Podcasts about park chan

Send us a textThe theatrical landscape of 2025 tells a fascinating story through its box office patterns and creative trends. Animation continues its unstoppable theatrical dominance across multiple studios, while long-running franchises like Mission Impossible and Jurassic World show unmistakable signs of fatigue. Has the time come to put these decades-old properties to rest?Our midyear film roundup reveals a striking preference for original storytelling over franchise continuation. From the breathtaking coastal beauty of Paolo Sorrentino's Parthenope to the inventive shark thrills of Dangerous Animals, our top picks demonstrate cinema's continued ability to surprise and captivate. Steven Soderbergh's spy thriller Black Bag showcases masterful craftsmanship, while Tim Robinson's Friendship brings his distinctive comedic sensibilities to feature length with remarkable success.The conversation turns passionate when discussing Ryan Coogler's Sinners and Ari Aster's Eddington – films that blend genres with extraordinary confidence while delivering profound thematic depth. Both represent bold, auteur-driven visions that resonated deeply with audiences seeking thoughtful, challenging cinema.Looking ahead, the remainder of 2025 promises an embarrassment of riches from acclaimed filmmakers including Park Chan-wook, Paul Thomas Anderson, and Jim Jarmusch. Their upcoming works, alongside anticipated releases like Edgar Wright's The Running Man and Blumhouse's Weapons, suggest our year-end lists may undergo significant transformation.What films have captured your imagination in 2025? Join our conversation about this remarkable year in cinema and share your own discoveries and disappointments. The theatrical experience continues to evolve, but the power of original storytelling remains undiminished.Support the show

Swallow that octopus and run away from those ants because we're discussing Park Chan-wook's 2003 masterpiece Oldboy!Join us as we discuss the origins of Oldboy, from its manga source material to the changes Park applied to this adaptation, before going all in on this spider's web of a revenge plot. It's a film known for its big twist, but there's so much more to appreciate here!Plus: that hallway fight scene, Manic Pixie Sushi Dream Girls, questionable CGI, death by CD-ROM, hypnosis as a plot convenience (but who cares?) and debating whether or not this is a "film bro" movie. Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group or the Horror Queers Discord to get in touch with other listeners.> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) Be sure to support the boys on Patreon!  Theme Music: Alexander Nakarada   

Russell does a shift with Cole and Gad. We talk the new Fantastic Four, all the controversy regarding Paramount and Trump, the new season of Sandman, and the top streamed shows of this year so far! Pre-order Shortstraw - Good Morning, Sunshine VinylHey did you guys see…South Park creators “apologise” for Trump episode…After making $1.5 billion deal with ParamountDeregulating AI, courtesy of Donald TrumpYouTube crackdown on AI videoThe new Jonathan Roxmouth showThe trailer for Pixar's next filmThe teaser for Park Chan-wook's next filmTim Burton directing Attack of the 50 Foot Woman… maybe Fantastic Four has $218 million opening weekend, slightly less than Superman's $220 millionWhat we've been watchingThe Fantastic Four: First Steps | In TheatresOcean with David Attenborough | Disney+The Sandman | Netflix LinksBluey's time signature… apparently

El fin de semana del 25 al 27 de julio se celebró la Comic-Con de San Diego, donde se presentaron cantidad de películas y series, como la segunda temporada de Peacemaker, los tráileres de Project Hail Mary y Welcome to Derry, el culebrón detrás de Coyote vs. Acme y el avance de Avatar: Fuego y ceniza. Además, os hablamos de lo próximo de Park Chan-wook, No Other Choice, también de Tron: Ares, Mortal Kombat II, el futuro de Marvel, una nueva versión de Juez Dredd, la nueva serie del creador de Breaking Bad, etc. Samuel Úbeda, Francisco Javier Santiago y Javier Muñoz recomiendan Superestar, Lazarus, Elio, la nueva versión de Sé lo que hicisteis el último verano y más películas y series en la sección de Cal y arena. Pero lo más importante... ¿Cuál es tu sabor de helado favorito? Grupo de Telegram: https://t.me/CineActual Nuestro Patreon: https://www.patreon.com/cineactual Canciones inicial «Amanecer» y final «Ocaso» y melodía de «Cal y arena» compuestas e interpretadas por Laia Salvat, Francisco Javier Santiago y Albert Vilella, bajo licencia CC BY-NC-ND 4.0.

For Episode 452, Josh Parham, Dan Bayer, and I recap and break down this massive week of film festival announcements including the full lineup for the 2025 Venice Film Festival, a majority of the Toronto International Film Festival (TIFF) lineup, the Opening and Centerpiece announcements for the New York Film Festival, and what this all means for the Telluride Film Festival. For this week's poll, for Venezia 82 (mainly because we at least have the full lineup for this one), we ask, "Which Film From The 2025 Venice Film Festival Are You Most Looking Forward To?" And for last week's poll, for the first time this season, we asked, "Which Film Do You Feel Will Be The Next Best Picture Oscar Winner?" and we reveal your top 10 early results for this almighty important question. We also share our reactions to the trailers for Park Chan-wook's much-anticipated "No Other Choice," Aziz Ansari's "Good Fortune," Clint Bentley's "Train Dreams," Oliver Hermanus' "The History Of Sound," Rob Reiner's "Spinal Tap II: The End Continues," the A24 English dubbed re-release of "Ne Zha 2," reveal the 2009 NBP Film Community Award Nominations, answer your fan-submitted questions, and more! We will post the 2009 NBP Film Community Award nominations on the site for you to vote on tomorrow. Thank you all for listening, supporting, subscribing, and voting. You're all the very best fans we could ever ask for, and we look forward to seeing you all again next week! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

