Podcasts about spielberg

Jim and Eric kick off this week's show with listener-driven updates and fresh speculation from the Universal parks beat, before pivoting into a deep historical dive on one of the strangest and most memorable effects ever staged on the Universal Studios Hollywood tram tour. Along the way, there is discussion of low-crowd horror experiences, a surprising Spielberg-themed survey, and a heartfelt remembrance of a YouTube pioneer who helped shape modern theme park fandom. NEWS • Fresh rumors swirl around a possible IT / Pennywise presence at Halloween Horror Nights, and why Warner Bros and Six Flags complicate the IP landscape • Listener reports reveal low crowds but high-quality scares at Universal Horror Unleashed in Las Vegas • Early construction walls appear in Celestial Park at Epic Universe, hinting at future capacity expansion • A leaked survey teases a potential Steven Spielberg and Amblin-themed tram-style attraction concept • Reflections on the legacy of Adam the Woo and his impact on theme park history storytelling FEATURE • The forgotten history of Six Points, Texas on the Universal backlot and why it became underused • How Jay Stein pushed Universal to add bold show scenes to the tram tour in the early 1970s • The engineering and storytelling behind the Runaway Train effect and why it took five years to build • Mr. T, The A-Team, and the brief but unforgettable era when a TV star nearly “crashed” the tram HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Eric Hersey - IG: @erichersey | X: @erichersey | Website: strongmindedagency.com FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by Unlocked Magic. Save on Disney and Universal tickets, including park hoppers and Lightning Lane options, by booking through UnlockedMagic.com. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're flashing back this week to a fan-favorite episode. Shane and The Howler will return next week with an all new episode. “Shane and the Howler discuss whether or not the county fair is a shady place, if Steven Spielberg is an alien, and the true events that the movie Top Gun Maverick was loosely based on.” Please like, comment, and share this episode if you enjoyed the interview.  From The Shadows Podcast is a program where we seriously discuss the supernatural, paranormal, cryptozoology, and ufology. Anything that cannot be rationally explained has a platform for discussion on the From The Shadows Podcast.   Join us on Patreon https://www.patreon.com/fromtheshadowsShare your story with us through our Website https://www.fromtheshadowspodcast.com Follow us on:TikTok - https://www.tiktok.com/@fromtheshadowspodcastFacebook - https://www.facebook.com/fromtheshadowspodcastInstagram - Shane Grove - https://www.instagram.com/shanegroveauthorInstagram - Podcast - https://www.instagram.com/fromtheshadowspodcast

Hosts Lexi and Sean embark on a wide-ranging conversation that covers everything from hackers dressed as the Pink Power Ranger, to the intricacies of podcasting, and their favorite movie re-watches. The duo discusses some comedic geek talk with actors like Sidney Sweeney and Jesse Plemons. They delve into a personal Spielberg marathon, recounting films like 'Catch Me If You Can', 'Lincoln', and 'The Post', while touching upon Oscar nominations and their love for Amblin films. 00:00 Jaw Surgery Dilemma 01:23 Live Recording Challenges 04:34 Patreon Updates and Changes 06:57 Hacker in Pink Power Ranger Costume 09:38 TV Show Endings Discussion 17:00 Childhood Fears and Misunderstandings 21:11 Movie Reviews and Recommendations 29:16 Sydney Sweeney and The Housemaid 38:53 Discussing Knives Out 41:05 Review of It Ends 43:05 Primate Movie Anticipation 54:31 Spielberg's Filmography 01:09:14 Oscar Nominations and Timmy 01:17:03 Concluding Thoughts Learn more about your ad choices. Visit megaphone.fm/adchoices

Order my new book: https://geni.us/AtlasOfUFOsIn this special Ask Me Anything episode, Andy kicks off 2026 by answering listener questions from across the UFO community and reflecting on where the phenomenon stands after a turbulent 2025.Topics include disclosure fatigue, whistleblowers, underwater UFOs, public readiness, media responsibility, AI, citizen disclosure, and whether governments still control the narrative. Andy also looks ahead to what could genuinely move the needle in 2026, including upcoming hearings, whistleblower claims, major documentaries, and shifting public attitudes.This episode explores belief, skepticism, frustration, curiosity, and the uncomfortable reality that disclosure may not look the way anyone expects.Stay tuned for bonus content if you're a paid memberPatreon offer  - https://www.patreon.com/thatufopodcast?coupon=4B0B8

Did you know that Steven Spielberg produced the classic '80s cult film Three O'Clock High? Well, we didn't either, until our guest, writer/director Kevin Lewis (Willy's Wonderland, Pig Hill) came to the show wanting to discuss it. It's a simple story about a high school dweeb (Casey Siemaszko) challenged to a fight by the new kid in school (Richard Tyson) and the chaos that ensues as he tries every trick he can to get out of the ass-whoopin' heading his way. Spielberg took his name off of the movie before release, but was instrumental in bringing it to life. We talk about that decision, guess as to why he had the change of heart, and break down some of the wildest aspects of this mostly hidden gem of '80s filmmaking. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ben and KT break down the emotional, Spielberg-esque ending of Season 5, Netflix's genius theater rollout, and why the finale had KT in tears. Plus, a sneak peek at Spielberg's next big project, Disclosure Day, and what it means for UFO fanatics.

