Podcasts about scorsese

In this episode of Spitball Media Podcast, we dive deep into the unsettling world of Weapons, unpack the first season of FX's sci-fi drama Alien Earth, and compare the directorial styles of Zach Cregger and Osgood Perkins. We also catch up on what we've been watching lately and break down the trailers for some highly anticipated films and documentaries, including AKA Charlie Sheen, Mr. Scorsese, Dreameater, Marty Supreme, Witchboard, and Americana. Whether you're into horror, sci-fi, or cinematic deep cuts, this episode is for you.

Our summer tradition at Here’s the Thing continues, as staff members choose their favorite conversations from the archives for our Summer Staff Pick series. This week, we revisit Alec’s conversation with Thelma Schoonmaker, the legendary editor behind every Martin Scorsese film since Raging Bull. Known for her warm, unassuming presence, Schoonmaker has shaped some of cinema’s most intense and iconic moments—earning three Academy Awards and seven nominations along the way. She talks to Here’s the Thing host Alec Baldwin about Scorsese’s pet peeves, what it’s like to “create” violence, and the woman she credits with giving her the “greatest life in the world.”See omnystudio.com/listener for privacy information.

It's Nerd Roll of Fortune time! Scorsese films, voice acting, musical theater, drones, past lives and reality TV are all discussed. Plus: Overwatch 2, robot bunnies, and the Red Sonja reboot!Time Codes---------------Host Banter: 1:19Nerdy News: 6:25Nerd Roll of Fortune: 9:29Radical Recommends: 34:43Trailer Review: Red Sonja (2025): 37:39

Old Cinema! New Cinema! Here they are, together! Ellis and Corbs talk about "Hugo," Martin Scorsese's honestly conspicously excellent family movie about a an orphan, a great filmmaker, and the open wounds of World War One. Topics: how exactly is Scorsese so good at making a special effects extravaganza, the 3D moment, fated to fail, color, and Scorsese's ability to bring a wide range of techniques to the table.  Read a fascinting article about Rave Culture in Britain here. Corbin  Rec. Matt rec. Next episode is about Leviathan. Watch here. 

(Airdaate: 8.7.25) Lindsay Lohan wants to trade in teen comedies for a shot at Scorsese—because Mean Girls to Martin is totally a natural jump. Meanwhile, J.Lo's Vegas residency isn't exactly selling like hotcakes, unless those hotcakes are $1,300 a seat and still available. And Jamie Lee Curtis drops a hilariously unfiltered red carpet greeting on Allison Janney that proves even Hollywood legends have no chill—in the best way. Voted 6th Best Entertainment News Podcast! Because being #1 is soooo overrated. And @HalleBerry Listen to the daily Van Camp and Morgan radio show at: https://vancampandmorgan.com/stations buy us a coffee      

This week on The WatchTower Film Podcast, we're officially launching The Brow Month—our deep dive into the wild, legendary world of Martin Scorsese. And there's no better place to start than Goodfellas—the mob movie that redefined the genre (and the tracking shot).We break down the film's electric style, unforgettable characters, cocaine-fueled chaos, and why Scorsese's fingerprints are all over modern cinema. From freeze frames to mob betrayals, it's fast, funny, brutal, and endlessly rewatchable.Just don't ask how many takes the Copacabana shot took. We're talkin' here.

Get ready to pour yourself a cocktail, put on an old opera record, and inject yourself with a chemical compound that stretches the bounds of death in a terrifying fusion of science and art, because the crew at Box Office Pulp is back on their wax bullshit with a commentary track for Sergio Stivaletti's Fulci-by-another-name fable, 1997's Wax Mask. The legendary special effects master responsible for the Demons franchise only ever directed a single feature, and this slasher by way of a giallo by way of a Wax Museum mystery has been unfairly forgotten by even the most stalwart horror faithfuls. Listen to the tale of Dario Argento's last boon to a dying frenemy, a museum owner driven by heartbreak to murder and mad science, and a dubbing track that descended into pure, unfiltered Italiano.So remove your mesh mask to reveal your wax mask to reveal your robot(?) skull by listening now!https://www.boxofficepulp.com/Listen on Apple: https://www.boxofficepulp.com/appleListen on Spotify: https://www.boxofficepulp.com/spotifyListen on Amazon: https://www.boxofficepulp.com/amazonAll The OTHER Ways to Listen: https://www.boxofficepulp.com/listenFollow on Facebook: https://www.facebook.com/BoxOfficePulpPodcast/Follow on Twiter/X: https://x.com/BoxOfficePulp

She should be ashamed to admit it, but Christina has never seen Good Fellas! As a result, everything about Scorsese's source material was a surprise to her - including that it really happened. Learn all about the airport insiders who teamed up with the mob to get a whole lot of cash in one of America's biggest heists.Be sure to Subscribe, Rate, & Review on Apple Podcasts, Spotify, and Audible!Support the show by becoming a sponsor on our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.Patreon.com/NYMysteryMachine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠NYMM Merch! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://nymysterymachine.myspreadshop.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Have a strange and/or paranormal story?⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Share it here!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Don't forget to follow us on all the socials:Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@NYMysteryMachine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | TikTok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@NYMysteryMachine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bluesky:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@nymysterymachine.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | X:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@NYMysteries⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | Facebook:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@NYMysteryMachine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--THANK YOU TO OUR SPONSORS:AUDIBLE: Get a FREE 30 Day Trial by heading to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.AudibleTrial.com/NYMysteryMachine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HUNT A KILLER: Receive 20% off your first Hunt a Killer subscription box at www.HuntAKiller.com with the code NYMYSTERYMACHINE at checkout!RIVERSIDE.FM: Looking to record podcast, but need software? Head to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://riverside.fm/?via=nymysterymachine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Episode 143: Tom, Evan & Marcus go deep deep deep on the next installment of their One Fucking Summer Crimetime series with One F'ing Hour on CASINO (1995), the Scorsese film that gave them violent nightmares!! Sign up for the OFH Patreon: ⁠https://www.patreon.com/onefuckinghour⁠

This month we're diving into the fresh and relevant debate of Martin Scorsese versus Marvel/Superheroes/Thrill Rides and deciding a definitive winner. See the video here: https://youtu.be/w_nDobUe9ogSupport us on http://www.patreon.com/reactionshots

Si torna a parlare di film musicali insieme a Francesco Menici, questa volta è il turno di "New York New York" di Martin Scorsese con la coppia Liza Minelli e Robert De Niro.Un omaggio ai classici musical hollywoodiani, ma con uno sguardo più crudo e realistico, tipico dello stile di Scorsese. Celebre soprattutto per aver lanciato la canzone “New York, New York”, scritta da John Kander e Fred Ebb, diventata poi un inno non ufficiale della città nella versione di Frank Sinatra.

