Podcasts about scorsese

In this episode of Gangland Wire, retired Kansas City Police Intelligence Unit detective Gary Jenkins sits down with author Aaron Mead to discuss his gripping novel Body in the Barrel, a story inspired by a real-life discovery in Lake Mead that shocked the nation. In 2022, as water levels at Lake Mead dropped to historic lows, authorities discovered a body in a barrel with a gunshot wound to the head—a killing style that many investigators immediately linked to organized crime. The discovery triggered speculation that the remains could date back to the 1970s or 1980s, the heyday of mob activity in Las Vegas. Aaron Mead explains how this discovery sparked the idea for his novel. Although Mead is a longtime water engineer for the Metropolitan Water District of Southern California, the mystery of the barrel victim and the history of mob activity in Las Vegas inspired him to craft a fictional story grounded in real events. Gary and Aaron dive deep into the Chicago Outfit's influence in Las Vegas, discussing figures like Tony Spilotro and hitman Frank Cullotta, whose violent methods and stories helped shape the mythology of organized crime in the desert. They also explore the long-standing mob practice of disposing of bodies in barrels, including the infamous case of mobster Johnny Roselli, whose body was also discovered stuffed in a drum. The conversation examines several possible identities of the Lake Mead victim, including casino insiders and Outfit associates who disappeared during the era of casino skimming. Mead's novel follows a fictional mob associate named Lenny Battaglia, who becomes terrified when news breaks about the barrel discovery. The reason? He knows there's another barrel—with his victim—still resting somewhere in Lake Mead. The discussion moves beyond mob history into the psychological consequences of violence, comparing Mead's story to classic works like Crime and Punishment. Rather than focusing on a traditional “whodunit,” the novel explores what happens after the crime, examining guilt, fear, and the moral weight carried by those who commit violence. Gary and Aaron also discuss the broader context of violence in American culture, including parallels between organized crime murders and modern tragedies such as the 2017 Las Vegas mass shooting. Finally, the conversation shifts to Mead's professional expertise in Western water law and the Colorado River, explaining how drought and declining water levels at Lake Mead are literally revealing pieces of hidden history—sometimes including crimes buried for decades. This episode blends mob history, real crime mysteries, and fiction inspired by true events, offering listeners a fascinating look at how the past can resurface in unexpected ways. Click here to find Body in a Barrel Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. [0:02]Introduction to Gangland Wire [0:00]Hey, all you wiretappers, good to be back here in studio of Gangland Wire. This is Gary Jenkins. You know, I’m a retired Kansas City Police Intelligence Unit detective. Now I have a podcast and I interview real crime mobsters, policemen, FBI agents, do authors that are doing true crime books. And I do authors that are doing novels that are based on true crime. Because we stick with true crime as close as we can here, guys. You know that. And today I have one of those authors that has written a book that is a novel, but it’s based on a lot of real events in Las Vegas. And we all know a little bit about Las Vegas and the Mafia. So Aaron Mead, welcome, Aaron. Thank you. It’s a pleasure to be here. It’s great to have you on the show. Tell us a little bit about yourself, a little bit about your history. [0:47]Sure. Yeah, I’m actually I’ve been working as an engineer, a water engineer for 30 some odd years. And so I come by my writing habit as a sort of a side interest. I, I, yeah, I just, I got a very, I’ve got a varied educational background too. So I started out as a, as an engineer in my training and then just had a creative itch and went back to school, ended up doing a PhD in philosophy of all things. And while I was doing that, I, I thought I might be an academic. I thought I might be a professor at one time and through the job search, things didn’t really work out. I did find a job, but it just wasn’t going to pay well enough, consider moving my family across the country for it. So I ended up not going into academia, but I stuck with writing, which was my favorite part of the PhD, the dissertation. [1:31]And I just started writing different things, some nonfiction stuff related to my dissertation research, but then just got an idea for a story, wrote a novel. It’s still sitting in the drawer. I’m interested in publishing that someday. But this idea for the book related to kind of Las Vegas mob stuff actually came connected with my work as a water engineer. So I work for Metropolitan Water District of Southern California. We import water to Southern California from the Colorado River. And so I track the Colorado River news pretty closely. And in 2022, the lake was dropping because of drought and overuse. And this body in a barrel showed up on the shore of Lake Mead. And there was a gunshot wound to the head. And this looked an awful lot like a mob hit to the authorities. And so this just piqued my interest and got me thinking about how did this barrel get there and this body and what’s the story behind it. And I started doing a little research and it turns out that the clothing on the body was pretty well preserved. [2:29]So the police dated it to the late 70s, early 80s potentially. And that’s of course the heyday of the mob activities in Las Vegas. It got me onto the Chicago outfit and, Some of the characters involved in the outfits activity in Vegas there. And so my story just went from there. But, yeah, I guess that’s a little about me and the story. So, yeah. Yeah. Those are the days when Tony Spolatro was really active out there. Chicago outfit man on the scene, if you will. And Body in a Barrel, another interesting Chicago link is they found a guy named Johnny Roselli, who was a highly placed mob guy who was connected to Las Vegas and Los Angeles. He had been their guy before Spalatro. He had been their representative out in the West, and they found his body in a barrel down in Florida. Wow, okay. There’s some reference there. [3:21]I’d read a little that this is a pretty popular method of body disposal in various times. And Tony Spalatro was, I understand that they haven’t actually identified the victim yet, but the kind of style of killing they think is pretty connected with something Tony Spalatro might do. I guess the sort of low caliber gunshot wound was a popular way to dispose of it, to whack people just because it was a little less messy than a high caliber weapon. Yeah, this is one they call it a lupara blanca, which means white shotgun in Italian. And that means that you never find the body. In this case, they found the body. Every once in a while, they’ll find the body. Not very often, though. Usually they hide them pretty good. Now, who’d ever thought that Lake Mead would drop that much? Yeah, they dropped it at 100 feet of water, and I don’t think anybody expected it to drop that low. And it could go even lower in the next couple of years here, honestly. Really? Oh, really? It’s still dropping. I thought there’d been some more rain and some snow up in the mountains that were going to add to that. It’s going to be still dropping, huh? Yeah, there has been a fair bit of precipitation this year, but in the areas that count most, where you get most of the runoff, which is up in the mountains of Colorado and Utah, it’s really quite dry, actually. They’ve had some rain, but not much snow, and so they’re talking about a snow drought. Yeah, things could. It just depends. We’ll see how things develop, but it could get bad. Yeah, talk about that gun now. Chicago was noted. [4:40]For using these 22 caliber high standard i think they’re browning semi-automatic pistols with a silencer on it and they had them out there i believe and they also another interesting thing about the outfit in order to keep the sound down they would load their own shells and so they were had less powder in them and sometimes the shells didn’t do the job that they wanted to do now frank Kulata, who was in Las Vegas working for Tony Splattro during these years, he tells a story about trying to kill a guy with one of those guns and how he had such a hard time getting him killed. So I don’t know how many holes were in this guy’s head, but you got to get somebody just right in the head with that .22 caliber pistol. Yeah, they say it had to be pretty close range. You’re talking about the Jerry Listener murder, I think. Is that right? Yeah. I read about that one. That’s actually the kind of the murder in question in my book is based on that loosely. And so yeah, Kolata advises my main character, Lenny, to load his gun with half loads because they’ve lost their silencer or something. So that’ll keep the sound down. But yeah, I guess Lister ended up with multiple bullets to the head. And when they found them, more than you’d imagine would be necessary. [5:55]Really? There’s a guy that worked for the Stardust named Jay VanderWalk that disappeared at the time. It disappeared for a long time. Did you look at that one, too, as some of your source material? Yeah. So there’s this great article that’s been turned into a podcast on the Mob Museum website. I don’t know if you’re familiar with that in Las Vegas there. And they suggest there might be three potential victims. [6:21]VanderMark is one of the—is that the guy you mentioned, George VanderMark? Yeah. Yeah. Yeah, they call him by Jay. That’s right. Yeah. So, yeah, he is one of the, he’s a missing person, right? From that era, had connections with the Argent company. So they think he, that’s one of the possibilities. He was running the skimming operation, at least in some of the casinos there for Argent. And I guess the, as the gaming control board in Nevada found out about the skimming operation, gradually, they were starting to talk to people. And I think that they were worried that he was going to talk or actually this is, I think the, the outfit suspected he was stealing money from him. I think it was a combination. Stealing money is worse than talking. Right, yeah. So I guess he took off to Mexico, maybe, I read, or Costa Rica even. But I think… He came back. I can’t remember the exact story, but yeah. Yeah. So from what I read, Nick Calabrese, who I guess was a hitman for the outfit, and then turned eventually and started talking to the feds. He suggested that, I guess, Vandermark ended up in a hotel in Phoenix or something, and the outfit sent a couple of hitmen after him and whacked him there. And then Calabrese said they buried his body in the desert. So that means, you know, if that’s true, then obviously it’s not the guy in the barrel, but he’s one of the ones they talk about because they never found his body. Yeah. And I guess the other one I read about was William Crespo. [7:40]I don’t know that story. Yeah. So the little I know of it is he was a drug runner [7:48]Stories of the Las Vegas Mob [7:45]involved with the outfit in Las Vegas. And he got caught kind of landing in the Las Vegas airport coming from Miami with $400,000 worth of cocaine on him. And the feds arrested him. He accepted an offer of immunity to become an informant. And he was set to testify about this drug ring that the outfit was part of. And he actually ended up testifying before a grand jury, got a bunch of folks indicted. I guess one of the names of folks who was indicted was Victor Greger, according to this article. He was a former Argent executive. But then when Crespo himself went to testify, he was set to testify in June 83. And they got to him before then and he never testified. So, he’s another kind of missing person they suspect could be in the barrel. But the article thought the most likely candidate was a guy named Johnny Pappas. I don’t know if you know him at all. Yeah, I don’t know the story of that. Okay. So, this is a Chicago native guy who was involved in some of the Argent Corporation casino work. And he was, I guess by the 70s, late 70s, he was managing this resort on the northern part of Lake Mead called Echo Bay Resort, which was an Argent Corporation Resort. [9:00]And it’s closed now. It’s not there anymore. It used to be like a hotel and a boat launch. And so he was at the lake at different times. He also owned a boat on Lake Mead. And so in 1976, the day he disappeared, his wife told authorities basically that he went to meet this guy at a restaurant who was interested in buying his boat at Lake Mead. And so they think it could have been a ruse set up by outfit folks luring him basically down to the lake to show him his boat. And then they knock him off and take him out on his own dang boat and drop him in the lake. The motive is a little less clear in this case, but it was around that time when stuff was coming out about the Argent Corporation and the skimming. And they could have just thought he was a liability, might be set to talk or something. Yeah, those are the three that I read about anyway. He just disappeared after this meeting to go sell his boat. Yeah, they found that theory makes sense. They found his car parked in the circus casino parking lot on the strip the next day. And yeah, he’s just gone, disappeared. [10:01]I’ll be darned. I hadn’t heard that story. That is a pretty likely scenario. Say, hey, I’ll drive and let’s run down there and let’s see that boat. I got the money right here. You show the guy a bunch of money and he’ll drop all caution. It’ll go to the wind. That’s how they do it. and got him isolated then. [10:18]Yeah. And maybe it’s a last minute deal. So nobody really knows who he’s meeting and where he’s going and that he’s even going. So that’s, that’s a classic in the mob. Yeah. Apparently he told his wife he was going to go sell his boat, but that’s about it. Yeah. I’ll be darned. Yeah. The, as Lake Mead’s gone down, has there been any other bodies or any other things that have been found out there recently? Yeah, there’s been some strange things turned up. One is a sort of a World War II era airplane, honestly, started coming out of the water. But that was known about for some time. You could see it, I guess, from aerial photos. But other bodies, yeah, there’s a few other bodies, just skeletons, nothing in barrels and no gunshot wounds. And so, people just, I think authorities have identified most of those and suspect they were just drowning victims, unfortunate boating accidents and whatnot. But nothing like this body in a barrel. I think they’ve been trying to identify that body. There’s lots of DNA evidence, right? You got still a pretty intact body. But the problem is back in that era, I guess they didn’t have the DNA database to be matching with. Yeah. So, it’s not borne a lot of fruit. I think it’s still an open case, honestly. Really? The chance they have is if one of that guy’s descendants goes to something like 23andMe and then does that. And I know they’ve come up with a deal where they can start running an unknown DNA through those… [11:44]Files and see if you can come up with a connection and then go back and say, okay, where would this guy have ever come across or be in this other person’s family tree, if you will, and then they can eventually get it. That’s fascinating. Amazing. Yeah, it is what they could do. I had a guy that used to be a professional criminal talking about it. He said, I don’t know why anybody does crime today. He said with the DNA and the cameras and the cell phones and all that, he said, there’s just way, way too many ways to get caught. That’s wild. Yeah. Oh boy. Yeah. I watch a lot of crime shows and I see a lot of that stuff. And everybody watches those crime shows. So they know about those tools out there. So first thing, you got to go get a burner phone. If you’re going to go do something, you better go get a burner phone. And then you better dress up in one of those suits in those English police movies, those white hazmat suits and your whole face covered. Crazy, crazy. Yeah. And then go do it. Don’t use your own car. You better go steal a car somewhere. Man, complicated. It’s too hard. Yes. And even then, if they look at you and say, your phone never moved for 24 hours, but yet you were seen over here or over there. How come you didn’t have your phone with you or your car? You parked your car here for 12 hours and then you came back and got it. What were you doing? [13:08]It is just crazy, isn’t it? Yeah. But tell us, what’s the storyline of your book? Don’t give too much away. You want people to buy it. I understand that. But tell the guys the storyline of your book. Sure, yeah. So the storyline is, it starts out with the true events of 2022, right? This headline that there’s a body in a barrel shows up on the shore of Lake Mead. And my main protagonist, who’s sort of made up from my imagination, his name’s Lenny Battaglia. [13:37]The Body in the Barrel [13:33]And he reads this headline. He’s an old time mob associate. He, at one time when he was young, was connected with the outfit, but ended up getting out of it barely. But he reads this headline and starts to get worried because he’s got a barrel with a body in it that’s his victim farther out in the lake. So this one that he reads about is not his. It’s actually his partners who, in my story, the partners loosely based on Frank Collada, actually. [14:01]And so he reads this headline, gets worried, goes out in his little boat to try to move his victim farther out into the lake because he’s concerned that his lake, the lake’s continuing to drop and the kind of the falling lakes acts like a ticking clock in my story in some ways. I think the Sopranos did something like this. They thought somebody was going to come up and buy some farm, and they had said, these guys have to dig this body up and move it. So that is not out of the realm of possibility, is it? No, no. But what is out of the realm of possibility is this old guy in his tiny little boat actually moving the barrel. So he goes out with just a gaff with a hook on it and tries to yank it out with his little outboard motor, and it just won’t budge. The thing’s really heavy. If you know anything about water, stuff under water is really heavy. Really heavy. Yeah. He’s wrestling with it and ends up falling in while he’s trying to pull this barrel farther out. And so it’s a big failure. And while he’s falling in, he has this flashback to the killing, basically. And so the story kind of goes from there, but it’s really focused on how he deals with what he’s done, basically. [15:10]Crime is no mystery from the beginning. it’s not a it’s not a traditional it’s not a traditional police procedural of where who done it yeah it’s not like that it’s more like kind of what is what’s the aftermath what’s the effect of, a terrible crime like this on even the perpetrator yeah yeah and as I said one of my characters is based on Frank Collada who so he was the story takes place in kind of two time frames right we’ve got the, contemporary time frame, but then we got flashbacks to his time at the mob and Frank was his partner in this hit. We’ve also got a character showing up who’s based on Tony Spolatro. I call him Tony Bonucci, named after one of my favorite Italian soccer players. [15:50]But yeah, so we’ve got this connection to the early 80s, late 70s, and then also this kind of contemporary period. And I understand Frank Collado was actually, he recently just died, right he was he did during covid times i think he he already had copd he was already everything he did he you’d see me to have his oxygen on and so he was already weakened then he got covid during uh during covid that’s a shame you know yeah i did some listening to a podcast he was on in researching my book and it was really fascinating to listen to yeah yeah he is he’s and he’s got his there’s a whole book out there that he mainly just told stories about his life during the whole book. It’s amazing. I did one with him and then added some more clips in from that a long time. One of my earlier ones, I got to know him real early because we had the mob con out there. I knew the guy that was getting it going and I went out to the guy that actually Denny Griffin who wrote the books with Frank Collider, wrote several books with Frank Collider and I’d gotten to know Denny and so Denny invited me to come out and do a program at the first mob conference and I met Frank then. I met him and a couple others after that. He was gruff, but he was a good guy. I mean, he was gruff, I’ll tell you. He wasn’t a guy that just, it was hard to joke around with him. Interesting. Okay, interesting. [17:12]Yeah, I got a bit of that vibe from the podcast of him that I was listening to. Yeah, it’s funny. Just genuine Italian Chicago, like to the core. Yeah, he was that. He was born and bred, born and bred from early his childhood. He was a Chicago mobster. There’s no doubt about that. That’s wild. [17:32]Yeah, Denny Griffin’s book was really helpful to me, actually, in my research. Yeah, the battle for Las Vegas in particular was. Yeah, that’s the one I used. Denny was that. Denny’s dead now. I don’t know if you knew that. I did know that, unfortunately. Yeah, I was pretty good friends with Denny. He helped me out a lot when I got started and got me out there. And he gave me for my first documentary, which was about the skimming, a lot about the skimming. He got me several people to interview, lined me up with them and verified, hey, this guy’s okay and work with him. And I flew out to Las Vegas and interviewed a bunch of people and interviewed him too. But he got me an employee of the Best Casino that knew Lefty Rosenthal really well. She gave us some really great sound bites. I get calls today or emails wanting to know if she’s still around. She’s died since. People are still trying to find her to get to interview her. That’s wild. That’s wild. That’s because old Denny Griffin, he was a good guy. He really was. That’s neat. His book was certainly good. Yeah. Interesting. So what else do you want to say about your book before we get out of here? Besides, go out and buy it. Go out and buy it. It’s on Amazon, I’m sure, and I’ll have a link to the Amazon site. I appreciate that. Yeah, it is on Amazon. What do I want to say about it? I guess the other thing to say is it’s got some, I don’t want to give too much away, but gun violence is really a big part of the book. Not only this single mob hit, but also it wraps in. [18:56]This mass shooting in 2017, the one where the guy was a shooter was in the hotel suites up high and he was shooting across the street into that country music festival. So it’s really funny. I compare it to two things, right? I compare it to Casino, which is this famous Scorsese film from that mobster era, which everybody knows about. And actually, Frank Collado was in. He had a cameo in that. Yeah, that’s funny. But then the other thing I compare the book to is Dostoevsky’s Crime and Punishment, which is obviously this sort of towering literary novel. But the parallel is just dealing with this aftermath of violence, right? What happens when you kill somebody and what’s the sort of dealing with guilt and fear and the consequences. [19:44]Exploring Themes of Violence [19:40]So I’d say those are the sort of things I point to as parallels for the book. I don’t know. There’s a lot more to say. Like you’ve said, it’s grounded in true life crime, but it’s also definitely fiction. I’ve made up the better part of it. Yeah. [19:54]All right. Aaron Mead. The book is Body in the Barrel. Aaron, I really appreciate you coming on the show. And guys, I’ll have links to this book down below. Yeah, thank you so much for having me. It’s been a pleasure meeting you and hearing some of your stories. And I’m enjoying your podcast. And it’s been a privilege to be on here. So thank you. Okay. We like to hear that. Thanks a lot, Aaron. [20:17]Yeah, thank you. Okay. Okay. I’ll do a little extra here in a minute. I just want to tell you something. When I went to law school at the police department and my favorite class was water law and I did my, you have to do a 50 page publishable paper to get out of law school. I did mine on Western water law and it was just, I was fascinated by that Western water law and all the things that go into that, the Rio Grande Pact and all the different political entities that are trying to use that water and how they use it. And then how the EPA rules and figured in on using water out West. And the fact that out West, they treated water like they treated gold or some other mineral. If you found the source, you owned it. Whereas they had riparian interest in [21:06]The Complexities of Water Law [21:03]laws back East here, where you have plenty of water. You can use all the water you want as long as you don’t reduce it. But nobody owns that source of water. [21:12]If it’s a big source, it’s just a fascinating topic. Yeah, it is a bit of the Wild West, like applies to water out West. It’s that first in time, first in right thing. It’s pretty crazy. The Colorado River especially is so complicated. You got seven, seven states take water from it. You got the federal government running the dams there. You’ve got Mexico that takes a portion of it. You’ve got this whole hundred year history of law layered on top of each other. And even today, the rules on how the water gets distributed are about to expire in this year. And so we’re trying to come up with new rules. And it’s just so tough because… [21:49]There’s less water in the river than there used to be, and so the old agreements don’t quite work out, and we’re having to take reductions, and, you know, who takes what? It’s just sort of a big mess, honestly. We’re fighting over it. I wouldn’t be surprised if we end up in court, honestly. But that would be not a good outcome, but it seems potentially likely. Yeah. There’s a judge I heard say once that, you better make a deal outside of my courtroom. If you come into my courtroom, my decision is not going to hurt everybody’s feelings with my decision. Yeah. And inevitably, like the folks, the special masters or whatever the justices are that are making the decisions, they don’t know as much about water as we do. If we can’t work it out, it’s going to happen. I know. And there are just so many pressures that are on it. And it’s tough. And plus, one thing we haven’t mentioned is a huge growth in population over the last 20, 30 years out there. It’s true. Yeah, it’s true. Yes, unbelievable how many people have moved to Phoenix and Albuquerque and Las Vegas, especially Las Vegas, but just being such a huge growth in population out. And before it was desert that nobody really, they didn’t live, they didn’t want to live out there. [22:55]It’s true. Yeah. And surprisingly, like in a lot of these cities, actually, the demand for water has not increased. Like in Las Vegas, it’s actually gone down. Oh, really? They have done an incredible job of conserving water. Same in Los Angeles. The demands for water have gone down despite the population growth. The thing that makes it challenging is that the whole pie is shrinking and it’s the agricultural use that’s the highest. I think it’s something like 85% or 80% of the water in the Colorado Basin is agriculture. And so, those are the things you’re going to need to find conservation there, which is harder. [23:30]Like those Israelis did, it was something called drip irrigation where they used, they were more skillful in the way they used their water in their fields down in the desert. Yeah, and some of the folks that’s been, some of the agricultural folks have been converting to that kind of irrigation for quite some time now. So, it’s like we’re wringing out every sponge we got and running out of options. But, yeah, we’ll figure it out one way or the other here. Yeah, I’m sure we will. This is America, after all. [23:59]Or is it still America? It’s hard to know. Yeah, it’s hard to know. We’re going down that path. Looking a little different these days. Yes, it is. Yeah. Oh, my God. Okay, Aaron, I really appreciate it. I’ll get in touch with you whenever I send an email with the links after I put them up. It’ll be, I don’t know. It’ll probably be a month or more before I get it up. Sure. I stay way ahead. I’ve got quite a few kind of scheduled up for the next two weeks now or three. Smart. Two weeks now, one just went up today. So I put it up, video, I put them up on Sunday evening, and then the audio comes out like 4 o’clock in the morning on Monday morning. Okay. Don’t ask me why. I just started doing that. Yeah. No worries. It gets ahead of everybody. Then they can see it. Hey, I’ve got a question for you, if you don’t, if you don’t mind. No. Do you know about any contemporary organized crime activity in Las Vegas? Is there still stuff going on or is it? I don’t. I really don’t. Yeah. Okay. [24:59]Trying to think of a source for you. I’ll check with a source for you. Okay. I know it’s not Midwest folks from your era, but yeah. Yeah, no, probably something up there out at Los Angeles and people that moved out there a generation ago and stayed under the radar. And then, of course, international. Yeah. Those like Russians and people like that out of Phoenix or in Los Angeles, both. Anyhow, I’ll check on that. Okay. Yeah. If you think of something, that’d be great. I’d be interested. Okay. Okay. I will. All right. Thank you. Thank you again. Take care. All right. Bye-bye. Can you go ahead and do, can you exit the meeting? I’m going to do a little ending thing here. I will. Yeah. [25:40]That was interesting, folks. I did Waterlaw in, well, that was interesting, folks. I really liked Aaron and I think his Body in the Barrel book is going to be pretty darn good. [25:53]Concluding Thoughts on Crime and History [25:50]So I’d recommend you try it. I haven’t actually read it myself. I’ve read excerpts from it. I’ve got it here. I need to sit down and take some time and read it. I like when they base it on the real life people and some people that I know something about. It’s kind of like hearing stories about your hometown. Oh, yeah, I know that guy. Oh, yeah, I remember when that happened. And it’s an interesting thing, the lowering of Lake Mead. He and I, he’s a water engineer, and he and I talked a little bit more about it. I find it a fascinating topic, that Western water law and Western water rights and how that all works. It’s different than back east where we have plenty of water. So don’t forget, I’ve got videos on Amazon Prime for rent. Just use my name and mafia, Gary Jenkins Mafia on Amazon Prime, and you’ll find them. And I’ve got books there. Do the same thing. Gary Jenkins Mafia books. I’ve got three books on Amazon and I’ve got them on my website. And I always appreciate when people make comments on my YouTube channel or on my Gangland Wire podcast page. We’re just here to report mob history. That’s all we want to do is report mob history. And in this case, we got a fictional book that’s reporting mob history based on real mob history. I’ll do that every once in a while, too. [27:07]So thanks a lot, guys. I always appreciate doing this show. It’s a way to end my life out, if you will. I’m down to that last quarter, maybe down to the last two minutes one of these days, but we’ll get there. Thanks a lot, guys.

