Podcasts about spielberg

In episode 2020, Jack and Miles are joined by comedian and host of Go Fact Yourself, J. Keith van Straaten, to discuss… Pete Hegseth’s Pentagon Is Spending Billions On War... And Millions On Lobster, Trump Playing 4D Checkers Baby With Save Act, Old Habits…Iran/Midterms, Is Hollywood’s UFO Trend A Government PSYOP? And more! Is the Iran war really costing the US $2bn per day? Pentagon Should Focus on Defense Priorities, not Lavish Dinners, After Historic $93.4B “Use-It-or-Lose-It” September Pete Hegseth Blew Billions on Fruit Basket Stands, Chairs, and Crab Hollywood Is Suddenly Taking UFOs Seriously, With Rival “Disclosure” Projects in the Works (Exclusive) ‘A lot of stories but very few facts’: sceptics push back on buzzy UFO documentary MAGA Congresswoman Claims UFOs Might Be ‘Interdimensional Beings’ UFOs, Aliens & Steven Spielberg's 20-Year Obsession Close Encounters: Cultural Impact Claim: NASA tried to stop Spielberg's 'Close Encounters of the Third Kind' CIA Influence on 'The Day the Earth Stood Still' The Day the Earth Stood Still: Rejected by the US Air Force, but aided by the CIA? LISTEN: blackbird by Victoria CanalSee omnystudio.com/listener for privacy information.

Wir besuchen endlich mal wieder das beschauliche Hill Valley und sehen uns an, welche Probleme Marty und Doc in diversen Zeit(eben)en lösen müssen. Zusätzlich beleuchten wir ein wenig die Produktionsgeschichte des Films.

Le monde du grand écran a mis du temps avant de lancer des personnages féminins au premier plan. Mais une véritable rupture est arrivée à ce niveau en 1979 avec la sortie de Alien, le huitième passager. Sortie qui coïncide avec la révélation, aux yeux du monde, du personnage d'Ellen Ripley incarné par Sigourney Weaver. Mais pourquoi on considère ça comme une révolution ? Qu'est-ce que Ripley a apporté à la cause féministe ? Écoutez la suite dans cet épisode de "Maintenant vous savez - Culture". Un podcast Bababam Originals, écrit et réalisé par Thomas Deseur. Première diffusion : mars 2022 A écouter aussi : ⁠Comment Riad Sattouf est-il devenu l'enfant chéri de la BD française ?⁠ ⁠Quel est le secret de longévité de l'émission Koh-Lanta ?⁠ ⁠Qu'est-ce que la Spielberg face, ce mouvement de caméra iconique ? Retrouvez tous les épisodes de "Maintenant vous savez". Suivez Bababam sur Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Sarah and MJ talk about Spielberg's other 1997 film, Amistad. They discuss its odd placement in his filmography, the beginning of the "soft" look of his films, and the glorious wigs that dot the film.

March kicks off with Directors Month on Jay Movie Talk, and Episode 368 begins with one of the most influential filmmakers in movie history: Steven Spielberg .From redefining the blockbuster to crafting some of the most emotionally resonant films ever made, Spielberg's work has shaped generations of moviegoers and filmmakers alike. In this episode, I take a closer look at what makes his directing style so distinctive and why his movies continue to stand the test of time.*Spielberg's unique ability to blend spectacle with human emotion*The craft and tension behind classics like Jaws *The sense of wonder, horror, and cinematic innovation in Jurassic Park*How his films balance adventure, suspense, and character-driven storytelling *The recurring themes of family, childhood, and ordinary people facing extraordinary situations I also talk about Spielberg's lasting impact on modern filmmaking, the evolution of the blockbuster era, and why his storytelling style continues to influence directors working today.