Film Overview Title: Eddington (2025) by Ari Aster Setting: Small-town New Mexico during the COVID-19 pandemic Premise: Tension and division between a local sheriff (Joaquin Phoenix) and the town's mayor (Pedro Pascal), reflecting broader cultural and social fractures in America. Themes: Polarization, the influence of social media, performative activism, the corporatization of crisis, and the psychological weight of 2020. Cast & Performances Joaquin Phoenix (Sheriff Joe Cross): Widely praised for his layered, committed performance. Considered perfect for the role. Pedro Pascal (Mayor Ted Garcia): Serves as a foil to Phoenix's sheriff. Also well-cast, though not a co-lead. Emma Stone: Mixed feelings about her casting due to age and tone. Some discussion of alternative casting. Austin Butler: Divisive but ultimately defended. His character is seen as representative of evangelical or conspiracy-driven youth. A recurring homeless man character is discussed as a possible metaphor for society's ignored truths or the prophetic outsider. Cinematography & Technical Merits Director of Photography: Darius Khondji (corrected after initially being misattributed to Bruno Delbonnel) Visuals praised as among the best of the year—shot in New Mexico using real locations, lighting used to evoke horror pacing and psychological tension. Stylistic comparisons to Hereditary and Seven. Return of Ari Aster's visual motifs: isolation, daylight-to-night transitions, and symbolic elevation (e.g., houses on hills). Genre & Stylistic Notes Described as: “Not quite a horror film, but horror-influenced” A blend of satire, tragedy, psychological thriller, dark comedy, and drama Compared to: No Country for Old Men (tone and landscape) Robert Altman's Nashville (ensemble structure and social chaos) King of Comedy and Taxi Driver (Scorsese comparisons in the spoiler section) Rejection of Coen Brothers comparisons as too simplistic Thematic Analysis (Spoiler Section) Fragmentation of Reality: The main theme is how social media algorithms and performative digital culture drive people apart. Bothsides-ism: The film avoids heroes or villains; it's more about the system manipulating everyone. Performative Activism: Especially embodied in the youth protest scenes—young people react to national injustices despite their local irrelevance. Corporate Exploitation: A data center being built in the town is the real power move while townsfolk are distracted by culture wars. The Sheriff as a Symbol: Joe Cross embodies both traditional authority and the poisoned populism of social media-age politics. Final Acts of Violence: Symbolize collapse under social pressure and loss of moral compass. ⭐️ Ratings Michael: 4 out of 5 stars – “Bold, sharp, close to perfect…” Dave: 4 out of 5 stars – “Difficult but essential viewing… very funny, deeply human…”

Esta película consolida la figura de Martin Scorsese como uno de los grandes cineastas de Hollywood. La película traza una crónica implacable del crimen organizado desde dentro. Además, desmiente algunos mitos sobre la mafia. Está basada en hechos reales ocurridos apenas quince años antes el rodaje, aunque la película no se ciñe de forma estricta al acontecimiento. Scorsese destaca porque va más allá del molde del género, cuenta la historia con voz en off y rompe la cuarta pared, con los personajes mirando a cámara e interpelando al espectador en plena acción.

In this episode, we cover Bringing Out the Dead, Martin Scorsese's overlooked gem that dives into the life of a New York City paramedic. Join The Dale, Cea, and Twan as we explore how Scorsese turns burnout into spiritual warfare and chaos into dark poetry. Nicolas Cage stars as Frank Pierce, a man unraveling under the weight of lives he couldn't save and ghosts he can't shake. Set in the drug-fueled streets of 1990s Hell's Kitchen, the film pulses with exhaustion, guilt, and hallucinatory dread.

Her hafta Canlı Yayında sinema ve televizyon gündemini konuşuyoruz, haftanın öne çıkan dizi ve filmlerini yorumluyoruz, ilgimizi çeken konuları tartışıyoruz, listeler yapıyoruz, goygoydan geri kalmıyoruz...00:00 | Giriş15:25 | Superman 44:45 | Misericordia 48:05 | Ballerina 54:15 | Deep Cover56:50 | Nyaight of the Living Cat 1:04:25 | Nefes Nefese 10 Film1:47:45 | Sahibinden Kelepir Müslüm ve Ayla1:54:15 | Türkiye'nin Oscar Aday Adayı1:57:35 | Bergman'ın Hitler Sevdası2:02:30 | Scorsese'den Eddington'a Övgü 2:03:10 | James Gunn'ın Açıklamaları2:05:55 | Harry Potter Dizisinden Yeni Haberler 2:09:25 | Emmy Adayları 2:16:50 | Tüm zamanların En Çok Kazandıran Oyuncusu 2:20:05 | Haber Turu: Sinema Gündemi

In this fantastic episode of The Artists podcast, we are joined by the legendary Sir David Sterritt—renowned film critic and scholar, celebrated for his extensive writings on Alfred Hitchcock, Jean-Luc Godard, and more recently, Martin Scorsese. Sterritt, who previously appeared in Episode 89 where we explored Hitchcock, Godard, and Kiarostami (a must-listen if you haven’t already!), returns to unpack the essence of Pure Cinema—a term often used but rarely understood in its full cinematic depth. He’s written for esteemed publications like MovieMaker, Sight and Sound, and Cinéaste, and his insights offer a compelling journey through both classic and modern film thinking.

Episode Notes In this episode of Workplace Hugs, Shannon and Rami explore how the revolutionary filmmakers of the 1970s - like Scorsese, Spielberg, and Coppola - transformed Hollywood by taking creative risks and challenging studio authority. They discuss what modern creatives can learn about balancing artistic vision with commercial success, and why collaboration beats ego every time.

