Podcasts about Royal Philharmonic Orchestra

Oliver Poole is a British virtuoso concert pianist and composer committed to using music for positive impact. He's got it all - phenomenal artistry, electrifying drive and sensational interactive improvisations. He's been called “Oliver le magnifique”. He debuted as a soloist with the British National Youth Orchestra at age eight, and he's performed with the Royal Philharmonic Orchestra, Czech National Symphony Orchestra and Georgian Philharmonic to name just a few, at venues like Royal Albert Hall, the London 2012 Olympic Games and for the British royal family. He's been profiled by the New York Times and the BBC. But now he's really hit the big time on the Follow Your Dream podcast. My featured song is “Ma Petite Fleur String Quartet”, my recent release. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here for Reflections Click here for Special Collections Click here for Legends Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH OLIVER:www.oliverpoole.net —---------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —---------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

Welcome to the latest episode of Harmonious World, where I interview musicians about how their music helps make the world more harmonious.This episode is unusual, in that Sara Karloff is not a musician. She is the only daughter of Boris Karloff, star of many films but famously the 1931 adaptation of Mary Shelley's Frankenstein.Sara will join composer Michael Shapiro in London on 25 October as his original score is performed in London together with a screening of Frankenstein: commissioned in 2001, it has been presented in over 75 sold-out productions worldwide. I travelled to Milan in November 2021 and the experience of hearing Michael's music while watching such a genre-defining and ground-breaking film from nearly a century ago was extraordinary.I chatted with Michael in October 2020, April 2021 and October 2024.The music I'm playing alongside my conversation with Sara Karloff is from Michael Shapiro's In the Light of the Sun, performed by members of the Royal Philharmonic Orchestra and Stathis Karapanos (flute). I was fortunate in being in the studio when this was recorded.Enjoy Frankenstein and Michael Shapiro's score, performed by the Royal Philharmonic Orchestra at Cadogan Hall.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Dmitri Shostakovich (1906-1975) - Sinfonia n.3, per coro e orchestra op. 20 "Primo Maggio" (1929)Testo di Semyon Kirsanov 1.      Allegretto - Allegro2.      Andante3.      Allegro - Largo4.      Moderato Royal Philharmonic Orchestra and Chorus Morton Gould, conductor

Greg Evigan joined me to discuss writing the theme to My Two Dads; watching Honeymooners; piano lessons; high school bands; winning an Award for Hello Dolly in high school; being i Jesus Christ Superstar & Grease on Broadway and road; being cast in A Year at the Top with Paul Shaffer; All that Glitters; his memorable two-part One Day at a Time; BJ and the Bear not getting a DVD release; driving miles per episode; clapboard motivated Sam; finding out about the 7 Lady Truckers; Lady Truckers do Carson - he gets guest host; Masquerade; Kirstie Alley; participating in the BOTNS; being the 1988 captain; Howard Cosell; winning with Robert Conrad as captain; performing on and with Pink Lady; singing with Valerie Landsburg on Fame; performing My Two Dads theme on an episode; working with Davey Jones & Bobby Rydell; cliffhanger ending; Chuck Lorre = physical comedy; crazy 80s fashion; married 47 years; kids and grandkids around the world; daughter a humanitarian in Zimbabwe; son Jason, a Grammy winning songwriter - producer; doing three Aaron Spelling shows in three years; Pacific Palisades; working; with David Steinberg; doing General Hospital; writing classical music and performing with The Royal Philharmonic Orchestra

Bec and John pitched Justin on the idea of assigning them ANY album from across Elvis's entire discography, from any time or country, and the two of them would have to try to make the case that their pick is better than the other's, even if it may challenge them to do so. So Bec was assigned the #1 2016 UK album "The Wonder of You with the Royal Philharmonic Orchestra," the sequel release to "If I Can Dream," which we have not covered on TCBCast before! Produced by Nick Patrick, Don Reedman and Priscilla Presley, same as the first volume, which Bec really liked, can she make the case that it's a strong listen - or was there are precipitous drop-off in experimentation in favor of an overly safe, commercial follow-up, featuring recognizable hits like "Suspicious Minds," "Kentucky Rain" and "Always On My Mind"? John, on the other hand, being an avid study of Elvis' gospel music, was assigned the 2018 album "Where No One Stands Alone," a #1-charting album from the US's Top Christian Albums, which John had never listened to before except for the title duet with album co-producer Lisa Marie Presley. Although original backing vocalists who worked with Elvis such as Darlene Love, Cissy Houston, Bill Baize, Terry Blackwood, Armond Morales, Ed Hill, Jim Murray, Larry Stickland and Donnie Sumner were brought back to add authenticity to the project, the new arrangements by producer Andy Childs reflected contemporary changes in the field of American gospel music that when applied to Elvis' songs... well, let's say John will have his work cut out for him making a strong case for it being the better record. (Note from Justin: "Where No One Stands Alone" had been briefly reviewed at release on a very early episode of TCBCast, which Gurdip & I would probably re-evaluate our opinions from as well with hindsight.) For Song of the Week, John takes the opportunity of just having passed Easter to reflect on Elvis' interpretation of Shirl Milete's "Life," which was released as a single in 1971, and explores how its "Christianity-by-New-Age" approach may have resonated with Elvis' spiritual perspective on life, love and creativity. Then Bec digs into Pomus-Shuman's "Night Rider," featured on both the Pot Luck album and in the film "Tickle Me," highlighting its eerie lyrics despite its deceptively upbeat arrangement. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

On the latest episode of ‘New Classical Tracks,' pipa master Gao Hong teams up with the Royal Philharmonic Orchestra and ‘The President's Own' United States Marine Band to perform four original concertos she composed and orchestrated. Listen now with host Julie Amacher!

We look at one of the best songs from one of the best debut albums ever, and follow with a pair of covers that teach us a lot about how music works and what it really means in the world. Honestly, we didn't see this one coming. Baby Can I Hold You, originally by Tracy Chapman, covered by Luciano Pavarotti, and by Billy Ocean.  Outro music is The Ride of the Valkyries by Wagner, as performed by the Royal Philharmonic Orchestra. 

One Hit Wonders met Daantjie Dinamiet - The Royal Philharmonic Orchestra se 'Hooked on Classics'.