Go to www.LearningLeader.com for world-class notes This is brought to you by Insight Global. If you need to hire one person, hire a team of people, or transform your business through Talent or Technical Services, Insight Global's team of 30,000 people around the world has the hustle and grit to deliver. My guest: Oz Pearlman is the greatest mentalist in the world. After leaving Wall Street to pursue his craft full-time, he's performed for Steven Spielberg's family, for Nobel laureates, and Fortune 500 CEOs. He ran a 2:23 marathon and holds the record for most laps around Central Park in a single day. With five kids and 250+ performances a year, Oz has mastered the art of reading people and understanding what separates good from world-class. Key Learnings (In Oz's words) Doug Anderson is the magician who got me into magic. When I was 13 years old, I went on a cruise with my parents. I got pulled up on stage and took part in a magic trick. (The sponge balls)  After the trick, my dad and I started creating theories on how the trick worked.  The people in every industry who make it to the top are the ones who are kind and respectful to others. As soon as you stop thinking that you can learn from others, you start dying.  What is the recipe for success? It's getting through the tough times. When I walked up to someone at a restaurant, and I'm 14, and I have a very fragile ego, after three tables in a row at differing levels of rudeness go by, "Dude, get outta here, man. Like, I don't wanna see this," it hurts. That's a painful thing to experience. I had to learn a defense mechanism very quickly because carrying that pain, pain turns into anger. When I get to the next table, I'm angry at the next group, even though they haven't done anything wrong to me. I realized to get my goal, I needed tougher, thicker skin. Deflect the rejection onto someone else.  Create separation between you and rejection. I created what I would call an agent in my own mind. When you're in showbiz, the conversations you don't wanna have, your agent has for you. I'm a 14-year-old doing restaurants. I don't have an agent, so here's what I decided. When they don't like me, they don't know me. They don't know Oz Pearlman. They know this guy Oz the magician, who walked up to them. Maybe my tricks aren't good enough. Maybe my approach wasn't good enough. Maybe they had a bad day at work or their kid's sick. I made it less about me, and I was able to deflect all of that pain and hurt to this other person. The fear of rejection is worse than the rejection itself. Once you experience rejection a few times, it's not that bad. It's like dating. It's a numbers game. You'll probably not meet your spouse on the first try. You gotta meet a whole lot of other people to realize what you like best in the person that hopefully ends up spending your life with. "Never let someone else be in charge of your destiny." When I do a gig, I don't wait for someone to go, "Oh man, that'd be great. Let me get your business card." I go, "Amazing. Let me get your number and your info. I'll have someone from my team call you." My team is you, me, myself, and I. There's no team. But it sounds fancier. Fake it till you make it. Branding is so important. When I went on America's Got Talent, I made a conscious decision to separate myself from the guy from the year before. (Matt Franco) He won. I thought we were too similar. I had to do something unique or do something better than anyone else. That's when I branded myself as a mentalist and not a magician.  Mentalism is much harder than magic to practice. Magic can be practiced in front of a mirror until you get almost perfect at a trick. Mentalism is near impossible to practice at home without an audience. It's like comedy. You can't tell jokes to a mirror and find out if they're funny. You need the audience to do it. Charm takes the sting out of so many things in life. It allows you to win people over quickly. What is charm? Just the ability to smile, to make someone laugh, to be vulnerable in a certain moment. That's a skill that's developed, and if you study it well, you can develop it quicker because everyone thinks it's natural. What I've learned from comedians:  It's the purest form of entertainment that exists. You, the audience, and a microphone. I think you start to get a feel for timing. Where to pause, what's funny, how to get people on your side. With a heckler, there's a very fine line between punching down and offending your audience versus having them on your side and laughing with you at someone as opposed to laughing at someone.  I'm a slightly more exaggerated version of myself when performing. The volume is turned up a little. The charisma is turned up a little, the ability to joke around, but it's me. I think that resonates. Walking into a room smiling, having no hesitation, connecting with somebody, remembering their name, giving them a compliment. Such easy, low-hanging fruit, separates you from 90% of other people if you can do them consistently and effectively and genuinely. "That's why he's Steven Spielberg." The Steven Spielberg lesson changed how I see success. I did Spielberg's dad's 99th birthday. At the end of it, Steven beelines to me and I'm ready. I thought I'd get 30 seconds. He talked to me for upwards of 20 minutes. He just asked question after question after question. When I left it was like a blur. I didn't ask Steven Spielberg a single question about Jaws, Close Encounters. I had all these things I wanted to ask him. I'm like, man, I totally screwed that up. But over time, the lesson got through to me. It wasn't about me. It wasn't what I was gonna ask him. It was about him. It was learning what makes him tick. No matter who you become, if you can make the other person feel like they're a star when they meet you, they will always remember that memory. Try to deflect. If people ask you questions, answer, but ask them something about themselves back that no one's asked them. Make them feel seen and heard. Make them feel like they are the star of your movie as well. Little things add up to big things over time. If you were to ask my kids what do I ingrain in them all the time? Gratitude and being polite. One of my secrets to success has always been being very polite. "Please, thank you. Always."  Write a thank-you note. When I was doing bar mitzvahs, birthday parties, I realized early on, when people are throwing a party, it's very stressful. The person hosting doesn't always have the greatest time. They're so worried about everyone else.  Create memorable moments. I would take a selfie with the bar mitzvah kid. I found this online service where I could instantly upload the photo. I would always give a compliment that was specific. I'd send these cards to them on Monday. The parties are usually on Saturdays. It would get there Tuesday or Wednesday. To this day, 15 to 20 years later, I'll get emails when I'm on TV from people being like, "I just dug up this card from 17 years ago. You were at Benjamin's Bar Mitzvah, and now he's 30 and has a kid of his own." Takes notes | Write everything down.  In today's day and age, there's a power in the human touch that still exists. Take notes, write stuff down. I'll leave a gig, I'll write some stuff down, I'll remember it. If I run into that person again in a month, in a year, in five years, I can literally look at my phone. It's literally like a mentalism trick to reveal that information to people even though they gave it to you already, because it shows you took the time. Some of the biggest things I've ever landed backtrack to small moments. ESPN, the thing that brought us together can backtrack to a Bar Mitzvah 18 years ago where I first met Adam Schefter. The first seed was planted, and I had to keep watering it, watering it, watering it. Small plant, small plant, until it grew into this thing. Now look at all the things that came from all the things I've done with ESPN, where Adam Schefter originated them.  You are interviewing for your next job every single day. You have no idea who might be in the audience. You have no idea, but you give it your all every single time. One time, Adam Schefter was in the audience. Intelligent people are often the easiest to fool. When intelligent people watch what I do, they're confident in their ability to figure it out. They think they're smarter than the average person, so they start looking for solutions. But that overconfidence creates blind spots. They're so focused on being right about how they think it's done that they miss what's actually happening. The more you think you know, the more vulnerable you become to being fooled because you're operating from assumptions rather than staying open to all possibilities. Reflection Questions Oz created an "agent in his mind" to deflect rejection away from his core self, making it about "Oz the magician" rather than Oz the person. What mental separation could you create to handle rejection or criticism more effectively in your professional life? Oz emphasizes that intelligent people are often the easiest to fool because they're confident in their ability to figure things out. In what areas of your life or work might overconfidence be blinding you to what's actually happening? Oz sends handwritten notes with specific compliments and a selfie to everyone he performs for.  What's one relationship in your network right now that could be strengthened with this level of intentional follow-up, and what specific compliment could you give that person? More Learning #525 - Frank Slootman: Hypergrowth Leadership #540 - Alex Hormozi: Let Go of the Need of Approval #510 - Ramit Sethi: Live Your Rich Life Audio Timestamps 02:43 Oz's Career 04:48 The Art of Mentalism and Magic 08:22 Early Career and Overcoming Rejection 17:45 Branding and Success Strategies 22:59 Authenticity and Charm 27:25 Building Trust Through Honesty 27:53 Developing Genuine Confidence 28:36 The Power of Preparation 29:22 Learning from Failure 31:24 Connecting with Influential People 34:27 The Importance of Politeness and Gratitude 37:05 The Art of Follow-Up 42:27 Handling Nerves and Anxiety 43:23 The Magic of Mentalism on Ryan 51:55 EOPC

Hosts Tasha Huo and Josh Hallman talk 2026 Screenwriting goals and how to achieve them realistically. They discuss breaking screenwriting goals down into actionable steps, scheduling yourself, and other useful tips to stay on track this year.   TWIW: Tasha visited the Academy Museum over break / Tasha loved The Anaconda / Watching The Housemaid in a full theater made a big difference / A Spielberg book that could change your life!   Questions / Comments: ActTwoWriters@gmail.com Edited by the GREAT Paul Lundquist 

https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

Find Tim Constantine & Six Sensory Podcast:https://open.spotify.com/show/3LVS0BihTLQDzb5DRtpx63?si=96Isq12bSkWh94CkRuKltwYouTube: https://youtube.com/@sixsensorypodcast?si=KXoO5h47Y1RErmoSPatreon: ⁠⁠⁠patreon.com/TimConstantine⁠----------------------------------------------------------------------------------------------To sign up for our Patreon go to-> Patreon.com/cultofconspiracypodcastMeta Mysteries Podcast---> https://open.spotify.com/show/6IshwF6qc2iuqz3WTPz9Wv?si=3a32c8f730b34e79Cajun Knight Youtube Channel---> https://www.youtube.com/@CajunknightTo Sign up for our Rokfin go to --> Rokfin.com/cultofconspiracyBecome a supporter of this podcast: https://www.spreaker.com/podcast/cult-of-conspiracy--5700337/support.

