Podcasts about Sensing

This week, Mike Weisberg of Implement explains how AI is improving sales forecasting through trust, purpose, and accuracy, while reshaping the planner's role, reducing inventory bias, and separating prediction from human judgment.Download the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠episode transcript⁠⁠⁠⁠⁠⁠⁠⁠⁠===== In this episode, Mike Weisberg shares practical guidance on using AI in sales forecasting, including the right data foundation, six implementation dogmas, and explainable models. He also outlines how planners evolve into business partners and why judgment still matters most. ===== Guest: Mike Weisbjerg, Partner, Implement Consulting GroupMike is a Partner at Implement Consulting Group, where he has spent the last decade working at the intersection of supply chain planning and technology. He specialises in demand planning and AI-driven forecasting and decision making. With a focus on implementing demand planning solutions, Mike helps organisations move AI from proof of concept to production - with forecasts that planners actually trust.Host 1: Richard Howells⁠⁠⁠⁠⁠⁠⁠Richard Howells⁠⁠⁠⁠⁠⁠⁠ has been working in the Supply Chain Management and Manufacturing space for over 30 years. He is responsible for driving the thought leadership and awareness of SAP's ERP, Finance, and Supply Chain solutions and is an active writer, podcaster, and thought leader on the topics of supply chain, Industry 4.0, digitization, and sustainability.Host 2: Oyku Ilgar, SAP  Oyku Ilgar is a marketer and thought leader specializing in SAP's digital supply chain and ERP solutions since 2017. As a marketer, blogger, and podcaster, she creates engaging content that highlights innovative SAP technologies and explores key topics including business trends, AI, Industry 4.0, and sustainability.   She holds dual bachelor's degrees in Finance & Accounting and English Translation, along with a master's degree in Business Administration and Foreign Trade, specializing in marketing. With her background in digital transformation, Oyku communicates technology trends and industry insights to help professionals navigate the evolving business landscape.  ===== Show Links:Implement Consulting Group. LinkArticle: Beyond accuracy: Six dogmas for turning AI forecasting into real business valueSupply Chain Management:  ⁠⁠SAP Supply Chain Management⁠⁠ ⁠⁠SAP Insights: Supply Chain⁠⁠       Follow Us on Social Media : Richard Howells: ⁠⁠LinkedIn⁠⁠, Oyku Ilgar: ⁠⁠LinkedIn⁠⁠      SAP Digital Supply Chain: ⁠⁠LinkedIn⁠⁠    Please give us a like, share, and subscribe to stay up-to-date on future episodes!  ===== Chapters:00:00:00: Intro00:01:06: Guest's Introductions00:02:05: Why traditional forecasting struggles in volatile markets00:03:25: The three fundamentals: trust, purpose, accuracy00:07:03: Which data matters most for AI forecasting00:10:12: Why bad data should not delay AI adoption00:13:26: The six dogmas for AI forecasting implementation00:14:38: The evolving role of the demand planner00:16:54: Measuring success beyond forecast accuracy00:18:35: How can Implement help companies in this latest AI-infused planning era?00:19:36: What is the Future of Supply Chain?00:20:17: Outro

Ido Portal is one of the most original movement thinkers alive. He has spent decades studying the body across martial arts, acrobatics, yoga, dance, and ancient movement traditions, not to master any one of them, but to ask a deeper question: what does it actually mean to move well, and what does the body reveal when you finally start listening to it? In this conversation, we go long, covering ground that most movement conversations never reach.What We Dive Into:1.Most of us treat the body like a car to maintain, something we service occasionally for performance or appearance. Ido's entire framework starts from the opposite premise: the body is not a tool you use, it is what you are. That shift alone changes what practice means.2.What we attend to grows. What we neglect crumbles. Ido applies this principle everywhere, from babies in hospitals to athletes on the field. Bringing undivided attention to even one part of your body for one minute, with no music, no phone, no audience, begins a transformation most people have never experienced.3.The most important moment in Ido's own journey was admitting he didn't have what he was looking for. Not as defeat, but as a beginning. The person who thinks they already have a connection to their body is the one most closed off to finding it. Not knowing, and staying there, is the actual practice.Know Thyself, but not by yourself. A guided space to return home to yourself.https://www.knowthyselfcollective.com✨THANK YOU TO OUR SPONSORS:https://drinkLMNT.com/KnowThyselfTry LMNT & get a free sample pack https://www.functionhealth.com/KNOWTHYSELFCode KNOWTHYSELF25 for $25 off membership___________00:00 Intro01:44 How Most People Relate to Their Body09:22 Movement vs. Practice vs. Exercise10:27 Life Is for Practicing, Not Just Living20:13 Attention as the Primary Tool23:49 Stop Practicing for Exposure28:12 How to Begin: Removing Leakage35:22 Diagnostic Play and the Art of Seeing37:30 The Ancient Schools of Practice43:33 Tensegrity and the Body's Inner Models49:28 Proprioception, Sensing, and the Pain of Feeling1:02:05 Tension, Connection, and What the Body Actually Needs1:08:00 Ido's Journey: Searching for a Real Teacher1:13:15 Why Real Teachers Refuse to Give Clean Answers1:23:49 What Am I Before Who Am I1:29:23 The Chariot Analogy: Body, Emotion, and Intellect1:36:42 Feeding the Emotional Body1:40:14 The Weber-Fechner Law and Reducing Inner Noise1:52:29 How the Body Reveals What We Hide2:02:15 Pursuing Weakness Over Strength2:05:46 Discipline, Motivation, and Real Will2:16:02 The Practice of Sitting and Choiceless Awareness2:37:22 What Inner Work Without the Body Misses2:41:31 The Heart as the Missing Path2:45:55 Community Questions: Practical Tools for the Body2:57:18 On Animals, Archetypes, and the Spirit of Movement3:03:02 Closing Message: Become a Practice___________✨MORE FROM IDO↳Instagram: https://www.instagram.com/portal.ido/↳https://www.idoportal.com

You can enjoy exclusive and intense erotic audio by grabbing your copy of the Sensual Awakening App on the Apple Store.A dark, atmospheric dance studio, where shadows play on the walls, and the air is thick with anticipation. This is where our story unfolds, a tale of unexpected erotic desire and powerful seduction.A raven-haired beauty with Mediterranean flair glides around the floor. Her dance class has just ended, but her fiery spirit and passionate nature keep her moving long after the students have left. Lost in the sensual rhythm, her every move a testament to her strength and allure.Yet in the distance, one of the fathers of her students, has returned to drop off a forgotten outfit. He steps into the dimly lit room, only to be captivated by the sight before him. The electricity charges the air as he watches her dance alone, her body swaying in a way that is both hypnotic and sexy. Each turn and twist draws him deeper into her web of seduction.Unable to resist, he finds himself entranced by her performance. The shadows seem to dance with her, creating an almost mystical aura around her figure. Her movements are fluid, each step a blend of grace and raw, unbridled passion. The very air around her pulses with a sensual energy that calls out to him.Sensing his presence, she turns and their eyes lock. A silent understanding passes between them, a shared recognition of the erotic tension that has been simmering beneath the surface. With a knowing smile, she approaches him, her gaze never wavering. She takes his hand, guiding him to a chair in the center of the room.The boundaries between them blur, the line between student and teacher, parent and dancer, dissolving in the heat of the moment. Her dance becomes a silent conversation, her body speaking the language of lust and longing. He is powerless to resist, drawn into the intoxicating dance of their burgeoning passion.Each tantalizing movement brings them closer to the edge, the atmosphere charged with electricity. Her touch is light yet commanding, her fingers brushing against his skin, leaving a trail of fire in their wake. She forces him to confront his desires, to acknowledge the powerful attraction that has taken hold of him.In this moment, nothing else exists but the two of them, locked in a dance that is both deeply erotic and profoundly intimate. Hercontrol is absolute, her dominance a thrilling revelation. He surrenders to the sensual spell she weaves, the boundaries of his world expanding to encompass only her.This is more than just a story of seduction—it's a celebration of the power of dance, of the magnetic pull of attraction, and the irresistible allure of a woman who knows her own strength. Join this scintillating tale of desire, and experience the tantalizing dance of passion that will leave you breathless.Prepare to be captivated, to be drawn into a world where every movement is a promise of what could be, and every glance is a whisper of forbidden desire. Don't miss out on this erotic adventure—immerse yourself in the sensual world erotic dance, and discover the dance of seduction that will ignite your imagination.

