Podcasts about film commentary

Send us Fan MailWhat is Dudeism and is it really a religion? We chat about how the Dude inspired a religion (yes, it's a real one!) and why the core philosophy of Dudeism matters. Our conversation also explores why bowling fits the film and philosophy of the Dude.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us Fan MailWe're back with another Coen brothers film! We chat about the use of the stranger at the bar in the film and what the main lesson to learn from the Dude. In the podcast, we also explore the meandering, almost nonsensical structure of “The Big Lebowski”, and how that adds to the main feeling and takeaway from the film.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us Fan MailTim Burton is has such a recognisable visual style, but would that have happened if he had catered to a mainstream audience? In this episode, we chat about when a director is able to develop their own visual style and why style with substance doesn't last long in the film industry. Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us Fan MailWith recent films like “Titane” and “The Substance”, are we entering a new wave of body horror films? In this episode, we chat about the creepiness of body horror and how how technology has changed the modern day “look” of the genre.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us Fan MailWhy are ghosts not taken seriously? It seems that ghosts are pretty harmless compared to other scary creatures. We chat about what makes a creature scary and how romanticising ghosts may have influenced our perception of them.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us Fan MailWe've decided to watch “Beetlejuice”, because Cheryl can't stomach many horror films. There are many cult classic horror films, many of which are set in haunted houses. Why are haunted houses the perfect setting? And, what does Beetlejuice do differently with the haunted house?Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us Fan MailWhat makes a Kubrick film? In this episode, we chat about Stanley Kubrick, the undeniable quality of his films, and what makes his films so highly discussed. We also end the episode talking about the “Bait”, starring Riz Ahmed, and chat about who we want to be the next James Bond.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us Fan MailWhat was real and what was a dream in “Eyes Wide Shut”? In this episode, we talk about the use of dreams in films and how it makes the audience feel. We also chat about the source material 1926 German novella ‘Dream Story' by Austrian writer Arthur Schnitzler - and what a character he seemed to be!Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us Fan MailWill Alice and William's marriage last after the events of “Eyes Wide Shut”? We chat about how jealousy is often the cause of miscommunication and drama in filmmaking. Our conversation ends with a discussion of our favourite real-life couples.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us Fan MailMaybe the weirdest and most disturbing of the films we've watched on this podcast! We're chatting about Kubrick's “Eyes Wide Shut”, particularly about how sex is depicted on film and how it compares with the depiction and sexual themes across “Rocky Horror Picture Show” and “Being John Malkovich”.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us Fan MailWhy does Charlie Kaufman have a cult following? In this episode, we chat about our thoughts on Charlie Kaufman films, particularly what we remember from them and whether we enjoy them or not. We also discuss what makes surrealist films difficult to engage with, especially compared to other genres.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