Parents of under-fives in England are to be offered official advice on how long their children should spend watching TV or looking at computer screens. It comes as government research shows about 98% of children under two were watching screens on a daily basis - with parents, teachers and nursery staff saying youngsters were finding it harder to hold conversations or concentrate on learning. To discuss this further Nuala McGovern is joined by Kate Silverton, child counsellor and parenting author, and Professor Sonia Livingstone from the London School of Economics and author of Parenting for a Digital Future. In 2025 alone she walked at Paris Fashion Week, spoke at the United Nations about face equality and won 'Fashion and beauty influencer of the year' at the the UK and Ireland TikTok awards, all while managing a chronic illness. Nikki Lilly is a Bafta and Emmy award-winner, an influencer and a campaigner and she joined Anita Rani in the studio.The latest series of The Traitors has sparked controversy after two black women, Netty and Judy, were the first to leave – one ‘murdered' by the Traitors and the other banished at the roundtable. The debate goes beyond the game - is it exposing unconscious bias and raising bigger questions? Do reality TV shows like this hold up a mirror to society, revealing uncomfortable truths around racism, misogyny, and ageism? Author and arts columnist at the Independent Micha Frazer-Carroll and freelance writer Chloe Laws, who have both written on this topic and are both fans of the show, discuss.What happens if the person you're in a relationship with doesn't quite meet all the qualities you look for in a long-term partner? Do you stay anyway? Journalist Eve Simmons has recently written about this in her new book, ‘What She Did Next', which looks at why millennial women might settle for what she calls ‘subpar' relationships. Nuala was also joined by psychotherapist and broadcaster Lucy Beresford who believes it may not just be women settling for less.Miss Marple and Poirot have been household names for decades but now one of Agatha Christie's lesser-known sleuths – Lady Eileen ‘Bundle' Brent - is finally getting her time in the spotlight. The fearless young amateur detective is the focus of new Netflix mystery series Seven Dials. Mia McKenna-Bruce is the award-winning actor bringing ‘Bundle' to the screen, alongside Helena Bonham-Carter and Martin Freeman, and Mia joined presenter Nuala live in the studio.The Ayoub Sisters are Scottish Egyptian siblings Sarah and Laura Ayoub who play cello and violin. Their debut album was recorded in Abbey Road Studios with the Royal Philharmonic Orchestra. Their second album, Arabesque, was released independently and went to number one in the iTunes chart. They are about to undertake a UK tour to celebrate their 10th anniversary, which will include the premiere of their Arabic Symphony in a homecoming concert in Glasgow.Presenter: Anita Rani Producer: Annette Wells

Parents of under-fives in England are to be offered official advice on how long their children should spend watching TV or looking at computer screens. It comes as government research shows about 98% of children under two were watching screens on a daily basis - with parents, teachers and nursery staff saying youngsters were finding it harder to hold conversations or concentrate on learning. To discuss this further Nuala McGovern is joined by Kate Silverton, child counsellor and parenting author, and Professor Sonia Livingstone from the London School of Economics and author of Parenting for a Digital Future. Heather Rose's latest novel, A Great Act of Love, is set around a real-life vineyard in Tasmania in the early 19th century. This was at a time when Tasmania, or Van Diemen's Land as it was called then, was still a British penal colony. It was while she was researching this book that Heather discovered her own family's dark history and its connection to the land, which she has interwoven into the story. This year marks the centenary of the Adoption of Children Act 1926. It was the first legislation enabling the legal adoption of children in England and Wales, with equivalent legislation passed in Northern Ireland in 1929 and in Scotland in 1930. Joining Nuala to discuss the significance of the passing of this act is Dame Carol Homden, Chief Executive of Coram, Harriet Ward, Emeritus Professor at Loughborough University and currently writing a book about the history of adoption, and Zoe Lambert, who was adopted at five months old and is the founder of In-Between Lines, that works with adoptees, adoption agencies and advocacy groups. The Ayoub Sisters are Scottish Egyptian siblings Sarah and Laura Ayoub who play cello and violin. Their debut album was recorded in Abbey Road Studios with the Royal Philharmonic Orchestra. Their second album, Arabesque, was released independently and went to number one in the iTunes chart. They are about to undertake a UK tour to celebrate their 10th anniversary, which will include the premiere of their Arabic Symphony in a homecoming concert in Glasgow. Presenter: Nuala McGovern Producer: Andrea Kidd

Deset velikih hitova Đorđa Novkovića, jednog od najplodonosnijih autora sa prostora bivše Jugoslavije, ponovo su snimljeni u studiju Abbey Road u Londonu. Uz pratnju čuvenog Royal Philharmonic Orchestra otpevali su ih poznati izvođači iz regije. O tome u ovom izdanju podkasta, razgovaraju Boris Rabrenović i Boris Novković, muzičar i sin legendarnog kompozitora. Od kolege Zorana Stošića saznajemo kakvih još novosti ima na muzičkoj sceni Hrvatske i šta rade Sara Renar, Damir Urban i Goran Bare. Von Boris Rabrenovic.

This week on the New Music Business Podcast, Ari sits down with recent GRAMMY Award winners Matt B and Angela Benson. Matt B is a GRAMMY-winning R&B singer, songwriter, and global recording artist whose career spans over a decade. His most recent project, ‘Alkebulan II', earned him and Angela a GRAMMY Award, following years of DIY artistry. Over the course of this album, Matt and Angela recorded across Africa, collaborated with artists like Eddie Kenzo and Oxlade, and worked with the Royal Philharmonic Orchestra at Abbey Road Studios. As a label owner, producer on ‘Alkebulan II', and longtime Recording Academy member, Angela has been instrumental in shaping Matt's artistic direction, visual world-building, and global strategy.In this episode, Matt B and Angela Benson walk through their incredible DIY journey and how they found themselves on the GRAMMY-winning path. They discuss the challenges of writing and recording in multiple African languages, shooting a full visual album across multiple countries, and balancing the creative workload between artist and manager. The pair break down how independent artists can navigate the GRAMMY process, the importance of joining the Recording Academy, the role of networking and bartering in major creative endeavors, and most importantly, the communication and patience required to run a music career as a married team.https://www.instagram.com/mattbworldhttps://www.instagram.com/angelavbenson01:40 – Home Studio & Recent Travels02:10 – Returning to His Alma Mater After the Grammy Win03:00 – Life & Opportunities After Winning a Grammy04:15 – Performing in Uganda & Global Breakthrough Moments05:20 – Inception of the Akebulan Concept09:00 – Connecting With Oxlade & Eddie Kenzo11:00 – Creating the “Gimme Love” Music Video13:00 – Building a Full Visual Album DIY17:40 – Finding Producers & Collaborators Worldwide20:00 – Incorporating the Royal Philharmonic Orchestra30:00 – Navigating Grammy Nominations & Recording Academy Membership47:00 – Working as a Husband-and-Wife Artist/Manager TeamEdited and mixed by Peter SchruppMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.

In this episode of Change Makers, Michael Hayman is joined by designer and author Anya Hindmarch. A defining voice in British fashion, Anya brings a lifelong love of music to her creative life. Recorded at Cadogan Hall in collaboration with the Royal Philharmonic Orchestra, Anya reflects on starting her business at 19, the craftsmanship and curiosity that drive her, and why self-doubt can be a surprising source of strength.

