Podcast appearances and mentions of Dario Marianelli

Musik nur für Dich: zum Nachdenken und um wieder zu Dir zu finden. Sei für diese halbe Stunde frei von allen Pflichten. Lebe diesen Moment, der Dich atmen lässt. Diese Musikstücke hörst Du in dieser Folge: Johann Sebastian Bach – "Klavierkonzert d-moll" // Michael Manring – "Wide Asleep" // Dario Marianelli – "Jane Eyre" // Billy Childs – "Hand Picked Rose Of A Fading Dream" // Edvard Grieg – "Klavierkonzert a-moll" // Eric Withacre – "Seal Lullaby" // Den Podcast "WDR 5 Innenwelt – das psychologische Radio" findest du hier: https://www.ardaudiothek.de/sendung/wdr-5-innenwelt-das-psychologische-radio/95426470/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib mir eine Mail: playlist@ndr.de

No hay nada más difícil en la vida que convivir con tus propios errores. Es muy duro saber que lo que has hecho mal, no puedes deshacerlo. Quisieras volver atrás en el tiempo y hacer todo diferente, pero el mal que has hecho, hecho está. Intentas entonces, purgar por ello, compensarlo de algún modo, hacer expiación por tu pecado, pero te das cuenta que de nada sirve... La cabecera de "Ruta 66" está hoy a cargo de dos músicos italianos, el pianista Michele Francesconi y la cantante Laura Avanzolini. El texto del Evangelio según Lucas en que ahora meditamos, esta parada en el viaje por la vida a la luz de los 66 libros de la Biblia, está en el capítulo 22. Comienza con el relato de la traición de Judas. (vv. 1-6), que ha inspirado a numerosos artistas, uno de ellos, el irlandés Gavin Friday. Amigo de infancia del cantante de U2, Bono, viven en la misma calle de Cedarwood Road en Dublin con Guggi y su hermano (Derek y Peter Rowen), hijos de una familia de una Asamblea de Hermanos, por la que conocen la Biblia desde niños. Escuchamos su "Apologia" (1989). Antes de ser apresado, Jesús celebra la Pascua con sus discípulos, cuando les dice que tomen pan y vino en memoria suya (vv. 7-23). El cantautor Michael Card es hijo de un medico y nieto de un pastor bautista en Tennessee, que hizo estudios bíblicos en la universidad del oeste de Kentucky con el conocido erudito William Lane, además de física, astronomía, filosofía y literatura clásica. Las canciones que empezó a escribir para acompañar los sermones dieron lugar a cánticos como "El Shaddai" y una trilogía sobre la vida de Cristo en los 80. Luego hizo este tema sobre la Cena del Señor, "¡Ven a la Mesa!" (Come To The Table 1996). La combinación del Jinete que viene en las nubes de la Profecía bíblica con el Rey Siervo del Evangelio inspiró a Phil Keaggy en 1976 la canción "Caballo salvaje" (Wild Horse). A este gran guitarrista de Ohio le falta medio dedo en la mano derecha por un accidente que tuvo en la granja donde se cría en una familia católica. En los 60 entra en un grupo de garaje con el guitarrista de los Eagles, Joe Walsh, hasta formar el grupo Glass Harp. Tras experimentar con el LSD, entra en crisis con la muerte de su madre en un accidente de coche en 1970 y llega a la fe cristiana. Graba con Jimi Hendrix en Nueva York y colabora con Paul McCartney, cuya voz recuerda en composiciones que tienen mucha influencia de los Beatles. Este tema muestra la influencia también de C. S. Lewis en sus textos. El título de la película, esta vez, da nombre a nuestro programa, "Expiación" (2007). La impresionante novela del escritor inglés Ian McEwan es llevada al cine por Joe Wright con una Keira Knightley en "estado de gracia". La búsqueda de expiación del personaje de Briony por el mal que produce a su hermana y al hijo de la ama de llaves de esta casa señorial en los años 30, marca toda su vida. Escuchamos diálogos de la primera parte del filme, comentados por José de Segovia, a la luz del relato de la negación de Pedro (vv. 31-34: 54-62)) con el fondo de la banda sonora original de Dario Marianelli. El cantautor uruguayo Luis Alfredo Díaz ha hecho algunas de las más originales composiciones en español, inspiradas por su fe. Graba ya espirituales negros como adolescente en el ambiente pentecostal de Uruguay, hasta viajar en su juventud a Finlandia, donde llega a hacer discos de himnos en finés. En Burgos comienza una comunidad cristiana al estilo de la Gente de Jesús en los 70, hasta dedicarse a la música en el mundo católico de España y Latinoamérica, donde graba en vivo esta impresionante canción sobre lo ocurrido en "El Getsemaní", una vigilia en la basílica de Guadalupe en México. El músico californiano Terry Scott Taylor está detrás de una de las bandas más extrañas que surgió en la Revolución por Jesús, Daniel Amos. Las canciones de estos "hippies" convertidos al cristianismo que forman la Última Banda de Jubal les llevan a formar un grupo de "country rock" con el nombre de estos dos profetas bíblicos. Tras entrar en el sello de Larry Norman, inician una serie de cuatro discos como Crónicas de Alarma, que tienen algunos de los textos más creativos e imaginativos de la llamada "música cristiana contemporánea". En su continua experimentación, forman a finales de los 80 otra banda con seudónimos llamada The Swirling Eddies. El tema "El giro" (The Twist 1994) es una sorprendente visión de Getsemaní (vv. 39-53) Acabamos el programa con otro músico singular, Peter Case, un original cantautor de Nueva York que va a San Francisco, donde comienza una carrera musical que le lleva a formar en California a finales de los 70, la mítica banda de los Plimsouls, ahora recuperada en las actuaciones en vivo que aparecen en la película del joven Nicolas Cage, Valley Girl (1983), donde suena una y otra vez su canción "A Million Miles Away". La fe cristiana por la que todavía va a la iglesia, le lleva a escribir canciones como esta confesión de que "Todavía pertenezco a Jesús" (I Still Belong To Jesus 2010) para Robert Randolph & The Family Band. Esa es la esperanza de Pedro y muchos de nosotros, que pertenezcamos a Jesús, a pesar de nuestros muchos fracasos.

The delicate tinkling of a pianoforte. The clash of cymbals. The soothing strains of a harp. Music in Austen film adaptations performs a variety of functions: it can set the scene, highlight a character's personality, make us laugh, and make us sigh. In this episode, music maven Ruth Mudge joins us to discuss the soundtracks of four screen adaptations we know and love. A cellist, faculty member at the String Academy of Chicago, and assistant principal in the Elmhurst Symphony, Mudge also has her own podcast, World of Soundtracks, where she offers in-depth explorations of famous movie and TV soundtracks.For a transcript, show notes, and guest bio:  https://jasna.org/austen/podcast/ep11Visit our website:  www.jasna.orgFollow us on Instagram and FacebookEmail: podcast@jasna.orgMusic clips included in this episode:"Pride and Prejudice"—Pride and Prejudice by Carl Davis, 1995"Dawn"—Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005"Mrs. Darcy"—Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005"Emma Woodhouse"—Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020"Celery Root"—Emma: Music from the Miramax Motion Picture, music by Rachel Portman, 1996"Main Titles"—Emma: Music from the Miramax Motion Picture, music by Rachel Portman, 1996

This week on the show, we're talking about Ghostbusters: Frozen Empire's score by Dario Marianelli, lack of pop tracks, and then chatting a lot about how the lore and magic of the live-action Ghostbusters world is expanded by this film. First up, Troy and Chris walk through some of their favorite score cues and explore some of the new cues heard in the film. There's a lot of new avenues explored and great ways of furthering Elmer Bernstein's original music throughout. Then, the boys talk about Nadeem's character in the film and what doors he opens moving forward, which then naturally turns to an existential discussion where we talk about what it means to become one with the fabric of the universe. Ready?

Agarren las mochilas de protones, preparen las trampas, y enciendan el Ecto-1, porque esto se llenó de fantasmas, gremlins, espiritus, y demonios. ¿Y a quién vas a llamar? A Eze y a MaGnUs, claro, que vieron Frozen Empire, la nueva de los Ghostbusters-The-Next-Generation-Con-Un-Poco-De-Los-Viejos. "Apocalípsis Fantasma", como le pusieron los anormales que traducen títulos, es una secuela directa de Ghostbusters: Afterlife, y parte de la continuidad de las películas originales de los ochentas. ¿Funciona el elenco, funciona agrandar el espectro (je) del universo cazafantasmas? Subánse al famoso auto, que nosotros le contamos. Además, Profesor Dinosaurio y MaGnUs nos cuentan sobre su experiencia en el megajuego Vigila Los Cielos. Con música de Dario Marianelli, Gwen Stefani, y Elton John. Próximo programa: The Brothers Sun / Blue Eyed Samurai.

Ghostbusters: Frozen Empire is a 2024 American supernatural comedy film directed by Gil Kenan from a screenplay he co-wrote with Jason Reitman. It is the sequel to Ghostbusters: Afterlife (2021) and the fifth film in the Ghostbusters franchise. The film stars Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Celeste O'Connor, and Logan Kim reprising their roles from Afterlife, alongside Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and William Atherton reprising their characters from the earlier films. Kumail Nanjiani, Patton Oswalt, Emily Alyn Lind, and James Acaster also join the cast. Set two years after the events of Afterlife, the veteran Ghostbusters must join forces with their new recruits to save the world in New York City from a death-chilling god who seeks to build a spectral army. Following the success of Afterlife, Sony Pictures announced the sequel in April 2022, with Reitman returning as director. Co-writer and executive producer Kenan later took over as director from Reitman that December, with the latter staying on as a co-writer and co-producer. That same month, Rudd, Coon, Grace, Wolfhard, O'Connor, Kim, Murray, Aykroyd, Hudson, Potts, and Atherton were all confirmed to reprise their roles. New cast members including Nanjiani, Oswalt, Lind, and Acaster were announced in March 2023, with principal photography commencing that month and wrapping in June. Dario Marianelli was hired to compose and conduct the film's score, replacing Afterlife composer Rob Simonsen. This is the first film in the Ghostbusters franchise to be released following the death of the franchise's co-creator and Jason Reitman's father Ivan Reitman, who posthumously receives credit as a producer alongside his son and Jason Blumenfeld. Additionally, the film is dedicated to Ivan's memory and celebrates the 40th anniversary of the first film. Ghostbusters: Frozen Empire had its world premiere at the AMC 13 Theater at Lincoln Square in New York City on March 14, 2024, and was released in the United States on March 22, by Sony Pictures Releasing under its Columbia Pictures label. The film received mixed reviews from critics --- Send in a voice message: https://podcasters.spotify.com/pod/show/popcorn-junkies/message

In deze aflevering van Kalm met Klassiek sluit Ab de week van de filmmuziek af met muziek die doet verwonderen. Hij neemt je mee naar de hoogste toppen van het Hymalaya-gebergte, waar in alle ijzige stilte ieder geluid heen en weer wordt gekaatst. Dario Marianelli wist dit beeld feilloos te vangen in zijn muziek voor de film 'Everest' uit 2015, gebaseerd op een waargebeurd verhaal. Waan je hoog in de verstilde bergen met de 'Epilogue' uit deze film, een epiloog waarmee we de week van de filmmuziek hier bij Kalm met Klassiek afronden. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7). 

Us convidem a sentir el primer de dos programes que volem dedicar al compositor Dario Marianelli. Molt bona m

La sexualidad en la antigua Roma es un tema fascinante y complejo que arroja luz sobre la mentalidad y la cultura de esta civilización milenaria. En la Roma antigua, la sexualidad era un aspecto integral de la vida cotidiana y estaba fuertemente influenciada por las creencias religiosas, las normas sociales y las estructuras políticas de la época. La sexualidad en la antigua Roma era un tema que abarcaba una amplia gama de aspectos de la vida, desde la moralidad y la política hasta la religión y el arte. A través del libro CVNNUS y de su autora, la historiadora Patricia González Gutiérrez podemos adentrarnos en el complejo mundo de la sexualidad romana y entender cómo esta sociedad antigua abordaba y experimentaba el sexo en su contexto único. Hoy en Imagen por la Historia, el Sexo en la Antigua Roma Música: BSO Agora de Dario Marianelli

Intro song: "20th Century Fox Fanfare" & "Cantina Band" by John Williams (from Star Wars)25. "End Credits" by Michael Giacchino (from Star Trek)24. "The Ludlows" by James Horner (from Legends of the Fall)23. "The Battle" by Harry Gregson-Williams (from The Chronicles of Narnia: The Lion, The Witch and The Wardrobe)22. "Axel F" by Harold Faltermeyer (from Beverly Hills Cop)21. "End Credits" by Dario Marianelli (from Pride and Prejudice)Outro song: "Main Title" by Max Steiner (from Gone With the Wind)Vote for your favorite theme from today's episode

