Podcasts about Chucky

Dom has made a deal with the Australian Radio Network behind Charles' back about a new gig with an exciting contractual obligation, so the two nut out some ideas for their new 'ocker and advertiser-friendly show. Thanks ARN!---Listen AD FREE: https://thechaserreport.supercast.com/ Follow us on Instagram: @chaserwarSpam Dom's socials: @dom_knightSend Charles voicemails: @charlesfirthEmail us: podcast@chaser.com.auChaser CEO's Super-yacht upgrade Fund: https://chaser.com.au/support/ Send complaints to: mediawatch@abc.net.au Hosted on Acast. See acast.com/privacy for more information.

Welcome to CHUCKYVISION, a podcast about the horror franchise Child's Play/Chucky, the surrounding culture, and other killer doll films. Mark and Dev are unpacking the 1988 horror classic... one minute at a time! In our 39th minute of CHILD'S PLAY, we notice Chucky's first ever laugh mixed under the radar, deduce Eddie's personality through cowardice and trigger happiness, a popculture history lesson on checkered shirts, and acknowledging the age gap between actors reflected in later continuity. Host: Mark Adams Co-Host: Dev Elson Editor: Dev Elson Executive Producer: Tony Black Twitter/BlueSky:  @ChuckyVision  Our Network:   @filmstories filmstories.co.uk Title music: At the Beginning (c) Dark Fantasy Studios Cover Art: Ama @Amasc0met Logo: Elliot @Elliottt93 Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to CHUCKYVISION, a podcast about the horror franchise Child's Play/Chucky, the surrounding culture, and other killer doll films. Mark and Dev are unpacking the 1988 horror classic... one minute at a time! In our 37th minute of CHILD'S PLAY, we talk more about a rocking chair than Chucky disappearing from it, research the real origin of the POV shot in cinema history, question how long Eddie has been living in this hideout, and appreciate the impressive fiddliness of Chucky's fingers Host: Mark Adams Co-Host: Dev Elson Editor: Dev Elson Executive Producer: Tony Black Twitter/BlueSky:  @ChuckyVision  Our Network:   @filmstories filmstories.co.uk Title music: At the Beginning (c) Dark Fantasy Studios Cover Art: Ama @Amasc0met Logo: Elliot @Elliottt93 Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Gangland Wire, I sit down with retired FBI agent Geoff Kelly, a specialist in art theft investigations who inherited one of the most notorious unsolved cases in American history—the 1990 robbery at the Isabella Stewart Gardner Museum. He recently wrote a book about this theft titled 13 Perfect Fugitives: The True Story of Mob, Murder, and the World’s Largest Art Heist. Kelly's law enforcement career began as a New York City transit police officer before transitioning to the FBI. Like many agents, he initially sought violent crime work. Instead, he was assigned to economic crimes before eventually transferring to a violent crime squad. It was there that he encountered the Gardner case—a cold case largely untouched by senior agents at the time. The robbery itself remains extraordinary: two men posing as police officers gained entry to the museum and stole 13 works of art, including masterpieces by Rembrandt. More than three decades later, none of the works have been recovered. Inside the Gardner Heist Geoff explains how art theft is often misunderstood. Popular culture portrays refined, sophisticated criminals orchestrating elaborate capers. The reality, he says, is usually more opportunistic and frequently violent. Art theft often intersects with organized crime, drug trafficking, and even homicide. Massachusetts has a documented history of art-related crimes, and several individuals connected to the Gardner investigation met violent ends. The criminal underworld surrounding stolen art is less about wealthy collectors hiding paintings in private vaults and more about leverage—using artwork as collateral in criminal negotiations. The FBI's Art Crime Evolution Following the 2003 looting of Iraq's National Museum during the Baghdad invasion, the FBI formalized its Art Crime Team. Kelly discusses how intelligence gathering, informants, and international cooperation became central tools in recovering stolen artifacts. He emphasizes that solving art crimes often depends less on forensic breakthroughs and more on human intelligence. Informants remain essential, especially in cases where organized crime overlaps with high-value theft. Kelly also discusses his upcoming book, 13 Perfect Fugitives, which explores the intersections of mobsters, murder, and the illicit art market. Organized Crime and the Reality of Stolen Art Drawing on my own experience working organized crime in Kansas City, I found clear parallels between traditional mob rackets and art theft networks. The same structures—intimidation, secrecy, and violence—apply. Once a painting disappears into criminal circulation, it becomes a liability as much as an asset. Kelly challenges the myth that thieves profit easily from masterpieces. High-profile works are difficult to sell. The black-market art world is volatile and dangerous. In many cases, the artwork becomes bargaining collateral rather than a cash windfall. A Case Still Waiting for Closure More than 30 years later, the Gardner Museum still displays empty frames where the paintings once hung. Kelly remains committed to the idea that public awareness may eventually generate new leads.  The Gardner heist stands as both a cultural tragedy and a criminal mystery—one that continues to intersect with organized crime, violence, and international intrigue. Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. Transcript [0:00] Hey, you guys, Gary Jenkins back here in studio Gangland Wire. Y’all know me. I’m a retired Kansas City Police Intelligence Unit detective and now podcaster and documentary filmmaker. I have in the studio today… Jeff Kelly, he’s a now-retired FBI agent. He was an expert in recovering stolen artifacts and art pieces. He was involved. He wasn’t involved in the original theft of the Boston art theft, the Isabella Stewart Gardner Museum, but he ended up inheriting that case. So welcome, Jeff. Hi. Thanks, Gary. Nice to be here. And guys, I need to mention this right off the bat. Jeff has a book, 13 Perfect Fugitives, The True Story of the Mob, Murder, and the World’s Largest Art Heist. Be out on Amazon. I’ll have links down below in the show notes if you want to get that book. I think it would be pretty interesting. I was telling Jeff, I just interviewed Joe Ford, the million-dollar detective, the guy that goes after classic cars, and I read that book. I love these kind of caper kind of books and caper crimes. Those are the ones I like the best is the caper crimes. And Jeff is an expert at working caper crimes. And that’s what these are, capers. So Jeff, how did you get into this? Now you came on the FBI. You were a policeman before, I believe. So tell the guys a little bit about yourself and your FBI career. Yeah, I started out with the Metropolitan Transportation Authority Police in New York City. It was a transit cop. I did that for three years. And then I got into the FBI in October of 95. [1:30] And my goal was always, I wanted to work violent crime. That’s what drew me to law enforcement in the first place, working bank robberies and kidnappings and fugitives. I had to do my five years on working economic crime, telemarketing fraud. It was interesting, but not all that exciting. And finally in 2000, I got my transfer to the violent crime squad. And I loved working it. And I did it for my entire career from then on, right up until my retirement in 2024. But back then, art theft was considered a major theft violation, [2:01] and it was worked by the Violent Crime Squad. And so in 2002… My supervisor dumped this old moribund cold case in my lap. It was the Isabella Stewart Gardner Museum heist. [2:15] Nobody wanted it on the squad, so they figured, let’s give it to the new guy. I was ecstatic to get it because I’d heard about it. I went to school in Boston. I went to Boston University and graduated the year before it happened, but I knew about it. [2:28] That’s how I started working this case, this particular case, and then the following year during the U.S., there was a, the U.S. And coalition forces invaded Baghdad in Iraq. And during a 36-hour period, more than 15,000 objects of very, very important cultural history were looted from the National Museum of Iraq. And it’s really one of the most important museums in the world in terms of our shared history. Kind of the cradle of civilization over there in the Tigers and Euphrates River. Yeah, and that was the time when the FBI kind of belatedly realized that there was no art crime team to investigate this. And of course, FBI agents have been working art theft like any other property crime since the beginning of the FBI’s existence, but there was no codified team. So they did a canvas for the team in 2004 and I applied for it because at this point I’d been working the Gardner case for a couple of years and really was fascinated by it and made the team. And so then over the next 20 years, we continued to expand the team both in size and in scope and in our intelligence base and knowledge base. And when I left the Bureau in 2024, it was and still is a tremendous team with a lot of very dedicated and professional agents and professional support. [3:51] Now, guys, if you don’t know about the Isabella Stewart Gardner case, there was a Netflix documentary on it a few years ago. It was an art museum in Boston. [4:01] Two guys showed up. They had Boston police uniforms on, and they got in. They basically, it was an armed robbery, and they took control of the museum. The guards were in there late at night and took these really valuable paintings out. I believe you told me earlier they were Remington paintings. We’ll get into that. And it was a violent crime. It was an armed robbery of paintings, and you told me about other armed robberies of paintings. I think you got into some other armed robberies of paintings. You always think of, as you mentioned before, the Thomas Crown Affair character that goes out and does these sophisticated art thefts. That’s not always true, is it? It’s never that way, but it doesn’t matter. Don’t let the facts get in the way of a good story. Everybody wants to believe that art thefts are pulled off by the Thomas Crown Affairs and these gentlemen thieves repel in through skylights and do all that fancy stuff, put it in their underground lair. That’s just not the way it works. But if you look to art theft. [4:55] Massachusetts really is a cradle of art theft in this country, and it’s very unique. The first armed robbery of a museum occurred in Boston in 1972. It was committed by a guy named Al Monday, who was a prolific art thief. And they stole four pieces from the Worcester Art Museum in central Massachusetts with a gun. They ended up shooting the guard. And one of the pieces that they stole was a Rembrandt called St. Bartholomew. [5:26] And in keeping with the milieu of true art thieves, the paintings were stored on a pig farm just over the state line in Rhode Island. And when this Connecticut safecracker by the name of Chucky Carlo, who was looking at some serious time in prison for some of the crimes that he committed, when he found out that Al Monday had these paintings, he just simply kidnapped Al Monday and stuck a gun in his ribs and said he would kill him if he didn’t give him the paintings. which is no honor among thieves. And Al turned over the paintings, Chucky returned them, and he got a very significant break on his pending jail sentence. Right here in 1972, Boston thieves see Rembrandt as a valuable get-out-of-jail-free card. [6:09] And then if we jump forward three years to 1975, there was a very skilled art thief, really a master thief by the name of Miles Conner. I interviewed Miles for my book. It was very gracious of him to sit down with me for it. And he had robbed or committed a burglary of the Woolworth estate up in Maine, the family, the