Podcasts about scorsese

The 50th anniversary of the famous Sex Pistols concert at the Lesser Free Trade Hall in Manchester has just passed. We discuss punk rock, how it started, and what it has become. Help support The Next Track by making regular donations via Patreon. We're ad-free and self-sustaining so your support is what keeps us going. Thanks! Show notes Sex Pistols at the Lesser Free Trade Hall - Wikipedia ‘I knew it was over for us': the bands who got left behind when punk exploded - The Guardian Elisha Cook Jr. (Wilmer) - Wikipedia ‘People are still isolated and obsessive': De Niro, Scorsese, Foster and Schrader reunite for Taxi Driver at 50 - The Guardian Épater la bourgeoisie - Wikipedia Super Black Market Clash - Wikipedia Hot Tuna (album) - Wikipedia Caoilfhionn Rose on The Next Track Our next tracks: The Durutti Column: Renascent Blood, Sweat & Tears: Blood, Sweat & Tears If you like the show, please subscribe in Apple Podcasts or your favorite podcast app, and please rate the podcast.

Wes makes a passionate case for film editors as the unsung heroes of cinema, highlighting legendary editors like Thelma Schoonmaker and Sally Menke who shaped the visions of Scorsese and Tarantino respectively. Editors are just like the unsung music producers of Pearl Jam and Creed.  818-835-0473 orwhatevermovies@gmail.com www.orwhatevermovies.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Dwight Stones is on the cover of the June 14, 1976 issue of Sports Illustrated, and he joins Past Our Prime to take us back to one of the most electric moments of his remarkable career. That cover came on the heels of a world record in the high jump — a performance that announced to the world that Stones wasn't just a great athlete, he was an event. Being on the cover of Sports Illustrated in 1976 wasn't just an honor, it was a cultural moment. In an era before social media, before highlight reels and YouTube, that cover was how America met its sports heroes, and Stones understood exactly what it meant. He had arrived — not just as a world-class jumper, but as a personality, a presence, and a star. What made Stones different from every other high jumper of his era was that he understood something most track and field athletes never figured out — the competition didn't start when the bar went up, it started the moment he walked into the stadium. He studied Muhammad Ali the way a film student studies Scorsese, borrowing Ali's gift for psychological warfare and applying it to the high jump pit. He talked, he taunted, he performed, and he made sure that every opponent in the building knew he was there and that beating him was going to cost them something mentally before it cost them anything physically. He even pioneered a new kind of dual role in the sport, competing in a meet and simultaneously serving as an analyst — giving new meaning to the idea of a dual meet and blurring the line between athlete and broadcaster in a way nobody had ever done before. Stones first discovered the Fosbury Flop as a young athlete and never looked back, and the man who invented it — Dick Fosbury — became not just a technical influence but a mentor and a genuine friend. Fosbury changed the sport forever when he went over the bar backwards at the 1968 Mexico City Olympics, and Stones was among the first generation to fully embrace and master the technique. He'll tell us what it meant to have Fosbury in his corner and how a revolutionary way of clearing a bar became the foundation of everything Stones built his career on. It was more than a technique — it was a philosophy about seeing the world differently than everyone else, which suited Dwight Stones just fine. Then there are the two bronze medals — separated by four years and a lifetime of emotion. The first, at the 1972 Munich Olympics, was a stunning achievement for the youngest member of the American team, a teenager who had no business being on that podium and got there anyway through sheer talent and nerve. The second, at the 1976 Montreal Games, is a different story entirely — one that still irks him to this day. Stones joins Scott, Marc, and Bill on Past Our Prime to talk about both medals, the world record, the showmanship, the mind games, and what it felt like to be young, fearless, and on top of the world in the summer of 1976 — with his face on the cover of the greatest sports magazine that ever existed to prove it. Learn more about your ad choices. Visit megaphone.fm/adchoices

Esta semana el chisme está cada vez más raro.Obsession se volvió un fenómeno de taquilla, pero ¿qué pasa cuando la película gana millones y el crew siente que no recibió lo justo?A eso se suma Scorsese, la inteligencia artificial y el Sindicato de Directores de Arte respondiendo con fuerza a la pregunta que cada vez pesa más en Hollywood: ¿la IA viene a ayudar al cine… o a reemplazar parte de lo que lo hacen los humanos?También hablamos de Gato, la película con la que Pixar parece estar cambiando su estilo visual, del regreso de 21 Jump Street, de la secuela de The Social Network sin David Fincher ni Jesse Eisenberg, y de los estrenos que llegan esta semana.Prepárense, porque el sábado arrancó fuerte y, Hollywood está entrando en una etapa rarísima.

Tag der Wahrheit: Anlässlich DISCLOSURE DAY - DER TAG DER WAHRHEIT ist es endlich so weit: Eddie, Andi und Schröck widmen sich STEVEN SPIELBERG. Wie schon bei Scorsese wollen die Drei seine 10 besten Filme ermitteln, weshalb jeder eine eigene Top 10 erstellt hat, die sie nun gemeinsam abgleichen. Was folgt ist eine Reise in die (auch eigene) Vergangenheit, von AMBLIN', DUELL oder SUGARLAND EXPRESS bis hin zu DIE ABENTEUER VON TIM UND STRUPPI – DAS GEHEIMNIS DER EINHORN und ein wenig darüber hinaus. Mit all den persönlichen Erfahrungen und Anekdoten, die Filme wie E.T. – DER AUSSERIRDISCHE, INDIANA JONES UND DER LETZTE KREUZZUG oder SCHINDLERS LISTE noch ein wenig besonderer machen. Mit dem einen oder anderen Kritikpunkt, die Titel wie KRIEG DER WELTEN, MINORITY REPORT oder MÜNCHEN vielleicht nicht ganz so hoch steigen lassen. Und natürlich mit all der Faszination, den staunenden Mündern oder all der Gänsehaut, für die Streifen wie UNHEIMLICHE BEGEGNUNG DER DRITTEN ART, DER SOLDAT JAMES RYAN, JURASSIC PARK, DER WEISSE HAI oder JÄGER DES VERLORENEN SCHATZES gesorgt haben und immer noch sorgen. Inklusive der einen oder anderen Abschweifung zum Thema POLTERGEIST, zu der vorhandenen oder nicht mehr vorhandenen Klasse Spielbergs oder welche Horrorfilme am meisten geprägt haben. Viel schneller und emotionaler können rund 90 Minuten nicht vergehen. Dabei wünschen wir Euch nun viel Spaß und bleibt bitte so gesund wie gut drauf. Shalom. Learn more about your ad choices. Visit megaphone.fm/adchoices