Grab your cricket bat, raid the fridge for a cold one, and head to the Winchester, because this week, the Born to Watch crew are diving deep into one of the smartest and most beloved horror-comedies of all time with their Shaun of the Dead (2004) review.With G-Man MIA (probably off playing Tekken in the shed), Matt and Sir Dimmy hold the fort to break down Edgar Wright's 2004 cult classic that reanimated the zombie genre and redefined the zombie flick with a pint of bitter and a dash of British wit.In this week's episode, the lads explore how Shaun of the Dead walks the tightrope between gore and giggles, creating a film that works just as well as a slacker comedy as it does a horror satire. Damo admits to confusing it with The World's End (don't worry, he's new here), while Matt reveals he's seen the film nearly 20 times and could watch it on loop, especially with a packet of pork crackle and a Pepsi Max.From the iconic walk to the shop (twice), to the Queen-backed zombie beatdown in the Winchester, the boys dissect every major scene with the kind of reverence usually reserved for Tarantino or Scorsese. They also dig into Simon Pegg's breakout role as the titular Shaun, Nick Frost's glorious (and infuriating) turn as Ed, and the supporting cast of Britcom legends including Lucy Davis, Dylan Moran, and the ever-reliable Bill Nighy.They ask all the important questions:Is Shaun actually a zombie at the start of the film, who awakens into humanity?Could a pub really be the best place to ride out the apocalypse?And how the hell did Shaun survive that crowd of flesh-eaters outside the Winchester?Damo goes full philosopher, questioning the human condition in the age of smartphones (spoiler: we're all zombies), while Matt wonders why anyone would throw priceless vinyl at the undead.But it's not all jokes and Queen sing-alongs, the episode also touches on the emotional beats of the film, like Shaun's relationship with his mum and stepdad, the heartbreak of watching loved ones turn, and the surprisingly poignant ending that still manages to sneak in one last gag.The boys also fire off rapid takes in “The Good, The Bad and The Ugly,” with highlights like:The perfect pacing and editing of the dual morning walk sequencesThe underappreciated brilliance of the bizarro “mirror crew” sceneAnd Ed's ability to be the most annoying – yet somehow still likeable – flatmate in cinema historyThrow in some choice reviews from critics (both good and hilariously bad), box office trivia, and the revelation that director Edgar Wright used just $4 million to craft a film that grossed over $30 million and launched a thousand pub-themed Halloween costumes, and you've got yourself one hell of a breakdown.Oh, and yes, the team briefly wonders why cricket bats are now over $1,000, a real horror show.So whether you're a diehard fan of the Cornetto Trilogy or new to the undead scene, this episode is a must-listen.Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!Join the conversation:Is Shaun of the Dead the best zombie comedy ever made?Would you ride out the apocalypse in a pub? And what's the best record to throw at a zombie?#BornToWatch #ShaunoftheDead #EdgarWright #SimonPegg #ZombieComedy #BritishHumour #HorrorComedy #NickFrost #CornettoTrilogy #MoviePodcast

今回は@alfforecordsの店主せいじさんと、音楽との距離感、『心臓を貫かれて』、映画、おすすめの音楽などについて話しました。BEATNIK⁠⁠BEATINK Listening Space⁠⁠HAIM / I QUIT⁠⁠乱読の地層⁠⁠日本語ラップ長電話⁠⁠MAD MAX フュリオサ⁠⁠サブスタンス⁠⁠チャレンジャーズ⁠⁠心臓を貫かれて⁠⁠Age Factory⁠⁠NORIKIYO⁠⁠犯行声明⁠⁠KNEECAP⁠⁠Irish band Kneecap shouts out to Palestine Action Group at Glastonbury⁠⁠映画『ニーキャップ』⁠⁠BOB VYLAN⁠⁠KELELA / IN THE BLUE LIGHT⁠⁠BON IVER⁠⁠CLIPPING.⁠⁠THE SOPHS⁠⁠FORTNITE⁠⁠ELDEN RING NIGHTREIGN⁠⁠ベルセルク⁠⁠コマンドー⁠⁠バタリアン⁠⁠ノックノック⁠⁠メイク・アップ⁠⁠映像の世紀バタフライエフェクト⁠⁠ハロー!ちびっこモンスター⁠⁠明鏡止水⁠⁠ALFFO RECORDS MERCH⁠⁠タケモトユウマ⁠⁠チバユウスケ⁠⁠Barbara Vacation Cast #48

Topics covered include: Steven Soderbergh's greatest commentary tracks, the first Mission Impossible as a perfect film, writing movies for actors not executives, Ari telling Bill the idea for Eddington outside of an Italian restaurant, Bill laughing at the sound of Toni Collette's head falling off in Hereditary, being intuitive and impulsive, David Lynch as a great spiritual teacher, using genre film as a shield, Ari's deep research process in New Mexico before making Eddington, the genius comedy of Christopher Morris, walking into the meat grinder, unmade horror scripts, Bill's cameo in Beau is Afraid, going beyond the breaking point, Steven Spielberg as the king of shot sequencing, childhood obsession with screenplays, Sturges on Sturges, Bill filming shorts as a kid with his sister in Tulsa, meeting Scorsese at SNL, and 50+ films that shaped them. 

This week on Cinematic Underdogs, we're betting itall on a suburban fever dream of bad decisions, illicit blackjack, and cameo-toting blowtorches—that is right, we're rolling our dice on The House, a 2017 comedy wherein Amy Poehler and Will Ferrell turn middle-class desperation into high-stakes chaos.The plot is as plain as poker; When their daughter's collegefund vanishes, two mild-mannered parents do what any rational soon to be empty nesters would do: open an illegal underground casino in their neighbor's basement. Imagine Breaking Bad meets Vegas Vacation, with PTA moms, home improvement mishaps, and Will Ferrell slowly unraveling into a budget Scorsese mob boss.Simplistic yet promising on paper, The House feels asarchitecturally trite as your average suburban lot. It plays out as the latest, lukewarm hedge in the studio comedy genre—confiding in recycled gags, a flimsy plot, and the kind of cheap laughs that scream "first draft." Will Ferrell, once a master of absurdist escalation, seems stuck in a creative holding pattern—the same shouting and man-child meltdown, dressed up in a different movie. There's a sense that the Semi-Pro/Blades of Glory/OldSchool formula is wearing thin. We get it: take a well-known premise, throw in some improv, ante-up with some unhinged hijinks, and double down with slapstick shenanigans, then hope it lands. Here, it doesn't. It's not unwatchable (we both enjoyed it as a vapid diversion); but it's utterly uninspired — another reminder that the golden era of Ferrell-led comedies, and 21st century theatrical comedies, are long past their prime and stuck in a rut.More direly, we discuss how the odds of a revival of thisflailing genre look increasingly grim, as lackluster efforts lead to waning box office receipts. Who will break the vicious cycle? Will someone soon hit the jackpot and rake in the next decade of theatrical releases? Join us as we theorize how the Hollywood hot hands of our adolescence have grown lazy, and whether the chips are too stacked up against a once surefire sanctuary of deep belly laughs and winning escapism for a comeback.