This episode of The Other Side of the Bell, featuring classical trumpeter and soloist Imogen Whitehead, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Imogen Whitehead trumpet interview"   Find the expanded show notes, transcript and more photos here: https://bobreeves.com/blog/imogen-whitehead-trumpet-interview-the-other-side-of-the-bell-145/   About Imogen Whitehead: British trumpeter Imogen Whitehead is in demand across the UK and internationally, enjoying an increasingly diverse career as a soloist, chamber musician, and orchestral principal. A passionate advocate for new music, Imogen serves on the International Trumpet Guild's 'New Works' committee and has premiered numerous works by composers such as Sally Beamish and Stephen Dodgson. Many of these are featured on her recently released debut solo album, Connection. As a particular champion of the flugelhorn – an instrument often overlooked in the classical sphere – Imogen is dedicated to raising its solo profile through new commissions and arrangements. Her most recent commission, Ennui by Noah Max (for flugelhorn and piano), was supported by the Vaughan Williams Foundation and premiered in June 2025. Recent and upcoming highlights include concerto performances with Britten Sinfonia of Barry Mills' Trumpet Concerto (world premiere, July 2025) and Hummel's Trumpet Concerto (May 2025), the latter also featuring live on BBC Radio 3's In Tune. Imogen launched her solo album at London's iconic St Martin-in-the-Fields (May 2025), with further recitals at Proms at St Jude's (June 2025) and Wimbledon International Music Festival (November 2025). In addition to her position as Principal Trumpet with Britten Sinfonia, Imogen performs regularly as Guest Principal Trumpet with other leading orchestras internationally. In March 2025, she toured Germany and Belgium with Aurora Orchestra and Abel Selaocoe and next season joins the London Symphony Orchestra for a European tour. In recent years, she has performed in London's West End and played on major film soundtracks including Maestro and Saltburn. Imogen is currently Artist-in-Residence with St Martin's Voices and a member of the acclaimed wind and brass collective, Neoteric Ensemble. She is deeply committed to music education, community engagement, and equal opportunity, serving as an Associate and Mentor for GALSI (Gender and the Large and Shiny Instruments), an initiative promoting gender equality in brass and percussion. She is also involved in Britten Sinfonia's pioneering outreach work, has worked with the Royal Philharmonic Orchestra's 'Resound' education and community programme, and regularly leads masterclasses at conservatoires across the UK. Based in South West London, Imogen also volunteers as a befriender through the Wimbledon Guild. An alumna of the Royal Academy of Music, Imogen studied with professors including Mark David and Gareth Small and subsequently studied privately with Norwegian soloist Tine Thing Helseth. In April 2025, Imogen was awarded Associateship of the Royal Academy of Music (ARAM).   Episode Links: imogenwhiteheadtrumpet.com Connection: Imogen's debut solo album GALSI: Gender and the Large and Shiny Instruments (www.largeandshiny.com) Imogen on Instagram (@imogen_trumpet) on YouTube (@imogentrumpet) on TikTok (@imogentrumpet) 'To Stay Open' by Charlotte Harding, outdoor performance on YouTube   Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Cover Photo Credit - Matthew Johnson Photographer Audio Engineer - Ted Cragg

durée : 00:13:33 - Rachmaninov, Elgar - Royal Philharmonic Orchestra, Vasily Petrenko - Le chef Vasily Petrenko continue son exploration du répertoire russe. Spécialiste de Rachmaninov, il enregistre son impressionnante symphonie chorale les Cloches. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:13:33 - Rachmaninov, Elgar - Royal Philharmonic Orchestra, Vasily Petrenko - Le chef Vasily Petrenko continue son exploration du répertoire russe. Spécialiste de Rachmaninov, il enregistre son impressionnante symphonie chorale les Cloches. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In dieser (14.) Ausgabe der Scheibennostalgie im Rahmen des Drittverwertung Podcasts spreche ich u.a. nochmals über die 3P Allstars, die "RTL Megastars 2008", die Coverwelle der 1990er Jahre, meine Vorliebe für das Royal Philharmonic Orchestra und me

In this episode of Change Makers, Michael Hayman is joined by journalist and author Cathy Newman. Best known as one of Channel 4's leading broadcasters, Cathy shares the lesser-known story of her lifelong love affair with music - and it's one with strings attached.  From a childhood spark - a stray violin brought home during a bout of chickenpox - to performing in the parliamentary String Quartet, music remained a constant companion. Yet journalism became her stage, and Cathy reflects on the rhythm, focus, and listening both disciplines demand. Recorded at the Royal Albert Hall in collaboration with the Royal Philharmonic Orchestra, Cathy reflects on her early musical experiences, the challenges of being a woman in media, and her advocacy for music education through Music for All. Along the way, she shows how passion, perseverance, and listening deeply - whether to a piece of music or a person - can shape both life and work.

One of the most-performed composers of our time, Sir John Rutter, celebrates his 80th birthday on September 24. To mark the occasion Harmonia Mundi has released an album of his choral music sung by the Choir of Clare College, Cambridge, directed by Graham Ross – ‘John Rutter: A Clare College Celebration'. And next week Decca releases an all-orchestral collection, ‘Reflections', that includes a performance of Rutter's piano concerto, which gives the album its title. Rutter himself conducts the Royal Philharmonic Orchestra with Steven Osborne the piano soloist. James Jolly went to visit Sir John at his home to talk about the new releases but also reflect on his long association with Clare College, and much else.

Welcome to the latest episode of Harmonious World, in which I interview musicians about how their music helps make the world more harmonious.In preparation for this episode, I sat in on a recording session at the famous Abbey Road studios. Composer Jamie Poulsen and I then met for coffee and a chat a few days later.The recording session was principally for Jamie's Piano Concerto (a few clips of which you can hear alongside our conversation), performed by members of the Royal Philharmonic Orchestra and pianist Robert Thies. On hand for Production was my past guest Danae Xanthe Vlasse and it was a delight to experience the magic of recording once more.Jamie and I also discussed his wide-ranging piano and composing credits, as well as his work (that sounds like a lot of fun) with the NOLA Jazz Band.I hope you enjoy listening in on my chat with Jamie and I'm grateful to him for sending me a sneak preview of his Piano Concerto to feature alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