Netflix just straight-up admitted they won't work with directors who still want theatrical releases -- film chief Dan Lin told The New York Times they've "accepted" that crowd is off-limits because Netflix is a streaming company first, last, and always, and those big-screen divas keep demanding actual movie theaters like it's still 1995. Yeah after years of dangling fat checks to lure in Scorsese, Cuarón, and the rest only to shove everything straight to your couch, they're now drawing a hard line in the sand while quietly padding a few prestige exceptions for awards bait -- because nothing says "we love cinema" like blacklisting anyone who thinks your $200 million movie deserves popcorn and a dark room instead of autoplay on the toilet. Watch the podcast episodes on YouTube and all major podcast hosts including Spotify. CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. Get more news, views and reviews on Clownfish TV News - https://more.clownfishtv.com/ On YouTube - https://www.youtube.com/c/ClownfishTV On Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvg On Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629 MORE CLOWNFISH TV - Official Merch Store: http://ClownfishMinus.com Facebook - https://facebook.com/ClownfishTV X - https://x.com/ClownfishTVcom Clownfish TV subreddit: https://www.reddit.com/r/ClownfishTVOfficial/ Disclaimer: This series is produced by Clownfish Studios and WebReef Media, and is part of ClownfishTV.com. Opinions expressed by our contributors do not necessarily reflect the views of our guests, affiliates, sponsors, or advertisers. ClownfishTV.com is an unofficial news source and has no connection to any company that we may cover. This channel and website and the content made available through this site are for educational, entertainment and informational purposes only. These so-called “fair uses” are permitted even if the use of the work would otherwise be infringing. #News #Podcast #FYP #Shorts #NetflixTheatrical #NetflixDrama #DanLin #StreamingVsTheaters #HollywoodDirectors #NetflixFilmBoss #TheatricalReleases #NetflixPolicy Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Spielberg is back with aliens — but is that enough to make Disclosure Day a real Oscar contender?This week on Oscars Outsider, we close the book on Cannes, revisit whether the Palme d'Or winner Fjord is now a serious awards player, and dig into the strange politics already forming around its Oscar narrative. Then we turn to the summer movie season: Scorsese's AI storyboarding controversy, Taylor Swift entering the Best Original Song race with Toy Story 5, whether Project Hail Mary could follow the Sinners path, and the big question behind our thumbnail: can Spielberg turn aliens into Oscar gold one more time?We also talk Netflix's shifting awards strategy, YouTuber-to-filmmaker anxiety, horror's box office boom, Obsession, The Backrooms, and why nostalgia for the 1980s may finally be losing to internet-era nostalgia.Chapters:0:00 Cold Open0:27 Welcome0:54 Cannes Capstone: Fjord Wins the Palme d'Or2:01 The Black Ball & Netflix's Awards Retreat6:53 Is Fjord the Conservatives' Oscar Movie?12:52 Scorsese Endorses an AI Company16:30 Taylor Swift's Toy Story 5 Song18:14 Project Hail Mary & the Sinners Playbook19:45 Spielberg's Disclosure Day: Best Picture Player?25:31 Obsession: The $1M Box Office Monster28:22 The YouTuber-to-Filmmaker Debate31:12 Backrooms Review34:19 The Future of Nostalgia (RIP Masters of the Universe)36:05 Tribeca & the Holding Pattern37:33 Honorary Oscars + Outro

Send us Fan MailWe're two episodes into Apple TV+'s new adaptation of Cape Fear, and we have some thoughts. The series, which dropped its first two episodes on June 5th, stars Javier Bardem as Max Cady, Amy Adams as attorney Anna Bowden, and Patrick Wilson as her husband Tom — a family now living under the shadow of a man they may have wronged. Scorsese and Spielberg are both on board as executive producers, which raises the bar considerably.We came in with full knowledge of the source material. Mike read John D. McDonald's original novel, and both films — the 1962 version with Robert Mitchum and Gregory Peck, and Scorsese's 1991 remake with Robert De Niro and Nick Nolte — are part of the conversation throughout. What we were hoping to see is a reimagining that earns its place alongside those films. What we got, at least in these first two episodes, is something we're still trying to make sense of.The issues start early. Javier Bardem's portrayal of Max Cady lacks the menace that both Mitchum and De Niro brought to the role in very different ways. His introduction at the fundraiser gala — rambling speech, handed the microphone without hesitation, no security in sight — was hard to take seriously. The violence skews gratuitous in a way that feels less like intensity and more like a substitute for it. There are subplots involving the teenage son, an online chat that's clearly not what it seems, and a mysterious masked figure in a green trench coat that we couldn't make heads or tails of. The series also appears to be steering toward a version of events where Max Cady may actually be innocent — which, if true, is a significant departure from everything that makes this story work.We also noticed an Easter egg worth mentioning: Wesley Strick, who wrote the screenplay for the '91 film, shows up in a cameo as an ER doctor.We're essentially split after two episodes — one of us is out, the other is holding on to see what episode three brings. We'll check in again if the series turns things around — and if you don't see another Cape Fear episode on the channel, that's probably your answer.If you've seen the films, read the book, or are watching the series yourself, we want to hear from you — especially if you're a Javier Bardem fan and think he's bringing something to the role we're not seeing yet.Support the showOh Brother Podcast:Support the Show! (Be The First to Listen with Early Access)Listen on all podcast platformsSubscribe on YouTubeFollow us on Instagram