In Episode 528, Jose and Ryan are joined by Ed and Nina Martinez to talk about the new Physical release of Hellraiser 2022, and the parts they helped with.    This is the Clive Barker Podcast, where long-time fans Ryan and Jose interview guests, bring you the news, and take deep dives into Barker-related stuff.  This episode will be available in Podcast Audio and Youtube Video.     Sponsor : Don Bertram's Celebrate Imagination | Pinterest | ETSY Store Check out his recent painting, Dreams I and Dreams II,  Untitled Abstracts, and The Messenger   Sponsor : Ed Martinez YouTube Channel 2001: The Future's Not What it Used to Be Sponsor : The Now Playing Podcast     Discussion: Hellraiser 2022 in 4K (Turbine Media) The Media Book Disc 1 (Ultra HD Blu-Ray) Hellraiser 2022 in UHD Audio Commentaries: David Bruckner | Sierra Spencer & Josh Russell Disc 2 (HD Blu-Ray) Hellraiser 2022 in HD Audio Commentaries: David Bruckner | Sierra Spencer & Josh Russell Disc 3 (Blu-Ray Bonus Features) Trailers for Hellraiser 1,2,3,4,Judgement German and English Such Sights - Reimagining Hellraiser Creating Cenobites Leviathan Tech Trailer Bonus Material | Trailer-Show   Show Notes Turbine's Release of Hellraiser (2022) Keith Thompson's Cenobite concept art on his Blog : The Council of Leviathan Unused Cenobites and concept art by Peter Mohrbacher (Artstation) and more on his own website(vandalhigh) Martin Emborg's Designs and Schematics of the Lament Configuration and also more here, including different configurations and alternative early designs. Polygon Interview with the box designer Martin Emborg     Coming Next News and Interviews Book Club of Blood - Human Remains Clive's Contemporaries: 1986   And this podcast, having no beginning will have no end.   web www.clivebarkercast.com Apple Podcasts,  Android,  Amazon Music, Spotify, Pandora, Libsyn, Tunein, iHeart Radio, Pocket Casts, Radio.com, and YouTube and Facebook: | BarkerCast Listeners Group | Occupy Midian  BlueSky | Reddit | Discord Community   Support the show Buy Our Book: The BarkerCast Interviews Occupy Midian  Hardcover | Kindle | Apple Become a Patreon Patron | Buy a T-Shirt   Music is by Ray Norrish   All Links and show notes in their Entirety can be found at https://www.clivebarkercast.com     AI Summary   Quick recap This podcast episode focused on discussing the 4K Blu-ray release of Hellraiser 2022 from Turbine Media, with hosts Ryan and José joined by Ed and Nina Martinez. The discussion covered the two commentary tracks - one with director David Bruckner and another with effects team members Josh Russell and Sierra Spencer - exploring the film's production details, practical effects, and design elements including the puzzle box configurations created by Martin Emborg. The group examined the movie's technical aspects, including the loom mechanism, Cenobite designs, and location shooting in Serbia, while also discussing the film's connection to Clive Barker and its place within the Hellraiser franchise. They also reviewed the special features on the Blu-ray, including trailers for all Hellraiser movies and various featurettes about the production process.   Hellraiser 2022 Blu-ray Analysis The group discussed the Hellraiser 2022 4K Blu-ray release from Turbine Media, which was the first physical release in Ultra HD anywhere. They reviewed the German booklet included with some editions, which José had helped translate, and discussed the movie's production details including the puzzle box designs by Martin Emborg. The participants, including Ed and Nina Martinez, praised the David Bruckner commentary track and shared observations about the film's visual differences between streaming and Blu-ray versions. They also discussed Easter eggs in the film, including a Clive Barker print and a Johann Fusil painting, and explored the connection between the new Hellraiser film and David Goyer's previous work on "The Night House." Hellraiser Art Book Discussion The group discussed the creation of an art book for the Hellraiser film, with Ed expressing interest in helping produce it and noting that the Russells had previously shown interest in creating such a book. They discussed the film's commentary track, where David Bruckner revealed he hadn't watched the movie since completing it years ago. The conversation also covered potential extended scenes, particularly regarding the death of the lawyer character, though the group noted these scenes may not have been filmed. Film Commentary and Production Insights The group discussed commentary tracks for a film, particularly praising David Bruckner's commentary for being engaging without dead air. Ed shared details about creating a commentary track with Josh, Spencer, and Sierra Russell, noting that Nina helped coordinate it. They discussed the film's production, including abandoned subplots and design elements, such as the character Mask and a rejected bloodier design for Pinhead. Ed mentioned that photos of the alternative Pinhead design were available on their YouTube channel. Cenobites and Leviathan Tech Design The group discussed the design and creation of the Cenobites and Leviathan tech in a movie, focusing on specific details like the appearance of the Hellpriest, the materials used for the suits, and practical effects. They noted the challenges faced by actors wearing heavy silicone appliances and the adjustments made to makeup during filming. The conversation also touched on the aesthetic choices, such as the shininess of the Leviathan tech and the decision to move away from leather suits, though some participants expressed a preference for the traditional look. Hellraiser Production Effects Discussion The group discussed production details and creative decisions from a Hellraiser movie, focusing on practical effects and character transformations. They examined the choice to use a "hurdy-gurdy" instead of a loom, and discussed the practical mechanics of the device worn by Goran under his clothing. The conversation also covered the Faraday cage concept and its potential use as a protective barrier against Cenobites, noting how the film combined elements from Hellraiser 1 and 2 while incorporating significant practical effects including miniature sets for the labyrinth. Hellraiser Movie Bonus Features The group discussed the Hellraiser movie, focusing on the transformation scene and commentary tracks. They explored the bonus features on Disc 3, including trailers for various Hellraiser movies in both English and German. The conversation also touched on the creators' workshop space and their previous work on films like The Ritual and The Night House. The discussion concluded with a debate about the best way to watch movies, particularly atmospheric ones, with a preference for theater or high-quality home viewing over mobile devices. Unused Movie Concept Art Review The group discussed various aspects of a movie, including concerns about content and design choices. They examined unused concept art by Keith Thompson, including designs for Cenobites and other characters. The discussion covered details about specific character designs, transformations, and technical elements that were considered but not used in the final film. José shared images from Thompson's blog and explained some of the design decisions, while Ed and Ryan provided additional context and trivia about the film's production. Leviathan Concept Art Review José presented concept art designs for the film Leviathan, including detailed illustrations of Cenobites, the brother puppet, and the character Leviathan itself. He shared designs by both Keith Thompson and Peter Morbacher, noting that while Thompson's designs were ultimately used in the film, Morbacher's alternative concepts, such as a different version of Butterball and various Cenobite designs, were not implemented. The group discussed how some designs incorporated elements like skin capes and unique facial features, with Ed commenting on the use of CG in the film compared to previous projects with Doug Bradley. Hellraiser Design and Special Effects The group discussed the design and creation of the Hellraiser movie, focusing on the Cenobites and special effects. They explored how the writers approached the story, including early concepts and how they incorporated elements from Clive Barker's work while maintaining the film's unique tone. The discussion also covered the "Leviathan Tech" feature, which examined the mechanical torture devices worn by the Cenobites, and highlighted the challenges in bringing these designs to life, particularly for the Chatterer character.  