five and dime family magnets. And he got caught for it because he tried to sell those paintings to an undercover FBI agent. And so he was looking at 12 years in prison for it. And he was out on bail. And he reached out to a family friend who was a state trooper. And he asked him, how can I get away with this one? How can I get out of this? Because he was in serious trouble. The trooper’s response was meant to be hyperbolic. The trooper said, Miles, it’s going to take you a Rembrandt to get out of this one. [6:57] And so Miles said, okay, I’ll go get a Rembrandt. And he got a crew together and they did a daylight smash and grab at the Museum of Fine Arts in Boston, just across the street from the Gardner. And they stole Rembrandt, the girl in a gold-trimmed cloak. [7:12] And he was able to return that painting. Instead of doing 12 years, he did 28 months. And he even managed to, he told me he even managed to get the $10,000 reward in the process. So you have this atmosphere in Massachusetts that Rembrandts are a valuable commodity, right? They can help you out in a jam. And so I think it’s no coincidence that in 1990, when the Gardner Museum heist came down, the Gardner Museum had this array of motion sensors all throughout the museum. It would alert to wherever you went, every gallery, hallway, whatever. [7:49] And we know from these motion sensors that after, as you said, the two guys went in disguised as cops and bluffed their way into the museum, they made a beeline for the Dutch room, which is the room of all things Rembrandt. They stole three Rembrandts. They stole a fourth piece called Landscape with an Obelisk, which was actually by Govard Flink, but it had been misattributed to Rembrandt until the mid 80s. And then they took a large Rembrandt oil-on-panel off the wall and it was recovered the next morning leaning against a piece of furniture. We believe they just overlooked it in the dark. So out of the 13 pieces taken, three were Rembrandt, a fourth was misattributed to Rembrandt, and there was going to be a 14th piece taken, which was also Rembrandt. It definitely falls into that theory that this was going to be a hold-on to these pieces for a while and see if you can use them for a break. [8:48] Interesting. Now, back in the 70s, for example, when somebody would work in an art robbery like that or an art theft, you got your tried and true ways of working a crime. You got to have sources, you got to have witnesses, and hopefully you can get a crime like this. You can get a source that says, hey, this guy, we had a guy in Kansas City that he was a fence for these kinds of guys. He had an antique auction and he took all this stuff and got it somewhere else. So at the time, just use your regular police methods. And what changed over the years as you’ve done this? Yeah, certainly we’ve become much more sophisticated with the techniques that we use. But at the end of the day, it’s always still going to be intelligence. But I found from working my entire career in violent crime, virtually my whole career in violent crime, the sources are crucial. Having a good informant can make and break a case. And working art theft investigations, you’re certainly going to have the same types of fences of informants, fences for stolen property and what they’re hearing about what organized crime guys are doing and what drug guys are doing. But it also opened up a whole new avenue of sources for me as working in art investigations, because now you’ve got pawn shops and gallery owners and auction houses, and they’re in a position to know when not only when stolen artwork is coming in, but also fakes and forgeries. We spoke about this, that. [10:16] Somebody comes in with one valuable piece that would be very difficult for somebody in his or her position to come across one piece like this, let alone a dozen of them. That really points to probably a fake. And so that’s really the key to solving these things is just having a good intelligence base who’s going to let us know about when something comes up that’s either stolen or it’s been forged. [10:43] Brings up a question. In my mind, did you ever work a gallery owner or a gallery [10:48] that then would filter in, knowingly filter in some fakes every once in a while? They couldn’t do it 100% of the time, but you could certainly make some extra money by filtering fakes out of it because many people would get it and they’d never know. Nobody would ever know. Listen, it is a really difficult thing when you’re working these types of crimes because unlike bank robber, you go into a bank and you stick them up with a gun and take them on. It’s not up to the government to be able to prove at trial that you knew that the bank was insured by the FDIC. You went in and you robbed it, you committed the offense. When you’re talking about interstate transportation of stolen property or possession of stolen property, there are what’s called specific intent crimes, meaning you have to prove the element of knowledge. You have to be able to prove that the person knew that that item was stolen. Not that it said it was stolen. and you had to show that they knew it. And that’s a really high hurdle to overcome. And typically what we do to try and prove that specific intent is we’re going to go through. [11:53] Recorded statements made to a source or to an undercover or emails or texts or something that we can show that this person knew that item was stolen. And so we would see that a lot in auction houses and galleries. There’s a lot of willful blindness where a lot of gallery owners and auction houses, they’re going to look the other way because it’s too lucrative to pass up. And in fact, in 2015, the art crime team, once we received information that ISIL or ISIS was using looted cultural property from Syria and Iraq as a form, a viable form of terrorism financing. And we put auction houses and gallery owners on notice in 2015, and we basically told them that if you’re selling objects of cultural patrimony or cultural heritage with a dubious provenance, like a wink and a nod, you may be unwittingly or wittingly funding terrorism. While we never charged anybody with it, hopefully it was an eye-opener that when you’re getting into this world, it’s not a victimless crime. There are very real victims involved. [13:07] And that’s one of the things that really is interesting about working our crime investigations. And I used to get ribbed by my friends who were not on the art crime team about [13:18] where like the wine and cheese squad were raised and everything. But our subjects are far from it. We’re dealing with organized crime, gangs, terrorists. This is no joke. These are serious individuals and the stakes are high. And in the Gardner case, three or four people that we believe were involved in the heist were murdered a year after the Gardner case crime occurred. Yeah, I was just going to go back to that a little bit, as we said before, a little bit like the Lufthansa case. All of a sudden, everybody that was involved in the theft. Started dropping like flies. So tell the guys about that. That is really interesting. [14:00] Yeah. So the two individuals that we believe went into the museum dressed as cops, just a week shy of the one-year anniversary, one of the guys was found dead in his apartment of an acute overdose of cocaine, intravenous. And his family admitted that he used Coke, but they said he was terrified of needles. He was scared of needles. So it really looked to be like a hotshot, an intentional overdose of cocaine. Two weeks later, the other guy who we believe went into the museum with him, his wife reported him missing. And a couple of weeks later, his bullet riddled body was recovered in the trunk of his car out by Logan Airport in East Boston. There was another member of that crew. These were all part of the same crew. This Carmelo Merlino, who was a Boston mobster, had an auto shop down in the Dorchester section of Boston. Another member of his crew, a guy named Bobby, six weeks after the heist, he brought in, he visited a jeweler in the downtown crossing jewelry district in Boston. He came in with this object and he unwrapped it. It was an eagle. [15:03] It was the finial from the Napoleonic flag that was stolen in the Gardner heist. And he asked the jeweler, how much is this thing worth? And the jeweler looked at it and he said, it’s worth nothing. Because he immediately recognized it as one of the people that had been stolen six weeks earlier from the Gardner heist. And then a few months later, Bobby was stabbed to death and nearly decapitated on the front porch of his house. And the responding police saw that his house had been broken into and ransacked like his killers had been looking for something. There was a fourth guy, Jimmy, who bragged to his girlfriend a few months after the heist that he had a couple of pieces from the Gardner Museum hidden in his attic. [15:47] And in February of 1990, 11 months after the heist, he was executed on his front porch in what the local police called a mob hit. So, yeah, these are the types of crimes that have a tendency to have a chilling effect on anybody who harbors any aspirations to come forward with information. Yeah, and we talked earlier a little bit about, like, the crime itself, and the statute of limitations is up on that, what you said, and the crime itself, but how we talked a little bit and explained to them about how this could be part of a RICO case. And you’ve got the murders and you’ve got the actual theft and whatever they did with the paintings, then maybe you could get over after a Bob boss as a Rico case. Tell the guys a little bit about doing that. Yeah. [16:32] I’ve heard it so many times in more than two decades that I worked the case and people would say, geez, why don’t people come forward? They’re just paintings. There are so many times they’re just paintings. They’re like, yeah, they are, but there’s two things about that. Number one, there’s some dead bodies on these paintings, three or four, and that there’s no statute of limitations for murder. And so if you implicate yourself in the theft or you implicate yourself in possessing or transporting these paintings at any time, the fear is that you’re then implicating yourself in a homicide. And the other aspect of this, which I think has a chilling effect, is the fact that transportation of stolen property is one of the predicate acts for RICO, racketeering influence corrupt organization case. And RICO is basically, Gary, is basically an entire organization is corrupt. Yeah. There’s no legitimate purpose. It’s what we think about the mob and the [17:27] FBI has taken down the mob in the past. So if you implicate yourself in stolen property and you’re part of organized crime, that’s one of the predicate acts for a RICO. And that’s basically life sentences. And so one of my goals in the years and years that I worked in this case was to try and convince people that you could come forward with information and the U S attorney’s offices, whether it’s up in Boston or new Haven or Philadelphia. [17:58] Would be willing to figure out a way to get the paintings back with immunity from prosecution for a RICO case. Look, that’s a high hurdle. That’s a high hurdle to convince somebody that if you come forward, you’re not going to get charged and you’re eligible for millions of dollars in reward. That’s a tough bill to swallow, but it’s the truth. I’m retired from the FBI now. I can tell you that it was, it’s a, it was, and still is a bona fide offer. And that’s one of the goals that I’ve always tried to impress on anyone is the opportunity to become a millionaire without going to jail. There you go, Jeff. Can you, now you’re not with the Bureau anymore. Can you go out, if you could go out and find them and bring them in, could you collect that reward? I would certainly hope so. [18:48] I can’t tell you how many of my friends thought that I had some of these paintings stashed in my basement. Waiting for retirement