Hello and welcome back to the podcast! In this episode, prepare to be transformed as I continue my mini-series entitled “TV Goes To The Movies” and now explore the music for THE TRANSFORMERS franchise. As before, my focus is musically what was or was not carried over from the television episodes of a particular series to its respective theatrical feature, such as the main TV theme or scoring style.   During its near 40 year history, from the original 1984 syndicated cartoon series, to the animated and live action movies, the Japanese-only series and more, music for the THE TRANSFORMERS has been remarkably varied. The vocal and score tracks have often reflected current or trendy musical approaches, leading to elements of lush symphonic strains, synth pop, hard rock and jazzy funk all being heard in various incarnations. Now, hold on to your crankshafts and let's transform and roll out!    Title playtime index: Intro - 00:00:00 THE TRANSFORMERS (US, 1984 cartoon series, theme by Anne Bryant & Ford Kinder, score by Johnny Douglas and Robert J. Walsh) - 00:06:17 TRANSFORMERS: THE MOVIE (US, 1986 animated theatrical film, songs by Stan Bush, Lion & Spectre General, score by Vince DiCola) - 00:16:45 THE TRANSFORMERS: HEADMASTERS (1987), TRANSFORMERS: SUPER-GOD MASTERFORCE (1988) and TRANSFORMERS: VICTORY (1989) (Japan, songs & score by Ishida Katsunori, Toshiya Igarashi, Michiaki Watanabe) - 00:31:45 TRANSFORMERS (2007), TRANSFORMERS: DARK OF THE MOON (2011), BUMBLEBEE (2018) and TRANSFORMERS: RISE OF THE BEASTS (2023) (US, live action theatrical films, song "What I've Done" by Linkin Park, scores by Steve Jablonsky, Dario Marianelli and Jongnic Bontemps) - 00:38:18*   *This segment also contains an excerpt from BATMAN BEGINS (2005), composed by Hans Zimmer and James Newtown Howard   Additional tracks heard but not referenced -  "Calling You", Theme from TRANSFORMERS: SUPERLINK (Japan, 2004), by Takayoshi Tanimoto "Time Limit", from TRANSFORMERS: LEGEND OF THE MICRONS (Japan, 2002), composed by Hayato Matsuo   Stay safe out there, take care of yourself and each other!    Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod   Email the show at ascoretosettlepodcast@gmail.com  

Composer Sherri Chung (Gremlins: Secrets of the Mogwai & Based on a True Story) joins us to talk about Dario Marianelli's masterful score for Joe Wright's 2005 Austen adaptation Pride & Prejudice. We discuss Wright's playfulness towards balancing diegetic/nondiegetic music, the horrors of the mixing stage, Chung's own work as a composer as a composer, and much more. Join us, won't you? My Big Score was created, hosted, and edited by Christopher Dole. All piano music performed by Christopher Dole. The main theme was composed by Erik Jourgensen. Show artwork by Chandler Candela. Our social media consultant is Ellie Warren. This series is produced in Los Angeles County on the ancestral lands of the Tongva, Tatavium, and Chumash. You can find our website at mybigscore.transistor.fm and on Twitter at @MyBigScorePod. Do you like this show? Do you want to help us make more of it? There are so many ways you can do that! The quickest and easiest way is to toss us a few dollars on Patreon at https://www.patreon.com/mybigscore. You'll get early access to episodes and additional bonus material.

Olga Fitzroy is a recording and mix engineer who has worked on records for Coldplay, The Foo Fighters and Muse, as well as film scores for top composers including Hans Zimmer and Dario Marianelli and assisted Sir George Martin on the last ever Beatles recording for the 2006 album, Love. We talk about the challanges of having a child as a freelancer working in the music industry. Olga is campaigning to change the law, she highlights issues around childcare and parental leave, talks us through what we can do to get involved in the campaign as well as what to do in the meantime, whilst the law is still catching up. http://www.olgafitzroy.com/ http://www.parentalpayequality.org.uk/ Here's a playlist of guest's answer to the last question: https://open.spotify.com/playlist/2GEtEjJCghbMskOuFiDSq6?si=8cd4319c72684f4e This season is produced and hosted by Hayleigh Bosher instagram.com/hayleigh.bosher/ Edited by Eliza Kania twitter.com/elizakania

Con música de Dario Marianelli, dirección de Joe Wright y una destacada actuación de Keira Knightley, «Orgullo y prejuicio» es una de las más queridas historias de amor jamás filmadas, película que analizan Jorgina Gaxiola y Sergio Pérezgrovas en esta entrega.

Welkom terug bij een nieuwe aflevering van Kalm met Klassiek, dé podcastserie voor je dagelijkse momentje rust. Deze week staat alle muziek in het teken van de Sterrenregen. Die is namelijk deze tijd van het jaar aan de nachtelijke hemel te zien! Daarom koos Ab vandaag voor de muziek Stars and Butterflies van Dario Marianelli uit de film 'Pride and Prejudice'. Deze muziek past bij het thema 'Sterrenregen', omdat een vlinder net zo ongrijpbaar en mystiek is als een vallende ster. 

Welkom terug bij een nieuwe aflevering van Kalm met Klassiek, dé podcastserie voor je dagelijkse momentje rust. Vandaag zijn we aangekomen bij de laatste aflevering in het thema ‘Reizen'. En wat gaan we aan het einde van deze reis doen? Een ansichtkaart versturen natuurlijk! We gaan namelijk luisteren naar A Postcard to Henry Purcell. Muziek die Dario Marianelli in 2005 schreef voor de film 'Pride & Prejudice'.

Tehran 1943. Franklin Delano Roosevelt, Winston Churchill, and Joseph Stalin meet together for the first time with hopes of overcoming their ideological differences in order to win the Second World War.For bonus episodes: patreon.com/historiumMusic: Nightbook by Ludovico Einauldi Vanguard by Bear McCrearyHistory is Listening by Dario Marianelli & Vikingur OlafssonIncrease by David LangPrelude by Dario Marianelli & Vikingur OlafssonThe War Rooms by Dario Marianelli & Vikingur OlafssonMoscow, 1953 by Christopher WillisWelcome to the Bloody first by Wilbert Roget IIFour Winds by Adam HurstStaging a Coup by Christopher WillisDungtitled (In a Major) by Stars of the LidA Softer World by Luke HowardA Meaningful Moment Through a Meaningless Process by Stars of the LidSupport the show

Lacey Gilleran from Resistance Broadcast is here to talk about the music in Solo minutes 81-85! We discuss the tragic scoring of L3's death, the gravitational pull of pedal points, musical depth of field, and, of course, #MakeSolo2Happen. Discussion Guide: 00:00 - Hello there! 00:54 - MakeSolo2Happen 09:50 - Swashbuckling adventures. 15:53 - Young Han Solo's Searching theme, ascending 21:40 - Music as a strong guiding hand. 24:44 - Gravitational pull of the pedal point, Lando's denial, stratospheric strings. 34:19 - Sound mixing when Lando is in the shock-grief bubble. 38:42 - Is this a reference to Han and Leia? 52:12 - One of Lacey's favorite shots in Star Wars. 59:39 - Things sound different on the Falcon because of the room change. 1:02:31 - Rebel Fanfare offers heroic glimpses into the future while the Young Han Heroic theme represents Han settling back into himself for now. 1:04:42 - Listening to L3's death, tragic strings, solo trumpet like military funerals. 1:13:20 - How the Solo novelization depicts L3's death (including from her POV)... 1:22:19 - SWMM Questionnaire 1:30:49 - Goodbye and where to find Lacey Gilleran and Resistance Broadcast. Things to Check Out: Resistance Broadcast's interview with John Powell: https://youtu.be/Ujm6aLuN7yQ "Adagio for Strings" by Samuel Barber (Detroit Symphony Orchestra) - https://youtu.be/N3MHeNt6Yjs Han Solo and the Princess reference in Solo? https://twitter.com/StarWarsMusMin/status/1521286245162254337 "Han Solo and the Princess" from The Empire Strikes Back (John Williams) - https://youtu.be/zIQLjKJ2Yto Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/. Musical Themes: 1. Young Han Solo (Heroic, comp. JW) 9. Fakery 8. L3-37 2a. Young Han Solo (Searching, comp. JW) 5. The Gang Brief reference to Han & Leia (B Section)? 2. Rebel Fanfare 5. Death Star Where are we in the soundtrack(s)?: Most of "Break Out" "Extra Deluxe Mine Mission (4M30B-5M30C-31)" Very beginning of "Reminiscence Therapy" and["Kessel Run in Less Than 12 Parsecs (5M32-33A-B-C)" --------------- STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? Emotional. Sweeping. Adventure. 2. What's something related to Star Wars music or sound that you want to learn more about? How do composers figure out what a character sounds like? Ex: How did John Williams decide what Rey and Yoda sounded like? 3. What's a score or soundtrack you're fond of besides anything Star Wars? Howl's Moving Castle (composed by Joe Hisaishi), Pirates of the Caribbean (composed by Klaus Badelt and produced by Hans Zimmer), Pride and Prejudice (composed by Dario Marianelli), Coco (composed by Michael Giacchino with original songs by various artists), Tron: Legacy (composed by Daft Punk). --------------- Guest: Lacey Gilleran Twitter: https://twitter.com/laceygilleran Instagram: https://www.instagram.com/laceygilleran/ Resistance Broadcast linktree: https://linktr.ee/resistancebroadcast YouTube: https://www.youtube.com/starwarsnewsnetvideos Resistance Broadcast on Star Wars News Net: https://www.starwarsnewsnet.com/category/podcast ------------------ If you enjoyed this episode and want to show extra appreciation, feel free to buy me a coffee and shout out the guest! https://buymeacoffee.com/starwarsmusmin If you want to support the show, consider becoming a patron!  https://patreon.com/chrysanthetan Leave a voice message, and I might play it on the show...   https://starwarsmusicminute.com/comlink Where else to find SWMM: Spotify: https://smarturl.it/swmm-spotify Apple Podcasts: https://smarturl.it/swmm-apple YouTube: https://youtube.com/starwarsmusicminute TikTok: https://www.tiktok.com/@starwarsmusicminute? Twitter: https://twitter.com/StarWarsMusMin Instagram: https://instagram.com/starwarsmusicminute Email: podcast@starwarsmusicminute.com

Triad of the Force (Gus, Nani, Moe) join Xanthe in a discussion about the music and sound in minutes 51-55 of Solo: A Star Wars Story, which starts with Han convincing Dryden to give them a chance and ends with Han challenging Lando to a game of sabacc. We talk about musical pivot points, toxic professors, dialogue mixing, peacocks, the cue that sounds like David Bowie, and more! Discussion Guide: 00:00 - Hello there! 11:46 - Toxic professors. 25:19 - Love themes in Star Wars. 30:51 - A slinky line with "Orientalist" flavors. 36:55 - Confusing spatial sound, disembodied conversation. 42:12 - James Bond reference? 44:01 - Donald Glover's voice and Billy Dee Williams. 55:13 - Han Solo, last minute hero. 59:28 - Thrawn namedrop. 1:03:22 - Lando, king of the scene. 1:12:00 - National Geographic peacocks. 1:18:13 - Discussing the "Sabacc Game (3M25)" cue. Is it diegetic? Where would the sounds be coming from? Why does it sound like David Bowie's "Under Pressure"? 1:36:43 - Final thoughts about these Solo minutes. 1:41:43 - SWMM Questionnaire 1:50:28 - Where to find Triad of the Force (they'll be on the podcast stage at Star Wars Celebration 2022!) Things to Check Out: Rimsky-Korsakov - Scheherazade Op. 35 (with score) - https://youtu.be/MpZ7jLpA5yg "The City in the Clouds" from The Empire Strikes Back (by John Williams) - https://youtu.be/T_0tSXNpl_8 Opening of Lord of the Rings: The Fellowship of the Ring - https://youtu.be/N4xV2RIlMi4 The Jazz of Physics | Stephon Alexander | TEDxSanDiego - https://youtu.be/v9_ZzY99-6U Queen & David Bowie - Under Pressure - https://youtu.be/NukVyrhQ9cA Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/. Triad of the Force's last appearance on SWMM: ANH 13: Fantasy Pet (with Triad of the Force): https://youtu.be/tksBD_cQtXw Xanthe's guest appearance on Triad of the Force: Meaning & Music in Star Wars || Galactic Melodies • S2|E24 - https://youtu.be/fLvG7-s6K64 Musical Themes: 3. Secrets 5. The Gang 1. Young Han Solo (Heroic, comp. JW) Where are we in the soundtrack? "Dryden's Patience Is Tested (3M21-22-23)" starting around 3:10 "Card Room (3M24)" "Is This Seat Taken?" beginning of "Sabacc Game (3M25)" --------- STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? Nani: James Earl Jones (same answer as ANH season) Moe: Analog but magical (same answer as ANH season) Gus: Beepbeep! Kshh-Paaa. Grrrrrwwwwwrr! (same answer as ANH season) 2. What's something related to Star Wars music or sound that you want to learn more about? Nani: The thought process, methods, and approaches to scoring new Star Wars media in the post-John Williams era. (same answer as ANH season) Moe: How the beeps and boops were made. (ANH season: Max Rebo's Band). Gus: The director-composer relationship and how they create a symbiont circle. (ANH season answer: How all the sounds, especially from the original trilogy, were created.) 3. What's a score or soundtrack you're fond of besides anything Star Wars? Nani: Atonement (composed Dario Marianelli) and Batman (1989, composed by Danny Elfman) Moe: JoJo's Bizarre Adventure (composed by Yugo Kanno) Gus: Interstellar (composed by Hans Zimmer). ANH season answers: Hook (composed by John Williams) and Fellowship of the Rings (composed by Howard Shore) ------- Guest: Triad of the Force YouTube: https://www.youtube.com/c/TriadoftheForce Twitter: https://twitter.com/TriadOfTheForce Instagram: https://www.instagram.com/triadoftheforce/ Apple Podcasts: https://podcasts.apple.com/us/podcast/triad-of-the-force/id1529625603 Linktree: https://linktr.ee/triadoftheforce ------------------ If you enjoyed this episode and want to show extra appreciation, feel free to buy me a coffee and shout out the guest! https://buymeacoffee.com/starwarsmusmin If you want to support the show, consider becoming a patron!  https://patreon.com/chrysanthetan Leave a voice message, and I might play it on the show...   https://starwarsmusicminute.com/comlink Where else to find SWMM: Spotify: https://smarturl.it/swmm-spotify Apple Podcasts: https://smarturl.it/swmm-apple YouTube: https://youtube.com/starwarsmusicminute TikTok: https://www.tiktok.com/@starwarsmusicminute? Twitter: https://twitter.com/StarWarsMusMin Instagram: https://instagram.com/starwarsmusicminute Email: podcast@starwarsmusicminute.com