“I never knew, and I was a bright kid. I didn't know who the mayor of New York was, but I could tell you the names of all the mafia guys on the corner.” — Vincent Coppola So we finally found a Coppola for the show. No, not Francis Ford. But somebody just as cool and even more authentic. The longtime Newsweek reporter Vincent Coppola grew up in Brooklyn three subway stops from Manhattan, but never went there until he was a teenager, nor even visited Central Park until his twenties. Coppola's version of Brooklyn, a teeming Italian ghetto squeezed between the banks of the polluted Gowanus Canal, no longer exists. Except in his exquisitely rendered new memoir, Gowanus Crossing: A Brooklyn Boyhood, which has the most delicious story about an Easter pie recipe you'll ever read. The Brooklyn of Vinnie's childhood was intact, insular, cut off from everywhere more than three stops away. It had its own government — the Mafia; its own religion — the Catholic Church; its own poisoned geography — the Gowanus Canal. A world inside a world. He didn't know who the mayor of New York was, but he knew the name of every wise guy on every street corner. To a kid, Gowanus was a magical place. The grown Vinnie (now called Vincent), having crossed his own Rubicon to attend Columbia journalism school, describes it as a “toxic snow globe.” Brooklyn über alles. Or, more authentically, al primo posto. Especially now, when only a real Coppola can resurrect it. Five Takeaways •       A Toxic Snow Globe: Cut Off Three Stops from Manhattan: Coppola grew up in an Italian enclave on the Gowanus Canal — a waterway that was, unbeknownst to its residents, one of the most polluted in America. The community was so insular that Coppola — a bright, bookish kid — never went to Manhattan until he was a teenager, never visited Central Park until he was in his twenties, though he was three subway stops away. He knew the names of all the Mafia guys on the corner. He did not know who the mayor of New York was. A toxic snow globe: its own rules, its own government, its own religion. Intact and entirely cut off from the rest of the world. •       The Mafia as Shadow Government: The Mafia was not background colour in Coppola's childhood. It was the actual government. Police from the 78th Precinct pulled up to the social club on Sundays; officers walked in and walked out with brown paper bags full of cash. Squad cars ferried a hitman — the bodyguard of Carmine Persico — as if they were taxis. This corrupted any childlike innocence about institutions. The stereotype of the nice policeman, the honest cop, the beloved priest: none of them applied. Because they were poor, nobody cared. Nobody cared about the canal being polluted until real estate people came in. •       The Predatory Priest and the Code of Silence: A local priest molested altar boys for decades, including Coppola's best friend. Nobody in the community knew. Coppola's observation: if the Mafia had known, they would have killed that man. It would have been that simple. Two oppressive codes of silence — the Mafia's omertà and the Church's own silence — operated in parallel. One protected criminals who were also community pillars. The other protected a predator. The community was too poor, too preoccupied, too isolated to see what was happening in front of their eyes. •       The Easter Pie Recipe: A Story About Secrets and Mothers: One of the great set pieces of the book. Coppola was obsessed throughout his life with a specific Easter pastry — pizza di grano, a grain pie — that the old neighbourhood women made and would not share the recipe for. He worked for Newsweek, had access to chefs everywhere, could not reproduce it. At his mother's funeral, an old neighbour pressed a piece of paper into his hand. Weeks later he found it in his jacket pocket and opened it. Not cash — the recipe. Written in Italian. Beginning: “under a full moon.” It was a hundred years old. He wasn't going to be baking under full moons. •       The Ghost Town: A Million-Dollar Desert: Coppola returned to Gowanus three weeks before the interview, invited to speak at a public library. His neighbourhood was blooming with skyscrapers and condominiums. And it was dead silent. When he grew up, the streets were teeming — children playing hopscotch, women gossiping on chairs outside, music, grilling on the corner, betting. He came back to a million-dollar ghost town. It broke his heart. The people he grew up with had been driven out — priced out of the place where they belonged. That is the elegy the book is writing. He hopes he preserved the best of that world. About the Guest Vincent Coppola is a journalist and the author of six books. A former reporter at Newsweek, he has written for Esquire, Rolling Stone, Men's Journal, and Atlanta magazine. He is a 1977 honours graduate of the Columbia University Graduate School of Journalism. His essay on his mother's battle with cancer won the William Allen White Gold Medal. He is the author of Gowanus Crossing: A Brooklyn Boyhood (Henry Holt, June 9, 2026). He lives in Savannah, Georgia. References: •       Gowanus Crossing: A Brooklyn Boyhood by Vincent Coppola (Henry Holt, June 9, 2026). •       Frank McCourt, Angela's Ashes — the publisher's comparison: “Frank McCourt's gimlet eye with the exuberant menace of a Scorsese movie.” •       Carmine Persico — the mafioso boss referenced in the conversation; his bodyguard is a character in the book. About Keen On America Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,900 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting. WebsiteSubstackYouTubeApple PodcastsSpotify Chapters: (00:31) - Introduction: the Brooklyn of Whole Foods vs the Brooklyn of the Gowanus Canal (01:20) - An Italian village plucked from the south of Italy and dropped in Brooklyn (02:04) - Vince, did you ever really leave? (02:27) - Stage four cancer: the trigger for the memoir (03:11) - The Gowanus C...

Most people run from grief. Eden Marryshow turned it into a film. In this conversation, Eden breaks down the emotional process behind filmmaking, storytelling, creativity, and why the best art usually comes from the most personal places. We talk about losing family, directing actors, independent filmmaking, community, and the long path creators take back to who they were before the world told them to stop creating. This episode is also a masterclass on storytelling itself from Star Wars and Scorsese to creative discipline, ego, collaboration, and why limitations often produce better art than unlimited budgets.  We also discuss: • Why most people know who they are by age six • The connection between grief and creativity  • Directing actors without ego • Why independent creators have to learn everything • The psychology behind great storytelling • Rocky, Star Wars, Goodfellas, and favorite films  • Why "story is king" in filmmaking • How schools often suppress creativity  • Building community through storytelling • NFL talk, Giants football, and leadership Guest links Instagram: @edenmarryshow Email: 511eden@gmail.com Jason Linktree https://linktr.ee/admin  

