Podcasts about Irvine

Melanie is an award-winning multi-platinum songwriter/vocal producer/music publisher. With a distinguished career spanning decades and a track record of enormous success, she is now dedicated to the next generation and works to empower new artists to cultivate talent, and brighten the lives of today's new songwriters, & artists by helping them achieve their dreams in music…Melanie directs a popular music studio in Irvine California for beginners - professionals. In 2021 Melanie completed her first SOLO SMOOTH JAZZ ALBUM with some of the BIGGEST Jazz/R&B musicians in the industry including, 10 Time Grammy Winning Group “TAKE 6”...Release date forthcoming. BREAKING NEWS - Janet Jackson's Control Album celebrated it's 35 year Anniversary on February 4, 2021 and went #1 on the charts again...this time on the iTunes Top 40 Pop Album charts in February 2021!! Melanie Andrews is best known for co-writing the song,“Let's Wait Awhile” (Janet Jackson's “Control Album”)and singing the background vocals with Janet on her #1 hit singles, "What Have You Done For Me Lately", "Control", "When I think of You", "Funny How Time Flies" and "Let's Wait Awhile", which charted #1 on Billboard charts and sold over 13 million copies world-wide. The Control album made Billboard Hot 100 history, breaking Janet's brother Michael's record for longest continuous run on the Hot 100 with singles from one album, a record 65 consecutive weeks. On April 29, 2020 the album charted number “1”on the U.S. iTunes Chart, 34 years after its original release. Melanie won the BMI Pop Music Songwriter's Award for Let's Wait Awhile and the BMI Millionaire's award! The Control Album was also nominated for a Grammy for “album of the year” and many other prestigious awards! Creating a stir in the music world, Melanie started her career as one of the most sought-after young writers in the music industry. She has written/produced for many more top music artists and record labels such as Interscope, Warner Bros., Universal, Disney, A&M, Geffen and more! Melanie and her writers that she publishes also write for Film/ TV with placements on Fox TV's “Glee”,ABC TV's, “General Hospital”, Fox TV's “POSE” and dozens of Motion Pictures. Melanie also sang background vocals on many iconic hit songs and coaches vocals on request for major artists and new aspiring artists, whenever her schedule permits. Her charming personality, along with her drive and ambition, landed her a 5-year deal with the powerhouse publishing company, Famous Music, (a Paramount Picture Company). After spearheading numerous successful songs and artists, (including a deal with world-renowned Lee Iacocca) Melanie created her own independent record/publishing company. Melanie has co-written songs and/or vocal coached and/or sang background vocals for many top artists including Big Pun,Fat Joe, Skylar Stecker, Vanessa Williams, Jasmine Guy, Chuckii Booker,Jennifer Love Hewitt, Portrait, Shanice Wilson and many more. One of her favorite projects was co-writing three songs for the Legendary Music Hall of Fame Band, “EARTH WIND & FIRE.” Melanie has had songs released and/or collaborated with many famous Smooth Jazz Artists such as: Paul Jackson Jr., Everett Harp,Pete Escavedo, Grover Washington Jr.,Louis Johnson, Norman Connors,Nelson Rengell, and many more. Melanie is the granddaughter of world-renowned NEA winner/ Jazz legend, Snooky Young, who taught her the beauty of speaking through music. Another one of Melanie's accomplishments started at 6 months of age when she became one of the first-ever Mixed-raced GERBER Babies in National Ad Campaigns :) https://hype.news/melanie-andrews-press-us/melanie-andrews-pays-tribute-to-the-first-gerber-baby-model-wa4uantx?fbclid=IwAR1rQgimET0LCq6PaZlChMdxo-h-qp1mCrS4LmmmORxk9cl4l_CVpCmH-CI Melanie Directs a popular Recording Studio and a Full-Service Artist Development studio in Irvine, CA.INFLUENCES: Hot 100 Charts,Janet Jackson, Earth Wind & Fire, All Music Genres, i.e. Pop, EDM, Reggaeton, R&B, Jazz & more!https://www.powerpresskits.com/PPKs/print.aspx?PPK=17740

Rev. AJ Espinosa, pastor at St. Paul's Lutheran Church in Irvine, CA, joins host Rev. Timothy Appel to study Acts 26:1-32. King Agrippa's background in Judaism makes him the perfect candidate to listen to Paul's testimony, for which the apostle is grateful. Paul recounts his history in Judaism. He was raised as a Pharisee, zealous for the faith that he shared with all Israel, which included the hope for the resurrection of the dead. In fact, Paul's zeal took him too far; he persecuted the saints of God until the Lord Jesus came to him at Damascus. Jesus appointed Paul as His servant and witness to go to both Jews and Gentiles in order to turn them from darkness to light through faith in Jesus. Paul concludes his testimony before Agrippa by stating that he has preached the same thing as the prophets, that the Christ has suffered and died to bring light and life. Festus thinks that Paul has gone crazy, and Agrippa is not so quickly persuaded. Yet Paul desires that all would share in the faith that he has been given. To that end, his appeal to Caesar will send Paul to Rome, where he will continue to give witness to the resurrection of Jesus. “To the End of the Earth” is a mini-series on Sharper Iron that goes through the book of Acts. In his second volume, St. Luke records all the things that Jesus continued to do through the ministry of His Church. By the end of the book, the proclamation of the Lord's Word that began in Jerusalem grows all the way to Rome. By God's grace, even now, that same Word is proclaimed to us.

In episode 1278, Jack and guest co-host DJ Danl Goodman are joined by hosts of The Stoop, Leila Day and Hana Baba to discussWelp … (Surprise Jan 6 Testimony), 4 WORDS: BIG - CHEEZ-IT - TOSTADA and more! Eight bombshells from Cassidy Hutchinson's testimony at Tuesday's Jan. 6 hearing 4 WORDS: BIG - CHEEZ-IT - TOSTADA LISTEN: Cold Man by Swardy See omnystudio.com/listener for privacy information.

As coaches, we're never satisfied with surface level transformation for our clients.  We want to see deep and lasting transformation that takes them to levels higher than even they imagined.  But how do we get there? What are the steps that we, as coaches, need to take in order to take our clients there? Well, I'm talking today about the 10 steps that every coach needs to develop in order to get our clients to that place that pushes them to their potential.  In this episode of the Epic Success Podcast, I'm talking about the 10 steps, and over the next few weeks, I'll be diving deeper on how to implement them into your coaching business (or if you're just getting started how to begin to develop these coaching secrets). This will help you amplify the results for your clients and, in turn, create raving fans that sell out your programs! I'm super passionate about this, so let's just dive right in! The biggest take-aways from today's episode are: “Your 1% is 100% unique to you.”  It's crazy to hear, but as humans, our DNA is 99% identical. I know. But there's a ton of research to back that up. That 1% that's left? That's what makes you, you. And there's no one else out there who can match that. It's in understanding your 1% and what it is that you have to offer that creates your voice as a coach. As I always say, your vibe attracts your tribe. [5:08] “Listen to transform instead of just listening to talk.” There are so many coaches out there who are listening to their clients and, with the best intentions, tell their clients what worked for them. It sounds helpful and well intentioned but this can actually cause harm for your clients. I dive deeper into this topic on another podcast (and even deeping in the Neuro Coaching Certification) but it's vital to understand that your story is your own and to let your clients own their story. [6:45] “Combine the two things they already think they need: dreams + pain.” On the one hand, your client has their dreams and visions and things they want to accomplish, and on the other they have the pain, which is really just the things that are holding them back from those dreams. It's your job as a coach to always be working in that duality. Always be amplifying the vision and helping them to remove what's stopping them and blocking them – pain.. [9:23] You can start a coaching business the right way.  Or if you already are a coach, what you learn in the Neuro Coaching Certification can help you uplevel your business and sell out your programs with ease because you are able to give transformation that is lasting and rapid.  You can keep coaching the same way, working real hard with little to show for it OR you can start your Neuro Coaching Certification. With this Certification, you'll finally discover what it is like to get amazing results for your clients each and every time – selling out your coaching programs, where your only problem isn't results, but how high to raise your prices. You will learn how to get consistent breakthrough results with your clients so you can finally feel what it's like to have raving fans of your coaching.  Your clients will SELL your coaching FOR YOU because they can't stop telling others about the powerful and life changing difference your coaching made for them.  Reminder that spaces are limited and the new cohort is starting soon!  >> Apply Here