to go turn them in the next day. I think half the guys I worked with were expecting to see me pull into the parking lot of the FBI. [19:01] Big package, but no. But yeah, I suppose I could. By this point, I can tell you the amount of my very being that I put into this case over two days. Yeah. I just would love to see these paintings go back just because they need to be back at the museum. That’s where they belong. Now, these crimes, they seem, You said there’s a lot of murders attached to this. They seem a little boring. Did you have any exciting moments trying to pop anybody or do any surveillances? I know we did a big surveillance of a bunch of junkies that were going around stealing from small museums around the Midwest. And we follow them here in Kansas City. And they would have been pretty exciting had we had a confrontation with them. Did you have any exciting moments in this? It actually was a fascinating case. And for the first, there’s the really boring aspects of this job and tedious aspects. And I would say that in my, two decades working this case, I probably did, I don’t know, 50, 60, 70 consent searches, searching in attics and basements and crawling through crawl spaces and just getting sweaty and covered in cobwebs. But the break in the case for me came in 2009 when one of the guys who was part of Merlino’s crew who was deceased, his niece came forward to me and told me that the paintings. Some of them had been hidden up in this guy’s hide at his house up in Maine. I went up to Maine with Anthony Amore, who’s the director of security for the Gardner Museum. We worked on this case together for years. [20:29] And then we found that hide. And then we interviewed, right from there, we went and interviewed Guarenti. That’s the guy, Bobby Guarenti. We interviewed his widow and she broke down and admitted that he once showed her the paintings and she gave them to a guy down in Connecticut. And we identified that guy and we interviewed him. My name is Bobby Gentile. He’s a made member of the Philly Mob. He got straightened out with his crew back in the late 90s. [20:54] And he refused to cooperate. And then that’s where we really just started getting, using a lot of ingenuity to try and break it. And an agent down in the New Haven office, a guy by the name of Jamie Lawton, he joined our team and we started working this case. And he had a source who knew Gentile, Bobby Gentile, and the source started buying drugs from Gentile. Ah, there we go. We ended up arresting Gentile and we did a search warrant at his house. And it was crazy. Like we recovered, I want to say seven handguns, loaded handguns lying all over the place. He had a pump action shotgun hanging by the front door. He had high explosives. We had to evacuate the house and call him the bomb squad. But the interesting thing was he had the March 19th, 1990 edition of the Boston Herald with headlines about the Gardner heist and tucked inside that newspaper was a handwritten list of all the stolen items. With what looked like their black market values. This is in the house of a guy who swore up and down that he’d never heard of the Gardner Museum. And we were able to figure out who wrote the list. It was written by none other than Al Monday, who’s the guy that did the first armed robbery of a museum, of a Rembrandt. And we interviewed him and he told us that he wrote that list for Bobby Gentile and his buddy up in Maine, Bobby Garanti, because they had a buyer for the paintings and they wanted to know what they were worth. [22:24] So yeah, and then Gentile took 30 months. [22:28] He wouldn’t cooperate. And while he was incarcerated, we turned two of his closest friends to becoming sources. And so when he got out of prison in February or April of 2014, they started talking to him and talked about the gardener and they said they might know somebody who’d want to buy him. That’s how we then introduced an undercover agent. Gentile was introduced to Tony, this undercover FBI agent. Over six months, they had long talks about selling the paintings. Unfortunately, before Gentile would sell the paintings, he wanted to do a drug deal first, which we couldn’t allow to happen. We can’t let drugs walk on the street. So we had to take it down. And although we’d seized all these guns from Gentile back in 2012, he told the sources the FBI didn’t get all of his guns. Because of that disturbing comment, one of the sources asked Gentile if he could buy a gun for him. And Gentile sold him a loaded 38. So we arrested him again. And he still refused to cooperate. I don’t respect what he did for a living or a lot of the things that he did, but you do have to respect his adherence to his values. However, misguided they may have been, he took the code of omerta, the code of silence to heart, and he took it to his grave. He died, I think, in 2021 after going to prison a second time. [23:50] While we never got any paintings back, it was a tremendous ride, and I’m confident they will come back. It’s just going to be a question of when. Yeah, that kind of brings up the question that you hear people speculate. Did you ever run across this? Is there actually any rich old guys or an Arab sheik or somebody that buys stuff like this and then really keeps it and never shows it to anybody? Does that unicorn really exist? everybody wants that to be true i know virtually it’s not yeah there’s there’s never been a case of some wealthy what we call the doctor no theory some some reclusive billionaire with his underground lair filled with all the illicit stolen treasures of the world yeah that’s it’s never happened yeah i guess you never say never but but no look the majority statistically about three-quarters of everyone that collects art in this country does it for, and I assume it’s probably worldwide, does it for the investment potential. There’s a lot of money to be made in collecting art. It rarely, if ever, drops in value. So that’s why people collect art. If there’s somebody who has a particular piece that they want so badly that they’re going to commission its theft, it’s more the stuff of Hollywood. It could happen, but we’ve never seen that happen yet. Interesting. [25:14] We did have one case here where we had a medical doctor and he had it on the wall of his house. And it was, I believe it was a Western artist named Remington that these junkies stole out of Omaha. But it was such a minor piece that he could show it to anybody and they wouldn’t. They would say, oh, that’s cool. You got a Remington. [25:30] There’s plenty of those around. And he could afford a real deal Remington anyhow. So it wasn’t that big a deal. And that’s really what it comes down to is that art, high-end art does get stolen. It gets stolen quite often. The art market is about $60 billion, and the FBI, we estimated about $6 to $8 billion of that is illicit, whether it’s theft or fakes and forgeries. It’s a tremendous market, but it’s mostly second and third tier items. [26:02] Really valuable, well-known pieces. They do get stolen, but that’s the easy part. The easy part is stealing it. The hard part is monetizing it. That’s why you very rarely see recidivism among art thieves, high-end art thieves, because you do it once, and now you’re stuck with the thing. It’s easier to steal something else. You got to go out and boost fur coats and stuff to make a living. Exactly. Do a jewelry store robbery down there and make a living. And that’s exactly the point. That’s why you’re seeing a sea change in terms of art thefts, museum thefts. The Louvre was a great example of that. Dresden green vault robbery where 100 million euros in gems were stolen back in 2019 yeah. [26:45] Gems and jewelry, it can be broken down. It’s going to greatly diminish their value, but you can recut a gem. You can melt down the setting. You can monetize it for a greatly diminished value, but at least you can monetize it. You can’t cut up a Rembrandt into smaller pieces. [27:02] It’s only valuable as a whole complete piece. Yeah. I’m just thinking about that. We got a couple of guys, Jerry Scalise and Art Rachel in Chicago, flew to London, robbed a really valuable piece, the Lady Churchill’s diamond or something, I don’t remember, but really valuable piece and mailed it to somebody on their way to the airport and then got caught when they got back to Chicago and brought back to London and did 14 years in England and they never gave up that piece and nobody could, it never appeared anywhere, but it was just cut up and they didn’t make hardly any money off of it. Yeah. Look, there’s a, there’s much more profitable ways to. Yeah. To make an illicit living than stealing high-end artwork, but it does still get stolen. And that’s one of the cruel ironies when you’re talking about art theft is if somebody has a $20,000 piece of jewelry or a very expensive watch, they’re most likely going to lock it up in a safe in their bedroom or something. But you have a $10 million piece of artwork, you probably got it on the mantle. You’ve got it over the fireplace or in the front foyer of your house and probably doesn’t have a passive alarm system protecting it or security screws to keep it from being taken off the wall because people want to show it off. Yeah. It’s way too enticing. [28:24] Really? So, yes, you need to keep the word out there and keep this in people’s minds. And I’m sure the museum tries to do this in some ways in order, hopefully, that maybe somebody will say, oh. Yeah. [28:38] I think I saw that somewhere in this news program or on this podcast. [28:42] I’ll put some pictures on the podcast when I end up editing this. No, please do, Kerry. And that’s the thing. That’s the basis for the title of my book is it really is a fugitive investigation. And that’s how I work this case is fugitives and perfect fugitives because they’re not like their human counterparts. They’re not going to get tripped up on the silly things that we need to do as human beings, getting a driver’s license or whatnot. Yeah. [29:09] And so that’s how I worked the case. The FBI was really, I was always impressed with the FBI’s support that they gave me on this investigation. We did billboard campaigns and social media and a lot of things to get these images out there to the public, hoping it might resonate with somebody. And that’s really my goal for this book. I felt it should be written. I felt it’s an important case. Certainly, it’s something that I wanted to write about. It’s something that’s very important to me. [29:42] But it’s yet another attempt to apprehend these fugitives. And I’m hopeful that somebody, it might resonate with somebody. Somebody’s going to see something. And there’s so much disinformation and misinformation that’s out there in the media about this case. People are endlessly, all these armchair detectives, and I don’t say it in a deprecating way. Good for them. Work as hard as you can. But if you want to work this case from your armchair, great. but you should be going off accurate information because there’s a lot of bad information that’s out there on the internet. And if you want to help out, if you want to collect that $10 million reward, great, but you should be going off the most accurate factual information that’s available. Yeah. And you probably ought to go down to the deep seamy underbelly of Philadelphia or Boston or somewhere and get involved with a mob and then work your way up and make different cocaine deals and everything. And eventually you might be trusted enough that some might say, oh yeah, I’ve got those in this basement. I would suggest there’s better hobbies. [30:47] That could be hazardous to your health. I wouldn’t recommend it. Yes, it could. All right. Jeffrey Kelly, the book is 13 Perfect Tuesdays. Those are the paintings that were stolen that you’ll see on the podcast on the YouTube channel. The true story of the mob, murder, and the world’s largest art heist. Jeffrey, thanks so much for coming on to tell us about this. Thanks, Gary. Thanks for having me.