James Mangold's Cop Land Harvey Keitel, Ray Liotta, Robert DeNiro, and Sylvester Stallone in one of the most highly-anticipated films of the 1990s . . . Springing from the headlines of the 80s, 90s, 00s, 10s, and today, James Mangold's 1997 police corruption drama was released to critical acclaim and tepid box-office. In an era of 90s Independent filmmaking, focusing on newspaper/magazine headlines and evening newscasts, Mangold would write and pitch a story (ostensibly a Western) set in modern day life. The reluctant hero, Sheriff Freddy Heflin (an overweight, tired, and sad Stallone), who is neither the Rocky or Rambo hero Stallone is known for, fighting the corruption of an all-star cast of big-city police living outside of the city in a mob financed town. Stallone versus Keitel, Robert Patrick, Peter Berg and John Spencer, with a cocaine-addled Ray Liotta as back-up, and a disheveled, angry, and calculating Internal Affairs officer played by DeNiro manipulating the scene, Mangold's second film - with obvious comparisons to Scorsese - stands out as an brutal and honest look at police corruption and those wiling to stand up against it. As always, we can be reached at gondoramos@yahoo.com - Our Continued Thanks and Appreciation. For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Marc and Steve are joined by Still Game and Chewin' the Fat star and co-creator Ford Kiernan. They discuss some of the most iconic (and some of the lost) sketches from Chewin' the Fat, how starting out as a radio show led to the success of the TV version, and what made Ford's partnership with Greg Hemphill so special. Plus, they track the trajectory of Still Game from being performed at the Fringe, through to the television series and back to the stage at the Hydro. And Ford recounts the incredible story of a horse-racing game he invented in South Africa, reveals who some of his most memorable characters are based on, and explains how he ended up shouting "cut" on a Scorsese set.You can catch the Ford and Shelby Show here: https://open.spotify.com/show/2wvjggGSVdPOsD7CIKjWq9?si=6d6ae8f9cdc04d8bSee Marc's upcoming shows in Glasgow, Dundee & Edinburgh (including at the Fringe): ⁠⁠⁠https://www.marcjenningscomedy.com/live⁠⁠⁠Sign up to our Patreon for fortnightly bonus eps plus footage from all the Some Laugh Live shows: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/somelaugh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Some Laugh Merch Available Now: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://visualanticsapparel.com/collections/some-laugh-podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You can watch the boays' stand-up specials for free here on the Some Laugh YouTube channel ⁠⁠⁠⁠⁠⁠⁠: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://youtube.com/playlist?list=PLM6lKn8dnMK5bOtlX-3XlCpZSf-B_qweQ&si=JjKknRTZvvza5l55⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stand-Up Tickets:Marc: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/MarcJenko⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stu: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/StuartMcP⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Steve: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/stephenbuchanan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In another topic-focused GGACP mini-episode, Gilbert and Frank share their love of unheralded films, underrated TV shows, underappreciated pop songs and often unknown performers, discussing, dissecting and (occasionally) defending their handpicked guilty pleasures and buried treasures. This week: Boss Hogg comes to Brooklyn! Scorsese satirizes SoHo! And the big screen's first (and last!) Jewish James Bond villain! Learn more about your ad choices. Visit megaphone.fm/adchoices

Counselor... come out come out wherever you are! With the new Apple TV series about to launch, we thought it might be the perfect time to revisit Martin Scorsese's 1991 thriller Cape Fear. Some say it is an overlooked and underrated entry in Scorsese's filmography while others see it as nothing more than Marty cashing a paycheck. Is it a remake done right or is it too violent and too pulpy? Who is sexier: Robert DeNiro or Nick Nolte? Is there a hidden meaning behind the Problem Child theatre scene? What is the minimum time required for sexual intercourse and maximum time required for a fireworks display? Learn about loss and enter the Ninth Circle of Hell and on this week's episode of Film Junk.

Victor kicks off a week-to-week deep dive into Cape Fear, the new Apple TV+ adaptation from producer Nick Antosca (executive produced by Scorsese and Spielberg). Before bringing in co-host Sona, Victor walks through the full history of the source material — from the 1957 novel and the 1962 Hitchcock-adjacent adaptation, through Scorsese's celebrated 1991 film, all the way to this new ten-episode series. The conversation covers what makes this version distinct: a new crime at the center of Max Cady's imprisonment, a defense attorney protagonist played by Amy Adams who may have a far more complicated history with Cady than anyone knows, and a modern-day anxiety layer involving home security systems, online manipulation, and the very real fear that someone is already inside your house. Javier Bardem's magnetic, unsettling performance as Max Cady is a major topic, as is whether the show's relentless, uncut dread — and its considerable gore — will sustain itself over a full ten-episode run. Sona joins to share her firsthand perspective on the accuracy of the innocence project storyline, weigh in on the performances, discuss the show's overwhelming sense of dread, and debate the many dangling mysteries of episodes one and two — including who (or what) is living in the Bowden house, what really happened between Anna and Max during the trial, and just how many secrets this family is hiding. The episode closes with a recommendation for Maximum Pleasure Guaranteed, a new Tatiana Maslany thriller that may be airing in parallel. Join our Patreon for more Content https://www.patreon.com/cw/NeedsSomeIntroduction Mailto:needssomeintroduction@gmail.com 00:00 Welcome and Introduction 00:58 Cape Fear Adaptation History 01:50 Scorsese's 1991 Version 04:51 Nick Antosca's New Adaptation 07:18 Modern Anxieties and Themes 10:36 Episode One Recap Begins 11:36 The Bowden Family Introduction 13:03 Max Cady's Girlfriend Suicide 16:12 Max Cady's Release 20:11 Family Tensions and Secrets 23:49 Technology and Home Invasion 26:03 The Gala Event 28:55 Javier Bardem's Entrance 34:19 Max Confronts the Family 38:01 Episode Two Flashback 39:55 Discovery in the House 40:30 Natalie's Classmate Encounter 41:05 The Toe Revelation 41:27 Family Tensions Rise 42:48 Max's Prison Visit 43:35 Katie's Traumatic Past 45:15 Anna's Phone Trick 45:42 The Interview Performance 47:06 Episode Two Ending 47:59 Max Rents a House 48:34 Series Length Concerns 49:10 Innocence Project Realism 53:12 Show's Disturbing Tone 53:41 Bardem's Grounding Performance 55:32 Horror Elements Discussion 56:36 New York Apartment Detour 57:47 Sustaining the Tension 58:26 The Toe Scene Reaction 59:50 Bardem's Magnetic Performance 01:00:41 Katie's Villainous Nature 01:02:03 Cape Fear Comparisons 01:03:31 The Son's Mental State 01:04:52 Male Loneliness Themes 01:05:22 Husband's Secrets 01:08:13 Patrick Wilson's Performance 01:09:14 Physical Threat Balance 01:11:46 Amy Adams Discussion 01:13:37 Gore Level Debate 01:15:43 Husband's Affair Mystery 01:16:00 Affair Speculation and Comparisons 01:16:53 Parentage Mystery Discussion 01:19:11 The Son's Strange Behavior 01:21:53 Missing Toe Investigation 01:22:54 Mystery Woman and Acolytes 01:24:16 Too Many Mysteries 01:25:56 Dosing Theory Speculation 01:27:52 Animal Symbolism Analysis 01:29:27 Plot Potential and Concerns 01:31:52 Southern Setting Atmosphere 01:34:23 Unreliable Narration Hints 01:36:59 Maximum Pleasure Guaranteed Introduction 01:38:33 Cam Boy Mystery Plot 01:40:08 Bathtub Scene Reveal 01:43:32 Corporate Blackmail Theory 01:45:24 Final Thoughts and Wrap-Up Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ignatowitsch, Julian www.deutschlandfunk.de, Corso