EeroQ is unusual in two ways. It's the only company in the world commercializing electrons-on-helium qubits, a modality first proposed by Platzman and Dykman in Science in 1999. And it was founded by Nick Farina — a software entrepreneur, not a physicist — who got pulled into the field through a Chicago theater board where he met his future co-founder, then-PhD student Johannes Pollanen.This conversation matters now because EeroQ has had an unusually productive twelve months: a Physical Review X paper demonstrating single-electron control above 1 Kelvin, a January 2026 result on controlling up to a million electrons with fewer than 50 control lines, and — published in Nature Physics on June 15, 2026 — the first demonstration of strong coupling between a microwave photon and a single electron on helium, the cavity-QED readout-and-control link the platform depends on. If you're trying to understand which "second-tier" modalities deserve serious attention — and how a small, capital-light team in Chicago is thinking about scale-first hardware design — this is a useful listen.SponsorThis episode is brought to you by Outshift, Cisco's incubation engine. The need for computational power is rapidly increasing in every sector. From drug discovery to material innovation to complex financial modeling, classical systems are reaching their absolute limits. It's time for a paradigm shift. The answer is a scalable quantum network, built on open standards and vendor-agnostic architecture. By uniting distributed quantum devices, you unlock limitless computational power.Learn more about the Cisco Universal Quantum Switch at Outshift.com.Go deeper with the blog post The switch that quantum networking has been waiting for.What We Get IntoHow a Chicago theater board led to one of the most unique qubit companies in the fieldWhy electrons-on-helium failed in the early 2000s and why circuit QED, dry fridges, and CMOS now make it viableThe physical picture: a thin superfluid helium film coating a CMOS chip, with electrons trapped a few nanometers above the surface by their own image chargeWhy EeroQ pivoted from motional states to spin qubits after Steve Lyon (Princeton) joined as CTO — and the predicted 10+ second coherence times that come with itThe "build a quantum computer in reverse" philosophy: starting from a million-qubit architecture and working back toward two-qubit gatesHow the "Wonder Lake" chip controls 2,432 future qubit sites today, and why that's an engineering milestone rather than a qubit countHonest framing of where EeroQ actually is: no two-qubit gate demonstrated yet, with a tape-out target of ~10,000 qubits by late 2028Why dipole-dipole gates come first and exchange gates come later, borrowing from the spin qubit playbookThe case that scaling — not qubit quality — has been the field's slowest-moving problem over the last decadeResources & LinksGuest & CompanyEeroQ — Company site for the only commercial electron-on-helium quantum hardware effort.EeroQ Publications — Peer-reviewed papers and preprints from the team.Building a Quantum Computer in Reverse (EeroQ Blog, July 2023) — Farina's own articulation of the scale-first design philosophy discussed in the episode.Key PapersKoolstra, Glen, Beysengulov et al., "Strong coupling of a microwave photon to an electron on helium," Nature Physics, June 2026 — First demonstration of strong coupling between a microwave photon and the quantized motional state of a single electron on helium, including observation of vacuum Rabi splitting — establishing the cavity-QED readout link at the heart of EeroQ's architecture. This result was under embargo when the episode was recorded.Castoria et al., "Sensing and Control of Single Trapped Electrons Above 1 Kelvin," Physical Review X (2025) — The 1 K result Nick references; demonstrates charge sensing but not yet coherent spin manipulation.Koolstra et al., "High-impedance Resonators for Strong Coupling to an Electron on Helium," Physical Review Applied (Feb 2025) — The resonator architecture underlying EeroQ's cQED control approach.Electron-on-helium qubit (Wikipedia) — Useful overview including the original 1999 Platzman & Dykman Science proposal and Steve Lyon's 2006 spin-qubit paper in Physical Review A.Press & ContextEeroQ Makes World-First Breakthrough in Electron Qubits Floating on Helium (EeroQ, June 2026) — Company announcement of the Nature Physics strong-coupling result.EeroQ Solves the "Wire Problem" (PRNewswire, Jan 2026) — The million-electrons / fewer-than-50-wires result Nick cites.Individual electrons trapped and controlled above 1 K (Phys.org) — Independent coverage of the PRX paper.EeroQ Achieves Tape-Out of "Wonder Lake" Chip (The Quantum Insider, July 2023) — Background on the 2,432-site CMOS chip discussed in the episode.EcosystemChicago Quantum Exchange — The regional consortium EeroQ benefits from.Illinois Quantum and Microelectronics Park — The state-backed quantum park anchored in Chicago.Key Quotes & InsightsOn the contrarian thesis: "Scaling is actually the hardest part of building a quantum computer." Nick argues the field has made real strides on gate fidelity, error correction, and algorithms over the last decade — but not nearly enough on the path to hundreds of thousands or millions of qubits.On building in reverse: Rather than starting from a two-qubit gate and "hoping and praying to find ways to scale," EeroQ started by asking what a million-qubit processor would have to look like — which forced the choice of CMOS as the only manufacturing technology humanity has ever used to build features at that scale.On honest status: "We d...

He even brought in outside backup... and it STILL blew up in his face!

Infleqtion CEO Matt Kinsella goes Inside the ICE House to discuss the company's dual focus on quantum sensing and quantum computing and how that is driving early revenue growth. He explains how Infleqtion's core technology enables a range of products, from sensors already deployed today to future quantum computers with massive potential. Kinsella highlights the importance of balancing near-term commercialization with long-term R&D to accelerate real-world quantum applications. He also explores how advances in quantum could reshape industries, from communications to defense to financial markets.

Hugh Newman is an explorer, megalithomaniac and the author of "Earth Grids" (2008) and "Stone Circles" (2017), and co-author of "Megalith: Studies In Stone" (2018), "Sensing the Earth" (2021), and "Geomancy" (2021); and co-author with Jim Vieira of "Giants On Record" (2015) and "The Giants of Stonehenge and Ancient Britain" (2021). He is a regular guest on History Channel's "Ancient Aliens," "Search for the Lost Giants," "UnXplained with William Shatner" and has featured in "The Alaska Triangle" (Travel Channel), "Forbidden History" (Discovery Channel), "Secrets of the Ark" (Science Channel), "Mythic Britain" (Smithsonian Channel), "Ancient Civilizations" (Gaia), "Cursed Treasure" (History) and several other TV shows and documentaries.Since 2006 he has been organising the Glastonbury Megalithomania Conference, and the Origins Conference in London since 2013. He runs regular tours and leads expeditions worldwide and writes for numerous magazines. He has a Bachelor of Arts Honours Degree (BA Hons) in Film and Journalism from London Guildhall University.His worldwide adventures and lectures can be seen at the massive YouTube Channel www.youtube.com/megalithomaniaUK, which has 175,000 subscribers and over one thousand videos. He is also a registered drone pilot and had his work featured on most of the shows listed above, as well as in "Ancient Apocalypse" (Netflix), "Stonehenge: The Lost Circle" (BBC) and "BAM: Builders of Ancient Mysteries." His main website is www.megalithomania.co.uk. He lives in the heart of the Stonehenge landscape in Wiltshire, England.Become a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.

Dr. Paul introduces interoception, the ability to sense internal body signals, and its impact on health awareness and stress regulation.

The Power Of Synergy with Gabrielle Cardona Synchronize to Synergize: Gabrielle Cardona on Personality, Cooperation, and Better Relationships Gabrielle Cardona Opens The Power of Synergy In this episode of The Power of Synergy, host Gabrielle Cardona introduces herself as a relationship coach who began as a life coach more than 20 years ago. She explains that her work eventually centered on relationships because people most often seek help understanding how to connect, cooperate, and improve the quality of their interactions. The episode focuses on what Gabrielle calls synergy: the energy created when people come together and either improve or diminish one another's lives. Honesty, Identity, and the Impact We Have on Others Gabrielle begins by asking listeners to consider whether they make other people's lives better by being who they truly are. She recalls a lesson from her father about honesty, saying that lying to strangers costs opportunities, lying to friends and family damages connection, and lying to oneself leaves a person with no one. Her point is that people must know themselves clearly before they can create healthy synergy with others. When someone understands their strengths, weaknesses, pleasures, and struggles, they give others a real opportunity to cooperate with them. Synergy as Exponential Power A major teaching in the episode is Gabrielle's use of numbers to explain synergy. She says people do not merely add to one another or multiply one another; they can empower one another exponentially. She gives examples such as a “two” and a “nine,” or a “three” and a “seven,” showing how the order of support, leadership, and facilitation can dramatically change the outcome. Her larger message is that people who may feel small or limited on their own can become far more powerful when paired with the right healthy people in the right roles. Principles of Human Energy Gabrielle reviews three principles of human and social energy. First, there is no neutral energy: people are either positive or negative. Second, there is no inertia: people are moving toward someone, away from someone, or with someone. Third, power requires accountability: people must accept responsibility for the impact of their choices and actions. These principles frame the rest of the episode, especially her argument that indifference is not neutral because saying “I don't care” can harm the people who need connection. The Art of AIM: Appreciation, Respect, and Trust Gabrielle introduces what she calls the art of AIM, which stands for appreciation, respect, and trust. These correspond to appreciating people's abilities, respecting their intentions, and trusting their motives. She teaches that people can synchronize more effectively when they recognize what others are good at, honor what matters to them, and trust why they are trying to act. This allows people to cooperate without constantly comparing, competing, undermining, or judging one another. Synchronizing Through Centering Using stories from childhood ballet classes, Gabrielle explains the importance of being centered before trying to move with others. Her ballet teacher emphasized staying centered rather than merely balancing, because dancers needed to know where their weight and alignment were before they could perform with a group. Gabrielle applies this to relationships by saying people must become stable and aware within themselves before joining with others. When someone gets out of sync, they may need to step aside, re-center, and return in a healthier state. Personality, Functions, and Different Strengths Gabrielle then discusses personality profiles, including her own experience identifying as an INTP. She explains dominant, auxiliary, tertiary, and inferior functions, saying that some activities are easy and pleasurable, while others are difficult, unpleasant, or weak. In relationships, teams, families, and practical situations, people should identify who is naturally strong at what and let each person contribute accordingly. If one person's inferior function is another person's dominant function, the healthier solution is cooperation rather than criticism. Sensing, Intuition, Thinking, and Feeling The episode includes a condensed explanation of four basic personality activities: sensing, intuition, thinking, and feeling. Gabrielle describes sensing as engagement with the physical environment, intuition as inner perception and connection-making, thinking as logical and objective decision-making, and feeling as attention to human needs and personal happiness. She stresses that different situations require different functions, and successful synchronization depends on knowing who is best equipped to handle each part of the situation. Everyday Cooperation and Family Relationships Gabrielle gives practical examples, such as preparing for a wedding with several people, limited time, and only one bathroom. Rather than letting stress create conflict, she says the group can plan, divide tasks, and let people use their natural abilities. She also reflects on family and parenting, saying she never had one favorite child because each child was her favorite in a different way, like a favorite food, favorite movie, and favorite song. This becomes an example of appreciating different people without comparing them. Communication, Self-Care, and Better Energy In the final portion, Gabrielle explains that self-care can be appropriate when the motive is to return better able to give. She says people should communicate honestly but humanely, because even a good message can be delivered in a painful way. She discusses anxiety, fear, and anger as signals about what could go wrong, what is going wrong, or what has gone wrong. Her advice is to identify the real source of a conflict, return to appreciation, respect, and trust, and keep working toward a shared goal. Closing Message and Resources Gabrielle closes by encouraging listeners to connect with people in real life rather than relying too heavily on technology. She asks them to speak with people in public, make eye contact, and bring positive energy into ordinary places. She directs listeners to her website, Life Synergy Coaching, and mentions her books, including Embrace Your True Nature, The Self-Actualization Workbook, and Till Death Do Us Part. The episode ends with her central message: healthy relationships come from knowing yourself, honoring others, and learning how to synchronize so that everyone becomes better together.