Welcome to CHUCKYVISION, a podcast about the horror franchise Child's Play/Chucky, the surrounding culture, and other killer doll films. Mark and Dev are unpacking the 1988 horror classic... one minute at a time! In our 35th minute of CHILD'S PLAY, we map out where Andy could, should, but maybe not would be travelling on the Chicago greenline, argue a tram is a train but a train isn't a tram, recognise that Chucky is definitely whispering directions, and Mark spots a blooper while Dev defends him against sneakerheads. Host: Mark Adams Co-Host: Dev Elson Editor: Dev Elson Executive Producer: Tony Black Twitter/BlueSky:  @ChuckyVision  Our Network:   @filmstories filmstories.co.uk Title music: At the Beginning (c) Dark Fantasy Studios Cover Art: Ama @Amasc0met Logo: Elliot @Elliottt93 Learn more about your ad choices. Visit megaphone.fm/adchoices

Salut les amis et bienvenue dans un nouvel épisode de La Petite Histoire du Paranormal. Qui n'a jamais reçu de poupée ou de figurine en cadeau pour un noel ou un anniversaire ? Cette semaine nous allons nous intéresser au cas de Robert Eugene Otto, un jeune garçon qui va recevoir un cadeau très particulier.  Notre histoire commence en 1906, aux Etats-Unis. Nous sommes dans une famille plutôt aisée de Key West en Floride. La famille OTTO... Un épisode écrit et mixé par Sébastien Girard, narré par Florent Mounier. Si ce podcast vous plait, commentez-le, partagez-le, et donnez-nous une petite note sur Apple podcasts. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Sorry Jack, Chucky's back. Andy is placed in a new foster home by Laura Palmer's mom! Will this NEW family believe him that there's a killer doll on the loose? The Chucky persona gets dialed in more in this sequel that culminates in the original Good Guys factory. 

Welcome to CHUCKYVISION, a podcast about the horror franchise Child's Play/Chucky, the surrounding culture, and other killer doll films. Mark and Dev are unpacking the 1988 horror classic... one minute at a time! In our 33rd minute of CHILD'S PLAY, we abolish mint custard, decypher a child's understanding of telling the truth, the psychological parallels with adult Andy, and the first movement of Chucky... Host: Mark Adams Co-Host: Dev Elson Editor: Mark Adams Executive Producer: Tony Black Twitter/BlueSky:  @ChuckyVision  Our Network:   @filmstories filmstories.co.uk Title music: At the Beginning (c) Dark Fantasy Studios Cover Art: Ama @Amasc0met Logo: Elliot @Elliottt93 Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to CHUCKYVISION, a podcast about the horror franchise Child's Play/Chucky, the surrounding culture, and other killer doll films. Mark and Dev are unpacking the 1988 horror classic... one minute at a time! In our 31st minute of CHILD'S PLAY, we recognise that quiet minutes are still essential, talk behind the scenes photos of deleted scenes between Andy and Chucky, learn what Andy and Michael Crichton both got wrong, a lot more dinosaur talk, fancy fireman furniture, and eventually get to the sinister gaslighting of Charles Lee Ray. Host: Mark Adams Co-Host: Dev Elson Editor: Mark Adams Executive Producer: Tony Black Twitter/BlueSky:  @ChuckyVision  Our Network:   @filmstories filmstories.co.uk Title music: At the Beginning (c) Dark Fantasy Studios Cover Art: Ama @Amasc0met Logo: Elliot @Elliottt93 Learn more about your ad choices. Visit megaphone.fm/adchoices

We'll talk about the ravioli video game and Chucky's new scents in today's #MikeJonesMinuteCon!See omnystudio.com/listener for privacy information.

Another bonus as we discuss the series Chucky. This time it is season 1, episode 3, "I Like to Be Hugged."

