Podcasts about korean cinema

In this episode, Bill and Chris engage in a lively discussion about cult cinema, focusing on the film Monstrum. They explore its unique blend of genres, character development, and the political themes that run throughout the narrative. The conversation also touches on listener engagement through Patreon, the significance of costuming, and the metaphorical implications of the monster in relation to power and leadership. The hosts share personal anecdotes and insights, creating a dynamic and entertaining dialogue. In this conversation, Chris and Bill delve into the themes of a recent monster movie, exploring its social commentary, character dynamics, and visual effects. They discuss the evolution of the monster's design, the origins of its backstory, and the effectiveness of the CGI used in the film. The conversation culminates in their final thoughts and ratings, highlighting both the strengths and weaknesses of the film. In this conversation, Bill and Chris delve into the absurdities of horror films, particularly focusing on 'Mansion of the Doomed' and its portrayal of a mad doctor. They critique the film's lack of depth in storytelling and character development, while also discussing the police procedural elements that fall flat. The conversation transitions into a review of 'The Conjuring', where they explore the film's cultural impact and the portrayal of the Warrens. Finally, they discuss Marvel's 'Thunderbolts', highlighting its themes and character dynamics, ultimately providing their ratings and recommendations for each film.

I sat down with scholar, Nilesh Kumar to explore how Korean cinema has reflected shifting notions of gender, identity, and social structure across decades. From the angry men of the Korean New Wave to the defiant heroines of modern streaming hits, this conversation examines how bodies on screen become battlegrounds for power, memory, and desire. We begin by talking about how technology defines Park Chan-wook's groundbreaking movie Oldboy, as well as its absence of allegory, signaling the start of post-modern Korean cinema. Then, we explore three main themes in Korean cinema across time: Masculinity, femininity, and queer representation. The first section sees us discuss Chilsu and Mansu (1988), Peppermint Candy (1999), A Single Spark (1995), Whale Hunting (1984), Burning (2018), and Parasite (2019). We then turn our attention to Hostess Cinema (1974-1982), Yeong-ja's Heydays (1975), Right Then, Wrong Now (2015), Ballerina (2023), Han Gong Ju (2013), and My Sassy Girl (2001). Finally, we look at King and the Clown (2005), Moonlit Winter (2019), Mine (2021), The Handmaiden (2016) as well as the importance of Seo Dong-jin and Paul B. Preciado. I was particularly impressed by how Nilesh put each section in context, describing the importance of the socio-economic and political conditions of the time. Nilesh Kumar is from England, of Gujarati-Indian background, and is based in South Korea. He is a Film Curator and co-founder of the Seoul-based underground-movable cinema, STEAK FILM and the sexuality themed, STEAK CINEMA. His topics of writing have included contemporary queer South Korean culture, South Korean ‘hostess' cinema (1974-82), and 6th Generation Chinese Cinema. Selected work: https://novasiagsis.com/author/nileshp/ Instagram: https://www.instagram.com/nilesh5739/ Facebook: https://www.facebook.com/shanti.love.90 David A. Tizzard has a PhD in Korean Studies and lectures at Seoul Women's University and Hanyang University. He writes a weekly column in the Korea Times, is a social-cultural commentator, and a musician who has lived in Korea for nearly two decades. He can be reached at datizzard@swu.ac.kr. Watch this video next: https://youtu.be/L9azQpXZ2Rc Subscribe to the channel: @DavidTizzard/videos Thanks to Patreon members: Hee Ji Jacobs, Bhavya, Roxanne Murrell Join Patreon: https://www.patreon.com/c/user?u=62047873 Discussion Outline 0:00 Oldboy and Allegory 18:40 Angry Men in Korean New Wave Cinema 44:42 Hostess Cinema and Female Representation 1:12:25 My Sassy Girl (엽기적인 그녀) 1:37:30 The Queers are Here 2:33:46 Recommendations Music by Jocelyn Clark: https://youtu.be/IWVqqXT3TfY?si=wq2mcIIarE6JTqFS Connect with us: ▶ Get in touch: datizzard@swu.ac.kr ▶ David's Insta: https://www.instagram.com/datizzard/ ▶ KD Insta: https://www.instagram.com/koreadeconstructed/ Questions or Topic Suggestions: Write in the Comments Below #koreadeconstructed #davidtizzard Korea Deconstructed by David Tizzard ▶ Listen on iTunes: https://podcasts.apple.com/kr/podcast/korea-deconstructed/id1587269128 ▶Listen on Spotify: https://open.spotify.com/show/5zdXkG0aAAHnDwOvd0jXEE ▶ Listen on podcasts: https://koreadeconstructed.libsyn.com 

Send us a textSpecial guest in the house! CoolRay from Sports, Drinks, and Entertainment on 92.9FM WDUP comes on the podcast to discuss his trip to the grammy's, SDE, fatherhood, sports, and much more!Be sure to check out the 92.9 WDUP YouTube channel: https://www.youtube.com/ ⁨@929WDUP⁩ !Think Critically, Speak Infamously.