We discuss the Venice Lineup + our early guesses at who could win some awards. Then we dive into the most humongous What We're Watching segment in the history of MMO. 54 Separate Films or Television Series are review from Eddington & I Still Know What You Did Last Summer to a Stanley Kubrick double feature to an Arnold triple feature to Final Destination: Bloodlines & Bring Her Back to Elio & Superman rewatches to Bird, starring another dancing Barry Keoghan. THE 2025 VENICE FILM FESTIVAL LINEUP: The Alexander Payne Jury & what films they might select - 3:14 In Competition Headliners - 6:36 Jay Kelly, A House of Dynamite, Frankenstein, The Testament of Ann Lee, Bugonia, The Smashing Machine & La Grazia. Other Notables In Competition - 12:30 The latest from directors of Personal Shopper, Four Daughters, Son of Saul and Only Lovers Left Alive. No Other Choice than to review the teaser for this Park Chan-wook movie with a thoughtful discussion on werewolves - 17:32 Why After The Hunt is playing Out of Competition + its NYFF Opening slot - 21:05 Other Out of Competition Films from Dead Man's Wire to Late Fame - 25:04 What's NOT Going To Venice - 29:04 BOX OFFICE UPDATE AlsoMike's Superman rewatch & week 2 bobo - 33:15 I Know What You Did Last Summer reviewing grinds us to a halt - 38:19 Eddington makes us mad that it makes us mad - 41:16 M1's Elio review and the rest of the Top 10 - 45:06 What We're Watching Newish Horror Films - 47:34 Final Destination: Bloodlines, The Shrouds, Bring Her Back, The Ugly Stepsister, Opus. New Comedies, Docs & KPOP Demon Hunter Films - 55:19 Magic Farm, Friendship, Pavements, KPOP Demon Hunters, My Mom Jayne, The Luckiest Man in America, Jaws @ 50: The Definitive Inside Story, Apocalypse in the Tropics, Barbara Walters: Tell Me Everything, Restless, Sally, and Surviving Ohio State. AM's Blind Spots & M1 Goes Artsy Fartsy - 1:13:36 Black Coal Thin Ice, Sabrina, Hard Boiled, Invention & Bird. AM's Rewatches - 1:20:31 Emma, Bull Durham, The Birdcage, Closer, I Saw The Devil, The Chaser. M1's Quickies - 1:23:28 American Splendor, Smile 2, Heretic, Dream Scenario, A History of Violence, Prince of Darkness. The Start of AM's TV Watching + M1's Arnold-a-palooza + Tuesday - 1:26:12 Dept. Q, Fred & Rose: A British Horror Story, Trainwreck: Poop Cruise, True Lies, End of Days, Commando and Tuesday. M1's Kubrick Double Feature + Past Contendres & The Rest of AM's TV Watching - 1:31:48 Paths of Glory, 2001: A Space Odyssey, September 5, Close Encounters of the Third Kind, Bad Thoughts, Mike Birbiglia: The Good Life, Untamed, Aftersun, Dexter: Resurrection. OUTRO: We attempt to avoid jinxing anything in the future. But stay tuned to more episodes, eventually or immediately, whatever happens. Oh, and go and listen to the Poop Cruise Jen Baxter interview from our friends at Chaz & AJ in the Morning https://www.wplr.com/2025/07/14/pod-pick-poop-cruise-director-jen-baxter/

“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment.The whole power of the state is geared towards dividing and conquering, whether it's domestically within a state or whether it's exercising power overseas, including things like colonization, which is all about dividing and conquering. In the face of that, to engage in expansive solidarity and capacious grief is to work against the mechanisms of colonialism, militarism, and the state. It's enormously difficult, which is why it has to be rebuilt from every generation, as every generation is subject to the power of the state and its ideologies and mythologies. I think the lessons that I've extracted from this book, To Save and to Destroy, where I talk about expansive solidarity and capacious grief, are lessons that have been learned by other people before me, but lessons that I had to learn for myself and to put into my own words how I came to those lessons.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook. He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment.The whole power of the state is geared towards dividing and conquering, whether it's domestically within a state or whether it's exercising power overseas, including things like colonization, which is all about dividing and conquering. In the face of that, to engage in expansive solidarity and capacious grief is to work against the mechanisms of colonialism, militarism, and the state. It's enormously difficult, which is why it has to be rebuilt from every generation, as every generation is subject to the power of the state and its ideologies and mythologies. I think the lessons that I've extracted from this book, To Save and to Destroy, where I talk about expansive solidarity and capacious grief, are lessons that have been learned by other people before me, but lessons that I had to learn for myself and to put into my own words how I came to those lessons.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook. He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment.The whole power of the state is geared towards dividing and conquering, whether it's domestically within a state or whether it's exercising power overseas, including things like colonization, which is all about dividing and conquering. In the face of that, to engage in expansive solidarity and capacious grief is to work against the mechanisms of colonialism, militarism, and the state. It's enormously difficult, which is why it has to be rebuilt from every generation, as every generation is subject to the power of the state and its ideologies and mythologies. I think the lessons that I've extracted from this book, To Save and to Destroy, where I talk about expansive solidarity and capacious grief, are lessons that have been learned by other people before me, but lessons that I had to learn for myself and to put into my own words how I came to those lessons.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook. He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment.The whole power of the state is geared towards dividing and conquering, whether it's domestically within a state or whether it's exercising power overseas, including things like colonization, which is all about dividing and conquering. In the face of that, to engage in expansive solidarity and capacious grief is to work against the mechanisms of colonialism, militarism, and the state. It's enormously difficult, which is why it has to be rebuilt from every generation, as every generation is subject to the power of the state and its ideologies and mythologies. I think the lessons that I've extracted from this book, To Save and to Destroy, where I talk about expansive solidarity and capacious grief, are lessons that have been learned by other people before me, but lessons that I had to learn for myself and to put into my own words how I came to those lessons.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook. He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Simon and Rachel speak with the novelist and academic Viet Thanh Nguyen. Born in Vietnam, Viet came to the United States as a refugee in 1975. He completed a PhD in English at Berkeley, moved to Los Angeles for a teaching position at the University of Southern California, and has been there ever since, now as a chair of English and Professor of American Studies and Ethnicity. Viet's first novel, "The Sympathizer", published in 2015, won the Pulitzer Prize for Fiction and became a New York Times bestseller. HBO also turned "The Sympathizer" into a TV series in 2024, directed by Park Chan-wook. Viet's other books include "The Committed", a sequel to "The Sympathizer", "Nothing Ever Dies: Vietnam and the Memory of War" (a finalist for the National Book Award in non-fiction and the National Book Critics Circle Award) and "Race and Resistance: Literature and Politics in Asian America". We spoke to Viet about branching from academia into writing fiction, "The Sympathizer", and "The Cleaving," an anthology of work by Vietnamese diaspora writers.  We've made another update for those ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. We've added 40 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New York Times, the Washington Post and the BBC. The whole compendium now runs to a whopping 160 pages. For Patreons who contribute $10/month we're now also releasing bonus mini-episodes. Thanks to our sponsor, Scrivener, the first ten new signs-ups at $10/month will receive a lifelong license to Scrivener worth £55/$59.99 (eight are left). This specialist word-processing software helps you organise long writing projects such as novels, academic papers and even scripts. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a monthly call with Simon and Rachel.A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.You can find us online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alwaystakenotes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