I've talked about the best and worst and now I am sharing my most anticipated films of 2026 Worst movies of 2025 https://youtu.be/p3Tf16cjCxw Best movies of 2025 https://youtu.be/SQtm2Y53mKA Podcast talking best and worst with Molly and Manda https://youtu.be/R9Cv54qxsPA Check out the Hallmarkies Podcast for coverage of many of these films https://www.youtube.com/c/HallmarkiesPodcast Don't miss your chance to pick the next Family Movie Night selection and other great perks by joining the patreon! https://www.patreon.com/hallmarkies Get a Smile and Frown worthy shirt at our merch store https://www.teepublic.com/stores/hallmarkies?ref_id=8581 Follow Rachel Reviews on Itunes https://itunes.apple.com/us/podcast/rachels-reviews/id1278536301?mt=2 To see all my Family Movie Night reviews https://www.youtube.com/watch?v=Py6obIJMCfE&list=PL7wz447AgL4yAT7WALhqQASaJPunxdFoW Follow my blog at http://rachelsreviews.net Follow me on twitter http://www.twitter.com/rachel_reviews Listen to Hallmarkies Podcast at https://podcasts.apple.com/us/podcast/hallmarkies-podcast/id1296728288 Learn more about your ad choices. Visit megaphone.fm/adchoices

Nolan? Spielberg? A może „Lalka”? Na jakie filmy czekam w 2026? Ten podcast powstaje dzięki Patronite: https://patronite.pl/karolinakp 0:00:00 Intro 0:13:50 Wichrowe Wzgórza 0:20:57 Diabeł ubiera się u Prady 2  0:25:03 Odyseja 0:31:00 Disclosure Day 0:37:07 Diuna III  0:38:53 Lalka  0:46:03 Pojedynek  0:50:46 Nasza rewolucja. Historia miłości Grażyny i Jacka Kuroniów 0:54:57 Wartość sentymentalna 0:58:41 Outro

To wrap up 2025, The Jock and Nerd Podcast looks ahead to what could be one of the biggest movie years ever with our breakdown of the Most Anticipated Movies of 2026. From massive tentpole sequels and superhero epics to director-driven prestige films, horror, animation, and auteur projects from Spielberg, Nolan, Villeneuve, Raimi, Eggers, and... The post JAN 621: Marty Supreme (2025) Review – Most Anticipated Movies for 2026 (12/31/25) appeared first on The Jock and Nerd Podcast.

Send us a textIn our first episode of 2026, we have a fun conversation with Mark Marshall. Mark has written a book about working on sets with George Lucas, Steven Spielberg, and Richard Donner. Mark shares samples of his stories about these great directors. He also has stories about meeting Mel Gibson, Paul Newman, the kids from The Goonies, and many more. Mark also has directed a feature documentary called Remember the Sultana. This is a rich documentary about the Civil War ship that sank killing hundreds of men. The film is available on Amazon Prime currently. https://www.amazon.com/Goonies-Droids-Killer-Whales-Observations/dp/B0DPLNFVQChttps://www.rememberthesultana.com/Thanks for listening!

Martin Willis with UFO-Jack co-hosting react to the newly released Steven Spielberg Disclosure Day teaser, which Martin says “gave me the willies” and immediately compelled a discussion. They cue up the teaser and then break down its most striking lines—“If you found out we weren't alone…,” “People have a right to know the truth,” “You wouldn't believe me if I told you… so I'm gonna show you,” and the nun's reflection on why a vast universe would exist “yet save it only for us.” Martin and Jack highlight how the teaser leans into suspense and emotion, avoids showing aliens or craft, and uses the loaded concept of “full disclosure… to the whole world… all at once” to tap directly into long-running UFO community themes. They also point out imagery suggesting mass attention, faith and religious reactions, hints of telepathy/psionics and unconventional communication, and a conspicuous absence of government officials—while agreeing the teaser's huge view count signals mainstream interest and could help “normies” engage with the topic, even if it doesn't produce real-world disclosure. Teaser/Trailer HERE!

What a year it's been for the Ladder Man!Climb the ladder with me on Patreon: https://patreon.com/lawvs2025 was nothing short of a breakthrough. A year which I surpassed 100,000 subscribers and received my first ever F1 paddock pass! Today I wish to talk about this and other chances to create professional F1 content that proved YouTubers can hold their own behind the scenes. I also share what it's like visiting Red Bull Racing HQ, experiencing the Silverstone and Spielberg weekends and finally making it back to the Goodwood Festival of Speed after two decades. What have I got lined up for 2026? Join me!#f1 #formula1 #formulaone #f12025 #f12026 #formula12026 Get 15% off at the Castore Official website with my special link: https://glnk.io/ryj2p/lawrence #AdCastoreAffCan't watch the ladder? HEAR it instead as a podcast.RSS: https://feeds.acast.com/public/shows/lawvsSpotify: https://open.spotify.com/show/6hcmgaNHAcU5AHjUITTXS8Apple: https://podcasts.apple.com/tt/podcast/lawvs-the-ladder-man/id1720160644Brand new PO BOX now open: LawVS, PO BOX 437, WALLINGTON, SM6 6EZ, UKWear a piece of F1 history on your wrist with Mongrip: https://mongrip.com/?ref=mxyyVz7corTaLG Hosted on Acast. See acast.com/privacy for more information.

Order my new book: https://geni.us/AtlasOfUFOs A UFO news update covering Spielberg's Disclosure Day, Skywatcher, congressional comments, Jay Stratton's upcoming book, and key developments shaping the conversation heading into 2026.

Why is disclosure happening now — and who has been preparing us for it?In this episode, we examine the growing wave of government transparency around UAPs and non-human intelligence alongside the release of The Age of Disclosure documentary, featuring sworn testimony from intelligence and military officials. At the same time, Hollywood is amplifying the narrative — most notably through Steven Spielberg's upcoming film Disclosure Day.Spielberg has shaped how the world emotionally understands aliens for decades. So why release a film centered on disclosure now? Why does the timing matter — culturally, psychologically, and spiritually?Through a biblical lens, we explore:• UAPs and transmedium objects• Government testimony and legacy programs• Disclosure Day and predictive programming• The symbolism, timing, and narrative shift• Why Christians must engage with discernment, not fearThis episode isn't about speculation — it's about understanding patterns, authority, and spiritual implications in a moment when long-withheld information is finally surfacing.https://theanastasiaco.com - Christian Gifts, ApparelCODE: EYESONTHERIGHTAmy is a Christian counselor- to book a session:https://www.biblicalguidancecounseling.comAmy's online Bible studies:https://rumble.com/c/BibleStudywithEyesontherighthttps://www.instagram.com/eyesontherightpodcast/?hl=enhttps://www.instagram.com/eyesontheright4.0/?hl=en

