Podcasts about park chan

Tune in as Seth Vargas (Movie Friends) returns to the program to discuss Videodrome, the 1983 sci-fi body horror film about a TV station president whose discovery of an enigmatic and pornographic video broadcast drags his mind and his flesh down a spiral of terror. The David Cronenberg movie that Seth saw as a wee little child with his mom, recommendations for 1997's Hercules and the Black Mirror episode “Common People,” and the effect that horror and violent media can have on their audience end up being a few of the talking points for this episode.Written and directed by David Cronenberg, Videodrome stars James Woods, Debbie Harry, Sonja Smits, Peter Dvorsky, Leslie Carlson, Jack Creley, Lynne Gorman, Julie Khaner, Reiner Schwarz, and David Bolt.Spoilers start at 29:35Create your podcast today! #madeonzencastrHere's how you can learn more about Palestine and IsraelHere's how you can keep up-to-date on this genocideHere's how you can send eSIM cards to Palestinians in order to help them stay connected onlineGood Word:• Seth: the Vengeance trilogy from Park Chan-wook (Sympathy for Mr. Vengeance, Oldboy, and Lady Vengeance)• Arthur: A Simple PlanReach out at email2centscritic@yahoo.com if you want to recommend things to watch and read, share anecdotes, or just say hello!Be sure to subscribe, rate, and review on iTunes or any of your preferred podcasting platforms!Follow Arthur on Twitter, Goodpods, StoryGraph, Letterboxd, and TikTok: @arthur_ant18Follow Arthur on Bluesky: @arthur-ant18Follow the podcast on Twitter: @two_centscriticFollow the podcast on Instagram: @twocentscriticpodFollow Arthur on GoodreadsCheck out 2 Cents Critic Linktree

Mark and Zanandi talk about the 2013 thriller Stoker. Directed by the legendary Park Chan-wook, and starring Nicole Kidman, Mia Wasikowska, and Matthew Goode, the movie focuses on what happens when a shifty uncle stokes up a bunch of problems for a grieving family. In this episode, they also talk about piano scenes, new shoes, and the overall excellence of Stoker.

I sat down with scholar, Nilesh Kumar to explore how Korean cinema has reflected shifting notions of gender, identity, and social structure across decades. From the angry men of the Korean New Wave to the defiant heroines of modern streaming hits, this conversation examines how bodies on screen become battlegrounds for power, memory, and desire. We begin by talking about how technology defines Park Chan-wook's groundbreaking movie Oldboy, as well as its absence of allegory, signaling the start of post-modern Korean cinema. Then, we explore three main themes in Korean cinema across time: Masculinity, femininity, and queer representation. The first section sees us discuss Chilsu and Mansu (1988), Peppermint Candy (1999), A Single Spark (1995), Whale Hunting (1984), Burning (2018), and Parasite (2019). We then turn our attention to Hostess Cinema (1974-1982), Yeong-ja's Heydays (1975), Right Then, Wrong Now (2015), Ballerina (2023), Han Gong Ju (2013), and My Sassy Girl (2001). Finally, we look at King and the Clown (2005), Moonlit Winter (2019), Mine (2021), The Handmaiden (2016) as well as the importance of Seo Dong-jin and Paul B. Preciado. I was particularly impressed by how Nilesh put each section in context, describing the importance of the socio-economic and political conditions of the time. Nilesh Kumar is from England, of Gujarati-Indian background, and is based in South Korea. He is a Film Curator and co-founder of the Seoul-based underground-movable cinema, STEAK FILM and the sexuality themed, STEAK CINEMA. His topics of writing have included contemporary queer South Korean culture, South Korean ‘hostess' cinema (1974-82), and 6th Generation Chinese Cinema. Selected work: https://novasiagsis.com/author/nileshp/ Instagram: https://www.instagram.com/nilesh5739/ Facebook: https://www.facebook.com/shanti.love.90 David A. Tizzard has a PhD in Korean Studies and lectures at Seoul Women's University and Hanyang University. He writes a weekly column in the Korea Times, is a social-cultural commentator, and a musician who has lived in Korea for nearly two decades. He can be reached at datizzard@swu.ac.kr. Watch this video next: https://youtu.be/L9azQpXZ2Rc Subscribe to the channel: @DavidTizzard/videos Thanks to Patreon members: Hee Ji Jacobs, Bhavya, Roxanne Murrell Join Patreon: https://www.patreon.com/c/user?u=62047873 Discussion Outline 0:00 Oldboy and Allegory 18:40 Angry Men in Korean New Wave Cinema 44:42 Hostess Cinema and Female Representation 1:12:25 My Sassy Girl (엽기적인 그녀) 1:37:30 The Queers are Here 2:33:46 Recommendations Music by Jocelyn Clark: https://youtu.be/IWVqqXT3TfY?si=wq2mcIIarE6JTqFS Connect with us: ▶ Get in touch: datizzard@swu.ac.kr ▶ David's Insta: https://www.instagram.com/datizzard/ ▶ KD Insta: https://www.instagram.com/koreadeconstructed/ Questions or Topic Suggestions: Write in the Comments Below #koreadeconstructed #davidtizzard Korea Deconstructed by David Tizzard ▶ Listen on iTunes: https://podcasts.apple.com/kr/podcast/korea-deconstructed/id1587269128 ▶Listen on Spotify: https://open.spotify.com/show/5zdXkG0aAAHnDwOvd0jXEE ▶ Listen on podcasts: https://koreadeconstructed.libsyn.com 

Have You Ever Seen's 656th podcast begins our 3rd (Annual, probably?) Revenge Month and Oldboy's plot o' vengeance is particularly sinister. Park Chan-wook's sadistic South Korean thriller has several unforgettable moments, including the one-take hallway hammer fight and the shocking, blood-soaked climax. Choi Min-sik is quite terrific in the lead role, an ordinary man who's forced to live in the solitude of a private prison for 15 years, not even knowing why. He loses his freedom, his family and nearly his mind. Once he's unexpectedly let out, he goes on a vicious rampage as he tries to figure out who locked him up and why...only to finally learn the reason in an "I never saw THAT coming" twist. So get your fried dumplings and live octopus ready to eat while you also try to avoid various forms of mouth trauma as Ryan solos on a podcast about Oldboy. Sparkplug Coffee is our sponsor. The website is "sparkplug.coffee/hyes". Using that "HYES" discount code will result in a onetime savings of 20%. Rate and review our podcast in your app, but also find us on YouTube (@hyesellis is the link on YouTube). Comment about the episode, like it...and subscribe as much as you possibly can. Contact us by email: haveyoueverseenpodcast@gmail.com. Or find us on Twi-X (@moviefiend51 and @bevellisellis) or on Bluesky (ryan-ellis and bevellisellis).

