Podcast appearances and mentions of Stephanie Burt

Stephanie Burt on queer time, glass dildos, and making it up as you go. 

The post Stephanie Burt reads Poly Beach House by Tonee Mae Moll appeared first on A Mouthful of Air.

The queens super-gay it up with Stephanie Burt, the editor of the new poetry anthology, SUPER GAY POEMS.Please Support Breaking Form!Review the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series.James's ROMANTIC COMEDY is available from Four Way Books.NOTES:Check out SUPER GAY POEMS: LGBTQIA+ Poetry after Stonewall, edited by Stephanie Burt, out on April 1, 2025. Read Hera Lindsay Bird's "Bisexuality"Check out Best New Zealand Poets and 20 Contemporary New Zealand Poets.Read JD McClatchy's "My Mammogram" The article we reference by the founders of AALR is "The World Doesn't Stop for Derek Walcott, or: An Exchange between Coeditors." Gerald Maa and Lawrence-Minh Bùi Davis.Here's a link, if you haven't listened to our episode "We Can Shift the Canon"Vendler's final book is called Inhabit the Poem: Last Essays, out from Penguin on September 2, 2025.Read "Breakfast with Miss Bishop"--Helen Vendler on Elizabeth Bishop.Read here for more about Essex Hemphill.Stephanie wrote about teaching the Taylor Swift course at Harvard for Vanity Fair.Read Stephanie's "Taylor's Version: The Poetic and Musical Genius of Taylor Swift"The Tay Learning Podcast that Stephanie mentions can be found here.Read Christina Rossetti's "Goblin Market"

Welcome to The Cluttered Desk! In this episode, Andrew and Colin discuss teaching subjects and material they love. To do so, they use Stephanie Burt's piece from Vanity Fair, which reflects on her experience teaching a Taylor Swift course at Harvard. Enjoy! *** Here's a link to the Stephanie Burt piece for Vanity Fair *** The Coda: Zombie Ice Undead Double Pale Ale (Andrew) and Jim's Organic Coffee (Colin) *** Here are links for this episode: Andrew's recommendation: The Dark Is Rising Sequence and revisiting things you love Colin's recommendation: The work of David Lynch, specifically Mulholland Drive (2001) and the music cataloging app Musicboard ***  Please contact us at any of these locations: Website: www.thecdpodcast.com Email: thecluttereddeskpodcast@gmail.com Twitter: @TheCDPodcast Facebook: www.facebook.com/thecdpodcast Andrew is on Twitter @AndrewPatrickH1 (Twitter non grata) Colin is on Twitter @ColinAshleyCox *** We want to thank Test Dream for supplying The Cluttered Desk's theme music. You can find Test Dream at any of these locations: Website: testdream.bandcamp.com Facebook: www.facebook.com/testdream Twitter: @testdream *** Our entire catalogue is available through iTunes and Spotify.

Taylor Swift's Eras tour is currently sweeping across Europe, and fans have been travelling far and wide to see her performing live, so much so that every city she's visiting has been seeing a mini-economic boom. Lester Kiewit speaks to Stephanie Burt, Donald P. and Katherine B. Loker Professor of English at Harvard University, about why Swift has been hitting all the right notes.See omnystudio.com/listener for privacy information.

This week, your Harvard education continues as Stephanie Burt joins your hosts in talking through many Taylor topics! Stephanie, the professor of the viral Taylor Swift class at Harvard University, takes the time to talk about what it's like to teach about Taylor, thoughts on ‘The Tortured Poets Department,” and we finally touch on a subject many of you have requested: Gaylor theories. Tune in to get Taylearned with the second and final part of our Harvard lecture series! Spotify Playlist: Click here! *Explicit: Sexual Content --- Send in a voice message: https://podcasters.spotify.com/pod/show/taylearning-podcast/message Support this podcast: https://podcasters.spotify.com/pod/show/taylearning-podcast/support

In this episode of Librarians with Lattes, we're joined by returning guest Melody Palmer, library ambassador, and newcomer Stephanie Burt, Professor of English at Harvard University and author of We Are Mermaids: Poems. Tune in as we chat about transgender identity, D&D, poetry, Taylor Swift, and more! *This interview was recorded in March 2024* Music Credit: bensounds.com Discussion links From From by Monica Youn: https://bit.ly/4dcnQT1 She's Not There: A Life in Two Genders by Jennifer Finney Boylan: https://bit.ly/3w2cuAq First Trans Poem by Amy Marvin: https://bit.ly/3WieAXE We Are Mermaids - Poems by Stephanie Burt: https://bit.ly/44g6mkq My Words to Victor Frankenstein Above the Village of Chamounix: Performing Transgender Rage by Susan Stryker: https://bit.ly/3QmuXOP Don't Read Poetry: A Book About How to Read Poems by Stephanie Burt https://bit.ly/44j6ShN Dimension 20: https://bit.ly/3UBJ9G8 Magpie Games Discord: https://bit.ly/4bdHxrA The New Mutants: Superheroes and the Radical Imagination of American Comics by Ramzi Fawaz https://bit.ly/3xMhGZt Jay & Miles X-Plain the X-Men: https://www.xplainthexmen.com/ Hell Followed With Us by Andrew Joseph White https://bit.ly/3UAwymM The Handyman Method by Nick Cutter & Andrew F. Sullivan https://bit.ly/49XI5B3

In “How Pineywoods Cattle Bucks Big Beef,” Gravy producer Stephanie Burt takes listeners out to the rolling pastures of the South to meet Pineywoods cattle, a breed that's been grazing in the Southern region of the United States since the 1500s. The cow that some see as old fashioned is being considered in new ways when it comes to farming in the twenty-first century. Beef is big business in the U.S. In 2022, the country's beef consumption was the highest it's been since 2010, and the industry prizes big cows for efficient processing and big bottom lines. And this is despite the rise in what overall is termed “plant-based meat alternatives,” a response to the argument that raising cattle the way most American ranchers do, with mass production methods that don't take into account the health of the land, is a contributor to climate change. But not all cows are built the same, and one rare breed is gaining attention for its adaptability to the Southern environment. Pineywoods is well suited to the growing use of regenerative farming methods that are aiming to address beef-raising climate questions. It can positively impact a farm's ecosystem instead of harming it. Plus, it has an ability to withstand hot summers. And it tastes delicious.  In this episode, Burt talks to D. Phillip Sponenberg, professor of Pathology and Genetics in the Virginia-Maryland College of Veterinary Medicine at Virginia Tech, to find out what makes Pineywoods perfectly suited to the American South. She also introduces listeners to three cattle ranchers experienced with the breed: Cristiaan Steenkamp of BDA Farms in Uniontown, Alabama; Will Harris of White Oak Pastures in Bluffton, Georgia; and Mike Hansen of Ozark Akerz, a small farm in Coleridge, North Carolina. Together, they explain how Pineywoods contributes to the larger ecosystem of the South and how industry norms present barriers to its growth. Finally, chef Scott Peacock of Marion, Alabama, describes the distinctive flavor of Pineywoods beef on the plate. Learn more about your ad choices. Visit megaphone.fm/adchoices

Harvard professor Stephanie Burt joins Radio Boston to discuss what it's like teaching students about great literary works from the past through Taylor Swift's songwriting.

Very few scholars have as much enthusiasm for poetry as Stephanie Burt, and so it was a delight to have her back for this episode. Steph has been in the news of late for offering a (very popular) course at Harvard on Taylor Swift, and we begin this episode by talking in fascinating ways about the long history of the relation between popular music and poetry. And then we move on to this episode's poem, Allan Peterson's marvelous "I thought all life came from the alphabet." Peterson was a new poet to me, and I was totally won over by Steph's framing of him as a poet of science, of intellect, and of fun. This is a poet thinking in surprising ways about the match and mismatches between the world as we find it and the consciousness with which we receive it. He is, in that sense, an epistemological poet, but also at his core a naturalist, a poet whose mind grows in relation to the world he describes.Stephanie Burt is the Donald P. and Katherine B. Loker Professor of English at Harvard University. Her most recent book of poems is We Are Mermaids (Graywolf, 2022) and her most recent book of criticism is Don't Read Poetry: A Book About How to Read Poems (Basic Books, 2019). You can follow her on Twitter.Please follow, rate, and review the podcast if you're enjoying it. Share it with a friend! And subscribe to my Substack, where you'll get occasional updates on the pod and my other work.

