Podcasts about mansu

I sat down with scholar, Nilesh Kumar to explore how Korean cinema has reflected shifting notions of gender, identity, and social structure across decades. From the angry men of the Korean New Wave to the defiant heroines of modern streaming hits, this conversation examines how bodies on screen become battlegrounds for power, memory, and desire. We begin by talking about how technology defines Park Chan-wook's groundbreaking movie Oldboy, as well as its absence of allegory, signaling the start of post-modern Korean cinema. Then, we explore three main themes in Korean cinema across time: Masculinity, femininity, and queer representation. The first section sees us discuss Chilsu and Mansu (1988), Peppermint Candy (1999), A Single Spark (1995), Whale Hunting (1984), Burning (2018), and Parasite (2019). We then turn our attention to Hostess Cinema (1974-1982), Yeong-ja's Heydays (1975), Right Then, Wrong Now (2015), Ballerina (2023), Han Gong Ju (2013), and My Sassy Girl (2001). Finally, we look at King and the Clown (2005), Moonlit Winter (2019), Mine (2021), The Handmaiden (2016) as well as the importance of Seo Dong-jin and Paul B. Preciado. I was particularly impressed by how Nilesh put each section in context, describing the importance of the socio-economic and political conditions of the time. Nilesh Kumar is from England, of Gujarati-Indian background, and is based in South Korea. He is a Film Curator and co-founder of the Seoul-based underground-movable cinema, STEAK FILM and the sexuality themed, STEAK CINEMA. His topics of writing have included contemporary queer South Korean culture, South Korean ‘hostess' cinema (1974-82), and 6th Generation Chinese Cinema. Selected work: https://novasiagsis.com/author/nileshp/ Instagram: https://www.instagram.com/nilesh5739/ Facebook: https://www.facebook.com/shanti.love.90 David A. Tizzard has a PhD in Korean Studies and lectures at Seoul Women's University and Hanyang University. He writes a weekly column in the Korea Times, is a social-cultural commentator, and a musician who has lived in Korea for nearly two decades. He can be reached at datizzard@swu.ac.kr. Watch this video next: https://youtu.be/L9azQpXZ2Rc Subscribe to the channel: @DavidTizzard/videos Thanks to Patreon members: Hee Ji Jacobs, Bhavya, Roxanne Murrell Join Patreon: https://www.patreon.com/c/user?u=62047873 Discussion Outline 0:00 Oldboy and Allegory 18:40 Angry Men in Korean New Wave Cinema 44:42 Hostess Cinema and Female Representation 1:12:25 My Sassy Girl (엽기적인 그녀) 1:37:30 The Queers are Here 2:33:46 Recommendations Music by Jocelyn Clark: https://youtu.be/IWVqqXT3TfY?si=wq2mcIIarE6JTqFS Connect with us: ▶ Get in touch: datizzard@swu.ac.kr ▶ David's Insta: https://www.instagram.com/datizzard/ ▶ KD Insta: https://www.instagram.com/koreadeconstructed/ Questions or Topic Suggestions: Write in the Comments Below #koreadeconstructed #davidtizzard Korea Deconstructed by David Tizzard ▶ Listen on iTunes: https://podcasts.apple.com/kr/podcast/korea-deconstructed/id1587269128 ▶Listen on Spotify: https://open.spotify.com/show/5zdXkG0aAAHnDwOvd0jXEE ▶ Listen on podcasts: https://koreadeconstructed.libsyn.com 

Jesucrist és alhora un lleó i un anyell. És alhora fort i tendre. És un jutge i perdonador. És fort i bo. Ho veiem quan entra humilment a Jerusalem sobre un ruc i després entra al temple i expulsa tota la gent. És veritablement mansu: fort, però controlat que utilitza la seva força per servir als altres. L'única resposta adequada és inclinar-se davant d'ell o rebutjar-lo completament, però no hi ha espai per veure'l com un noi agradable.Ciutat Nova és una església per a la ciutat de Barcelona i una comunitat de persones normals i imperfectes que volem aprendre a viure segons la voluntat de Déu. Si vols saber més sobre la nostra església i ministeri: http://bcn.ciutatnova.cat/visitaPrimavera 2025Predicador: JJ

L'agence de notation Fitch vient de lancer un avertissement à la France. Si la note de crédit de la dette française reste maintenue, sa perspective a été abaissée de « stable » à « négative ». Si le gouvernement ne parvient pas à réduire notre déficit, faut-il redouter un accident sur la dette française ? L'analyse de Nicolas Goetzmann, chef économiste de la Financière de la Cité. Ecorama du 14 octobre 2024, présenté par David Jacquot sur Boursorama.com Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

This week on the pod Hausa Chocolate is joined by @the_mansu, CEO of HerRyde and they have an insightful conversation about reconciling sex and sexuality with religion. A lot of societal attitudes and views on sex are shaped by religion and interpretations of it, so how do you express yourself sexually when some of your beliefs are inherently suppressive?Themes: Sexual Exploration, Religious Influences, MoralityDon't forget to rate us and share!Stay connected with us on:- Instagram: @spitorswallowpod- Twitter: @sospodofficial- TikTok: @spitorswallowpod Hosted on Acast. See acast.com/privacy for more information.

Le ministre de l'Intérieur a envoyé une instruction claire aux forces de l'ordre, lundi soir : lors du premier match dans l'Euro 2020 de l'Équipe de France de football, il faudra être tolérant sur le couvre-feu. Même s'il reste fixé à 23 heures, les Français pourront aller voir le match à l'extérieur et rentrer sans être inquiétés.