It's our 250th episode, and we bring you another neo-noir movie review - but this time its set in South Korea, and one from the director of OldBoy, Park Chan-wook . Plus we are joined by special guest Tom Jolliffe to discuss its Hitchcockian vibes, the deeper meanings behind what are two leads represent, and just a general appreciation for subtitled films!-------------------------------------------------------Don't forget to follow us on social media in the links below, and let us know your thoughts and recommendations for the future!  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/sp_filmviewers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠x.com/SP_Filmviewers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/SP_Filmviewers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-------------------------------------------------------Rating and reviewing the show is a great help too! Please feel free to do so with these helpful links below:Goodpods: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://goodpods.app.link/pkE7J2T6ykb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Podchaser: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.podchaser.com/users/sp_filmviewers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/gb/podcast/sp-filmviewers/id1485548644⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Lastly, we now have a Patreon you can join, for as little as £1/$1.50. More details in the link below:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/spfilmviewers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

Cette semaine, on parle d'horreur et de mauvaise foi (oh non please...) !Les films de l'épisode : - 2'20" Thirst, ceci est mon sang [Park Chan-wook]- 25'02" Sur le chemin de la rédemption (First Reformed) [Paul Schrader]- 44'57" Emprise [Bill Paxton] - 62'48" Godless: The Eastfield Exorcism [Nick Kozakis]Et dimanche dernier alors (87'33'') ?- Thomas recommande de consulter le site Chaos Reign qui lui a suggéré de regarder Disclaimer, la série d'Alfonso Cuarón- Léo vous recommande de regarder Viy, un film d'horreur soviétique sorti en 1967 et réalisé par réalisé par Konstantine Ierchov et Gueorgui Kropatchiov. Et p'tet bien qu'on en parlera un jour...- Lola vous recommande de lire Le Club des enfants perdus de Rebecca Lighieri et c'est édité par P.O.L.- Camille inaugure une nouvelle rubrique "idées cadeaux" et vous conseille de vous rendre sur le site des éditions SULO pour y trouver beaux puzzles et écharpes⚠️ Attention aux spoilers ⚠️Réalisation et musique : Brice ThierionIdentité visuelle : Noah BallulPour nous aider n'hésitez pas à nous suivre @lhorreurdudimanche, à vous abonner et à mettre des étoiles sur Apple Podcasts, Spotify, Deezer, Podcast Addict, ...

Sean and Amanda return to continue their year-long project of listing the 25 best movies of the 21st century so far with a discussion of Park Chan-wook's ‘The Handmaiden,' the 2016 erotic thriller period piece starring Kim Tae-ri and featuring some of the best camera work and production design of the century. They talk about Park Chan-wook's incredible ability to complicate simple stories with depth of design, how it portrays the complicated power dynamics of sex, and why its layered portrayal of shifting psychological perspectives is so impactful. Hosts: Sean Fennessey and Amanda Dobbins Senior Producer: Bobby Wagner Video Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Sympathy for Mister Vengeance, ce n'est peut-être pas le plus fun des films dont je parle dans cette émission mais [...] c'est un de ceux qui marque les esprits et donne envie de creuser la filmographie de Park Chan-wook."Retour dans le cinéma sud-coréen après l'avoir évoqué dans l'épisode 2 avec The Chaser de Na Hong-jin et focus sur l'un des poids lourds de ce cinéma, Park Chan-wook, réalisateur des récents Mademoiselle et Decision to Leave. Sympathy for Mister Vengeance est le premier volet de "La Trilogie de la Vengeance" de Park Chan-wook qui se poursuivra avec Old Boy et Lady Vengeance. Cela permet à Kev de s'interroger sur la notion de vengeance au cinéma et à quel point c'est une thématique récurrente dans l'histoire, l'art et la culture. Ici, c'est un terreau pour le cinéaste sud-coréen pour traiter de la condition humaine, des inégalités sociales et de l'incommunicabilité. Et d'en faire un remarquable film, à l'incontestable maîtrise narrative et esthétique, et qui déjoue nos attentes jusqu'à la dernière image. En début d'épisode, on débriefe brièvement sur la cérémonie des César 2025 et la razzia des prix pour Emilia Perez de Jacques Audiard. Puis on enchaîne directement avec la genèse de ce Sympathy for Mister Vengeance, tout en évoquant le début de carrière de Park Chan-wook. Et on termine en évoquant les derniers projets du cinéaste et les prochains films sud-coréens à venir dans les salles françaises. N'hésitez pas à nous dire quel est votre film préféré de Park Chan-wook sur nos réseaux et à partager cet épisode ! Des étoiles sur vos applications de podcasts préférés et des cœurs sur vos belles personnes. Bonne écoute !PS : Kev a évoqué dans l'épisode une série documentaire radiophonique sur la thématique de la vengeance diffusée sur France Culture, voici le lien pour l'écouter : https://www.radiofrance.fr/franceculture/podcasts/serie-les-ressorts-de-la-vengeanceCRÉDITS :Retake est un podcast animé par Kev et Nathan.Montage effectué par Kev.Logo crée par Barthélémy FourtetExtraits Générique : © Le Cinéma - Claude Nougaro / © Caravan - Duke Ellington et Juan TizolExtraits de bande annonce : © SYMPATHY FOR MR. VENGEANCE - Version restaurée 4k - Bande-annonce VOST - Metropolitan FilmsExtrait musical de fin : © Story for Broadcast - Uhuhboo Project (Sympathy For Mr. Vengeance - Original Motion Picture Soundtrack)Retake est présent sur Instagram (surtout) et Facebook (pas trop).Date d'enregistrement : 01/03/2025Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

When Parasite won Best Picture, it put Korean cinema in the global spotlight, but it was the result of decades of bold filmmaking. With Mickey 17 now out, it's the perfect time to dive into the bloody brilliance of the Korean New Wave. Hosts Laura Gommans and Kiriko Mechanicus explore Korea's obsession with vengeance, shaped by its turbulent history and uncensored filmmaking. They also examine why Bong Joon-ho's Hollywood work feels so different from his Korean films.Korean cinema captures vengeance like no other, blending brutal violence with raw emotion. While Bong mixes social critique with suspense, Park Chan-wook's Oldboy and The Handmaiden embrace operatic violence and eroticism. Join us as we dissect the thrills and bloodstained poetry of the Korean New Wave.Book tickets to Mickey 17 @ LAB111Book tickets to Parasite @ LAB111Book tickets to CC Film Club: Old Boy @ LAB111Listen to Do Two Robert Pattinsons Make Mickey 17 Twice the Fun?