Celebrate a major milestone and the holiday season with us on this extra-special 300th episode of The Commentary Booth! Your host Jamie Apps, is joined by the ever-festive guest Corrina Mabey to deck the halls and dive into the chaotic, festive horror of the 1984 classic, Gremlins.This Christmas, we're breaking the rules! We revisit Joe Dante's black comedy horror masterpiece, written by Chris Columbus (The Goonies, Home Alone), which follows a small town plunged into chaos when a cute Christmas gift spawns a horde of mischievous monsters. As we celebrate 300 episodes, we unwrap the film's lasting legacy, its surprisingly dark heart, and why it's the perfect anti-Christmas Christmas movie.Highlights Breakdown: - Costly Chaos: Discover how each gremlin puppet cost a jaw-dropping $30,000-$40,000 in the 80s (over $90,000 today!) and why security had to search cars daily to prevent theft. - Spielberg's Save: How an executive produceer's note from Steven Spielberg created the beloved hero Gizmo and shaped the entire film. - PG-13 Origin Story: Learn how Gremlins and Indiana Jones directly led to the creation of the PG-13 rating. - Personal Festive Chaos: From Corrina's perpetually decorated 7.5-foot flocked tree to Jamie's “Barbie Dreamhouse-sized” Christmas tree, get a peek into our holiday madness.- Dark Turns & Lasting Legacy: We tackle Kate's famously dark monologue, the film's explosive box office success against Ghostbusters, and what the future holds for the franchise.Join us for a nostalgic, fun, and deep-dive review filled with trivia, laughter, and festive spirit. Whether you're a lifelong fan or a gremlin newbie, this episode is your ticket to a wildly entertaining holiday watch.This week's episode is brought to you byAustralian Wrestling CardsCheck out more great content from Pario Magazine on our website.-------------------------------------------------------------SUPPORT PARIO MAGAZINE & THE COMMENTARY BOOTH- PATREON- BUY MERCH- AMAZON PRIME VIDEO- TUBEBUDDY- Subscribe to AEW Plus using my code (q0yydoz) to earn $10 in FITE credit- Shop Online With Honey- Shop Online With SatechiMY EQUIPMENT- Elgato Facecam- Rode PodMic- Elgato Wave Mic Arm LP- Streamlabs Talk StudioFOLLOW JAMIE ON SOCIAL MEDIA- Twitter- Facebook- Instagram- TikTokFOLLOW PARIO MAGAZINE ON SOCIAL MEDIA- Twitter- Facebook- Instagram

Joe Dante's 1984 Christmas horror-comedy, GREMLINS, is our feature presentation this week! We talk the 80s Spielberg magic dust, that Universal backlot sweetness, Chris Columbus screenwriting hot streak, that weird monologue, and much more! We also pick our Top 7 Steven Spielberg Produced Movies in this week's Silver Screen 7!  Join our Patreon ($2.99/month) here linktr.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

On this episode of Project Big Screen, we review two big holiday releases: ‘AVATAR: FIRE & ASH' and ‘THE HOUSEMAID'. Is James Cameron ready to move on from the franchise? And is ‘The Housemaid' trash or good, campy fun? We also react to industry news, including a massive batch of trailers including Spielberg's latest, Nolan's The Odessey, Tom Cruise's next film, Avengers: Doomsday, and more… We finish the episode with a ranking of our Top 10 Christmas movies — what do you think deserves to go #1? Make sure to like and subscribe! Thank you everyone for supporting the show so far, happy holidays! Timecodes: || Intro - (0:00) || Avatar 3 Review - (1:05) || Avatar 3 SPOILERS - (20:55) || Ad - (34:02) || The Housemaid Review - (35:40) || The Housemaid SPOILERS - (48:59) || Ad - (56:27) || Spielberg's Disclosure Day - (57:38) || The Odyssey Prologue - (1:00:48) || Doomsday Teasers - (1:07:38) || Tom Cruise's Next Move - (1:16:13) || Jimmy Stewart Biopic - (1:19:56) || Obama's Best of 2025 - (1:22:01) || DCU Finds Brainiac - (1:22:25) || Labubu Movie - (1:23:42) || What We're Watching - (1:24:01) || Physical Media Corner - (1:35:05) || Top 10 Christmas Movies - (1:36:45) Follow us on Social Media: barstool.link/pbs X | Twitter | Letterboxd: @ProjBigScreen IG | Tik Tok: @ProjectBigScreen Our Personal Letterboxds: Jeff: @JeffDLowe Gooch: @Bobby_Gooch Kenjac: @Kenjac Klemmer: @ChrisKlemmer Kirk: @KirkMinihaneYou can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/lightscamerabarstool

"I'm not saying it's aliens..." Gio saw the new trailer for that Spielberg extraterrestrial movie and he's ready to go to the theater.

This hour, the guys dive into Week 17 by previewing a "get-right" betting opportunity for the Patriots against the Jets before checking in with a "Disclosure Day" extra who shared stories from his nights on set and his previous interactions with Leonardo DiCaprio. Jerry's final update recaps a historic day of futility, featuring the Jets' record-breaking interception drought, an awkward moment from Philly, and a controversial ending in Detroit that brought back "Fail Mary" flashbacks. The hour closes on an emotional note as the team says goodbye to WFAN legend Dov Kramer after 38 years—but not before Boomer delivers the Moment of the Day with a scouting report on Fernando Mendoza that leans odd.

In this special Need to Know episode, Bryce Zabel is joined by longtime collaborator Brent Friedman for a deep dive into the newly released trailer for Disclosure Day, Steven Spielberg's upcoming UFO themed film set for release in 2026. The conversation frames the trailer as a cultural moment, noting its massive early viewership and the broader rise in public interest following recent projects like Age of Disclosure. Zabel and Friedman position the trailer as more than marketing, treating it as a dense piece of visual storytelling packed with symbolism, spiritual themes, and long standing UFO lore.   The bulk of the episode is a shot by shot analysis of the trailer, exploring imagery such as animals appearing as messengers, religious symbolism, possession themes, shapeshifting, crop circles, elite control centers, and a worldwide disclosure event that bypasses governments entirely. The hosts speculate that the film suggests disclosure may come directly from non human intelligence rather than political institutions, reflecting growing public distrust in official narratives. They discuss how Spielberg appears to blend fear, wonder, and spirituality, presenting disclosure not as an invasion story but as an ontological reckoning that forces humanity to confront meaning, belief, and truth.   The episode also features a major announcement: Zabel and Friedman are launching a new 36 episode podcast titled Sound, Light, and Frequency, produced with iHeart Podcasts. The series will explore UFO history, Hollywood's role in shaping the phenomenon, and their own extraordinary experiences surrounding the creation of Dark Skies, including an alleged government approach related to soft disclosure. The show is positioned as a long form, reflective exploration of secrecy, storytelling, and consciousness. The episode closes with framing Disclosure Day as a cinematic rehearsal for real world disclosure and a hopeful signal that humanity may be ready for a deeper understanding of its place in the universe.