In this episode, we look at the soundtrack of the 2005 movie Pride and Prejudice by Dario Marianelli. We explore the themes that describe Elizabeth's emotional journey as well as how the rest of the music sets the world and mood in this adaptation. Music Featured: "Dawn" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Mrs Darcy" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 Piano Sonata No. 3 in C Major, Op. 2, No. 3: II. Adagio - by Ludwig Van Beethoven and performed by Mari Kodama, 2008 "Stars and Butterflies" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Arrival at Netherfield" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "The Secret Life of Daydreams" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Liz on Top of the World" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Darcy's Letter" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Your Hands are Cold" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 Abdelazer, Z. 570 "Moor's Revenge": Rondeau - "Purcell: Theatre Music", music by Henry Purcell and performed by Academy of Ancient Music & Christopher Hogwood, 1990 "A Postcard to Henry Purcell" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Meryton Townhall" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli, 2005 "Another Dance" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Can't Slow Down" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli, 2005 "The Militia Marches In" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli, 2005 Piano Concerto No. 1 in C major, Op 15: I. Allegro con brio - "Complete Piano Concertos" - Music by Ludwig van Beethoven and performed by Krystian Zimerman, London Symphony Orchestra & Sir Simon Rattle, 2021 "Leaving Netherfield" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "Georgiana" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "The Living Sculptures of Pemberley" - Pride and Prejudice (Music from the Motion Picture), music by Dario Marianelli and performed by Jean-Yves Thibaudet, 2005 "World of Soundtracks" - music by Edith Mudge

Dario Marianelli - Evey Reborn 岡部啓一 - 意味/無/ジュニーク・ニコール

In the podcast finale, we take a look at the entire journey across all five seasons and reflect on key take-home messages and memorable words from my guests and co-hosts. We wrap up with acknowledgments, a dedication, and final words and prayers.Link to A Way Beyond the Rainbow bookBackground music used in the episode:(0:39-4:14) Now We Are Free (theme from Gladiator), 2CELLOS(4:14-7:39) River Flows in You, Yiruma(7:39-13:51) Adagio in G Minor (Albinoni), HAUSER with the Zagreb Philharmonic Orchestra(13:51-17:21) The Lonely Shepherd (Georghe Zamfir and James Last), HAUSER with the London Symphony Orchestra(17:22-23:04) My Heart Will Go On (theme from Titanic by James Horner), 2CELLOS(23:05-31:00) A Way of Life (theme from The Last Samurai), Hans Zimmer(31:01-33:53) Once Upon a Time in the West (Ennio Morricone), HAUSER(33:54-37:31) Tennessee (theme from Pearl Harbor), Hans Zimmer(37:32-39:28) La Valse d'Amélie (Version orchestre), Yann Tiersen(39:28-44:26) Never Too Late, Yanni(44:27-48:56) Playing by Heart, Yanni(48:57-51:45) House of Cards, Audiomachine(51:54-57:45) Guardians at the Gate, Audiomachine (extended)(57:46-1:01:12) Song of the Caged Bird, Lindsey Stirling(1:01:13-1:07:29) Farewell - In His Purest Form, Yanni(1:07:30-1:10:23) Breath and Life, Audiomachine (extended)(1:10:24-1:13:07) Above and Beyond, Audiomachine(1:13:08-1:17:07) In the Mirror, Yanni(1:17:08-1:20:04) Almost a Whisper (Seléna's Theme), Yanni(1:20:45-1:25:20) Chopin's Nocturne in C Sharp Minor (Frédéric Chopin), HAUSER with the London Symphony Orchestra(1:25:25-1:28:41) Mia and Sebastian's Theme (theme from La La Land by Justin Hurwitz), HAUSER with the Zagreb Philharmonic Orchestra(1:28:43-1:31:31) Valerie (theme from V for Vendetta), Dario Marianelli

To mark a milestone birthday and celebrate a new chapter in his relationship with the label, French pianist Jean-Yves Thibaudet was given “carte blanche” by the Decca classical label to choose personal music that he has never recorded before—a selection that reflects on the people and pieces that have impacted his life as an artist while expanding his already diverse repertoire in new directions. Mr. Thibaudet's choices on his disc each have a unique story, and he shares the best with host John Pitman in the recorded conversation, which includes brief musical samples. Some pieces were specially arranged for the pianist, such as “Pride and Prejudice” by Dario Marianelli; others arranged by Thibaudet's teachers (Elgar's Salut d'amour one example); and still others were arranged by the pianist himself, including an astounding piano version of Barber's Adagio. Thibaudet's recording is as much a gift to us as it is to himself and will enhance playlists for years to come.

dźwiękościeżka - podcast o muzyce filmowej[Atonement] reżyseria: Joe Wright || muzyka: Dario Marianellilubię filmy / lubię je oglądać i je robić / ale ten podcast przede wszystkim jest o muzyce filmowej / bo to taka szczególna forma, która powstaje po to żeby wspierać film / ale czasem, naprawdę rzadko, nagle taki soundtrack staje się dziełem samodzielnym  i wtedy ma się do czynienia z prawdziwą sztuką / a to jest dokładnie to - czego szukam w życiu.utwory wykorzystane w dzisiejszym podcaście:1. Briony - Dario Marianelli | 1.442. Robbies Note - Dario Marianelli | 3.043. Elegy for Dunkirk - Dario Marianelli | 4.154. Rescue Me - Dario Marianelli | 3.175. Atonement - Dario Marianelli | 5.18wszystkie utwory wykorzystane legalnie na mocy umowy z ZAiKS. 

Amici Miei,in questa puntata faremo una piccola carrellata dei disastri culturali, industriali ed ecologici causati dalla dabbenaggine umana! Dall'incendio della Biblioteca di Alessandria all'inondazione di melassa di Boston fino alla follia della Marion County nel Missouri del 1993. Come sempre, sotto la mia delirante voce, una non così disastrosa Colonna Sonora!RROBBA TI COMA PODCASTEPISODIO 057 - DISASTRI CAUSATI DALL'UOMOTRACK LIST01. Walking in your footsteps (The Police)02. The skies do not fall (Agora OST, by Dario Marianelli)03. Circle of life (Artisti Vari)04. Molasses, molasses (Teresa Brewer)05. Dust Bowl Dance (Mumford & Sons)06. Aral (Catherine Lara)07. Tragedy (Bee Gees)08. Chariots Of Fire (Vangelis)09. We are the champions (Queen)

Jean-Yves Thibaudet – Carte Blanche (Decca) Jump to giveaway form French pianist Jean-Yves Thibaudet celebrated his 60th birthday with a trip to Hawaii in September. He also marked the occasion with the release of his new recording, Carte Blanche. “This was an album where I was given literally carte blanche,” Thibaudet said. “I could choose whatever. It might not have happened without the pandemic, and I did it with the greatest love and joy. I had such a good time doing it. The variety and choice of pieces on this album shows my personality.” The recording opens with the suite from Pride and Prejudice, and it features important moments. How did you decide which ones to highlight? “This is something I did with Dario Marianelli. He is an extraordinary composer, and that score is very important and special in my life. That is why I wanted it not only to be on the record, but also start it. “That piece has opened many doors in my life. It has reached so many people in the world, and I cannot tell you how many people still go to my concerts because of it. I also have people coming to me at the end of the concert to say hi and tell me that that was their first concert. They would say, ‘I just came because I saw your name and your the guy from Pride and Prejudice. I love that score so much.'” Why did you choose The Lady and the Nightingale, by Enrique Granados, to honor Spanish pianist Alicia de Larrocha? “She owned that repertoire completely. It's such beautiful music. The chords are so wonderful. I love the effects of trills mimicking birds. I think it's really beautiful and fun to play. I had to do something from Larrocha because I have such great admiration for her.” Did you dedicate a piece to Renée Fleming? “My playing is in honor of her, because I've learned so much as a an artist from Fleming. It has been the greatest lesson playing with all the other wonderful singers. She has beautiful control of breathing, the legato and of phrasing. “There is a little story to one of the pieces — my transcription of ‘When You Wish Upon a Star' from Disney's Pinocchio. We actually did a PBS program for New Year's Eve, United in Song: The Resilience of American People. She chose to do ‘When You Wish Upon a Star,' which has the most touching and beautiful theme. “I just adore that piece so much. I was thinking, ‘God, I need to play it just for my own pleasure.' I started incorporating, yet again, the singing line into the piano. I was making progress and I finally came up with the arrangement on this album. It gave me so much joy that I wanted to share it, and that certainly is a special gift for Fleming.” Watch now To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Giveaway Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Jean-Yves Thibaudet – Carte Blanche (Amazon) Jean-Yves Thibaudet – Carte Blanche (Decca Store) Jean-Yves Thibaudet (official site)

Well, look at that - it's a mailbag episode! Kirk answers your questions on Bo Diddley, Minecraft, The Supremes, chorus guitar, XTC, Parquet Courts, and the mystery of the "Careless Whisper" sax solo.REFERENCED ON THIS EPISODE:“Wake Up” by XTC from The Big Express, 1984“Waterfall” and “Don't Stop” by The Stone Roses from The Stone Roses, 1989“The Mind Electric” by Miracle Musical from Hawaii: Part II, 201“Minecraft” by C418, 2009The Minecraft episode of Twenty Thousand Hertz: https://www.20k.org/episodes/minecraft“Briony” by Dario Marianelli from Atonement, 2007“The Mayor” by Kirk Hamilton from The Exited Door, 2009“Bo Diddley” by Bo Diddley, 1962“You Can't Hurry Love” by The Supremes written by Holland-Dozier-Holland (and backed by The Funk Brothers), 1966“Wake Up” by Arcade Fire from Funeral, 2004“In The Heights” by Lin-Manuel Miranda from In The Heights, 2008 and the 2021 film“Chinese Satellite” by Phoebe Bridger from Punisher, 2020“Good 4 U” by Olivia Rodrigo from Sour, 2021“Time After Time” by Cindi Lauper and Rob Hyman from She's So Unusual, 1983“Wide Awake” by Parquet Courts from Wide Awake, 2018“Careless Whisper” by George Michael from Wham!'s 1984 record Make It BigDan Forshaw's video about Steve Gregory's “Careless Whisper” sax solo: https://www.youtube.com/watch?v=6UvoRqBDwsIOUTRO SOLOIST: Luke PriceThis episode's outro soloist is Portland fiddle player Luke Price. When he's not working as a side man in a variety of killer bands, Luke joins his wife Rachael to form the excellent songwriting duo DEAN!. You can follow them on Instagram and listen to some of their stuff on their website, wearedean.com.STRONG MERCHCheck out the Strong Songs merch store for some cool t-shirts, mugs, totes, and more: store.strongsongspodcast.comJOIN THE STRONG SONGS DISCORDThe Strong Songs Discord server is now open to everyone! Come join the conversation and get (or give) some music recs: https://discord.gg/GCvKqAM8SmKEEP IT SOCIALFollow Strong Songs on Twitter: @StrongSongsAnd find Kirk on Twitter @Kirkhamilton and on Instagram at @Kirk_HamiltonNEWSLETTER/MAILING LISTSign up for Kirk's mailing list to start getting monthly-ish newsletters with music recommendations, links, news, and extra thoughts on new Strong Songs episodes: https://kirkhamilton.substack.com/subscribeSTRONG PLAYLISTSKirk has condensed his Strong Songs picks into a single new list, which you can find on Spotify and Apple Music, and YouTube Music.SUPPORT STRONG SONGS!Thank you so much to all of Strong Songs' Patreon supporters - you are all the best. For more on how to support the creation of this show, go here: https://Patreon.com/StrongSongsYou can also make a one-time Paypal donation here: https://www.paypal.com/paypalme/kirkhamiltonmusicSEPTEMBER 2021 WHOLE-NOTE PATRONSRob BosworthJosh PearsonKyle CookeDonald MackieMelissa OsborneChristopher MillerTim ByrneJamie WhiteChristopher KupskiChristopher McConnellJoshua JarvisNikoJoe LaskaLaurie AcremanKen HirshJezJenness GardnerSimon CammellGuinevere BoostromNarelle HornNathaniel BauernfeindBill RosingerAnne BrittDavid ZahmErinAidan CoughlanJeanneret Manning Family FourDoug PatonRobert PaulViki DunDave SharpeChrister LindqvistSami SamhuriAccessViolationRyan TorvikMerlin MannGlennJim ChokeyAndre BremerMark SchechterDave FloreyDan ApczynskiSEPTEMBER 2021 HALF-NOTE PATRONSkurt wendelkenAdam StofskyZak RemerRishi SahayStefan NiebrüggeJason ReitmanKaren LiuGreg BurgessAilie FraserSimon PrietoBreck JonesPaul McGrealKaren ArnoldNATALIE MISTILISJosh SingerPhino DeLeonSchloss Edward J. MDRhyanon MurrayAmy Lynn ThornsenAdam WKelli BrockingtonStephen RawlingsBen MachtaVictoria YuKevin RiversGray DyerBrad ClarkChristopherMichael J. CunninghamKari KirkMark Boggsmino caposselaSteve PaquinMary SchoenmakerSarahDavid JoskeEmma SklarBernard KhooMarcRobert HeuerMatthew GoldenBrian MeldrumDavid NoahGeraldine ButlerRichard CambierMadeleine MaderFernando RodriguezTimothy DoughertyJason PrattStewart OakCaroline MillerAbbie BergSam NortonNicole SchleicherDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael Bermanstephen matthewsBridget LyonsOlivia BishopJohn GisselquistElaine MartinKourothSharon TreeBelinda Mcgrath-steerLiz SegerEoin de BurcaKevin PotterM Shane BordersPete SimmDallas HockleyJana JJason GerryRich RoskopfMelissa GalloNathan GouwensWill Dwyer Alethea LeeLauren ReayEric PrestemonCookies250Spencer ShirleyDamian BradyAngela LivingstoneJeffrey C. YarnellDavid FriedmanPhillip DaltonSarah SulanDiane HughesKenneth TiongJo SutherlandMichael CasnerMichael YorkBarb CourtneyDerek BenderJen SmallLowell MeyerEtele IllesStephen TsoneffLorenz SchwarzBecca SampleWenJack SjogrenBenedict PenningtonGeoff GoldenRobyn FraserAlexander GeddesPascal RuegerRandy SouzaJCBrendan JubbClare HolbertonDiane TurnerTom ColemanMark PerryDhu WikMelEric HelmJake RobertsBriony LeoBill FullerJonathan DanielsMichael FlahertyJarrod SchindlerZoe LittleCaro Fieldmichael bochnerDuncanDavid CushmanAlexanderJeremy DawsonChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudAmanda FurlottiAndrew BakerJuan Carlos Montemayor ElosuaMatt GaskellJules BaileyEero WahlstedtBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelMuellerNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJon O'KeefeJustin McElroyArjun SharmaJames JohnsonAndrew LeeKevin MorrellKevin PennyfeatherNicholas SchechterEmily Williams