The Gregg and Freddy Show spoke with Harvard instructor Stephanie Burt about her new Taylor Swift course! Discussions on what the course entails, her search for help and some Taylor trivia! Also, would she hire Andy?!    (PC: Getty/Maddie Meyer)

Let's dive into some Hellmann's drama, TSwift x Wordsworth, and lots more re: the secret life of girls (thank you to Wired for the Notes App *respect*!!!).To know Prof. Stephanie Burt is to love Prof. Stephanie Burt—this NYT interview about her Harvard Taylor Swift class will get you there. A fave on the syllabus: Grace and the Fever by Zan Romanoff.It's pintxo season (we say!). Woldy Kusina shows us how it's done, and Despaña is a great ingredient source. (Also: RIP the Prune Chicago Matchbox Bloody Mary.)Indoor/Outdoor Boyfriends brought to you buy Ella Risbridger's You Get In Love And Then newsletter. (Have you read her book Midnight Chicken?) Did you know Hellmann's mayonnaise is known as something else entirely in parts of the West? Share your thoughts on this revelation at 833-632-5463, podcast@athingortwohq.com, or @athingortwohq, and chat it up about anything at all in our Geneva!Get your nails in good shape with Olive & June—20% off your first Mani System with our link.YAY.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

En diálogo con La W, Stephanie Burt conversó sobre la clase ‘Taylor Swift y su mundo' que impartirá en la Universidad de Harvard y para la que casi 300 estudiantes se han matriculado.

Support the show on PatreonIn this round-up episode for 2023, every single one of my guests sounds off about one game that they want to recommend to you![00:02:05] Judd Karlmann recommends Into the Odd, The Between, and As The Sun Forever Sets [00:05:55] Lowell Francis recommends Eclipse Phase 2nd Edition [00:08:27] Jahmal Brown recommends Legacy: Life Among The Ruins 2nd Edition[00:12:05] Indrani Ganguly recommends Alice is Missing, Blase Monotony, and Bubble Bubble [00:13:55] Tan Shao Han recommends The Nightmares Underneath [00:17:07] Fiona Hopkins and Stephanie Burt recommend Wool of Bat and Monsterhearts [00:20:20]  Paul Beakley recommends a|state and Fellowship [00:24:08] Becky Annison recommends Escape from Tentacle City [00:27:38] Emily Friedman recommends The Quiet Year [00:29:46] Chris Chinn recomends Errant [00:31:58] Josh Fox recommends Microscope and Microscope Union [00:35:23] Evan Torner recommends PrismListen to the other round-up episodes of 2023 on the Yes Indie'd patreon!Support the showThe Yes Indie'd Website // The Indie RPG Newsletter

Today's poem is by John Lawrence Ashbery[1] (July 28, 1927 – September 3, 2017) , an American poet and art critic.[2] Ashbery is considered the most influential American poet of his time. Oxford University literary critic John Bayley wrote that Ashbery "sounded, in poetry, the standard tones of the age."[3] Langdon Hammer, chair of the English Department at Yale University, wrote in 2008, "No figure looms so large in American poetry over the past 50 years as John Ashbery" and "No American poet has had a larger, more diverse vocabulary, not Whitman, not Pound."[4] Stephanie Burt, a poet and Harvard professor of English, has compared Ashbery to T. S. Eliot, calling Ashbery "the last figure whom half the English-language poets alive thought a great model, and the other half thought incomprehensible".[5]—Bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Support the show on PatreonOn this episode, I'm chatting with Fiona Hopkins and Stephanie Burt, who are the co-hosts of Team Up Moves, a podcast about playing and discussing superhero tabletop RPGs. I'm a big fan of the podcast and so I reached out to the two of them. Apart from RPGs, Fiona is a front-end software engineer by trade who worked at Google, Twitter, the City of Boston and now the Democratic party. Stephanie is a poet and a professor of English at Harvard University. She's also a critic, who has published a number of books, which you can read about on her Wikipedia page, which she has. Show Notes:00:43 - Introducing Fiona and Stephanie01:51 - Why supeheroes?13:28 - Analyzing superhero RPGs34:01 - Picking games for the podcast44:02 - Infections Enthusiasm: Wool of Bat, Monsterhearts 250:21 - Tyranny of Numbers52:13 - All Advice Is Advice For Myself You can find a written transcript of the episode here.Support the showThe Yes Indie'd Website // The Indie RPG Newsletter

Stephanie Burt joins the podcast to talk about Randall Jarrell's breathtaking poem "The Player Piano."Steph is Professor of English at Harvard University, where she works on poetry (particularly of the 20th and 21st centuries), science fiction, literature and geography, contemporary writing, comics and graphic novels, and literature alongside other arts. She is also a poet—her books of poetry include We Are Mermaids, After Callimachus, Advice from the Lights, Belmont, and Parallel Play. Her critical books include Don't Read Poetry, The Poem Is You, Close Calls with Nonsense, and Randall Jarrell and His Age. Steph regularly reviews new books of poetry and publishes essays in places like The New York Times Book Review, The New Yorker, The London Review of Books, and The Yale Review. She is also a cohost of Team-Up Moves, a podcast about superhero role-player games. You can follow Steph on Twitter.If you like what you hear, please follow, rate, and review the podcast. Subscribe to my newsletter to stay up to date on our plans.

The search for authentic love is a powerful hunger in humans and, as Stephanie Burt shares, in werewolves. Stephanie Burt is a poet, literary critic, and professor with nine published books, including two critical books on poetry and three poetry collections. Her essay collection Close Calls with Nonsense was a finalist for the National Book Critics Circle Award. Her other works include We Are Mermaids; Advice from the Lights; The Poem Is You: 60 Contemporary American Poems and How to Read Them; and The Art of the Sonnet. Her writing has appeared in the New York Times Book Review, the London Review of Books, the Times Literary Supplement, The Believer, and the Boston Review.Find the transcript for this show at onbeing.org.We're pleased to offer Stephanie Burt's poem, and invite you to connect with Poetry Unbound throughout this season.Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

Time to talk about Mutant City Blues! In this back matter episode we discuss our feelings about creating characters using the Quade Diagram, the challenges of GMing a mystery, and the uncomfortable relationships between superheroes and cops.Mutant City Blues is written by Robin D. Laws and Gareth Ryder-Hanrahan, and published by Pelgrane Press.Back IssuesPowers by Brian Michael Bendis, illustrated by Michael Avon OemingTop 10 by Alan Moore, illustrated by Gene Ha and Zander CannonDistrict X #1–6 by David Hine, illustrated by David YardinX-Factor (1986) #71–90 by Peter David, illustrated by Larry StromanX-Factor (2020) by Leah Williams, inks by David Baldeon, colors by Israel SilvaRosemary and Rue and other October Daye novels by Seanan McGuireDoctor Strange and the Sorcerers Supreme (2016) by Robbie Thompson, illustrated by Javier RodriguezThe Reckoners (but actually read Mistborn) by Brandon SandersonAlso Mentioned…Strong Female Protagonist by Brennan Lee Mulligan and Molly Knox OstertagNightwing (2021) by Tom Taylor, art by Bruno RedondoSuperman, Son of Kal-El by Tom Taylor, art by John TimmsThe Discord of Gods (A Chorus of Dragons series) by Jenn LyonsThe CastRachel Gold (she/they, @RachelGold) — Look for Being Emily and Synclair wherever books are sold!Shana Hausman (they/them, @shanajeanh) — Find them on TikTok as @shanajeanh!Stephanie Burt (she/her, @accommodatingly)Fiona Hopkins (she/her, @fionawhim)Show InfoWebsite: https://teamupmoves.com/Email: show@teamupmoves.comTwitter: @teamupmovesTheme Music: “Play” by Sleepyhead