Toca viajar a Corea del Sur para hablar de Sympathy for Mr. Vengeance, la película que catapultó a su director, Park Chan-wook, y que nos impactó severamente hace más de dos décadas. Samuel Úbeda y Francisco Javier Santiago hablan de esta vorágine de venganza y suspense que arrasa con todo lo que se le pone por delante. ¿Qué estarías dispuesto a hacer por amor? ¿Y por venganza? Grupo de Telegram: https://t.me/CineActual Nuestro Patreon: https://www.patreon.com/cineactual Canción inicial «Shadowed Secrets» generada por Samuel Úbeda por medio de Suno. Canción final «Ocaso» compuesta e interpretada por Laia Salvat, Francisco Javier Santiago y Albert Vilella, bajo licencia CC BY-NC-ND 4.0.

Non esiste sentimento più pericoloso e (auto) distruttivo della vendetta e ne sa qualcosa Park Chan-wook, regista che ha realizzato una trilogia completa sull'argomento. Offrendoci film crudeli, disperati ma anche imprevedibili e talvolta teneri in maniera inaspettata.Ultimo capitolo della trilogia della vendetta e una sorta di summa dei due film precedenti. Unendo la brutalità di "Mr. Vendetta" e il tratto quasi surreale di "Old Boy", "Lady Vendetta" chiude un trittico che non ha risparmiato niente e nessuno ma magari stavolta una luce in fondo al tunnel riusciremo a scorgerla.

Welcome back to the show friends!  We explore some Korean horror this episode with a review of a Park Chan-wook film, OLDBOY!  Stay tuned for our Summer of the Giallo episodes next!

Non esiste sentimento più pericoloso e (auto) distruttivo della vendetta e ne sa qualcosa Park Chan-wook, regista che ha realizzato una trilogia completa sull'argomento. Offrendoci film crudeli, disperati ma anche imprevedibili e talvolta teneri in maniera inaspettata.Passiamo al secondo e più celebre capitolo della trilogia ovvero il famigerato "Old Boy", tetro racconto di una vendetta programmata nei minimi dettagli ma che lascerà sia alla vittima che al carnefice.

Vos parents vous ont maintes fois prévenus : « Ça va mal finir ! »C'est de cet adage pris au pied de la lettre que vos trois explorateurs cinématographiques ont tiré une sélection des plus cossues, pour vous proposer trois films où le happy end n'est clairement pas une option.Du grand classique du thriller au phénomène cannois aussi fascinant que malaisant, en passant par un récit pré-11 septembre tombé dans l'oubli, chacun y trouvera son compte… même si peu passeront un bon moment.Une chose est sûre, en revanche : c'est vous, chers auditeurs, qui passerez un délicieux moment à l'écoute de cet épisode à la genèse chaotique, qui s'achève ironiquement bien mieux qu'il n'a commencé.C'est désormais à vous de jouer : écoutez, partagez, abonnez-vous, mettez douze étoiles (oui, même si c'est limité à cinq) et venez échanger avec nous sur tous les réseaux possibles et imaginables — on vous a tout compilé juste ici :: https://linkr.bio/LEFILMLEPLUS.On vous retrouve dans deux petites semaines pour une sélection de plaisirs (presque) coupables concoctée par notre cher Aurel'. Une idée de sa sélection? On vous attend dans les commentaires...Références de l'épisode :-Seven de David Fincher (1995)-Gwyneth Paltrow-Brad Pitt-Morgan Freeman-Arlington Road de Mark Pellington (1999)-Joan Cusack-Jeff Bridges-Tim Robbins-Old Boy de Park Chan-wook (2003)-Kang Hye-Jeong-Choi Min-Sik-Yu Ji-tae-Luciano Gaucci Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Non esiste sentimento più pericoloso e (auto) distruttivo della vendetta e ne sa qualcosa Park Chan-wook, regista che ha realizzato una trilogia completa sull'argomento. Offrendoci film crudeli, disperati ma anche imprevedibili e talvolta teneri in maniera inaspettata.Cominciamo dal principio con il truce "Mr. Vendetta", crudo e spietato ritratto della società coreana dei primi respiri del ventunesimo secolo ma soprattutto film che racconta il circolo vizioso della violenza che non risparmia nessuno.

