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The race for the US Democratic presidential nomination is hotting up with a huge field of 23 candidates all hoping run against Donald Trump in 2020. Courtney Weaver has focused in on one of the candidates, Kamala Harris, and she talks to Neville Hawcock about how the campaign for the Democratic nomination is shaping up. Read Courtney's article hereContributors: Josh Noble, weekend news editor, Neville Hawcock, acting deputy editor, FT Weekend Magazine, and Courtney Weaver, Washington correspondent. Producer: Fiona Symon See acast.com/privacy for privacy and opt-out information.
Steve Bannon was one of the most influential figures in Donald Trump’s presidential campaign. He turned the Breitbart News website into a single platform for white supremacists, pro-lifers, neo-Nazis and climate change deniers. He has now moved to Europe. Neville Hawcock discusses what he’s doing here with Hannah Roberts who met him recently in Italy. Read Hannah's story hereContributors: Suzanne Blumson, executive editor, Neville Hawcock, FT Weekend magazine acting deputy editor and Hannah Roberts. Producer: Fiona Symon. Photo: Marco Bonomo See acast.com/privacy for privacy and opt-out information.
The market for facial recognition technology is expected to be worth $9bn by 2022, thanks to rapid improvements in the speed and accuracy of the software. Recent strides in machine learning, using large datasets of images culled from the internet, have made this possible. But how ethical is this and how will it affect our privacy? Neville Hawcock discusses this question with Madhumita Murgia, European technology correspondent.Read Madhu's article hereContributors: Josh Noble, weekend news editor, Neville Hawcock, FT Weekend Magazine acting deputy editor, and Madhumita Murgia, European technology correspondent. Producer: Fiona Symon See acast.com/privacy for privacy and opt-out information.
Mass protests are set to disrupt London and other cities on Monday over politicians’ failure to tackle climate change. Matthew Green has written about Extinction Rebellion, the group behind the protests, for this week’s FT Weekend Magazine, and he spoke to Neville Hawcock about its origins and aims, along with one of the movement’s leading voices, environmental lawyer Farhana Yamin. Read Matthew's article hereContributors: Josh Noble, weekend news editor, Neville Hawcock, acting deputy editor, FT Weekend Magazine, Matthew Green, journalist and author, and Farhana Yamin, environmental lawyer. Producer: Fiona Symon. Clip courtesy of Reuters. See acast.com/privacy for privacy and opt-out information.
In 1919 Walter Gropius founded the Bauhaus school in Weimar, Germany "to create the new structure of the future". Its teaching combined fine art with craft, and its adherents saw design as the key to a better way of life. Were its utopian aims misguided? What is its relevance today? On the opening of a major exhibition at the Barbican Centre in London, Neville Hawcock puts these questions to Lydia Yee, co-curator of the show; Edwin Heathcote, FT architecture critic; and Peter Aspden, FT arts writer. Produced by Griselda Murray Brown See acast.com/privacy for privacy and opt-out information.
She's the most successful female recording artist ever – and now, 30 years after her first single, Madonna has released her twelfth album, 'MDNA'. It's already caused a stir, with the video for the opening track 'Girl Gone Wild' banned on YouTube for being 'too raunchy'. But is she still good? What's more important: Madonna the brand or the artist? And, at 53, should she really be wearing those hot pants? Neville Hawcock puts these questions to FT writers Lucy Kellaway, Ludovic Hunter-Tilney and Richard Clayton. With clips from 'Girl Gone Wild', 'I'm a Sinner' and 'I'm Addicted'. Produced by Griselda Murray Brown See acast.com/privacy for privacy and opt-out information.
The arts podcast reviews new albums by two of the most venerable singer-songwriters around: Leonard Cohen's "Old Ideas" and Paul McCartney's "Kisses on the Bottom". Have they still got it? Does their latest work speak to modern times? And just what are we to make of Macca's album title? Neville Hawcock is joined in the studio by Ludovic Hunter-Tilney, FT pop critic, Peter Aspden, FT arts writer, and Gautam Malkani, FT writer and novelist. Produced by Griselda Murray Brown See acast.com/privacy for privacy and opt-out information.
As the winners of the BBC’s Sound of 2012 poll are announced, FT deputy arts editor Neville Hawcock asks three of the judges: who are the real “tastemakers”? What’s more important nowadays, a rave review or hits on YouTube? And how do unsigned artists make it? He is joined in the studio by FT pop critics Ludovic Hunter-Tilney and Richard Clayton, and NME assistant reviews editor and blogger Laura Snapes; music clips from Sound of 2012 winner Michael Kiwanuka, as well as Context, Emeli Sandé and Skrillex. Produced by Griselda Murray Brown See acast.com/privacy for privacy and opt-out information.