Come for the uncharacteristically sloppy opening, keep listening for a great discussion about Exceptionals by Gar Atkins, and stay to the end for a li'l song.In this back matter episode, we dig into character creation, game mechanisms, and the comics we think go with this game.More Info: https://bramblewolfgames.itch.io/exceptionalsBack IssuesNew Mutants Vol. 4 (2020) #14–present by written by Vita Ayala and art by Rod ReisNew Mutants Vol. 3 (2009) #33 written by Dan Abnett and Andy LanningNew Mutants Vol. 1 (1983) #21, “Slumber Party” (and Steph's article about why it's the best) and many others by Chris Claremont and Louise SimonsonX-Men Evolution s2e1 “Growing Pains”Any story with the MorlocksNew X-Men Vol. 1 #135–138, “Riot at Xavier's” written by Grant MorrisonComic by Raphael Salimena (@linhadotrem): https://imgur.com/gallery/zu4DGps (translated)New Mutants Vol. 2 (2003) written by Nunzio DeFilippis and Christina WeirAstro City by Kurt BusiekDomino Annual (2018) by Gail SimoneX-Men Unlimited #22, “Cat and Mouse” by Brian K. VaughanAlso Mentioned…@DanTalksGames thread about crits in Pathfinder 2eThe CastArmaan Babu (he/him, @ArmaanBabu) — Find his work at ComicsXF and on Twitter.Becca Petunia (she/her, @UnclePetunio) — Look for Hubba-Wha?! on Tough Pigs' podcast feed and hear her on the first two seasons of Roll Out!Stephanie Burt (she/her, @accommodatingly)Fiona Hopkins (she/her, @fionawhim)Show InfoWebsite: https://teamupmoves.com/Email: show@teamupmoves.comTwitter: @teamupmovesTheme Music: “Play” by Sleepyhead

Our AP is over, so now it's time to talk about Champions 6th Edition from Hero Games.In this back matter episode, we dig into character creation, game mechanisms, and the comics we think go with this game.More Info: https://www.herogames.com/Back IssuesFreedom Force — Irrational GamesJustice SocietyAvengers — Anything with art by George PérezThe CastIan Gregory (they/them, @fissionmale) — See their work on ComicsXF!Stephanie Burt (she/her, @accommodatingly)Fiona Hopkins (she/her, @fionawhim)Show InfoWebsite: https://teamupmoves.com/Email: show@teamupmoves.comTwitter: @teamupmovesTheme Music: “Play” by Sleepyhead

Rod McKuen sold multiple millions of poetry books in the 60s and 70s. He released dozens of albums, was a regular on late night, and was even nominated for an Oscar. So, how did the most salable poet in American history simply disappear? On today's episode, Slate writer Dan Kois went searching for Rod McKuen, a famous poet who isn't so famous anymore. We'll hear from Stephanie Burt, Mike Chasar and Barry Alfonso, author of Rod's biography A Voice of the Warm. Along the way, Dan meets Andy Zax, a guy who, like him, was bewildered by this forgotten star—until he became an accidental fan, and then somehow the only person keeping Rod McKuen's flame alive. This episode of Decoder Ring was written by Dan Kois and edited by Willa Paskin. It was produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rod McKeun sold multiple millions of poetry books in the 60s and 70s. He released dozens of albums, was a regular on late night, and was even nominated for an Oscar. So, how did the most salable poet in American history simply disappear? On today's episode, Slate writer Dan Kois went searching for Rod McKuen, a famous poet who isn't so famous anymore. We'll hear from Stephanie Burt, Mike Chasar and Barry Alfonso, author of Rod's biography A Voice of the Warm. Along the way, Dan meets Andy Zax, a guy who, like him, was bewildered by this forgotten star—until he became an accidental fan, and then somehow the only person keeping Rod McKuen's flame alive. This episode of Decoder Ring was written by Dan Kois and edited by Willa Paskin. It was produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rod McKeun sold multiple millions of poetry books in the 60s and 70s. He released dozens of albums, was a regular on late night, and was even nominated for an Oscar. So, how did the most salable poet in American history simply disappear? On today's episode, Slate writer Dan Kois went searching for Rod McKuen, a famous poet who isn't so famous anymore. We'll hear from Stephanie Burt, Mike Chasar and Barry Alfonso, author of Rod's biography A Voice of the Warm. Along the way, Dan meets Andy Zax, a guy who, like him, was bewildered by this forgotten star—until he became an accidental fan, and then somehow the only person keeping Rod McKuen's flame alive. This episode of Decoder Ring was written by Dan Kois and edited by Willa Paskin. It was produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rod McKeun sold multiple millions of poetry books in the 60s and 70s. He released dozens of albums, was a regular on late night, and was even nominated for an Oscar. So, how did the most salable poet in American history simply disappear? On today's episode, Slate writer Dan Kois went searching for Rod McKuen, a famous poet who isn't so famous anymore. We'll hear from Stephanie Burt, Mike Chasar and Barry Alfonso, author of Rod's biography A Voice of the Warm. Along the way, Dan meets Andy Zax, a guy who, like him, was bewildered by this forgotten star—until he became an accidental fan, and then somehow the only person keeping Rod McKuen's flame alive. This episode of Decoder Ring was written by Dan Kois and edited by Willa Paskin. It was produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rod McKuen sold multiple millions of poetry books in the 60s and 70s. He released dozens of albums, was a regular on late night, and was even nominated for an Oscar. So, how did the most salable poet in American history simply disappear? On today's episode, Slate writer Dan Kois went searching for Rod McKuen, a famous poet who isn't so famous anymore. We'll hear from Stephanie Burt, Mike Chasar and Barry Alfonso, author of Rod's biography A Voice of the Warm. Along the way, Dan meets Andy Zax, a guy who, like him, was bewildered by this forgotten star—until he became an accidental fan, and then somehow the only person keeping Rod McKuen's flame alive. This episode of Decoder Ring was written by Dan Kois and edited by Willa Paskin. It was produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rod McKuen sold multiple millions of poetry books in the 60s and 70s. He released dozens of albums, was a regular on late night, and was even nominated for an Oscar. So, how did the most salable poet in American history simply disappear? On today's episode, Slate writer Dan Kois went searching for Rod McKuen, a famous poet who isn't so famous anymore. We'll hear from Stephanie Burt, Mike Chasar and Barry Alfonso, author of Rod's biography A Voice of the Warm. Along the way, Dan meets Andy Zax, a guy who, like him, was bewildered by this forgotten star—until he became an accidental fan, and then somehow the only person keeping Rod McKuen's flame alive. This episode of Decoder Ring was written by Dan Kois and edited by Willa Paskin. It was produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate's journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our AP is over, so now it's time to talk about Anyone Can Wear the Mask by Jeff Stormer.In this back matter episode, we dig into character creation, game mechanisms, and the comics we think go with this game.More Info: https://jeffstormer.itch.io/maskBack IssuesDaredevil — Frank Miller and Ann Nocenti runsLuke Cage — Comics and TV showMs. Marvel (2014) — “Last Days of Ms. Marvel” #16–19 by G. Willow WilsonSilver Surfer — gotta be some out thereAstro City — Jack in the Box story by Kurt Busiek. And just any others. Y'all these are so good.Skyward — by Joe HendersonThe CastCeci Mancuso (they/them, @mancusoscifi)Stephanie Burt (she/her, @accommodatingly)Fiona Hopkins (she/her, @fionawhim)Show InfoWebsite: https://teamupmoves.com/Email: show@teamupmoves.comTwitter: @teamupmovesTheme Music: “Play” by Sleepyhead

This is a special episode on Writing, Mothering & Gender Identity with Stephanie Burt, Jennifer Chen, and Toni McLellan. We talked about writing and mothering nonbinary and trans children, and writing and mothering as trans and nonbinary mothers. It's no accident that we held this conversation on International Transgender Day of Visibility, even as LGBTQ+ rights are being attacked throughout the US, from child welfare investigations targeting families of transgender children in Texas to the Florida Senate passing the “Don't Say Gay or Trans” bill to a bill that sought to repeal New Hampshire's ban on “conversion therapy” for minors.Writer Mother Monster is a conversation series devoted to dismantling the myth of having it all and offering writer-moms solidarity, support, and advice as we make space for creative endeavors.Support the show (https://www.patreon.com/writermothermonster)

Stephanie Burt reads her poem "Cinderella" from MQR's Winter 2022 issue.

It's the last show of 2021, so host Stephanie Burt takes a look back at some especially insightful interviews, then talks about trends that we can expect to continue in the new year. There are always stories behind the show, so she shares a few of her own here. 