This is the second of three Tech Talk webinars provided by Graniterock in April of 2022. The annual in-depth event continues Graniterock's efforts to educate agencies, specifiers, architects and contractors with the latest information to help develop and broaden the industries understanding of available high quality product, best practices and value engineering.Katha  Redmon  is  the  Director  of  Concrete  Products  for  Graniterockand  has  been  with  the company  for  10yearsmanaging  the  concrete  laboratory  team.    Shehas  a Bachelor  of  Science degree  from  the  University  of  California,Irvine  andhas  been  in  the  concrete  industry  for  over thirtyyears.Katha  holds  multiple  ACI  and  NRMCA  certifications  and  enjoys  interacting  with concrete contractors  and  specifierson  a  regular  basis.   Sheis  a voting  member  on  six  (6)  ASTMcommittees,a pastChairpersonandcurrent memberof the California Construction and Industrial Materials  Association  (CalCIMA)Technical  Committee  andcurrently  serves  as  an  activemember   of   the Caltrans Pavement   &   Materials   Partnering Committee(PMPC)Concrete Materials and Quality Assurance Sub-Task Group.  Max Morgan, Concrete Sales Representative, is a CSU Chico Alum with a B.S. from the college of engineering (Concrete Industry Management Program) with a minor in business. Interning with Graniterock for four years before coming on full time back in 2016. His current role includes customer sales support and other initiatives like concrete reclamation to help make Graniterock better. Max is excited to help Graniterock keep up with technologies related to the concrete industry.

In this episode, Bridgette and Irvine explore the power of story in our lives. However, our stories when not well-formed can get us into trouble with poor decisions and regrettable actions. Powerful questions lie at the heart of helping us develop more accurate stories and more grounded assumptions. 

Pastor Bobby gives the message "Peter Stands Upon the Rock of the Gods" at Shepherd's Grove Presbyterian Church on Sunday June 26, 2022. The world needs Jesus. How do we find the balance to be a holy person, but also be in the world in order to help others? May we always live a purposeful life, one worthy of what God has in store for us.

John Driscoll is a consultant, speaker, and growth hacker. He has consulted with countless start up tech companies and Fortune 500, advising them how to utilize technology to grow their brands. John has been an entrepreneur for over 20 years with several successful ventures to his name. He currently resides as Founder and CEO of Naked Development, a Creative Development Agency in Irvine, CA. John Driscoll has lectured for Redlands University, UCI, Caltech, Rackspace, and the University of Southern California. Among his list of clients are Bank of America, Hyundai, Wells Fargo, the PGA of America, the American Red Cross, and many more.  https://www.nakeddev.com/

Anne Johnstonbrown interviews television, film and improvisational actor Megan Heyn: Megan was born in northern California, but her time there was brief. Her family ventured to several states during her youth, including: Nevada, Maryland, Arizona, and Colorado. The youngest of three kids, her flare for drama surfaced by age three when she told her parents she wanted to be an actress and refused to appear in public without her pink tutu.Growing up she was fascinated and inspired by classic films and their actors, especially MGM musicals. She was probably the only twelve year old who scouted the TV Guide every Sunday to see which movies from AMC she wanted to record and delight in throughout the week. She even asked for TCM for Christmas because she felt that they had a better choice of Judy Garland, Betty Grable, and Doris Day films. These movies motivated her to get serious about tap dancing and singing, and most of her after school hours were dedicated to lessons and practicing. Developing her talents turned her into a bonafide "Theatre Geek," and she graced her high school stage with pride and excitement!After high-school she left her family in Colorado and moved to Southern California to pursue her life-long love of acting. She attended University of CA, Irvine where she studied acting and musical theatre. It was there that she began doing improv and sketch comedy. Within 3 years she graduated and headed up to LA to start a TV/Film career.Once in LA, she began to perform at the Upright Citizens Brigade Theatre (UCB), mainly in their musical shows, specifically Matt Besser's show "The Freak Dance." "Freak Dance" has since become an indie feature film. She also wrote/produced her own web series "Hollywood Taffy." Once she became more seasoned she began appearing on TV in several Guest Starring roles. She is still performing at UCB and grateful to be living her dreams in LA.Host: Anne JohnstonbrownGuest: Megan HeynWebsite: Megan Heyn :: HomeIMDb: Megan Heyn - IMDb

John Mendola is the Founder of the University Curriculum for Independent Learning, Founder & Chief Financial Officer of the Irvine International Academic Academy, Founder of Johnny Rock Music Group, and Managing Director of IRM Consulting Group, Inc. Additionally, John serves as a Professor of Business & Education at Westcliff University in Irvine, and has experience teaching at University of California Los Angeles (UCLA), Irvine Valley College, and other institutions. A well-rounded and highly successful business professional, John offers real-world, hands-on experience in all facets of business planning, e-commerce and traditional marketing, sales, staff training and growth, branding, and contract negotiations. Highly experienced in global business and travel, John has developed the insightful and powerful “3Rs” business philosophy of Rapport, Respect and Relationships.  -- Critical Mass Business Talk Show is Orange County, CA's longest-running business talk show, focused on offering value and insight to middle-market business leaders in the OC and beyond. Hosted by Ric Franzi, business partner at Renaissance Executive Forums Orange County. Learn more about Ric at www.ricfranzi.com. Catch up on past Critical Mass Business Talk Show interviews... YouTube: https://lnkd.in/gHKT2gmF LinkedIn: https://lnkd.in/g2PzRhjQ Podbean: https://lnkd.in/eWpNVRi Apple Podcasts: https://lnkd.in/gRd_863w Spotify: https://lnkd.in/gruexU6m #orangecountyca #mastermind #ceopeergroups #peergroups #peerlearning

Country, Arme and Stank (Bitty) meet up in Irvine, CA for a podcast (or two). This is the teaser/trailer. Check out Tigress Speaks! for our 5th & 6th episodes of #TBBS Tigress BAE & BITTY Speaks!

The US Supreme Court overturns Roe v Wade, which had protected a woman's right to an abortion since 1973. Michele Goodwin, law professor at the University of California at Irvine, and Sarah Posner, a journalist specialising in politics and religion, give their reaction. Plus: an interview with the chairman of Estonia's Foreign Affairs Committee, and Anastacia Galoushka and Markus Hippi discuss the EU, G7 and Nato.