There was so much to talk about at this year's Oscars that we wanted to come back the next day for more. This is the audio of the Monday morning reactions livestream we did on our Breakfast All Day YouTube channel. How accurately did you pick the winners? Did you have "One Battle After Another" or "Sinners" for best picture? And what did you think of the speeches, the gowns, and Conan's wacky sketches? (We did enjoy his Aunt Gladys opening.) Thanks so much for spending awards season with us and sharing your insights! And if you'd like to see us in person, we're showing 1985's "After Hours" at the Gardena Cinema this weekend. Join us on Saturday, March 21. Doors open at 6pm, we'll be there to hang out in the lobby, then the movie starts at 7pm. If you've never seen this weird-ass Scorsese movie projected, this is a great opportunity. Tickets are available here. Support your local arthouse theater!

Jeff Goldblum boards Alan Air for one of the most gloriously unpredictable flights yet. From Old Hollywood legends and Mulholland Drive nightmares to pickles, sandwiches and impromptu singing, Jeff goes full Goldblum - charming, curious and wonderfully maverick. They talk about his new album Night Blooms, touring with orchestras around the world, and the timeless magic of jazz standards. Along the way there's Sharon Stone, Billie Holiday, a surprising Bloody Mary debate… and Alan pitches Jeff a brand-new horror film: An American Were-MILF in London. Expect name-dropping, movie love, musical nostalgia and one very enthusiastic conversation about pickles.  00:00 Intro  00:18 Jeff Goldblum boards Alan Air  01:14 The Windmills of Your Mind & The Thomas Crown Affair  01:59 Jeff's frozen yoghurt meeting with Faye Dunaway  03:29 Crisps, pickles and snack food debates  05:30 Jeff Goldblum's favourite sandwiches  05:58 The “Bloody Alan” cocktail  07:30 Jeff's love of Lauren Hutton and gabby teeth  10:12 Horoscopes, science and star signs  11:41 Jeff's new album Night Blooms  12:59 Jeff and Alan singing classics like Misty and Bewitched  13:37 Nosferatu, horror films and Alan's Were-MILF pitch  15:03 Jeff agrees to star in Alan's movie  16:23 Touring the UK, Royal Albert Hall and Sydney Opera House  17:41 What happens at a Jeff Goldblum live show  19:41 Touring food: fish & chips and British roasts  20:29 Jeff's favourite drink: the Virgin Mary  21:14 Time machines, classic films and Total Recall  23:34 Sharon Stone, Casino and Scorsese movies  24:48 Old Hollywood, Chateau Marmont and Hollywood history  27:21 Mulholland Drive and David Lynch  29:15 Alan's middle name reveal  30:31 Quick-fire round  33:39 Final descent  #LifesABeach #AlanCarr #JeffGoldblum #Podcast #TravelPodcast #NightBlooms #Jazz #ClassicHollywood #MovieLegends #CelebrityPodcast #MulhollandDrive #OldHollywood #RoyalAlbertHall #ComedyPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Here's a full rewrite of your text, now built around 1990's King of New York and 2002's Gangs of New York, and infused with that “heavyweight fight we've been waiting for” vibe. I kept the Not A Bomb voice, the Movie Matchup structure, and the playful swagger.For the entire month of March, the guys at Not A Bomb are throwing it back to their old Movie Matchup format, pitting notorious box office bombs against each other in a battle for redemption. Two flops enter… only one survives. There can only be one!This week, Troy and Brad aren't just stepping into the ring, they're calling the fight of the century. It's a bruising, bare‑knuckle, cinematic heavyweight showdown between two crime‑soaked epics: King of New York and Gangs of New York. Decades apart, stylistically worlds away, but both swinging for the fences with operatic violence, towering performances, and enough swagger to level a city block.King of New YorkDirected by Abel Ferrara and starring Christopher Walken, Laurence Fishburne, Wesley Snipes, David Caruso, Victor Argo, and Giancarlo Esposito, this neon‑drenched gangster fever dream follows drug lord Frank White as he storms back into New York's underworld after a stint in prison. It's stylish, chaotic, and packed with performances so intense they practically melt through the screen.Gangs of New YorkDirected by Martin Scorsese and starring Leonardo DiCaprio, Daniel Day‑Lewis, Cameron Diaz, Brendan Gleeson, Jim Broadbent, and John C. Reilly, this sprawling historical epic throws you into the blood‑soaked streets of 1860s Manhattan. Rival factions. Political corruption. Revenge quests. And at the center of it all, Daniel Day‑Lewis delivering one of the most terrifying, magnetic performances of his career as Bill the Butcher. This isn't just a comparison; it's a clash of titans. Frank White vs. Bill the Butcher. Modern crime mythmaking vs. historical gangland opera. Ferrara's gritty, punk‑rock filmmaking vs. Scorsese's grand, blood‑stained spectacle. Troy and Brad break down which film lands the cleanest hits, which one stumbles, and which earns the coveted weekly crown. Expect fireworks, body blows, and enough cinematic carnage to fill Madison Square Garden.Got a cinematic flop you want us to tackle? Drop us a line at NotABombPod@gmail.com or reach out through our contact page. Reviews on Apple Podcasts or Spotify help us grow and keep the chaos coming.Cast: Brad, Troy

Les ONG inquiètes en raison de la législation préparée par des députés de la coalition gouvernementale tchèque - Hollywood en Bohême

Support the sponsors to support the show!Get $10 Off at BRUNT with code SODER at https://www.bruntworkwear.com/SODER #Bruntpodhttps://bruntworkwear.com/?utm_source=podcast&utm_medium=influencer&utm_campaign=SODERHere's a special, (limited time) deal for our listeners. Right now get up to 60% off your Babbel subscription – at Babbel dot com forwardslash SODER Get up to 60% off at Babbel.com/SODER Spelled B-A-B-B-E-L.com/SODER Rules and restrictions may apply.https://www.babbel.com/pages/en-us/eg_podcast_flags_ame_usa-en?bsc=podcast-soder&btp=default&utm_campaign=usa-hostread&utm_content=6m12mlt..oxfordroad..soder..usa&utm_medium=podcast&utm_source=soder&utm_term=generic_v1Your emotional wellbeing matters. Find support and feel lighter in therapy. Sign up and get 10% off at BetterHelp.com/SODERhttps://www.betterhelp.com/get-started/?go=true&slug=soder&utm_source=podcast&utm_campaign=1093&utm_term=soder&promo_code=soder&landing_page_img=https%3A%2F%2Fd3ez4in977nymc.cloudfront.net%2Faffiliate_images%2Fc8f1e33eccfdd97908db536def2e7dbd2d9ae59240ff77c0f1ee89f46ed7f544.png&aff_channel=podcast&discount_rate=10&discount_period=P1M&date_interval=P1M&percentage_off=10&amount=1&amount_spelled_out=one&unit=month&gor=startThe Golden Retriever of Comedy Tour is coming to your city!Get tickets at https://www.dansoder.com/tourMarch 19 Dallas,TXMarch 20 - Houston,TXMarch 21- Oklahoma City,OKApril 4 - Huntington,NY - 2 shows 7pm & 9:30April 10 - Charlotte,NCApril 11 - Durham,NCApril 17 - Munhall,PAApril 18 - Cleveland,OHApril 19 - Columbus,OHApril 24 - Larchwood,IAFollow Eddie Pepitone and watch his new special "The Collapse"https://www.instagram.com/eddiepep/?hl=enhttps://x.com/eddiepepitonehttps://www.youtube.com/watch?v=9J4h6UCYbh4https://www.tiktok.com/@eddiepepitonePLEASE Drop us a rating on iTunes and subscribe to the show to help us grow.https://podcasts.apple.com/us/podcast/soder/id1716617572Connect with SoderTwitter: https://Twitter.com/dansoderInstagram: https://www.instagram.com/dansoderTiktok: https://www.tiktok.com/@dansodercomedyFacebook: https://www.facebook.com/dansoderYoutube: http://www.youtube.com/@dansoder.comedy#dansoder #standup #comedy #entertainment #podcastProduced by  Mike Lavin     https://www.instagram.com/thehomelesspimp/?hl=en

This episode originally aired July 30, 2024 The nephew of Joan Didion and John Gregory Dunne, and son of Dominick Dunne, becoming anything other than a writer feels almost sacrilegious. Yet Griffin Dunne only recently became an author, publishing his family memoir “The Friday Afternoon Club” after spending decades in other fruitful and wide ranging creative pursuits. The actor and producer, known for movies like An American Werewolf in London and the Scorsese-directed After Hours, feels some sort of regret about his professional moves. But as you’ll hear, he had no shortage of personal trouble and loss influencing his decisions. We chat about him and his famed family — full of actors, activists, and journalists — and all the struggles they collectively moved through. Follow me on Instagram at @davidduchovny. Stay up to date with Lemonada on Twitter, Facebook and Instagram at @LemonadaMedia. Joining Lemonada Premium is a great way to support our show and get bonus content. Subscribe today at bit.ly/lemonadapremium. And if you want to continue the conversation with other listeners, join the My Lemonada community at https://lemonadamedia.com/mylemonada/ For a list of current sponsors and discount codes for this and every other Lemonada show, go to lemonadamedia.com/sponsors.See omnystudio.com/listener for privacy information.