The reception to our recent post on Code Reviews has been strong. Catch up!Amid a maelstrom of discussion on whether or not AI is killing SaaS, one of the top publicly listed SaaS companies in the world has just reported record revenues, clearing well over $1.1B in ARR for the first time with a 28% margin. As we comment on the pod, Aaron Levie is the rare public company CEO equally at home in both worlds of Silicon Valley and Wall Street/Main Street, by day helping 70% of the Fortune 500 with their Enterprise Advanced Suite, and yet by night is often found in the basements of early startups and tweeting viral insights about the future of agents.Now that both Cursor, Cloudflare, Perplexity, Anthropic and more have made Filesystems and Sandboxes and various forms of “Just Give the Agent a Box” cool (not just cool; it is now one of the single hottest areas in AI infrastructure growing 100% MoM), we find it a delightfully appropriate time to do the episode with the OG CEO who has been giving humans and computers Boxes since he was a college dropout pitching VCs at a Michael Arrington house party.Enjoy our special pod, with fan favorite returning guest/guest cohost Jeff Huber!Note: We didn't directly discuss the AI vs SaaS debate - Aaron has done many, many, many other podcasts on that, and you should read his definitive essay on it. Most commentators do not understand SaaS businesses because they have never scaled one themselves, and deeply reflected on what the true value proposition of SaaS is.We also discuss Your Company is a Filesystem:We also shoutout CTO Ben Kus' and the AI team, who talked about the technical architecture and will return for AIE WF 2026.Full Video EpisodeTimestamps* 00:00 Adapting Work for Agents* 01:29 Why Every Agent Needs a Box* 04:38 Agent Governance and Identity* 11:28 Why Coding Agents Took Off First* 21:42 Context Engineering and Search Limits* 31:29 Inside Agent Evals* 33:23 Industries and Datasets* 35:22 Building the Agent Team* 38:50 Read Write Agent Workflows* 41:54 Docs Graphs and Founder Mode* 55:38 Token FOMO Culture* 56:31 Production Function Secrets* 01:01:08 Film Roots to Box* 01:03:38 AI Future of Movies* 01:06:47 Media DevRel and EngineeringTranscriptAdapting Work for AgentsAaron Levie: Like you don't write code, you talk to an agent and it goes and does it for you, and you may be at best review it. That's even probably like, like largely not even what you're doing. What's happening is we are changing our work to make the agents effective. In that model, the agent didn't really adapt to how we work.We basically adapted to how the agent works. All of the economy has to go through that exact same evolution. Right now, it's a huge asset and an advantage for the teams that do it early and that are kinda wired into doing this ‘cause you'll see compounding returns. But that's just gonna take a while for most companies to actually go and get this deployed.swyx: Welcome to the Lane Space Pod. We're back in the chroma studio with uh, chroma, CEO, Jeff Hoover. Welcome returning guest now guest host.Aaron Levie: It's a pleasure. Wow. How'd you get upgraded to, uh, to that?swyx: Because he's like the perfect guy to be guest those for you.Aaron Levie: That makes sense actually, for We love context. We, we both really love context le we really do.We really do.swyx: Uh, and we're here with, uh, Aaron Levy. Welcome.Aaron Levie: Thank you. Good to, uh, good to be [00:01:00] here.swyx: Uh, yeah. So we've all met offline and like chatted a little bit, but like, it's always nice to get these things in person and conversation. Yeah. You just started off with so much energy. You're, you're super excited about agents.I loveAaron Levie: agents.swyx: Yeah. Open claw. Just got by, got bought by OpenAI. No, not bought, but you know, you know what I mean?Aaron Levie: Some, some, you know, acquihire. Executiveswyx: hire.Aaron Levie: Executive hire. Okay. Executive hire. Say,swyx: hey, that's my term. Okay. Um, what are you pounding the table on on agents? You have so many insightful tweets.Why Every Agent Needs a BoxAaron Levie: Well, the thing that, that we get super excited by that I think is probably, you know, should be relatively obvious is we've, we've built a platform to help enterprises manage their files and their, their corporate files and the permissions of who has access to those files and the sharing collaboration of those files.All of those files contain really, really important information for the enterprise. It might have your contracts, it might have your research materials, it might have marketing information, it might have your memos. All that data obviously has, you know, predominantly been used by humans. [00:02:00] But there's been one really interesting problem, which is that, you know, humans only really work with their files during an active engagement with them, and they kind of go away and you don't really see them for a long time.And all of a sudden, uh, with the power of AI and AI agents, all of that data becomes extremely relevant as this ongoing source of, of answers to new questions of data that will transform into, into something else that, that produces value in your organization. It, it contains the answer to the new employee that's onboarding, that needs to ramp up on a project.Um, it contains the answer to the right thing to sell a customer when you're having a conversation to them, with them contains the roadmap information that's gonna produce the next feature. So all that data. That previously we've been just sort of storing and, and you know, occasionally forgetting about, ‘cause we're only working on the new active stuff.All of that information becomes valuable to the enterprise and it's gonna become extremely valuable to end users because now they can have agents go find what they're looking for and produce new, new [00:03:00] value and new data on that information. And it's gonna become incredibly valuable to agents because agents can roam around and do a bunch of work and they're gonna need access to that data as well.And um, and you know, sometimes that will be an agent that is sort of working on behalf of, of, of you and, and effectively as you as and, and they are kind of accessing all of the same information that you have access to and, and operating as you in the system. And then sometimes there's gonna be agents that are just.Effectively autonomous and kind of run on their own and, and you're gonna collaborate and work with them kind of like you did another person. Open Claw being the most recent and maybe first real sort of, you know, kind of, you know, up updating everybody's, you know, views of this landscape version of, of what that could look like, which is, okay, I have an agent.It's on its own system, it's on its own computer, it has access to its own tools. I probably don't give it access to my entire life. I probably communicate with it like I would an assistant or a colleague and then it, it sort of has this sandbox environment. So all of that has massive implications for a platform that manage that [00:04:00] enterprise data.We think it's gonna just transform how we work with all of the enterprise content that we work with, and we just have to make sure we're building the right platform to support that.swyx: The sort of shorthand I put it is as people build agents, everybody's just realizing that every agent needs a box. Yes.And it's nice to be called box and just give everyone a box.Aaron Levie: Hey, I if I, you know, if we can make that go viral, uh, like I, I think that that terminology, I, that's theswyx: tagline. Every agentAaron Levie: needs a box. Every agent needs a box. If we can make that the headline of this, I'm fine with this. And that's the billboard I wanna like Yeah, exactly.Every agent needs a box. Um, I like it. Can we ship this? Like,swyx: okay, let's do it. Yeah.Aaron Levie: Uh, my work here is done and I got the value I needed outta this podcast Drinks.swyx: Yeah.Agent Governance and IdentityAaron Levie: But, but, um, but, but, you know, so the thing that we, we kind of think about is, um, is, you know, whether you think the number 10 x or a hundred x or whatever the number is, we're gonna have some order of magnitude more agents than people.That's inevitable. It has to happen. So then the question is, what is the infrastructure that's needed to make all those agents effective in the enterprise? Make sure that they are well governed. Make sure they're only doing [00:05:00] safe things on your information. Make sure that they're not getting exposed. The data that they shouldn't have access to.There's gonna be just incredibly spectacularly crazy security incidents that will happen with agents because you'll prompt, inject an agent and sort of find your way through the CRM system and pull out data that you shouldn't have access to. Oh, weJeff Huber: have God,Aaron Levie: right? I mean, that's just gonna happen all over the place, right?So, so then the thing is, is how do you make sure you have the right security, the permissions, the access controls, the data governance. Um, we actually don't yet exactly know in many cases how we're gonna regulate some of these agents, right? If you think about an agent in financial services, does it have the exact same financial sort of, uh, requirements that a human did?Or is it, is the risk fully on the human that was interacting or created the agent? All open questions, but no matter what, there's gonna need to be a layer that manages the, the data they have access to, the workflows that they're involved in, pulling up data from multiple systems. This is the new infrastructure opportunity in the era of agents.swyx: You have a piece on agent identities, [00:06:00] which I think was today, um, which I think a lot of breaking news, the security, security people are talking about, right? Like you basically, I, I always think of this as like, well you need the human you and then there you need the agent. YouAaron Levie: Yes.swyx: And uh, well, I don't know if it's that simple, but is box going to have an opinion on that or you're just gonna be like, well we're just the sort of the, the source layer.Yeah. Let's Okta of zero handle that.Aaron Levie: I think we're gonna have an opinion and we will work with generally wherever the contours of the market end up. Um, and the reason that we're gonna have an opinion more than other topics probably is because one of the biggest use cases for why your agent might need it, an identity is for file system access.So thus we have to kind of think about this pretty deeply. And I think, uh, unless you're like in our world thinking about this particular problem all day long, it might be, you know, like, why is this such a big deal? And the reason why it's a really big deal is because sometimes sort of say, well just give the agent an, an account on the system and it just treats, treat it like every other type of user on the system.The [00:07:00] problem is, is that I as Aaron don't really have any responsibility over anybody else's box account in our organization. I can't see the box account of any other employee that I work with. I am not liable for anything that they do. And they have, I have, I have, you know, strict privacy requirements on everything that they're able to, you know, that, that, that they work on.Agents don't have that, you know, don't have those properties. The person who creates the agent probably is gonna, for the foreseeable future, take on a lot of the liability of what that agent does. That agent doesn't deserve any privacy because, because it's, you know, it can't fully be autonomously operated and it doesn't have any legal, you know, kind of, you know, responsibility.So thus you can't just be like, oh, well I'll just create a bunch of accounts and then I'll, I'll kind of work with that agent and I'll talk to it occasionally. Like you need oversight of that. And so then the question is, how do you have a world where the agent, sometimes you have oversight of, but what if that agent goes and works with other people?That person over there is collaborating with the agent on something you shouldn't have [00:08:00] access to what they're doing. So we have all of these new boundaries that we're gonna have to figure out of, of, you know, it's really, really easy. So far we've been in, in easy mode. We've hit the easy button with ai, which is the agent just is you.And when you're in quad code and you're in cursor, and you're in Codex, you're just, the agent is you. You're offing into your services. It can do everything you can do. That's the easy mode. The hard mode is agents are kind of running on their own. People check in with them occasionally, they're doing things autonomously.How do you give them access to resources in the enterprise and not dramatically increased the security risk and the risk that you might expose the wrong thing to somebody. These are all the new problems that we have to get solved. I like the identity layer and, and identity vendors as being a solution to that, but we'll, we'll need some opinions as well because so many of the use cases are these collaborative file system use cases, which is how do I give it an agent, a subset of my data?Give it its own workspace as well. ‘cause it's gonna need to store off its own information that would be relevant for it. And how do I have the right oversight into that? [00:09:00]Jeff Huber: One thing, which, um, I think is kind interesting, think about is that you know, how humans work, right? Like I may not also just like give you access to the whole file.I might like sit next to you and like scroll to this like one part of the file and just show you that like one part and like, you know,swyx: partial file access.Jeff Huber: I'm just saying I think like our, like RA does seem to be dead, right? Like you wanna say something is dead uhhuh probably RA is dead. And uh, like the auth story to me seems like incredibly unsolved and unaddressed by like the existing state of like AI vendors.ButAaron Levie: yeah, I think, um, we're, I mean you're taking obviously really to level limit that we probably need to solve for. Yeah. And we built an access control system that was, was kind of like, you know, its own little world for, for a long time. And um, and the idea was this, it's a many to many collaboration system where I can give you any part of the file system.And it's a waterfall model. So if I give you higher up in the, in the, in the system, you get everything below. And that, that kind of created immense flexibility because I can kind of point you to any layer in the, in the tree, but then you're gonna get access to everything kind of below it. And that [00:10:00] mostly is, is working in this, in this world.But you do have to manage this issue, which is how do I create an agent that has access to some of my stuff and somebody else's stuff as well. Mm-hmm. And which parts do I get to look at as the creator of the agent? And, and these are just brand new problems? Yeah. Crazy. And humans, when there was a human there that was really easy to do.Like, like if the three of us were all sharing, there'd be a Venn diagram where we'd have an overlapping set of things we've shared, but then we'd have our own ways that we shared with each other. In an agent world, somebody needs to take responsibility for what that agent has access to and what they're working on.These are like the, some of the most probably, you know, boring problems for 98% of people on, on the internet, but they will be the problems that are the difference between can you actually have autonomous agents in an enterprise contextswyx: Yeah.Aaron Levie: That are not leaking your data constantly.swyx: No. Like, I mean, you know, I run a very, very small company for my conference and like we already have data sensitivity issues.Yes. And some of my team members cannot see Yes. Uh, the others and like, I can't imagine what it's like to run a Fortune 500 and like, you have to [00:11:00] worry about this. I'm just kinda curious, like you, you talked to a lot like, like 70, 80% of your cus uh, of the Fortune 500, your customers.Aaron Levie: Yep. 67%. Just so we're being verySEswyx: precise.So Yeah. I'm notAaron Levie: Okay. Okay.swyx: Something I'm rounding up. Yes. Round up. I'm projecting to, forAaron Levie: the government.swyx: I'm projecting to the end of the year.Aaron Levie: Okay.swyx: There you go.Aaron Levie: You do make it sound like, like we, we, well we've gotta be on this. Like we're, we're taking way too long to get to 80%. Well,swyx: no, I mean, so like. How are they approaching it?Right? Because you're, you don't have a, you don't have a final answer yet.Why Coding Agents Took Off FirstAaron Levie: Well, okay, so, so this is actually, this is the stark reality that like, unfortunately is the kinda like pouring the water on the party a little bit.swyx: Yes.Aaron Levie: We all in Silicon Valley are like, have the absolute best conditions possible for AI ever.And I think we all saw the dke, you know, kind of Dario podcast and this idea of AI coding. Why is that taken off? And, and we're not yet fully seeing it everywhere else. Well, look, if you just like enumerated the list of properties that AI coding has and then compared it to other [00:12:00] knowledge work, let's just, let's just go through a few of them.Generally speaking, you bring on a new engineer, they have access to a large swath of the code base. Like, there's like very, like you, just, like new engineer comes on, they can just go and find the, the, the stuff that they, they need to work with. It's a fully text in text out. Medium. It's only, it's just gonna be text at the end of the day.So it's like really great from a, from just a, uh, you know, kinda what the agent can work with. Obviously the models are super trained on that dataset. The labs themselves have a really strong, kind of self-reinforcing positive flywheel of why they need to do, you know, agent coding deeply. So then you get just better tooling, better services.The actual developers of the AI are daily users of the, of the thing that they're we're working on versus like the, you know, probably there's only like seven Claude Cowork legal plugin users at Anthropic any given day, but there's like a couple thousand Claude code and you know, users every single day.So just like, think about which one are they getting more feedback on. All day long. So you just go through this list. You have a, you know, everybody who's a [00:13:00] developer by definition is technical so they can go install the latest thing. We're all generally online, or at least, you know, kinda the weird ones are, and we're all talking to each other, sharing best practices, like that's like already eight differences.Versus the rest of the economy. Every other part of the economy has like, like six to seven headwinds relative to that list. You go into a company, you're a banker in financial services, you have access to like a, a tiny little subset of the total data that's gonna be relevant to do your job. And you're have to start to go and talk to a bunch of people to get the right data to do your job because Sally didn't add you to that deal room, you know, folder.And that that, you know, the information is actually in a completely different organization that you now have to go in and, and sort of run into. And it's like you have this endless list of access controls and security. As, as you talked about, you have a medium, which is not, it's not just text, right? You have, you have a zoom call that, that you're getting all of the requirements from the customer.You have a lot of in-person conversations and you're doing in-person sales and like how do you ever [00:14:00] digitize all of that information? Um, you know, I think a lot of people got upset with this idea that the code base has all the context, um, that I don't know if you follow, you know, did you follow some of that conversation that that went viral?Is like, you know, it's not that simple that, that the code base doesn't have all the knowledge, but like it's a lot, you're a lot better off than you are with other areas of knowledge work. Like you, we like, we like have documentation practices, you write specifications. Those things don't exist for like 80% of work that happens in the enterprise.That's the divide that we have, which is, which is AI coding has, has just fully, you know, where we've reached escape velocity of how powerful this stuff is, and then we're gonna have to find a way to bring that same energy and momentum, but to all these other areas of knowledge work. Where the tools aren't there, the data's not set up to be there.The access controls don't make it that easy. The context engineering is an incredibly hard problem because again, you have access control challenges, you have different data formats. You have end users that are gonna need to kind of be kind of trained through this as opposed to their adopting [00:15:00] these tools in their free time.That's where the Fortune 500 is. And so we, I think, you know, have to be prepared as an industry where we are gonna be on a multi-year march to, to be able to bring agents to the enterprise for these workflows. And I think probably the, the thing that we've learned most in coding that, that the rest of the world is not yet, I think ready for, I mean, we're, they'll, they'll have to be ready for it because it's just gonna inevitably happen is I think in coding.What, what's interesting is if you think about the practice of coding today versus two years ago. It's probably the most changed workflow in maybe the history of time from the amount of time it's changed, right? Yeah. Like, like has any, has any workflow in the entire economy changed that quickly in terms of the amount of change?I just, you know, at least in any knowledge worker workflow, there's like very rarely been an event where one piece of technology and work practice has so fundamentally, you know, changed, changed what you do. Like you don't write code, you talk to an agent and it goes and [00:16:00] does it for you, and you may be at best review it.And even that's even probably like, like largely not even what you're doing. What's happening is we are changing our work to make the agents effective. In that model, the agent didn't really adapt to how we work. We basically adapted to how the agent works. Mm-hmm. All of the economy has to go through that exact same evolution.The rest of the economy is gonna have to update its workflows to make agents effective. And to give agents the context that they need and to actually figure out what kind of prompting works and to figure out how do you ensure that the agent has the right access to information to be able to execute on its work.I, you know, this is not the panacea that people were hoping for, of the agent drops in, just automates your life. Like you have to basically re-engineer your workflow to get the most out of agents and, uh, and that, that's just gonna take, you know, multiple years across the economy. Right now it's a huge asset and an advantage for the teams that do it early and that are kinda wired into doing this.‘cause [00:17:00] you'll see compounding returns, but that's just gonna take a while for most companies to actually go and get this deployed.swyx: I love, I love pushing back. I think that. That is what a lot of technology consultants love to hear this sort of thing, right? Yeah, yeah, yeah. First to, to embrace the ai. Yes. To get to the promised land, you must pay me so much money to a hundred percent to adopt the prescribed way of, uh, conforming to the agents.Yes. And I worry that you will be eclipsed by someone else who says, no, come as you are.Aaron Levie: Yeah.swyx: And we'll meet you where you are.Aaron Levie: And, and, and and what was the thing that went viral a week ago? OpenAI probably, uh, is hiring F Dees. Yeah. Uh, to go into the enterprise. Yeah. Yeah. And then philanthropic is embedded at Goldman Sachs.Yeah. So if the labs are having to do this, if, if the labs have decided that they need to hire FDE and professional services, then I think that's a pretty clear indication that this, there's no easy mode of workflow transformation. Yeah. Yeah. So, so to your point, I think actually this is a market opportunity for, you know, new professional services and consulting [00:18:00] firms that are like Agent Build and they, and they kind of, you know, go into organizations and they figure out how to re-engineer your workflows to make them more agent ready and get your data into the right format and, you know, reconstruct your business process.So you're, you're not doing most of the work. You're telling agents how to do the work and then you're reviewing it. But I haven't seen the thing that can just drop in and, and kinda let you not go through those changes.swyx: I don't know how that kind of sales pitch goes over. Yeah. You know, you're, you're saying things like, well, in my sort of nice beautiful walled garden, here's, there's, uh, because here's this, here's this beautiful box account that has everything.Yes. And I'm like, well, most, most real life is extremely messy. Sure. And like, poorly named and there duplicate this outdated s**tAaron Levie: a hundred percent. And so No, no, a hundred percent. And so this is actually No. So, so this is, I mean, we agree that, that getting to the beautiful garden is gonna be tough.swyx: Yeah.Aaron Levie: There's also the other end of the spectrum where I, I just like, it's a technical impossibility to solve. The agent is, is truly cannot get enough context to make the right decision in, in the, in the incredibly messy land. Like there's [00:19:00] no a GI that will solve that. So, so we're gonna have to kind of land in somewhere in between, which is like we all collectively get better at.Documentation practices and, and having authoritative relatively up-to-date information and putting it in the right place like agents will, will certainly cause us to be much better organized around how we work with our information, simply because the severity of the agent pulling the wrong data will be too high and the productivity gain of that you'll miss out on by not doing this will be too high as well, that you, that your competition will just do it and they'll just have higher velocity.So, uh, and, and we, we see this a lot firsthand. So we, we build a series of agents internally that they can kind of have access to your full box account and go off and you give it a task and it can go find whatever information you're looking for and work with. And, you know, thank God for the model progress, but like, if, if you gave that task to an agent.Nine months ago, you're just gonna get lots of bogus answers because it's gonna, it's gonna say, Hey, here's, here are fi [00:20:00] five, you know, documents that all kind of smell like the right thing. And I'm gonna, but I, but you're, you're putting me on the clock. ‘cause my assistant prompt says like, you know, be pretty smart, but also try and respond to the user and it's gonna respond.And it's like, ah, it got the wrong document. And then you do that once or twice as a knowledge worker and you're just neverswyx: again,Aaron Levie: never again. You're just like done with the system.swyx: Yeah. It doesn't work.Aaron Levie: It doesn't work. And so, you know, Opus four six and Gemini three one Pro and you know, whatever the latest five 3G BT will be, like, those things are getting better and better and it's using better judgment.And this sort of like the, all of these updates to the agentic tool and search systems are, are, we're seeing, we're seeing very real progress where the agent. Kind of can, can almost smell some things a little bit fishy when it's getting, you know, we, we have this process where we, we have it go fan out, do a bunch of searches, pull up a bunch of data, and then it has to sort of do its own ranking of, you know, what are the right documents that, that it should be working with.And again, like, you know, the intelligence level of a model six months ago, [00:21:00] it'd be just throwing a dart at like, I'm just, I'm gonna grab these seven files and I, I pray, I hope that that's the right answer. And something like an opus first four five, and now four six is like, oh, it's like, no, that one doesn't seem right relative to this question because I'm seeing some signal that is making that, you know, that's contradicting the document where it would normally be in the tree and who should have access.Like it's doing all of that kind of work for you. But like, it still doesn't work if you just have a total wasteland of data. Like, it's just not, it's just not possible. Partly ‘cause a human wouldn't even be able to do it. So basically if a, if a really, really smart human. Could not do that task in five or 10 minutes for a search retrieval type task.Look, you know, your agent's not gonna be able to do it any better. You see this all day long. SoContext Engineering and Search Limitsswyx: this touches on a thing that just passionate about it was just context engineering. I, I'm just gonna let you ramble or riff on, on context engineering. If, if, if there's anything like he, he did really good work on context fraud, which has really taken over as like the term that people use and the referenceAaron Levie: a hundred percent.We, we all we think about is, is the context rob problem. [00:22:00]Jeff Huber: Yeah, there's certainly a lot of like ranking considerations. Gentech surgery think is incredibly promising. Um, yeah, I was trying to generate a question though. I think I have a question right now. Swyx.Aaron Levie: Yeah, no, but like, like I think there was this moment, um, you know, like, I don't know, two years ago before, before we knew like where the, the gotchas were gonna be in ai and I think someone was like, was like, well, infinite context windows will just solve all of these problems and ‘cause you'll just, you'll just give the context window like all the data and.It's just like, okay, I mean, maybe in 2035, like this is a viable solution. First of all, it, it would just, it would just simply cost too much. Like we just can't give the model like the 5,000 documents that might be relevant and it's gonna read them all. And I've seen enough to, to start believing in crazy stuff.So like, I'm willing to just say, sure. Like in, in 10 years from now,swyx: never say, never, never.Aaron Levie: In, in 10 years from now, we'll have infinite context windows at, at a thousandth of the price of today. Like, let's just like believe that that's possible, but Right. We're in reality today. So today we have a context engineering [00:23:00] problem, which is, I got, I got, you know, 200,000 tokens that I can work with, or prob, I don't even know what the latest graph is before, like massive degradation.16. Okay. I have 60,000 tokens that I get to work with where I'm gonna get accurate information. That's not a lot of tokens for a corpus of 10 million documents that a knowledge worker might have across all of the teams and all the projects and all the people they work with. I have, I have 10 million documents.Which, you know, maybe is times five pages per document or something like that. I'm at 50 million pages of information and I have 60,000 tokens. Like, holy s**t. Yeah. This is like, how do I bridge the 50 million pages of information with, you know, the couple hundred that I get to work with in that, in that token window.Yeah. This is like, this is like such an interesting problem and that's why actually so much work is actually like, just like search systems and the databases and that layer has to just get so locked in, but models getting better and importantly [00:24:00] knowing when they've done a search, they found the wrong thing, they go back, they check their work, they, they find a way to balance sort of appeasing the user versus double checking.We have this one, we have this one test case where we ask the agent to go find. 10 pieces of information.swyx: Is this the complex work eval?Aaron Levie: Uh, this is actually not in the eval. This is, this is sort of just like we have a bunch of different, we have a bunch of internal benchmark kind of scenarios. Every time we, we update our agent, we have one, which is, I ask it to find all of our office addresses, and I give it the list of 10 offices that we have.And there's not one document that has this, maybe there should be, that would be a great example of the kind of thing that like maybe over time companies start to, you know, have