Send us a textMonster month concludes a week late with this amazing movie from 2006, The Host. Part political commentary, family drama and Kaiju flick, this movie is a must see example of Korean Cinema. Eric and Neil and David all enjoyed it. Grab a bowl of spicy ramen and join us! 

The heartfelt story of how you escape the headlock of horror—the director of A Tale of Two Sisters and I Saw the Devil gives us Song Kang-ho as a bank clerk turned wrestler in The Foul King (2000). With Kenny B, joined by resident Korean cinema expert—perhaps even Korean wrestling expert—Paul Quinn. Running Times:  00m […]

The heartfelt story of how you escape the headlock of horror—the director of A Tale of Two Sisters and I Saw the Devil gives us Song Kang-ho as a bank clerk turned wrestler in The Foul King (2000). With Kenny B, joined by resident Korean cinema expert—perhaps even Korean wrestling expert—Paul Quinn. Running Times:  00m […]

When Parasite won Best Picture, it put Korean cinema in the global spotlight, but it was the result of decades of bold filmmaking. With Mickey 17 now out, it's the perfect time to dive into the bloody brilliance of the Korean New Wave. Hosts Laura Gommans and Kiriko Mechanicus explore Korea's obsession with vengeance, shaped by its turbulent history and uncensored filmmaking. They also examine why Bong Joon-ho's Hollywood work feels so different from his Korean films.Korean cinema captures vengeance like no other, blending brutal violence with raw emotion. While Bong mixes social critique with suspense, Park Chan-wook's Oldboy and The Handmaiden embrace operatic violence and eroticism. Join us as we dissect the thrills and bloodstained poetry of the Korean New Wave.Book tickets to Mickey 17 @ LAB111Book tickets to Parasite @ LAB111Book tickets to CC Film Club: Old Boy @ LAB111Listen to Do Two Robert Pattinsons Make Mickey 17 Twice the Fun?

To celebrate the release of Mickey 17, The Gimme Three Podcast is exploring the work of director Bong Joon-ho. Nicholas Ybarra and Bella Efstratis dissect some of his most potent and memorable Korean films and his auteurist visual language. We start with the neo-noir, edge-of-your-seat thriller from 2003, Memories of Murder. Second, Bong uses a classic monster movie to explore the horror of environmental issues in The Host. Finally, we break down some of the most remarkable moments in Bong Joon-ho's Academy Award-winning picture, Parasite. Let us know what you think of these three modern classics and Bong's latest release, Mickey 17.❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

In this episode of Outside the Cinema, hosts Bill and Chris discuss two films from 2024 that could potentially become cult classics. They focus on 'Exuma', a Korean horror film that delves into themes of family curses and supernatural occurrences. The conversation explores the film's dense narrative, cultural significance, and the palpable atmosphere that builds throughout the story. The hosts share their thoughts on the film's execution, character development, and the unique aspects of Korean horror cinema. In this conversation, Bill and Chris delve into their reviews of two films, discussing their impressions, themes, and character motivations. They explore the nuances of storytelling in horror films, the impact of cultural context, and the effectiveness of supernatural elements. The discussion transitions smoothly between the two films, allowing for a comprehensive analysis of each, while also highlighting the emotional and psychological layers present in the narratives. In this episode, Bill and Chris delve into the films 'Oddity' and 'Tremors', discussing their aesthetics, character performances, and overall impact. They provide recommendations and grades for both films, highlighting the unique qualities that make 'Tremors' a standout creature feature. The conversation also touches on the cultural significance of these films and includes a segment from Reverend Scott reviewing other movies.

(Previously published exclusively on the website, this episode is now available in the podcast feed). Extending the short movie-coverage in What's Korean Cinema? 43, Kenny B and Paul Quinn review Kim Ji-woon's Memories, Park Chan-wook's Cut and Bong Joon-ho's Shaking Tokyo. Only some of the biggest Korean directors ever.

(Previously published exclusively on the website, this episode is now available in the podcast feed). Extending the short movie-coverage in What’s Korean Cinema? 43, Kenny B and Paul Quinn review Kim Ji-woon’s Memories, Park Chan-wook’s Cut and Bong Joon-ho’s Shaking Tokyo. Only some of the biggest Korean directors ever.