The Decade Project is an ongoing One Heat Minute Productions Patreon exclusive podcast looking back at the films released ten years ago to reflect on what continues to resonate and what's ripe for rediscovery. The third year being released on the main podcast feed is the films of 2015. To hear a fantastic chorus of guests and I unpack the films of 2016 in 2026, subscribe to our Patreon here for as little as $1 a month. In the latest episode, I catch up with my favourite Bostonian film critic, Sean Burns, to discuss a Spielberg and Coen brothers collab - BRIDGE OF SPIES.Sean BurnsSean Burns is a film critic for WBUR's Arts & Culture and a contributing writer at North Shore Movies and Crooked Marquee. He was Philadelphia Weekly's lead film critic from 1999 through 2013, and worked as a contributing editor at The Improper Bostonian from 2006 until 2014. His reviews, interviews and essays have also appeared in Metro, The Village Voice, Rolling Stone, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper and RogerEbert.com.A graduate of New York University's Tisch School of the Arts, Burns was a recurring guest on the late David Brudnoy's WBZ 1030 AM radio show, and in 2002 received an award for Excellence in Criticism from the Greater Philadelphia Society of Professional Journalists. Currently a member of the Online Film Critics Society and the Critics Choice Association, he's also “the most annoyingest person ever,” according to his niece.WEBSITE: splicedpersonality.comTWITTER: @SeanMBurnsOne Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Cinematography Podcast Episode 338: Bryan Fuller and Nicole Hirsch Whitaker Bryan Fuller has one of the most recognizable visual signatures in modern television. Whether he's dealing with a forensic pathologist who bakes pies (Pushing Daisies) or a sophisticated cannibal (Hannibal), his work consistently balances the grotesque with the gorgeous. His style of hyper-stylized morbid surrealism was influenced by French maximalism in the 90's, such as Jean-Pierre Jeunet (Delicatessen, Amelie). “Between Delicatessen, City of Lost Children, and Amelie, there was this experience I had in the 90's and early aughts watching those films that gave me permission to push harder and go further in aesthetics that were on television,” Bryan explains. With his latest project, Dust Bunny, Bryan makes the leap from showrunning to feature directing, bringing his unique aesthetic to a dark fantasy-thriller. His decades of experience absorbing highly visual cinema have all led to this moment. “When I look at Dust Bunny, I'm like, that's a Barry Sonnenfeld shot. That's a John Carpenter shot. That's a Spielberg, because I've consumed all of these things and digested them and pooped out Dust Bunny.” Despite Bryan's self-deprecating description of the creative process, he was extremely meticulous about the filmmaking process. Cinematographer Nicole Hirsch Whitaker, ASC presented a comprehensive pitch deck that became the roadmap for the film's visual identity. “After the meeting, presenting her whole board with all of these images... she wanted the job and did a lot of work to show how she wanted the job,” says Bryan. Nicole, who shares Bryan's reverence for the same films, dove deep into the script to pull references ranging from The Professional and The Haunting (1963) to the raw, intimate photography of Nan Goldin. “I do think that it's important to make a good impression,” she says. “The deck is an impression of yourself as an artist that you leave behind.” During the interview, Nicole shares the pitch deck she made for Dust Bunny and discusses it in detail. Watch on YouTube or link to it here: https://drive.google.com/file/d/1m0i5QVEarDFL248Vqvm3T-8a0watskba/view?usp=sharing The most radical visual choice in Dust Bunny is its aspect ratio. It's shot in an extreme 3:1 format (three squares wide), which is almost unheard of in modern cinema. This creates a triptych feel, where the frame is so wide it feels like a mural. It forces a sense of vertical claustrophobia, crushing the top and bottom of the frame. The camera emphasizes the floorboards and the space under the bed—precisely where the monster hides. This discovery occurred while Bryan and Nicole were testing lenses. Once the framing matte came off the lens, revealing the open gate width of the sensor, Bryan realized the wider view fundamentally changed the film's psychology. A subject centered in a 3:1 frame felt isolated in a way they hadn't before, sharpening the camera's emotional point of view. To further isolate the characters, Nicole tuned the ARRI Alpha anamorphic lenses to fall off at the edges, ensuring the audience's focus remains locked on the performance. While Dust Bunny was shot over 44 days in Budapest, the film's visual language was decades in the making. For Nicole, the challenge was translating a legendary showrunner's mental gallery into a physical reality. For Bryan, it was a homecoming to the cinematic influences that first gave him permission to be “too much.” See Dust Bunny in theaters. Find Bryan Fuller: Instagram bryanfullergram Find Nicole Hirsch Whitaker: Instagram: @nicolewhitaker.dp SHOW RUNDOWN: 02:23 Close Focus 07:01 Bryan Fuller interview 24:46 Nicole Hirsch Whitaker interview 01:06:23 Short ends 01:13:16 Wrap up/Credits The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

6pm: Court vindicates professor investigated for parodying university’s ‘land acknowledgment’ on syllabus // White House seeking privateers to seize cartel boats, assets // Harvard Professor of Economics Ken Rogoff on November inflation coming in WAY BELOW expectations. // Walter Kirn shares my Spielberg “Disclosure” theory // Brown U. and MIT professor shootings are linked; suspect found dead, officials say // Tipster using Reddit was key in cracking Brown University shooting case, police say // Celebrating Board Operators After Flyers Hot-Mic Moment

4pm: Court vindicates professor investigated for parodying university’s ‘land acknowledgment’ on syllabus // White House seeking privateers to seize cartel boats, assets // Harvard Professor of Economics Ken Rogoff on November inflation coming in WAY BELOW expectations. // Walter Kirn shares my Spielberg “Disclosure” theory // Brown U. and MIT professor shootings are linked; suspect found dead, officials say // Tipster using Reddit was key in cracking Brown University shooting case, police say // They Get Wheeled on Flights and Miraculously Walk Off. Praise ‘Jetway Jesus.’

Dec. 19-25: Leslie Nielsen is undead, Jean-Claude Van Damme goes into overtime, Lemmon and Matthau are even grumpier, Angela Bassett's lighting cars on fire, Beavis and Butthead ruin Christmas, Johnny Knoxville is an Olympian, Jim Carrey's on a crime spree, Bodhi and Utah return, Leonardo DiCaprio is very cold, Will Smith fights football, Jennifer Lawrence mops up, Will Ferrell is a good stepdad, Downton Abbey closes its doors, and Mr. Rogers meets his ultimate destiny. All that and more from 30, 20, and 10 years ago.

Send us a textDisclosure Day is an upcoming American science fiction film produced and directed by Steven Spielberg from a screenplay by David Koepp based on a story by Spielberg. The film stars Emily Blunt, Josh O'Connor, Colin Firth, Eve Hewson, and Colman Domingo. Disclosure Day is scheduled to be released in the United States by Universal Pictures on June 12, 2026.Support the show

Hosts Anne Thompson and Ryan Lattanzio parse which films got the biggest boost from the Oscar Shortlists, and discuss what the show's move to YouTube could mean for Hollywood's biggest night. They also react to the new trailers for 'Disclosure Day' and 'Digger', and of course reflect on the incredible career of the late Rob Reiner. Listen to IndieWire's Filmmaker Toolkit Podcast, a weekly conversation with leading Directors and Showrunners about their process and craft. Learn the tools of the trade behind your favorite films and series. https://podcasts.apple.com/us/podcast/indiewires-filmmaker-toolkit/id1142632832 Learn more about your ad choices. Visit megaphone.fm/adchoices

Cristina Gomez reveals and reviews the latest news regarding the 2026 movie, Steven Spielberg's Disclosure Day. From the trailer and the speculation surrounding the movie, including theories about hidden messages, sine-wave speech, religious symbolism, and whether or not Hollywood is preparing the public for real UAP disclosure.To see the VIDEO of this episode, click or copy link - https://youtu.be/5ysqAeSrbKMVisit my website with International UFO News, Articles, Videos, and Podcast direct links -www.ufonews.co00:00 - Internet Reacts to Trailer01:00 - Sine Wave Mind Control Theory02:54 - Oldest Human Language on Earth04:10 - Deer Sense What We Cannot05:25 - The Kosher Phone Mystery06:20 - Where is the Missing Billion07:18 - Spielberg's Secret AccessBecome a supporter of this podcast: https://www.spreaker.com/podcast/strange-and-unexplained--5235662/support.

In today's conversation, we pay loving tribute to Rob Reiner and acknowledge a remarkable achievement by Patrick before your regularly scheduled programming of Movies We've Seen since last time (20:46), TV Talk (1:04:29), and Entertainment News/Upcoming Trailers and Stuff (1:22:22).  Then it's time for an exciting Lethal Weapon 2 installment of “Not Like This, Christopher Nolan” (1:36:54) before Patrick grinds out another What Year Did That Come Out Again? (1:52:41), a special Rob Reiner themed Tomato Talk (1:55:49), and nails a quick installment of the Action Movie Trivia Card game (2:00:49).  Finally, a Christmas Hidden Gem recommendation (2:02:35) before we say goodbye until next year.  Episode highlights include discussions about paranormal theater, sponges, anacondas, the 1974 men's basketball national champion NC State Wolfpack, run-ins with Jeff Goldblum, great steaks, revisiting the Iron Man movies, the length of time between television seasons, the brilliance of Vince Gilligan, Star Trek and Star Wars, 24, Netflix purchases and intentions, the future of the Oscars, leaf blowers, new Spielberg, Gates McFadden's NOT sister, and Jack Nicholson's love of acting.

