Podcast appearances and mentions of Matthew F Leonetti

Soutenez nous sur Patreon https://www.patreon.com/c/peakcinemaForfait 3€ épisode en accès anticipé sans pub Forfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs Abonnez vous sur Peakgaming pour les streams jeu vidéo https://www.twitch.tv/peakgamingfrA l'occasion de la sortie prochaine du film Minecraft réalisé par Jared Hess qui nous avait offert en 2004 le fabuleux Napoleon Dynamite. Ce nouveau film hollywoodien adapté d'un jeu vidéo à succès qui s'annonce comme le nouveau sommet de la ringardise nous a donné l'idée de revenir sur l'Empereur du pire en matière d'adaptation. Un objet filmique où le mauvais goût est un exercice de style, Mortal Kombat : Destruction FinaleSuite de Mortal Kombat réalisé par Paul W.S Anderson sorti en 1995. Produit et distribué avec un budget de 30 Millions de dollars par Lawrence Kasanoff, New Line Cinema soit deux fois plus que le premier. Tournée en Ecosse, réalisé par John R. Leonetti qui réalise son premier film, le chef op du précédent film mais aussi de Chucky 3 et The Mask, il réalisera par la suite Annabelle. Il est accompagné à la photo par son frère Matthew F Leonetti qui s'est occupé de la photo de Commando, Poltergeist, Strange Days et La Mutante 2. Il sera par la suite chef op sur 2 Fast 2 Furious, Rush Hour 2, L'armée des Morts et l'Effet papillon, d'ailleurs la suite de ce film sera réalisé par son frère John.A peine victorieux du précédent tournoi, les guerriers humains emmenés par Rayden interprété par James Remar qui remplace à la volée Christophe Lambert se font directement aggro par les forces du mal qui les mettent à l'amende. Ils disposent de six jours seulement pour sauver la Terre de l'invasion de créatures étranges. Les voilà face à une nouvelle bataille contre Shao-Kahn, l'empereur d'Outremonde.Enregistré en live sur notre chaîne twitch ABONNEZ-VOUS ! https://www.twitch.tv/peakcinemapodcastRattrapez le live sur notre chaine youtubeChroniqueur.e.es : Marvin MONTES, Emmanuel.e PEUDON, Wonder Vesper et présenté par Luc LE GONIDECHost : Luc LE GONIDECMusique Jean Baptise BLAIS Montage et mixage son : Luc LE GONIDEC Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Director:  Tobe Hooper Producers:  Frank Marshall, Steven Spielberg Screenplay:  Steven Spielberg, Michael Grais, Mark Victor Photography:  Matthew F. Leonetti Music:  Jerry Goldsmith Cast:  Craig T. Nelson, JoBeth Williams, Beatrice Straight, Oliver Robins, Heather O'Rourke Rotten Tomatoes:  Critics: 85%/Audience: 79%

País Estados Unidos Dirección Peter Farrelly, Bobby Farrelly Guion Peter Farrelly, Bobby Farrelly, Kevin Barnett, Scot Armstrong, Leslie Dixon (Remake: Neil Simon. Historia corta: Bruce Jay Friedman) Música Bill Ryan, Brendan Ryan Fotografía Matthew F. Leonetti Reparto Ben Stiller, Michelle Monaghan, Jerry Stiller, Malin Akerman, Carlos Mencia, Rob Corddry, Stephanie Courtney, Ali Hillis, Kathy Lamkin, Nicol Paone, Joel Bryant, Amy Sloan, Polly Holliday, Eva Longoria Sinopsis Eddie (Ben Stiller), soltero e indeciso, empieza a salir con la aparentemente fabulosa y sexy Lila (Malin Akerman). Siguiendo los consejos de su padre y de su mejor amigo, Eddie le pide que se case con él al cabo de una semana, temeroso de que se escape lo que cree ser su última oportunidad para el amor, el matrimonio y la felicidad. No tarda en descubrir su error cuando Lila revela su auténtica y horrible personalidad durante la luna de miel en México. Para colmo de males, Eddie conoce a Miranda (Michelle Monaghan), y se da cuenta de que es su media naranja. No le queda más remedio que alejar a su insoportable esposa mientras intenta conquistar a la chica de sus sueños.

In our inaugural episode, we cover Kathryn Bigelow's 1995 box office bomb, Strange Days. Is it an underrated classic or just one of Jim Cameron's politically charged fever dreams? You're gonna have to listen to find out.CONTENT WARNING: This film is a hard R-movie. Aside from your fair amount of nudity and profanity, there are explicit scenes of sexual and police violence. If that sort of thing isn't your bag, you might want to pass.And before the nitpickers of the Internet get to us, here's a few show notes to correct what we said on air:No known connection between Kathryn Bigelow and HackersMichael Wincott has "the voice of Satan"Matthew F. Leonetti was the cinematographerPhil(o) is the name of Michael Wincott's character, not the DJRodney King and the LA Riots occurred in 1992, not 93"In the Line of Fire" was the film starring Clint Eastwood and John MalkovichRichard Edson plays "Tick", the "Ferris Bueller thief".Subscribe and rate us wherever you found us! Questions? Comments? Concerns? Find us on Twitter @GiveIt5Podcast or Facebook, & Instagram @GiveIt5 Email giveit5podcast@gmail.com if you’ve got a movie you want us to see!#giveit5 #podcasting #whynot

País Estados Unidos Dirección Bruce Malmuth Guion Steven McKay Música David Michael Frank Fotografía Matthew F. Leonetti Reparto Steven Seagal, Kelly LeBrock, William Sadler, Frederick Coffin, Bonnie Burroughs, Andrew Bloch, Branscome Richmond, Charles Boswell Sinopsis Un policía descubre una trama de corrupción a alto nivel político, por lo que le intentan asesinar, quedando en coma durante varios años. Cuando el detective recupera la consciencia, decide vengarse de aquellos que atentaron contra su vida.