The first entry into our Batshit Crazy mini series, 2016's "The Handmaiden" is a South Korean psychological erotic thriller from Park Chan-wook, and boy does it deliver on assaulting the senses. The mind reels, the loins tingle, and the ears are bombarded by heaps of wet, writhing soundscapes.The boys discuss what makes this movie a true batshit entry; from it's non-linear storytelling devices, to it's downright over-the-top use of sensual erotica, it will get it's hooks in to take you on a journey and talk you through it. Park Chan-wook obviously loves looking at the uglier side of humanity (re: The Vengence Trilogy), and The Handmaiden is no different. Familial wickedness, the art of deception, and what it means to break generational curses and taboos all play a part in this film.Tune in next time where we look at Justin's Batshit Crazy submission: 1985's "Pee-wee's Big Adventure"!--We are Uncultured Universe - the podcast where we introduce movies, tv, music, and books to each other to get a little bit more cultured. Remember to like, review & subscribe!--Stay up to date on all new episodes here: https://linktr.ee/uncultureduniverse

This week on Drinks and a Movie, we're diving into Park Chan-wook's Joint Security Area (2000), a gripping mystery-thriller set in the heart of the Korean DMZ. When a fatal shooting leaves two North Korean soldiers dead and a fragile peace hanging by a thread, a neutral Swiss investigator is sent to unravel the truth. What unfolds is a tense, emotional, and deeply human story about friendship, loyalty, and the devastating consequences of division.And what better way to pair a film about international tensions than with a whiskey that brings a unique twist to a classic? We're tasting the Jack Daniel's Sherry Finish Distillery Exclusive, a bold Tennessee whiskey finished in Oloroso sherry casks. Does this special release live up to the hype? And how does Joint Security Area hold up over 20 years later? Pour a glass and join us for the conversation!

Relecture violente et nihiliste du COMTE DE MONTE CRISTO, OLD BOY de Park Chan-wook traverse les décennies avec aplomb, et vient tout juste de fêter ses vingt ans avec une ressortie en 4K chez Metropolitan Vidéo. C'est l'occasion pour Stéphane Moïssakis et Julien Dupuy de discuter de ce film ensemble, peut-être bien le seul film du cinéaste coréen qu'ils apprécient tous les deux !Pour nous soutenir, il y a deux adresses.PATREON : https://www.patreon.com/capturemagTIPEEE : https://www.tipeee.com/capture-magPour acheter notre mag CAPTURE MAG N°1 - LE CINÉMA DE WILLIAM FRIEDKIN, rendez-vous chez votre libraire ou site marchand (Fnac, Amazon, etc.).Akileos : https://bit.ly/AkiFriedLibrairies indépendantes : https://www.librairiesindependantes.com/product/9782355746161/Pour acheter notre livre CAPTURE MAG 2012-2022 : NOTRE DÉCENNIE DE CINÉMA, rendez-vous chez votre libraire ou site marchand.Akileos : https://bit.ly/CapMookLibrairies indépendantes : https://bit.ly/AchTMookRetrouvez toutes nos émissions sur http://www.capturemag.frEn MP3 sur Acast : https://bit.ly/3v6ee7sSur SPOTIFY : https://spoti.fi/3PJYnF3Sur DEEZER : https://bit.ly/2wtDauUSur APPLE podcasts : https://apple.co/2UW3AyO#oldboy #parkchanwook #choiminsik Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Robert Eggers Version von NOSFERATU wollte ich unbedingt auf einer Kinoleinwand sehen. Und einen Wunsch hat mir Eggers erfüllt: Er hat eine optisch-hochwertige Fassung abgeliefert mit einem durchgehenden ästhetischen Konzept. Das ist handwerklich eine Eins mit Sternchen. Trotzdem ist der Film überraschend blutleer, keine Originalität, keine Subtilität, keine eigene Aussage. Stattdessen eine zum Teil interessante Musik ständig mit allen Reglern auf 12, besonders Defoe und Taylor-Johnson mit leicht unangenehmen Over-Acting und die deutsche Stimme von Nosferatu ganz hart an der ungewollten Parodie. Das ist keine Neuinterpretation, das ist maximal eine überflüssige Coverversion.Im Podcast direkt nach dem Kino reden wir über Murnau, der ganz neue Bilder geschaffen hat (die Prozession der Särge, Orloks Haus in Wismar), über Herzog mit seinem inspirierten Low Budget-Charme (das letzte Festessen der Pestgesellschaft!) und erinnern uns an sehenswerte und originelle Versionen des unsterblichen Vampirstoffes: vom anspruchsvollen SO FINSTER DIE NACHT oder DURST von Park Chan-wook oder BRAM STOKERS DRACULA von Coppola als prallvolles Abenteuer oder RENFIELD als durchgeknallte Gore-Komödie – ganz zu schweigen von Jarmuschs Meisterwerk ONLY LOVERS LEFT ALIVE … Am Mikrofon direkt nach dem Kino: Hendrik, Tom und Thomas.

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review!This episode is packed with legendary warriors, epic battles, and high-stakes drama as we explore the art of precision, the horrors of war, and the supernatural forces of feudal Japan. We begin by taking aim at the Top 5 Archers in Film & TV, followed by an in-depth look at the South Korean war epic Uprising (2024), and finish with a deep dive into Netflix's much-anticipated anime adaptation of Onimusha.

Quite the uplifting movie if you ask us. Just don't break down that mental wall with all that incest shit hiding behind it. In this episode of Specrapular, we discuss the 2003 movie, Oldboy. Directed by Park Chan-wook. Starring Choi Min-sik, Yoo Ji-tae, and Kang Hye-jeong. It is available on Netflix. Every movie we discuss will be available on either: Netflix, Hulu, HBO MAX, Youtube, Tubi, Freevee, Apple TV, or Amazon Prime. You can request movies by emailing us at specrapular@gmail.com Go follow our Youtube channel where ALL of our episodes are posted now: ⁠⁠Specrapular⁠ ⁠(https://www.youtube.com/channel/UC0ppqS8Japy4yT4cVfcGEKw) The next movie we are going to discuss is Heat, from 1995. Directed by Michael Mann. Starring Robert DeNiro, Al Pacino, Val Kilmer, Ashley Judd, and Tom Sizemore. It is available on Disney Plus. Intro music by: Luis Find more music from Luis at: instagram.com/breatheinstereo Season 7 Episode 9