Why are superheroes seemingly always so popular? And is that a good thing? We discuss with screenwriter, professor, and author Sean Gaffney.   References and resources List of billion dollar superhero movies: https://deadline.com/gallery/highest-grossing-movies-all-time/mcdjuwo-uv042/ Superhero dominance of the 2010s: https://www.statsignificant.com/p/the-rise-and-fall-of-superhero-movies   Superheroes aren't cinema: https://www.nytimes.com/2019/11/04/opinion/martin-scorsese-marvel.html   My reply to Scorsese: https://www.nytimes.com/2019/11/16/opinion/letters/martin-scorsese-movies.html   Superheroes as modern gods: https://www.wired.com/2011/07/grant-morrison-supergods/   Superheroes as Chivalric Romance: https://www.youtube.com/watch?v=WPH9K0x5fY4&ab_channel=PilgrimsPass   Superheroes as worship: https://anunexpectedjournal.com/superhero-movies-are-worship-not-theme-parks/   Websites The Overthinkers: theoverthinkersjournal.world Nathan Clarkson: nathanclarkson.me Joseph Holmes: josephholmesstudios.com Sean Gaffney: https://gaffneyinkwell.com/

In this episode, we dive into The Wolf of Wall Street and break down how Martin Scorsese uses brilliant filmmaking to distract the audience from just how terrible these characters really are. We explore how the film mirrors the lifestyle it portrays—fast, loud, and reckless—and how that chaos makes it easy to ignore the darkness underneath. We also analyze Jordan Belfort's character, the outrageous tone, and the psychological tricks Scorsese uses to keep you entertained while showing you the truth.Chapters:00:00:00 How Scorsese distracts you from the debauchery00:05:41 How the beginning sets the stage for insane story00:10:56 Stratton Oakmont's recruitment 00:12:27 The metaphor Scorsese used in penny stock phone call00:15:53 The Jonah Hill scene that reveals the thought process of everyone00:18:41 How Scorsese uses the frame to show Jordan's "superior" life00:20:04 DiCaprio is the only man to pull this movie off00:24:29 The fight against being an ordinary man00:27:40 The amount of iconic scenes in incredible00:29:02 The genius use of a real event as a thematic moment00:30:49 The collapse of Jordan Belfort00:37:15 What was Scorsese trying to say at the end?00:40:43 Last point on distracting you from Jordan's losses00:41:51 The ending00:44:10 Jonah Hill took a pay cut to make this movie00:46:20 Our official rating00:53:34 Cool behind the scenes story of Margot Robbie00:56:41 Final thoughts01:00:29 Cue the music

As chatbots continue to evolve, Lesley Stahl reports from Nairobi, Kenya, on the growing market of “humans in the loop” – workers around the world who help train AI for big American tech companies. Stahl speaks with digital workers who have spent hours in front of screens teaching and improving AI, but complain of poor working conditions, low pay and undertreated psychological trauma. Correspondent Jon Wertheim journeys by boat (and winch) into the world's smallest – and unlikeliest – state: the Principality of Sealand. Just off the English coast, and roughly the landmass of two tennis courts, it boasts a full-time population of one. It was built during World War II as a nautical fort, and later repurposed as a “pirate radio” station under its monarchs, the Bates family. Wertheim takes a tour of this micronation and its history of piracy, coups, countercoups and rogues. The name Werner Herzog may not be as recognizable as Spielberg or Scorsese, but over the last six decades, the German filmmaker has had a profound and far-reaching influence on the world of cinema. He's made over 70 features and documentaries, which are often dream-like explorations of nature's power, human frailties and the edges of sanity. Correspondent Anderson Cooper sits down with the enigmatic director to discuss his films, and his other roles as writer and actor. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comPaul is a writer, an editor, and an old friend. He's a regular contributor to The New Yorker and a senior fellow in Georgetown's Berkley Center for Religion, Peace, and World Affairs. He's the author of The Life You Save May Be Your Own and Reinventing Bach, and his new book is The Last Supper: Art, Faith, Sex, and Controversy in the 1980s.For two clips of our convo — on Martin Scorsese's extraordinary religious films, and the strikingly resilient Catholicism of Andy Warhol — head to our YouTube page.Other topics: Paul raised in upstate NY as a child of Vatican II; his great-uncle was the bishop of Burlington who attended the 2nd Council; Thomas Merton and Flannery O'Connor as formative influences; working in publishing with McPhee and Wolfe; Cullen Murphy on the historical Christ; Jesus as tetchy; Czesław Miłosz; Leonard Cohen making it cool to be religious; the row over The Last Temptation of Christ and Scorsese's response with Silence; Bill Donahue the South Park caricature; Bono and U2; The Smiths; The Velvet Underground; Madonna and her Catholic upbringing; “Like A Prayer” and “Papa Don't Preach”; her campaign for condom use; when I accidentally met her at a party; Camille Paglia; Warhol the iconographer; his near-death experience that led to churchgoing; Robert Mapplethorpe; S&M culture in NYC; Andres Serrano's “Piss Christ”; Jesse Helms' crusade against the NEA; Sinead O'Connor's refusal to get an abortion; tearing up the JP II photo on SNL; the sex-abuse crisis; Cardinal O'Connor; the AIDS crisis; ACT-UP's antics at St. Patrick's Cathedral; the AIDS quilt as a cathedral; and Paul's gobsmacking omission of the Pet Shop Boys.Coming up: Edward Luce on the war with Iran, Walter Isaacson on Ben Franklin, Tara Zahra on the revolt against globalization after WWI, Thomas Mallon on the AIDS crisis, and Johann Hari turning the tables to interview me. (NS Lyons indefinitely postponed a pod appearance — and his own substack — because he just accepted an appointment at the State Department; and the Arthur Brooks pod is postponed because of calendar conflicts.) Please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.

Get ready to hustle up some bibles, condemn some apostates, and declare that someone IS NO KIN OF YOURS, as tonight the Bop Crew interviews Payton McCarty-Simas, author of That Very Witch: Fear, Feminism, and the American Witch Film. Together they have a fascinating discussion on their favorite witch films, the unique properties of American hysteria, the environmental factors that lead to booms in either witch hunts of witch flicks, why there were so many goddamn warlocks in the eighties, and the explicit fascism of the Veronica Lake vehicle I Married A Witch.Pick up your copy of That Very Witch: Fear, Feminism, and the American Witch Film: https://www.lunapresspublishing.com/product-page/that-very-witch-that-very-witch-fear-feminism-and-the-american-witch-movie (also available wherever books are sold!)Check out Payon on Instagram: @paytplaceTaboo Acts, Queer Allegories: Cannibalism, Incest, and Queerness as Transgression in Genre Film | PAYTON McCARTY-SIMASThe Substance Is a Witch Film | by Payton McCaty-Simashttps://www.boxofficepulp.com/Listen on Apple: https://www.boxofficepulp.com/appleListen on Spotify: https://www.boxofficepulp.com/spotifyListen on Amazon: https://www.boxofficepulp.com/amazonAll The OTHER Ways to Listen: https://www.boxofficepulp.com/listenFollow on Facebook: https://www.facebook.com/BoxOfficePulpPodcast/Follow on Twiter/X: https://x.com/BoxOfficePulp

To hear the full episode and gain access the entire archive of deep historical research, subscribe to American Exception on Patreon!   Aaron and Max discuss the 2019 Martin Scorsese film, The Irishman. The film stars Robert DeNiro as an Irish-American hitman and Al Pacino as the notorious Teamster president, Jimmy Hoffa. The film is based on the book, I Heard You Paint Houses, by Charles Brandt. We recommend that people watch the film before listening since we don't attempt to give any organized synopsis, nor do we avoid spoilers. Listen at your own risk! Music: "Silent Motion" by Mock Orange Special thanks to Dana Chavarria for producing the episode!!

