Podcasts about spielberg

Will Murray, co-founder of Fallow, didn't set out to become a content creator. He wanted more people to discover the restaurant. Four years later, Fallow's social media has grown 333%, helping transform the London restaurant into one of YouTube's biggest hospitality success stories. Watch now to learn how Will Murray used storytelling to grow Fallow, why "scrappy, not Spielberg" became the team's content philosophy and how authentic videos turned viewers into guests. Restaurant Influencers is sponsored by: • Toast All-In-1 Restaurant POS: https://entm.ag/ToastRI • PepsiCo Foodservice: https://entm.ag/RIPepsico Learn more about your ad choices. Visit megaphone.fm/adchoices

Steven Spielberg is the most famous filmmaker alive, which is exactly why almost nobody actually understands him. Chris and Daniel use Disclosure Day, Spielberg's new alien chase thriller with Emily Blunt, to argue that the "safe, mainstream" reputation is a decades-long misdirection: underneath the crowd-pleasing surface is a genuinely weird, deeply personal artist who has been smuggling strange, uncomfortable ideas inside blockbuster packaging since at least Close Encounters. They trace it through Fabelman's casting David Lynch as John Ford, the theory that Kubrick handed Spielberg AI specifically because Spielberg's glossy reputation could disguise a bleak, unnerving film, and the moment James Lipton caught Spielberg off guard by connecting his parents directly to Close Encounters on camera. Disclosure Day itself is proving strangely divisive, and Chris and Daniel dig into why. They break down its Sugarland Express-style chase structure, an Emily Blunt performance that starts as broad comedy and quietly transforms into something much stranger, a train sequence built to feel genuinely dangerous rather than stylized, and the VFX work from longtime collaborator Matthew Butler. Along the way, a detour into Spielberg's actual filmmaking journey, from Close Encounters to Poltergeist to AI, makes the case that his reputation as the "obvious" director has always been the biggest misdirection in his own filmography. Referenced in this episode: Disclosure Day Close Encounters of the Third Kind Poltergeist A.I. Artificial Intelligence War of the Worlds Minority Report The Fabelmans Sugarland Express Matthew Butler, VFX Supervisor Sponsors: Center Grid Virtual Studio: https://cgvirtualstudio.com/

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We welcome back Adam Sirdoreus to unveil his updated ranking of every Steven Spielberg movie. Adam recently completed a comprehensive Spielberg series over on his podcast, Films For Breakfast. We celebrate his series and discuss the full filmography of one of the best to ever do it. -> filmsforbreakfast.com

Our UFO Sighting and Real Aliens From Altered States Niles Heckman Download In late 2025 to early 2026, we may have done a bit of helping out working on the Spielberg film Disclosure Day. Theodore Sturgeon, the science fiction writer, when responding to critics who said "ninety percent of science fiction is crap" said "Ninety percent of everything is crap". This is one of the most useful epistemological tools ever invented. It applies to anything made by man. Including start ups and religion! And nowhere does it apply more beautifully than to crop circles and UFO's!The mistake made by both believers and debunkers is that they refuse to acknowledge Sturgeon's Law. The believer says: "Every UFO is an alien spacecraft." The debunker says: "Every UFO is Venus or a weather balloon." Neither position survives contact with reality. The mature position begins with: "Most reports are probably mundane. The interesting question is the remainder." That is how science actually works.These insight sub-episodes are mirrored on our primary YouTube channel which can be found at https://www.youtube.com/@NilesHeckman/videos

This week Kieran, Paul and I return to a Spielberg classic by discussing the Nepal sequence from 'Raiders of the Lost Ark'. This gives us a chance to talk about visual storytelling, subtle screenwriting, shots, ponderous walks, fleshing out the character of Indiana Jones and the introductions of Marion Ravenwood and Major Arnold Toht. Oh, and running the one minute mile too.

Is this the best summer movie ever? I think so. Video Version: https://bit.ly/3R23oOD Today, we think of the movie “Jaws” as a blockbuster game-changer in movie history. But back in 1973-1975, it appeared to be the biggest financial disaster in cinema history to producing company Universal Studios and many Hollywood insiders. Directed by a talented, but inexperienced and unknown filmmaker, Steven Spielberg, it appeared to be a runaway train leading the studio to eventual bankruptcy. The initial shooting schedule swelled from 55 days to 159 days. And the budget soared from $3.5 million to $12 million. Almost everything went wrong. Spielberg, an age 24 TV director, had no idea what he was doing on a project of this massive scale. They started with no useable script and they spent $1.5 million on a mechanical shark that mostly didn't work while shooting. Also, there was drug and alcohol addiction among the major actors. How could the production of this movie possibly be worse? And yes, it eventually became the most successful film of all time to that date – BUT HOW THE HECK DID THAT HAPPEN? We tell you the REAL story behind the scenes. This is a replay from 2025. Our music is composed, preformed and produced by the genius John Hoekstra. You Tube https://shorturl.at/i1Q8h SoundCloud https://soundcloud.com/user-363005792 Longtime actors for the pod join us for the cold open. Leonardo from Manhattan – please look up his podcast: arrivealivepodcast.com. And my co-host, Anuradha. Find here Instagram accounts: @anuradhaduz_food and @artist_anuradhachhibber. Find us on Patreon at patreon.com/ScandalSheet with bonus content for premium subscribers. We'd love to have your generous support for only the price of one Starbuck's coffee per month. Also, please reach out to us at scandalsheetpod@gmail.com, find us on Facebook as 'Scandal Sheet' or on X at @scandal_sheet. We'd love to hear from you!

What's poppin', con-gregation? This week, Lamorne Morris is on the pod to talk about the man who was so good at scheming that Spielberg made a movie about it. Plus, the girl who "does braces." Stay schemin! Research by Sharilyn Vera. Sources: https://en.wikipedia.org/wiki/Frank_Abagnale https://www.biography.com/personality/frank-abagnale https://www.aarp.org/podcasts/the-perfect-scam/ https://www.bostonmagazine.com/news/2020/04/24/covid-19-scams/See omnystudio.com/listener for privacy information.