It's our final episode in Vegas this week, so you know we had to go out with a bang! Joining us today on "The Pan Dulce Life Mixshow" with hosts DJ Refresh and Murcielago Mayor is the young legend, DJ Kidd B! But first up today is our resident mixer DJ Huggz. The Irvine-based party rocker drops 30 minutes of reggaeton, house music, guaracha, and more! Then Kidd B takes over with a special guest mix consisting of reggaeton, dembow, and Latin-influenced house music. Kidd B is the Mixshow Coordinator on Fiesta 98.1 FM in Vegas every Saturday at 5PM. He's also a member of the LMP crew (Lo Maximo Productions).A reminder that we're just one week away from our second party in San Diego on July 3! Also, we'll be in a new city next month so stay tuned.As always, thank you for your support y Saca Las Conchas! Hit us with a follow and share the show with a friend!Follow Refreshwww.instagram.com/djrefreshsdFollow Murcielagowww.instagram.com/14cabezonFollow Huggzwww.instagram.com/djhuggzFollow Kidd Bwww.djkiddb.comwww.instagram.com/djkiddb See acast.com/privacy for privacy and opt-out information.

www.iconsandoutlaws.com   The band Journey came together in San Francisco in 1973 under the auspices of former Santana manager Herbie Herbert who also managed The Steve Miller band, Roxette, and Europe. They were initially called the Golden Gate Rhythm Section and were backup players for established Bay Area bands. Originally, it included Santana alumni Neal Schon on lead guitar and Gregg Rolie on keyboards and lead vocals. Completing the band were bassist Ross Valory and rhythm guitarist George Tickner, both from the band Frumious Bandersnatch. Prairie Prince of The Tubes served as drummer. After one particular performance in Hawaii, the crew quickly abandoned the "backup band" idea and began developing their own distinctive jazz fusion style. After an unsuccessful radio contest to name the group, roadie John Villanueva suggested the name "Journey."   The band's first public gig was at the Winterland Ballroom on New Year's Eve 1973 to an audience of 10,000, and the following day, they flew to Hawaii to perform at the Diamond Head Crater to an even bigger audience. Prairie Prince returned to The Tubes shortly after. On February 1, 1974, the band hired British drummer Aynsley Dunbar, who had recently worked with the one and only David Bowie and was also a member of the second version of Frank Zappa's Mothers of Invention. On February 5, 1974, the new lineup debuted at the Great American Music Hall, showcasing in front of Columbia Records executives. They signed a recording contract with the label following the performance and later performed at venues around the Bay Area.   Journey went into CBS Studios in November 1974 with grammy award-winning producer Roy Halee to record their debut album "Journey." It was released in April 1975, entering the Billboard charts at number 138. This record was a jazzy progressive rock album focused mainly on the band's instrumental talents. It featured songs like "Of A Lifetime" and the instrumental, "Kahoutek,"; both songs pushing the 7-minute mark. Rhythm guitarist Tickner left the band shortly after due to the heavy touring the band was promoting the album, allowing Schon to take on the complete guitar duties.    Journey entered the studio again in late 1975 to record "Look into the Future," released in January 1976 and hit the Billboard Top 200 charts at number 100. The band promoted the album with a two-hour performance at the Paramount Theatre in Seattle, which later aired on the radio as touring continued to promote their second album. For this second album, the members of Journey toned down the overt progressiveness of their first release in favor of a more straightforward sound. The album also features a cover version of The Beatles' "It's All Too Much" from the 1968 Yellow Submarine film and 1969 soundtrack. The title track, "Look Into The Future," was the longest recorded Journey song at 8:10 until 1980, when "Destiny" from Dream, After Dream would claim that honor.   From May to October 1976, the band went to "His Master's Wheels" Studios to record their third studio album, "Next," which, just like the previous album, was produced by the band. However, they brought a much more commercial sound while keeping their jazz fusion and progressive rock roots. The album was released in February and charted on the Billboard Top 200 at 85. It would be the last album to feature Gregg Rolie as the lead singer. "Spaceman" with the instrumental "Nickel and Dime" was the single, and, unfortunately, sales did not improve, which led Columbia Records to almost dropping the band.   About these times in the band's career, lead guitarist Neal Schon has said: "I still think some of the stuff we did then was great. Some of it was self-indulgent, just jamming for ourselves, but I also think a lot of other things hurt us in the early days. It took a while for the politics to sort of shape up."   Journey's album sales did not improve, so Columbia Records requested they change their musical style and add a lead singer who would share lead vocals with Rolie. In comes Steve Perry, right? Nope! The band hired Robert Fleischman from the Los Angeles-based band "Staggerwing" and began transitioning toward a more popular style, similar to that of Foreigner and Boston. Journey went on tour with Fleischman in 1977, opening for bands like Black Sabbath, Judas Priest, and Emerson, Lake & Palmer. Fleischman and the rest of the band began writing and rehearsing new songs, including the hit "Wheel in the Sky." However, this new lineup would be short-lived because the band was introduced to that guy I mentioned earlier, Steve Perry, during a performance before approximately 100,000 at Soldier Field in Chicago. This chance encounter was significant because differences between Fleischman and manager Herbie Herbert resulted in Fleischman's departure from the band within the year.   Steve made his live debut with the band at the Old Waldorf in October 1977, stepping into His Master's Studios and Cherokee Studios from October to December. Herbie hired Roy Thomas Baker as the new record's producer to add a layered sound approach similar to a band Baker had previously worked with, a little English band called "Queen." With a new lead singer and new producer in tow, the band's fourth studio album, Infinity, was released in January 1978, and peaked at number 21 on Billboard. "Lights", "Anytime," and "Wheel In The Sky" were the album's singles, and it has sold over 3 million copies. Journey then set out on tour supporting the album and headlined a full tour for the first time.   According to Herbie, tensions were high between Aynsley Dunbar and the rest of the band due to the change in music direction from the jazz-fusion sound. Guitarist Neal Schon said: "We would talk about it, and he'd say he'd be willing to simplify things. But we'd get out there, and after five shows he wasn't doing that at all." Finally, Dunbar's resistance came to a head when he started playing erratically and talking crap about the other members, which later resulted in Herbie axing Dunbar after their headline tour. He was replaced by Berklee-trained drummer and Montrose member Steve Smith.   Perry, Schon, Rolie, Smith, and Valory returned to the studio at Cherokee Studios in late 1978 to record their fifth album, Evolution, which was later released in March 1979, peaking at number 20 on Billboard and selling another 3 million copies. This album, which would be a milestone for the band, gave the band their first Billboard Hot 100 Top 20 single, "Lovin', Touchin', Squeezin'," peaking at number 16, and was all over the radio. Following the tour in support of Evolution, the band expanded its operation to include a lighting and trucking operation for future gigs. The tour had grossed more than $5 million, making the band as popular as it had been in five years. Journey later entered Automatt Studios to record their sixth studio album, Departure, released in March 1980, peaking at number 8 on Billboard. The first single, "Any Way You Want It," peaked at number 23 on the Billboard Hot 100 in 1980. The album featured an edgier sound, thanks partly to the "live in studio" way the songs were recorded. They initially went into the studio with 19 tracks, eventually trimming down to 12. This record would also go on to sell over 3 million copies!   Founding member and keyboardist Gregg Rolie left the band following the Departure tour to start a family and undertake various solo projects. It was the second time he had departed from a successful act in his career. Yep, he left Journey and Santana. Keyboardist Stevie "Keys" Roseman was then brought in to record the lone studio track, "The Party's Over (Hopelessly in Love)," on the band's live album "Captured." Rolie suggested pianist Jonathan Cain of The Babys as his permanent replacement so, with Cain's synthesizers replacing Rolie's organ, Cain had become the band's newest member. With Cain joining as the new keyboard player, the band entered Fantasy Studios in Berkeley, California, in late 1980, releasing their seventh studio album, "Escape," in July 1981. Escape became their most successful album, charting at number one in the United States. In addition, the album had a ton of hit singles, including: "Who's Crying Now," "Still They Ride," "Open Arms," and the iconic "Don't Stop Believin'." In July of 2021, it was certified diamond, selling over 10 million copies!!   Oh, and "Escape" had its own video game! Journey Escape was a video game developed and manufactured by Data Age for the Atari 2600 console and released in 1982.    Want to hear the plot of the game?   You're on the road with Journey, one of the world's hottest rock groups. A spectacular performance has just ended. Now it's up to you to guide each Journey Band Member past hordes of Love-Crazed Groupies, Sneaky Photographers, and Shifty-Eyed Promoters to the safety of the Journey Escape Vehicle in time to make the next concert. Your mighty manager and loyal roadies are there to help, but the escape is up to you!   These other bands may have been successful, but not Atari 2600 successful.   Journey began another lengthy yet successful tour on June 12, 1981, supported by opening acts Billy Squier, (My Kind of Lover) Greg Kihn Band, Point Blank, and Loverboy. They then opened for one and only The Rolling Stones on September 25 of the same year. MTV videotaped one of their two sold-out shows in Houston on November 6, 1981, in front of over 20,000 fans, later released on DVD, which for 1981 was HUGE.   Following the success of the 1981 tour, the band's entire establishment as a corporation, and the formation of a fan club called "Journey Force," the band released "Only Solutions" and "1990s Theme" for the 1982 Disney film Tron.    At this point, Journey was absolutely killing it, so they entered Fantasy Studios again in the middle of their 1982 tour to record their eighth studio album, Frontiers. Released in February 1983, "Frontiers" was the band's second-biggest selling album, selling over six million copies. Peaking at number 2 on the Billboard charts, it spawned the hit singles "Separate Ways (Worlds Apart)," "Send Her My Love," "After the Fall," and of course, "Faithfully," and you can hear our version of Faithfully wherever you listen to new music and at the end of this episode.   Journey began the tour supporting "Frontiers" in Japan and continued in North America alongside the Canadian Crooner, Bryan Adams, as the opening act. During the tour, NFL Films recorded a video documentary of their life on the road called "Frontiers and Beyond," shooting scenes at JFK Stadium in Philadelphia, Pennsylvania with more than 80,000 fans in attendance.   