I am reluctant to post much of anything about the current armed conflict in Gaza. As the saying goes, the first casualty in war is the truth, and the truth of this saying is manifest in Gaza. It is almost impossible to separate information from information operations by either side. The International Committee of the Red Cross cites allegations of grave beaches of the law of war by both sides. In previous episodes I described how war crimes make reaching peace even more difficult than it usually is. Nonetheless, if achieving peace seems insurmountable, a cease fire leading to non-kinetic conflict resolution may be possible if we listen and put pressure on each sides stated war aims.   These podcasts do not necessarily represent the views of the Department of Defense, the Army War College, or any other organization I am associated with     Music Liszt, F. and Royal Philharmonic Orchestra, Totentanz, https://download.stream.publicradio.org/podcast/minnesota/classical/programs/free-downloads/2020/10/27/daily_download_20201027_128.mp3?listeningSessionID=0CD_382_200__6cca22efd3d270af449f392040641d0331631df3 Copland, A. & United States Marine Band. (2000) Fanfare for the Common Man, unpublished, Washington, DC. [Audio] Retrieved from the Library of Congress, (Fair use for educational purposes.) Mozart, W.A. and Berlin Philharmonic Orchestra, Requiem in D Minor, downloaded from the Internet Archive, https://archive.org   Photo: Palestinian News & Information Agency. CC

The Cello Sherpa Podcast Host, Joel Dallow, interviews cellist Clive Greensmith. Clive has been Professor of Cello at the Colburn School Conservatory of Music since 2013. Clive shares about his incredible journey as cellist of the World renowned Tokyo String Quartet for their final 15 years, his position as Principal Cellist of the Royal Philharmonic Orchestra in London, and how those two distinctive careers compared to each other. With his vast teaching experience, Clive also shares about his teaching philosophy, offers advice to young musicians, and much more. For more information on Clive: https://www.clivegreensmith.com/You can also find Clive on Instagram and Facebook: @clivegreensmithIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, YouTube and Bluesky @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

In this episode of Journeys of Discovery, Michael Hayman sits down with internationally renowned violinist and author, Min Kym. A child prodigy who found her voice through the violin, Min shares the extraordinary story of her deep connection to music - from growing up in a traditional South Korean home to the devastating theft of her beloved Stradivarius. Min reflects on the pressures of early success, the identity crisis that followed the loss of her violin, and how she ultimately found her way back to music. She and Michael discuss the profound relationship between musician and instrument, the emotional weight of artistry, the reality of perfectionism, and the cathartic process of writing her memoir, Gone: A Girl, a Violin, a Life Unstrung.  Recorded at Cadogan Hall in collaboration with the Royal Philharmonic Orchestra, this is a conversation about music, talent, and what it takes to begin again. 

We now pull out the third record from this seven disk box set. A record that features a relatively unknown work AND probably one of the most famous works in music history. Talk about a dichotomy.   This is music from the immortal Ludwig Van Beethoven. His symphonies live on in performances to this very day.   Plus I decided to play three movements from each symphony. I thought this joint needed some classing up.   So, settle in and get ready to hear the man who is said to have set music free in Volume 227: Beethoven's 4th & 5th.   For more information about this album, see the Discogs webpage for it.    Here is the promised Leonard Bernstein video.    Credits and copyrights   Beethoven, René Leibowitz, The Royal Philharmonic Orchestra, The Beecham Choral Society – The Nine Symphonies Of Beethoven Ludwig van Beethoven Label: Reader's Digest – RD 4-6 Format: 7 x Vinyl, LP Box Set Released: 1966 Genre: Classical Style: Romantic, Choral   This is record 3 of a 6 record set. We will hear two movements from the 4th Symphony and three from the 5th.   Symphony No. 4 In B-Flat Major, Op. 60 First Movement - Adagio; Allegro Vivace Second Movement - Adagio Fourth Movement - Allegro Ma Non Troppo   Symphony No. 5 In C Minor, Op. 67 First Movement - Allegro Con Brio Third Movement - Allegro Fourth Movement - Allegro   I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.   #beethoven #beethovensfifth  #musicalmemories #musichistory #vinylcollecting #vinylrecords #fyp

Well, well, well. This week returns us to Midnight, but this time with Lombardo space marines on a search and recovery mission to a diamond mine that has gone silent. Another interesting future-tech gadget from the mind of RTD, with the TARDIS cracking the spacesuit selection for Belinda and the Doctor. But overall, David thought the Doctor's thinking and planning was sloppy and Ben thought the story was a bit choppy. Opening music is "Diamonds are Forever" composed and conducted by John Barry with the Royal Philharmonic Orchestra. Closing music is a 1935 recording from Guy Lombardo and the Royal Canadians, "I'm Just an Ordinary Human". We recorded this episode on 29 April 2025.

durée : 00:19:01 - Disques de légende du mercredi 16 avril 2025 - En 1961 paraissait chez Chesky records l'intégrale des symphonies de Beethoven par le Royal Philharmonic Orchestra dirigé par René Leibowitz ; une inattendue mais grande intégrale !

Interpreten: Liya Petrova, Royal Philharmonic Orchestra, Duncan Ward, Alexandre KantorowLabel: MirareEAN: 3760127226918Virtuose Geigenliteratur hat es diese Woche wieder zu besonderen Ehren auf radio klassik Stephansdom gebracht. Die neue CD Momentum 2 von Liya Petrova hat Michael Gmasz überzeugt! Was er daran so herausragend findet? Lesen Sie selbst!Schon vor zwei Jahren, als die Geigerin Liya Petrova das Violinkonzert von William Walten mit der Violinsonaten von Ottorino Respighi kombiniert hat, dachte ich mir – wow, diese junge Frau hat ordentlich was drauf! Und sie hat nun mit dem Folgealbum noch eins draufgesetzt. Auf Momentum 2 stellt sie das Violinkonzert von Erich Wolfgang Korngold der Violinsonate von Richard Strauss gegenüber. Für Liya Petrova eine ganz logische Kombination: „Beide teilten die Erfahrung eines musikalischen und ehrgeizigen Vaters. Strauss war nacheinander Inspiration und musikalischer Einfluss für das Wiener Wunderkind [Korngold], einer seiner ersten Unterstützer und Freunde in der Musikgemeinschaft.“ Beide Werke füllt sie dabei mit Leben und mit Feuer, wobei ihr vor allem bei der Violinsonate von Strauss der Pianist Alexandre Kantorow, Preisträger des Tschaikowsky-Wettbewerbes, als kongenialer Partner zur Seite steht.Während man bei Korngolds Violinkonzert mit den ersten samtüberzogenen Geigentönen in die wunderbare Welt der frühen Hollywood Musik eintaucht – er hat in seinem über knapp 10 Jahre entstandenen Meisterwerk Motive und Themen aus den Filmmusiken Another Dawn, Anthony Adverse und The Prince and the Pauper eingebaut, ist die Violinsonate von Richard Strauss „ein funkelnd geistreiches Stück”, dessen Virtuosität und Farbigkeit alle Grenzen sprengt, wie es der Kritiker Wilhelm Altmann so schön formuliert hat. Liya Petrova zeigt uns hier, wie viele Klangfarben sie ihrer Violine zu entlocken vermag und geht auch, vor allem bei Strauss, an die klanglichen Grenzen. Das ist für mich leidenschaftliches Musizieren pur. Dass die Carl-Nielsen-Preisträgerin makellos virtuos spielt, muss nicht extra erwähnt werden, aber dass sie ihre Interpretationen mit so viel Leben erfüllt, macht ihre Aufnahmen zu etwas besonderem! (mg)