Agradeço ao Bob e ao Mr. Eddie Vedder

It's been a bit since we had an old-fashioned movie disagreement but this one was a bit polarizing. Likely because this was a real curveball from two of our faves, Scorsese and De Niro. The intensity and emotional weight is there, but it's wrapped in a truly bizarre, sinister comedy that's just as haunting as it is funny. This movie became much more important after its release, and it sticks with you over time, but you'll have to see for yourself if you think it's worth it or not. Just give us one shot on the air and then we'll gladly go off to jail as we watch Paper Moon on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the song “The Finer Things,” written by Donald Fagen and performed by David Sanborn as part of the soundtrack to The King of Comedy. Copyright 1983 Warner Bros. Records Inc. Excerpt taken from the piece “Burlesque”, written and composed by Mike Figgis for his film Leaving Las Vegas. Copyright 1995 Initial Productions, S.A.

The reception to our recent post on Code Reviews has been strong. Catch up!Amid a maelstrom of discussion on whether or not AI is killing SaaS, one of the top publicly listed SaaS companies in the world has just reported record revenues, clearing well over $1.1B in ARR for the first time with a 28% margin. As we comment on the pod, Aaron Levie is the rare public company CEO equally at home in both worlds of Silicon Valley and Wall Street/Main Street, by day helping 70% of the Fortune 500 with their Enterprise Advanced Suite, and yet by night is often found in the basements of early startups and tweeting viral insights about the future of agents.Now that both Cursor, Cloudflare, Perplexity, Anthropic and more have made Filesystems and Sandboxes and various forms of “Just Give the Agent a Box” cool (not just cool; it is now one of the single hottest areas in AI infrastructure growing 100% MoM), we find it a delightfully appropriate time to do the episode with the OG CEO who has been giving humans and computers Boxes since he was a college dropout pitching VCs at a Michael Arrington house party.Enjoy our special pod, with fan favorite returning guest/guest cohost Jeff Huber!Note: We didn't directly discuss the AI vs SaaS debate - Aaron has done many, many, many other podcasts on that, and you should read his definitive essay on it. Most commentators do not understand SaaS businesses because they have never scaled one themselves, and deeply reflected on what the true value proposition of SaaS is.We also discuss Your Company is a Filesystem:We also shoutout CTO Ben Kus' and the AI team, who talked about the technical architecture and will return for AIE WF 2026.Full Video EpisodeTimestamps* 00:00 Adapting Work for Agents* 01:29 Why Every Agent Needs a Box* 04:38 Agent Governance and Identity* 11:28 Why Coding Agents Took Off First* 21:42 Context Engineering and Search Limits* 31:29 Inside Agent Evals* 33:23 Industries and Datasets* 35:22 Building the Agent Team* 38:50 Read Write Agent Workflows* 41:54 Docs Graphs and Founder Mode* 55:38 Token FOMO Culture* 56:31 Production Function Secrets* 01:01:08 Film Roots to Box* 01:03:38 AI Future of Movies* 01:06:47 Media DevRel and EngineeringTranscriptAdapting Work for AgentsAaron Levie: Like you don't write code, you talk to an agent and it goes and does it for you, and you may be at best review it. That's even probably like, like largely not even what you're doing. What's happening is we are changing our work to make the agents effective. In that model, the agent didn't really adapt to how we work.We basically adapted to how the agent works. All of the economy has to go through that exact same evolution. Right now, it's a huge asset and an advantage for the teams that do it early and that are kinda wired into doing this ‘cause you'll see compounding returns. But that's just gonna take a while for most companies to actually go and get this deployed.swyx: Welcome to the Lane Space Pod. We're back in the chroma studio with uh, chroma, CEO, Jeff Hoover. Welcome returning guest now guest host.Aaron Levie: It's a pleasure. Wow. How'd you get upgraded to, uh, to that?swyx: Because he's like the perfect guy to be guest those for you.Aaron Levie: That makes sense actually, for We love context. We, we both really love context le we really do.We really do.swyx: Uh, and we're here with, uh, Aaron Levy. Welcome.Aaron Levie: Thank you. Good to, uh, good to be [00:01:00] here.swyx: Uh, yeah. So we've all met offline and like chatted a little bit, but like, it's always nice to get these things in person and conversation. Yeah. You just started off with so much energy. You're, you're super excited about agents.I loveAaron Levie: agents.swyx: Yeah. Open claw. Just got by, got bought by OpenAI. No, not bought, but you know, you know what I mean?Aaron Levie: Some, some, you know, acquihire. Executiveswyx: hire.Aaron Levie: Executive hire. Okay. Executive hire. Say,swyx: hey, that's my term. Okay. Um, what are you pounding the table on on agents? You have so many insightful tweets.Why Every Agent Needs a BoxAaron Levie: Well, the thing that, that we get super excited by that I think is probably, you know, should be relatively obvious is we've, we've built a platform to help enterprises manage their files and their, their corporate files and the permissions of who has access to those files and the sharing collaboration of those files.All of those files contain really, really important information for the enterprise. It might have your contracts, it might have your research materials, it might have marketing information, it might have your memos. All that data obviously has, you know, predominantly been used by humans. [00:02:00] But there's been one really interesting problem, which is that, you know, humans only really work with their files during an active engagement with them, and they kind of go away and you don't really see them for a long time.And all of a sudden, uh, with the power of AI and AI agents, all of that data becomes extremely relevant as this ongoing source of, of answers to new questions of data that will transform into, into something else that, that produces value in your organization. It, it contains the answer to the new employee that's onboarding, that needs to ramp up on a project.Um, it contains the answer to the right thing to sell a customer when you're having a conversation to them, with them contains the roadmap information that's gonna produce the next feature. So all that data. That previously we've been just sort of storing and, and you know, occasionally forgetting about, ‘cause we're only working on the new active stuff.All of that information becomes valuable to the enterprise and it's gonna become extremely valuable to end users because now they can have agents go find what they're looking for and produce new, new [00:03:00] value and new data on that information. And it's gonna become incredibly valuable to agents because agents can roam around and do a bunch of work and they're gonna need access to that data as well.And um, and you know, sometimes that will be an agent that is sort of working on behalf of, of, of you and, and effectively as you as and, and they are kind of accessing all of the same information that you have access to and, and operating as you in the system. And then sometimes there's gonna be agents that are just.Effectively autonomous and kind of run on their own and, and you're gonna collaborate and work with them kind of like you did another person. Open Claw being the most recent and maybe first real sort of, you know, kind of, you know, up updating everybody's, you know, views of this landscape version of, of what that could look like, which is, okay, I have an agent.It's on its own system, it's on its own computer, it has access to its own tools. I probably don't give it access to my entire life. I probably communicate with it like I would an assistant or a colleague and then it, it sort of has this sandbox environment. So all of that has massive implications for a platform that manage that [00:04:00] enterprise data.We think it's gonna just transform how we work with all of the enterprise content that we work with, and we just have to make sure we're building the right platform to support that.swyx: The sort of shorthand I put it is as people build agents, everybody's just realizing that every agent needs a box. Yes.And it's nice to be called box and just give everyone a box.Aaron Levie: Hey, I if I, you know, if we can make that go viral, uh, like I, I think that that terminology, I, that's theswyx: tagline. Every agentAaron Levie: needs a box. Every agent needs a box. If we can make that the headline of this, I'm fine with this. And that's the billboard I wanna like Yeah, exactly.Every agent needs a box. Um, I like it. Can we ship this? Like,swyx: okay, let's do it. Yeah.Aaron Levie: Uh, my work here is done and I got the value I needed outta this podcast Drinks.swyx: Yeah.Agent Governance and IdentityAaron Levie: But, but, um, but, but, you know, so the thing that we, we kind of think about is, um, is, you know, whether you think the number 10 x or a hundred x or whatever the number is, we're gonna have some order of magnitude more agents than people.That's inevitable. It has to happen. So then the question is, what is the infrastructure that's needed to make all those agents effective in the enterprise? Make sure that they are well governed. Make sure they're only doing [00:05:00] safe things on your information. Make sure that they're not getting exposed. The data that they shouldn't have access to.There's gonna be just incredibly spectacularly crazy security incidents that will happen with agents because you'll prompt, inject an agent and sort of find your way through the CRM system and pull out data that you shouldn't have access to. Oh, weJeff Huber: have God,Aaron Levie: right? I mean, that's just gonna happen all over the place, right?So, so then the thing is, is how do you make sure you have the right security, the permissions, the access controls, the data governance. Um, we actually don't yet exactly know in many cases how we're gonna regulate some of these agents, right? If you think about an agent in financial services, does it have the exact same financial sort of, uh, requirements that a human did?Or is it, is the risk fully on the human that was interacting or created the agent? All open questions, but no matter what, there's gonna need to be a layer that manages the, the data they have access to, the workflows that they're involved in, pulling up data from multiple systems. This is the new infrastructure opportunity in the era of agents.swyx: You have a piece on agent identities, [00:06:00] which I think was today, um, which I think a lot of breaking news, the security, security people are talking about, right? Like you basically, I, I always think of this as like, well you need the human you and then there you need the agent. YouAaron Levie: Yes.swyx: And uh, well, I don't know if it's that simple, but is box going to have an opinion on that or you're just gonna be like, well we're just the sort of the, the source layer.Yeah. Let's Okta of zero handle that.Aaron Levie: I think we're gonna have an opinion and we will work with generally wherever the contours of the market end up. Um, and the reason that we're gonna have an opinion more than other topics probably is because one of the biggest use cases for why your agent might need it, an identity is for file system access.So thus we have to kind of think about this pretty deeply. And I think, uh, unless you're like in our world thinking about this particular problem all day long, it might be, you know, like, why is this such a big deal? And the reason why it's a really big deal is because sometimes sort of say, well just give the agent an, an account on the system and it just treats, treat it like every other type of user on the system.The [00:07:00] problem is, is that I as Aaron don't really have any responsibility over anybody else's box account in our organization. I can't see the box account of any other employee that I work with. I am not liable for anything that they do. And they have, I have, I have, you know, strict privacy requirements on everything that they're able to, you know, that, that, that they work on.Agents don't have that, you know, don't have those properties. The person who creates the agent probably is gonna, for the foreseeable future, take on a lot of the liability of what that agent does. That agent doesn't deserve any privacy because, because it's, you know, it can't fully be autonomously operated and it doesn't have any legal, you know, kind of, you know, responsibility.So thus you can't just be like, oh, well I'll just create a bunch of accounts and then I'll, I'll kind of work with that agent and I'll talk to it occasionally. Like you need oversight of that. And so then the question is, how do you have a world where the agent, sometimes you have oversight of, but what if that agent goes and works with other people?That person over there is collaborating with the agent on something you shouldn't have [00:08:00] access to what they're doing. So we have all of these new boundaries that we're gonna have to figure out of, of, you know, it's really, really easy. So far we've been in, in easy mode. We've hit the easy button with ai, which is the agent just is you.And when you're in quad code and you're in cursor, and you're in Codex, you're just, the agent is you. You're offing into your services. It can do everything you can do. That's the easy mode. The hard mode is agents are kind of running on their own. People check in with them occasionally, they're doing things autonomously.How do you give them access to resources in the enterprise and not dramatically increased the security risk and the risk that you might expose the wrong thing to somebody. These are all the new problems that we have to get solved. I like the identity layer and, and identity vendors as being a solution to that, but we'll, we'll need some opinions as well because so many of the use cases are these collaborative file system use cases, which is how do I give it an agent, a subset of my data?Give it its own workspace as well. ‘cause it's gonna need to store off its own information that would be relevant for it. And how do I have the right oversight into that? [00:09:00]Jeff Huber: One thing, which, um, I think is kind interesting, think about is that you know, how humans work, right? Like I may not also just like give you access to the whole file.I might like sit next to you and like scroll to this like one part of the file and just show you that like one part and like, you know,swyx: partial file access.Jeff Huber: I'm just saying I think like our, like RA does seem to be dead, right? Like you wanna say something is dead uhhuh probably RA is dead. And uh, like the auth story to me seems like incredibly unsolved and unaddressed by like the existing state of like AI vendors.ButAaron Levie: yeah, I think, um, we're, I mean you're taking obviously really to level limit that we probably need to solve for. Yeah. And we built an access control system that was, was kind of like, you know, its own little world for, for a long time. And um, and the idea was this, it's a many to many collaboration system where I can give you any part of the file system.And it's a waterfall model. So if I give you higher up in the, in the, in the system, you get everything below. And that, that kind of created immense flexibility because I can kind of point you to any layer in the, in the tree, but then you're gonna get access to everything kind of below it. And that [00:10:00] mostly is, is working in this, in this world.But you do have to manage this issue, which is how do I create an agent that has access to some of my stuff and somebody else's stuff as well. Mm-hmm. And which parts do I get to look at as the creator of the agent? And, and these are just brand new problems? Yeah. Crazy. And humans, when there was a human there that was really easy to do.Like, like if the three of us were all sharing, there'd be a Venn diagram where we'd have an overlapping set of things we've shared, but then we'd have our own ways that we shared with each other. In an agent world, somebody needs to take responsibility for what that agent has access to and what they're working on.These are like the, some of the most probably, you know, boring problems for 98% of people on, on the internet, but they will be the problems that are the difference between can you actually have autonomous agents in an enterprise contextswyx: Yeah.Aaron Levie: That are not leaking your data constantly.swyx: No. Like, I mean, you know, I run a very, very small company for my conference and like we already have data sensitivity issues.Yes. And some of my team members cannot see Yes. Uh, the others and like, I can't imagine what it's like to run a Fortune 500 and like, you have to [00:11:00] worry about this. I'm just kinda curious, like you, you talked to a lot like, like 70, 80% of your cus uh, of the Fortune 500, your customers.Aaron Levie: Yep. 67%. Just so we're being verySEswyx: precise.So Yeah. I'm notAaron Levie: Okay. Okay.swyx: Something I'm rounding up. Yes. Round up. I'm projecting to, forAaron Levie: the government.swyx: I'm projecting to the end of the year.Aaron Levie: Okay.swyx: There you go.Aaron Levie: You do make it sound like, like we, we, well we've gotta be on this. Like we're, we're taking way too long to get to 80%. Well,swyx: no, I mean, so like. How are they approaching it?Right? Because you're, you don't have a, you don't have a final answer yet.Why Coding Agents Took Off FirstAaron Levie: Well, okay, so, so this is actually, this is the stark reality that like, unfortunately is the kinda like pouring the water on the party a little bit.swyx: Yes.Aaron Levie: We all in Silicon Valley are like, have the absolute best conditions possible for AI ever.And I think we all saw the dke, you know, kind of Dario podcast and this idea of AI coding. Why is that taken off? And, and we're not yet fully seeing it everywhere else. Well, look, if you just like enumerated the list of properties that AI coding has and then compared it to other [00:12:00] knowledge work, let's just, let's just go through a few of them.Generally speaking, you bring on a new engineer, they have access to a large swath of the code base. Like, there's like very, like you, just, like new engineer comes on, they can just go and find the, the, the stuff that they, they need to work with. It's a fully text in text out. Medium. It's only, it's just gonna be text at the end of the day.So it's like really great from a, from just a, uh, you know, kinda what the agent can work with. Obviously the models are super trained on that dataset. The labs themselves have a really strong, kind of self-reinforcing positive flywheel of why they need to do, you know, agent coding deeply. So then you get just better tooling, better services.The actual developers of the AI are daily users of the, of the thing that they're we're working on versus like the, you know, probably there's only like seven Claude Cowork legal plugin users at Anthropic any given day, but there's like a couple thousand Claude code and you know, users every single day.So just like, think about which one are they getting more feedback on. All day long. So you just go through this list. You have a, you know, everybody who's a [00:13:00] developer by definition is technical so they can go install the latest thing. We're all generally online, or at least, you know, kinda the weird ones are, and we're all talking to each other, sharing best practices, like that's like already eight differences.Versus the rest of the economy. Every other part of the economy has like, like six to seven headwinds relative to that list. You go into a company, you're a banker in financial services, you have access to like a, a tiny little subset of the total data that's gonna be relevant to do your job. And you're have to start to go and talk to a bunch of people to get the right data to do your job because Sally didn't add you to that deal room, you know, folder.And that that, you know, the information is actually in a completely different organization that you now have to go in and, and sort of run into. And it's like you have this endless list of access controls and security. As, as you talked about, you have a medium, which is not, it's not just text, right? You have, you have a zoom call that, that you're getting all of the requirements from the customer.You have a lot of in-person conversations and you're doing in-person sales and like how do you ever [00:14:00] digitize all of that information? Um, you know, I think a lot of people got upset with this idea that the code base has all the context, um, that I don't know if you follow, you know, did you follow some of that conversation that that went viral?Is like, you know, it's not that simple that, that the code base doesn't have all the knowledge, but like it's a lot, you're a lot better off than you are with other areas of knowledge work. Like you, we like, we like have documentation practices, you write specifications. Those things don't exist for like 80% of work that happens in the enterprise.That's the divide that we have, which is, which is AI coding has, has just fully, you know, where we've reached escape velocity of how powerful this stuff is, and then we're gonna have to find a way to bring that same energy and momentum, but to all these other areas of knowledge work. Where the tools aren't there, the data's not set up to be there.The access controls don't make it that easy. The context engineering is an incredibly hard problem because again, you have access control challenges, you have different data formats. You have end users that are gonna need to kind of be kind of trained through this as opposed to their adopting [00:15:00] these tools in their free time.That's where the Fortune 500 is. And so we, I think, you know, have to be prepared as an industry where we are gonna be on a multi-year march to, to be able to bring agents to the enterprise for these workflows. And I think probably the, the thing that we've learned most in coding that, that the rest of the world is not yet, I think ready for, I mean, we're, they'll, they'll have to be ready for it because it's just gonna inevitably happen is I think in coding.What, what's interesting is if you think about the practice of coding today versus two years ago. It's probably the most changed workflow in maybe the history of time from the amount of time it's changed, right? Yeah. Like, like has any, has any workflow in the entire economy changed that quickly in terms of the amount of change?I just, you know, at least in any knowledge worker workflow, there's like very rarely been an event where one piece of technology and work practice has so fundamentally, you know, changed, changed what you do. Like you don't write code, you talk to an agent and it goes and [00:16:00] does it for you, and you may be at best review it.And even that's even probably like, like largely not even what you're doing. What's happening is we are changing our work to make the agents effective. In that model, the agent didn't really adapt to how we work. We basically adapted to how the agent works. Mm-hmm. All of the economy has to go through that exact same evolution.The rest of the economy is gonna have to update its workflows to make agents effective. And to give agents the context that they need and to actually figure out what kind of prompting works and to figure out how do you ensure that the agent has the right access to information to be able to execute on its work.I, you know, this is not the panacea that people were hoping for, of the agent drops in, just automates your life. Like you have to basically re-engineer your workflow to get the most out of agents and, uh, and that, that's just gonna take, you know, multiple years across the economy. Right now it's a huge asset and an advantage for the teams that do it early and that are kinda wired into doing this.‘cause [00:17:00] you'll see compounding returns, but that's just gonna take a while for most companies to actually go and get this deployed.swyx: I love, I love pushing back. I think that. That is what a lot of technology consultants love to hear this sort of thing, right? Yeah, yeah, yeah. First to, to embrace the ai. Yes. To get to the promised land, you must pay me so much money to a hundred percent to adopt the prescribed way of, uh, conforming to the agents.Yes. And I worry that you will be eclipsed by someone else who says, no, come as you are.Aaron Levie: Yeah.swyx: And we'll meet you where you are.Aaron Levie: And, and, and and what was the thing that went viral a week ago? OpenAI probably, uh, is hiring F Dees. Yeah. Uh, to go into the enterprise. Yeah. Yeah. And then philanthropic is embedded at Goldman Sachs.Yeah. So if the labs are having to do this, if, if the labs have decided that they need to hire FDE and professional services, then I think that's a pretty clear indication that this, there's no easy mode of workflow transformation. Yeah. Yeah. So, so to your point, I think actually this is a market opportunity for, you know, new professional services and consulting [00:18:00] firms that are like Agent Build and they, and they kind of, you know, go into organizations and they figure out how to re-engineer your workflows to make them more agent ready and get your data into the right format and, you know, reconstruct your business process.So you're, you're not doing most of the work. You're telling agents how to do the work and then you're reviewing it. But I haven't seen the thing that can just drop in and, and kinda let you not go through those changes.swyx: I don't know how that kind of sales pitch goes over. Yeah. You know, you're, you're saying things like, well, in my sort of nice beautiful walled garden, here's, there's, uh, because here's this, here's this beautiful box account that has everything.Yes. And I'm like, well, most, most real life is extremely messy. Sure. And like, poorly named and there duplicate this outdated s**tAaron Levie: a hundred percent. And so No, no, a hundred percent. And so this is actually No. So, so this is, I mean, we agree that, that getting to the beautiful garden is gonna be tough.swyx: Yeah.Aaron Levie: There's also the other end of the spectrum where I, I just like, it's a technical impossibility to solve. The agent is, is truly cannot get enough context to make the right decision in, in the, in the incredibly messy land. Like there's [00:19:00] no a GI that will solve that. So, so we're gonna have to kind of land in somewhere in between, which is like we all collectively get better at.Documentation practices and, and having authoritative relatively up-to-date information and putting it in the right place like agents will, will certainly cause us to be much better organized around how we work with our information, simply because the severity of the agent pulling the wrong data will be too high and the productivity gain of that you'll miss out on by not doing this will be too high as well, that you, that your competition will just do it and they'll just have higher velocity.So, uh, and, and we, we see this a lot firsthand. So we, we build a series of agents internally that they can kind of have access to your full box account and go off and you give it a task and it can go find whatever information you're looking for and work with. And, you know, thank God for the model progress, but like, if, if you gave that task to an agent.Nine months ago, you're just gonna get lots of bogus answers because it's gonna, it's gonna say, Hey, here's, here are fi [00:20:00] five, you know, documents that all kind of smell like the right thing. And I'm gonna, but I, but you're, you're putting me on the clock. ‘cause my assistant prompt says like, you know, be pretty smart, but also try and respond to the user and it's gonna respond.And it's like, ah, it got the wrong document. And then you do that once or twice as a knowledge worker and you're just neverswyx: again,Aaron Levie: never again. You're just like done with the system.swyx: Yeah. It doesn't work.Aaron Levie: It doesn't work. And so, you know, Opus four six and Gemini three one Pro and you know, whatever the latest five 3G BT will be, like, those things are getting better and better and it's using better judgment.And this sort of like the, all of these updates to the agentic tool and search systems are, are, we're seeing, we're seeing very real progress where the agent. Kind of can, can almost smell some things a little bit fishy when it's getting, you know, we, we have this process where we, we have it go fan out, do a bunch of searches, pull up a bunch of data, and then it has to sort of do its own ranking of, you know, what are the right documents that, that it should be working with.And again, like, you know, the intelligence level of a model six months ago, [00:21:00] it'd be just throwing a dart at like, I'm just, I'm gonna grab these seven files and I, I pray, I hope that that's the right answer. And something like an opus first four five, and now four six is like, oh, it's like, no, that one doesn't seem right relative to this question because I'm seeing some signal that is making that, you know, that's contradicting the document where it would normally be in the tree and who should have access.Like it's doing all of that kind of work for you. But like, it still doesn't work if you just have a total wasteland of data. Like, it's just not, it's just not possible. Partly ‘cause a human wouldn't even be able to do it. So basically if a, if a really, really smart human. Could not do that task in five or 10 minutes for a search retrieval type task.Look, you know, your agent's not gonna be able to do it any better. You see this all day long. SoContext Engineering and Search Limitsswyx: this touches on a thing that just passionate about it was just context engineering. I, I'm just gonna let you ramble or riff on, on context engineering. If, if, if there's anything like he, he did really good work on context fraud, which has really taken over as like the term that people use and the referenceAaron Levie: a hundred percent.We, we all we think about is, is the context rob problem. [00:22:00]Jeff Huber: Yeah, there's certainly a lot of like ranking considerations. Gentech surgery think is incredibly promising. Um, yeah, I was trying to generate a question though. I think I have a question right now. Swyx.Aaron Levie: Yeah, no, but like, like I think there was this moment, um, you know, like, I don't know, two years ago before, before we knew like where the, the gotchas were gonna be in ai and I think someone was like, was like, well, infinite context windows will just solve all of these problems and ‘cause you'll just, you'll just give the context window like all the data and.It's just like, okay, I mean, maybe in 2035, like this is a viable solution. First of all, it, it would just, it would just simply cost too much. Like we just can't give the model like the 5,000 documents that might be relevant and it's gonna read them all. And I've seen enough to, to start believing in crazy stuff.So like, I'm willing to just say, sure. Like in, in 10 years from now,swyx: never say, never, never.Aaron Levie: In, in 10 years from now, we'll have infinite context windows at, at a thousandth of the price of today. Like, let's just like believe that that's possible, but Right. We're in reality today. So today we have a context engineering [00:23:00] problem, which is, I got, I got, you know, 200,000 tokens that I can work with, or prob, I don't even know what the latest graph is before, like massive degradation.16. Okay. I have 60,000 tokens that I get to work with where I'm gonna get accurate information. That's not a lot of tokens for a corpus of 10 million documents that a knowledge worker might have across all of the teams and all the projects and all the people they work with. I have, I have 10 million documents.Which, you know, maybe is times five pages per document or something like that. I'm at 50 million pages of information and I have 60,000 tokens. Like, holy s**t. Yeah. This is like, how do I bridge the 50 million pages of information with, you know, the couple hundred that I get to work with in that, in that token window.Yeah. This is like, this is like such an interesting problem and that's why actually so much work is actually like, just like search systems and the databases and that layer has to just get so locked in, but models getting better and importantly [00:24:00] knowing when they've done a search, they found the wrong thing, they go back, they check their work, they, they find a way to balance sort of appeasing the user versus double checking.We have this one, we have this one test case where we ask the agent to go find. 10 pieces of information.swyx: Is this the complex work eval?Aaron