Podcast appearances and mentions of Jerry Stiller

Continuing our look into the gritty crime-addled lifestyle of 1970s NYC, we cover the neo-noir and comedic trappings of The Talking of Pelham One Two Three, which fuses the two genres into a hybrid that shouldn't work but does very well. We talk about the mammoth presence of Walter Matthau, the coolness factor of the four hijackers, and even throw out some love for Jerry Stiller's and Doris Roberts' small parts. We're also drinking Fidens Brewing Company's Triple Jasper with Peacharine triple IPA, a whopping 10%er!Approximate timeline0:00-10:00 Intro10:00-20:00 Beer talk20:00-end The Taking of Pelham One Two ThreeWe hope you enjoyed; if you did, subscribe and leave a review! Join us on Facebook or Bluesky.

The original classic about four hijackers who take over a New York City subway car and demand a million dollar ransom.  Starring Walter Matthau, Robert Shaw, Martin Balsam, Hector Elizondo, Earl Hindman and Jerry Stiller.

Hollywood is haunted! And so are the celebrities within it! Reginald VelJohnson, Lisa Rinna, Jerry Stiller, Joey Lawrence. These beautiful people say they saw a ghost...but we suspect a couple of LYING! Oh, and it's here! Pick up a copy of Will's new choose your own adventure graphic novel SURVIVE THE NIGHT! Will you make it to the end? Will your red crayon get a workout? Get it from Simon & Schuster, or find more links HERE. [YouTube Version] [Sources & links] Get this episode AD-FREE on Patreon, along with our exclusive podcast The Netherworld Dispatch! Listen on Apple Podcasts, Spotify, or wherever you get your podcasts. Watch on YouTube. Follow us on Instagram, Facebook, and Bluesky. For more, cruise through our LINKS Learn more about your ad choices. Visit megaphone.fm/adchoices

Finally, Ted Danson and Susie Essman can talk without Larry David interrupting! Susie tells Ted about how she found her voice in the male-dominated standup world, her memories of Larry doing standup, the Jerry Stiller roast that helped her get cast on Curb Your Enthusiasm, how she developed Susie Greene's style, and more. Bonus: Susie asks Ted what he really felt about his Curb character getting divorced.This conversation was recorded in 2023. To help those affected by the Southern California wildfires, make a donation to World Central Kitchen today. Like watching your podcasts? Visit http://youtube.com/teamcoco to see full episodes.

Actor and filmmaker Ben Stiller feels…hmmm…about being Conan O'Brien's friend. Ben sits down with Conan once more to discuss the process of enlisting Tom Cruise for Tropic Thunder, producing a documentary about his parents Jerry Stiller and Anne Meara, and bringing the question of what he'd like to see on TV to the second season of Severance. Later, Conan responds to a voicemail regarding a burglar who was wearing his merch. For Conan videos, tour dates and more visit TeamCoco.com.Got a question for Conan? Call our voicemail: (669) 587-2847. Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/conan.

ABC News Chief Global Affairs Correspondent Martha Raddatz explains how the outgoing and incoming presidential administrations shaped the Israel-Hamas ceasefire agreement and key moments from Biden's speech. After Pres. Biden delivered his farewell address where he reflected on his political career and issued a stark warning to the nation, the co-hosts weigh react. After "The Real Housewives of Salt Lake City" shared nasty texts sent about each other to work through their issues, #TheView co-hosts weigh in. Ben Stiller, director and executive producer of the mind-bending series "Severance," discusses the highly anticipated new season and reflects on his hilarious film roles. Plus, he opens up about rekindling his marriage with Christine Taylor and working on a documentary about the 60-year marriage and working relationship of his parents Anne Meara and Jerry Stiller. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode we discuss Maddy being a popcorner, the mind-blowing Cool Rider cameo in Merry Gentlemen, how Smartfood stinks weird, crying about food, Liv's shameful Everybody Loves Raymond spiral, man caves, married couples “hooking up”, how using Fank Costanza is basically doping, the horror of having to share your bathroom, the missed opportunity with the title and SO MUCH MORE!!!

Send us a textThis week we talk about Heavyweights from 1995. Our creator profile this is Kenan Thompson!https://www.instagram.com/thebonsaimoviecrew/https://twitter.com/bonsai_crewhttps://www.tiktok.com/@thebonsaimoviecrewhttps://discord.gg/8jCPe8T2kT

February 26 - March 3, 1972 RETURNING guests to the show comedians Irene Bremis (watch her special Sweetie) and TV's Frank Conniff join Ken this week. Ken, Irene and Frank discuss growing up in New York, the horrors of Staten Island, good pizza, racism, Mary Tyler Moore, Sherlock Holmes cigarettes, Doral Cigarettes, True Cigarettes, killing women, Rain Barrell, questionable protein stains, fabric softener, The Old Man Who Cried Wolf, movies vs tv series, where Irene and Frank met, Brian Denehy, the map of Ireland on Frank's face, Maureen O'Hara, psychic detectives, Saturday night death slots, MTM productions, strong women, Maude, how awful Bill Cosby is, dying on stage, Bob Hope, Dana Gould, Bing Crosby and Friends, women's lib, Ear Stoppies, wigs, Rowan & Martin, Gene Hackman, Jerry Stiller, Anne Meara, comic comradery, Sid & Marty Kroft, Hart to Hart, the show with the woman, James Garner, Left Behind, Kirk, Christians, losing your mind, cycle cell anemia, Greeks, Cannon, William Conrad, MeTV, It Takes a Thief, Carson, Serling, meeting Dick Cavet, Adam 12, Dick Clark, Hellzapoppin the TV series, Dom DeLuise, George Wallace, working on Sabrina, That Girl, Cannonball Run, Eddie Murphy, Red Foxx, Sandford and Son, Soap, Room 222, and watching MeTV at 2am. 

In 1999, after roasting Jerry Stiller to perfection at the Friars Club, Susie Essman got a phone call. It was an old friend of hers from the stand-up comedy circuit: Larry David. David wanted her on his new television series, Curb Your Enthusiasm. With no guarantee that she'd be a recurring cast member and little in the way of financial compensation, Essman joined the show as Susie Greene. Over the course of 24 years and 12 seasons, she became one of Curb's most popular characters. Whether foiling a scheme devised by Jeff Garlin (who plays Essman's husband), trading jabs with Richard Lewis, or hurling insults at David, Essman's raucous wit reliably steals the show. On this week's episode of Table for Two, the actress and comedian joins host Bruce Bozzi and discusses her early years waitressing in New York City, the key to David's genius, and how her perspective on life has shifted with age.See omnystudio.com/listener for privacy information.

We're taking a look at one of the most suspenseful crime dramas of the 1970s. Brandon is joined by lawyer and journalist, Matt Belenky, to discuss 1974's The Taking of Pelham One Two Three. Brandon and Matt praise the deliberately paced direction by Joseph Sargent. The movie perfectly mixed suspense with quirky comedy thanks to the script by Peter Stone. We also praise the performances from the ensemble cast including Walter Matthau, Robert Shaw, Martin Balsam, Jerry Stiller, Hector Elizondo and Earl Hindman. 

CTL Script/ Top Stories of June 8th              Publish Date: June 8th                  From the Ingles Studio Welcome to the Award-Winning Cherokee Tribune Ledger Podcast    Today is Saturday, June 8th and Happy heavenly Birthday to actor Jerry Stiller. ***06.08.24 – BIRTHDAY – JERRY STILLER*** I'm Keith Ippolito and here are the stories Cherokee is talking about, presented by Credit Union of GA.  Cherokee County Buys Land for Phase 2 of Technology Ridge Parkway Cherokee County Airport Celebrates Completion of Runway Widening Cherokee Replaces Democratic Elections Board Member with ‘Moderate'   We'll have all this and more coming up on the Cherokee Tribune-Ledger Podcast, and if you're looking for Community news, we encourage you to listen and subscribe!    Commercial: CU of GA STORY 1: Cherokee County Buys Land for Phase 2 of Technology Ridge Parkway Cherokee County has purchased 35.23 acres for the second phase of Technology Ridge Parkway for $700,000. The County Board of Commissioners approved the purchase on June 4, and the new phase will bisect this property. The first phase, connecting Bluffs Parkway to Fate Conn Road and Heard Road, recently opened with a ribbon-cutting ceremony. Phases two through five are currently in design and right-of-way acquisition. Funding for the purchase comes from 2024 Special Purpose Local Options Sales Tax funds. Eventually, the parkway will link the Bluffs area in Canton to the Cherokee County Regional Airport. STORY 2: Cherokee County Airport Celebrates Completion of Runway Widening The Cherokee County Airport Authority celebrated recent improvements to the Cherokee County Regional Airport with a ribbon-cutting on June 5. The $8 million project widened the runway from 75 to 100 feet and added new taxiway and lighting improvements. Funded by the FAA, GDOT, and local sales tax, the runway will eventually extend to 6,000 feet. Future plans include additional hangars to meet demand. The event also honored retiring Airport Authority Chair Dick Hall for his 19 years of service. Hall's leadership significantly contributed to the airport's development. STORY 3: Cherokee Replaces Democratic Elections Board Member with ‘Moderate' The Cherokee County Board of Elections and Registration will maintain an even split between Democratic and Republican members, despite attempts by local conservative groups to create a GOP majority. Sheree Giardino, a Democrat, was replaced by another Democrat described as “moderate.” The board comprises five members: two Republicans, two Democrats, and one chair elected by the board. Controversy arose over representation, with some advocating for a 3-1 GOP majority, reflecting the county's Republican leanings. The final decision appointed Republican Larry Hand and Democrat Scott Little, ensuring a bipartisan board.   We have opportunities for sponsors to get great engagement on these shows. Call 770.874.3200 for more info.    Back in a moment  Break: STRETCH ZONE – DRAKE STORY 4: Georgia Appellate Court Pauses Trump Election Interference Case The Georgia Court of Appeals has postponed the election interference prosecution of former President Donald Trump until after deciding whether to disqualify Fulton District Attorney Fani Willis from the case. This ruling delays the trial past the Nov. 5 presidential election. Trump's lawyers sought Willis' removal due to her prior romantic relationship with an attorney hired for the prosecution. While a judge ruled Willis could stay if the attorney stepped down, the case is now on hold. Trump faces charges related to an alleged conspiracy to overturn Georgia's 2020 presidential election results. With this delay, only one of four criminal cases against Trump is likely to go to trial before the election. STORY 5: Creekview Grads Win National Merit College-Awarded Scholarships Two Cherokee County School District Class of 2024 graduates, Peter Greenwell and Kinley Sikes from Creekview High School, have been awarded National Merit college scholarships. They received the National Merit University of Georgia Scholarship on June 5. Both students plan to pursue careers in the medical field. National Merit college scholarship recipients are chosen based on academic records, test scores, leadership, service, essays, and recommendations. Only 15,000 students nationwide are named National Merit Finalists, eligible for 2,900 scholarships funded by U.S. universities and colleges. An additional 700 scholarship winners will be announced in July. Commercial: INGLES 10 STORY 6: Cherokee Chamber Announces Top 10 in 10 Young Professionals to Watch The Cherokee County Chamber of Commerce has announced its 2024 cohort of Cherokee County's Top 10 in 10 Young Professionals to Watch. This initiative aims to highlight outstanding young professionals under 40 who are considered future leaders in the county over the next decade. The honorees, chosen from a competitive pool of candidates, were selected based on criteria such as professional achievements, future goals, and community involvement. The recipients will be recognized at the Chamber's June Good Morning Cherokee breakfast meeting and featured in Enjoy Cherokee Magazine. They are also nominated for the GeorgiaTrend Magazine 40 Under 40 recognition. The list includes individuals from diverse professions such as law enforcement, education, healthcare, and city planning. STORY 7: Cherokee Schools Announces Golden Apple Award and Scholarship Winners Thirteen Cherokee County School District teachers have been recognized with the 2024 Golden Apple Awards by the Gamma Eta Chapter of Delta Kappa Gamma Society International. These awards, presented annually for 25 years, honor educators who demonstrate exceptional service, ethics, enthusiasm, and skills in their field. Each selected school nominates one teacher for this distinction. Additionally, Hayden Tipton, a recent Creekview High School graduate pursuing a teaching career, has been awarded a $1,500 college scholarship. Tipton, who will attend the University of North Georgia, has demonstrated her commitment to education through internships, volunteering, and leadership roles, aiming to teach history, Spanish, or English as a Second Language in middle or high school. We'll have closing comments after this.    COMMERCIAL: JM HELLER 3   SIGN OFF –   Thanks again for hanging out with us on today's Cherokee Tribune Ledger Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at tribuneledgernews.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network   Show Sponsors: ingles-markets.com drakerealty.com cuofga.org jeffhellerlaw.com stretchzone.com   #NewsPodcast #CurrentEvents #TopHeadlines #BreakingNews #PodcastDiscussion #PodcastNews #InDepthAnalysis #NewsAnalysis #PodcastTrending #WorldNews #LocalNews #GlobalNews #PodcastInsights #NewsBrief #PodcastUpdate #NewsRoundup #WeeklyNews #DailyNews #PodcastInterviews #HotTopics #PodcastOpinions #InvestigativeJournalism #BehindTheHeadlines #PodcastMedia #NewsStories #PodcastReports #JournalismMatters #PodcastPerspectives #NewsCommentary #PodcastListeners #NewsPodcastCommunity #NewsSource #PodcastCuration #WorldAffairs #PodcastUpdates #AudioNews #PodcastJournalism #EmergingStories #NewsFlash #PodcastConversationsSee omnystudio.com/listener for privacy information.

National Name your poison day.  Entertainment from 1969.  Bill of Rights proposed to US Constitution, Vacuum cleaner invented, Worlds 1st auto theft.  Todays birthdays - Jerry Stiller, Joan Rivers, Nancy Sinatra, Chuck Negron, Boz Skaggs, Bonnie Tyler, Tim Berners-Lee, Keenen Ivory Wayans, Rob Pilatus, Julianna Margulies, kanye West.  Andrew Jackson died.Intro - Pour some sugar on me - Def Leppard   http://defleppard.com/Name your poison - Ted NugentBet back - The BeatlesRunning bear - Sonny JamesBirthdays - In da club - 50 Cent    http://50cent.com/These boots were made for walkin - Nancy SinatraJoy to the world - Three Dog NightLook what you've done to me - Boz SkaggsTotal eclipse of the heart - Bonnie tylerIn Living Color TV themeGirl you know its true - Millie VanilliStronger - Kenye WestExit - Its not love - Dokken     http://dokken.net/Follow Jeff Stampka on Facebook or cooolmedia.com

GGACP celebrates the 25th anniversary of Alexander Payne and Jim Taylor's dark comedy "Election" (released April 23, 1999) by revisiting this "Colossal Obsessions" mini-ep from 2015. In this episode: "Lord Love a Duck"! Appreciating Matthew Broderick! The genius of Bruce Jay Friedman! Jerry Stiller and Jack Gilford eat a sandwich! And the not-so-guilty pleasure of “cringe comedies”! PLUS: Gilbert praises "Save the Tiger"! Learn more about your ad choices. Visit megaphone.fm/adchoices

TVC 644.2: Greg Ehrbar discusses the Kino Lorber Blu-ray release of A Fish in the Bathtub (1998), an offbeat comedy starring Jerry Stiller, Anne Meara, Phyllis Newman, Bob Dishy, and Judy Graubart that also marks one of the few times that Stiller and Meara performed together on film (other than their series of commercials for Blue Nun wines). Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's time for another Drive-Time Chat with Todd & Preston. As usual, they packed in more topics (and side tangents) than they expected, so be on the lookout for Part 2. For now, here's what they they cover in Part 1. - "X-Men '97" first half of season 1 - "Shogun" (up to the penultimate episode for Todd; no spoilers; Preston is still catching up) - "The Rookie" season 6 so far - "9-1-1" season 7 so far - Jerry Stiller - "The Ark" (when is season 2 coming out?!?) - "Invincible" season 2 - "After Midnight With Taylor Tomlinson" - "Garth Marenghi's Darkplace" - Cancellation of "Quantum Leap" revival after two seasons :( - Animated "Justice League" series and other shows that lasted two seasons - "Twin Peaks," "Dune" (1984), and David Lynch - Todd's Star Trek Challenge Listen now for the discussion on these topics and more. Then, open up Discord and join our new Discerning Geeks Portal server. @@ Todd's Star Trek Challenge @@ Make Todd watch and review any episode of Star Trek (that he has access to, which may not include "Prodigy" at the moment). Pick any series, any season, and any episode. It can even be a fan-made episode or film on YouTube, as Todd really enjoyed "Star Trek Continues" recently. Send the episode request via the Discord server or by e-mail at discerninggeeks@gmail.com. Once Todd watches the episode, he will review it in both podcast form (here and/or on the Fandom Variables podcast) and in written form, on the DGP Discord server and at Medium.com. Please rate or review our podcast wherever you listen to us. Thank you. --- Send in a voice message: https://podcasters.spotify.com/pod/show/discerninggeeks/message

Want to watch exclusive Funhaus content? Click the link! https://www.youtube.com/funhaus/join or https://fun.haus/first This week James and Patrick are pulled from their dumpster hideaway long enough to watch Rob Lowe's little brother race Satan for the hand of Jerry Stiller or something in 1991's Highway to Hell! Follow Us On Social: https://twitter.com/jameswillems https://twitter.com/handsomemaster2 Tshirts n stuff: https://store.roosterteeth.com/collections/funhaus Welcome to Funhaus, the internet's ONLY comedy, gaming, and variety channel since 2015! Trash for Trash is two filthy trashmen, who love watching trashy movies. Join them as they talk through some of the worst achievements in cinematic history. They're watching it so you don't have to. Learn more about your ad choices. Visit megaphone.fm/adchoices

Oh hell yeah! The guys are back for episode 316 and it's a packed show. First they talk about the legacies of Roy Horn, Little Richard and Jerry Stiller, then get into the negative news about the AHL and other cancellations. After more positive news, they look back at WWE Money in the Bank and the winners and discuss Becky Lynch's pregnancy and Asuka becoming Raw Women's Champion. Finally they listen to, comment and laugh about Gary Busey's panel at Wizard World Virtual Experiences. Enjoy the show everyone!