Maria Koskinopoulou is an Assistant Professor in Robotics and Computer Vision at Heriot-Watt University. She co-leads the ARM²Lab – Autonomous Robotic Manipulation & Multi-Agent Systems Lab at Heriot-Watt and the National Robotarium, alongside Ignacio Carlucho. Her research interests include robotic manipulation, perception, robot vision, medical robotics, human-robot interaction, and machine learning. She is involved in major UKRI and EU-funded research projects advancing robotic manipulation, surgical and underwater robotics, autonomous assembly, and waste sorting.   Check out the bonus episodes from the European Robotics Forum: https://www.patreon.com/posts/robot-talk-at-157276631  Join the Robot Talk community on Patreon: https://www.patreon.com/ClaireAsher

I denne episoden samtaler jeg, Mai Camilla Munkejord, med Camilla Holm som nylig har forsvart en doktorgrad om hvordan åndelige eller spirituelle erfaringer kan brukes som ressurs i pasienters tilfriskningsprosess, heller enn å patologiseres og medisineres.Camilla fikk intervjue de vi ofte regner som "de psykeste av de psyke;" De som har gått på medisiner i mange år, og som har vært svingdørspasienter, inn og ut av innleggelser, og noen ganger også: inn og ut av psykoser.Det Camilla møtte, var sensitive mennesker med et stort smertetrykk på grunn av dype traumer. Hun møtte mennesker som ofte hadde sterke spirituelle opplevelser, men som de ikke kunne snakke med noen om i alle fall ikke til de ansatte ved avdelingen. For gjorde de det, ville erfaringene stemples som "vrangforestillinger", og de risikerte enda større medisindoser.I samtalen utforsker vi hvordan de erfaringene pasienter gjør i psykose kan bli ressurser i bedringsprosessen når de møtes med åpenhet og validering. Og vi snakker om hvorfor håp, genuine relasjoner og resonans mellom behandler og pasient kan virke langt mer helende enn medikamenter.Samtalen viser at traumer og menneskelig smerte må anerkjennes og rommes for at tilfriskning skal kunne skje, og at validering av pasientenes egne erfaringer, uansett om de skjer i det ytre eller i det indre, kan peke ut nye veier for norsk psykiatri.***Camilla Holm har nylig disputert med avhandlingen Sensing and Making Sense: Inpatients' spiritual experiences in aRelational Recovery perspective, within a Mental Health Care framework. Avhandlingen ble forsvart våren 2026 ved Vid vitenskapelige høgskole. Hennes empiriske artikler kan du lese HER og HERFor å kontakte Camilla Holm for foredrag eller flere spørsmål knyttet til hennes forskning, send gjerne en epost til camilla.holm@ldh.noOg meg kan du følge på Facebook under mitt navn (Mai Camilla Munkejord) eller på Instagram på @lamaskenfalleMine norske bøker finner du HER på Norli.Helt til sist i episoden inviterer jeg til feiring av at min første bok La masken falle nå er utgitt på engelsk på Amazon med tittelen Let The Mask Fall: A memoire of Trauma, Awakening and Becoming Whole):) Den digitale feiringen finner sted på engelsk på Zoom 10. juni kl 19.00, og varer 80-90 minutter. Det blir musikk, indre barn healing og tid for spørsmål.Ingen påmelding. Lenke HER: us02web.zoom.us/j/88495288448VELKOMMEN!

Connect with Michael: https://michaelkoulianos.org/Instagram: https://www.instagram.com/michaelkoulianos/Facebook: https://www.facebook.com/MichaelKoulianos1/Youtube: https://studio.youtube.com/channel/UCBKurdZlFEMaLdwxSYMRNAwI'll be honest — I almost didn't record this episode the way I did. Because it required me to sit across from one of my closest friends and one of the most gifted men I know when it comes to the presence of God, and admit that I've been struggling. Struggling to feel connected. Struggling to cultivate that place with the Holy Spirit that I know I'm supposed to have — especially after walking through five weeks of watching my mother-in-law die of cancer. That's not an easy thing to say as a pastor. But I said it anyway. And what Michael gave me back was one of the most practically powerful and spiritually deep conversations I've ever had on this podcast.Michael Koulianos leads Jesus Image, a church and global movement, and there is genuinely no one I know who flows in the presence of God the way he does. In this episode, he walks us through his personal morning prayer routine — two hours, early, consistent for 20 years — and breaks down exactly what it looks like: silence, Bible reading from Genesis to Revelation looking for Jesus the whole way, worship, and a prayer list he's been building for years with names being crossed off one by one. But more than the mechanics, he talks about what it means to feel God's presence not as an emotional high but as a continual awareness. And he talks about mourning — why giving yourself permission to grieve is actually the door that opens to the Holy Spirit's comfort.We also get into the real cost of leading a movement, the false sense of responsibility that burns leaders out, what God is actually doing on the earth right now, and why the cross isn't just the starting point of the Christian life — it's the whole shape of it. If you're a man who's been running on empty spiritually, or you've been grinding so hard you've lost the thread of why you started, this episode will recalibrate you. Carve out the time to watch the whole thing. It's worth every minute.Chapters:00:00 – Welcome: Jason Gets Honest07:15 – Little Ezra, Grief, and Why Mourning Opens the Door14:31 – Sensing vs. Feeling21:46 – Inside Michael's Morning Routine29:01 – Prayer Lists, John Eldridge, and Hearing God's Promises36:16 – How to Find Jesus in Every Page of Scripture 43:32 – The Hardest Part of Leading a Movement50:47 – Burnout, Boundaries, His Church Doubling While Michael Couldn't Speak58:02 – What God Is Doing on Earth Right Now1:05:17 – Living on His Mission, the Cross-Shaped Life & Closing PrayerCONNECT WITH BRAVECOJoin Our Free Community for Men (ladies, sign up your man): https://www.braveco.orgFacebook: https://www.facebook.com/braveco.menInstagram: https://www.instagram.com/braveco.men/Shop: https://shop.braveco.org/ABOUT BRAVECO: We live in a time where men are hunting for the truth and looking for the codebook to manhood. At BraveCo, we are on a mission to heal the narrative of masculinity across a generation; fighting the good fight together because every man should feel confident and capable of facing his pain, loving deeply, and leading a life that impacts the world around him.