Spielberg Season 2 kicks off with a casual 3 hour chat about Spielberg's 1993 blockbuster effort, Jurassic Park! Sarah and MJ are joined by Harley Mumford to discuss the film's themes, how it fits in conversation with his other creature feature, the enduring legacy of the film, and why other blockbusters (even the other entries in the Jurassic franchise) aren't as effective at entertaining the masses.

Due to technical issues, we delayed the second half of our 2025 horror top 10. Instead, we covered:The murder, career, and legacy of Rob ReinerMultiple takes and laborious directors (Robert Duvall on Nolan and Kubrick)TrailersDracula 2026Steven Spielberg's Disclosure DayStreet FighterLive stream each Thursday at 8:30 Eastern

Yes, they're connected by name. Yes, they're connected by being born within 9 months of each other. Yes, they're connected by their crazy talent to bring the best out of the sci-fi, horror, fantasy genres. But filmmaker Steven Spielberg and best-selling writer Stephen King are most connected by being in the rarefied extremely small subset of creative artists who have both climbed to the top peak of commercial AND artistic success. Spielberg movies like Duel, Jaws, Raiders of the Lost Ark, E.T. and King works like Carrie, The Shining, It, The Stand, Wizard and Glass have had blockbuster success while also being genuine explorations and expressions of their creators' obsessions. Secret Movie Club founder.programmer Craig Hammill devotes the last podcast of 2025 to a deep dive into what traits and characteristics unite the two artists and what we might learn from them. (We'll be back with our next new pod, SMC Podcast #205-The Movies of 2025 on Friday, January 9, 2026). Happy holidays and happy new year.

Send us a textThe whole crew is finally back on What They Talkin' and they come in hot. Dizzle breaks down the Shiny Hunters hack on Pornhub premium users and why your search history might be more dangerous than your credit card. Hollywood dives into 3I Atlas, the so-called interstellar “mothership” comet and the new Spielberg movie Disclosure Day, asking if we're really alone out here. Chach goes to war for Android against the iPhone mafia, Boogie brings some Christmas movie favorites, and Dizzle closes with a wild story about a raccoon that broke into a liquor store, got wasted, and passed out in the bathroom.Click HERE to follow our social links Click Here to submit a random story Music by: Eric Mayleek and VertygoOur Website Here Also, check out - Swurl.io If it wasn't for them we wouldn't have thought about doing this.

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00:00:00 – Holiday break logistics and last shows of 2025 00:04:50 – Alex Jones clip barrage chaos 00:09:32 – Audio and notification gremlins derail the setup 00:14:30 – Brown University shooting anomalies and missing footage talk 00:32:41 – MIT fusion scientist homicide spirals into geopolitics speculation 00:37:43 – Brown shooting rumor thread and motive theories 00:47:32 – Brown case update meets "where's the FBI" frustration 00:52:20 – Dan Bongino resignation rumors and Epstein-docs infighting 00:57:13 – Aliens invented chess becomes "serious" news 01:05:49 – Spielberg's Disclosure Day teaser sparks UFO hype and CGI nitpicks 01:15:15 – Starfleet Academy trailer triggers peak modern-Trek despair 01:20:15 – 3I/ATLAS closest-approach countdown and "is it artificial" debate 01:24:42 – Cratchit's Corner kicks off with pets-as-dependents tax absurdity 01:39:07 – The Grinch gets an unhinged anatomy deep-dive 01:43:59 – Top Christmas movies list turns into a Die Hard tribunal 01:57:14 – Alternate Christmas movie picks and end-of-year wrap banter 02:02:17 – Final rapid-fire soundboard stinger Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research ▀▄▀▄▀ CONTACT LINKS ▀▄▀▄▀ ► Website: http://obdmpod.com ► Twitch: https://www.twitch.tv/obdmpod ► Full Videos at Odysee: https://odysee.com/@obdm:0 ► Twitter: https://twitter.com/obdmpod ► Instagram: obdmpod ► Email: ourbigdumbmouth at gmail ► RSS: http://ourbigdumbmouth.libsyn.com/rss ► iTunes: https://itunes.apple.com/us/podcast/our-big-dumb-mouth/id261189509?mt=2  

Time for Sports Graffiti! Mason and Ireland listen to St. Brown talking about the Lions and their Nose Picking celebration. Are there too many Bowl Games now? What are Spielberg's best movies? Are the Seahawks not getting love on a national stage? How has Ayton been so far this season on the Lakers? Learn more about your ad choices. Visit podcastchoices.com/adchoices

In episode 1981, Jack and Miles are joined by co-host of Pod Yourself A Gun & Mad Yourself A Man, Vince Mancini, to discuss… FBI F**king Up The Brown Shooter Investigation, A Brief History Of Donald Trump Not Giving A Fuck About People Dying, Erika Kirk to Bari Weiss - Everyone Is Tripping Amirite? Okay, McDonald’s Is Just Trying To Kill Us Now, The Trailer For Spielberg’s New Alien Movie Just Dropped and more! FBI F**king Up The Brown Shooter Investigation WATCH: Trump defends reaction to Rob Reiner killing despite GOP criticism MAGA breaks with Trump on mocking Rob Reiner's killing MAGA Is Having a Hard Time Defending Trump Mocking Rob Reiner — But It Sure Is Trying You Won’t Believe How Trump Just Spun Charlie Kirk’s Death … Twice Donald Trump Once Boasted He Could Have 'Nailed' Princess Diana — But Only If She Passed an HIV Test On 9/11, Trump pointed out he now had the tallest building in Lower Manhattan. He didn’t. Trump: Americans Who Died in War Are ‘Losers’ and ‘Suckers’ Donald Trump Shared a Hilarious Story About Not Wanting to Help a Dying Man Like Father, Like Son: President Trump Lets Others Mourn Why A Former McDonald's Chef Thinks the Fast Food Chain Could Be Bringing Back 'Super Size' How Morgan Spurlock’s ‘gross-out’ ‘Super Size Me’ pushed McDonald’s to change its menu McDonald's has launched an XXL shareable version of their fries called "Fans Fries" in Malaysia McDonald’s XXL Fries Now Available in This Country The Trailer For Spielberg’s New Alien Movie Just Dropped Steven Spielberg’s UFO Movie Starring Emily Blunt & Josh O’Connor Unveils Trailer & Title LISTEN: Almost Like Being In Love by Red GarlandSee omnystudio.com/listener for privacy information.

