Podcasts about henning kraggerud

Jess Gillam and tenor Nicky Spence don their Christmas jumpers to share their favourite seasonal music, from Jon Vickers singing Handel to Joni Mitchell, and from Vivaldi's Winter to joyful harmonies from Pentatonix. Playlist: Trad. Jingle Bells - Ella Fitzgerald Trad. arr. Ola Gjeilo - The Coventry Carol (Choir of Royal Holloway) Yma Sumac - Malambo No.1 Tchaikovsky - The Nutcracker: Overture & Dance of the Sugar-Plum Fairy (Mariinsky Orchestra, Valery Gergiev conductor) R Strauss - Weihnachtsgefuhl (Edita Gruberova) Vivaldi - Concerto No.4 in F minor RV297 ‘Winter' (Henning Kraggerud violin, Arctic Philharmonic Orchestra) Mervyn Warren - Joyful, Joyful (Pentatonix) Handel - Messiah, Part 1: Comfort ye, my people; Every valley (Jon Vickers tenor, Royal Philharmonic Orchestra, Sir Thomas Beecham conductor) Joni Mitchell - River

It's difficult to find a more well-rounded musician than violinst Henning Kraggerud. The Norwegian virtuoso has had a career that covers everything – a soloist, composer, arranger, improviser, plus he's the Artistic Director of the Arctic Philharmonic Chamber Orchestra. The discussion, from when he was visiting Australia in 2017 to guest direct the Australian Chamber Orchestra, provides some fascinating insights into his multi-faceted approach to music-making in his composing, arranging and improvising.

Hva er musikk og hvorfor er dette viktig for samfunnet? Kan alle bli musikere? Og; hva skjer med folkehelsen hvis alle får lov til å værende utøvende kunstere?Henning Kraggerud er verdenskjent fiolinist, bratsjist og komponist. Han er kunstnerisk leder for Artic Philharmonic og Professor i musikk ved Norges Musikkhøyskole og Barratt Dues Musikkinstitutt.

Hva er musikk og hvorfor er dette viktig for samfunnet? Kan alle bli musikere? Og; hva skjer med folkehelsen hvis alle får lov til å værende utøvende kunstere?Henning Kraggerud er verdenskjent fiolinist, bratsjist og komponist. Han er kunstnerisk leder for Artic Philharmonic og Professor i musikk ved Norges Musikkhøyskole og Barratt Dues Musikkinstitutt.

Henning Kraggerud snakker om hvor den norske folkemusikken og nasjonalromantikken kommer fra, å kjede seg på klassisk konsert og hvorfor han aldri blir lei av å spille Edvard Grieg. See acast.com/privacy for privacy and opt-out information.

Enjoy the last part of our interview with Henning Kraggerud, where we are trying to understand, what the mission of culture and music, and how to get better in your everyday practicing, as well as other important topics.   Music: Vivaldi - I movement (Winter) by Henning Kraggerud and Arctic Philharmonic Chamber Orchesta, Live performance   Henning's website: https://www.henningkraggerud.com   Maksym Filatov - Violinist's Podcast page: https://www.facebook.com/maksymfilatov

We continue our discussion with Henning Kraggerud in a new episode about the ways you should look forward in your career and how to practice.   Henning's website: https://www.henningkraggerud.com   Maksym Filatov - Violinist's Podcast page: https://www.facebook.com/maksymfilatov

In the new episode, we are talking with a brightest violinist of the modern Norway Henning Kraggerud about importance of individuality and meaningfulness in violin playing.   Intro music: Capriccio "A Royal Celebration" for 2 violins by Henning Kraggerud   Henning's article "How to stay motivated", part 1: https://www.klassiskkarantene.no/inspirasjon/henning-kraggerud-how-to-stay-motivated-part-1-new-methods-to-practice?fbclid=IwAR2hYhm9e9YaynpgNoqZ0jJ3nBPWgB1v24Nc9SUF0rNfkOvrp6Q1aOL51DU part 2: https://fb.watch/4sl6zX_vds/   Henning's website: https://www.henningkraggerud.com   Maksym Filatov - Violinist's Podcast page: https://www.facebook.com/maksymfilatov