This week Jun and Daniel review the 2005 Korean film "Lady Vengeance", the unofficial final installment in Park Chan-wook's vengeance trilogy. Through their analysis of the film, they explore how revenge is depicted differently in Korean versus American media, discussing themes of collectivism versus individualism, institutional injustice, and the contrast between surface appearances and underlying realities in Korean society.If you're interested in learning about Korean cultural elements like prison tofu traditions, why revenge plots are so prominent in Korean media, how Korean and American societies view justice differently, or what makes Korean collective revenge distinct from Western individual revenge, tune in to hear Daniel and Jun discuss all this and more! This week they also explore hierarchical power dynamics in Korean society, debate the role of physical appearances, and share their thoughts on harmony versus authenticity in collectivist cultures.Support the showAs a reminder, we record one episode a week in-person from Seoul, South Korea. We hope you enjoy listening to our conversation, and we're so excited to have you following us on this journey!Support us on Patreon:https://patreon.com/user?u=99211862Follow us on socials: https://www.instagram.com/koreanamericanpodcast/https://twitter.com/korampodcasthttps://www.tiktok.com/@koreanamericanpodcastQuestions/Comments/Feedback? Email us at: koreanamericanpodcast@gmail.com

Can you imagine being as energetic and joyous as Buddy the elf? Unbearable! Granted, he lives off of 45 minutes of sleep and about 860% of your daily value of sugar. Stephen A. Smith clip Brandon was talking about, skip to about 25 seconds: https://www.youtube.com/watch?v=6PP4RT-vv-o In this episode of Specrapualr, we discuss the 2003 movie, Elf. Directed by Jon Favreau. Starring Will Farrell, Zooey Deschanel, Bob Newhart, and James Caan. It is available on Max and Hulu. Every movie we discuss will be available on either: Netflix, Hulu, HBO MAX, Youtube, Tubi, Freevee, Apple TV, or Amazon Prime. You can request movies by emailing us at specrapular@gmail.com Go follow our Youtube channel where ALL of our episodes are posted now: ⁠⁠Specrapular⁠ ⁠(https://www.youtube.com/channel/UC0ppqS8Japy4yT4cVfcGEKw) The next movie we are going to discuss is Oldboy, from 2003. Directed by Park Chan-wook. Starring Choi Min-sik, Yoo Ji-tae, and Kang Hye-jeong. It is available on Netflix. Intro music by: Luis Find more music from Luis at: instagram.com/breatheinstereo Season 7 Episode 8

This week, Ryan and Brian learn about the powers of Patreon (not the money part), the films of Park Chan-wook (not the Evil Dead part), and the last four candidates for Ryan's new middle name! Vote in this awe-inspiring semifinal! If you get bored (how could you?!), write something for the Fill Me In wiki. And if you're feeling philanthropic, donate to our Patreon. Do you enjoy our show? Actually, it doesn't matter! Please consider leaving us a 5-star review on Apple Podcasts. This will help new listeners find our show, and you'll be inducted into the Quintuple Decker Turkey Club. Drop us a note or a Tweet or a postcard or a phone call — we'd love to hear from you. Helpful links: Apple Podcasts link: https://podcasts.apple.com/us/podcast/fill-me-in/id1364379980 Google Play link: https://player.fm/series/fill-me-in-2151002 Amazon/Audible link: https://www.amazon.com/item_name/dp/B08JJRM927 RSS feed: http://bemoresmarter.libsyn.com/rss Contact us: Email (fmi@bemoresmarter.com) / Facebook / Twitter / Instagram We're putting these words here to help with search engine optimization. We don't think it will work, but you probably haven't read this far, so it doesn't matter: baseball, crossword, crosswords, etymology, game, hunt, kealoa, movies, musicals, mystery, oscar, pizza, puzzle, puzzles, sandwiches, soup, trivia, words

The Alchemist navigate family and murder in Stoker. Key Elements: Leg Spider, Piano Duo, Stabbing Pencil Starring: Mia Wasikowska, Nicole Kidman, Matther Goode Directed by: Park Chan-wook Support the Show on Patreon: https://www.patreon.com/filmalchemistpod Check out our Movies and join the Misfit Parade: https://www.misfitparade.net/ Youtube: https://youtu.be/nYlFDAe9mro  

In this episode, we covered Oldboy, the critically acclaimed 2003 Korean thriller directed by Park Chan-wook. Join The Dale, Cea, and Twan as we discuss its lasting cultural impact, the shocking revelations, and what makes this film a masterpiece. We explore the film's intricate plot, its unforgettable twists, and the themes of vengeance, and memory. With its gripping direction and intense performances, Oldboy challenges the boundaries of genre and storytelling. Tune in as we discuss what makes this film a masterclass in vengeance. --- Support this podcast: https://podcasters.spotify.com/pod/show/cult-of-the-living-dead/support

[9x5] The mid-Season IX point arrives with director Park Chan-wook's 2013 "vampire film" Stoker, which concerns a sullen 18-year-old girl (Mia Wasikowska) who comes under the spell of her mysterious uncle Charlie (Matthew Goode) following the death of her father... Making her long-awaited debut in the podcasket to talk about one of her favourite films is the film journalist and author Zoë Rose Smith... Hosts: Dan Owen & Hugh McStay Guest: Zoë Rose Smith Editor: Hugh McStay "He used to say, sometimes you need to do something bad to stop you from doing something worse." -- India Stoker Subscribe and leave a rating or review to support the show. You can also leave a donation at Ko-fi and follow us on social media platforms here. A proud part of the Film Stories podcast network. Theme music by Nela Ruiz • Episode art by Dan Owen. Podcast art by Keshav. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of Welcome To The Party Pal features a deep dive into HBO's The Sympathizer, the historical black comedy drama miniseries based on the 2015 Pulitzer Prize-winning novel of the same name by Viet Thanh Nguyen. The series was created by co-showrunners Park Chan-wook and Don McKellar, with Park directing the first three episodes. The series is based on the story of the Captain, a North Vietnam plant in the South Vietnam army. He is forced to flee to the United States with his general near the end of the Vietnam War. While living within a community of South Vietnamese refugees, he continues to secretly spy on the community and report back to the Viet Cong, struggling between his original loyalties and his new life. Join in as hosts Michael Shields and Douglas Grant take you on a journey to Saigon, then to Los Angeles, and back again! Hosted on Acast. See acast.com/privacy for more information.

As we approach the end of Moving Pictures Tim is joined by Becci Sayce to celebrate Park Chan-wook's all-time vengeance classic, OLDBOY... For exclusive bonus episodes sign up to our Patreon. Listen to our sister podcast The Top 100. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Follow us on: Facebook Facebook Discussion Group Twitter Instagram Letterboxd www.movingpicturesfilmclub.com Email: movingpicturesfilmclub@gmail.com

(Previously published exclusively on the website, this episode is now available in the podcast feed). Extending the short movie-coverage in What's Korean Cinema? 43, Kenny B and Paul Quinn review Kim Ji-woon's Memories, Park Chan-wook's Cut and Bong Joon-ho's Shaking Tokyo. Only some of the biggest Korean directors ever.