Mit dem Honda CR-V begründete der japanische Automobilhersteller im Jahr 1995 eine spezielle Generation von Familienfahrzeugen, die so genannten kompakten Crossover- und SUV-Modelle. Die sind zum absoluten Selbstläufer geworden! Der Beweis ist schon daran zu sehen, dass dieser CRV im Jahre 2023 in die sechste Generation gestartet ist. Und man kann davon ausgehen, dass auch die siebte schon am Horizont erkennbar ist. Zumindest für Eingeweihte in den Entwicklungs- und Designabteilungen von Honda.   Darum geht es diesmal!Es sind genau 31 Jahre vergangen, seit Honda dem geneigten Publikum den CR-V vorgestellt hat. Der Honda CR-V war der erste seiner Art und somit der Begründer einer völlig neuen Fahrzeugklasse. Heute sind solche kompakten Crossover- und SUV-Modelle aus dem Straßenbild nicht mehr wegzudenken. Das war vor nunmehr 31 Jahren noch anders. Die Paarung aus günstigen Betriebskosten und guten Fahreigenschaften von Familienfahrzeugen und einer robusten Leistungsfähigkeit punktete bei den Kunden auf Anhieb – so ist der CR-V bis heute zurecht eines der beliebtesten SUV-Modelle aller Zeiten. Power und Drive!    Wir haben den Honda CR-V e:HEV – so seine korrekte Typenbezeichnung – in der Allradausführung AWD getestet. Beginnen wir mit einem nüchternen Blick auf die Zahlen:  Der aktuelle CR-V hat eine Motorleistung von 135 kW (184 PS), ein Drehmoment von 335 Nm und eine Beschleunigung von 0 auf 100 km/h in 9,4 Sekunden. Die Höchstgeschwindigkeit liegt bei 187 km/h, beide Werte sind geringfügig schlechter als beim Frontantrieb, dafür hat der Allradantrieb Vorteile bei der Traktion. 6,7 Liter konsumiert der Vollhybrid im kombinierten Verbrauch auf 100 Kilometer Fahrstrecke. Die Innenausstattung!Man muss es eigentlich nicht mehr explizit betonen – wenn Fahrzeuge heute als „Basisausführung“ bezeichnet werden, heißt das auf gar keinen Fall, dass sie eine zu geringe Ausstattung mitbringen. Im Falle unseres Testfahrzeuges bedeutet dies, dass schon die Einstiegversion mit einer Vielzahl von Assistenzsystemen absolut vorbildlich ausgestattet ist.  Dazu gehört "Sensing 360", das den gesamten Rundum-Bereich des SUV gut einsehbar macht. Die nach vorn gerichtete 100-Grad-Kamera deckt weite Teile des Vorderbereichs ab, ein Auspark-Assistent warnt vor kreuzenden Rädern, auch Spurwechsel-Kollisionswarnsystem und Lenkassistent sind vorhaben. Wird der Blinker betätigt, werden automatisch auch Kameras aktiviert, die zeigen, was sich im toten Winkel befindet. Die Kosten!Der Honda CR-V e:HEV AWD Elegance steht mit einem aktuellen Listen-Grundpreis von 49.500 Euro fast am unteren Ende der Preisliste, günstiger ist nur die frontgetriebene Version. Zwar ist diese Elegance – Linie de facto die Einstiegsversion, das bedeutet aber heutzutage keineswegs, dass man auf wichtige Dinge verzichten müsste. Schon gar nicht bei Honda! Das zeigt auch der Blick in die weitere Ausstattungsliste. Alle Fotos: © Honda Deutschland - Niederlassung der Honda Motor Europe Ltd.    Diesen Beitrag können Sie nachhören oder downloaden unter:

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Mining operations lose millions every year due to one hidden issue: blastholes are rarely drilled straight. This leads to poor blast performance, excessive ore dilution, reduced efficiency, and ultimately lower profitability. At PDAC, Mining NOW host Jerrod Downey sits down with Duncan McLeod, CEO of Inertial Sensing, to break down why this long-standing problem has been overlooked for so long—and why it's now becoming impossible to ignore.

While offering a guided meditation, Gil Fronsdal traces the movement between knowing, feeling, and relaxing in our practice. Today's podcast is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/beherenow and get on your way to being your best self.This week on the BHNN Guest Podcast, Gil Fronsdal dives into:The 3 levels of mindfulness practice (knowing, sensing, relaxing)Considering what it feels like to be thinking Knowing the changing phenomena of the momentAllowing yourself to be both alert and relaxedFeeling the activation of our thinking mindsCalming the brain and body "You're just kind of flowing along with the changing phenomena of the moment. And the changing phenomena of the moment might just be the changing sensations of breathing. You're just knowing them in a very, very simple way, maybe even a non-cognitive way. You're not necessarily thinking about them, having words, but you're really letting it register, this is the changing sensation of breathing." –Gil FronsdalThis episode was originally published on DharmaseedSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us Fan MailOn this episode of Embedded Insiders, Dr. Konstantin Kloppstech, CTO at digid, joins the podcast to explain the benefits and breakthroughs his company's been able to achieve with nanoscale sensing. We discuss the miniaturization of sensors in real-world environments, reliability and durability concerns, and collaborations. Later, Rich and Altera's President and CEO, Raghib Hussain, discuss where the company's been and where it's going. They dive into Altera's offerings, roadmap, and the relationships they've made along the way. For more information, visit embeddedcomputing.com

Dr. Diogo Lara alcançou o topo absoluto do mundo acadêmico e científico. Neurocientista posicionado no top 1% mais citado do planeta, ele publicou mais de 160 artigos e passou 16 anos como professor titular da PUC-RS. Ele entendia perfeitamente a teoria, mas o colapso veio quando ele mudou de cadeira. Em 2010, Diogo desenvolveu um estresse pós-traumático brutal e passou 3 meses se sentindo um morto-vivo, envelhecendo 10 anos em 90 dias. Diante da total impotência da psiquiatria tradicional em resolver a sua própria dor, ele descobriu que a especialidade médica está quebrada. Remédios não curam; eles apenas empilham efeitos para "despiorar" sintomas enquanto a raiz do sofrimento é ignorada. Neste episódio sem filtros do Excepcionais, Diogo Lara expõe as mentiras repetidas milhões de vezes pelo sistema e revela descobertas brutais do seu Big Data com mais de 100 mil pessoas. Você vai entender por que o abuso emocional sutil destrói mais uma vida do que a violência física, os perigos do "conforto tóxico" na criação de filhos e como o revolucionário método Insight-delic usa a neurociência prática e frequências vibracionais para curar traumas e reconfigurar hábitos involuntários de décadas em apenas uma sessão. Um soco no estômago necessário para quem quer voltar a sentir a vida pulsar. Patrocinador:Território da Forja 95% de você quer conforto. 5% quer vencer.Aqui não se motiva. Se molda.Se você escolheu ser forjado, entre.

A new paper from RAND-affiliated complexity researcher Kyle A. Kilian and Future of Life Institute risk analyst Richard Mallah, published May 20 through the Center for AI Risk Management and Alignment (CARMA), gives executives something that has been missing from enterprise AI governance until now: a six-test diagnostic for evaluating whether the AI committee you stood up actually governs, or whether it just looks like it does.The paper's load-bearing concept is performative adaptivity. Governance that meets monthly, ratifies charters, and updates risk registers without the structural properties to detect a new AI risk in time to respond. The authors argue this failure mode is more dangerous than no oversight at all, because it consumes the organizational energy that would otherwise build real protective capacity.In this episode, Harrison walks through:Who CARMA is and why the RAND + Future of Life Institute pedigree mattersThe four continuous governance functions every AI committee needs (Sensing, Evaluation, Response, Learning)All six diagnostic tests (Independence, Transparency, Durability, Accountability, Authority, Scope Adequacy)Where The 7 Levels of AI Proficiency comes in, because structurally sound governance fails when the operators are under-proficientThree things to do with this paper this weekFull article with citations: launchready.ai/insights/ai-governance/performative-ai-governance-six-tests-carma-2026Take the free 7 Levels of AI Proficiency assessment at assess.launchready.aiThank you for tuning in!Harrison PainterExecutive AI ConsultantSetting the Standard for AI Readiness

Occupancy sensing is becoming the intelligence enabler of Smart Home applications, creating spaces that respond automatically, efficiently and securely to human presence. In this podcast, we explore how new sensing technologies and Edge AI are transforming comfort, energy management and privacy in connected living.

In the engineering world, we rely on sensors to acquire data from real-world processes and machines. Deciding how to use that data is very important. The right decisions impact process efficiency, system reliability, and even worker safety.   Join Control.com's David Peterson as he chats with Kate Sokolnicki of Rockwell Automation in this episode of the Moore's Lobby podcast. Sokolnicki explains the evolution of industrial sensing and the shift toward data-driven manufacturing.  They discuss many key technological advancements, including: -IO-Link as a standard: Simple sensors are transitioning into "smart" devices that provide dual-channel feedback—process data and health analytics—without typical price premiums. -Commoditized vision AI: High-end vision systems are being replaced by affordable cameras capable of quality checks and AI-driven processing at the edge or in the cloud. -Smart safety protocols: Learn how operators can now pinpoint specific faults in a daisy-chained system (e.g., identifying exactly which door is ajar), significantly reducing troubleshooting time. Sokolnicki notes that while AI is powerful, it requires robust metadata (machine, shift, and location context) to be actionable. She highlights how condition monitoring—such as tracking "heartbeats," sensor margins, or cable tension—allows plants to move from reactive repairs to proactive maintenance. She concludes by encouraging young engineers to prioritize back-of-the-napkin math and the common-sense test. Instead of relying solely on theoretical calculations, she advocates for interrogating results to ensure they align with physical reality. Rockwell Automation is committed to enabling the next generation of smart manufacturing. Under their Allen-Bradley brand, Rockwell has a broad portfolio of high-performance sensors and switches. This includes proximity and photoelectric sensors, limit switches, safety switches, and RFID and operator safety devices.  Meet Kate Sokolnicki Kate Sokolnicki is the Global Business Director for Rockwell Automation's Sensing & Safety business unit and serves as the site lead for Rockwell's Chelmsford, MA location. She oversees product portfolio strategy and is responsible for global sales growth.  Kate joined Rockwell in 2015 as a product specialist and was promoted to portfolio manager supporting Sensing, Safety, and Connectivity. Most recently, she was a business manager responsible for in-cabinet infrastructure products, including single-pair Ethernet/IP.  Prior to joining Rockwell, Kate worked in the biomedical industry as an applications engineer. Kate holds a BSc in Chemical Engineering from the Massachusetts Institute of Technology and lives in Chelmsford, MA. 