Adam and Josh take stock of the movie year with their Top 5 Films of 2026 (So Far), making picks that reflect the strength of of the year’s genre offerings, comedies, and intimate dramas. Plus: Massacre Theatre, and Best of ‘26 poll results. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:03:03) Top 5 of 2026 (00:03:04-00:32:36) Filmspotting Family: ‘20s/’30s Madness (00:32:37-00:40:52) Poll: Best of ‘26 (So Far) (00:40:53-00:49:36) Top 5 of 2026, cont. (00:49:37-01:17:26) RIP Sam Neill / Massacre Theatre (01:17:27-01:26:54) Credits / Releases (01:26:55-01:28:56) Links: Alison Willmore on Blue Heron | Vulture https://www.vulture.com/article/review-the-masterful-blue-heron-uses-cinema-as-a-sance.html Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.⁠ ⁠ ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comDavid is a historian and perhaps the greatest living film critic. He's the author of more than 20 books, including biographies of David O. Selznick and Orson Welles, and The New Biographical Dictionary of Film. His new book is called A Sudden Flicker of Light: A Revisionist History of Movies. It's a wonderful extended rant in some ways, a love letter and a searing indictment of cinema. I was a little intimidated talking with him, but it was a lot of fun.For two clips of the episode — on the uptight genius of Hitchcock, and the authoritarian nature of cinema — head to our YouTube page.Other topics: born in South London in 1941 and his home damaged by the Blitz; his father leaving when he was born; his boyish mix of fear and delight at the cinema; the shower scene in Psycho; how film denies you the chance to stop and think; the directors who relish white space (e.g. PT Anderson); Birth of a Nation and Triumph of the Will; newsreels before TV; real nuke explosions on screen; Oppenheimer; from communal theater viewing to solo smartphone viewing; Game of Thrones and the insane production value of TV these days; Breaking Bad; Trump the ultimate product of TV; his telegenic Cabinet; the danger of deepfakes; Paul Schrader's First Reformed; the audience's love of car crashes and villains; Godfather I and II; contrasting Hitchcock and Malick; Tree of Life; nature in Thin Red Line; Fincher's Seven; Robert Bresson's religious films; Scorsese's Silence and Last Temptation of Christ; the vulgarity of Spielberg (e.g. the red dress in Schindler's List); ep. 3 of Adolescence; and Nolan's new Odyssey.Browse the Dishcast archive for an episode you might enjoy. Coming up: John O'Sullivan on conservatism, Azam Ahmed on terrifying new drugs, Robby George on natural law, and Megan McArdle on pretty much anything. Please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.

SPIELBERG KIDS PODCAST: On this episode we pay our respects and celebrate the career -- and the life! -- of SAM NEILL, the prolific actor who was the pride of New Zealand and Australia. He starred in ‘My Brilliant Career,' ‘Dead Calm,' ‘In the Mouth of Madness,' ‘The Final Conflict' and ‘Event Horizon,' but it was JURASSIC PARK that forever cemented him in our hearts and imaginations... as our beloved Doctor Alan Grant. Join us as we celebrate SAM NEILL!The Spielberg Kids is a podcast dedicated to all the Steven Spielberg movies and nostalgia we fell in love with as kids.... SPIELBERG KIDS!

On this episode of the podcast, we are talking about ONE FILM, TWO MASTER'S! That's right, Artificial Intelligence (2001), the film conceived by Stanley Kubrick but brought to life by Steven Spielberg. Twenty-five years later, how does the film stand up? How do the competing worldviews of these two filmmakers impact the final results on the screen? Let us know your thoughts about this one - and what do you think about lifelike robots?

ORGA MECHA combines 1980s metal influences like Judas Priest and Iron Maiden with electronic elements similar to Dance With the Dead and Muse. Their music explores themes of classic science fiction, societal decay, and heavy metal unity. The band consists of Melissa Pinion, Raoul Rañoa, Rob D, and Richie “Captain Black” Brooks. Inspired by Spielberg's “Artificial Intelligence,” their debut album “Humanity.exe” aims to appeal to both classic metal fans and those seeking new sounds. The album will be released digitally and on CD in the U.S. on June 26.Official Links:Bandcamp: https://orgamecha.bandcamp.com/album/humanity-exePassionate about metal? You'll want to tune in to Flamekeeper™, the show that's electrifying the airwaves. As the host, MRJ brings an unparalleled enthusiasm and deep knowledge of the genre, captivating listeners with every episode. With a penchant for spotlighting up-and-coming artists and hosting insightful interviews, MRJ has cemented Flamekeeper™'s reputation as a must-listen for metal aficionados. And the best part? By rating, reviewing, and sharing the show, you're not just supporting great content – you're also helping Flamekeeper™'s sponsors, ensuring the continued success of this heavy-hitting program.Links to our Sponsors & Partners:Ageless Art Tattoo & Piercing - Clarksville/New Albany:http://www.agelessartclarksville.comhttp://www.agelessartna.comPizza DoNisi/MAG BAR:https://pizzadonisi.com/http://magbaroldlouisville.comShadebeast:http://shadebeast.comand use PROMO CODE: "SITH LORD" at check out for a 10% Discount!Creeping Death Designs:http://www.creepingdeathdesigns.comand use PROMO CODE: "METALFORGE10" at check out for a 10% Discount!Record Labels:Unchained Tapes:http://www.unchainedtapes.bigcartel.comand use PROMO CODE: "METALFORGE10" at check out for a 10% Discount!Mercenary Press:http://www.mercenarypress.bigcartel.comand use PROMO CODE: "METALFORGE" at check out for a 10% Discount!Other shows you can listen to:Night Demon Heavy Metal Podcast:http://www.nightdemon.nethttps://open.spotify.com/show/2ozLCAGQ4LdqJwMmeBYJ7k?si=OvvfZsNYRPqywwb86SzrVAZines:Soulgrinder Zine:http://www.facebook.com/soulgrinder.zineOFFICAL LINKS OF THE METAL FORGE®/FLAMEKEEPERhttp://www.metalforgeradio.comhttps://www.flamekeeper.vip FB/IG/YouTube - @metalforgeradioFlamekeeper Podcast Network: http://www.youtube.com@flamekeeperpnThe Metal Forge®Ossont & Battery™Unsleeved™All Rights Reserved. Any unauthorized reproduction/duplication is expressly forbidden without prior written consent and is punishable by law. Metal Forge Intro I copyright 2020 The Metal Forge® Published by UNTIL I GET IT RIGHT MUSIC/ASCAP. Metal Forge Intro II copyright 2023 The Metal Forge® The Metal Forge® Published by UNTIL I GET IT RIGHT MUSIC/ASCAP. Metal Forge Intro III copyright 2025 The Metal Forge® Published by UNTIL I GET IT RIGHT MUSIC/ASCAP. The Metal Forge®, please contact metalforgeradio@gmail.com for any and all other info. All other music is owned by writers/publishers respectively and is used with permission for means of promotion.©2019-2026 The Metal Forge®

