attract people who are missing some other forms of affirmation or stimulation in their life and they can dedicate a lot of time to thinking about that stuff.Even the title of the book, Everything I Need I Get From You, is a fairly direct articulation. I also want to talk a little bit about getting to the more innocuous side of some of that. The fan fiction component just really can't be ignored. Fan fiction obviously has a fairly long history, particularly obviously about fictional characters. It seems unique that particularly with One Direction, this was a situation where people and fans were writing fan fiction about actual human beings, to an extent that also now exists in other fandoms, but this felt like a kind of significant change in what fan fiction had been. Can you expand a little bit on that?Yeah. Real person fan fiction, or RPF, has always been a part of fandom, but it was a much more secretive part of fandom for a long time. There was a pretty powerful taboo against it, I would say, because a lot of fans were sort of rightfully concerned that outside eyes looking in on fandom are going to judge whatever they're doing as unhealthy and pathological. That writing about real people would attract a lot of negative attention. There was real person fan fiction, notably in the Beatles fandom, but a lot of that was disseminated only via letters. Later, real person fan fiction would've been disseminated mostly in private email list servs. It was pretty uncommon for it to just be published for broad consumption, especially in the early aughts, because platforms like fanfiction.net and then later LiveJournal put a lot of content moderation guidelines and limitations on that kind of writing and prohibited some of it.Part of the reason that One Direction was a turning point for real person fic was just that Tumblr was a turning point for real person fic. That was where a lot of fans went when they left other fan fiction writing platforms because of the limitations. They all arrived on Tumblr, and that's another reason why it became the fandom platform. I think that's another reason why the Larry Stylinson story is kind of sad, because people who were writing about Larry Stylinson in their fiction, I think a lot of them kind of felt you guys have ruined this by turning it into a conspiracy theory that embarrasses the whole fandom and makes it look like what we're doing is the same thing as what you're doing.It has also gone somewhat mainstream, in as much as fan fiction can be mainstream. Dream SMP, that's fairly large and it's about real people. If you looked at the AO3 top fan works from last year, you do see BTS show up on that, and those are real actual human beings. I don't know, it just seemed like it's gone rather mainstream, even if it was fairly taboo at one point.Yeah, totally. I, for a while, was following a lot of shipping blogs for women from the US Women's National Team soccer players. And that was really interesting to see. I didn't realize that people did RPF slash fic about sports stars.Just kind of backing out a little bit, what's something that you really learned about fandom that you didn't know going into reporting out the book?It was just really fun and interesting to talk to fans about what they got out of fandom. I found it really striking just how interesting and different they all were. Not that that was surprising in itself, but it was surprising how easy it was to get there. Part of what I talk about in the beginning of the book is this trope or this image that people have of a screaming fangirl, and that image is obviously based in reality. People do go to the concerts and scream.But it was really interesting to me and exciting that you can approach someone who ostensibly is that and ask them one question and they will tell you so many interesting things about like, what fandom means to them, their positive and negative experiences, how their relationship to fandom has changed as they've gotten older. And all that was super interesting. That part was really fun to hear about girls who, like me, cared about this thing a lot eight, nine years ago, but still are thinking through their relationship to it now as adults.What would you say your relationship is to it now?I mean, it's definitely different than it was when I was on Tumblr all the time. One Direction doesn't exist anymore, so it's different for that reason, too. But I still get really excited about whatever Harry Styles is doing, whatever Niall Horan is doing. He's actually my favorite member of One Direction. That's a way of kind of breaking up monotony of being an adult, or I guess, just a way of thinking about how my own identity has changed. I mean, I was working on the book during the pandemic, so I did a lot of just sitting in my apartment, kind of reliving being 19 and being on the internet all the time, looking at One Direction. That definitely got a little weird at times, but it was also really fun.That's amazing. The book is really fun. I enjoyed every word of it. It's called Everything I Need I Get From You. Kaitlyn, where can folks find you and where can folks find the book?I'm on Twitter @kait_tiffany. I'm also on The Atlantic under my author page, and the book you can find pretty much anywhere I think. I mean, I usually share the bookshop.org link because I think they're cool. And I have not used Amazon in five years. So don't use Amazon. Don't tell Amazon I said that.Or if you want maybe access it through a VPN and then just stream it constantly to get it up the charts.Yeah, exactly. That'd be great.If you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips, or feedback at walt@numlock.news. Get full access to Numlock News at www.numlock.com/subscribe
How his time in One Direction and a powerful online fan base have shaped the pop star's career. Guests: The Atlantic's Kaitlyn Tiffany, and Lindsay Zoladz.