Sensing a mysterious presence? That's probably the newest episode of The Hyperion Hub. Jedi Master Dan Zehr from Coffee with Kenobi joins us to talk about the phenomenal new Star Wars animated hit, Maul: Shadow Lord. We also discuss Dan's Disney College Program experience and share which Disney villains we'd love to see explored more on screen.May the force be with you and welcome to The Hyperion Hub - Your meeting place for all things Disney!Hosts John Alois, Shawn Degenhart and John Redlingshafer would love to hear from you! Email or send a recorded audio message at podcast@thehyperionhub.com. Find us on social media. The Hyperion Hub is not affiliated with the Walt Disney Company or its subsidiaries.  https://www.facebook.com/profile.php/?id=100063622463796 https://www.instagram.com/hyperion_hub/ https://twitter.com/i/flow/login?redirect_after_login=%2FHubHyperionfile:///Users/johnalois/Library/Group Containers/group.com.apple.coreservices.useractivityd/shared-pasteboard/items/ED41A3B5-68D7-49B8-AA95-EF007C05D6A4/ca88ea8e62c2560786f3f8567fd22bbc70895c35.rtfd/

Sensing a major loss before a DC federal appeals panel in support of Senator Mark Kelly and his First Amendment rights to remind active duty military not to follow Trump's illegal orders, DOD Sec Hegseth is conjuring up new charges against Mark Kelly. Popok is on the scene and gives an overview of the appeals court oral argument and the new allegations, which he debunks in his latest hot take. Boxie: For a limited time, get 30% off your order when you head to https://Boxiecat.com/LEGALAL and use code LEGALAF. Subscribe:  @LegalAFMTN  Visit https://meidasplus.com for more! Remember to subscribe to ALL the MeidasTouch Network Podcasts: MeidasTouch: https://www.meidastouch.com/tag/meidastouch-podcast Legal AF: https://www.meidastouch.com/tag/legal-af MissTrial: https://meidasnews.com/tag/miss-trial The PoliticsGirl Podcast: https://www.meidastouch.com/tag/the-politicsgirl-podcast Cult Conversations: The Influence Continuum with Dr. Steve Hassan: https://www.meidastouch.com/tag/the-influence-continuum-with-dr-steven-hassan The Weekend Show: https://www.meidastouch.com/tag/the-weekend-show The Ken Harbaugh Show: https://meidasnews.com/tag/the-ken-harbaugh-show Majority 54: https://www.meidastouch.com/tag/majority-54 On Democracy with FP Wellman: https://www.meidastouch.com/tag/on-democracy-with-fpwellman Uncovered: https://www.meidastouch.com/tag/maga-uncovered Learn more about your ad choices. Visit megaphone.fm/adchoices

God met Moses in the dirt, where he stood with uncovered feet and an exposed heart. From a miraculously burning-and-yet-not-consumed bush, God spoke to Moses, declaring His faithfulness and plan to rescue His Hebrew people from Egyptian bondage. Moses had spent 40 years in obscurity in a place called Midian. Previously, in his younger days, he felt destined for a life of significance. He believed he would be an advocate for his people, but when he took mattters into his own hands and murdered an Egyptian, the Hebrews did not applaud him. Sensing rejection, hearing that Pharaoh was aware of his act, and fearing for his life, he fled to Midian where he spent those many years in the lowly, seemingly unimportant position of tending to his father-in-law's sheep (cf. Acts 7). But when the time was right, God intervened. He appeared in that burning bush and called out to Moses to begin fulfilling His plan of setting His people free. God has His way of revealing Himself to us as well. In His perfect time, He uses our life circumstances and struggles to invite us to honesty and vulnerability; He confronts our pride and our unbelief; He reveals His character of faithfulness, love, mercy, and grace; and He teaches us to live by faith in His provisions for us through Jesus Christ, rather than by our own efforts. He persuades us of the truth that sets us free.

What does the quantum industry actually look like right now, beneath all the hype? In this episode of Eye on AI, Craig Smith sits down with Celia Merzbacher, Executive Director of the Quantum Economic Development Consortium (QED-C), to break down the real state of quantum technology in 2025. From market growth and enterprise readiness to the growing intersection with AI, Celia brings a grounded insider perspective on where the industry stands and what comes next. Celia explains why the quantum market is growing faster than even the companies inside it predicted, with revenues rising roughly 27% year over year and actual numbers consistently beating forecasts. She also makes clear that the future is not quantum replacing classical computers. It is hybrid systems combining both to solve problems that simply cannot be solved today, with early use cases already emerging in pharmaceuticals, energy, finance, and defense.  We also get into quantum sensing, the most underrated corner of the quantum world. From biomedical imaging already in clinical trials to quantum clocks powering GPS and financial transaction timestamping, sensing is already partially commercialized and quietly reshaping industries most people have never connected to quantum at all. Finally, Celia addresses the AI question directly. Will AI replace quantum? No. The two are complementary. AI is already accelerating quantum hardware design and algorithm discovery, and quantum may eventually improve how AI systems are trained. She closes with a clear message for enterprise leaders: the transition to quantum will not be a migration. It will be a paradigm shift, and the time to start preparing is now.  Subscribe for more conversations with the people building the future of AI and emerging technology.   Stay Updated: Craig Smith on X: https://x.com/craigss Eye on A.I. on X: https://x.com/EyeOn_AI   Timestamp: (00:00) Introduction: What Is QED-C and Why Does It Exist? (01:57) Celia Merzbacher on Her Background and Role (04:32) Annual Market Survey: How Fast Is Quantum Actually Growing? (09:10) Where Quantum Revenue Is Coming From Today (11:11) Timeline and the Race to Utility-Scale Quantum Computing (13:23) Early Use Cases: Pharma, Energy, Finance and Hybrid Computing (16:14) What Is Quantum Sensing and Why It Matters (20:39) The Three Pillars: Hardware, Error Correction and Algorithms (27:40) How Enterprises Should Start Preparing for Quantum Now (38:39) AI and Quantum: Allies Not Competitors

How do you discern whether something is truly from God—or something internal? In this episode, Rowan Miller sits down with Pastor Don Patterson to examine that question through lived experience. Don shares specific moments that shaped his faith: his early baptism, a growing sense of calling, and the deep loss of his son. They also address more debated areas—speaking in tongues, impressions, and everyday moments where people claim God is speaking. Along the way, they connect these experiences to Scripture (James, Job, Paul, Peter) and ask what biblical discernment actually looks like. This is a grounded conversation about grief, calling, and the challenge of interpreting spiritual experiences honestly.   Do you have questions for Pastor Don? send them to tmadask@gmail.com #bible , #christianity , #jesuschrist , #christiantheology , #faith , #god , #bibleverse , #apologetics , #relish 00:00:05 What Does It Mean for God to “Speak”? 00:02:00 Personal Experiences: Hearing God or Interpreting Feelings? 00:05:50 Life-Changing Moments and How We Interpret Them 00:08:30 Sensing a Call: How Do You Know It's Real? 00:10:28 Where Faith Begins: Experience vs. Truth 00:14:08 Ongoing Change: Is God Still Speaking Today? 00:15:09 Job, Paul, Peter: Do Our Experiences Match Scripture? 00:16:31 Final Thoughts: Discernment, Gratitude, and Caution

This talk was given by Gil Fronsdal on 2026.04.15 at the Insight Retreat Center in Santa Cruz, CA. ******* Online Hybrid via Zoom Insight Retreat with Gil Fronsdal and Online Practice Discussions with Diana Clark (2026-04-12 00:00:00 -0700) ******* A machine generated transcript of this talk is available. It has not been edited by a human, so errors will exist. Download Transcript: https://www.audiodharma.org/transcripts/24574/download ******* For more talks like this, visit AudioDharma.org ******* If you have enjoyed this talk, please consider supporting AudioDharma with a donation at https://www.audiodharma.org/donate/. ******* This talk is licensed by a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License