Jill Elizabeth and Kevin Schaefer dive into the cinematic treasure chest of Steven Spielberg, each revealing their top five favorite films from the legendary director. From making audiences fear the water to eliciting tears over an extraterrestrial friendship, Spielberg's films resonate on so many levels that narrowing it down is no easy feat. Kevin kicks off the discussion with some underrated gems, while Jill shares her nostalgic favorites that reveal personal insights into Spielberg's life, especially through the lens of family dynamics. They banter back and forth, sharing heartfelt opinions and clever observations, all while exploring how Spielberg's storytelling has shaped the film industry and our collective imaginations. Whether it's the thrill of adventure or the warmth of family, this episode is a delightful celebration of a director whose work has left an indelible mark on cinema. A deep dive into the cinematic brilliance of Steven Spielberg unfolds as Jill Elizabeth and Kevin Schafer reminisce about their favorite films from the legendary director. The conversation kicks off with an enthusiastic nod to Spielberg's knack for thrilling audiences, from the terror of Jaws to the heartwarming adventures of E.T. These two cinephiles share their personal top five Spielberg films, showcasing not only the iconic titles but also some underrated gems like The Adventures of Tintin. Kevin passionately articulates his affection for the film, highlighting the groundbreaking animation and the collaborative magic of Spielberg and Peter Jackson, while Jill reflects on how it deserves more love in the wider Spielberg discourse. As they shift gears, they delve into the more personal side of Spielberg's work, particularly with The Fabelmans, a semi-autobiographical look at his childhood, which resonates deeply for its honest portrayal of family dynamics and the craft of filmmaking. As they navigate through childhood nostalgia and adult reflections, the duo examines how Spielberg's films have shaped their perspectives. They touch on themes of family, responsibility, and the passage of time, with Jill drawing poignant parallels between the characters' journeys and their own lives. Kevin's insights into the emotional core of films like Close Encounters of the Third Kind and Hook reveal a deeper understanding of Spielberg's artistry. The discussion also highlights the evolution of Spielberg's storytelling, emphasizing his ability to blend humor with heart-wrenching narratives. Ultimately, this episode serves as a love letter to Spielberg's body of work, celebrating the profound impact his films have had on audiences and filmmakers alike, while also sparking a conversation about representation and diversity in Hollywood. Jill and Kevin take listeners on an enjoyable journey through the filmography of Steven Spielberg, exploring their top picks and the personal connections they hold. The episode highlights not only classic films like Raiders of the Lost Ark and Jurassic Park, but also lesser-known titles that deserve more recognition. They share anecdotes about their first encounters with these films and the emotions they evoke, painting a vivid picture of what Spielberg's work means to them. As they discuss the intricate layers of his storytelling, they reflect on the societal themes present in his films and the importance of representation in cinema. Their banter is peppered with humor and insightful observations, making for an engaging listen that resonates with both casual fans and die-hard cinephiles. By the end, listeners are left with a renewed appreciation for Spielberg's contributions to the film industry and an eagerness to revisit his timeless classics.Takeaways:Jill and Kevin highlight how Spielberg's films have shaped our childhood experiences, from fear of sharks to the wonder of flying bikes.The duo emphasizes the unique storytelling in 'The Fabelmans' and how it offers insight into Spielberg's emotional journey and family dynamics.They discuss the underrated charm of 'The Adventures of Tintin,' showcasing its animation style and strong character development that often goes unnoticed.In this episode, they passionately debate the emotional depth of 'Indiana Jones and the Last Crusade,' focusing on the father-son relationship and its implications.Kevin argues that 'Close Encounters of the Third Kind' lays the groundwork for Spielberg's exploration of spirituality and connection with extraterrestrial themes.They critique the lack of diverse voices in Spielberg's filmography while acknowledging his impact on cinema and the importance of evolving narratives..Be sure to check out our merch, find extra content, and become an official member of Systematic Geekology on our website:https://systematic-geekology-shop.fourthwall.com/.Listen to more of our film review episodes:https://player.captivate.fm/collection/6a01e00d-cfd7-4041-a7a4-1fd32c545050.Check out other episodes with Jill:https://player.captivate.fm/collection/93b2d7c5-1f3a-4fdb-8d87-350f6ca167b9.Don't miss any of Kevin's episodes:https://player.captivate.fm/collection/84fd7d06-cf1f-48e5-b358-09a01c5a6bc9Mentioned in this episode:Become a member of Systematic Geekology on our Website!Check out the link to become a member of Systematic Geekology! All member get exclusive extras and shout outs on the show! Some of the paid tiers of membership get store discounts, free merch, and more!SG on FourthwallSystematic GeekologyOur show focuses around our favorite fandoms that we discuss from a Christian perspective. We do not try to put Jesus into all our favorite stories, but rather we try to ask the questions the IPs are asking, then addressing those questions from our perspective. We are not all ordained, but we are the Priests to the Geeks, in the sense that we try to serve as mediators between the cultures around our favorite fandoms and our faith communities.Follow us on Instagram and BlueSky to keep up to date!Follow our show on our socials to keep up to date and get some exclusive content and fun memes!Subscribe to our show on YouTubeYou can get the video version of the show and lots of extra exclusives on our YouTube channel!YouTubeThe Anazao Podcast NetworkBe sure to check out the network website to see other podcasts trying to engage honestly with Scripture, Theology, Pop Culture, Martial Arts, Science, and more!Anazao Podcast Network

EP947: Bryan and Krissy review one hell of a movie! Gramps goes back to college. Spielberg...look out!  TCB is a The Commercial Break LLC production Visit: www.TCBpodcast.com Insta: @thecommercialbreakBryan Green on Insta: @BryanWGreen Hosts: Bryan Green & Krissy Hoadley Created by: Bryan Green Written by: Bryan Green, Krissy Hoadley Produced by: Astrid Green & Gustavo Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The day has come to finally be disclosed. Ryan and Dylan review Disclosure Day, Spielberg's latest foray into the world of Aliens and UFOs.

In this episode of our 80s Icons series we are finally sitting down to talk about the biggest movie of the 80s, E.T. The Extra-Terrestrial. Over the course of our conversation you will hear us discuss the many reasons why this movie became the most successful film of all time, how it exemplified what we termed "suburban fantasy" and how it continued confirmed Spielberg in post as one of the greatest entertainers of his generation. We also talk about E.T. being a gateway drug for film criticism, Spielberg's interest in exploring broken families through a genre lens, E.T. as a thinly veiled metaphor for Jesus, filming from the perspective of a child and much more!Tune in and enjoy!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our patreon at patreon.com/uncutgemspod (3$/month)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and support us by gaining access to ALL of our exclusive podcasts, such as bonus tie-ins, themed retrospectives and director marathons!Hosts: Jakub Flasz & Randy Burrows⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head over to our website to find out more! (uncutgemspodcast.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

Season 3 will have more great guests and more great discussions about movies, including Spielberg's Close Encounters of the Third Kind, Guillermo del Toro's Frankenstein, and Capra's It's a Wonderful Life, among others.See this episode's notes for links to our LETTERBOXD with each season's films collected season by season. Plus, you can contact us to recommend a movie, suggest a guest, or nominate yourself as a guest.Remember! Subscribe AND provide a review of the show wherever you listen to podcasts!-about the podcast:https://www.designersonfilm.com/frequently-asked-questions-LETTERBOXD Season 3https://boxd.it/UxwBk-LETTERBOXD Season 2https://boxd.it/Kkuik-LETTERBOXD Season 1https://boxd.it/xfW8K-contact us, online form:https://www.designersonfilm.com/hollaback-contact us, hotline, text or voicemail:704-681-6880

This is part 2 of our conversation with Jordan Daniel Wood. See the last episode for part 1.With the government releasing UFO files and Spielberg giving us more Hollywood blockbusters, aliens are back in the news. And believe it or not, Christian theology may already have the tools to handle the biggest question of the disclosure era. While many Christians ignore the topic or, perhaps, see it all as demonic, might the truth be more nuanced? This week we sit down with theologian Jordan Daniel Wood — known for his work on Maximus the Confessor and Christian metaphysics — to talk about what current UAP disclosure actually means for Christian theology, and what it doesn't and, most important, what the truth behind all this UFO talk might actually be. Check out the new trailer for "Not of This World" featuring Jordan Daniel Wood!For behind-the-scenes access, check out our Patreon!