Send us Fan MailWhy did Charlie Kaufman choose to make the main character a puppet master? We chat about how puppets and the idea of being a “puppet master” is used throughout the story to symbolise power imbalances and identity.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us Fan MailWhy did Charlie Kaufman choose John Malkovich? In this episode, we chat about John Malkovich and the various versions of himself in the film. We also chat about actors playing themselves or playing each other, particularly talking about the types of actors that get chosen to play themselves.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send a textLaura joins Lara in our annual Oscars special, where they share thoughts on this year's film, their hot takes and predictions for this year's Academy Awards.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send a textWelcome to the brain of John Malkovich! So far, in 2026, we have watched some pretty weird films, but while weird, they weren't as surrealist as “Being John Malkovich”. In this episode, we chat about what makes a film surrealist and discuss the uncomfortable and creepy nature of this genre of film.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send a textWhile Rocky Horror might not be as shocking now, it was definitely shocking and controversial when it first came out in the 70s. In this episode, we chat about the bravery of the filmmakers in creating such a bold film that deals with topics that audiences might not be ready to watch. We also postulate what kinds of topics future cult classics might focus on.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send a textWhat makes something camp? In this episode, we talk about how camp Rocky Horror Picture is and how its camp aesthetic and sensibility makes it timeless. Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send a textWhat is eventising and how does Rocky Horror use events to keep its fans engaged in the fandom? We chat about the experiential element of Rocky Horror Picture Show, particularly the sense of expression and belonging that cult followers feel when they participate in a midnight screening of the film.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us a textLet's do the time warp again! We couldn't resist watching the most popular cult classic of all cult classics - Rocky Horror Picture Show! This episode, we chat about how we first got introduced to the film, it's stage origins and how it became popular.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us a textWhat are musical fantasies and what are the common tropes within them? In this episode, we chat about the musical fantasy genre, comparing “Labyrinth” with other famous musical fantasies, such as The Wizard of Oz, Into the Woods and Shrek. We also chat about what works and doesn't work for us in this genre.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Yes… we're doing it again.Holly & Matthew return to Wolf Creek for a full watch-along commentary, folding in everything they learned while researching Episode 272 — the trivia, the controversies, the odd little production quirks, and the lingering weirdness that's cropped up since.If you've ever wanted to watch the film armed with far too much context (and a healthy sense of unease), this one's for you. Hit play, sync up, and come suffer joyfully alongside us.Become a supporter of this podcast: https://www.spreaker.com/podcast/weird-crap-in-australia--2968350/support.