Original broadcast date January 24, 2019. The original podcast post is here: https://pixelatedgeek.com/2019/01/binary-system-podcast-161-bumblebee-and-other-transformers-topics/ It sure doesn't happen very often: both the East and West Coast branches of Binary System actually saw a movie before it left the theaters. But it was a Transformers movie, and the reviews were great, so how could they NOT go see it? Spoilers ahoy! Listen in as they break down everything they loved (and a couple teeny tiny things they didn't) about Bumblebee. After that they segued into...more Transformers stuff, including the Transformers The Movie mini-documentary that Kathryn recommends, IDW's Transformers: Historia, and, you know, all the other IDW Transformers books that they loved. This week's outro music is a clip from the Bumblebee score by Dario Marianelli which, seriously, if it's one thing we loved about the Michael Bay movies it was the score by Steve Jablonsky, but Marianelli did a hell of a job with the music in Bumblebee. https://www.amazon.com/Bumblebee-Motion-Picture-Score-Marianelli/dp/B07L46D6VY The mini-documentary Kathryn mentioned is called Really That Good - Transformers: The Movie (1986), and it takes a very in-depth look at how something that was basically a series of toy commercials leading to a ninety-minute toy commercial ended up being so meaningful to an entire generation of children. https://www.youtube.com/watch?v=_9iab0z6Kyg The Youtuber who talks about The Male Gaze and how it applies to the Michael Bay Transformers movie franchise is Lindsay Ellis https://www.youtube.com/channel/UCG1h-Wqjtwz7uUANw6gazRw, and her whole Transformers Film Studies series is really, really good. https://www.youtube.com/watch?v=PRXI__Wixas&list=PLJGOq3JclTH8J73o2Z4VMaSYZDNG3xeZ7 Correction: We referred to the main character in Michael Bay's first Transformers movie as Spike. His name was actually Sam. We got it wrong because we don't actually care.

Internationally-renowned composer Anne Boyd is in conversation with composer Thomas Metcalf, discussing her life and music ahead of a performance of her String Quartet No. 2 ’Play on the Water’ later this year. This is part of the TORCH project ‘Pixelating the River’: Engagement with Contemporary Music through Graphical Inputs, played by the Kreutzer Quartet, alongside a new work by Thomas Metcalf. Professor Anne Boyd AM is one of Australia’s most distinguished composers and music educators. Her undergraduate studies were in the Department of Music at the University of Sydney, where Peter Sculthorpe was her earliest and most influential composition teacher. The award of a Commonwealth Scholarship enabled her to undertake a PhD in composition at the University of York (1969-72), where her supervisors were Wilfrid Mellers and Bernard Rands. In 1990, Boyd became the first Australian (and the first woman) to be appointed Professor of Music at the University of Sydney. Before this, she was the Foundation Head of the Department of Music at the University of Hong Kong (1981–90) and taught at the University of Sussex (1972–77). The hallmarks of her musical style are its transparency, gentleness and delicacy, attributes which reflect her long involvement with Asian traditions, especially those of Japan and Indonesia. Two solo CDs of her music are Meditations on a Chinese Character (ABC Classics, 1997) and Crossing a Bridge of Dreams (Tall Poppies, 2000). Professor Boyd was honoured with an AM in the Order of Australia in 1996, an Honorary Doctorate from the University of York in 2003, the Distinguished Services to Australian Music Award at the APRA-AMC Classical Music Awards in 2005 and the 2014 Sir Bernard Heinz Award for service to music in Australia. Biography taken from Faber Music, 2021 Thomas Metcalf is a composer and DPhil candidate in Music at Oxford University (Worcester College), where he is researching the transformation of graphical spaces into determinately–notated music – focusing on a range of composers in the 20th and 21st centuries. His research has been recognised in the UK and internationally, appearing in peer-reviewed journals as well as diverse conference settings in Europe. Beginning his composition training with Robert Saxton at Oxford in October 2014, Thomas subsequently achieved a first–class BA in Music and an MSt in Composition with distinction as the Ogilvie–Thompson Scholar of Worcester College. Since January 2020, Thomas has studied with Kenneth Hesketh, focusing specifically on graphical methods of determinate composition, a process that is present in much of Hesketh’s recent work. Thomas’s works have been performed by a variety of ensembles, such as the ANIMA Collective, BBC Singers, Christ Church Cathedral Choir, GBSR Duo, Oxford Philharmonic, St. Pancras Parish Church Choir, and the Villiers Quartet. He has worked with composers such as Judith Weir, Michael Zev Gordon, Henning Kraggerud, and Dario Marianelli. He has also collaborated with festivals such as Oxford Lieder Festival (2018), Oxford Chamber Music Festival (2019), and the Vale of Glamorgan Festival (as part of the Peter Reynolds Composers Studio) (2020).

Tommaso joins the show to chat about his life and music. Creative, inspiring and intriguing, Tommaso is a joy to listen to. Rob and Dan discuss the upcoming shows and Tara takes the lead with Tommaso.  Tommaso has performed and collaborated with many great musicians including Dave Liebman, Kenny Wheeler, Billy Cobham, Jim Mullen, Liam Noble, Jonathan Gee, Roger Beaujolais, Paolo Pellegatti, Attilio Zanchi, Fabrizio Bosso, Tino Tracanna, Paolo Fresu, Gianni Giudici and Academy Award Winning composer Dario Marianelli. He continues to seek inspiration and nurture his jazz expertise by taking part in jazz seminars and classes led by some of the greatest musicians alive, including Dave Liebman, Miguel Zenon, Vincent Herring, Ted Nash.Support the show (http://www.prestomusic.com/jazz)

Internationally-renowned composer Anne Boyd is in conversation with composer Thomas Metcalf, discussing her life and music ahead of a performance of her String Quartet No. 2 ’Play on the Water’ later this year. This is part of the TORCH project ‘Pixelating the River’: Engagement with Contemporary Music through Graphical Inputs, played by the Kreutzer Quartet, alongside a new work by Thomas Metcalf. Professor Anne Boyd AM is one of Australia’s most distinguished composers and music educators. Her undergraduate studies were in the Department of Music at the University of Sydney, where Peter Sculthorpe was her earliest and most influential composition teacher. The award of a Commonwealth Scholarship enabled her to undertake a PhD in composition at the University of York (1969-72), where her supervisors were Wilfrid Mellers and Bernard Rands. In 1990, Boyd became the first Australian (and the first woman) to be appointed Professor of Music at the University of Sydney. Before this, she was the Foundation Head of the Department of Music at the University of Hong Kong (1981–90) and taught at the University of Sussex (1972–77). The hallmarks of her musical style are its transparency, gentleness and delicacy, attributes which reflect her long involvement with Asian traditions, especially those of Japan and Indonesia. Two solo CDs of her music are Meditations on a Chinese Character (ABC Classics, 1997) and Crossing a Bridge of Dreams (Tall Poppies, 2000). Professor Boyd was honoured with an AM in the Order of Australia in 1996, an Honorary Doctorate from the University of York in 2003, the Distinguished Services to Australian Music Award at the APRA-AMC Classical Music Awards in 2005 and the 2014 Sir Bernard Heinz Award for service to music in Australia. Biography taken from Faber Music, 2021 Thomas Metcalf is a composer and DPhil candidate in Music at Oxford University (Worcester College), where he is researching the transformation of graphical spaces into determinately–notated music – focusing on a range of composers in the 20th and 21st centuries. His research has been recognised in the UK and internationally, appearing in peer-reviewed journals as well as diverse conference settings in Europe. Beginning his composition training with Robert Saxton at Oxford in October 2014, Thomas subsequently achieved a first–class BA in Music and an MSt in Composition with distinction as the Ogilvie–Thompson Scholar of Worcester College. Since January 2020, Thomas has studied with Kenneth Hesketh, focusing specifically on graphical methods of determinate composition, a process that is present in much of Hesketh’s recent work. Thomas’s works have been performed by a variety of ensembles, such as the ANIMA Collective, BBC Singers, Christ Church Cathedral Choir, GBSR Duo, Oxford Philharmonic, St. Pancras Parish Church Choir, and the Villiers Quartet. He has worked with composers such as Judith Weir, Michael Zev Gordon, Henning Kraggerud, and Dario Marianelli. He has also collaborated with festivals such as Oxford Lieder Festival (2018), Oxford Chamber Music Festival (2019), and the Vale of Glamorgan Festival (as part of the Peter Reynolds Composers Studio) (2020).

With the cinematic release of a new telling of the classic Frances Hodgson Burnett children’s book The Secret Garden, featuring a score by Dario Marianelli, Matthew Sweet looks at this and other music for secret worlds in film. From the fantasy worlds of Lewis Carroll's Wonderland and C.S Lewis's Narnia, to the dinosaur ridden terrains of Jurassic Park and the Valley of Gwangi, the mind of John Malkovich, and the labyrinth of Pan. Our classic score is Dmitri Tiomkin's music evoking the mystical utopia of Shangri-la in Frank Capra's Lost Horizon.

Min. 0: Saludo de bienvenida. Decía Jeff Goldblum en Parque Jurásico que “la vida se abre camino” y el cine y las series lo demuestran cogiendo velocidad de crucero. Los festivales no tiran la toalla y agitan un mercado al que llegan este fin de semana dos estrenos comerciales de calado. Min 4: LA ENTREVISTA DE LA SEMANA: ABYCINE, QUE NO ES POCO, PREPARA SU XXII EDICIÓN Nos atiende desde Albacete el director del Festival Internacional de Cine de Albacete, José Manuel Zamora, que nos cuenta los secretos del recién presentado cartel de Abycine 2020, diseñado por el humorista Joaquín Reyes. Un certero homenaje al desaparecido José Luis Cuerda, que será protagonista en la edición más valiente del festival de mayor calado de la región. Min 14: EL FILTRO LUCHINI El crítico de “Metrópoli”, Alberto Luchini afila imperturbable su espada samurái para diseccionar los dos estrenos fuertes de la semana: el blockbuster americano “Greenland” y el ambicioso thriller español “Black Beach”, con un llamativo cambio de registro de Raúl Arévalo. Min 25: PREMIOS EMMY 2020. Con nuestra experta en series, Marta Lobera, analizamos el resultado de los Oscars de las series y el triunfo de títulos como “Succession” o “Watchmen”. Min 33: MÚSICA PARA SOÑAR CINE: EL BELLÍSIMO PINOCHO DE MARIANELLI Ángel Luque convoca esta semana al reconocido e internacional compositor italiano Dario Marianelli para descubrir la magnífica banda sonora que ha compuesto para el “Pinochio” de Mateo Garrone, a la sazón la clave de bóveda de la adaptación más fidedigna de la novela de Carlo Collodi. Costumbrismo italiano, ecos de la Vida es bella y un toque Danny Elfman que se cierra con la canción “Passo Passo”, en la que la cantante italiana Petra Magoni pone voz a una melodía para el recuerdo. Saludamos al otoño invocando a la magia de la radio y del cine para seguir avanzando. Paso a paso. 209 programas. Bienvenidos y feliz escucha.

