Podcasts about spielberg

Um ein bisschen mehr über FILMSTARTS zu erfahren, hat Schülerpraktikant Johann einfach mal unseren Chefredakteur Christoph und unseren Video-Menschen Sebastian vors Podcast-Mikrofon gezogen und die Beiden mal zu ihrem Job, zu ihrer Liebe zum Film und alles andere befragt. Was daraus geworden ist, hört ihr hier. Abonniert den kostenlosen FILMSTARTS-Newsletter: https://newsletters.filmstarts.de/was-gibts-neues-zu-schauen_c301 Music from: https://filmmusic.io “Easy Jam” (https://filmmusic.io/song/3694-easy-jam) by Kevin MacLeod (https://incompetech.com) “Take a Chance” (https://filmmusic.io/song/4457-take-a-chance) by Kevin MacLeod (https://incompetech.com) License: CC BY (https://filmmusic.io/standard-license)

Daniel and Erwin are back with very different opinions from each other on Jurassic World Dominion and Lightyear.

This week Joe & Raanan discuss Minority Report, War of the Worlds, Spielberg, alien spiders, Tom Cruise's hair, twinks and a whole lot more! Enjoy! Follow us @joelistcomedy and @raanancomedy Subscribe to our Patreon here: https://www.patreon.com/joeandraanantalkmovies1 Subscribe to Joe's YouTube Channel: https://www.youtube.com/c/JoeListComedy Subscribe to Raanan's YouTube Channel: https://www.youtube.com/user/MrRaananhershberg  

It takes over a hundred movies, but we finally get to our first Spielberg film. And it is one of his lesser known films. That doesn't mean it is lesser quality. A young Christian Bale yells at the production staff in a World War II coming of age film. We're back post Covid and during Little League season. --- Send in a voice message: https://anchor.fm/mattanddoug/message

With the recent release of Jurassic Park Dominion, we figured it was an excellent time to revisit the original film that started at all. Jurassic Park revolutionized special effects technology and gave audiences something truly brand new. In part 1 we talk about everything that led up to the first day of filming. So Strap into your Jeep and drive with us through Jurassic Park on this episode of Film History: The History Of Film!!! We are lucky enough to be joined on this Jurassic Journey by Shelby Scott of the "Scare You To Sleep" podcast from the Bloody Disgusting network. You can find her show on all of the podcast platforms as well as on: IG: scareyoutosleep Twitter: scareyoutosleep Check out our Patreon https://www.patreon.com/FilmHistoryTheHistoryOfFilm Chapters: Chapter 1 Intro: 0:00-10:45 Chapter 2 We're Talking About Jurassic Park: 10:45-16:47 Chapter 3 When Are We: 16:47-36:42 Chapter 4 A Story Based On A Book: 36:42-57:31 Chapter 5 Negotiation The Adaptation: 57:31-1:05:48 Chapter 6 Perproduciton 1:05:48-1:19:08 Chapter 7 Closing 1:19:08-End --- Support this podcast: https://anchor.fm/film-history/support

Matt returns to talk about DAUGHTER OF THE SEA, the short film he made with his wife, and to discuss that artifact-lovin', Nazi-punchin', fedora-doffin', bullwhip-snappin' daddy, Harrison Ford! Steven Spielberg and George Lucas joined forces for RAIDERS OF THE LOST ARK, the first Indiana Jones movie in the five film franchise, an American James Bond romp that definitely belongs in a museum... of Cinema! Plus, Rocco and Alex are here to talk about the making of the film and the Disneyland ride, which they both love dearly. It's a new mini-marathon, folks! This summer, we're gettin' in the ring with Steven for the SPIELBERG SUMMER SLAM! We're hitting up his incredible run of blockbusters from the genre-defining JAWS (1975) up through his hand-wave screen technology-introducing MINORITY REPORT (2002)!The NeverEnding Movie Marathon is a weekly podcastic celebration of cinema. Dive deep into fan-favorite films (#NoStinkers!), thematically curated to enhance your movie viewing by hosts Matt Detisch, Alex Logan, and Michael Rocco.Find us on Twitter, Instagram, Facebook or at neverendingmoviemarathon.com

With a plot centered around hungry dinosaurs on the loose due to a disabled security system, and the likable lead characters–including two young children– in mortal danger, the original Jurassic Park promised to be a hit. But the 1993 film, directed by Steven Spielberg, had more than a strong plot going for it… as well as a few challenges.  In this T-Rex-sized extended episode, Ashley and Candy take a deep dive into the movie that started the billion-dollar Jurassic Park franchise. What was the real-life science that inspired the story? How did Spielberg juggle directing both Jurassic Park and another award-winning film at roughly the same time? How did the special effects team break ground with their use of both CGI and animatronics to create the film's dinosaur visuals? Why exactly does Ian Malcolm have an open shirt when it's clearly his leg that is injured?  Listen in as we discuss these questions and so much more!

It's been 40 years since the release of Steven Spielberg's heartwarming (and heart-glowing) blockbuster E.T. the Extra-Terrestrial and we're celebrating with a full commentary track for the movie. Listen as we wax nostalgic about Star Wars toys and Atari games, note the film's parallels with other Spielberg productions such as Close Encounters and Poltergeist, and ponder why there are so many Raggedy Ann dolls in the Taylor household. Listen for our countdown to start your copy of the movie. Warning: Contains explicit language, spoilers, and some inarticulate crying. Our theme song is "Nostalgia TV" by Edward Jonathan Blakeley through Lynne Publishing.

Tom Hanks finally has enough of clamoring paparazzi and blew up at them after his wife was tripped up.  Tom played Captain Miller in the Spielberg movie Saving WHOM?