Levie: Uh, this is actually not in the eval. This is, this is sort of just like we have a bunch of different, we have a bunch of internal benchmark kind of scenarios. Every time we, we update our agent, we have one, which is, I ask it to find all of our office addresses, and I give it the list of 10 offices that we have.And there's not one document that has this, maybe there should be, that would be a great example of the kind of thing that like maybe over time companies start to, you know, have these sort of like, what are the canonical, you know, kind of key areas of knowledge that we need to have. We don't seem to have this one document that says, here are all of our offices.We have a bunch of documents that have like, here's the New York office and whatever. So you task this agent and you, you get, you say, I need the addresses for these 10 offices. Okay. And by the way, if you do this on any, you know, [00:25:00] public chat model, the same outcome is gonna happen. But for a different kind of query, you give it, you say, I need these 10 addresses.How many times should the agent go and do its search before it decides whether or not, there's just no answer to this question. Often, and especially the, the, let's say lower tier models, it'll come back and it'll give you six of the 10 addresses. And it'll, and I'll just say I couldn't find the otherswyx: four.It, it doesn't know what It doesn't know. ItAaron Levie: doesn't know what It doesn't know. Yeah. So the model is just like, like when should it stop? When should it stop doing? Like should it, should it do that task for literally an hour and just keep cranking through? Maybe I actually made up an office location and it doesn't know that I made it up and I didn't even know that I made it up.Like, should it just keep, re should it read every single file in your entire box account until it, until it should exhaust every single piece of information.swyx: Expensive.Aaron Levie: These are the new problems that we have. So, you know, something like, let's say a new opus model is sort of like, okay, I'm gonna try these types of queries.I didn't get exactly what I wanted. I'm gonna try again. I'm gonna, at [00:26:00] some point I'm gonna stop searching. ‘cause I've determined that that no amount of searching is gonna solve this problem. I'm just not able to do it. And that judgment is like a really new thing that the model needs to be able to have.It's like, when should it give up on a task? ‘cause, ‘cause you just don't, it's a can't find the thing. That's the real world of knowledge, work problems. And this is the stuff that the coding agents don't have to deal with. Because they, it just doesn't like, like you're not usually asking it about, you're, you're always creating net new information coming right outta the model for the most part.Obviously it has to know about your code base and your specs and your documentation, but, but when you deploy an agent on all of your data that now you have all of these new problems that you're dealing withJeff Huber: our, uh, follow follow-up research to context ride is actually on a genetic search. Ah. Um, and we've like right, sort of stress tested like frontier models and their ability to search.Um, and they're not actually that good at searching. Right. Uh, so you're sort of highlighting this like explore, exploit.swyx: You're just say, Debbie, Donna say everything doesn't work. Like,Aaron Levie: well,Jeff Huber: somebody has to be,Aaron Levie: um, can I just throw out one more thing? Yeah. That is different from coding and, and the rest [00:27:00] of the knowledge work that I, I failed to mention.So one other kind of key point is, is that, you know, at the end of the day. Whether you believe we're in a slop apocalypse or, or whatever. At the end of the day, if you, if you build a working product at the end of, if you, if you've built a working solution that is ultimately what the customer is paying for, like whether I have a lot of slop, a little slop or whatever, I'm sure there's lots of code bases we could go into in enterprise software companies where it's like just crazy slop that humans did over a 20 year period, but the end customer just gets this little interface.They can, they can type into it, it does its thing. Knowledge work, uh, doesn't have that property. If I have an AI model, go generate a contract and I generate a contract 20 times and, you know, all 20 times it's just 3% different and like that I, that, that kind of lop introduces all new kinds of risk for my organization that the code version of that LOP didn't, didn't introduce.These are, and so like, so how do you constrain these models to just the part that you want [00:28:00] them to work on and just do the thing that you want them to do? And, and, you know, in engineering, we don't, you can't be disbarred as an engineer, but you could be disbarred as a lawyer. Like you can do the wrong medical thing In healthcare, you, there's no, there's no equivalent to that of engineering.Like, doswyx: you want there to be, because I've considered softwareJeff Huber: engineer. What's that? Civil engineering there is, right? NotAaron Levie: software civil engineer. Sure. Oh yeah, for sure. But like in any of our companies, you like, you know, you'll be forgiven if you took down the site and, and we, we will do a rollback and you'll, you'll be in a meeting, but you have not been disbarred as an engineer.We don't, we don't change your, you know, your computer science, uh, blameJeff Huber: degree, this postmortem.Aaron Levie: Yeah, exactly. Exactly. So, so, uh, now maybe we collectively as an industry need to figure out like, what are you liable for? Not legally, but like in a, in a management sense, uh, of these agents. All sorts of interesting problems that, that, that, uh, that have to come out.But in knowledge work, that's the real hostile environments that we're operating in. Hmm.swyx: I do think like, uh, a lot of the last year's, 2025 story was the rise of coding agents and I think [00:29:00] 2026 story is definitely knowledge work agents. Yes. A hundredAaron Levie: percent.swyx: Right. Like that would, and I think open claw core work are just the beginning.Yes. Like it's, the next one's gonna just gonna be absolute craziness.Aaron Levie: It it is. And, and, uh, and it's gonna be, I mean, again, like this is gonna be this, this wave where we, we are gonna try and bring as many of the practices from coding because that, that will clearly be the forefront, which is tell an agent to go do something and has an access to a set of resources.You need to be responsible for reviewing it at the end of the process. That to me is the, is the kind of template that I just think goes across knowledge, work and odd. Cowork is a great example. Open Closet's a great example. You can kind of, sort of see what Codex could become over time. These are some, some really interesting kind of platforms that are emerging.swyx: Okay. Um, I wanted to, we touched on evals a little bit. You had, you had the report that you're gonna go bring up and then I was gonna go into like, uh, boxes, evals, but uh, go ahead. Talk about your genetic search thing.Jeff Huber: Yeah. Mostly I think kinda a few of the insights. It's like number one frontier model is not good at search.Humans have this [00:30:00] natural explore, exploit trade off where we kinda understand like when to stop doing something. Also, humans are pretty good at like forgetting actually, and like pruning their own context, whereas agents are not, and actually an agent in their kind of context history, if they knew something was bad and they even, you could see in the trace the reason you trace, Hey, that probably wasn't a good idea.If it's still in the trace, still in the context, they'll still do it again. Uhhuh. Uh, and so like, I think pruning is also gonna be like, really, it's already becoming a thing, right? But like, letting self prune the con windowsswyx: be a big deal. Yeah. So, so don't leave the mistake. Don't leave the mistake in there.Cut out the mistake but tell it that you made a mistake in the past and so it doesn't repeat it.Jeff Huber: Yeah. But like cut it out so it doesn't get like distracted by it again. ‘cause really, you know, what is so, so it will repeat its mistake just because it's been, it's inswyx: theJeff Huber: context. It'sAaron Levie: in the context so much.That's a few shot example. Even if it, yeah.Jeff Huber: It's like oh thisAaron Levie: is a great thing to go try even ifJeff Huber: it didn't work.Aaron Levie: Yeah,Jeff Huber: exactly.Aaron Levie: SoJeff Huber: there's like a bunch of stuff there. JustAaron Levie: Groundhogs Day inside these models. Yeah. I'm gonna go keep doing the same wrongJeff Huber: thing. Covering sense. I feel like, you know, some creator analogy you're trying like fit a manifold in latent space, which kind is doing break program synthesis, which is kinda one we think about we're doing right.Like, you know, certain [00:31:00] facts might be like sort of overly pitting it. There are certain, you know, sec sectors of latent space and so like plug clean space. Yeah. And, uh, andswyx: so we have a bell, our editor as a bell every time you say that. SoJeff Huber: you have, you have to like remove those, likeswyx: you shoulda a gong like TPN or something.IfJeff Huber: we gong, you either remove those links to like kinda give it the freedom, kind of do what you need to do. So, but yeah. We'll, we'll release more soon. That'sAaron Levie: awesome.Jeff Huber: That'll, that'll be cool.swyx: We're a cerebral podcast that people listen to us and, and sort of think really deep. So yeah, we try to keep it subtle.Okay. We try to keep it.Aaron Levie: Okay, fine.Inside Agent Evalsswyx: Um, you, you guys do, you guys do have EVs, you talked about your, your office thing, but, uh, you've been also promoting APEX agents and complex work. Uh, yeah, whatever you, wherever you wanna take this just Yeah. How youAaron Levie: Apex is, is obviously me, core's, uh, uh, kind of, um, agent eval.We, we supported that by sort of. Opening up some data for them around how we kind of see these, um, data workspaces in, in the, you know, kind of regular economy. So how do lawyers have a workspace? How do investment bankers have a workspace? What kind of data goes into those? And so we, [00:32:00] we partner with them on their, their apex eval.Our own, um, eval is, it's actually relatively straightforward. We have a, a set of, of documents in a, in a range of industries. We give the agent previously did this as a one shot test of just purely the model. And then we just realized we, we need to, based on where everything's going, it's just gotta be more agentic.So now it's a bit more of a test of both our harness and the model. And we have a rubric of a set of things that has to get right and we score it. Um, and you're just seeing, you know, these incredible jumps in almost every single model in its own family of, you know, opus four, um, you know, sonnet four six versus sonnet four five.swyx: Yeah. We have this up on screen.Aaron Levie: Okay, cool. So some, you're seeing it somewhere like. I, I forget the to, it was like 15 point jump, I think on the main, on the overall,swyx: yes.Aaron Levie: And it's just like, you know, these incredible leaps that, that are starting to happen. Um,swyx: and OP doesn't know any, like any, it's completely held out from op.Aaron Levie: This is not in any, there's no public data which has, you know, Ben benefits and this is just a private eval that we [00:33:00] do, and then we just happen to show it to, to the world. Hmm. So you can't, you can't train against it. And I think it's just as representative of. It's obviously reasoning capabilities, what it's doing at, at, you know, kind of test time, compute capabilities, thinking levels, all like the context rot issues.So many interesting, you know, kind of, uh, uh, capabilities that are, that are now improvingswyx: one sector that you have. That's interesting.Industries and Datasetsswyx: Uh, people are roughly familiar with healthcare and legal, but you have public sector in there.Aaron Levie: Yeah.swyx: Uh, what's that? Like, what, what, what is that?Aaron Levie: Yeah, and, and we actually test against, I dunno, maybe 10 industries.We, we end up usually just cutting a few that we think have interesting gains. All extras, won a lot of like government type documents. Um,swyx: what is that? What is it? Government type documents?Aaron Levie: Government filings. Like a taxswyx: return, likeAaron Levie: a probably not tax returns. It would be more of what would go the government be using, uh, as data.So, okay. Um, so think about research that, that type of, of, of data sets. And then we have financial services for things like data rooms and what would be in an investment prospectus. Uhhuh,swyx: that one you can dog food.Aaron Levie: Yeah, exactly. Exactly. Yes. Yes. [00:34:00] So, uh, so we, we run the models, um, in now, you know, more of an agent mode, but, but still with, with kinda limited capacity and just try and see like on a, like, for like basis, what are the improvements?And, and again, we just continue to be blown away by. How, how good these models are getting.swyx: Yeah, I mean, I think every serious AI company needs something like that where like, well, this is the work we do. Here's our company eval. Yeah. And if you don't have it, well, you're not a serious AI company.Aaron Levie: There's two dimensions, right?So there's, there's like, how are the models improving? And so which models should you either recommend a customer use, which one should you adopt? But then every single day, we're making changes to our agents. And you need to knowswyx: if you regressed,Aaron Levie: if you know. Yeah. You know, I've been fully convinced that the whole agent observability and eval space is gonna be a massive space.Um, super excited for what Braintrust is doing, excited for, you know, Lang Smith, all the things. And I think what you're going to, I mean, this is like every enter like literally every enterprise right now. It's like the AI companies are the customers of these tools. Every enterprise will have this. Yeah, you'll just [00:35:00] have to have an eval.Of all of your work and like, we'll, you'll have an eval of your RFP generation, you'll have an eval of your sales material creation. You'll have an eval of your, uh, invoice processing. And, and as you, you know, buy or use new agentic systems, you are gonna need to know like, what's the quality of your, of your pipeline.swyx: Yeah.Aaron Levie: Um, so huge, huge market with agent evals.swyx: Yeah.Building the Agent Teamswyx: And, and you know, I'm gonna shout out your, your team a bit, uh, your CTO, Ben, uh, did a great talk with us last year. Awesome. And he's gonna come back again. Oh, cool. For World's Fair.Aaron Levie: Yep.swyx: Just talk about your team, like brag a little bit. I think I, I think people take these eval numbers in pretty charts for granted, but No, there, I mean, there's, there's lots of really smart people at work during all this.Aaron Levie: Biggest shout out, uh, is we have a, we have a couple folks at Dya, uh, Sidarth, uh, that, that kind of run this. They're like a, you know, kind of tag tag team duo on our evals, Ben, our CTO, heavily involved Yasha, head of ai, uh, you know, a bunch of folks. And, um, evals is one part of the story. And then just like the full, you know, kind of AI.An agent team [00:36:00] is, uh, is a, is a pretty, you know, is core to this whole effort. So there's probably, I don't know, like maybe a few dozen people that are like the epicenter. And then you just have like layers and layers of, of kind of concentric circles of okay, then there's a search team that supports them and an infrastructure team that supports them.And it's starting to ripple through the entire company. But there's that kind of core agent team, um, that's a pretty, pretty close, uh, close knit group.swyx: The search team is separate from the infra team.Aaron Levie: I mean, we have like every, every layer of the stack we have to kind of do, except for just pure public cloud.Um, but um, you know, we, we store, I don't even know what our public numbers are in, you know, but like, you can just think about it as like a lot of data is, is stored in box. And so we have, and you have every layer of the, of the stack of, you know, how do you manage the data, the file system, the metadata system, the search system, just all of those components.And then they all are having to understand that now you've got this new customer. Which is the agent, and they've been building for two types of customers in the past. They've been building for users and they've been building for like applications. [00:37:00] And now you've got this new agent user, and it comes in with a difference of it, of property sometimes, like, hey, maybe sometimes we should do embeddings, an embedding based, you know, kind of search versus, you know, your, your typical semantic search.Like, it's just like you have to build the, the capabilities to support all of this. And we're testing stuff, throwing things away, something doesn't work and, and not relevant. It's like just, you know, total chaos. But all of those teams are supporting the agent team that is kind of coming up with its requirements of what, what do we need?swyx: Yeah. No, uh, we just came from, uh, fireside chat where you did, and you, you talked about how you're doing this. It's, it's kind of like an internal startup. Yeah. Within the broader company. The broader company's like 3000 people. Yeah. But you know, there's, there's a, this is a core team of like, well, here's the innovation center.Aaron Levie: Yeah.swyx: And like that every company kind of is run this way.Aaron Levie: Yeah. I wanna be sensitive. I don't call it the innovation center. Yeah. Only because I think everybody has to do innovation. Um, there, there's a part of the, the, the company that is, is sort of do or die for the agent wave.swyx: Yeah.Aaron Levie: And it only happens to be more of my focus simply because it's existential that [00:38:00] we get it right.swyx: Yeah.Aaron Levie: All of the supporting systems are necessary. All of the surrounding adjacent capabilities are necessary. Like the only reason we get to be a platform where you'd run an agent is because we have a security feature or a compliance feature, or a governance feature that, that some team is working on.But that's not gonna be the make or break of, of whether we get agents right. Like that already exists and we need to keep innovating there. I don't know what the right, exact precise number is, but it's not a thousand people and it's not 10 people. There's a number of people that are like the, the kind of like, you know, startup within the company that are the make or break on everything related to AI agents, you know, leveraging our platform and letting you work with your data.And that's where I spend a lot of my time, and Ben and Yosh and Diego and Teri, you know, these are just, you know, people that, that, you know, kind of across the team. Are working.swyx: Yeah. Amazing.Read Write Agent WorkflowsJeff Huber: How do you, how do you think about, I mean, you talked a lot about like kinda read workflows over your box data. Yep.Right. You know, gen search questions, queries, et cetera. But like, what about like, write or like authoring workflows?Aaron Levie: Yes. I've [00:39:00] already probably revealed too much actually now that I think about it. So, um, I've talked about whatever,Jeff Huber: whatever you can.Aaron Levie: Okay. It's just us. It's just us. Yeah. Okay. Of course, of course.So I, I guess I would just, uh, I'll make it a little bit conceptual, uh, because again, I've already, I've already said things that are not even ga but, but we've, we've kinda like danced around it publicly, so I, yeah, yeah. Okay. Just like, hopefully nobody watches this, um, episode. No.swyx: It's tidbits for the Heidi engaged to go figure out like what exactly, um, you know, is, is your sort of line of thinking.Sure. They can connect the dots.Aaron Levie: Yeah. So, so I would say that, that, uh, we, you know, as a, as a place where you have your enterprise content, there's a use case where I want to, you know, have an agent read that data and answer questions for me. And then there's a use case where I want the agent to create something.And use the file system to create something or store off data that it's working on, or be able to have, you know, various files that it's writing to about the work it's doing. So we do see it as a total read write. The harder problem has so far been the read only because, because again, you have that kind of like 10 [00:40:00] million to one ratio problem, whereas rights are a lot of, that's just gonna come from the model and, and we just like, we'll just put it in the file system and kinda use it.So it's a little bit of a technically easier problem, but the only part that's like, not necessarily technically hard, it is just like it's not yet perfected in the state of the ecosystem is, you know, building a beautiful PowerPoint presentation. It's still a hard problem for these models. Like, like we still, you know, like, like these formats are just, we're not built for.They'reswyx: working on it.Aaron Levie: They're, they're working on it. Everybody's working on it.swyx: Every launch is like, well, we do PowerPoint now.Aaron Levie: We're getting, yeah, getting a lot, getting a lot of better each time. But then you'll do this thing where you'll ask the update one slide and all of a sudden, like the fonts will be just like a little bit different, you know, on two of the slides, or it moved, you know, some shape over to the left a little bit.And again, these are the kind of things that, like in code, obviously you could really care about if you really care about, you know, how beautiful is the code, but at the end, user doesn't notice all those problems and file creation, the end user instantly sees it. You're [00:41:00] like, ah, like paragraph three, like, you literally just changed the font on me.Like it's a totally different font and like midway through the document. Mm-hmm. Those are the kind of things that you run into a lot of in the, in the content creation side. So, mm-hmm. We are gonna have native agents. That do all of those things, they'll be powered by the leading kind of models and labs.But the thing that I think is, is probably gonna be a much bigger idea over time is any agent on any system, again, using Box as a file system for its work, and in that kind of scenario, we don't necessarily care what it's putting in the file system. It could put its memory files, it could put its, you know, specification, you know, documents.It could put, you know, whatever its markdown files are, or it could, you know, generate PDFs. It's just like, it's a workspace that is, is sort of sandboxed off for its work. People can collaborate into it, it can share with other people. And, and so we, we were thinking a lot about what's the right, you know, kind of way to, to deliver that at scale.Docs Graphs and Founder Modeswyx: I wanted to come into sort of the sort of AI transformation or AI sort of, uh, operations things. [00:42:00] Um, one of the tweets that you, that you wanted to talk about, this is just me going through your tweets, by the way. Oh, okay. I mean, like, this is, you readAaron Levie: one by one,swyx: you're the, you're the easiest guest to prep for because you, you already have like, this is the, this is what I'm interested in.I'm like, okay, well, areAaron Levie: we gonna get to like, like February, January or something? Where are we in the, in the timelines? How far back are we going?swyx: Can you, can you describe boxes? A set of skills? Right? Like that, that's like, that's like one of the extremes of like, well if you, you just turn everything into a markdown file.Yeah. Then your agent can run your company. Uh, like you just have to write, find the right sequence of words toAaron Levie: Yes.swyx: To do it.Aaron Levie: Sorry, isthatswyx: the question? So I think the question is like, what if we documented everything? Yes. The way that you exactly said like,Aaron Levie: yes.swyx: Um, let's get all the Fortune five hundreds, uh, prepared for agents.Yes. And like, you know, everything's in golden and, and nicely filed away and everything. Yes. What's missing? Like, what's left, right? LikeAaron Levie: Yeah.swyx: You've, you've run your company for a decade. LikeAaron Levie: Yeah. I think the challenge is that, that that information changes a week later. And because something happened in the market for that [00:43:00] customer, or us as a company that now has to go get updated, and so these systems are living and breathing and they have to experience reality and updates to reality, which right now is probably gonna be humans, you know, kinda giving those, giving them the updates.And, you know, there is this piece about context graphs as as, uh, that kinda went very viral. Yeah. And I, I, I was like a, i, I, I thought it was super provocative. I agreed with many parts of it. I disagree with a few parts around. You know, it's not gonna be as easy as as just if we just had the agent traces, then we can finally do that work because there's just like, there's so much more other stuff that that's happening that, that we haven't been able to capture and digitize.And I think they actually represented that in the piece to be clear. But like there's just a lot of work, you know, that that has to, you just can't have only skills files, you know, for your company because it's just gonna be like, there's gonna be a lot of other stuff that happens. Yeah. Change over time.Yeah. Most companies are practically apprenticeships.swyx: Most companies are practically apprenticeships. LikeJeff Huber: every new employee who joins the team, [00:44:00] like you span one to three months. Like ramping them up.Aaron Levie: Yes. AllJeff Huber: that tat knowledgeAaron Levie: isJeff Huber: not written down.Aaron Levie: Yes.Jeff Huber: But like, it would have to be if you wanted to like give it to an Asian.Right. And so like that seems to me like to beAaron Levie: one is I think you're gonna see again a premium on companies that can document this. Mm-hmm. Much. There'll be a huge premium on that because, because you know, can you shorten that three month ramp cycle to a two week ramp cycle? That's an instant productivity gain.Can you re dramatically reduce rework in the organization because you've documented where all the stuff is and where the answers are. Can you make your average employee as good as your 90th percentile employee because you've captured the knowledge that's sort of in the heads of, of those top employees and make that available.So like you can see some very clear productivity benefits. Mm-hmm. If you had a company culture of making sure you know your information was captured, digitized, put in a format that was agent ready and then made available to agents to work with, and then you just, again, have this reality of like add a 10,000 person [00:45:00] company.Mapping that to the, you know, access structure of the company is just a hard problem. Is like, is like, yeah, well, you just, not every piece of information that's digitized can be shared to everybody. And so now you have to organize that in a way that actually works. There was a pretty good piece, um, this, this, uh, this piece called your company as a file is a file system.I, did you see that one?swyx: Nope.Aaron Levie: Uh, yes. You saw it. Yeah. And, and, uh, I actually be curious your thoughts on it. Um, like, like an interesting kind of like, we, we agree with it because, because that's how we see the world and, uh,swyx: okay. We, we have it up on screen. Oh,Aaron Levie: okay. Yeah. But, but it's all about basically like, you know, we've already, we, we, we already organized in this kind of like, you know, permission structure way.Uh, and, and these are the kind of, you know, natural ways that, that agents can now work with data. So it's kind of like this, this, you know, kind of interesting metaphor, but I do think companies will have to start to think about how they start to digitize more, more of that data. What was your take?Jeff Huber: Yeah, I mean, like the company's probably like an acid compliant file system.Aaron Levie: Uh,Jeff Huber: yeah. Which I'm guessing boxes, right? So, yeah. Yes.swyx: Yeah. [00:46:00]Jeff Huber: Which you have a great piece on, but,swyx: uh, yeah. Well, uh, I, I, my, my, my direction is a little bit like, I wanna rewind a little bit to the graph word you said that there, that's a magic trigger word for us. I always ask what's your take on knowledge graphs?Yeah. Uh, ‘cause every, especially at every data database person, I just wanna see what they think. There's been knowledge graphs, hype cycles, and you've seen it all. So.Aaron Levie: Hmm. I actually am not the expert in knowledge graphs, so, so that you might need toswyx: research, you don't need to be an expert. Yeah. I think it's just like, well, how, how seriously do people take it?Yeah. Like, is is, is there a lot of potential in the, in the HOVI?Aaron Levie: Uh, well, can I, can I, uh, understand first if it's, um, is this a loaded question in the sense of are you super pro, super con, super anti medium? Iswyx: see pro, I see pros and cons. Okay. Uh, but I, I think your opinion should be independent of mine.Aaron Levie: Yeah. No, no, totally. Yeah. I just want to see what I'm stepping into.swyx: No, I know. It's a, and it's a huge trigger word for a lot of people out Yeah. In our audience. And they're, they're trying to figure out why is that? Because whyAaron Levie: is this such aswyx: hot item for them? Because a lot of people get graph religion.And they're like, everything's a graph. Of course you have to represent it as a graph. Well, [00:47:00] how do you solve your knowledge? Um, changing over time? Well, it's a graph.Aaron Levie: Yeah.swyx: And, and I think there, there's that line of work and then there's, there's a lot of people who are like, well, you don't need it. And both are right.Aaron Levie: Yeah. And what do the people who say you don't need it, what are theyswyx: arguing for Mark down files. Oh, sure, sure. Simplicity.Aaron Levie: Yeah.swyx: Versus it's, it's structure versus less structure. Right. That's, that's all what it is. I do.Aaron Levie: I think the tricky thing is, um, is, is again, when this gets met with real humans, they're just going to their computer.They're just working with some people on Slack or teams. They're just sharing some data through a collaborative file system and Google Docs or Box or whatever. I certainly like the vision of most, most knowledge graph, you know, kind of futuristic kind of ways of thinking about it. Uh, it's just like, you know, it's 2026.We haven't seen it yet. Kind of play out as as, I mean, I remember. Do you remember the, um, in like, actually I don't, I don't even know how old you guys are, but I'll for, for to show my age. I remember 17 years ago, everybody thought enterprises would just run on [00:48:00] Wikis. Yeah. And, uh, confluence and, and not even, I mean, confluence actually took off for engineering for sure.Like unquestionably. But like, this was like everything would be in the w. And I think based on our, uh, our, uh, general style of, of, of what we were building, like we were just like, I don't know, people just like wanna workspace. They're gonna collaborate with other people.swyx: Exactly. Yeah. So you were, you were anti-knowledge graph.Aaron Levie: Not anti, not anti. Soswyx: not nonAaron Levie: I'm not, I'm not anti. ‘cause I think, I think your search system, I just think these are two systems that probably, but like, I'm, I'm not in any religious war. I don't want to be in anybody's YouTube comments on this. There's not a fight for me.swyx: We, we love YouTube comments. We're, we're, we're get into comments.Aaron Levie: Okay. Uh, but like, but I, I, it's mostly just a virtue of what we built. Yeah. And we just continued down that path. Yeah.swyx: Yeah.Aaron Levie: And, um, and that, that was what we pursued. But I'm not, this is not a, you know, kind of, this is not a, uh, it'sswyx: not existential for you. Great.Aaron Levie: We're happy to plug into somebody else's graph.We're happy to feed data into it. We're happy for [00:49:00] agents to, to talk to multiple systems. Not, not our fight.swyx: Yeah.Aaron Levie: But I need your answer. Yeah. Graphs or nerd Snipes is very effective nerd.swyx: See this is, this is one, one opinion and then I've,Jeff Huber: and I think that the actual graph structure is emergent in the mind of the agent.Ah, in the same way it is in the mind of the human. And that's a more powerful graph ‘cause it actually involved over time.swyx: So don't tell me how to graph. I'll, I'll figure it out myself. Exactly. Okay. All right. AndJeff Huber: what's yours?swyx: I like the, the Wiki approach. Uh, my, I'm actually