76, 46, 23: sono i numeri che dà il primo giorno di lezione non per sfidare la fortuna alla lotteria, ma per far capire ai suoi studenti il potenziale economico del turismo in Italia. Anche in tempi di Covid. Girovagando per le librerie del mondo ha scoperto e poi portato in Italia lo studio della Finanza islamica, che in aula spiega attraverso una favola universale.Accumulatore seriale di oggetti di design, il suo piano b sarebbe stato fare il progettista. Tuttavia se avesse seguito questa strada non si sarebbe mai ritrovato sulla copertina di TuttoSport...Il prof fantastico di questo episodio è Paolo Biancone, insegna Finanza islamica ed Economia aziendale e lo trovate al Dipartimento di Management.In questo episodio abbiamo citato:"Pinocchio", Matteo Garrone, 2019 / "Pinocchio" Soundtrack, Dario Marianelli, 2019 / "Soldi", Mahmood, 2019 / "Mille lire al mese", Gilberto Mazzi, 1939 / "Song 2", Blur, 1997 / "Love of my life", Queen, 1975.

Featuring: Paul “Moonpir” Carver-Smith and Jess Carver-Smith Running Time: 43:13 In this month's edition of ODNF our couple of kooks are headed into the far distant past of 2016 to check out Kubo and the Two Strings. An unfortunate title that got almost no love at the box office, but is seemingly beloved by everyone who has seen it? How will Jess cope with an "anime" movie? Will Moon enjoy a trip to his weeabo roots? Join us again as we check out another movie neither have seen! Intro and Outro Reel effects from justsoundfx on youtube Break sound effects courtesy of NoiseCollector over at freesound.org First Song - The impossible Waves - Dario Marianelli Second Song - While my guitar gently weeps - Dario Marianelli and Regina Spektor Become a patron of TVGP for just a few dollars a month at E1M1’s Patreon Page! Get two month early access to ODNF, uncensored outtakes, and much more for just $5/month!

In Episode 90 of The Cinescope Podcast, Chad and Eric Scull talk about one of their favorite movies, Kubo and the Two Strings! The Cinescope Podcast on iTunes The Cinescope Podcast on Patreon - exclusive weekly content! Show Notes   Kubo and the Two Strings on Apple TV Kubo and the Two Strings soundtrack on Apple Music   Stats Released August 19, 2016 Dir. Travis Knight (Producer: ParaNorman, The Boxtrolls, Missing Link; Director: Bumblebee, upcoming The Six Billion Dollar Man) Written by Shannon Tindle, Marc Haimes (story); Haimes, Chris Butler (screenplay) Music by Dario Marianelli (The Brothers Grimm, Pride & Prejudice, V for Vendetta, Atonement, The Soloist, Eat Pray Love, Jane Eyre, Anna Karenina, The Boxtrolls, Everest, Darkest Hour, Paddington 2, Bumblebee, Pinocchio (2019), upcoming The Secret Garden) Starring Art Parkinson, Charlize Theron, Matthew McConaughey, Ralph Fiennes, Rooney Mara, George Takei, Brenda Vaccaro, Cary-Hiroyuki Tagawa Contact Eric Scull Twitter (@spielerman) Thank You For Spieling Podcast Episode 1 where Eric and Chad talk about The Last of Us Part 2 MuggleCast, a Harry Potter Podcast Chad Twitter (@chadadada) Facebook Letterboxd An American Workplace | A Retrospective The Office Podcast Cinescope Facebook Twitter Website Email thecinescopepodcast@gmail.com Note: The iTunes links provided are affiliate links, meaning that when you click on them you help to support The Cinescope Podcast by earning it a bit of money. Thank you for your support! Special Guest: Eric Scull.

The original soundtrack for Tuscaloosa was created by the composers, Joshua Mosley and Matt Hutchinson. The soundtrack was released by Lakeshore Records. Joshua Mosley is an award-winning composer and producer for film, television, video games, and recording artists. His work can be heard on projects for studios such as 20th Century Fox, Sony Pictures, Lionsgate, Skydance, Marvel, Paramount Pictures, Tencent, Amazon, DreamWorks, Universal, Overbrook Entertainment, Electronic Arts, Mattel, Activision, FUNimation, National Geographic, and Microsoft. Recently, Mosley scored the sequel Bernie the Dolphin 2 for Lionsgate. Matt Hutchinson is an award-winning film and television composer based in Los Angeles. His TV and film credits include the documentary The Sagebrush Sea, NBC’s The Mysteries of Laura, and the Emmy-nominated main title sequence for The Grid. His music can be heard in the horror feature Ma starring Octavia Spencer, ABC’s The Fix, Best Worst Weekend, Shameless, and in trailers and promos for Ray Donovan. Matt writes and records music with his studio band, DORMARION, collaborating with vocalist Kevin Martin of Candlebox and Rock and Roll Hall of Fame drummer Dave Krusen of Pearl Jam. He also co-wrote and produced the single You’ll Be King with American Idol favorite Pia Toscano, featured in the Netflix docu-series, Westside. Lakeshore Records is a four-time Grammy-nominated independent record label, a division of the Cutting Edge Music Group. Lakeshore Records has released popular and classic soundtracks to such films and tv shows as Drive, Stranger Things, Moonlight, Lady Bird, The Walking Dead, Star Trek: Discovery, Little Miss Sunshine, The Hurt Locker, Napoleon Dynamite and many, many more. Lakeshore Records has released score albums from composers such as Jonny Greenwood, Trent Reznor and Atticus Ross, Nick Cave and Warren Ellis, Danny Elfman, Clint Mansell, Cliff Martinez, James Horner, Thomas Newman, John Powell, Mark Isham, Graeme Revell, Rolfe Kent, Gustavo Santaolalla, Philip Glass, Dario Marianelli, Mark Mothersbaugh, Christophe Beck, Christopher Young, Rachel Portman, and Marco Beltrami. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/americanfilmmaker/support

Tu connais la version suranée des applis de rencontres ? "Les mecs riches et célibataires de ta région", c'est ce que la mère d'Elizabeth Bennett va chercher tout au long de ce film. Et ouais, même dans les films ta famille peut pas s'empêcher de te foutre la honte en publique, incroyable ça ! Cette semaine on parle de Orgueil et Préjugés sorti en 2005, de Joe Wright et à la musique de Dario Marianelli, alors prends ma main et entre dans la danse ! (en plus tu seras peut-être repéré.e par un bon parti). Allez, cesse de regarder le ciel à la recherche d'un nuage en forme de perçeuse, et plonge tes 2 oreilles dans cet épisode qui te donnera envie de déménager dans les terres anglaises. Et quand t'auras fini, viens discutailler du tourbillon de la vie et du talent de Keira Knightley sur les rézos avec nous, on a autant de répondant qu'elle

The Typewriter!!! Our shortest episode to date! This searing playlist features Leroy Anderson, Stewart Copeland, Dario Marianelli, Brian Eno and Max Richter and a whole lotta typing. The most typing of any episode to date. Plenty of tippy tappy tip.

durée : 00:05:52 - Jane Austen et Beethoven en cinq minutes - par : Christophe Dilys - Le compositeur Dario Marianelli donne une leçon de musique en concentrant toutes les trouvailles musicales du "style galant" (deuxième partie du XVIIIe siècle) dans la bande originale du film "Pride and Prejudice" en 2005. 5 minutes pour écouter ce nouveau son sorti du baroque : tonal et plaisant.

Matthew Sweet talks to composer Isobel Waller-Bridge about her score for the new film of Emma and looks back at other Jane Austen adaptations over the years. From famous Mr Darcy's like Laurence Olivier and Colin Firth to Gwyneth Paltrow as Emma, and Kate Winslet and Emma Thompson as the Dashwood Sisters. Featuring music by Rachel Portman, Patrick Doyle, and Dario Marianelli, whose 2005 score for Pride and Prejudice is our classic score of the week.

Sæt dig godt tilbage i stolen, tag et bid af det fortryllede æble og lad som Rapunzel dit hår falde ned, for NU går der ren Brødrene Grimm i den i Drager & Daimoner. 4. Afsnit af The Wicher byder på en klassisk eventyrfortælling med skæbne, forbandelser, prinser, prinsesser gammel overtro og THE LAW OF SURPRISE! Drik af trylledrikken og nyd ugens eventyr afsnit med Jannik & Thomas. Dagens musik er leveret af Dario Marianelli fra Brothers Grimm fra 2005 af Terry Gilliam.

Dario Marianelli es uno de los compositores europeos más prestigiosos del momento, en especial por su capacidad de combinar con elegancia clasicismo e innovación. En el programa podréis escuchar temas de las siguientes partituras: Orgullo y prejuicio, El secreto de los hermanos Grimm, V de Vendetta, Expiación, Ágora, Jane Eyre, Anna Karenina, Everest, Kubo y las dos cuerdas mágicas, Paddington 2, Bumblebee.

Dario Marianelli es uno de los compositores europeos más prestigiosos del momento, en especial por su capacidad de combinar con elegancia clasicismo e innovación. En el programa podréis escuchar temas de las siguientes partituras: Orgullo y prejuicio, El secreto de los hermanos Grimm, V de Vendetta, Expiación, Ágora, Jane Eyre, Anna Karenina, Everest, Kubo y las dos cuerdas mágicas, Paddington 2, Bumblebee.

【主持】程衍樑（新浪微博：@GrenadierGuard2）杨一（新浪微博：@杨一1）【嘉宾】焦元溥，知名乐评人。[05:20]殷承宗兄弟的鼓浪屿往事[08:30]豆瓣对《游艺黑白》评分颇高[09:00]书评人睁眼说瞎话让作者气愤[12:10]古典音乐在台湾的现状[16:30]焦元溥五六岁时被勃拉姆斯《悲剧序曲》打动[19:40]错过巴赫的古典乐迷[22:15]读《史记》和听古典乐的顺序问题[23:40]焦元溥回忆少年时代[32:35]妹妹与哥哥的不同成长路径[38:30]不再撰写乐评，因为意识到这事不公平[45:30]人工智能可以替代作曲家们吗？【延伸阅读】《游艺黑白：世界钢琴家访谈录》，焦元溥，理想国（imaginist），广西师范大学出版社《乐之本事：古典乐聆赏入门》，焦元溥，理想国（imaginist），广西师范大学出版社《焦享乐：古典音乐入门指南》，焦元溥，看理想（Vistopia）《焦享乐：一听就懂的古典音乐史》焦元溥，看理想（Vistopia）【音乐】"Overture"（Dario Marianelli·Anna Karenina (Music from the Motion Picture)·2012·Decca Records）"Prelude and Fugue no.2 in c minor, BWV 847"（Rosalyn Tureck·J.S. Bach: The Well-Tempered Clavier, Book 1·2003·BBC Legends）【logo设计】杨文骥【收听方式】推荐您使用「苹果播客」或任意安卓播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【本节目由JustPod出品】【互动方式】微博：@忽左忽右leftright微博：@播客一下公号：播客一下

【主持】程衍樑（新浪微博：@GrenadierGuard2）杨一（新浪微博：@杨一1）【嘉宾】焦元溥，知名乐评人。[05:20]殷承宗兄弟的鼓浪屿往事[08:30]豆瓣对《游艺黑白》评分颇高[09:00]书评人睁眼说瞎话让作者气愤[12:10]古典音乐在台湾的现状[16:30]焦元溥五六岁时被勃拉姆斯《悲剧序曲》打动[19:40]错过巴赫的古典乐迷[22:15]读《史记》和听古典乐的顺序问题[23:40]焦元溥回忆少年时代[32:35]妹妹与哥哥的不同成长路径[38:30]不再撰写乐评，因为意识到这事不公平[45:30]人工智能可以替代作曲家们吗？【延伸阅读】《游艺黑白：世界钢琴家访谈录》，焦元溥，理想国（imaginist），广西师范大学出版社《乐之本事：古典乐聆赏入门》，焦元溥，理想国（imaginist），广西师范大学出版社《焦享乐：古典音乐入门指南》，焦元溥，看理想（Vistopia）《焦享乐：一听就懂的古典音乐史》焦元溥，看理想（Vistopia）【音乐】"Overture"（Dario Marianelli·Anna Karenina (Music from the Motion Picture)·2012·Decca Records）"Prelude and Fugue no.2 in c minor, BWV 847"（Rosalyn Tureck·J.S. Bach: The Well-Tempered Clavier, Book 1·2003·BBC Legends）【logo设计】杨文骥【收听方式】推荐您使用「苹果播客」或任意安卓播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【本节目由JustPod出品】【互动方式】微博：@忽左忽右leftright微博：@播客一下公号：播客一下

【主持】程衍樑（新浪微博：@GrenadierGuard2）杨一（新浪微博：@杨一1）【嘉宾】焦元溥，知名乐评人。[05:20]殷承宗兄弟的鼓浪屿往事[08:30]豆瓣对《游艺黑白》评分颇高[09:00]书评人睁眼说瞎话让作者气愤[12:10]古典音乐在台湾的现状[16:30]焦元溥五六岁时被勃拉姆斯《悲剧序曲》打动[19:40]错过巴赫的古典乐迷[22:15]读《史记》和听古典乐的顺序问题[23:40]焦元溥回忆少年时代[32:35]妹妹与哥哥的不同成长路径[38:30]不再撰写乐评，因为意识到这事不公平[45:30]人工智能可以替代作曲家们吗？【延伸阅读】《游艺黑白：世界钢琴家访谈录》，焦元溥，理想国（imaginist），广西师范大学出版社《乐之本事：古典乐聆赏入门》，焦元溥，理想国（imaginist），广西师范大学出版社《焦享乐：古典音乐入门指南》，焦元溥，看理想（Vistopia）《焦享乐：一听就懂的古典音乐史》焦元溥，看理想（Vistopia）【音乐】"Overture"（Dario Marianelli·Anna Karenina (Music from the Motion Picture)·2012·Decca Records）"Prelude and Fugue no.2 in c minor, BWV 847"（Rosalyn Tureck·J.S. Bach: The Well-Tempered Clavier, Book 1·2003·BBC Legends）【logo设计】杨文骥【收听方式】推荐您使用「苹果播客」或任意安卓播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【本节目由JustPod出品】【互动方式】微博：@忽左忽右leftright微博：@播客一下公号：播客一下