Send us a textHas Labyrinth turned us into David Bowie fans? In this episode, we chat about what makes David Bowie special, including his music, Ziggy Stardust, his style and his legacy. We also chat about the concept album and use of storytelling, comparing David Bowie to Lady Gaga and Taylor Swift.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us a textWhere have all the puppets gone? In this episode, we chat about the use of puppets in Labyrinth and how puppetry has become a lost art. We also touch on whether VFX is the new puppeteering and whether the use of physical props and effects (such as puppets and explosions) could help with realism in filmmaking.Corridor Crew VFX Artists React: https://www.youtube.com/watch?v=M4nGxX2mHOs&t=379sLet us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us a textTo celebrate its 40th anniversary, we are starting 2026 with the very strange “Labyrinth”! In this episode, we chat about who the film was made for and how it achieved its cult following.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us a textTo start of the second half of the 2020's, we invited Faus back to the podcast to chat about our top 3 films of the last 5 years. What were your favourites of the decade so far? Let us know on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us a textWhat were our top 5 five films of 2025? Listen into our annual wrap up episode where we chat about our favourite films of the year and what we are looking forward to in 2026!Let us know what you think and chat with us on Twitter: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

In Episode 070 of FROM THE COMMAND CENTER join TFG1Mike and Jesse Ras as they give you a 30th anniversary discussion and FILM COMMENTARY of MIGHTY MORPHIN' POWER RANGERS THE MOVIE!!!! So yeah the 70th episode has been two years in the making, and we have finally got a film commentary for the film. So check it out, and play our audio along with the film!!! And as always MAY THE POWER PROTECT YOU!!!The GCRN Geek Meter!Join The GCRN Discord HERE!USE TFG1Mike's LinkTree to Follow Him!!Use Steve Megatron's LinkTree to Follow Him!!FTCC Asks You: What Do You Think Of MMPR THE MOVIE 30 YEARS LATER?

Welcome to the annual MOB Holiday episode—a celebration that's shaken, not stirred! In true MOB style, we just couldn't resist diving back into On Her Majesty's Secret Service. After all, what are the holidays without a little George Lazenby? This is the ultimate Bond Christmas, and you're invited to our second-ever MOB watchalong party with JW, Chris Wood, and the legendary Tom Sears from James Bond Radio. It's the present every Bond fan dreams of! So grab your favorite format—laserdisc, VHS, DVD, Blu-ray, or your digital copy of OHMSS—and get ready to join our commentary ride. Think of us as your holiday bonus feature, complete with laughs, trivia, and plenty of cheer. No matter how you watch, we'll help you sync the film perfectly, or just kick back and listen to the podcast—because you already know every scene! Happy Holidays, and may your season be as epic as the Bond Bobleigh chase, from all of us at Music of Bond and James Bond Radio!