Forrest, Conan Neutron, and Kristina Oakes talk about Martin Scorsese's Goodfellas with Josh from @TheAfternoonTune_ !! #goodfellas #martinscorcese #rayliotta #robertdeniro #wiseguy #moviepodcast #filmpodcast #taxdriver #meanstreets #deniro #henryhill #thesopranos #loraine #tonysoprano #mafia #mob #joepesci #mafia2 #mafiaringtone #scorsese #casino #myblueheaven #noraephron A long time in the making, this movie stars Ray Liotta, Joe Pesci, Robert De Niro. You already know!! It's Scorsese's most popular movie!!! It's the mafia!!!! Join our discord: https://discord.gg/ZHU8W55pnh Join our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtra

Interview with Stephen Witt Altman's Gentle Singularity Sutskever video: start at 5:50-6:40 Paris on Apple Glass OpenAI slams court order to save all ChatGPT logs, including deleted chats Disney and Universal Sue A.I. Firm for Copyright Infringement Apple paper: The Illusion of Thinking: Understanding the Strengths and Limitations of Reasoning Models via the Lens of Problem Complexity Futurism on the paper Could AI make a Scorsese movie? Demis Hassabis and Darren Aronofsky discuss YouTube Loosens Rules Guiding the Moderation of Videos Meta Is Creating a New A.I. Lab to Pursue 'Superintelligence' Meta and Yandex are de-anonymizing Android users' web browsing identifiers Amazon 'testing humanoid robots to deliver packages' Google battling 'fox infestation' on roof of £1bn London office 23andMe's Former CEO Pushes Purchase Price Nearly $50 Million Higher Code to control vocal production with hands Warner Bros. Discovery to split into two public companies by next year Social media creators to overtake traditional media in ad revenue this year Hosts: Leo Laporte, Jeff Jarvis, and Paris Martineau Guest: Stephen Witt Download or subscribe to Intelligent Machines at https://twit.tv/shows/intelligent-machines. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: agntcy.org smarty.com/twit monarchmoney.com with code TWIT spaceship.com/twit

Interview with Stephen Witt Altman's Gentle Singularity Sutskever video: start at 5:50-6:40 Paris on Apple Glass OpenAI slams court order to save all ChatGPT logs, including deleted chats Disney and Universal Sue A.I. Firm for Copyright Infringement Apple paper: The Illusion of Thinking: Understanding the Strengths and Limitations of Reasoning Models via the Lens of Problem Complexity Futurism on the paper Could AI make a Scorsese movie? Demis Hassabis and Darren Aronofsky discuss YouTube Loosens Rules Guiding the Moderation of Videos Meta Is Creating a New A.I. Lab to Pursue 'Superintelligence' Meta and Yandex are de-anonymizing Android users' web browsing identifiers Amazon 'testing humanoid robots to deliver packages' Google battling 'fox infestation' on roof of £1bn London office 23andMe's Former CEO Pushes Purchase Price Nearly $50 Million Higher Code to control vocal production with hands Warner Bros. Discovery to split into two public companies by next year Social media creators to overtake traditional media in ad revenue this year Hosts: Leo Laporte, Jeff Jarvis, and Paris Martineau Guest: Stephen Witt Download or subscribe to Intelligent Machines at https://twit.tv/shows/intelligent-machines. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: agntcy.org smarty.com/twit monarchmoney.com with code TWIT spaceship.com/twit

Interview with Stephen Witt Altman's Gentle Singularity Sutskever video: start at 5:50-6:40 Paris on Apple Glass OpenAI slams court order to save all ChatGPT logs, including deleted chats Disney and Universal Sue A.I. Firm for Copyright Infringement Apple paper: The Illusion of Thinking: Understanding the Strengths and Limitations of Reasoning Models via the Lens of Problem Complexity Futurism on the paper Could AI make a Scorsese movie? Demis Hassabis and Darren Aronofsky discuss YouTube Loosens Rules Guiding the Moderation of Videos Meta Is Creating a New A.I. Lab to Pursue 'Superintelligence' Meta and Yandex are de-anonymizing Android users' web browsing identifiers Amazon 'testing humanoid robots to deliver packages' Google battling 'fox infestation' on roof of £1bn London office 23andMe's Former CEO Pushes Purchase Price Nearly $50 Million Higher Code to control vocal production with hands Warner Bros. Discovery to split into two public companies by next year Social media creators to overtake traditional media in ad revenue this year Hosts: Leo Laporte, Jeff Jarvis, and Paris Martineau Guest: Stephen Witt Download or subscribe to Intelligent Machines at https://twit.tv/shows/intelligent-machines. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: agntcy.org smarty.com/twit monarchmoney.com with code TWIT spaceship.com/twit

John brings peace to Los Angeles under siege by podcasting tonight through his dulcet tones. Thanks, John! Plus: Is Superman so great (despite what Papa Kev says)? Who will be the next Scorsese? What wisdom do the MIRPs have for the youngsters? Share your wisdom: noonerpodcast@gmail.com

Interview with Stephen Witt Altman's Gentle Singularity Sutskever video: start at 5:50-6:40 Paris on Apple Glass OpenAI slams court order to save all ChatGPT logs, including deleted chats Disney and Universal Sue A.I. Firm for Copyright Infringement Apple paper: The Illusion of Thinking: Understanding the Strengths and Limitations of Reasoning Models via the Lens of Problem Complexity Futurism on the paper Could AI make a Scorsese movie? Demis Hassabis and Darren Aronofsky discuss YouTube Loosens Rules Guiding the Moderation of Videos Meta Is Creating a New A.I. Lab to Pursue 'Superintelligence' Meta and Yandex are de-anonymizing Android users' web browsing identifiers Amazon 'testing humanoid robots to deliver packages' Google battling 'fox infestation' on roof of £1bn London office 23andMe's Former CEO Pushes Purchase Price Nearly $50 Million Higher Code to control vocal production with hands Warner Bros. Discovery to split into two public companies by next year Social media creators to overtake traditional media in ad revenue this year Hosts: Leo Laporte, Jeff Jarvis, and Paris Martineau Guest: Stephen Witt Download or subscribe to Intelligent Machines at https://twit.tv/shows/intelligent-machines. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: agntcy.org smarty.com/twit monarchmoney.com with code TWIT spaceship.com/twit