Las dos estatuas de bronce de la figura de Kim Il-Sung y Kim Jong-Il, que está en el gran monumento de la colina Mansu, situado en la zona central de Pyongyang, es el mayor simbolismo al culto a la personalidad existente hacia el régimen norcoreano, y que en este episodio se cuenta los datos interesantes sobre ello.

durée : 00:04:14 - Le Billet politique - par : Frédéric Says - Après sa mise en examen, peu de responsables politiques appellent à la démission du président de l'Assemblée nationale.

మన మనసులో కల్మషం వుండకూడదు

Today's Life's Black Belt is Mansu Edwards. Mansu is a prolific artist who continually challenges art forms with boldness and creativity. He talks about his life growing up and how he followed his passion, got up every day to promote himself and never gave up trying to reach his goals. In 2016, Mr. Edwards produced, wrote and directed his first short film, "Texting In New York City". A work inspired from people's responses to the street marketing of its paperback (text) edition. Later on in the year as a result of positive feedback from the Harlem Writer's Group to the movie script, he released a literary screenplay version of "Texting In New York City". A film trailer would soon follow. Past works by Mr. Mansu include: The Disappearance Of Hate (2009), Mental Diet (2010, 2011), Biscuits And Yogurt Vol. 1 (2014), Texting In New York City (2014, 2016), Exotic Ignorance: Ep. 8 Camouflage Pizza (2016), Emojis Vs. Punctuation Marks: Battle Of The Keyboard (2018), Emojis Vs. Punctuation Marks 2: Land Of Refrigeration (2018) and Can You Hold Please? (2018). He has appeared on numerous shows such as: Epilogues, Sounds Like NYC, Our Community Talk Show, The Joe Cozzo Show, Manhattan Neighborhood Network's Max & Natalie LIVE!, Lawrence J. King's Book Talk Radio, Let's Talk Books With Lady Essence, The Curious World Of Vandal Truong and The Julio And Dr. Chan Show. He's currently working on a multitude of book projects. Links 1. Texting In New York City Trailer https://m.youtube.com/watch?v=5MIsJKUvTv8 2. Texting In New York City Film https://m.youtube.com/watch?v=_5b2D8mdY58 3. Texting In New York City (1st Edition) https://www.smashwords.com/books/view/455231 4. Amazon Profile: https://www.amazon.com/Mansu-Edwards/e/B07FYWR3VK?ref_=pe_1724030_132998060

“Write and let the public decide.” Today's featured author is a film producer and prolific artist, Mansu Edwards. We chat about Mansu's tips for staying productive with handling multiple projects and more. The opening track is titled, "Dat Life" by Asis Galvin. Be sure to click the following link to listen to the full song and download the album. https://asisgalvin.bandcamp.com/track/dat-life 

“Write and let the public decide.” Today's featured author is a film producer and prolific artist, Mansu Edwards. We chat about Mansu's tips for staying productive with handling multiple projects and more. The opening track is titled, "Dat Life" by Asis Galvin. Be sure to click the following link to listen to the full song and download the album. https://asisgalvin.bandcamp.com/track/dat-life 

In Seoul's Garosu-gil, Colin talks with Darcy Paquet, critic of Korean film, founder of koreanfilm.org and the Wildflower Film Awards, author of New Korean Cinema: Breaking the Waves, teacher, and occasional actor. They discuss why movies have a hard time capturing Seoul; the unusual way the Park brothers' Bitter, Sweet, Seoul captures the city; how Cold Eyes relocated a Hong Kong story into Seoul; how, after arriving in Korea in 1997, he got to know the city in step with getting to know the cinema; how he knew Seoul would grow dramatically as soon as he got there, but how nobody expected the Korean film industry would grow so much; why, right when Korean culture started going worldwide; Korean filmmakers were ready; which Korean movies Koreans tried to steer foreigners away from, and which they themselves have returned to more recently; what strengths older Korean films whose makers had to "fight the system" have that modern ones don't; how effectively one can ready oneself for Korean life with Korean film; the size of Korea's cinematic iceberg beneath the tip of Oldboy, Shiri, Snowpiercer, and the like; the less-defined border between Korea's mainstream theaters and its "art houses"; what happens when Korean directors go Hollywood to make movies like The Last Stand and Stoker; what part movies (and associated pursuits) have played in helping him master the Korean language; the kind of diversity Korea has as revealed in cinema; the meaning of modernized hanok; why the last twenty minutes of Korean movies are so often just crying; the importance of Chilsu and Mansu, the first film that stepped in after the relaxation of censorship to make a political point; the sort of political criticism expressed in more recent movies like The President's Last Bang and The Attorney; whether he feels more critical freedom than would a Korean; how Korean producers have done less to "protect directors from the money" these days; the "difference of opinion on objectivity and subjectivity" between Korea and the west as expressed in documentaries and their switch from "we" to "I"; what filmmaking techniques work on him now that wouldn't have when he first came to Korea (and which still don't); whether films have yet begun to take him back to his previous years in Seoul; what he sees when he revisits Christmas in August, one of the first Korean films he ever saw; how much of the Korea ahead, the country his sons and their generation of Koreans unlike those the world has known before will grow up in, he can see in the movies.

What do you get when pairing up movies where the still and straightforward is mindblowing and when the rabid, perfectly indulgent is also mindblowing? Am not sure but you get enough reason for the crew here at What’s Korean Cinema? to examine two classic works, starting with Park Kwang-su’s 1988 drama Chilsu And Mansu and […]

The1Essence has a conversation with Author & Poet Mansu Edwards.

The1Essence has a conversation with Author & Poet Mansu Edwards.