GHOST MUSIC finds the fictional Orchestra of London beset by difficulties. Zimetski, their fiery Polish conductor, drives musicians simultaneously to greater performances and personal desperation, while Pete, the orchestral manager, attempts damage control. William Mellor, a cellist, buys an antique cello at auction only to discover that it has supernatural qualities. A mysterious young woman then joins the orchestra, captivates the conductor and attempts to captivate William, who's struggling to get back together with his estranged wife. In the end, no force, whether earthly or otherwise, can keep William from confronting the cello's true nature – as well as his own. ABOUT THE AUTHOR Alice McVeigh has been published by Orion/Hachette in contemporary fiction, by UK's Unbound using a pen name in scifi, and now in multi-award-winning Austenesque fiction. Her books have been honoured at the most recent London Book Fair in the UK Selfies Book Awards, runners-up for the prestigious Foreword Indies "Book of the Year" and joint runner-up for Writers Digest ebook awards. She is married, and lives in London. Previously, she played all over the world with London orchestras, including the BBC Symphony and the Royal Philharmonic Orchestra - which inspired this work. LEARN MORE ABOUT ALICE MCVEIGH AND HER WORK AT: https://www.alicemcveigh.com Connect with Alice McVeigh: https://www.linktr.ee/ASTMcVeigh TOPICS OF CONVERSATION Personal Journey and Career Shift: Transition from professional cellist to writer, including challenges with infertility and ADHD diagnosis. Inspiration and Writing Process: Dreams as a source of inspiration, particularly the dream of a cello playing her, influencing Ghost Music. Orchestral World and Cultural Shifts: Experiences in male-dominated orchestras, rivalry, and the evolving culture of inclusivity in music. Character Exploration and Themes: Protagonist William Miller's open-hearted nature, Shakespearean themes, and the cello as a character. Future Projects and Genre Balance: Plans for a thriller finale in the orchestral series, challenges of balancing multiple genres, and ongoing Jane Austen-inspired works.  

Interpreten: Thomas Albertus Irnberger, Royal Philharmonic Orchestra, Doron Salomon, Michael Korstick Label: Gramola EAN: 9003643993280 Der Geiger Thomas Albertus Irnberger ist ein Phänomen. In regelmäßigen Abständen landen Neuerscheinungen mit ihm bei uns im Sender, mal kammermusikalisch mal wieder groß besetzt. Was aber alle CDs verbindet, sie sind allesamt qualitativ ausgesprochen hochwertig und musikalisch absolut überzeugend. Wie auch die zuletzt erschienene CD mit Musik von Jean Sibelius, wie Michael Gmasz weiß. Der Name Thomas Albertus Irnberger ist mir bekannt, seit ich 2004 bei radio klassik Stephansdom zu arbeiten begonnen habe. Im Konzertsaal war und ist der in Salzburg beheimatete Geiger bei uns in Wien zwar kaum anzutreffen, jedoch hat er im gleichen Jahr seinen Exklusivvertrag bei Gramola unterschrieben und damit begonnen, einer der meistaufgenommenen Künstler des Hauses zu werden. Etwas über 60 CDs umfasst seine Diskographie mittlerweile und auf dem jüngsten Album spielt er sich durch das Geigenrepertoire des finnischen Komponisten Jean Sibelius. Das Violinkonzert mit dem Royal Philharmonic Orchestra unter Doron Salomon und Stücke für Violine und Klavier mit seinem langjährigen Kammermusikpartner Michael Korstick.  Jean Sibelius‘, dem damals 12-jährigen Wunderkind Ferenc Vecsey gewidmetes, Violinkonzert ist auf dieser CD der Höhepunkt. Technisch makellos spielt Thomas Albertus Irnberger einen reifen, abgeklärten Solopart, als ob es die einfachste aller Übungen wäre. Jedoch nicht beiläufig, sondern immer intensiv bei der Sache. Dabei entlockt Irnberger seinem Instrument die unterschiedlichsten Klangfarben, von nordisch unterkühlt bis hin zu feurig kraftvoll reicht die Palette. Unterschiedlichste Charaktere zeigen die kammermusikalischen Stücke für Violine und Klavier. Fröhlich tänzerisch die Stücke Op. 81, melancholisch, in Gedanken verloren jene Op. 115. Als Zugabe hat Irnberger gemeinsam mit Michael Korstick auch den Valse triste aufgenommen, jedoch hier nicht jenen von Sibelius, sondern vom schon angesprochenen Ferenc Vecsey. Eine schöne Reverenz an den „führenden Geiger seiner Zeit“. (mg)

Hello friends! GRAMMY-winning soprano Sangeeta Kaur is my guest for episode 1463! Her latest project, MYTHOLOGIES II, reimagines ancient Greek myths through cinematic soundscapes and lush orchestral tone poems, featuring the world-renowned Royal Philharmonic Orchestra. The album, a collaboration with GRAMMY-winning composer Danaë Xanthe Vlasse, is nominated for Best Classical Compendium at the 67th Annual GRAMMY Awards®. Go to sangeetakaurmusic.com for more info on the music. We have a great conversation about being the first Vietnamese female to win a GRAMMY in 2021 for MYTHOLOGIES, working with The Royal Philharmonic Orchestra at legendary Abbey Road Studios in London, being a Governor at The Texas Chapter of The Recording Academy, owning Studio Hill here in Austin, the Boston Conservatory of Music, collaborating with Jon Anderson of YES, making modern classical music, and much more. I had a great time getting to know Sangeeta. I'm sure you will too. Let's get down!    Give to The American Red Cross to help with Southern California Wildfires HERE   Follow us on Instagram, Facebook, Spotify, Apple Podcasts, or anywhere you pod.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