these sort of like, what are the canonical, you know, kind of key areas of knowledge that we need to have. We don't seem to have this one document that says, here are all of our offices.We have a bunch of documents that have like, here's the New York office and whatever. So you task this agent and you, you get, you say, I need the addresses for these 10 offices. Okay. And by the way, if you do this on any, you know, [00:25:00] public chat model, the same outcome is gonna happen. But for a different kind of query, you give it, you say, I need these 10 addresses.How many times should the agent go and do its search before it decides whether or not, there's just no answer to this question. Often, and especially the, the, let's say lower tier models, it'll come back and it'll give you six of the 10 addresses. And it'll, and I'll just say I couldn't find the otherswyx: four.It, it doesn't know what It doesn't know. ItAaron Levie: doesn't know what It doesn't know. Yeah. So the model is just like, like when should it stop? When should it stop doing? Like should it, should it do that task for literally an hour and just keep cranking through? Maybe I actually made up an office location and it doesn't know that I made it up and I didn't even know that I made it up.Like, should it just keep, re should it read every single file in your entire box account until it, until it should exhaust every single piece of information.swyx: Expensive.Aaron Levie: These are the new problems that we have. So, you know, something like, let's say a new opus model is sort of like, okay, I'm gonna try these types of queries.I didn't get exactly what I wanted. I'm gonna try again. I'm gonna, at [00:26:00] some point I'm gonna stop searching. ‘cause I've determined that that no amount of searching is gonna solve this problem. I'm just not able to do it. And that judgment is like a really new thing that the model needs to be able to have.It's like, when should it give up on a task? ‘cause, ‘cause you just don't, it's a can't find the thing. That's the real world of knowledge, work problems. And this is the stuff that the coding agents don't have to deal with. Because they, it just doesn't like, like you're not usually asking it about, you're, you're always creating net new information coming right outta the model for the most part.Obviously it has to know about your code base and your specs and your documentation, but, but when you deploy an agent on all of your data that now you have all of these new problems that you're dealing withJeff Huber: our, uh, follow follow-up research to context ride is actually on a genetic search. Ah. Um, and we've like right, sort of stress tested like frontier models and their ability to search.Um, and they're not actually that good at searching. Right. Uh, so you're sort of highlighting this like explore, exploit.swyx: You're just say, Debbie, Donna say everything doesn't work. Like,Aaron Levie: well,Jeff Huber: somebody has to be,Aaron Levie: um, can I just throw out one more thing? Yeah. That is different from coding and, and the rest [00:27:00] of the knowledge work that I, I failed to mention.So one other kind of key point is, is that, you know, at the end of the day. Whether you believe we're in a slop apocalypse or, or whatever. At the end of the day, if you, if you build a working product at the end of, if you, if you've built a working solution that is ultimately what the customer is paying for, like whether I have a lot of slop, a little slop or whatever, I'm sure there's lots of code bases we could go into in enterprise software companies where it's like just crazy slop that humans did over a 20 year period, but the end customer just gets this little interface.They can, they can type into it, it does its thing. Knowledge work, uh, doesn't have that property. If I have an AI model, go generate a contract and I generate a contract 20 times and, you know, all 20 times it's just 3% different and like that I, that, that kind of lop introduces all new kinds of risk for my organization that the code version of that LOP didn't, didn't introduce.These are, and so like, so how do you constrain these models to just the part that you want [00:28:00] them to work on and just do the thing that you want them to do? And, and, you know, in engineering, we don't, you can't be disbarred as an engineer, but you could be disbarred as a lawyer. Like you can do the wrong medical thing In healthcare, you, there's no, there's no equivalent to that of engineering.Like, doswyx: you want there to be, because I've considered softwareJeff Huber: engineer. What's that? Civil engineering there is, right? NotAaron Levie: software civil engineer. Sure. Oh yeah, for sure. But like in any of our companies, you like, you know, you'll be forgiven if you took down the site and, and we, we will do a rollback and you'll, you'll be in a meeting, but you have not been disbarred as an engineer.We don't, we don't change your, you know, your computer science, uh, blameJeff Huber: degree, this postmortem.Aaron Levie: Yeah, exactly. Exactly. So, so, uh, now maybe we collectively as an industry need to figure out like, what are you liable for? Not legally, but like in a, in a management sense, uh, of these agents. All sorts of interesting problems that, that, that, uh, that have to come out.But in knowledge work, that's the real hostile environments that we're operating in. Hmm.swyx: I do think like, uh, a lot of the last year's, 2025 story was the rise of coding agents and I think [00:29:00] 2026 story is definitely knowledge work agents. Yes. A hundredAaron Levie: percent.swyx: Right. Like that would, and I think open claw core work are just the beginning.Yes. Like it's, the next one's gonna just gonna be absolute craziness.Aaron Levie: It it is. And, and, uh, and it's gonna be, I mean, again, like this is gonna be this, this wave where we, we are gonna try and bring as many of the practices from coding because that, that will clearly be the forefront, which is tell an agent to go do something and has an access to a set of resources.You need to be responsible for reviewing it at the end of the process. That to me is the, is the kind of template that I just think goes across knowledge, work and odd. Cowork is a great example. Open Closet's a great example. You can kind of, sort of see what Codex could become over time. These are some, some really interesting kind of platforms that are emerging.swyx: Okay. Um, I wanted to, we touched on evals a little bit. You had, you had the report that you're gonna go bring up and then I was gonna go into like, uh, boxes, evals, but uh, go ahead. Talk about your genetic search thing.Jeff Huber: Yeah. Mostly I think kinda a few of the insights. It's like number one frontier model is not good at search.Humans have this [00:30:00] natural explore, exploit trade off where we kinda understand like when to stop doing something. Also, humans are pretty good at like forgetting actually, and like pruning their own context, whereas agents are not, and actually an agent in their kind of context history, if they knew something was bad and they even, you could see in the trace the reason you trace, Hey, that probably wasn't a good idea.If it's still in the trace, still in the context, they'll still do it again. Uhhuh. Uh, and so like, I think pruning is also gonna be like, really, it's already becoming a thing, right? But like, letting self prune the con windowsswyx: be a big deal. Yeah. So, so don't leave the mistake. Don't leave the mistake in there.Cut out the mistake but tell it that you made a mistake in the past and so it doesn't repeat it.Jeff Huber: Yeah. But like cut it out so it doesn't get like distracted by it again. ‘cause really, you know, what is so, so it will repeat its mistake just because it's been, it's inswyx: theJeff Huber: context. It'sAaron Levie: in the context so much.That's a few shot example. Even if it, yeah.Jeff Huber: It's like oh thisAaron Levie: is a great thing to go try even ifJeff Huber: it didn't work.Aaron Levie: Yeah,Jeff Huber: exactly.Aaron Levie: SoJeff Huber: there's like a bunch of stuff there. JustAaron Levie: Groundhogs Day inside these models. Yeah. I'm gonna go keep doing the same wrongJeff Huber: thing. Covering sense. I feel like, you know, some creator analogy you're trying like fit a manifold in latent space, which kind is doing break program synthesis, which is kinda one we think about we're doing right.Like, you know, certain [00:31:00] facts might be like sort of overly pitting it. There are certain, you know, sec sectors of latent space and so like plug clean space. Yeah. And, uh, andswyx: so we have a bell, our editor as a bell every time you say that. SoJeff Huber: you have, you have to like remove those, likeswyx: you shoulda a gong like TPN or something.IfJeff Huber: we gong, you either remove those links to like kinda give it the freedom, kind of do what you need to do. So, but yeah. We'll, we'll release more soon. That'sAaron Levie: awesome.Jeff Huber: That'll, that'll be cool.swyx: We're a cerebral podcast that people listen to us and, and sort of think really deep. So yeah, we try to keep it subtle.Okay. We try to keep it.Aaron Levie: Okay, fine.Inside Agent Evalsswyx: Um, you, you guys do, you guys do have EVs, you talked about your, your office thing, but, uh, you've been also promoting APEX agents and complex work. Uh, yeah, whatever you, wherever you wanna take this just Yeah. How youAaron Levie: Apex is, is obviously me, core's, uh, uh, kind of, um, agent eval.We, we supported that by sort of. Opening up some data for them around how we kind of see these, um, data workspaces in, in the, you know, kind of regular economy. So how do lawyers have a workspace? How do investment bankers have a workspace? What kind of data goes into those? And so we, [00:32:00] we partner with them on their, their apex eval.Our own, um, eval is, it's actually relatively straightforward. We have a, a set of, of documents in a, in a range of industries. We give the agent previously did this as a one shot test of just purely the model. And then we just realized we, we need to, based on where everything's going, it's just gotta be more agentic.So now it's a bit more of a test of both our harness and the model. And we have a rubric of a set of things that has to get right and we score it. Um, and you're just seeing, you know, these incredible jumps in almost every single model in its own family of, you know, opus four, um, you know, sonnet four six versus sonnet four five.swyx: Yeah. We have this up on screen.Aaron Levie: Okay, cool. So some, you're seeing it somewhere like. I, I forget the to, it was like 15 point jump, I think on the main, on the overall,swyx: yes.Aaron Levie: And it's just like, you know, these incredible leaps that, that are starting to happen. Um,swyx: and OP doesn't know any, like any, it's completely held out from op.Aaron Levie: This is not in any, there's no public data which has, you know, Ben benefits and this is just a private eval that we [00:33:00] do, and then we just happen to show it to, to the world. Hmm. So you can't, you can't train against it. And I think it's just as representative of. It's obviously reasoning capabilities, what it's doing at, at, you know, kind of test time, compute capabilities, thinking levels, all like the context rot issues.So many interesting, you know, kind of, uh, uh, capabilities that are, that are now improvingswyx: one sector that you have. That's interesting.Industries and Datasetsswyx: Uh, people are roughly familiar with healthcare and legal, but you have public sector in there.Aaron Levie: Yeah.swyx: Uh, what's that? Like, what, what, what is that?Aaron Levie: Yeah, and, and we actually test against, I dunno, maybe 10 industries.We, we end up usually just cutting a few that we think have interesting gains. All extras, won a lot of like government type documents. Um,swyx: what is that? What is it? Government type documents?Aaron Levie: Government filings. Like a taxswyx: return, likeAaron Levie: a probably not tax returns. It would be more of what would go the government be using, uh, as data.So, okay. Um, so think about research that, that type of, of, of data sets. And then we have financial services for things like data rooms and what would be in an investment prospectus. Uhhuh,swyx: that one you can dog food.Aaron Levie: Yeah, exactly. Exactly. Yes. Yes. [00:34:00] So, uh, so we, we run the models, um, in now, you know, more of an agent mode, but, but still with, with kinda limited capacity and just try and see like on a, like, for like basis, what are the improvements?And, and again, we just continue to be blown away by. How, how good these models are getting.swyx: Yeah, I mean, I think every serious AI company needs something like that where like, well, this is the work we do. Here's our company eval. Yeah. And if you don't have it, well, you're not a serious AI company.Aaron Levie: There's two dimensions, right?So there's, there's like, how are the models improving? And so which models should you either recommend a customer use, which one should you adopt? But then every single day, we're making changes to our agents. And you need to knowswyx: if you regressed,Aaron Levie: if you know. Yeah. You know, I've been fully convinced that the whole agent observability and eval space is gonna be a massive space.Um, super excited for what Braintrust is doing, excited for, you know, Lang Smith, all the things. And I think what you're going to, I mean, this is like every enter like literally every enterprise right now. It's like the AI companies are the customers of these tools. Every enterprise will have this. Yeah, you'll just [00:35:00] have to have an eval.Of all of your work and like, we'll, you'll have an eval of your RFP generation, you'll have an eval of your sales material creation. You'll have an eval of your, uh, invoice processing. And, and as you, you know, buy or use new agentic systems, you are gonna need to know like, what's the quality of your, of your pipeline.swyx: Yeah.Aaron Levie: Um, so huge, huge market with agent evals.swyx: Yeah.Building the Agent Teamswyx: And, and you know, I'm gonna shout out your, your team a bit, uh, your CTO, Ben, uh, did a great talk with us last year. Awesome. And he's gonna come back again. Oh, cool. For World's Fair.Aaron Levie: Yep.swyx: Just talk about your team, like brag a little bit. I think I, I think people take these eval numbers in pretty charts for granted, but No, there, I mean, there's, there's lots of really smart people at work during all this.Aaron Levie: Biggest shout out, uh, is we have a, we have a couple folks at Dya, uh, Sidarth, uh, that, that kind of run this. They're like a, you know, kind of tag tag team duo on our evals, Ben, our CTO, heavily involved Yasha, head of ai, uh, you know, a bunch of folks. And, um, evals is one part of the story. And then just like the full, you know, kind of AI.An agent team [00:36:00] is, uh, is a, is a pretty, you know, is core to this whole effort. So there's probably, I don't know, like maybe a few dozen people that are like the epicenter. And then you just have like layers and layers of, of kind of concentric circles of okay, then there's a search team that supports them and an infrastructure team that supports them.And it's starting to ripple through the entire company. But there's that kind of core agent team, um, that's a pretty, pretty close, uh, close knit group.swyx: The search team is separate from the infra team.Aaron Levie: I mean, we have like every, every layer of the stack we have to kind of do, except for just pure public cloud.Um, but um, you know, we, we store, I don't even know what our public numbers are in, you know, but like, you can just think about it as like a lot of data is, is stored in box. And so we have, and you have every layer of the, of the stack of, you know, how do you manage the data, the file system, the metadata system, the search system, just all of those components.And then they all are having to understand that now you've got this new customer. Which is the agent, and they've been building for two types of customers in the past. They've been building for users and they've been building for like applications. [00:37:00] And now you've got this new agent user, and it comes in with a difference of it, of property sometimes, like, hey, maybe sometimes we should do embeddings, an embedding based, you know, kind of search versus, you know, your, your typical semantic search.Like, it's just like you have to build the, the capabilities to support all of this. And we're testing stuff, throwing things away, something doesn't work and, and not relevant. It's like just, you know, total chaos. But all of those teams are supporting the agent team that is kind of coming up with its requirements of what, what do we need?swyx: Yeah. No, uh, we just came from, uh, fireside chat where you did, and you, you talked about how you're doing this. It's, it's kind of like an internal startup. Yeah. Within the broader company. The broader company's like 3000 people. Yeah. But you know, there's, there's a, this is a core team of like, well, here's the innovation center.Aaron Levie: Yeah.swyx: And like that every company kind of is run this way.Aaron Levie: Yeah. I wanna be sensitive. I don't call it the innovation center. Yeah. Only because I think everybody has to do innovation. Um, there, there's a part of the, the, the company that is, is sort of do or die for the agent wave.swyx: Yeah.Aaron Levie: And it only happens to be more of my focus simply because it's existential that [00:38:00] we get it right.swyx: Yeah.Aaron Levie: All of the supporting systems are necessary. All of the surrounding adjacent capabilities are necessary. Like the only reason we get to be a platform where you'd run an agent is because we have a security feature or a compliance feature, or a governance feature that, that some team is working on.But that's not gonna be the make or break of, of whether we get agents right. Like that already exists and we need to keep innovating there. I don't know what the right, exact precise number is, but it's not a thousand people and it's not 10 people. There's a number of people that are like the, the kind of like, you know, startup within the company that are the make or break on everything related to AI agents, you know, leveraging our platform and letting you work with your data.And that's where I spend a lot of my time, and Ben and Yosh and Diego and Teri, you know, these are just, you know, people that, that, you know, kind of across the team. Are working.swyx: Yeah. Amazing.Read Write Agent WorkflowsJeff Huber: How do you, how do you think about, I mean, you talked a lot about like kinda read workflows over your box data. Yep.Right. You know, gen search questions, queries, et cetera. But like, what about like, write or like authoring workflows?Aaron Levie: Yes. I've [00:39:00] already probably revealed too much actually now that I think about it. So, um, I've talked about whatever,Jeff Huber: whatever you can.Aaron Levie: Okay. It's just us. It's just us. Yeah. Okay. Of course, of course.So I, I guess I would just, uh, I'll make it a little bit conceptual, uh, because again, I've already, I've already said things that are not even ga but, but we've, we've kinda like danced around it publicly, so I, yeah, yeah. Okay. Just like, hopefully nobody watches this, um, episode. No.swyx: It's tidbits for the Heidi engaged to go figure out like what exactly, um, you know, is, is your sort of line of thinking.Sure. They can connect the dots.Aaron Levie: Yeah. So, so I would say that, that, uh, we, you know, as a, as a place where you have your enterprise content, there's a use case where I want to, you know, have an agent read that data and answer questions for me. And then there's a use case where I want the agent to create something.And use the file system to create something or store off data that it's working on, or be able to have, you know, various files that it's writing to about the work it's doing. So we do see it as a total read write. The harder problem has so far been the read only because, because again, you have that kind of like 10 [00:40:00] million to one ratio problem, whereas rights are a lot of, that's just gonna come from the model and, and we just like, we'll just put it in the file system and kinda use it.So it's a little bit of a technically easier problem, but the only part that's like, not necessarily technically hard, it is just like it's not yet perfected in the state of the ecosystem is, you know, building a beautiful PowerPoint presentation. It's still a hard problem for these models. Like, like we still, you know, like, like these formats are just, we're not built for.They'reswyx: working on it.Aaron Levie: They're, they're working on it. Everybody's working on it.swyx: Every launch is like, well, we do PowerPoint now.Aaron Levie: We're getting, yeah, getting a lot, getting a lot of better each time. But then you'll do this thing where you'll ask the update one slide and all of a sudden, like the fonts will be just like a little bit different, you know, on two of the slides, or it moved, you know, some shape over to the left a little bit.And again, these are the kind of things that, like in code, obviously you could really care about if you really care about, you know, how beautiful is the code, but at the end, user doesn't notice all those problems and file creation, the end user instantly sees it. You're [00:41:00] like, ah, like paragraph three, like, you literally just changed the font on me.Like it's a totally different font and like midway through the document. Mm-hmm. Those are the kind of things that you run into a lot of in the, in the content creation side. So, mm-hmm. We are gonna have native agents. That do all of those things, they'll be powered by the leading kind of models and labs.But the thing that I think is, is probably gonna be a much bigger idea over time is any agent on any system, again, using Box as a file system for its work, and in that kind of scenario, we don't necessarily care what it's putting in the file system. It could put its memory files, it could put its, you know, specification, you know, documents.It could put, you know, whatever its markdown files are, or it could, you know, generate PDFs. It's just like, it's a workspace that is, is sort of sandboxed off for its work. People can collaborate into it, it can share with other people. And, and so we, we were thinking a lot about what's the right, you know, kind of way to, to deliver that at scale.Docs Graphs and Founder Modeswyx: I wanted to come into sort of the sort of AI transformation or AI sort of, uh, operations things. [00:42:00] Um, one of the tweets that you, that you wanted to talk about, this is just me going through your tweets, by the way. Oh, okay. I mean, like, this is, you readAaron Levie: one by one,swyx: you're the, you're the easiest guest to prep for because you, you already have like, this is the, this is what I'm interested in.I'm like, okay, well, areAaron Levie: we gonna get to like, like February, January or something? Where are we in the, in the timelines? How far back are we going?swyx: Can you, can you describe boxes? A set of skills? Right? Like that, that's like, that's like one of the extremes of like, well if you, you just turn everything into a markdown file.Yeah. Then your agent can run your company. Uh, like you just have to write, find the right sequence of words toAaron Levie: Yes.swyx: To do it.Aaron Levie: Sorry, isthatswyx: the question? So I think the question is like, what if we documented everything? Yes. The way that you exactly said like,Aaron Levie: yes.swyx: Um, let's get all the Fortune five hundreds, uh, prepared for agents.Yes. And like, you know, everything's in golden and, and nicely filed away and everything. Yes. What's missing? Like, what's left, right? LikeAaron Levie: Yeah.swyx: You've, you've run your company for a decade. LikeAaron Levie: Yeah. I think the challenge is that, that that information changes a week later. And because something happened in the market for that [00:43:00] customer, or us as a company that now has to go get updated, and so these systems are living and breathing and they have to experience reality and updates to reality, which right now is probably gonna be humans, you know, kinda giving those, giving them the updates.And, you know, there is this piece about context graphs as as, uh, that kinda went very viral. Yeah. And I, I, I was like a, i, I, I thought it was super provocative. I agreed with many parts of it. I disagree with a few parts around. You know, it's not gonna be as easy as as just if we just had the agent traces, then we can finally do that work because there's just like, there's so much more other stuff that that's happening that, that we haven't been able to capture and digitize.And I think they actually represented that in the piece to be clear. But like there's just a lot of work, you know, that that has to, you just can't have only skills files, you know, for your company because it's just gonna be like, there's gonna be a lot of other stuff that happens. Yeah. Change over time.Yeah. Most companies are practically apprenticeships.swyx: Most companies are practically apprenticeships. LikeJeff Huber: every new employee who joins the team, [00:44:00] like you span one to three months. Like ramping them up.Aaron Levie: Yes. AllJeff Huber: that tat knowledgeAaron Levie: isJeff Huber: not written down.Aaron Levie: Yes.Jeff Huber: But like, it would have to be if you wanted to like give it to an Asian.Right. And so like that seems to me like to beAaron Levie: one is I think you're gonna see again a premium on companies that can document this. Mm-hmm. Much. There'll be a huge premium on that because, because you know, can you shorten that three month ramp cycle to a two week ramp cycle? That's an instant productivity gain.Can you re dramatically reduce rework in the organization because you've documented where all the stuff is and where the answers are. Can you make your average employee as good as your 90th percentile employee because you've captured the knowledge that's sort of in the heads of, of those top employees and make that available.So like you can see some very clear productivity benefits. Mm-hmm. If you had a company culture of making sure you know your information was captured, digitized, put in a format that was agent ready and then made available to agents to work with, and then you just, again, have this reality of like add a 10,000 person [00:45:00] company.Mapping that to the, you know, access structure of the company is just a hard problem. Is like, is like, yeah, well, you just, not every piece of information that's digitized can be shared to everybody. And so now you have to organize that in a way that actually works. There was a pretty good piece, um, this, this, uh, this piece called your company as a file is a file system.I, did you see that one?swyx: Nope.Aaron Levie: Uh, yes. You saw it. Yeah. And, and, uh, I actually be curious your thoughts on it. Um, like, like an interesting kind of like, we, we agree with it because, because that's how we see the world and, uh,swyx: okay. We, we have it up on screen. Oh,Aaron Levie: okay. Yeah. But, but it's all about basically like, you know, we've already, we, we, we already organized in this kind of like, you know, permission structure way.Uh, and, and these are the kind of, you know, natural ways that, that agents can now work with data. So it's kind of like this, this, you know, kind of interesting metaphor, but I do think companies will have to start to think about how they start to digitize more, more of that data. What was your take?Jeff Huber: Yeah, I mean, like the company's probably like an acid compliant file system.Aaron Levie: Uh,Jeff Huber: yeah. Which I'm guessing boxes, right? So, yeah. Yes.swyx: Yeah. [00:46:00]Jeff Huber: Which you have a great piece on, but,swyx: uh, yeah. Well, uh, I, I, my, my, my direction is a little bit like, I wanna rewind a little bit to the graph word you said that there, that's a magic trigger word for us. I always ask what's your take on knowledge graphs?Yeah. Uh, ‘cause every, especially at every data database person, I just wanna see what they think. There's been knowledge graphs, hype cycles, and you've seen it all. So.Aaron Levie: Hmm. I actually am not the expert in knowledge graphs, so, so that you might need toswyx: research, you don't need to be an expert. Yeah. I think it's just like, well, how, how seriously do people take it?Yeah. Like, is is, is there a lot of potential in the, in the HOVI?Aaron Levie: Uh, well, can I, can I, uh, understand first if it's, um, is this a loaded question in the sense of are you super pro, super con, super anti medium? Iswyx: see pro, I see pros and cons. Okay. Uh, but I, I think your opinion should be independent of mine.Aaron Levie: Yeah. No, no, totally. Yeah. I just want to see what I'm stepping into.swyx: No, I know. It's a, and it's a huge trigger word for a lot of people out Yeah. In our audience. And they're, they're trying to figure out why is that? Because whyAaron Levie: is this such aswyx: hot item for them? Because a lot of people get graph religion.And they're like, everything's a graph. Of course you have to represent it as a graph. Well, [00:47:00] how do you solve your knowledge? Um, changing over time? Well, it's a graph.Aaron Levie: Yeah.swyx: And, and I think there, there's that line of work and then there's, there's a lot of people who are like, well, you don't need it. And both are right.Aaron Levie: Yeah. And what do the people who say you don't need it, what are theyswyx: arguing for Mark down files. Oh, sure, sure. Simplicity.Aaron Levie: Yeah.swyx: Versus it's, it's structure versus less structure. Right. That's, that's all what it is. I do.Aaron Levie: I think the tricky thing is, um, is, is again, when this gets met with real humans, they're just going to their computer.They're just working with some people on Slack or teams. They're just sharing some data through a collaborative file system and Google Docs or Box or whatever. I certainly like the vision of most, most knowledge graph, you know, kind of futuristic kind of ways of thinking about it. Uh, it's just like, you know, it's 2026.We haven't seen it yet. Kind of play out as as, I mean, I remember. Do you remember the, um, in like, actually I don't, I don't even know how old you guys are, but I'll for, for to show my age. I remember 17 years ago, everybody thought enterprises would just run on [00:48:00] Wikis. Yeah. And, uh, confluence and, and not even, I mean, confluence actually took off for engineering for sure.Like unquestionably. But like, this was like everything would be in the w. And I think based on our, uh, our, uh, general style of, of, of what we were building, like we were just like, I don't know, people just like wanna workspace. They're gonna collaborate with other people.swyx: Exactly. Yeah. So you were, you were anti-knowledge graph.Aaron Levie: Not anti, not anti. Soswyx: not nonAaron Levie: I'm not, I'm not anti. ‘cause I think, I think your search system, I just think these are two systems that probably, but like, I'm, I'm not in any religious war. I don't want to be in anybody's YouTube comments on this. There's not a fight for me.swyx: We, we love YouTube comments. We're, we're, we're get into comments.Aaron Levie: Okay. Uh, but like, but I, I, it's mostly just a virtue of what we built. Yeah. And we just continued down that path. Yeah.swyx: Yeah.Aaron Levie: And, um, and that, that was what we pursued. But I'm not, this is not a, you know, kind of, this is not a, uh, it'sswyx: not existential for you. Great.Aaron Levie: We're happy to plug into somebody else's graph.We're happy to feed data into it. We're happy for [00:49:00] agents to, to talk to multiple systems. Not, not our fight.swyx: Yeah.Aaron Levie: But I need your answer. Yeah. Graphs or nerd Snipes is very effective nerd.swyx: See this is, this is one, one opinion and then I've,Jeff Huber: and I think that the actual graph structure is emergent in the mind of the agent.Ah, in the same way it is in the mind of the human. And that's a more powerful graph ‘cause it actually involved over time.swyx: So don't tell me how to graph. I'll, I'll figure it out myself. Exactly. Okay. All right. AndJeff Huber: what's yours?swyx: I like the, the Wiki approach. Uh, my, I'm actually