Send us a textAre we watching more comedy than ever before? In this episode, we chat about other forms of sketch comedy, including SNL and sketches on social media. We also postulate whether we have come back full circle to a more wholesome and “backyard” style of comedy that is more similar to Monty Python.Let us know what you think and chat with us on Twitter: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us a textWe chat about the core hallmarks of Monty Python, particularly the comedy troupe's history and the entirety of their franchise. We also postulate why they became so popular and how they have made their intellectual perspectives accessible to all audiences.Let us know what you think and chat with us on Twitter: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us a textWhy is “Monty Python and The Holy Grail” a cult classic? In this episode, we chat about sketch comedy and how its niche and polarising qualities help form cult followings. We also chat about our history with Monty Python and how it's changed from our childhood to now.Let us know what you think and chat with us on Twitter: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us a textWhat makes a film a cult classic? We chat about the key characteristics of a cult classic film, and how film criticism may or may not have shaped our top 100 lists. The episode ends with a chat about our own personal favourite cult classics.Let us know what you think and chat with us on Twitter: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us a textHow does “But I'm a Cheerleader” use humour to show a different perspective on conversion therapy? In this episode, we chat about the use of satire in storytelling and recent examples of satirical films. We also chat about whether satire is effective and compare it to other genres.Let us know what you think and chat with us on Twitter: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us a textIn this episode, we chat about the gendered themes within “But I'm a Cheerleader”, particularly how the film treats and satirises conversion therapy. We also chat about gender and the performative element of “fitting into your gender stereotype”. Let us know what you think and chat with us on Twitter: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Send us a textWelcome to the Cult Classic genre! In this episode, we chat about the enemies to lovers trope, and discuss how this cult classic follows the general structure of a romcom. To wrap up the female friendship genre, we also compare Megan and Graham to Needy and Jennifer.Let us know what you think and chat with us on Twitter: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

This week on The Post Credit Scene Podcast, Huss, Gaz, and Bisola are joined by Jamaal Burkmar, award-winning choreographer and fast-rising film & TV commentator, who only started his content creation journey this year!The crew take on a blind movie ranking challenge where Producer Khiz throws out random films, and everyone must instantly rank them into one of four categories: GOAT

Welcome to the very first MOB film watchalong! Why should filmmakers have all the fun? Grab your physical media—laserdisc, VHS, DVD, Blu-ray—or your digital copy of Dr. No and join us as we talk over the movie. Think of it as your own MOB Bonus Feature. No matter how you choose to watch, we'll guide you through syncing the film perfectly. Or, if you prefer, just listen to the podcast on its own—you already know the film! Enjoy.

Spike Jonze's 2009 film Where the Wild Things Are is an ambitious adaptation of Maurice Sendak's classic children's book, but despite its stunning visuals and unique atmosphere, it struggles to capture the warmth and timeless charm of the original story. Billed as a family movie, this fantasy-drama often feels more like an indie art film, leaving many viewers, especially younger audiences, confused, restless, or disappointed.

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Writer, academic, and prestigious poster Peter Raleigh earns his hat trick, returning to the Factory Floor to discuss Abel Ferrara's philosophical vampire film The Addiction. Shot in stark, vivid black & white cinematography and featuring a breathtaking lead performance by the great Lili Taylor, the film explores vampirism as a natural extension of the maladies of the world, a physical expression of the spiritual sickness of existing in modernity as a subject of the American Empire.We begin with a discussion of Abel Ferrara as director, his unsparing eye for difficult subject matter, and the unexpected tenderness and humanism that emanates from such an exacting body of work. Then, we explore the film's multifaceted take on vampirism, simultaneously allegorizing addiction, spiritual retribution, and a subjective manifestation of imperial blowback. Finally, we discuss the potency of a film that locates a cutlural zeitgeist and comment on its afflictions through formalism rather than mimeography, conjuring the essence of a historical-material milieu rather than seeking shallow pattern recognition.Follow Peter Raleigh on Twitter.Read and Subscribe to Peter's Substack Long Library.Read Peter on Abel Ferrara's The Addiction.....Our theme song is "Mirror" by Chris Fish

"Scream" (2022), the fifth installment in the iconic horror franchise, attempts to breathe new life into a series that has become a staple of the genre. While it successfully pays homage to its predecessors, it struggles to carve out its own identity.