Today we travel to India to speak with Aditya Bidikar upon the release of his anticipated Tiny Onion produced Mini Series-In Your Skin. The story centers around the culture of celebrity and the obsession that an overzealous fan can create while idolizing their Hero without knowing that their favorite person may be torn themselves. We meet Priyanka who loves Bollywood star Ayesha, but feels at a loss when she suddenly announces her retirement. Sensing a void, Priyanka makes a choice she feels may be the only way to step In her Skin (pun intended). Aditya has lettered some of our favorite books whether they are Department of Truth, Worldtr33, Swamp Thing, and soon joining Darcy Van Poelgeest in the graphic novel The Cutting Garden for Image Comics. He has been holding this particular story deep at vest for 7 years and we talk about the transition from Letterer to Writer and how the craft is best known for pacing, but yet understanding the intensity in the creation of this Body Horror suspense tale.Written and Lettered by Aditya BidikarArtwork by SomColors by Francesco Segala

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

These times aren't exactly easy for farmers, especially ones who grow in water-limited areas. But there's a new project out of the University of California - Riverside that might help - and I'm pleased to tell you that it involves robots. Plus: the Facebook page Anonymous Works just featured a Star Trek fan's labor of love. ‘More crop per drop': New UC Riverside irrigation robot is adorable — and revolutionary (University of California)A remarkable collection came up for auction the other day (Anonymous Works via Facebook)Drop by our page on Patreon, where every drop of support adds up

Welcome to "The Bible in Today's World", the show that compares today's world with the Word of God. In general and specifically, are we following the Bible in our daily walks? Is society demanding that we follow the Word of God in all that we do? Does our Almighty Father look upon us and frequently say, "Well done, good and faithful servant!" - or is He thinking of us as He thought/thinks of Sodom and Gomorrah? On today's show, we will explore EASTER!!!!! We will also play Part 1 of my interview with KIM A. LARSON: KIM A. LARSON, a Christian author from Minnesota, joined us to discuss her book, "Unraveling Fairy Tales - Learning to Live Happily Ever After". FROM HER WEBSITE: Kim Larson writes in a variety of genres, for the youngest to the oldest of readers. Her debut picture book, Goat's Boat Won't Float, will be released in the fall of 2024. She's published a devotional-style Bible study, Unraveling Fairy Tales: Learning to Live Happily Ever After, and a dozen poems and short stories in regional anthologies. When she's not writing, you may find Kim working in her garden or playing Sequence with her husband. I grew up on a farm in Minnesota with loving parents and four younger siblings. Life in the 1960s and '70s was much simpler, and my parents let us roam freely. The hayloft, farm animals, and my goofy siblings kept me entertained. Maybe that's why I didn't enjoy reading as a child—despite what this photo depicts. Thankfully, that changed in fourth grade. My teacher, Mrs. Zimmerman, read wonderful books to the class. Two of my favorites were Charlotte's Web by E. B. White, and From the Mixed-Up Files of Mrs. Basil E. Frankweiler by E. L. Konigsburg. Sensing my reluctance to read on my own, my teacher suggested I read The Boxcar Children series by Gertrude Chandler. I loved these stories so much that I imagined becoming a writer someday. That dream lay dormant for many years—until I had children. Every night I read to my two boys before bed. I also made up stories, casting Jordan and Jesse as heroes. During the daytime, I helped people's dream of homeownership come true by originating mortgage loans. When my boys were grown, it was finally time to pursue my own dream! When I'm not writing, you may find me searching my flowerbed for monarch caterpillars. (Watch one emerge from its chrysalis here!) I collect flower and vegetable seeds in the fall to plant the following spring. I'm frugal and a homebody, so strolling no farther than my garden for fresh lettuce, cucumbers, and tomatoes brings me joy. But nothing is more important to me than my faith, family, and friends. https://kimalarson.com

Stop burning time and money on agile theater! In this podcast, Product Manager Brian Orlando and Enterprise Business Agility Consultant Om Patel strip business agility back to its absolute basics: no buzzwords, no frameworks - just the organizational muscles you need to survive. Listen or watch as we introduce and explain the five non-negotiable capabilities: Sensing and Responding (market feedback loops), Speed to Decision Making (decision velocity), Structural Flexibility (reorganizing without chaos), Distributed Authority (decentralizing command and control), and Learning Orientation (continuous evolution).Then stick around as we tear down the agile industrial complex, discuss why one study claims 47% of companies are operating purely under an "illusion" of agility, and discuss how the introduction of AI can amplify and exposes company's bureaucracy.Other topics we discuss are:• How to explain business agility to anyone from CEO to new hire• Why "scaling" agility is a big lie sold to enterprises• Typical bottlenecks to the five core capabilities• Why vanity metrics sabotage competitive advantages• Time to market, cost of delay, customer adoption, and much more...Whether you're in product management, leadership, agile coaching, or team development, this episode helps you truly understand business agility and can give you the confidence to push back or ask critical questions when teams and leadership claim they don't need help.#BusinessAgility #ProductManagement #AgileLeadership["Extreme Ownership by Jocko Willink and Leif Babin", "Team Topologies by Matthew Skelton and Manuel Pais", "Turn the Ship Around by L David Marquet", "The Fearless Organization by Amy Edmondson", "The Lean Startup by Eric Ries", "BCG Study: Why Companies Get Agile Right and Wrong (2024)", "Business Agility Institute 2025 Report", "Organizational Agility: Ill-defined and Somewhat Confusing by Anna Teresa Walter (2020)", "John Boyd's OODA Loop", "Jeff Bezos's One-Way Door vs Two-Way Door Decisions", "Block (Jack Dorsey)", "Arguing Agile Episode 83: Agile Doesn't Work Here"]LINKSYouTube: https://www.youtube.com/@arguingagileSpotify: https://open.spotify.com/show/362QvYORmtZRKAeTAE57v3Apple: https://podcasts.apple.com/us/podcast/agile-podcast/id1568557596INTRO MUSICToronto Is My BeatBy Whitewolf (Source: https://ccmixter.org/files/whitewolf225/60181)CC BY 4.0 DEED (https://creativecommons.org/licenses/by/4.0/deed.en)

Ever wished continuous glucose data didn't require needles, adhesives, or a prescription? We sit down with Sabih Chaudhry, PhD, founder of AFON Technology, to unpack GlucoWare—a wrist-worn, noninvasive glucose wearable that uses low-power RF signals to read blood in near real time. Instead of piercing the skin, the device couples with your wrist, wakes every five minutes, pings a tiny signal, processes the reflection in under 200 milliseconds, and sends the data to your phone before going back to sleep. The result: familiar CGM-style insights without the interstitial lag, skin-tone limitations, or daily hassles.We explore the journey from a rough “antenna and saline” lab hack to a robust, manufacturable design tested in environmental chambers and on robotic arms. Sabih explains how the team tackled motion noise, temperature swings, and material choices, all while building for scale and regulatory approval. We compare RF spectroscopy to optical approaches, discuss accuracy targets, and outline a roadmap aimed at non–insulin-dependent type 2 users first, with CE marking in sight and the FDA pathway running in parallel. Along the way, we dig into fundraising lessons, the choice to work with high-net-worth investors, and the newly inked partnership with a global manufacturer.Beyond the tech, the conversation lands on impact. A painless, over-the-counter path to real-time glucose could help more people see spikes after meals, personalize diet and exercise, and improve time-in-range—key steps toward lowering HbA1c and reducing complications that strain health systems. The design leans fashion-forward to remove stigma, while the app mirrors clinical conventions so clinicians and users can speak the same language. Looking ahead, AFON's modular electronics hint at future biomarkers—lactate, ketones, alcohol—and a smaller form factor suitable for kids, all pointing toward a smarter, more humane wearables era.If you care about metabolic health, diabetes innovation, or the next leap in consumer-friendly biosensing, this one's worth your queue. Subscribe, share with a friend who watches their glucose, and leave a review telling us what biomarker you want measured next.https://afontechnology.com/New episodes every Tuesday & Thursday. Subscribe so you don't miss one.Continue this conversation on Substack: https://robertlufkinmd.substack.comLies I Taught In Medical School — Free sample chapter: https://www.robertlufkinmd.com/lies/Web: https://www.robertlufkinmd.comYouTube: https://www.youtube.com/robertlufkinmdX: https://x.com/robertlufkinmdInstagram: https://www.instagram.com/robertlufkinmd/TikTok: https://www.tiktok.com/@robertlufkinLinkedIn: https://www.linkedin.com/in/robertlufkinmd/

(Spirit Rock Meditation Center)

(Spirit Rock Meditation Center)

(Spirit Rock Meditation Center)