It's not just Johnny Depp's fans — it's Amber Heard's anti-fans, too. The Atlantic's Kaitlyn Tiffany explains the Depp-ressing social media hate campaign. This episode was produced by Amina Al-Sadi with help from Hady Mawajdeh, edited by Matt Collette, fact-checked by Laura Bullard, engineered by Paul Mounsey, and hosted by Sean Rameswaram. Transcript at vox.com/todayexplained Support Today, Explained by making a financial contribution to Vox! bit.ly/givepodcasts Learn more about your ad choices. Visit podcastchoices.com/adchoices
It's the trial of the century—kind of. The legal showdown between Johnny Depp and Amber Heard has captivated the country, and Derek is a bit confused. Why is everybody talking about this miserable celebrity relationship? Why are so many people obsessed with demonizing Amber Heard? Producer Devon Manze explains to Derek why she thinks the trial has conquered the news cycle, and The Atlantic's Kaitlyn Tiffany explains why the internet hates Amber, and what it says about the future of truth, fandom, and who we are on the internet. If you have questions, observations, or ideas for future episodes, email us at PlainEnglish@Spotify.com. Host: Derek Thompson Guest: Kaitlyn Tiffany Producer: Devon Manze Learn more about your ad choices. Visit podcastchoices.com/adchoices
In the early 2000s, an arms race broke out in the world of men's shaving. After decades with razors that had only one blade and then decades with razors that had only two, the number of blades rapidly spiraled up and up and up. It's a skirmish sometimes referred to as The Razor Blade Wars, and it was a face-off about innovation, competition, capitalism, masculinity, and most of all, how strange things can become after you've created something that's the best a consumer can get — and then you have to keep going. Some of the voices you'll hear in this episode include Rebecca Herzig, author of Plucked: A History of Hair Removal; Tim Dowling, Guardian columnist and author of Inventor of the Disposable Culture: King Camp Gillette 1855-1932; Dan Koeppel, razor blade zelig; and Kaitlyn Tiffany, writer for the Atlantic. If you want to read more about razor blades, check out: Cutting edge : Gillette's journey to global leadership King C. Gillette, the man and his wonderful shaving device Satisfaction Guaranteed: The Making of the American Mass Market Decoder Ring is written and produced by Willa Paskin. This episode was produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Check out Home. Made. here Learn more about your ad choices. Visit megaphone.fm/adchoices
In the early 2000s, an arms race broke out in the world of men's shaving. After decades with razors that had only one blade and then decades with razors that had only two, the number of blades rapidly spiraled up and up and up. It's a skirmish sometimes referred to as The Razor Blade Wars, and it was a face-off about innovation, competition, capitalism, masculinity, and most of all, how strange things can become after you've created something that's the best a consumer can get — and then you have to keep going. Some of the voices you'll hear in this episode include Rebecca Herzig, author of Plucked: A History of Hair Removal; Tim Dowling, Guardian columnist and author of Inventor of the Disposable Culture: King Camp Gillette 1855-1932; Dan Koeppel, razor blade zelig; and Kaitlyn Tiffany, writer for the Atlantic. If you want to read more about razor blades, check out: Cutting edge : Gillette's journey to global leadership King C. Gillette, the man and his wonderful shaving device Satisfaction Guaranteed: The Making of the American Mass Market Decoder Ring is written and produced by Willa Paskin. This episode was produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Check out Home. Made. here Learn more about your ad choices. Visit megaphone.fm/adchoices
In the early 2000s, an arms race broke out in the world of men's shaving. After decades with razors that had only one blade and then decades with razors that had only two, the number of blades rapidly spiraled up and up and up. It's a skirmish sometimes referred to as The Razor Blade Wars, and it was a face-off about innovation, competition, capitalism, masculinity, and most of all, how strange things can become after you've created something that's the best a consumer can get — and then you have to keep going. Some of the voices you'll hear in this episode include Rebecca Herzig, author of Plucked: A History of Hair Removal; Tim Dowling, Guardian columnist and author of Inventor of the Disposable Culture: King Camp Gillette 1855-1932; Dan Koeppel, razor blade zelig; and Kaitlyn Tiffany, writer for the Atlantic. If you want to read more about razor blades, check out: Cutting edge : Gillette's journey to global leadership King C. Gillette, the man and his wonderful shaving device Satisfaction Guaranteed: The Making of the American Mass Market Decoder Ring is written and produced by Willa Paskin. This episode was produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Check out Home. Made. here Learn more about your ad choices. Visit megaphone.fm/adchoices
In the early 2000s, an arms race broke out in the world of men's shaving. After decades with razors that had only one blade and then decades with razors that had only two, the number of blades rapidly spiraled up and up and up. It's a skirmish sometimes referred to as The Razor Blade Wars, and it was a face-off about innovation, competition, capitalism, masculinity, and most of all, how strange things can become after you've created something that's the best a consumer can get — and then you have to keep going. Some of the voices you'll hear in this episode include Rebecca Herzig, author of Plucked: A History of Hair Removal; Tim Dowling, Guardian columnist and author of Inventor of the Disposable Culture: King Camp Gillette 1855-1932; Dan Koeppel, razor blade zelig; and Kaitlyn Tiffany, writer for the Atlantic. If you want to read more about razor blades, check out: Cutting edge : Gillette's journey to global leadership King C. Gillette, the man and his wonderful shaving device Satisfaction Guaranteed: The Making of the American Mass Market Decoder Ring is written and produced by Willa Paskin. This episode was produced by Elizabeth Nakano. Derek John is Sr. Supervising Producer of Narrative Podcasts. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Check out Home. Made. here Learn more about your ad choices. Visit megaphone.fm/adchoices
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