Episode Notes We make this podcast with the support of Patreon backers like Jens Brouwer, NarizRoja, Spiral Dice - Jon, Stephanie Burt, Derek Mitchell, TheFlyingMinotaur, Luna, Ryan Goldstein, Lari Assmuth, Ryan Astheimer, J.R. Brabson, Luke, T.P. Huth, Bren, Devin Preston, Meghan Cross, Anthony Thiebaut, Oli Jeffery, Aaron Acevedo, Kettle and Clock, Matthew Molineaux, Marty Chodorek, Daniel Hiatt, Devin White, Jack Blair, Rogue Shindler, Lou Tenant, Hemraa, Nick & Cameron Robertson, Chris Wittich, Brett Volz, MagpieMirrorTest, spellboundmage, Rich Howard, Justen Hunter, August, polyamorous_q If you'd like to help support this show and future shows check us out at Patreon.com/stophackandroll Find us both on twitter as @stophackandroll Find all our episodes and links to some of the games we've been working on at StopHackandRoll.com Email us at James or Brandon @ Stophackandroll.com Please Rate and review our podcast on iTunes to help others find our show. If you can't support us financially, support our community by being part of it. Join our discord at tinyurl.com/shrdiscord or discord.stophackandroll.com >Music for the show is 'There It Is' by Kevin MacLeod (incompetech.com) >Licensed under Creative Commons: By Attribution 3.0 License

Episode Notes We make this podcast with the support of Patreon backers like Jens Brouwer, NarizRoja, Spiral Dice - Jon, Stephanie Burt, Derek Mitchell, TheFlyingMinotaur, Luna, Ryan Goldstein, Lari Assmuth, Ryan Astheimer, J.R. Brabson, Luke, T.P. Huth, Bren, Devin Preston, Meghan Cross, Anthony Thiebaut, Oli Jeffery, Aaron Acevedo, Kettle and Clock, Matthew Molineaux, Marty Chodorek, Daniel Hiatt, Devin White, Jack Blair, Rogue Shindler, Lou Tenant, Hemraa, Nick & Cameron Robertson, Chris Wittich, Brett Volz, MagpieMirrorTest, spellboundmage, Rich Howard, Justen Hunter, August, polyamorous_q If you'd like to help support this show and future shows check us out at Patreon.com/stophackandroll Find us both on twitter as @stophackandroll Find all our episodes and links to some of the games we've been working on at StopHackandRoll.com Email us at James or Brandon @ Stophackandroll.com Please Rate and review our podcast on iTunes to help others find our show. If you can't support us financially, support our community by being part of it. Join our discord at tinyurl.com/shrdiscord or discord.stophackandroll.com >Music for the show is 'There It Is' by Kevin MacLeod (incompetech.com) >Licensed under Creative Commons: By Attribution 3.0 License

This week, the poet and scholar Stephanie Burt joins us to discuss the extraordinary power of Adrienne Rich. We think through how the spacing and stanzas of a poem can draw out denials and divulgences, while also exploring the life and writing of Rich. Stephanie Burt's excellent book Don't Read Poetry (https://www.basicbooks.com/titles/stephanie-burt/dont-read-poetry/9780465094516/)ends with an examination of this poem by Adrienne Rich. The book, which can be found at the link, offers an introduction to reading poems and different ways of approaching them. For the text of the poem, see here (https://allpoetry.com/poem/11641436-Power-by-Adrienne-Rich). For more on Adrienne Rich (https://www.poetryfoundation.org/poets/adrienne-rich), please see the Poetry Foundation. For more on Stephanie Burt (https://www.poetryfoundation.org/poets/stephanie-burt), please see the Poetry Foundation. Photograph (https://digitalcollections.nypl.org/items/5e66b3e8-c127-d471-e040-e00a180654d7) of Adrienne Rich by Robert Giard.

Anna, Mav, and Andrew are joined by professor, poet, literary and cultural critic, and friend-to-all-mutants Dr. Stephanie Burt to celebrate the not-so-epic conclusion of the Cross-Time Caper, plus Kitty turning 15 (again). We all swoon hard for an issue in which Kitty goes glam, Rachel becomes Kitty, Meggan becomes Kurt, and Brian... is just kinda there? We also bring to bear multiple gazes on the deeply problematic, but also deeply complex, relationship between Kitty and Sat-Yr-9.      *Content warning: This episode features discussion of age-gap relationships, grooming, and sexual violence. 

Episode Notes We make this podcast with the support of Patreon backers like Stephanie Burt, Derek Mitchell, TheFlyingMinotaur, Luna, Ryan Goldstein, Lari Assmuth, Ryan Astheimer, J.R. Brabson, Luke, T.P. Huth, Bren, Devin Preston, Meghan Cross, Anthony Thiebaut, Oli Jeffery, Kylie, Aaron Acevedo, Kettle and Clock, Matthew Molineaux, Marty Chodorek, Daniel Hiatt, Devin White, Jack Blair, Rogue Shindler, Matt Hayles, Lou Tenant, Hemraa, Nick & Cameron Robertson, Chris Wittich, Brett Volz, MagpieMirrorTest, spellboundmage, Rich Howard, Justen Hunter, August, polyamorous_q, and Greg Walters If you'd like to help support this show and future shows check us out at Patreon.com/stophackandroll Find us both on twitter as @stophackandroll Find all our episodes and links to some of the games we've been working on at StopHackandRoll.com Email us at James or Brandon @ Stophackandroll.com Please Rate and review our podcast on iTunes to help others find our show. If you can't support us financially, support our community by being part of it. Join our discord at tinyurl.com/shrdiscord or discord.stophackandroll.com >Music for the show is 'There It Is' by Kevin MacLeod (incompetech.com) >Licensed under Creative Commons: By Attribution 3.0 License

Hi everyone! Nothing too crazy, theme-wise. The funny story is maybe Nate's best prank ever, and apart from that, it's a lot of fish cookery for beginners, and Nate and Jesse jawing each other about pizza. Good stuff! Time Stamps: 2:53 Nate's Favorite Ever Staff Meal 6:16 Audra's Special Truffle Story 9:50 Mario's Peruvian Chicken, and Jesse Gets on his Soapbox 20:27 We are featured by Stephanie Burt, and we appreciate it 25:13 Deep Dish Pizza- Nate finally tries it! 42:14 The Guys Get Into Fish Cookery, Starting with Sourcing 46:00 Jesse Rhapsodizes About By-catch 48:15 Hints on Fish Cookery