【主持】程衍樑（新浪微博：@GrenadierGuard2）杨一（新浪微博：@杨一1）【嘉宾】焦元溥，知名乐评人。[05:20]殷承宗兄弟的鼓浪屿往事[08:30]豆瓣对《游艺黑白》评分颇高[09:00]书评人睁眼说瞎话让作者气愤[12:10]古典音乐在台湾的现状[16:30]焦元溥五六岁时被勃拉姆斯《悲剧序曲》打动[19:40]错过巴赫的古典乐迷[22:15]读《史记》和听古典乐的顺序问题[23:40]焦元溥回忆少年时代[32:35]妹妹与哥哥的不同成长路径[38:30]不再撰写乐评，因为意识到这事不公平[45:30]人工智能可以替代作曲家们吗？【延伸阅读】《游艺黑白：世界钢琴家访谈录》，焦元溥，理想国（imaginist），广西师范大学出版社《乐之本事：古典乐聆赏入门》，焦元溥，理想国（imaginist），广西师范大学出版社《焦享乐：古典音乐入门指南》，焦元溥，看理想（Vistopia）《焦享乐：一听就懂的古典音乐史》焦元溥，看理想（Vistopia）【音乐】"Overture"（Dario Marianelli·Anna Karenina (Music from the Motion Picture)·2012·Decca Records）"Prelude and Fugue no.2 in c minor, BWV 847"（Rosalyn Tureck·J.S. Bach: The Well-Tempered Clavier, Book 1·2003·BBC Legends）【logo设计】杨文骥【收听方式】推荐您使用「苹果播客」或任意安卓播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【本节目由JustPod出品】【互动方式】微博：@忽左忽右leftright微博：@播客一下公号：播客一下

一位文化记者每年的十月主题都是文学。今年，在诺贝尔文学奖和布克文学奖先后开出“双黄蛋”之后，反而是第二届宝珀奖让社交网络上的读者们吃到了最大的瓜。本期「剩余价值」，我们特邀界面文化资深文学记者董子琪，与她聊了聊文学奖背后的诸多道道。子琪与我们分享了她预言诺奖得主成功的“秘术”、错失诺奖得主汉德克采访的遗憾，以及文学奖对于出版社和普通读者的意义。在中国，黑箱般神秘的主流文学奖的奖杯光芒多数时候笼罩在主流甚至知名作家身上，一个新人作者该怎样突围？文学奖和文学批评是否有可能平衡代际或打破偏见？文学夸奖占据文学批评主流的现状为什么应该改变？当然，存在偏见的不只有文学奖，也有普通读者，在节目的最后我们再一次聊到了如何阅读的问题，子琪认为“品位不是天生，阅读需要训练”，“不是读得越难就越优越，但有些阅读的乐趣是只有付出努力才能得到的。”现实在不断更新，建立在这一基础上的写作、阅读与文学批评，或许都面临着不断更新与更加开放的挑战。 [03: 20] 适野介绍今年宝珀文学奖的结果与争议 [10: 09] 书写工人阶级的文学在中国并不是非常主流 [15: 45] “匿名作家计划”是文学界的“蒙面唱将” [19: 17] 豆瓣征文、新概念作文大赛以及台湾的一些征选性质的文学奖 [25: 08] 子琪如何习得“诺奖占卜体质”？ [29: 43] 残雪虽然没得诺奖，但她的书大卖了一轮 [32: 02] 黄月：每年报道完诺奖，感觉年就过完了 [33: 59] 黄月分享看台湾腔《骂观众》的经历 [37: 30] 文学奖在今天还有没有意义？是否还值得关注？ [44: 55] 英国可以有“非布克奖”，我们可以有“非茅盾奖”吗？ [46: 47] 子琪聊今年的茅盾文学奖获奖作品《应物兄》 [51: 42] 中国文坛马太效应很明显，头部作家占据大量资源 [54: 02] 中国作家的创作寿命相对比较短 [55: 19] 能够从阅读文学中获得乐趣的人越来越少 [59: 40] 虽然大家都要吃饭，但文学评论还是要诚恳 本期节目中提到的文学作品： 《冬泳》班宇 著 《八部半》黄昱宁 著 《我循着火光而来》张悦然 著 《白天的房子，夜晚的房子》《太古和其他的时间》奥尔加 著 《骂观众》《试论疲惫》《痛苦的中国人》汉德克 著 《遗嘱》[加拿大]玛格丽特·阿特伍德 著 《女孩、女人和其他人》[英]伯纳德·埃瓦里斯托 著（暂无译本） 《仙症》郑执 著 《巴托比症候群》[西班牙]恩里克·比拉-马塔斯 著 《出家》张忌 著 《心灵外史》石一枫 著 《飞行家》《猎人》双雪涛 著 《中国现代小说史》夏志清 著 本期节目中提到的文章： 《“线人”没了，赔率榜还准吗：2019诺贝尔文学奖最终预测》作者：董子琪 《评诺奖得主奥尔加·托卡尔丘克：太古之沿，以梦为始》作者：董子琪 《不必把中国写作者特殊化，所有人都是文字共和国的一员 | 专访唐诺》作者：潘文捷 《性话语泛滥、人际犯难和插科打诨：〈应物兄〉与“中国式学院小说”》作者：董子琪 《莫言获得诺奖的1500天》作者：董子琪 《由胸部抵达身体：小说中的“”主义、自我献祭和哺乳迷思》作者：董子琪 本期节目中使用的音乐： 片头：《Clowns》，by Goldfrapp，《现代爱情》第一季原声带 片尾：《Briony》，by Dario Marianelli，《赎罪》原声带

Iniciamos la cuarta temporada de Perpetuum Mobile y espero que sea más plácida que su precedente. Esta semana dos conceptos musicales planean sobre la selección musical. Por un lado está la vuelta a las raíces, la vuelta a orígen, a casa; por el otro está el viaje, la épica. Espero que os guste el resultado. Esta semana escucharemos temas de James Galway, Alasdair Fraser & Paul Machlis, Burkhard Dallwitz, Adam Burns & Christopher Salt, Brighton Film Quartet, Karl Jenkins (2), Jean-Michel Blais, Ossie Woods, Agnes Obel, Kovaks & Metropole Orkest, Christopher Salt & Adam Burns, Two Steps From Hell, Rupert Gregson-Williams, Dario Marianelli, Gregor Hüber & Martin Haene (2) y Marcus Warner.

Pour vous accompagner durant vos vacances d'été, le Lemon Adaptation Club propose un hors-série en 2 parties sur un auteur majeur de notre époque : Alan Moore. Auteur aussi vénéré qu'il est exigeant avec la qualité de ses adaptations, Moore aura vu plusieurs de ses œuvres être transposées sur le grand écran. Parfois pour le meilleur, souvent pour le pire. La première partie de ce hors-série revient sur 3 adaptations : - From Hell des frères Hughes - La Ligue des Gentlemen Extraordinaires de Stephen Norrington - V pour Vendetta de James McTeigue. Pour décortiquer ces tentatives d'adaptation et leur relatifs succès, Océane s'entoure de Douglas, auteur pour @Poilociné et comédien de doublage, Benjamin, étudiant et musicien, @Rutile, dessinatrice de bandes-dessinées, ainsi que du désormais habituel Corentin, rédacteur pour @Comicsblog et projectionniste. Dans une ambiance franchement festive, imprégnée de bières, de thé glacé et de fous rires, l'équipe de la saison se penche sur les symptômes et quelques qualités de chaque film ayant tenté d'adapter Moore, de manière plus ou moins fidèle. Adapter Moore, est-il forcément synonyme de trahison ? RDV dans quelques jours pour la deuxième partie consacrée à Watchmen ! D'ici là, n'hésitez pas à partager et commenter l'épisode si vous avez des remarques, et merci de votre patience ! On remercie également Benjamin de nous avoir prêtés son morceau « You and Me » pour clôturer l'épisode. Quant au générique de début, il s'agit du morceau « Evey Reborn », signé Dario Marianelli pour la bande-originale de V pour Vendetta.

Welcome to Live From Progzilla Towers Edition 298. In this edition we spoke to Simon Godfrey and heard music by Thundercat, Genesis, Kate Bush, Dario Marianelli, North Atlantic Oscillation, TesseracT, Stevie Wonder, Field Music, Pinegrove, Rush, Valdez, Shineback, Freefall, Tinyfish, Tidehouse & Simon Godfrey .

Albumil "Darkest Hour" (Deutsche Grammophon 2017) kõlab Itaalia filmihelilooja Dario Marianelli originaalmuusika Joe Wrighti samanimelisele filmile.

Albumil "Darkest Hour" (Deutsche Grammophon 2017) kõlab Itaalia filmihelilooja Dario Marianelli originaalmuusika Joe Wrighti samanimelisele filmile.

200 programas ya, y los que quedan. Para celebrarlo me he decidido por seleccionar las que considero, muy personalmente, mejores bandas sonoras desde 2009 hasta 2018, eligiendo los scores por años. Los compositores son John Williams, Christopher Gordon, el dúo Daft Punk, Dario Marianelli, Danny Elfman, Víctor Reyes, Abel Korzeniowski y John Powell. ¿Las bandas sonoras? En el programa encontraréis la respuesta.

200 programas ya, y los que quedan. Para celebrarlo me he decidido por seleccionar las que considero, muy personalmente, mejores bandas sonoras desde 2009 hasta 2018, eligiendo los scores por años. Los compositores son John Williams, Christopher Gordon, el dúo Daft Punk, Dario Marianelli, Danny Elfman, Víctor Reyes, Abel Korzeniowski y John Powell. ¿Las bandas sonoras? En el programa encontraréis la respuesta.

This is Book Plate's discussion of Forever Young Adult's April 2018 book club pick, The Dark Days Club by Alison Goodman. Spoilers. Some swears. Recorded in Oakland. Music is Another Dance by Dario Marianelli & Performed by Jean-Yves Thibaudet --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/fya-book-plate/support

We continue our journey of catching up on movies released in 2018 by driving down to 1987's California for a look at the Transformers spinoff film, "Bumblebee". With Disney buying 20 Century Fox, a new rumour has emerged confirming that all Marvel films in development at Fox will be cancelled going forward. Is this a good idea of not? After the major disappointment that was "Transformers: The Last Knight", it seemed as though all hope was lost for this Cybertronian franchise. However, with well defined characters, well shot action scenes, and some nostalgic storytelling, it seems the little Volkswagon Beetle that could has brought new life into this franchise. To avoid SPOILERS for "Bumblebee", please skip over 33:18-48:26 of the episode. Music and audio from "Bumblebee" is the property of Dario Marianelli, Lorenzo di Bonaventura, Tom DeSanto, Don Murphy, Michael Bay, Mark Vahradian, Allspark Pictures, Tencent Pictures, di Bonaventura Pictures, and Bay Films. The intro and outro music was created by Cackles and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com.   

Tras la muerte de Stan Lee, nuestros expertos en cómics rinden tributo al creador de Marvel y a otras grandes figuras del noveno arte que nos han abandonado recientemente: Carlos Ezquerra, Alfonso Azpiri, Jiro Taniguchi, Steve Ditko, Len Wein y Bernie Wrightson. Únete a nosotros en Telegram: t.me/marcianosenuntren Lista de difusión de Ed. Limitada en WhatsApp: Mandar nombre completo al 619028920 La Hora de las Tortas: www.eslahoradelastortas.com/podcast/ Modera: Agustín Amador Participan: Alejandro Martínez y Alejandro Monge Edición y música Jose Ceballos Temas de: Dario Marianelli, Vicente Amigo, Mark Lanegan Band, Joe Hisaishi, Alan Silvestri, Tyler Bates, Danny Elfman, AlanSilvestri, Michael Giacchino, Steven Price, Mr. Billy, Marco Beltrami, Alan Parsons Project, Queen y un audio de Virgincomics

Marking the centenary of the Armistice, Tom Service talks to three composers writing music in response to war: Mira Calix on her sound installation at the Tower of London, 'Beyond the Deepening Shadows' featuring music for voices performed by Solomon's Knot; Dario Marianelli on 'The Unknown Soldier' at the Royal Ballet; and David Lang on ‘Memorial Ground’, originally written for the centenary of the Battle of the Somme in 2016. Tom travels to Paris and joins Jean Rondeau at the harpsichord to delve into the music of French composer Francois Couperin, 350 years after his birth, and talks to musicologist Theodora Psychoyou about the vast range and colour of his keyboard works. Composer, writer and singer Kerry Andrew discusses a new piece she's written for the Ligeti Quartet inspired by her experience with tinnitus and talks to clinical audiologist Rekesh Patel about living with the condition. And Santanu Das sheds light on the role of music in the Indian war experience as highlighted in his new book, 'India, Empire, and First World War Culture', including a folk song reconstructed and performed by Jasdeep Singh and Amanroop Kaur.