Be advised: Adult language is used during this podcast Those of you who are fans of the TV show -Amerca's Got Talent - will recognize my guest this week. Maureen Langan was a semi-finalist on Season 18 of AGT where her performance landed her a standing ovation and four "Yeses" from the judges. Maureen is an internationally acclaimed standup comedian, broadcaster, Tedx Talk speaker and corporate event host. She has performed with entertainment, literary and cultural icons that include Robin Williams, Jay Leno, Rosie O'Donnell, Jack Canfield, Joy Behar, Gloria Steinem, Danny Glover and Gladys Knight ­– and she roasted comedy royalty Jerry Stiller and Anne Meara. As a broadcaster, Maureen created and hosted Bloomberg Television and Radio's award-winning entertainment programming, where her most memorable moments were interviewing Joan Rivers and George Carlin. Her astute observations and interviewing style earned her the title of “Best Female Commentator” by the Newswomen's Club of New York. Her TEDx Talk, “The Business of Fun,” is inspired by her time performing in South Africa at the first ever Johannesburg International Comedy Festival. Maureen's message of inclusion had 600 people on their feet when first presented at Monmouth University. Maureen and I talk about her broadcasting career, her solo show "Daughter of a Garbageman", her Tedx Talk, what it's like being talent on AGT, her comedy tour "Don't Make Me Hate You", hosting corporate events and a TV pilot she'd like to make. Sit, relax and enjoy the story behind appearing on AGT and the differences between what you say on TV and in a comedy act.

AMAZING SOUNDTRACK & UNEXPECTED PLOT! Hairspray Full Movie Reaction Watch Along: https://www.patreon.com/thereelrejects Manscaped: Visit https://www.manscaped.com/ and use code Rejects for 20% Off  SHOPIFY: Visit https://www.Shopify.com/rejects  Hairspray Reaction, Recap, Breakdown, Analysis, Commentary, & Spoiler Review for the 2007 adaptation of the hit musical starring John Travolta as Edna Turnblad, Zac Efron as Link Larin, Amanda Bynes as Penny Pingleton, Queen Latifah as Motormouth Maybelle, Nikki Blonsky as Tracy Turnblad, Christopher Walken as Wilbur Turnblad, Michelle Pfeiffer as Velma Von Toussle, Elijah Kelley as Seaweed, James Marsden as Corny Collins, Jerry Stiller as Mr Pinky, Brittany Snow as Amber Von Tussle, & MORE. Greg Alba & Aaron Alexander watch and react to the best, funniest scenes & songs such as You Can't Stop The Beat, I know were I've been, Without Love, I can hear the bell, Miss Baltimore crabs, Ladies' Choice, Good Morning Baltimore, The Corny Collins Show, Last Minute Entry, Naturally Stiff, The Nicest Kids In Town, Run and Tell That, Run and Tell That. #Hairspray #MusicVideo #moviereaction #musical #Music #MV #FirstTimeWatching #firsttimewatchingmoviereaction #youtubersreact #Comedy #Funny #funnyvideos #amandabynes #johntravolta #zacefron #jamesmarsden  Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Support The Channel By Getting Some REEL REJECTS Aparrel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG On INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Neal Marshad joins me to talk about his father, a graphic artist for Look Magazine; living near a movie theater; learning how to film high school football games; 16 mm vs. the split 8 cameras; going to film school with Leonard Maltin; his editing and documentary professors at NYU; is first documentary, "Sculpture by Isaac Witkin"; working friendship with Jerry Stiller and Anne Meara; creating commercials for NYC with comedians; meeting Tom Schiller; having Bill Murray in his office to tape the track of "Perchance to Dream"; shooting "Java Junkie"; shooting "Falling in Love" with Jon Lovitz and Victoria Jackson; "Love is a Dream" with Phil Hartman and Jan Hooks; "The Land Before Television" with Dana Carvey; "Linden Palmer - Hollywood's Forgotten Director"; shooting "Bar Mitzvah 5000" and getting it nixed by the censors; shooting a concert film for Southside Johnny and the Asbury Jukes; winning an Emmy for cinematography for the 1982 Super Bowl; producing the Johnny Walker Comedy Search for the Comedy Channel; discovering Steve Harvey, Judd Apatow, Brian Kiley, Ellen Cleghorne, Mark Brazill, and Ray Romano; BBC hires him to be the first network to stream video on their website; Mr. Blobby

Set sail on Episode 48, Season 2 of the Love Boat, the worlds greatest romantic comedy drama television series of all time! In this episode we follow an all star cast that includes Charo, Cyd Charisse, Anne Meara, Craig Stevens, Jerry Stiller, Cory Feldman, and Johhny Disco as they deal with career conflicts, parental predicaments, soldier sagas, maternal mayhem, singer side hustles, remarkable reunions and baked Alaska! So leave the kids at home and say bon jour to episode 48 of Lovin' The Loveboat. We also encourage everyone to find our podcasts Instagram page ⁠⁠Lovin' The Love Boat⁠⁠ to enjoy the super cool video messages from Isaac himself Mr. Ted Lange! And much more. Thanks for listening to the podcast and joining us on this voyage and by all means consider subscribing to the show as well as Paramount+ so you can watch the episode with us. We promise you'll be glad that you did.

Dusty and Jenna in our 3rd annual Thanksgiving episode, welcome our Thanksgiving traditon guests from the band Sirsy, Mel and Rich!!! Season 3 Episode 8 ' Dark Meet" Where Doug, Carrie and Arthur think back to where they met for the first time.

LEMON ICES!!!Thank you to our supporters on Patreon!Our Supporters:This week, Coates found themself trapped inside a massive balloon.James D's new job as a super pogo stick tester had its ups and downs.In a strange twist of events, Samson woke up to find themself's house transformed into a circus.J Jay tried to break the record for the most number of rubber ducks in the bathtub, causing a bathroom flood.Lordspider's pet parrot learned to mimic their boss's voice, causing amusing workplace confusion.Amber T. decided to become a comedian on stage, but they received only a tomato during their first performance.JM got stuck in an elevator with a talking puppet.Stephanie A was mistakenly recognized as a famous chef and was asked to judge a cooking competition.Sarah R attempted synchronized swimming in their neighbor's pool, resulting in a pool party disaster.Riannon C tried to impress their crush by pretending to be a salsa dance champion, but they had two left feet.Ridley's attempt to build a backyard roller coaster ended in a wild party.(This episode was recorded before we started the Patreon, so we will begin reading this on the show week after next. )Support the showPlease consider supporting the show on Patreon.Follow us on social media:TikTok (this is where we are most active!)FacebookInstagram

The cast of "King of Queens" paid tribute to the late Jerry Stiller during a 25th anniversary reunion.  Jerry was the father of WHAT actor/director who's known for "There's Something About Mary" and "Tropic Thunder"?

The Real Housewives of Orange County wraps up season 17 with the second half of its reunion. Archer says goodbye after 14 seasons. The docuseies Big Vape: The Rise and Fall of Juul examines the company's marketing tactics and how it started an epidemic among America's youth. Plus, Hollywood trivia, and entertainment headlines, including Jerry Seinfeld's tease about a new project that will address the end of his sitcom, the Spiderwick Chronicles series finds a new home, and the cast of The King of Queens reunites and pays tribute to late star Jerry Stiller. More at ew.com, ew.com/wtw, and @EW on X (formerly Twitter) and @EntertainmentWeekly everywhere else. Host/Writer/Producer Gerrad Hall (@gerradhall); Producer: Ashley Boucher (@ashleybreports) and Alamin Yohannes (@AlaminYohannes); Editor: Samee Junio (@it_your_sam); Writer: Dustin Nelson. Learn more about your ad choices. Visit megaphone.fm/adchoices

Michael J. Weithorn joined me to discuss growing up in Rego Park; the blackout of 1965; his favorite series Dick Van Dyke, Get Smart, and Laugh-In; watching the original SNL in college; going to Swarthmore and having no idea how to get into show business; moving to California right after graduation and teaching for three years; impressing Arnold Margolin who helped him get an agent; writing a freelance script for Benson even though he didn't now Benson's job; his first job on Making the Grade; George Wyner; Gary David Goldberg gave him a job keep him at Family Ties and not take others offers; writing a Cheers episode; thinking Cheers pilot was better than Family Ties pilot; writing Alex-centric episodes using stories from his life; casting Justine Bateman; inventing Skippy in "Death of a Grocer"; writing "The Fugitive" and casting Tom Hanks in the role; "4 Rooms Ocean Vu"; Michael Gross comedic chops; "Stage Fright" becomes a meme & teachers people the acronym SCUBA; "Speed Trap" - Alex on speed; Robert Costanzo; writing "The Real Thing" which introduces Ellen; using Billy Vera and the Beaters "At this Moment"; writing an episode for Peter Scolari; leaving Family Ties and creating Pursuit of Happiness; writing a classic Wonder Years; creating True Colors; cast changes and illnesses; likes to write episodes with surreal dream sequences; his King of Queens version is hated and loved; working on the Sinbad Show; wrote the proposed Krusty the Klown spinoff with Matt Groening but was nixed by James L. Brooks; told to run Sinbad if he wanted South Central to go; FOX cancels most "black" shows; wishes South Central and Ned & Stacey were streaming; writing Ned & Stacey on spec; cast Thomas Haden Church and network wanted Debra Messing; King of Queens was not a spinoff of Raymond; being a big fan of Kein James standup and seeing him starring in a "New Honeymooners"; wrote Carrie in Lean Remini's voice before she was even hired; King of Queens was paired with and crossed over with Raymond; Jack Carter originally hired as Arthur, but they got Jerry Stiller to change his mind; how Patton Oswalt & Nicole Sullivan were cast; his indie film "A Little Help" starring Jenna Fischer; working on Weird Loners, The Goldbergs and Schooled; George Segal and "Where's Poppa"; working on a romcom with 60 year-old actors; Family Ties Vacation and "A, My Name is Alex"

Join Justin as he chats with actor and writer Nick Bakay about Sabrina, Salem, the writers strike, the King of Queen's, working with Jerry Stiller, and more!Monsters, Madness and Magic Official Website. Monsters, Madness and Magic on Linktree.Monsters, Madness and Magic on Instagram.Monsters, Madness and Magic on Facebook.Monsters, Madness and Magic on Twitter.Monsters, Madness and Magic on YouTube.

NBC's ‘Must See TV' was the gold standard of television in the 90's. The show Wings (and the comedic genius of Steven Weber) was a huge staple of that for 8 seasons.  Steven shares amazing stories you won't believe you've been living without. Family ties to Hollywood legends, what Christine was like as a neighbor and how he once ended up seeing more of Jerry Stiller naked, than Jerry Stiller!   Hey Steven Weber, 2023 called and you're still crushing it. See omnystudio.com/listener for privacy information.

The Summer of Greatness is a tournament where we settle various debates of GREATEST of ALL TIME... We choose a category and put 16 candidates in a head to head tournament based on specific criteria and choose the winners based on the category for each specific round until we have crowned a single champion...  On Today's Episode We celebrate Father's Day by selecting the greatest Father/son/daughter duos from Sports, Music, Movies and Television.... We will select 16 duos to do battle in a head to head tournament to find a winner To join the discussion CLICK the link in chat or CALL 646 668 8415  Like/Subscribe/Share as we will be here all summer settling many bar room debates with interactive tournaments

GGACP commemorates the 25th anniversary of the final episode of "Seinfeld" (May 14, 1998) by revisiting this 2020 interview with Tony-winning actor and director Jason Alexander. In this episode, Jason talks about network interference, working with animals, classic "Twilight Zone" episodes, Woody Allen's influence on George Costanza and how a "show about nothing" impacted popular culture. Also, Robert De Niro yuks it up, Liza Minnelli lends a hand, Jason and Martin Short perform "The Odd Couple" and Gilbert warbles a tune from "Duckman"! PLUS: Remembering Joe Besser! "The Adventures of Rocky and Bullwinkle"! The genius of Jerry Stiller! The golden age of comedy albums! And Jason gets advice from William Shatner! Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP pledges its support for film and TV writers with this ENCORE of a 2021 interview with Emmy-winning writer-director David Mandel. In this episode, David joins Gilbert and Frank for a revealing conversation about the origin of classic "Seinfeld" gags (man-hands, "Bizarro" Jerry), the inner workings of "Curb Your Enthusiasm," the brilliance of Bob Einstein and Jerry Stiller, the ruthless humor of HBO's "Veep" and David's memorabilia-themed podcast "The Stuff Dreams Are Made Of." Also, Orson Welles gaslights studio bosses, Michael McKean sends up Robert Evans, Gilbert runs afoul of Kelsey Grammer and Billy Wilder (almost) directs the Marx Brothers. PLUS: Nerf Crotch Bat! In praise of Phil Hartman! Larry David blows a fuse! "Abbott and Costello Meet Al Pacino"! And...LIVE from New York, it's the "Planet of the Apes"! (thanks to our friend Andrew Buss) Learn more about your ad choices. Visit megaphone.fm/adchoices