最近出现一个新词：老登电影，我们这次来聊聊什么是老登电影？拉帝｜奇妙导演，小红薯：拉帝Alice｜听友群笑领导树懒｜已经加入的树懒静静｜长宁公主Timeline：00:51 老登电影的由来02:40 著名群友的mean mean发言（不代表本台所有观点）03:14 为什么大家觉得影视行业臭臭的？13:03 老登电影悬浮吗？22:18 老登电影是什么？26:30 老登电影案例26:59 《教父》38:24 马丁的早中晚上42:12 港片44:50 周星驰47:59 《重庆森林》是老登电影吗？01:05:11 《让子弹飞》01:11:09 我们不是讨厌这些电影，而是要风格多元！01:22:23 《满江红》01:16:29 别破防了！01:19:33 《这个杀手不太冷》01:22:48 小时候代入谁？01:24:30 为什么我们开始聊老登电影？01:25:18 为什么我们支持这个说法？本期背景音乐：Nino Rota - The Godfather (Love Theme) Nino Rota - I Have But One Heart (O Marenariello) Tony Bennett - Rags to riches The Cleftones - Can't We Be Sweethearts The Charms - Hearts Of Stone The Cadillacs - Speedo Chantels - Look In My Eyes Bobby Vinton - Roses Are Red (My Love) Al Jolson - Toot Toot Tootsie Vito - Unchained Melody Muddy Waters - Mannish Boy Carmine Coppola,Nino Rota - The Godfather, Pt. 3：Main Title Carmine Coppola,Nino Rota - The Godfather, Pt. 3：Marcia Religioso Carmine Coppola,Nino Rota - The Godfather, Pt. 3：Michael's Letter Carmine Coppola,Nino Rota - The Godfather, Pt. 3：The Immigrant／Love Theme from the Godfather Partiii Carmine Coppola,Al Martino - The Godfather, Pt. 3：To Each His Own Carmine Coppola,Nino Rota - The Godfather, Pt. 3：Vincent's Theme Tracy T - Money Chant [Prod. By Futuristiks] 梅林茂 - 2046 Main Theme (伦巴舞曲版) 小林旭 - 昭和・男道 ano - 涙くん、今日もおはようっ Jizue - bask Jizue - efimero Royal Philharmonic Orchestra,Julian Nott - Wallace And Gromit (Theme And Chase) 早坂文雄 - 勘兵衛と勝四郎~菊千代のマンボ 北岡ひろし - 男道 石川さゆり - 大阪つばめ Jizue - Kiji Jizue - ARUKAS

On the latest episode of ‘New Classical Tracks' with host Julie Amacher, violinist Ray Chen explores the immersive nature of video game music on his new album ‘Player 1,' with the Royal Philharmonic Orchestra. Listen now!

We pull out the second record from this seven disk box set. This one is filled with an incredible performance of a long piece of music from an incredible composer. The Reader's Digest liner notes for this seven record box set starts off "the nineteenth century was just opening in Vienna when the fist of an implacable genius knocked like destiny upon the doors of music."  They were, of course, talking about the immortal Ludwig Van Beethoven. His symphonies live on in performances to this very day. So, get ready to hear the man who is said to have set music free in Volume 206: Beethoven's 3rd. More information about this album, see the Discogs webpage for it.  Credits and copyrights Beethoven, René Leibowitz, The Royal Philharmonic Orchestra, The Beecham Choral Society – The Nine Symphonies Of Beethoven Label: Reader's Digest – RD 4-6, RCA Custom – RD 4-6 (1-7) Format: 7 x Vinyl, LP Box Set Released: 1966 Genre: Classical Style: Romantic, Choral Disk two of this 7 record set is all the third symphony We will hear 3 of the 4 movements. First Movement - Allegro Con Brio Second Movement - Marcia Funebre: Adagio Assai Fourth Movement - Allegro Molto; Poco Andante; Presto I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #beethoven #beethovens3rd #romanticera

Nimrod Borenstein is a brilliant composer, who was a child prodigy as both a composer and performer. His often complex music is beloved by performers and audiences alike, and has been widely recorded and performed internationally. He is also a renowned conductor, and he spoke to me about his difficult decision to cut short his career as a violin soloist in order to find alternate career options as he developed his career as a composer. Vladimir Ashkenazy has been an active champion of Nimrod's music, and you'll hear the charming story of their first meeting.  Ashkenazy first conducted Borenstein's orchestral work The Big Bang and Creation of the Universe op. 52 to great acclaim, and the Chandos label released a very successful album devoted to Borenstein's music conducted by Ashkenazy featuring his Violin Concerto and orchestral works.   Nimrod shares his insights about interpreting music for performers and conductors, the development of his compositional style and his views on creativity in general. Nimrod has an infectious energy in his enthusiasm for the pursuit of beauty.  Nimrod has exceptional parents, and you'll hear how they met, and we start with Nimrod's close relationship to his father the renowned painter Alec Borenstein.  You'll be hearing excerpts from a couple of recordings, with thanks to both SOMM recordings and Naxos; links to Nimrod Borenstein's compositions and recordings below This episode is also a captioned video on YouTube, and you can read the transcript at this link as well: https://www.leahroseman.com/episodes/nimrod-borenstein Nimrod Borenstein website, for his discography, compositions and current projects: https://www.nimrod-borenstein.com/recordings To support this series, please either buy me a coffee or shop at my merchandise store Newsletter sign-up Catalog of Episodes Timestamps: (00:00) Intro (03:27) father Alec Borenstein, sharing ideas about great art and creativity (10:44) Un moment de sérénité Shirim, op. 94, no. 5  performed by pianist Clélia Iruzun with thanks to SOMM recordings (13:24) the importance of contrast (15:06) importance of dynamics, notation, interpretation (18:04) evolution of Nimrod's compositions,  decision to give up career as a violin soloist  (22:37)Concertos (24:51) piano Etudes (30:11) Tango Etude. op. 66 No. 3 on the Naxos label with pianist Tra Nguyen (32:32) piano Etudes, first symphony (35:24) Chopin performed very little, Nimrod's decision to prioritize composition (36:41)decision to conduct (43:47) excerpt from the 3rd movement of the Borenstein Concerto for Piano and Orchestra op. 91, performed by Clélia Iruzun and the Royal Philharmonic Orchestra, Nimrod Borenstein conductor (47:11) conducting, composition and interpretation (55:35)past episodes you may enjoy, different ways to support this series (56:20) English Chamber Orchestra 2025 collaboration Shakespeare Songs (57:16)how Vladimir Ashkenazy became a champion of Nimrod's compositions (01:06:38) evolution of Nimrod's compositional style, use of polyrhythms, finding his voice (01:24:09) excerpt from the 2nd movement of the Borenstein Concerto for Piano and Orchestra, op. 91, performed by Clélia Iruzun and the Royal Philharmonic Orchestra, with Nimrod conducting. (01:27:31) Nimrod's childhood in France, then move to the UK, musical influences, rating composers (01:37:32) Nimrod's family  (01:42:55) piano pedagogy books and approach to teaching (01:48:42) great art separate from the creator photo: Sonia Fitoussi 

Mi a különleges Liszt egytételes, II. (A-dúr) zongoraversenyében, hányszor dolgozta át a művet a szerző, és hogyan vélekedik róla a koncert szólistája, Balog József? Hózsa Zsófia zenetörténész kalauzolásában emellett megtudhatjuk, hogy Dvořák híres Karnevál – koncertnyitányát milyen alkalomból vezényelte a szerző Prágában, de azt is, hogy Bartók csodálatos Concertójába hogyan és miért került egy operettből és egy kupléból meghökkentő idézet. Hallgassátok szeretettel!