This is Garrison Hardie with your CrossPolitic Daily News Brief for Monday, June 20th, 2022. Here’s what you may have missed, over the weekend! On Saturday, game 2 of the Stanley Cup Finals between the Colorado Avalanche, and the Tampa Bay Lightning took place. The Avalanche took game 1, so Tampa Bay really wanted to even up the series as it shifts back to Florida today… and well… here’s how it went. If you’re a Tampa Bay fan, cover your ears! Cup Final, Gm2: Lightning @ Avalanche 6/18 | NHL Playoffs 2022 Play 0:48-1:05 Play 2:11-2:27 Play 3:40-3:55 Play 5:15-5:27 Play 6:25-6:35 Play 7:43-7:55 Play 8:15-8:30 https://www.outkick.com/nichushkin-stays-hot-avalanche-take-commanding-2-0-series-lead-over-lightning-in-stanley-cup-final/ What you just heard was the absolute demolition of the Tampa Bay Lightning at the hands of the Colorado Avalanche. The Tampa Bay Lightning came into Game 2 of the 2022 Stanley Cup Final with a plan. But like Mike Tyson once said, everybody’s got a plan until they get punched in the face. Or in this case, an avalanche of seismic proportions. Lightning head coach Jon Cooper said the key to evening up the series at two was weathering the storm in the first 10 minutes from the Colorado Avalanche. And yet, after those 10 crucial minutes of play inside Ball Arena, Colorado held a 2-0 advantage — just as they did in Game 1. The Avalanche’s onslaught started early and never let up, as Colorado defeated Tampa Bay, 7-0, to take an all-important 2-0 series lead. Why’s that so important, you ask? Teams leading 2-0 in the Stanley Cup Final are 47-5 all-time. The touchdown + extra point loss is Tampa Bay’s worst in its playoff history, topping the 5-0 defeat against the Toronto Maple Leafs in Round 1 this year and the 6-1 loss to the Philadelphia Flyers back in 1996, the franchise’s first ever playoff appearance. The Avalanche have now scored 11 goals through two games in the series and are 14-2 overall during the playoffs. The seven-goal margin is the largest in a Stanley Cup Final game since 1991, when the Pittsburgh Penguins defeated the Minnesota North Stars, 8-0, in Game 6 of the series. The series will now shift back to Tampa Bay for Games 3 and 4, with the Lightning looking for any sort of jolt from the Amalie Arena crowd. Puck drop for Game 3 is scheduled for Monday at 8 p.m. ET on ESPN. Lies, Propaganda, Story Telling, and the Serrated Edge: This year our national conference is in Knoxville, TN October 6th-8th. The theme of this year’s conference is Lies, Propaganda, Storytelling and the Serrated Edge. Satan is the father of lies, and the mother of those lies is a government who has rejected God. We have especially been lied to these last two years, and the COVIDpanic has been one of the central mechanisms that our government has used to lie to us and to grab more power. Because Christians have not been reading their bibles, we are susceptible to lies and weak in our ability to fight these lies. God has given us His word to fight Satan and his lies, and we need to recover all of God’s word, its serrated edge and all. Mark your calendars for October 6th-8th, as we fight, laugh and feast with fellowship, beer and Psalms, our amazing lineup of speakers, hanging with our awesome vendors, meeting new friends, and more. Early bird tickets are available now, but will be gone before you know it! Sign up now at flfnetwork.com/knoxville2022 https://www.politico.com/news/2022/06/19/world-swimming-transgender-athletes-00040722 Speaking of lies & Propaganda… let’s talk about transgender athletes! World swimming bans transgender athletes from women’s events World swimming’s governing body has effectively banned transgender women from competing in women’s events, starting Monday. FINA members widely adopted a new “gender inclusion policy” on Sunday that only permits swimmers who transitioned before age 12 to compete in women’s events. The organization also proposed an “open competition category.” “This is not saying that people are encouraged to transition by the age of 12. It’s what the scientists are saying, that if you transition after the start of puberty, you have an advantage, which is unfair,” James Pearce, who is the spokesperson for FINA president Husain Al-Musallam, told The Associated Press. “They’re not saying everyone should transition by age 11, that’s ridiculous. You can’t transition by that age in most countries and hopefully you wouldn’t be encouraged to. Basically, what they’re saying is that it is not feasible for people who have transitioned to compete without having an advantage.” Pearce confirmed there are currently no transgender women competing in elite levels of swimming. The World Professional Association for Transgender Health just lowered its recommended minimum age for starting gender transition hormone treatment to 14 and some surgeries to 15 or 17. FINA’s new 24-page policy also includes proposals for a new “open competition” category. The organization said it was setting up “a new working group that will spend the next six months looking at the most effective ways to set up this new category.” Pearce told the AP that the open competition would most likely mean more events, but those details still need to be worked out. The members voted 71.5% in favor at the organization’s extraordinary general congress after hearing presentations from three specialist groups — an athlete group, a science and medicine group and a legal and human rights group — that had been working together to form the policy following recommendations given by the International Olympic Committee last November. The IOC urged shifting the focus from individual testosterone levels and calling for evidence to prove when a performance advantage existed. FINA said it recognizes “that some individuals and groups may be uncomfortable with the use of medical and scientific terminology related to sex and sex-linked traits (but) some use of sensitive terminology is needed to be precise about the sex characteristics that justify separate competition categories.” In March, Lia Thomas a man, made history in the United States as the first man to win woman’s NCAA swimming championship, the 500-yard freestyle. The coward, Thomas said last month on ABC’s “Good Morning America” that he was aiming to become an Olympic swimmer. He also disputed those who say he has an unfair biological edge that ruins the integrity of women’s athletics, saying “trans women are not a threat to women’s sports.” The University of Pennsylvania didn’t immediately respond to a request for comment from Thomas. Other sports have also been examining their rules around transgender athletes. On Thursday, cycling’s governing body updated its eligibility rules for transgender athletes with stricter limits that will force riders to wait longer before they can compete. The International Cycling Union (UCI) increased the transition period on low testosterone to two years, and lowered the maximum accepted level of testosterone. The previous transition period was 12 months but the UCI said recent scientific studies show that “the awaited adaptations in muscle mass and muscle strength/power” among athletes who have made a transition from male to female takes at least two years. From sports, let’s go to entertainment, to infinity and beyond!!! https://variety.com/2022/film/box-office/box-office-lightyear-disappoints-1235298248/ Pixar’s ‘Lightyear’ Underwhelms With $51 Million Debut as ‘Jurassic World’ Stays No. 1 To infinity and beyond? Not exactly… “Lightyear,” a spinoff story set in Pixar’s “Toy Story” universe, fell short of that boundless milestone in its box office debut, collecting a lackluster $51 million from 4,255 North American theaters. Family audiences, the movie’s prime demographic, haven’t returned to theaters in full force since the start of the COVID-19 pandemic. Even so, those ticket sales are disappointing for a brand as recognizable as Pixar, the home of “The Incredibles,” “Finding Nemo” and “Up.” It’s particularly problematic given that “Lightyear” cost $200 million to produce and tens of millions more to market. Heading into the weekend, the Disney film was expected to generate at least $70 million. But its ambitions were thwarted by heightened competition from Universal’s behemoth “Jurassic World Dominion” and Paramount’s high-flying “Top Gun: Maverick,” as well as little intrigue to watch a slightly esoteric origin story about Buzz Lightyear, one that had only a tenuous connection to the four films in the popular kid-friendly franchise. With its wobbly liftoff, “Lightyear” landed in second place, becoming one of the rare Pixar films to not take the top spot at the domestic box office. Internationally, “Lightyear” earned $34.6 million from 43 markets, taking its global total to $85.6 million. The movie was banned in smaller foreign markets, including Saudi Arabia and the United Arab Emirates, because it depicts a same-sex kiss. Notably, “Lightyear” is the first Pixar movie to play on the big screen in more than two years — since “Onward” in March 2020. During the pandemic, three of the animation studio’s titles — “Soul,” “Luca” and “Turning Red” — skipped theaters to land directly on Disney+, leaving some box office analyst to question if consumers have been trained to watch Pixar movies at home. Other industry experts question if Disney is relying too heavily on brand recognition and not enough on execution. It’s not that people disliked the movie, which landed an “A-” CinemaScore and 77% on Rotten Tomatoes. But Disney certainly hoped that more ticket buyers would feel compelled to see “Lightyear” in theaters over the weekend. Believe me, I would have loved to see this movie. I mean, Toy Story was a part of my child-hood growing up, so it really pained me to see the headlines that they were going to force a gay kiss into the movie… based on that, I, and many of the people I’ve spoken with, refused to see the movie, as I’m sure all of our audience would agree. Even with a colossal 60% decline, “Jurassic World Dominion” managed to capture the box office crown again in a surprise upset. Universal’s prehistoric sequel generated $58.6 million from 4,697 cinemas in its second weekend of release, bringing its domestic total to $259 million. In third place, “Top Gun: Maverick” keeps flying high with a mammoth $44 million from 4,035 venues in North America, marking a scant 15% drop from last weekend. You know what those two shows have in common? They just tried to entertain the audience… not educate, or force satanic themes upon us. Speaking of education… Classical Conversations Classical Conversations supports homeschooling parents by cultivating the love of learning through a Christian worldview in fellowship with other families. We provide a classical Christ-centered curriculum, local like-minded communities across the United States and in several countries, and we train parents who are striving to be great classical educators in the home. For more information and to get connected, please visit our website at ClassicalConversations.com. Again that’s ClassicalConversations.com. Finally, let’s end today’s news brief, with a stroll down on this day in history! Jaws Theme Song - Play 1:07-1:18 Iconic! Anything directed by the great John Williams is just amazing… On June 20th, 1975, Jaws, a film directed by Steven Spielberg that made countless viewers afraid to go into the water, opens in theaters. The story of a great white shark that terrorizes a New England resort town became an instant blockbuster and the highest-grossing film in movie history until it was bested by 1977’s Star Wars. Jaws was nominated for an Academy Award in the Best Picture category and took home three Oscars, for Best Film Editing, Best Original Score and Best Sound. The film, a breakthrough for director Spielberg, then 27 years old, spawned several sequels. The film starred Roy Scheider as principled police chief Martin Brody, Richard Dreyfuss as a marine biologist named Matt Hooper and Robert Shaw as a grizzled fisherman called Quint. It was set in the fictional beach town of Amity, and based on a best-selling novel, released in 1973, by Peter Benchley. Subsequent water-themed Benchley bestsellers also made it to the big screen, including The Deep (1977). With a budget of $12 million, Jaws was produced by the team of Richard Zanuck and David Brown, whose later credits include The Verdict (1982), Cocoon (1985) and Driving Miss Daisy (1989). Filming, which took place on Martha’s Vineyard, Massachusetts, was plagued by delays and technical difficulties, including malfunctioning mechanical sharks. Jaws put now-famed director Steven Spielberg on the Hollywood map. Spielberg, largely self-taught in filmmaking, made his major feature-length directorial debut with The Sugarland Express in 1974. The film was critically well-received but a box-office flop. Following the success of Jaws, Spielberg went on to become one of the most influential, iconic directors in the film world, with such epics as Close Encounters of the Third Kind (1977), Raiders of the Lost Ark (1981), ET: the Extra-Terrestrial (1982), Jurassic Park (1993), Schindler’s List (1993) and Saving Private Ryan (1998). E.T., Jaws and Jurassic Park rank among the highest-grossing movies of all time. This has been your CrossPolitic Daily News Brief. If you liked the show, go ahead and hit that share button… or become a club member, as we’re starting to put out content only available to CLUB MEMBERS! Also check out our Fight Laugh Feast Magazine at flfnetwork.com/membership, and as always, if you want to talk corporate partnerships, let’s talk… email me, at garrison@fightlaughfeast.com. For CrossPolitc News, I’m Garrison Hardie. Have a great day, and Lord bless.