Eric on Blue Sky: @eric-hauter   Eric on Youtube.   Check out Gaming Nexus  Jeff can also be found on The Movie Draft House Jeff and Eric are on Letterboxd.  Just search JeffyPods and Eric Hauter.

Hoy volvemos a nuestra patría sueca para contaros la historia de un espía al que le gustaba más una juerga que a nosotros. El bueno de Stig era un tipo muy patriota, pero le tiraba más el vil parné y por eso, aunque se supone que espiaba para Suecia y los EEUU, también se dejaba querer por los buenos (pon el himno!). Hoy os contamos la vida de un espía que parece sacada de una película de Spielberg. Para que luego digan que los suecos son sosos. Salud, espionaje y teatro!

2025 Hit Sleeper Dud is here, and this year it's a solo pod.Whitey is on the road, the Academy Awards are looming, and the team is temporarily scattered, but the show must go on. So in true Born to Watch fashion, we break down the year in film the only way we know how, by calling it straight. The hits. The sleepers. The duds. No fence-sitting. No safe takes. Just movie love, movie rage, and a bit of chaos in between.First up, the HITS.Leading the charge is F1, starring the forever-sexy Brad Pitt. It's big, loud, formulaic and absolutely electric. Joseph Kosinski proves again he knows how to strap a camera inside a cockpit and make you feel every rev. Unreal cinema fun. That's what movies are supposed to be.Then comes Weapons, the horror surprise that had Whitey on edge from start to finish. Creepy premise, massive performances, and Amy Madigan absolutely crushing it. This one lingers.Stephen King's The Long Walk delivers bleak dystopia done right. Cooper Hoffman proves the talent runs in the bloodline, and Mark Hamill playing against type adds weight to a brutal premise.The Fantastic Four: First Steps lands better than expected, giving Marvel just enough oxygen to stay alive heading into Doomsday. Period setting, Galactus looming, and yes, Pedro Pascal everywhere.And yes, Jaws returning to cinemas for its 50th anniversary still rules the ocean. Some films do not age. They evolve.Now the SLEEPERS.Anaconda (2025) should not have worked. But it did. Jack Black, Paul Rudd, jungle chaos, midlife crisis energy. Low expectations. Big laughs.The Naked Gun reboot? Surprisingly hilarious. Liam Neeson leans into absurdity and Pamela Anderson brings the heat. It's not Leslie Nielsen, but it earns its laughs.Then Marvel's quiet comeback entry, Fantastic Four, sneaks in again as a sleeper-level win.Now the DUDS.Jurassic World Rebirth proves some DNA experiments should stay extinct.Superman should have soared. Instead, it stumbled. Strong casting, messy execution.And Captain America: Brave New World? Whitey turned it off. Enough said.Plus, we talk about the “meh” movies like Sinners and One Battle After Another, which were good but not great.Then we look forward. Spielberg. Nolan's The Odyssey. Michael. Masters of the Universe. Mandalorian and Grogu. Avengers Doomsday. Dune Messiah.Big year coming.JOIN THE CONVERSATIONWhat was YOUR 2025 Hit Sleeper Dud?Did Superman deserve better?Are we done with dinosaurs yet?Drop us a voicemail at https://www.borntowatch.com.au and be part of the show.Like. Subscribe. Share with your friends. Share with your enemies.Born to Watch. We don't take ourselves or the movies too seriously.#BornToWatch #MoviePodcast #2025Movies #FilmReview #HitSleeperDud #CinemaTalk #MovieDebate #Blockbusters #Marvel #FilmFans

Your long-lost legends of long-winded lore are back, reporting live from the 2026 Web Summit Conference in Doha, Qatar! Together they proudly present the second installment of their pop culture anecdote grab-bag: TMI: Oops, All Digressions. This time around, they dive into the origins (and alternate-universe casting) of the James Bond franchise — including the hilariously un-spy-like way Ian Fleming stole the name “James Bond” from a real-life bird expert, plus the many almost-Bonds who nearly wore the tux. From there, the conversation takes the scenic route into how Bond indirectly helped inspire Indiana Jones, why Spielberg never got his 007 shot (but still got the last laugh), and a detour through Terminator lore — from Arnold’s gun-range training to the surprising movie that earned him his biggest payday. Meanwhile, Heigl breaks down the proud, baffling tradition of electric jug music via the 13th Floor Elevators, and Jordan nerds out on the strange history of currency (stone money, cheese wheels as collateral, and why your penny is living on borrowed time) before sliding into the origins of playing cards — capped off by the mind-melter that there are more possible shuffles of a deck than there are atoms on Earth. So strap in for TMI: Oops, All Digressions! No structure. No safety net. Just facts. (Recorded February 2, 2026.)See omnystudio.com/listener for privacy information.

L'histoire vraie derrière “Le Terminal” est bien plus sombre que le filmPendant 18 ans, un homme a vécu dans un terminal de l'Aéroport de Paris-Charles-de-Gaulle. Sans pays. Sans papiers. Officiellement… sans existence. Il s'appelait Mehran Karimi Nasseri. Son histoire a inspiré le film Le Terminal avec Tom Hanks, réalisé par Steven Spielberg. Mais la réalité est bien plus troublante que le film.❤️ Soutenez La Petite Histoire sur Patreon!

RETREAT!   The winter has been so harsh maybe we should just accept our fate.Jack, Lynne and Matt McFarland retreat to the joys of interior horticulture on this week's episode of The Growing Season.Houseplants take centre stage as the snow continues to dominate our landscapes.  How to water and WHAT to water with kicks off the proceedings. "Snow Water" vs. tap water is discussed. What basic elements does rainwater contain? Which plant is the one that is the most susceptible to leaf drop due to winter draft?You'd be surprised to learn what water you're able to use to water your plants. Salt's that are contained within tap water can become a problem for indoor plants.  The McFarlands discuss how to combat the issue.How much light does the average houseplant need? CROTON!!!!   OHHHH BABY!Chlorophyll and houseplants are correlated.  Spielberg's Poltergeist is discussed. Birds and bombs and boisterous neighbours...Cast Iron Plants will grow in the darkest of areas. How many houseplants do you need to purify the air in your home."Greenhouse air?" WHAT!?  Spider plants are great mothers.Lemon trees, lime trees, orange trees and fig trees are all able to be grown indoors with great success. Orchids are the holy grail of houseplants.  How would one get their cacti to bloom?Tune in. Looking to book a consult for your property?  We'd love to help.  CLICK HERE.What is a TGS Tiny Garden? CLICK HERE.Subscribe to The Growing Season podcast.  CLICK HERE.

La tensión entre Afganistán y Pakistán escala por la acusación afgana de que el ejército paquistaní mata a 19 civiles. Cataluña detecta un caso humano de gripe porcina en un anciano, investigando posible contaminación ambiental. En Milán, dos personas mueren y decenas resultan heridas al descarrilar un tranvía por exceso de velocidad, chocando contra un edificio y atropellando peatones. Esta noche se celebran los Premios Goya en Barcelona. Los Domingos lidera con 13 nominaciones y Syrad con 11. En fútbol, el Barcelona se mide al Villarreal. En Champions, Atlético, Barcelona y Real Madrid se enfrentan a Tottenham, Newcastle y City. Jerónimo José Martín comenta "El diablo sobre ruedas" (1971), primer largometraje de Spielberg. La película, basada en un relato de Richard Matheson, usa un camión antagonista para generar suspense minimalista y miedo a lo desconocido. José Luis Corral detalla la conquista de Canarias, iniciada en 1402 por particulares y culminada por Castilla en 1496. El ...