We breakdown the snubs & surprises from the 98th Oscar Shortlists in all the feature film categories including Best International Feature, Documentary, Score, Song, Makeup and Hairstyling, Sound, VFX, Cinematography and Casting. Which films had the best day? Which struggled? Which held serve?? International Feature - 2:19 Documentary Feature - 6:54 Original Score - 12:40 Original Song - 15:40 Makeup and Hairstyling - 18:39 Sound - 23:16 Visual Effects - 24:35 Cinematography - 27:03 Casting & then we close with the Tallies - 28:53 OUTRO: We discuss the Spielberg movie - Disclosure Day trailer a bit during the Outro, and we mention a few potential upcoming episodes. So if you enjoy our work, please support our show by liking, subscribing, rating, reviewing and by telling people about our show. We appreciate it. https://linktr.ee/mikemikeandoscar

An odd dwarf encounter/ Does Spielberg's New Film Star A Real Alien?   Dead Rabbit Radio Movie Night December 19th 7PM PST Dead Rabbit Radio Movie Morning December 20th 9AM PST Join the Patreon, Free or Paid, for more info! https://www.patreon.com/user?u=18482113   Patreon (Get ad-free episodes, Patreon Discord Access, and more!) https://www.patreon.com/user?u=18482113 PayPal Donation Link https://tinyurl.com/mrxe36ph MERCH STORE!!! https://tinyurl.com/y8zam4o2 Amazon Wish List https://www.amazon.com/hz/wishlist/ls/28CIOGSFRUXAD?ref_=wl_share Dead Rabbit Radio Recommends Master List https://letterboxd.com/dead_rabbit/list/dead-rabbit-radio-recommends/ Dead Rabbit Radio Archive Episodes https://deadrabbitradio.blogspot.com/2025/07/ episode-archive.html https://archive.ph/UELip   Links: EP 58 - Mexican Sugar Dancing (The Evil Within episode) https://deadrabbitradio.libsyn.com/ep-58-mexican-sugar-dancing EP 787 - The Steven Spielberg Rape Caper https://deadrabbitradio.libsyn.com/ep-787-the-steven-spielberg-rape-caper EP 821: Quentin Tarantino Vs. The Ten Toes Of Terror! https://deadrabbitradio.libsyn.com/ep-821-quentin-tarantino-vs-the-ten-toes-of-terror EP 246 - The Truth Was Out There: The Emenegger/Sandler Film (Military Contacts Filmmakers To Let Them Have Authentic UFO Footage story) https://deadrabbitradio.libsyn.com/ep-246-the-truth-was-out-there-the-emeneggersandler-film The gnome messenger, from Lon's https://www.reddit.com/r/ParanormalNews/comments/1ownoi1/the_gnome_messenger_from_lons/ PIPE-SMOKING 'GNOME' DELIVERS WARNING! A 1969 Paranormal Encounter That Predicted a Soldier's Injury (Vietnam Gnome story) https://phantomsandmonsters.com/post/1763054942967#google_vignette Disclosure Day | Official Teaser https://www.youtube.com/watch?v=UFe6NRgoXCM Original Disclosure Day Poster https://imgur.com/a/F3koFJl Does Spielberg's new film star real aliens? https://www.telegraph.co.uk/films/0/steven-spielberg-aliens-disclosure/ A conspiracy theory that's so crazy it just might be brilliant! https://tinyurl.com/yeph3svn Night Skies https://en.wikipedia.org/wiki/Night_Skies J. Allen Hynek https://en.wikipedia.org/wiki/J._Allen_Hynek Steven Spielberg's Night Skies: The Most Important Movie (N)ever Made https://halloweenlove.com/steven-spielbergs-night-skies-the-most-important-movie-never-made/ The Next Steven Spielberg Movie Has a Poster to Disclose https://gizmodo.com/the-next-steven-spielberg-movie-has-something-to-disclose-2000699389 Untitled Steven Spielberg film https://en.wikipedia.org/wiki/Untitled_Steven_Spielberg_film Kelly–Hopkinsville encounter https://en.wikipedia.org/wiki/Kelly%E2%80%93Hopkinsville_encounter Rumor Has It: Disney picked the title 'Frozen' as a distraction https://www.utdailybeacon.com/opinion/columns/rumor-has-it-disney-picked-the-title-frozen-as-a-distraction/article_101f141a-520d-11ec-a163-6f5943ceefbf.html ---------------------------------------------- Logo Art By Ash Black Opening Song: "Atlantis Attacks" Closing Song: "Bella Royale" Music By Simple Rabbitron 3000 created by Eerbud Thanks to Chris K, Founder Of The Golden Rabbit Brigade Dead Rabbit Archivist Some Weirdo On Twitter AKA Jack YouTube Champ: Stewart Meatball Reddit Champ: TheLast747 The Haunted Mic Arm provided by Chyme Chili Forever Fluffle: Cantillions, Samson, Gregory Gilbertson, Jenny The Cat Discord Mods: Mason, Rudie Jazz   http://www.DeadRabbit.com Email: DeadRabbitRadio@gmail.com Twitter: https://twitter.com/DeadRabbitRadio Facebook: www.Facebook.com/DeadRabbitRadio TikTok: https://www.tiktok.com/@deadrabbitradio Dead Rabbit Radio Subreddit: https://www.reddit.com/r/DeadRabbitRadio/ Paranormal News Subreddit: https://www.reddit.com/r/ParanormalNews/ Mailing Address Jason Carpenter PO Box 1363 Hood River, OR 97031 Paranormal, Conspiracy, and True Crime news as it happens! Jason Carpenter breaks the stories they'll be talking about tomorrow, assuming the world doesn't end today. All Contents Of This Podcast Copyright Jason Carpenter 2018 - 2025  

Yes, of course THE SEARCHERS is not the Unforgiven of the 50s - but was it even trying to be? Can we set aside the things our modern eyes flag as regressive and appreciate the movie on its own terms? Do you need to be a John Wayne superfan to truly enjoy this John Wayne vehicle? What will our favorite movies look like to podcasters of the future? Let's get it all out in this Real Talk segment!TIMELINE00:01:26 That'll be the day00:02:01 Real Talk00:47:01 The Future & Patreon Stuff- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemoniospe on Instagram or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!Up next, we travel across the ocean to present-day London, to tackle the grizzly drama 44 INCH CHEST! Until then, let us know what you thought of The Searchers: is it really the best of the best when it comes to John Wayne flicks? Is Spielberg really sitting down to watch this before he shoots a new movie? Should we do The Conqueror sooner rather than later? E-mail us at wearethecontrarians@gmail.com or share your thoughts with us on Threads or BlueSky!

Residents of New York and Los Angeles were recently treated to an eye-grabbing display, with the sudden appearance of mysterious promotional billboards advertising a new project by legendary filmmaker Steven Spielberg. The eerie imagery was accompanied solely by the words "ALL WILL BE DISCLOSED," along with Spielberg's name and the presumed premiere date of the forthcoming film, the official title of which currently remains unknown. This week on The Micah Hanks Program, along with speculations about the film and whether it could feature "real aliens" and other theories that have proliferated online, we dive into the history of alleged U.S. government disclosures of information about UFOs in films and popular media, as well as the use of such platforms for the dissemination of disinformation.  Have you had a UFO/UAP sighting? Please consider reporting your sighting to the UAP Sightings Reporting System, a public resource for information about sightings of aerial phenomena. The story doesn't end here... become an X Subscriber and get access to even more weekly content and monthly specials. Want to advertise/sponsor The Micah Hanks Program? We have partnered with the AdvertiseCast to handle our advertising/sponsorship requests. If you would like to advertise with The Micah Hanks Program, all you have to do is click the link below to get started: AdvertiseCast: Advertise with The Micah Hanks Program Show Notes Below are links to stories and other content featured in this episode: NEWS: Live updates: 10 killed in shooting at Australia's Bondi Beach, 2 in custody | CNN  Bondi Beach: Hero 'did not hesitate', family tells BBC, as Albanese says gunmen motivated by extremism Video of Australian "hero" disarming gunman in recent Bondi shooting  DONATE: Fundraiser by CarHubAustralia Australia : Support the Hero Who Disarmed a Bondi Attacker  Rob Reiner's Son Nick Arrested Following Deaths of His Parents, Held on $4 Million Bail  Egypt reveals restored colossal statues of pharaoh in Luxor  Interstellar comet 3I/ATLAS makes its closest approach to Earth on Dec. 19 ALL WILL BE DISCLOSED: Spielberg Poster Teases Mysterious New UFO Movie: "All Will Be Disclosed"   REAL ALIENS: Does Steven Spielberg's new film star real aliens?  E.T. phone Steven? Spielberg's new UFO movie, cryptic billboards reignite real alien conspiracies  What's The Latest On Steven Spielberg's Mystery UFO Movie? What We Know So Far  U.S. Admits UFOs Exist - Washington, PA Observer-Reporter - Nov 13, 1974 UFO COVERUP: Emenegger and Shartle in 'UFO Coverup? LIVE' Robert Emenegger 'Update' Interview 'ET' IN REAL LIFE: Spielberg Discusses Regan Statement at ET Private Screening BECOME AN X SUBSCRIBER AND GET EVEN MORE GREAT PODCASTS AND MONTHLY SPECIALS FROM MICAH HANKS. Sign up today and get access to the entire back catalog of The Micah Hanks Program, as well as "classic" episodes, weekly "additional editions" of the subscriber-only X Podcast, the monthly Enigmas specials, and much more. Like us on Facebook Follow @MicahHanks on X. Keep up with Micah and his work at micahhanks.com.