Film journalist and friend of the show Brandon Streussnig returns to discuss Danny Boyle's debut film Shallow Grave, a British riff on the 90s neo-noir template, self-described by Boyle and his collaborators as their take on the Coen's Blood Simple. The film chronicles a trifecta of beautiful, sociopathic yuppies sharing an Edinburgh flat (Kerry Fox, Christopher Eccleston, and Ewan McGregor) who unravel after the untimely death of their new roommate and the discovery of a suitcase full of cash. Frenetic, aesthetically bold, and brimming with terrific performances from its cast of newcomers, Shallow Grave stood in stark opposition to the more muted social realism of established British filmmakers of the era like Mike Leigh and Ken Loach and showcased the collaborative power of Boyle, McGregor, screenwriter John Hodge, and producer Andrew Macdonald only a handful of years removed from their landmark feature, Trainspotting.We discuss Boyle's aesthetic inclinations, his history in the theater, and how the cinematic medium can liberate a particular type of artist from the confines of the stage. Then, we unpack the film's stellar trio of performances, its economy of character, and especially McGregor's star-making turn that suggests the greatness he would achieve with Boyle in their next several collaborations. Finally, we explore the film's ire for post-Thatcherite individualism, its attacks on the moral vacuum of the upwardly mobile, the dramatic irony of a film about the corruptability of money even for those who don't need it.In addition, we spend a brief moment looking forward to Boyle's latest film 28 Years Later (a full Bonus episode on the film coming later this week) and what it supposes for Boyle's late period.Follow Brandon Streussnig on Twitter. Read Brandon's recent interview with Palestinian-American filmmaker Reem Jubran about her new film Don't Be Long, Little Bird at his Substack.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

While New Nightmare has its moments of creativity and strong performances, it ultimately falls short of delivering the thrills and chills that fans expect from a Nightmare on Elm Street film. It's a thought-provoking entry in the franchise, but one that lacks the cohesive storytelling and visceral scares that made the original films classics. For die-hard fans of the series, it may be worth a watch, but for those seeking a truly terrifying experience, it may leave you wanting more.

The Big Mates combat audio issues to provide serene and chaotic audio commentary for New Adventures in Hi-Fi - Stereophonic on Film by R.E.M.Adam, Steve, and Lucas discuss the electronic press kit, as produced in 1996 and also answer questions sent in by the listeners!Head to this link to watch along:https://www.youtube.com/watch?v=JD3Br2GZnpY&abOr don't - the episode works fine either way!Our next episode comes out Monday September 23rd!Join the conversation on:Twitter: https://twitter.com/whatismusicpodInstagram: https://www.instagram.com/whatismusicpodE-mail: whatismusicpod@gmail.comGet access to more shows, exclusive bonus content, ad-free episodes of this show, and more music discussion by subscribing to our Patreon!Head to patreon.com/whatismusicpod and receive up to two new episodes of our various shows every week (including shows about Manic Street Preachers and monthly themed playlists!), ad-free archives of What Is Music?, and access to our Patron-only Discord server for even more music (and non-music) discussion!Support our show when starting your own podcast!By signing up to Buzzsprout with this link: https://www.buzzsprout.com/?referrer_id=780379Check out our merch!https://whatismusicpod.redbubble.comDonate to our podcast!https://ko-fi.com/whatismusichttp://whatismusic.buzzsprout.com/Support the show

Welcome to another hilarious episode of the TruVue Podcast! This time, we're tearing into Netflix's "Locked In," a movie that tries to be a thriller but ends up being a comedy goldmine for all the wrong reasons. With our TVP rename being "I Hit Yo Mama With My Car," we clown this mess of a movie and leave no stone unturned in our barbershop-style roast. "Locked In" follows a supposedly gripping story of a woman trapped in her car, trying to survive against a mysterious threat. But let's be real: the plot holes are bigger than the Grand Canyon, and the acting? Let's just say, if wooden performances were an Olympic sport, this cast would take gold. We dive into every ridiculous moment, from the laughable dialogue to the absurd plot twists that made us question our life choices. Join us in the barbershop as we break down the most cringeworthy scenes, highlight the funniest moments, and share why "Locked In" is a must-watch for all the wrong reasons. We'll bring our usual mix of jokes, NSFW banter, and brutally honest commentary. Remember, it's not just about the review; it's the conversation with the crew! I Hit Yo Mama With My Car, and it was a wild ride! Contact Us: YouTube: TruVue Podcast Instagram: TruVue Podcast Facebook: TruVue Podcast X (Formerly known as Twitter): TruVue_ Email: TruVueSocial@gmail.com Website: TruVue Podcast LinkedIn: TruVue Podcast LinkedIn #LockedInReview #IHitYoMamaWithMyCar #TruVuePodcast #NetflixFail #MovieReview #Podcast #MovieTalk #BlackContentCreators #NSFWPodcast #barbershoptalk #netflixreview #netflix