Book Vs. Movie: HairsprayThe 1988 John Waters Movie Vs. the 2007 Adaptation“Musicals in March”The Margos continue their look at “Musicals in March” with the John Waters classic Hairspray, which started with the 1988 movie starring Rikki Lake, Divine, and Debby Harry. Based on his experiences of being a fan of the 1957-1964 Baltimore teen dance TV program--The Buddy Deane Show, Waters was a huge fan of R&B music. On the Buddy Deane show, the dancers were integrated, unlike Dick Clark's American Bandstand, which was based out of Philadelphia at the same time. Baltimore Magazine April 1985 by John Waters "Ladies & Gentleman: The Nicest Kids in Town!”Being a self-described “Super Fan” of the show, the director has a well-known career as an avant-garde-loving and bizarre artist who loves things that are in bad taste. His interest in something as wholesome as Buddy Deane made him think about writing a more accessible film about a group of teen dancers/local TV stars who fight racism and oppression with their love of music and dance. Given a modest budget of $2.8 million, the film was a box office hit, and the critics loved this new era of John Waters with even bigger hits in the 90s Cry-Baby & Serial Mom. Waters continues to write and direct his work and is very popular as an actor who appears in everything from Law & Order to The Marvelous Mrs. Maisles. In 2002, the musical version premiered in Seattle with music and lyrics from Marc Shaiman and Scott Wittman and the book by Mark O'Donnell and Thomas Meehan. Hit is not a big enough word for this adaptation's success in the 2000s. It won eight Tony Awards (including Best Musical) in 2003 and broke all box office records in London's West End in 2008. The 2007 movie was directed by Adam Shankman and stars John Travolta, Michelle Pfeiffer, and Christopher Walken and continues the big box office that started with the original 1988 film. What are the differences between the original and the latest version of the story of the AMAZING Tracy Turnblad? Which do we like best? Have a listen!In this ep the Margos discuss:John Waters, Divine, and BaltimoreWaters ventures into more “family-friendly material.”The music used in both films1988 cast: Ricki Lake (Tracy Turnblad,) Divine (Edna Turnblad,) Debbie Harry (Velma Von Tussle,) Sonny Bono (Franklin Von Tussle,) Jerry Stiller (Wilbur Turbland,) Leslie Ann Powers (Penny Pingleton,) Colleen Fitzpatrick (Amber Von Tussle,) Michael St. Gerard (Link Larkin,) Clayton Prince (Seaweed Stubbs,) Cyrkle Millbourne (L'il Inez,) Ruth Brown (Motormouth Maybelle,) Shawn Thompson (Corny Collins,) Mink Stole (Tammy Turner,) and Josh Charles as IggyThe 2007 cast: Nikki Blonsky (Tracy Turnblad,) John Travolta (Edna Turnblad,) Michelle Pfeiffer (Velma Von Tussle,) Amanda Bynes (Penny Pngleton,) Christopher Walken (Wilbur Turnblad,) Queen Latifah (Motormouth Maybelle,) James Marsden (Conry Collins,) Brittany Snow (Amber Von Tussle,) Zac Efron (Link Larkin,) Elijah Kelley (Seaweed,) Allison Janney (Prudence Pingleton,) and Jerry Stiller as Mr. Pinky.Clips used:Hairspray (1988) “Corny Collins auditions.”Hairspray (1988) trailerThe Von Tussle house (1988)John Waters as Dr. FredricksonThe kids meet “Beatnicks” (1988)Hairspray (2007) trailerJohn Travolta's Baltimore accentEdna & Wilbur “You're Timeless to Me”“You Can't Stop the Beat” (2007)Music: Hairspray by Rachel SweetBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynMargo www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Book Vs. Movie: HairsprayThe 1988 John Waters Movie Vs. the 2007 Adaptation“Musicals in March”The Margos continue their look at “Musicals in March” with the John Waters classic Hairspray, which started with the 1988 movie starring Rikki Lake, Divine, and Debby Harry. Based on his experiences of being a fan of the 1957-1964 Baltimore teen dance TV program--The Buddy Deane Show, Waters was a huge fan of R&B music. On the Buddy Deane show, the dancers were integrated, unlike Dick Clark's American Bandstand, which was based out of Philadelphia at the same time. Baltimore Magazine April 1985 by John Waters "Ladies & Gentleman: The Nicest Kids in Town!”Being a self-described “Super Fan” of the show, the director has a well-known career as an avant-garde-loving and bizarre artist who loves things that are in bad taste. His interest in something as wholesome as Buddy Deane made him think about writing a more accessible film about a group of teen dancers/local TV stars who fight racism and oppression with their love of music and dance. Given a modest budget of $2.8 million, the film was a box office hit, and the critics loved this new era of John Waters with even bigger hits in the 90s Cry-Baby & Serial Mom. Waters continues to write and direct his work and is very popular as an actor who appears in everything from Law & Order to The Marvelous Mrs. Maisles. In 2002, the musical version premiered in Seattle with music and lyrics from Marc Shaiman and Scott Wittman and the book by Mark O'Donnell and Thomas Meehan. Hit is not a big enough word for this adaptation's success in the 2000s. It won eight Tony Awards (including Best Musical) in 2003 and broke all box office records in London's West End in 2008. The 2007 movie was directed by Adam Shankman and stars John Travolta, Michelle Pfeiffer, and Christopher Walken and continues the big box office that started with the original 1988 film. What are the differences between the original and the latest version of the story of the AMAZING Tracy Turnblad? Which do we like best? Have a listen!In this ep the Margos discuss:John Waters, Divine, and BaltimoreWaters ventures into more “family-friendly material.”The music used in both films1988 cast: Ricki Lake (Tracy Turnblad,) Divine (Edna Turnblad,) Debbie Harry (Velma Von Tussle,) Sonny Bono (Franklin Von Tussle,) Jerry Stiller (Wilbur Turbland,) Leslie Ann Powers (Penny Pingleton,) Colleen Fitzpatrick (Amber Von Tussle,) Michael St. Gerard (Link Larkin,) Clayton Prince (Seaweed Stubbs,) Cyrkle Millbourne (L'il Inez,) Ruth Brown (Motormouth Maybelle,) Shawn Thompson (Corny Collins,) Mink Stole (Tammy Turner,) and Josh Charles as IggyThe 2007 cast: Nikki Blonsky (Tracy Turnblad,) John Travolta (Edna Turnblad,) Michelle Pfeiffer (Velma Von Tussle,) Amanda Bynes (Penny Pngleton,) Christopher Walken (Wilbur Turnblad,) Queen Latifah (Motormouth Maybelle,) James Marsden (Conry Collins,) Brittany Snow (Amber Von Tussle,) Zac Efron (Link Larkin,) Elijah Kelley (Seaweed,) Allison Janney (Prudence Pingleton,) and Jerry Stiller as Mr. Pinky.Clips used:Hairspray (1988) “Corny Collins auditions.”Hairspray (1988) trailerThe Von Tussle house (1988)John Waters as Dr. FredricksonThe kids meet “Beatnicks” (1988)Hairspray (2007) trailerJohn Travolta's Baltimore accentEdna & Wilbur “You're Timeless to Me”“You Can't Stop the Beat” (2007)Music: Hairspray by Rachel SweetBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynMargo www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Local radio giveaways, Billy's entertainment consumption, attributing a topic to an article, and Patrick Mahomes' pee hands. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chicago-based critic and author of the new book "Talk 90s with Me: 23 Unpredictable Conversations with Stars of an Unforgettable Decade" Matt Pais joins us to discuss the kids cult classic 'Heavyweights'.After a conversation about Matt's new book, we talk through the film's empathetic and nuanced portrayal of fatness (notably featuring an ensemble of actors of size), its place within the canon of 90s anti-conformity comedies, and why this might be Ben Stiller's most pitch-perfect performance. Follow Matt Pais on Twitter. Check out Matt's new book "Talk 90s with Me: 23 Unpredictable Conversations with Stars of an Unforgettable Decade".Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

On this exciting new episode of Comedy Gold Minds, Kevin is joined by actor, director, and comedic powerhouse Ben Stiller. The two discuss all things comedy, including growing up with comedic parents Jerry Stiller and Anne Meara, creating The Ben Stiller Show, what it's like to act and direct a film at the same time, and why he thinks his movie Tropic Thunder would never get made today.Like Comedy Gold Minds? SiriusXM subscribers get it a day early, plus Kevin Hart's Laugh Out Loud Radio, his 24/7 comedy channel, with great talk shows and stand-up. Learn more / check it out for 3 months at siriusxm.com/comedygoldminds.