HORROR WITH SIR. STURDY EP 552 SEOUL STATION (2016) REVIEW & THE OUTBREAK BEFORE THE TRAIN   What's good, Horror Fam?! Tonight on Horror With Sir. Sturdy, we're takin' it back to where the infection began with a deep dive into Seoul Station (2016)—the animated prequel to Train to Busan.   This film packs all the tension, heartbreak, and horror you'd expect from the franchise, but through the unique lens of animation. It's gritty, socially charged, and completely underrated.   Joining me for this one:

Today’s episode is one for the history books. After Béla Hajdu’s departure from hosting the show last month, the Out of the Box team are excited to introduce our new co-host: Matt DO! You might be familiar with the sound of his voice, holding down the fort from 12-2pm every Sunday since 2023. As a broadcaster, Matt has contributed so much to the station already - both on and off air. His music and guest selections are so considered and a reflection of his impeccable taste and the experiences that have brought him to where he is today. This episode is a chance for you to get to know Matt if you haven’t tuned in to Sunday lunch before, and to understand more of his love for music, arts, and culture. This episode was hosted by Kate Saap and Matt Do. Produced and edited by Zaity Salman. LINKS Matt's Instagram Kate's Instagram Movies Matt Mentioned: Fox and His Friends (1975 writ. &dir. Rainer Werner Fassbinder), Lady Vengeance (2005, writ. Jeong Seo-kyeong & Park Chan-wook, dir. Park Chan Wook), My Neighbour Totoro (1988, writ. & dir. Hayao Mizaki), The Hole (1998, writ. & dir. Tsai Ming-liang)See omnystudio.com/listener for privacy information.

Hello listeners and welcome back to the Experience Grind Podcast! This week, Ryan tasked us with watching some softcore…wait no. Ryan tasked us with watching the Park Chan-wook 1930s period romance/thriller/rollercoaster of a movie. What did we think? Tune in … Continue reading →

Dans ce nouveau dossier on prend la direction de la frontière entre la Corée du Sud et la Corée du Nord sur la ligne de démarcation pour revenir sur JSA (Joint Security Area), réalisé en 2000, l'un de nombreux joyaux de Park Chan-wook.  Un thriller militaire habité et humaniste sur une véritable tragédie humaine pour de jeunes soldats qui risque de mener ces deux pays frères vers l'affrontement total.  Et c'est  au tour de Jacky Schwartzmann, auteur de polars (Kasso, Shit, Bastion...), de bande-dessinées (Habemus Bastard) et qui nous a livré un témoignage sur son expérience Nord-Coréenne dans Pyongyang 1071 de se confronter au jeu de l'interrogatoire. Un face à face mené ni plus ni plus moins que dans les salons de l'Hôtel de ville de Lyon et dans le cadre du formidable festival Quais du polar. Un grand merci à eux. Retrouvez la photo signalétique de l'invité en début d'émission ainsi que les complices (un film dans le même giron) en toute fin de podcast. Avec dans cet épisode un retour sur Joyeux Noël de Christian Carion (2005) et le nerveux Rebel Ridge de Jeremy Saulnier (2024). Un dossier mené par Rafael Lorenzo.

Tune in as Seth Vargas (Movie Friends) returns to the program to discuss Videodrome, the 1983 sci-fi body horror film about a TV station president whose discovery of an enigmatic and pornographic video broadcast drags his mind and his flesh down a spiral of terror. The David Cronenberg movie that Seth saw as a wee little child with his mom, recommendations for 1997's Hercules and the Black Mirror episode “Common People,” and the effect that horror and violent media can have on their audience end up being a few of the talking points for this episode.Written and directed by David Cronenberg, Videodrome stars James Woods, Debbie Harry, Sonja Smits, Peter Dvorsky, Leslie Carlson, Jack Creley, Lynne Gorman, Julie Khaner, Reiner Schwarz, and David Bolt.Spoilers start at 29:35Create your podcast today! #madeonzencastrHere's how you can learn more about Palestine and IsraelHere's how you can keep up-to-date on this genocideHere's how you can send eSIM cards to Palestinians in order to help them stay connected onlineGood Word:• Seth: the Vengeance trilogy from Park Chan-wook (Sympathy for Mr. Vengeance, Oldboy, and Lady Vengeance)• Arthur: A Simple PlanReach out at email2centscritic@yahoo.com if you want to recommend things to watch and read, share anecdotes, or just say hello!Be sure to subscribe, rate, and review on iTunes or any of your preferred podcasting platforms!Follow Arthur on Twitter, Goodpods, StoryGraph, Letterboxd, and TikTok: @arthur_ant18Follow Arthur on Bluesky: @arthur-ant18Follow the podcast on Twitter: @two_centscriticFollow the podcast on Instagram: @twocentscriticpodFollow Arthur on GoodreadsCheck out 2 Cents Critic Linktree

Mark and Zanandi talk about the 2013 thriller Stoker. Directed by the legendary Park Chan-wook, and starring Nicole Kidman, Mia Wasikowska, and Matthew Goode, the movie focuses on what happens when a shifty uncle stokes up a bunch of problems for a grieving family. In this episode, they also talk about piano scenes, new shoes, and the overall excellence of Stoker.