In today's episode we talk about next month's selection, amazing video essays, and South Korean cinema. Get in touch with us at: movievsmoviepodcast@gmail.com or at: Patreon | Twitter | Instagram

On this episode, we take a look at Park Chan-wook's breakthrough film Joint Security Area (2000). Upon release, this film was the highest grossing film at the South Korean box office. Now, in 2024, it ranks at number 65. This really illustrates just how popular cinema is in South Korea.  Along with this film, we discus the rise of South Korean cinema around the world since 2000. From Oldboy to The Handmaiden to The Wailing to I Saw the Devil to Squid Game to Parasite...there's no shortage of dynamite cinema being exported out to the world. Not to mention the global dominance of K-POP. Follow us at: Patreon / Twitter / Instagram / Letterboxd / Facebook 

In a small Korean province in 1986, two detectives struggle with the case of multiple young women being raped and murdered by an unknown assailant. On this week's episode… Join the crew as we discuss true crime, Korean killers and Bong Joon Ho's second feature film, Memories of Murder (2003).   Show Notes: Housekeeping () Back of the Box/Recommendations () Spoiler Warning/Full Review () Rotten Tomatoes () Trivia () Cooter of the Week () What We've Been Watching () Hotline Scream: ()   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

Park Chan-wook is a master of movie making. And he's seemingly getting better with age. Leaving the sex and violence of previous hits such as Oldboy, JSA, and The Handmaiden behind him, Decision to Leave / 헤어질 결심 (2022) explores the relationship between a Korean man and a Chinese woman, completely incompatible, seemingly madly in love, and destined to destroy each other. These two roles are played expertly by Tang Wei and Park Hae-il. "The moment you said you loved me, your love ended. And the moment your love ended, my love began.” The movie is a piece of art: a poem. It encourages you to watch it multiple times, with each viewing providing greater insight into the layers constructed: through sound, language, visuals, and mis-en-scene. I sat down with two Korean women, Jimin and Yunsuh, and a Chinese woman, Jessie, to explore this movie from a variety of perspectives: art, beauty, gender, love, and morality. Each of them provided views and insights I would never have found myself. And yet, it still feels like there is so much that went unsaid.   Discussion Outline  0:00 First Impressions 13:40 Park Chan-wook and Gender 18:46 Park Chan-wook's Style 25:45 Is Decision to Leave Romantic? 34:58 Asian Vibes: The Mountains and the Sea 43:06 Tang Wei 1:08:25 Poetry, Yeokbek, and McGuffins 1:19:30 The Ending of the Movie  1:38:50 Haejoon: The Male Lead 1:59:52 Park Chan Wook and the Oscars 2:08:00 A movie, a Book, a Song   Korea Deconstructed by David Tizzard  ▶ Get in touch: datizzard@swu.ac.kr ▶ Support us on Patreon: https://www.patreon.com/user?u=62047873 ▶ Watch us on Youtube: /davidtizzard ▶ Find us on Insta: https://www.instagram.com/koreadeconstructed ▶ Listen on iTunes: https://podcasts.apple.com/kr/podcast/korea-deconstructed/id1587269128 ▶Listen on Spotify: https://open.spotify.com/show/5zdXkG0aAAHnDwOvd0jXEE ▶ Listen on podcasts: https://koreadeconstructed.libsyn.com/ ▶ Music: Rail Gun by Disorientalz

Kenny B and Paul Quinn discuss a trio of recent Korean films that can be found on streaming or digital, on blu ray, and on the cinema screens: Badland Hunters, The Chaser and Exhuma. Running Times:  00m 00s – Intro/Badland Hunters review. 21m 23s – The Chaser review. 38m 25s – Exhuma review. Contact the […]

Kenny B and Paul Quinn discuss a trio of recent Korean films that can be found on streaming or digital, on blu ray, and on the cinema screens: Badland Hunters, The Chaser and Exhuma. Running Times:  00m 00s – Intro/Badland Hunters review. 21m 23s – The Chaser review. 38m 25s – Exhuma review. Contact the […]

We traveled to another universe via MEOW WOLF DENVER: CONVERGENCE STATION!  But before we arrived to the Galactic Station we first had to make the drive to Colorful Colorado to catch our Train! Along the way we discussed the 2016 acclaimed zombie flick TRAIN TO BUSAN. Come join us on the road!!***New Recording equipment means there's a learning curve. Hopefully we can get the audio levels a little better next episode for a cleaner sound. Thanks for your patience!