This is Garrison Hardie with your CrossPolitic Daily News Brief for Monday, June 20th, 2022. Here’s what you may have missed, over the weekend! On Saturday, game 2 of the Stanley Cup Finals between the Colorado Avalanche, and the Tampa Bay Lightning took place. The Avalanche took game 1, so Tampa Bay really wanted to even up the series as it shifts back to Florida today… and well… here’s how it went. If you’re a Tampa Bay fan, cover your ears! Cup Final, Gm2: Lightning @ Avalanche 6/18 | NHL Playoffs 2022 Play 0:48-1:05 Play 2:11-2:27 Play 3:40-3:55 Play 5:15-5:27 Play 6:25-6:35 Play 7:43-7:55 Play 8:15-8:30 https://www.outkick.com/nichushkin-stays-hot-avalanche-take-commanding-2-0-series-lead-over-lightning-in-stanley-cup-final/ What you just heard was the absolute demolition of the Tampa Bay Lightning at the hands of the Colorado Avalanche. The Tampa Bay Lightning came into Game 2 of the 2022 Stanley Cup Final with a plan. But like Mike Tyson once said, everybody’s got a plan until they get punched in the face. Or in this case, an avalanche of seismic proportions. Lightning head coach Jon Cooper said the key to evening up the series at two was weathering the storm in the first 10 minutes from the Colorado Avalanche. And yet, after those 10 crucial minutes of play inside Ball Arena, Colorado held a 2-0 advantage — just as they did in Game 1. The Avalanche’s onslaught started early and never let up, as Colorado defeated Tampa Bay, 7-0, to take an all-important 2-0 series lead. Why’s that so important, you ask? Teams leading 2-0 in the Stanley Cup Final are 47-5 all-time. The touchdown + extra point loss is Tampa Bay’s worst in its playoff history, topping the 5-0 defeat against the Toronto Maple Leafs in Round 1 this year and the 6-1 loss to the Philadelphia Flyers back in 1996, the franchise’s first ever playoff appearance. The Avalanche have now scored 11 goals through two games in the series and are 14-2 overall during the playoffs. The seven-goal margin is the largest in a Stanley Cup Final game since 1991, when the Pittsburgh Penguins defeated the Minnesota North Stars, 8-0, in Game 6 of the series. The series will now shift back to Tampa Bay for Games 3 and 4, with the Lightning looking for any sort of jolt from the Amalie Arena crowd. Puck drop for Game 3 is scheduled for Monday at 8 p.m. ET on ESPN. Lies, Propaganda, Story Telling, and the Serrated Edge: This year our national conference is in Knoxville, TN October 6th-8th. The theme of this year’s conference is Lies, Propaganda, Storytelling and the Serrated Edge. Satan is the father of lies, and the mother of those lies is a government who has rejected God. We have especially been lied to these last two years, and the COVIDpanic has been one of the central mechanisms that our government has used to lie to us and to grab more power. Because Christians have not been reading their bibles, we are susceptible to lies and weak in our ability to fight these lies. God has given us His word to fight Satan and his lies, and we need to recover all of God’s word, its serrated edge and all. Mark your calendars for October 6th-8th, as we fight, laugh and feast with fellowship, beer and Psalms, our amazing lineup of speakers, hanging with our awesome vendors, meeting new friends, and more. Early bird tickets are available now, but will be gone before you know it! Sign up now at flfnetwork.com/knoxville2022 https://www.politico.com/news/2022/06/19/world-swimming-transgender-athletes-00040722 Speaking of lies & Propaganda… let’s talk about transgender athletes! World swimming bans transgender athletes from women’s events World swimming’s governing body has effectively banned transgender women from competing in women’s events, starting Monday. FINA members widely adopted a new “gender inclusion policy” on Sunday that only permits swimmers who transitioned before age 12 to compete in women’s events. The organization also proposed an “open competition category.” “This is not saying that people are encouraged to transition by the age of 12. It’s what the scientists are saying, that if you transition after the start of puberty, you have an advantage, which is unfair,” James Pearce, who is the spokesperson for FINA president Husain Al-Musallam, told The Associated Press. “They’re not saying everyone should transition by age 11, that’s ridiculous. You can’t transition by that age in most countries and hopefully you wouldn’t be encouraged to. Basically, what they’re saying is that it is not feasible for people who have transitioned to compete without having an advantage.” Pearce confirmed there are currently no transgender women competing in elite levels of swimming. The World Professional Association for Transgender Health just lowered its recommended minimum age for starting gender transition hormone treatment to 14 and some surgeries to 15 or 17. FINA’s new 24-page policy also includes proposals for a new “open competition” category. The organization said it was setting up “a new working group that will spend the next six months looking at the most effective ways to set up this new category.” Pearce told the AP that the open competition would most likely mean more events, but those details still need to be worked out. The members voted 71.5% in favor at the organization’s extraordinary general congress after hearing presentations from three specialist groups — an athlete group, a science and medicine group and a legal and human rights group — that had been working together to form the policy following recommendations given by the International Olympic Committee last November. The IOC urged shifting the focus from individual testosterone levels and calling for evidence to prove when a performance advantage existed. FINA said it recognizes “that some individuals and groups may be uncomfortable with the use of medical and scientific terminology related to sex and sex-linked traits (but) some use of sensitive terminology is needed to be precise about the sex characteristics that justify separate competition categories.” In March, Lia Thomas a man, made history in the United States as the first man to win woman’s NCAA swimming championship, the 500-yard freestyle. The coward, Thomas said last month on ABC’s “Good Morning America” that he was aiming to become an Olympic swimmer. He also disputed those who say he has an unfair biological edge that ruins the integrity of women’s athletics, saying “trans women are not a threat to women’s sports.” The University of Pennsylvania didn’t immediately respond to a request for comment from Thomas. Other sports have also been examining their rules around transgender athletes. On Thursday, cycling’s governing body updated its eligibility rules for transgender athletes with stricter limits that will force riders to wait longer before they can compete. The International Cycling Union (UCI) increased the transition period on low testosterone to two years, and lowered the maximum accepted level of testosterone. The previous transition period was 12 months but the UCI said recent scientific studies show that “the awaited adaptations in muscle mass and muscle strength/power” among athletes who have made a transition from male to female takes at least two years. From sports, let’s go to entertainment, to infinity and beyond!!! https://variety.com/2022/film/box-office/box-office-lightyear-disappoints-1235298248/ Pixar’s ‘Lightyear’ Underwhelms With $51 Million Debut as ‘Jurassic World’ Stays No. 1 To infinity and beyond? Not exactly… “Lightyear,” a spinoff story set in Pixar’s “Toy Story” universe, fell short of that boundless milestone in its box office debut, collecting a lackluster $51 million from 4,255 North American theaters. Family audiences, the movie’s prime demographic, haven’t returned to theaters in full force since the start of the COVID-19 pandemic. Even so, those ticket sales are disappointing for a brand as recognizable as Pixar, the home of “The Incredibles,” “Finding Nemo” and “Up.” It’s particularly problematic given that “Lightyear” cost $200 million to produce and tens of millions more to market. Heading into the weekend, the Disney film was expected to generate at least $70 million. But its ambitions were thwarted by heightened competition from Universal’s behemoth “Jurassic World Dominion” and Paramount’s high-flying “Top Gun: Maverick,” as well as little intrigue to watch a slightly esoteric origin story about Buzz Lightyear, one that had only a tenuous connection to the four films in the popular kid-friendly franchise. With its wobbly liftoff, “Lightyear” landed in second place, becoming one of the rare Pixar films to not take the top spot at the domestic box office. Internationally, “Lightyear” earned $34.6 million from 43 markets, taking its global total to $85.6 million. The movie was banned in smaller foreign markets, including Saudi Arabia and the United Arab Emirates, because it depicts a same-sex kiss. Notably, “Lightyear” is the first Pixar movie to play on the big screen in more than two years — since “Onward” in March 2020. During the pandemic, three of the animation studio’s titles — “Soul,” “Luca” and “Turning Red” — skipped theaters to land directly on Disney+, leaving some box office analyst to question if consumers have been trained to watch Pixar movies at home. Other industry experts question if Disney is relying too heavily on brand recognition and not enough on execution. It’s not that people disliked the movie, which landed an “A-” CinemaScore and 77% on Rotten Tomatoes. But Disney certainly hoped that more ticket buyers would feel compelled to see “Lightyear” in theaters over the weekend. Believe me, I would have loved to see this movie. I mean, Toy Story was a part of my child-hood growing up, so it really pained me to see the headlines that they were going to force a gay kiss into the movie… based on that, I, and many of the people I’ve spoken with, refused to see the movie, as I’m sure all of our audience would agree. Even with a colossal 60% decline, “Jurassic World Dominion” managed to capture the box office crown again in a surprise upset. Universal’s prehistoric sequel generated $58.6 million from 4,697 cinemas in its second weekend of release, bringing its domestic total to $259 million. In third place, “Top Gun: Maverick” keeps flying high with a mammoth $44 million from 4,035 venues in North America, marking a scant 15% drop from last weekend. You know what those two shows have in common? They just tried to entertain the audience… not educate, or force satanic themes upon us. Speaking of education… Classical Conversations Classical Conversations supports homeschooling parents by cultivating the love of learning through a Christian worldview in fellowship with other families. We provide a classical Christ-centered curriculum, local like-minded communities across the United States and in several countries, and we train parents who are striving to be great classical educators in the home. For more information and to get connected, please visit our website at ClassicalConversations.com. Again that’s ClassicalConversations.com. Finally, let’s end today’s news brief, with a stroll down on this day in history! Jaws Theme Song - Play 1:07-1:18 Iconic! Anything directed by the great John Williams is just amazing… On June 20th, 1975, Jaws, a film directed by Steven Spielberg that made countless viewers afraid to go into the water, opens in theaters. The story of a great white shark that terrorizes a New England resort town became an instant blockbuster and the highest-grossing film in movie history until it was bested by 1977’s Star Wars. Jaws was nominated for an Academy Award in the Best Picture category and took home three Oscars, for Best Film Editing, Best Original Score and Best Sound. The film, a breakthrough for director Spielberg, then 27 years old, spawned several sequels. The film starred Roy Scheider as principled police chief Martin Brody, Richard Dreyfuss as a marine biologist named Matt Hooper and Robert Shaw as a grizzled fisherman called Quint. It was set in the fictional beach town of Amity, and based on a best-selling novel, released in 1973, by Peter Benchley. Subsequent water-themed Benchley bestsellers also made it to the big screen, including The Deep (1977). With a budget of $12 million, Jaws was produced by the team of Richard Zanuck and David Brown, whose later credits include The Verdict (1982), Cocoon (1985) and Driving Miss Daisy (1989). Filming, which took place on Martha’s Vineyard, Massachusetts, was plagued by delays and technical difficulties, including malfunctioning mechanical sharks. Jaws put now-famed director Steven Spielberg on the Hollywood map. Spielberg, largely self-taught in filmmaking, made his major feature-length directorial debut with The Sugarland Express in 1974. The film was critically well-received but a box-office flop. Following the success of Jaws, Spielberg went on to become one of the most influential, iconic directors in the film world, with such epics as Close Encounters of the Third Kind (1977), Raiders of the Lost Ark (1981), ET: the Extra-Terrestrial (1982), Jurassic Park (1993), Schindler’s List (1993) and Saving Private Ryan (1998). E.T., Jaws and Jurassic Park rank among the highest-grossing movies of all time. This has been your CrossPolitic Daily News Brief. If you liked the show, go ahead and hit that share button… or become a club member, as we’re starting to put out content only available to CLUB MEMBERS! Also check out our Fight Laugh Feast Magazine at flfnetwork.com/membership, and as always, if you want to talk corporate partnerships, let’s talk… email me, at garrison@fightlaughfeast.com. For CrossPolitc News, I’m Garrison Hardie. Have a great day, and Lord bless.