I sat down with scholar, Nilesh Kumar to explore how Korean cinema has reflected shifting notions of gender, identity, and social structure across decades. From the angry men of the Korean New Wave to the defiant heroines of modern streaming hits, this conversation examines how bodies on screen become battlegrounds for power, memory, and desire. We begin by talking about how technology defines Park Chan-wook's groundbreaking movie Oldboy, as well as its absence of allegory, signaling the start of post-modern Korean cinema. Then, we explore three main themes in Korean cinema across time: Masculinity, femininity, and queer representation. The first section sees us discuss Chilsu and Mansu (1988), Peppermint Candy (1999), A Single Spark (1995), Whale Hunting (1984), Burning (2018), and Parasite (2019). We then turn our attention to Hostess Cinema (1974-1982), Yeong-ja's Heydays (1975), Right Then, Wrong Now (2015), Ballerina (2023), Han Gong Ju (2013), and My Sassy Girl (2001). Finally, we look at King and the Clown (2005), Moonlit Winter (2019), Mine (2021), The Handmaiden (2016) as well as the importance of Seo Dong-jin and Paul B. Preciado. I was particularly impressed by how Nilesh put each section in context, describing the importance of the socio-economic and political conditions of the time. Nilesh Kumar is from England, of Gujarati-Indian background, and is based in South Korea. He is a Film Curator and co-founder of the Seoul-based underground-movable cinema, STEAK FILM and the sexuality themed, STEAK CINEMA. His topics of writing have included contemporary queer South Korean culture, South Korean ‘hostess' cinema (1974-82), and 6th Generation Chinese Cinema. Selected work: https://novasiagsis.com/author/nileshp/ Instagram: https://www.instagram.com/nilesh5739/ Facebook: https://www.facebook.com/shanti.love.90 David A. Tizzard has a PhD in Korean Studies and lectures at Seoul Women's University and Hanyang University. He writes a weekly column in the Korea Times, is a social-cultural commentator, and a musician who has lived in Korea for nearly two decades. He can be reached at datizzard@swu.ac.kr. Watch this video next: https://youtu.be/L9azQpXZ2Rc Subscribe to the channel: @DavidTizzard/videos Thanks to Patreon members: Hee Ji Jacobs, Bhavya, Roxanne Murrell Join Patreon: https://www.patreon.com/c/user?u=62047873 Discussion Outline 0:00 Oldboy and Allegory 18:40 Angry Men in Korean New Wave Cinema 44:42 Hostess Cinema and Female Representation 1:12:25 My Sassy Girl (엽기적인 그녀) 1:37:30 The Queers are Here 2:33:46 Recommendations Music by Jocelyn Clark: https://youtu.be/IWVqqXT3TfY?si=wq2mcIIarE6JTqFS Connect with us: ▶ Get in touch: datizzard@swu.ac.kr ▶ David's Insta: https://www.instagram.com/datizzard/ ▶ KD Insta: https://www.instagram.com/koreadeconstructed/ Questions or Topic Suggestions: Write in the Comments Below #koreadeconstructed #davidtizzard Korea Deconstructed by David Tizzard ▶ Listen on iTunes: https://podcasts.apple.com/kr/podcast/korea-deconstructed/id1587269128 ▶Listen on Spotify: https://open.spotify.com/show/5zdXkG0aAAHnDwOvd0jXEE ▶ Listen on podcasts: https://koreadeconstructed.libsyn.com 

Have You Ever Seen's 656th podcast begins our 3rd (Annual, probably?) Revenge Month and Oldboy's plot o' vengeance is particularly sinister. Park Chan-wook's sadistic South Korean thriller has several unforgettable moments, including the one-take hallway hammer fight and the shocking, blood-soaked climax. Choi Min-sik is quite terrific in the lead role, an ordinary man who's forced to live in the solitude of a private prison for 15 years, not even knowing why. He loses his freedom, his family and nearly his mind. Once he's unexpectedly let out, he goes on a vicious rampage as he tries to figure out who locked him up and why...only to finally learn the reason in an "I never saw THAT coming" twist. So get your fried dumplings and live octopus ready to eat while you also try to avoid various forms of mouth trauma as Ryan solos on a podcast about Oldboy. Sparkplug Coffee is our sponsor. The website is "sparkplug.coffee/hyes". Using that "HYES" discount code will result in a onetime savings of 20%. Rate and review our podcast in your app, but also find us on YouTube (@hyesellis is the link on YouTube). Comment about the episode, like it...and subscribe as much as you possibly can. Contact us by email: haveyoueverseenpodcast@gmail.com. Or find us on Twi-X (@moviefiend51 and @bevellisellis) or on Bluesky (ryan-ellis and bevellisellis).

It's our 250th episode, and we bring you another neo-noir movie review - but this time its set in South Korea, and one from the director of OldBoy, Park Chan-wook . Plus we are joined by special guest Tom Jolliffe to discuss its Hitchcockian vibes, the deeper meanings behind what are two leads represent, and just a general appreciation for subtitled films!-------------------------------------------------------Don't forget to follow us on social media in the links below, and let us know your thoughts and recommendations for the future!  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/sp_filmviewers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠x.com/SP_Filmviewers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/SP_Filmviewers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-------------------------------------------------------Rating and reviewing the show is a great help too! Please feel free to do so with these helpful links below:Goodpods: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://goodpods.app.link/pkE7J2T6ykb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Podchaser: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.podchaser.com/users/sp_filmviewers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/gb/podcast/sp-filmviewers/id1485548644⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Lastly, we now have a Patreon you can join, for as little as £1/$1.50. More details in the link below:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/spfilmviewers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

Sean and Amanda return to continue their year-long project of listing the 25 best movies of the 21st century so far with a discussion of Park Chan-wook's ‘The Handmaiden,' the 2016 erotic thriller period piece starring Kim Tae-ri and featuring some of the best camera work and production design of the century. They talk about Park Chan-wook's incredible ability to complicate simple stories with depth of design, how it portrays the complicated power dynamics of sex, and why its layered portrayal of shifting psychological perspectives is so impactful. Hosts: Sean Fennessey and Amanda Dobbins Senior Producer: Bobby Wagner Video Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

When Parasite won Best Picture, it put Korean cinema in the global spotlight, but it was the result of decades of bold filmmaking. With Mickey 17 now out, it's the perfect time to dive into the bloody brilliance of the Korean New Wave. Hosts Laura Gommans and Kiriko Mechanicus explore Korea's obsession with vengeance, shaped by its turbulent history and uncensored filmmaking. They also examine why Bong Joon-ho's Hollywood work feels so different from his Korean films.Korean cinema captures vengeance like no other, blending brutal violence with raw emotion. While Bong mixes social critique with suspense, Park Chan-wook's Oldboy and The Handmaiden embrace operatic violence and eroticism. Join us as we dissect the thrills and bloodstained poetry of the Korean New Wave.Book tickets to Mickey 17 @ LAB111Book tickets to Parasite @ LAB111Book tickets to CC Film Club: Old Boy @ LAB111Listen to Do Two Robert Pattinsons Make Mickey 17 Twice the Fun?