Iran weist Trumps Pläne zur Kontrolle der Straße von Hormus zurück / Merz spricht von neuer Kriegsphase in der Ukraine, Selenskyj kündigt europäische Raketenabwehr an / Australische Unis drohen Strafen bei unzureichendem Vorgehen gegen Rassismus / Anhörung beleuchtet Folgen rassistischer Online-Angriffe auf indigene Frauen / AFP informiert über 120 Familien mutmaßlicher Opfer eines Kinderbetreuers / EU und Partner kündigen 1,5 Milliarden Dollar für Wiederaufbau Gazas an / Spielberg und Stars nehmen Abschied von Schauspieler Sam Neill

In this very late episode of Sorry, We Tried, we're closing off our Spielberg-athon review series with Big Steve's latest — Disclosure Day! One slight issue — the movie kind of sucks. Yeah, we're not happy about it either.Also in this episode, Robby overdoses on Toasteds. Harrison exposes a major plot hole. Spencer pitches a cracking new idea to Lockheed-Martin. And the guys try their best to ponder the mysteries of why this movie turned out so crappy.Website: sorrywetried.comMerch: bit.ly/swtmerchInstagram: @swtpodcastTwitter: @sorrywetriedEmail: thepodcastmen@gmail.com(As always, a huge thank you to Richard Hackley for the music.)Send us Fan MailSupport the show

Steven Spielberg regresa con Disclosure Day, una película que llega justo cuando el mundo vuelve a hablar de UAP, documentos desclasificados e inteligencias no humanas. ¿Es solo una historia de ciencia ficción o forma parte de un cambio cultural mucho más profundo? En este episodio analizamos su trama, el simbolismo oculto, las controversias que rodean a Spielberg, el concepto de Predictive Programming y el verdadero significado de "Disclosure", explorando si Hollywood solo entretiene... o también prepara a la sociedad para una nueva narrativa.Para contactarnos: ⁠⁠⁠⁠⁠⁠⁠⁠conspiraciones21@protonmail.com⁠⁠⁠⁠⁠⁠⁠⁠

Baywatch icon Erika Eleniak joins Steve Kmetko on Still Here, Hollywood for a raw, honest conversation about fame, body image, and reinvention. Before she became one of the most recognizable faces of 90s television as lifeguard Shauni McClain on Baywatch, Erika stole hearts as the babysitter in Steven Spielberg's E.T. the Extra-Terrestrial. In this episode, she opens up about being personally cast by Spielberg at age 12, the real story behind that iconic E.T. kiss scene, and what it was actually like filming Baywatch's famous slow-motion beach runs in freezing January water. Erika also gets candid about her Playboy pictorial and the career obstacles it created, her decision to walk away from Baywatch after just two seasons, working alongside Tommy Lee Jones and Gary Busey on Under Siege, her ongoing struggle with body image, and how becoming a single mother reshaped everything she thought she knew about resilience, fame, and what she wants next. Whether you grew up watching Baywatch reruns or you're discovering Erika Eleniak's career for the first time, this episode is a candid, unfiltered look behind the red swimsuit and the Hollywood machine.

To celebrate the release of 'Disclosure Day,' we are looking back on two Steven Spielberg alien movie classics with guest Adam Sirdoreus. Stick around for part 2 in which we feature Adam's updated full Spielberg ranking. In 1977, Steven Spielberg followed up the smash success of JAWS with 'Close Encounters of the Third Kind,' starring Richard Dreyfus as a man experiencing a sort of psychotic episode brought on by an encounter with an alien spacecraft. The film is a seminal work for Spielberg, boasting his signature wonder layered in paranoia and mystery. It is regarded as one of the best works of all time in the science fiction genre, showcasing some truly awe-inspiring special effects. In 1982, Spielberg somehow improved on his achievement with 'E.T. the Extra-Terrestrial,' starring Henry Thomas as a boy who becomes friends with friendly alien creature. It is without a doubt one of the most emotionally impactful and important films of all time, and perhaps Spielberg's best work.

Culture Crash: How “Disclosure Day” Brings Spielberg Back To Aliens Spielberg returns to sci-fi with “Disclosure Day” featuring Emily Blunt, Colin Firth and other big names. We review his latest summer blockbuster. Host and Producer:  Evan Rook   Linktr.ee | Apple Podcasts | YouTube | SpotifyFacebook: @ViewpointsOnlineX: @viewpointsradioInstagram: @viewpointsradioFull ArchiveContact UsAffiliates & National Syndication Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

To this day - twenty-two years later - you can still walk into a room anywhere in the civilized world and shout “Who ya gonna call?” and get an emphatic hollaback of “GHOSTBUSTERS!” Is there more that needs to be said? Yes, there is. About three hours worth if you're Paul, Javi, and the preternatural Producer Brad! For a franchise that has been rehashed, rebooted, re-animated, and spun-off so many times, the original still holds the power to provoke laughter, surprise, wonder, and, occasionally, a low grumble of “dude, that Venkman's kind of a lech." It was the eighties, and if you were an alum of SNL, times were good, especially for Dan Aykroyd, who, along with Harold Ramis and Ivan Reitman turned his longtime obsession with the the paranormal into a humongously budgeted comedic spectacle on the scale of the epic blockbusters of Lucas and Spielberg. Anchored by a master class in snark presented by Bill Murray, with Ramis, Aykroyd, and everyman extraordinaire Ernie Hudson rounding out the titular team, the supernaturally amazing cast includes Sigourney “The Most Exhalted Queen of the Universe” Weaver, Annie “the unsung MVP of the Ghostbusters” Potts, and the ever lovable Rick Moranis as the world's most indefatigable accountant. Let's face it folks, there's two epochs in history, before “he slimed me” and after “he slimed me," and the Multiplex Overthruster crew has seen them both. So dust off your Tobin's Spirit Guide, power up your PK meter, and bust out the neutrona wands, because many Zuuls and Shubs are about to find out what it's like to be roasted on the depths of the Sloar, and there's only one call to make - GHOSTBUSTERS!Show Notes:US Theatrical release date: June 8, 1984US Weekend Box Office June 8, 1984US 1984 Top Grossing MoviesAFI Catalog Entry for GhostbustersRoger Ebert's Ghostbusters ReviewNYT/Janet Maslin Ghostbuster ReviewA look at Dan Akroyd's original script for ‘Ghostbusters'Dan Aykroyd Explains Spooky Way He Came Up With Original 'Ghostbusters' IdeaTeenage Sigourney Weaver Seen Enjoying Beatles' Hollywood Bowl Concert in ‘Eight Days a Week' DocCasper's creators aren't so friendly - UPI ArchivesPatrick NagelTheme music by Mike McGuillAdditional voicework by Russell BentleySummer of '84 voiced by Colby ElliottFollow us!InstagramBlueskyemail: Multiplexoverthruster@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Julie Aitchison returns to Unexplained Inc. for the third time and is here to ruffle some feathers. Over the past few months Julie has posted material involving what she believes in a giant psyop involving everything we know about UFOs and E.T. contact.In the past Julie has come on the show to discuss her research into the crimes and victims of M.K. Ultra and Satanic Ritual Abuse through a Christian lens. Julie presents some evidence that those who are behind these horrors and secretly trying to surrender our power to an alien force to usher in the N.W.O. and potentially threaten our sovereignty.This episode will not resonate with everyone. So I suggest for yourself to take what resonates and leave behind what doesn't. No need to shoot the messengers here...this show prides itself on many different perspectives and this one is as important as any...here are some other talking points:- The role of MK Ultra and its correlation to the Secret Space Program- How the story of Roswell got distorted and who benefited from it- The darker symbolism of Spielberg's Disclosure Day and why many movie-goers missed it...and some painfully did not- Predictive programming in our media...including yet another crazy X-Files related story possibly confirming this- How modern perceptions of E.T's were shaped by Mormons, Scientology and even the Free Masons.- Why a certain 1953 story from Arthur C. Clarke (famous for also writing 2001: A Space Odyssey) is turning heads these days and adding fuel to this fire- How scary a potential Project Blue Beam could look for usPlus so much more...this one ones deep:Throughout the episode Julie highly recommends this series from one of her favourite researchers...Matthew Ehret...aka Canadian Patriot...the links will be displayed below and I will eventually give them a view and see how it resonates...we are in crazy and confusing times...discernment is key...even if its uncomfortable! Stay curious!Part One:youtube.com/watch?si=OLonI2y-kiwtB2IC&v=7OPju8Tovvk&feature=youtu.bePart Two:https://www.youtube.com/live/bduJV3-VbZsPart Three:https://www.youtube.com/watch?v=5PvjOqwZuEkPart Four:https://www.youtube.com/live/01r3FbFz9LsConnect with Unexplained Inc. here:https://www.unexplainedinc.com/Watch the video episode on Rumble here:https://rumble.com/user/Unexplainedinc