The Korean war movie gets spooky, in 2004's R-Point. With Kenny B and Paul Quinn. Running Times:  00m 00s – Intro/R-Point background. 49m 49s – R-Point review. Contact the show via email at podcastonfire at googlemail.com, on our Facebook page and Facebook group or X (@podcastonfire, @sogoodreviews) and SUBSCRIBE to our iTunes feed. What's Korean Cinema? on Spotify Kenny B's Letterboxd Hangul Celluloid. Error 4444 […]

The Korean war movie gets spooky, in 2004's R-Point. With Kenny B and Paul Quinn. Running Times:  00m 00s – Intro/R-Point background. 49m 49s – R-Point review. Contact the show via email at podcastonfire at googlemail.com, on our Facebook page and Facebook group or X (@podcastonfire, @sogoodreviews) and SUBSCRIBE to our iTunes feed. What’s Korean Cinema? on Spotify Kenny B’s Letterboxd Hangul Celluloid. Error 4444 […]

We teased him last week, but he's here today on the Lone Lobos podcast with Xolo Maridueña and Jacob Bertrand. Please welcome our special guest, Joe Seo from Cobra Kai. The trio discusses Sundance, Korean cinema, breaking into the industry today, and answers some of your burning questions. Tune in for all this and more.Time Stamps: :39 - Welcome Joe Seo3:49 - Sundance 20247:52 - Joe Seo winning award at Sundance 15:52 - Korean Cinema 27:02 - Manifesting filming in LA28:57 - Breaking into the industry today 34:25 - Q/A with the guys 51:04 - SOTW

Dede Lovelace is a skater and DJ working in TV. She also recently made her debut as a live score accompaniment artist as part of a duo with Larry Love. The two DJs scored Special Agent X-7 (1966) from the projection booth at Film at Lincoln Center for the September film series Korean Cinema's Golden Decade: The 1960's. That film series was co-presented and organized by the folks at Subway Cinema. In this episode, we talk about Dede's process at being a live score DJ for the first time, her career as a skater and DJ in movies and TV, and her favorite cinemas in NYC. Check out Dede's skate series — Move with Love — where she's creating dedicated safe spaces for women to spread good positive vibes through skating and creativity. Follow Subway Cinema to learn about their upcoming film series. You can support this podcast by subscribing to the Substack newsletter. Credits: Produced by Alec Rodriguez, Original Artwork by Cristina Montes, Original Music by Jeremy Bullen. Email us!

Dive into the poetic depths of the Korean language with Episode 53 of the Essential Korean Podcast, where Kay샘 unravels the complexities of 'ㅆ을까'—a grammatical form that captures the poignant musings of past choices and the bittersweet tang of what might have been.In this episode, we dissect a poignant scene from a movie, parsing the emotion behind 'ㅆ을까'. Then, we groove to the beat of Psy's song '어땠을까', unpacking the layers of retrospective longing woven into its lyrics. With grammar and practical language lessons, we'll explore how this unique expression shapes narratives and conveys deep emotions in storytelling. Join the discussion post-episode on our website essentialkorean.com under "EK Podcast Episode 53." Share your insights, engage with our supportive community, and become a part of our collaborative learning experience.#EssentialKorean #LearnKorean #KoreanGrammar #KoreanCinemaLove #KPopLanguage #KoreanPodcast #LanguageLearners #ㅆ을까Journey #박정현 #Psy싸이.---Welcome to the Essential Korean Podcast, where I help break down the nuances of the Korean language to help you become a more aware and confident speaker of Korean. We've created the Essential Korean membership to help provide a complete set of tools to elevate your Korean to the next level. Check that out on our website, along with my weekly newsletter, at essentialkorean.com!

I LOVE the dudes from They Live by Film and I have never kept that a secret. Zach and Chris have been on my channel many many times each. Unfortunately, I have never been able to have Adam (the third cohost) on the show- UNTIL NOW! Adam Lundy is here to share a conversation with me. We divided the conversation between our two YouTube channels, but it is here in full (so you may here some odd sentences like watch the rest on the other channel, etc.). We are discussing two South Korean films that Adam had never seen before and I was so eager to revisit these! If you like this format, please let me know! I may try to do this with other creators.  - Follow Adam on Twitter here: https://twitter.com/adamlundy23 Follow Adam on Instagram: https://www.instagram.com/adamlundy23/ Subscribe to They Live By Film here: https://www.theylivebyfilm.com/podcast Subscribe to They Live by Film on YouTube: https://www.youtube.com/@theylivebyfilm Join the subreddit that helped spawn They Live By Film here: https://old.reddit.com/r/criterionconversation/ Subscribe to They Live by Film on Substack here: https://theylivebyfilm.substack.com/ - Buy The Physical Media Advocate on Amazon! https://amzn.to/47g41qY - Follow Someone's Favorite Productions on Instagram: https://www.instagram.com/someonesfavoriteproductions/ Follow Someone's Favorite Productions on Twitter: https://twitter.com/somefaveprod Follow Someone's Favorite Productions on Facebook: https://www.facebook.com/SomeonesFavoriteProductions - Follow Shelf Shock Rewind on Twitter: https://twitter.com/Shelf_Shock Follow Shelf Shock Rewind on Instagram: https://www.instagram.com/shelfshockrewind/ Follow Shelf Shock Rewind on Facebook: https://www.facebook.com/ShelfShockRewind Follow Shelf Shock Rewind on YouTube: https://www.youtube.com/@shelfshockrewind1231 - Become a patron here: https://www.patreon.com/DiscConnected - Like the page and follow on Facebook here: https://www.facebook.com/TheDiscConnected - Join me on Instagram at: https://www.instagram.com/thediscconnected/ - Or on Twitter: https://twitter.com/disc_connected - Email: DiscConnectedMedia@gmail.com -- Merch: https://www.teepublic.com/user/the-disc-connected - Podcast: https://thediscconnected.podbean.com - If you happen to be shopping on Amazon for something and would like to share some of Lord Bezos' profits with my channel at no additional cost to you, please consider shopping through my link: https://amzn.to/39mcX1t - Tip Jar: https://www.paypal.com/donate?hosted_button_id=TDEVSPJZ9EFCW or paypal.me/RVinls (friends and family only) or  Amazon wish list: https://www.amazon.com/hz/wishlist/ls/20CR2ZN456P1B?ref_=wl_share - Music is by Michael J. LeRose- michaelxcreates@gmail.com. Outro is K(NO)W by Crusoe via a Creative Commons Attribution License and verbal/written permission from the artist. - Links above may be affiliate/promotional links that provide me a tiny commission to support the sight and do not charge the consumer anything extra.