In this episode, we ask the question: is it talent or is it nepotism? Join us as we discuss the nepo babies who are ruling pop culture, which siblings are favored or forsaken, and whose Hollywood star is set to eclipse their parents. MENTIONSSubscribe: Note For The Audio returns this Friday! KnoxandJamie.com/nepobabiesDeep dive: 13 Nepo baby resources (via Vulture) | Urban DictionaryMentions: Mentions: Operation Varsity Blues | Men At Work Look up: Tori Spelling (daughter to Aaron Spelling) | Colin Hanks (son of Tom Hanks) | Billie Lourd (daughter of Carrie Fisher, granddaughter of Debbie Renyolds)| Maya Hawke (daughter of Ethan Hawke and Uma Thurman) | Maude Apatow (daughter of Judd Apatow and Leslie Mann) | Kate Hudson, Wyatt Russell (and Oliver) (kids of Goldie Hawn and Kurt Russell) | Miley Cyrus (daughter of Billy Ray Cyrus) | O'shae Jackson, junior (son of Ice Cube) | Dakota Johnson (daughter of Don Johnson and Melanie Griffith) | Zoë Kravitz (daughter of Lenny Kravitz and Lisa Bonet) | Ben Stiller (son of Jerry Stiller and Anne Meara) | Michael Dogulas (son of Kirk Douglas) | Gwyneth Paltrow (daughter of Blythe Danner. See also: GP on Glee) | Margaret Qualley (daughter of Andie MacDowell. See also: Rainy Qualley and Bill Pullman's son Lewis) | Elizabeth Olsen (sister of Mary-Kate and Ashley Olsen) | Dan Levy (son of Eugene Levy) | Lily-Rose Depp (daughter of Johnny Depp and Vanessa Paradis) | Elle Fanning (sister of Dakota Fanning) | Warren Beatty (brother to Annette Bening) | Dave Franco (brother of James Franco) | Haylie Duff (sister of Hilary Duff) | Ashlee Simpson (sister of Jessica Simpson) | Luke Hemsworth (brother of Chris and Liam Hemsworth) | Ray J (brother to Brandy and famous for another thing) | Jamie Lynn Spears (sister to Britney. see also: Panera Bread melee) | Julianne Hough (twin sister to Derek) | Solange Knowles (sister to Beyoncé) | Candace Cameron (sister of Kirk Cameron) | Bryce Dallas Howard (daughtre of Ron Howard) | Allison Williams (daughter of Brian Williams) | John David Washington (son of Denzel Washington) | Jaden and Willow Smith (children of Will Smith and Jada Pinkett Smith) | Prince Harry | Chet Haze (Tom Hanks' other son with Rita Wilson) | Hailey Bieber (daughter of a Baldwin, married to Justin Bieber)Fact check: Walt Disney's last words were Patrick Swayze? (or was it Kurt Russell?) | Hobby Lobby guy stole ancient artifacts?LOLz: American Sniper fake babySidebar: Knock At The Cabin trailerAs requested: The Usual Suspects- “Hand me the keys, you…”Red light: Oscar noms, specifically Andrea Riseborough (see also: TÁR)BONUS SEGMENTOur Patreon supporters can get full access to this week's The More You Know news segment. Become a partner. This week we discussed:Michael B. Jordan on SNLAvatar 2 still ruling the box office MILFS vs. CougarsGREEN LIGHTSJamie: tv series - Poker Face (Peacock) | book - Maame by Jessica GeorgeKnox: tv series - Poker Face (Peacock) | podcast series- Chameleon: High Rollers SHOW SPONSORSPeloton: Try for 30 days at onepeloton.com/home-trialLegacy Box: Legacybox.com/POP ZipRecruiter: Try it for free at ZipRecruiter.com/popSubscribe to Episodes: iTunes | Android Subscribe to our Monthly Newsletter: knoxandjamie.com/newsletterShop our Amazon Link: amazon.com/shop/thepopcast | this week's featured itemFollow Us: Instagram | Twitter | FacebookSupport Us: Monthly Donation | One-Time Donation | SwagSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Impressionist and Comedian Frank Caliendo is this week's guest on the podcast. Join Michael and Frank as they discuss Frank's career and his advice for emerging comedians.Show NotesFrank Caliendo's Website - https://www.frankcaliendo.com/Frank Caliendo on Twitter - https://twitter.com/FrankCaliendoFrank Caliendo on Instagram - https://www.instagram.com/frankcaliendo/Frank Caliendo on YouTube - https://www.youtube.com/user/frankcaliendoMichael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAutomated TanscriptsFrank Caliendo (00:00:00):So I thought put Seinfeld on drugs and the d the, the bit was why do my fingers look like little people? Who are these people in the door and they're talking to each other? They're probably talking about me when I say it. Talking. I, oh, Jerry, oh, I somebody. Hey Jerry, you look like you've been seeing little people on your fingers. It's, you just let that camera and then the end, it was Newman and Newman's like, hello Jerry. And she, we've lost a sort of Jerry Garcia Grateful Dead commitment of stamps. You would see . So he'd lick the stamps. You know, that was the,Michael Jamin (00:00:33):You're listening to screenwriters. Need to hear this with Michael Jamin.(00:00:41):Hey everyone, it's Michael Jamin. Welcome back to Screenwriters. Need to hear this. And I got another great guest today. I'm really racking up the guests. Everyone. before we begin, make sure everyone to get on my my watch list is my free newsletter, by the way. Goes out every friday at michaeljamin.com/watchlist for tips for screenwriters, actors, and directors and all that. And now let's bring him on. Let's bring on my next, my next guest who I met actually many years ago when I was running a show. He's, the show was called Glen Martin. And we, we, this is how it works. And, and Frank, don't worry, I'll give you a minute to talk. I know you're talking about the bit here.Frank Caliendo (00:01:15):No,Michael Jamin (00:01:16):I love it. This is how, this is how it works in animation. It's actually a fun job for, for actors. So basically the casting director, we don't even audition. Can't we say this is what we need and the cast director just bring somebody in and, and and if they're terrible, you know, we just get somebody else to replace them. And so in this role we needed this is we needed someone who could do an impression. And I don't remember what the character was. There's probably some politician. It might have been Obama, it might have been George Bush, someone like that. And so she had our casting director was Linda Lamont, Montana. And she goes, I have just the guy. And she brings him in. And it was, it was Frank, Frank Callo, thank you so much for being on the, my podcast, Frank.Frank Caliendo (00:01:55):And now I'm back. How about that? Huh?Michael Jamin (00:01:57):Now you're back. And he killed it. Now Frank, is this your, Frank has got Frank, you know, the, and, and, and the Game of Thrones. There was like the the man of, what was it? The god of many faces. Is that what it was? You're, you're the man. You're the god of many voices.Frank Caliendo (00:02:11):I'll take it. Yeah, I'llMichael Jamin (00:02:12):Take, take it.Frank Caliendo (00:02:12):It it's like six and then I just kind of do variations on it.Michael Jamin (00:02:16):I don't think so. Dude, you are amazing. You are amazing at how you do that. I want to get into like how you actually do that.Frank Caliendo (00:02:23):Well, there, there, okay. So let's, let's get into, first of all, I didn't believe you that I did the show that you said I did, cuz I kind of remember Glen Martin. D d s I remember getting the sides for it. I remember getting an email about it, but I don't remember doing it cuz we talked at some point that you were doing a live a live stream. And you're like I think that's where it was. And I was like, you said, oh, Frank, you did a thing with me. Or maybe we just instant message back and forth. I'm like, you're crazy. I don't remember doing that. I just looked it up on I mdb and I did do it. You did do it. It was George Bush and I guess John Madden. Go figure. You probably Madden happy for Georges Bush. So you wrote in the John Madden thing, I'm guessing. Michael Jamin (00:03:09):It's so funny. It's so funny that you chose to forget that you were on Glen Martin. How, howFrank Caliendo (00:03:13):She, I don't remember a lot of stuff and I don't even do any drugs, but it's like, I don't, I don't remember. I remember it was like a declamation kind of thing, right?Michael Jamin (00:03:19):Yeah. Yes. Right. And it was, that was Kevin Neen. He, he the, he the guy. So, yeah. And you, you crushed it and you did. No, it wasn't John. John.Frank Caliendo (00:03:29):I crushed it so much. I've never worked with you again. That's butMichael Jamin (00:03:32):I haven't done not have animation since. No,Frank Caliendo (00:03:34):That's true, jerk.Michael Jamin (00:03:35):I did Barry for 10 minutes though. But youFrank Caliendo (00:03:38):Know, it's funny. Here's a funny thing though. This is a funny thing, is that I haven't done a lot of animation. So you think of me as animation because of the voices. And that's the thing that's always weird. And that's why one of the reasons I didn't do a ton of voice acting. One, I wasn't as good at it as some other people. But two, it was like, because once you do that, it's amazing how people think of you in like, I'm in a couple of different tunnels for pi. It, it's, you know, the pi, the holes of the pigeon. I am a, people think of me as a sports guy and an impressionist. So it's like, oh, we, that's all he can do. So they never, so I, it's so funny because recently people have been like, ah, you wouldn't do this little partner move.(00:04:19):I'm like, yeah, I would, I do, do I have to do an impression? No. Oh good. Are you gonna rewrite the part? So I do impressions? No. Perfect. Interesting. That's what I wanna do. Now I do this, the impression stuff to keep the lights on. I mean, that's what I do on TikTok and Instagram and stuff like that. It's, there's some fun with it too. But that's the amazing thing is people start to get, I think I saw you do something recently where you said, you know, beat the dead horse. Right? You're like, it can Oh yeah. Do the thing. Do the thing you're known for . Yes. Keep doing it. Keep doing. I did it for 20 years andMichael Jamin (00:04:52):Well, I'm telling, and I'm talking about beginning people, but Yeah. But for you I can understand.Frank Caliendo (00:04:55):Absolutely. It's, it's, it's, and then you, you then you get to that point where you're like, I gotta do some other, some other stuff. And it's so funny because then people don't want you for anything else. Right. And then you go back and do some of the stuff again. But there's like two careers. And I've heard David Spade talking to those other people. Probably talked about it too. But I used to say this until I heard David Spade say it too. And then I'm like, oh, people think I was just taking it from David Spade. But it was, you spend the first career, you have two careers, the first career pigeonholing yourself, getting known, doing something, Uhhuh . And then the second career is being able to do something else, right? Like getting outside of that. So I had the first one. So I'm fighting in that little bit of that second one.Michael Jamin (00:05:33):Well, you know, so I, I wrote for Spade twice on just Shoot Me. And then later on Rules of engagement. So I'm just curious, what does he think is, what is his second career? What was he talking about?Frank Caliendo (00:05:41):Well, I I I just saw it in a, you know, I, I worked with him recently and didn't bring it up because I was scared of him. No. Why would you be scared of David SP's scared of David? Like, I tower over David sp five, six. No I'm trying to think. It was just something I saw him talk about on a talk show. And I, you know, it was one of those things I'm like, ah man, somebody much more famous than me is talking about this. So I don't know whatMichael Jamin (00:06:07):Thing you'd like to do. Well, I mean, you're amazing at pressure. I can see why you might wanna do something up, but what is it acting? I mean, you know,Frank Caliendo (00:06:13):It's just acting in small parts, you know, just small things because one, people think you want to only do big things and carry a show. Right. I don't really even have any interest in that. I don't even, I, I don't even wanna carry a show Uhhuh. Cause that's, I I I don't feel like my acting is at that level where I, anytime I've ever wanted to do something in Hollywood, I've always wanted to surround myself with good people. And they get confused when you try to do that. Yeah. They're like, why would you want somebody else to Well, cause I want it to be as funny as possible. I grew up, I grew up playing sports. When you have a good team, you do your part on the team. When I had Frank tv it was my show that came after Mad tv. It was shortened by the writer strike and it had some struggles and stuff like that. But it was one of those things where and it wasn't that good. And when it was finally put together, I was amazed. Cuz we had great writers and they would do it. They would pieces John Bowman that were Bowman and Matt Wickline.Michael Jamin (00:07:09):Yeah.Frank Caliendo (00:07:09):Great writers. Brenda Hay king and Lance Crowder. All these guys, like people Rachel Ramas, there were really great people Yeah. Involved in the show. But then by the time it was cut and put on tv, all the air was taken out. It was boo boo, boo boo boom. And you know, when that happens, there's no setups. It's all punchlines and you look like you're trying too hard. Yeah. That's, you know, you and I just didn't have, I'm, I'm not enough of a fighter. You need somebody who's gonna fight for you and do somebody who's gonna have the vision and fight for the vision and has been in that spot before to fight. And I just, I mean, I was doing like 15, 20 pages a day cuz I was playing all the parts until I got them to get other people on the show. So it was one of those things where I was just like, I was exhausted. I didn't even get to see edits. I didn't, I didn't like watch myself. Cause I was also too fat at the time. Yeah. I was like, I'm so fat in these things. I, it looks like South Park episodes. Michael Jamin (00:08:08):But how did that come part about, did you have a development deal at a studio orFrank Caliendo (00:08:11):Something being fat?Michael Jamin (00:08:13):No. You a lotFrank Caliendo (00:08:15):Exercise. It was, I had a d I went in, I, I went in and after I was at Med TV for a while there for five years I had the Fox stuff, the n NFL on Fox things, which was actually bigger for me than anything else. Right. being on the Sunday stuff and Super Bowls. So I went inMichael Jamin (00:08:35):And that's cause you do a killer. Madden give, give us, give us the taste of the Madden so people knowFrank Caliendo (00:08:39):What you're trying. I'm mad here for the quick pop popcorn pop. And I turned him into a character too. Like, like I was ta talking. This is, I know I go off on tangents. Just stop me. Go back. But one of the things with the Madden, you know, the, the realistic John Madden voice was this kind of voice where you, you say the things and you do the things. But I found this thing in him that was the excited little kid. Right? The . Yeah, yeah, yeah, yeah, yeah. And then when he would get that, that going, it was like, I was on Letterman and he had me come on as, get me come on as John Madden didn't say it was a some, I was the lead guest over Ben Stiller, I think it was. Wow. Fake John Madden Wow. Was the lead guest. And I came in and I wasn't really the lead guest, but it was, you know, I tell people, but it was a, it was so I pulled a chicken wing out of my pocket.(00:09:29):I had them get me a chicken wig with sauce on it and everything. I gave you hungry. He was like that right now. , how funny, can you believe this? But it was one of those things where it just, stuff would happen and the, you create the character with it. And it becomes, the funny thing is to me, that that stuff doesn't work the same on social media like TikTok or Instagram, but it might work on some YouTube stuff. Cause there's more longer form. It's, it's more of a longer form, you know, the, the platform is Right. I just didn't like that I said more and longer right. Together. I'm, I'm weird with grammar. I'm very, some things I just, like, if you noticed, I texted you, I didn't like that I put different tenses tenses in my texts and you like, you just stopped talking to at that point.(00:10:14): But when you, I dunno what they really like and on TikTok and these you know, shortform ones platforms is exact replication. They want the, what I would call more of an impersonation, right? Like they want the the, they want you to sound exactly like the person. There's no element of caricature it really, or going what I would call Dana Carvey on it, cartooning it Right. And making it bigger. They're like, ah, that's not like it. Well that's the point. That's the comedic element, right? Right. That makes a good exaggeration after. Yeah, exaggeration after the initial what's the, what the word I'm looking for, the when you, when you recognition, when you get the recognition, laugh on the sound, and then you have to do something with it and make it bigger, right? You have to have more fun with it.Michael Jamin (00:11:09):But you did a post, I thought it was fascinating. I think it was on TikTok, excuse me. I think it might have been like how you do Robert Downey Jr. Or something. And you, you walk through the stages of how you approach the voice in, in pieces and then how you getFrank Caliendo (00:11:26):There. So let's, let's start with this. And this is something that you'll identify with completely as a writer and a creator. You have to find the cadence and the voice of the person not speaking in terms of tone, but the cadence, right? Yeah. How many Christopher Walkins have you heard, right? You've heard low, you've heard, hi, you've heard in the middle, in, in, in the old days, it was William. You knew who it was just by the pauses, right? So you could tell from those voices how you would write for that character. You put the point of view into those, into the song, right? What those of the, you know, into you put the lyrics into the melody. So with Robert, Danny Jr, I found that this is with other characters too. That counting can help you do it. It's better for the audience. It's not a full way to teach somebody how to do it, but it's entertaining while you do it. So Robert Downey Jr. Is after you find the pitch, or you don't even have to have the pitch first, but I'll go to the pitch cuz it's what I do. But it's one, two, pause, burp 5, 6, 7. So you find that it's 1, 2, 4, 5, 6, 7. And then you can just figure it out, you know? So that's, that's how you find those with Liam Neon. It's 1, 2, 3, 4, 5, 6, 7. You know? So it's the beginning. That'sMichael Jamin (00:12:52):Interesting.Frank Caliendo (00:12:53):Yeah. You can do that with Jeff. Goldblum is one, two 1, 1 1. Juan, what comes after one? Think out loud. That's him one. What's, what's coming into my head? What do I hear? The voices coming at me. One, two. Yes. Here comes one, two, a little jazz. 2, 2, 3, 3, 3, 4, 4, 1, 2, 3, 4, 5, 6.Michael Jamin (00:13:17):But you talk about this, you're talking about how you approach it. It's not like you think anyone, you, it's not like you're trying to teach anybody. It's not like anyone, you think anyone can do this, do you? Because I don't think IFrank Caliendo (00:13:26):Do. I think people can find, people can find, I do think people can find it. I think people can find people can't get the, they might not be able to get the pitch, the, the, the note, but they can find the cadence. Everybody, people do itMichael Jamin (00:13:40):Forever. But you, you know, your, your throat, your mouth has a certain in your nose, like you talk. I think you're stuck kind of with the, like, I can't change my, you're stuck with the voice. I don't know how you were able to literally changeFrank Caliendo (00:13:51):The, well, you don't need to do all that stuff. You don't, you don't have to do all the, that. This is another part. The face is another part of an impression. That'sMichael Jamin (00:13:58):The sound of the com. The sound comes from inside your skull.Frank Caliendo (00:14:01):Ok. So yeah. So there, there, there are different pieces to this as well. You can close off your throat. You, you think of it, you know the Bobby character, the Howie Mandel, little bitMichael Jamin (00:14:12):Bobby.Frank Caliendo (00:14:14):So that's closing off your throat. And a lot of people can do that. But the difference is finding different levels of being able to work. It's just, it's a, it's like a muscle, right? Right. So I'll do, I've done this, you might have seen this before, but this is John C. Riley is in here. So John C. Riley has just a little bit of bubble in his throat. Now if you work backwards, a tiny hole, ker frog, that's a little bit more up in here, re tiny Hall Kermit, you're reporting from the planet COOs. Then bring it down a little bit, Nelson your throat a little bit more. You add some air and it becomes Mark. I, I see this as an absolute win, guys. ThisMichael Jamin (00:14:51):That's exactly it. ThisFrank Caliendo (00:14:52):Is, this is crazy. And then, so for Ruff, he is got that thing where I think he had like a, a tumor or something, some, some medical thing when he was younger. And part of his f it was the same with like Stallone, Stallone had Bell's palsy, right? So he is got that, you know, that thing that, right? So if you find, I call it the pizza slice, you've probably seen the thing I did this. It's a triangle. It's a line across the eyebrows, a.in the, in the chin. And it's the triangle that goes down. There are two things. Now, this is stuff I'm actually gonna dos and Instagram on as well, but it's I just am too lazy. And it's, the mouth tells you how the person talks.Michael Jamin (00:15:33):UhhuhFrank Caliendo (00:15:34):. So if you watch my mouth, that's why everybody does a Donald Trump, right? When they do a Donald Trump, you have to do the lips. The lips are very, very, that's very. But now this part of my face from those down is doing Donald Trump. Now when the eyes start going, it sh now that's the point of view that starts. Same with the bush. Bush is, you know, I could do this thing with this half smile. It's like somebody told me a dirty joke before I came up here, but that's just, that's from nose down. But now I get a little discombobulate and you know, I'm staring into the, the abbu, you know, that's what it was also a great movie. So it's, and then the point of view comes from the way you think. Right? But you, when you write a character, when you write a character, you become that character when you write, I don't know if I'm stirring batter or what. Yeah. But if you're doing a cooking show and you're stirring the batter, but your character, you haveMichael Jamin (00:16:32):To, yeah, we would, for example, on King Hill, we would imitate Bobby Hill or Hank or whatever. But imitating is not sounding, you know, it's not sounding like,Frank Caliendo (00:16:40):Yeah. It's just, that's just taking it another level. You, you, you just take it. You get, because you had the cadence of the character. You might not have had the note, but you had the notes written. You didn't have them on the stop, but you knew if it was an eighth note, a quarter note, whatever, a, a rest. And I only know a little bit about music and that's all of it that I just told you.Michael Jamin (00:17:00):But did you, as a kid, did you, like, did you, were you good at this as a kid? Did you wanna aspire? Did you aspire to this?Frank Caliendo (00:17:06):I think I was pretty good at it. I, I have a natural knack and my kids have the knack too. So you have to have a, a knack at the beginning to figure this stuff out from the beginning Right. To, you know, it's predator of the infrared going. I see everything. My son had Bell's Palsy when he was very little. And I, I could see that when he would smile. This is a, the blessing and a curse thing. And when he would smile, he wouldn't smile all at the same time. And then I started to look closely and part of his face moved a lot slower and didn't always move. And I said to, to my wife, I go, something happened. I don't know what it is, but I think he had Bell's Palsy. Well, we had him tested to make sure there was no brain stuff going on or whatever.(00:17:47):But the doctors, what the diagnosis eventually was Bell. He had Bell's Palsy when he was a baby. Right. And it, you know, pa what happens is Bell's Palsy is, I think the fifth I, I don't remember what it was, the fifth or seventh cranial nerve. Something gets damaged either by a virus or trauma, blood trauma. And it keeps you from everything moving at the same time. But that's, but I could see it. Most people don't see it. I could see it because that's the way my brain breaks things down. Yeah. I mean, you as a writer, as a performer, whatever, however you consider, whatever you consider yourself, you do similar things. You see the world from that point of view. And that's how you write. You go, you observe, you take in, and then you replicate or create from that. Exaggeration or finding the, I I've set off Siri like nine times on my watch during this. I've never, that's never happened before.Michael Jamin (00:18:50):I Yeah, I, I say mean things to her. I and I and my wife says it's not good because Apple's picking up on this , like I say awful things to Siri. So, you know, like, Siri, you asshole. What time is it? She don't say that.Frank Caliendo (00:19:08):I'm sure it could be much worse.Michael Jamin (00:19:10):Yeah, it is much worse. I'm cleaning it upFrank Caliendo (00:19:11):For the podcast. Yeah. You were just trying not to get canceled.Michael Jamin (00:19:14):Yeah. Yeah. .Frank Caliendo (00:19:15):Yeah. So there, so there are lots of, yeah, I, I, I see. I look at these thi these things in, in lots of different ways. For me, you know, one of the things that, one of the things when I first got on social media in the last couple years, a few years ago mm-hmm. . Cause I wasn't doing any, cuz I was on Twitter 10 years ago. AndMichael Jamin (00:19:35):Why did I started finding, started my goal on social media. Why did you start?Frank Caliendo (00:19:38):Well, you have to. I mean, if you, if you, the first time it, it was because it was new and people were telling me I didn't like it. I just, I don't like it. I, I, I, I can't, I can't adapt it because people are angry for the most part. And there's a lot ofMichael Jamin (00:19:54):Yes. Tell me about it.Frank Caliendo (00:19:56):Is it, yeah. Right, right. And there's a lot of what confirmation bias. So there's confirmation bias mm-hmm. and the exact opposite. Right? So people either wanna hear exactly what they're thinking and they don't wanna have a conversation about something different. Mm-Hmm. . Or they just wanna fight you for no reason. They wanna troll you. They just wanna, they wanna make you mad. And especially somebody like you or somebody like me that's been in the entertainment business, we targets. Because if we say something back that's mean. Oh, the guy from Glen Martin dvsMichael Jamin (00:20:27):. Well, they don't, they don't. No one's ever heard of that. I know. But, but you're right. I don't, I don't respond anymore because there's just no winning it. There'sFrank Caliendo (00:20:35):No winning. It can't win. Cause because you are, it would be like, this is an exaggeration, but it'd be like a leader being a leader of a country. And this is, but this is what Trump does or did though, right? Uhhuh, . . And you would come back at people and you'd go think, ah, you gotta stay above that. At a certain point it's fu it, it quote unquote. It could be funny in and this isn't a political rant, this is just what I see as an observation. Mm-Hmm. it can be funny in of somebody running for president, but as soon as they're president you kind of feel like you're Yeah. I think, I think it's time to be a little different. You can, that's my opinion. ButMichael Jamin (00:21:08):No, you're absolutely right. I told, but, but, and that's what's so interesting about it, is because social media, at least when I started doing it, like at first, it's a little empowering. You have an audience and you can, you have an, you have a platform. But then once you start getting trolled and, and I, as a comedy writer, I feel like I can tear you apart. I can tear you apart. Whoever's trolling, I don't, I'm better at this than you. But the minute I do it, I, I can't do it because then I'm, I'm then I'm the asshole. And then it, what was once empowering now becomes emasculating at the same time. It's very odd to be able to have a platform, but not causeFrank Caliendo (00:21:40):And and you can, and people can say things to you that you could never say back because they will say things that would get you as a business person canceled. Yep. It doesn't have to be racial. Or it just, they can say things that are just mean that if you say it and somebody pulls it up, they're like, look what Michael Jamin did. Yeah. This is unbelievable. Yeah. I We can't hire this guy. Yeah. He's, he's a terrible person. And they'll defend the person who's ripping you to shreds and saying way worse things. Yes. So you're stuck in, you're, you're stuck in a spot. So it, so I, I started, this is why I got away from social media 10 years ago, whatever. So I was on Twitter, I was building it really quickly with sports stuff. Mostly not video, just just kind of like sassy phrases and, you know, mean things. I, and I realized I was starting to be this person on Twitter in real life in real wayMichael Jamin (00:22:37):InFrank Caliendo (00:22:37):What I'd see somebody just, I'd see somebody and wanna say something terrible to them. Mm-Hmm. . And the only reason I would say that in Twitter, cuz my comedy's silly, not really mean uhhuh, , it's it more cherubic cuz of the cheeks. But , it was one of those things where you said mean things on Twitter, you got likes and retweets cuz people love Right. You know, knocking down people in power. Yeah. Yeah. And I would say something about a quarterback that just threw an interception. Something I could never do. I would never have, you know, that that's the level of skill to, to make it to their level. And I'm ripping them to shreds. I'm going, I, I, and I've changed this way too. I mean, I, I used to think, you know, I used to watch the Oscars and kind of rip the Oscars to shreds because it is so self-aggrandizing. It, so mm-hmm. , everybody's self-congratulatory and stuff. Like, and I would say things, I'm like, I shouldn't be saying this, that, not just because it's, you know, it's kind of gross. But it's, it's also just, I don't know, these people work very hard to get where they, you know, they're just going, some of 'em don't, you know, they're happy to be getting an award, but they have to be show up. It's part of the business. Right.(00:23:46):I get it. I, I what a jerk I am for. You know, that's why even people, people wanna do a podcast and like, let's do a podcast where we just rip movies. I'm like, I don't wanna, that's somebody's acting, somebody's put a lot of time, like my TV show. There were a lot of great people putting that stuff together. But by the time it all got put together, a network has to say other people standards and practices, all these different levels, it's not really what you want it to be. And it's not any one person's fault. It's just not what you want it to be. And that person is, but, you know, that's why it's so amazing when somebody does do something really great, you're going, wow, you watch a, a Tarantino film or something like that. He's a guy who just fights for all his own stuff.