Interview with Stephen Witt Altman's Gentle Singularity Sutskever video: start at 5:50-6:40 Paris on Apple Glass OpenAI slams court order to save all ChatGPT logs, including deleted chats Disney and Universal Sue A.I. Firm for Copyright Infringement Apple paper: The Illusion of Thinking: Understanding the Strengths and Limitations of Reasoning Models via the Lens of Problem Complexity Futurism on the paper Could AI make a Scorsese movie? Demis Hassabis and Darren Aronofsky discuss YouTube Loosens Rules Guiding the Moderation of Videos Meta Is Creating a New A.I. Lab to Pursue 'Superintelligence' Meta and Yandex are de-anonymizing Android users' web browsing identifiers Amazon 'testing humanoid robots to deliver packages' Google battling 'fox infestation' on roof of £1bn London office 23andMe's Former CEO Pushes Purchase Price Nearly $50 Million Higher Code to control vocal production with hands Warner Bros. Discovery to split into two public companies by next year Social media creators to overtake traditional media in ad revenue this year Hosts: Leo Laporte, Jeff Jarvis, and Paris Martineau Guest: Stephen Witt Download or subscribe to Intelligent Machines at https://twit.tv/shows/intelligent-machines. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: agntcy.org smarty.com/twit monarchmoney.com with code TWIT spaceship.com/twit

This episode takes you to the places where a pair of directors grew up. Coincidentally, these places are also the stomping grounds for Your Humble Hosts. We begin with MEAN STREETS (1973) . directed and co-written by Martin Scorsese, which is set in New York City. (Yeah, it was filmed in Los Angeles, but they found good locations so you don't really notice.) Scorsese weaves a tale through several incidents which were likely lifted from his life. In Part 2, we'll go to Baltimore and have a bite at a DINER.

Jason Howell and Jeff Jarvis return for a deep dive into the week's AI news. We cover Apple's new research paper exposing the illusion of AI reasoning, industry leaders' superintelligence hype and hubris, Altman's “Gentle Singularity” vision, Ilya Sutskever's brain-as-computer analogy, Meta's massive superintelligence lab, LaCun and Pichai's call for new AGI ideas, Apple's on-device AI framework, NotebookLM's new sharing features, pairing NotebookLM with Perplexity, Hollywood's awkward embrace of AI tools, and the creative collision of AI and filmmaking. Subscribe to the YouTube channel! https://www.youtube.com/@aiinsideshow Enjoying the AI Inside podcast? Please rate us ⭐⭐⭐⭐⭐ in your podcatcher of choice! Note: Time codes subject to change depending on dynamic ad insertion by the distributor. CHAPTERS: ⁠0:00:00⁠⁠ - Podcast begins ⁠0:02:27⁠⁠ - Apple paper: The Illusion of Thinking: Understanding the Strengths and Limitations of Reasoning Models via the Lens of Problem Complexity ⁠0:05:50⁠⁠ - Sinofsky on the costs of anthropomorphizing LLMs ⁠0:07:34⁠⁠ - Nate Jones: Let's Talk THAT Apple AI Paper—Here's the Takeaway Everyone is Ignoring ⁠0:13:46 - Altman's latest manifesto might be worth mention in comparison ⁠0:19:33⁠⁠ - Ilya Sutskever, a leader in AI and its responsible development, receives U of T honorary degree ⁠0:25:52 - Meta Is Creating a New A.I. Lab to Pursue ‘Superintelligence' ⁠0:29:05 - Google CEO says AGI is impossible with today's tech ⁠0:33:17 - WWDC: Apple opens its AI to developers but keeps its broader ambitions modest ⁠0:39:57 - NotebookLM is adding a new way to share your own notebooks publicly. ⁠0:42:01 - I paired NotebookLM with Perplexity for a week, and it feels like they're meant to work together ⁠0:45:26 - The Googlers behind NotebookLM are launching their own AI audio startup. Here's a sneak peek. ⁠0:50:48 - Could AI make a Scorsese movie? Demis Hassabis and Darren Aronofsky discuss ⁠0:55:05 - Luca Guadagnino to Direct True-Life OpenAI Movie ‘Artificial' for Amazon MGM ⁠0:59:19 - Everyone Is Already Using AI (And Hiding It) “We can say, ‘Do it in anime, make it PG-13.' Three hours later, I'll have the movie.” Learn more about your ad choices. Visit megaphone.fm/adchoices

In this powerful episode of Best in Fest, host Leslie LaPage welcomes acclaimed actress-turned-screenwriter Laura Harrington, whose career has spanned blockbuster sets and award-winning scripts. From starring opposite Leonardo DiCaprio in What's Eating Gilbert Grape to writing for legends like Martin Scorsese and Taylor Hackford, Laura shares how she transitioned from the stage to the page—and why storytelling is her true calling.Laura reveals:How her breakout role in Maximum Overdrive led to working with Stephen KingThe real-life encounter that inspired her script about Fidel CastroHer emotional journey writing The Ninth Fortress, a Holocaust escape dramaWhy actors make some of the best screenwritersHer approach to writing character-driven films in a superhero-saturated industryAnd how her Farmhouse Writing Retreat in Italy nurtures creators of all kindsWhether you're an aspiring screenwriter, actor, or just love behind-the-scenes film stories, this episode is filled with rare insights and raw honesty about the creative process, reinvention, and writing with courage.

It was a big weekend to kick off June—and we're here to break it all down with a productive conversation on the hottest trending topics.In this episode, we dive into:Who really runs New York right now: Aaron Judge or Jalen Brunson?The “Goodnight” trend featuring De Niro and ScorseseChris Martin making headlinesA Caitlin Clark TrendR-Truth's unexpected returnAnother Debate on LooksAnd of course… Game is GameTap in to Episode 555 of the Productive Conversations Podcast—available now on all podcast platforms and YouTube.--------Civil Unrest in LA (1:50)lol this pic of Taylor & Travis (5:13)Who is King of New York? Aaron Judge or Jalen Brunson (9:46)Goodnight trend with De Niro and Scorsese (22:45)Chris Martin (25:30)Is this ok? (29:25)Ryan and Jose debate on looks (37:45)Caitlin Clark (45:33)R Truth Returns (48:34)Game is Game (54:00)#trending #podcast #sports #news #entertainment #culture ----Best way to contact our host is by emailing him at productiveconversationspodcast@gmail.com or mbrown3212@gmail.comThis show has been brought to you by Magic Mind!Right now you can get your Magic Mind at WWW.MAGICMIND.COM/ PCLT20 to get 20% off a one-time purchase or up to 48% off a subscription using that code PCMAY Apple Podcast: https://podcasts.apple.com/us/podcast/productive-conversations-with-matt-brown/id1535871441 Spotify: https://open.spotify.com/show/7qCsxuzYYoeqALrWu4x4Kb YouTube: @Productive_Conversations  Linktree:https://linktr.ee/productiveconversations

