Podcast appearances and mentions of chris salter

Joe Mixon thought it would be a good idea to Lambeau Leap. He didn't know who he was going against. Chris Salter defended Lambeau and became part of history. He tells me the story. SUBSCRIBE --- Support this podcast: https://podcasters.spotify.com/pod/show/mattramage/support

“Music touches us emotionally, where words alone can't.” – Johnny Depp. Growing up, my older siblings took piano lessons.  I wanted nothing to do with it.  I wanted to go outside with my friends, run, play ball, ride my bike, jump off the swing set in our backyard, and just be free to play.    Today, there are so many benefits for children's brain development that music can tap into and help children learn quicker just by understanding that music can be learned like a native language.  I want to repeat that - Music can be learned like a native language.  Are you intrigued?   YouTube: https://youtu.be/1JdgimPVu1g   About Chris Salter:   Chris has a deep background in linguistics and music and has studied potential crossovers for decades. In 2001, Chris created the original Piano Wizard company and concept and launched products in 2005. 2008 hit, and most of the company's deals collapsed, forcing them to retrench, barely surviving. Chris then launched a home school educational version (www.PianoWizardAcademy.com) that changed lives, leading Chris and his team to pivot to the profound cognitive impact of Music Brain Training.   How to Get In Touch With Chris Salter:   Email:  chris@musicwizard.com Website:   http://www.musicbraintraining.com/   Stalk me online! LinkTree: https://linktr.ee/conniewhitman Download Communication Style Assessment: www.whitmanassoc.com/csa Enlightenment of Change Facebook group: tinyurl.com/EOCFacebookGroup Subscribe to the Enlightenment of Change podcast on your favorite podcast streaming service or YouTube.  New episodes are posted every week. Listen to Connie dive into new sales and business topics or problems you may have. 