Kenny B and Paul Quinn discuss a trio of recent Korean films that can be found on streaming or digital, on blu ray, and on the cinema screens: Project Wolf Hunting, Midnight and The Moon. Running Times:  00m 00s – Intro/Project Wolf Hunting 25m 11s – Midnight 50m 46s – The Moon Contact the show […]

Kenny B and Paul Quinn discuss a trio of recent Korean films that can be found on streaming or digital, on blu ray, and on the cinema screens: Project Wolf Hunting, Midnight and The Moon. Running Times:  00m 00s – Intro/Project Wolf Hunting 25m 11s – Midnight 50m 46s – The Moon Contact the show […]

This week we're excited to present a conversation which recently took place as part of our new series, Korean Cinema's Golden Decade: The 1960s, following a screening of Yu Hyun-mok's 1961 South Korean classic, Aimless Bullet. Film critic, lecturer, and author Darcy Paquet and series co-curators, Korean Film Archive's Young Jin Eric Choi and Subway Cinema's Goran Topalovic, lead a discussion of the film. Banned in 1961 for its scathing critique of postwar reconstruction but now widely hailed as one of the greatest Korean films ever made, Yu Hyun-mok's breakout feature was this unrelentingly bleak, noir-tinged melodrama set in the aftermath of the Korean War. The film follows the tragic bond between two brothers living with their surviving family in a Seoul slum called Liberation Village. While Cheol-ho, an accountant suffering from a toothache he can't afford to treat, struggles to scrape together a meager existence, the senseless consequences of the war gradually tear at the seams of his family and push his younger brother, Young-Ho, to a desperate measure. An on-location tour through the traumatized atmosphere of Korea's capital, Aimless Bullet artfully blends expressionist and neorealist styles within a grimly introspective portrait of a nation left shattered by hatred and fear—touching on everything from military prostitution and economic inequality to the exploitations of the film industry itself. Restored in 2015 by the Korean Film Archive.

This week Gavin and I are taking a look at the Korean action thriller ‘The Roundup' starring the ultimate macho man of cinema himself, Ma Dong-Seok! Portraying a tough as nails cop with devastating power in his fists, he'll stop at nothing to get the job done, and make sure the bad guys are brought to Justice! Punching, kicking, and Judo throwing his way through both Vietnam and South Korea, Detective Ma Seok-Do is a human freight train on a collision course with any criminal that stands in his way! With some insanely powerful fisticuffs, vicious knife fights, and brutal takedowns, this one will keep you entertained from start to finish, and have you cheering out loud as Detective Ma delivers his own unique brand of justice! If you prefer to see our lovely faces, our Youtube video for the episode will be out Friday! Don't forget to subscribe, download, like, and share with your friends! Thanks again for the continued support and we hope you enjoy!