En este episodio: Noticias de Silo T3, Nadie nos va a extrañar T2, el traje de Luthor en Man of Tomorrow, los finales de Hacks y Euphoria, la grata sorpresa que ha sido Nicolas Cage en Spider-Noir y el escandaloso patrocinio de Martin Scorsese y una startup de IA…¡El HYP3 es el podcast de cultura pop y anécdotas gafapasta!Esta es la segunda parte del episodio 636, la primera se subió el viernes pasado. Puedes ver o escuchar este podcast completo y sin anuncios en ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ y ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Membresías YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

IndieWire's Anne Thompson and Ryan Lattanzio are joined today by producing partners Jason Blum and James Wan, who break down the recent box office success of indie horror films and give advice on how to carry this momentum forward. Before that, Anne and Ryan share their thoughts on Spielberg's "Disclosure Day," preview the Tribeca Festival, and parse Scorsese's bizarre support of AI. Read more about "Backrooms" stunning performance - https://www.indiewire.com/news/box-office/backrooms-box-office-hollywood-rethink-young-people-want-1235197437/?v3=true Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Sona and I break down the season finale of Season 2 of Your Friends & Neighbors and react to where the show lands heading into Season 3. We also talk Knicks playoff excitement and Ticketmaster frustrations, then preview our next weekly series, Apple TV's Cape Fear. Victor and Sona open with Knicks fandom, ticketing issues, and how broken live-event pricing has become. Victor then gives spoiler-free impressions of Apple TV's Cape Fear adaptation, highlighting Nick Antosca, producers Scorsese and Spielberg, and a cast led by Javier Bardem, Amy Adams, and Patrick Wilson, plus the show's tense horror staging and intriguing “innocence project” irony. They move into Your Friends & Neighbors' finale, praising the cold open and some character moments while criticizing contrivances around the cover-up, cameras, the lake sequence, and unresolved plot threads, yet noting stronger thematic focus and confirming Season 3 is in production. Join our Patreon for more Content https://www.patreon.com/cw/NeedsSomeIntroduction Mailto:needssomeintroduction@gmail.com 00:00 Podcast Welcome 00:26 Knicks Ticket Chaos 03:39 Broken Ticketing System 05:42 Next Show Cape Fear 08:06 Cape Fear Premise Cast 09:32 Bardem Steals Scenes 12:37 Horror Tension Moments 13:13 Finale First Impressions 15:00 Cold Open Cleanup Hijinks 16:27 Coverup Logic Problems 19:57 Cameras And Contrivances 25:21 Lake Crash And Logistics 31:51 Coop and Mel Truths 34:08 Ego and Lifestyle Motives 36:48 Season Three Casting Talk 38:35 Sister Reunion Scene 40:21 Affair Advice Debate 44:13 Elena Robbery Fallout 49:24 Barney Marriage Breaking 49:36 Money Math and Loose Ends 53:01 Cricket Puppet Master Theory 54:59 Season Three Hopes and Wrap Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us Fan MailAngelo, Rhea, and Jay are back — and this week there are three numbers that have shaken Hollywood to its core: $81 million, $100 million, and $52 million. That's what three YouTube kids just grossed at the box office... a 20-year-old with Backrooms, a 26-year-old who turned $750K into Obsession's biggest second-weekend spike in modern box office history, and Markiplier, who walked out of a gaming channel and grossed $52 million on $3 million. The film school brats gave us Scorsese and Coppola. The VHS kids gave us Tarantino and Rodriguez. Is this the YouTube generation?THEN: Scott Pelley walked into a meeting and told his new boss, Nick Bilton, to his face that Bilton and Bari Weiss are "murdering 60 Minutes" to placate Donald Trump. CBS is still waiting on federal approval for the Paramount/Warner Brothers merger, Bilton has zero broadcast background, and Pelley just lit a match on his own legacy. At what point does speaking truth to power become career suicide — and does it even matter if you're right?ALL THAT PLUS: Byron Allen's Comics Unleashed is a DUD, Rhea delivers what can only be described as a passionate sermon for The Sheep Detective, Angelo checks out a new show by The Fonz and much MUCH more!MAKE SURE TO VISIT OUR SPONSOR: Steven Singer Jewelers!The TV Show is a weekly podcast hosted by Jay Black, with regular guests Angelo Cataldi and Rhea Hughes. Each week, we dive into the new Golden Age of Television, with a discussion of the latest shows and news.