One of the catalysts to the composition on my new album Époques was a 2 weeks retreat in Suffolk last year, the change of environment and soundscape, away from inner city manmade noises. Many of the pieces featured in this mix were inspired by nature in an abstract or descriptive way. It is easy to sense the heatherlands, rivers and other natural phenomena at the source of the music. Starting with what has now become a classic, John Cage's In A Landscape, and followed by Dario Marianelli's cue from the movie Jane Eyre, both for its romantic expressive beauty, but also for its relationship to the writings of the Brontë sisters, for whom open landscapes and moorlands were such an important source of inspiration, the mix meanders through richly layered works by composers such as Eliane Radigue, Richard Skelton and Claire M Singer. I would suggest listening to this music while on a walk in the countryside or seaside, keeping the volume gentle enough for the sounds of your environment to come in and blend with the drones or act as a counterpoint to Hans Otte‘s Book of Sounds. For a more detailed description, full track listing and more information about this mix, please visit headphonecommute.com

It was recently announced that composer Dario Marianelli would write the original score for the upcoming BUMBLEBEE feature film (prequel to the Transformers films). Kristen Romanelli and Christopher Coleman not only react to this news, but share their personal histories with the Transformers franchise (the movies and beyond). Will there be even more Transformer spinoffs?Episode Highlights00:35 - Bumbling the intro03:10 - Personal Transformers history07:06 - The Bumblebee Teaser10:10 - Dario Marianelli scores Bumblebee16:46 - Marianelli survive or replace?19:26 - How good or how bad?Music Selections00:00 - "Bumblebee (Buzz Buzz)" (Tides of Fate) by The Laurie Beckner Band25:40 - "Bumblebee (Buzz Buzz)" (Tides of Fate) by The Laurie Beckner BandFind and Follow:Follow Kristen Romanelli on Twitter - @kbfornowFollow The Soundcast on Twitter - @audiosoundcastFollow Tracksounds on Twitter - @tracksounds Follow Christopher Coleman on Twitter - @ccolemanNotes:Dario Marianelli to Score ‘Transformers' Spinoff ‘Bumblebee'Spotify: Find our Spotify Companion Playlist here! Support Tracksounds:Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You!Buy Soundtracks at Amazon.com http://bit.ly/amazonsoundtracksSubscribe and More InfoaCASTGOOGLE PLAYiTUNESRSS FEEDSPOTIFYSTITCHER RADIOTUNEIN RADIO

Be swept away in the compelling sounds of the epic drama, “Atonement” (2007). The soundtrack, written by Italian film composer Dario Marianelli, won multiple awards for its unique and notable ‘piano and typewriter' tracks, including the coveted Oscar for Best Original Score. Host, Joan Andrews revives this woeful tale of Brionny, a jealous young girl who betrays her sister, Cecilia, straining her tumultuous romance with Robbie, the man both sisters love. The story focuses on Brionny's attempts to at Learn more about your ad choices. Visit megaphone.fm/adchoices

Pour ce premier épisode de 2018, Mélodie en sous-sol s'attaque au dernier long métrage de Steven Spielberg et à la composition de son complice de toujours, John Williams. Côté actu, retour sur Darkest Hour et la bande originale de Dario Marianelli. Une émission enregistrée en compagnie du Dr Baptiste.

Despite being a thoroughly humble and unassuming sort, Joe Wright has led quite the life. From drinking in the pub as a youngster with Kathy Burke to creating live visuals for The Chemical Brothers, he's long held ties to key players in British culture. Not that he's become a director of great repute on anything other than merit - as evidenced by his latest movie, Darkest Hour. Telling the story of Winston Churchill's early days as Prime Minister during World War II, Darkest Hour revolves around an extraordinary central performance from Gary Oldman, which has already landed him a Golden Globe. But the brilliance of this film is about so much more than that - thanks in no small part to Joe's all-encompassing vision.  Darkest Hour is up for a whopping nine awards at the EE BAFTAs. As well as Gary's inevitable nomination, these include Best Film and, appropriately enough for our purposes, Best Music for Dario Marianelli.  On Joe's instruction, Dario's score was inspired by the modernist movement of the 50s and 60s, and specifically a more recent work called Hammers by contemporary German composer Nils Frahm.

I den femte episoden av podcasten Musik i Film och den första för 2018 möter vi Mikael Carlsson som är en av Nordens i särklass mest initierade och kunniga personer inom filmmusik. Han driver musikbolaget MovieScore Media och Screamworks Records,  har över 300 releaser bakom sig, en grammy nominering och en hel radda med nomineringar till "Soundtrack Label of the year". Bland annat har han gett ut musiken till Låt den rätte komma in, Merlin, Pandorum, Age of Heroes och listan kan göras lång. Kompositörer som Basil Poledouris, Dario Marianelli, Johan Söderkvist, Patrick Doyle, Angelo Badalamenti och Jeff Beal har alla gemensamt att de blivit utgivna av Mikael som också gett ut ett soundtrack komponerat av den världsberömde orkestreraren Matt Dunkley. Mikael frilansar också inom branschen och är en skicklig kompositör själv där han skriver för bland annat TV och även konsertmusik i regel för kör. Och som att det inte var nog driver han också Soundtracks Live vilket är ett företag som arrangerar konserter där filmmusik står i fokus. I podcasten pratar Michael om sin bakgrund, låter oss ta del av flera spännande möten med kompositörer och mycket mer. Podcasten Musik i film är producerad av Simon Kölle – www.simonkolle.com (med hjälp av Joel Forssell). Vinjetten och de olika musiksnuttarna i podcasten är från Interludium I (även kallad Kattis Strof) som är skriven av Simon Kölle (orkestrerad av F. Högberg) och framförd live på Skansen av Sveriges Radios Symfoniorkester. För mer information om bransch och intresseorganisationen Musik i Film se www.musikifilm.se som också finns på Facebook och på flera andra sociala plattformar. Mer om Isabelle hittas på www.isabellengman.com/

Avec les musiques de "Le Grand jeu" de Daniel Pemberton, "Les Heures sombres" de Dario Marianelli, "El Presidente" de Alberto Iglesias, "Liebmann" de Zaal 33, "Burn Out" de Grégoire Auger, "Le Lion est mort ce soir" de Olivier Marguerit

Emission proposée par Benoit Basirico Diffusée sur Aligre FM En Replay sur Cinezik.fr Au sommaire : - Retour sur 2 coups de coeur récents ("Drôles de petites bêtes" de Bruno Coulais, "Star Wars: le Dernier Jedi" de John Williams). - Les B.O des films à l'affiche les 20 et 27 décembre, les 3 et 10 janvier, dont "Ferdinand" de John Powell, "Jumanji : Bienvenue dans la jungle" de Henry Jackman, "A Ghost Story" de Daniel Hart, "Wonder" de Marcelo Zarvos, "Tout là-haut" de Laurent Perez Del Mar, "Tout l’argent du monde" de Daniel Pemberton, "Kedi" de Kira Fontana, "Le Grand jeu" de Daniel Pemberton, "Les Heures sombres" de Dario Marianelli, "El Presidente" de Alberto Iglesias, "Liebmann" de Zaal 33, "Burn Out" de Grégoire Auger, "Le Lion est mort ce soir" de Olivier Marguerit, "Downsizing" de Rolfe Kent, "Vers la lumière" de Ibrahim Maalouf, "La Monnaie de leur pièce" de Éric Neveux, "Si tu voyais son coeur" de Gabriel Yared - Avant-premières : "In the Fade" de Joshua Homme / "3 Billboards, Les Panneaux de la vengeance" de Carter Burwell - Vintage Vinyle, les raretés B.O de Manuel Bleton(Otalia de Bahia)

Avec les musiques de BIENVENUE A SUBURBICON par Alexandre Desplat, SANTA & CIE par Matthieu Gonet, PADDINGTON 2 par Dario Marianelli, ISOLA par Olaf Hund, SEULE LA TERRE par Dustin O'Halloran et Adam Wiltzie, MAKALA de Gaspar Claus

主播打分： 刘三解（前凤凰历史频道主编；《柬埔寨女儿回忆录》等2期嘉宾；个人公众号“刘三解freestyle”）：8分； “中国如果能出现丘吉尔这样的政治明星，我会比较欣慰。” （刘三解的其它打分：《南汉山城》8分；《柬埔寨女儿回忆录》6.5分；《出租车司机》6分） 雷普利（凤凰电影前编辑；《猎凶风河谷》等20期嘉宾）：7.5分； “本片拍的很‘安全’，相比《无耻混蛋》或《敦刻尔克》它几乎毫无突破，但有较高的完成度未尝不是亮点。” （雷普利的其它打分：《出租车司机》7.5分；《寻梦环游记》7分；《猎凶风河谷》7分；） 波米：6分； “传记片拍到现在已经有了太多种样式，而本片竟然选择了最基础的那种。” 《至暗时刻》(Darkest Hour)平均分：约7.2分 本期节目流程与目录： 开场曲：(Dario Marianelli)； 第12秒-第5分钟：影片信息介绍（无剧透）； 第5分钟-第9分钟：三位主播为影片打分并阐述理由（无剧透）； 第9分钟-第38分钟：嘉宾“雷普利”与“刘三解”先谈《至暗时刻》“亮点”，“波米”谈问题（涉及剧透）； 1、雷普利认为本片“视听语言”是最大亮点，剪辑、摄影、配乐与音效都非常出色，甚至好过《敦刻尔克》；她还重点谈及了本片在“布光”方面的匠心；此外，本片也呈现了丘吉尔作为“普通人”的一面，实属难得； 2、刘三解觉得本片呈现了一个“满身缺点”的丘吉尔并展现了他以“贵族精神引领抗战”的个人特点； 3、波米谈缺点时认为本片“既不深刻也不具体”，对丘吉尔的塑造是“小骂大帮忙”，实质还是主旋律式的伟人塑造；并以扭曲历史原型的方式加了一些“政治正确点缀”，尽显冲奥的功利心态； 第38分钟-第1小时11分半：交换意见，雷普利与刘三解谈该片“问题”，波米谈“亮点”（涉及剧透）； 1、雷普利谈缺点时首先提到了“地铁戏”的种种问题；此外，本片对“丘吉尔主战”的个人动机交代的并不充分，而本片设置的许多丘吉尔私生活的花边细节也与“主战主线”毫无关联，完全为了讨好观众； 2、刘三解同样重点吐槽了“地铁戏”对于丘吉尔此前“贵族精神”人设的摧毁；他认为丘吉尔最后“深入基层听取民心”的戏份毫无道理； 3、波米除了肯定视听之外，认为“张伯伦”的人设是一个亮点； 第1小时11分半-第1小时35分钟：三位主播谈及“加里·奥德曼”在本片中的表演（涉及剧透）； 1、刘三解对于奥德曼的表演是“无脑服”，他认为没有好的表演本片很难看的下去； 2、雷普利认为奥德曼表演在“合格之上”，但没看出他给人物注入了哪些崭新的东西； 3、波米历数此前“数版丘吉尔”，也谈到对该角色塑造是“特型演员化”特点；相对他最喜欢《风暴前夕》中芬尼版的丘吉尔； 第1小时35分钟-尾声：外延话题（涉及剧透）： 1、乔·怀特前作简要回溯； 2、“丘吉尔”及其它传记电影漫谈； 3、“二战正义性”与“大国民心态”； 尾声曲目：(Dario Marianelli)。影片《至暗时刻》重要信息： 本期节目重点提及的电影片单： 《战争与冒险》（1972） 《风暴前夕》（又名“铁血风暴”，2002） 《帝国的毁灭》（2004） 《赎罪》（2007） 《我不在那儿》（2007） 《丘吉尔最黑暗的决定》（2009） 《不惧风暴》（2009） 《无耻混蛋》（2009） 《国王的演讲》（2010） 《汉娜》（2011） 《铁娘子：坚固柔情》（2011） 《安娜·卡列尼娜》（2012） 《史蒂夫·乔布斯》（2015） 《脑残粉》（2016） 《丘吉尔的秘密》（2016） 《丘吉尔》（2017） 《敦刻尔克》（2017） 《出租车司机》（2017）

Emission proposée par Benoit Basirico Diffusée sur Aligre FM En Replay sur Cinezik.fr Au sommaire : - Retour sur 1 coup de coeur récent ("Coco" de Michael Giacchino). - Les B.O des films à l'affiche les 6 et 13 décembre, dont "Bienvenue à Suburbicon" de Alexandre Desplat, "Paddington 2" de Dario Marianelli, "Seule la terre" de Dustin O'Halloran et Adam Wiltzie, "Santa & Cie" de Matthieu Gonet, "Isola" de Olaf Hund, "Girls Trip" de David Newman, "Le Crime de l'Orient-Express" de Patrick Doyle, "Mariana" de Grégoire Auger, "La Deuxième étoile" de Erwann Kermorvant, "Drôles de petites bêtes" de Bruno Coulais, "Soleil Battant" de Giani Caserotto. - Invités : Fabianny Deschamps (réalisatrice), Olaf Hund (compositeur) pour ISOLA / Clara et Laura Laperrousaz (réalisatrices), Giani Caserotto (compositeur) pour SOLEIL BATTANT. - Avant-premières : "A quoi pense Mme Manet" de Hervé Le Roux (musique de Manuel Bleton) / "La Forme de l'eau" de Alexandre Desplat - Vintage Vinyle, les raretés B.O de Manuel Bleton(Hommage à Luis Bacalov)

We've already spoken to one legendary British producer on this show in the shape of Stephen Woolley. Now it's the turn of David Heyman. Like Stephen, David's CV is enviable. As well as producing all the of Harry Potter films and spin-off Fantastic Beasts, he's also the man behind The Light Between Oceans, Testament Of Youth and Gravity among many, many other celebrated movies. And as we'll discover, music very much falls under his remit. The list of composers David has worked with is mighty impressive, from John Williams and James Newton Howard to Steven Price, Max Richter and Dario Marianelli, who scored his latest project, the delightful Paddington 2. Perhaps surprisingly, David loves hip-hop, which informed his first movie as a producer, Juice, the 1992 thriller starring late rapper Tupac Shakur. And given that we kick off by playing tracks and a clip from the film, we should warn you that there's inevitably a fair bit of choice language in this episode ...