Callimachus may be the best-kept secret in all of ancient poetry. Loved and admired by later Romans and Greeks, his funny, sexy, generous, thoughtful, learned, sometimes elaborate, and always articulate lyric poems, hymns, epigrams, and short stories in verse have gone without a contemporary poetic champion, until now. In After Callimachus (Princeton UP, 2020), esteemed poet and critic Stephanie Burt's attentive translations and inspired adaptations introduce the work, spirit, and letter of Callimachus to today's poetry readers. Skillfully combining intricate patterns of sound and classical precedent with the very modern concerns of sex, gender, love, death, and technology, these poems speak with a twenty-first century voice, while also opening multiple gateways to ancient worlds. This Callimachus travels the Mediterranean, pays homage to Athena and Zeus, develops erotic fixations, practices funerary commemoration, and brings fresh gifts for the cult of Artemis. This reimagined poet also visits airports, uses Tumblr and Twitter, listens to pop music, and fights contemporary patriarchy. Burt bears careful fealty to Callimachus's whole poems, even as she builds freely from some of the hundreds of surviving fragments. Here is an ancient Greek poet made fresh for our current times. An informative foreword by classicist Mark Payne places Burt's renderings of Callimachus in literary and historical context. After Callimachus is at once a contribution to contemporary poetry and a new endeavor in the art of classical adaptation and translation. Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Callimachus may be the best-kept secret in all of ancient poetry. Loved and admired by later Romans and Greeks, his funny, sexy, generous, thoughtful, learned, sometimes elaborate, and always articulate lyric poems, hymns, epigrams, and short stories in verse have gone without a contemporary poetic champion, until now. In After Callimachus (Princeton UP, 2020), esteemed poet and critic Stephanie Burt’s attentive translations and inspired adaptations introduce the work, spirit, and letter of Callimachus to today’s poetry readers. Skillfully combining intricate patterns of sound and classical precedent with the very modern concerns of sex, gender, love, death, and technology, these poems speak with a twenty-first century voice, while also opening multiple gateways to ancient worlds. This Callimachus travels the Mediterranean, pays homage to Athena and Zeus, develops erotic fixations, practices funerary commemoration, and brings fresh gifts for the cult of Artemis. This reimagined poet also visits airports, uses Tumblr and Twitter, listens to pop music, and fights contemporary patriarchy. Burt bears careful fealty to Callimachus’s whole poems, even as she builds freely from some of the hundreds of surviving fragments. Here is an ancient Greek poet made fresh for our current times. An informative foreword by classicist Mark Payne places Burt’s renderings of Callimachus in literary and historical context. After Callimachus is at once a contribution to contemporary poetry and a new endeavor in the art of classical adaptation and translation. Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Callimachus may be the best-kept secret in all of ancient poetry. Loved and admired by later Romans and Greeks, his funny, sexy, generous, thoughtful, learned, sometimes elaborate, and always articulate lyric poems, hymns, epigrams, and short stories in verse have gone without a contemporary poetic champion, until now. In After Callimachus (Princeton UP, 2020), esteemed poet and critic Stephanie Burt’s attentive translations and inspired adaptations introduce the work, spirit, and letter of Callimachus to today’s poetry readers. Skillfully combining intricate patterns of sound and classical precedent with the very modern concerns of sex, gender, love, death, and technology, these poems speak with a twenty-first century voice, while also opening multiple gateways to ancient worlds. This Callimachus travels the Mediterranean, pays homage to Athena and Zeus, develops erotic fixations, practices funerary commemoration, and brings fresh gifts for the cult of Artemis. This reimagined poet also visits airports, uses Tumblr and Twitter, listens to pop music, and fights contemporary patriarchy. Burt bears careful fealty to Callimachus’s whole poems, even as she builds freely from some of the hundreds of surviving fragments. Here is an ancient Greek poet made fresh for our current times. An informative foreword by classicist Mark Payne places Burt’s renderings of Callimachus in literary and historical context. After Callimachus is at once a contribution to contemporary poetry and a new endeavor in the art of classical adaptation and translation. Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Callimachus may be the best-kept secret in all of ancient poetry. Loved and admired by later Romans and Greeks, his funny, sexy, generous, thoughtful, learned, sometimes elaborate, and always articulate lyric poems, hymns, epigrams, and short stories in verse have gone without a contemporary poetic champion, until now. In After Callimachus (Princeton UP, 2020), esteemed poet and critic Stephanie Burt’s attentive translations and inspired adaptations introduce the work, spirit, and letter of Callimachus to today’s poetry readers. Skillfully combining intricate patterns of sound and classical precedent with the very modern concerns of sex, gender, love, death, and technology, these poems speak with a twenty-first century voice, while also opening multiple gateways to ancient worlds. This Callimachus travels the Mediterranean, pays homage to Athena and Zeus, develops erotic fixations, practices funerary commemoration, and brings fresh gifts for the cult of Artemis. This reimagined poet also visits airports, uses Tumblr and Twitter, listens to pop music, and fights contemporary patriarchy. Burt bears careful fealty to Callimachus’s whole poems, even as she builds freely from some of the hundreds of surviving fragments. Here is an ancient Greek poet made fresh for our current times. An informative foreword by classicist Mark Payne places Burt’s renderings of Callimachus in literary and historical context. After Callimachus is at once a contribution to contemporary poetry and a new endeavor in the art of classical adaptation and translation. Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Callimachus may be the best-kept secret in all of ancient poetry. Loved and admired by later Romans and Greeks, his funny, sexy, generous, thoughtful, learned, sometimes elaborate, and always articulate lyric poems, hymns, epigrams, and short stories in verse have gone without a contemporary poetic champion, until now. In After Callimachus (Princeton UP, 2020), esteemed poet and critic Stephanie Burt’s attentive translations and inspired adaptations introduce the work, spirit, and letter of Callimachus to today’s poetry readers. Skillfully combining intricate patterns of sound and classical precedent with the very modern concerns of sex, gender, love, death, and technology, these poems speak with a twenty-first century voice, while also opening multiple gateways to ancient worlds. This Callimachus travels the Mediterranean, pays homage to Athena and Zeus, develops erotic fixations, practices funerary commemoration, and brings fresh gifts for the cult of Artemis. This reimagined poet also visits airports, uses Tumblr and Twitter, listens to pop music, and fights contemporary patriarchy. Burt bears careful fealty to Callimachus’s whole poems, even as she builds freely from some of the hundreds of surviving fragments. Here is an ancient Greek poet made fresh for our current times. An informative foreword by classicist Mark Payne places Burt’s renderings of Callimachus in literary and historical context. After Callimachus is at once a contribution to contemporary poetry and a new endeavor in the art of classical adaptation and translation. Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Callimachus may be the best-kept secret in all of ancient poetry. Loved and admired by later Romans and Greeks, his funny, sexy, generous, thoughtful, learned, sometimes elaborate, and always articulate lyric poems, hymns, epigrams, and short stories in verse have gone without a contemporary poetic champion, until now. In After Callimachus (Princeton UP, 2020), esteemed poet and critic Stephanie Burt’s attentive translations and inspired adaptations introduce the work, spirit, and letter of Callimachus to today’s poetry readers. Skillfully combining intricate patterns of sound and classical precedent with the very modern concerns of sex, gender, love, death, and technology, these poems speak with a twenty-first century voice, while also opening multiple gateways to ancient worlds. This Callimachus travels the Mediterranean, pays homage to Athena and Zeus, develops erotic fixations, practices funerary commemoration, and brings fresh gifts for the cult of Artemis. This reimagined poet also visits airports, uses Tumblr and Twitter, listens to pop music, and fights contemporary patriarchy. Burt bears careful fealty to Callimachus’s whole poems, even as she builds freely from some of the hundreds of surviving fragments. Here is an ancient Greek poet made fresh for our current times. An informative foreword by classicist Mark Payne places Burt’s renderings of Callimachus in literary and historical context. After Callimachus is at once a contribution to contemporary poetry and a new endeavor in the art of classical adaptation and translation. Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.

Callimachus may be the best-kept secret in all of ancient poetry. Loved and admired by later Romans and Greeks, his funny, sexy, generous, thoughtful, learned, sometimes elaborate, and always articulate lyric poems, hymns, epigrams, and short stories in verse have gone without a contemporary poetic champion, until now. In After Callimachus (Princeton UP, 2020), esteemed poet and critic Stephanie Burt’s attentive translations and inspired adaptations introduce the work, spirit, and letter of Callimachus to today’s poetry readers. Skillfully combining intricate patterns of sound and classical precedent with the very modern concerns of sex, gender, love, death, and technology, these poems speak with a twenty-first century voice, while also opening multiple gateways to ancient worlds. This Callimachus travels the Mediterranean, pays homage to Athena and Zeus, develops erotic fixations, practices funerary commemoration, and brings fresh gifts for the cult of Artemis. This reimagined poet also visits airports, uses Tumblr and Twitter, listens to pop music, and fights contemporary patriarchy. Burt bears careful fealty to Callimachus’s whole poems, even as she builds freely from some of the hundreds of surviving fragments. Here is an ancient Greek poet made fresh for our current times. An informative foreword by classicist Mark Payne places Burt’s renderings of Callimachus in literary and historical context. After Callimachus is at once a contribution to contemporary poetry and a new endeavor in the art of classical adaptation and translation. Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

(April 24, 2021) Stephanie Burt is a poet, literary critic, professor, and transgender activist who the New York Times called “one of the most influential poetry critics of her generation.” She has two children, ages 11 and 15 and describes writer-motherhood in three words as “busy, conflicted, resourceful.” In this episode, Stephanie talks about claiming motherhood, finding kinship with Mr. Spock, the horror of The Giving Tree, the misery of octopus motherhood, role-playing games, X-Men, and more.Writer Mother Monster is an interactive interview series devoted to dismantling the myth of having it all and offering writer-moms solidarity, support, and advice as we make space for creative endeavors.Support the show (https://www.patreon.com/writermothermonster)

Writer Stephanie Burt sits down with Cameron to discuss the WNBA, teaching a queer lit class at Harvard, and how, when it comes to poems, different people like different things.