The first entry into our Batshit Crazy mini series, 2016's "The Handmaiden" is a South Korean psychological erotic thriller from Park Chan-wook, and boy does it deliver on assaulting the senses. The mind reels, the loins tingle, and the ears are bombarded by heaps of wet, writhing soundscapes.The boys discuss what makes this movie a true batshit entry; from it's non-linear storytelling devices, to it's downright over-the-top use of sensual erotica, it will get it's hooks in to take you on a journey and talk you through it. Park Chan-wook obviously loves looking at the uglier side of humanity (re: The Vengence Trilogy), and The Handmaiden is no different. Familial wickedness, the art of deception, and what it means to break generational curses and taboos all play a part in this film.Tune in next time where we look at Justin's Batshit Crazy submission: 1985's "Pee-wee's Big Adventure"!--We are Uncultured Universe - the podcast where we introduce movies, tv, music, and books to each other to get a little bit more cultured. Remember to like, review & subscribe!--Stay up to date on all new episodes here: https://linktr.ee/uncultureduniverse

This week on Drinks and a Movie, we're diving into Park Chan-wook's Joint Security Area (2000), a gripping mystery-thriller set in the heart of the Korean DMZ. When a fatal shooting leaves two North Korean soldiers dead and a fragile peace hanging by a thread, a neutral Swiss investigator is sent to unravel the truth. What unfolds is a tense, emotional, and deeply human story about friendship, loyalty, and the devastating consequences of division.And what better way to pair a film about international tensions than with a whiskey that brings a unique twist to a classic? We're tasting the Jack Daniel's Sherry Finish Distillery Exclusive, a bold Tennessee whiskey finished in Oloroso sherry casks. Does this special release live up to the hype? And how does Joint Security Area hold up over 20 years later? Pour a glass and join us for the conversation!

Relecture violente et nihiliste du COMTE DE MONTE CRISTO, OLD BOY de Park Chan-wook traverse les décennies avec aplomb, et vient tout juste de fêter ses vingt ans avec une ressortie en 4K chez Metropolitan Vidéo. C'est l'occasion pour Stéphane Moïssakis et Julien Dupuy de discuter de ce film ensemble, peut-être bien le seul film du cinéaste coréen qu'ils apprécient tous les deux !Pour nous soutenir, il y a deux adresses.PATREON : https://www.patreon.com/capturemagTIPEEE : https://www.tipeee.com/capture-magPour acheter notre mag CAPTURE MAG N°1 - LE CINÉMA DE WILLIAM FRIEDKIN, rendez-vous chez votre libraire ou site marchand (Fnac, Amazon, etc.).Akileos : https://bit.ly/AkiFriedLibrairies indépendantes : https://www.librairiesindependantes.com/product/9782355746161/Pour acheter notre livre CAPTURE MAG 2012-2022 : NOTRE DÉCENNIE DE CINÉMA, rendez-vous chez votre libraire ou site marchand.Akileos : https://bit.ly/CapMookLibrairies indépendantes : https://bit.ly/AchTMookRetrouvez toutes nos émissions sur http://www.capturemag.frEn MP3 sur Acast : https://bit.ly/3v6ee7sSur SPOTIFY : https://spoti.fi/3PJYnF3Sur DEEZER : https://bit.ly/2wtDauUSur APPLE podcasts : https://apple.co/2UW3AyO#oldboy #parkchanwook #choiminsik Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review!This episode is packed with legendary warriors, epic battles, and high-stakes drama as we explore the art of precision, the horrors of war, and the supernatural forces of feudal Japan. We begin by taking aim at the Top 5 Archers in Film & TV, followed by an in-depth look at the South Korean war epic Uprising (2024), and finish with a deep dive into Netflix's much-anticipated anime adaptation of Onimusha.

Quite the uplifting movie if you ask us. Just don't break down that mental wall with all that incest shit hiding behind it. In this episode of Specrapular, we discuss the 2003 movie, Oldboy. Directed by Park Chan-wook. Starring Choi Min-sik, Yoo Ji-tae, and Kang Hye-jeong. It is available on Netflix. Every movie we discuss will be available on either: Netflix, Hulu, HBO MAX, Youtube, Tubi, Freevee, Apple TV, or Amazon Prime. You can request movies by emailing us at specrapular@gmail.com Go follow our Youtube channel where ALL of our episodes are posted now: ⁠⁠Specrapular⁠ ⁠(https://www.youtube.com/channel/UC0ppqS8Japy4yT4cVfcGEKw) The next movie we are going to discuss is Heat, from 1995. Directed by Michael Mann. Starring Robert DeNiro, Al Pacino, Val Kilmer, Ashley Judd, and Tom Sizemore. It is available on Disney Plus. Intro music by: Luis Find more music from Luis at: instagram.com/breatheinstereo Season 7 Episode 9