After the success of the Frontiers tour, the band decided to take some well-deserved time off. Steve and Neal both tried their hands at solo projects, and in 1984 Steve Perry, with the help of band manager Herbie, recorded and released his first solo album, Street Talk. Street Talk released Perry's biggest hit as a solo artist, "Oh Sherrie," written for his then-girlfriend Sherrie Swafford. The song hit #3 on the billboard hot 100 and #1 on Billboard's Rock chart, and the accompanying music video (also featuring Swafford) was a hit on MTV.   Neal Schon toured briefly in 1984 with his supergroup HSAS, supporting their sole album, "Through the Fire, released that year on Geffen.    Sidenote, what does "HSAS" stands for? Any guesses?   Hagar Schon Aaronson Shrieve featured lead vocalist Sammy Hagar (Van Halen), lead guitarist Neal Schon, bassist Kenny Aaronson (The Yard birds), and drummer Michael Shrieve. (Santana). The group reportedly rehearsed for less than a month before playing in concert.   Who are the Yardbirds? (For Your Love) Well, they were an English rock band formed in 1963 and launched the careers of a few notable guitarists like Eric Clapton, Jimmy Page, and Jeff Beck   Also, At age 20, drummer Michael Shrieve was the second youngest musician to perform at Woodstock while playing for Santana. His drum solo during "Soul Sacrifice" in the Woodstock film has been described as "electrifying."   When asked by the press if Journey was finished after selling their properties at the end of 1984, guitarist Neal commented, "No way Journey's ending. We're all too committed to this band to ever let that happen. In fact, one of the reasons we decided to go off in separate directions for a while was to keep the band as strong as ever."   After a productive phone call between Cain and Perry, the band returned to Fantasy Studios in late 1985 to record their ninth studio album "Raised on Radio," but with Steve Perry acting as the album's producer. Unfortunately, things were pretty tense within the band leading Herbie and Steve to fire both bass player Ross Valory and drummer Steve Smith for musical and professional differences. This booting took place only a few months into the recording sessions for the album, though Valory later admitted he left the band on his terms.    Bassist and future American Idol judge Randy Jackson, bassist Bob Glaub, and established drummer Larrie Londin were brought in to continue the album's recordings. If you're not familiar with Larrie Londin, check out his credentials. He's done session work with everyone from the Supremes and Marvin Gaye to Elvis and Dolly Parton. He is an absolute legend in the business—an "icon" for sure.   "Raised on Radio" was released in May 1986, peaking at number four on Billboard's album chart but underperforming compared to the band's previous two albums. It featured five singles: The top ten hit "Be Good to Yourself" along with "Suzanne," "Girl Can't Help It," "I'll Be Alright Without You," and "Why Can't This Night Go On Forever?".   The Raised on Radio support tour began at Angels Camp, California, in August 1986. The band performed sold-out shows throughout the United States before concluding with two shows in Anchorage, Alaska, in early 1987, with selected dates supported by Honeymoon Suite (New Girl Now), The Outfield (Your Love), and Glass Tiger (Don't Forget Me When I'm Gone.) The tour featured Randy Jackson on bass and Mike Baird on drums, and was videotaped by MTV for a documentary that included interviews with the band members called Raised on Radio, just like the album. MTV apparently loved themselves some Journey!   With tensions between Perry, the band, and manager Herbie at an all-time high following the tour's conclusion, Perry was unable or unwilling to remain actively involved and was tired of touring as it affected his health and his vocals.   Steve said: "I called Jon and Neal together. We met in San Rafael, we sat on the edge of the marina, and I just told them, 'I can't do this anymore. I've got to get out for a while.' And they said: 'Well, what do you mean?' And I said: 'That's exactly what I mean, is what I'm saying. I just don't want to be in the band anymore. I want to get out; I want to stop.' And I think Jon said: 'Well, just take some time off, and we'll think,' and I said: 'OK, fine.' And I just sort of fell back into my life. I looked around and realized that my whole life had become everything I'd worked so hard to be, and when I came back to have a regular life, I had to go find one."   He also stated: "The truth is, that I thought music had run its course in my heart," Perry explains in a statement on his website. "I'd had an amazing time in an amazing band, and then the chance to express myself as a solo artist too. But I had to be honest with myself, and in my heart, I knew I just wasn't feeling it anymore." "For a long time, I could barely even listen to music. My last show with Journey was February of 1987. Then one day, it hit me that I couldn't do this anymore. I felt as if I had to jump off this merry-go-round — this big beautiful mothership that we had all worked so hard together to build."   Following the "Raised on Radio" tour, the band went into a hiatus. However, Columbia Records released the Greatest Hits compilation in November 1988, which became one of the biggest selling greatest hits albums, selling over 15 million copies and continuing to sell half a million to a million copies per year. The compilation spent 750 weeks on the Billboard album charts until 2008. To date, their greatest hits album has sold almost 21 million copies worldwide.   Here's something else I wasn't aware of. While Steve Perry had retreated from the public eye, Schon and Cain spent the rest of 1987 collaborating with other profound artists. They worked with artists like Jimmy Barnes and Michael Bolton before teaming up with Cain's ex-Babys bandmates John Waite and Ricky Phillips. They, in turn, formed the supergroup Bad English (When I See You Smile, Price of Love) with drummer Deen Castronovo in 1988, releasing two albums in 1989 and 1991.    Steve Smith, however, devoted his time to his jazz bands, Vital Information and Steps Ahead, and teamed up with former bassist Ross Valory and original Journey keyboardist Gregg Rolie. They formed the band "The Storm" with singer Kevin Chalfant and guitarist Josh Ramos, and guess who their manager was? Herbie, of course!!   On November 3, 1991, Neal Schon, Jonathan Cain, and Steve Perry reunited to perform "Faithfully" and "Lights" at the Bill Graham tribute concert 'Laughter, Love & Music' at Golden Gate Park in San Francisco, California, following the concert promoter's death in an unfortunate helicopter accident.    In October 1993, Schon, Rolie, Valory, Dunbar, Smith, and Cain reunited and performed at a private dinner for manager extraordinaire Herbie Herbert at Bimbo's in San Francisco, with Kevin Chalfant (Allen Parsons Project live singer) on lead vocals.   After the breakup of Bad English in 1991, Neal Schon and Deen Castronovo formed the glam metal band Hardline (Takin Me Down) with brothers Johnny and Joey Gioeli, releasing only one studio album before his departure. Neal later joined Paul Rodgers (Bad Company vocalist) in 1993 for live performances, alongside Castronovo. In 1994, Steve Perry had released his second solo album, "For the Love of Strange Medicine," and toured North America in support of the album, though his voice had changed since the last time he had performed. Those high notes weren't as easy to hit anymore. Steve Perry ultimately decided to reunite with Journey under one condition. He demanded that there be a bowl of peanut M&Ms backstage at all times and that they HAD to be all brown with one, just one, green NON-peanut M&M on top.    Yeah, that's not true. Steve's one condition was that Herbie Herbert would no longer be the band's manager. Instead, the band hired Irving Azoff, longtime Eagles manager, as the new manager for the band in October 1995. Steve Smith and Ross Valory reunited with the band and started writing material for their next album, with rehearsals beginning that same month.   The band began recording their tenth studio album, "Trial by Fire" in early 1996 at The Site and Wildhorse Studio in Marin County and Ocean Way Recorders where they recorded under producer "The Caveman" Kevin Shirley (Mr. Big, Iron Maiden, Dream Theater.) This album was released in late October that year, peaking at number three on the Billboard album charts. The album's hit single "When You Love a Woman" reached number 12 on the Billboard charts and was nominated in 1997 for a Grammy Award for Best Pop Performance by a Duo or Group with Vocal. The album also produced three top 40 mainstream rock tracks, "Message of Love," reaching number 18, "Can't Tame the Lion," hitting number 33, and "If He Should Break Your Heart," reaching number 38. It sold roughly 1.5 million units.   Plans for a support tour failed when Steve Perry, while hiking in Hawaii on a ten-day break in August 1996, discovered he had a degenerative bone condition and could not perform without hip replacement surgery. The accident resulted in the album's release date being delayed.   Upon its release, "Trial By Fire" was considered the band's worst-selling album and failed to match the originality and playability of the band's previous work. Neal Schon later admitted that the album had too many ballads and fans just wanted to hear that sweet, sweet rock and roll saying: "Even on our last record, the Trial By Fire record, a lot of the rock stuff just got shelved and ended up being like twenty ballads, I don't know how many ballads."  The band took another break following the album's dismal release to work on more solo projects, waiting for Perry to decide if he was able to or wanted to tour. Schon released his solo album Electric World in 1997, later creating Abraxas Pool with former Journey member Gregg Rolie, drummer Michael Shrieve and a few former Santana members. Jonathan Cain released his two solo albums, Body Language and For A Lifetime in 1997 and 1998 respectively. Following the reunion album's long-awaited release, Journey was becoming restless and tired of waiting for an answer from Steve Perry and touring. Following a phone call between Cain and Perry, Steve announced that he would again depart from Journey, releasing himself from the band's contracts and deciding to semi-retire from the music business. Steve Smith later quit the band, saying that Journey would not be the same without Perry and returning to his jazz career and his project "Vital Information."   The band hired the familiar drummer Deen Castronovo, Schon's and Cain's Bad English bandmate, to replace Steve Smith. After auditioning several high-profile candidates, including Geoff Tate (Queensryche), Kevin Chalfant, and John West (Royal Hunt), Journey replaced Perry with Steve Augeri, formerly of Tyketto and Tall Stories.  The band later recorded the song "Remember Me," featured on the soundtrack for the 1998 film Armageddon. Upon the song's release, the song showed fans that the band made the right decision in hiring Augeri. That soundtrack has sold over 5,392,500 copies.   