En 1993, Steven Spielberg avait un rêve : celui d'émerveiller petits et grands en faisant revenir d'entre les morts les créatures les plus incroyables que la Terre ait porté, marquant à jamais notre petit coeur d'enfant. 30 ans plus tard, Hollywood eut aussi un rêve, pourri malheureusement, en ressortant de l'ambre LE FILM de toute une génération pour le franchiser, le piétiner et l'enterrer à jamais aux côtés des blockbusters merdiques insipides qui évoluent sur nos écrans depuis 10 ans... Dans cet épisode la Team Fais Ta B.A. déterre la bande-annonce de Jurassic World 3, la conclusion d'une trilogie 2.0 amorcée en 2015 et qui répond à la théorie du chaos de ce bon vieux Ian Malcom : immorale, inutile, vouée à la catastrophe critique... mais tout de même cyniquement mercantile. Cela dit c'est une bonne occasion pour revenir sur ce qu'est la définition d'un blockbuster familial en 2022 à l'ère du tout Marvel et autopsier ce cinéma popcorn en détresse qui tire fort sur les mamelles de la nostalgie pour vendre son fromage insipide. Et pour finir loin du cynisme ambiant qui assassine nos souvenirs d'enfant, l'ami Martin nous fait jouer autour d'un quizz qui met le numéro 3 à l'honneur.AU MENU :  - C'est qui le réal du film ? (09:16) - Analyse de la B.A. garantie sans spoil vu qu'on a pas vu le film duh (15:32) - Théma coup de gueule : le blockbuster familial en 2022 pue la merde (49:20) - Comm-Ci Comm-Ça : les attentes des internautes (01:06:35) - Fais Ton Titre : on renomme le film de la semaine (01:14:38) - Le Quizz de Martin : 3 is the magic number! (01:20:32) LA B.A. DE L'ÉPISODE (à voir avant ou pendant l'écoute) : - La B.A. de Jurassic World : Le Monde d'après de Colin Trevorrow : bit.ly/3zN24E0 LES BONUS DE L'ÉPISODE : - Battle at Big Rock (court métrage Jurassic World) : bit.ly/3mWppf3 - Le prologue de Jurassic World 3 : bit.ly/3OqQgvc - L'Instagram du CINEQUIZZ de Martin : bit.ly/3OqVQhm - La vidéo du CINEQLUB de Martin (GO les pouces bleus et abonnez-vous à la chaîne) : Le Cinéma de Michael Mann : bit.ly/3Onurg1 - Enregistré le 05 juin 2022 à Paris -