(Previously published exclusively on the website, this episode is now available in the podcast feed). Extending the short movie-coverage in What’s Korean Cinema? 43, Kenny B and Paul Quinn review Kim Ji-woon’s Memories, Park Chan-wook’s Cut and Bong Joon-ho’s Shaking Tokyo. Only some of the biggest Korean directors ever.

“Historical Drama with The Boston Sisters” kicks off Season 4 with Viet Thanh Nguyen, author of the Pulitzer Prize winning novel The Sympathizer which was adapted into an HBO limited series and released in April 2024. The Sympathizer is described as an espionage thriller and cross-cultural satire about the struggles of its narrator, a half-French half-Vietnamese communist spy or double agent, known only as “the Captain” during the final days of the American war in Vietnam. A “man of two minds,” the Captain arranges to come to America after the Fall of Saigon. While building a new life with other Vietnamese refugees in Los Angeles he is secretly reporting back to his communist superiors in Vietnam. The Sympathizer is a blistering exploration of identity and America, and a powerful story of loyalty, love and friendship. 0:01 Introduction to podcast 1:20 Introduction to THE SYMPATHIZER2 :06 Cast and Creative Team for HBO series 3:11 Viet Thanh Nguyen, author introduction 5:04 Adapting THE SYMPATHIZER for TV/collaborating with Park Chan-wook 8:54 Representation and Pop Culture in THE SYMPATHIZER  11:53 Satirizing Pop Culture and Hollywood (in THE SYMPATHIZER) 17:21 Multiple Identity and Historical Understanding 20:44 Podcast Subscriber Question: What makes The Captain "the sympathizer?" 23:18 The Boston Sisters reflect on Viet Thanh Nguyen conversation and THE SYMPATHIZER 25:58 Library of Congress Book Festival James Baldwin Panel 32:47 Where to watch THE SYMPATHIZER series and purchase the novel 33:01 Appreciation to Library of Congress 33:40 Where to watch THE SYMPATHIZER series and purchase the novel 35:52 Disclaimer STAY ENGAGED with HISTORICAL DRAMA WITH THE BOSTON SISTERS SUBSCRIBE to the podcast on your favorite podcast platform LISTEN to past past podcasts and bonus episodes SIGN UP for our mailing list SUPPORT this podcast on Spotify or SHOP THE PODCAST on our affiliate bookstore Thank you for listening! --- Support this podcast: https://podcasters.spotify.com/pod/show/historicaldramasisters/support

This week, the boys reviewed the film year 2022, in which we saw over 50 films and discussed them in our feed. We feature “Decision To Leave,” Park Chan-wook's incredibly filmed Korean film, which is considered one of the best international films of the year. Dave flexes his cinematography chops by detailing how the hell they did some shots, John gets wet talking about storytelling, and Jeff drinks a lot. Grab a drink and join the conversation! Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 8:33 Gripes; 14:50 2022 Year in Review; 33:34 Films of 2022: “Decision To Leave”; 1:16:57 What You Been Watching?; :28:41 Next Week's Movie Announcement Additional Cast/Crew: Park Hae-il, Tang Wei, Lee Jung-hyun, Go Kyung-pyo,, Tea Yoo, Seo Hyun-woo, Park Jeong-min, Lee Hak-joo, Jung Yi-seo, Go Min-se, Chung Seo-kyung, Kim Ji-yong. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: SAG-AFTRA, The Emmys, iPhones, Peking, Mao Zedong, The Forbidden City, Queensland, Australia, Melbourne, Sydney, Sisu, Auckland, New Zealand, Wilhelm Yell, Wilhelm Scream, Prince Charles, King Charles, John Wayne, Charleton Heston, Preparation H.   

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! Today, we're diving into the captivating and intricately plotted world of The Handmaiden, a 2016 psychological thriller directed by Park Chan-wook. This South Korean film, inspired by the novel Fingersmith by Sarah Waters, is a masterclass in storytelling, visual aesthetics, and suspense.A Tale of Deceit and Desire Set in 1930s Korea during the Japanese occupation, The Handmaiden tells the story of a young Korean woman, Sook-hee, who is hired as a handmaiden to a wealthy Japanese heiress, Lady Hideko. However, Sook-hee's employment is part of an elaborate scheme concocted by a con man named Count Fujiwara. His plan: for Sook-hee to help him seduce Lady Hideko so he can marry her, commit her to an asylum, and steal her wealth.Layers Upon Layers As the narrative unfolds, it becomes a mesmerizing tale of double-crosses, sexual awakening, and shifting loyalties. The story is presented in three parts, each from a different character's perspective, which gradually reveals the depths of deception and the complexities of the characters' relationships. This structure keeps the viewer guessing and reevaluating everything they know about the characters and their motives.Why It Stands OutVisual Storytelling: Park Chan-wook's direction is visually stunning. Every frame is meticulously crafted, combining exquisite costume and set designs with a vibrant color palette that enhances the sensual and suspenseful atmosphere of the film.Complex Characters: The characters in The Handmaiden are richly developed, with motivations that are both hidden and explicit. This complexity adds layers to the narrative, making the character dynamics engrossing and the plot twists more impactful.Erotic Elements: The film incorporates strong erotic themes that are integral to the plot and character development. These elements are handled with artistry and contribute significantly to the film's exploration of freedom, power, and identity.At its core, The Handmaiden explores themes of manipulation and liberation. It delves into the ways individuals manipulate each other for personal gain, but also how characters can break free from societal and personal oppression. The film challenges traditional notions of power and autonomy, particularly in relation to gender and sexuality.For fans of psychological thrillers, historical dramas, and beautifully crafted cinema, The Handmaiden is a must-watch. Its ability to blend genre elements with a profound exploration of human desires and deceptions makes it a standout film that engages the mind and the senses.Join us as we unravel the intricate web of The Handmaiden, exploring its narrative complexities, stunning aesthetics, and the provocative questions it raises about love, betrayal, and freedom. Whether you're discovering it for the first time or revisiting this modern classic, there's plenty to uncover in this thrilling cinematic journey.