Thaddeus and Chauncey suss out the early shrimp cocktail rumors at the NFL combine including where AJ Brown might get traded to, who might sign Tyreek Hill, and who might trade for Maxx Crosby. They also talk about the Rams' coaching staff, what they could do at corner, and if they make any big swings. Thaddeus also figures out what the Lions do with limited cap space. After, they get into the Dodgers pitching staff as Spring Training begins. Later, they review the trailers for "Normal", "Mortal Kombat II", "Toy Story 5", "Lee Cronin's The Mummy", 'Mandalorian and Gorgu", and Chauncey says good-bye to Robert Duvall and Tom Noonan. Thaddeus then preview "WWE Elimination Chamber". Finally, they share what they watched this week including "Vanderpump Rule", "Love Island", "The Traitors", "Will Trent", "Mel Brooks: The 99 Year Old Man", "Mr. Scorsese", "Ghosts", "Animal Control'","Going Dutch", "The Pitt", "Predator Badlands", "Monarch: Legacy of Monsters", "Jeopardy", and more. LA Podfidential is part of the LAFB Podcast Network Follow us on Blue Sky: @bigchuanc64.bsky.social, Insta: @bigchaunc64, and Letterbox: ChaunceyT Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week we bring you Bill Duke's stylization of the war between NYC's organized crime factions during the 1930s but from a Black perspective. Centered around Bumpy Johnson and his work with Madame St Claire's syndicate in Harlem, this film delivers everything white folks love to praise Scorsese et al for. Plus we give our rankings for the month.US-funded war on Falesteen never endedThe Sameer Project gazafunds.orglifeline4gaza.com+++++Outro: Vanessa Williams performing Save The Best for Last