Get ready for a thrilling ride with the TruVue Podcast as we dive into "Vengeance," a film that masterfully blends dark comedy with a murder mystery. With our signature barbershop blend of humor and insightful commentary, we explore this captivating and entertaining story that kept us hooked from start to finish. "Vengeance," directed by and starring B.J. Novak, follows a New York journalist who ventures to Texas to investigate the mysterious death of a woman he once dated. What unfolds is a tale full of unexpected twists, sharp wit, and a perfect balance of comedic and dramatic elements. This film brilliantly combines humor and suspense, making for an unforgettable viewing experience. Join us in the barbershop as we break down the plot, highlight the most memorable moments, and share our thoughts on why this film hits all the right notes. We'll dive into the characters, dissect the story, and, of course, bring our usual mix of jokes and NSFW banter. Remember, it's not just about the review; it's the conversation with the crew! Texas Hold'em? This one's a royal flush. Contact Us: YouTube: TruVue Podcast Instagram: TruVue Podcast Facebook: TruVue Podcast X (Formerly known as Twitter): TruVue_ Email: TruVueSocial@gmail.com Website: TruVue Podcast LinkedIn: TruVue Podcast LinkedIn #VengeanceReview #TexasHoldem #TruVuePodcast #DarkComedy #MovieReview #Podcast #MovieTalk #BlackContentCreators #NSFWPodcast #barbershoptalk

Kim tells Ket about Jeepers Creepers so we can all prepare for… RIGHT NOW! IT'S HAPPENING RIGHT NOW! The girls find any excuse to poorly sing the song that gave this gem its title. We also discover that Kim stans Gravity, and brothers are idiots. Most importantly, we'll learn if Ket will live or die in Jeepers Creepers.Starring Justin Long and Gina PhilipsSupport the girls on PATREON for some sweet BONE CON (bonus content) at: www.patreon.com/kimandketstayalivemaybeKKSAM Facebook Discussion Group!!"Sammies Stay Alive... Maybe"www.facebook.com/groups/kksampodcastResting Witch Space - Ket's Witch Supply Shoppes: https://www.restingwitchspace.com/Get acquainted with all things KIM & KET at www.kimandketstayalive.com Chat with the girls at kksampodcast@gmail.comPeep the girls on Instagram: @kksampodcastRock with the girls on Tik Tok: @kksampodcastBook the face of the girls on Facebook: @kksampodcastWear the shirts of the girls from the MERCH Store: kimandketstayalivemaybe.threadless.comOk we'll see ourselves out.Thanks for listening!xo and #StayAlive,K&KListen to season 1 of our horror trivia pod!KIM AND KET'S SURVIVE THE CELLARlink.chtbl.com/kkstcProud members of the Dread Podcast NetworkSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“I've never understood this joke, but then I've never been to Earth.”Shooting for the Stars on a Shoestring BudgetIn 1996, writer/director Cory McAbee set out to make a wholly unique film that blended elements of science fiction, Western, comedy and musical genres. With a background in music and short films, McAbee threw everything he had into crafting the world of The American Astronaut. Shot on stark black and white 35mm film, this low-budget labor of love caught the attention of the Film Independent Spirit Awards, earning a Best Cinematography nomination. Join us – Pete Wright and Andy Nelson – as we kick off the 2002 Film Independent Spirit Awards Best Cinematography Nominees series with a conversation about McAbee's 2001 film The American Astronaut.Traversing the Quirky Universe of The American AstronautOur discussion launches into the film's fascinating blend of genre tropes and cinematic influences. The lo-fi special effects, particularly in depicting space travel, somehow work perfectly in the established universe. We marvel at the creative framing and cinematography that elevate the low-budget production design. The memorable musical numbers get us singing along. At the heart of the story, we explore how this space Western playfully taps into themes of masculinity and loneliness across the cosmos.Further Points of DiscussionAppreciating the authentic, understated performancesNoting the film's multitude of cinematic influencesStruggling with the underdeveloped antagonist storylineReveling in the earworm-inducing soundtrackComparing The American Astronaut to other quirky genre-bendersA Flawed but Ambitious DebutThe American Astronaut is a testament to the power of a singular creative vision. While the ending stumbles a bit in its execution, the totality of Cory McAbee's debut feature is an undeniably striking and inventive piece of independent filmmaking. The cinematography rightfully earns its place among the Film Independent Spirit Awards nominees. Despite the budgetary limitations, this is a film that sticks with you long after the credits roll. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film SundriesWatch this on Amazon or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdThe Next Reel's Family of Film PodcastsCinema ScopeThe Film BoardFreely Adapted (coming soon!)Movies We LikeThe Next ReelThe Next Reel Shorts (retired)One Minute for Old Men (coming soon!)The Saturday Matinée (retired)Silver Linings (retired)Sitting in the DarkThree of a Kind (retired)Trailer Rewind (retired) Start your own podcast journey with the best host in the business. Try TRANSISTOR today!Become a Member Today! $5 monthly or $55 annuallyWant to upgrade your LETTERBOXD account? Use our PROMO CODE to get a DISCOUNT and help us out in the process!Find source material for The Next Reel's family of podcasts – and thousands of other great reads – at Audible! Get your free audiobook and 30-day free trial today.Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?What are some other ways you can support us and show your love? Glad you asked!You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.