The Oscar-winning fan favorite reflects on his rollercoaster life and career; his experiences with Marvel during the Iron Man era, and his plans to return to its cinematic universe as Dr. Doom; and what it was like juggling five different characters in Park Chan-wook's HBO limited series about Vietnam, for which he is now Emmy-nominated. Learn more about your ad choices. Visit megaphone.fm/adchoices

Through a failed medical experiment, a priest is stricken with vampirism and is forced to abandon his ascetic ways. Directed by Park Chan-wook Written by Émile Zola, Park Chan-wook & Chung Seo-kyung @thedeadlightspod

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! In today's episode, we're delving deep into the heart of vengeance as we explore the Top 5 Revenge Plots in film and television. We'll revisit the relentless action of John Wick (2014) and dive into the fantasy realm with the Dungeons and Dragons animated show, focusing on episodes that spun intricate tales of retribution.Top 5 Revenge Plots in Film and Television:Oldboy (2003) - This South Korean neo-noir action thriller directed by Park Chan-wook is a masterclass in revenge, featuring a protagonist locked away for 15 years without knowing why, and his subsequent brutal quest for answers and retribution.Kill Bill: Vol. 1 & 2 (2003-2004) - Quentin Tarantino's stylized saga follows Uma Thurman as The Bride. Waking from a coma to find her life destroyed, she embarks on a fierce quest to exact vengeance on her betrayers, weaving through a hit-list with her sword.Gladiator (2000) - Ridley Scott's epic features Russell Crowe as Maximus, a Roman General turned gladiator seeking vengeance against the corrupt emperor who murdered his family and stripped him of his rank.The Count of Monte Cristo (2002) - This film adaptation of Alexandre Dumas' novel tells the story of Edmond Dantès, a man wrongfully imprisoned who uses a hidden treasure to meticulously plan and execute revenge against those who wronged him.Memento (2000) - Directed by Christopher Nolan, this psychological thriller uses a reverse narrative structure to heighten the drama of a man with short-term memory loss trying to avenge his wife's murder.John Wick, brilliantly portrayed by Keanu Reeves, is a retired hitman thrust back into the underworld he left behind after a gang steals his car and kills his puppy, a last gift from his deceased wife. The film is celebrated for its sleek action sequences and the depth of John's singular motive for revenge.Turning to a lighter but equally engaging narrative, the Dungeons and Dragons animated series often tackled themes of vengeance within its fantasy setting. Characters in the show, like the brave knight and the cunning wizard, frequently face moral challenges and quests that stem from desires for revenge against villains who have wronged them or their loved ones. We'll discuss specific episodes where these themes were most prevalent, examining how they contribute to character development and moral lessons.Today's episode offers a rich blend of cinematic excellence and thrilling storytelling from different genres, examining how the theme of revenge drives characters to dark corners and glorious heights. Tune in as we dissect these tales of retribution that not only entertain but also provoke thought about justice, morality, and the human condition.

The Pink Smoke welcomes back fan favorite John Arminio for a companion episode to our epic 100 Years of Spy Movies two-parter from last year to discuss the 2018 mini-series The Little Drummer Girl, starring Florence Pugh and Michael Shannon, directed by Park Chan-wook. Adapted from the 1983 novel by John le Carré, it is like most of the famed author's work a taut and intricate web of postwar intrigue and espionage. Set in 1979, it follows the recruitment of an English actress by a seasoned Mossad spymaster to infiltrate a Palestinian bomb-maker's network in order to prevent a potential terrorist attack on London. John himself has recruited his father, Captain Tom Arminio USN Retired, to join host John Cribbs in crossing into the treacherous world of le Carré where morality, identity and personal values are routinely compromised. They discuss the relevance of this 40-year-old story, the culpability of those who choose not to take sides in international conflicts, and the fate of characters who suffer moral injury: having perpetrated, failed to prevent, or witnessed events that contradict deeply held moral beliefs. They also make fun of Diane Keaton's haircut from the little-loved 1984 film adaptation. link to the War Peace and Justice Project https://www.warpeacejustice.org/ Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on X: twitter.com/thepinksmoke Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

Could Matt be any more wrong on this one? All hail Park Chan-wook!

On this episode, we take a look at Park Chan-wook's breakthrough film Joint Security Area (2000). Upon release, this film was the highest grossing film at the South Korean box office. Now, in 2024, it ranks at number 65. This really illustrates just how popular cinema is in South Korea.  Along with this film, we discus the rise of South Korean cinema around the world since 2000. From Oldboy to The Handmaiden to The Wailing to I Saw the Devil to Squid Game to Parasite...there's no shortage of dynamite cinema being exported out to the world. Not to mention the global dominance of K-POP. Follow us at: Patreon / Twitter / Instagram / Letterboxd / Facebook 

This is a further discussion on Park Chan-wook's The Sympathizer. Sort of. Topics discussed: the problem with art that sits on the fence, Downey Jr hijacking every project he's tied to, the watered-down osmosis of style, Jordan Peele and the state of horror, Mad Max, being ethnically ambiguous, how and why we love America, the death of Hollywood, in defense of nepotism, the devolution of rap, investigating the greatest opening scene in cinematic history, Belly and Harmony Korine, Atlanta and kings of niche audiences, the deep-seeded American narrative, the construction world vs the art world, and what's next for Agitator. patreon.com/agitator FULL DISCLOSURE: Around the 2-hour mark for a stretch of 20-ish minutes, then again near the end of the episode, Ryan's stupid interface switched his input to AirPods mic and it sounds like a robot with a sore throat. Posting anyway because it's a great conversation, but if you're sensitive to sound, know that those are the areas it gets rough. Y'all be easy.  Listen to Mutual Aberration Society: https://open.spotify.com/show/5pskLTN4rrqYDvk3fxqlTE

Braga, King, and Ski talk about Oldboy, a movie with one of the more messed up twists in history. It's part of Park Chan-wook's revenge trilogy, but the one who gets revenge ISN'T the guy who was locked up for 15 years. It's an all timer, but is it any good? Listen!

Please join us for our final film of Pride month! This time we chose the delightful dark humor dramedy, The Handmaiden, directed by Korea's super-director, Park Chan-wook. This is quite a ride of hairpin twists and turns, but we promised to end Pride on a high note, and we delivered! Come. Grab a nice little serving of Soju, close the curtains, and join us!

Editor - Viks Patel THE SYMPATHIZER editor Viks Patel was a fan of director Park Chan-wook long before they ever teamed up to work on their new MAX series.  But unbeknownst to Viks, the pair had actually worked together previously, in a sense, on SNOWPIERCER (2020). Viks edited the pilot for the series which Director Park exec produced.  Back together again on THE SYMPATHIZER, the two joined creative forces to bring Viet Thanh Nguyen's book to the small screen in a big way. Based on Viet Thanh Nguyen's Pulitzer Prize-winning novel, The Sympathizer is an espionage thriller and cross-culture satire about the struggles of a half-French, half-Vietnamese communist spy during the final days of the Vietnam War and his new life as a refugee in Los Angeles, where he learns that his spying days aren't over. VIKS PATEL In addition to his work on THE SYMPATHIZER, Viks Patel won an Emmy® in 2008 for his work on TOP CHEF and was nominated for an Emmy® in 2020 for his work on OZARK.  Viks has also edited shows such as THE MORNING SHOW (2019), BATES MOTEL (2015-16) and LONGMIRE (2012-14). Editing THE SYMPATHIZER In our discussion with THE SYMPATHIZER editor Viks Patel, we talk about: Drama in the front, comedy in the back Voicing thoughts on voice overs The sweet soul sounds of seventies needle drops Sound designing the Saigon sequence RDJ on the sacred mystery of editing The Credits Visit Extreme Music for all your production audio needs See the latest new features in Avid Media Composer Hear Viks Patel talk about cutting Ozark Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