Kklak! It's the Annual Malcolm Hulke Lizard Extravaganza®, as we bang-a-gong for the children of the revolution as we take on T. Rexes in Invasion of the Dinosaurs! The Doctor and Sarah return to London, only to be confronted by a conspiracy to which almost everyone is involved, and some of Ray Harryhausen's cast-offs. Ah well, you can't win ‘em all.   Over the course of the episode, Reilly explains his suspicions on how Spielberg may have approached this as the low water mark for the effects of Jurassic Park, Anthony compares the colour and the black & white versions of Part One, Don theorises that Benton is the only sane member of UNIT at this point, and Julie is happy that Benton is finally allowed to have some tea. The entire crew take turns at comparing deserted London to various horror movies.     If you would like to watch along with us, this serial is available for streaming at both Britbox US (https://www.britbox.com) and Britbox UK (https://www.britbox.co.uk). It can also be found on DVD from Amazon US (https://amzn.to/3HH9Lxx) and as part of the UNIT Files DVD box set from Amazon UK (https://amzn.to/3xG9PZE)   Other media mentioned in this episode: Moonbase 3 (Amazon US: https://amzn.to/3xdCVRm | Amazon UK: https://amzn.to/3Mm13Fv) Terry Nation's Survivors (Amazon US: https://amzn.to/3ih2Vm1 | Amazon UK: https://amzn.to/3xYgMUQ) Z Cars: Complete Collection One & Two (Amazon US: https://amzn.to/3pdDtmF | Amazon UK: https://amzn.to/3lV2cKn) Jurassic Park (Amazon US: https://amzn.to/3x3z6hQ | Amazon UK: https://amzn.to/3rk2JIj) The Quatermass Xperiment (Amazon US: https://amzn.to/3rC8t10 | Amazon UK: https://amzn.to/3DsBVbM) 28 Days Later (Amazon US: https://amzn.to/3Hy5MDi | Amazon UK: https://amzn.to/3N36SrS) Night of the Living Dead (Amazon US: https://amzn.to/39Cal38 | Amazon UK: https://amzn.to/3OkNPuR) Psycho (Amazon US: https://amzn.to/3m6ZgKH | Amazon UK: https://amzn.to/3m5sPMB) Godzilla – the Showa Era Films (Amazon US: https://amzn.to/3fjnk8q | Amazon UK: https://amzn.to/3hoScYa) Ray Harryhausen: The Ultimate 7 Film Collection (Amazon US: https://amzn.to/3E0Fgj8 | Amazon UK: https://amzn.to/3Gfn0Ep) The Tick: The Entire Series! (Amazon US: https://amzn.to/3N4NPO2 | Amazon UK: https://amzn.to/3OrRUNp) Arrested Development: The Complete Seasons 1-4 (Amazon US: https://amzn.to/3BqTDw6 | Amazon UK: https://amzn.to/3uT21Cc) The James Bond Collection (Amazon US: https://amzn.to/3FWn6kg | Amazon UK: https://amzn.to/3DQB4lR) Jaws (Amazon US: https://amzn.to/3y2U9kT | Amazon UK: https://amzn.to/39EeZxl) Clash of the Titans (Amazon US: https://amzn.to/3mX8U2a | Amazon UK: https://amzn.to/3n1LI30) The James Bond Collection (Amazon US: https://amzn.to/3FWn6kg | Amazon UK: https://amzn.to/3DQB4lR) T. Rex: The Ultimate Collection (Amazon US: https://amzn.to/3QpaIP7 | Amazon UK: https://amzn.to/3MYy8Yt)   Finally, you can also follow us and interact with us on various forms of social media - Facebook, Instagram, and Twitter. You can also e-mail us at watchers4d@gmail.com. If you're enjoying this podcast, please subscribe to the show, and leave us a rating or review.

On this episode I'm joined by a jack of all trades, Patrick Miller. A pastor by vocation, but also the co-host of the podcasts Truth Over Tribe and Ten Minute Bible Talks, amongst other things. He's also the co-author of an upcoming book called Truth Over Tribe: Pledging Allegiance to the Lamb, Not the Donkey or the Elephant. I talk to Patrick about what prompted him and his co-host Keith Simon to start Truth Over Tribe, and he shares the background there. The two of them really wanted to know if we could talk about our most pressing cultural issues without becoming polarized. Jumping into the movie, which is directed by Steven Spielberg, we discuss whether he's lost his magic touch. Patrick draws some very tight parallels between RPO and his childhood favorites, Jurassic Park and Close Encounters of the Third Kind (both Spielberg films). And the parallels are much tighter than just mere references throughout RPO. We linger for a bit of time on the ending of the movie where the Oasis is closed down on Tuesdays and Thursdays (the Chick-fil-a of the digital world as Patrick puts it). We talk about how fascinating it is that a mainstream Hollywood movie would incorporate the importance of a Sabbath-like living in the real world and cultivating real relationships outside of what consumes our time and minds the most. Patrick discusses how he's not so much attracted to the idea of the alleged upcoming metaverse, but he's instead a pragmatist, and really just wants to see Christians ready for it when it comes. As a result of us not being ready by the phenomenon of social media and iPhones, we're now having to battle and confront troll farms who claim to be speaking on behalf of Christians, but we still have no idea how to put up a fight. In short, Patrick is strongly suggesting we put Christian programmers in place now to start preparing for the inevitable metaverse. We then dive into the present day and talk about those troll farms that are spreading misinformation with the sole purpose of dividing us. Here's the link for How to Prevent Yourself From Misinformation and Disinformation, an article Patrick wrote for The Gospel Coalition. In the movie the players are all searching for three Easter eggs that the creator Halliday has dispersed all around the Oasis. I ask Patrick what he thinks the real-life Easter eggs are that we're all chasing after today. His answer hits close to home for all of us as we are conditioned to want what our parents had - and is that because we really want it, or because that's just what we've known? Why do we get caught up in these rat races? And the races that take place on the mimetic machine of social media? Anger and sex, he goes on, are the two things that keep people so fiercely engaged on social media platforms. And just like we want to buy a home because our parents bought a home - we get outraged because we see people like Ben Shapiro and Rachel Maddow get outraged, so it justifies our actions and words that may otherwise have been out of character for us. He concludes by saying that what we want does't matter, it's the model we're after.  Which is why it's so important to train our hearts to desire what Jesus desires. Speaking of Jesus, we talk about this strange correlation of close proximity to celebrities who now, with Instagram, can present themselves as "normal people," and how intoxicating that can be. The reality is, everyone everywhere, all the time, is performing. And that's truer even still on the Internet. But not only are we constantly performing, we're performing differently for every person or group of people. So the question isn't as simple as "Who am I?" It's more complex, like, "Who am I's?" And, according to Patrick, that's not necessarily a bad thing. This begs me to ask the question, "Was Jesus different with everybody?" The major takeaway for me from Patrick's answer here is when he says that only one time does Jesus describe himself in the Bible - one time. And yet we're obsessed with self-expression. We do have some fun talking about what vehicles we would have driven in the Oasis, but then we get into why people will stay in the metaverse once they enter into it, and what will the temptations be, once there? Patrick discusses that there's an ad out there that suggests we make ourselves into our own image, and that there's a show called Alter Ego where people create avatars and that's how they present themselves on stage in front of the judges. Patrick co-wrote an article about the metaverse for The Gospel Coalition, and in this interview he takes us a bit deeper, commenting on two different types of realities: The virtual reality and the augmented reality. Overall he sounds optimistic about the upcoming metaverse and he even reflects on how, even now, we can have coffee with coworkers every day even though they live 2,000 miles away, thanks to our long-distance video cameras. But lest we think we're in the metaverse every time we log online, Patrick explains that we're still in the zygote stage; it's yet to be born into its fullness.I close out our interview by pressing Patrick on how Christians today can urgently prepare for the metaverse. Good news - his answer is not as daunting as you might think! And it all comes down to the bodily resurrection of Jesus Christ. Patrick's Twitter Preorder Truth Over Tribe bookTruth Over Tribe podcast10-Minute Bible Talks podcastGary Gulman on How the States Got Their Abbreviations - Conan on TBSDon't forget to rate and review. Here are the socials you can find me on:InstagramFacebookTwitterEmail: Author.andrewtoy@gmail.com