This week Jun and Daniel review the 2005 Korean film "Lady Vengeance", the unofficial final installment in Park Chan-wook's vengeance trilogy. Through their analysis of the film, they explore how revenge is depicted differently in Korean versus American media, discussing themes of collectivism versus individualism, institutional injustice, and the contrast between surface appearances and underlying realities in Korean society.If you're interested in learning about Korean cultural elements like prison tofu traditions, why revenge plots are so prominent in Korean media, how Korean and American societies view justice differently, or what makes Korean collective revenge distinct from Western individual revenge, tune in to hear Daniel and Jun discuss all this and more! This week they also explore hierarchical power dynamics in Korean society, debate the role of physical appearances, and share their thoughts on harmony versus authenticity in collectivist cultures.Support the showAs a reminder, we record one episode a week in-person from Seoul, South Korea. We hope you enjoy listening to our conversation, and we're so excited to have you following us on this journey!Support us on Patreon:https://patreon.com/user?u=99211862Follow us on socials: https://www.instagram.com/koreanamericanpodcast/https://twitter.com/korampodcasthttps://www.tiktok.com/@koreanamericanpodcastQuestions/Comments/Feedback? Email us at: koreanamericanpodcast@gmail.com

Can you imagine being as energetic and joyous as Buddy the elf? Unbearable! Granted, he lives off of 45 minutes of sleep and about 860% of your daily value of sugar. Stephen A. Smith clip Brandon was talking about, skip to about 25 seconds: https://www.youtube.com/watch?v=6PP4RT-vv-o In this episode of Specrapualr, we discuss the 2003 movie, Elf. Directed by Jon Favreau. Starring Will Farrell, Zooey Deschanel, Bob Newhart, and James Caan. It is available on Max and Hulu. Every movie we discuss will be available on either: Netflix, Hulu, HBO MAX, Youtube, Tubi, Freevee, Apple TV, or Amazon Prime. You can request movies by emailing us at specrapular@gmail.com Go follow our Youtube channel where ALL of our episodes are posted now: ⁠⁠Specrapular⁠ ⁠(https://www.youtube.com/channel/UC0ppqS8Japy4yT4cVfcGEKw) The next movie we are going to discuss is Oldboy, from 2003. Directed by Park Chan-wook. Starring Choi Min-sik, Yoo Ji-tae, and Kang Hye-jeong. It is available on Netflix. Intro music by: Luis Find more music from Luis at: instagram.com/breatheinstereo Season 7 Episode 8

This week, Ryan and Brian learn about the powers of Patreon (not the money part), the films of Park Chan-wook (not the Evil Dead part), and the last four candidates for Ryan's new middle name! Vote in this awe-inspiring semifinal! If you get bored (how could you?!), write something for the Fill Me In wiki. And if you're feeling philanthropic, donate to our Patreon. Do you enjoy our show? Actually, it doesn't matter! Please consider leaving us a 5-star review on Apple Podcasts. This will help new listeners find our show, and you'll be inducted into the Quintuple Decker Turkey Club. Drop us a note or a Tweet or a postcard or a phone call — we'd love to hear from you. Helpful links: Apple Podcasts link: https://podcasts.apple.com/us/podcast/fill-me-in/id1364379980 Google Play link: https://player.fm/series/fill-me-in-2151002 Amazon/Audible link: https://www.amazon.com/item_name/dp/B08JJRM927 RSS feed: http://bemoresmarter.libsyn.com/rss Contact us: Email (fmi@bemoresmarter.com) / Facebook / Twitter / Instagram We're putting these words here to help with search engine optimization. We don't think it will work, but you probably haven't read this far, so it doesn't matter: baseball, crossword, crosswords, etymology, game, hunt, kealoa, movies, musicals, mystery, oscar, pizza, puzzle, puzzles, sandwiches, soup, trivia, words

The Alchemist navigate family and murder in Stoker. Key Elements: Leg Spider, Piano Duo, Stabbing Pencil Starring: Mia Wasikowska, Nicole Kidman, Matther Goode Directed by: Park Chan-wook Support the Show on Patreon: https://www.patreon.com/filmalchemistpod Check out our Movies and join the Misfit Parade: https://www.misfitparade.net/ Youtube: https://youtu.be/nYlFDAe9mro  

[9x5] The mid-Season IX point arrives with director Park Chan-wook's 2013 "vampire film" Stoker, which concerns a sullen 18-year-old girl (Mia Wasikowska) who comes under the spell of her mysterious uncle Charlie (Matthew Goode) following the death of her father... Making her long-awaited debut in the podcasket to talk about one of her favourite films is the film journalist and author Zoë Rose Smith... Hosts: Dan Owen & Hugh McStay Guest: Zoë Rose Smith Editor: Hugh McStay "He used to say, sometimes you need to do something bad to stop you from doing something worse." -- India Stoker Subscribe and leave a rating or review to support the show. You can also leave a donation at Ko-fi and follow us on social media platforms here. A proud part of the Film Stories podcast network. Theme music by Nela Ruiz • Episode art by Dan Owen. Podcast art by Keshav. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of Welcome To The Party Pal features a deep dive into HBO's The Sympathizer, the historical black comedy drama miniseries based on the 2015 Pulitzer Prize-winning novel of the same name by Viet Thanh Nguyen. The series was created by co-showrunners Park Chan-wook and Don McKellar, with Park directing the first three episodes. The series is based on the story of the Captain, a North Vietnam plant in the South Vietnam army. He is forced to flee to the United States with his general near the end of the Vietnam War. While living within a community of South Vietnamese refugees, he continues to secretly spy on the community and report back to the Viet Cong, struggling between his original loyalties and his new life. Join in as hosts Michael Shields and Douglas Grant take you on a journey to Saigon, then to Los Angeles, and back again! Hosted on Acast. See acast.com/privacy for more information.

(Previously published exclusively on the website, this episode is now available in the podcast feed). Extending the short movie-coverage in What's Korean Cinema? 43, Kenny B and Paul Quinn review Kim Ji-woon's Memories, Park Chan-wook's Cut and Bong Joon-ho's Shaking Tokyo. Only some of the biggest Korean directors ever.