On episode 167 of Find Your Film, Eric Holmes interviews Subway Cinema founder Goran Topalovic who talks about the new retrospecrtive Korean Cinema's Golden Decade; the 1960s.'Retrospective runs September 1-17 at Film at Lincoln Center. The series is co-presented by Subway Cinema in collaboration with the Korean Film Archive and the Korean Cultural Center New York.  1. Follow Find Your Film on Twitter,  Facebook, and Instagram.2. Subscribe to our YouTube Channel Find Your Film3. For more movie coverage go to findyourfilms.com4. Find Your Film and CinemAddicts merch is available: https://www.findyourfilmpodcast.com/5. Join our CinemAddicts Facebook Group for daily movie talk and recommendations.: https://www.facebook.com/groups/cinemaddictspodcast/6. Members of our CinemAddicts Patreon receive a bonus episode per month and exclusive Movie spoilers (discussed by actors and filmmakers)Support the show

On this week's episode of Filmbabble, Charlie and Antonio watch Bong Joon-ho's 2019 masterpiece: PARASITE. Yeah, you read that right. PARASITE- arguably the most famous and acclaimed movie of the past 5 years. Do they have what it takes to tackle the Oscar-winning mammoth of cinematic greatness? Find out on Filmbabble! Intro/outro music:  "Do It Baby" by Susan Cadogan PARASITE (2019), South Korea, written by Bong Joon-ho and Han Jin-won, directed by Bong Joon-ho, cinematography by Hong Kyung-pyo, featuring Song Kang-ho, Cho Yeo-jeong, Choi Woo-shik, Park So-dam, Jang Hye-jin, Lee Sun-kyun, and Lee Jeung-eun

Sally returns to the show to talk zombies, quarantine and Korean BBQ.Follow the Show @freshmoviepod Follow Victoria on Letterboxd: https://letterboxd.com/vicrohar/Email the Show abreathoffreshmovie@gmail.comShow Art by Cecily Brown Theme Music "A Movie I'd Like to See"Arranged & Performed by Katrina EresmanWritten by Al HarleyYouTube Channel Shop the Store: http://tee.pub/lic/bvHvK3HNFhk

Oldboy (17:42) It's the beach that makes you do revenge! Or something... Anyways, we couldn't keep our hands off of this theme, so we just had to take things a step further! We conclude our cinema kick that put Denny in a tough position of really enjoying some messed up stuff! He doesn't want to do that, why would someone do this to him?!Thanks for coming along on this ride, and tune in next week for a special annual episode! Keep up with us and future polls by finding us on Facebook, and following on Twitter/Instagram @moviesforwhen

Train to Busan (13:15) All aboard! Tickets please, we are departing shortly and ask that you please remain in your seats, and don't let other passengers bite you! Our theme comes to an ALMOST conclusion with a total shift in genre, courtesy of YOUR votes in our poll! Find the cure for the zombie virus (or at least hide in the dark) on our Facebook page, or follow on Twitter/Instagram @moviesforwhen

Memories of Murder (21:22) The kick continues with a flying drop kick of a film. Greg returns just in time to try and catch a killer! His secret is he can look into a movie's eyes and tell if it's good or not, but it's hard to get a read on Denny. It's our first look at one of the all time great directors and his second(!) feature film, and we think it might just be his masterpiece. The theme continues next week, and thanks to everyone for voting in our poll! To help with future polls and get all the latest, find us on Facebook and follow on Twitter/Instagram @moviesforwhen

Burning (16:36)We are back with an actual theme! This one's been on the backburner since January, so we are excited to finally get around to our first international focus. Come along for the journey, get ready for some subtitles, and PLEASE watch the movie before listening! We can't urge you enough! Just don't read too much into any time Denny yawns and then smiles at you.An exciting poll is in the future for this one, so be sure and look for that by finding us on Facebook and following on Twitter/Instagram @moviesforwhen

Today's Topic: Gregory Day of HipsvilleAD is back talking all things cinema, this time focusing on his 10-fave South Korean films! Always remember that Lofi Poli Sci is more than just me, it's the we, that we be. Episode Link: https://youtu.be/ec1-YqkBzY4 Episode 49 Season 7 (series 669) Official Website: www.lofipolisci.com Instagram: lofi_poli_sci_podcast YouTube Channel: https://www.youtube.com/c/LofiPoliSciPodcast LinkedIn: Michael Pickering #lofipolisci #lofi #politicalscience #news #worldnews #globalnews #lofiGlobalNews #podcast #podcasting #casting #internationalaffairs #internationalrelations #internationalevents #internationalnews #media #mediaandpolitics #lofipoliscipodcast #polisci #politics

Experience the incredible true story of the kidnapped South Korean filmmakers, Shin Sang-Ok and Choi Eun-Hee, who were forced to make propaganda films for North Korean dictator Kim Jong-Il. This is a tale of courage, resilience, and the power of cinema in the face of oppression. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chris and Steve watch this classic Korean zombie thriller suggested by Patron Casey! We're on YouTube!We got BRAND NEW merch!Join the conversation at streamingthingspod@gmail.comFollow us all on Twitter!@StreamThingPod for the show.@moviesRtherapy for Chris.@stevemay13 for Steve.This month Streaming Things is brought to you by...Support the show

This is our spoiler free review for Kill Boksoon. Join us as we chat about this bad ass Mom/Assassin who's the best at what she does, while trying to be a better mother in this slightly bloated action film from the mind of Byun Sung-hyun.Kill Boksoon is streaming exclusively on Netflix March 31st 2023.