No episódio desse mês, conversamos sobre “Jane Eyre” (1847) de Charlotte Brontë, falamos (e muito hahahaha) sobre diversos temas, como igualdade entre homens e mulheres, a mulher e o trabalho/independência, violência, relacionamentos afetivos e interpretações distintas de amor. Abordamos também a religião, tema que atravessa a obra, e em que a autora critica certas práticas e comportamentos opressores. Passamos pela temática da “loucura” feminina e discutimos en passant,  colonialismo e patriarcado. Relacionamos esse clássico com muitas, muitas mesmo, adaptações para o cinema e TV, explorando as semelhanças e diferenças na maneira de captar os personagens e os temas. Livros citados: Morro dos Ventos Uivantes (1847), de Emily Brontë. Vasto mar de Sargaços (1966), de Jean Rhys. Rebecca (1938), de Daphne du Maurier. Orgulho & Preconceito Zumbi, (2009), de Seth Grahame-Smith. Jane Slayer (2010), de  Sherri Browning Erwin. Música da nossa trilha sonora: Jane Eyre OST de Dario Marianelli e Jack Liebeck Waiting for Rochester Do You Never Laugh Wandering Jane Yes! Mr. Reed is Not Quite The Wedding Dress An Insuperable Impediment Jane’s Scape Deixe seus comentários aqui pra gente. Sempre que acabamos de gravar, lembramos de algo mais que poderia ser dito, logo o tema sempre fica em aberto. Podcast: 00:00:39 Apresentação 00:02:30 Sobre a autora Charlotte Brontë 00:08:05 A obra “Jane Eyre” 01:48:50 Adaptações cinematográficas para cinema e TV 02:18:27 Influências em outras obras 02:27:00 Encerramento Jane Eyre (1934) http://www.imdb.com/title/tt0025323/ Jane Eyre (1943) http://www.imdb.com/title/tt0036969/ Jane Eyre (1949) http://www.imdb.com/title/tt0712298/ Sangdil (1952) http://www.imdb.com/title/tt0130991/ Jane Eyre (1952) http://www.imdb.com/title/tt0712299/ Jane Eyre (1957) http://www.imdb.com/title/tt2362227/ El secreto (1963) http://www.imdb.com/title/tt0373611/ Jane Eyre (1970) http://www.imdb.com/title/tt0065911/ Jane Eyre (1973) http://www.imdb.com/title/tt0207892/ El ardiente secreto (1978) http://www.imdb.com/title/tt0320826/ Jane Eyre (1983) http://www.imdb.com/title/tt0085037/ Jane Eyre (1996) http://www.imdb.com/title/tt0116684/ Jane Eyre (1997) http://www.imdb.com/title/tt0119404/ Jane Eyre (2006) http://www.imdb.com/title/tt0780362/ Jane Eyre (2011) http://www.imdb.com/title/tt1229822/   CARREIRA, Shirley. “Gênero, identidade e poder: uma reflexão sobre Vasto Mar de Sargaços, de Jean Rhys.” http://www.cadernosdeletras.uff.br/joomla/images/stories/edicoes/45/artigo8.pdf Cher: les inquiétantes dérives d’une école catholique traditionaliste http://www.leparisien.fr/faits-divers/cher-les-inquietantes-derives-d-une-ecole-catholique-traditionaliste-12-06-2017-7042365.php O post #13: Jane Eyre de Charlotte Brontë apareceu primeiro em Chá das Cinco Com Literatura.

Join Will & Wend for their 25th Score Guide! In this episode they happily explore a fave in the film music community, the 2016 Laika animation, Kubo and the Two Strings by composer Dario Marianelli. Featuring the often-used Metro Voices and performing talents of Hibiki Ichikawa on the 3-stringed traditional Japanese instrument, the shamisen, your hosts pull […]

On today’s episode, we are finally presenting our TOP 20 FAVOURITES SCORES OF 2016 program.This first part of our countdown celebrates selections 20 through to 11 featuring the music of Alexandre Desplat, Chad Seiter, Abel Korzeniowski, Ramin Djawadi, Austin Wintory, Rob Simonsen, James Newton Howard, Naoki Sato, Ye Xiaogang, Chad Cannon and Dario Marianelli. This is a hefty 3-hour show but it’s jam-packed with so much great music I’m sure you won’t mind the running length. We’ll have part two for you near the end of the week. While I’m sure your personal best of 2016 list is very different than mine, I never expect anyone’s favourites to mirror my own, I offer you a chance to put me in my place. Please feel free to contact me or write in the comments section below with scores that I might have left off the list. With that, enjoy the countdown! Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

On this week’s episode of CINEMATIC SOUND RADIO, we’ll be presenting our annual Christmas Special featuring music from some yuletide classics and some non-traditional Christmas favourites.You’ll hear music from the 1999 adaptation of A CHRISTMAS CAROL with music by Shephen Warbeck. You’ll also hear music by Jerry Goldsmith from THE HOMECOMING: A CHRISTMAS STORY, Williams Ross and Jerome Leroy’s ONE CHRISTMAS EVE and Dario Marianelli’s score to the remake of EVERYBODY’S FINE.We’ll also be featuring a suite of music from Shane Black scripted and/or directed films. And we can’t have a Christmas show without DIE HARD.Plus, we’ll be featuring single tracks selections from ALVIN AND HE CHIPMUNKS by Christopher Lennertz, HARRY POTTER AND THE GOBLET OF FIRE by Patrick Doyle, STAR TREK: GENERATIONS by Dennis McCarthy, John Williams’ STEPMOM and more. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

Matthew Sweet meets the award winning film composer Dario Marianelli, creator of scores for films such as Atonement, Pride and Prejudice, The Brothers Grimm and Anna Karenina, in the week of the launch of his latest score, for Travis Knight's fantasy film "Kubo and the Two Strings".

On this week’s episode of CINEMATIC SOUND RADIO we’ll be listening to seven brand new film scores… and that’s it. We’ll return to our regular format in two weeks.Off the top of the program you’ll hear Steven Price’s loud score to SUICIDE SQUAD. You’ll also hear selections from the remake of BEN-HUR with music by Marco Beltrami, Christopher Young sensational score to THE MONKEY KING 2, Dario Marianelli’s adventure score to KUBO AND THE TWO STRINGS, Austin Wintory’s atmospheric score to the video game ABZU, Alexander Cimini’s triumphant work on DARK WAVES and we’ll end the program with Rob Simonsen’s infectious 80’s retro synth score to NERVE. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

We talk Star Wars, Overwatch, Star Trek, and more in a casual bonus episode of Fireside Friends. Our podcast theme is "April Elsewhere" by The Orchestral Movement of 1932 found via Opsound.org. "Remember Remember" by Dario Marianelli

JESSI KILLGUS is a Brooklyn-based singer/songwriter [her accompanist: John Kengla] https://www.jessiekilguss.com, https://www.facebook.com/jessiekilgussmusic, https://twitter.com/jessiekilguss, instagram: @jessiekilguss SASHKO DANYLENKO is an Independent filmmaker from Ukraine who joins folk, contemporary, nature and elements digital in his work, creating magical worlds with colorful characters and extraordinary allegories. Motion illustration to David Lynch’s “Catching the big fish” https://vimeo.com/169622638, https://www.facebook.com/sashkodanylenkoart, https://www.linkedin.com/in/sashkodanylenko, Instagram: https://www.instagram.com/sashko_danylenko_art/ CHARLIE NIELAND is back and is still a musician, producer, writer, engineer and long time participant in THE BBC. LISA BARNSTONE is a filmmaker and sculptor SUSAN HWANG is a maker; a singer/songwriter, curator of the BBC. NEXT BBC is July 12th at The Basement Bar for "Geek Love" by Katherine Dunn Music: "Flippers and Fins" by Jessie Killgus (inspired by "Gallapagos" by Kurt Vonnegut) https://bushwickbookclub.bandcamp.com/track/flippers-and-fins, "The Living Sculptures of Pemberley" by Dario Marianelli, and "Nothing" by Charlie Nieland https://bushwickbookclub.bandcamp.com/track/nothing The Books: "Catching the Big Fish" by David Lynch "Gallapagos" by Kurt Vonnegut "Geek Love" by Katherine Dunn "The Bible" "The Red Book" by Carl Jung "Jane Eyre" by Currer Bell "Jane Steele" by Lyndsay Faye "Lord of the Rings" by J.R.R. Tolkien "Harry Potter" by J.K. Rowling "Look Homeward Angel" by Thomas Wolfe "The Poetry of Anne Sexton" "Charlottes Web" by E.B. White RIVER WRITING: "Wild Geese" by Mary Oliver #trustme #inkandworm #rfb

Italian composer Dario Marianelli’s iconic scores have provided the soundtrack to celebrated British films including Atonement, Pride and Prejudice and Anna Karenina which gained him BAFTA, Oscar, and Golden Globe nominations. Recorded at the Royal Albert Hall on 25 November 2013

To celebrate the recent Guy Fawkes Night festivities in Great Britain, Will and Wend discuss the intelligent score to V for Vendetta by the superb composer Dario Marianelli. We also announce the 3 lucky winners of our Halloween contest! Release V for Vendetta: Music from the Motion Picture Astralwerks Records (2006) Timestamps 00:00 – Intro Tag: Marcelo Macario 04:59 […]

¡Hola niños y niñas! Nueva edición de El Garaje del DeLorean en la que la música será la gran protagonista. Nos encantan las BSO y no queríamos dejar pasar la oportunidad de poder hacer un mini programa especial recomendando unas cuantas de las que más nos gustan. Antonio y un servidor pondremos en la palestra 4 Bandas Sonoras muy diferentes entre sí que a pesar de no ser de las más conocidas merecen su reconocimiento. Las escogidas para hoy han sido: HER (de Arcade Fire y Owen Pallet), DESEANDO AMAR (de Michael Galasso), V DE VENDETTA (de Dario Marianelli) y BREAKING BAD (el tema final de la serie a cargo del grupo BadFinger). Si conseguimos que le deis una oportunidad o volváis a ver alguna de las películas/Serie que hemos escogido tras escucharnos hablar de ellas habremos conseguido exactamente lo que buscábamos. Tomad asiento y relajaos, es hora de darle placer al oído...

1. "Prelúdio/Prelude N. 16", de/from "24 prelúdios/Preludes" (Chopin). Daniil Trifonov, piano. 2. Primeiro movimento da/First movement from "Sonata para violoncelo em ré menor/Cello sonata in E minor, Op. 38" (Brahms). Jacqueline du Pré, violoncelo/cello. Daniel Barenboim, piano. 3. Canto do rouxinol/Nightingale bird call 4. "The Girl and the Birch", da trilha sonora do filme/from the OST "Anna Karenina" (Dario Marianelli). Aruhan Galieva, cantora/singer. Gostou? Então clique em LIKE e também em FOLLOW. Ou se inscreva pelo iTunes para receber atualizações////// Fancy my sets? So please click LIKE and also FOLLOW. You can always subscribe with iTunes. www.facebook.com/heloisafischer helofischer@vivamusica.com.br

Scott Carelli stops by to partake in a chat about Possession, Mystery Team and My Bloody Valentine 3D. This episode is so massive, it had to be broken up into three sections!00:02:57 - Now that John has left Milk Carton TV, he and Scott briefly discuss a new podcast they're involved in, "Movie Night with Geekshow". This leads to talk of really bad films and the possible value in trying to review them as such.00:08:42 - John gives his thoughts on the supernatural drama Possession, starring Sarah Michelle Gellar and Lee Pace. The film's rocky distribution history is also discussed, as well as comparisons between the theatrical poster and the DVD box art.00:21:17 - We go absolutely silly over Mystery Team, the first feature film from Derrick Comedy.00:42:20 - Unfortunately, John also watched the remake of My Bloody Valentine. The greatness of Tom Atkins and Jensen Ackles aside, most of what gets discussed here is the film's distracting, TV-like picture quality. Scott also brings up the merits of 3D with genre films like this.00:48:25 - The works of Todd Farmer and Patrick Lussier are discussed, closing out the episode as John argues in favor of the original Halloween III: Season Of The Witch.The following artists can be heard in this episode:The Mystery Team, Childish Bambino (Donald Glover), Michael Jackson, Andreas Alfredsson & Christian Sandquist & The Stiff Twins, Stars, Dario Marianelli, Jamin Winans, The Ting Tings, Kasabian, Kate Nash, Angels & Airwaves, A Perfect Circle, John Carpenter & Alan Howarth and Donovan.