Yeni sezonda da her hafta Canlı Yayında sinema ve televizyon gündemini konuşuyoruz, haftanın öne çıkan dizi ve filmlerini yorumluyoruz, ilgimizi çeken konuları tartışıyoruz, listeler yapıyoruz, goygoydan geri kalmıyoruz...00:00 | Giriş 01:40 | 100. Bölüm Ertelendi06:50 | Half Man: Final16:35 | For All Mankind 5. Sezon Finali23:15 | Star City38:20 | Spider-Noir46:05 | Obsession58:55 | Widow's Bay1:01:55 | Maximum Pleasure Guaranteed1:05:40 | Marjane Satrapi Hayatını Kaybetti1:07:58 | Angel Heart Dizi Oluyor1:09:45 | Hitchcock'un Kuşlar'ı Dizi Oluyor1:10:10 | Heyecan Büyük: The End of Oak Street 1:13:40 | IMAX Patlamış Mısırı1:14:55 | Spielberg Tshirtleri1:17:20 | Scorsese ve Yapay Zeka Linci1:22:50 | Muhtemel Cannes 2027 Filmleri1:25:55 | Susuz Yaz Dizi Oluyor1:28:50 | Taylor Swift Şarkısı Tos Story 5'te1:29:15 | Yaz Filmleri1:30:50 | Mortal Combat İzleme Gafleti1:33:00 | Elden Ring Beklentisi 1:35:05 | Paramount ve Kirli Propaganda1:35:40 | State of Play ve Summer Game Fest1:38:55 | Sosyal Medyada Sinema İçerikleri  1:43:25 | Teşekkürler 

Já vimos os primeiros episódios de "Cabo do Medo", na Apple TV+. Será que ganha alguma coisa face ao filme de Scorsese? Alguma vez os remakes se justificam? E o espanhol, é melhor intérprete ou popstar?See omnystudio.com/listener for privacy information.

00:00 intro, szevasztok, mi lesz ma03:00 Filmhíradó (előzetesek, Scorsese és az AI, nézőszámok) 16:35 Backrooms - Hátsó szobák (2026)44:30 Megszállottság (2025)1:05:20 mi lesz jövőhéten, szevasztok és outro

Continuing Issue 73 of Double Reel, the monthly magazine podcast for the discerning film nerd. Now it's time for Classics and Hidden Gems featuring films from 1976 that are turning 50 this year. First up for our Classic, Alan finally gets round to watching Scorsese's legendary Taxi Driver. Then for our Hidden Gem we look at a lesser known film from that year, the detective spoof Murder by Death. Double Reel Monthly is already out and the Remakes Tribunal is coming next week. Check out Alan's author page here: Alan Bayles Author And check out physical media reviews on YouTube here: Maximum Disc

Euphoria llegó a su final con la Temporada 3 y por ello amerita dividir este episodio en dos partes, uno sin spoilers y otro, con aviso adecuado, ya sobre ese impactante episodio final. Un camino extraño sin duda, pero gratificante, y un Sam Levinson que evocó desde muy adentro su pasión por el cine de Tarantino y el de Scorsese. ----Echados Viendo Tele es un programa para expresar, de forma personal, espontánea y concienzuda, opiniones de películas o series.Disclaimer: La voz de mujer que se escucha en este podcast es creada con IA. PATROCINIO¿Buscando una prenda que te haga destacar? Visitá Kitsune Nicaragua, sublimación, estampado y todo estilo de impresiones en camisetas, hoodies, tazas, jarras, pósters y artículos personalizados.Enlace a la tienda: https://www.instagram.com/kitsune_nic Nada mejor que salir de la rutina que con una buena experiencia el cine, y la mejor que hay en Nicaragua es a través de Cinemark.No te perdás los mejores estrenos y la mejor calidad de ambiente en las salas de Cinemark.- Cartelera: https://www.cinemarkca.com/nicaragua/cineSeguinos en redes socialesFacebook: https://bit.ly/2G8n2kaInstagram: https://www.instagram.com/echadosviendotvY escuchá este capítulo también enSpotify: https://spoti.fi/2OYJ9MXApple Podcast http://bit.ly/evt1rafYouTube: http://bit.ly/youtevtCopyright de MúsicaInspiring Advertising by Rafael KruxLink: https://filmmusic.io/song/5515-inspiring-advertising-License: https://filmmusic.io/standard-licenseJoseph McDade: https://josephmcdade.com/music Hosted on Acast. See acast.com/privacy for more information.

Send us Fan Mail It's time for another War Games Top 10, which means Lyss is back to help us navigate one of our biggest rankings yet. After introducing the craft beers we're enjoying for the occasion, we dive headfirst into the legendary filmography of Martin Scorsese. From crime epics and character studies to some of the most influential films ever made, we rank our Top 10 Scorsese movies and debate every step of the way. Be sure to stick around for the final rankings, because things get heated when it's time to decide the Top 3. 

Pop Culture Thursday: Jared reads the latest celebrity headlines from Page Six and gives his unfiltered takes!Ciara Miller, West Wilson, and Amanda Batula: Summer House reunion dramaNepo baby debate reignites with Francesca ScorseseTaylor Swift spotted with Travis Kelce at NBA gameJacob Elordi pulled into injury clickbait confusionBarbra Streisand linked to fake Cannes injury storyJaclyn Smith at 80 reveals beauty secretAurora Culpo welcomes baby girl with fiancé ZachJared is on tour!

Dave & Cody bring in Star Wars superfan (and middle school choir teacher) Lance Burnett to review The Mandalorian & GroguIs it a real movie or just a really long episode of the show? Dave makes the case that it's the franchise's "Temple of Doom moment," Cody goes after the critics, and Lance drops deep-cut lore that'll make you want to watch it again. Plus: the music, that Scorsese cameo, a Hutt voice that needed fixing, a Pastor's Corner on "The Way" and what a creed actually produces. Stick around for full Star Wars movie rankings. In the news: the Toxic Mom Group saga returns.SPOILER WARNING: Full spoilers for The Mandalorian & Grogu after the news segment.Movie reviewed: The Mandalorian & Grogu (2026) — Directed by Jon Favreau. Starring Pedro Pascal, Sigourney Weaver, Jeremy Allen White, with a cameo by Martin Scorsese. Now playing in theaters.