Ваш любимый канал «ВОТ ЭТО английский» — теперь в аудиоформате!Попробуйте и научитесь понимать английский на слух с удовольствием

Charlotte Henry and Chuck Joiner discuss major Apple TV news, starting with the tragic death of Tehran co-creator Dana Idan. They then discuss MLS Season Pass returning with improved access, including  the implications of reduced paywall friction and recap viewer options. Finally, Apple's sports distribution deal via EverPass and award wins tied to the F1 film highlight the evolution and excellence of the streaming services's options. Hijack stands out as a specific example, with character depth bringing a different dimension to a familiar genre.  Show Notes: Chapters: 00:22 Show setup and Apple TV's busy news cycle00:55 Tehran co-creator death and production context05:40 MLS returns and season/timing discussion07:09 Messi vs. Son, coverage notes, and commentary quirks08:08 Dropping the extra MLS paywall and accessibility debate10:16 Messi's deal and “piece of the action” question13:30 Apple TV match recaps and highlights experience16:04 Deal changes, growth expectations, and subscription fatigue21:15 Youth soccer growth and the “round ball” future23:25 EverPass distribution deal and Apple's live-sports strategy26:27 Broadcast TV surrender and the new streaming reality30:29 F1 sound-team awards and prestige momentum35:13 Hijack season talk and what makes it work39:59 Wrap-up and where to follow Links: Tragedy as Tehran Co-Creator Found Deadhttps://theaddition.net/news/tragedy-as-tehran-co-creator-found-dead/ EverPass in Apple TV distribution deal https://www.sportcal.com/newsletters/everpass-in-apple-tv-distribution-deal/F1: The Movie' sound team get a weekend of awardshttps://appleinsider.com/articles/26/02/23/f1-the-movie-sound-team-get-a-weekend-of-awardsApple's “The Studio” and “Mr. Scorsese” score at the 78th Annual Directors Guild Awardshttps://www.apple.com/uk/tv-pr/news/2026/02/apples-the-studio-and-mr-scorsese-score-at-the-78th-annual-directors-guild-awards/ Guests: Charlotte Henry is a media junkie, covering how Apple is not just a revolutionary tech firm, but a revolutionary media firm. She is based in London, writes and broadcasts for various outlets, and is the author of Not Buying It, an examination of fake news. You can find her on her The Addition blog, her podcast, in her The Addition newsletter on substack, and on Twitter, Facebook, Instagram and TikTok. Support:      Become a MacVoices Patron on Patreon     http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:     http://macvoices.com      Twitter:     http://www.twitter.com/chuckjoiner     http://www.twitter.com/macvoices      Mastodon:     https://mastodon.cloud/@chuckjoiner      Facebook:     http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:     http://www.facebook.com/macvoices/      MacVoices Group on Facebook:     http://www.facebook.com/groups/macvoice      LinkedIn:     https://www.linkedin.com/in/chuckjoiner/      Instagram:     https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes     Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

Game of Thrones er tilbage... Eller nej, GOT-universet er tilbage! Og Kasper er begejstret. Modsat er Stranger Things slut, og det bliver der langt om længe samlet op på. Frederik har det vildt over den nye gyser Together, og dokumentaren 1975 hvor der zoomes ind på USA i 1970'erne, og hvordan filmene fra den tid afspejlede et af de vildeste årtier i amerikansk historie. Frederik og Kasper har også begge set Mr. Scorsese, og derfor falder snakken på, hvad der egentlig er mesterens bedste film. 03.10: A Knight of the Seven Kingdoms 08.15: Stranger Things S5 17.20: Together 23.40: Mr. Scorsese 34.30: Breakdown: 1975

Charlotte Henry and Chuck Joiner discuss major Apple TV news, starting with the tragic death of Tehran co-creator Dana Idan. They then discuss MLS Season Pass returning with improved access, including  the implications of reduced paywall friction and recap viewer options. Finally, Apple's sports distribution deal via EverPass and award wins tied to the F1 film highlight the evolution and excellence of the streaming services's options. Hijack stands out as a specific example, with character depth bringing a different dimension to a familiar genre.  Show Notes: Chapters: 00:22 Show setup and Apple TV's busy news cycle 00:55 Tehran co-creator death and production context 05:40 MLS returns and season/timing discussion 07:09 Messi vs. Son, coverage notes, and commentary quirks 08:08 Dropping the extra MLS paywall and accessibility debate 10:16 Messi's deal and "piece of the action" question 13:30 Apple TV match recaps and highlights experience 16:04 Deal changes, growth expectations, and subscription fatigue 21:15 Youth soccer growth and the "round ball" future 23:25 EverPass distribution deal and Apple's live-sports strategy 26:27 Broadcast TV surrender and the new streaming reality 30:29 F1 sound-team awards and prestige momentum 35:13 Hijack season talk and what makes it work 39:59 Wrap-up and where to follow Links: Tragedy as Tehran Co-Creator Found Dead https://theaddition.net/news/tragedy-as-tehran-co-creator-found-dead/ EverPass in Apple TV distribution deal https://www.sportcal.com/newsletters/everpass-in-apple-tv-distribution-deal/ F1: The Movie' sound team get a weekend of awards https://appleinsider.com/articles/26/02/23/f1-the-movie-sound-team-get-a-weekend-of-awards Apple's "The Studio" and "Mr. Scorsese" score at the 78th Annual Directors Guild Awards https://www.apple.com/uk/tv-pr/news/2026/02/apples-the-studio-and-mr-scorsese-score-at-the-78th-annual-directors-guild-awards/ Guests: Charlotte Henry is a media junkie, covering how Apple is not just a revolutionary tech firm, but a revolutionary media firm. She is based in London, writes and broadcasts for various outlets, and is the author of Not Buying It, an examination of fake news. You can find her on her The Addition blog, her podcast, in her The Addition newsletter on substack, and on Twitter, Facebook, Instagram and TikTok. Support:      Become a MacVoices Patron on Patreon      http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:      http://macvoices.com      Twitter:      http://www.twitter.com/chuckjoiner      http://www.twitter.com/macvoices      Mastodon:      https://mastodon.cloud/@chuckjoiner      Facebook:      http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:      http://www.facebook.com/macvoices/      MacVoices Group on Facebook:      http://www.facebook.com/groups/macvoice      LinkedIn:      https://www.linkedin.com/in/chuckjoiner/      Instagram:      https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes      Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

This week on Movie Mistrial, we dive into the wild excess, dizzying ambition, and unrestrained debauchery of Martin Scorsese's The Wolf of Wall Street.The Wolf of Wall Street is a high-octane blast of filmmaking, powered by Leonardo DiCaprio's ferocious performance and Scorsese's razor-sharp direction. Its electric energy, dark humor, and satirical bite make it an unforgettable ride through the corrupt heart of American capitalism, exposing greed with both style and swagger.While undeniably entertaining, the film's relentless excess and provocative tone have sparked debate. Some argue it glamorizes the very behavior it critiques, and its lengthy runtime can feel indulgent—mirroring the characters' own over-the-top lifestyles.Join us as we break down the madness and morality of The Wolf of Wall Street. Is it a brilliant satire with something to say—or an exercise in cinematic hedonism that gets lost in the party?Connect with us and share your thoughts:Twitter: http://tiny.cc/MistrialTwitter

Hay historias que parecen sacadas de un guion de Scorsese pero que ocurrieron en unos estudios de grabación de Barcelona. Esta es una de ellas. David Cuevas, autor de la primera y única obra que recoge la historia no contada de la música dance comercial en España —Tony Peret y sus herman@s en el ritmo—, nos descubre el reverso tenebroso de aquellos megamixes que vendieron millones de discos y que todos tarareábamos en los 80 y 90. Detrás de los Max Mix, los Bolero Mix o los Máquina Total había un negocio multimillonario plagado de amenazas con cortarte las piernas, revólveres sobre la mesa, artistas explotados durante jornadas de 18 horas y, en el episodio más surrealista de todos, una banda de sicarios mexicanos conocidos como "los mocha orejas" contratados para secuestrar y asesinar a un socio díscolo. Desde los humildes orígenes de unos maleteros que vendían vinilos en el maletero del coche hasta las guerras entre Max Music y Blanco y Negro, pasando por la creación del mítico Dream Team de los megamixers y las ventas que hacían palidecer a Madonna y Michael Jackson en las listas españolas. Una historia real que supera con creces cualquier ficción. Bienvenidos al lado más extraño de la pista de baile. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Aussi loin qu'il se souvienne, John Gotti a toujours voulu être un gangster. L'introduction de ce personnage important dans l'Histoire de la mafia aux Etats-Unis est une référence volontaire à la réplique de Ray Liotta dans le film de Martin Scorsese « Les Affranchis ». Car l'histoire de John Gotti et de la famille Gambino a tous les codes d'un bon film de gangster. Quoi de plus logique, puisque souvent, les personnages hauts en couleur qui nous sont présentés au cinéma et à la télévision sont directement inspirés de véritables membres ou de dirigeants de la mafia. Au sein d'une famille, lorsqu'il s'agit de gérer les affaires, on n'hésite pas à se tirer dans les pattes pour arriver premier à cette ascension vers le pouvoir...Crimes • Histoires Vraies est une production Minuit. Notre collection s'agrandit avec Crimes en Bretagne, Montagne et Provence.