Internationally-renowned composer Anne Boyd is in conversation with composer Thomas Metcalf, discussing her life and music ahead of a performance of her String Quartet No. 2 ’Play on the Water’ later this year. This is part of the TORCH project ‘Pixelating the River’: Engagement with Contemporary Music through Graphical Inputs, played by the Kreutzer Quartet, alongside a new work by Thomas Metcalf. Professor Anne Boyd AM is one of Australia’s most distinguished composers and music educators. Her undergraduate studies were in the Department of Music at the University of Sydney, where Peter Sculthorpe was her earliest and most influential composition teacher. The award of a Commonwealth Scholarship enabled her to undertake a PhD in composition at the University of York (1969-72), where her supervisors were Wilfrid Mellers and Bernard Rands. In 1990, Boyd became the first Australian (and the first woman) to be appointed Professor of Music at the University of Sydney. Before this, she was the Foundation Head of the Department of Music at the University of Hong Kong (1981–90) and taught at the University of Sussex (1972–77). The hallmarks of her musical style are its transparency, gentleness and delicacy, attributes which reflect her long involvement with Asian traditions, especially those of Japan and Indonesia. Two solo CDs of her music are Meditations on a Chinese Character (ABC Classics, 1997) and Crossing a Bridge of Dreams (Tall Poppies, 2000). Professor Boyd was honoured with an AM in the Order of Australia in 1996, an Honorary Doctorate from the University of York in 2003, the Distinguished Services to Australian Music Award at the APRA-AMC Classical Music Awards in 2005 and the 2014 Sir Bernard Heinz Award for service to music in Australia. Biography taken from Faber Music, 2021 Thomas Metcalf is a composer and DPhil candidate in Music at Oxford University (Worcester College), where he is researching the transformation of graphical spaces into determinately–notated music – focusing on a range of composers in the 20th and 21st centuries. His research has been recognised in the UK and internationally, appearing in peer-reviewed journals as well as diverse conference settings in Europe. Beginning his composition training with Robert Saxton at Oxford in October 2014, Thomas subsequently achieved a first–class BA in Music and an MSt in Composition with distinction as the Ogilvie–Thompson Scholar of Worcester College. Since January 2020, Thomas has studied with Kenneth Hesketh, focusing specifically on graphical methods of determinate composition, a process that is present in much of Hesketh’s recent work. Thomas’s works have been performed by a variety of ensembles, such as the ANIMA Collective, BBC Singers, Christ Church Cathedral Choir, GBSR Duo, Oxford Philharmonic, St. Pancras Parish Church Choir, and the Villiers Quartet. He has worked with composers such as Judith Weir, Michael Zev Gordon, Henning Kraggerud, and Dario Marianelli. He has also collaborated with festivals such as Oxford Lieder Festival (2018), Oxford Chamber Music Festival (2019), and the Vale of Glamorgan Festival (as part of the Peter Reynolds Composers Studio) (2020).