Reach Out: Please include your email and I will get back to you. Thanks!Title Sponsor: Tyler Cain, Senior Loan Officer, Statewide MortgageWebsites: https://statewidemortgage.com/https://tylercain.floify.com/Phone: 813-380-8487emersonk78@me.comDaily Bible Devotional Series - AmazonTODAY'S EPISODE"Would you rather stand with someone in judgment Jesus stands against, or stand against someone Jesus stands with?" (The answer is neither: Prov. 17:15. But which way do you lean, cater, or find the most comfortable direction to err? Your personality may have more to do with your answer than you think.)Book recommendation: "Invitation to a Journey."Four Personality Categories: Two Sides for Each.Extravert vs. IntrovertExtroverts are energized by people and activity, talk things out, and process externally. But it can be overly so, to the discomfort of others. And the introvert in them will not have healthy private contemplation time.Introverts prefer solitude and reflection, think more before speaking, and prefer smaller circles of friends. This can be good, but it can also lead to an inability to be social and share the Gospel. And the extravert within them will be unleashed in unhealthy, random ways. Sensing vs. IntuitionSensing people like focusing on concrete ideas, facts and details. They deal with present realities and notice specifics. But too much of this can lead to missing the forest for the trees, and their intuitive side will seize on odd, abstract ideas.Intuitive people are open to possibilities, focus on meaning or the future, are imaginative, and make connections. But too much of this misses things right in front of their faces. And their sensing side may not know how to handle reality. Thinking vs. FeelingThinkers are analyzers and look for consistency. They decide based o reason and principles. This is all good. But they can also be without compassion or awareness of others. They have a feeling side, but it may stay suppressed and leak out in harmful or sinful ways.Feelers love people and love deeply. They feel for others and enjoy helping and entering into trouble to uplift. But they can do so without thinking and cause damage. Also, their brains want to reason, but because they are not explored, they are incapable of reaching foolish, illogical conclusions.Judging vs. PerceivingJudgers can be good. They like plans and closure, decisiveness and firm lines. But they lack adaptability, and often the ability to admit when they are wrong or don't know something. They have a perceptive, exploratory side, but if it is undisciplined, they may become unsure in biased or unsound situations. Perceivers are open and adaptable. They admit when they don't know things, nor do they think all things are black and white. This is good, until it prevents them from seeing clearly drawn lines and conclusions that need to be reached. They have a judgment side, but it isn't trained, and they randomly pass odd and cruel judgments out of nowhere. 

Listen to Dr Marsilea Booth talk about wearable medical sensors at Nutromics. Hosted and produced by Ian Woolf Support Diffusion by making a contribution Support Diffusion by buying venus flytrap shirts

Automation engineers have heard a lot about condition monitoring in recent years as one of the most common examples of how AI and digital transformation are actually hitting the ground with real results for industry. Sensing is certainly the foundation of the process, but it requires the proper mix of equipment and know-how to move from a simple project to a fully scaled-up implementation. In this episode of the Moore's Lobby podcast, Control.com's David Peterson visits Salim Dabbous, the Director of Consulting & Digital Solutions at SICK. Salim has a broad background that includes working with end users and integrators. He is now a director for a leading sensing manufacturer. Salim brings insights to help get started and move forward with successful projects that deliver tangible results.   

BOOK LAUNCH topic of discussion: Overwhelm, Collapse, Instability: Political and Personal About The Sensing Ground Book Sensing Ground: Body Wisdom to Help Highly Sensitive People to Feel Less Alone and More Alive takes you on the next steps of what to do after you receive medical clearance but feel stuck with unusual or uncomfortable bodily sensations. This book has something for everyone: a pathway to understand the innate wisdom of the body. What is the message underneath the things that you feel? This is your guidebook for moving from darkness, intensity and uncertainty to clarity, peace and groundedness. With a variety of home exercise ideas at the end of each chapter, the Sensing Ground book is the handbook on how to make sense of yourself. Get your copy here: https://www.seekingbalance.com.au/comingsoon/

Our guest on this week's episode is Mike Van Bree, director of product safety and engineering at Louisville Ladder Inc. and current president of the American Ladder Institute (ALI). This is Friday the 13th, and you have probably heard that old adage not to walk under ladders. That warning is probably not so much because it might bring you bad luck, but because it is an unsafe thing to do. And that brings us to our guest today: March is National Ladder Safety Month in the United States – a reminder to follow proper safety procedures while working at heights in warehouse and distribution centers, among other places.  Mike Van Bree brings some safe practices when working with ladders to our discussion.This week we saw the launch of a new plan by businesses in Europe to cooperate on joining together to set standards and practices for cybersecurity, specifically for software used in industrial automation and manufacturing. Ben Ames tells you what their plans are to defend themselves against cyber criminals.Global demand for sensors in logistics is set to double between 2024 and 2033, according to recent industry reports. Victoria Kickham shares about a feature she wrote for DC Velocity's March issue that examines how sensor technology is helping companies improve the efficiency, accuracy, and security of their supply chains. Specifically, she looked into an inventory project by Walmart and a recent market expansion by a transportation industry security startup that shows just how powerful sensors are in logistics.Supply Chain Xchange  also offers a podcast series called Supply Chain in the Fast Lane.  It is co-produced with the Council of Supply Chain Management Professionals. The latest series is now available on Top Threats to our Supply Chains. It covers topics including Geopolitical Risks, Economic Instability, Cybersecurity Risks, Threats to energy and electric grids; Supplier Risks, and Transportation Disruptions  Go to your favorite podcast platform to subscribe and to listen to past and future episodes. The podcast is also available at www.thescxchange.com.Articles and resources mentioned in this episode:American Ladder InstituteNational Ladder Safety Month websiteLadder Safety Training resourcesEuropean groups form cybersecurity initiative for industrial automationSensing your way to a smoother supply chainVisit DC VelocityVisit Supply Chain XchangeListen to CSCMP and Supply Chain Xchange's Supply Chain in the Fast Lane podcastSend feedback about this podcast to podcast@agilebme.comThis podcast episode is sponsored by: Storage SolutionsOther linksAbout DC VELOCITYSubscribe to DC VELOCITYSign up for our FREE newslettersAdvertise with DC VELOCITY

It is well known that our nervous systems are built for survival. But what is less well known is the way they are also built for pleasure, connection, and aliveness. In this episode of Come to Your Senses, Mary Lofgren we unpack the research gap that left feminine nervous systems understudied for decades, and how you can find your way back to regulation, rest, and resplendence, in ways that work with, not against, your feminine nervous system. You'll hear gems on: The research gap in feminine nervous system science, and why traditional advice often leaves out the nuance women need to feel supportedWhy your sensitivity is a fabulous design feature, not a flawHow regulation tools differ for women and femmesHow to navigate less towards calming down and more towards coming aliveMentioned in the EpisodeFree class: How to Understand and Care for Your Resplendent Feminine Nervous System — March 18th, live and recorded, Register here Mary's book: Sensing the SacredEpisode 204 webpage: You Are Wired for Pleasure

We all have a personality—but do you truly know how yours is driving your decisions, your stress, and your relationships? In this episode of The Change Mastery Show, John J Murphy dives deep into the world's most researched personality tool: the Myers-Briggs Type Indicator (MBTI). Drawing on nearly 40 years of experience teaching this framework, John moves beyond the "labels" to show you how to use the MBTI as a practical discipline for mindfulness and balance. You'll discover: The "Eight Disciplines": Why your personality is like being right- or left-handed, and how to develop your "non-dominant" side for greater effectiveness. Organizational DNA: How to identify if your team is a "Let's change it" or "Let's keep it" culture—and how to lead through the resulting conflict. The Rational Problem-Solving Secret: How to use Sensing, Intuition, Thinking, and Feeling to make bulletproof decisions. Temperament Insights: Are you an SJ (Dutiful) or an NT (Power-seeker)? Understanding your core drive is the first step to inner peace. Stop letting your mind control you. Start "minding your mind" and master the art of interpersonal connection.

Hi, I'm John Sorensen, President of Evangelism Explosion International, and you're listening to Share Life Today. The night the tree fell on her house, June was afraid; but her greatest fear was that she would not be good enough to get into Heaven. When Bill and a volunteer clean-up crew showed up at June's house, she was overjoyed. She told Bill how she had taken refuge in the bedroom as she heard the tree crashing on the roof. Sensing the opportunity, Bill asked her if she knew for certain that she'd be with God in Heaven someday. Well, her answer was, “No.” She was afraid she wasn't good enough to get there. And, you know, she's right. None of us are. Bill said, “As I shared the sufficiency of Christ's death and resurrection that paid for her sin, June began to weep openly. God was moving as only He can.” That afternoon, June prayed and asked Jesus Christ to be her Savior and Lord! You know, we never know when the opportunity to share Christ will happen, but it will. Are you prepared? Visit us today at sharelife.today.  