Following a rehearsal with Augeri and Castronovo, the band went to Japan to perform four gigs, where they had still held an enormous fanbase. When asked how he felt about touring again in over a decade, Neal Schon commented: "It's a little like we are reborn again." Next, Journey embarked on a tour in the United States titled "Vacation's Over" which began in October and concluded at the end of December in Reno. They continued the tour with another leg in 1999, starting in Minnesota in June and finishing in Michigan in September.   From March to August 2000, the band entered Avatar Studios to record yet another studio album, "Arrival" with producer Kevin Shirley. The album was released in Japan later in the year, with a North American release in April 2001. The album had peaked at number 56 on the Billboard charts. However, the single "All the Way" failed to boost sales for the album. It was considered a disappointment with mixed opinions regarding the album, resulting in Sony dropping the band from the label. Upon the album's completion, the band set off on tour supporting the album in Latin America, the United States, and Europe.   In response to the attacks in New York City on September 11, 2001, Journey joined various bands at a major fundraising event on October 20 and 21 at the Smirnoff Music Centre in Dallas, Texas, to raise money for the victims and families of the tragedy. The event raised around one million dollars.   The Journey camp was quiet in 2002 as Neal Schon formed ANOTHER band, "Planet Us," with Castronovo, Sammy Hagar, and former Van Halen bassist Michael Anthony until 2004, when they disbanded. Schon also co-wrote songs alongside the band Bad Company, while keyboardist Jonathan Cain released another solo album.  Recording a few songs between 2001 and 2002, Journey released a four-track EP titled "Red 13" in November under their new label "Journey Music." The band chose the album cover design through a fan contest with the online cover designed by fan Kelly McDonald. However, the retail cover was only made available at the band's shows and was designed by Christopher Payne. Journey only performed one club gig in support of the EP but later began another tour of the United States from May to August 2003.  They continued touring the following year with another summer tour titled "Summer Detour" which began in June and concluded in September 2004. In November of that year, Journey joined REO Speedwagon and Styx for a tour around the Caribbean aboard the Triumph cruise ship. Sounds miserable. I'm not too fond of boats.   In 2005, the members of Journey were inducted into the Hollywood Walk of Fame alongside former members Steve Perry, Dunbar, George Tickner, Steve Smith, and Fleischmann. Rolie was the only member who did not appear at the ceremony. Surprised to see Perry joining them to accept the induction with the band, Valory commented that it was a pleasant surprise to see him.   Following their addition to the Hollywood Walk of Fame, the band began recording at the Record Plant in Sausalito, California, for their twelfth studio album, "Generations," which featured producer Kevin Elson who had collaborated with the band before. The album was released on August 29 in Europe, with a North American release following on October 4. The album peaked at number 170 on the Billboard charts. To promote the album and celebrate the band's 30th anniversary, the band embarked on a tour starting in Irvine, California, in June and concluding in Phoenix in October. Each concert on tour was three hours long with an intermission and featured many of their classic hits and included the new songs from the album. "Generations" sold less than 100,000 copies.   In 2006, the band toured Europe and joined Def Leppard on a North American tour. During the tours however, there was talk that Augeri was not singing but instead using backing tracks to cover up his deteriorating vocals. Those allegations resulted in him getting attacked by the fans. Augeri had suffered from vocal attrition problems before the band began the tour with Def Leppard. In addition, Journey had been accused of using pre-recorded lead vocals before, an accusation that former manager Herbie Herbert insists was true. SHOCKER. Valory denied the allegations, stating that it was a myth, a lie, an all-out fabrication, and that Augeri's vocals did not give out!    In a later press statement, the band announced that Augeri had to step down as Journey's lead singer and leave the tour to recover. Augeri performed his last show with Journey on July 4 in Raleigh.   With the tour still happening and successful, the band quickly hired Jeff Scott Soto from Talisman as their lead vocalist for the tour. He performed as Journey's vocalist on July 7 in Bristow for the first time. Because of its success and popularity, The band later extended the tour to November. Soto was officially announced as the band's new vocalist in December 2006. If you're keeping track, that's five lead singers.   Following tours of Europe and the United States in 2007, the band announced on June 12 that Scott Soto was no longer with them. In a statement, Neal Schon stated: "He did a tremendous job for us, and we wish him the best. We've just decided to go our separate ways, no pun intended. We're plotting our next move now." Cheeky. I love it.   Following Soto's exit from the group, the band was without a lead vocalist again. So Neal Schon began searching YouTube for a new lead vocalist, with Jeremey Hunsicker of the Journey tribute band "Frontiers" auditioning and spending a week with the band writing material. Hunsicker claims to have been formally offered the position, but it fell through shortly following tension with Schon. However, one of the tracks co-written with Hunsicker, "Never Walk Away," later appeared on the Revelation album. Neal Schon later found Filipino singer Arnel Pineda of the cover band The Zoo, covering the song "Faithfully." (Our version is arguably better, just saying.) Schon was so impressed that he contacted Pineda to set up two days of auditions with him. The auditions went well, and they later named him the official lead vocalist of Journey on December 5, 2007. In 2007, the hit song "Don't Stop Believin'" gained coverage and sharp growth in popularity when it was used in The Sopranos television series final episode, prompting digital downloads of the song to skyrocket. But, unfortunately, the Soprano's finale also pissed a lot of people off.   In November 2007, Journey entered the studio with Pineda to record the studio album "Revelation." The album was released on June 3, 2008. It debuted at number five on the Billboard charts, selling more than 196,000 units in its first two weeks and staying in the top 20 for six weeks. As a multi-disc set (2-CD), each unit within that set counts as one sale, which I didn't know. Journey also found success on Billboard's Adult Contemporary chart, where the single "After All These Years" spent over 23 weeks, peaking at number 9. "Revelation" has sold over 1 million copies.   On February 21, 2008, Pineda performed for the first time with Journey in front of 20,000 fans in Chile. The band began the "Revelation" tour in the United Kingdom in June, continuing the tour into North America, Asia, Europe, and South America, concluding in October. Receipts from the 2008 tour made Journey one of the top-grossing concert tours of the year, bringing in over $35,000,000. On December 18, 2008, Revelation was certified platinum by RIAA.   The band performed at the Super Bowl 43 pre-game show in Tampa, Florida, on February 1, 2009. The band continued their Revelation tour in May and concluded it in October 2009. They also performed in Manila in front of 30,000 fans, recorded for a live release, "Live in Manila."   In 2009, "Don't Stop Believin'" became the top-selling song on iTunes among those released before 2000, with over 500,000 downloads.   Journey then entered Fantasy Studios in Berkeley, California, in 2010 with Pineda to record their next studio album, "Eclipse." The album was released on May 24, 2011, and debuted at number 13 on the Billboard 200 charts with the singles "City of Hope" and "Human Feel." Unfortunately, "Eclipse" could not match the success of Revelation, barely selling 100,000 copies—an 1/8th of the previous album's sales. They later toured the United Kingdom in June 2011 with Foreigner and Styx. Journey was awarded the "Legend of Live Award" at the Billboard Touring Awards in October. The band later released Greatest Hits 2 in November of 2011.   In June 2015, drummer Deen Castronovo was arrested following a domestic altercation. Journey fired him in August and was replaced by Omar Hakim on the band's 2015 tour. He was sentenced to four years probation after pleading guilty to domestic violence charges.    In 2016, Steve Smith again returned as Journey's drummer, reuniting all of the Escape-Frontiers-Trial by Fire lineup members except lead singer Steve Perry. In 2018, during the North American tour with Def Leppard, Journey topped the Billboard Hot Tours List for grossing more than $30 million over 17 shows.   On March 3, 2020, Schon and Cain announced that they had fired Smith and Valory and were suing them for an alleged "attempted corporate coup d'état," seeking damages over $10 million. The lawsuit alleged Smith and Valory tried to "assume control of Nightmare Productions because they incorrectly believe that Nightmare Productions controls the Journey name and Mark" to "hold the Journey name hostage and set themselves up with a guaranteed income stream after they stop performing." Valory and Smith contested the firings with the support of former manager Herbie Herbert and former lead singer Steve Perry. Court filings revealed that Steve Perry had been paid as a band member for years despite not performing. In an open letter dated that same day, Schon and Cain stated Smith and Valory "are no longer members of Journey; and that Schon and Cain have lost confidence in both of them and are not willing to perform with them again." Valory counter-sued Schon and Cain for their partnership's claim of owning the Journey trademark and service mark.   In June 2020, Neal Schon announced via his social media page that a new album with Jackson and Walden was "starting to take shape." The following month, he confirmed the album's progress and that they would release new music in early 2021. In January 2021, he announced that the album's first single would be released later that year, with the possibility of a worldwide tour to follow. In April 2021, the band reached an "amicable settlement" with former members Valory and Smith, confirming they were no longer a part of Journey. The single "The Way We Used to Be" was released on June 24, 2021.   In July 2021, Neal Schon confirmed that Deen Castronovo, had rejoined as a second drummer.   On February 16, 2022, the band announced the title and track listing of their upcoming fifteenth studio album "Freedom," which is set to be released on July 8, 2022. On March 1, 2022, Cain confirmed that neither Walden nor Randy Jackson remained in the lineup, with Walden's dipping out following a minor heart attack following a live show in Pennsylvania. Nevertheless, they both still played on Freedom, as they had completed their parts on the album before departing. The second single, "You Got the Best of Me," was released on April 26, 2022. The third single, "Let It Rain," was released just recently, on May 17, 2022. So be on the lookout for Journey's new album!   According to the Recording Industry Association of America (RIAA) Journey has sold 48 million albums in the U.S., making them the 25th best-selling band. In addition, their worldwide sales have reached over 80 million records globally, making them one of the world's best-selling bands of all time.