I'm joined by Paul Fischer on this week's episode to discuss his new book, The Last Kings of Hollywood: Coppola, Lucas, Spielberg—and the Battle for the Soul of American Cinema. It's a fascinating look at a pivotal moment in film history, when the breakdown of the studio system gave rise to the auteurist 1970s, the first half of which was dominated by Francis Ford Coppola, only to cede the landscape to the blockbuster entertainments that George Lucas and Steven Spielberg mastered in the back half of the decade and beyond.

This week we talk about Steven Spielberg's theatrical feature debut, the crime / road movie, The Sugarland Express, that has more than a little in common with Dog Day Afternoon.SPOILER ALERT We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Universal Picture. Released on April 5, 1974. Directed by Steven Spielberg. Written by Hal Barwood and Matthew Robbins, based on a story by Spielberg, Barwood, and Robbins. Starring Goldie Hawn, William Atherton, Ben Johnson, and Michael Sacks. Cinematography by Vilmos Zsigmond. Edited by Edward M. Abroms and Verna Fields. Score by John Williams.

Take a deep dive into the iconic air traffic control scene from Close Encounters of the Third Kind. What host Todd Curtis uncovers might surprise you. Revisiting the tense near–midair collision sequence, Todd analyzes how accurately the film portrayed the real-world challenges pilots and controllers faced in the 1970s when reporting UFOs (now known as UAPs). As shown in the scene, two separate airline crews and air traffic controllers hesitate to report what they've seen—even after a close call.  Todd painstakingly reviewed the footage over a dozen times to create an NTSB-inspired transcript that captures every exchange, side conversation, and moment of uncertainty. His conclusion? The scene would have played out almost the same way in 2007—or even 2017—because FAA reporting policies hadn't meaningfully changed. This episode goes beyond policy. Todd reveals how Spielberg masterfully captured the psychological strain of confronting something extraordinary while trying to maintain professionalism and composure. As pilots communicate with ATC, controllers and supervisors can be heard in the background—questioning, rationalizing, and grappling with what they're seeing. Then Todd fast-forwards to a real-world case: a 2024 airliner encounter with a suspected UAP. Using ATC audio obtained through a FOIA request, he creates a second NTSB-style transcript and compares it to the 1977 film scene. The parallels are striking—and raise compelling questions about how much has truly changed. If you're interested in aviation safety, UAP investigations, or the intersection of Hollywood and reality, this episode delivers rare insight, meticulous analysis, and documents you won't find anywhere else. Don't miss what's to come from the Flight Safety Detectives - subscribe to the Flight Safety Detectives YouTube channel, listen at your favorite podcast service and visit the Flight Safety Detectives website. Want to go deeper with the Flight Safety Detectives? Join our YouTube Membership program for exclusive perks like members-only live streams and Q&As and early access to episodes. Your membership support directly helps John, Greg and Todd to deliver expert insights into aviation safety.Interested in partnering with us? Sponsorship opportunities are available—brand mentions, episode integrations, and dedicated segments are just a few of the options. Flight Safety Detectives offers a direct connection with an engaged audience passionate about aviation and safety. Reach out to fsdsponsors@gmail.com. Music: “Inspirational Sports” license ASLC-22B89B29-052322DDB8 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

My buddy Andrew Davis is back on the pod, and this time we're talking about aliens — yes, that kind. Andrew is a process philosopher who's been publishing serious academic work in astrobiology, and with Obama casually confirming UFOs are real, the Age of Disclosure documentary making waves, and Spielberg's Disclosure Day film on the way, it felt like the right time to ask: how does a Whiteheadian process thinker engage the question of extraterrestrial life? Turns out, with a lot more philosophical firepower than you'd expect. We dig into Andrew's critical engagement with Steven Dick's cosmo-theology and why he thinks Dick is right that humanity is cosmologically peripheral but wrong to draw the metaphysical conclusion that we're therefore insignificant — because we're an anthropo-cosmic expression of what this universe is doing, not an accident in it. Andrew introduces his concept of exo-axiology (the philosophical exploration of value beyond Earth), and we get into why Whitehead's philosophy of organism flips the modern assumption that the universe is fundamentally dead and life is the weird anomaly. For Whitehead, life, mind, and value go all the way down — which means if you rewind evolution on another planet with the right conditions, something like us might show up again, not because it's designed for us, but because the universe is in the business of producing aesthetic intensities. We tackle the Fermi Paradox, the Dark Forest hypothesis, whether aliens would be hostile or hospitable (Andrew's a cosmological optimist who thinks any civilization advanced enough to reach us would've had to undergo a spiritual evolution to get past the bottleneck), plasma intelligence, UAPs, and why we should take people's encounter experiences seriously without being naive about them. Phil Clayton apparently thinks Andrew is the David Ray Griffin of this generation, so take that for what it's worth — it's worth a lot. Also, if you've had a weird encounter story and want to share it, send it to me. I'm collecting them. And if you've been wanting to get into Whitehead's process philosophy, Andrew's intro course is running in March and April at whiteheadsuniverse.com Listeners who took the last round loved it. Limited space. Go sign up. You can WATCH the conversation on YouTube Andrew M. Davis is an American process philosopher, theologian, and scholar of the cosmos. He is the academic and research director for the Center for Process Studies where he researches, writes, teaches, and organizes conferences on various aspects of process-relational thought (Whitehead and Beyond). Andrew's Previous visits to the podcast Whitehead's Universe: a Guide to Thinking Process Mind, Value, and the Cosmos. the Power of Love & the Experience of God ONLINE LENT CLASS: Jesus in Galilee w/ John Dominic Crossan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ This podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Homebrewed Christianity ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠production. Follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠the Homebrewed Christianity⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theology Nerd Throwdown⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Rise of Bonhoeffer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ podcasts for more theological goodness for your earbuds. Join over 75,000 other people by joining our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack - Process This!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get instant access to over 50 classes at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.TheologyClass.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow the podcast, drop a review⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, send ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠feedback/questions⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or become a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠member of the HBC Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Dads revisit the legendary haunted house classic Poltergeist, exploring why it remains one of the most iconic horror movies of all time. Directed by Tobe Hooper and produced by Steven Spielberg, Poltergeist blends family drama, groundbreaking practical effects, and unforgettable scares that still resonate—especially for parents.In this review, we break down the film's legacy, the Spielberg vs. Hooper authorship debate, standout moments, and how Poltergeist helped redefine suburban horror in the 1980s.Follow Dads From the Crypt! Threads: @dadsfromthecryptTikTok: Dads From The Crypt-TokInstagram: @dadsfromthecrypt Patreon: https://www.patreon.com/DadsFromTheCrypt

King, Thimbleburger, and Spielberg explore what went on with Watson's documentary footage of Sherlock Holmes investigating a Scottish ghost. Are gloves on the ground evidence that ghosts are near? Did Sherlock Holmes have a. technique that Velma Dinkley should have used? And are there ghosts in political offices?  All this and more from another close examination of the Watson footage we find on the YouTubes!

Da-Dum Da-Dum

the boys talk about Stephen Spielberg hitting the career grand slam and LOADS more!   traecrowder.com CoreyWritesForYou.com   Bubsnaturals.com code: poa Bluechew.com Code POA  Mengotomars.com factormeals.com/poa50off

This week on The Rotten Horror Picture Show Podcast, Clay and Amanda hit the gas with a discussion of Duel (1971), the lean, mean thriller that marked the feature debut of a young Steven Spielberg. Originally produced as a television movie, Duel was so effective, so tightly constructed, that it was later expanded and released theatrically—launching Spielberg's career with a simple but terrifying premise: one man, one car, and one relentless, faceless truck driver who refuses to let him go. Clay and Amanda break down how Spielberg builds unbearable tension out of open highways, sparse dialogue, and pure cinematic momentum. It's stripped-down suspense at its finest, proof that you don't need aliens or sharks to make an audience squirm—just a road and something chasing you down it.Now, personally? I don't care for driving. Not because of road rage. Not because of reckless truckers. No, my grievance is far more tragic. The windshield. That thick, cruel pane of betrayal stands between me and what could be a veritable buffet of airborne delights. Do you know how many juicy, protein-packed bugs are out there on the highway? Countless. And what happens? Splat. Wasted. Perfectly good snacks smeared uselessly against the glass instead of landing directly where nature intended—right in my open mouth.Watching Duel is especially frustrating for me. All that speeding down lonely desert roads, all that prime insect territory just zooming by untouched. Dennis Weaver's character is busy worrying about a murderous truck, and I'm thinking, “Sir, do you realize the missed culinary opportunity here?”Still, Clay and Amanda make a strong case for the film's brilliance. They explore its minimalism, its craftsmanship, and how Spielberg transforms the mundane act of driving into a primal survival story. Me? I'll be listening carefully—preferably with the window down. You never know what might fly in.And don't forget to visit patreon.com/thepenskyfile to help support the show, and follow Clay and Amanda down the road of horror sequels this year!

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz welcomes Bob Cooper, the influential executive who helped transform HBO from a movie channel into a creative powerhouse, producing landmark films like The Josephine Baker Story and Barbarians at the Gate, and who later shaped the theatrical landscape as President of Tri-Star Pictures and head of development and production at Dreamworks, where he championed American Beauty. From prosecuting organized crime in Montreal to greenlighting American Beauty, Bob's career is a lesson in reinvention and risk-taking.Finding Your "And" (00:28): Bob traces his winding path from studying acting at the Pasadena Playhouse to law school to founding Canada's first storefront legal aid office to prosecuting organized crime to hosting a national investigative news program.The Birth of HBO Originals (14:47): When his early Canadian film production company collapsed, Bob flew to New York in desperation and pitched HBO on making original movies, starting with The Terry Fox Story.No Vanilla Allowed (19:34): Bob developed a strategy of bold, true-story-based films that couldn't be seen in theaters or on network TV. The Josephine Baker Story became the blueprint.The Projects Nobody Wanted (22:29): Bob consistently bet on the projects others passed on, championing films like And the Band Played On, Barbarians at the Gate, and The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom.Tristar and Jerry Maguire (28:26): Bob shares how he helped crack the marketing code on Jerry Maguire by identifying its core theme as "a comedy about not selling out.”Dreamworks and American Beauty (37:22): At Dreamworks, Bob got Steven Spielberg to read a script that was almost impossible to pitch – American Beauty. Spielberg read it overnight, called a meeting the next morning, and immediately declared it "an Academy movie."Meet the Parents and the Spielberg Phone Call (41:25): Bob spotted an unmade script at Universal called Meet the Parents and brought it to Spielberg, who simply picked up the phone and called Edgar Bronfman on the spot to acquire it.What Makes Stories Universal (47:15): Bob shares his deepest creative philosophy: that pain is the engine of every great story, including comedy. He closes with a moving account of his current stage project about Bobby Kennedy.Bob Cooper's career is a reminder that unconventional paths often lead to the most enduring work. If you enjoyed this episode, please leave us a review and share. We look forward to bringing you more behind-the-scenes revelations next time on Don't Kill the Messenger.Host: Kevin GoetzGuests: Bob CooperProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, Nick Nunez, and Kari CampanoAudio Engineer & Editor: Gary Forbes (DG Entertainment)For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