En este podcast Matías y Fer de Métrica entrevistan al productor musical Novalt. Hablaremos de su infancia en El Callao, sus influencias del freestyle y música electrónica, su etapa en la disquera Inzei Monumental con Rojas On The Beat, la llegada del maleanteo al Perú, su trabajo con 26is y García Calderón, cómo eran los shows de maleanteo, cómo conoce a Franco Danós e historia de temas como Pulsar 200, 3AM, Burlao, Tentándome, el caso actual de Franquito, la amistad de Calulo con Franquito, qué pasará con su Chucky y el remix de 3AM

Welcome to CHUCKYVISION, a podcast about the horror franchise Child's Play/Chucky, the surrounding culture, and other killer doll films. Mark and Dev are unpacking the 1988 horror classic... one minute at a time! In our 29th minute of CHILD'S PLAY, we acknowledge a moment for Karen to cry, the proactive Andy snitching on Chucky, and Dev's ongoing obsession with the apartment doorway leads to some BTS discussions. Host: Mark Adams Co-Host: Dev Elson Editor: Dev Elson Executive Producer: Tony Black Twitter/BlueSky:  @ChuckyVision  Our Network:   @filmstories filmstories.co.uk Title music: At the Beginning (c) Dark Fantasy Studios Cover Art: Ama @Amasc0met Logo: Elliot @Elliottt93 Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to CHUCKYVISION, a podcast about the horror franchise Child's Play/Chucky, the surrounding culture, and other killer doll films. Mark and Dev are unpacking the 1988 horror classic... one minute at a time! In our 27th minute of CHILD'S PLAY, we discuss the lack of branding in the Barclay kitchen, Mark's Uncle Ben tattoo, whether spice racks are lower or upper class, promising to redo Chucky's footprints, tricksy tractics from Norris inferring blame, and ask if '88 audiences knew it was a killer doll movie. Host: Mark Adams Co-Host: Dev Elson Editor: Dev Elson Executive Producer: Tony Black Twitter/BlueSky:  @ChuckyVision  Our Network:   @filmstories filmstories.co.uk Title music: At the Beginning (c) Dark Fantasy Studios Cover Art: Ama @Amasc0met Logo: Elliot @Elliottt93 Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to CHUCKYVISION, a podcast about the horror franchise Child's Play/Chucky, the surrounding culture, and other killer doll films. Mark and Dev are unpacking the 1988 horror classic... one minute at a time! In our 24th minute of CHILD'S PLAY, we start shout out no small parts with Dinah Manoff supporting the film, strong opinions on lino and planters, and an exhaustive shot by shot play by play of the first Chucky kill! Here's a mystery: who is the woman falling on the iconic Child's Play poster? Look close, it's not Maggie! Host: Mark Adams Co-Host: Dev Elson Editor: Mark Adams Executive Producer: Tony Black Twitter/BlueSky:  @ChuckyVision  Our Network:   @filmstories filmstories.co.uk Title music: At the Beginning (c) Dark Fantasy Studios Cover Art: Ama @Amasc0met Logo: Elliot @Elliottt93 Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to CHUCKYVISION, a podcast about the horror franchise Child's Play/Chucky, the surrounding culture, and other killer doll films. Mark and Dev are unpacking the 1988 horror classic... one minute at a time! In our 22nd minute of CHILD'S PLAY, we talk screenwriting 101 and how quiet minutes are just as important, the FX trick of snow in fake windows, average snowfall in Chicago compared to other cities, correcting earlier bad geography on Lake Michigan with the Lakeshore Strangler, and early motivations of Chucky. Host: Mark Adams Co-Host: Dev Elson Editor: Mark Adams Executive Producer: Tony Black Twitter/BlueSky:  @ChuckyVision  Our Network:   @filmstories filmstories.co.uk Title music: At the Beginning (c) Dark Fantasy Studios Cover Art: Ama @Amasc0met Logo: Elliot @Elliottt93 Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to CHUCKYVISION, a podcast about the horror franchise Child's Play/Chucky, the surrounding culture, and other killer doll films. Mark and Dev are unpacking the 1988 horror classic... one minute at a time! In our 20th minute of CHILD'S PLAY, we talk Maggie watching TV while reading a book, what's on the TV, and what's in her book, plus the iconic introduction of the POV shot as Chucky scampers through the apartment. Host: Mark Adams Co-Host: Dev Elson Editor: Dev Elson Executive Producer: Tony Black Twitter/BlueSky:   @ChuckyVision  Our Network:   @filmstories filmstories.co.uk Title music: At the Beginning (c) Dark Fantasy Studios Cover Art: Ama @Amasc0met Logo: Elliot @Elliottt93 Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to CHUCKYVISION, a podcast about the horror franchise Child's Play/Chucky, the surrounding culture, and other killer doll films. Mark and Dev are unpacking the 1988 horror classic... one minute at a time! In our 19th minute of CHILD'S PLAY, we talk how weird it might be that an adult serial killer is technically in bed with a child kissing him, the music stings cementing the doll is suspicious, incongruous set decoration for adults and kids, and a hilarious anecdote of a man falling off this real location. Host: Mark Adams Co-Host: Dev Elson Editor: Dev Elson Executive Producer: Tony Black Twitter/BlueSky:   @ChuckyVision  Our Network:   @filmstories filmstories.co.uk Title music: At the Beginning (c) Dark Fantasy Studios Cover Art: Ama @Amasc0met Logo: Elliot @Elliottt93 Learn more about your ad choices. Visit megaphone.fm/adchoices

Mauler's biggest red flag is if someone shows up on a date with a big red flag, our listeners support Rush's terrible sense of humour, Jenni decides her anonymous alter-ego is also going to be named Jenni, and Brady puts Chucky the doll in timeout. Love the podcast? Leave us a review!

Ocasionalmente aqui no RdM gostamos de ativar o modo nostalgia e colocar para tocar nossas antigas fitas de VHS, junto com memórias preciosas de nossa infância. Depois de comentar sobre o horror em filmes da Disney e sobre as animações acidentalmente revolucionárias da Pixar, chegou a vez de explorar os elementos de horror em uma de nossas franquias favoritas: Toy Story. Lembrando de nossas primeiras memórias com a franquia, conversamos sobre a simplicidade extremamente efetiva do primeiro filme, sobre a ótima expansão do universo e de personagens trazida pelo segundo, e a conclusão perfeita do arco dos brinquedos com o terceiro….. isto é, até a Disney resolver lançar um quarto, e um quinto…. falamos sobre isso também. Então dê play neste RdMCast repleto de nostalgia e de análises sobre o que a franquia empresta de linguagem do horror, além de seu surpreendente poder emocional ao falar sobre vidas artificiais. Mas, cuidado, seu brinquedo favorito da infância pode estar te vigiando.O RdMCast é produzido e apresentado por: Thiago Natário, Gabi Larocca e Gabriel BragaApoie o RdM e receba recompensas exclusivas: https://apoia.se/rdmCITADOS NO PROGRAMA:Toy Story (1995)Toy Story 2 (1999)Toy Story 3 (2010)Toy Story de Terror (2013)Toy Story 4 (2019)Citações off topic:Os Incríveis (2004)Pocahontas (1995)Hércules (1997)Carros (2006)Vida de Inseto (1998)Aladdin (1992)Nascido Para Matar (1987)Meu Papai é Noel (1994)A Princesa Prometida (1987)Vidas Passadas (2023)O Mascote (1933)EPISÓDIOS CITADOS:RdMCast #422 – Animações acidentalmente revolucionáriasRdMCast #423 – Especial dia das crianças: o horror na DisneyRdMCast #290 – Embate Animações: A Casa Monstro Vs CoralineRdMCast #219 – Chucky, o Brinquedo AssassinoRdMCast #358 – Franquia Jurassic Park: quando os dinossauros dominaram o cinemaRdMCast #494 – O Macaco e a inevitabilidade da morteSiga o RdMYoutube: https://www.youtube.com/c/Rep%C3%BAblicadoMedoInstagram: @republicadomedoTwitter: @RdmcastEntre em contato através do: contato@republicadomedo.com.brLoja do RdMConheça nossos produtos: https://lojaflutuante.com.br/?produto=RdmPODCAST EDITADO PORFelipe LourençoESTÚDIO GRIM – Design para conteúdo digitalPortfólio: https://estudiogrim.com.br/Instagram: @estudiogrimContato: contato@estudiogrim.com.br

Welcome to CHUCKYVISION, a podcast about the horror franchise Child's Play/Chucky, the surrounding culture, and other killer doll films. Mark and Dev are unpacking the 1988 horror classic... one minute at a time! In our 17th minute of CHILD'S PLAY, we talk Chucky's arm popping right of it's socket, kids brushing teeth too hard, Andy's funky red gamer chair, long takes showing off the apartment set, and the mindset of a podcaster/editor when every minute counts. Host: Mark Adams Co-Host: Dev Elson Editor: Dev Elson Executive Producer: Tony Black Twitter/BlueSky:   @ChuckyVision  Our Network:   @filmstories filmstories.co.uk Title music: At the Beginning (c) Dark Fantasy Studios Cover Art: Ama @Amasc0met Logo: Elliot @Elliottt93 Learn more about your ad choices. Visit megaphone.fm/adchoices