In Episode 25 of CEREBRO, Connor and Harvard Professor of English Stephanie Burt sail the high seas with Captain Kate Pryde, Red Queen of the Hellfire Trading Company! Best known as Kitty Pryde or Shadowcat, Kate is the protagonist of much of the classic Claremont run, and has endured as a fan favorite. As the first explicitly Jewish superhero at Marvel Comics, she has often been the lens through which the minority metaphor of the X-Men was most often refracted. The CEREBRO character file on Kate Pryde begins at 1:01:48. (Content Advisory: Kate's story includes grooming of a minor, suicide, torture, antisemitism, rape of another character, a weird alien pregnancy plot, and genocides including the Holocaust.)

EVIL ZOMBIE ROBOTS! OH NOES! Time to meet our favorite geek princess with prehensile hair, a penchant for tiny food, and lots of robot friends-- it's ENTRAPTA of course! Major shout-out for neurodiversity representation in animation (You best believe that drunk Adora can't say that three times fast).  To celebrate Entrapta, we have not one, but TWO guests for your ears: Stephanie Burt, professor of English literature at Harvard University; plus a hot hot interview segment with disability advocate and hilarious human Mishy Kats! *Full interview will air separately--stay tuned! *Alcohol/Substance Use chat starts at 59 minutes and ends at 1:05.* Where to find Stephanie Burt: Twitter- @accommodatingly After Challimachus: "Contemporary translations and adaptations of ancient Greek poet Callimachus by noted writer and critic Stephanie Burt." https://bit.ly/3k0twEh   Where to find Mishy Kats: Twitter- @Badvolk_ Instagram- @Badvolk https://mishmashmusings.medium.com   Episode Playlist: https://spoti.fi/2NChhC0   For more information, you can find us at heyadora.gay, or on Twitter, Facebook,  Instagram, and TikTok @heyadoracast. Have a question or just want to share your thoughts? Email us at  heyadoracast@gmail.com. Won't you gay scream with us?!   

In this episode of the Strange Horizons podcast, editor Ciro Faienza presents Stephanie Burt's “Frostina,” with a reading by the poet. You can read the full text of the poem and more about Stephanie here.

Our guest today is Stephanie Burt of the podcast, The Southern Fork.  Stephanie is a writer and podcaster that highlights the outstanding chefs, farmers, restaurateurs, bakers, and others revolutionizing the food scene here in the south. This episode was a ton of fun as Stephanie and I geek out about Southern Food, podcasting, and some North Florida landmarks. Be sure to check out Stephanie's podcast! The Southern Fork Website www.thefarmtraveler.com Subscribe to the Newsletter. Receive a free guide on how YOU can help farmers! Farm Traveler is part of the Waypoint Outdoor Collective, the Podcast Network for the Outdoors-man. Checkout all of the Waypoint Outdoor Collective Podcasts HERE. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 4, we welcome our spouses, David and Bonnie, back to the podcast to talk about movies that might be essays. Also: a very delayed mailbag, a story about three-thousand-dollar Pennsylvania whiskey, Arlo makes a cameo, we all do impromptu Werner Herzog impersonations, penguin suicide, essayistic film moves, and (much) more. Links to some things we mention: (In response to the question about queer & trans essayists): T Fleischmann’s books: Time is the Thing a Body Moves Through: https://coffeehousepress.org/products/time-is-the-thing-a-body-moves-through Syzygy, Beauty: http://www.sarabandebooks.org/all-titles/syzygy-beauty-an-essay-t-fleischmann Alex Marzano-Lesnevich’s website, with links to their essays/books: http://alexandria-marzano-lesnevich.com/ Alex’s Harper’s essay, “Body Language”: https://harpers.org/archive/2019/12/body-language-genderqueerness/ Berry Grass’ website: https://berrygrass.com/ Sung Yim: https://sungliketheword.com/ Jaquira Diaz: http://www.jaquiradiaz.com/ Sandy Allen: https://www.hellosandyallen.com/ Stephanie Burt: https://twitter.com/accommodatingly Wayne Koestenbaum: https://www.waynekoestenbaum.com/bio Tommy Pico: http://tommy-pico.com/ Jennifer Boylan: http://jenniferboylan.net/ Eileen Myles: https://www.eileenmyles.com/ Michelle Tea: https://twitter.com/teamichelle Denry’s latest episode art: https://twitter.com/denrywills/status/1311379250310574080?s=20 Commenter Andrew Forbes’ website, which Justin totally botched his plug for: https://andrewgforbes.com/ The 1993 Bill Murray movie Groundhog Day: https://www.imdb.com/title/tt0107048/ Dawson City: Frozen Time, the documentary about lost films Justin almost suggested for this episode: https://www.imdb.com/title/tt5215486/ The Act of Killing, the documentary about Indonesian death-squad leaders Elena almost picked for this episode: https://www.imdb.com/title/tt2375605/ Abstract, the Netflix documentary series about design & art: https://www.netflix.com/title/80057883 The Writer, a very short & odd 6-minute film/trailer we watched by accident while looking for The Rider: https://www.amazon.com/Writer-Xander-Bailey/dp/B08B7QGWDS Grizzly Man, the Herzog documentary Justin picked: https://www.imdb.com/title/tt0427312/ The Rider, the Chloé Zhao film Elena picked: https://www.imdb.com/title/tt6217608/ Justin looking like a serial killer on video: https://www.youtube.com/watch?v=WUL3Cp3w0xg This podcast is powered by Pinecast.

Commonplace guests as they appear in this episode:Molly Peacock is a poet, biographer, essayist, and short fiction writer. Her most recent book is The Analyst: poems.Alicia Jo Rabins is a writer, musician, composer, performer and Torah teacher. She creates multi-genre works of experimental beauty which explore the intersection of ancient wisdom texts with everyday life. Her most recent book is Fruit Geode.D. A. Powell’s books include Cocktails and Chronic, as well as Useless Landscape, or A Guide for Boys. He recently published a chapbook with Rescue Press, called Atlas T; all proceeds from the sale of Atlas T will be donated to Youth Speaks in San Francisco.Rosa Alcalá is the author of three books of poetry: Undocumentaries, The Lust of Unsentimental Waters, and MyOTHER TONGUE. She is a Professor in the Bilingual MFA in Creative Writing Program at the University of Texas at El Paso.Bernadette Mayer is the author of numerous books of poetry and prose, including Midwinter Day and Poetry State Forest.Laynie Browne is the author of numerous collections of poetry and one novel. Her publications include A Forest on Many Stems: Essays on the Poet’s Novel (editor) and The Desires of Mothers to Please Others in Letters.John Biewen directs the audio program at the Center for Documentary Studies, where he teaches and produces/hosts the podcast Scene on Radio.Darcey Steinke has written five novels as well as a memoir, Flash Count Diary: Menopause and the Vindication of Natural Life.Stephanie Burt is a poet, literary critic, and professor. Her most recent book is Don’t Read Poetry: A Book About How to Read Poems.Rita Dove served as Poet Laureate of the United States and Consultant to the Library of Congress from 1993 to 1995 and as Poet Laureate of the Commonwealth of Virginia from 2004 to 2006. Her most recent book is The Darker Face of the Earth.New Books Written by and/or authors/texts recommended/mentioned byMolly Peacock:The Analyst (W.W. Norton, 2017)James Joyce scholar Michael Groden (Molly Peacock’s husband)Cartoon Fundamentals with New Yorker cartoonist Maggie Larsen online at the 92nd St. YAlicia Jo Rabins:Fruit Geode (Augury, 2018)Alicia Jo’s Instagram (where you can find her bathtub poems)Alicia Jo’s weekly Kabbalat Shabat (through Kveller)D. A. Powell:Atlas T (Rescue Press, 2020)Angela Flournoy’s The Turner House (Houghton Mifflin, 2015)Hugh Martin’s In Country (BOA Editions, 2018)A Fast Life: The Collected Poems of Tim Dlugos By Tim Dlugos, David Trinidad (Editor) (Nightboat, 2011)Derrick Austin’s Trouble the Water (BOA Editions, 2016)Akira Kirosowa's DreamsTJ DiFrancesco (manuscript in progress)“Gratitude” by Cornelius Eady“Good Bones” by Maggie Smith“What the End is For” by Jorie GrahamEmily DickinsonJudy GrahnRobert DuncanRosa Alcalá:Darkness Spoken: The Collected Poems of Ingeborg Bachmann (Zephyr, 2006)Bernadette Mayer:Works and Days (New Directions, 2016)Memory (Siglio, 2020)Sonnets (Tender Buttons Press)Lee Ann BrownLaynie Browne:A Forest on Many Stems (Nightboat, 2020)Poetry and Art at the Rail ParkSylvia Townsend Warner’s Lolly Willowes (Penguin Modern Classics, 2020)Lisa Robertson’s The Baudelaire Fractal (Coach House Books, 2020)Collaborator Brent WahlPrageeta SharmaCD WrightHarmony HolidayDivya VictorJohn Biewen:The newest series of Scene on Radio is The Land that Never Has Been YetDarcey Steinke:Flash Count Diary: Menopause and the Vindication of Natural Life (Sarah Crichton Books, 2019)The Last Man by Mary Shelley (Oxford University Press)Octavia Butler’s Parable of the Sower (Grand Central, 2019)Severance by Ling Ma (Picador, 2019)Cormack McCarthy’s The Road (Vintage, 2007)A Journal of the Plague Year by Daniel DefoeSamuel Pepys’ Diary of the PlagueAlison Hagy’s Scribe (Graywolf, 2018)Rachel CarsonFredrick Law OlmsteadWilliam Miller (7th Day Adventist)“Understanding the Book of Revelation” by L. Michael WhiteKristin Prevallet:Flying Rolls of the Golden DawnStephanie Burt:After Callimachus: Poems (Princeton University Press, 2020)Don’t Read Poetry (Basic Books, 2019)Andy Slavitt (Twitter)Jeremy Konyndyk (Twitter)Juliette Kayyem (Twitter)Commonplace Videos are HEREPlease support Commonplace & BECOME A PATRON!A list of bail funds, sorted by city, can be found here.