Japan goes after arcades, Nintendo's Famicon gets its first licensee & Gamers come together online These stories and many more on this episode of the VGNRTM! This episode we will look back at the biggest stories in and around the video game industry in October 1994.  As always, we'll mostly be using magazine cover dates, and those are of course always a bit behind the actual events. Alex Smith of They Create Worlds is our cohost.  Check out his podcast here: https://www.theycreateworlds.com/ and order his book here: https://www.theycreateworlds.com/book Get us on your mobile device: Android:  https://www.google.com/podcasts?feed=aHR0cHM6Ly92aWRlb2dhbWVuZXdzcm9vbXRpbWVtYWNoaW5lLmxpYnN5bi5jb20vcnNz iOS:      https://podcasts.apple.com/de/podcast/video-game-newsroom-time-machine And if you like what we are doing here at the podcast, don't forget to like us on your podcasting app of choice, YouTube, and/or support us on patreon! https://www.patreon.com/VGNRTM Send comments on Mastodon @videogamenewsroomtimemachine@oldbytes.space Or twitter @videogamenewsr2 Or Instagram https://www.instagram.com/vgnrtm Or videogamenewsroomtimemachine@gmail.com Links: If you don't see all the links, find them here:      7 Minutes in Heaven: Mortal Kombat 2 (SNES, Genesis, Game Gear, Game Boy) Video Version: https://youtu.be/KI-X2NobWF0     https://www.mobygames.com/game/600/mortal-kombat-ii/ Corrections: September 1994 Ep - https://youtu.be/CvMg_FUb3p0 Ethan's fine site The History of How We Play: https://thehistoryofhowweplay.wordpress.com/     https://www.imdb.com/title/tt0131646/     https://www.mobygames.com/company/8/software-toolworks-inc-the/     Console Wars Readthrough - https://youtu.be/wYhpTBPXZkI     LGR Never Obsolete PC - https://www.youtube.com/watch?v=qQo0yOqOb_4     George Morrow -      Krzysztof Kieslowski - https://www.imdb.com/name/nm0001425/      1994     Nintendo caves to E3     Nintendo of America to attend E3 show in Los Angeles, Business Wire, October 4, 1994, Tuesday CES interactive postponed     Nintendo of America to attend E3 show in Los Angeles, Business Wire, October 4, 1994, Tuesday Nintendo lowers investor expectations     NINTENDO TO SEE 2ND SALES, PROFIT DROPS, Jiji Press Ticker Service, OCTOBER 4, 1994, TUESDAY     Nintendo revises FY '94 performance downward, Report From Japan, October 5, 1994          Nintendo sales, profits to post 2nd yearly fall,The Daily Yomiuri, October 5, 1994, Wednesday     Nikkei lower on new issue worries, Financial Times (London,England), October 5, 1994, Wednesday, London, Section: World Stock Markets (Asia Pacific); Pg. 41, Byline: By EMIKO TERAZONO           SEGA HITS '94 LOW ON TSE,Jiji Press Ticker Service,OCTOBER 4, 1994, ,TUESDAY Thornton warns of UK video game market decline     THORNTON ISSUES WARNING AS VIDEO GAMES SALES PLUMMET, The Guardian (London), October 6, 1994, Section: THE GUARDIAN , CITY PAGE; Pg. 19 CentreGold buys Core     CentreGold picks up Core, The Independent (London), October 27, 1994, Thursday, Section: BUSINESS & CITY PAGE; Page 42 Convergance  is the name of the game     Merging on The Information Superhighway The New Comfort Zone Where Public Meets Private - Correction Appended,  The New York Times, Correction Appended, Distribution: Home Design MagazineHome Design Magazine, Section: Section 6; ; Section 6; Part 2; Page 40; Page 21; Column 3; Column 2; Home Design MagazineHome, Design Magazine ; Part 2; ; Column 3; Column 2;Byline: By Phil Patton; By JULIE V. IOVINE     "Media Futures: SRI denounces superhighway claims, Financial Times (London,England), October 31, 1994, Monday, Section: Pg. 13 Length: 507 words, Byline: By RAYMOND SNODDY"     https://en.wikipedia.org/wiki/IBM_Simon Microsoft to buy Intuit     Microsoft To Acquire Intuit, Shareholder Sues, Newsbytes News Network, October 14, 1994        https://en.wikipedia.org/wiki/Microsoft_Money        BUSINESS TECHNOLOGY; Banks Going Interactive to Fend Off New Rivals, The New York Times, October 19, 1994, Wednesday, Late Edition - Final, Distribution: Financial Desk, Section: Section D; ; Section D; Page 1; Column 3; Financial Desk ; Column 3; First Virtual Holdings brings banking into cyberspace         A Credit Card for On-Line Sprees, New York Times (National Edition), October 15, 1994, Business and Industry, Section: Pg. Y17; Vol. 144; No. 49,850; ISSN: 0362-4331    https://www.pcmag.com/encyclopedia/term/first-virtual        https://en.wikipedia.org/wiki/Einar_Stefferud     HOME SHOPPING NETWORK STORE LAUNCH ON PRODIGY SUCCESSFUL, PR Newswire, October 18, 1994, Tuesday - 10:04 Eastern Time, Section: Financial News MicroTime Media is bringing ads to games     Media: Watch out Sonic, the admen are coming; Maggie Brown meets the founder of an advertising agency that is putting commercials into computer games, The Independent (London), October 18, 1994, Tuesday, Section: MEDIA PAGE; Page 29         https://danielbobroff.com/     https://www.mobygames.com/game/1777/push-over/     https://www.mobygames.com/game/581/james-pond-2-codename-robocod/ Dreamworks announced     Spielberg, Katzenberg, Geffen Troika Launch Entertainment Venture. The Associated Press. October 13, 1994, Thursday, PM cycle. Section: Business News. Byline: By JOHN HORN, AP Entertainment Writer     https://archive.org/details/menwhowouldbekin0000lapo Sega expands Model 2 offerings     https://archive.org/details/edge-013-october-1994/page/10/mode/1up?view=theater     https://segaretro.org/Sega_Model_2 Namco's Empire of Egg ups the ante     https://archive.org/details/edge-013-october-1994/page/16/mode/1up?view=theater     https://en.wikipedia.org/wiki/Wonder_Eggs Sega VR parks coming to Canada     --The Business Report--, Broadcast News (BN), October 25, 1994 Tuesday         https://en.wikipedia.org/wiki/Playdium         https://web.archive.org/web/19970223190650/http://www.playdium.com/      Aussie arcades go family friendly     ARCADE GAMES ARRIVE, The Courier Mail (Australia), October 30, 1994 Sunday, 2 - STATE, Section: Pg. 13, Byline: VEITCH C      Next Gen battle lines drawn at Japan Electronics Show     Next-Generation Game Machines Battle at Japan Electronics Show, The Associated Press, October 4, 1994, Tuesday, AM cycle, Section: Business News, Byline: By DAVID THURBER, Associated Press Writer     https://archive.org/details/GamePro_Issue_063_October_1994 pp178     JVC to Enter Video Game Machine Market Through Sega OEM, Japan Industrial Journal, October 5, 1994         https://segaretro.org/JVC        JVC to market Sega's Saturn video game machines, Japan Economic Newswire, OCTOBER 24, 1994, MONDAY, Dateline: TOKYO, Oct. 24 Kyodo       https://segaretro.org/Sega_Saturn#Models Sega announces Saturn launch price     Sega to sell new generation of video game machines, Japan Economic Newswire, OCTOBER 7, 1994, FRIDAY     SEGA SHARES FALL BELOW 5,000 YEN ON TSE,Jiji Press Ticker Service, OCTOBER 17, 1994, MONDAY, Dateline: TOKYO, OCT. 17         SEGA HITS NEW 1994 LOW ON TSE, Jiji Press Ticker Service, OCTOBER 24, 1994, MONDAY, Dateline: TOKYO, OCT. 24         Shanghai A shares decline by 8.1 per cent, Financial Times (London,England), October 27, 1994, Thursday, Section: World Stock Markets (Asia Pacific);,pg. 49, Byline: By EMIKO TERAZONO     https://archive.org/details/edge-013-october-1994/page/9/mode/1up?view=theater        https://archive.org/details/edge-013-october-1994/page/7/mode/1up?view=theater Matsushita announces cheaper 3DO     Matsushita introduces cheaper game machine, The Daily Yomiuri, October 21, 1994, Friday, Byline: Yomiuri Shimbun     https://archive.org/details/egm-2-october-1994/page/n39/mode/1up Sony announces PSX price     Sony to Launch New Video Game Machine, Associated Press Worldstream, October 27, 1994; Thursday 08:44 Eastern Time         Sony to introduce next-generation video game machine, Report From Japan, October 28, 1994 NEC reveals PC-FX launch date and price     NEC joins video game war, Agence France Presse -- English, October 31, 1994 05:54 Eastern Time 3DO to charge developers $3 fee     3DO kicks off holiday season with aggressive national advertising campaign, Business Wire, October 21, 1994, Friday 3DO devs revolt     3DO FACES REVOLT BY GAME DEVELOPERS OVER FEE TO CUT MANUFACTURERS' LOSSES, WALL STREET JOURNAL, October 24, 1994, Monday, Section: Section B; Page 3, Column 1, Byline: BY JIM CARLTON Toys R Us to stock Jaguar     Toys R Us stocks up on Jaguar, the world's first 64-bit video game system; Atari launches multi-million dollar marketing campaign for Jaguar, Business Wire, October 10, 1994, Monday         https://youtu.be/ndcTWeaVbLQ?si=kX5qo8st8oPI1wT0     https://archive.org/details/GamePro_Issue_063_October_1994 pp178        https://songbird-productions.com/jagdomain/jvmfaq.html Nintendo retakes 16 bit crown     "Nintendo Retakes 16-Bit Sales Crown, Wall Street Journal (3 Star, Eastern (Princeton, NJ) Edition), October 28, 1994, Business and Industry Section: Pg. B3; Vol. LXXVI; No. 11; ISSN: 0099-966" Nintendo nixes Play it Loud campaign     PLAY IT GONE, ADWEEK, October 31, 1994, Western Advertising News Edition     https://youtu.be/FArjEUhBgP4?si=JkfYhRH8hkeB8-_M Nintendo mails out 2 million video cassettes     Mario Homes in on D-Base, Ad Day, October 10, 1994, Section: DMK; Pg. 14, Byline: By Terry Lefton        https://youtu.be/Rv_YCSbWP78?si=jYmiIbfLxG87xjbv         Video game king invades cyberspace jungle; Nintendo of America enters the information super highway to launch Donkey Kong Country, Business Wire, October 13, 1994, Thursday         Nintendo Is Expecting Revenue From Game To Top $100 Million, Wall Street Journal (3 Star, Eastern (Princeton, NJ) Edition), October 26, 1994, Business and Industry, Section: Pg. B12; Vol. 224; No. 82; ISSN: 0099-9660     NINTENDO'S BIGGEST EVER GAMES LAUNCH AND BRITAIN IS AHEAD OF THE REST., PR Newswire Europe, October 28, 1994, Origin Universal News Services Limited, 1994, Section: GENERAL AND CITY NEWS Acclaims gets Marvel license     TCI may form Acclaim alliance, United Press International, October 19, 1994, Wednesday, BC cycle, Section: Domestic News, Dateline: ENGLEWOOD, Colo., Oct. 19 TCI buys into Acclaim     TCI to buy 10 percent of Acclaim, United Press International, October 20, 1994, Thursday, BC cycle, Section: Domestic News, Dateline: ENGLEWOOD, Colo., Oct. 20 Virtuality is virtually everywhere     Atari plans to put virtual reality into home computer games, The Sunday Times (London), October 30, 1994, Sunday, Section: Features, Byline: Steve Boxer        https://upload.wikimedia.org/wikipedia/commons/9/95/Project_Elysium_pg_1.jpg       https://en.wikipedia.org/wiki/Sega_VR        Atari joins forces with Virtuality to offer home virtual reality games by,Christmas 1995, Business Wire, October 25, 1994, Tuesday     https://en.namu.wiki/w/%EC%A0%84%EB%87%8C%EC%A0%84%EA%B8%B0%20%EB%84%B7%20%EB%A8%B8%ED%81%AC     Laser Quest transforms itself to push virtual reality 'tag' game, The Financial Post (Toronto, Canada), October 15, 1994, Saturday,WEEKLY EDITION, Section: SECTION 4, SPECIAL REPORT: COMPUTERS; Pg. C26; PROFILE, Byline: Johanna Powell ESRB announces rating milestone     ENTERTAINMENT SOFTWARE RATING BOARD ANNOU CES 100 INTERACTIVE ENTERTAINMENT PRODUCTS RATED IN FIRST MONTH, PR Newswire, October 5, 1994, Wednesday - 19:40 Eastern Time      RSAC rates Doom     CONSUMER SOFTWARE RATING SYSTEM RECEIVING STRONG INDUSTRY SUPPORT, PR Newswire, October 6, 1994, Thursday - 07:00 Eastern Time Sega breaks budget records         Video, Playback, October 10, 1994, Section: Pg.VI-1, byline: Laura Pratt      Mobile phones set to be hot Xmas item in UK     And only 75 shopping days to go . . ., The Independent (London), October 9, 1994, Sunday, Section: HOME NEWS PAGE; Page 6 Bible goes Gameboy         Game Boy offers competition to Gideons, St. Petersburg Times (Florida), October 8, 1994, Saturday, City Edition, Section: CITY TIMES; Religion; Pg. 8          October 10th is Doomsday      DOOM II: Hell On Earth now available, Business Wire, October 10, 1994, Monday     Doom II' video game rates an 'M', USA TODAY, October 11, 1994, Tuesday, FINAL EDITION, Section: LIFE; Pg. 1D IBM falls to 4th place among Aptiva sell out     "IBM Sells Out New Aptiva PC Shortage May Cost Millions in Potential Revenue, Wall Street Journal (3 Star, Eastern (Princeton, NJ) Edition), October 7, 1994, Business and Industry, Section: Pg. B4; Vol. 224; No. 69; ISSN: 0099-9660"     TECHNO-POP; PCs Embrace Mass Market Promos, Partners, Ad Day, October 17, 1994, Section: PROMOTIONS; Pg. 1, Byline: By Karen Benezra and Gerry Khermouch     IBM GETS BACK TO ITS ROOTS, The Australian Financial Review, October 24, 1994 Monday, Late Edition, Section: INFORMATION TECHNOLOGY; Pg. 40, Byline: DAVID CROWE Packard Bell rises to 3rd place in PC biz     Packard Bell's Surpirsing PC Rise, New York Times (National Edition), October 12, 1994, Business and Industry, Section: Pg. C1     https://vintage-packard-bell.fandom.com/wiki/Spectria_610_AN        https://en.wikipedia.org/wiki/Packard_Bell Microsoft Revenues jump!         Computer Update, The Independent (London), October 24, 1994, Monday, Section: NETWORK PAGE; Page 27, Byline: TIM JACKSON     Microsoft's Gates Heads Richest Americans List, Newsbytes, October 3, 1994, Monday, Section: NEWS Build to Order PCs boom     THE GLOBAL GUARD: THE INFORMATION REVOLUTION; The young pretenders ready to stake their claim, The Guardian (London), October 20, 1994, Section: THE GUARDIAN FEATURES PAGE; Pg. T15 Hyundai and DLT see PC-to-TV as the future of multimedia     Display Research In Technology Pact With Hyundai, Newsbytes, October 4, 1994, Tuesday, Section: NEWS, Dateline: KWAI CHUNG, HONG KONG FMV goes software only     Full-motion, full-screen realism without MPEG chips in GameTek's Quarantine CD-ROM, using Duck TrueMotion video, Business Wire, October 10, 1994, Monday     https://wiki.multimedia.cx/index.php/Duck_TrueMotion_1          https://segaretro.org/TrueMotion Mindscape buys SSI     MINDSCAPE, INC. ACQUIRES STRATEGIC SIMULATIONS, INC.; ACQUISITION STRENGTHENS ENTERTAINMENT DEVELOPMENT, EFFORTS, PR Newswire, October 20, 1994, Thursday - 08:16 Eastern Time, Section: Financial News Corel gets into games     Corel decides to spread its software bets around; Company moves, aggressively into new markets, The Ottawa Citizen, October 8, 1994, Saturday, FINAL EDITION, Section: BUSINESS; Pg. E1          https://www.mobygames.com/company/2075/cascade-parent-limited/ Will Wright working on Project X     Meet Mr. SimCity, Newsweek, October 24, 1994 , UNITED STATES EDITION, Section: Pg. 48, Byline: BARBARA KANTROWITZ Politicians are concerned about the internet     "Ottawa seeks advice about privacy Information highway raises new questions, paper says, The Toronto Star, October 15, 1994, Saturday, FINAL EDITION, Section: BUSINESS; Pg. C3, Byline: BY ROBERT BREHL TORONTO STARPRIVACY RIGHTS CANADA COMPUTER TELECOMMUNICATIONS            Regulator may police culture at infohighway phone booths, The Ottawa Citizen, October 1, 1994, Saturday, FINAL EDITION, Section: BUSINESS; Pg. D1, Byline: ALANA KAINZ; CITIZEN" College kids are becoming email  junkies     "On campus, there's a letter in the e-mail, USA TODAY, October 5, 1994, Wednesday, FINAL EDITION, Section: LIFE; Pg. 6D; Education, Byline: Karla Price            Internet the focus of Calgary computer sho Calgary Herald (Alberta, Canada), October 6, 1994, Thursday, FINAL EDITION, Section: COMPUTERS; Pg. D10, Byline: MEL DUVALL"     Commercial services: where content is king, The Toronto Star, October 27, 1994, Thursday, METRO EDITION, Section: FAST FORWARD; Pg. J2 Compuserve to open service to the Internet     DRIVE FOR INFORMATION, The Courier Mail (Australia), October 25, 1994 Tuesday, 2 - FIRST WITH THE NEWS, Section: Pg. 34, Byline: COX P Apple to Cyberdog it     Secret Apple Cyberdog unleashed on Internet, USA TODAY, October 24, 1994, Monday, FINAL EDITION, Section: MONEY; Pg. 1B, Byline: James Kim         https://en.wikipedia.org/wiki/OpenDoc         https://en.wikipedia.org/wiki/Cyberdog      The file format of the web is still in doubt     Dial-a-catalog, Forbes, October 10, 1994, Section: ON THE COVER; Computers/Communications; Pg. 126, Byline: By David C. Churbuck Cybersquatting demo'd     Computer Update, The Independent (London), October 24, 1994, Monday, Section: NETWORK PAGE; Page 27, Byline: TIM JACKSON Maryland's Sailor Project sees expansion need     TESTIMONY OCTOBER 4, 1994 BARBARA G. SMITH ON BEHALF OF MARYLAND'S SAILOR PROJECT HOUSE SCIENCE/SCIENCE INTERNET ACCESS, Federal Document Clearing House Congressional Testimony, October 4, 1994, Tuesday, Section: CAPITOL HILL HEARING TESTIMONY      Pearson buys Future     PEARSON BUYS FUTURE PUBLISHING FOR 52.5 MLN STG: 2, Extel Examiner, October 24, 1994, Monday - 08:25 Eastern Time, Section: Company News; Takeovers and Acquisitions Ziff family sells Ziff Davis     ZIFF FAMILY SELLS ZIFF-DAVIS PUBLISHING COMPANY TO FORSTMANN LITTLE FOR $1.4 BILLION, PR Newswire, October 27, 1994, Thursday - 12:52 Eastern Time Ziff Davis launches Family PC     NEW COMPUTER MAGAZINE APPEALS TO FAMILIES, The Columbian (Vancouver, A.), October 09, 1994, Sunday, Section: Money; Byline: By MICHAEL J. HIMOWITZ The Baltimore Sun Computer Living breaks records in Australia     Computer Living Largest Launch In Australian History, Newsbytes News Network, October 21, 1994     PC USERS RESUME AFFAIR WITH MAGS, Philadelphia Daily News, October 28, 1994 Friday PM EDITION, Section: BUSINESS , MONEYTALK; Pg. 75, Byline: Michael Connor, Reuters      Supreme Court won't review Game Genie case     No Headline In Original, WALL STREET JOURNAL, October 13, 1994, Thursday, Section: Section B; Page 2, Column 4 Mario Paint suit dismissed     Nintendo claims victory in inventor's patent suit, The Toronto Star, October 15, 1994, Saturday, FINAL EDITION, Section: BUSINESS; Pg. C7          NINTENDO PREVAILS IN PATENT INFRINGEMENT CASE, PR Newswire, October 14, 1994, Friday - 11:00 Eastern Time, Section: Financial News      Jail time first for software pirate     https://www.tampabay.com/archive/1994/08/22/software-pirate-is-first-to-get-prison-time/         https://archive.org/details/PC-Player-German-Magazine-1994-10/page/n15/mode/2up Nintendo donates to epilepsy research     Nintendo to help study video-epilepsy link, The Daily Yomiuri, October 15, 1994, Saturday, Byline: Yomiuri Shimbun      UK to begin game preservation     SuperMario and Aladdin meet Marlon Brando; The National Film and Television Archive, preserver of artistic heritage, is planning a collection of video games. Nick Wray reports, The Independent (London), October 10, 1994, Monday, Section: NETWORK PAGE; Page 24, Byline: NICK WRAY Home office furniture goes upscale     COMPUTER STATIONS GO HIGH-STYLE HOME-ENTERTAINMENT SYSTEMS AND WORK PODS HIGHLIGHTED AT SHOW. / WANT A LOUIS XV ARMOIRE FOR YOUR TELEVISION SET AND SEREO AND VCR? JUST LIKE THOSE IN,THE 18TH-CENTURY FRENCH COURT?, The Philadelphia Inquirer, October 21, 1994 Friday FINAL EDITION, Section: FEATURES MAGAZINE: HOME & DESIGN; Pg. E01, Byline: Susan Caba, INQUIRER STAFF WRITER Taco Bell gameifies employee performance     Users eye game technology to spice up service, Computerworld, October 10, 1994, Section: NEWS; MULTIMEDIA; Pg. 24, Byline: Suruchi Mohan; CW Staff MK Album     https://archive.org/details/Electronic_Gaming_Monthly_63_October_1994_U/page/n157/mode/1up?view=theater MK Live coming to an arena near you     Fishof Producing $2.5 Million Mortal Kombat Arena Show, Amusement Business, October 31, 1994, Business and Industry, Section: Pg. 14; Vol. 106; No. 43; ISSN: 0003-2344, Byline: Susan Ray          https://en.wikipedia.org/wiki/Mortal_Kombat:_Live_Tour Raul Julia RIP     Puerto Rico to salute late actor Raul Julia, USA TODAY, October 25, 1994, Tuesday, FINAL EDITION, Section: LIFE; Pg. 1D, Byline: Ann Oldenburg Quote of the month:      CBS is No. 1 with older viewers, but other networks say 'So what?' The Gazette (Montreal, Quebec), October 2, 1994, Sunday, FINAL EDITION, Section: ENTERTAINMENT: SHOWCASE; Pg. F4, byline: ED BARK; DALLAS MORNING NEWS Recommended Links: The History of How We Play: https://thehistoryofhowweplay.wordpress.com/ Gaming Alexandria: https://www.gamingalexandria.com/wp/ They Create Worlds: https://tcwpodcast.podbean.com/ Digital Antiquarian: https://www.filfre.net/ The Arcade Blogger: https://arcadeblogger.com/ Retro Asylum: http://retroasylum.com/category/all-posts/ Retro Game Squad: http://retrogamesquad.libsyn.com/ Playthrough Podcast: https://playthroughpod.com/ Retromags.com: https://www.retromags.com/ Games That Weren't - https://www.gamesthatwerent.com/ Sound Effects by Ethan Johnson of History of How We Play. Copyright Karl Kuras