Erik Childress and Peter Sobczynski take you through another week in physical media and it's a pretty great week. You can get one of Scorsese's first, Richard Pryor's last concert film and even some early Matt LeBlanc. Peter shows some fondness for Lori Petty's bizarre comic book adaptation and even a little Troma. One of Erik's “Why is this not on blu-ray” choices gets its debut courtesy of Synapse. 20 years before Jurassic Park there was the original Michael Crichton amusement park. The pair debate the legacy of a “prescient” media satire with the late, great Robert Duvall. Finally, not only can you get perhaps the best Tarzan film ever made but John Boorman's incredible telling of the King Arthur legend gets what will be amongst the great upgrades of the year.3:35 - Criterion (Network (4K))21:26 - Warner Archive (Tarzan and His Mate)33:03 - Severin (The Ghost (4K), Retribution, Lookin Italian)49:15 - Cinematographe (Boxcar Bertha 4K)59:43 - Synapse (T.A.G. The Assassination Game)1:09:50 - Sony (Richard Pryor: Here and Now (4K))1:15:19 - Vinegar Syndrome (Tank Girl (4K), Terror Firmer (4K))1:36:11 - Arrow (Westworld (4K), Excalibur (4K))CLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST OR BUY FROM MOVIEZYNGBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations.USE COUPON “MOVIEMADNESS” TO GET 10% OFF ALL DUBBY PRODUCTS SIGN UP FOR AUDIBLE This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

This week on ITCAF the guys break down a massive week in Hollywood, from the losses of Robert Duvall and Eric Dane to the WGA strike and the high-stakes Warner Bros. Discovery sale. They also dig into House of the Dragon Season 3, Toy Story 5, Scorsese jumping into the Star Wars universe, Bad Bunny's first leading film role, TV reboots, pilot season chaos, and more. Plus our Top 5 Favorite 2026 Trailers, the latest box office numbers, and IMDb's top trenders.Chapters:0:00 Opening Monologue 0:52 Opening Music1:13 Show Open3:00 Eric Dane4:21 Robert Duvall 5:52 2026 Deaths So Far7:12 WGA Strike9:52 WBD Sale15:43 Disney News23:20 Fox News25:58 Warner Brothers News29:00 Paramount News33:03 NBC News35:38 Sony News37:05 Lionsgate News38:40 Amazon Prime News40:30 Netflix News42:34 Top 2026 Trailers56:49 Box Office1:00:30 IMDb Pro Trending1:01:01 Wrap UpFollow Us Here:Website: https://crazyantmedia.comMerchandise: https://crazyantmedia.com/crazy-ant-merchandiseOur first film, Deadlines: https://crazyantmedia.com/deadlinesPodcasts:ITCAFpodcast:Apple Podcast: https://podcasts.apple.com/us/podcast/itcafpodcast/id1644145531Spotify: https://open.spotify.com/show/1tf6L0e7vO9xnVtWaip67s?si=tYPrIVr_R36qpYns4qeZ8gEverything's Okay Podcast:Apple Podcast: https://podcasts.apple.com/us/podcast/everythings-okay/id1664547993Spotify: https://open.spotify.com/show/0uMm80MW4K50f8uURgVUYp?si=9mF7mwf_Qe-ZDqKBhEovMgSocial Media:ITCAFpodcastTwitter: https://twitter.com/itcafpodcast?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/itcafpodcast?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQ7hHn/Everything's OkayTwitter: https://twitter.com/everythingsokp?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/everythingsokp?igshid=YmMyMTA2M2Y=Crazy Ant MediaTwitter: https://twitter.com/crazyantmedia?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/crazyantmedia?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQP1c1/Logan (Left)Twitter: https://twitter.com/jloganaustin?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/jloganaustin?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@j.loganaustin?_t=8ZMB9Hp1yxf&_r=1Dustin (Right)Twitter: https://twitter.com/crazyantceo?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/crazyantceo?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@crazyantceo?_t=8ZMB84k7BUM&_r=1

This week John Fardy talks to the director, writer and actress Rebecca Miller about everything from 'Mr. Scorsese' to her role as a judge for the Avolon World Cinema Award category at this year's DIFF. John also talks to best friends and lead actresses Susan Stanley and Sarah Golberg about the second season of 'SisterS'. Plus, Chris Wasser reviews the week's new cinema releases including 'If I Had Legs I'd Kick You'.

On this episode of Latinos Out Loud, host, Rachel La Loca chats with Emmy-nominated writer, actor, and storyteller Rick Najera. Rick has partnered with publisher Jacqueline S. Ruiz of ⁠Fig Factor Media⁠ to launch The Latino Family Chronicles—a book series highlighting multigenerational Latino families who have shaped America. The first title, ⁠Love, Truth and Loyalty,⁠ follows the d'Escoto family's journey from Nicaragua to the U.S., blending heartfelt storytelling with cultural insight. (This family also has Chicago roots!) The two sketch comedy lovers also chat about Rick writing on iconic sketch show, In Living Color, the importance of authentic storytelling and more. Follow ⁠Rick⁠   / ricknajera   Follow ⁠Rachel⁠   / rachellaloca   Follow ⁠Latinos Out Loud⁠   / wearelatinosoutloud   And while you're at it, follow the yellow brick road :) MORE ON RICK: Rick Najera has received numerous industry awards for his work. like Broadway in his award-winning, self-penned stageplay, Latinologues, directed by comedy legend Cheech Marin. staff writer on the groundbreaking urban comedy series, In Living Color, for which he wrote more than 30 episodes. Najera went on to write for Townsend TV (10 episodes), MAD TV (47 episodes), East Los High – a Hulu original (21 episodes) and more. He penned the feature film Nothing Like the Holidays starring Debra Messing, Alfred Molina, John Leguizamo and Luis Guzman, which won him an ALMA Award. Najera learned from great writers like Spike Lee, Quentin Tarantino and Scorsese to “write what you know' and has been a pioneer in Hollywood telling his American experience, from a Latino perspective. #LatinosOutLoud #Podcast #Comedy #Writers #RickNajera

Recorded - 2/15/2026 On Episode 359 of the Almost Sideways Movie Podcast, we dive into another Pinot winner for Best Picture. Where does Killers of the Flower Moon rank in Scorsese's filmography? We also review two big releases from Valentine's Day weekend. Here are the highlights:What We've Been Watching(5:00) "Miss Julie" & "Nirvanna the Band the Show the Movie" - Todd Reviews(12:30) "Jackie" & "Emma" - Terry Oscar Anniversary Reviews(21:10) "The Love That Remains" & "The Pitt" - Zach Reviews(28:20) "The Worst Person in the World" & "Cold Storage" - Adam Reviews(37:30) "Wuthering Heights" - Featured Review(47:00) "Crime 101" - Featured Review"KILLERS OF THE FLOWER MOON" 2023 PINOT BEST PICTURE DEEP DIVE(55:20) "Killers of the Flower Moon" Trivia(1:09:20) First Impressions(1:36:50) Mt. Rushmore: Native American Movies(1:49:00) Recasting "Killers of the Flower Moon"(2:13:30) Highest WAR, Worst Performance, Minor Character Triumvirate(2:27:40) Tripod of Depravity, Gripes and Conspiracies, Best Scene(2:52:10) LVP, MVP, Quote of the DayFind AlmostSideways everywhere!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠almostsideways.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/AlmostSidewayscom-130953353614569/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AlmostSideways Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideways⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Terry's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideterry⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Zach's Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠: https://letterboxd.com/pro_zach36/Todd: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Too Cool for Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Adam's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @adamsideways⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber⁠⁠⁠⁠⁠⁠

Legendary actor and storyteller Barry Corbin chats with Trey Elling, prior to performing his live show, "An Evening with Barry Corbin", to kick off the Lone Star Cowboy Poetry Gathering in Bastrop on February 18th. Topics include:Shakespeare (0:00)Being Texan (9:31)No Country For Old Men (12:39)Tommy Lee Jones (20:07)Urban Cowboy (22:03)Stir Crazy (30:36)Actors as directors (36:25)Working with Scorsese (40:01)An ode to storytelling (45:25)

The first full trailer for The Mandalorian and Grogu movie was released on StarWars.com (and Disney and Lucasfilm social media websites) on February 17th, 2026. There's footage no one has seen before, not even those who attended Star Wars Celebration in Japan last year! That's great news, because the marketing team heard plenty of boos from the crowds watching the NFL's “big game” because the beer-like commercial homage didn't have much and it didn't even point to a more complete look online.Some of the revelations from the video are interesting, like a possible new mentor for Grogu, a “deck of cards” like bounty hunting quest, and a sweet new pram for “Baby Yoda” toward the end. Also, was that Marty voicing that Ardennian food trucker? Sources say it was indeed Scorsese!We have a closer look at the Hutts and even hear one speak. The resurging ex-Imperials set a meeting in a snowy place, Din Djarin does indeed seem to face off against ‘ol “Stinky”, and we once again see the Anzellans, some Dejarik holo chess pieces come to life, and a new serpent or dragon species to stoke our fears of wading in dark water. Yo! Embo! Is that you? I have the feeling he won't last long in the movie. Movie! Yes! Movie, not show! It's coming soon! A little over three months to go!The movie releases May 22nd, 2026 and though there are sure to be more trailers as it gets closer, this will probably be our last time reviewing it before we see it. Stay tuned to our social media and make sure to check back in with us for future podcasts. We released a #StarWarsPodcastDay2026 episode earlier this month and have monthly news updates. We plan on a special episode for May the Fourth, and we have coverage of all three seasons of The Mandalorian show from Disney Plus in our archives. There's much more, too, like Andor coverage, Ahsoka, The Book of Boba Fett, Obi-Wan Kenobi, and even the first season of Visions.  We plan on continuing to cover live action Star Wars shows, like Ahsoka's second season, but if you're looking for commentary about The Acolyte, well, we were taught not to say anything if you can't say something nice. For that show, we can't.Despite being a special episode of This is the Way Podcast, you can still join in the discussion by sending a comment to the email address we reveal in our podcasts. Including a good subject line will help set you apart from spam. There are other ways to interact with This is the Way Podcast, like via ⁠⁠⁠Instagram⁠⁠⁠ or 'X' (@ThisistheWayPod) or on Facebook, Spotify or here on YouTube, but we also have a Discord channel. May the Force be with us!

En este episodio repasamos uno de los títulos más importantes del cine norteamericano moderno como es “Taxi driver”, la película de Martin Scorsese protagonizada por Robert De Niro y Jodie Foster entre otros. Para celebrar el regreso al cine de Daniel Day Lewis después de ocho años retirado del mismo, le hemos echado un vistazo al capítulo de nuestra “Enciclopedia curiosa del cine” dedicado a este actor tan particular. Charlamos con la compositora nominada al Goya este año Carla F. Benedicto y en la sección “En pos de la aventura” tenemos nuestra versión favorita de las muchas que se han rodado sobre la famosa novela de Alejandro Dumas: “Los tres mosqueteros, los diamantes de la reina”, dirigida por Richard Lester en 1973 con un reparto multiestelar.

Martin Scorsese's masterpiece about loneliness, urban decay, and vigilantism is 50 years old this month. We're revisiting archival interviews about ‘Taxi Driver' with Scorsese, screenwriter Paul Schrader and actors Harvey Keitel, Cybill Shepherd, Jodie Foster, and Al Brooks.Also, film critic Justin Chang reviews 'Pillion.'Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Martin Scorsese's masterpiece about loneliness, urban decay, and vigilantism is 50 years old this month. We're revisiting archival interviews about ‘Taxi Driver' with Scorsese, screenwriter Paul Schrader and actors Harvey Keitel, Cybill Shepherd, Jodie Foster, and Al Brooks.Also, film critic Justin Chang reviews 'Pillion.'Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Daniel and Harry welcome Nabil Ayers - music industry entrepreneur, podcaster, musician, and author to discuss Martin Scorsese's 1985 dark comedy "After Hours" starring Griffin Dunne, Rosanna Arquette, and Linda Fiorentino.They discuss SoHo in the 1980s, Scorsese's exploration of temptation and punishment, how this film fits into the "Yuppie Nightmare" canon of films alongside others like "Fatal Attraction" and "American Psycho,” and how tough it was to get into a walkup apartment when the buzzer wasn't working.As always, they end the episode by ranking the film's Jewishness in terms of its cast & crew, content, and themes.IMDb - https://www.imdb.com/title/tt0088680/Trailer - https://youtu.be/LQRawYZl-lsJoe Frank's NPR Monologue that partially inspired "After Hours"- https://youtu.be/MIG636ri4r8Check out Nabil's podcast, IdentifiedCheck out Nabil's book - My Life in The SunshineConnect with Jews on Film online:Instagram - https://www.instagram.com/jewsonfilm/Twitter - https://twitter.com/jewsonfilmpodYouTube- https://www.youtube.com/@jewsonfilmTikTok - https://www.tiktok.com/@jewsonfilmpod

El periodista José Ignacio Wert expone en su sección en La Brújula su análisis de esta película en la antesala de la gala de los premios Oscar.

Listomania wraps up with Part 1 of our Top 10 favorite TV shows of 2025, featuring special guest Dane DeBrunner! Stay tuned for part 2.TIMECODES:Intro, the year in TV - 0:00Poker Face - 7:50It's Always Sunny in Philadelphia - 13:12Adolescence - 20:29Mr. Scorsese - 28:07Slow Horses - 32:28The Last of Us - 41:38The White Lotus - 51:24Severance - 59:47Invincible - 1:11:38Everybody's Live with John Mulaney - 1:19:38Haha You Clowns - 1:27:48Common Side Effects - 1:47:38The Studio - 1:57:27

This episode originally aired June 18, 2024 There are few actors left who embody the ethos of old Hollywood. Sean Penn is one of them. We got together at his place for a face-to-face exploration of Sean’s life and career. We discussed how his childhood in Malibu helped him create the iconic Jeff Spicoli, and how his first acting coach still shapes him today. We speak of his friends — Brando, DeNiro, and Scorsese — legends whose reputations, work ethic, and willingness to keep learning shaped their characters and their lives. Spending an hour in his presence is a masterclass in the pursuit of being a better creator, and a better human. Follow me on Instagram at @davidduchovny. Stay up to date with Lemonada on Twitter, Facebook and Instagram at @LemonadaMedia. Joining Lemonada Premium is a great way to support our show and get bonus content. Subscribe today at bit.ly/lemonadapremium. And if you want to continue the conversation with other listeners, join the My Lemonada community at https://lemonadamedia.com/mylemonada/ For a list of current sponsors and discount codes for this and every other Lemonada show, go to lemonadamedia.com/sponsors.See omnystudio.com/listener for privacy information.

'Tiburón', 'Todos los hombres del presidente', 'El Padrino II', 'La conversación', 'Network', 'Tarde de perros'... El año 1975 no fue un año cualquiera para la taquilla estadounidense. La concentración inusual de películas más o menos rompedoras y revolucionarias iba a ser buen reflejo del convulso momento del país de Hollywood, pero también de una coyuntura muy creativa y atrevida para la industria, con la irrupción definitiva de cineastas como Spielberg, Scorsese o Coppola. ¿Por qué se puso de moda el cine de catástrofes? ¿Cómo influyeron el caso Watergate o la guerra de Vietnam en el pesimismo y la oscuridad de la taquilla? ¿Y qué condiciones comerciales y artísticas confluyeron para la coincidencia, solapada, de algunas de las películas que aún consideramos entre las mejores de toda la historia? Lo debatimos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Además, Rosa ya ha visto 'Hamnet', la adaptación de la novela superventas de Maggie O'Farrell.

'Tiburón', 'Todos los hombres del presidente', 'El Padrino II', 'La conversación', 'Network', 'Tarde de perros'... El año 1975 no fue un año cualquiera para la taquilla estadounidense. La concentración inusual de películas más o menos rompedoras y revolucionarias iba a ser buen reflejo del convulso momento del país de Hollywood, pero también de una coyuntura muy creativa y atrevida para la industria, con la irrupción definitiva de cineastas como Spielberg, Scorsese o Coppola. ¿Por qué se puso de moda el cine de catástrofes? ¿Cómo influyeron el caso Watergate o la guerra de Vietnam en el pesimismo y la oscuridad de la taquilla? ¿Y qué condiciones comerciales y artísticas confluyeron para la coincidencia, solapada, de algunas de las películas que aún consideramos entre las mejores de toda la historia? Lo debatimos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Además, Rosa ya ha visto 'Hamnet', la adaptación de la novela superventas de Maggie O'Farrell.