¡Real Madrid toma ventaja! El análisis del triunfo en Lisboa y la polémica entre Vini y Prestianni. ¿Está la eliminatoria sentenciada?La Selección Mexicana confirma sus últimos tres ensayos ante Ghana, Australia y Serbia. ¿Son los rivales adecuados?¿Fidalgo al Tri? El "Maguito" Álvaro Fidalgo está a un paso de vestir la verde en la Copa del Mundo.Alarma por Edson Álvarez: El "Machín" pasará por el quirófano y estará fuera dos meses. ¿Llegará al 100% para el debut mundialista?Escándalo Lozano: El hermano del "Chucky" rompe el silencio con fuertes declaraciones. ¿Por qué el San Diego FC le cerró las puertas al mexicano?Previa MLS 2026: A solo una semana del inicio de la liga, repasamos cómo se refuerzan los equipos de Estados Unidos.#ChampionsLeague #RealMadrid #Vinícius #Benfica #Mourinho #PSG #Prestianni #México#AlvaroFidalgo #ChuckyLozano #MLS

Kate Ferdinand is joined by Cilla and special guest co-host Chuckie Online, presenter, DJ and podcast host, for a powerful conversation from the perspective we don't hear often enough, the stepson.Chucky opens up about growing up with both a loving dad and a loving stepdad, and how their dynamic shaped him. He reflects on the unique balance between his mum, his dad and his stepdad, and how he never even realised he was in a blended family because it simply felt normal. He also shares the emotional impact of losing his stepdad and how the family navigated that grief together.The episode then turns to a listener dilemma. A mum is terrified that tension between her teenage son and her husband is escalating. Her son is taller now, more defiant, and when her husband raises his voice at her, her son steps in, chest puffed and ready to fight. She fears that if things ever turn physical, there will be no coming back from it.Together, Kate, Cilla and Chuckie discuss boundaries, communication, male ego, teenage triggers and the absolute line that cannot be crossed. They unpack what teenage boys are really reacting to, how past experiences can heighten protective instincts, and why protecting the relationship before it reaches breaking point is critical.An honest, emotional episode about loyalty, respect and what happens when power struggles threaten family stability. Hosted on Acast. See acast.com/privacy for more information.

Welcome to CHUCKYVISION, a podcast about the horror franchise Child's Play/Chucky, the surrounding culture, and other killer doll films. Mark and Dev are unpacking the 1988 horror classic one minute at a time! In our 16th minute of CHILD'S PLAY, we talk children resisting bedtime, the implied relationship of 'Aunt' Maggie, fictional Chicago news stations, the superfluous Eddie escaping police, offscreen manipulating from Chucky, and a lesson in split diopter shots. Host: Mark Adams Co-Host: Dev Elson Editor: Dev Elson Executive Producer: Tony Black Twitter/BlueSky:   @ChuckyVision  Our Network:   @filmstories filmstories.co.uk Title music: At the Beginning (c) Dark Fantasy Studios Cover Art: Ama @Amasc0met Logo: Elliot @Elliottt93 Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to CHUCKYVISION, a podcast about the horror franchise Child's Play/Chucky, the surrounding culture, and other killer doll films. Mark and Dev are unpacking the 1988 horror classic... one minute at a time! In our 15th minute of CHILD'S PLAY, we talk the shiny, happy Good Guy face having distinct animatronics, what real dolls would go up against him at the time, the timeless building blocks that Andy loves, and the other voices of Chucky. Host: Mark Adams Co-Host: Dev Elson Editor: Dev Elson Executive Producer: Tony Black Twitter/BlueSky:   @ChuckyVision  Our Network:   @filmstories filmstories.co.uk Title music: At the Beginning (c) Dark Fantasy Studios Cover Art: Ama @Amasc0met Logo: Elliot @Elliottt93 Learn more about your ad choices. Visit megaphone.fm/adchoices

See omnystudio.com/listener for privacy information.

In this episode, we break down GOOD WILL HUNTING — the emotional drama that launched Matt Damon and Ben Affleck into Hollywood and delivered one of Robin Williams' greatest performances. We explore the psychology behind Will's self-sabotage, the themes of trauma and vulnerability, and how the film balances raw emotion with sharp dialogue. From the unforgettable "It's not your fault" scene to the layered character arcs, we analyze why Good Will Hunting continues to resonate decades later. This isn't just a movie about intelligence — it's about identity, fear, and learning to move forward.   Chapters: 00:00 The inspirational story behind this movie 14:45 The Boston accent & Casey Affleck 19:23 Insane that 20 year olds wrote this movie 25:23 Professor Lambeau you horny dog 28:05 Will honestly screws over Chucky 32:56 Will is exactly the person he despises 35:05 What are these guys doing with their free time?? 37:55 Maybe the worst fight scene in movie history 41:06 The beautiful visual storytelling 45:21 Showing Will's subconscious battle 57:33 Our official rating & final thoughts 1:09:58 Cue the music

The second Valentine's Day Movies Actually episode takes a strong left turn from the warm and fuzzy feels of the Garry Marshall  ensemble rom-com they covered a couple years ago. This time, Kerry and Collin are joined by their resident slasher movie expert, Patrick Ripoll, to discuss the 1981 cult classic, "My Bloody Valentine" (later remade in 2009). What makes this particular masked killer so distinct from the likes of Jason, Freddy, Michael, Ricky, Chucky, et al? Why was there never a sequel to this film when there was clearly a lot that could be done with it? How does the remake hold up against the original? They get into all of these issues after Patrick and Collin talk about the coincidental movie project they both happen to be working on separately. Also, the latest and greatest in physical media with the Blu-ray Gift Exchange.  Listen to Patrick Ripoll on 96 Greers and follow his Hitchcock project throughout the year on Director's Club.  Visit collinsouter.com RogerEbert.com Follow Collin and Kerry on Letterboxd. Blu-rays covered: Sony: "Blue Moon" (2025) Warner: "One Battle After Another" (2025) "Twilight Zone: The Movie" (1983) "Shameless" - The Complete Series Universal: Woody Woodpecker: The Golden Age Collection Warner Archive: The James Stewart Collection "By The LIght Of the Silvery Moon" (1953) "The Verdict" (1946) Criterion: "Caught By the Tides" (2024) Vinegar Syndrome: "At Close Range" (1986)

We finally made it to Bride of Chucky. When Chucky got lucky! It was the franchises introduction to Jennifer Tilly's Tiffany and it pretty much changes the Child's Play franchise forever! Was that a good thing? Lets find out in today's episode.https://youtu.be/7lUON776O0khttps://rumble.com/v757r9i-bride-of-chucky-changed-childs-play-forever-hack-the-movies.html

Ricki & Tim broadcast from their new studio for the first time and Tim was absolutely not having it—he hated everything about the change while Ricki tried to keep it together. The handball vs downball vs upball debate continued after a Melbournian TikToker reignited Australia's most divisive schoolyard argument, with listeners calling in from every state with different names for the same game. A legendary songwriter got mistaken for Ghislaine Maxwell at the Grammys because of their similar hairstyles, and the internet lost it. Australian Idol returned with over a million viewers and some incredible auditions that'll make you cry. SZA defended Cher's Luther Vandross mix-up in the sweetest way, Nicki Minaj randomly came for Lizzo on Twitter with a Chucky photo, and Kim K allegedly had an intimate Cotswolds weekend with Lewis Hamilton complete with bodyguards outside their hotel room door. Plus we did the last ever Joel Jivin' in drive show history—RIP to a legend.See omnystudio.com/listener for privacy information.

Another bonus as we discuss the series Chucky. This time it is season 1, epeisode 2, "Give me something good to eat."

Welcome to CHUCKYVISION, a podcast about the horror franchise Child's Play/Chucky, the surrounding culture, and other killer doll films. For 2026, we're really taking the in-depth thing seriously as we take on CHILD'S PLAY (1988), the first Chucky film, in the Minute Podcast format! That's right! Mark and Dev are unpacking the horror classic one minute at a time! In this introductory episode, Mark and Dev explain the minute podcast format and discuss their inspiration and a couple of potential pitfalls... Host: Mark Adams Co-Host: Dev Elson Editor: Mark Adams Executive Producer: Tony Black Twitter/BlueSky:   @ChuckyVision  Our Network:   @filmstories filmstories.co.uk Title music: At the Beginning (c) Dark Fantasy Studios Cover Art: Ama @Amasc0met Logo: Elliot @Elliottt93 Learn more about your ad choices. Visit megaphone.fm/adchoices

A new kind of bonus as we start our way through the CHUCKY television series. Here we are with the premier episode, "Death by Misadventure."