This month's Out Now with Aaron and Abe commentary track wants to help anyone in need phone home. Aaron is joined by Brandon Peters, Yancy Berns, and Maxwell Haddad to discuss Steven Spielberg's blockbuster masterpiece, E.T. the Extra-Terrestrial. Coming out within a week of its 40th anniversary, the group talk about the film from all angles, including where Spielberg developed this idea, the tone of kids' films at the time, what the actors bring to this story, the effectiveness of the E.T. design, and more. There's plenty more discussion about the nature of the production, what makes this film stand out as a classic, and lots of fun tangents as well. So now, if you've got a couple of hours to kill… Follow all of us on Twitter: @Outnow_Podcast, @AaronsPS4, @WalrusMoose, @Cinemaxwell, @Brandon4KUHD, @YancyJack Check out all of our sites and blogs:  TheCodeIsZeek.com, Why So Blu?, The Brandon Peters Show, The Milky Way Blues, Ember Productions E.T. – The Ride E.T. – The Video Game E.T. – The Commercial Watch the Trailer for E.T. the Extra-Terrestrial #ETTheExtraTerrestrial #StevenSpielberg #henrythomas #drewbarrymore #deewallace #petercoyote #johnwilliams #1982Movies #AmblinMovies #Commentary #Blockbuster #Aliens #outnowpodcast #outnowwithaaronandabe #movies #film #entertainment

This queen's journey in Musical Theatre has been one of a lifetime. ✨ Tanairi shares her Broadway experience and also how it was to work with Spielberg in the latest West Side Story movie revival!

"We're gonna need a bigger podcast!" So, Alex and Rocco invite on STUNG (2015) screenwriter and expert in all things shark, Adam Aresty, to discuss Spielberg's first blockbuster, the one that changed it all, and made everyone afraid of the water... JAWS (1975)!It's a new mini-marathon, folks! This summer, we're gettin' in the ring with Steven for the SPIELBERG SUMMER SLAM! We're hitting up his incredible run of blockbusters from the genre-defining JAWS (1975) up through his hand-wave screen technology-introducing MINORITY REPORT (2002)!The NeverEnding Movie Marathon is a weekly podcastic celebration of cinema. Dive deep into fan-favorite films (#NoStinkers!), thematically curated to enhance your movie viewing by hosts Matt Detisch, Alex Logan, and Michael Rocco.Find us on Twitter, Instagram, Facebook or at neverendingmoviemarathon.com

In Cineversary podcast episode #48, host Erik Martin revisits suburbia circa 1982 through the lens of Steven Spielberg and arguably his best film, E.T. The Extra-Terrestrial, which marks a 40th birthday this month. Joining Erik for this installment is James Kendrick, a film professor at Baylor University who teaches courses on Spielberg and serves as the QNetwork.com movie critic; and Caseen Gaines, a director, educator, pop culture historian, and author of several books including the forthcoming E.T. The Extra Terrestrial: The Ultimate Visual History. Erik and his guests will examine how E.T. set a new template for sci-fi adventure films, why and how it has stood the test of time, reasons it's worth celebrating four decades later, its cultural impact and legacy, and more. Learn more about the Cineversary podcast at anchor.fm/cineversary and email show comments or suggestions to cineversegroup@gmail.com. --- Support this podcast: https://anchor.fm/cineversary/support

Veteran actor and stuntman Kiran Shah discusses his adventures playing the menacing Tonga in The Sign of Four.  He speaks about growing up in Kenya, working with makeup artist Glenda Wood, lessons he learned from co-star John Thaw, and more. Watch the extended video of this interview (with subtitles and behind-the-scenes photos!) on YouTube (https://tinyurl.com/KiranShah). The Sherlockian Relics Collection is now available! http://tinyurl.com/SherlockianRelics Feedback: contact@sherlockpodcast.com Patreon: www.patreon.com/sherlockpodcast Facebook: www.facebook.com/SherlockPod Twitter: www.twitter.com/sherlockpod Web: www.sherlockpodcast.com

Join me as I talk with Dr. David Spielberg about his book "On Deception Watch."

Matthew Carroll is joined by J Scotty St Clair of Animation Deliberation and Karen Huffstutler to take on the sixth of the Jurassic Park Franchise, the brand new, Jurassic World: Dominion!Battle at Big Rockhttps://www.youtube.com/watch?v=C7kbVvpOGdQCheck out our Networkhttps://www.strandedpanda.com/

With the scope and scale of Jurassic World Dominion stomping into theatres, it may be easy to forget the relatively humble beginnings of the Jurassic Park franchise! This week we find our way back to the park as we dust off Jurassic Park on the Super Nintendo! This video game based on a movie based on a book has very little to do with Spielberg's vision, but in spite of that it has a dedicated fanbase of supporters and apologists. But before diving into the game, we talk our way through the entire catalogue of Jurassic Park video games, and break down our love of the franchise and dinosaurs in general. Is this game too far removed from the original vision of the franchise, or is it worth defending in spite of that? Remember you can catch video of our gameplay segments AND monthly bonus episodes by joining our Patreon: https://www.patreon.com/theretrogradepodcast (https://www.patreon.com/theretrogradepodcast) Watch us on YouTube: https://www.youtube.com/channel/UCRkbglFPa8g_Jnhxmw_wiGg (https://www.youtube.com/channel/UCRkbglFPa8g_Jnhxmw_wiGg) Join us on Twitter: @RetrogradePod, @RetrogradeAndy, @RetrogradeMikey Or on Instagram: @theretrogradepodcast Or visit our website at http://www.theretrogradepod.com/ (www.theretrogradepod.com/) E-mails and business inquiries can be sent to theretrogradepodcast@gmail.com theretrogradepod.com/episodes/jurassic-park-snes-retro-review

You know the score. You know the quotes. You know the poster. Forty years ago, a wrinkly alien with a magic touch waddled into moviegoers' hearts and made E.T. THE EXTRA-TERRESTRIAL one of the most beloved family films ever made. Steven Spielberg's alien opus surpassed STAR WARS as the #1 film of all time and remained the biggest hit in a decade that also saw the release of GHOSTBUSTERS, BACK TO THE FUTURE, the INDIANA JONES trilogy, and BATMAN. It also delighted critics and audiences alike, spawning toys, video games, and one of Universal Studios' most memorable rides. In short, E.T. was everywhere in the 80s.  In this episode of the podcast, When We Were Young takes you back to Spielberg's childhood, chronicling his rise from suburban nerd to world's most popular filmmaker. Then we chat about CLOSE ENCOUNTERS OF THE THIRD KIND, Spielberg's first foray to the friendly skies, which offers a surprisingly dark vision of one man's life-shattering obsession with the unknown. Then it's on to “the Summer of Spielberg,” when both E.T. and the Spielberg-shepherded POLTERGEIST entered theaters in June 1982, each becoming instant classics of suburban childhood interrupted by paranormal events. What is it like coming back to such a monumental movie as adults? Are we still over the moon for this film, or merely silhouetted against it? Grab a bag of Reese's Pieces and join us for an episode that's well worth phoning home about! Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

This is what we've been debating on our road trip... anyways, we're making a pit-stop to stretch our legs. Where do you think DUEL ranks in the Spielberg canon? What do you know about his work in television? Ever see TRILOGY OF TERROR? Plus, hear Vincent recount an unnerving experience on the road. --- Support this podcast: https://anchor.fm/camp-kaiju/support

Thank god for Site B. This week's episode is all about Isla Sorna, the *other* InGen island full of genetically-engineered nightmare monsters...THE LOST WORLD. Is this movie really as disappointing as we all remember? Or are we just judging it by impossible Spielberg standards? Only one way to find out...References: Return to Jurassic Park (Blu-Ray Special Feature) The Making of The Lost World: Jurassic Park (Blu-Ray Special Feature) Michael Chriton's Blog Stan Winston School Blog Janusz Kamisky in ASC Credits:Eye of the Duck is created, hosted, and produced, by Dom Nero and Adam Volerich.This episode was edited by Erik Gunnarsson.Our intro and outro themes were lovingly mashed together from various tracks of the original Jurassic Park soundtrack album composed by John Williams.Our logo was designed by Francesca Volerich, you can purchase her work at society6.com/francescavolerich.If you'd like to advertise with us, or sponsor us, please email: Contact@EyeOfTheDuckPod.com