A sweeping cryptocurrency bill unveiled earlier this month addresses many of the biggest open questions for the young and volatile asset class, from sanctions compliance to stablecoin oversight. When it comes to the taxation of digital assets, the proposal from Sens. Cynthia Lummis (R-Wyo.) and Kirsten Gillibrand (D-N.Y.) would give the industry much of what it has been asking for. The bill would establish that cryptocurrency rewards created through the processes known as "staking” and “mining" would be taxed when the rewards were sold, rather than when they were created. It also includes a de minimis tax exemption and a narrower definition of brokers for cryptocurrency reporting requirements established in last year's bipartisan infrastructure law. On this episode of Talking Tax, we discuss the implications of the Lummis-Gillibrand bill with Seth Wilks, director of government relations at software company TaxBit, and Omri Marian, a law professor at the University of California, Irvine, School of Law. Wilks discusses the rationale behind the de minimis exemption and other tax proposals, as well as why some things might change as the bill works its way through Congress. Marian explains why he considers the bill's tax title to be "a complete and total surrender" to industry. Do you have feedback on this episode of Talking Tax? Give us a call and leave a voicemail at 703-341-3690.

Hi! I'm Wendie Veloz and I'm here to help you move your social cause forward! I have over 15 years of experience in the federal, state, and local government. My work supporting states and communities in public and mental health has resulted in over $35 million dollars of social programs directly benefiting communities across the U.S. and beyond. I've worked with the U.S. Department of Education, the Department of Health and Human Services- (Centers for Disease Control and Prevention and the Substance Abuse and Mental Health Services Administration), the U.S. Department of Justice and supported over 20 states and 30 communities. I combine my years of formal experience in the government with my passion for holistic wellness to support the well-being of my coaching and consulting clients. As an advanced Reiki practitioner, I infuse sound, crystal, and energy healing into my coaching tools. I teach you to use meditation, mantras, and visualization will help you manifest your dreams. I have a Master of Science in Social Welfare Policy from Columbia University and a Bachelor of Arts in Psychology from the University of California, Irvine. Support the show