Chris Paul and Burning Bright drop into the water for a look at Spielberg's 1975 classic, and yes, the animatronic shark holds up better than you'd think. The guys dig into why practical tension still beats modern CGI, trade theories on whether Jaws would scare anyone who first saw it as an adult, and take a hard swing at Spielberg's recent output along the way. Expect real talk about shark encounters, a detour into Moby Dick style "nature doesn't care about your plans" philosophy, and some genuinely funny tangents about beach trips gone wrong. Stick around for listener boosts, chat shoutouts, and the reveal of next week's pick, a 1997 mind bender that's already got the chat buzzing. Grab a snack, maybe stay out of the water.

Harrison Ford plays an archeologist with a finely honed penchant for punching Nazis while in pursuit of the face-melting Ark of the Covenant in this globe-trotting adventure from Lucas and Spielberg - a 1980's dream duo. While many think it is romcom about bad dates and a dog named Indiana, the Brains will convince you otherwise.  You can watch this, and many more episodes in full video on our YouTube channel at: https://www.youtube.com/@TheFilmWithThreeBrains

Steven Spielberg listens to Story Nerd. My proof? In a recent interview with The New York Times, he said, "The first thing I look for [in a story] is a very compelling premise. The second thing is a character we can hitch our wagons to." THIS is exactly what Melanie and I have been discussing all season. So yeah, he MUST be listening to us, right? ;-) Seriously though, you want to tune into this episode to hear why Spielberg thinks these two things — premise and character — are so important. -V. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

El analista de cine presenta tres opciones para el fin de semana: El día de la revelación, la nueva película de Steven Spielberg; Toy Story 5, con una mirada sobre infancia y tecnología; y El experimento estadounidense, docuserie producida por Tom Hanks

Ronald Young Jr. reviews Disclosure Day alone… RYJ decides that if we're not alone in the universe, he would rather the aliens be less dorky-lookingRYJ -  2.5 of 5 starsFollow me on IG, TikTok, Threads, Bluesky, and Letterbxd - @ohitsbigronAvailable in theatersStarring Emily Blunt, Josh O'Connor, Colin Firth, Eve Hewson, Wyatt Russell, and Colman DomingoWritten by David KoeppDirected by Steven SpielbergFor more information about Disclosure Day, check out this linkSupport Leaving The Theater on Patreon using this link

Is birth enough to determine who should be a citizen? We (and theSupreme Court) weigh in.00:00 Introduction and Disclaimer00:39 Disclosure Day, Spielberg, and Hollywood's Creativity Problem05:26 Foolishness of the Week: Air Conditioning and Energy Politics13:58 Trump's Meme Stock and Cryptocurrency Profits23:39 Birthright Citizenship and the 14th Amendment26:28 What Does “Subject to the Jurisdiction” Mean?30:18 Original Intent vs. Constitutional Text33:50 Textualism, Originalism, and Justice Scalia37:03 Can Birthright Citizenship Be Changed?42:34 Why Constitutional Intent Isn't Always Enough47:13 The Limits of Constitutional Interpretation52:39 How Constitutional Amendments Should Work56:46 Supreme Court Justices, Brown v. Board, and Closing Thoughts

Episode 711: We read a letter from a listener living in Kansas City. Brett thinks the new Spielberg movie is good. Is Austin or KC larger? Andrew doesn't know what “Austin City Limits” is. Using a VCR to tape TV shows. Andrew reads the letter again for no good reason. The Butler Zonkey. Blueberry picking hell. The ghetto smoothie bar. Eating a full jar of peanut butter.

The HOBI Gang welcomes Jeff back from his sickness to review Obsession, The Sheep Detectives, and the newest Jack Reacher film! Plus the director they would trust to reboot a franchise, stealing for influencers, Spielberg as a hit or miss director and list their Top Five Characters to Build a Sci-Fi Team! This episode is sponsored by the Cincinnati Anime Expo.

This week on Forgotten Cinema, Forgotten Summer continues with "War of the Worlds", Steven Spielberg's intense adaptation of the H.G. Wells classic.After covering "Flight of the Navigator", discussing "Close Encounters of the Third Kind" in their Lead Up series, releasing a Patreon-exclusive episode on "E.T. the Extra-Terrestrial", and reviewing "Disclosure Day", it only felt right for the Mikes to tackle another one of Spielberg's unforgettable alien films.Both Mike Butler and Mike Field love "War of the Worlds". From Spielberg's masterful direction to the relentless pacing and unforgettable set pieces, the film remains just as gripping today as it was upon release. Even after multiple viewings, Butler finds himself on the edge of his seat throughout much of the movie.Of course, the Mikes still have a few nitpicks. Cruise's portrayal of Ray as an almost unbelievably irresponsible father feels exaggerated during the first half of the film, though both agree it ultimately pays off as his character grows over the course of the story. Butler also revisits one of the classic criticisms of the story itself: how could an incredibly advanced alien civilization spend (at least!) centuries preparing to invade Earth without accounting for the planet's microscopic dangers?One of the film's highlights for both Mikes is Tim Robbins' unforgettable performance, which leads to one of the movie's most tense and memorable sequences. They also discuss the controversial ending that has divided audiences for years. While both are ultimately satisfied with it, Butler understands why some viewers struggle with the family's reunion. However, the Mikes point out that both the ending and the aliens' ultimate fate come directly from H.G. Wells' original novel.Thrilling, suspenseful, and packed with unforgettable moments, "War of the Worlds" remains one of Spielberg's finest modern blockbusters and a standout entry in the alien invasion genre.What do you think of "War of the Worlds"? Let us know in the comments below!