Episode Notes It's everyone's favorite foursome as we talk about the X-Men and Fantastic Four with special guest Stephanie BurtRanked This Episode Fantastic Four Vs X-Men X-Men vol 3 #16-19 (Betrayal In The Bermuda Triangle) All-New Wolverine #33-35 (Old Woman Laura) Check out the Battle of the Atom Master Ranking List!New content every week on XavierFiles.comFollow Zack and Adam on Twitter @Xavier Files and @arthurstacy!Our theme music is Junk Factory from the X-Men Arcade Game by Seiichi Fukami, Yuji Takenouchi, Junya Nakano, and Ayako Hashimoto.Cover art is by Adam Reck after Dave Cockrum with logo design by Mikey ZeeIf you want to support the show make sure you rate and review the show or check out our Patreon!

In this Ideas event—also part of the NEA Big Read—poet Stephanie Burt discusses her book Advice From The Lights (Graywolf Press, 2017), an essential work that asks who we are, how we become ourselves, and why we make art. Burt is a poet, literary critic, and professor hailed by The New York Times as “one of the most influential poetry critics of [her] generation.” Her other collections of poems include Belmont, Parallel Play, and Popular Music.

Stephanie Burt and David Kipen discuss things she likes to read, fandom and the selection of her book, Advice from the Lights, by the City of Los Angeles Department of Cultural Affairs as its Big Read book for 2020.

On this episode I chat with Stephanie Burt. Stephanie Burt is the host of The Southern Fork podcast and a writer based in Charleston, SC. Her work has appeared in numerous publications, including Saveur, Washington Post, CNN's Parts Unknown, Conde Nast Traveler, and the Southern Foodways Alliance's Gravy. She focuses on researching heirloom ingredients, interviewing passionate culinary makers, and when she's in the kitchen, perfecting her roasted chicken recipe. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/raymond-delucci/message

Stephanie Burt is a literary critic and poet who is Professor of English at Harvard University and a transgender activist. The New York Times has called her "one of the most influential poetry critics of [her] generation". Burt grew up near Washington, D.C. She has published four collections of poetry and many works of literary criticism. Her articles have appeared in The New York Times Book Review, The London Review of Books, The Times Literary Supplement, The Believer, and The Boston Review. Her book Randall Jarrell and His Age reevaluates Jarrell's importance as a poet. The book won the Warren Brooks Award in 2002. In 2017, she transitioned to female. She has since been active in LGBTQA+ rights and awareness campaigns  We met at her offices in Cambridge, MA to talk about this, and about her recent book Don't Read Poetry. Among other things we discuss how to read poetry, or avoid it; the acceptance of music versus poetry; Seamus Heaney and James Joyce; Rupi Kaur and teenage girls, Lorine Niedecker, Robin Robertson, Terrance Hayes's 'American Sonnet for My Past and Future Assassin'. Reasons to read poetry: - giving voice to a state of mind, character - living the lives of others - verbal technique, challenge, wisdom - helping you to decide what to do - and underestimating the time it takes to walk places. 

Hosted by Al Filreis and featuring Stephanie Burt, Bonnie Costello, and Anna Strong Safford.

Usually, host Stephanie Burt interviews a culinary maker, but for the season finale, she hogs the mic. It's a roundup of lessons, best bites, places you should visit, and thoughts for the coming year. Cheers to 2019, and let's dig in. 

In the inaugural episode of Tasting Notes, Stephanie Burt of The Southern Fork sits down with celebrity chef and restaurateur, Maneet Chauhan in our Test Kitchen. They talk growing a restaurant empire, what it's like to be a judge on TV and more.

Episode Notes We brought in Harvard poetry professor Stephanie Burt to school us on Kitty Pryde. There is capital "S" Subtext.Ranked This Episode: Kitty Pryde & Wolverine Excalibur #31-34 (Girls School From Heck) All-New Doop Check out the Battle of the Atom Master Ranking List!New content every week on XavierFiles.comFollow Zack and Adam on Twitter @Xavier Files and @arthurstacy!Our theme music is Junk Factory from the X-Men Arcade Game by Seiichi Fukami, Yuji Takenouchi, Junya Nakano, and Ayako Hashimoto.Cover art is by Adam Reck after Dave Cockrum with logo design by Mikey ZeeIf you want to support the show make sure you rate and review the show or check out our Patreon!

In this episode of This is Just To Say producer Rebecca McInroy and Carrie Fountain talk with poet and poetry critic Stephanie Burt about gender and her experience transitioning, and the world of young adult fiction. Burt discusses her new book, Don’t Read Poetry Read: A Book About How To Read Poems, reads her poem...

In this episode of This is Just To Say producer Rebecca McInroy and Carrie Fountain talk with poet and poetry critic Stephanie Burt about gender and her experience transitioning, and the world of young adult fiction. Burt discusses her new book, Don’t Read Poetry Read: A Book About How To Read Poems, reads her poem...

In this episode of This is Just To Say producer Rebecca McInroy and Carrie Fountain talk with poet and poetry critic Stephanie Burt about gender and her experience transitioning, and the world of young adult fiction. Burt discusses her new book, Don’t Read Poetry Read: A Book About How To Read Poems, reads her poem […]

Photo cred: Charleston Food + Wine and Robert Donovan Stephanie Burt, writer, editor and founder of The Southern Fork podcast, is absolutely fascinating to spend time with. She’s a go getter who oozes passion. And her knowledge of food, and particularly the stories behind food, is unparalleled and, like a good plate of french fries, […]