(00:24:32):He's gonna do it his way. Right. But you watch a, you watch a film with somebody who does Jordan Peele now right. Who actually got to work with a man TV years ago. People get to a point where they have their point of view and they can make closer to the movie that they want to make. And then you go, okay, when this turns out, this is, this is fantastic. This is how you do it. Because when you don't have that much, say you don't have that much power and you don't have that much fight in you, it's, it's really hard to get close to what you want. And there were so many things in my show mm-hmm. that were close to what I wanted. But that little bit of change just goes. And there were three little changes. You go, oh, the timing's not what I would've done there. They used a cut I never would've used. Right. And now they put it in a different part of the show. Wow. Oh man. So then I know that happens everybody,Michael Jamin (00:25:27):But I have to ask, so then why do you do, why are you on social media? Because you, you have quite a big presence on it. So what's,Frank Caliendo (00:25:33):You go in, you go into an somebody's office, an executive's office. The first thing they do is look how many this, what are you doing here? What do you do? They reallyMichael Jamin (00:25:43):Say, say that toFrank Caliendo (00:25:44):You. Oh yeah, I've had plenty. The people look at me. It'sMichael Jamin (00:25:47):Because what they don't, I feel like they don't understand is the change in the algorithm, which is maybe only a few months old, but they don't un do they understand when you talk to them that having a million followers on Instagram or TikTok, you can't reach them all on any given day. You reach maybe a 10th of them, you know.Frank Caliendo (00:26:03):Well, you don't even reach that. I mean, people don't, so again, people the way it's been explained to me is that TikTok doesn't even really go out to yourMichael Jamin (00:26:15):Followers anymore. No, it doesn't. No, it doesn't.Frank Caliendo (00:26:17):It go, it goes out to a random sample audience, which has mm-hmm. some of your followers in it. And then once it hits that first audience, if enough people watch it long enough or watch it to the end, it gets, then it goes to the next sampleMichael Jamin (00:26:30):Audience. Yes. Right.Frank Caliendo (00:26:31):So if you go to a bad, I I,Michael Jamin (00:26:34):But that's also Instagram. Now that's kind of this, they're they're taking the same model. TheFrank Caliendo (00:26:38):The real stuff. Yeah. Well, because, and the reason that works for them is because they, they can build stars faster that way they can build. So it used to be on Instagram, it would take you years if you weren't famous mm-hmm. to get to a point where you had 10,000, 20,000, 30,000 followers. Well now people can just vertically swipe through reels and all of a sudden the, those people who do that are tend to follow a lot more people. Right. So your videos can go viral with no followers. Right. And then suddenly you'll have followers. It didn't used to work like that it used to.Michael Jamin (00:27:15):Exactly. So that's why I'm asking lots of followers. Do they know, do you think the executives know that? Cause they look at your numbers and like go, oh, Frank's got a big following. But do they know that you canFrank Caliendo (00:27:23):I don't. I think they're a little, I think yes and no. But again, it works to, in their favor that if you have videos that have a lot of numbers mm-hmm. do, because then you're hitting an audience. They know you're hitting a pretty big audience that spreads it to other people. Mm-Hmm. . Now I'm 49, I'm about to be 49. Okay? Mm-hmm. , I, my age group that I played to most, or played to the most was probably 35 to 50 in there. You know, somewhere in there somewhere that I felt like I was similar age and had similar likes and life experiences.Michael Jamin (00:28:00):Right.Frank Caliendo (00:28:00):And those people, that group of people doesn't tend to hit the light button or the retweet button as much. I know I don't. Right. Right. Kids send it, they direct message stuff to their friends. They send things to their f they then they tag other people. They tag lots of people. Yeah. And that's why network executives, producers advertisers like young audiences, not just to sell the products to, but they're the ones that spread the word. Right. And they know that. They know it. It kind of works. You know, I always, I never really thought about that or I never really believed them with that. You know, I've changed brands on a lot of stuff. I've changed toothpaste, I've changed all kinds of things. Right. I don't think I'm normal. I, I, I, I guess I'm not, but young people will try different things and they will do lots of different things at a much higher rate. AndMichael Jamin (00:28:54):So interesting. Do you feel then, as a performer that, okay, so you kind of have to do this. You're a little bit, you know, could you do it what, every day? Right? How many times do you post a day?Frank Caliendo (00:29:05):I don't, I don't even post that much. I, I'll post like a, a week. Once a week or once. Oh, half the time. It's half the time. It's old stuff that I've already Interesting. Like the thing, I have something with 8 million views right now from like a couple weeks ago. Wow. That I've posted two times before. Yeah. And it's gotten a million views and 2 million views and maybe 30,000 views. Oh. Which hits exactly what you're talking about. Yeah. If it doesn't hit the, I have, I have two pieces of advice. A couple pieces of advice for your content, please. I, I would not end my pieces telling people to go see, go. Don't, I wouldn't waste the time in the, in the, in the post telling people for more, if you like stuff like this. Go see, go did Michael Jam writer what, you know, your website, stuff like that. Right. I would just put it in writing near the end. Yeah. On the screen. Because then it's there a little bit subliminally. And they don't have to wait for the, because if they've heard you, if they like your posts and they watch you all the time, they know that's the end of your post. They'll cut out early.Michael Jamin (00:30:10):Interesting. So you're saying put But if I put it up on there, cause I, I do this to get people on my newsletter Right. To, you know, cuz that you get their, but you're saying if I, if I just say it'sFrank Caliendo (00:30:20):Up to say at the end, you spend two to three seconds going. Right. If you like what I said right. Go to Michael Jamin, Robert Writer what is it? Michael jaminMichael Jamin (00:30:28):Michaeljamin.Com/Watchlist is my newsletterFrank Caliendo (00:30:30):Slash watch. Okay. So if you, if you like what you've heard, go to Michael Jamin slash wa slash slash watchlist stuff like this and other things that I gotta Now now they've got, now you've, now you've given them a little piece, which is what's everybody telling you to do? They all tell you well get the call for action. Yeah. But if they've seen your post and they like your posts, they don't need that anymore. Right.Michael Jamin (00:30:53):What if they're brand new? What if they'reFrank Caliendo (00:30:54):Brand new? If they're brand new, you put it, you just put it up on the screen. You put it up on IMichael Jamin (00:30:58):The screen. What do I put on the screen?Frank Caliendo (00:30:59):On the screen? You just write it on the screen. Yeah. Say like more stuff like this.Michael Jamin (00:31:03):Oh, okay. For the whole thing. For more. Okay.Frank Caliendo (00:31:05):Or, or in the last, the last third of what you say. Okay. Just have it up there. And in the, because you do that, you can try, you can, you can experiment and do it both. Do it, do say it sometimes put it up on the screen. Do both mm-hmm. sometimes just put, put it at the end and, and test it. Yeah. Because I could be, I can be wrong. I can be wrong here. But I'm telling you, I watched to the end of yours because I know because I want yours to do well, Uhhuh, , I'll do it, but I'm tempted as soon as you go into that mm-hmm. , I tempted to flip up andMichael Jamin (00:31:39):All right. What,Frank Caliendo (00:31:40):What I found with my stuff, if I introduce things, sometimes people don't even wanna see me introduce it. I just put the title of what I'm doing on the screen.Michael Jamin (00:31:49):Uhhuh ,Frank Caliendo (00:31:50):I don't tell you, you know, I don't tell you what I'm doing. I put the title on the screen to tell you what I'm doing and I get right into it. Right. Unless it's a reply to somebody's if somebody's, then I read their reply a little bit. Right. So they have the visual and you're reading the reply and you're saying something at the same time. So they're kind going back and forth. And then you do, you cut and do what they're saying. What is, what is your other, very quickly,Michael Jamin (00:32:16):What is your other tip for me? Is there anything else? I'll listen in. I don't know if my reader Yeah. What cutsFrank Caliendo (00:32:26):I would cut, I would cut a lot. You don't cut much. Oh, oh,Michael Jamin (00:32:30):Oh.Frank Caliendo (00:32:31):Visually you do, you do things in one.Michael Jamin (00:32:33):Yeah. No. You know why? Because I just don't wanna produce anything. I don't wanna spend time. Right.Frank Caliendo (00:32:36):I get it. I get it. I get, I get it. And, and, but like a friend, somebody I know used to work at YouTube and they're like, just cut, just cut, cut, cut, cut, cut. And you don't even have to really produce it. All you have to do is just splice, splice, splice slightly. Make things bigger and smaller. You don't even really cut any air out. But I, if, if you look at, if you look, you just put it in iMovie or they actually have it in there. Now. If you don't even, you don't evenMichael Jamin (00:33:01):Too much word.Frank Caliendo (00:33:02):I get it. If you watch most of my stuff that's new. There is no real effort into writing it. , Uhhuh. It's just saying words over and over.Michael Jamin (00:33:13):. Right. It's,Frank Caliendo (00:33:15):I won't put the time. Now what I'm starting to do is go back, like you said, let's talk about the Seinfeld thing. When I put the Seinfeld thingMichael Jamin (00:33:21):Out, and that was from Frankie. OhFrank Caliendo (00:33:23):Right. That was from, and it was critically panned. Like it's terrible. Like critics told me it was awful.Michael Jamin (00:33:28):. Ok. I liked it.Frank Caliendo (00:33:30):Yeah. And it's even cut even shorter. It's, it's even, I think the full things like pretty good. There was one of the things I was the most proud of, Uhhuh or the proudest of. And but it's one of those things where , it's so funny cuz it really does look like a South Park version cuz I'm so fat. At the time we made it that it's that, that it just looks like, I call it sign fat. Right. But it was weird cuz if I had guest stars on the show, it would, it would even make it tougher for disbelief, you know, suspending belief or di is it suspending belief or suspending disbelief.Michael Jamin (00:34:03):Suspending disbelief.Frank Caliendo (00:34:05):So, okay, so, so you,Michael Jamin (00:34:07):Yeah. So you're not disbelieving it,Frank Caliendo (00:34:09):Right? So you suspend your disbelief when you see somebody, all the characters look kind of the same. It fits, but all of a sudden you have somebody that looks more like the person because they're skinnier or something like that. A sudden it looks up like, but that Seinfeld thing, it was actually from my, my act was my, the way I did it in my act was I tried to, I always trying to think for the impressions. And so my, my thinking of the Seinfeld bit and my act was Seinfeld is about nothing. It's about reality. It's about everything that happens a reality. Well, what takes you outta reality? So it was drugs. Mm-Hmm. . So I thought put Seinfeld on drugs. And the, the, the bit was why do my fingers look like little people? Who are these people? They doing, they're talking to each other.(00:34:54):They're probably talking about me when I say Jerry, oh, somebody. Hey Jerry, you look like you've been seeing little people on your fingers. That's great. You just let that cat. And then at the end it was Newman and Newman's like, hello Jerry, hello Newman. And she would've lost a sort of Jerry Garcia grateful dead commitment of stamps. She would see them baby . So he'd licked the stamps. You know, that was the bit. So there was reality and it turned back into AED episode. But the whole bit was instead of reality, how do I get into a fantasy world? And that was the easiest way to to, to(00:35:28):Do it. Right.Michael Jamin (00:35:31):Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.(00:35:54):It's fucking, your voices are amazing. I mean, that sounds amazing. But tell me, I have another question up for you. I'm just, I'm curious, I know you're, I actually wanna mention this, so I know you're, you, you got two shows coming up in, in Phoenix, right? Yeah. Where you do, where you go and it stand up, you're doing voices as well, or like, right? OrFrank Caliendo (00:36:11):Yeah. I, I just, what I do is, I'm, I, so what I, what I like to do is, I always hated the vaudevillian impressionist Uhhuh . What if,Michael Jamin (00:36:21):Oh yeah.Frank Caliendo (00:36:23):You know, what if Carrie Grant was your waiter, well, why, why would he be, first of all, that's bad writing, right? ,Michael Jamin (00:36:32):Why would he be your waiter? WhyFrank Caliendo (00:36:33):Would he be a waiter? Remember, years ago, I think it was on the white was it the white album? The that Dennis Miller did? Uhhuh . He's like . He was like and these impressionist, I think Jack Nicholson as a fry cook at McDonald's. I mean, how about you as a fry cook at McDonald's? Chachi, get some writing. You know? So it was it was, I was always like, I wanna write for these characters. So what do would I do? I would make observations. So the way, and that would give me my point of view. So Pacino, he's an actor, right? So I was like, what do act what do they teach you in acting? Be curious. Be amazed by everything. So the simplest thing, Pacino can be amazed. Like somebody's turning on a light. He's like, wait a second, you mean to tell me you flip a switch over there? A light comes on over here. Wow. . So he's amazed by everything. That's the point, right? And that's what my Pacino character always was. And he, and chewing gum. So that'sMichael Jamin (00:37:34):Dead onFrank Caliendo (00:37:34):Man. It's make those, make those observations and then apply them in situations later. So it's observational comedy, but I was just observing how people were. Robert Downey Jr. Is a human. Twitter feed, 280 characters are less and everything's about himself. So he'd give, be giving out an Academy Award, which is supposed to be about the nominees, but the, but he'd be up there like, these people deserve your applause almost as much as I do. Hashtag awesome. So it's, that's the point of view, right? Set it up. That's funny. Bring it back. So once you have that, now you can, now the audience is in on what your point of view is. Now you can put them in situations, which is really what you do with characters in writing. You know, any kind of sitcom or any kind of a, any, you know, any kind of drama, anything.(00:38:25):It just takes longer to get them to who the character is an impression most of the time, and this is why impressions are cut away from acting so much where people think there's no acting in impressions because it's just, you know, somebody, there was Robert De and they work on, are you talking to me? Well, where's the, where's the writing for that? It's the vallian part, right? Come up with something that tells you who the character is. Right. And now write for it. And now it's an interesting character. And that's what you know any type of original character, it just takes longer to get there. And that's why a pilot, right? A television pilot, and you can tell me if I'm wrong, you do this more than me. Let's see. There's a lot more exposition and telling, kind of telling people, okay, hey, I'm just your local waitress. You know? Yeah. Yeah. And they tell you a little bit because they have to do it to get it done. To get it sold. Yeah. And then once it's, once you kind of have it, now you can develop the characters and you have, you have arcs that can build the character to something longer. Yeah. And that's why a lot of pilots get rewritten and redone because the pilot's almost a presentation just to sell it. And it's almost two on the nose. It's a to be what you want.Michael Jamin (00:39:40):But tell me what it's like when you do, like, when you go do a show or two shows, like literally, what is that? Like? You get on a plane, you arrive a couple days before your show, likeFrank Caliendo (00:39:51):The day, usually a day off, the day of just get there. YouMichael Jamin (00:39:55):Do a sound check or no, you just go up on stage likeFrank Caliendo (00:39:58):A theater. I'm probably have the guy opening for me do a sound check. I don't, I don't even, I just go out there and show up and head so I have more energy. I mean, it's just, I like to get out there and just start going. I have a plan. Uhhuh, I have a lot of stuff that I've, I will do that I've done, you know, that I've worked on and done before. But now I try to, I actually like to do clubs a lot more than theaters. Why is that? Because I get to play more and I don't feel, I feel like somebody goes to the theater, you know, they, you feel like they, even though they're not, you feel like it should be a little bit more put together and professional. I feel like at a club, it can,Michael Jamin (00:40:34):A club, you can get heckled. They're not necessarily coming to see you. If you go to a theater, they're coming. They're paying seeFrank Caliendo (00:40:40):Me, 90, 99%. They come to see me at a club. Now if I'm doing a club, yeah. Cuz I'll do like off nights. I'll do like a Tuesday or a Wednesday. The, the general audience isn't going for that. And tickets will sell in advance. I mean, it, it's, that's, that's what I, that's what I likeMichael Jamin (00:40:57):To do. Is, is it theater though? More, more seats usually.Frank Caliendo (00:41:00):Yeah. It's harder to sell. 'em, You, you've gotta figure you're gonna sell. Probably you can probably, cuz people are, they're trained to go to a club and you'll get some people that fill other seats and it'll, it'll snowball. People will talk about it more. Uhhuh . And they have a built in advertising in everybody who goes to that venue. Three or four, you know, five shows a week.Michael Jamin (00:41:20):Interesting.Frank Caliendo (00:41:20):Sees that you're gonna to be there. And they're a comedy audience already. A theater doesn't necessarily have a builtin comedy audience. It might be that's 9%.Michael Jamin (00:41:31):But they're not coming in a comedy club. They might be drunk, they might be hostile, they may heckle. They're not, they're, it'sFrank Caliendo (00:41:38):Not, not, it's not as bad anymore. It's, it, yeah. Most of the clubs are that that's, that's kind of a nineties early two thousands as maybe eighties type of thing. It, that doesn't happen as much anymore because they have so much riding on everything. The clubs used to be, they would you just go there and do a nightclub set and they, they, they'd turn 'em in and out, two drinks, four drinks, and get 'em in and out. Now they're selling them dinner. Uhhuh, they, they, they realize they were given away the five, they were, they're restaurants now that have entertainment. Right. Because they would, they would bring everybody in and nobody, they would give everybody else all the food and beverage around the showtime. And they would, they were realized, well we can do this too. And some of 'em do it. Really,Michael Jamin (00:42:21):Really. But they're not eating during the show. You don't want the meeting show.Frank Caliendo (00:42:24):Yeah, they're,Michael Jamin (00:42:24):Yeah. Yeah. They're, and you're hearing like the silverware and stuff?Frank Caliendo (00:42:27):Yeah, it's, it's, it's usually more of a finger food. But they're, yeah. They're, they're so are some that have full-on, you know, but that, that a lot of that happens during the opener or mc too. By the time I'm up, they're, they're, they're a drinking and they're warmed up and they're, they've gotten their food already.Michael Jamin (00:42:45):And then do you travel with their, with your, with your opener Or is it a local guyFrank Caliendo (00:42:50):Or one? I bring people with me because I know what they're doing. , Uhhuh, . I, I, I'm, I'm a control freak in terms of what's on before me. Right. Because I'm very clean. Even when I try to be dirty, it doesn't work because people wanna see me for being clean. Right. but I've had, I, you know, an opener thinks they're clean and you, you know, I only say that word once, like, wow, that's too many times for some of my audience. Right. Or they, they, they, they, they're not expecting it. Cause they've been there to see me before and I'm the one who's gonna get the emails in the club is. And so I just bring people that I know are gonna play and then I don't have to watch the set over and over and over.Michael Jamin (00:43:31):And then you, and then after you'll you how many shows?Frank Caliendo (00:43:35):Two is the most I'll doing at night, but I'd rather just do one. Right.Michael Jamin (00:43:39):It's exhausting. It's exhausting to hold that kind of attention for pe to people.Frank Caliendo (00:43:43):Yeah, it is. And I just have the point where I, I do it and I have, when I have fun doing it mm-hmm. , that's when I go up and do it. And if I go up and I'm creating some, I'm having fun. If I'm doing an old set just for money and not creating, I'm not having fun. And that happened to me for five to 10 years where I was just doing the same thing all the time. I was making a ton of money Uhhuh. But I think some of my audience got like, well you're doing the same exact set. And it was just going, kind of going through the motions. And I, that wasn't a great time for myself for, you know, me personally. Not like I had anything wrong with family or anything. Like I just wasn't having fun doing the comedy.Michael Jamin (00:44:24):AndFrank Caliendo (00:44:24):Then weMichael Jamin (00:44:25):Will you leave the next day or what, what or I don't wanna cut off. IFrank Caliendo (00:44:28):I used to leave the next morning, first flight to try and get home. Cause I have two little kids right at the time. Two little kids now. They don't like me that much anymore, so. Right. I don't mind going away for a little Do you have kids?Michael Jamin (00:44:39):I do, but they're grown. Yeah. They'reFrank Caliendo (00:44:41):In college. Yeah. So, so you know that, I mean, when they're little, I was missing a lot cuz I was working a lot when they were little. I'd be on the road for a couple weeks at a time. I didn't see my son's first steps. I mean, I just, I didn't like that kinda stuff. SoMichael Jamin (00:44:56):But you knew going into it, when you went to comedy, you knew that that's, that's what the life is gonna be like, right? Or No? Were you surprised? Yeah.Frank Caliendo (00:45:03):But you kind of assume you're gonna go you, you know, you Yes, yes. You do know. But you're also thinking maybe I'll land a TV show, Uhhuh , maybe I'll do, you know, you, you, I don't, and I didn't plan, I didn't plan in the terms of that. But listen, I don't have to work. I honestly don't have to work anymore. I really don't. I I'm, I'm at a point where I don't, so I do things that I really want to. Right. And I, you know, the NFL on Fox stuff, because I was associated with a NFL Hall of Famers and stuff. Like, I do big corporate shows for, you know, oh, do you? For the biggest, for the biggest companies in the world, Uhhuh. And that's, that's what I do. People, you know, I, you, you see one date on the you know, on my public dates, because I live in Phoenix, I don't have to go anywhere.(00:45:52):So I'm just gonna do it. I can do, I can go do it and I can, I can be home. People are asking me to do shows all the time. I'm like and also do a run of one night at different clubs so I can, I don't like looking at the same back of the room for, you know, five or six days. You know, three, four days, five shows. I just, I don't enjoy. So I don't do it. Right. I I I try to do the things now that I like to do. Michael Jamin (00:46:19):I didn't know your feet,Frank Caliendo (00:46:20):So I've saved a lot of money.Michael Jamin (00:46:22):How are you getting acting gigs in if you're all, if you're outFrank Caliendo (00:46:24):There? Well, have you seen me in anything? I don'tMichael Jamin (00:46:27):. That's why.Frank Caliendo (00:46:29):Well, yeah. I don't, I, I don't I go, I go out to la I'll, I'll do some stuff on tape and things like that. Uhhuh , and people ask for me. But I, I, I, you know, yeah, there's, people call me now and I'll get people are like, Hey, will you do this? I'm like, yeah, if I don't have to do it, yeah. Yeah. I just go do it. And I was like, yeah. Like, I just did something recently that was a, a Zoom thing. Like it was actually Zoom in a movie, like a small, you know, like a, a Netflix kinda thing. Like, they're like, you can, you can, you don't even have to come here, you can just do a Zoom thing. And we made, it made the part became bigger. Right. Cause we, you know, I I I call it being serious to the point of being funny where you're just so serious. It's Will, will Ferrell does it really, really well. Right, right. Where you're so serious that it becomes funny. I that's what I, that's the comedy I like. I don't like hail I paid. Right, right.Michael Jamin (00:47:22):Here'sFrank Caliendo (00:47:23):My testicles. That's not the kind of comedy I really like, but it's, a lot of times it's what you have to do to get like the, the funniest thing to me. I like that really uncomfortable stuff in serious. So, better Call Saul, you, are you a fan of that show? Yeah,Michael Jamin (00:47:40):Yeah,Frank Caliendo (00:47:40):Yeah. I like that. Mike Erman Trout.Michael Jamin (00:47:42):Yeah,Frank Caliendo (00:47:43):He's great. Will just odenkirk they will crack me up because it's not, they're not doing anything big and funny per se. They're just in a really awkward situation. But it's, the stakes are so high and it's really important. La Los Salam, monka, you know, it's like, yeah.(00:48:04):All these things are so, like, and stuff Brian Cranston would do on breaking Bad. And you'd watch them and you'd go, ah, like, I'd like to go. God, you're good. I go, that's the stuff that when somebody's just the character and I go, I, I was watching billions. I watched Billions and I started watching Paul Giamati and that's why I started doing that impression, just because I'm like, he's so good. And he's so, I believe these are ways, like, he's just so, like, the intensity and you, you know, you kind of know where he is going before he does, and then he can zig or zag and that's what makes him great. Cause you think you got him pinned down and you're like, oh.Michael Jamin (00:48:51):But, so what's interesting I'm hearing is that, so you have a platform, a stage where you can write, perform pretty much whatever you want to do, but at this point you kind of want someone else just to write for you. And I, I'll, I'll be, I'll just act, you know,Frank Caliendo (00:49:04):That's more of a, and I'll add my pieces if, if that's what you want. Like, I'll add a little flair or that, that's really more what I do wanna do. Yeah. I mean it's, it's, I dunno, I don't want the, this is gonna sound terrible, but it, I, maybe it is, maybe, but after having a couple shows that I developed or, you know, development deals that just fell apart and weren't what I wanted them to be. Mm-Hmm. , I just wanna be in somebody else's who's a real good fighter and go, let's work together. I like being part of a team. Right. And I don't wanna be on a team where somebody wants to do something completely different than me. Right. I don't wanna do that. But if somebody's in the same, in the, in the same wavelength and they're going, and you, you know when that is, can you just start having fun?(00:49:52):You go, that's what I was gonna say. And then you, you do it and they're like, I, I know. Don't even say it. I'm gonna do exactly what you're about to say. Mm-Hmm. , this is it. Don't worry if I don't, we'll shoot it again, but I know what you're gonna say right here. Cuz I saw the light bulb go on with you as soon as it on with me. Here we go. Right. So, yeah. I, that's, I wanna, I wanna be a part of somebody else's thing. That's really, and, and when people think of me, they think I wanna be a one man band. I didn't even wanna be a one man band on my own show. I, I, I, I just, right. I don't know. I, I like being something, I like being part of something bigger. And it doesn't, agents don't always understand that either, because agents a lot of the time, like, you could, you should do your own thing. I'm like, but if I do my own thing, then it's just about me. I'm sick of it being about me. How about it is about,Michael Jamin (00:50:41):I'll tell you this cuz this gets back to Spade, but I'm just, shoot me. He didn't wanna be on screen. If he wasn't, he wanted to hit a home run, walk off, stay stage. I mean, that was it. He didn't need to hang around. He didn't need to count lines, he didn't need to have storylines. He's like, no, just lemme hit a couple home runs and I'll, you know, I'll do what I need to do and then leave.Frank Caliendo (00:50:59):And, you know, and, and you and you're, you're better like that. You're, you're better because you don't look like you're hanging around you. People can't wait to see you come in. Yeah. People know that your part's going to be fun. Now everybody can't be that. You have to have people that are going to drive the show. Right. Right. Arthur on king of Queens. Mm-Hmm. , you know, he is gonna come in from the base and be like, I had no idea this was gonna be this way. By the way, he had one of the greatest Jerry Stiller came up me, I did the Seinfeld bit Montreal at the Montreal Comedy Festival. Uhhuh . Jerry Stiller comes up to me afterward and it's the greatest. Like, this is awesome. He goes, you know, I really enjoyed your show, especially the portion. And I was like, oh, that is, oh, thank you Mr. Stiller. He's like, now could you tell me where the bathroom is? ?Michael Jamin (00:51:49):HeFrank Caliendo (00:51:49):Just wanted to know,Michael Jamin (00:51:50):SaidFrank Caliendo (00:51:51):You just wanted to know when the bathroom was . And that was, I told j I told Ben Stiller that I told him that at, it was, I think it was after his father pass away. I did a show called Birthday Boys. And it was actually, it was, it was really a funny thing. But it was, he was playing a Robin Williams type teacher, dead poet society kind of teacher. Ben Stiller was, who was directed by Bob. Bob. Bob Odenkirk is directing it as a guest director. But it was so awesome. Yeah. see, there's go sir. So I, I, I told, I told that Ben Stiller just the moment he heard it, he's like, , like, like he was almost embarrassed. That's my dad. Like, that's just my dad being my dad. Like, I've been there, man. But I, I remember in that, that was one of my favorite things too. Well the, the thing they wrote is why I wanna tell you this too, was the bit they wrote was he's this, like I said, this dead poet society kind of teacher. But he's going, you know, he's, he's teaching outside the box and he's supposed to be teaching the Diary of Anne Frank, but he's teaching the Diary of Frank Kelly instead .Michael Jamin (00:53:02):Right. It's funny.Frank Caliendo (00:53:03):And, and it's, you know, it's a joke of making fun of me, but I was like, God, just to be in this joke. And Bob Oden is directing and Ben still is doing it. The birthday boys wrote it. It's like, oh. And I made Stiller laugh. Cause when Odenkirk kind of went off the script, he's like, just, he's having Mr. Stiller. No, he's having Ben just tell me. He's like okay. Adam Sandler at a, at a funeral. And I was like, oh grandma, where did you have leave? Where were you? I leaving And then Ben starts cracking up. He's like, I can't go. I can't go out. He stopped. He stopped. And I go, I just, Ben laugh on the set. Oh. I go, this is the greatest day of my life. And Stiller is like, let's get going. You know? He's like, no, he was, he was great. But it was so funny too cause it was a moment for me, like, oh, this is one of the people I look up to is one of the great reactors. Yeah. Like Ben Stiller as funny as he could be presenting somethi