Deremy Dove and Thomas Sena (Pop Culture Five Podcast) join for the final Martin Scorsese themed movie focus special.   This week, it's the Corruption Themed Trilogy: WOLF OF WALL STREET, THE IRISHMAN & KILLERS OF THE FLOWER MOON!     TOPICS DISCUSSED: *Why are these well-intended misfires somewhat dull & rather inaccurate? *Why does Wolf of Wall Street feel as divisive as Scarface? *Why were some of the actors in The Irishman unfairly thrown under the bus for playing underveloped characters? *Why did Scorsese get too derivative of his own style here? *And a neat clip at the end of a Scorsese 2019 BBC1 Radio Interview where he discussed the on-going arguments about running time and movie lengths.      

Tom Fleischman: Cinema, Scorsese & the Art of the MixIn this immersive episode, Steve Otis Gunn chats with Oscar-winning re-recording mixer Tom Fleischman to uncover the nuanced, behind-the-scenes craft of cinematic sound. With decades of experience, Tom offers a rare glimpse into the audio side of filmmaking, where emotion is built not just through visuals, but through every carefully chosen sound.From his early days splicing tape by ear to mixing iconic films like Goodfellas, School of Rock, and The Irishman, Tom shares personal stories and surprising insights from his legendary collaborations, especially with Martin Scorsese. The conversation spans the evolution of sound editing, the intuition behind great mixes, and why sometimes the hardest thing to get right is a single vowel.Highlights include:The challenges and creativity behind mixing films such as Hugo and Gangs of New YorkWhat a re-recording mixer actually does—and why it's more grit than glamourThe mystery and magic of cataloguing forgotten sound effectsBehind-the-scenes tales from awards season, including rejection and red carpet dramaThe art of “invisible” mixing and why audio is the ultimate cinematic illusionPacked with anecdotes—like Daniel Day-Lewis bringing intensity and precision even to his ADR sessions, and Jack Nicholson's Oscar-night wisdom—this episode is a must-listen for filmmakers, sound enthusiasts, or anyone curious about how the soul of a film is often found in what we hear.

This is a re-upload for Spotify of a conversation originally held in November of 2023. Hit Factory wishes to extend our deepest gratitude and reverence to the National Music Publishers' Association - tireless defenders of intellectual property, guardians of taste, and brave crusaders against independent podcasts that allegedly included a brief clip of copyrighted music within a previous version of this episode.  Journalist and writer Séamus Malekafzali returns to the program for a lengthy conversation about Martin Scorsese's 1995 crime epic 'Casino'. Initially viewed by critics and audiences as a retread of Scorsese's masterful crime saga 'Goodfellas', the film has since been reevaluated as a masterpiece in its own right - one enriched by the director's late period films and preoccupations.We discuss the film's dizzying construction, effectively evoking the glitz and glam of the Vegas strip through extended montages and voiceover (an effect masterfully rendered by Scorsese's deft hands as a director, a firecracker script with co-writer Nicholas Pileggi, and the brilliant editing of longtime Scorsese collaborator Thelma Schoonmaker). Then, we examine the brilliant, career-defining performance of Sharon Stone as Ginger McKenna. It's a role that deserves every possible accolade, and strikes a note that no one but Stone could conceivably achieve. Finally, we discuss the film as capitalist allegory, and how Scorsese thoughtfully weaves commentary on the corporate centralization of the American economy and its steady collapsing of the middle class.We also offer some thoughts on Scorsese's latest, 'Killers of the Flower Moon', and the evolution of the director's views on capitalism, corruption, and consequence. Follow Séamus on Twitter.Read Séamus's Substack on Middle East politics.Read & Listen to Burnt Nitrate, Séamus's explorations of lesser-known and lesser-discussed films.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

Get ready for another round of hot takes.First up, Ty thinks Martin Scorsese makes the same movie and is not that great of a director.Next, RD proudly crowns the greatest trophy in all of sports.Come on in and download the episode for free.

If Francis Ford Coppola's Godfather films (Not You Part II!) mastered the mafia genre, then Martin Scorsese evolved it, leading to a string of films from other directors, including Scorsese himself, to mimic its style. Yet it's Goodfellas that stands as one of the best mob films ever made and Scorsese's most revered film, which has endured for 34 years. Is it worth its admiration? If you say no, then you're not being a funny guy. #goodfellas #martinscorcese #rayliotta Jeff York is a member of the Chicago Indie Critics, whose work you can catch at https://theestablishingshot.org/ Follow him on X @JeffYorkWriter BlueSky‪@jeffyorkwriter.bsky.social‬ Instagram @jeffyorkchicago TikTok @jeffyorkchicago Sujewa is an Underground Filmmaker and avid fan of underground cinema Sujewa's YouTube Channel https://www.youtube.com/@NYCIndieFilmmakerSujewa Follow Sujewa on X @sujewafantastic BlueSky ‪@53spaceships.art Subscribe to YPA Reviews for more content. https://www.youtube.com/channel/UCQrUmfPvYdxuBYuvkAREhxA?view_as=public Go to https://www.ypareviews.com/ to read my written reviews and stay up to date on all of my newest podcast and YouTube content. Subscribe on Apple Podcasts https://podcasts.apple.com/us/podcast/youll-probably-agree/id1453935603 Subscribe on Spotify https://open.spotify.com/show/6poDSN5vjKFFk5XVY7SHtq?si=979e81a7063f4005 Subscribe on SoundCloud https://soundcloud.com/user-114056851 Follow Me on X and Instagram @ypareviews My TikTok @ypareviewschicago Follow Me on Twitter and Instagram @ypareviews

If the Western is the godfather of American cinema, then the crime film is its son. With tough guys, shootouts, and explorations of morality, these movies capture the seedy underbelly of a post-war urban world. So, for today's video, I'll be ranking a list of crime films chosen by my producer. Hot takes are bound to happen. - - - Today's Sponsor: Helix Sleep - Go to https://helixsleep.com/klavan to get 27% Off Sitewide + Free Bedding Bundle (Sheet Set and Mattress Protector) with any Luxe or Elite Mattress Order.