Sensing machines are everywhere in our world. As we move through the day, electronic sensors and computers adjust our thermostats, guide our Roombas, count our steps, change the orientation of an image when we rotate our phones. There are more of these electronic devices in the world than there are people--in 2020, thirty to fifty billion of them (versus 7.8 billion people), with more than a trillion expected in the next decade. In Sensing Machines: How Sensors Shape Our Everyday Life (MIT Press, 2022), Chris Salter examines how we are tracked, surveilled, tantalized, and seduced by machines ranging from smart watches and mood trackers to massive immersive art installations. Salter, an artist/scholar who has worked with sensors and computers for more than twenty years, explains that the quantification of bodies, senses, and experience did not begin with the surveillance capitalism practiced by Facebook, Amazon, Netflix, and Google but can be traced back to mathematical and statistical techniques of the nineteenth century. He describes the emergence of the "sensed self," investigating how sensor technology has been deployed in music and gaming, programmable and immersive art environments, driving, and even eating, with e-tongues and e-noses that can taste and smell for us. Sensing technology turns our experience into data; but Salter's story isn't just about what these machines want from us, but what we want from them--new sensations, the thrill of the uncanny, and magic that will transport us from our daily grind. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Sensing machines are everywhere in our world. As we move through the day, electronic sensors and computers adjust our thermostats, guide our Roombas, count our steps, change the orientation of an image when we rotate our phones. There are more of these electronic devices in the world than there are people--in 2020, thirty to fifty billion of them (versus 7.8 billion people), with more than a trillion expected in the next decade. In Sensing Machines: How Sensors Shape Our Everyday Life (MIT Press, 2022), Chris Salter examines how we are tracked, surveilled, tantalized, and seduced by machines ranging from smart watches and mood trackers to massive immersive art installations. Salter, an artist/scholar who has worked with sensors and computers for more than twenty years, explains that the quantification of bodies, senses, and experience did not begin with the surveillance capitalism practiced by Facebook, Amazon, Netflix, and Google but can be traced back to mathematical and statistical techniques of the nineteenth century. He describes the emergence of the "sensed self," investigating how sensor technology has been deployed in music and gaming, programmable and immersive art environments, driving, and even eating, with e-tongues and e-noses that can taste and smell for us. Sensing technology turns our experience into data; but Salter's story isn't just about what these machines want from us, but what we want from them--new sensations, the thrill of the uncanny, and magic that will transport us from our daily grind. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Sensing machines are everywhere in our world. As we move through the day, electronic sensors and computers adjust our thermostats, guide our Roombas, count our steps, change the orientation of an image when we rotate our phones. There are more of these electronic devices in the world than there are people--in 2020, thirty to fifty billion of them (versus 7.8 billion people), with more than a trillion expected in the next decade. In Sensing Machines: How Sensors Shape Our Everyday Life (MIT Press, 2022), Chris Salter examines how we are tracked, surveilled, tantalized, and seduced by machines ranging from smart watches and mood trackers to massive immersive art installations. Salter, an artist/scholar who has worked with sensors and computers for more than twenty years, explains that the quantification of bodies, senses, and experience did not begin with the surveillance capitalism practiced by Facebook, Amazon, Netflix, and Google but can be traced back to mathematical and statistical techniques of the nineteenth century. He describes the emergence of the "sensed self," investigating how sensor technology has been deployed in music and gaming, programmable and immersive art environments, driving, and even eating, with e-tongues and e-noses that can taste and smell for us. Sensing technology turns our experience into data; but Salter's story isn't just about what these machines want from us, but what we want from them--new sensations, the thrill of the uncanny, and magic that will transport us from our daily grind. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Sensing machines are everywhere in our world. As we move through the day, electronic sensors and computers adjust our thermostats, guide our Roombas, count our steps, change the orientation of an image when we rotate our phones. There are more of these electronic devices in the world than there are people--in 2020, thirty to fifty billion of them (versus 7.8 billion people), with more than a trillion expected in the next decade. In Sensing Machines: How Sensors Shape Our Everyday Life (MIT Press, 2022), Chris Salter examines how we are tracked, surveilled, tantalized, and seduced by machines ranging from smart watches and mood trackers to massive immersive art installations. Salter, an artist/scholar who has worked with sensors and computers for more than twenty years, explains that the quantification of bodies, senses, and experience did not begin with the surveillance capitalism practiced by Facebook, Amazon, Netflix, and Google but can be traced back to mathematical and statistical techniques of the nineteenth century. He describes the emergence of the "sensed self," investigating how sensor technology has been deployed in music and gaming, programmable and immersive art environments, driving, and even eating, with e-tongues and e-noses that can taste and smell for us. Sensing technology turns our experience into data; but Salter's story isn't just about what these machines want from us, but what we want from them--new sensations, the thrill of the uncanny, and magic that will transport us from our daily grind. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Sensing machines are everywhere in our world. As we move through the day, electronic sensors and computers adjust our thermostats, guide our Roombas, count our steps, change the orientation of an image when we rotate our phones. There are more of these electronic devices in the world than there are people--in 2020, thirty to fifty billion of them (versus 7.8 billion people), with more than a trillion expected in the next decade. In Sensing Machines: How Sensors Shape Our Everyday Life (MIT Press, 2022), Chris Salter examines how we are tracked, surveilled, tantalized, and seduced by machines ranging from smart watches and mood trackers to massive immersive art installations. Salter, an artist/scholar who has worked with sensors and computers for more than twenty years, explains that the quantification of bodies, senses, and experience did not begin with the surveillance capitalism practiced by Facebook, Amazon, Netflix, and Google but can be traced back to mathematical and statistical techniques of the nineteenth century. He describes the emergence of the "sensed self," investigating how sensor technology has been deployed in music and gaming, programmable and immersive art environments, driving, and even eating, with e-tongues and e-noses that can taste and smell for us. Sensing technology turns our experience into data; but Salter's story isn't just about what these machines want from us, but what we want from them--new sensations, the thrill of the uncanny, and magic that will transport us from our daily grind. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Sensing machines are everywhere in our world. As we move through the day, electronic sensors and computers adjust our thermostats, guide our Roombas, count our steps, change the orientation of an image when we rotate our phones. There are more of these electronic devices in the world than there are people--in 2020, thirty to fifty billion of them (versus 7.8 billion people), with more than a trillion expected in the next decade. In Sensing Machines: How Sensors Shape Our Everyday Life (MIT Press, 2022), Chris Salter examines how we are tracked, surveilled, tantalized, and seduced by machines ranging from smart watches and mood trackers to massive immersive art installations. Salter, an artist/scholar who has worked with sensors and computers for more than twenty years, explains that the quantification of bodies, senses, and experience did not begin with the surveillance capitalism practiced by Facebook, Amazon, Netflix, and Google but can be traced back to mathematical and statistical techniques of the nineteenth century. He describes the emergence of the "sensed self," investigating how sensor technology has been deployed in music and gaming, programmable and immersive art environments, driving, and even eating, with e-tongues and e-noses that can taste and smell for us. Sensing technology turns our experience into data; but Salter's story isn't just about what these machines want from us, but what we want from them--new sensations, the thrill of the uncanny, and magic that will transport us from our daily grind. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Sensing machines are everywhere in our world. As we move through the day, electronic sensors and computers adjust our thermostats, guide our Roombas, count our steps, change the orientation of an image when we rotate our phones. There are more of these electronic devices in the world than there are people--in 2020, thirty to fifty billion of them (versus 7.8 billion people), with more than a trillion expected in the next decade. In Sensing Machines: How Sensors Shape Our Everyday Life (MIT Press, 2022), Chris Salter examines how we are tracked, surveilled, tantalized, and seduced by machines ranging from smart watches and mood trackers to massive immersive art installations. Salter, an artist/scholar who has worked with sensors and computers for more than twenty years, explains that the quantification of bodies, senses, and experience did not begin with the surveillance capitalism practiced by Facebook, Amazon, Netflix, and Google but can be traced back to mathematical and statistical techniques of the nineteenth century. He describes the emergence of the "sensed self," investigating how sensor technology has been deployed in music and gaming, programmable and immersive art environments, driving, and even eating, with e-tongues and e-noses that can taste and smell for us. Sensing technology turns our experience into data; but Salter's story isn't just about what these machines want from us, but what we want from them--new sensations, the thrill of the uncanny, and magic that will transport us from our daily grind. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

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From thermostats, to step counters, pressure gauges, and chips that guide the Roomba around your living room, there are now more electronic sensors in the world than there are people. So what do all of these sensors mean for us and our relationship with the world and where exactly will it take us? Chris Salter, artist & Professor of Immersive Arts at Zurich University of the Arts (ZHDK) and the author of ‘Sensing Machines: How Sensors Shape Our Everyday Life' joins Jonathan to discuss.