Episode 547 Nick the Rat crawls up from the Brooklyn sewers with a grab-bag of end-times energy — mourning the collapse of his favorite podcast, ranting about the video game industry's layoff apocalypse, and reviewing (poorly) a $22 pack of pens from Staples. Things take a darker turn when he dives into the creeping rollout of biometric logins, facial-scan authentication, and data-sharing agreements between government agencies and private contractors — plus a real NYC office-to-apartment conversion that literally started buckling mid-build. Naturally, there's also a tangent on the best way to pop popcorn. The back half brings the full Dark Sewer Network crew: Bigfoot Assault delivers a gruesome cryptid-vs-alien-hybrid showdown in the Pacific Northwest, Zindu rants about fast food and IBS from his usual filthy corner of the galaxy, and Jane Hanoi covers a haunted ISS, a cursed earthquake artifact, and aliens roasting a Spielberg movie. Along the way: AI actress Tilly Norwood gets torched, a caller debates whether the podcast breakup is fake, and Nick signs up for a real NASA isolation study because why not. #NickTheRatRadio #DarkSewerNetwork #ConspiracyPodcast #ParanormalPodcast #Bigfoot #UndergroundRadio #AIsurveillance #Biometrics #LoFiRadio #BrooklynPodcast #BigfootAssault #ValueForValue #WeirdInternet #PodcastLife #CryptidContent #sewerchat A paranoid rat discusses conspiracies, secret agendas, and things they don't want you to know — while playing hand-picked underground music. Call in live: 1-917-719-5923 Originally aired: 07/08/26 All music is Attribution 3.0 Unported (CC BY 3.0). All artists are credited during the episode. For more info: www.nicktherat.com

America celebrated her 250th birthday. And man does she look it. HELLER! Anyway, Keith is back with close friend and KATG great Katharine Heller. Katharine just returned to NYC from visiting Keith in Charlotte, and she's ready to report on her findings. Was Keith a good host? Did Keith brag about having a perfect refrigerator yet not have simple classic yellow mustard? Did Keith's water go out on Vacation Day 2? Did the two of them watch Louis CK: Ridiculous, Corey Feldman vs the World, the SNL documentary Lorne, and Spielberg's Disclosure Day? Did the Supreme Court make it official that President Trump indeed raped E. Jean Carroll? Who won the 2026 Nathan's Famous Fourth of July International Hot Dog Eating Contest? Did Taylor Swift marry the football guy at Madison Square Garden? Did Keith sleep in til 5 pm on Vacation Day 3? Did Keith set the bar winning all three 3 KATG poker games in one day? Did Saadia murder Keith? Only one way to find out.

The truth belongs to seven billion people. That's the promise of Disclosure Day, Steven Spielberg's return to science fiction and to the extraterrestrial obsessions that have haunted his work since Close Encounters of the Third Kind. Whether audiences are ready to believe is a different matter.Mike White and Chris Stachiw of The Kulturecast sit down with the summer's most buzzy Spielberg event film. Written by David Koepp from a story by Spielberg, Disclosure Day follows a cybersecurity whistleblower and a meteorologist caught in the aftermath of a government cover-up about alien life. The film stars Emily Blunt, Josh O'Connor, Colin Firth, Eve Hewson, and Colman Domingo, with a score by John Williams — his thirtieth collaboration with Spielberg. Mike and Chris weigh in on whether the film lives up to Spielberg's legacy or settles for familiar comfort.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

The truth belongs to seven billion people. That's the promise of Disclosure Day, Steven Spielberg's return to science fiction and to the extraterrestrial obsessions that have haunted his work since Close Encounters of the Third Kind. Whether audiences are ready to believe is a different matter.Mike White and Chris Stachiw of The Kulturecast sit down with the summer's most buzzy Spielberg event film. Written by David Koepp from a story by Spielberg, Disclosure Day follows a cybersecurity whistleblower and a meteorologist caught in the aftermath of a government cover-up about alien life. The film stars Emily Blunt, Josh O'Connor, Colin Firth, Eve Hewson, and Colman Domingo, with a score by John Williams — his thirtieth collaboration with Spielberg. Mike and Chris weigh in on whether the film lives up to Spielberg's legacy or settles for familiar comfort.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Somehow we've already reached the point where the conversation spirals from Steven Spielberg's new alien movie into whether Lear's digestive system could accidentally start an interplanetary war.Just another totally normal morning.The gang kicks things off with a packed weekend preview, including Lear's big Pageant event, Moon's soccer watch party in Illinois, and the upcoming Night at the Rizzlies. Then things take a sharp left turn into the great extraterrestrial debate after discussion of Spielberg's latest sci-fi blockbuster sparks a surprisingly deep conversation about intelligent life beyond Earth.Do aliens exist? Are they already here? Is Earth basically the North Sentinel Island of the galaxy? Could heaven secretly be a spaceship? These are apparently the questions that happen when you give a radio show access to microphones before coffee fully kicks in.The crew dives into theories ranging from religion and simulation concepts to alien overlords, government coverups, and whether any of us would voluntarily board a mysterious spacecraft in the middle of nowhere. Some members of the show are ready to leave Earth immediately. Others have follow-up questions about bathrooms.There's also a healthy amount of celebrity and entertainment chaos. Learn breaks down the new Sublime album featuring Jakob Nowell, Fleetwood Mac's upgraded greatest-hits collection, Motley Crue's theatrical return, Sammy Hagar's upcoming tour, and Larry David's newest HBO project. Along the way, the gang somehow turns a discussion about classic rock into a deep dive on band members dating each other, divorcing each other, and then somehow continuing to make hit records together.The movie conversation keeps rolling with discussions about Spielberg's return to alien storytelling, the highest-rated films of the last 25 years, Christopher Nolan's domination of IMDb rankings, and why Whiplash remains one of the most stressful movies ever made.It's the kind of daily comedy show episode that starts with local events and ends with humanity questioning its place in the universe.If you enjoy pop culture commentary, weird news, celebrity gossip, classic rock debates, science-fiction rabbit holes, and a daily comedy show that never stays on topic for more than three minutes, Episode 200 delivers exactly the kind of beautiful disaster you'd expect from The Rizzuto Show.Thanks for making this daily comedy show part of your day.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Listen to the full episode Three events converge—everything is connected.  Steven Spielberg releases his new sci-fi film Disclosure Day The American government's UAP Disclosure Act drops three waves of declassified UFO documents Well-known 2012 prophecy-popularizer, Disclosure movement advocate, and History Channel's Ancient Aliens host, David Wilcock, tragically ends his own life In the 16th installment of his Roots of Conspirituality series, Julian looks at the how everything inevitably led to this:  How Spielberg got alien-pilled into being a true believer How 2012 prophecy had to end with David Wilcock holding a gun How the MAGA conspiracy chasers now find themselves standing on the steps beside David Grusch as he tells the media about non-human biologics and alien plasmoids Deeper than that, Julian asks if perhaps we are re-enacting a pattern from the mid to late 1800s, when social upheaval in America's Northeast led to new religions, failed prophecies, the rise and fall of charismatic heroes, and good people quit booze but got intoxicated on some quite bizarre beliefs.  Correction: This recording states that David Grusch lost his security clearance. That is incorrect. In The Intercept article, Ken Klippenstein wondered how he was able to keep his security clearance after his psychiatric holds. Grusch left his job to become a whistleblower.  Show Notes White House Goes All In On UAP Learn more about your ad choices. Visit megaphone.fm/adchoices