FROM THE ARCHIVES - Original Airdate of 4.10.2021 New intro by Rob Today Jim (rob) and Mike (matt) talk about the 1976 film THE LAST WALTZ ABOUT THE LAST WALTZ The Last Waltz was a concert by the Canadian-American rock group The Band, held on American Thanksgiving Day, November 25, 1976, at Winterland Ballroom in San Francisco. The Last Waltz was advertised as The Band's "farewell concert appearance", and the concert saw The Band joined by more than a dozen special guests, including their previous employers Ronnie Hawkins and Bob Dylan as well as Paul Butterfield, Bobby Charles, Eric Clapton, Neil Diamond, Dr. John, Joni Mitchell, Van Morrison, Ringo Starr, Muddy Waters, Ronnie Wood, and Neil Young. The musical director for the concert was The Band's original record producer, John Simon. The event was filmed by director Martin Scorsese and made into a documentary of the same title, released in 1978. Jonathan Taplin, who was The Band's tour manager from 1969 to 1972 and later produced Scorsese's film Mean Streets, suggested that Scorsese would be the ideal director for the project and introduced Robbie Robertson and Scorsese. Taplin served as executive producer. The film features concert performances, intermittent song renditions shot on a studio soundstage, and interviews by Scorsese with members of The Band. A triple-LP soundtrack recording, produced by Simon and Rob Fraboni, was issued in 1978. The film was released on DVD in 2002 as was a four-CD box set of the concert and related studio recordings. The Last Waltz is hailed as one of the greatest documentary concert films ever made,[3] although it has been criticized for its focus on Robertson.  In 2019, the film was selected by the Library of Congress for preservation in the National Film Registry for being "culturally, historically, or aesthetically significant". ****** Rob (and co-hosts) will be back in June 2026 with some brand-new podcasts and interviews!  Stay Tuned ****** KNOW GOOD MUSIC can be found on Podbean (host site), Spotify, Apple Podcasts, Iheart Radio, Pandora, YouTube  and almost anywhere you listen to podcasts. Links to more sources at Link Tree - www.linktr.ee/knowgoodmusic Visit our YouTube Channel where you can see video segments from all of our interviews.  Just search "know good music" Please follow / subscribe & review Follow our Instagram & Facebook pages for info on upcoming podcasts and sometimes extra content Email Rob at: knowgoodmusicpodcast@gmail.com Know Good Music T-Shirts, Drink Coasters and Embroidered dad hats and winter hats now available.  Email Rob for all the info.

Three short films about New Yorkers: the relationship of an artist and his assistant falls apart; a very young rich girl has adventures; a lawyer's relationship falls apart when his mother disappears during a magic show. It's an uneven collection, as anthology films often are: Scorsese's "Life Lessons" is a savage look at exploitation, Coppola's "Life Without Zoe" is a middling children's film, and Allen's "Oedipus Wrecks" is a pretty standard Woody Allen sketch. Starring Nick Nolte, Rosanna Arquette, Steve Buscemi, Talia Shire, Mia Farrow, Julie Kavner, Mae Questel, and Woody Allen. Written by RIchard Price, Francis Ford Coppola, Sophia Coppola, and Woody Allen. Directed by Martin Scorsese, Francis Ford Coppola, and Woody Allen.