This episode was inspired by ordinary trip to the gym, but it quickly turned into a spirit trying to visit someone in class.  I share a moment when someone asked me if I could feel her grandmother around her at the gym. Normally, I'm completely off and don't sense energy randomly. I also talk about why reading someone else's energy without consent is unethical. I share a story about a mother's energy that lingered around me at the gym for a week. It took me months to realize it was one of my friend's moms. This led to a deeper reflection on how, as adults, we rarely talk about our passed loved ones even when our friends are mediums. The realization came at a Christmas brunch while discussing family traditions, when I discovered two of my friends had lost their moms. The energy I had been feeling at the gym turned out to be one of their moms visiting. The synchronicity was uncanny, especially since we all go to the gym at the same time every day. Tune in for this story about noticing energy, the ethics of delivering mediumship messages, and how the spirits of our passed loved ones can show up in the most unexpected places even in the middle of your workout. Are you a Reiki Level 2 Practitioner ready to take your skills to the next level? Join The Advanced Reiki Practitioner Masterclass happening virtually on April 25: ADVANCED REIKI MASTERCLASS Register for the next virtual Usui Reiki Level One Course on June 13 & 14: REIKI LEVEL ONE Register for the next virtual Usui Reiki Level Two Course on March 28 & 29 or May 30 & 31 (there will be no April course): REIKI LEVEL TWO Sign up for the monthly Mediumship Practice Circle on Friday, March 13th and Saturday, March 21st:   https://www.themediuminthemiddle.com/meeting-in-the-middle Book a session with Medium in the Middle (Virtually (currently full) or in-person in Banff): BOOK A SESSION WITH MEDIUM IN THE MIDDLE Follow along on social media: Click here for the Free Facebook group for developing mediums and sitters: MEDIUM IN THE MIDDLE FACEBOOK MEDIUM IN THE MIDDLE ON INSTAGRAM MEDIUM IN THE MIDDLE TIKTOK

In this episode of SHE MD, Mary Alice Haney and Dr. Aliabadi sit down with Hailey Bieber to discuss a terrifying health scare at 25. She experienced a TIA (mini-stroke) with classic stroke symptoms, and the chain of testing that led to finding (and closing) a PFO.Hailey also shares how her pregnancy was a surprise. It was complicated by a uterine septum and conversations about miscarriage risk. She explains how her care team monitored her for preterm risk.Hailey discuss induction tools like the Foley balloon, how she handled the epidural, and what it felt like when she couldn't stop bleeding after delivery. Dr. Aliabadi breaks down postpartum hemorrhage and the Jada device that was used to stop it quickly.They also cover postpartum life, including anxiety, pumping/breastfeeding, PMDD months later, postpartum rehab (including pelvic floor therapy), and Hailey's approach to balancing motherhood with building her company.Subscribe to SHE MD Podcast for expert insight on women's heart health, stroke warning signs, and what to know about PFOs, plus real talk on pregnancy risk, labor and delivery, postpartum hemorrhage, PMDD, and recovery after birth. Share this episode with a friend, and visit the SHE MD website and Ovii for research-backed resources, practical guidance, and expert support for women's health and well-being.Sponsors:Premier Protein: Find your favorite flavor at PremierProtein.com or at Amazon, Walmart, and other major retailers.Gusto: Try Gusto today at gusto.com/sheMD, and get three months free when you run your first payroll. That's three months of free payroll at gusto.com/sheMD.Care.com: Start your senior care journey with confidence. When it's not you, it's Care.com. For a limited time, go to Care.com and use code SHEMD for 20% off your initial Care.com subscription or a Senior Care Advisor Plan.Osea: She MD listeners get 10% off your first order site wide with code SHEMD at OSEAMalibu.comMidi: Ready to feel your best and write your second act script? Visit JoinMidi.com today to book your personalized, insurance-covered virtual visit.What You'll Learn: What a TIA can look like at 25, and the stroke symptoms Hailey experienced What a PFO is, why it can be missed on early testing, and how closure works What a uterine septum is, and why 3D imaging can matter for diagnosis How preterm-risk screening was explained, plus the monitoring/support plan discussed What postpartum hemorrhage can feel like in real time, and how rapid intervention can change outcomesKey Timestamps:(01:51) Hailey joins the show + why she wanted to share her story(03:41) The TIA at 25 and the stroke symptoms she experienced(05:20) PFO basics and why the first bubble study missed it(06:33) PFO closure surgery and how the closure device works(11:06) “Let's move on to the pregnancy” and why it was a surprise(12:11) What a uterine septum is and the miscarriage risk discussed(14:03) Why septums get missed on ultrasound and why 3D imaging matters(15:30) The preterm blood test explained and what it measures(16:59) What happens if you test high-risk, including progesterone, aspirin, and closer monitoring(27:03) Induction details, including the Foley balloon and epidural timing(31:51) “I couldn't stop bleeding” after delivery and what that moment felt like(33:05) Sensing panic in the room, getting meds “to clot,” and asking “am I okay?”(35:57) Postpartum hemorrhage explained and why the Jada device was used(45:12) Postpartum PMDD, diagnosis, and what it felt like(56:19) Postpartum rehab and why pelvic floor therapy mattered(59:58) Working through pregnancy and easing back in after baby(01:02:35) Closing advice on trusting your intuitionKey Takeaways:A TIA can present with classic stroke symptoms, even in a young patient.PFOs can be missed on initial testing. Additional imaging/testing can change the diagnosis.A uterine septum can be underdiagnosed on standard ultrasound, and may meaningfully affect pregnancy risk.Postpartum hemorrhage can escalate fast. Quick intervention matters.Postpartum care is more than “bouncing back.” Mental health (like PMDD) and physical rehab deserve real attention.Guest Bio:Hailey Bieber is a mom and founder who shares her experience navigating a TIA, pregnancy, birth, and postpartum recovery with Dr. Aliabadi. She says she first started seeing Dr. Aliabadi at 19, developed her company idea in 2020, and launched it in 2022. She later worked through her pregnancy in 2024 and returned when she felt ready.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

 How do we sit with our fears and discomforts around collapse? What might we miss when we demand quick fixes, takeaways, and summaries — without allowing our bodies to ferment and feel through the practices and experiences that could move us more deeply? And what does it mean to retune our literacy of the languages of the Earth?In this episode, Green Dreamer's Kaméa Chayne speaks with Vanessa Machado Oliveira, whose latest book is Outgrowing Modernity: Navigating Complexity, Complicity, and Collapse with Accountability and Compassion.Join us as we hold up a mirror to reflect on questions of complicity and collapse — while sensing into what these fractured times may be asking of us.We invite you to…tune in and subscribe to Green Dreamer via any podcast app;tap into our bonus extended and video version of this conversation on Patreon here;and read highlights from these conversations via Kaméa's newsletter here.Song feature: Goodnight Moon Child by Beautiful Chorus

Creative work thrives safety, rhythm, and support. In this episode of Come to Your Senses, we explore how gentle structure can help creative people stay focused, reduce overwhelm, and finish meaningful work. If you struggle with distraction, overthinking, or inconsistent creative energy, this episode offers a calmer, more sustainable approach to productivity.Topics include:How to use gentle structure to support your creative focusHow to work with your energy and turn mental static into embodied clarityHow to leave yourself wanting with creative projects, and increase desire to returnTools of embodiment to support a steady, sustainable pace.This episode is perfect for reeling yourself in when you feel pulled in too many directions, and enjoying a focused flow of delicious creativity. My new book, Sensing the Sacred: A guided journal of sensory spirituality and daily ritual, is available now. Learn more: https://marylofgren.com/sensing-the-sacred

Most burnout isn't caused by workload—it's caused by misalignment. That uncomfortable truth emerged from a live Leadership Lab session where chefs gathered to confront the weight they'd been carrying that wasn't actually theirs to hold.Register for The Leadership Lab"Naming the problem automatically means you are owning it. You can't name it and walk away."In this episode of Chef Life Radio, we explore the profound difference between leadership defined by frantic motion and leadership anchored in grounded presence. What you'll hear isn't motivation or theory—it's the raw clarity that surfaces when chefs slow down long enough to tell the truth about where they're misaligned.The Weight That Doesn't Belong to YouDiscover the two types of misalignment that drain culinary leaders:External disconnect between expectations and reality of your resourcesInternal chasm between your current role and internalized idealsWhy fighting the reality of your job creates constant subconscious struggle.Through real examples from the session, we examine how a high-volume operations manager can exhaust themselves trying to be a bespoke artisan chef, and why that identity conflict becomes the true source of burnout.AB Techniccal College | Culinary ProgramThe Leadership Loop for Permanent ChangeLearn the five-step framework that moves you from seeing dysfunction to enacting lasting transformation:Sensing problems through presence and attentionNaming issues (which automatically means owning them)Communicating clearly without system blamingModeling the correct behavior yourselfHolding the line when integrity conflicts with keeping people comfortableFrom Effort Extraction to PresenceExplore how successful chefs identified their version of "unnecessary spreadsheets"—those extra tasks we create to validate our worth through visible effort rather than actual impact:Why over-delivering often serves our need for validation, not client needsThe difference between motion and meaningful progressHow to ground leadership in clarity instead of excessive effortThe Power of Choice You've Been AvoidingConfront the terrifying reality that you still have agency in your career and life. We examine why inaction feels safer than acknowledging choice, and how old agreements made years ago continue dictating your present reality without conscious review.The conversation reveals why beating yourself up over past choices is unproductive, and how context changes everything about what decisions serve you now.Operational Definitions That Set You FreeThrough the story of a chef whose company is literally called "Culinary Mechanic," discover how accepting the reality of your role—rather than fighting for a romanticized...

Explore Your Personality: https://PersonalityHacker.com    This episode explores why it can be difficult to find your best fit MBTI type when cognitive functions are oversimplified or described with bias. Joel and Antonia break down the four perceiving functions Sensation (Se), Memory (Si), Exploration (Ne), and Perspectives (Ni) and explain how each one can lead to mistyping through stereotypes, unclear language, or missing context. They also discuss why intuition is often misunderstood, why some people hide their intuitive side, and why intuitive patterning may matter even more in a world shaped by AI and increasing complexity.