The latest episode of The Interviews is another belter, folks. And is, accidentally, double act-themed. First, Chris Hewitt sits down on Zoom for a fun chat with Phil Lord and Chris Miller, the directors of one of the year's biggest and best films, Project Hail Mary, as the Ryan Gosling-Rocky The Alien movie lands on Prime Video. It's not a spoiler chat, but they talk about some of the film's key sequences (so be mindful if you somehow haven't seen it), its immense success, and what they're doing next. [1:23 - 20:13 approx] Then, Harry Stainer sits down with another notable filmmaking duo, Matt Johnson and Jay McCarrol, the director (Johnson), writers and stars (both) of bonkers new comedy Nirvanna The Band The Show The Movie, to talk about their lo-fi five-star triumph and their favourite Spielberg movie. [21:18 - 41:57 approx] And finally, Chris Zooms it up a storm with Himesh Patel, who stars in Enola Holmes 3 as Dr. Watson, one-half of one of the greatest partnerships of them all. [42:52 - 57:07 approx] It's an episode so good that you might say, to quote another great double-act, 'uvavu'. Enjoy!

This week we kick off a new month with the most successful, well known and highly celebrated directors all time. Strap in, kids- it's the Summer of Spielberg! Executive Producers:  Tim (Applescruff), Derrick Copling (Sir Slick Derrick The Knight Bard), Matthew Schnapp, Noah Overton (Noah of The Dark Woods), Peter "Not SoBad Lookin'" Pernice Listen to the HMP Live Stream, Sunday Nights and Live Streams with Adam throughout the week.  YouTube https://www.youtube.com/@HMPOD Merchandising, Merchandising, Merchandising: https://www.teepublic.com/user/halfassmoviepod HMP Instagram- https://www.instagram.com/halfassmoviepodcast Adam- Letterbox- https://boxd.it/3aAF TikTok- https://www.tiktok.com/@adam.portrais Sean Likes Spaceships: https://www.youtube.com/@Seanlikesspaceships Bruce YouTube- https://www.youtube.com/@Animedad  Email- HalfAssMoviePod@gmail.com

We debate Lucas and Spielberg, and then John and Matt invent Pawn Stars LOTR.

The 1975 film that emptied the beaches was built on real horror — the 1916 Jersey Shore attacks that killed four, the unsolved disappearance of Tom and Eileen Lonergan, and the science of why great whites bite at all.EPISODE BLOG PAGE (includes sources): https://weirddarkness.com/jawsREAD or DOWNLOAD the full transcript of this episode: https://weirddarkness.tiny.us/jawsFEATURED STORIES IN THIS EPISODE: In June of 1975 we were exposed to one of the scariest movies ever made. For this podcaster, it's just not Independence Day until I watch it – and you still can't get me to swim in the ocean. We'll look at what made ‘Jaws' so successful… and so frightening. We'll also look at the true story of a string of shark attacks in 1916 that inspired the novel and the film. And while 1975's ‘Jaws' was inspired by a series of shark attacks but greatly fictionalized, the film ‘Open Water' from 2003 is based on a very real and terrifying story. But the truth behind the movie is a dark mystery that goes way beyond the horror of what you see in the film. We'll look at several other real shark attacks that are almost too incredible to believe, and also try to answer the question as to why shark attacks don't happen more often as you would expect them to, seeing as humans should be easy pickings.CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Foreboding (My First Experience With a Horror Movie)00:02:16.983 = Show Open00:05:28.642 = The Real-Life Inspiration for “Jaws”00:15:01.913 = The Horror of “Jaws” ***00:40:05.165 = The True Darkness of “Open Water” ***00:52:06.811 = Real Shark Attacks01:04:18.086 = Why Sharks Attack Humans ***01:23:44.579 = Show Close*** = Begins immediately after inserted ad breakLISTEN ON PODCAST APPS: Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.com/wdapps*No AI Voices Are Used In The Narration Of This Podcast*SOURCES and RESOURCES:“The True Darkness of Open Water” by Erin McCann for Ranker: https://tinyurl.com/y8vaqgra“The Real-Life Inspiration for ‘Jaws'” by Christopher Klein for History: https://tinyurl.com/yb5s35xc“The Horror of ‘Jaws'” by Jackie Flynn Mogensen for Mother Jones: https://tinyurl.com/y2mxf8us, Andrew Housman for ScreenRant: https://tinyurl.com/yae8ohh6, Meagan Navarro for Bloody Disgusting: https://tinyurl.com/y7p8q9lw, Tim Donnelly for the New York Post: https://tinyurl.com/y9twrcc7, and Rachel Paige for Hello Giggles:https://tinyurl.com/ycdlb6je“Real Shark Attacks” by Charles W. Bryant for How Stuff Works: https://tinyurl.com/y9scmg9x, and Lou Boyd for Mpora: https://tinyurl.com/y9e55t4u“Why Sharks Attack Humans” by Richard Gray for BBC: https://tinyurl.com/ycf563up(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: July 03, 2020This episode of Weird Darkness dives into the world of sharks — the 1975 film that made a generation afraid of the water, the 1916 New Jersey attacks that shaped America's fear of the sea, the unsolved disappearance behind a 2003 horror movie, a catalog of real maulings, and the science of why sharks bite people at all.It opens with Steven Spielberg's Jaws, the 1975 blockbuster that grossed $7 million its first weekend and ranked sixth on IMDb's list of the ten best horror films. The mechanical shark, three models all nicknamed "Bruce," sank on first submersion and corroded in the saltwater of Nantucket Sound, forcing Spielberg to keep the animal off-screen for all but roughly four minutes and to build terror through John Williams' two-note score instead. Screenwriter Carl Gottlieb, who now calls it "the fish movie," predicted audiences would fear the ocean the way they feared showers after Psycho. Clinical psychologists Ali Mattu and James Hambrick, both trained to talk people out of irrational fears, admit the film gave them their own galeophobia, with Mattu once showering while standing on the edge of the tub to avoid a drain-based attack. Author Peter Benchley, who wrote the novel, spent his final years advocating for shark conservation after fishermen killed sharks by the thousands in the film's wake, cutting large shark populations along the eastern seaboard by an estimated fifty percent.From there the episode turns to the real attacks that preceded the fiction, the deadly summer of 1916 along the Jersey Shore. Charles Vansant, a 25-year-old from Philadelphia, bled to death in the lobby of the Engleside Hotel in Beach Haven on July 1 after a shark clamped his left leg in three-and-a-half feet of water. Five days later Charles Bruder, a 27-year-old Swiss bellboy captain, lost both legs off Spring Lake, and on July 12 the killing moved more than a mile inland up Matawan Creek, taking 11-year-old Lester Stillwell and Stanley Fisher, the 24-year-old tailor who dove in to recover the boy's body. President Woodrow Wilson convened a cabinet meeting over "the shark horror," and shark hunter Michael Schleisser later killed a shark in Raritan Bay with human bones reportedly found inside, after which the attacks stopped.Next the episode examines Open Water, the 2003 film built on the disappearance of Tom and Eileen Lonergan, experienced divers left behind by the Outer Edge dive boat at St. Crispin Reef on the Great Barrier Reef on January 25, 1998. No one noticed them missing for roughly forty-eight hours. A dive slate later recovered miles away bore the date January 26 and a plea for help, their diaries revealed unhappiness and Tom's stated readiness to die, and their wetsuits and air tanks washed ashore without a single bite mark or trace of blood. Australian diver Ben Cropp argued tiger sharks took them within two days, while boat owner Jack Nairn faced a manslaughter acquittal and a civil negligence conviction that shuttered his company, and more than twenty people claimed to have seen the couple alive afterward, leaving the truth unresolved.Next comes a run of documented real-life attacks stretching across centuries. The USS Indianapolis sank near Guam on July 30, 1945, dropping roughly 900 sailors into the water where sharks reduced the survivors to 317. Barry Wilson, a 17-year-old tuba player, became the first person killed by a shark in California history, and free-diving abalone hunters Omar Conger and Randall Fry were both taken by great whites, Fry's body recovered with his head separated from it. Bethany Hamilton lost her left arm at thirteen and returned to competitive surfing, spearfisherman Rodney Fox survived a torso bite by gouging the shark's eyes and now educates the public about the animals, and Brook Watson lost a leg to a shark in Havana Harbour in 1749 at the age of fourteen.The episode closes with the science of why sharks bite people, drawn from researchers including Gavin Naylor of the Florida Program for Shark Research and marine biologist Blake Chapman. Attacks correlate with the overlap of people and sharks in the same water, which is why rising seal populations off Cape Cod — rebounding under the 1972 Marine Mammal Act — drew great whites that delivered Massachusetts its first fatal attack in eighty-two years in 2018. Most bites appear to be cases of mistaken identity, the flash of a foot resembling bait fish, and the three species most often responsible are the great white, tiger, and bull sharks, the last hunting murky water by smell and electroreception rather than sight. The odds of dying in a shark attack sit near one in 3.7 million, yet Hannah Mighall, mauled by a five-metre great white in Tasmania's Bay of Fires at thirteen, still carries the toothy bite scar on her leg and the nightmares that came with it, alongside her refusal to see the animals culled for what they did to her.