Chris Salter is an artist, Concordia University Research Chair in New Media and the Senses, Co-Director of the Hexagram Network and of the Milieux Institute, and Associate Professor of Computation Arts at Concordia University, Montréal, Canada. He moves between high profile cultural venues, high profile scholarship, and a range of academic disciplines that bridge Science and Technology Studies, Anthropology of the Senses, Computational Arts and Design, and Techno-cultural studies. 

Chris Salter is an artist, Concordia University Research Chair in New Media and the Senses, Co-Director of the Hexagram Network and of the Milieux Institute, and Associate Professor of Computation Arts at Concordia University, Montréal, Canada. He moves between high profile cultural venues, high profile scholarship, and a range of academic disciplines that bridge Science and Technology Studies, Anthropology of the Senses, Computational Arts and Design, and Techno-cultural studies.  More at: www.technoculture-podcast.com

We meet with Professor Chris Salter from Concordia University to ask him six questions about the origins, definition, methodologies, challenges and future of research-creation. Continue your exploration of research-creation on: rec.hexagram.ca

We meet with Professor Chris Salter from Concordia University to ask him six questions about the origins, definition, methodologies, challenges and future of research-creation. Continue your exploration of research-creation on: rec.hexagram.ca

We meet with Professor Chris Salter from Concordia University to ask him six questions about the origins, definition, methodologies, challenges and future of research-creation. Continue your exploration of research-creation on: rec.hexagram.ca

Founder of Music Wizard, an amazingly simple music video game system that allows virtually anyone, even toddlers, to play and read real music on real instruments, in minutes, not months. Guaranteed! I learned music as an adult, and had felt locked out of the joy that other people had playing music. In college I enrolled in the group piano class taught by a true "piano wizard", and ended up with the double degree in linguistics and music. I became fascinated with the overlaps between developmental linguistics, and the way we learn music traditionally, and then ended up going to Brazil with the thesis that Brazilians learn music as if it's a native language. The profound insights I gained through that work, led me to some breakthroughs in how to use visual cues to learn to play and read music, leading to Universal musical literacy. That is my mission. 

Chercheur en médecine, commissaire et critique d’art, Jens Hauser présente l’exposition ‘WetWare’ qu’il a organisé avec David Familian pour le Beall Center à UC Irvine. Rappelant les écrits de Chris Salter, il y fait l'état d’un basculement de l’art de la performance à la performativité s’enracinant dans la théorie du discours (langage), la théorie du genre (corps construits),  l’anthropologie (comme méthode d’inspection), et les sciences performatives (sociologie des sciences). Ces changements d'échelles, d’espaces, d'écologies resituent le corps sur un plan mésoscopique, a la fois objet et sujet, y compris dans le non-vivant. La microperformativité a pour but de relocaliser les actions ou fonctions à l'intérieur de ce corps afin d’aller au corps microscopique - séquences génétiques, molécules, organes...

IKKM Lectures 2012: CHRIS SALTER (MONTREAL, BERLIN) »Temporal Affects: Performance, Agency and the Aesthetics of Real Time«Paper presented as part of the IKKM Lectures 2012 on 6 June 2012For further information, please visit www.ikkm-weimar.de

Comportamientos de luz y sonido a la manera de Iannis Xenakis. Obra producia en LABoral tras una residencia de investigación en Plataforma 0 Centro de Producción de LABoral, el artista norteamericano Chris Salter, en colaboración con Sofian Audry, Marije Baalman, Adam Basanta, Elio Bidinost y Thomas Spier, han producido esta instalación performativa que es una reimaginación contemporánea de los radicales entornos arquitectónicos del compositor y arquitecto griego Iannis Xenakis llamados 'Polytopes' (a partir del griego poli, ‘muchos’ y topos, ‘espacio’). 'n-Polytope. Comportamientos de luz y sonido a la manera de Iannis Xenakis' (20.07.2012-10.09.2012) se traduce en un espectacular entorno de luz y sonido que combina rompedores sistemas de iluminación, láser, sonido con tecnologías de software de detección e inteligencia artificial. La relectura puesta en pie en LABoral se plasma en una performance de alrededor de unos 15 minutos que tiene lugar cinco veces al día, y una instalación en evolución continua, gestionada a través de una red de sensores que utiliza una máquina de última generación capaz de aprender algoritmos mientras asimila los diferentes patrones rítmicos y temporales generados por la luz y el sonido.