On this episode: On this episode: Artificial Intelligence has invaded the creative space, Courtney Love has beef with Brad Pitt, and nepobaby is now a slur. PLUS!  The MCU in the library of congress, and who the hell its Jonah Feldstein?In news: AI programs, Dali, framed.wtf , Bruce Purkey, Find Your Film, Cinemddicts, chat.openia.com , Hallmark movies, Leelu Dallas Multipass, The Lighthouse, Children's book, Space Jame Shakespeare, Lord of the Rings, LoTR, Erotic MCFC fan fiction, Hereditary, Hell Raiser, Marc Maron, WTF, Barrack Obama, Courtney Love, Helena Bonham Carter, Brad Pitt, Kurt Cobain, Fight Club, Variety.com, Man on the Moon, Harvey Weinstein, Golden Globes,  O Shea Jackson. Ice Cube, Lilly Allen, Jamie Lee Curtis, Tony Curtis, Janet Leigh, Psycho, Kevin Bacon, Keira Sedgwick, Dan Levy, Eugene Levy, Schitt's Creek, Ben Stiller, Jerry Stiller, Elizabeth Olsen, Dakota Johnson,  Timothee Chalamet, Bryce Dallas Howard, Ron Howard, Laura Dern, Bruce Dern, Brendan Gleeson, Domhnall Gleeson, Friday the 13th, Jason X, Jason Takes Manhattan, God of War, Binge Movies, Adam Sandler, Library of Congress, MCU news, Infinity War, End Game, Titanic, Iron Man, Wakanda Forever, Ant Man Quanumania, Mardi Gras Carnival, Cab Calloway Home Movies, Cyrano De Bergerac, Charade, Scorpio Rising, Behind Every Good man, Titicut Follies, Mingus, Manzanar, Betty Tells her Story, Superfly, Attica, Carrie, Union Maids, Union out: the Story of our lives, Bush Mama, The Battle of Gregorio Cortez, Hairspray, The Litter Mermaid, Tongues Untied, When Harry Met Sally, House Party, Iron Man, Pariah, Listener Stephen, Avatar 2, Spider,  MCFCpodcast@gmail.com, Jonah Hill Feldstein, Naomi Rapace, Lamb, Prometheus, Ola Rapacehttp://www.MCFCpodcast.com-Email us at MCFCpodcast@gmail.com    -Leave us a voicemail (209) 730-6010-Join the Patreon: www.patreon.com/MiddleClassFilmClass-Get some merch:https://middle-class-film-class.creator-spring.com/Join the Patreon:www.patreon.con/middleclassfilmclassJoseph Navarro    Pete Abeytaand Tyler Noe    Streaming Picks:Joseph:The Grinch, Polar Express, Prometheus,  GDT's Pinocchio, Christmas Story Christmas, A Muppet Christmas Carol, Who Killed Santa?: A Muderville Murder Mystery, Harry Potter and the Sorcerer's Stone, Home Alone 2: Lost in New York, A Miracle on 34th Street, Gremlins, Tyler:This Place Rules, Kindred, Home Alone, Pete:All Quiet on the Western Front, Ford v Ferrari, Spider-Man trilogy, Wendell & Wild, Emily The Criminal, Babe, Alita: Battle Angel, Hussel, Banshees of Inishurin, Spirited, Glass Onion: A Knives Out Mystery. 