In the second installment of Febwhaleary, we leave behind the fun loving world of Free Willy and venture to the cold climate of Newfoundland to witness the dark side of nature. For not all Orcas share the same sense of fun and need for human companionship like Willy, some…can hold a grudge. For Killer Whales the need for vengeance can be just as strong in Orcas as it can with homosapiens, as one fisherman in the 1970's found out. With rows of razor sharp teeth, designed to tear apart their prey, along with an extensive knowledge of explosives and natural accelerants; one does not wish to be on the bad side of this deadly mammal. For when one fucks around with nature…nature has a way of fucking you back.This…is Orca.I'm your host, Dave, and joining me as we prepare to serve up a cold plate of vengeance are fellow cinephiles and marine biologists, Mike, Jackie, and Ryan.Topics of discussion in this episode include a breakdown of one of the most haunting and traumatic scenes we've ever witnessed on the show to date; Dino De Laurentiis thumbs his nose at Spielberg as he gives us one ocean hell-beast to rule them all; and finally, we analyze the Final Destination-esque methods that the Killer Whale in Orca uses to obtain his vengeance.Be sure to rate, review and subscribe wherever you get your podcasts. You can also Like Us on Facebook, Follow Us on Instagram, or shoot us an email at apocalypsevideopod@gmail.comAnd thus concludes our dive into the vengeful side of the Killer Whale. Febwhaleary will continue next week, as we warp back to the future to save the Humpback Whale species with Star Trek IV: The Voyage Home. And yes, we promise, there will be whales here!

VISITA: http://www.verdadestelar.com PALPAL ME: https://www.paypal.me/verdadestelar MIS LIBROS: https://www.amazon.com/ENRIQUE-ESTELAR/e/B07G4BH279?ref=sr_ntt_srch_lnk_2&qid=1613265140&sr=8-2

As The Simpsons hits its 800th episode, Jim Hill takes a moment to appreciate how this once-scrappy Fox upstart became an animation institution that may never actually end. From the long-lost series finale concept where Homer and Krusty were secretly the same person to the show's upcoming theatrical sequel and Disney's long-term park plans, this week's Fine Tooning looks at how Springfield keeps evolving. Plus, box office updates, Avatar sequel math, Matt Braly's next move after Sony, and a wild Steven Spielberg phone call that changed animation history. NEWS • The Simpsons celebrates its 800th episode with “Irrational Treasure,” the 14th episode of Season 37, as the series eyes renewal through Season 40 and a second theatrical film set for September 3, 2027. • Disney+ viewers can compare Season 1's “Santa's Little Helper” to the new milestone episode to see just how dramatically the show's animation quality has evolved since 1989. • Sony Pictures Animation's Goat opens strong over Presidents Day weekend, reportedly close behind Warner Bros.' Wuthering Heights, with final box office numbers still shifting. • Zootopia 2 crosses $1.83 billion worldwide, becoming the ninth highest-grossing film of all time, though its upcoming March 3 home video release may slow its push toward $2 billion. • Avatar: Fire & Ash reaches $1.46 billion globally, profitable but well below the franchise's prior installments, raising questions about costs and expectations for Avatar 4 and 5. • Matt Braly and Rebecca Sugar's previously in-development Sony feature is shelved, but Braly launches a Kickstarter on March 13 for his indie gothic horror pilot Clara and the Below. • The RiffTrax team raises nearly $1.9 million on Kickstarter for The RiffTrax Experiments, offering a hopeful blueprint for creator-driven animation crowdfunding. FEATURE • The behind-the-scenes story of how Judy Freudberg and Tony Geiss were hired by Steven Spielberg to write The Land Before Time, following his surprise discovery of Sesame Street Presents: Follow That Bird. • Spielberg's now-legendary phone call to Freudberg, initially mistaken for a prank, ultimately led to a creative partnership that bridged Sesame Street and major animated feature filmmaking. HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Drew Taylor - IG: @drewtailored | X: @DrewTailored | Website: drewtaylor.work FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by Unlocked Magic. Get real discounts on Walt Disney World and Universal Orlando tickets, sometimes up to 12% off. Unlocked Magic is run by the team behind DVC Rental Store and DVC Resale Market, making it easy to plan your 2026 Central Florida trip and save big. Grab your tickets today at UnlockedMagic.com and be sure to tell them Drew and Jim sent you. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we explore the rarely recognized power of “seeing the here and now.” Using a memorable scene from Spielberg's Lincoln as a launchpad, we dig into what it really means to rise to those unique, decisive moments that have the potential to alter the trajectory of our organizations, teams, and lives. While it's easy (and comfortable) to stick to established plans and long-term strategies, the real challenge—and opportunity—lies in perceiving the pressing realities and fleeting openings right in front of us.We break down why leaders often miss out: from the tendency to seek only confirming data, to deferring action until it's "more convenient," or sticking with yesterday's plan at the expense of today's opportunities. We discuss how recognizing and responding to converging tensions, personal convictions, and unexpected resources can set you apart as a brave leader who changes the game. Because, as we remind ourselves, the hardest thing isn't to plan, but to see what's possible now—and act on it while the window is open.Five Key Learnings:Not all moments are equal. Some situations are true inflection points that demand we notice and act, not simply follow the plan.Comfort can be a blindfold. We naturally avoid disconfirming evidence and delay hard choices, risking missed opportunities.Look for signs. Tensions you're wrestling with, persistent convictions of conscience, and aligning resources are often signals that something important is at stake.Success can lead to failure. Achieving the wrong goals—because we're ignoring reality—means we can “succeed our way into failure.”Bravery is seeing and contending with reality. The leaders who change things aren't always the ones with the best laid plans; they're the ones who respond bravely to what's real and present.Get full interviews and bonus content for free! Just join the list at DailyCreativePlus.com.Mentioned in this episode:The Brave Habit is available nowMy new book will help you make bravery a habit in your life, your leadership, and your work. Discover how to develop the two qualities that lead to brave action: Optimistic Vision and Agency. Buy The Brave Habit wherever books are sold, or learn more at TheBraveHabit.com.

Kevin and Matthew McManus (American Vandal, Cobra Kai, Redux Redux) jump in the passenger seat for a revving chat about Steven Spielberg's Duel. Shot in 10 days, this 1971 TV movie was Spielberg's first real introduction to Hollywood. It's an adaptation of a Richard Matheson short story that follows a spineless city boy as he's tormented by a faceless truck driver that prowls the rural roads outside of Los Angeles. Part Hitchcock, part '70s weirdo Spielberg, there's a good argument that without Duel being as good as it was Spielberg may not have broken out as quickly as he did. The McManus Brothers help your humble host break down the movie, talk about our favorite sequences, and point out some of the more eye-catching visual storytelling moments. Their latest film, Redux Redux, which follows a mother that jumps realities so she can torment her daughter's murderer over and over again, can be seen in theaters this Friday, February 20th. Learn more about your ad choices. Visit megaphone.fm/adchoices

As The Simpsons hits its 800th episode, Jim Hill takes a moment to appreciate how this once-scrappy Fox upstart became an animation institution that may never actually end. From the long-lost series finale concept where Homer and Krusty were secretly the same person to the show's upcoming theatrical sequel and Disney's long-term park plans, this week's Fine Tooning looks at how Springfield keeps evolving. Plus, box office updates, Avatar sequel math, Matt Braly's next move after Sony, and a wild Steven Spielberg phone call that changed animation history. NEWS • The Simpsons celebrates its 800th episode with “Irrational Treasure,” the 14th episode of Season 37, as the series eyes renewal through Season 40 and a second theatrical film set for September 3, 2027. • Disney+ viewers can compare Season 1's “Santa's Little Helper” to the new milestone episode to see just how dramatically the show's animation quality has evolved since 1989. • Sony Pictures Animation's Goat opens strong over Presidents Day weekend, reportedly close behind Warner Bros.' Wuthering Heights, with final box office numbers still shifting. • Zootopia 2 crosses $1.83 billion worldwide, becoming the ninth highest-grossing film of all time, though its upcoming March 3 home video release may slow its push toward $2 billion. • Avatar: Fire & Ash reaches $1.46 billion globally, profitable but well below the franchise's prior installments, raising questions about costs and expectations for Avatar 4 and 5. • Matt Braly and Rebecca Sugar's previously in-development Sony feature is shelved, but Braly launches a Kickstarter on March 13 for his indie gothic horror pilot Clara and the Below. • The RiffTrax team raises nearly $1.9 million on Kickstarter for The RiffTrax Experiments, offering a hopeful blueprint for creator-driven animation crowdfunding. FEATURE • The behind-the-scenes story of how Judy Freudberg and Tony Geiss were hired by Steven Spielberg to write The Land Before Time, following his surprise discovery of Sesame Street Presents: Follow That Bird. • Spielberg's now-legendary phone call to Freudberg, initially mistaken for a prank, ultimately led to a creative partnership that bridged Sesame Street and major animated feature filmmaking. HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Drew Taylor - IG: @drewtailored | X: @DrewTailored | Website: drewtaylor.work FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by Unlocked Magic. Get real discounts on Walt Disney World and Universal Orlando tickets, sometimes up to 12% off. Unlocked Magic is run by the team behind DVC Rental Store and DVC Resale Market, making it easy to plan your 2026 Central Florida trip and save big. Grab your tickets today at UnlockedMagic.com and be sure to tell them Drew and Jim sent you. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Even baby dinosaurs can have a huge impact on animation.In 1988, three Hollywood titans, Steven Spielberg, George Lucas, and Don Bluth, came together to create what would become one of the most emotionally devastating animated films ever made, and it is the second movie to celebrate this podcast's seventh birthday.The Land Before Time wasn't just another dinosaur movie: it was an ambitious attempt to recapture the magic of Bambi for a new generation, complete with a mother's death scene that traumatized millions of kids and made it a cultural touchstone. Despite the cutting of over ten minutes of footage deemed too scary, the film still pulled no punches in its portrayal of loss, survival, and the harsh realities of a prehistoric world.What makes The Land Before Time so enduring isn't just nostalgia, it's the film's willingness to treat young audiences with respect, addressing grief and fear head on.Working with both Spielberg and Lucas wasn't exactly the dream scenario Bluth expected it to be, though, and the partnership between Amblin & Sullivan Bluth would, like the dinosaurs they depicted, quickly become extinct. Despite this, The Land Before Time remains a masterclass in emotional storytelling that still resonates nearly four decades later.Support Verbal DioramaLoved this episode? Here's how you can help:⭐ Leave a 5-star review on your podcast app

Neste episódio especial, Yuri Moraes e Roberto Sadovski revelam a Lista Definitiva dos Melhores Filmes de 2025. Analisamos os lançamentos mais aguardados e polêmicos do ano, desde o novo Superman de James Gunn até o documentário sem filtros de Kanye West (In Whose Name) e o retorno de Danny Boyle com a franquia Extermínio.Além das críticas de cinema, fazemos o anúncio oficial da nossa estreia no UOL com o programa Enquadrado. Contamos os bastidores da nova parceria, a saída de projetos anteriores e debatemos diretores divisivos como Lars Von Trier, Spielberg e Kleber Mendonça Filho com seu novo "O Agente Secreto".Se você busca indicações de filmes cult, blockbusters inteligentes e uma conversa honesta sobre a indústria cinematográfica, essa live é o guia essencial para o seu ano.

We celebrate Valentine's Day by reviewing the 1981 horror-slasher classic, My Bloody Valentine! Pickaxes and Canadian accents abound! Plus: Bonobos playing pretend, the superiority of regular olive oil, Valentine's Date 20 Questions, and trailer review of Spielberg's upcoming Disclosure Day!