PLEASE SIGN UP ON PATREON, EVEN IF IT'S FOR FREE! Posting everything here has become a burden, and if you're only listening to this feed you probably aren't getting all of the episodes. Sign up now at Patreon. It’s two podcasts (Pod Yourself and the Frotcast) for the price of one! Patreon dot com slash frotcast! This episode is free, but $5 a month gets you all the premium ones (two a week!). Movies looked irrelevant and corny before, until some kids brought it back from the dead. Are there signs that it’s happening again? ‘Last Kings of Hollywood’ author Paul Fischer explains. This week’s interview is with Paul Fischer, author of The Last Kings of Hollywood, Coppola, Lucas, Spielberg―and the Battle for the Soul of American Cinema, which could not possibly be more relevant to the current state of the film industry, and not just because there’s a new Spielberg movie out and Marcia Lucas just died. With Zoomer (Gen Alpha?) filmmakers breaking out (Obsession, Backrooms) while The Mandalorian and Supergirl flop bigly, there are signs that the paradigm has shifted. This, mind you, is not unprecedented. People thought the movie business was dead in the 1950s and 1960s as well, until some filmmakers changed film executives’ ideas about what they thought they could sell. In this bonus interview, I talk to Paul about the modern parallels to the early seventies, the difference between how Coppola, Spielberg, Lucas thought about directing, and the story of Melissa Mathison, who went from Coppola’s friend’s babysitter to his mistress to one Spielberg’s most important collaborators (writer of the best of his alien trilogy, ET). Good chat! Hope you like it! Some other books I drew from and may have referenced: The Friedkin Connection: A Memoir, You’ll Never Eat Lunch in This Town Again, The Friday Afternoon Club: A Memoir, Adventures in the Screen Trade, and Pictures at a Revolution.

Paul and Amy unwrap Gremlins, Joe Dante's delightfully chaotic holiday classic that proved cute can turn catastrophic in the blink of an eye. They trace the film's journey from Chris Columbus's much darker original script to Spielberg's Amblin-produced crowd-pleaser, and unpack the inspired decision to keep Gizmo a hero instead of remaining a villain. Along the way, they explore the film's sharp satire of consumerism, suburbia, and media overload, celebrate its groundbreaking practical effects, and revisit the PG-rated mayhem that helped give birth to the PG-13 rating. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailWelcome back to DMRs Disclosure Day Spoiler Review! In this episode, we break down Steven Spielberg's highly anticipated 2026 sci-fi outer worldly thriller, analysing how it serves as the ultimate culmination of his alien legacy. We track his cosmic evolution over fifty years, contrasting the child-like wonder of Close Encounters of the Third Kind and E.T. with the visceral, post-9/11 apocalyptic dread of War of the Worlds, leading directly into the deep-state corporate paranoia of his latest masterpiece.Our comprehensive cast and character breakdown features stellar performances from Emily Blunt as the telepathic meteorologist Margaret Fairchild, Josh O'Connor as cybersecurity whistleblower Dr. Daniel Kellner, and Colin Firth playing brilliantly against type as the cold corporate villain Noah Scanlon, alongside powerhouse roles from Eve Hewson and Colman Domingo. Plus, we countdown the top 10 spoiler moments from the David Koepp-penned script and connect the film's tense plot to real-world UFO disclosure history—from the iconic 1947 Roswell crash to Brazil's legendary 1996 Varginha incident, right up to the modern satellite data leaks of 2026.Chapters 0:00 Intro & Audible 30-Day Free Trial03:25 Spielberg's Alien Films07:22 What is Disclosure Day09:21 Real World Alien Events17:01 The Characters & Cast20:27 Disclosure Day Spoilers 26:17 DMRs Verdict If you like this deep dive DMR review hit like, share and subscribe!#disclosureday #alien #aliens #ufo #ufos #conspiracyDMR is proud to be part of the Audible Creator Program. Support the channel and grab a 30-day free trial + any audiobook for free (even if you cancel!) here:  https://www.audibletrial.com/aOGYPR (I earn a commission if you sign up via this link at no extra cost to you. Thanks for the support!)Support the showThe audio/video clips used in this podcast, including excerpts from movie/series/documentary trailers, are used under the principles of fair use and fair dealing for the purpose of criticism, commentary, and review. All rights to the original trailer content & music belong to the respective copyright holders. DMR (Dewey's Movie Reviews) is an independent production and is not affiliated with or endorsed by any film studios or distributors.

On today's podcast David, Jason and Natalie talk about their big night out watching the Knicks win a championship, how Jason faired at the club and how David almost ruined dinner.  Also, Jason mixes his signals at gay pride, Natalie gets hit on in Monaco and David reviews the new Spielberg flick. And a little bit later, Natalie talks about people using her to get to David, David wonders about getting a time machine, and an Only Fans house catches  hell from their neighbors.  Listen to Jason's podcast here https://open.spotify.com/episode/7gvykgb1GcVutpd8E0ZhUC Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.