Podcasts about Passacaglia

M

Para los que no creen en maldiciones: bienvenidos también! Porque aunque ustedes digan que todo tiene explicación, hay cosas que ni la ciencia ni los datos pueden traducir. Cosas que se sienten. Que pesan!Este episodio se tejió con silencios, con ausencias que marcaron más que las voces. Una de las voces que mejor conocía la historia —quien sabía el corazón palpitante de este relato— prefirió quedarse al margen, sin embargo estuvo presente durante la grabación. No lo culpamos. El fanatismo, en Costa Rica, no siempre entiende de metáforas. Aun así, lo que logramos grabar huele a confesión contenida, a café viejo, a pólvora mojada. Hay sinfonías rusas que lloran en el fondo, y sonidos sacados de películas de ciencia ficción de los años 50 que parecen más profecía que decorado.Si, Nikolay Myaskovsky hubiera escuchado este episodio, nos habría dedicado al menos tres movimientos tristes, con oboes y cuerdas de luto. Porque esto no es una crónica deportiva, es una marcha fúnebre. A veces en broma. A veces no tanto.Se habla de Zárate, de Olegario, del pecado de cruzar una línea invisible. Pero también hablamos del

Ottorino Respighi (1879 - 1936)Antiche arie e danze per liuto Suite No. 1 I. Balletto, "Il Conte Orlando" (0:00) II. Gagliarda (2:25) III. Villanella (5:52)IV. Passo mezzo e mascherada (11:10)  ***15:16Antiche arie e danze per liuto Suite No. 2  I. Laura soave (0:00) II. Danza rustica (3:51) III. Campanae parisienses & Aria (7:32) IV. Bergamasca (12:41)  ***33:05Antiche arie e danze per liuto Suite No. 3 I. Italiana (0:00) II. Arie di corte (1:55) III. Siciliana (8:39) IV. Passacaglia (12:18) Los Angeles Chamber OrchestraSir Neville Marriner, conductor

Join Sameer Patel for To the Stars, featuring Anton Webern's Passacaglia for Orchestra, and Johannes Brahms's Symphony No. 3. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 39116]

Join Sameer Patel for To the Stars, featuring Anton Webern's Passacaglia for Orchestra, and Johannes Brahms's Symphony No. 3. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 39116]

“Passacaglia & Pifaro on NETTLETON” by William Allen Pasch and presented as the prelude to worship on 5 January 2025 by Maggie Tran.

References Endocrinology. 2018 Nov 15;160(1):205–219 J Pharmacol Exp Ther . 2004 Nov;311(2):467-75 J Immunol (2020) 204 (1_Supplement): 229.12. Nature 2024. volume 635, pages 1010–1018. Br J Pharmacol. 2016 May 27;173(14):2165–2181. J Biol Chem . 1969 Sep 10;244(17):4696-703. Giovanni Girolamo Kapsperger 1640 Passacaglia. https://youtu.be/i8Tf1mBzups?si=PD1-d_XDijAFz4Gp Giovanni Battista Gervasio 1762. Mandolin Sonata in D major, Gimo 142 https://youtu.be/e3yBVDzGwHU?si=dhP7J20lA0hc-Xoy Vivaldi, A. 1723. - Winter Violin Concerto https://youtu.be/pCqO-0339k0?si=KgT-HhiiAKIQ_r0C Lennon-McCartney. 1963. "There's a Place" https://youtu.be/vTsbYbN8VVI?si=7W-dzWRdbDlX4JzI Lennon-McCartney. 1963."All My Loving". https://youtu.be/Wz6Q19LU8rU?si=9Xp1LWdmIl4phSj_ Harrison, G. 1965. "I Need You" https://youtu.be/6t24nX_sak8?si=thDtYKeD55SCH2SY --- Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

Algunos discos publicados en este 2024 a punto de terminar por ACT, el sello fundado por Siggi Loch en 1992: Jazzrauch Big Band con 'Bruckner 4', 'Dubokalyse' e 'Icarus' de su disco 'Bruckner´s breakdown'; The Jakob Manz Project, quinteto del saxofonista, con 'The answer', 'Voyage suréel' y 'When Weasles fly' del disco 'The answer'; el guitarrista Mikael Máni con 'She´ll arrive between 10 & 11' y 'Katie, not Klara' de 'Guitar poetry'; el violinista Adam Baldych y el pianista Leszek Mozdzer con 'Passacaglia', 'Jadzia' y 'Le pearl' de su disco 'Passacaglia' y los pianistas Michael Wollny y Joachim Kühn con 'Vienna pitch' del disco 'Duo'. Escuchar audio

Еще одна импровизация по теме легендарного произведения Генделя "Пассакалия".

Programming note: the Tuesday 8 p.m. broadcast is pre-empted by election coverage. This program will play at the Friday 11 p.m. rebroadcast time. Upbeat jazz favorites tonight:  Bunny Berigan (Kay Little vocals), Somebody Else Is Taking My Place Nat King Cole, Route 66 Ella Fitzgerald, Misty Vince Guaraldi, Skating Jacy Parker, Here Comes Trouble Again Duke Ellington and His Orchestra & Oscar Peterson, Take the "A" Train Antônio Carlos Jobim, Takatanga Gerry Mulligan, One to Ten in Ohio Don Ellis, Sidonie Rahsaan Roland Kirk, The Entertainer (Done in the style of The Blues) Hubert Laws, Passacaglia, guitar solo Herb Alpert & Hugh Masekela, Kalahari Nights Paco De Lucía, John McLaughlin & Al Di Meola, Manha de Carnaval

A Sinfonia nº 4 representa o ápice da produção de Johannes Brahms no gênero. Nela destaca-se o Finale, em forma de Passacaglia – com um tema de oito compassos e trinta variações –, talvez sua tentativa mais completa de sintetizar práticas de composição antigas e modernas. Apresentado por Aroldo Glomb com Aarão Barreto como convidado! Seja nosso padrinho: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://apoia.se/conversadecamara⁠⁠⁠⁠⁠⁠⁠⁠⁠ RELAÇÃO DE PADRINS Aarão Barreto, Adriano Caldas, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Fernando Ricardo de Miranda, Leonardo Mezzzomo,Thiago Takeshi Venancio Ywata, Ediney Giordani, Tramujas Jr, Brasa de Andrade Neto e Aldo França.

Roberto Ranieri"Fantasia in rosso con variazioni"Ronzani Editorewww.ronzanieditore.it“Gli psichiatri che han chiuso i manicomi vengono dal ‘68; chi ha pensato a muoversi e organizzare il territorio, come ‘pesci nel mare', appartiene alla mia generazione e al movimento del ‘77”.Fabrizio RamacciottiUn viaggio nel tempo che vede come compagni di avventura il dottor R., un uomo rivoluzionario, storico promotore della riforma della psichiatria veneziana alla fine del '900 ed Erminio Paternostro, suo ex-paziente, misteriosamente chiamato a prendersi cura di un'improvvisa perdita della parola da parte del protagonista. Il viaggio ripercorre alcuni frammenti documentati della vita di R., al secolo Fabrizio Ramacciotti, impegnato nel movimento del '77 e in una successiva militanza politica di estrema sinistra fino all'approdo nella sanità lagunare, sullo sfondo di una serie di eventi surreali partoriti dalla mente di Erminio, fra tempeste di psicofarmaci e piogge di grafemi e inchiostro. Un'avventura che prosegue poi nel futuro, in una società veneziana distopica, avvolta in un ecosistema urbano semisommerso. Sarà la sede storica del Centro di Salute mentale, Palazzo Boldù, a divenire un luogo di opposizione politica e di resistenza civile. In un attacco alla sede del nuovo potere psichiatrico, Erminio e R., aiutati da un manipolo di Resistenti, cercheranno nuove vie per cavarsela, interrogandosi su un possibile ritorno alla cosiddetta “normalità”, con un colpo di scena finale.Roberto Ranieri, è nato e vive a Venezia. Laureato in Lettere Moderne, giornalista pubblicista, lavora nel Settore Cultura del Comune di Venezia. Ha collaborato alla pagina culturale del quotidiano “Terra“ e alla rivista “Nonsolocinema”, con recensioni letterarie e musicali. È autore della raccolta Sdrucciole per lanterne, vincitrice della prima edizione del concorso nazionale “Alberoandronico” (PerroneLab, 2009). Nel 2011 ha vinto il concorso nazionale per narrativa inedita Ulteriora Mirari, con la pubblicazione della raccolta di racconti Terapie a rischio (Smasher, 2011), di cui nel 2015 è uscita una seconda edizione riveduta. Traduttore di Vikram Seth alla Milanesiana 2011, è presente in varie antologie e raccolte; un'ampia selezione monografica di componimenti è apparsa in Materia Prima (Perrone, 2012).  La raccolta poetica Soffio vocale con vista (Luoghinteriori Editore, 2014) ha vinto il “Premio Città di Castello”; la raccolta Pronome impersonale (Le Voci della Luna, 2019) si è aggiudicata a Sasso Marconi il “Premio Renato Giorgi”. Il poemetto Passacaglia e fuga. Personat è uscito nel dicembre 2020 per i tipi di RP Libri.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

John Keats (1795-1821) o ultimo dos poetas românticos inglês e Oswaldo Montenegro poeta, cantor e compositor falam do belo e da eternidade unidos no sim enquanto unidade, onde o para sempre cabe somente na nossa lembrança. Acompanha os poemas a obra Passacaglia de Handel. Obrigado. --- Send in a voice message: https://podcasters.spotify.com/pod/show/edmundonesi/message

Homenajeamos al francés en su centenario con sus composiciones para salas de concierto: Passacaglia a la memoria de Honegger; Tres danzas para ondas Martenot y percusión; Ronda de noche, para orquesta; Suite antigua para percusión y Suite Engadiner para trío con piano. Escuchar audio

References Guerra, DJ. 2024. Immunology Lectures (archives). Pisendel, JG. 1720. : Concerto in E-flat major or Violin, Strings & B.c Jun P I.3 https://youtu.be/SZI2IgOOSPU?si=8xNIyvzxPnkV2zlK Biber, HI. 1676. Passacaglia. G- minor, C.105 https://youtu.be/sgcR183f8gA?si=vYnlxQJDq8LgG_B4 --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

Co skłoniło Neila Younga do powrotu na Spotify po jakże spektakularnym odejściu? Jak perkusista Thrash Metalowy pozbawił Elona Muska 55 miliardów dolarów? Jaką muzykę Kuba określił jako “post zimmerowskie pierdy”?W tym odcinku musieliśmy poruszyć kilka tematów tak abstrakcyjnych, jak… fabrykowanie fałszywych zgonów przez osoby, możliwe że powiązane z jednym z muzyków Kultu

M

M

W nowym odcinku programu "Rezerwacja" Katarzyna Janowska i Sylwia Chutnik rozmawiają o nowej książce pisarki. "Dintojra" ukaże się 28 lutego. Tytuł nawiązuje do zemsty, która jest głównym motywem przewodnim. Gościem drugiej części odcinka będzie Leszek Możdżer, który opowie o nagranym wspólnie z Adamem Bałdychem albumie "Passacaglia". Zapraszamy również na reportaże Pawła Tworka z planu nowego filmu Xawerego Żuławskiego oraz wystawy obrazującej życie i twórczość Fridy Kahlo.

En 1945 apenas quedan las ruinas de esta ciudad alemana. Quizás por ello es el lugar adecuado para recuperar, desde sus cenizas, la expresión de potencia y relevancia de la música que, durante una larga década, ha soportado la represión censora del régimen nazi._____Has escuchadoDarmstadt Aural Documents, Box 1, Composers-Conductors. Concerto per pianoforte e orchestra (1959) / Bruno Maderna. David Tudor, piano; Frankfurt Radio Symphony Orchestra; Bruno Maderna, director. NEOS (2010)Darmstadt Aural Documents, Box 1, Composers-Conductors. Continuo (1974) / Ernstalbrecht Stiebler. Hans Deinzer, clarinete; Klaus Thunemann, fagot; Kurt Schwertsik, trompa; Armin Rosin, trombón; Hubert Mayer, viola; Gaby Schumacher, violonchelo; Ernstalbrecht Stiebler, director. NEOS (2010)Darmstadt Aural Documents, Box 4, Pianists. Enchiridion 2. Teil “Exerzitien”. Ostinato / Bern Alois Zimmermann. Yvonne Loriod, piano. NEOS (2016)Darmstadt Aural Documents, Box 4, Pianists. Identikit (divertimento) for Five Pianists (at One Piano) and Tapes (1974) / Christina Kubisch. David Arden, Marek Mietelski, Davide Mosconi, Carlos Pellegrino, Werner Füsser, piano. NEOS (2016)Darmstadt Aural Documents, Box 4, Pianists. Klavierstück XI (1956) / Karlheinz Stockhausen. Intérpretes: David Tudor, piano. NEOS (2016)Darmstadt Aural Documents, Box 4, Pianists. Passacaglia (1936) / Stefan Wolpe. David Tudor, piano. NEOS (2016)_____ Selección bibliográficaBEAL, Amy C., “Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956”. Journal of the American Musicological Society, vol. 53, n.º 1 (2000), pp. 105-139*CÉLESTIN, Deliège, Cinquante ans de modernité musicale: de Darmstadt à l'IRCAM: contribution historiographique à une musicologie critique. Mardaga, 2003*ERWIN, Max, Herbert Eimert and the Darmstadt School: The Consolidation of the Avant-Garde. Cambridge University Press, 2020FOX, Christopher, “British Music at Darmstadt 1982-92”. Tempo, n.º 186 (1993), pp. 21-25*IDDON, Martin, “Darmstadt Schools: Darmstadt as a plural phenomenon”. Tempo, vol. 65, n.º 256 (2011), pp. 2-8*—, New Music at Darmstadt: Nono, Stockhausen, Cage and Boulez. Cambridge University Press, 2013*—, “Spectres of Darmstadt”. Tempo, vol. 67, n.º 263 (2013), pp. 60-67*IVERSON, Jennifer, “Statistical Form amongst the Darmstadt School”. Music Analysis, vol. 33, n.º 3 (2014), pp. 341-387*JONES, Stephanie, “Darmstadt: the ‘Artistic Laboratory'”. Tempo, vol. 69, n.º 271 (2015), pp. 66-68*ORAM, Celeste, “Darmstadt's New Wave Modernism”. Tempo, vol. 69, n.º 271 (2015), pp. 57-65*ROSS, Alex, El ruido eterno. Seix Barral, 2009*WILLIAMS, Alastair, “New Music, Late Style: Adorno's ‘Form in the New Music'”. Music Analysis, vol. 27, n.º 2-3 (2008), pp. 193-199ZUPKO, Ramon, “Darmstadt. New Directions”. Perspectives of New Music, vol. 2, n.º 2 (1964), pp. 166-169* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Zwei herausragende und angesagte Musiker des polnischen Jazz haben das Album „Passacaglia“ realisiert, das am 26. Januar erschienen ist: Geiger Adam Bałdych und Pianist Leszek Możdżer. Eine gute Gelegenheit, einen Blick in die polnische Jazz-Szene zu werfen.

Mit dem Violinisten Adam Bałdych und dem Pianisten Leszek Możdżer begegnen sich auf „Passacaglia“ zwei musikalische Feingeister und gleichzeitig zwei äußerst prominente, international tourende Jazz-Künstler aus Polen. Leszek Możdżer, der seine Pianos gerne präpariert, um spezielle Sounds zu erzeugen, spielt bei diesen Aufnahmen zwei leicht unterschiedlich gestimmte Flügel. Adam Bałdych hingegen greift hier auch zu seiner Renaissance-Violine, um mit ihrem Klang eine dunklere, wärmere Atmosphäre zu erzielen.

References Immunology. 2019 Apr; 156(4): 402–412. J Immunol. 2017 Aug 1; 199(3): 1096–1104 Front. Immunol., 06 June 2019 Mol Biol Cell. 2012 Nov 15; 23(22):4456–4464. Virchows Archiv: European Journal of Pathology, 09456317, Feb2020, Vol. 476, Issue 2 Pavana, Gagliarda, Ciaccona, Passacaglia 1535-1615. https://youtu.be/AY533zpCw74?si=224HuGs438aPHrrd --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

Handel - Halvorsen - Passacaglia (Violin vs Cello)

Donald Macleod is joined by Odaline de la Martinez to explore the life and music of Carlos Chavez Carlos Chávez was both a rebel and an educator. Born in a Mexico on the brink of revolution, he would go on to single-handedly revolutionise Mexican music and culture, filling his compositions with indigenous Aztec stories and sounds. Many cite Aaron Copland as an influence on Chávez, but the truth may have been the reverse. While Copland was championing American music in the States, Chávez was fighting for it in Mexico, educating the next generation of Mexican composers. He may have shaped American music more than any other - yet his legacy is little known. Odaline de la Martinez joins Donald Macleod to explore his life and work. Music Featured: Three Pieces for Guitar Sexteto para Arcos y Piano: III. Andante & IV. Finale Los Cuatro Soles Chapultepec "Republican Overture" Poligonos Tres Exagonos Otros Tres Exagonos Energia Suite de Caballos de Vapor: I. Danza del hombre, II. El barco, III. El tropico Soli I Soli II Sinfonia India Xochipilli Toccata for Percussion Instruments Concerto for Violin and Orchestra Sinfonia Romantica: III. Finale Symphony No 5: I. Allegro molto moderato, molto lento Tambuco for Percussion Symphony No 6: III. Passacaglia con anima String Quartet No 2 Huapango Soli IV Presented by Donald Macleod Produced by Alice McKee for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Carlos Chávez (1899-1978) https://www.bbc.co.uk/programmes/m001q746 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

While Rachel Barton Pine is widely known for her virtuosic and expressive performances of works from the Western classical music canon, she is also a heavy metal enthusiast and performer of the genre. Pine discovered her love for heavy metal as a teenager and later performed at rock radio stations where she would intersperse her own arrangements of her favorite metal songs by Black Sabbath, AC/DC, and Metallica with works by Paganini and Ysaÿe in order to introduce new listeners to classical music. From 2009–2014 she was a member of the acclaimed doom/thrash metal band Earthen Grave, playing 6-string electric violin. With Dependent Arising, Pine explores connections between modern classical music and heavy metal and showcases her own unique journey within these two seemingly disparate genres.Track Listing:1 Dmitri Shostakovich Violin Concerto No. 1 in A minor, Op. 77 / I. Nocturne (11:33)2 II. Scherzo (6:22)3 III. Passacaglia (12:54)4 IV. Burlesque (4:54)5 Earl Maneein - Dependent Arising Concerto for Violin and Orchestra / I. Grasping at the self (14:06)6 II. The crows already knew of your grief. They will carry him home. (11:17)7 III. Gate gate paragate parasamgate bodhi svaha. (6:01)Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Passacaglia From Rosenkranzsonaten by Snowmass Chapel

Anton Webern (1883 - 1945)00:00 Passacaglia for orchestra, Op. 110:13 Movements for string quartet, Op. 5: No. 1, Heftig bewegt13:06 Movements for string quartet, Op. 5: No. 2, Sehr langsam15:19 Movements for string quartet, Op. 5: No. 3, Sehr bewegt16:02 Movements for string quartet, Op. 5: No. 4, Sehr langsam17:30 Movements for string quartet, Op. 5: No. 5, In zarter Bewegung20:59 Pieces for orchestra, Op. 6: No. 1, Etwas bewegte22:03 Pieces for orchestra, Op. 6: No. 2, Bewegte23:32 Pieces for orchestra, Op. 6: No. 3, Zart bewegte24:22 Pieces for orchestra, Op. 6: No. 4, Langsam marcia funebre28:42 Pieces for orchestra, Op. 6: No. 5, Sehr langsam31:05 Pieces for orchestra, Op. 6: No. 6, Zart bewegt32:56 Musikalisches Opfer (Musical Offering), BWV 1079: Fuga (Ricercata) A 6 Voci40:14 German Dances for piano, D. 82044:41 German Dances for piano, D. 82050:48 Im Sommerwind, for orchestraBerliner Philharmoniker Pierre Boulez, direttore

Welkom terug bij een nieuwe aflevering van Kalm met Klassiek, dé podcastserie voor je dagelijkse momentje rust. Vandaag gaan we dansend het weekend in, geheel in stijl met het weekthema. Voor deze vrijdag zocht Ab een passacaglia uit. Gister luisterden we al naar een chaconne. Die dansvorm is zeer nauw verwant aan de passacaglia. Begin 1700 schreef Johann Sebastian Bach zijn Passacaglia en Fuga in C klein voor orgel. Dat is één van zijn belangrijkste en bekendste werken geworden. Die passacaglia heeft een belangrijke invloed gehad op latere passacaglia's uit de 19e en 20e eeuw. Wij luisteren vandaag naar Bachs passacaglia in een uitvoering voor gitaar, en wel voor vier gitaren! Namelijk gespeeld door The English Guitar Quartet. Waan je even in Spaanse sferen...

Episode 2 – barokke former: ciaccona & passacagliaI dagens episode snakker jeg om de to slektningene ciaccona og passacaglia. 'Alle' elsker den kule og fengende 1600-talls ciaccona-grooven hvor det rokker i dansefoten, og likeså de vakre og klagende passacagliaene med sin smertefulle lengsel. Jeg undersøker hvor de kommer fra, hva de har til felles, og vi lytter til musikkeksempler av Monteverdi, Lully, Matteis, Purcell, Bach, Buxtehude, Merula og mange flere.Til hver episode av BAROKKPODDEN finnes det også en passende spilleliste med barokkmusikk på Spotify. Der kan du lytte til CD-innspillinger jeg anbefaler, og spillelisten til 2.episode er smekkfull av hele tre timer med ciacconaer og passacagliaer!Søk den opp og kos deg med musikken!Her er linken til spillelisten:https://open.spotify.com/playlist/3zfqVAY2yc6Ol0xkd7CPG0?si=7feda4ed273d4777&pt=acf43466a7e371e065c9cb514d21958a*** Musikkeksemplene 2.episode ciaccona & passacaglia:Henry Purcell: Fra King Arthur or The British Worthy Z 628: Chaconne (SIMAX, One Charming Night, Oslo Circles, 2019)Nicola Matteis: Diverse Bizzarie sopra la Vecchia Sarabanda o Ciaccona (Alpha, Gli Incogniti, Amandine Beyer, 2009)Claudio Monteverdi: La Volta stellata (Alpha, Marco Beasly, Guido Morini, Accordone, 2003)Johann Pachelbel: Fra Musicalische Ergötzung, suite nr. 5 i c-moll: Chaconne (Alpha, Harmonie Universelle, 2006)Robert de Visée: Chaconne (Alpha, Vincent Dumestre, 1999)Tarquinio Merula: Aria di ciaccona, «Su la cetra amorosa» (2L, Dolcissimo Sospiro, Tone Wik)Jean Baptiste Lully: Fra Armide 1718: Chaconne (Alpha, Armide 1718, le Concert Spirituel, Herve Niquet, 2020)Henry Purcell: Fra The Fairy Queen Z 629: Chaconne of the Chinese Man and Woman (SIMAX, One Charming Night, Oslo Circles, 2019)Dietrich Buxtehude: «Quemadmodum desiderat cervus», Ciaccona (Alpha, Victor Torres, Stylus Phantasticus, Il mondo che gira, 2003)Johann Sebastian Bach: Fra Partita nr. 2, d-moll for fiolin solo BWV 1004: Ciaccona (Alpha, Amandine Beyer, 2005)Heinrich Ignaz Franz Biber: Fra Rosenkranzsonaten: Passacaglia for solo fiolin (Cafe Zimmermann, 2022)Henry Purcell: Fra Dido & Aeneas: «When I am laid in Earth» (SIMAX, One Charming Night, David Hansen, Oslo Circles, 2019)Johann Sebastian Bach: Passacaglia for orgel BWV 582 (LAWO, Kåre Nordstoga, 2021)Silvius Leopold Weiss: Passacaglia i D-dur, WeissSW 18/6 (Audax, Jadran Duncumb, 2018)*** Takk til Fond for Lyd og Bilde som støtter prosjektet Barokkpodden!Photo cred: Lars Bryngelsson*** Disclaimer [EN]: In my podcast Barokkpodden! I talk about different aspects of baroque music, composers, instruments, historical context and much more, and it is my sincere wish to give my interested listeners and my concert audience a better and deeper understanding of baroque music. Several record companies have given me their permisson to use their recordings of baroque music for this project. Thank you very much! Some of the record companies have limited their permission to max 30 seconds of each music clips, others have allowed me to use music clips in full length. I'm a musician myself, and I certainly do not want to hurt any other musician's rights or copy right. I hope I can increase the love to and knowledge about baroque music with this project, but if you are a musician, and prefer not to be a part of this podcast, please let me know, then I will make the changes accordingly.Best wishes,Astrid Kirschnerasursula@online.no

This service of Choral Evensong with Sermon in Music for the Last Sunday after Trinity, 23rd October 2022, has been collated from archive live music recordings together with prayers, sermon and readings for the appointed day specially recorded in church and in people's homes. This service is sung by our professional St Bride's Choir. Responses: Gabriel Jackson Psalm: 119: 1-16 Canticles: Evening Service in D – Charles Wood Sermon in Music: i) Wie lieblich sind deine Wohnungen – Johannes Brahms; ii) Geistliches Lied – Johannes Brahms Organ Voluntary: Introduction and Passacaglia in D minor – Max Reger If you enjoy listening, please leave a comment below or subscribe to our channel. It is great to get your feedback. We are hugely grateful for people's generosity which we rely on to continue our work, maintain our wonderful architectural heritage and support world-class music. If you would like to make a donation, you can do so at https://www.justgiving.com/stbrideschurchfleetstreet Alternatively, in the UK, text 5STBRIDES or 10STBRIDES or 20STBRIDES to 70470 to donate £5, £10 or £20.

今天聊聊“巴洛克三杰”的最后一位亨德尔以及他最著名的清唱剧《弥赛亚》创作前后的故事。包含曲目：0:26- Messiah - Pt. 1: 1. Sinfonia 3:15- Passacaglia in G Minor, HWV. 4326:41- Messiah - Pt. 2: 45. Chorus "Hallelujah"

Happy 6th birthday to the Blood, Sweat and Tears (2016). Join Lia and our favorite International Correspondent, Lexi, in unpacking the symbolism and Easter eggs found in BTS's iconic music video. Do people in your life ever dismiss your BTS love as supporting "some stupid boy band?" First, ew. You get to enjoy and celebrate WHATEVER brings you joy, friend. But secondly, while we love a surface-level banger like Butter...when the guys go deep, they tunnel into the depths of human duality and draw on influences from folks like Nobel-Prize winner Herman Hesse and the gnostic mystical concept of Abraxas. So if you ever want to "well, actually," a BTS naysayer, tune in and bulk up your argument.Show notes:The Music VideosBTS (방탄소년단) '피 땀 눈물 (Blood Sweat & Tears)' Official MVBTS (防弾少年団) '血、汗、涙 -Japanese Ver.-' Official MVBTS (방탄소년단) 'ON' Official MVBTS (방탄소년단) 'ON' Kinetic Manifesto Film : Come PrimaBTS (방탄소년단) 'IDOL' Official MVBTS (방탄소년단) 'Butter' Official MVAgust D '대취타' MV (Daechwita)The Art:The Fall of the Rebel AngelsPieter Bruegel the Elder (1562)Hieronymus BoschThe Lament for IcarusHerbert James Draper (1898)PietàMichelangelo (1498-1499)A veiled Vestal VirginRaffaelle Monti (1846-1847)The books:Demian (Hermann Hesse) - Mere Mortals Book ReviewThus Spoke Zarathustra: A Book for All and None by Friedrich Nietzsche The Music:Bach's Mass in B MinorBuxtehude's Passacaglia in D MinorThe Mythology:Michael (Archangel)ApolloAbraxasIcarusHyakinthos (Hyacinthus)Zephyr (Zephyros)The Miscellaneous:[ENG] 161012 [BANGTAN BOMB] 'Blood Sweat & Tears' MV Reaction by BTSBTS - Blood Sweat and Tears - ParodyLia's husband's audio she didn't recognize

Anton Webern (1883 - 1945)0:00 Passacaglia for orchestra, Op. 110:13 Movements for string quartet, Op. 5: No. 1, Heftig bewegt13:06 Movements for string quartet, Op. 5: No. 2, Sehr langsam15:19 Movements for string quartet, Op. 5: No. 3, Sehr bewegt16:02 Movements for string quartet, Op. 5: No. 4, Sehr langsam17:30 Movements for string quartet, Op. 5: No. 5, In zarter Bewegung20:59 Pieces for orchestra, Op. 6: No. 1, Etwas bewegte22:03 Pieces for orchestra, Op. 6: No. 2, Bewegte23:32 Pieces for orchestra, Op. 6: No. 3, Zart bewegte24:22 Pieces for orchestra, Op. 6: No. 4, Langsam marcia funebre28:42 Pieces for orchestra, Op. 6: No. 5, Sehr langsam31:05 Pieces for orchestra, Op. 6: No. 6, Zart bewegt32:56 Musikalisches Opfer (Musical Offering), BWV 1079: Fuga (Ricercata) A 6 Voci40:14 German Dances for piano, D. 82044:41 German Dances for piano, D. 82050:48 Im Sommerwind, for orchestra Berliner Philharmoniker Pierre Boulez, direttore

Nikos Skalkottas (1904-1949) – Strijkkwartet nr.1 (1928) Allegro giusto, 2. Andante con variazioni, 3. Allegro (ben ritmato) vivace Uitvoerenden: New Hellenic Quartet Nikos Skalkottas (1904-1949) – Strijkkwartet nr.3 (1935) Allegro moderato, 2. Andante, 3. Rondo: Allegro vivace Uitvoerenden: New Hellenic Quartet Nikos Skalkottas (1904-1949) – Ten Musical sketches (1940) Sinfonia, 2. Concerto, 3. Passacaglia, 4. […]

Doroteo Senica je zvok prečne flavte navdušil že pri šestih letih in ko je dve leti pozneje začela igrati nanjo, se ji je uresničila želja. Že takrat se je odločila, da bo svoje življenje posvetila temu instrumentu, in tako je tudi hitro napredovala. Njena prva profesorica je bila Valerija Kamplet, ki je bila njena mentorica tudi na Konservatoriju za glasbo in balet Maribor. Tja se je vpisala že pri trinajstih, dve leti pozneje je opravila sprejemni izpit na univerzi Mozarteum v Salzburgu, kjer je študirala pod vodstvom Michaela Martina Koflerja in pod njegovim mentorstvom tudi končala študij, vmes pa je en semester študirala še na Pariškem konservatoriju v razredu Philippa Bernolda. Poslušali bomo koncert na katerem je decembra leta 2019 izvedla dela: Dutilleuxa, Iberta in Dohnanyija in koncert na katerem je oktobra 2018 izvedla Mozartov Koncert za flavto. Erno von Dohnányi: Passacaglia za flavto solo, op. 48 Jacques Ibert: Piece za flavto solo Henri Dutilleux: Sonatino za flavto in klavir (klavir Andreja Kosmač) Wolfgang Amadeus Mozart: Koncert za flavto in orkester št. 2 v D-duru, K 314 (Simfonični orkester SNG Maribor, dirigentka Živa Ploj Peršuh)

É muito difícil dizer adeus a quem a gente ama. Mas nesse poético livro, a morte não é assustadora nem cruel, e sim gentil e admiradora da vida. Uma linda obra para falar com as crianças sobre um assunto difícil e inevitável. De: Glenn Ringtved Ilustrações: Charlotte Pardi Tradução: Caetano W. Galindo Editora: Companhia das Letrinhas Música: Erik Saite, Gymnopédie N.1 para violão acústico. Execução: Accou Music; Johan Halvorsen, Passacaglia para violino e viola (www.musopen.org) ____ O Histórias de Pai Para Filha é um podcast que agrada a pais e filhos, com histórias produzidas, escritas ou adaptadas por mim, um pai coruja que quer ensinar à sua filha o gosto pelas histórias e pela língua portuguesa. Os episódios saem a cada duas semanas. Acompanhe o podcast no Youtube (www.youtube.com/historiasdepaiparafilha) onde eu conto algumas histórias por trás das histórias que você escuta aqui! --- Send in a voice message: https://anchor.fm/depaiparafilha/message

Droevige muziek is de mooiste muziek. Dus hullen Joris en Guido zich voor deze aflevering in het zwart. Ze bespreken muziek die is geschreven voor de doden, van theatraal requiem tot piepklein eerbetoon. Er valt een luitist van de trap en een operaman maait wild om zich heen. Maar gelukkig: eind goed, al goed. Ze besluiten met een passacaglia della vita, een lichtvoetige dans om de aanloop naar de dood te vieren. Muziekfragmenten: - Henry Purcell: The Queen's Funeral March. Vox Luminis o.l.v. Lionel Meunier. - Johannes Ockeghem, Introitus: Requiem aeternam (uit: Missa pro defunctis). The Hilliard Ensemble o.l.v. Paul Hillier. - Giuseppe Verdi, Dies Irae (uit: Messa da Requiem). Chor und Symphonieorchester des Bayerischen Rundfunks o.l.v. Riccardo Muti. - Aleksandr Kastalski, Rock of Ages (uit: Requiem for Fallen Brothers). Cathedral Choral Society, The Clarion Choir, The Saint Tikhon Choir, Kansas City Chorale, Orchestra of St. Luke's o.l.v. Leonard Slatkin. - Johann Jacob Froberger, Tombeau fait à Paris sur la mort de Monsieur Blancrocher. Glen Wilson (klavecimbel). - Gabriel Fauré, In Paradisum (uit: Messe de Requiem). Collegium Vocale Gent, La Chapelle Royale o.l.v. Philippe Herreweghe. - Wolfgang Rihm, Et lux. Minguet Quartet, Huelgas Ensemble. - Stefano Landi, Passacaglia della vita. Marco Beasley, L'Arpeggiata o.l.v. Christina Pluhar.

Synopsis In 1960, composer and conductor Stanislaw Skrowaczewski emigrated from Poland to become the music director of the Minneapolis Symphony, as the Minnesota Orchestra was called in those days. In the decades that followed, Skrowaczewski, or “Stan” as his friends and admirers affectionately called him, became one of the most respected conductors of our time, famous for his interpretations of a wide range of repertory from Bruckner, Bartok and Stravinsky to the works of his Polish contemporaries, Lutoslawski and Pendereceki. Skrowaczewski was born in Lwow in 1923. He composed an orchestral overture at age 8, played a piano recital at age 11, and at 13 performed Beethoven's Third Piano Concerto, conducting from the keyboard. His career as a budding piano virtuoso ended when his hands were injured by a collapsing brick wall during a World War II bombing near his home. After the war he won a French scholarship that enabled him to study composition with Nadia Boulanger and conducting with Paul Kletzki. His American debut occurred with the Cleveland Orchestra in 1958. Skrowaczewski's busy career as a conductor left little time to nuture his own talents as a composer, but even so he wrote a respectable number of chamber and orchestra works, including this one entitled “Passacaglia Immaginaria,” which received its premiere performance on today's date in 1996, at a Minnesota Orchestra concert. A few of his works have made their way onto recordings, including this recording of “Passacaglia Immaginaria” by the Saarbrucken Radio Symphony, conducted by Skrowaczewski himself. Music Played in Today's Program Stanislaw Skrowaczewski (1923 - 2017) — Passacaglia Immaginaria (Saarbrucken Radio Symphony; Stanislaw Skrowaczewski, cond.) Albany 481

Anton Webern (1883 - 1945)0:00 Passacaglia for orchestra, Op. 110:13 Movements for string quartet, Op. 5: No. 1, Heftig bewegt13:06 Movements for string quartet, Op. 5: No. 2, Sehr langsam15:19 Movements for string quartet, Op. 5: No. 3, Sehr bewegt16:02 Movements for string quartet, Op. 5: No. 4, Sehr langsam17:30 Movements for string quartet, Op. 5: No. 5, In zarter Bewegung20:59 Pieces for orchestra, Op. 6: No. 1, Etwas bewegte22:03 Pieces for orchestra, Op. 6: No. 2, Bewegte23:32 Pieces for orchestra, Op. 6: No. 3, Zart bewegte24:22 Pieces for orchestra, Op. 6: No. 4, Langsam marcia funebre28:42 Pieces for orchestra, Op. 6: No. 5, Sehr langsam31:05 Pieces for orchestra, Op. 6: No. 6, Zart bewegt32:56 Musikalisches Opfer (Musical Offering), BWV 1079: Fuga (Ricercata) A 6 Voci40:14 German Dances for piano, D. 82044:41 German Dances for piano, D. 82050:48 Im Sommerwind, for orchestra Berliner Philharmoniker Pierre Boulez, direttore

Synopsis One of the most serious – and daunting – of musical forms is the passacaglia, in which an unchanging melodic pattern repeats itself while other lines of melody offer elaboration and counterpoint to the unwavering tread of the repeated motive.  The result tends to be deliberate, somber, and imposing. The most famous passacaglia in all of Western classical music is the Passacaglia and Fugue in C minor for organ by Johann Sebastian Bach, whose birthday we observe on today's date. After Bach's high-water mark, it takes more than a little courage for modern composers to tackle this form.  One of those brave souls who tried – and succeeded – is the American composer Ron Nelson. Nelson's “Passacaglia, “subtitled “Homage on B-A-C-H” utilizes the melodic motive represented in German musical nomenclature by B-flat, A, C, and B natural – in German B natural being represented by the letter H).   Nelson's wind band Passacaglia was was commissioned to celebrate the 125th anniversary of Cincinnati College-Conservatory of Music in 1992.  It didn't prove an easy task, recalls Nelson:  “It evolved very slowly … The trick was … to make it seamless and inexorable.  Of all my compositions, this is the tightest. I cannot imagine changing one note.” Music Played in Today's Program Ron Nelson (b. 1929) — Passacaglia (Dallas Wind Symphony;Ron Nelson, cond.) Reference Recordings RR-76

To learn more, please visit the websites of Terezín Music Foundation and its project Our Will to Live.SHOW NOTES:00:02:45 Foundation of Terezín Music Foundation00:06:30 Our Will To Live00:08:30 Ullmann as guide through Terezin's cultural community 00:09:35 Otto Weininger00:12:20 Ullmann's essays on Sigmund Schul included in Our Will To Live00:13:30 Ullmann's critiques of Carman and Verdi's Requiem00:14:45 Viktor Frankl00:18:40 Council of Elders member Karel Herman00:22:50 smuggling musical instruments00:24:55 Ullmann's critique of performance by Karel Švenk00:26:05 knowledge of environment and history of creators enriches understanding of their work00:26:10 George Horner00:29:15 Yo-Yo Ma's work with TMF00:30:45 Yo-Yo Ma and George Horner's performance at Boston's Symphony Hall00:32:45 Ludwig's performance of Klein's Lullabye for Dalai Lama at US Capital and in Sarajevo after seige00:33:20 Our Will To Live as a work of historical justice00:33:50 Primo Levy's The Drowned and The Saved00:35:00 How tracks for Our Will To Live were choosen00:35:40 Karel Berman's performance of “A Sleepless Night” from Four Songs on Chinese poetry00:36:00 cabaret works by Karel Svenk00:37:15 Tracks of the month by OWTL00:38:15 TMF's ‘Finding A Voice' program curriculum00:39:55 enabling individuals to find their voice 00:40:50 social justice and the voice of society00:41:20 voices of Ullmann, Hans Krása,  Gideon Klein00:42:05 Friedl Dicker-Brandeis 00:44:50 Pavel Haas' “A Sleepless Night” from Four Songs on Chinese Poetry00:46:20 Gideon Klein's String Trio, Second movement00:46:55 Ullmann's Third String Quartet00:47:40 Hans Krása's children's opera Brundibar 00:48:10 Krása's Passacaglia and Fugue for String Trio 00:48:50 Picasso's Guernica00:49:30 Ullmann's Don Quixote Overture 00:51:10 TMF's legacy00:55:40  Track 27 Viktor Ullmann, Third String Quartet [13:38] (Terezín, 1943)performed by Hawthorne String Quartet01:09:45 Track 11 Gideon Klein, String Trio, Movement II — Theme and Variations [07:17] (Terezín, 1944), performed by Ronan Lefkowitz, violin; Mark Ludwig, viola; Sato Knudsen, cello01:17:45 Track 12 Gideon Klein, String Trio, Movement III — Molto Vivace [03:04] (Terezín, 1944) performed by Ronan Lefkowitz, violin; Mark Ludwig, viola; Sato Knudsen, cello01:21:05 Track 16 Pavel Haas, Four Songs on Chinese Poetry (for Karel Berman) “A Sleepless Night” (Han Yu [14:11] (Terezín, 1944) performed by Karel Berman, baritone, and Přemsyl Charnát, piano, November 1991 Czech Radio broadcast of a concert featuring Terezín composers in the Jewish Town Hall, Prague.01:25:10 Track 29 Karel Švenk, “Why Does the Black Man Sit at the Back of the Car?” [01:16] (Terezín, 1943) Arrangement by David L. Post; performed by Thomas Martin, clarinet, and Hawthorne String QuartetTo view rewards for supporting the podcast, please visit Warfare's Patreon page.To leave questions or comments about this or other episodes of the podcast, please call 1.929.260.4942 or email Stephanie@warfareofartandlaw.com. © Stephanie Drawdy [2022]For more details about joining the monthly discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Hope to see you there!

Aaron Copland, American composer, was born in 1900 in New York. He was taught to play the piano by his elder sister, and when he was 15 years old he decided he wanted to be a composer. In 1921 he went to Paris to study with the famous teacher Nadia Boulanger, and during his 3 years in Paris he was at the forefront of the mucical avant-garde. After his return to the United States he produced his first major work, the Symphony for Organ and Orchestra which was first performed at Carnegie Hall in 1925.Copland, like Bach, assimilated all the important musical trends of his lifetime. Jazz, Stravinsky's neoclassicism, American folklore, and finally Schoenberg's 12-tone system, all made their imprint on his music, and yet his style remained unique, personal, and instantly recognizeable. He stopped composing in 1970, but continued conducting and lecturing for more than 10 years, as well as promoting modern American works and establishing the composition department at Tanglewood. He died in 1990 in the Phelps Memorial Hospital in Tarrytown (New York).Copland is rightly considered the most important American composer of the mid 20th century. He produced masterpieces in most musical genres. His most enduringly popular works are those of his 'Americana' period : Rodeo, Billy the Kid, Appalachian Spring, Danzon Cubano, El Salon Mexico, the film scores Our Town and The Red Pony, and the incidental music for Irwin Shaw's play Quiet City. The 'Fanfare for the Common Man' from his imposing Third Symphony has become an icon of American music, played at countless celebratory occasions. His concerti include a Piano Concerto and a Clarinet Concerto written for Benny Goodman. He also left a sizable body of chamber music, songs, and piano music.His piano works span the better part of his career. Between the early frolic of The Cat and the Mouse (1920) to the serial 10-tone Piano Fantasy (1957), we find these major landmark works : Passacaglia (1922), Piano Variations (1930), Sonata (1941), and the ever popular Four Piano Blues (1948), all of which are among the most important American piano works of the time.

Dear friends! Today we are presenting a new format and in this episode, you will hear us playing unwritten scores and talking about the improvisation process. We will improvise for you some old renaissance dances with our special guest, a wonderful lute player and a great teacher Peter Croton. https://peter-croton.com/ https://www.youtube.com/user/pcroton In this episode: What did you want to know about Bergamasca and were ashamed to ask? Passacaglia models and shades of the free improvisation movement. Follow us on Instagram: https://www.instagram.com/insight_reading_enlightenment/ and for hip people our Telegram channel is here: https://t.me/insight_reading_enlightenment #insightreadingenlightenment #podcast #sightreading #earlymusic #traverso #harpsichord #lute #petercroton #darinaablogina #sebastienmitra #flute #music Yours Darina and Sebastien --- Send in a voice message: https://podcasters.spotify.com/pod/show/insight-reading/message

Why We Should Expose Our Kids To Classical Music https://ourtownlive.net #herbw79Johan Halvorsen composed his Passacaglia for Violin and Viola in 1893. It is based on Passacaille (no. 6) from the Suite in G minor, HWV 432, by George Frideric Hande

Enjoy these classic musical texts introduced and played by theologian Ephraim Radner. Violin "readings" from his home are interspersed with reflections on discipleship and prayer. Songs played in this episode: "Brother James' Air," "Praise to the Lord," "O Food to Pilgrims Given," "Modeh Ani," "Is There Anybody Here," Telemann's "Fantasia," Biber's "Passacaglia," "Come Down O Love Divine." --- Support this podcast: https://anchor.fm/living-church/support

David is joined by Rachel Mahon, Assistant Director of Music at Coventry Cathedral, who takes over as Director of Music there in September. A native of Toronto, Rachel tells us about her new CD of Canadian organ music, recorded in Coventry, which includes Healey Willan's magnificent Introduction, Passacaglia & Fugue. From the sublime to the ridiculous, we also hear about Rachel's organ comedy duo, Organized Crime!

This question was sent by Heidi and she writes: Since I have imposed upon you again with a lengthy answer to what I'm sure you thought was a question that would have a succinct reply, I will reduce my desires into a few bullet points: (although I'm glad you know a little bit more about who I am) * I wish to expand my grasp of Theory to enable me to learn Improvisation * Most difficult are the physical challenges and the lack of motivation to practice because I get discouraged when I remember how I used to play. I still play well, just not as well as I was able to, and I remember that whenever I play. It is a blessing, and a curse! * My wishlist: Training materials and perhaps video?

AVA150: What Is Passacaglia? by Vidas Pinkevicius

Passacaglia in C Minor, BWV 582 (Vidas PInkevicius) by Vidas Pinkevicius