Jim and Eric kick things off with breaking news from Universal's Fan Fest - yes, there are now multiple colored Yoshis roaming around. From there, they dig into Universal's bold Mummy 4 release date, Wicked's Peacock debut, Mardi Gras madness in Orlando, and that Epic Universe Super Bowl ad that's clearly aimed at changing everything. Then in the back half, Jim dives into the surprisingly complicated history of The Land Before Time - from Spielberg's creative notes to 14 installments and those rare Littlefoot walk-around characters at Universal Studios Hollywood. NEWS • Mummy 4 gets a prime summer release date - Universal slots the Brendan Fraser-led sequel for May 19, 2028, signaling major confidence in the franchise's return. • Wicked heads to Peacock - Universal's Broadway juggernaut begins streaming March 20, keeping the contractual Wicked mention streak alive. • Universal Mardi Gras 2026 begins - Over 40 international food booths, live concerts, and the debut of Prince Gator at Universal Orlando. • Volcano Bay goes cashless - Starting February 25, the water park transitions to card-only transactions. • Epic Universe Super Bowl commercial - A sibling rivalry story spotlights Stardust Racers and positions Universal Orlando as a multi-day destination experience. FEATURE • The Land Before Time's surprising origin story - How Steven Spielberg partnered with Don Bluth after The Secret of NIMH and reshaped a dinosaur tale to be less terrifying for kids. • Scenes cut for being “too scary” - Nearly 10 minutes were removed before the 1988 theatrical release of The Land Before Time. • From theatrical hit to direct-to-video empire - Universal ultimately produced 14 installments, with the final entry arriving in 2016. • Rare Universal Studios walk-around characters - Littlefoot and Sarah once appeared in the parks - and Jim wants proof from listeners who remember them. HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Eric Hersey - IG: @erichersey | X: @erichersey FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR Planning your next adventure? The experts at Be Our Guest Vacations are a Platinum Level Universal and Disney travel agency, offering concierge-level planning for Universal Orlando, Universal Hollywood, Disney parks, cruises, and more. Start planning today at BeOurGuestVacations.com and be sure to mention the Epic Universal Podcast. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Sarah and MJ head to Site B to talk about the sequel to Jurassic Park! They talk about Spielberg's evolved mean streak, the fact that the film is his King Kong riff, and one of the most masterful sequences of Spielberg's career

Next week, we are discussing Psycho IV: The Beginning, and this week we're talking with the film's director, horror legend Mick Garris.Before we break down Norman Bates' origin story, we sit down with the man behind the camera to explore one of the most fascinating careers in genre filmmaking. From Amblin to Stephen King adaptations, from Star Wars to Spielberg, Mick's Hollywood journey is packed with stories you truly can't make up.We get into everything, including:

What did we think of Spielberg's DISCLOSURE DAY trailer and the rest of the big game trailers debuting during the Super Bowl? We react accordingly before diving into the leadership changes at Disney, the reboot of The Muppets, and some big Fast & Furious news. Plus, Weekly Recommends and Brian's Movie Draft punishment revealed! Support us on Patreon & become a MAM VIP! madaboutmoviespodcast.com/vip Follow: X: @madaboutmovies IG: @madaboutmoviespodcast Kent Letterboxd https://letterboxd.com/kentgarrison/ Brian Letterboxd https://letterboxd.com/briangill/ Richard Letterboxd https://letterboxd.com/richardbardon/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Even a little Jewish mouse can have a huge impact on animation.The 1986 Don Bluth animated classic An American Tail, a film that became the highest-grossing non-Disney animated feature of its time and helped reshape the animation industry, is the first movie to celebrate this podcast's seventh birthday.The project began with a concept by David Kirschner that was first pitched to Jeffrey Katzenberg at Disney, but when it reached Steven Spielberg's Amblin Entertainment, the legendary director saw its potential as a feature film. Spielberg, making his first foray into animation, brought aboard Don Bluth, a former Disney animator whose 1982 film The Secret of NIMH had impressed him with its return to the lush, detailed style of classic Disney animation.The film's story held deep personal significance for Steven Spielberg. Fievel was named after Spielberg's grandfather's Yiddish name, and the narrative of Jewish immigration and escape from persecution in 1885 Russia drew directly from stories Spielberg had heard about his own family history.An American Tail doesn't shy away from the harsh realities of immigrant life in 1880s New York, either. The film portrays sweatshops, tenement poverty, political corruption, and exploitation, though it wraps these difficult themes in the accessible framework of a mouse family's journey to find each other in a new land.Don Bluth's unique animation style revolutionized the industry, proving that animation is a powerful medium for all ages, and should not be pigeonholed as just movies for children. An American Tail tackles serious themes like immigration, anti-Semitism and child slavery, making it relevant for audiences of all ages.An American Tail was a wake-up call for Disney, and the fact it beat (Basil) The Great Mouse Detective's box office takings, meant battle lines were drawn, and round one went to Bluth and Spielberg...Support Verbal DioramaLoved this episode? Here's how you can help:⭐ Leave a 5-star review on your podcast app

This week on the Boxoffice podcast, co-hosts Daniel Loria, Rebecca Pahle, and Chad Kennerk discuss all the Big Game trailer spots from Super Bowl LX. Then in the feature segment, Rebecca speaks with Sirāt director Óliver Laxe about the impact of the film on audiences and the importance of the theatrical experience. Give us your feedback on our podcast by accessing this survey: https://forms.gle/CcuvaXCEpgPLQ6d18 01:33 Super Bowl Trailer Roundtable Begins03:19 Major Trailer Omissions (Spider-Man, Avengers)04:00 Scream 7 Big Game Spot & Presales05:29 Super Mario Galaxy Marketing Push06:06 First Look at Supergirl07:28 Amazon MGM's Project Hail Mary Trailer10:26 Pixar's Hoppers Original IP Test14:20 Minions and Monsters Title Reveal16:20 First Footage: The Mandalorian & Grogu23:37 Spielberg's Disclosure Day Wins the Game25:36 Kevin James Viral Marketing for Solo Mio27:05 Weekend Box Office Recap27:49 Stray Kids Event Cinema Breakout30:38 Netflix's Adventures of Cliff Booth Debate32:18 Transition to Oliver Laxe Interview33:47 Interview: Cinema as Catharsis35:53 Why SIRĀT Must Be Seen Theatrically37:22 Warning About Streaming-First Deals38:39 Early Cinema Memory: The Bear39:18 The Sacred Energy of Theaters41:16 Making a Radical Film Popular42:10 Reaching Younger Audiences44:00 “Bitter Medicine with Honey”45:18 Influences from 1970s American Cinema

It's been a busy few weeks in the world of UFO news.In this episode of That UFO Podcast, Andy breaks down newly released footage reportedly captured by an MQ-9 Reaper drone over the Jordanian-Syrian border, showing what appears to be instantaneous acceleration, one of the “five observables.”We also dive into newly surfaced Russian UFO files reportedly smuggled out by George Knapp in the 1990s, including mass sightings, alleged onboard encounters, and Soviet-era investigations into the phenomenon.Plus:• Congressman Eric Burlison discusses a classified location allegedly housing a massive craft too large to move • A potential new whistleblower on the horizon • Bob Lazar makes a surprise return during the “It's Probably Nothing” stage show • The latest Super Bowl trailer for Spielberg's Disclosure Day • Listener questions on document transfers, the UAP Disclosure Act, and whether any of this is realWith upcoming interviews featuring Richard Dolan and Joe McMoneagle, the conversation continues to evolve.Is this a calm before the storm, or the start of something bigger?

This week, Liberty and Danika discuss Out of the Loop, The Midnight Taxi, Dead First, and more! Subscribe to All the Books! using RSS, Apple Podcasts, or Spotify and never miss a book. Sign up for the weekly New Books! newsletter for even more new book news. Keep track of new releases with Book Riot's New Release Index, now included with an All Access membership. Click here to get started today! Books Discussed On the Show: Out of the Loop: A Mystery by Katie Siegel A Slow and Secret Poison by Carmella Lowkis Dead First by Johnny Compton Maria the Wanted by V. Castro Trad Wife by Saratoga Schaefer Muscles & Monsters by Ashley Bennett To the Death by Andrea Tang Mountain Upside Down by Sara Ryan Operation Bounce House by Matt Dinniman  The Midnight Taxi by Yosha Gunasekera Strange Animals by Jarod K. Anderson Everyday Movement by Gigi L. Leung, Jennifer Feeley (translator) Frog: And Other Essays by Anne Fadiman The Body by Bethany C. Morrow Warning Signs by Tracy Sierra This Is Not About Us: Fiction by Allegra Goodman I Hope You Find What You're Looking For by Bsrat Mezghebe The Last Kings of Hollywood: Coppola, Lucas, Spielberg—and the Battle for the Soul of American Cinema by Paul Fischer Eradication: A Fable by Jonathan Miles For a complete list of books discussed in this episode, visit our website. This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send a textQueens, New York City writer, actor, producer Phil Cappadora joins The Fixate & Binge Podcast for a candid, uplifting conversation about the reality of being a working actor—one with real credits, real momentum, and real patience.From collaborating with the Safdie brothers (GOOD TIME) to appearing in Steven Spielberg films (THE POST, BRIDGE OF SPIES) and acclaimed TV series like BOARDWALK EMPIRE and Netflix's DAREDEVIL and JESSICA JONES, Phil shares what it's actually like to build a career step by step—while still waiting for the role that changes everything.This episode is a celebration of persistence, craft, and showing up—even when the finish line isn't visible yet. A must-listen for actors, creatives, and anyone chasing a dream that refuses to be rushed!Thank you for listening! You can find and follow us with the links below!Read our Letterboxd reviews at:https://letterboxd.com/fixateandbinge/Follow us on Instagram at:https://www.instagram.com/fixateandbingepodcast/?hl=msFollow us on TikTok at:https://www.tiktok.com/@fixateandbingepodcast

he new trailer for Spielberg's Disclsoure Day dropped. How  true will this be to future events if any? Kristian Harloff gives his thoughts. CHEERS: Same night out — For a limited time our listeners are getting 20% off their entire order by using code DTE at http://www.CheersHealth.com.  Just head to CheersHealth.com and use code  DTE for 20% Off. After you purchase, they will ask you where you heard about them. PLEASE support our show and tell them our show sent you.

Thank you for listening.    Find my chat with Paul Sinclair here: https://www.youtube.com/watch?v=mpPpN0pXbwY  If you want to tip the show, please go here: https://ko-fi.com/forteannewspodcast  Get your Oi Oi Minkies teeshirt here: https://fortean-news-podcast.teemill.com/  All this on this week's show:    Spielberg announces new film on full alien disclosure New scientific theory suggests that if we did get noise of a planet, it would be when they are in trouble New portal to a mega chamber discovered near Egypt's pyramids Did Boyd Bushman work alongside aliens at Area 51? Cryptids classification and evolution Do you want to buy a Roswell yearbook from the crash year? Could there be a scientific reason for precognition? Is the reason we haven't contacted aliens yet due to “Radical Mundanity” ? Does the Wall of the Demon on Jupiter's Europa hold the key to life? A doctor of psychology asks why we are so apathetic to the fact that aliens seem to be here already. A Kyrgyzstan clairvoyant is arrested Wyoming senator pushes for disclosure on UAP's / UFO's. Marco Rubio wants full disclosure A short history of ghost hunting Chicago Mothman sighting True stories of angelic beings The physics of how UFO's may actually fly Time slips on Liverpool's Bold Street Man abducted by aliens so they can harvest his sperm Triangle UFO seen in Mexico https://www.facebook.com/share/v/1CDLcM9nfW/ Did two girls' imaginary friend pick them up and take them to school?

Welcome to Star Wars Reactions!Happy Star Wars Podcast Day 2026! Hosts Aaron Harris and David Modders sit down and catch up on all the news that broke since our last episode! From the rise of Dave Filoni to the departure of Bob Igor to the EGOT for Spielberg, they break down the changes. Plus they share their reactions to the trailer of the upcoming Star Wars: Maul - Shadow Lord!Of course, it would be SWR without a new Star Wars Dad Joke of the Week to end it all! Show Outline:Episode 237 IntroStar Wars Podcast Day 2026 InfoLeadership Change at LucasfilmLeadership Change at DisneySpielberg, Williams and an EGOTStar Wars: Maul - Shadow LordClosingStar Wars Dad Joke of the WeekStar Wars Reactions: Elegant discussions for a more civilized age!Join the discussion! Click on any of the show links and send us your thoughts about this or any Star Wars topic!Click here to leave us a voicemail via SpeakPipe!Email us here!Follow us on X!Follow us on Facebook!Follow us on Instagram!Follow us on  TikTok!Follow us on Threads!Follow us on Bluesky!Follow us on Pinterest!Subscribe on YouTube!Follow Aaron and David on X!Follow Aaron and David on Instagram!

Who says Spielberg can't do comedy? Wait...wrong movie...On this new episode we cover the movie that somehow perfectly encapsulates the year of 2005 in movies. Starts out with promise, has some really great moments, but falls flat and in the end leaves you awkwardly sweating and crying in bed.You may already see where this one is going, but in this episode we discuss 2005's Best Picture nominated Spielberg film, "Munich." We may not have loved it, but we loved recording and the new beers that we had along the way.Thanks for listening and for the support, and be sure to find us on Threads and 20years4beers.comSupport the show

We go straight at it today with Celebrity News! Is proposing during the Super Bowl the ultimate romantic gesture—or just a way to guarantee your engagement photos smell like buffalo chicken dip? The Rizzuto Show debates a listener's halftime proposal idea and somehow turns it into a full-blown relationship autopsy complete with ranch stains, Kid Rock jokes, and worst-case-scenario crowd reactions.From there, things go exactly where you'd expect: nowhere reasonable. The crew reacts to Bad Bunny's upcoming Super Bowl halftime show, discusses why performers make zero dollars for the biggest stage on Earth, and dives into newly discovered Ozzy Osbourne rehearsal tapes recorded right after his split from Black Sabbath. This naturally evolves into the accidental creation of a new music genre called Cigarette Mom Rock, featuring smoky kitchens, indoor ashtrays, and aggressively emotional 90s anthems.The nostalgia doesn't stop there. Childhood icons are dragged into the light as Mr. Wizard is exposed as possibly the angriest man to ever teach science to children. Bill Nye somehow escapes unscathed, dinosaurs make a triumphant return thanks to Spielberg and Morgan Freeman, and Guns N' Roses fandom takes over the studio with passionate debates over intros, ballads, and Axel Rose's voice.This episode is a perfect snapshot of a funny podcast doing what it does best—overthinking everything, oversharing trauma, and laughing through pop culture chaos. If you're looking for a daily dose of sarcasm, nostalgia, and unhinged conversation, this funny podcast delivers exactly what it promises. Consider this your warning and your invitation.It's messy. It's unhinged. It's extremely on-brand. And it's exactly what a daily comedy show should be.Follow The Rizzuto Show → https://linktr.ee/rizzshow Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShow Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Navires engloutis, avions effacés, silences radio sans explication... Le Triangle des Bermudes a suscité beaucoup de mystères...Plongez dans cette enquête historique sur la disparition de l'escadrille 19 dans le Triangle des Bermudes en 1945. Franck Ferrand vous emmène dans les méandres de ce mystère qui a marqué l'imagination du public pendant des décennies. Retour sur une journée d'entraînement qui a mal tourné : le 5 décembre 1945, cinq avions torpilleurs quittent la base aéronavale de Fort Lauderdale en Floride pour une mission de routine. Mais au fil de l'heure, les communications se brouillent, les équipages perdent leurs repères et sombrent dans la panique. Bientôt, plus aucun signe de vie ne parvient de l'escadrille 19.

Legendary action director Renny Harlin (Die Hard 2, Cliffhanger) is our guest this week to talk about the latest chapter of his Strangers reboot trilogy, his collaboration with Steven Spielberg early in his career, and how much of an impact Jaws has had on many of his films, including his own killer shark flick Deep Blue Sea. We talk color theory, visual storytelling, how and when you can lose an audience, and what can be learned from watching Spielberg's films. Learn more about your ad choices. Visit megaphone.fm/adchoices

Timothy Alberino is back in the basement, and this time the conversation is pointed. With the release of the documentary Age of Disclosure and a Spielberg film on the horizon, the UFO topic is no longer fringe. It's congressional. It's mainstream. And according to Tim, it's something the Church desperately needs to engage with rather than dismiss. He breaks down the difference between contactees and abductees, why the "it's all demons" explanation doesn't hold up under scrutiny, and what's really going on with the Collins Elite, a group of evangelical Christians inside the Pentagon actively working to block disclosure because they believe the phenomenon is satanic deception.Tim isn't here to mince words. He's here to challenge the reflexive skepticism that has paralyzed so many believers. Crash retrievals are real. Biological bodies have been recovered. And there are people inside the government fighting to bring oversight to programs that have operated in the shadows for decades, programs tied to black budgets, human experimentation, and worse. He talks about his conversations with Lou Elizondo, decades of reverse engineering programs, and why so many believers have slipped into what he calls "conspiracy psychosis," a state where even if the government started telling the truth, no one would believe it. The deception is coming, Tim says. But it's not the existence of gray aliens. It's the message. And if your roots go deep in the gospel, you don't need to be afraid of the facts. This episode is sponsored by: https://zocdoc.com/blurry — Find and instantly book top-rated doctors today! https://ruffgreens.com — Get a free Jumpstart Trial bag at RuffGreens.com with discount code BLURRY. - Learn more about your ad choices. Visit megaphone.fm/adchoices