Welcome to the latest episode of Harmonious World, in which I interview musicians about how their music helps make the world more harmonious.For this episode, I interviewed flautist Stathis Karapanos, who has new music out now - both Hindemith's Complete Works for Flute and also Michael Shapiro's sublime 'In the Light of the Sun' concerto for flute and orchestra, recorded with the Royal Philharmonic Orchestra at Abbey Road studios earlier this year.Thanks to Stathis for allowing me to share clips from his recordings of 'Echo' for Flute and Piano, 'Enthusiasm' for Flute and Viola and 'Abundskonzert Nr2' alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead my reviews of albums, gigs and books as well as a little personal stuff on my blogFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

durée : 00:15:32 - Le Disque classique du jour du mercredi 11 septembre 2024 - Rafael Orozco nous emporte avec le Royal Philharmonic Orchestra et le Rotterdam Philharmonic Orchestra dans un best of des œuvres du grand Sergei Rachmaninoff.

durée : 00:15:32 - Le Disque classique du jour du mercredi 11 septembre 2024 - Rafael Orozco nous emporte avec le Royal Philharmonic Orchestra et le Rotterdam Philharmonic Orchestra dans un best of des œuvres du grand Sergei Rachmaninoff.

We're back!!! We've missed you all….but what a way to kick off this season of TIAB than with none other than Artistic director and founder of Classical Pride Uk Oliver Zeffman.Oliver is an internationally renowned conductor, working frequently with orchestras including the CBSO, Royal Philharmonic Orchestra, Orchestre national du Capitole de Toulouse, Orchestre national d'Île-de-France and Ulster Orchestra. Oliver founded Classical Pride in 2023 with an inaugural concert by the CBSO at the Barbican. This year it has been extended to 5 concerts starting with Classical Drag and culminating with Oliver making his LSO debut at the Barbican in a concert celebrating LBGTQ+ artists and composers hosted by Nick Grimshaw (find ticket links below).We took Oliver on a walk around central London to chat all things Pride plus future plans, lockdown films, TV recommendations and where he gets his batons from!!In true TIAB fashion this trip was littered with complications including technical issues, reversing forklifts and a bird poo incident…What other way would we want to make our comeback?! To find out more and book tickets for Classical Pride 2024 click here; www.classicalpride.ukinstagram.com/classicalprideukSUPPORT THREE IN A BAR ON PATREONJoin our Members' Club for a bonus podcast feed plus many more rewards.Click here: https://www.patreon.com/threeinabarInstagram @threeinabarpodTiktok @threeinabarpodThree In A Bar on YoutubeAnything you'd like to share with us? Any guests you'd love to hear or anything you'd like us to do better? Drop us a line at hello@threeinabar.com Click here to join the Members' Club on Patreon! Hosted on Acast. See acast.com/privacy for more information.

Manoj Kamps is dirigent, curator en theatermaker. Hen dirigeerde vele stukken in binnen- en buitenland, sinds diens debuut ‘FAUST [working title]' bij De Nationale Opera in 2020. Kamps speelde concerten met onder meer Royal Philharmonic Orchestra, BBC Philharmonic en het Nederlands Kamerkoor. Met het Rotterdams Philharmonisch Orkest dirigeert hen het theaterconcert ‘Anders als die Andern', een ode aan de lhbtq+ gemeenschap in de voormalige Weimarrepubliek. Atze de Vrieze gaat met Manoj Kamps in gesprek.

My dad had plenty of records featuring large orchestras playing classical music on both 33 ⅓ RPM vinyl LPs and 78 RPM Shellac records. The Reader's Digest liner notes for this seven record box set starts off…quote…the nineteenth century was just opening in Vienna when the fist of an implacable genius knocked like destiny upon the doors of music. unquote.  They were, of course, talking about the immortal Ludwig Van Beethoven. His symphonies live on in performances to this very day. In fact we saw the Cleveland orchestra perform his fifth symphony earlier this year. So, get ready to hear the man who is said to have set music free in Volume 182: Beethoven's 1st & 2nd. More information about this album, see the Discogs webpage for it.  Credits and copyrights Beethoven, René Leibowitz, The Royal Philharmonic Orchestra, The Beecham Choral Society – The Nine Symphonies Of Beethoven Label: Reader's Digest – RD 4-6, RCA Custom – RD 4-6 (1-7) Format: 7 x Vinyl, LP, Box Set Released: 1966 Genre: Classical Style: Romantic, Choral We will hear 4 of the 8 movements from the first record which includes Symphonies number 1 and 2. Symphony No. 1 In C Major, Op. 21 First Movement - Adagio Molto; Allegro Con Brio Second Movement - Andante Cantabile Con Moto Symphony No. 2 In D Major, Op. 36 Second Movement - Larghetto Third Movement - Scherzo Fourth Movement - Allegro Molto I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

Italian Drummer, Sound Explorer, music maker Piero Perelli is a musical maverick whose skills stretch from free improvisation to film scores, to performances with international artists and musicians, both live and in the studio. His original style is grounded in his journey as a musical explorer, touring around places like the United States, Europe, Africa and India. Engaged both in the service of songs and in experimentation, Perelli maintains the creative center of his activity in the Tuscan countryside, where he has also created his own personal laboratory-studio, the SoundSet Studio. As a drummer and percussionist, Piero has recorded with artists like Eddie Vedder, Glen Hansard, Cat Power as well as producers like Robin Hannibal (Kendrick Lamar, Little Dragon), Vinicio Capossela, Paul Savoy (A-Ha) Simone Giuliani (Andrea Bocelli, Royal Philharmonic Orchestra), Rodrigo DʼErasmo, Edoardo Bennato, Roberto Dell'Era, Niki La Rosa, Effenberg, Andrea Biagioni and many others, Piero has also recorded a library of their specific sounds and grooves and loops for the American That Sound made available to producers from all over the world. He has recently been touring with Glen Hansard and The Swell Season as well as the well respected Italian singer/songwriter Vinicio Capossela. His first solo album, Notte is a piece of work where Piero expresses his most intimate and experimental soul. In this episode, Piero talks about:    Working and touring with The Swell Season and Glen Hansard    His journey of learning music and drums in a small town in Italy    Absorbing regional music throughout the world while touring    Recording his solo record “Notte”    Reacting to the acoustics in the space where you're performing    Recording on a movie sound track with Eddie Vedder, Cat Power and Glen Hansard    Italian drummers that have inspired him    The influence of Tony Allen (father of afro-beat drumming)