Gay homosexuals Nick and Joseph discuss The Ritz - a 1976 British-American comedy farce film directed by Richard Lester based on the 1975 play of the same name by Terrence McNally, starring Rita Moreno, Jack Weston, Jerry Stiller, and F. Murray Abraham. Additional topics include: Balenciaga, the deaths of Al Strobel and Christine McVie, and too many films to mention. Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046 Find merch here: https://fishjellyfilmreviews.myspreadshop.com/all Venmo @fishjelly Find them on Letterboxd: https://letterboxd.com/ragingbells/, https://letterboxd.com/joroyolo/ Nick's Apple Music playlist: https://music.apple.com/us/playlist/lamour-de-nico/pl.u-PDb4zlpsLVrvqE1 Joseph's Apple Music playlist: https://music.apple.com/us/playlist/josephs-vibe/pl.u-6mo448yuBWzNE1 Check them out on YouTube: https://www.youtube.com/channel/UChVV6ezEYnPv9XaLZtUlZdw Nick's IG: ragingbells Joseph's IG: joroyolo --- Support this podcast: https://anchor.fm/fish-jelly/support

David Litt is the Creator and Showrunner of the hit TV Series King of Queens. He's written on shows like Aaahh!!! Real Monsters, Out of Practice, Big Bang Theory, and more.Show NotesDavid Litt on IMDB - https://www.imdb.com/name/nm0514439/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAuto-Generated TranscriptDavid Litt:The lesson I'd like to impart if there is one. It really is fun to be a wise ass and funny and make everybody laugh. But you gotta bring something to the table or you're just gonna get fired. Yeah. Yeah. You've great to be funny and crazy and do bits and hopefully bring up the level of people's spirits in the room because it can get Yeah. It get arduous. Yeah. Yeah. But if that's all you do and you're not contributing, you're gonna be extraction and you're gonna get, so that, that's something that gets earned over time.Michael Jamin:You're listening to Screenwriters Need to Hear This with Michael Jam. Hey everybody, it's Michael Jam and welcome back to Screenwriters. Need to hear this. I have a very, very special guest today. This is my old friend David Lit, who is the creator of perhaps one of the last giant hit multi-camera sitcoms. King of Queens. King of Queens. That's, there really haven't been too many multi-camera hits. There's been a couple, but not many. And so here he is, DavidDavid Litt:And not many that have run 25 years continuously.Michael Jamin:You mean still in syndication? You mean still running somewhere? StillDavid Litt:Never been off the air since 98.Michael Jamin:Wow. Well we're gonna get to all that. I want hear. Let me just give you a little bit of roll up. So, cuz I want people gonna wanna know what else you had done. So you actually wrote on Real Monsters, which is My wife was a voice on that show. I think we talked about that. She was DizzleDavid Litt:Dizzle, Yeah. Now that character may have left. I left to do a sketch show.Michael Jamin:What showDavid Litt:Was that? After? About six months. So I was there, but was I o uh and Crumb.Michael Jamin:Crumb. Interesting now. Okay.David Litt:Great place to work, by the way, for anybody who has the opportunity.Michael Jamin:What in KidsDavid Litt:Classy.Michael Jamin:What's that? Where you cut out?David Litt:I dunno, Classy Cupo. Oh yeah. A great place toMichael Jamin:Work. But they, Are they still making stuff though?David Litt:I don't know. They used to rug wraps. I don't know if they still do, but they're unbelievably opposite and really great to creatives. AndMichael Jamin:So, in other words, if we can build a timeDavid Litt:Machine, My first,Michael Jamin:So your advice,David Litt:My first job I got was on a Real Monsters and the earthquake hit the first day I started. Right. The North Northridge quite there. So to their credit, they paid everybody, even though they were closed for a couple of weeks. They paid everybody.Michael Jamin:Interesting. They were in the studio too. How well did you get that job? Cause okay, let's start from the beginning. You're from Queens. You live that life of King, right? And so we'll get there, but how did you get your first job On writing?David Litt:Yeah. I don't like to brag by telling people I'm from Queens, but Yep. You can't hide. I amMichael Jamin:.David Litt:. Not obvious.How did I get that job? Here's how I fast forwarding a little bit. I moved from New York to LA the first week or two I was there. I made a commitment. I was gonna go to every party I got invited to. Cause I'm not a party guy. I don't like going to these, but I felt like I had to make friends. I needed to meet people. So somebody, a friend of a friend said, Hey, come to this party out in the Palisades. I said, Okay. I meet this kind of diminutive little woman. Little girl. Very sweet. We chatted for an hour and I go home and I get a call the following day from her and my ego. I'm thinking, Oh ha, she's totally into me,Michael Jamin:.David Litt:But she wasn't, as it turned out, she wasn't into me at all. But she had a job for me and wanted to know if I was interested in it or not. And of course, little did she know I was living on my credit cards. I was literally, I had four credit cards maxed. And I was taking cash off the fifth to pay the four. DidMichael Jamin:You have anyDavid Litt:Kinda, And she was going, Are you interested? It was, by the way, I still remember it was 2000. It was 2000 a week. And I was like, Yeah, I'm interested,Michael Jamin:But you wait. She and she worked for Klasky Shpo.David Litt:Her name was Laverne McKinnon. A shout out to her. She made my career, She made my life. I mean, she took a chance. She didn't know me from shit. She just thought, Oh, this guy's buddy.Michael Jamin:And you had a script ready. She must have read your script.David Litt:No, not at that point. She subsequently read something. But at that point it was like she was going on instinct. Like, Oh, this guy made me laugh. Wow. We have a comedy coming up and she, let's bring him in and meet withMichael Jamin:Him. And so she worked with in development at, SheDavid Litt:Was right underneath Arlene and Klasky and gpo. That's the Klasky and the Tupo.Michael Jamin:And they're the producers of that, the show that, But how long had you been in LA at that point? And how were you making a living before that at all?David Litt:Let me think. Yeah, she was okay. I had literally just gotten out here. I was living in New York and I was working in advertising and I was writing sketches sat, I was writing sketches for Saturday Night Live. They didn't know I was writing sketches for them, but I was doing it right. Somebody I knew and a manager named Barry Secunda. Okay. He managed Franken and Davis and another guy I feel like I owe a lot to because he didn't hang up on me. He didn't like, He said, Come in, let me read your stuff. He read all my shitty sketches that were, at the time I thought, this is genius. Now, when I read them now, I'm like, no. Yeah. So he hooked me up with a manager here in LA that he knew. And he was very encouraging.This is Barry . He said, Look, your stuff is great. You have the potential, but you've gotta get out to California. You cannot be a full-time comedy writer from New York. It's very difficult. And that's one thing when people call me for advice, I always ask them, A lot of people, the main thing, they don't wanna move away from their family, their home, their friends. That's the scariest thing you could do , but you've got to be ready to do it because you're very, very likely not gonna get a job if you're not in Los Angeles. I say this all the time, once you get good in Los Angeles, once you get Michael Jamin level, you can live anywhere in the world. Yeah. Not you a different Michael Jam. Yeah. That I have to.So I, at that point, I made the choice, I'm gonna move. And luckily I had supportive parents. They were like, Here's five grand, go move and chase your dream. They didn't make fun of me or tell me not to do it. Or I bought ps. It's not like I had much choice. I had one semester of Queens College . I had no other real alternatives. So you think not like I'm dropping at med school. . So then I got here, and at that first, Let me think. Yeah, pretty much the first week I was here is when I met Laverne and got that job. Maybe it was two weeks.I don't know if I, Did I ever tell you the story of I moved from New York, I give up the most phenomenal studio rent. Anyone who knows New York, it's such incredible thing to get a rent controlled or rent stabilized apartment. I still remember $580 a month for a gorgeous studio. They had just redone it, knew everything. And I had to make a choice. Do I leave this and move? I mean, I would still be living in that apartment. So finally I got the guts to move. Okay. My agent, what happened is, I'll give a little secret, I don't even know if they do this anymore, but there's something they made back then called the Hollywood Created Directory. Right? It was a big green book and it had all the agents in it, their phone numbers, what agencies they were with. So what I would do every day after my day, my shitty day job, which made me wanna hang myself in advertising. I worked at CBS with a couple of very nice people. They were not the problem. I was the problem , just get that outta the way.So I went out to a couple of agents in la, about three or four of 'em said, We really love your material. I was shocked. I didn't think I was going to get any agent. And as it is, I wound up getting my pick of about three or four, Not a level, but d plus level. Some pretty good agents. What we now would probably call boutique agents. The somebody at Broer was interested. Broer Carlin. Yeah. Yeah. So, right. Yeah. I mean, you of what I speak, but listen to this. It gets so great. I decide to load. I've never been to Los Angeles in my life. I load everything up on a truck. My buddy, I know one person in la he goes, Stay on my couch until you find yourself an apartment. It's fine. I said, Okay, great. I appreciate it. I get out here, The agent that decided to take me on, I don't know if I should give her name or not, but she says, I want you to meet me. There was a place called Cafe Fro. Yes. I don't know if you remember it. It was on Melrose. It was a big in West Hollywood. In West Hollywood. And I was, like I said, doing the multiple credit card thing. And I needed a job. So I had just applied there to Cafe Fro and they were about to start me on Monday. . So here I am, meeting with my agent on a Wednesday, Thursday.So I'm right now, picture this, My stuff is still on a moving truck coming across the country with no destination because I haven't found an apartment yet. I'm going to look for an apartment and I'm gonna then call the moving company and say, Here's where you need to deliver to. So in the meantime, over lunch, as we're having lunch, this agent is acting kind of odd. And I'm like, Why is she acting so weird? So finally it comes out, she says, Listen, I need to let you know I'm leaving the agency. It was innovative artists. She goes, I'm leaving the agency. And I'm like, I'm not joking. I just got there. Hadn't been there 24 hours. Right? I'm like, Okay, well I'll go with you. Where are you going? She says, No, I'm leaving the business entirely and I'm suing them for sexual harassment. I, we'll have to get the name afterwards. Cause I think you may have had the same agent. .So she . I'm not joking. . Well, I have to say that we turned out to be good friends as time went on. I don't wanna give too many specifics, but we'll talk after. Yeah, yeah. We'll talk off the air. But the good stuff is off the air. I don't want the four people listening to know . But what happened is, and by the way, tapping this whole thing, when we get outside to get our cars, she goes, Do you have money? I don't have any money and I can't pay the valet part. , I pay for her valet. But here's where the story turns into a positive. So I called all the agents back that I had that had been willing to take me on and that I had passed on. And I told them what happened. I said, I came out da da blah blah. Luckily I had left it on good terms. And I did wind up connecting with a great agent at Premier Artists . Her name was Susan Sussman. Okay. A great one of those agents that knows how to start people on their way to their first job. This is back in the days when people had actual patience with your career and would nurture you along and you know, remember that baby.And she was great. And that was when I fortuitously met this woman from Klasky, Cheapo and I, within two days or something, I called Susan Sussman and I said, Look, I think I may have a job. Can you negotiate this for me? . And the rest was history. She took me on. And that was that.Michael Jamin:Yeah. But then why did you leave real monsters so quickly though?David Litt:I left Real monsters because I, It was a real Monsters was a Nickelodeon children show. And that wasn't, while it was writing and a great introductory job, it wasn't my dream. I mean, I didn't come out to write children's comedy and you who know me, that's not really my wheelhouse. Right. IMichael Jamin:Should go.David Litt:Yeah. I left because I had gotten through a friend a contact to do this show called The News. It was a takeoff of Saturday Night Live directed by the son of Don Wilson who direct Saturday Night Live. His name was Michael Wilson. He was the producer of the news. And it was sketch showsAnd we had so much fun. It was such a great gig. It was like everyone off in their offices writing sketches, . And then what would happen is every three weeks we all went down to Florida to Orlando for budget reasons and we shot on whatever that dolly would, or whatever it was. Some sound stages down there. Wow. It was such a great gig. So much fun. Now I would probably be a little snobby about it, but at the time it was just a great job. And we would write all the sketches in LA at Sunset Gour. Right. Some of the writers would write one or two sketches with each other, sell 'em alone. And the best sketches made it down to Florida and gotMichael Jamin:What became of some of those.David Litt:Got writing, got on the air.Michael Jamin:Cause a sketch writing is so specific. Did many of them go onto sitcom writing or are you in touch with any of them?David Litt:I'm in touch with a couple of them. Not many made the transition.Michael Jamin:Yeah.David Litt:I guess. What are they doing now? Trying to think. There's not a lot of sketch work for people. So if you can't do it, you're screwed. I mean, if you can't do something else, what are you gonna do? There's not a lot of work for, Yeah, I mean Sketch is a very, very specific art that you either get it or you don't. How to end the sketch. Right. Sometimes there is no end and you just chop it off in a very douchey, uncomfortable way. Right. I'm sure everyone is seeing those sketches where you're like, Wait, that's the ending . But that said, it was the kind of job where you went in. You did as well as you let yourself do. There was no one looking at theirDavid Litt:watch.Michael Jamin:Hey, it's Michael. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michael jam.com/watchlist.David Litt:Okay. So were, I'm sorry. So you were saying you were working as a property manager? It was reaching a point though, where I was, it was so tempting to have free rent, but I was getting pulled in two directions. It was like I'm getting my sketches on the air and I'm getting a call. My toilet is Blo . So I'm like running home from a table read to fix a toilet. So finally, again, much New York, I had to make a hard choice and get away from the comfortable, these look pretty good on me and get away from the comfortable. And I quit the job and I wound up getting, moving out, getting an apartment. And that was that. Then from there, let me think from there, Oh yeah, then I wrote an Ellen Spec, Remember Ellen? Of course with Ari Gross. And I love that show.And by the way here, this is a great lesson for anyone who cares enough to listen to what I'm saying. , a lot of times people say, I wrote a lot of specs. I probably wrote about 12 or 15 specs. I wrote a Herman's head. I wrote a lot of just shows I really liked. I didn't worry so much about will it get made, Will it, I just knew it was like sharpening my knife. And I wrote an Ellen, which everybody was like, Why are you writing an Ellen? No one's watching it. It's not, Back then the big ones were mad about you and mm-hmm Seinfeld. And I said, I just love it. I don't know. I mean, I love it so I wanna write it. And so I wrote it. And then Michael Whitehorn, who I co-created King of Queens with, he and I had already worked together on a show called, He had hired me on a show called Ned and Stacy with Tom Church.Michael Jamin:That was another great show.David Litt:Yeah. I loved it. It was a lot of fun. Michael was a great teacher and mentor. He would let me come to the mixes. I, I was still a staff writer at that point and he was bringing me to the mixes to,Michael Jamin:Or just you. Did he take, did he really just,David Litt:He was taking anybody who felt they wanted to go. A lot of people just wanted to go home after a long day. But if you were really dedicated and wanted to learn, he was 100% about including you and explaining how come you're doing that? Why can't you, can't we do it this way? And he would explain and it made some really just dumb questions. I would ask him. And he was great. And I think from Ned and Stacy it became obvious. We worked well together, . So that when King of Queens came along, he was very open to writing something together. Sony had a standup comic on stand or whatever, a holding deal,Which was Kevin James and Michael called me and he said, Look, I found this comic, I think he's pretty special. What do you think? And I watched it and I thought he was incredible too. Now, if I'm being honest, I needed the gig. I probably would've said he was incredible no matter what. But he was, you could just tell Kevin was special. So the next thing, Michael and I are writing this pilot together and that was another great experience. We wrote the whole thing in three weeks, . It took no time at all. It was, you know how it is, even with songwriters at least talk aboutMichael Jamin:David Litt:When they write a great song, it doesn't take it take a month, it takes 10 minutes. Right.Michael Jamin:But what'sDavid Litt:Interesting is, and that's howMichael Jamin:But you like, Sorry, go ahead. Well what's interesting is because was his cloud, he had a good idea, but he also, you needed him, right? Because he had a lot more clout. He wasDavid Litt:Way bigger. Oh yeah.Michael Jamin:Right.David Litt:Yeah, very much so.Michael Jamin:Some of those people think, Well how am I, do I sell my show? But they're like people off the street, you know, have to find someone who's in the position who can sell a show.David Litt:Yeah. I mean, without getting into too many specifics, I will say that after N and Stacy, I was sort of the golden child in the new writers that were out here. I was a little bit sought after and I got on a show that doesn't need to be named, but it was for me, it started out as one show and became another. And I just felt like, hey, this isn't what I signed on to do. . And that made them very angry. Coming from New York thought I'm going to use the honesty approach and I'm just gonna tell it. It is, Well it would've been better for me just to say my uncle died and I gotta leave instead of the truth. Because the truth hurt. The truth was rather they kept asking me, In fact, I remember, what show are you going to? What did you get an offer? I kept saying, I don't have any other offer. It's not about another show. I had the balls even at that point.Michael Jamin:Yeah. You ever do that now, Ever?David Litt:I don't think so.Michael Jamin:Yeah.David Litt:I don't think I would now. But at that time I just was filled with myself enough that I said, So what happened was, in that interim is when Kevin, as, when Michael came to me with KevinMichael Jamin:David Litt:And the studio was the same studio of the show, I just left and they were not having it. They were like, We want you never to work again. We intend on ruining you. We want to squash you like a bug. They were very upset at my hubris that I had said they were done. To Michael's credit, he fought for me. I mean, he didn't have to , but he went to the mat. He was like, Look, if you don't bring David in on this, I I'm not gonna write it.Michael Jamin:Wow. And that show made a ton of your show made a ton of money for the studio.David Litt:It did. It did well, yeah. Yes it did very well. Yeah. It changed my life. He changed my li Michael changed my lifeMichael Jamin:And then, Okay, go on. Do you wanna tell a little more more of that, Creating King Queens or getting it how the pilot shot and I'm sure people want to hear yourDavid Litt:Yeah, sure. Yeah, we wrote the pilot, like I said, it took two or three weeks. It just flowed. It was likeMichael Jamin:Then casting it. Okay, you had Kevin for sure and then you had aDavid Litt:Casting. Well we'd already had Kevin and we knew, well the second we met with Leah, we knew that's our couple.Michael Jamin:WeDavid Litt:Had tried to get Jerry Stiller, but he didn't wanna do it. Initially he was coming off ofMichael Jamin:Seinfeld,David Litt:Seinfeld and he just didn't really wanna do another series. But when he read the script, I guess it clicked. He got it. So once we had those three in place, it came together at that point. HowMichael Jamin:Were the ratings in the beginning when you finally got on the air?David Litt:The ratings in the beginning were solid but not stellar. We built pretty well. The thing that benefited us a lot was being Kevin, being friends with Ray Ram Romano,Michael Jamin:David Litt:Kevin doing guest spots on Ray's show. There was a lot of crossover and a lot of helping hands and it made it a lot easier to stick around a while and do crossovers cuz they were in each other's worlds.Michael Jamin:It's so sad cuz those days are over. Those days. Are those, It just seems like it's, Yeah,David Litt:It is kind of sad. I mean it's unfortunate because it's a great format if you do it right and not a hacky old fashioned wayMichael Jamin:Then okay, so you did that show 200 or so episodes cause that, Okay, I wanna say how I met you. I met you, we on, I was on out of practice, we were both on, and I guess we brought as a consultant, you were full time in out practice, right?David Litt:I had an overall deal at Paramount. Right. And they assigned me to out of practice, I think it was like two days or three days a week.Michael Jamin:And I remember being on that show, that was Chris Lloyd and joking and Chris Lloyd, he later co-created Modern Family. Chris Lloyd, he Rand Frazier. He has more Emmys on. He has a mantle full of Emmys like that.David Litt:Yeah. Chris is aMichael Jamin:Emmys. And so Chris is really one of the most highly regarded writers in Hollywood comedy writers in Hollywood. And I just remember, and I couldn't be remembering that wrong, but in my memory meeting you, this is how you would write a scene if you wanted to have a comedy writer join , a TV show, if you're writing a scene, a comedy writer enters a room. This is how you would've written it. Cause I remember we were working on a story and you were late and you came in your faces, you burst into the door, we're working. So suddenly the door flies open and then your face is kind of red because you're, you're probably running through the parking lot cause you're gonna be late and you're carry couple of boxes of gum gum and the room was false silent. Right. Cause you just in, you're like, Sorry I'm late. And then I think I was the first to break the silence. I was like, Oh, okay. You the gum. Right? And you Yeah. And you without missing. Yeah. Yeah. I got plenty of gum. Don't worry about the gum and you just it down.I, the rumor was that you were brought onto the show because, so some comedy writers are, they're not very funny in real life, but they can write a scene. They know how to be funny on paper. And then some commentaries just are just funny the minute you meet them . Right. And that was you. And you came in and it was really part of it was like this guy David, he's, we want him cuz he's gonna lighten the mood. He's just kind of, he's got . He's gonna lighten the mood in the room. And that's exactly what you did every day. It was always like . I mean, I can't remember. There's so many. WellDavid Litt:It's funny because I loved, I really surprised myself with how much I loved working with Joe Keenan and Chris Lloyd. Yeah. Their reputation was a little bit maybe serious. Yeah. But fra, they weren't like jokes.Michael Jamin:What'dDavid Litt:You say?Michael Jamin:They were the Frazier guys. So they had this reputation of being kind of these very smart and serious writers. And they certainly were both are amazing, amazingly talented writers. Oh yes. Had the seriousness about 'em. And you were brought on almost like the comic relief to the comedy verse .David Litt:Yeah. I think they enjoyed me. I was the fun monkey.Michael Jamin:Right. And it was because that was, you had already had your King of Queens money. , like none of us had that money in our back pocket. ButDavid Litt:Right. Everybody was nervous.Michael Jamin:We were worried about being fired. Right.David Litt:Yeah, you're right. I was a little more relaxed cuz I wasn't sweating it so much. But once I got to know them, I wanted to do a great job for them.Michael Jamin:Yeah. I remember one time, this is one of my favorite stories, is that we're stuck on a story beat. We're stuck on this thing for, I don't know, an hours or whatever, we're struggling this beat. And then you kind of broke the silence. You go, okay, here's the bad version. Let me tell you the bad version of the scene. And then you had spent five minutes laying out what you thought, what's the hackiest worst version of the scene? . And then Chris Lloyd just looks at you. He goes, What's the good version? And you just go, Oh, I don't have that . And you always fucking lost it. Oh my God. It was so funny. Oh my God. WasDavid Litt:That the room where I used to have some funny bits that I would literally take around different rooms in there? Yeah. I'm trying to remember, was that the one where I would do milk and cookies time where I would stop for a minute, just totally, No, I would say to Chris, I'd go, Chris, it's milk and cookies time. And he'd go, Okay, go ahead. And I would literally just shut off and have milk and cookies at my desk while everybody else continued to work. It was so funny.Michael Jamin:, I remember you coming in. I remember you. I mean, I remember you coming in, you were one of the first people to buy an iPhone. And I think you came in with, I think you upgraded to an iPhone too. And you came go like this iPhone too is gonna change my life. It's gonna change my life. And I said, I think I said no. But you said the same thing about the first time you got the first iPhone and the iPhone. You go, Yeah, yeah, yeah. I know I said that. But I mean it now. I mean , you really the two . I know I said it before, but the two, it's gonna change my life. theDavid Litt:Two is the oneMichael Jamin:. You're writing so much. Oh my God, you just made everyone laugh so much. I remember one time, , maybe I shouldn't even say it, but I'm gonna say it anyway unless you tell me to cut it out. We were on the stage floor watching rehearsal and you lean over to me real quietly and you go, Do you think Chris would mind if I flew to New York now , I think he would. Cause he's, he's paying you, He wants here for the rewrite. And you go, Yeah, yeah, you're probably right. And that was the last I heard of it. And then we go back to the room and you're nowhere to be found . And then you phone rings a couple hours later and I'm like, Hey man, where are you? You go, I'm at the airport. I'm getting on a plane. I can't talk. Tell Chris I'm not gonna make itDavid Litt:.Michael Jamin:It's just so funny. And we were just all just laughing about it. Everyone throws the funniest bossiest thing. Yeah, you're right. You'd get mad.David Litt:I did. I pulled a great one. I was on, according to Jim and the way they work there, each room would take a half of the script and go off. And I remember it was like we had our half and we were all working and one day after, I don't know, we were maybe 10 pages in. I got up and I to go to the ostensibly to go to the bathroom. But instead I couldn't fight the urge to just keep going to my car and go home.Michael Jamin:. I couldn't find it.David Litt:So I get home and there's the greatest messages from the producer of the show going, David, I It's Suzanne, you just left to go to the bathroom and you haven't come back yet. We're just getting concerned. So I guess we'll see in a couple minutes and then another 10 minutes. Another message. David, it's Suzanne, did you let us know what happened? You're not back here and we're getting worried. And then the third message was like, Did you go home? Oh Michael Jamin:Like, wait, did you get in trouble for doing that?David Litt:I did not.Michael Jamin:, I did not. See if you're funny enough you can get away with this stuff. I would. WellDavid Litt:That's what the lesson I'd like to impart. If there is one, it, it's really is fun to be a wise ass and funny and make everybody laugh. But you've gotta bring something to the table or you're just gonna get fired.Michael Jamin:Yeah,David Litt:Yeah. You've great to be funny and crazy and do bits and hopefully bring up the level of people's spirits in the room because it can get arduous.Michael Jamin:Yeah.David Litt:But if that's all you do and you're not contributing, you're gonna be abstracted and you're gonna get So that that's something that gets earned over time.Michael Jamin:Yeah, for sure. Then well what? And so, oh God, that just hurts. It hurts my stomach. Thinking how funny that was .David Litt:Tell 'em the story about the, what do you call it? The drone.Michael Jamin:The drone.David Litt:Was that with you? Where I brought a drone in on Oh no wait, that was Big bang.Michael Jamin:Yeah. You right. I should mention these are you also worked on Big Bang for a little bit. What'd you do? What was that story?David Litt:Yeah, who was that if it wasn't you, Chef? Well I bought a drone . Okay. And at the time they were very new. They go up a hundred feet and over. And so I bring it inAnd I'm like, Hey guys, how neat are these? And it was another writing group. Oh I know who it was. It was, Do you know Peter? Oh God. Shit. Anyway, it doesn't matter. You would know him. But we all went outside to use this brand new technology. So I'm like Guys, check it out. Next thing we know I let it goes up and continues to go up. I couldn't get it to go down and we lost it in the sun. We're looking and we never found it. It just got stuck in the treetop. It's probably still there.Michael Jamin:.David Litt:It was like $120 drone. I used it once to make it go hundred feet in the air. I never saw it again. That was the fun we hadMichael Jamin:. Oh my God. Oh yeah. I mean that's the people don't it really sitcom. Right. Really is a fun job if you're with funny people. But it's not so funny.David Litt:It's a great job. I don't know. People need to understand. I am a dinosaur. I mean the experiences I had you probably wouldn't have anymore.Michael Jamin:Yeah, I think so.David Litt:Which is a real shame because it's comedy and it should be fun.Michael Jamin:Yeah. Funny. Cause we, Jay Cogan did, Do you know Jay? Have you worked with Jay?David Litt:Yeah, of course. I've never, Okay. I worked with Jay on Den Stacy.Michael Jamin:Oh wow. He, because he did this podcast a couple a week or two ago and he kind of said the same thing. Rooms have tend to change that he would do a lot of room bits and you kind of really can't really do so many of those room bids anymore. But for what it's worth better or worse. But the world has changed. And I don't remember, I even remember after out of practice, you really wanted to do, you just wanted to consult. You wanted to come in a couple days a week and consult, which was something you could do a couple years before you could. There was some demand for that. And now there's just no room for that anymore.David Litt:Yeah. The real EM emeritus writers, the writers that were really looked up to, could get a job a day on doing punch up on one show a day on another . And those times right around then went away and there were no more jobs to be had of that Ill, Yeah, I mean that was my complete, my absolute dream was to be able to go to one show two days a week and maybe another show, another two days a week and have fun and have a great time. But the budgets at that time started shrinking. And the allowance for somebody to come in one day a week just wasn't there.Michael Jamin:Part of, I think about that part of the benefit, what we had when we were coming up is that we almost came through in a school. You get on a sitcom, you learn from the people who had a ton of experience before you and everyone kind of came from the school and you learn the craft from people before you.David Litt:Mm-hmmMichael Jamin:, that doesn't really exist anymore cuz those shows don't exist. So you know, you're winging it a little bit, but if you're a young writer, you're kind of winging it.David Litt:There's also a bit of a scary environment now. I think there's a lot of competition. and it, it's putting somebody under your wing and being patient with them is you don't see it as much because you could be costing yourself the job. You could be training somebody to take a job away from you.Michael Jamin:Well also, I don't know mean maybe, I don't know. My experience is that the orders are shorter. You're not gonna be on Aer if you're on a street show. You might be doing 10 weeks out of the year or whatever. You're not doing, you're working weeks or 40 weeks. You're working . So know you're what you got going on in there correctly. gonna nothing. What do you having a pastrami sandwich. . All right. So what do you do now? What? I know you were developing on the side, you're constantly working on stuff. What's going on there?David Litt:Write it down. I'm being a little lazy. I should be better at what I'm doing. But I'm working on a screenplay. I had a screenplay idea, and that was my next step was I wanted to become a script doctor. I really wanted to come in and do and fix screenplays, punch them up, et cetera.Michael Jamin:Right. I dunno how many there is for that either.David Litt:I don't either. Mean, my feeling is like, do what you love and do the best you can at it. And don't worry so much about the money. I have the luxury to be able to do that.Michael Jamin:Right.David Litt:But , I really love, my dream would be to get a call and come in and work a couple of days a week on punching this script up or making that script funny. But for now, I like working on an idea. I had an idea that kind of hit me. That's something I wanna finish. So that's what I'm doing right now. And it's great cuz your time's your own, you know, can work on it in the morning and do whatever you want later in the day. I'm also trying to do some dog rescue stuff.Michael Jamin:You're a dog rescue, so you walk around with a net into alleys.David Litt:. Yes. It's like in the cartoons with the big cargo net. No, I found out this horrifying thing that there are these wet markets in China that eat dogs. Alive. Alive.Michael Jamin:Alive. That's alive. That's too fresh.David Litt:That's too fresh. Yeah. . So I've wanted to start volunteering for dogs for a while. So I'm thinking about, I've been taking care of a cat for the past four months. She has since disappeared as of last week. I can't find her anymore.Michael Jamin:Taking care is not the right word then. . Yeah.David Litt:No taking bad care. But the writing is something I will never stop doing. I mean, I love it. Some days, even a week, I might go and get lazy and drop off, but it keeps me sane. It's a fun way to keep your imagination going and it's really a different thing when you're doing it for yourself as opposed to as a job or to make money or to pay your bills. That's a different set of stress and responsibilities. Yeah.Michael Jamin:Do you have any other advice for new aspiring writers?David Litt:Any advice for what?Michael Jamin:New and a new and upcoming writers.David Litt:It is a great way to make a living. There is nothing more satisfying than making a living as a writer, but just stick with it. Don't treat it like something you do when you feel like it. If you wanna write, give yourself hours. I don't know how you guys write, but I make sure I'm in front of that computer. At least three, four hours a day. 11 till two, 11 till three. And if nothing comes at all fine. But I was there trying to write. Sometimes you're gonna get something great and sometimes you're not, but you gotta put the time in to do it.Michael Jamin:Absolutely right. David led, creator of co-creative, King of Queens, a friend for many years. Thank you so much for sharing your wisdom with this podcast here with everyone. I really appreciate.David Litt:Thank you for having me. I like,Michael Jamin:Right. That's it everyone. So thank you for listening. If you, again, I'm gonna plug what else we got going on here. If you want to sign up for my free weekly newsletter, it's michaeljamin.com/watchlist to find out what's going on there. And yeah, that's it. Oh, and I dunno when this is gonna drop, but of course I got for my touring schedule to see me see my one man show A Paper Orchestra. You can go to MichaelJamin.com/Live upcoming sign up there. Right. Everyone, thank you so much and thank you again, David Litt.Michael Jamin:Hey, it's Michael. One more thing. Come see me perform. I'm going to be in Boston area, actually Amesbury, Massachusetts on November 12th and 13th at the Actor studio performing my show, a paper orchestra. And then I'm gonna be back in Los Angeles on December 10th and 11th again at the Moving Arts Theater Company. So tickets are on sale. Go get 'em at michael jamin.com/live. It's a small, intimate venue. I'm gonna be performing for my collection of personal essays and each one's gonna be followed by like a 20 minute q and a. We get to talk about the work. It's a fun event. So I hope to see you there. Go get them tickets again are at michaeljamin.com/live and of course, sign up to my weekly newsletter. That's called the Watch List at michaeljamin.com/watchlist.Phil Hudson:This has been an episode of Screenwriters. Need to Hear This with Michael Jamin and Phil Hudson. If you'd like to support this podcast, please consider subscribing, leaving a review and sharing this podcast with someone who needs to hear today's subject. For free daily screenwriting tips, follow Michael on Instagram, Facebook, and TikTok @MichaelJaminWriter. You can follow me on Instagram, Facebook, and TikTok @PhillAHudson. This episode was produced by Phil Hudson and edited by Dallas Crane. Until next time, keep writing.