This week, the boys reviewed the film year 2022, in which we saw over 50 films and discussed them in our feed. We feature “Decision To Leave,” Park Chan-wook's incredibly filmed Korean film, which is considered one of the best international films of the year. Dave flexes his cinematography chops by detailing how the hell they did some shots, John gets wet talking about storytelling, and Jeff drinks a lot. Grab a drink and join the conversation! Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 8:33 Gripes; 14:50 2022 Year in Review; 33:34 Films of 2022: “Decision To Leave”; 1:16:57 What You Been Watching?; :28:41 Next Week's Movie Announcement Additional Cast/Crew: Park Hae-il, Tang Wei, Lee Jung-hyun, Go Kyung-pyo,, Tea Yoo, Seo Hyun-woo, Park Jeong-min, Lee Hak-joo, Jung Yi-seo, Go Min-se, Chung Seo-kyung, Kim Ji-yong. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: SAG-AFTRA, The Emmys, iPhones, Peking, Mao Zedong, The Forbidden City, Queensland, Australia, Melbourne, Sydney, Sisu, Auckland, New Zealand, Wilhelm Yell, Wilhelm Scream, Prince Charles, King Charles, John Wayne, Charleton Heston, Preparation H.   

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! Today, we're diving into the captivating and intricately plotted world of The Handmaiden, a 2016 psychological thriller directed by Park Chan-wook. This South Korean film, inspired by the novel Fingersmith by Sarah Waters, is a masterclass in storytelling, visual aesthetics, and suspense.A Tale of Deceit and Desire Set in 1930s Korea during the Japanese occupation, The Handmaiden tells the story of a young Korean woman, Sook-hee, who is hired as a handmaiden to a wealthy Japanese heiress, Lady Hideko. However, Sook-hee's employment is part of an elaborate scheme concocted by a con man named Count Fujiwara. His plan: for Sook-hee to help him seduce Lady Hideko so he can marry her, commit her to an asylum, and steal her wealth.Layers Upon Layers As the narrative unfolds, it becomes a mesmerizing tale of double-crosses, sexual awakening, and shifting loyalties. The story is presented in three parts, each from a different character's perspective, which gradually reveals the depths of deception and the complexities of the characters' relationships. This structure keeps the viewer guessing and reevaluating everything they know about the characters and their motives.Why It Stands OutVisual Storytelling: Park Chan-wook's direction is visually stunning. Every frame is meticulously crafted, combining exquisite costume and set designs with a vibrant color palette that enhances the sensual and suspenseful atmosphere of the film.Complex Characters: The characters in The Handmaiden are richly developed, with motivations that are both hidden and explicit. This complexity adds layers to the narrative, making the character dynamics engrossing and the plot twists more impactful.Erotic Elements: The film incorporates strong erotic themes that are integral to the plot and character development. These elements are handled with artistry and contribute significantly to the film's exploration of freedom, power, and identity.At its core, The Handmaiden explores themes of manipulation and liberation. It delves into the ways individuals manipulate each other for personal gain, but also how characters can break free from societal and personal oppression. The film challenges traditional notions of power and autonomy, particularly in relation to gender and sexuality.For fans of psychological thrillers, historical dramas, and beautifully crafted cinema, The Handmaiden is a must-watch. Its ability to blend genre elements with a profound exploration of human desires and deceptions makes it a standout film that engages the mind and the senses.Join us as we unravel the intricate web of The Handmaiden, exploring its narrative complexities, stunning aesthetics, and the provocative questions it raises about love, betrayal, and freedom. Whether you're discovering it for the first time or revisiting this modern classic, there's plenty to uncover in this thrilling cinematic journey.

The Oscar-winning fan favorite reflects on his rollercoaster life and career; his experiences with Marvel during the Iron Man era, and his plans to return to its cinematic universe as Dr. Doom; and what it was like juggling five different characters in Park Chan-wook's HBO limited series about Vietnam, for which he is now Emmy-nominated. Learn more about your ad choices. Visit megaphone.fm/adchoices

David and Tamler dive into the mysteries at the heart of Park Chan-wook's deeply disturbing masterpiece "Oldboy" (2003). An ordinary man, Oh Dae-su, is imprisoned for 15 years in an old, windowless hotel room. After being abruptly released Oh Dae-su embarks on a mission to discover why he was imprisoned and to get revenge on the man who did it. But does Oh Dae-su really want to know the answers? And is he asking the right questions? (SPOILER HEAVY EPISODE! See this movie before you listen! Available on Netflix in the US.) Plus, how familiar are you with words the words azimuth and espadrille? Turns out that the answer may depend on your gender.  Brysbaert, M., Mandera, P., McCormick, S. F., & Keuleers, E. (2019). Word prevalence norms for 62,000 English lemmas. Behavior research methods, 51, 467-479. Oldboy (2003 film) [wikipedia.org]

It's rare to find a series with such an impeccable pedigree as HBO's The Sympathizer. It's based on a Pulitzer Prize-winning novel, co-created by auteur director Park Chan-wook, and features Robert Downey, Jr. in four supporting roles. Set during and after the Vietnam war, the series follows a man (Hoa Xuande) juggling a position with the South Vietnamese military and one as a spy for the North Vietnamese. But is it a worthy adaptation?Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Chris and Andy talk about some of the things they watched over the weekend, including a supersized episode of ‘Bluey' (1:00) and 'Saturday Night Live' hosted by Ryan Gosling (15:51). Then, they talk about the first episode of ‘The Sympathizer' and whether shows are helped or hurt by having a famous director like Park Chan-wook direct the first few episodes (22:16). Finally, they discuss ‘Fallout' and where it ranks among other video game adaptations, such as ‘The Last of Us' (42:12). Hosts: Chris Ryan and Andy Greenwald Producer: Kaya McMullen Learn more about your ad choices. Visit podcastchoices.com/adchoices