Before there was a sassy girl, the ever so luminous Jun Ji-hyun starred in Il Mare, about a mailbox that is a portal to two years earlier. Going back to Korean cinema in the year 2000, with Kenny B and Paul Quinn of Hangul Celluloid. Running Times:  00m 00s – Intro/reception/on Jun Ji-hyun 28m 25s […]

Before there was a sassy girl, the ever so luminous Jun Ji-hyun starred in Il Mare, about a mailbox that is a portal to two years earlier. Going back to Korean cinema in the year 2000, with Kenny B and Paul Quinn of Hangul Celluloid. Running Times:  00m 00s – Intro/reception/on Jun Ji-hyun 28m 25s […]

To open up our third season, Gaby and Andreina discuss the South Korean film The Handmaiden, directed by Park Chan-wook.Acclaimed by critics, this movie is a work of extraordinary vision from beginning to end: cinematography, performances, costume and set design, in addition to an incredibly well-written script–every detail of this film shows the highest ambition and achievement. We hope you enjoy our discussion and fall in love with this movie as much as we did. ***Spoiler alert! While reviewing this film, we go through key scenes and may reveal the ending, so be warned of spoilers!***Sources and other links:Film review by Jia Tolentino on The New Yorker:https://www.newyorker.com/culture/jia-tolentino/the-handmaiden-and-the-freedom-women-find-only-with-one-anotherShort clip - Making of “The Handmaiden”:https://youtu.be/pUQ5H_bF1Ck Interview with Sarah Waters, author of the novel “Fingersmith”https://www.theguardian.com/film/2017/apr/08/sarah-waters-the-handmaiden-turns-pornography-into-a-spectacle-but-its-true-to-my-novel-

Sleuth's sleuthing. Jane Fonda won Best Actress  for "Klute",  a suspenseful film about a NYC call girl who winds up in an investigation of a missing man.  Some interesting camera work, never got boring and is  unique as any movie you'll see. Worst name ever for a must-see film. "Decision to Leave" is the latest from "Old Boy" director Park Chan-wook. We review a lot of Korean films and this show, and this might be our biggest disappointment. Next, troubled teens with "The River's Edge" (1986) and "Bully" (2001).Have your own recommendations? Contact the show:24theroadshow@gmail.com

“The closer you look, the harder you fall.” Park Chan-wook cross-pollinates a police procedural with a femme fatale romance in his latest film. Swirling around two lost souls navigating a web of murder, deceit, and desire to desperately cling to their perverse affair, Decision to Leave is a sensual puzzle box. We discuss the illustrious director's filmography, the painterly craft behind the movie, and the inscrutable Tang Wei.

Chelsea and Victoria get pulled into Park Chan-Wook's unsentimental, genre-blending THIRST (2009)Shop the Store: http://tee.pub/lic/bvHvK3HNFhkTheme Music "A Movie I'd Like to See" by Al Harley. Show Art: Cecily Brown Follow the Show @freshmoviepod YouTube Channel abreathoffreshmovie@gmail.com

Dressed up as Silence Of The Lambs and Se7en through grim findings of body parts and constant rain, Korean cinema of 1999 heads into the serial killer film with Tell Me Something. With Kenny B and Paul Quinn of Hangul Celluloid. Running Times:  00m 00s – Intro/reception. 25m 30s – Director Chang Hoon-yun's films. 28m […]

A young girl is released from a mental institution into the care of her father and stepmother. As she is reunited with her sister the family is haunted by tragedies both past and present. On this week's episode… Join the crew as we discuss Korean cinema, Korean folklore and Jee-woon Kim's extremely haunting, A Tale of Two Sisters (2003).   Show Notes: Housekeeping (8:36) Back of the Box/Recommendations (13:30) Spoiler Warning/Full Review (22:42) Rotten Tomatoes (79:58) Cooter of the Week (86:35) What We've Been Watching (90:10) Hotline Scream (102:40)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