The film writers Brian Abrams and Will Sloan return to the podcast for a salute to one of our favourite screen presences, the great American character actor Joe Don Baker, who passed away this month at the age of 89. We discuss the full arc of Joe Don's career, thrust into leading man status in the early seventies playing Tennessee Sheriff Buford Pusser who waged war against the Dixie Mob in 1973's populist smash hit Walking Tall, and the less financially successful followup with the same director (Phil Karlson), the brutal, sweaty noir thriller Framed, to the role that (like it or not) defined him for so many in the culture as a scuzzy cop in 1975's Mitchell (immortalized on one of the funniest episodes of Mystery Science Theater 3000) to his comeback in the eighties in the masterful BBC miniseries Edge of Darkness (where he received the most acclaim he ever got as an actor), his several appearances in the Bond series (where he played both a good guy and a bad guy), and his notable supporting role in Scorsese's remake of Cape Fear. Over 30% of all Junk Filter episodes are only available to patrons of the podcast. To support this show directly and to receive access to the entire back catalogue, consider becoming a patron for only $5.00 a month (U.S.) at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/junkfilterFollow Brian Abrams on Twitter and Letterboxd.Brian and Liz Charboneau have a new film podcast: It Gets Better.Follow Will Sloan on Twitter and Bluesky and subscribe to his substack and his podcasts The Important Cinema Club and Michael and Us.Will's new book Ed Wood: Made in Hollywood USA (OR Books) can be purchased now! “RIP JDB”, from Will's substack, May 19, 2025Trailer gallery:Walking Tall (Phil Karlson, 1973)Golden Needles (Robert Clouse, 1974)Mitchell (Andrew V. McLaglen, 1975)Checkered Flag or Crash (Alan Gibson, 1977)Joysticks (Greydon Clark, 1983)German trailer for Getting Even (Dwight H. Little, 1986)

This Week for your Daily Ratings Movie News: It looks like Martin Scorsese has finally (probably) picked his next film, and it's shooting (probably) this year, and Leo DeCaprio will (probably) be starring in it. Damien Chazelle is doing a prison movie with Cillian Murphy, it will be filming this year. Ryan Reynoolds wants a Rated R Star Wars movie, Alex Garland is tackling a massive video game Elden Ring, Christopher McQuarrie is writing Top Gun 3, and Tarantino will be making 10 (the making-of) books on his movies.   Don't forget to check out thedailyratings.com for our New Shop! Where you can find all kinds of Daily Ratings shirts, hoodies, hats, and mugs. Also check out the massive amount films that Vince has rated and remember to send a donation in to become a Producer!!

Imagine a movie so perfectly crafted that Jack Nicholson improvs half his scenes, Leonardo DiCaprio plays a character in constant panic, and Mark Wahlberg steals the entire film in under 10 minutes of screen time. We're talking Scorsese at his absolute PEAK.  We dissect The Departed scene by scene with a modern eye.   Which character might be secretly gay?  Did you catch the hidden on-screen tell about which characters wouldn't make it to the end of the movie?  Would you rather be Colin or Billy?  So grab your cranberry juice, tell your mom you're not gonna make it home for supper.   •0:00:00 - Introductions •0:03:30 - Memories of first viewing •0:07:30  - Pertinent movie details  •0:12:30- Critical and fan reviews •0:21:00 - Scene by scene breakdown  •1:50:00 - Modern day ratings —————————————————————— SPONSORS- ****Hungryroot-  Get 40% off your first box PLUS get a free item in every box for life. Go to http://Hungryroot.com/CONFUSED and use code CONFUSED. ————————————————— **Support us at http://patreon.com/confusedbreakfast for bonus weekly episodes, voting on upcoming movies, giving your modern-day ratings on our movies and much more. **Mail us something   The Confused Breakfast PO Box 10016 Cedar Rapids, IA 52402-9802 Special thanks to our executive producers- Josh Miller, Starling, Michael Guiliano and NicMad. Welcome to our newest members -  Ryan Metcalfe, Michael Hogan, Katie Draper, Kyle Lasley, Eric Brock, Paul Avila, Joshua Gaines, Abbie, Nicolas Miller, Adam Retz, Craig Cyrill, Cassandra Leigh Learn more about your ad choices. Visit megaphone.fm/adchoices

Lonely hearts beware! This week, Peaches and Michael are putting romance on notice in celebration of 1970's THE HONEYMOON KILLERS! In addition to discussing how this venerated classic goes beyond the confines of a standard true crime adaptation, our hosts delve into the cult power of the singular sensation that is Shirley Stoler. Joining the conversation is host/film programmer extraordinaire Beth Accomando, who considers this take on Martha and Raymond one of cinema's great love stories. Then, horror icon Debbie Rochon stops by to dig into why she continues to draw inspiration from the film's thoughtfully unique construction and powerhouse performances. From grifting church ladies to Scorsese getting bounced, this episode has it all! Go! 

In this episode of Outside the Cinema, hosts Bill and Chris discuss various topics ranging from the challenges of baseball season to listener feedback that draws parallels between political figures and movie characters. They delve into Martin Scorsese's filmography, particularly focusing on the unique dark comedy 'After Hours', exploring its themes and style while debating the merits of Scorsese's work. In this conversation, Chris Bricklemyer and Bill delve into Martin Scorsese's film 'After Hours,' exploring its classification as a black comedy and a comedy of errors. They discuss the film's initial poor reception and its evolution into a cult classic, examining the character dynamics and the surreal, quirky nature of the narrative. The conversation also reflects on Scorsese's unique style and the film's cultural context, ultimately questioning the reasons behind its cult status. In this conversation, Bill and Chris delve into various film reviews, focusing on 'After Hours', 'The Mummy: Tomb of the Dragon Emperor', and 'The Accountant Squared'. They discuss casting choices, the influence of directors like Scorsese, and the balance between enjoyment and critique in film. The dialogue highlights the nuances of character dynamics, visual storytelling, and the evolution of filmmaking.

The first episode of this season of Movie Mindset is free for all listeners as always. To listen to the rest of the season, subscribe at www.patreon.com/chapotraphouse When you love movies, you've got to watch them. There's no other way…Movie Mindset Season 3 commences with our first ever single feature on the most referenced movie in Chapo Trap House history: Martin Scorsese's masterpiece Casino. Will and Hesse are joined by Felix to take a kaleidoscopic and dizzying dive into the inferno of American greed that is Las Vegas. Anchored by a triumvirate of all career great performances from Robert De Niro, Sharon Stone and Joe Pesci in FULL PSYCHO MODE, Casino is by equal turns hilarious and stomach turning and stands alone as Scorsese's grandest and most generous examination of evil and the tragic flaws that doom us all. Should you listen even if you haven't seen this movie? Why take a chance? At least that the way we feel about it.