Thank you for supporting The Next Reel Film Podcast on Patreon! — https://patreon.com/thenextreel "The line must be drawn here!" The introduction of the Borg as an antagonist on “Star Trek: The Next Generation” gave the crew of the Enterprise – and the teams on subsequent shows – one of their greatest villains. Not only are they a terrifying collective, assimilating everyone they come into contact with, but they thematically are the antithesis of everything the franchise has come to represent about technology and the future. Because of all of this, they seemed a natural element to include in the TNG cinematic stories. But the studio wanted them to include a way to personify the villain more than they ever did in the show. The filmmakers also wanted to make a time travel film. With all of these elements, were they able to pull it together to make a cohesive film? Join us – Pete Wright and Andy Nelson – as we continue our Star Trek series with Jonathan Frakes’ 1996 film Star Trek: First Contact. We talk about the Borg as a whole, both in the TV shows and this film, and debate how well they’re served with some of their rules and with the addition of the Borg queen. We praise the brilliant performances of the additional actors brought into the fold in this film – Alfre Woodard, James Cromwell and Alice Krige (even Neal McDonough) – and how we relish some of their scenes with our Enterprise crew. (Woodard’s scenes with Patrick Stewart all stand out as 5-star Star Trek.) We go through problems we have with the script, notably the introduction of the Borg queen and the lack of and conflict in the storyline on Earth, and debate what could have improved the movie. We look at what some of the crew, primarily cinematographer Matthew F. Leonetti, composer Jerry Goldsmith and production designer Herman F. Zimmerman, bring to the table. And we run through a list of items in the film – items like Geordi’s ocular implants, the escape pods and Cromwell’s dancing – to find out if we loved it or hated it. It’s a fun film that makes for an exciting watch, though with more visible problems that we’re seeing now. Still, we have a great time talking about it on this week’s show. So watch the film then tune in! The Next Reel – when the movie ends, our conversation begins. Film Sundries Watch this film: iTunes • Amazon • Hulu Screenplay — First Draft Original theatrical trailer Original poster artwork Flickchart Letterboxd

Thank you for supporting The Next Reel Film Podcast on Patreon! — https://patreon.com/thenextreel "The line must be drawn here!" The introduction of the Borg as an antagonist on “Star Trek: The Next Generation” gave the crew of the Enterprise – and the teams on subsequent shows – one of their greatest villains. Not only are they a terrifying collective, assimilating everyone they come into contact with, but they thematically are the antithesis of everything the franchise has come to represent about technology and the future. Because of all of this, they seemed a natural element to include in the TNG cinematic stories. But the studio wanted them to include a way to personify the villain more than they ever did in the show. The filmmakers also wanted to make a time travel film. With all of these elements, were they able to pull it together to make a cohesive film? Join us – Pete Wright and Andy Nelson – as we continue our Star Trek series with Jonathan Frakes' 1996 film Star Trek: First Contact. We talk about the Borg as a whole, both in the TV shows and this film, and debate how well they're served with some of their rules and with the addition of the Borg queen. We praise the brilliant performances of the additional actors brought into the fold in this film – Alfre Woodard, James Cromwell and Alice Krige (even Neal McDonough) – and how we relish some of their scenes with our Enterprise crew. (Woodard's scenes with Patrick Stewart all stand out as 5-star Star Trek.) We go through problems we have with the script, notably the introduction of the Borg queen and the lack of and conflict in the storyline on Earth, and debate what could have improved the movie. We look at what some of the crew, primarily cinematographer Matthew F. Leonetti, composer Jerry Goldsmith and production designer Herman F. Zimmerman, bring to the table. And we run through a list of items in the film – items like Geordi's ocular implants, the escape pods and Cromwell's dancing – to find out if we loved it or hated it. It's a fun film that makes for an exciting watch, though with more visible problems that we're seeing now. Still, we have a great time talking about it on this week's show. So watch the film then tune in! The Next Reel – when the movie ends, our conversation begins. Film Sundries Watch this film: iTunes • Amazon • Hulu Screenplay — First Draft Original theatrical trailer Original poster artwork Flickchart Letterboxd

Duración 105 min. País Estados Unidos Director Peter Farrelly, Bobby Farrelly Guión Peter Farrelly, Bobby Farrelly, Kevin Barnett Música Tom Wolfe Fotografía Matthew F. Leonetti Reparto Owen Wilson, Jason Sudeikis, Jenna Fischer, Christina Applegate, Stephen Merchant, Richard Jenkins, Alyssa Milano, Nicky Whelan, Larry Joe Campbell, J.B. Smoove, Bruce Thomas, Tyler Hoechlin, Derek Waters, Alexandra Daddario, Rob Moran, Lauren Bowles Sinopsis Dos amigos lamentan que el matrimonio les haya arruinado toda posibilidad de diversión, especialmente en lo que al sexo se refiere; sus esposas deciden entonces concederles un fin de semana libre, un paréntesis de libertad, en el que podrán desmadrarse todo lo que quieran, sin remordimientos ni explicaciones.