Dans Historiquement vôtre, Jean-Luc Lemoine dresse le portrait d'une personnalité contemporaine, en lien avec le sujet du jour. Aujourd'hui, c'est au tour de Jerry Stiller.

Historiquement Vôtre réunit trois personnages qui se sont fait voler la vedette par leur fils : le général Léopold Hugo, bien plus à l'aise un sabre à la main qu'avec une plume comme le sera son fils, un certain Victor, chef de file des romantiques et l'un des plus grands écrivains de son temps qui a éclipsé son père. Puis, lui aussi a eu un fils qui a marqué l'histoire, et un père également. Il est passé entre les deux : Pépin le Bref, le père de Charlemagne… Et un comédien américain drôlement drôle qu'on a pu voir dans la série "Seinfeld" : Stiller, non pas Ben, mais son père à qui il a volé la vedette sans le vouloir, Jerry Stiller.

Sept. 23-29: The Sci-Fi channel launches, Paul Reiser is mad (about you), a French vampire versus the mob, Whoopi Goldberg goes to South Africa, Bill Crystal is Mr. Saturday Night, Jerry Stiller's kid gets a sketch show, Bart is disappointed by Camp Krusty, Michelle Pfeiffer is a bad mom, Jackie Chan is a special effect, more Sherlock Holmes on TV, and Adam Sandler gets kid friendly. All that and more, this week on Thirty Twenty Ten.

I Love You, Mana celebrates its 200th episode (199.5th according to Zach). Here's to 200 more! Timestamps: (2:00) Jerry Springer/Seinfeld/Stiller* (7:18) I'll Grieve You With This - Ep 11 (with Zachary Kagan) (10:15) Mike's Instagram grind (12:05) Dudesy podcast (15:28) Listener Voicemails  (19:45) Important Tor Lore Reveal (23:04) "Belly, timestamp that" (27:10) Uber Chewy's Discord News (30:00) Compliment sandwiches  (36:00) ILYM's Future (40:30) #1 Comedy & Golf Podcast (47:00) The 4th Industrial Revolution (50:05) We live in a simulation (52:58) The Return... (56:27) Bicentennial Man (1999) (1:11:35) The video Editor's Note *We were talking about too many Jerrys at once and Belly mixed up Jerry Seinfeld with Jerry Stiller. It is true that Jerry Stiller was supposed to play the Hesh character on The Sopranos. Look it up!!! Follow us on Twitch! twitch.tv/iloveyoumanatv twitch.tv/bellytelevision ILYM Plugs Mike Lester's Comedy Career: https://linktr.ee/Justmikelester Patreon: https://www.patreon.com/iloveyoumana/ Discord: https://discord.gg/VeVs3g2 IG: https://www.instagram.com/Iloveyoumana/ Twitter: https://twitter.com/ILoveYouMana ILYM Theme: dmoon Editing: Micah/Belly

Josh Innes and Jilly open the show discussing a message from one of our listeners. The listener says he had a sexy time dream about Jilly. In the dream Jilly felt guilty about her actions. The gang revisits the story about the Memphis Weatherman. They are both counting down the days until this guy is inevitably canned. Josh and Jilly both feel like the guy is a moron, but the story is being covered unfairly. Tom Brady will be paid $37 million a year to be the lead analyst for Fox upon his retirement. Josh thinks Brady will be mediocre. Josh believes that people don't care about the people broadcasting the games and ponders why these networks continue to pay giant salaries for these guys. Tomorrow marks the two year anniversary of the death of Jerry Stiller. Somehow this leads to a discussion about Kevin James and how he's only funny on "King of Queens". How many other people are only funny on one thing? Josh thinks Chris Paul is a tool.

On this exciting new episode of Comedy Gold Minds, Kevin is joined by actor, director, and comedic powerhouse Ben Stiller. The two discuss all things comedy, including growing up with comedic parents Jerry Stiller and Anne Meara, creating The Ben Stiller Show, what it's like to act and direct a film at the same time, and why he thinks his movie Tropic Thunder would never get made today.Like Comedy Gold Minds? SiriusXM subscribers get it a day early, plus Kevin Hart's Laugh Out Loud Radio, his 24/7 comedy channel, with great talk shows and stand-up. Learn more / check it out for 3 months at siriusxm.com/comedygoldminds.

GGACP's celebration of National Humor Month continues with this classic conversation with comedian, actress and old friend Susie Essman, recorded live at the 2015 NYC Podfest. In this episode, Susie talks about playing acid-tongued Susie Greene on HBO's "Curb Your Enthusiasm," recalls opening for comedians Jerry Seinfeld, Richard Belzer -- and a young Gilbert Gottfried -- and reveals on how standup comedy saved her from a life of crime. Also, Susie chooses her favorite "Curb" moments, obsesses over Turner Classic Movies and looks back at the chaotic standup career of Larry David. Plus: Peter Lorre! Margaret Hamilton! "Norman's Corner"! Susie roasts Jerry Stiller! And the curse of the "Shiksa Goddess"! Learn more about your ad choices. Visit megaphone.fm/adchoices

Nick Kostos & Ken Barkley take a breath before the Power Hour to talk about the recently departed Estelle Harris and her genious role alongside Jerry Stiller as George Costanza's parents in Seinfeld, before talking about the recent decisions by FOX to promote commentators from within while all the other networks spend huge money on big name talent. Learn more about your ad choices. Visit podcastchoices.com/adchoices