Episode 35B Notes: South Dakota & Las Vegas scenes Please rate, review, and/or subscribe on Apple Podcasts to help promote this show! You can explore both public and patron episodes of this podcast here: https://www.lostinthemovies.com/p/lost-in-twin-peaks.html Become a patron at https://www.patreon.com/lostinthemovies to listen to the entire series ahead of the public schedule and access my main monthly podcast as well. All upcoming Lost in Twin Peaks episodes are available immediately in a longer format for $1/month, along with a bonus monthly podcast on films and other topics; the $5/tier also accesses exclusive ongoing Twin Peaks Conversations with other commentators as a monthly reward. Episode 0: Introducing the podcast (show format) https://podcasts.apple.com/us/podcast/introducing-the-podcast-show-format/id1588350903?i=1000537195013 The illustrated companion to this week's episodes is scheduled for Saturday, June 18 at 8am: https://www.lostinthemovies.com/2022/06/lost-in-twin-peaks-35-season-3-part-6.html 0:00 SCENES ORGANIZED BY LOCATION/CHARACTER... South Dakota: Yankton as focus of FBI (Albert in uncertain city) / Las Vegas: Dougie's life at home (2:22) w/ aside on Spielberg connection (4:06) now including Dougie's debt (6:00) + at the office (7:52) / Las Vegas: assassination plot (10:27) / Las Vegas: Jade & the key (11:52) My Journey Through Twin Peaks video essay series is on YouTube (in 36 chapters as of now) https://www.youtube.com/playlist?list=PLIHlB-wesGPVETlNFLsGCKL-SFjW8wrJf & Vimeo (in 5 parts as of now) https://vimeo.com/showcase/7281266 My other podcasts include: Lost in the Movies https://www.lostinthemovies.com/p/patreon-podcast.html Twin Peaks Cinema https://www.lostinthemovies.com/p/twin-peaks-cinema.html This podcast is powered by Pinecast.

El 11 de junio se han cumplido 40 años del estreno de una de las películas más famosas y taquilleras de la historia del cine: ‘ET el extraterrestre'. En este episodio os contamos cómo se gestó la película de Spielberg y el impacto mundial que tuvo. Vamos a visitar la prisión de Alcatraz a través de las películas aprovechando que este 11 de junio se cumple también el 60 aniversario de una de sus fugas más conocidas, la que se contaba en la película de Don Siegel ‘Fuga de Alcatraz'. Charlamos con la directora y guionista Ángeles González Sinde que vuelve a dirigir una película tras 14 años sin hacerlo. Y en la sección de Jack Bourbon tenemos ‘Cita en San Luis' de Vincente Minnelli, con Judy Garland de protagonista, una película que revolucionó el género musical.

Matthew Carroll is joined by special guest Sarah-Daye McDougall to discuss the Netflix Animated series set in the World of Jurassic Park. Jurassic World Camp Cretaceous.Check out our Networkhttps://www.strandedpanda.com/

Erik Childress and Steve Prokopy have a half-dozen movie reviews this week that actually touch upon two franchises, an important documentary and even a couple of unexpected surprises. If you want to know more about the pre-Ghostbusters era of Ray Parker Jr. there is now a film about that (Who You Gonna Call?). Henry Czerny is a former priest is visited by a stranger with a connection to his past (The Righteous). A shy teen desperately seeks out his first kiss to finally get that dang electronic collar off his neck (Wyrm). There were two films at Sundance about the underground Chicago abortion group, but you only need to see one of them (The Janes). Adam Sandler is a basketball scout with a hot new prospect he mentors (Hustle). And finally the dinosaurs are part of our world now and Erik and Steve have a lot to say about the so-called final entry in this series (Jurassic World: Dominion). 0:00 - Intro 1:03 – Who You Gonna Call? 10:47 – The Righteous 18:36 – Wyrm 27:23 - The Janes 38:52 - Hustle 51:28 - Jurassic World: Dominion 1:16:52 - Outro

FILTRANDO A LOS ÚLTIMOS DINOS Sobre el papel es la película perfecta, el fenómeno que reaviva la llama que encendió Spielberg con “Parque Jurásico” y que llega a su fin en el momento en el que el cine más lo necesita. Desde el jueves, “Jurassic World: Dominion” está arrastrando a miles de espectadores a las salas y hoy nos toca analizar las virtudes y defectos de la entrega que ha causado más expectación. Alberto Luchini, Raquel Hernández y Roberto Lancha la tienen vista y digerida para poner nota al estreno más esperado de los últimos años. Pero también repasamos algunas de las novedades que rodean en cartelera al bombazo jurásico del año. Raquel defiende los encantos de “Mr Wain”; Luchini desvela el secreto de la francesa “El Tenor” y cuál es la tapada de la semana…y ambos comparten que la española “La voluntaria”, con un gran cambio de registro de Carmen Machi, se queda más en la intención que en el resultado. ESPECIAL BSO HANS ZIMMER LIVE Y ya que el menú de Estamos de Cine viene en tamaño XXL gracias a los saurios, nuestro crítico musical nos propone hoy un gran chapuzón de bandas sonoras en director con el sello de Hans Zimmer. Prepárate para disfrutar de las versiones más virtuosas de las canciones que compuso para películas como “Gladiador”, “Madagascar”, “Rain Man”, “Piratas del Caribe o “El Rey León”.

The Patricia Highsmith novel The Talented Mr. Ripley has been adapted twice for the screen - most recently in 1995 in a star studded version by director Anthony Minghella.  But the novel's first filmed version came in 1960 from two time Oscar winning director Rene Clement.  Called Purple Noon in an ode to the vibrant Italian sky over Sicily where the story was set and shot, Clement's version casts Alain Delon as the sinister Tom Ripley and Maurice Renot as rich playboy Dickie (called Philippe in this film). Dan and Vicky discuss the moody French classic as well as lots of recently seen including the new Dr. Strange, the return of the The Kids in the Hall, 1945's The Seventh Veil, Spielberg's West Side Story, the new Firestarter and the Fangoria Chainsaw Awards in Shudder TV.   Take a listen also for details on Dan's trip to wine country in California and Vicky's unfortunate tumble in Chelsea.   Hot Date 151: Purple Noon.  Leave us some feedback, follow us on social media and visit our website at hotdatepod.com.   

On this episode of the Penny Bloom Podcast, hosted by Colton Robertson, Joseph George, and Aurora Carter, we continue our 52 year journey through film, and this week brings us to 1993's "Jurassic Park." We discuss the brilliance of one of Spielberg's seminal works, while acknowledging its few flaws.

It's Blockbuster Month at the Losers' Club! To kick things off, the Losers are revisiting Steven Spielberg's 1993 blockbuster horror classic Jurassic Park. Join Losers Michael Roffman, Dan Caffrey, McKenzie Gerber, and Mel Kassel as they head to Isla Nublar, where they digress on dinosaurs, chart Spielberg's Dominion, sing praises over its highly intellectual cast, compare and contrast Michael Crichton to Stephen King, and quote the entire movie (mostly). It should be noted this episode was originally recorded in June 2021 as part of our Crate series in The Barrens (Patreon). Join today at www.patreon.com/thebarrens for even more deep dives like this one!Follow us on Facebook | Twitter | Instagram | Patreon See acast.com/privacy for privacy and opt-out information.