This week on the Exciting & New podcast, Jason, Andy, and Dana welcome Connor back on the show to discuss the 1986 drama The Color of Money.  It's got the director (Scorsese).  It's got the cast (Newman, Cruise, Mastrantoniosmithjonesjohnson).  It's got the pedigree (sequel to the 1961 classic The Hustler).  It's even got the location (Atlantic City, New Jersey).  There is just something missing from this movie.  It's not bad.  It's just not that good either.  Maybe it is the Eric Clapton of it all.  Enjoy the podcast!Jason, Andy and Dana will discuss a 1986 movie weekly, breaking down all the nonsense there within. The 3 hosts all work together and everyone else around them was getting really annoyed at all the movie talk, so they decided to annoy the world in podcast form.Check out previous seasons to hear them discuss 1982, 1983, 1984 & 1985 movies, as well as a full season of Love Boat episodes (if that is your thing). Plus one-off specials and a weekly mini "what are we watching" podcast.#jezoo74 #aegonzo1 #danacapoferri #exciting_new

Jodie Foster has been acting since she was 3. At 12 she was nominated for an Oscar for her role in Scorsese's ‘Taxi Driver.' This year marks the 50th anniversary of that film. Foster spoke with Terry Gross about her early acting career, including getting mauled by a lion on set. Her new film is ‘A Private Life.'  Tessa Thompson stars in the new Netflix murder mystery limited series ‘His & Hers' and in Nia DaCosta's adaptation of Ibsen's ‘Hedda.' She spoke with Tonya Mosley about navigating her biracial identity and why she has both “yes” and “no” tattooed.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The Cold War Cinema team returns with special guest Aspen Ballas to discuss John Ford's 1956 western The Searchers. Aspen is a PhD student of English at the University of North Carolina at Chapel Hill. Her research primarily focuses on aesthetics of race and class, and the relation between genre, medium, and politics. Synopsis of the film: Texas, 1868. A lone figure approaches a windswept homestead, against a dusty blue sky and flaming red buttes and cathedral-like mesas. Returning from the fight for the Confederacy, Ethan Edwards arrives home to his brother Aaron, Aaron's wife Martha, and to their children Ben, Lucy, little Debbie, and their adopted son Martin Pawley. But this is rough country, and a Comanche raid leaves the Edwards family torn asunder–Aaron, Martha, and Ben dead, and Lucy and Debbie taken captive. For seven years, Ethan and Martin search the vast wilderness, motivated not only by family bonds, but in Ethan's case, bloodlust and wild, racist hatred–a search not only to find Lucy and Debbie, but to enforce racial and sexual purity and to define Americanness itself… On this episode we discuss: The American mythmaking in The Searchers and in westerns generally.  John Ford's attempt to critique anti-Indigenous racism, and the limitations of such a critique in the context of Hollywood filmmaking of this era.  Militant Liberty, a top-secret psychological warfare program created by the Pentagon to promote anti-communist themes in Hollywood movies during the Cold War. John Ford was an eager participant in the program. The broader US imperialist context of the film's release and the historical background of the setting.  _____________________ We love to give book or film recommendations on the podcast, so here are ours for this episode:  Aspen: The Face on Film by Noa Steimatsky; Raoul Peck's docuseries Exterminate all the Brutes (2021) Paul: The Searchers: The Making of an American Legend by Glenn Frankel    Tony: Unsettled Borders: The Militarized Science of Surveillance on Sacred Indigenous Land by Felicity Amaya Schaeffer   Jason: Versions of  Hollywood Crime Cinema: Studies in Ford, Wilder, Coppola, Scorsese, and Others by Carl Freedman _____________________ Like and subscribe to Cold War Cinema, and don't forget to leave us a review! Want to continue the conversation? Drop us a line at any time at coldwarcinemapod@gmail.com. To stay up to date on Cold War Cinema, follow along at coldwarcinema.com, or find us online on Bluesky @coldwarcinema.com or on X at @Cold_War_Cinema.   For more from your hosts and guest: Follow Aspen on Letterboxed at @aspenballas. Follow Jason on Bluesky at @JasonAChristian.bsky.social, on X at @JasonAChristian, or on Letterboxed at @exilemagic. Follow Anthony on Bluesky at @tonyjballas.bsky.social, on X at @tonyjballas, or on Letterboxed at @tonyjballas. Follow Paul on Bluesky at @ptklein.com, or on Letterboxed at @ptklein. Paul also writes about movies at www.howotreadmovies.com  _____________________ Logo by Jason Christian  Theme music by DYAD (Charles Ballas and Jeremy Averitt).  Happy listening!

Recorded - 1/11/2026 On Episode 354 of the Almost Sideways Movie Podcast, we review the latest Bradley Cooper directed film. Is his third outing up to the standard set by his first two films? Then we dive into our own physical media collections and geek out over our most treasured entries in our collection. Here are the highlights:What We've Been Watching(5:20) "The Passion of Martin" - Todd Director Blindspot Review(10:20) "An Inconvenient Truth" & "I Was a Stranger" - Terry Reviews(16:50) "K-19: The Widowmaker" - Adam Ford Explorer Review(23:00) "Father Mother Sister Brother" & "Mr. Scorsese" - Zach Reviews(30:30) "Is This Thing On?" - Featured Review(55:40) Power Rankings: Most Treasured Physical Media(2:03:30) Honorable Mentions(2:20:20) "I've Heard the Mermaids Singing", "3 Women", "You Can Count on Me" - Trivia Reviews(2:35:20) Trivia: Bradley Cooper Filmography(2:46:50) Quote of the DayFind AlmostSideways everywhere!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠almostsideways.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/AlmostSidewayscom-130953353614569/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AlmostSideways Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideways⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Terry's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideterry⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Zach's Letterboxd⁠⁠⁠⁠: https://letterboxd.com/pro_zach36/Todd: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Too Cool for Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Adam's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @adamsideways⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber⁠⁠⁠⁠⁠⁠

Foster was just 12 years old when she starred in Scorsese's 1976 film ‘Taxi Driver.' "What luck to have been part of that, our golden age of cinema in the '70s," she says. She talks with Terry Gross about the 50th anniversary of that movie, getting mauled by a lion on a set, and why she kept her sexuality private for most of her career. Foster's latest film, ‘Vie Privée' (‘A Private Life'), is in French, which she speaks fluently. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Send us a Question!QUARTERLY CATCH-UP: Movies & Us: Podcast, Instagram TV & Us: Podcast, Instagram Quarterly Catch-Up is a co-production between Cinematic Doctrine & Movies & Us! While answering a few questions about watching habits, we also talk about what else we've been up to this quarter, as well as our enjoyment over completing this lil' series. We hope you had a wonderful 2025, and we look forward to what 2026 will bring!Things Mentioned:A Man on the Inside (2024-X) (Series)Hedda (2025) (Movie)Jane Austen's Period Drama (2024) (Short Film)Sorry, Baby (2025) (Movie)Train Dreams (2025) (Movie)Mr. Scorsese (2025) (Series)It Doesn't Get Any Better Than This (2023) (Movie)Occult (2009) (Movie)Good Boy (2025) (Movie)Support the showSupport on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers & Pins Social Links: Threads Website Instagram Letterboxd Facebook Group

James Howard Kunstler is a writer, blogger of "ClusterFuck Nation"and host of the podcast "Kunstler Cast. We talk the future of film, Netflix/Paramount bid to buy Warner Brothers, films made by Scorsese, Clint Eastwood, Coen Brothers, and much more. PLEASE SUBSCRIBE LIKE AND SHARE THIS PODCAST!!!    Watch Show Rumble- https://rumble.com/v73oqjk-timeout-from-the-worlds-problems-to-talk-movies-james-howard-kunstler.html YouTube- https://youtu.be/ZbpbmK7UT80   Follow Me X- https://x.com/CoffeeandaMike IG- https://www.instagram.com/coffeeandamike/ Facebook- https://www.facebook.com/CoffeeandaMike/ YouTube- https://www.youtube.com/@Coffeeandamike Rumble- https://rumble.com/search/all?q=coffee%20and%20a%20mike Substack- https://coffeeandamike.substack.com/ Apple Podcasts- https://podcasts.apple.com/us/podcast/coffee-and-a-mike/id1436799008 Gab- https://gab.com/CoffeeandaMike Locals- https://coffeeandamike.locals.com/ Website- www.coffeeandamike.com Email- info@coffeeandamike.com   Support My Work Venmo- https://www.venmo.com/u/coffeeandamike Paypal- https://www.paypal.com/biz/profile/Coffeeandamike Substack- https://coffeeandamike.substack.com/ Patreon- http://patreon.com/coffeeandamike Locals- https://coffeeandamike.locals.com/ Cash App- https://cash.app/$coffeeandamike Buy Me a Coffee- https://buymeacoffee.com/coffeeandamike Bitcoin- coffeeandamike@strike.me   Mail Check or Money Order- Coffee and a Mike LLC P.O. Box 25383 Scottsdale, AZ 85255-9998   Follow Jim X- https://x.com/Jhkunstler Substack- https://jameshowardkunstler.substack.com/ Order Jim's new book- https://a.co/d/h928S60   Sponsors Vaulted/Precious Metals- https://vaulted.blbvux.net/coffeeandamike McAlvany Precious Metals- https://mcalvany.com/coffeeandamike/ Independence Ark Natural Farming- https://www.independenceark.com/  

Whether he's playing billiards or table tennis, a successful hustler requires no small amount of charisma, something Timothée Chalamet's ping-pong pro undeniably has in Marty Supreme, though it's of a decidedly different flavor than that of Paul Newman in The Hustler. Whether that charisma translates to a character we want to root for as he makes a mess of his own life, as well as those of the people (and one unfortunate dog) around him, is up for debate in our discussion of Josh Safdie's new anxiety attack in movie form. Then we pit Marty's game against Fast Eddie's as we move into Connections to discuss the magic and morality of hustling, charismatic liars and the women who are drawn to them — even when they can see right through them — and whether these men chasing victory on their own terms, and at the cost of everything else, is inspirational or pitiful. Then in Your Next Picture Show, Scott sticks up for The Color of Money, Scorsese's Hustler sequel that can't quite best its predecessor, but still has plenty of swagger all its own.  Please share your thoughts about The Hustler, Marty Supreme, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

Josh Pais is an acclaimed Hollywood actor recognized for his dynamic performances alongside icons like Scorsese, Denzel, and Jennifer Aniston. Beyond his storied film career, Josh is the creator of the Committed Impulse method—a revolutionary approach empowering leaders and creatives to overcome fear, access their full presence, and perform at their peak. Drawing on insights from the worlds of acting and neuroscience, Josh helps people break free from mental roadblocks and ignite their aliveness, whether in the boardroom or on stage. He's also the author of Lose Your Mind: The Path to Creative Invincibility, distilling his life's work into practical exercises and guidance for anyone seeking greater authenticity and creative freedom. Takeaways: Transforming Fear into Fuel: Josh believes that nervousness, anxiety, and fear are natural human sensations and advocates for embracing them rather than suppressing them. By feeling these emotions fully, they can become creative or professional fuel rather than obstacles. Presence is Key: Through techniques like his “I'm back” exercise, Josh empowers people to break free from self-critical mental chatter and anchor themselves in the present moment, opening up greater creativity and impact in their work and life. Vulnerability as Power: Rather than viewing vulnerability or emotional intensity as a weakness, Josh asserts that welcoming every sensation—especially during high-stakes moments—creates genuine connection and power. Sound Bytes: “When actors step into the unknown and create in that moment, that's what engages an audience.” “Feel the charge, it's not good or bad—it's just energy. Use it as fuel for whatever you're doing.” “You have to be a little crazy to go into this and, you know, the thing with rejection is feel it like a bee sting, then clear the slate and be open for what's next.” Connect & Discover Josh: Instagram: @joshpais Facebook: @CommittedImpulse X:  @JoshPais Website: Committed Impulse

Happy Holidays! This week Tom and Julie put together the Double Threat High Pants Hall of Fame including William Friedkin, James Coco, Mickey Rooney, and more! Plus they watched a few Holiday themed clips submitted by you, such as Christmas Eve in McDonaldland, How To Make Christmas Tree Cheese, John Malkovich playing Santa Claus, and more. We'll see you all in the new year with more Double Threat!CLIPS FROM THIS WEEK'S EPISODE:-Christmas Eve in McDonaldlandhttps://www.youtube.com/watch?v=VxY2KYDrB2Y-How To Make Christmas Tree Cheesehttps://www.youtube.com/watch?v=0GQ1LgggVX4-Amazon.com Christmas Commercial (2001)https://youtu.be/2_HywFG0ErA?si=6_ixLtc660a_GpK6-John Malkovich as Santa Claushttps://www.youtube.com/watch?v=-n9YkTdIcbY&feature=youtu.be&t=02m30sOur brand new Double Threat merch is AVAILABLE NOW at https://doublethreatpod.merchtable.com - Join the Patreon to receive an exclusive discount code at https://patreon.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon is the best way to support Double Threat! Your support keeps the show going and we appreciate it more than we can say. Plus you get weekly bonus episodes, access to monthly livestreams, merch store discounts, and more!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WATCH VIDEO CLIPS OF DOUBLE THREAT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠JOIN THE DOUBLE THREAT FAN GROUPS*Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://discord.com/invite/PrcwsbuaJx⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Reddit⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.reddit.com/r/doublethreatfriends/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/groups/doublethreatfriends⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SEND SUBMISSIONS TO⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DoubleThreatPod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW DOUBLE THREAT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DOUBLE THREAT IS A FOREVER DOG PODCAST⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://foreverdogpodcasts.com/podcasts/double-threat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theme song by Mike KrolArtwork by Joe Frontel00:00 Intro01:10 Statham Steakums07:13 Frank Zappa11:20 William Friedkin19:39 Marty Supreme28:18 Scorsese doc31:10 Our new beef37:03 Michael Caine diarrhea39:44 The High Pants Hall of Fame49:33 Christmas Eve in McDonaldland01:04:07 How To Make Christmas Tree Cheese01:13:55 Amazon.com Christmas Commercial01:22:43 John Malkovich as Santa Claus01:29:55 OutroSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In his new film, 'Rental Family,' Brendan Fraser plays an actor in Tokyo who takes a job with a rental family service. It's based on a real phenomenon in Japan: companies where you can hire someone to fill a gap in your life. Fraser spoke with Tonya Mosley about shooting in Japan, working with Scorsese on ‘Killers of the Flower Moon,' and his struggle with confidence. Also, Ken Tucker shares three songs dominating the charts: Neko Case's "Oh, Neglect...," Valerie June's "Runnin' and Searchin'" and Olivia Dean's "Man I Need" Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Hollywood:1975. Martin Scorsese sits in his apartment, enraged. He wants to literally kill the man who is ruining his to-be-released film, Taxi Driver. Scorsese's friends, filmmakers Stephen Spielberg, Brian De Palma, John Milius, and Paul Schraeder rush to Scorsese's side to talk him out of committing murder, but when they arrive, their friend Marty acts less like himself and more like his Travis Bickle character from the film he's trying to save. This is the story of that night.  Martin Scorsese is certainly one of the greatest filmmakers of all time. Jake wants to know: who is your favorite filmmaker? Tell us at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod. This episode contains content that may me disturbing to some listeners, including graphic depictions of violence and self-harm. This episode was originally published on February 25, 2025. To listen to Disgraceland ad free and get access to exclusive content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com⁠ Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Get 20% off your first Mood order with promo code "VIEWS." https://mood.com On today's Views pod David, Jason and Natalie recap David's Halloween Party, what celeb walked in an made someone's night and they reveal a secret way people were getting into the party. Also, the crew talks the Cartel, Scorsese movies and why they can't tell Matt Damon and Leonardo DiCaprio apart. And Kylie Jenner does David a big solid, a date brings up one of David's red flags, and Jason does something horrible while watching the World Series. And the guys listen to Elon Musk hype up the new Roadster on Joe Rogan and wonder if David's new ride will be able to fly.. Also, you could have made millions betting on David bringing the vlog back. https://open.spotify.com/episode/4KmUglLCHYsnclY5twiSHF?si=-9LHkTBERk2YBa6wVXIpCQ Learn more about your ad choices. Visit megaphone.fm/adchoices

This is The Zone of Disruption! This is the I AM RAPAPORT: STEREO PODCAST! His name is Michael Rapaport aka The Gringo Mandingo aka aka The People's Pickle aka The Jewish Brad Pitt aka Captain Colitis aka The Disruptive Warrior aka Mr. NY aka Mr. Nantucket is with Dean Collins aka Dean Cuddles aka The Young Shooter aka The Fake Kurt Cobain aka Deuce Collins aka Deuce Cuddles & they are here in the flesh to discuss: The Los Angeles Dodgers winning it all, Dean being in the gym with a personal trainer, Goals & Gains, what they're watching, Mr. Scorsese, going to another music festival, Halloween Parties in 2025, actors who freeze dry fry their grill & a whole lotta mo'. This episode is not to be missed! Rate & Review on Apple Podcasts or Spotify Send questions & concerns to: iamrapaportpodcast@gmail.com Subscribe to Rapaport's Reality Feeds: iHeartRadio: https://www.iheart.com/podcast/867-rapaports-reality-with-keb-171162927/ Apple Podcasts: https://podcasts.apple.com/us/podcast/rapaports-reality-with-kebe-michael-rapaport/id1744160673 Spotify: https://open.spotify.com/show/3a9ArixCtWRhfpfo1Tz7MR Pandora: https://www.pandora.com/podcast/rapaports-reality-with-kebe-michael-rapaport/PC:1001087456 Amazon Music: https://music.amazon.com/podcasts/a776919e-ad8c-4b4b-90c6-f28e41fe1d40/rapaports-reality-with-kebe-michael-rapaport Stand Up Comedy Tickets on sale at: MichaelRapaportComedy.com If you are interested in NCAA, MLB, NBA, NFL & UFC Picks/Parlays Follow @CaptainPicksWins on Instagram & subscribe to packages at www.CaptainPicks.com www.dbpodcasts.com Produced by DBPodcasts.comFollow @dbpodcasts, @iamrapaport, @michaelrapaport on TikTok, Twitter & InstagramMusic by Jansport J (Follow @JansportJ) www.JansportJMusic.comSee omnystudio.com/listener for privacy information.