Ben Maller talks about Jon Gruden rejecting interest from the Jets to join Aaron Glenn's coaching staff, Aaron Glenn firing six assistants from his staff, Grizzlies owner Robert Pera's pickup skills and jealous of Justin Timberlake, Too Much or Not Enough, and more!See omnystudio.com/listener for privacy information.

This week on FREAKQUELS, Johnny law has given EJ and Rory the choice between attending Kent academy or jail. Having burned a lot of bridges in the clink, they decide to give the military academy a go. After blowing off formation to review “CHILD'S PLAY 3”, Cadet Lieutenant Colonel Chris Conforti subjects the jerks to brutal punishment, intense training, and multiple rounds of Hide the Soul, which was enforced by Uncle Sam's favorite demonic doll, Chucky. All in all, the whole experience wasn't nearly as bad as the gang's trip to Disney.

The gloves are off. Don Lemon has officially clapped back at Nicki Minaj after the rapper launched a homophobic, profanity-laced tirade against him on X (Twitter). Following Lemon's livestream of an anti-ICE protest at Cities Church in St. Paul, Minaj called for his arrest, labeling him a "thug" and a "disgusting" journalist. In this episode, we break down Lemon's blistering TikTok response where he called Minaj a "homophobic bigot" and a "pick-me," while shockingly suggesting she should be deported under President Trump's new immigration rules. We analyze the "receipts" on both sides—from Minaj's Chucky-meme attacks to Lemon's comments on her family's legal history.

Chucky Gets Lucky. BANG-UARY continues with the 1988 sequel BRIDE OF CHUCKY. Former girlfriend Tiffany's attempt to rekindle her romance with Chucky backfires when he murders her and transfers her soul into a doll just like himself. They manipulate an unsuspecting young couple to help them reach a magical amulet that could restore them to human form. Also this week: The wonderful Pecson Absboy, Jennifer Tilly Impressions, and Lance and Ben have a movie pitch for you! All this--and a whole lot more--on this week's episode of NEON BRAINIACS!! "Rude f---ing doll." ----- Check out our Patreon for tons of bonus content, exclusive goodies, and access to our Discord server! ----- Bride of Chucky (1998) Directed by Ronny Yu Written by Don Mancini Starring Jennifer Tilly, Brad Dourif, Katherine Heigl, Nick Stabile, Alexis Arquette, and John Ritter ----- 00:00 - Intro & Opening Banter 41:50 - "The Shpiel" 01:05:50 - Film Breakdown 01:49:45 - Stump The Brainiacs & Outro

New Hallmark movie to review, and this one's taking love deep into the rainforest.ABOUT LOVE ON THE AMAZONClaire travels to Brazil and hires Danny, a riverboat captain, to help her deliver an important message for her sister Amelia, a marine biologist studying pink dolphins on the Amazon River.AIR DATE & NETWORK FOR LOVE ON THE AMAZONJanuary 17, 2026 | Hallmark ChannelCAST & CREW OF LOVE ON THE AMAZONJaicy Elliot as ClaireRafael de la Fuente as DannyBRAN'S LOVE ON THE AMAZON SYNOPSISClaire is house-sitting for her sister while she's in the Amazon for work when a letter arrives saying her sister has been accepted for a fellowship, but she needs to sign it by the end of next week. With no way to contact her, Claire decides the only option is to deliver it herself.She hops on a plane and hires a riverboat captain named Danny to take her to her sister, but Danny says the location is too remote. Undeterred, Claire joins the next excursion headed in the right direction, planning to figure it out as she goes. Unfortunately, it's going to take way too long. She tries hiring other guides, but no one wants to go that far into the jungle.Eventually, she runs into Danny again, and he gives in once he realizes who her sister is. They actually know each other. So off they go.Along the way, they stop in different villages. At first, the crew isn't thrilled with Claire, but eventually they warm up to her and basically let her join the team. They get as far as they can by boat and then have to continue on foot through the jungle. During the trek, Claire panics, thinking she hears her sister calling out to her, but it turns out to just be the “tree of Chucky.” Classic jungle moment.After a long journey, she finally finds her sister. She delivers the paperwork, and the sisters start talking about Danny. Claire insists she could never be with him—unfortunately, Danny overhears this and is clearly hurt.That night, there's dancing. Instead of asking Claire to stay, Danny says he's leaving and peaces out. Claire's sister talks some sense into her and convinces her not to let him go. Claire hops into a small boat, chases down the bigger one, and tells Danny she's staying in the Amazon.They kiss. Watch the show on Youtube - www.deckthehallmark.com/youtubeInterested in advertising on the show? Email bran@deckthehallmark.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Chucky the killer doll finally says I Do! This week we tackle Bride of Chucky, where we meet Tiffany the ultimate badass, their love is toxic, but the dolls still have better chemistry than the humans... Expect plastic violence (and sexy time), peak '90s energy, and the moment the franchise fully embraced being unhinged. TikTok: https://www.tiktok.com/@wheel.of.horror7?is_from_webapp=1&sender_device=pcYouTube: https://www.youtube.com/@wheelofhorrorpodcast1802/videosApple Podcast: https://podcasts.apple.com/us/podcast/wheel-of-horror/id1534102813Spotify: https://open.spotify.com/show/3HnyAISG8Z8hvMFdSG60tE?si=9b785cf21c7f46a3Instagram: https://www.instagram.com/wheel_of_horror/Twitter/X: https://twitter.com/HorrorWheel

Liga MX: Previa de la Jornada 3 con los duelos estelares: Tigres vs Toluca y Pachuca vs América.Real Madrid: ¿Qué está fallando en el conjunto merengue? Debatimos si la responsabilidad es de la plantilla.Manchester City: El fichaje de Marc Guéhi refuerza la zaga de Guardiola. ¿Son los máximos favoritos a ganar la Premier League y la UEFA Champions League?Panamá vs México: Thomas Christensen analiza al Tri de Javier Aguirre antes de su enfrentamiento.USMNT: Matt Turner peleará por la titularidad bajo las órdenes de Mauricio Pochettino.San Diego FC: Mikey Varas confirma que no contará con el "Chucky" Lozano.No olvides suscribirte y activar la campanita.#LigaMX #ClubAmerica #ManchesterCity #RealMadrid #SeleccionMexicana #Pochettino#ChuckyLozano #JavierAguirre #Mundial2026

The latest episode of the Livin' in San Diego podcast, with hosts Chris Erickson and Cassidy Lewis, covers their weekend activities, including a six-mile hike on Iron Mountain, a frustrating youth soccer tournament, and watching the Bills and Niners win. The hosts also discuss Chris's home remodeling journey and the challenges of selecting materials and retexturing walls.In sports, they provide an update on San Diego State basketball's ranking (64th nationally) and their upcoming move to the Pack 12 conference in 2026. Cassidy shares his upcoming football picks for the weekend, following a perfect six-for-six record last week. They also cover the departure of Chucky Lozano from San Diego FC after one season.The "New to Do and a Do" segment features the new Crispy Cones franchise in Carlsbad, owned by former San Diego Charger Tyrell Williams, and a reminder about San Diego Restaurant Week, running from January 25, 2026, to February 1, 2026. Finally, the "San Diego Story of the Week" traces how San Diego became a craft beer city, from its first brewery in 1896 to the modern revival sparked by home brewing becoming legal in 1978, and the opening of early microbreweries like Karl Strauss. Livin' in San Diego – Your go-to podcast for all things San Diego! Join Chris and Cassidy as they explore the best of America's Finest City—what they're up to, what to do, and the people who make this place special. We'll share our own experiences and bring on local guests to tell their stories, from business owners and creatives to community leaders and longtime locals. Whether you're a San Diego native or just curious about the lifestyle here, tune in weekly for laid-back conversations and insider tips on what makes this city shine.Hit us up: hello@livininsandiego.com