Kyung Hyun Kim talks about the Netflix series Squid Game, its economic and political contexts, and its cultural potential. He also talks about his new book, Hegemonic Mimicry, out from Duke University Press. Prof. Kyung Hyun Kim is a creative writer, a scholar, and a film producer, who is currently a professor in the Department of East Asian Studies, UC Irvine. He has worked with internationally renowned directors such as Hong Sang-soo, Lee Chang-dong and Marty Scorsese, and also with American film producers Jason Blum and Steven Schneider. Prof. Kim is author of Virtual Hallyu: Korean Cinema of the Global Era, The Remasculinization of Korean Cinema, Hegemonic Mimicry: Korean Popular Culture of 21st Century, all of them published by Duke University Press, and a Korean-language novel entitled In Search of Lost G (Ireo beorin G-reul chajaso, 2014) about a Korean mother combing through the US in search of her missing son during his junior year in a Massachusetts prep school. He has coproduced and co-scripted two award-winning feature films Never Forever (2007, Sundance Film Festival's U.S. Main Competition) and The Housemaid (2010, Cannes Film Festival Main Competition). He has recently written The Mask Debate, his first theatre screenplay, which premiered in February 2021 through UCI's Illuminations: Chancellor's Initiative in Arts and Drama YouTube channel. Image: © 2021 Saronik Bosu Music used in promotional material: ‘Horizon Mine' by krackatoa Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Kyung Hyun Kim talks about the Netflix series Squid Game, its economic and political contexts, and its cultural potential. He also talks about his new book, Hegemonic Mimicry, out from Duke University Press. Prof. Kyung Hyun Kim is a creative writer, a scholar, and a film producer, who is currently a professor in the Department of East Asian Studies, UC Irvine. He has worked with internationally renowned directors such as Hong Sang-soo, Lee Chang-dong and Marty Scorsese, and also with American film producers Jason Blum and Steven Schneider. Prof. Kim is author of Virtual Hallyu: Korean Cinema of the Global Era, The Remasculinization of Korean Cinema, Hegemonic Mimicry: Korean Popular Culture of 21st Century, all of them published by Duke University Press, and a Korean-language novel entitled In Search of Lost G (Ireo beorin G-reul chajaso, 2014) about a Korean mother combing through the US in search of her missing son during his junior year in a Massachusetts prep school. He has coproduced and co-scripted two award-winning feature films Never Forever (2007, Sundance Film Festival's U.S. Main Competition) and The Housemaid (2010, Cannes Film Festival Main Competition). He has recently written The Mask Debate, his first theatre screenplay, which premiered in February 2021 through UCI's Illuminations: Chancellor's Initiative in Arts and Drama YouTube channel. Image: © 2021 Saronik Bosu Music used in promotional material: ‘Horizon Mine' by krackatoa Learn more about your ad choices. Visit megaphone.fm/adchoices

Who loves subtitle movies?  Well Bobby Slayton (@pitbullofcomedy) sure hated a recent Oscar winner that has subtitles and that film is Parasite.  The story of a grifting South Korean that folds pizza boxes irks Bobby so much that he had to come on (taped back at the start of quarantine!) to explain why the Oscars got this wrong.  @KevinGootee and @KevinIsrael_NJ are ASTOUNDED (no hyperbole, it's a first that occurs on this podcast) when Bobby drops a certain piece of knowledge in his argument.  Do the Kevins put down the pitbull of comedy's argument like a stray?  Did you get your tickets for the next GTSC live show yet?  That's right, come join us on 3/26/22 at the Kerasotes Movie Theater in Secaucus, NJ.  2 of our favorite gutters return; Bill Schulz and Joanne Nosuchinsky from Compound Media, to attempt to downsize the corporate America satire, Office Space.  That's right, the Mornin' show duo wants to bash the skull of this film with a certain stapler.  Come out and see how the fudge is packed.  Tickets can be found at https://www.eventbrite.com/e/gutting-the-sacred-cow-live-podcast-and-movie-tickets-266494962607 and we have a promo code for you.  But we're going to make you guess the promo code with this hint: it's a phrase we always say!  Type that phrase in with no spaces!Check out our sponsor, www.athelticgreens.com/gtsc  Then, you'll get 5 travel packs along with a year's supply of Vitamin D for FREE.  And it helps us out in the long run!And a new sponsor joining us this week, Hydronique Hyrdration.  Check them out at www.hydroniquehydration.com or at Amazon where they're offering a discount code at checkoutDon't forget, you can find us on all podcasts platforms: apple iTunes, Spotify, google, spreaker, stitcher, iheartradio, castbox. You name it and we're on it! And you can also see our handsome yet smug faces on Youtube as well. https://guttingthesacredcow.com/where-to-listen-see-us/ Hello to our new friends! We love it when you click "subscribe", like us on social media, and most importantly when you tell your friends/family about our podcast. Looking to sell your product, advertise your services, or raise brand awareness? We'd love to help you and we can be reached at guttingthesacredcow@gmail.comThank you ALL for continually shouting us out on social media, we love when you do that as well as leave us those 5 star rating and 2-3 sentence reviews. Guttingthesacredcow.com is where you find us every day giving YOU those movie quotes, movies news, THAT DOESN'T HAPPEN, and more!  We're now doing over blogs, video style, at Patreon now: patreon.com/guttingthesacredcow Social media for the gang: @KevinGootee on Twitter, FB, IG. www.kevingootee.com@kevinisrael_NJ on twitter, FB, @Kevin_israel_comedy on IG www.kevinisrael.com @conlin_lauren