In this episode, I take a deep dive into the paper, Dynamics of emotion, problem solving, and identity: Portraits of three girl coders with Maggie Dahn. She is an Associate Project Scientist at the University of California, Irvine working with the Connected Learning Lab and Creativity Labs. Maggie has a background in visual arts and engages in design research to study how people learn in different contexts and the affordances of art making for the development of voice and identity and issues of access and equity. Find resources here.

Are you reeling and trying to copy with a mixed bag of feelings and emotions after discovering your spouse's pornography use?In this episode, relationship expert Todd Creager discusses how to deal with your emotions after discovering your spouse's pornography use.Todd's unique perspective on how to deal with your emotions after discovering your spouse's pornography use is based on his 35+ years of real-life experience coaching couples through issues like this.Listen in and and find out:1. The negative beliefs you have about yourself and your partner that get triggered when you discover that they are using pornography.2. The negative feelings you have about yourself and your partner that get triggered.3. What to do so that you can successfully handle your feelings and emotions and be able to move on and heal yourself.TAKE ACTION:Todd Creager, LCSW, LMFTTodd is a sex expert and therapist in Huntington Beach.  He provides relationship counseling to couples throughout Orange County including Irvine, Newport Beach, Corona del Mar, Laguna Beach, Seal Beach and Long Beach.  (714) 848-2288.You can find more tips and resources from Todd Creager at:  https://toddcreager.com MORE HELPFUL RESOURCES:Get your FREE copy of 10 Steps Towards Healing From Infidelity here:  https://toddcreager.com/infidelity-freebie/Haven't left a review yet? All you have to do is go to:https://podcasts.apple.com/us/podcast/lets-talk-about-love-sex-infidelity/id1492757242 and we appreciate your support of this show!

Dr. Sandie Morgan is joined by Dr. Jodi Quas to discuss new research on forensic interviews for minor victims of human trafficking. They review what the research is saying, strategies to work with minors, and how this research is being disseminated for implementation. Dr. Jodi Quas Jodi Quas, Ph.D., is Professor of Psychological Science at the University of California, Irvine. Her work is recognized across the globe for advancing knowledge of children's eyewitness capabilities, abuse disclosure, and of the consequences of legal involvement on child victims, witnesses, and defendants. She has received numerous awards for her work and student training. She is dedicated to pursuing rigorous science on crucial topics relevant to identifying and intervening on behalf of victimized children, and to disseminating findings to law enforcement, legal and medical professionals, educators, and social service professionals in the U.S. and abroad. Most recently, with funding from the National Science Foundation and the Criminal Investigations and Network Analysis Center, she has been focused on improving legal interventions for adolescent victims of abuse and commercial sexual exploitation. Key Points The anti-human trafficking research community has been developing tools and forensic interview approaches for child victims of human trafficking. During investigations, it is important to give adolescents control by pausing and listening to them. Nationwide surveys with law enforcement, forensic interviewers, school psychologists, health care providers, et-cetera have assisted to understand what approaches are currently being used during investigations to know what changes are needed. Rapport building and trust in the beginning is crucial with adolescent victims. Resources Criminal Investigations and Network Analysis Center (CINA) Adolescent and Childhood Experience Lab Love the show? Consider supporting us on Patreon! Become a Patron Transcript Dave [00:00:00] You're listening to the Ending Human Trafficking podcast. This is episode number 278, Identifying and Interacting with Minor Victims of Human Trafficking, with Dr. Jodi Quas. Production Credits [00:00:13] Produced by Innovate Learning, maximizing human potential. Dave [00:00:33] Welcome to the Ending Human Trafficking podcast. My name is Dave Stachowiak. Sandie [00:00:39] And my name is Sandie Morgan. Dave [00:00:41] And this is the show where we empower you to study the issues, be a voice, and make a difference in ending human trafficking. Sandie, we've had so many conversations over the years of thinking about children and the unfortunate connection with trafficking and there's so many things for us to learn and I'm thrilled today to be able to welcome back a guest. Absolutely an expert in so many of these areas and it's going to help us to really think about identification and interacting with victims. I'm so pleased to welcome back to the show, Jodi Quas. She is professor of psychological science at the University of California, Irvine. Her work is recognized across the globe for advancing knowledge of children's eyewitness capabilities, abuse disclosure, and of the consequences of legal involvement on child victims, witnesses, and defendants. She has received numerous awards for her work and student training. She's dedicated to pursuing rigorous science on crucial topics relevant to identifying and intervening on behalf of victimized children and disseminating findings to law enforcement, legal, and medical professionals, educators and social service professionals in the U.S. and abroad. Most recently, with funding from the National Science Foundation and the Criminal Investigations and Network Analysis Center, she has been focused on improving legal interventions for adolescent...