Order my new book: https://geni.us/AtlasOfUFOs The trailer for Steven Spielberg's long-awaited UFO movie has finally dropped and it's officially titled Disclosure Day. In this breaking news episode, Andy walks through the teaser trailer shot by shot, looking at the symbolism, themes, and heavy UFO lore running throughout. Religious imagery, animal symbolism, global broadcasts, altered voices, and the idea of full worldwide disclosure all feature heavily. The episode also covers new comments from members of Congress on UAPs following the latest Weaponized interview, including pushback from agencies, the need for subpoena power, and questions about whether disclosure can ever happen through official channels. Plenty of listener reactions and first impressions included.

by UFO History Buff & Author, Charles Lear ~ In the course of researching UFO cases in Spanish speaking countries, one is bound to run into Scott Corrales and Inexplicata: The Journal of Hispanic UFOlogy. It exists today as a website, but in the fall of 1998, Corrales put out the first print version. In issue number 3, put out in the spring of 1999, Corrales celebrates the public reception of the first two issues and notes that there were 1800 visitors to the inexplicata.com website. In that issue is an article by Javier Garcia Blanco headlined “Roadside Encounters: UFOs, Aliens and Missing Time,” that Corrales promises, “does for driving what Spielberg's Jaws did for swimming: you won't want to get behind the wheel!” Blanco is credited with being the editor (along with Angel Briongos Martinez) of the Spain-based magazine Declasificado and the director of LACIP.The first case Blanco goes into is that of “veteran radio personality” Pedro Mateo and his wife, Gloria Jiménez. According to him, Mateo described what he said happened to him and his wife on June 26, 1977, after explaining, “I have it etched upon my mind because we were flying to Dusseldorf that day, and most of what happens to me I write in a notebook.” He said that after leaving Zaragoza at around 5:00 a.m., they were just past the town of Los Garrigues after sunrise when they saw a disk-shaped object off in the distance. He wasn't “overly concerned” at that point, but got scared when it proceeded to move quickly and silently towards them. Read more →

00:00:00 – Joe's return gets framed as a security-guarantees negotiation 00:04:59 – A 4 a.m. Ohio backyard howl triggers a personal Bigfoot-style encounter 00:09:53 – DIY field recording scramble and audio-analysis talk 00:14:26 – The howl gets matched against the 1994 "Ohio Howl" tape 00:19:16 – Nextdoor neighbors debate Bigfoot vs. mundane explanations 00:23:41 – "Two shots in the air" test for whether the sound is alive or mechanical 00:28:35 – Spielberg's new UFO movie sparks "he knows secrets" conspiracy chatter 00:38:13 – Lou Elizondo warns of a society-shaking event if UAPs are ignored 00:51:41 – Charlie Kirk assassination trial talk and backlash-to-conspiracy forecasting 01:01:39 – Ilhan Omar "married her brother" allegation resurfaces 01:06:39 – Paper masks beat facial-recognition attendance systems in China 01:11:40 – Year-end show schedule planning and phones open 01:14:21 – Caller from DC on National Guard patrol optics and right-wing infighting 01:27:19 – GameStop "trade anything" day turns into a modern pawnshop spectacle 01:40:17 – Harvard remains trafficking case becomes a running "corpse economy" thread 01:44:51 – Body-modification "skin tanner" profile turns the case into pure nightmare fuel 01:48:45 – IP owners start cutting deals to let AI use famous characters/likenesses 01:52:47 – Disney's AI stance shifts to "participate or be disrupted" pragmatism 01:56:55 – AI-generated Star Wars "untold tales" style content raises legal/industry questions 02:00:23 – Wrap-up: likely last show of the year and Portugal travel sendoff 02:03:28 – Final sign-off and "I went too far" cooldown   Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research ▀▄▀▄▀ CONTACT LINKS ▀▄▀▄▀ ► Website: http://obdmpod.com ► Twitch: https://www.twitch.tv/obdmpod ► Full Videos at Odysee: https://odysee.com/@obdm:0 ► Twitter: https://twitter.com/obdmpod ► Instagram: obdmpod ► Email: ourbigdumbmouth at gmail ► RSS: http://ourbigdumbmouth.libsyn.com/rss ► iTunes: https://itunes.apple.com/us/podcast/our-big-dumb-mouth/id261189509?mt=2  

The first major look at SUPERGIRL has finally arrived, and fans are already fired up. On today's episode of The Kristian Harloff Show, we break down the brand-new Supergirl trailer, the early reactions to the initial footage, and why some viewers are comparing her vibe to "a female Star-Lord." Is this the tone James Gunn and DC are aiming for, and does the trailer live up to the hype? We dig into every detail with a full Supergirl trailer breakdown. We also cover several major stories across the entertainment world. Fantastic Four's Disney+ launch fizzles, raising questions about Marvel's momentum. Meanwhile, Jennifer Lawrence and Josh Hutcherson return to The Hunger Games, signaling a surprising new direction for the franchise. On the sci-fi front, we discuss the first look at Steven Spielberg's mysterious UFO film, including reported plot details and potential titles that have fans buzzing. And over in the MCU, it looks like the highly anticipated AVENGERS: DOOMSDAY trailer may be delayed yet again. With rumors suggesting we may not see it this week—or even next week—the anticipation continues to build. From DC's big Supergirl reveal to Marvel shake-ups, Hunger Games updates, and Spielberg's latest project, this episode is packed with analysis, speculation, and industry insight. SPONSORS: PRIZEPICKS: Visit https://prizepicks.onelink.me/LME0/KRISTIAN and use code KRISTIAN and get $50 in lineups when you play your first $5 lineup! AURA FRAMES: Exclusive $35 off Carver Mat at https://on.auraframes.com/KRISTIAN. Promo Code KRISTIAN  CASH APP: Download Cash App Today: https://capl.onelink.me/vFut/76rlxe00 #cashapppod   Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. See terms and conditions at cash.app/legal/us/en-us/card-agreement. Promotions provided by Cash App, a Block, Inc. brand. Visit https://www.cash.app/legal/podcast for full disclosures. RAYCON: The Essential Open Earbuds are here for the holiday season and they're selling fast. Raycon audio products are up to 20% off this holiday season. Go to https://www.buyraycon.com/KRISTIANOPEN to save on Raycon audio products sitewide. Order by December 15th guarantee delivery by Christmas because great gifts shouldn't show up late.