Big fella doesn't know the difference between a party or a gizmo. Everyone wants to know what's happened to the Tamogochi's, so we kick off with the all important news that the contest is already over, followed by some general catch up and dribble, including what movies we've been watching and a team trip to all get tidied up at the barbers. Pub Of The Week takes us out near Thargo way and Dump Finds are back for the year and there are some rippers this week! We cover the devastation happening with the current fires and floods during the News and then bring it home with one of the best Poo's Reviews yet, with a very special surprise in there. Enjoy the rest of your week legends! Note: this episode was recorded prior to Chucky's crash at Dakar. We're all behind you brother to do the best you can. Ever wanted to watch the Podcast? Check out full visual, uncut and ad-free versions on our Patreon. Only $5 a week plus access to all of our exclusive vlogs. Our four part film series from Darwin is now out, over 2 hours of exclusive content from a wild trip in the NT: patreon.com/alphablokespodcastBetter Beer: Jog in a can, win in a tin, the athletes choice. Try their new Halfy's at any bottle-o near you: https://www.betterbeer.com.au/Neds: Whatever you bet on, take it to the neds level: https://www.neds.com.au/SP Tools: Schmicker tools for an even schmicker price, use code "ALPHA" at checkout for 10% off and check out their brand new catalogue: sptools.comPapa Macros: ready made unreal meals if you're too flat out to meal prep Sunday arvo. Use the code "ALPHA" for $30 off your first order or "ALPHA10" for any reoccuring order for 10% off at papamacros.com.au OR simply use the links below:$30 off your first order: https://www.papamacros.com.au/?coupon-code=ALPHA&sc-page=shop10% off: https://www.papamacros.com.au/?coupon-code=Alpha10&sc-page=shop0:00 - Tamogochi Updates12:00 - BOM Radars18:00 - Weekends / TV Shows & Movies31:06 - Pub Of The Week40:36 - Pep And Poo's Dump Finds For You50:16 - Teching Out54:12 - Cooking/Eating1:04:04 - Alpha News1:25:19 - Motivation1:34:05 - Poo's Reviews Hosted on Acast. See acast.com/privacy for more information.

This week, SNL's Sarah Sherman returns on the heels of the release of her new HBO special, “Live + In the Flesh.” Sarah and Mike discuss why Sarah goes to therapy three times a week, which SNL cast member Sarah is jealous of, and the difference between Sarah Sherman and her stage persona Sarah Squirm. Plus, the Weekend Update character that Lorne Michaels himself thought of for Sarah to play.Please Consider Donating To: Trans Lifeline Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

For Patreon subscriber Mo Martinez!  LOVE TRIVIA WITH BUDDS? CHECK OUT THE MNEMONIC MEMORY PODCAST!  "Knowledge is rooted in memory—listen to The Mnemonic Memory Podcast today." http://www.themnemonictreepodcast.com/ Fact of the Day: The New Jersey Reds (now Washington Generals) once beat the Harlem Globetrotters. The Globetrotters weren't paying attention to the time and had to finish the match playing normal basketball. Triple Connections: Donut, Juror, Month THE FIRST TRIVIA QUESTION STARTS AT 01:36 SUPPORT THE SHOW MONTHLY, LISTEN AD-FREE FOR JUST $1 A MONTH: www.Patreon.com/TriviaWithBudds INSTANT DOWNLOAD DIGITAL TRIVIA GAMES ON ETSY, GRAB ONE NOW!  GET A CUSTOM EPISODE FOR YOUR LOVED ONES:  Email ryanbudds@gmail.com Theme song by www.soundcloud.com/Frawsty Bed Music:  "EDM Detection Mode" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ http://TriviaWithBudds.com http://Facebook.com/TriviaWithBudds http://Instagram.com/ryanbudds Book a party, corporate event, or fundraiser anytime by emailing ryanbudds@gmail.com or use the contact form here: https://www.triviawithbudds.com/contact SPECIAL THANKS TO ALL MY AMAZING PATREON SUBSCRIBERS INCLUDING:   Mollie Dominic Vernon Heagy Brian Clough Sarah Nassar Nathalie Avelar Becky and Joe Heiman Natasha raina Waqas Ali leslie gerhardt Skilletbrew Bringeka Brooks Martin Yves Bouyssounouse Sam Diane White Youngblood Sarah Lemons Trophy Husband Trivia Rye Josloff Lynnette Keel Nathan Stenstrom Lillian Campbell Jerry Loven Ansley Bennett Gee Jamie Greig Jeremy Yoder Adam Jacoby rondell Adam Suzan Chelsea Walker Tiffany Poplin Bill Bavar Sarah Dan  Katelyn Turner Keiva Brannigan Keith Martin Sue First Steve Hoeker Jessica Allen Michael Anthony White Lauren Glassman Brian Williams Henry Wagner Brett Livaudais Linda Elswick Carter A. Fourqurean KC Khoury Tonya Charles  Justly Maya Brandon Lavin Kathy McHale Chuck Nealen Courtney French Nikki Long Mark Zarate Laura Palmer  JT Dean Bratton Kristy Erin Burgess Chris Arneson Trenton Sullivan Jen and Nic Michele Lindemann Ben Stitzel Michael Redman Timothy Heavner Jeff Foust Richard Lefdal Myles Bagby Jenna Leatherman Albert Thomas Kimberly Brown Tracy Oldaker Sara Zimmerman Madeleine Garvey Jenni Yetter JohnB Patrick Leahy Dillon Enderby James Brown Christy Shipley Alexander Calder Ricky Carney Paul McLaughlin Casey OConnor Willy Powell Robert Casey Rich Hyjack Matthew Frost Brian Salyer Greg Bristow Megan Donnelly Jim Fields Mo Martinez Luke Mckay Simon Time Feana Nevel

Shoddy upkeep leads to a killer's soul returning thrice, but this time, he has to waste the ranks at a military school in order to transfer his soul. Join us for our Midnight Ritual of Child's Play 3(1991)! Kevin Davis: https://www.kevisyde.com/ Madame Wyrd: https://www.amazon.com/Venture-Book-Deception-Star-Chronicles/dp/1300467851 TNC: https://linktr.ee/thenightclub Special Guests: Kevin Davis and Madame Wyrd.

Picture this: It's 1988, the height of the slasher era, and a seemingly innocent Good Guy doll - freckle faced, red haired, sweet voice - becomes the vessel for one of the most ruthless serial killers ever. Merry Christmas, Andy! Enjoy your new toy!"Hi, I'm Chucky...wanna play?"Directed by Tom Holland (not Spider-man!) and featuring the incredible voice work of Brad Dourif, Child's Play (1988) spawned one of the more enduring franchises in horror movie history!

In this third hour: - Tobin talks about a possible Tyler Herro for Trae Young - Why they should make this trade if a draft pick is included - Matthew Tkachuck close to make his season debut for the Cats

Winner of the 2025 Dakar Bike Rally and one of our great mates Daniel "Chucky" Sanders joins us for a yarn to reflect on the massive year he had in 2025. Whilst taking us on tour for the super cross in Melbourne, Chucky joined us to take us through an incredible year in his career, including taking out his first Dakar and almost completing a perfect year in his championship super cross run. We touch on the grueling and rewarding parts of his epic win and also cover the recent activity that has been occurring at his home farm. Was great to finally get him on to tell us all about his win and hopefully he can smash it again this year, as he'll be racing in the 2026 Dakar as soon as this drops. Show the legend all the support and get behind to hopefully make it two in a row! Enjoy trendsetters. Follow Daniel on Instagram to check how he's tracking for the race this year: https://www.instagram.com/danielsanders_11/?hl=enEver wanted to watch the Podcast? Check out full visual, uncut and ad-free versions on our Patreon. Only $5 a week plus access to all of our exclusive vlogs. Our four part film series from Darwin is now out, over 2 hours of exclusive content from a wild trip in the NT: patreon.com/alphablokespodcastBetter Beer: Jog in a can, win in a tin, the athletes choice: https://www.betterbeer.com.au/Neds: Whatever you bet on, take it to the neds level: https://www.neds.com.au/SP Tools: Schmicker tools for an even schmicker price, use code "ALPHA" at checkout for 10% off and check out their brand new catalogue: sptools.com0:00 - Melbourne Supercross Event6:10 - 2025 Dakar Rally11:25 - Practice & Simulations15:00 - Winning Dakar23:00 - Post Win Celebrations & Press Tour30:52 - Other 2025 Race Season Wins38:30 - Final Race Of The Season 45:00 - 2026 Goals51:15 - Sanders' Farm Update Hosted on Acast. See acast.com/privacy for more information.

Mark's back from a couple weeks with the Gill-man, Shane Gillis! Then the boys spend some time worshipping Anne Hathaway for her cinematic choices. Joe gets offered an illicit drug and is almost forced into a foursome! Then deals with the big old Norovirus! It's Tuesdays!  Our Stuff: - http://www.patreon.com/tuesdays - youtube.com/tuesdayswithstories Find and cancel your unwanted subscriptions with Rocket Money athttps://www.rocketmoney.com/TUESDAYS Support the show & sign up for your $1/month trial of Shopify at https://www.shopify.com/tuesdays Treat yourself to gear that looks great, feels great, & doesn't break the bank. Sign up as a VIP & get 80% off everything at  https://fabletics.com/TUESDAYS