Rough Draft of History: A Century of US Social Movements in the News (Princeton UP, 2022) offers a new view of U.S. social movement history across the twentieth century by examining how movement organizations were covered in major national newspapers. The book analyzes U.S. social movements--ranging from temperance to women's suffrage to the Tea Party and Occupy Wall Street--in a broad comparative fashion. Drawing on the full set of digitized newspapers from the twentieth-century (a task that as little as twenty years ago was considered impossible for researchers), the book offers both an institutional history of news--why the media covered what they covered, and to what effect--and also shows the influence of news coverage on a range of social movements, from the well-known to the obscure. Media coverage is a crucial component of movement visibility; news can draw the general public into battles over new issues but also shapes how movements are perceived. The authors show how a movement's structure--its organization, as well as the protest and non-protests activities it undertakes--influence its coverage, and consider too how macro-political conditions shape movement coverage. They reveal surprising gaps between contemporaneous coverage and current scholarly focus; for instance, the labor movement received the most journalistic attention of any movement of the twentieth century, but it is greatly understudied in comparison to how much it dominated the public sphere. Taking stock of news coverage across a century of movements thus illuminates movements that were influential in public discourse but have been neglected by scholars. Edwin Amenta is professor of sociology and political science at the University of California, Irvine. His books include When Movements Matter and Bold Relief (both Princeton). Twitter @EdwinAmenta  Neal Caren is associate professor of sociology at the University of North Carolina, Chapel Hill. Twitter @HaphazardSoc Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Rough Draft of History: A Century of US Social Movements in the News (Princeton UP, 2022) offers a new view of U.S. social movement history across the twentieth century by examining how movement organizations were covered in major national newspapers. The book analyzes U.S. social movements--ranging from temperance to women's suffrage to the Tea Party and Occupy Wall Street--in a broad comparative fashion. Drawing on the full set of digitized newspapers from the twentieth-century (a task that as little as twenty years ago was considered impossible for researchers), the book offers both an institutional history of news--why the media covered what they covered, and to what effect--and also shows the influence of news coverage on a range of social movements, from the well-known to the obscure. Media coverage is a crucial component of movement visibility; news can draw the general public into battles over new issues but also shapes how movements are perceived. The authors show how a movement's structure--its organization, as well as the protest and non-protests activities it undertakes--influence its coverage, and consider too how macro-political conditions shape movement coverage. They reveal surprising gaps between contemporaneous coverage and current scholarly focus; for instance, the labor movement received the most journalistic attention of any movement of the twentieth century, but it is greatly understudied in comparison to how much it dominated the public sphere. Taking stock of news coverage across a century of movements thus illuminates movements that were influential in public discourse but have been neglected by scholars. Edwin Amenta is professor of sociology and political science at the University of California, Irvine. His books include When Movements Matter and Bold Relief (both Princeton). Twitter @EdwinAmenta  Neal Caren is associate professor of sociology at the University of North Carolina, Chapel Hill. Twitter @HaphazardSoc Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Rough Draft of History: A Century of US Social Movements in the News (Princeton UP, 2022) offers a new view of U.S. social movement history across the twentieth century by examining how movement organizations were covered in major national newspapers. The book analyzes U.S. social movements--ranging from temperance to women's suffrage to the Tea Party and Occupy Wall Street--in a broad comparative fashion. Drawing on the full set of digitized newspapers from the twentieth-century (a task that as little as twenty years ago was considered impossible for researchers), the book offers both an institutional history of news--why the media covered what they covered, and to what effect--and also shows the influence of news coverage on a range of social movements, from the well-known to the obscure. Media coverage is a crucial component of movement visibility; news can draw the general public into battles over new issues but also shapes how movements are perceived. The authors show how a movement's structure--its organization, as well as the protest and non-protests activities it undertakes--influence its coverage, and consider too how macro-political conditions shape movement coverage. They reveal surprising gaps between contemporaneous coverage and current scholarly focus; for instance, the labor movement received the most journalistic attention of any movement of the twentieth century, but it is greatly understudied in comparison to how much it dominated the public sphere. Taking stock of news coverage across a century of movements thus illuminates movements that were influential in public discourse but have been neglected by scholars. Edwin Amenta is professor of sociology and political science at the University of California, Irvine. His books include When Movements Matter and Bold Relief (both Princeton). Twitter @EdwinAmenta  Neal Caren is associate professor of sociology at the University of North Carolina, Chapel Hill. Twitter @HaphazardSoc Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin)

Rough Draft of History: A Century of US Social Movements in the News (Princeton UP, 2022) offers a new view of U.S. social movement history across the twentieth century by examining how movement organizations were covered in major national newspapers. The book analyzes U.S. social movements--ranging from temperance to women's suffrage to the Tea Party and Occupy Wall Street--in a broad comparative fashion. Drawing on the full set of digitized newspapers from the twentieth-century (a task that as little as twenty years ago was considered impossible for researchers), the book offers both an institutional history of news--why the media covered what they covered, and to what effect--and also shows the influence of news coverage on a range of social movements, from the well-known to the obscure. Media coverage is a crucial component of movement visibility; news can draw the general public into battles over new issues but also shapes how movements are perceived. The authors show how a movement's structure--its organization, as well as the protest and non-protests activities it undertakes--influence its coverage, and consider too how macro-political conditions shape movement coverage. They reveal surprising gaps between contemporaneous coverage and current scholarly focus; for instance, the labor movement received the most journalistic attention of any movement of the twentieth century, but it is greatly understudied in comparison to how much it dominated the public sphere. Taking stock of news coverage across a century of movements thus illuminates movements that were influential in public discourse but have been neglected by scholars. Edwin Amenta is professor of sociology and political science at the University of California, Irvine. His books include When Movements Matter and Bold Relief (both Princeton). Twitter @EdwinAmenta  Neal Caren is associate professor of sociology at the University of North Carolina, Chapel Hill. Twitter @HaphazardSoc Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Rough Draft of History: A Century of US Social Movements in the News (Princeton UP, 2022) offers a new view of U.S. social movement history across the twentieth century by examining how movement organizations were covered in major national newspapers. The book analyzes U.S. social movements--ranging from temperance to women's suffrage to the Tea Party and Occupy Wall Street--in a broad comparative fashion. Drawing on the full set of digitized newspapers from the twentieth-century (a task that as little as twenty years ago was considered impossible for researchers), the book offers both an institutional history of news--why the media covered what they covered, and to what effect--and also shows the influence of news coverage on a range of social movements, from the well-known to the obscure. Media coverage is a crucial component of movement visibility; news can draw the general public into battles over new issues but also shapes how movements are perceived. The authors show how a movement's structure--its organization, as well as the protest and non-protests activities it undertakes--influence its coverage, and consider too how macro-political conditions shape movement coverage. They reveal surprising gaps between contemporaneous coverage and current scholarly focus; for instance, the labor movement received the most journalistic attention of any movement of the twentieth century, but it is greatly understudied in comparison to how much it dominated the public sphere. Taking stock of news coverage across a century of movements thus illuminates movements that were influential in public discourse but have been neglected by scholars. Edwin Amenta is professor of sociology and political science at the University of California, Irvine. His books include When Movements Matter and Bold Relief (both Princeton). Twitter @EdwinAmenta  Neal Caren is associate professor of sociology at the University of North Carolina, Chapel Hill. Twitter @HaphazardSoc Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Rough Draft of History: A Century of US Social Movements in the News (Princeton UP, 2022) offers a new view of U.S. social movement history across the twentieth century by examining how movement organizations were covered in major national newspapers. The book analyzes U.S. social movements--ranging from temperance to women's suffrage to the Tea Party and Occupy Wall Street--in a broad comparative fashion. Drawing on the full set of digitized newspapers from the twentieth-century (a task that as little as twenty years ago was considered impossible for researchers), the book offers both an institutional history of news--why the media covered what they covered, and to what effect--and also shows the influence of news coverage on a range of social movements, from the well-known to the obscure. Media coverage is a crucial component of movement visibility; news can draw the general public into battles over new issues but also shapes how movements are perceived. The authors show how a movement's structure--its organization, as well as the protest and non-protests activities it undertakes--influence its coverage, and consider too how macro-political conditions shape movement coverage. They reveal surprising gaps between contemporaneous coverage and current scholarly focus; for instance, the labor movement received the most journalistic attention of any movement of the twentieth century, but it is greatly understudied in comparison to how much it dominated the public sphere. Taking stock of news coverage across a century of movements thus illuminates movements that were influential in public discourse but have been neglected by scholars. Edwin Amenta is professor of sociology and political science at the University of California, Irvine. His books include When Movements Matter and Bold Relief (both Princeton). Twitter @EdwinAmenta  Neal Caren is associate professor of sociology at the University of North Carolina, Chapel Hill. Twitter @HaphazardSoc Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications