Podcasts about Edvard Grieg

Trolls in Scandinavian folklore can be a little different from what’s imagined in the rest of the world.  We begin our show with a montage of clips from recent movies, Trollhunter (2010), Troll (2022), and Troll 2 (2025) — the latter two being Netflix productions that have rekindled interest in the subject while reimagining trollsin a way that does not always conform to the folklore. While all Scandinavian countries have their share of troll lore, this episode focuses specifically on Norway, the country with the most compelling collection of troll folklore. The first portion of our show looks at the Norwegian writer Henrik Ibsen’s play along with  incidental music composed for the play by his associate Edvard Grieg. Introducing this topic is a clip from the 1970 musical Song of Norway, a fanciful Edvard Grieg biopic that garnered particularly bad reviews.  We learn a bit about why Grieg hated his well-known “Hall of the Mountain King,” a composition which accompanies Peer Gynt’s encounter with trolls inside a mountain in the Dovre mountain chain. We also learn what Ibsen hoped to achieve in telling the story of his antihero Peer Gynt, and how he wrestled with the movement known in Norway as Romantic Nationalism. Next we look at two figures integral to this movement, Peter Christen Asbjørnsen and Jørgen Moe, a pair of folktale collectors often described as the “Brothers Grimm of Norway.”  Their 1841 publication, Norwegian Folk-Tales, along with updated volumes published in 1844, 1845, and  1871, provide most all the troll tales with examine in this episode. An exception to this is a book authored by Asbjørnsen alone, High Mountain Scenes, volume 2, Reindeer Hunt at Rondane. Published sometime before 1846, it’s the only volume referencing tales told about Peer Gynt, those being very loosely represented in Ibsen’s play. Asbjørnsen & Moe’s “Norwegian Folk Tales” The first of these we retell concerns a creature known as “the Bøyg,” something referred to as a type of troll in the story is described more  as a giant serpent of sorts. We follow this with more Peer Gynt episodes involving male trolls flirting with human females and a troll poking his enormous nose through a cabin window and suffering the consequences inflicted by Gynt.  The final story, “The Cat on the Dovre-Mountain,” takes place at Christmas, a time when troll encounters are particularly prevalent, and involves Gynt outsmarting a group of bothersome trolls via a peculiar stratagem. Next, we run through some lesser-known details of the best-known troll tale “The Three Billygoats Gruff.”  We follow this with another well-known (in Norway) story, “The Boy Who Had an Eating Match with a Troll.” It involves a youth outwitting a troll with a particularly gruesome ruse It was familiar enough to Norwegian audiences to be referenced in Trollhunter. Next we look at a character Askeladden, who is pitted against trolls in several of Asbjørnsen & Moe's stories.  He’s usually describing the good-for-nothing youngest brother of a trio, an underdog who surprisingly achieves great things. His name (literally “ash lad”) referenes his stay-at home habits, in particular, sitting by the hearth playing in the ashes. We learn of several characters with related names and habits in Scandinavian literature and a more insultingly rude nickname for such characters, one which Asbjørnsen & Moe chose to censor from their stories. Theodor Kittlesen, “Troll Pondering How Old iIt Is” (1911) Our next troll tale, “The Lads who Met the Trolls in the Hedale Woods,” gives us particularly monstrous trio of trolls sharing a single eyeball.  While this is atypical, we also encounter here the common trope of trolls sniffing the air for “Christian blood,” a suggestion that their kind of an older pre-Christian order.  A reference to trolls using magic is also contained in this story, something we’ll run into in other tales. We then hear some clips from a couple of Asbjørnsen & Moe-inspired films, the 2017 Norwegian film Ash Lad: In the Hall of the Mountain King and its 2019 follow-up, The Ash Lad: In Search of the Golden Castle.  The “Golden Castle” in Norwegian film title and  the title  of the relevant Asbjørnsen & Moe story is “Soria Moria Castle.” This one also features trolls, but in a peripheral role.  It’s a longer legend quest rather than a short folk tale in which we encounter three multi-headed trolls holding human women captive in three different castles. Our last story, “The Hen is Trips in the Mountain,” takes its  weird title from a strange phrase uttered to open a door into a mountain, like “Open Sesame.” When a young woman enters theis particular mountain looking for a lost hen, she meets an unpleasant end, as does her younger sister, but when the youngest of the three enters, she manages not to repeat the mistakes of her two siblings and later discovers that trolls can explode when touched by the first rays of dawn (as well as turning to stone, another common folklore trope). We wrap up the show with some interesting stats regarding the fascination trolls exert over the heavy metal subculture. Theodor Kittlesen, “Mountain Troll” (1887)    

Edvard Grieg - Sigurd Jorsalfar: HomageSlovak State Philharmonic Orchestra, KosiceStephen Gunzenhauser, conductorMore info about today's track: Naxos 8.556658Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

…Les grandes lignes qui se croisent dans le plan de la spirale d’Ulam ne sont pas contestables : elles sont là et bien là. Et pourtant, elles ne livrent aucune clé car elles sont inexhaustives et imparfaites. Prenons la diagonale qui descend vers la gauche, que j’ai marquée d’un pointillé vert : 5, 19, 41, 71, 109. La « raison » (comme disent les mathématiciens) de cette suite ne saute pas immédiatement aux yeux mais DeepSeek me fait observer que l’écart entre les nombres suit une progression arithmétique, augmentant de 8 à chaque itération : 19-5 =14 41-19 =22 (=14+8) 71-41=30 (=22+8) 109-71=38 (=30+8) Cette suite évolue en fonction d’une règle polynomiale qui (me souffle le même DeepSeek) peut s’écrire : f(n)=4n²+2n-1, suite qui produit souvent des chiffres premiers, par exemple quand x varie de 1 à 5 : (4×1²)+(2×1)-1=5 (4×2²)+(2×2)-1=19 (4×3²)+(2×3)-1=41 (4×4²)+(2×4)-1=71 (4×5²)+(2×5)-1=109 A partir de 6, la série s’arrête. Plus exactement, la fonction continue à produire des chiffres mais ils ne sont plus premiers ; plus précisément, ils ne sont plus tous premiers. Si l’on prend les premiers quarante nombres de la suite, alignés sur la diagonale 5,19, etc., on a : 5, 19, 41, 71, 109, 155, 209, 271, 341, 419, 505, 599, 701, 811, 929, 1055, 1189, 1331, 1481, 1639, 1805, 1979, 2161, 2351, 2549, 2755, 2969, 3191, 3421, 3659, 3905, 4159, 4421, 4691, 4969, 5255, 5549, 5851, 6161, 6479.La capacité de la suite-ligne à générer des nombres premiers est donc à éclipses, pulsant un instant, s’interrompant puis reprenant comme un dauphin qui nagerait à la surface de la mer, plongerait sous la surface puis resurgirait au soleil. Il y a bien là une sorte d’ordre, puisque la ligne est clairement repérable et qu’elle produit, souvent, des suites remarquables de quatre ou cinq nombres premiers consécutifs mais on ne saisit pas la cause sous-jacente de ces émergences et disparitions ; on ne distingue pas le tempo (ou le rythme ; je n’ai toujours pas compris la différence, Claude) de cette mélodie des nombres. Ce qu’on voit et entend, ce sont des ordonnancements localisés, des pulsations, de petits bouts de lignes dans la grande diagonale, petits bouts au sein desquels, on ne sait pourquoi, quelque chose de construit paraît l’emporter sur l’entropie ambiante. Peut-être y a-t-il, cachée dans des dimensions supérieures, une fonction polynomiale de degré z ou une spirale d’Ulam venue d’une autre dimension qui rend compte de ce qui est, qui justifie ces soubresauts de l’univers mathématique. Mais pour l’heure, on ne la connaît pas. On voit seulement ces îles, ces îles de primarité se suivant à la queue-leu-leu dans l’océan des nombres comme un chapelet d’Aléoutiennes qui s’effilocherait peu à peu, et on entend seulement le battement irrégulier, la sorte de tachycardie du grand pouls arithmétique. Quelque chose, quelque part, bat avec force, dont les lignes de la spirale d’Ulam trahissent les échos, ou peut-être les vibrations. Lire le premier épisode : Lignes En accompagnement musical, Dans l’antre du roi de la montagne, d’Edvard Grieg, avec son tempo (ou peut-être son rythme ? – son tempo me dit Claude) qui s’accélère comme ralentit celui des nombres premiers au fur et au mesure qu’on s’éloigne de zéro. L’image de couverture est tirée de l’application android Ulam Spiral, de Tomoyuki Hoshi. Cet article La spirale d’Ulam 2. Tachycardie est apparu en premier sur Aldor (le blog).

Edvard Grieg - Two Elegiac Melodies: Last Spring (Varen)Oslo Camerata; Stephan Barratt-Due, conductorMore info about today's track: Naxos 8.557890Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

This week on The Sound Kitchen, you'll hear the answer to the question about the pandas in the Beauval Zoo. There are your answers to the bonus question on “The Listeners Corner” and a tasty musical dessert on Erwan Rome's “Music from Erwan”. All that and the new quiz and bonus questions too, so click the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week. World Radio Day is just around the corner, so it's time for you to record your greetings for our annual World Radio Day programme! WRD is on 13 February; we'll have our celebration the day after, on the 14 February show. The deadline for your recordings is Monday 2 February, which is not far off! Try to keep your greeting to under a minute. You can record on your phone and send it to me as an attachment in an e-mail to thesoundkitchen@rfi.fr Be sure to record your greeting from underneath a blanket. Then the sound will be truly radiophonic – I mean, you want everyone to understand you, right? Don't miss out on the fun. 2 February is just around the corner, so to your recorders! Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all! Facebook: Be sure to send your photos for the RFI English Listeners Forum banner to thesoundkitchen@rfi.fr More tech news: Did you know we have a YouTube channel? Just go to YouTube and write RFI English in the search bar, and there we are! Be sure to subscribe to see all our videos. Would you like to learn French? RFI is here to help you! Our website “Le Français facile avec rfi” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard. Go to our website and get started! At the top of the page, click on “Test level”, and you'll be counselled on the best-suited activities for your level according to your score. Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service, told me: “Bathe your ears in the sound of the language, and eventually, you'll get it”. She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it! Be sure you check out our wonderful podcasts! In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more. There's Spotlight on France, Spotlight on Africa, the International Report, and of course, The Sound Kitchen. We also have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service. Please keep checking our website for updates on the latest from our excellent staff of journalists. You never know what we'll surprise you with! To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone. To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show.   Teachers take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below.  Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in all your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. NB: You do not need to send her your quiz answers! Email overload! This week's quiz: On 29 November, I asked you a question about two Chinese pandas – Huan Huan and Yuan Zi – who were in the Beauval Zoo here in France, and had just gone back to China. You were to re-read our article “France says goodbye to star pandas going back to China” and send in the answer to this question: How many cubs did Huan Huan give birth to while here in France? The answer is, to quote our article: “Huan Huan gave birth to three cubs – the first to be born in France. The eldest, Yuan Ming, a male, was sent back to China two years ago, but twins born in August 2021 will remain at Beauval at least until 2027.” The twins' names are Hunalili and Yuandudu.    In addition to the quiz question, there was the bonus question, suggested by RFI English listener Sadequl Bari Liton from Naogaon, Bangladesh, “How do you spend your weekly holiday?”  Do you have a bonus question idea? Send it to us! The winners are: Nafisa Khatun, the president of the RFI Mahila Shrota Sangha Club in West Bengal, India. Nafisa is also the winner of this week's bonus question. Congratulations on your double win, Nafisa. Also on the list of lucky winners this week are A. K. M. Nuruzzaman, the president of the RFI Amour Fan Club in Rajshahi, Bangladesh, and RFI Listeners Club members Samir Mukhopadhyay from West Bengal, India; Kanwar Sandhu from British Columbia in Canada, and last but not least, Habib Ur Rehman Sehla, the president of the International Radio Fan and Youth Club in Khanewal, Pakistan.   Congratulations winners! Here's the music you heard on this week's programme: “In the Hall of the Mountain King” from Peer Gynt by Edvard Grieg, performed by the London Symphony Orchestra conducted by Nicolò Foron; the traditional Chinese “Sun Quan the Emperor”; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer; “L'auzel ques sul bouyssou” (“Bird sitting in the Bush”) by Estienne Moulinié, sung by Claire Lefilliâtre with Le Poème Harmonique conducted by Vincent Dumestre. Do you have a music request? Send it to thesoundkitchen@rfi.fr This week's question ... you must listen to the show to participate. After you've listened to the show, re-read Paul Myers' article “France launches recruitment for 10-month voluntary national military service”, which will help you with the answer. You have until 9 February to enter this week's quiz; the winners will be announced on the 14 February podcast. When you enter, be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number. Send your answers to: english.service@rfi.fr or Susan Owensby RFI – The Sound Kitchen 80, rue Camille Desmoulins 92130 Issy-les-Moulineaux France Click here to find out how you can win a special Sound Kitchen prize. Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club. 

Edvard Grieg - Symphony: AdagioMalmo Symphony OrchestraBjarte Engeset, conductorMore info about today's track: Naxos 8.557991Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

durée : 00:15:52 - Le Disque classique du jour du mercredi 17 décembre 2025 - Le violoniste Mikhail Pochekin et le pianiste Kenny Broberg réunissent sur ce disque les sonates pour violon de César Franck, Edvard Grieg et Nikolaj Medtner. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:52 - Le Disque classique du jour du mercredi 17 décembre 2025 - Le violoniste Mikhail Pochekin et le pianiste Kenny Broberg réunissent sur ce disque les sonates pour violon de César Franck, Edvard Grieg et Nikolaj Medtner. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Tobias Stückelberger ist ein leidenschaftlicher Chorleiter. Das Hören ist ihm dabei genauso wichtig wie das Singen selbst. Die Grundlage für gute Chorarbeit, so sagt er im Gespräch, bestehe aber darin, dem Chor ein Zuhause zu bieten. Tobias Stückelberger stammt aus einer Pfarrersfamilie und wächst in der Baselbieter Gemeinde Therwil auf. Die Predigten seiner Mutter, zu denen er als Kind mitgenommen wurden, bringen ihn früh in Berührung mit Kirchenmusik. Er schliesst sich dem Kinderchor der Gemeinde an und wechselt mit zehn Jahren zur Knabenkantorei Basel. Mittlerweile ist Tobias Stückelberger 32 Jahre alt und schaut bereits auf eine intensive Zeit als Chorleiter zurück. Nach einem Studium in Basel wird er Assistent der Leiterin des «Norwegian Soloist Choir» Grete Pedersen in Oslo, wo er wesentliche Impulse für seine Arbeit bekommt und gleichzeitig den Master macht. Und nach einer weiteren Station in Südafrika als Leiter des Chores der «Drakensberg Boys Choir School» kehrt er in die Schweiz zurück, wo er nun die vielen internationalen Einflüsse in seine Arbeit als Leiter der Solothurner Singknaben und anderer Chorprojekte im Raum Basel einfliessen lässt. Von seiner Liebe zur Chormusik und seiner Art zu arbeiten, von einer unglaublichen Begegnung in Südafrika und einer darauffolgenden Reise nach London, von seiner aktuellen Arbeit bei den Solothurner Singknaben und einem nicht wirklich geplanten Erfolg als Dominospieler erzählt Tobias Stückelberger im Gespräch mit Gastgeber Michael Luisier. Die Einspieler: 1. Singknaben der St. Ursenkathedrale Solothurn – «Es Ching gebore in Betlehem» (Norwegisches Weihnachtslied) Tobias Stückelberger, Chorleiter 2. Lebo M – The Lion King: «Busa le lizwe» Drakensberg Boys Choir / Lebo M, Solist / Tobias Stückelberger, Leitung Die Musiktitel: 1. Filmmusik - Ronja Rövardotter (Ronja Räubertochter): «Rövarsången» (Räubergesänge) Komponiert: Björn Isfält / Arrangiert: Anders Berglund 2. Luciano Berio - A-Ronne für achtstimmiges Vokalensemble a cappella: «Den Den» Swingle II (Chor) 3. Edvard Grieg - 4 Psalmen für Bariton und Chor a cappella: «Jesus Kristus er opfaren» Norwegischer Solistenchor / Grete Pedersen, Leitung 4. Jaakko Mäntyjärvi - «Pseudo Yoik» Singknaben der St. Ursenkathedrale Solothurn / Tobias Stückelberger, Leitung 5. Johann Sebastian Bach – «Komm, Jesu, komm, mein Leib ist müde» Mottete BWV 229 Ensemble Allegria / Norwegischer Solistenchor / Grete Pedersen, Leitung

Neste episódio do podcast filosófico da Nova Acrópole, Pedro Guimarães conversa com a professora Erika Kalvelage sobre a obra A Vida da Vida, de Edgar Morin. A partir de uma visão integradora e profunda, o autor propõe refletir sobre a complexidade da vida, sua constante transformação e os laços que unem todos os seres. O diálogo aborda a importância da consciência de unidade, da humildade filosófica e do reconhecimento de que o Ser Humano é parte da Natureza e influencia — e é influenciado — pelo todo. A partir dessa compreensão, é possível viver de forma mais plena, fraterna e responsável. O Ser Humano e o cosmos são unidades funcionais da Natureza. O organismo humano funciona de forma unitária, cada célula, cada órgão cumpre sua função de acordo com sua natureza e em benefício do todo que participa. O mesmo ocorre com os demais elementos do cosmos que possuem uma individualidade, mas cumprem sua função em benefício do todo. Participantes: Erika Kalvelage e Pedro Guimarães  Trilha Sonora: Opus nº12 Arrieta, de Edvard Grieg

Edvard Grieg - Album LeafEinar Steen-Nokleberg, pianoMore info about today's track: Naxos 8.553398Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

durée : 01:28:37 - Une heure et plus, un compositeur : Edvard Grieg - par : Aurélie Moreau - Edvard Grieg a donné une voix à la Norvège. Musicien du peuple, admiré par ses pairs, il naît à Bergen en 1843, dans une famille cultivée où la musique tient une place importante. C'est là aussi, en 1907, que s'éteint ce compositeur profondément attaché à sa terre natale. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:22 - Relax ! du lundi 01 septembre 2025 - par : Lionel Esparza - Danse vive née en Provence au XVIIᵉ siècle, le rigaudon a inspiré les compositeurs baroques - Couperin, Lully, Rameau, mais aussi Saint-Saëns, Edvard Grieg, Ravel et même Prokofiev. De Versailles aux salles de concert modernes, il conserve son énergie joyeuse et sautillante. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven For this episode of The Piano Maven, Jed Distler discusses selected recordings of Edvard Grieg's Ballade in G Minor Op. 24. Here are links to most of the cited performances: Leopold Godowsky - https://www.youtube.com/watch?v=enPP00uLYeQEileen Joyce - https://www.youtube.com/watch?v=UX4MB8rKv08Arthur Rubinstein - https://www.youtube.com/watch?v=mggEbCn4mbkRichard Farrell - https://www.youtube.com/watch?v=Vu0TkGUlu2M&t=856sAldo Ciccolini - https://www.youtube.com/watch?v=c7-g3JZ6fPsJorge Bolet - https://www.youtube.com/watch?v=ILXOjgCU4sQ (note, this performance is from London 1987, and is not cited in the episode, yet comes from the same period as the 1987 Amsterdam recording issued by Marston)Robert Riefling - https://www.youtube.com/watch?v=Wscw6bsj9cQLeif Ove Andsnes - https://www.youtube.com/watch?v=BOtIV5ErxL4Peter Jablonski - https://www.youtube.com/watch?v=wV-TRMS7pHE&t=1163sEva Knardahl (BIS) - https://www.youtube.com/watch?v=nbdOG40uw50&t=377sEva Knardahl (Simax) - https://www.youtube.com/watch?v=nbdOG40uw50&t=377sEinar Steen-Nokleberg - https://www.youtube.com/watch?v=0CQttvvCOfIAntonio Pompa-Baldi - https://open.spotify.com/track/26OnOoWfQnAXfeZ9H2zCIuHåkon Austbø - https://www.youtube.com/watch?v=IQWL9lc5cOc

Edvard Grieg - A SwanBodil Arnesen, sopranoErling Ragnar Eriksen, pianoMore info about today's track: Naxos 8.552123-24Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Associate professor David Moser talks about how he has been a bridge between the U.S. and China. After so many decades, he's disappointed in both countries. But China remains his “drug of choice.”Subscribe to our Substack newsletter at pekinghotel.substack.comPodcast music: Mélodie, Kobi Salomon, Artlist Classics, Edvard Grieg, Ezequiel Jait, Artlist Original MusicAbout Peking HotelThe Peking Hotel podcast and newsletter are digital publications in which Liu He interviews China specialists about their first-hand experiences and observations from decades past. The project grew out of Liu's research at Hoover Institution collecting oral history of China experts living in the U.S. Their stories are a reminder of what China used to be and what it is capable of becoming. Get full access to Peking Hotel at pekinghotel.substack.com/subscribe

Edvard Grieg - Wedding Day at TroldhaugenBalazs Szokolay, pianoMore info about today's track: Naxos 8.550646Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Erfolg kann lästig sein: Die „Lyrischen Stücke“ von Edvard Grieg verkaufen sich so gut, dass dessen Verleger immer wieder Nachschub bestellt – über fast vierzig Jahre ... Von Michael Lohse.

Wolf Hall composer Debbie Wiseman and conductor Ben Gernon join Jeffrey Boakye and Anna Phoebe as they add the final five tracks to the playlist for the current series. From the UK's first Eurovision winner to a heavy metal classic via Europe's second-longest river, the team wrap up the series before returning in August.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Puppet on a String by Sandie Shaw The Blue Danube by Johann Strauss II Hai, Dunărea mea by Elena Roizen 3rd movement of the Piano Concerto in A Minor by Edvard Grieg Overkill by MotörheadOther music in this episode:Somebody That I Used to Know by Gotye Petit Pays by Cesária Évora Always Something There To Remind Me by Sandie Shaw Congratulations by Cliff Richard Back Home by the 1970 England World Cup Squad Shang-a-Lang by The Bay City Rollers 1st movement of the Piano Concerto in A Minor by Edvard Grieg

Edvard Grieg - Lyric Pieces: Summer EveningEinar Steen-Nokleberg, pianoMore info about today's track: Naxos 8.553396Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

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