I stumbled upon Stephanie’s podcast and discovered that her episode count was the same as mine. Curious, I checked out her site and her clean, bright, and crisp platform contrasted my dark, grimy and unartistic website. I sent her a quick email and got a response back, and here we are today. Stephanie is located in Charleston South Carolina and travels all over the southern United States to eat food and interview a diverse array of guests that invoke a southern flare. There are some differences between our podcasts. Stephanie does her podcast face to face. I barely do. Her podcast has no structure, mine as too much structure. Her podcast is about the fury of southern cooking, mine is about the calmness of a food lab. But the passion is still there. Stephanie and I talk about communicating via podcasting and writing, especially what the difference is between the two mediums. As a writer, we also discuss how to describe food, and we give some salivating examples in this episode. Overall, I had a blast with this episode. As you’ll see, it’s full of laughter and radiates with southern hospitality. Sponsor - Bakerpedia This episode is brought to you by BAKERpedia – your one-stop, resource that answers all your questions on industry trends, ingredient information, food safety and more. It’s shared knowledge, freely available, always. BAKERpedia.com – we do all the thinking so you can focus on your business. Sponsor – FoodGrads If you are even just a little bit interested in a career in food & beverage, you should join FoodGrads.  It’s an interactive platform where you can hear about different careers, hear from your peers, have a voice and share your story as well as ask specific questions and get feedback from industry experts across the sector. You can create a profile, add your resume and search for co-op, internships and full time opportunities just for Food Grads. Employers can find you too, they can recruit you for jobs and projects they need help with to give you the relevant industry experience you need. Join FoodGrads today! Just go to Foodgrads.com Sponsor – ICON Foods So let me pose this question to you food developers and R and D colleagues out there in Podcast land. Have you even run into a situation where you have marketing breathing down your neck to accomplish the impossible? I’ll bet. This is where my friends at Icon Foods can play a roll. Their ReformulateU initiative is in place and ready to help you reformulate with Clean Label Sugar Reduction in mind. Icon’s CEO Thom King was on one of my podcasts a while back and he literally wrote the book on cutting out sugar. His book Guy Gone Keto comes out in late March. If you are looking to cut down on your added sugars in your formulas and want a reliable supply chain partner in clean label sweeteners and ingredients look no further than Icon Foods. www.iconfoods.com or give them a call at 310-455-9876 Question Summary What do you do for a living?: I'm a Podcaster and writer Southern Fork: a podcast where I interview people in the south (culinary, expats, etc), I focus on the cultures and stories and profiles as chefs. I don’t review restaurants. I go to restaurants and make opinions on restaurants. I also write and the writing and the podcast work well together. Notable people: Merherwan Irani, Steve McHugh Podcasting versus writing: Do you pick out stuff from your podcast to put into your writing?: No, the interview allows me to get inspired and learn more about the chef. For example, I found out chef Steve McHugh had Leukemia from a couple minutes of interviewing with him and was able to get inspired by an article. Describe the Steps it took to get to where you are today: I’ve always been a writer and gravitated more towards food. When I was hired as a writer, I couldn’t get all the information I wanted. When I went freelance, I used the skills I was good at to create podcasts and long-form interviews Advice on freelancing: Reputation is the number one thing When I first started, I talked to my friends. My first 10 episodes were from my friends. I got better as I talked to my friends. As I got +90 episodes, I could go to a restaurant and ask “who reps them?” I can call the representatives and ask for the chef and I start to snowball based off of my guests Tips on making guests comfortable: Every podcast I listened to, I hope I speak less. I can only do two a day (I do these live). I don’t really know the nuance of the story. Everyone is different but we are used to our questioning as being a defensive mechanism. We’ve created an environment where we sincerely want to know why. The chef and culinary realm have a lot of profanity. My show is the one time we don’t need to clean it up. What is the most valuable thing you learned about podcasting: Podcasting is a new skill that made me stretch my comfort zone.  Advice on writing: don’t use drool-worthy or nom nom. The point of writing is to translate one sense to another sense. For example, translating taste to writing. Most of the time, relate to an experience or memory. Or describe the moment and environment and you can match it with the dish. FONA Flavor Course – Ancient Grain You can put connotation on descriptions. For example, icy can mean gritty like a slushy Umami – Sweet, Sour, Salty, Satisfaction Why does your food job rock?: I am so interested in the life of a chef Why do people like what they do base off of your interview on Southern Fork?: The need for approval. But also the compulsion of passion. The chef’s life is like being in an opera, golfing and a battle all at once. The best kitchens are completely silent. This is why there are more open kitchens.  What don’t you like about the front of the house in restaurants?: I want to feel comfortable when I eat. Service is super important. I don’t need bad service when plenty of restaurants have good service. Food trends: Done with Pork belly? A shift in service. The shift in service where the chef is giving you the dishes. It feels like you’re in somebody’s house. It heightens the experience I like off-menu item trends. For example, like a burger or soft serve ice cream or a surprise menu I like cured eggs shaved on salads, on top of fish dishes I like red wine: Mediterranean, Greek, Turkish. Wines that are getting on the list that are interesting and fun I like local/trash fish: Lion Fish, Tile Fish, Wahoo, Wreck Fish Tomorrow: Uni from Maine Adam’s pet peeve: eggs on top of things. Instagram,: #putaneggonit Also: deep fried pig ears. Charleston: Pig Ear Lettuce wrap What is something you’d like to know more about: Cheese! I give myself a task every year to learn to do something Who inspired you to get into food writing?: Charlotte Observer: Kathleen Pruvis. And John T Edge, director of the Southern Food Ways Alliance. Restaurants were part of the civil rights movement. David Wondrich (Esquire and Daily Beast) he looks at cocktails. Wayne Curtis in Rum Favorite Quote: Food people are the best people. If you can’t use butter, use cream. Julia Child Favorite Writing Technical Book: Will Write for Food (book and blog) that makes you understand the different types of writing mediums. Read the kind of articles you enjoy and want to contribute. (Eater versus Bon Appetit). Do chefs write recipes?: They write methods and batch things, but won’t translate it for single serving individuals  If you go pro, you have to go weight and scales What’s the best meal you’ve eaten recently?: One of my best friends moved to a new restaurant. He never was the head honcho. I ate his menu and I enjoyed him spreading his wings and I enjoyed it so much. Edmond’s Host (oust).  Food is really about pleasure memories What kind of advice would you give a freelancer in food media?: Save a lot of money. DON’T DO IT. In my world, it was inevitable. The writing world is very volatile and everything is cause and effect. If I didn’t have work, I would have to work in Food and beverage. Whenever a chef explains a dish, I wanted to ask so much more. You should read food articles for the structure to improve your writing. An average consumer will just absorb the news, you should absorb the structure. Where can we find you?: thesouthernfork.com. I’m on facebook, I’ve given up on twitter. Instagram @thesouthernfork

In Episode 68, “Stephanie Burt: Part 2,” Elizabeth and Flourish wrap up their conversation with poet, professor, and X-fan Stephanie Burt, covering topics from transitioning in public view to allegorical versus literal representation to queer themes in superhero comics. They also discuss a pair of listener letters: one on fandom, capitalism, and ethical behavior, and one on fanfiction’s prominence on both the podcast and within the sphere of fandom commentary at large.

Episode 67, “Stephanie Burt: Part 1,” is the first half of a conversation with Stephanie Burt, a Harvard poetry professor and comics fangirl. In this segment, they discuss poetry criticism, the similarities between fanfic and hardcore punk, taste and quality, situating your critical perspective, and the way various academic fields—from fan studies to the English department—treat feeeeeeeeeelings.

Today's show features a conversation between Loma and me about the government influence on poetry, the boundaries of a poem between other objects and being, poetry & activism, struggling with how to write poetry about domestic abuse, fearlessness, and more. Poets & essays mentioned in this episode: Juliana Spahr and her influential essay on Contemporary Poetry and Its Nationalisms: ( http://www.academia.edu/9079433/Contemporary_US_Poetry_and_Its_Nationalisms ) Loma's website ( christophersoto-poet.com ) Dark Matter: ( http://www.darkmatterpoetry.com/ ) Joshua Jennifer Espinoza: ( http://joshuajenniferespinoza.com/ ) Stephanie Burt ( http://www.closecallswithnonsense.com/category/stephanie/ ) TC Tolbert ( http://www.tctolbert.com/ ) Julian T. Brolaski ( http://www.poetryfoundation.org/bio/julian-brolaski )

In Episode 58 of CEREBRO, Connor and Harvard Professor of English Stephanie Burt twist into new shapes with the whimsical Warlock! An iconic element of the Claremont/Sienkiewicz New Mutants, techno-organic alien Warlock became the ultimate fish out of water, learning humanity through his bond with Doug Ramsey, his selfsoulfriend.The CEREBRO character file on Warlock begins at 1:03:16.(Content Advisory: Warlock's story includes parent-child violence. This episode discusses the AIDS Crisis, homophobia, and ableism.)Advertising Inquiries: https://redcircle.com/brands