We're getting prehistoric this week dear listeners as we revisit the dino-tacular dinosaur franchise, Jurassic Park. Having covered Parts One and Three, it is finally time to cover the second entry in that original trilogy: The Lost World. Goldblum is back, and so are the dinos. This week, we talk about meta commentaries, sequels, the dangers of corporate greed, adaptation, and Spielberg's run in the 90s. So, tune in as we take on a T-Rex or two.  TIMESTAMPS 00:30 - Introductions and Synopsis 06:04 - Quick The Lost World: Jurassic Park Reviews 16:21 - Expanding the Syllabus 33:11 - Analysis 58:57 - Shelf or Trash 59:23 - Wrap Up and Next Week's Film

Llega a los cines la tercera entrega de Jurassic World y la sexta de una franquicia de dinosaurios que empezó hace 30 años. Dominion junta al reparto original del Parque Jurásico de Spielberg con el de la nueva trilogía. Hay nostalgia, un mensaje ecologista y de convivencia y muchas persecuciones de dinosaurios. Hablamos con todo el reparto del final de esta saga y lo que ha supuesto. Es el gran blockbuster de la semana pero hay más estrenos como 'La voluntaria' con Carmen Machi, mucho cine francés y hasta John Waters. También celebramos el Premio Nacional de Cinematografía a Penélope Cruz y en televisión, semana intensa con propuestas cinéfilas como 'Irma Vep', lo nuevo de Olivier Assayas, y la serie española 'Intimidad'

It's a new mini-marathon, folks! This summer, we're gettin' in the ring with Steven for the SPIELBERG SUMMER SLAM! We're hitting up his incredible run of blockbusters from the genre-defining JAWS (1975) up through his hand-wave screen technology-introducing MINORITY REPORT (2002)! But first, Rocco and Alex give you some context on the Hollywood Blockbuster, how Steven Spielberg rose from nowhere to the savior of the film industry in an uncertain time, our theories about his upcoming semi-auto-biopic THE FABELMANS, and how Amblin Entertainment dropping the G has confused us our entire lives.The NeverEnding Movie Marathon is a weekly podcastic celebration of cinema. Dive deep into fan-favorite films (#NoStinkers!), thematically curated to enhance your movie viewing by hosts Matt Detisch, Alex Logan, and Michael Rocco.Find us on Twitter, Instagram, Facebook or at neverendingmoviemarathon.com

Widely known today as the first summer blockbuster and the movie that sparked shark-phobia in the hearts of many, back in the summer of 1974, 26-year-old “Jaws” director Steven Spielberg lived in constant fear of being fired, his dreams for the film crushed.  Part 1 of this two-part episode focuses on the filming and casting challenges behind the movie “Jaws.” From the 3 malfunctioning mechanical sharks –collectively called Bruce, after Spielberg's lawyer– to the tensions between Robert Shaw and Richard Dreyfuss, to the sinking of the Orca boat, Candy and Ashley explore the challenges that caused a scheduled 55-day shoot to extend to 159 days and led some in the crew to start calling the production “Flaws.” 

Matthew Carroll is joined by J Scotty St Clair of Animation Deliberation and Karen Huffstutler to take on the fifth of the Jurassic Park Franchise, 2018's Jurassic World: Fallen Kingdom!Battle at Big Rockhttps://www.youtube.com/watch?v=C7kbVvpOGdQCheck out our Networkhttps://www.strandedpanda.com/

Connor & Jon start off the new series by analyzing Super 8 and its predecessor E.T. Is it purely an homage, and does it count as one since Spielberg worked on it? Is it to be blamed for the boom in 80's nostalgia? Is it an effective piece of storytelling? Listen in to find out!WARNING: Major spoilers for Super 8, minor spoilers for E.T.Follow us:Facebook: https://www.facebook.com/rulesoftheframe/  Instagram: https://www.instagram.com/rulesoftheframe  Twitter: https://twitter.com/RulesOfTheFrame  YouTube: https://www.youtube.com/channel/UCII7_Fevn8na1ZkXyfUeTQA/featured Films mentioned in this episode:--------------------------------Super 8 (2011) | Dir. J.J. AbramsE.T. the Extra-Terrestrial (1982) | Dir. Steven SpielbergJurassic Park (1993) | Dir. Steven SpielbergSchindler's List (1993) | Dir. Steven SpielbergDazed & Confused (1993) | Dir. Richard LinklaterEverybody Wants Some (2016) | Dir. Richard LinklaterStar Wars (1977) | Dir. George LucasMission Impossible III (2006) | Dir. J.J. AbramsStar Trek (2009) | Dir. J.J. AbramsThe Goonies (1985) | Dir. Richard DonnerPoltergeist (1982) | Dir. Tobe HooperCloverfield (2008) | Dir. Matt ReevesJaws (1975) | Dir.  Steven SpielbergStar Wars: Episode VII - The Force Awakens (2015) | Dir. J.J. AbramsAlice in Wonderland (2010) | Dir. Tim BurtonTron: Legacy (2010) | Dir. Joseph KosinskiOblivion (2013) | Dir. Joseph KosinskiOnly the Brave (2017) | Dir. Joseph KosinskiTop Gun: Maverick (2022) | Dir. Joseph KosinskiThe Fugitive (1993) | Dir. Andrew DavisThe Iron Giant (1999) | Dir. Brad BirdReady Player One (2018) | Dir. Steven SpielbergFinding Nemo (2003) | Dir. Andrew Stanton & Lee UnkrichThe Princess Diaries (2001) | Garry MarshallFirst Man (2018) | Dir. Damien ChazelleStar Wars: Episode IX - The Rise of Skywalker (2019) | Dir. J.J. AbramsStar Trek Into Darkness (2013) | Dir. J.J. AbramsSchindler's List (1993) | Dir. Steven SpielbergJurassic World (2015) | Dir. Colin Trevorrow

[T-Rex roar] Our summer miniseries has begun! It's JURASSIC PARK!!! Dinosaurs, Spielberg, the birth of modern CGI, and the great and terrible extinction of the old ways of making movies. We spared no expense. Welcome to Jurassic Summer.References:  Return to Jurassic Park (Blu-Ray Special Feature) The Making of Jurassic Park (Blu-Ray Special Feature) HBO's Spielberg Phil Tippet: Mad Dreams and Monster Credits:Eye of the Duck is created, hosted, and produced, by Dom Nero and Adam Volerich.This episode was edited by Dom Nero.Our intro and outro themes were lovingly mashed together from various tracks of the original Jurassic Park soundtrack album composed by John Williams.Our logo was designed by Francesca Volerich, you can purchase her work at society6.com/francescavolerich.If you'd like to advertise with us, or sponsor us, please email: Contact@EyeOfTheDuckPod.com

Every kid dreamed about dinosaurs being alive, so Spielberg made a movie about it. Today Mike and Anthony get prehistoric while discussing the cinematic experience that was Jurassic Park. Remember, just because it's possible, doesn't mean it's a good idea. Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

We're taking a trip 65 millions year into the past as we head to Jurassic Park. A very special episode joined by new guest Trey Callahan, and returning guest Jamie *BEEP*; we're discussing the dinosaur movie that start it all and changed everything. Spielberg's "Jurassic Park". A box office smash and global phenomenon...but is Jurassic Park good??If you'd like to suggest a film or film franchise, or if you'd just like to say hello, you can reach us at biigpodcast@gmail.com, @biigpodcast on twitter, or @butisitgoodpodcast on instagram!

Yes, it's another edition of our new feature that's sweeping the Interwebs... it's One Perfect Scene! This time I'm joined by my good friend Jev to discuss the trailer sequence (in which T-Rexes push the heroes off a cliff) from the sequel to Jurassic Park, 'The Lost World'.

The movie that created the summer blockbuster. The best shark movie ever made. Not much of a statement really?Support the show

The American film director, producer, and screenwriter Steven Spielberg holds the distinction of being the most commercially successful director of all time. In 1963, when he was only seventeen, Steven Spielberg traveled to Hollywood to participate in a tour of Universal Studios. The bold action Spielberg took next both set him apart from the crowd and put him on an altogether different and faster success track. In this episode of Classic Influence, we travel back to the summer of 1963 to discover the self-authoring mindset and bold actions that separate people like Steven Spielberg, Walt Disney and others from the great mass of people who are content to follow the crowd and think and act according to the designs of others.

The first summer blockbuster, Jaws has had wide impact on our cultures, our attitudes about sharks and open water, and on films in general. Dom Bettinelli, Mike Denz, and Thomas Salerno discuss this Spielberg classic. The post The Secrets of Jaws appeared first on StarQuest Media.

Matthew Carroll is joined by J Scotty St Clair of Animation Deliberation and Karen Huffstutler to take on the fourth of the Jurassic Park movies, 2015's Jurassic World!Check out our Networkhttps://www.strandedpanda.com/