David and Tamler dive into the mysteries at the heart of Park Chan-wook's deeply disturbing masterpiece "Oldboy" (2003). An ordinary man, Oh Dae-su, is imprisoned for 15 years in an old, windowless hotel room. After being abruptly released Oh Dae-su embarks on a mission to discover why he was imprisoned and to get revenge on the man who did it. But does Oh Dae-su really want to know the answers? And is he asking the right questions? (SPOILER HEAVY EPISODE! See this movie before you listen! Available on Netflix in the US.) Plus, how familiar are you with words the words azimuth and espadrille? Turns out that the answer may depend on your gender.  Brysbaert, M., Mandera, P., McCormick, S. F., & Keuleers, E. (2019). Word prevalence norms for 62,000 English lemmas. Behavior research methods, 51, 467-479. Oldboy (2003 film) [wikipedia.org]

It's rare to find a series with such an impeccable pedigree as HBO's The Sympathizer. It's based on a Pulitzer Prize-winning novel, co-created by auteur director Park Chan-wook, and features Robert Downey, Jr. in four supporting roles. Set during and after the Vietnam war, the series follows a man (Hoa Xuande) juggling a position with the South Vietnamese military and one as a spy for the North Vietnamese. But is it a worthy adaptation?Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The Sympathizer, directed by Park Chan-wook and starring Robert Downey Jr and Sandra Oh, is the top-watched show on HBO. But before it was a television series, it was a novel by Viet Thanh Nguyen. Both the book and the series tell the story of the Captain, a communist mole in South Vietnam who comes to the US as a refugee as the Vietnam war is ending. On today's episode, Lilah talks to Nguyen about the themes of The Sympathizer, and what it was like to help reimagine his book for a TV series. -------We love hearing from you. Lilah is on Instagram @lilahrap. We're on X @lifeandartpod and on email at lifeandart@ft.com. We are grateful for reviews on Apple and Spotify. And please share this episode with your friends!-------Links (all FT links get you past the paywall): – The Sympathizer, starring Robert Downey Jr and Sandra Oh is available on HBO–You can find Viet Thanh Nguyen's book The Sympathizer and its sequel The Committed wherever books are sold– Lilah's interview with Nguyen about his recent memoir A Man of Two Faces was published as a Lunch with the FT: https://on.ft.com/3UtjDlm-------Special FT subscription offers for Life and Art podcast listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: http://ft.com/lifeandartRead a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

Rivka and Frank are joined by actor and educator Julian Elijah Martinez for a conversation about Park Chan-wook's 2003 masterpiece Oldboy. They discuss the film's themes of toxic male narcissism and unquenchable vengeance, how the film serves as a metaphor for the violence perpetuated by the carceral system, and how many live Octopi the lead actor had to actually eat. For next week's movie, we'll be watching the 2011 financial crisis-era thriller Margin Call.

Two star-studded streaming movies are out there for your weekend viewing, and we have reviews of both of them here at Breakfast All Day. First, we're extremely split on Jerry Seinfeld's Pop-Tart comedy "Unfrosted," which features Melissa McCarthy, Jim Gaffigan, Amy Schumer, Hugh Grant, Fred Armisen, Peter Dinklage and many, many more. It's on Netflix. Then, we're more in agreement on the romantic charmer "The Idea of You," starring Anne Hathaway as a 40-year-old divorced mom who unexpectedly falls for the 24-year-old lead singer of a boy band, played by Nicholas Galitzine. It's on Prime Video. But we begin with Movie News LIVE!, with topics including Dwayne Johnson, Daniel Radcliffe, Ryan Gosling, the "Mufasa" trailer and Christy's skiing accident in Mammoth. (She's OK!) And for our Patreon subscribers, we've begun watching Park Chan-wook's "The Sympathizer" on Max, and have recaps of episodes 1 and 2. Thanks for sharing some of your time with us! * You can literally have Breakfast All Day with Lodge Cast Iron cookware. We're delighted to be working with these folks, whose skillets and other products we use all the time in our homes. And Lodge is offering a great deal on their USA Enamel Collection: Take up to 20% off through May 12. Shop now through our link: https://lodgecastiron.pxf.io/PyEXqY  Some product links are affiliate links which means if you buy something, we'll receive a small commission. Pre-order Alonso's book, Hollywood Pride, out May 14! https://www.hachettebookgroup.com/titles/alonso-duralde/hollywood-pride/9780762485895/ Subscribe to Christy's Saturday Matinee newsletter! https://christylemire.beehiiv.com/

In Episode 239, Jeff and Phil discuss the HBO original limited series The Sympathizer, based on the Pulitzer Prize-winning novel of the same name, with author Viet Thanh Nguyen and scholar Philip Nguyen, host of the official Sympathizer Podcast. They talk about the meta-upon-meta textual sandwich of adapting this modern classic into an epic television series, that time director Park Chan-wook came over to Viet's house -- hide the octopus! -- and the brilliant decision to cast the "dude playing a dude disguised as another dude" as alllll the white guys in The Sympathizer. BONUS: Keep listening to hear an episode of The Sympathizer Podcast with Robert Downey Jr., Hoa Xuande, Vincent Van Dyke, Viet Thanh Nguyen and Don McKellar.

EPISODE 450 - THE SYMPATHIZER - CHAD WANSTREET - VFX SUPERVISOR In this episode, Allan McKay interviews VFX Supervisor Chad Wanstreet about: His role as VFX Supervisor on the highly anticipated series The Sympathizer, an adaptation of the Pulitzer Prize-winning novel; Collaborating closely with visionary director Park Chan-wook to bring his unique vision to life; The extensive previs and planning process that went into executing the show's complex VFX sequences; Overcoming the challenges of creating digital doubles and face replacements for Robert Downey Jr.'s multiple characters; Ensuring geographical and historical accuracy while shooting on location in Thailand and Vietnam; Making confident, split-second VFX decisions on set to keep production moving forward; Lessons learned from his experience on other shows like S.W.A.T., Dollface, and Sweet Tooth; Practical advice for up-and-coming VFX artists looking to break into the industry; And so much more! If you enjoyed this episode, Allan would greatly appreciate it if you could take a moment to share it with others who might find it valuable. Your support means the world to him! Listeners are invited to dive into this fascinating conversation with Chad Wanstreet and discover the behind-the-scenes secrets of creating high-end VFX for a prestige series like The Sympathizer.