In this inaugural episode of Cinema Scope, host Andy Nelson is joined by professors Leon Hunt and Chris Hamm to explore the captivating world of wuxia, a Chinese film genre that blends philosophy, action, and legend. They discuss the key elements that define wuxia, such as the chivalrous heroes, period settings, and fantastical elements, as well as the concept of jianghu, a unique world within wuxia stories.Leon and Chris trace the evolution of wuxia from its roots in early Chinese literature to its influence on other genres, including Hollywood blockbusters. They also highlight notable works like A Touch of Zen, The Bride with White Hair, and Crouching Tiger, Hidden Dragon, analyzing their contributions to the development and popularity of wuxia cinema.This engaging and informative episode will deepen your appreciation for the richness and complexity of the wuxia genre, inspiring you to explore more of these captivating films.Film SundriesRecommended and Discussed MoviesCome Drink With Me on Apple, Amazon, and JustWatchGolden Swallow on Apple, Amazon, and JustWatchThe New One-Armed Swordsman on Apple, Amazon, and JustWatchA Touch of Zen on Apple, Amazon, and JustWatchThe Magic Blade on Apple, Amazon, and JustWatchLast Hurrah for Chivalry on Apple, Amazon, and JustWatchThe Butterfly Murders on Apple, Amazon, and JustWatchSwordsman II on Apple, Amazon, and JustWatchThe Bride with White Hair on Apple, Amazon, and JustWatchCrouching Tiger, Hidden Dragon on Apple, Amazon, and JustWatchOur Letterboxd ListDr. Leon Hunt's booksKung Fu Cult MastersMario Bava: The Artisan as Italian Horror AuteurChris Hamm's booksThe Unworthy Scholar from Pingjiang: Republican-Era Martial Arts FictionPaper Swordsmen: Jin Yong and the Modern Chinese Martial Arts Novel Visit our ORIGINALS PAGE to find source material that movies we've talked about on the shows that are part of The Next Reel's family of podcasts were based on. Books, plays, video games, even other movies and TV series! By doing so, you can find a great read or something to watch, and help us out in the process as a portion comes back our way. Enjoy!Start your own podcast journey with the best host in the business. Try TRANSISTOR today!Want to upgrade your LETTERBOXD account? Use our PROMO CODE to get a DISCOUNT and help us out in the process!Join the conversation with movie lovers from around the world on The Next Reel's DISCORD channel!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank yo...