From shouts of “he’s behind you” at a Christmas pantomime to truly “immersive” productions in which audience members shape the action, audience participation is rife. The radical Belgian theatre company Ontroerend Goed – known for shows that test theatrical as well as moral boundaries – are now staging their latest play, Audience, at London’s Soho Theatre. Sarah Hemming, FT theatre critic, talks to Matthieu Sys, an actor in Audience, Neville Hawcock, the FT’s deputy arts editor, and the critic Suzi Feay about the changing role of the audience. Produced by Griselda Murray Brown See acast.com/privacy for privacy and opt-out information.
Postmodernism defined itself against the stifling clarity and seriousness Modernism. It put style before drab functionality. It embraced pop culture and garish colour. But it got a bad rep. “PoMo” was called vacuous and kitsch, and in the 1980s it became associated with corporate culture and consumerism. Now this controversial cultural movement is the subject of a major exhibition at London’s Victoria and Albert museum, "Postmodernism: Style and Subversion 1970–1990". Neville Hawcock talks to Glenn Adamson, co-curator of the show, and to FT columnists Edwin Heathcote and Peter Aspden. Produced by Griselda Murray Brown See acast.com/privacy for privacy and opt-out information.
War Horse has just won five Tony Awards; last year the RSC put on an acclaimed production of Matilda; and now Punchdrunk are staging their first show for children, The Crash of the Elysium. Is children’s theatre on the up – or is it still the poor relation of “proper” theatre? Where is the new writing among the successful adaptations? And what are the best shows on in Britain this summer holiday? Jan Dalley puts these questions to Tony Graham, artistic director of London’s Unicorn Theatre, Sarah Hemming, FT theatre critic, and Neville Hawcock, deputy arts editor – as well as to four budding young critics. Produced by Griselda Murray Brown See acast.com/privacy for privacy and opt-out information.
What's happening in the world of pop? FT critics Ludovic Hunter-Tilney and Richard Clayton join Neville Hawcock in the studio to look forward to this summer's pop festivals - and to ask whether pop itself has become too backward-looking, as Simon Reynolds argues in his new book Retromania. Are we really addicted to the past? And are YouTube and now the Apple iCloud part of this trend? Produced by Griselda Murray Brown See acast.com/privacy for privacy and opt-out information.
This year 3D films look set to be bigger and more expensive than ever - with Werner Herzog's Cave for Forgotten Dreams just out in the UK, the latest Pirates of the Caribbean installment on its way, and offerings from Spielberg and Scorsese. But has the novelty worn off? Neville Hawcock, deputy arts editor, puts the question to Peter Buckingham of the BFI and Nigel Andrews, FT film critic. Produced by Griselda Murray Brown See acast.com/privacy for privacy and opt-out information.
It’s awards season in the music industry, with the Brits in London following hot on the heels of the Grammys in LA. The Brits have been revamped this year – but will they lose the unscripted edginess of previous years? How can they compete with the might of the Grammys? And is Tinie Tempah better than Mumford & Sons? FT pop critics Ludo Hunter-Tilney and Richard Clayton join deputy arts editor Neville Hawcock to discuss the hype and the hopefuls. Produced by Griselda Murray Brown. See acast.com/privacy for privacy and opt-out information.
On the announcement of the BBC's 'Sounds of 2011' list, FT pop critics and panel judges Ludovic Hunter-Tilney and Richard Clayton look back at the year in pop, and forwards to 2011. What do polls like this say about the state of pop? And what do we want our pop music do to - soothe the soul or confront difficult issues? They talk to deputy arts editor Neville Hawcock about their artists and bands of the year: Rumer, Warpaint, Everything Everything, Ellie Goulding, Kings of Leon and Arcade Fire - their band of 2010. Produced by Griselda Murray Brown See acast.com/privacy for privacy and opt-out information.
The music scene is currently awash with aging rockers and pop groups re-united. Take That, complete with Robbie Williams, will tour next year; space rockers Hawkwind, formed in 1969, tour the UK next month; while Lemmy, born 1945, is currently taking the stage with Motorhead. Whatever happened to “hope I die before I get old”? Aren’t they old enough to know better? Neville Hawcock, deputy arts editor, talks to Peter Aspden, the FT’s arts writer, and Richard Clayton, who regularly reviews pop for the paper. See acast.com/privacy for privacy and opt-out information.
How best to celebrate Chekhov's 150th anniversary? Sky Arts 2 have chosen to mark the occasion with "chekhov: comedy shorts" - four one-act plays transposed to the small screen, with a cast of well-known comedians including Johnny Vegas and Steve Coogan. But do they make good television? In this week's arts podcast, Neville Hawcock, the FT's deputy arts editor, talks to the paper's theatre critic, Sarah Hemming, and television columnist, John Lloyd, about the venture. See acast.com/privacy for privacy and opt-out information.
Shadow Catchers, the latest exhibition at London’s Victoria & Albert Museum, is a showcase for ‘camera-less’ photography – where images are captured directly on photographic paper without the use of a camera. Deputy arts editor Neville Hawcock and Francis Hodgson, the FT’s photography critic, discuss the ideas behind the exhibition, and the works of the five contemporary artists on show, with the show’s curator, Martin Barnes. See acast.com/privacy for privacy and opt-out information.