Writer/director/actor Don McKellar (co-creator, The Sympathizer' 32 Short Films About Glenn Gould; Childstar) discusses throwing yourself into the deep end, the terrors of expectation, tradlation, and representation, collaborating with Park Chan-wook, how to know when to fight, his role on Slings and Arrows, and more.Come see Retrospecs on Sunday, May 19, 2-4pm PT at the Elysian Theater in LA! In Retrospecs, we dig those old scripts by established writers out of their drawers and expose them to the warm light of the stage. Starring actors you know and love from TV, film, comedy, and the stage. From Girls to Gilmore Girls, from the Big Bang Theory to Buffy, get NEW EPISODES of your favorite shows, written by writers who never wrote for those shows!The May 19 show is a benefit for the Green Envelope Fund and features a Seinfeld by David Iserson (The Spy Who Dunped Me; New Girl) and a Succession written by "Fake Carol Lombardini" that takes place during the WGA/SAG strike and co-stars real Carol Lombardini!Live or streaming/VOD tickets here: https://www.elysiantheater.com/shows/retrospecs0519THE WRITERS PANEL IS A COMPLETELY INDEPENDENT PRODUCTION.Follow and support the show by subscribing to Ben Blacker's newsletter, Re:Writing, where you'll also get weekly advice from the thousands of writers he's interviewed over the years, as well as access to exclusive live Q&As, meet-ups, and more: benblacker.substack.comSOCIALS:Bluesky: bsky.app/profile/benblacker.bsky.socialTwitter: twitter.com/benBlacker Hosted on Acast. See acast.com/privacy for more information.

Chris and Andy talk about some of the things they watched over the weekend, including a supersized episode of ‘Bluey' (1:00) and 'Saturday Night Live' hosted by Ryan Gosling (15:51). Then, they talk about the first episode of ‘The Sympathizer' and whether shows are helped or hurt by having a famous director like Park Chan-wook direct the first few episodes (22:16). Finally, they discuss ‘Fallout' and where it ranks among other video game adaptations, such as ‘The Last of Us' (42:12). Hosts: Chris Ryan and Andy Greenwald Producer: Kaya McMullen Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Right from the beginning, in talking with Park Chan-wook, we wanted this sort of multiplicity of narrative voices and devices. In a way, it's about how the story, in this case of the Vietnam War, has been told, what the expected story is, at least, for American viewers, which they may mainly know through the movies and through visual representations. And it's how our lead character, The Captain, who is writing the story, who has divided loyalties. How can we capture the contradictions within that story? And we tried to make that complexity part of the actual fabric of the show."Don McKellar is a highly accomplished writer, director, and actor. He has written films including Roadkill, Highway 61, Dance Me Outside, The Red Violin, and Blindness. He won the Prix de la Jeunesse at the 1988 Cannes Film Festival for his directorial debut, Last Night, which he also wrote and starred in. He is an eight-time Genie Award nominee and a two-time winner.He wrote the book for the acclaimed musical The Drowsy Chaperone, for which he received a Tony Award. Most recently, Don served as writer, executive producer, and co-showrunner on The Sympathizer, a television adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning novel of the same name. The series was co-created with Park Chan-wook.www.imdb.com/name/nm0001528/mediaviewer/rm2411273728/?ref_=nm_ov_phwww.imdb.com/title/tt14404618/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_the%20sympawww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastPhoto courtesy of HBO

What are the stories we tell ourselves to justify our actions in times of war? How can the arts convey complexity and foster understanding?Don McKellar is a highly accomplished writer, director, and actor. He has written films including Roadkill, Highway 61, Dance Me Outside, The Red Violin, and Blindness. He won the Prix de la Jeunesse at the 1988 Cannes Film Festival for his directorial debut, Last Night, which he also wrote and starred in. He is an eight-time Genie Award nominee and a two-time winner.He wrote the book for the acclaimed musical The Drowsy Chaperone, for which he received a Tony Award. Most recently, Don served as writer, executive producer, and co-showrunner on The Sympathizer, a television adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning novel of the same name. The series was co-created with Park Chan-wook."Right from the beginning, in talking with Park Chan-wook, we wanted this sort of multiplicity of narrative voices and devices. In a way, it's about how the story, in this case of the Vietnam War, has been told, what the expected story is, at least, for American viewers, which they may mainly know through the movies and through visual representations. And it's how our lead character, The Captain, who is writing the story, who has divided loyalties. How can we capture the contradictions within that story? And we tried to make that complexity part of the actual fabric of the show."www.imdb.com/name/nm0001528/mediaviewer/rm2411273728/?ref_=nm_ov_phwww.imdb.com/title/tt14404618/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_the%20sympawww.creativeprocess.infowww.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhotos courtesy of HBOSusan Downey, Robert Downey Jr., Don McKellarRobert Downey Jr. in The Sympathizer, photo by Beth Dubber/HBOHoa Xuande in The Sympathizer, photo by Hopper Stone/HBO

What are the stories we tell ourselves to justify our actions in times of war? How can the arts convey complexity and foster understanding?Don McKellar is a highly accomplished writer, director, and actor. He has written films including Roadkill, Highway 61, Dance Me Outside, The Red Violin, and Blindness. He won the Prix de la Jeunesse at the 1988 Cannes Film Festival for his directorial debut, Last Night, which he also wrote and starred in. He is an eight-time Genie Award nominee and a two-time winner.He wrote the book for the acclaimed musical The Drowsy Chaperone, for which he received a Tony Award. Most recently, Don served as writer, executive producer, and co-showrunner on The Sympathizer, a television adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning novel of the same name. The series was co-created with Park Chan-wook."I think the reason for success of the novel The Sympathizer was the very unique voice in the book. It's told in first person with this kind of raconteur who's very intelligent. It's satiric. It tackles big issues, and it's very lively and fun at the same time. It's quite and it's also complicated where it's coming from. It's a confession. It's written in theory under duress. It's very hard to replicate because it's sort of very freewheeling, and we didn't want to weigh the show down with just a lot of voiceover, you know, that feeling of a literary adaptation you get where you just have a voiceover quoting the book all the time. So, the first thing we tried to do, well, the first thing we did was get Park Chan-wook involved because he has a very similar visual language. We tried to replicate that voice visually, and we've tried to come up with parallel visual narrative devices that would give that feeling that the book had."www.imdb.com/name/nm0001528/mediaviewer/rm2411273728/?ref_=nm_ov_phwww.imdb.com/title/tt14404618/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_the%20sympawww.creativeprocess.infowww.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhotos courtesy of HBOSusan Downey, Robert Downey Jr., Don McKellarRobert Downey Jr. in The Sympathizer, photo by Beth Dubber/HBOHoa Xuande in The Sympathizer, photo by Hopper Stone/HBO