Internationally-renowned composer Anne Boyd is in conversation with composer Thomas Metcalf, discussing her life and music ahead of a performance of her String Quartet No. 2 ’Play on the Water’ later this year. This is part of the TORCH project ‘Pixelating the River’: Engagement with Contemporary Music through Graphical Inputs, played by the Kreutzer Quartet, alongside a new work by Thomas Metcalf. Professor Anne Boyd AM is one of Australia’s most distinguished composers and music educators. Her undergraduate studies were in the Department of Music at the University of Sydney, where Peter Sculthorpe was her earliest and most influential composition teacher. The award of a Commonwealth Scholarship enabled her to undertake a PhD in composition at the University of York (1969-72), where her supervisors were Wilfrid Mellers and Bernard Rands. In 1990, Boyd became the first Australian (and the first woman) to be appointed Professor of Music at the University of Sydney. Before this, she was the Foundation Head of the Department of Music at the University of Hong Kong (1981–90) and taught at the University of Sussex (1972–77). The hallmarks of her musical style are its transparency, gentleness and delicacy, attributes which reflect her long involvement with Asian traditions, especially those of Japan and Indonesia. Two solo CDs of her music are Meditations on a Chinese Character (ABC Classics, 1997) and Crossing a Bridge of Dreams (Tall Poppies, 2000). Professor Boyd was honoured with an AM in the Order of Australia in 1996, an Honorary Doctorate from the University of York in 2003, the Distinguished Services to Australian Music Award at the APRA-AMC Classical Music Awards in 2005 and the 2014 Sir Bernard Heinz Award for service to music in Australia. Biography taken from Faber Music, 2021 Thomas Metcalf is a composer and DPhil candidate in Music at Oxford University (Worcester College), where he is researching the transformation of graphical spaces into determinately–notated music – focusing on a range of composers in the 20th and 21st centuries. His research has been recognised in the UK and internationally, appearing in peer-reviewed journals as well as diverse conference settings in Europe. Beginning his composition training with Robert Saxton at Oxford in October 2014, Thomas subsequently achieved a first–class BA in Music and an MSt in Composition with distinction as the Ogilvie–Thompson Scholar of Worcester College. Since January 2020, Thomas has studied with Kenneth Hesketh, focusing specifically on graphical methods of determinate composition, a process that is present in much of Hesketh’s recent work. Thomas’s works have been performed by a variety of ensembles, such as the ANIMA Collective, BBC Singers, Christ Church Cathedral Choir, GBSR Duo, Oxford Philharmonic, St. Pancras Parish Church Choir, and the Villiers Quartet. He has worked with composers such as Judith Weir, Michael Zev Gordon, Henning Kraggerud, and Dario Marianelli. He has also collaborated with festivals such as Oxford Lieder Festival (2018), Oxford Chamber Music Festival (2019), and the Vale of Glamorgan Festival (as part of the Peter Reynolds Composers Studio) (2020).

Hør hvordan stjernefiolinisten, Henning Kraggerud, forbereder seg til konsert.

Henning Kraggerud er Artist in Recidence med KSO. Vi snakker om det å være fast soloist for KSO, og vi snakker også litt om hans egne verk; Equinox. Equinox er også navnet på Henning Kraggeruds verk som består av fire konserter for fiolin og strykere – ”Ettermiddag”, ”Kveld”, ”Natt” og ”Morgen”. Alle konsertene er inndelt i seks postludier, det vil si 24 deler sammenlagt. Musikken er glad, trist, sprudlende og hjerteskjærende, og vandrer gjennom de 24 toneartene. Vi blir tatt med på en spennende reise jorden rundt der musikk og bilde beskriver 24 timer og 24 tidssoner.

L'opéra de Vivaldi, Dorilla in tempe ; des ballets de Poulenc, un récital de mélodies chantées par Sandrine Piau, des concertos pour violon interprétés par Henning Kraggerud et un récital du pianiste Georges Li.

L'opéra de Vivaldi, Dorilla in tempe ; des ballets de Poulenc, un récital de mélodies chantées par Sandrine Piau, des concertos pour violon interprétés par Henning Kraggerud et un récital du pianiste Georges Li.

Sean Rafferty walks around the new Charles II exhibition with curator Rufus Bird. Plus chats with Henning Kraggerud, The City Musick and pianist Alexandra Dariescu.

Henning Kraggerud, the soloist on this new recording of works for violin and orchestra, is delighted to be able to introduce Halvorsen’s Violin Concerto to a patient public. It was long thought to have been lost: “Ever since I was a little boy I have lamented the tragic loss of Halvorsen’s Violin Concerto which I read about in music books. Halvorsen’s Passacaglia on a theme by Handel is one of the most internationally performed pieces by a Norwegian composer. So, one wondered, how did his concerto, premièred by Kathleen Parlow and the Berlin Philharmonic in 1909, sound? Then, more than 100 years after the première, it reappears out of the blue in a library in Toronto. Here, then, is the World Première CD recording, and you can finally hear the concerto I have dreamt about since I was a boy.” The podcast is presented by Raymond Bisha.

Fra Koncerthuset i DR Byen. DR SymfoniOrkestret ledet af æresdirigent Thomas Dausgaard i tre kerneværker, der alle er komponeret i de spændingsfyldte 1910'ere. Alban Berg: 3 Stykker for orkester. Prokofjev: Violinkoncert nr. 1 - med norske Henning Kraggerud som solist. Carl Nielsen: Symfoni nr. 4, Det Uudslukkelige. Vært: Esben Tange.

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