Tim Spector is Professor of Genetic Epidemiology and Head of the Department of Twin Research at King's College London. He was one of the co-founders of the ZOE Covid Symptom study, which for which he was awarded an OBE. He has also written best-selling books about the relationship between what we eat and our health and well-being. Tim was born in London in 1958 into a medical family. His mother was a physiotherapist and his father was an eminent pathologist, although Tim initially resisted his father's encouragement to follow him into medicine. Once qualified, Tim specialised in rheumatology before switching to epidemiology. In 1992, he set up a large-scale research study of twins which now has more than 15,000 identical and non-identical twins taking part.After a health scare in 2011, Tim became more interested in how we can influence the microbes in our gut to help us stay well. He has published several books on the science of eating well and is a pioneer in personalised food nutrition.Tim lives in London with his wife, who is also a doctor. DISC ONE: Life on Mars - David Bowie DISC TWO: Prokofiev: Romeo and Juliet, Op. 64 / Act 1 - 13. Dance Of The Knights Composed by Sergei Prokofiev and performed by Royal Philharmonic Orchestra, conducted by Vladimir Ashkenazy DISC THREE: Paint it, Black - The Rolling Stones DISC FOUR: Dreams - Fleetwood Mac DISC FIVE: Puttin' on the Ritz - Gene Wilder playing Dr Frankenstein, Peter Boyle as The Monster and Norbert Schiller as the announcer. Music conducted by John Morris from Young Frankenstein (Original Soundtrack) DISC SIX: All of Me (live) - Louis Armstrong DISC SEVEN: That's Entertainment - The Jam DISC EIGHT: In the Ghetto - Elvis Presley BOOK CHOICE: A Tale of Two Cities by Charles Dickens LUXURY ITEM: A fermenting set CASTAWAY'S FAVOURITE: All of Me (live) - Louis Armstrong Presenter Lauren Laverne Producer Sarah Taylor

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 18th April 2024 Artist - Track - Album - Year PSA    Circle Around    PSA    2024 Kenny Garrett & Svoy    Ascendence    Who Killed AI    2024 Ray Obiedo    Alquezar    Twist    2024 Idit Shner & Mhondoro    Henceforth    Ngatibatanei (Let Us Unite!)    2024 David Schumacher & Cubeye    You Know It's Wrong    Smoke in the Sky    2024 Kelly Green    What to Do    Seems    2024 Scott Dunn with Claire Martin and The Royal Philharmonic Orchestra    Don't Play Games with Love    I Watch You Sleep: Scott Dunn Celebrates Richard Rodney Powell    2023 Pierre L Chambers    Afro Blue    Shining Moments    2023 Alyssa Allgood    Still Searching    From Here    2024 Andrea Wolper    The Nature of Life    Wanderlust    2024 Brent Birckhead    Cold Fried Chicken    Cacao    2024 Daggerboard    Climbing in the Cocoon    Escapement    2024 Charles Pillow Large Ensemble    Yaphet    Electric Miles 2    2024 Charles Lloyd    Beyond Darkness    The Sky Will Still Be There Tomorrow    2024 Dayna Stephens    A New Spring    Closer Than We Think    2024 Jeremy Pelt    Basquiat    Tomorrow's Another Day    2024 Geoff Stradling & The StradBand    Brecker Sketch    Nimble Digits    2024 Bobby Sevaggiio 11    Concentric Circles    Stories, Dreams, Inspirations: For My Boy    2024 Rachel Z    Save My Soul    Sensual    2024 Seulah Noh Jazz Orchestra    Hear the Light (feat. Astghik Martirosyan)    Nohmad    2023 Seulah Noh Jazz Orchestra    L'illusionniste (feat. Song Yi Jeon) (Alternate Take)    Nohmad    2023 The post The Creative Source (#CreativeSource) – 18th April 2024 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

The music composed for video games has come a long way. Once limited to simple tunes generated by early synthesizer chips, it now encompasses complex musical scores written for full orchestra. Video game music is now also considered a key access point to orchestral music among young people, and concert venues around the world are seeing new and diverse audiences attend live performances of gaming soundtracks. This could a development the classical music world will seek to build upon. A study by League of of American Orchestras suggests audiences for concerts have dropped by 26% since 2020, with young people being the minority of attendees. But the genre's not always been embraced by classical music lovers. In this episode, we'll hear about the origins of music written for video games; speaking to composers and orchestras who are embracing new audiences and exciting musical works. And we'll go backstage before opening night of a concert tour showcasing music from a major video game franchise. (Image: Gaming Prom – From 8-Bit to Infinity, The Royal Philharmonic Orchestra conducted by Robert Ames, in the Royal Albert Hall, on 1 August 2022, as part of the BBC Proms.)Presented and produced by Sean Allsop

Renowned for her historic moment at the Oscars, where she became the first female conductor to lead the orchestra during the prestigious ceremony, Galway woman Eimear Noone's journey is one of resilience, triumph, and profound emotion.Beyond her groundbreaking achievements, this trailblazing figure courageously fought and won a landmark court case, paving the way for the rights of pregnant women in Hollywood. Yet, amidst her professional triumphs, Eimear shares with raw honesty some heart-wrenching experiences, revealing the depth of her humanity and the resilience that defines her spirit.She is also a highly accomplished composer whose work spans across various mediums, including film and video games (World of Warcraft being just one). She has conducted numerous orchestras and ensembles, including the prestigious Royal Philharmonic Orchestra, and has been recognised for her groundbreaking contributions to the field.Join us as we explore the remarkable story of Eimear Noone, a true pioneer whose voice resonates far beyond the notes she conducts. Hosted on Acast. See acast.com/privacy for more information.

Season 21 Episode 1 Murder on the Dance Floor (triple j Like a Version) - Royel Otis Through the Eyes of a Woman - Lucky Lo Alla Tankar På En Gång - Lucky Lo Phone - Anna St. Louis Rest - Anna St. Louis No More Birthdays - Sophie May Primitive Man - The Vaccines Heartbreak Kid - The Vaccines Popular 2 - Cheekface Life in a Bag - Cheekface III - Stevie Zita Tea for the Tillerman (Arr. for Guitar) - Dario Solaire Handbags and Gladrags - Royal Philharmonic Orchestra This episode features a clip from comedian Sam Morril's 2022 Netflix special Same Time Tomorrow where he talks about the addictive nature of TikTok, and also a PSA from comedian Daniel-Ryan Spaulding on the uncanny similarities between Trump supporters and “leftist” “Free Palestine” activists—neither care or know what is true or false or what words mean, it's all just about how they feel.

On this episode of The Eddie Trunk Podcast, Eddie brings you his conversation with Def Leppard guitarist Phil Collen where they discussed the new LP, Drastic Symphonies, which reimagines hit songs with the Royal Philharmonic Orchestra, and what it was like to revisit the classic songs, how he wants to play the Sydney Opera House, their plans for the future and so much more!  Catch Eddie Trunk every M-F from 3:00-5:00pm ET on Trunk Nation on SiriusXM Faction Talk Channel 103.And don't forget to follow Eddie on Twitter  and Instagram!