Movie of the Year: 2006A New Season Begins The Movies of 2006 Podcast Begins: 128 Films Enter the BracketThe movies of 2006 podcast is officially underway, and the Taste Buds are ready to take on one of the richest film years of the 21st century. Ryan, Mike, and Greg kick off the 2006 season on PopFilter by introducing the year, explaining the bracket structure, and beginning the first round of eliminations. Furthermore, Part 1 of the intro sets the tone for a season packed with genuine heavyweights, unlikely contenders, and some of the most debated films of the decade.2006 delivered a field that refuses to cooperate with easy rankings. The Departed sits alongside Pan's Labyrinth, Children of Men, and Little Miss Sunshine in the same calendar year. Additionally, Casino Royale, The Prestige, Babel, Borat, and Idiocracy all arrived in 2006, representing wildly different visions of what cinema can accomplish. The Taste Buds have their work cut out for them.About the 2006 Film Year2006 stands as one of the most celebrated film years of the decade. Martin Scorsese's The Departed swept the Academy Awards, winning Best Picture and earning Scorsese his first Oscar for Best Director. Meanwhile, Guillermo del Toro delivered Pan's Labyrinth, a Spanish-language dark fantasy that works equally as a fairy tale and a historical horror. Alfonso Cuarón's Children of Men earned near-universal acclaim for its singular, one-take-heavy vision of a dying civilization.The box office reflected 2006's breadth. Pirates of the Caribbean: Dead Man's Chest topped the global charts. Casino Royale relaunched the Bond franchise with Daniel Craig in his debut as 007. Cars kept Pixar's winning streak intact. Moreover, the comedies were just as crowded: Borat, Talladega Nights, Idiocracy, and Clerks II each built devoted audiences. Consequently, building a bracket from this year means making choices that will draw genuine disagreement from all directions.International cinema contributed heavily to 2006's depth. Alejandro González Iñárritu's Babel earned seven Academy Award nominations after competing at Cannes. Pedro Almodóvar's Volver brought Penélope Cruz one of her most celebrated screen performances. The year also produced major releases from Darren Aronofsky (The Fountain), Sofia Coppola (Marie Antoinette), Christopher Nolan (The Prestige), and Mel Gibson (Apocalypto). In practice, few years in recent memory offer this density of debate-worthy titles across this many genres. The movies of 2006 represent a year when every corner of the industry produced something worth arguing about.How the Movie of the Year Bracket WorksMovie of the Year uses a bracket format borrowed from sports tournaments. The Taste Buds seed 128 films from a given year and match them head-to-head across multiple rounds until one earns the title of best of the year. The movies of 2006 provide an especially deep pool to draw from. Each round cuts the field in half: 128 to 64, 64 to 32, 32 to the Sweet 16, and on through the Elite Eight, Final Four, and championship. Notably, the bracket covers the full range of the year — prestige titles, genre pictures, comedies, blockbusters, and deep cuts all compete on equal footing.The seeding and matchups drive the conversation. A high-seeded favorite facing a scrappy underdog often produces the most spirited debates, because the Taste Buds evaluate every film on its own terms. No film earns an automatic pass based on reputation alone. A beloved blockbuster can fall in round one. A smaller film can advance much further than anyone expects. Therefore, the bracket functions as a pressure test for every assumption the hosts carry into the season.The format also distinguishes Movie of the Year from a standard best-of list. The hosts cannot simply rank their favorites and close the debate. Instead, they defend each pick against a direct opponent, round after round. Above all, the bracket produces arguments that a list never could, because every vote carries immediate consequences. To see what this process looks like across a full season, the Movie of the Year archive includes complete coverage of every year the Taste Buds have tackled, including the recently completed 1971 season.The 2006 First Round: Inside the Movies of 2006 Podcast BracketThe first round of the 2006 season pits 64 matchups against one another and cuts the field in half. Part 1 of the intro covers the opening set of battles, with Part 2 completing the round. Even the quickest first-round decisions carry weight, because an early upset can remove a major contender long before the serious rounds begin.2006 gives the hosts no shortage of compelling first-round scenarios. High-profile releases like Superman Returns, X-Men: The Last Stand, and Blood Diamond arrive as recognizable titles but face real scrutiny on merit. Films like Half Nelson, Brick, and Thank You for Smoking represent the indie side of the year with strong critical backing. Moreover, the international titles — Pan's Labyrinth, Volver, Perfume: The Story of a Murderer — introduce a different set of criteria into the matchups entirely.The documentary field adds another dimension. An Inconvenient Truth became one of 2006's most discussed releases and earned Al Gore an Academy Award. Jesus Camp generated controversy and critical notice in equal measure. Additionally, the horror entries, the prestige dramas like United 93 and The Good Shepherd, and the awards-season crowding all create pressure across the bracket from the opening round. Roger Ebert's four-star review of The Departed captures the critical consensus around 2006's most decorated film. Nevertheless, the first round is only the beginning.Why 2006 Still Matters2006 represents a pivotal moment in 21st-century cinema. The year demonstrated that prestige filmmaking and mass entertainment could share a single calendar without one displacing the other. The Departed and Pan's Labyrinth both belong to 2006. Borat and Children of Men arrived the same year. That range matters because the best film years do not produce one kind of great film — they produce many kinds simultaneously.Moreover, 2006 produced titles that have only grown in cultural stature since their release. Idiocracy arrived with little fanfare and now functions as a widely cited cultural reference point. Children of Men drew modest theatrical audiences and currently ranks among the most admired films of the decade in retrospective criticism. The Prestige built a devoted following that continues to generate debate about its structure and its final image. Additionally, Casino Royale remains the gold standard for modern Bond films nearly two decades later.The movies of 2006 podcast gives these films a structured arena to compete. That structure reveals something a ranked list cannot: which films hold up under sustained comparison, which reputations survive direct opposition, and which consensus picks turn out to be more fragile than they appear. 2006 deserves this treatment. The Taste Buds are the right crew to find out which film earns the crown.Related Episodes from Movie of the YearMovie of the Year — Full Episode ArchiveThe Last Picture Show — Movie of the Year: 1971A Clockwork Orange — Movie of the Year: 1971More 2006 episode pages will be linked here as the season progresses.FAQ: Movies of 2006 Podcast and Film YearWhat is the movies of 2006 podcast intro episode about? This episode launches the 2006 season of Movie of the Year on PopFilter. Ryan, Mike, and Greg introduce the 2006 film year, explain the bracket format, and work through Part 1 of the first round, taking the field from 128 films down toward 64.How does the Movie of the Year bracket format work? Movie of the Year seeds 128 films from a given year into a tournament-style bracket. Films compete head-to-head across multiple rounds — from 128 to 64, then 32, the Sweet 16, Elite Eight, Final Four, and championship — until one film earns the title of best of the year. The format produces arguments that a simple ranked list cannot, because every vote has immediate consequences.What films are in the 2006 Movie of the Year bracket? The 2006 bracket includes 128 films from across the year: prestige dramas like The Departed, Babel, and Letters from Iwo Jima; international titles like Pan's Labyrinth and Volver; genre films like Children of Men and The Prestige; comedies like Borat, Idiocracy, and Little Miss Sunshine; and blockbusters like Casino Royale and Pirates of the Caribbean: Dead Man's Chest.What won Best Picture for the 2006 film year? The Departed, directed by Martin Scorsese, won the Academy Award for Best Picture at the 79th Academy Awards in 2007. The film also earned Scorsese his first Best Director Oscar. However, Oscar history and the Movie of the Year bracket determine their...

Send Kevin a Text MessageMark Canton, producer of 300, Immortals, Men in Black, Air Force One, and My Best Friend's Wedding, former President of Worldwide Production at Warner Bros., and former Chairman of Columbia Pictures and Columbia TriStar Motion Picture Companies, joins host Kevin Goetz for a conversation about a career defined by passion and instinct. From delivering mail on the Warner Bros. lot as a college student to greenlighting some of Hollywood's most beloved films, Canton reflects on the legends he learned from, the risks he took, and why he still smells the circus every time he walks onto a sound stage.Queens, New York, and Family (02:34): Canton traces his love of film to a father who survived being shot down over France in WWII, won an Oscar for a short film on Van Gogh, and went on to do publicity for Hitchcock and Dr. Martin Luther King Jr., and to a mother who was a published poet. The movies, he says, were always destiny.Learning from the Greats on Papillon (15:22): Working for director Franklin Schaffner in Jamaica and living between the houses of Steve McQueen and Dustin Hoffman, Canton learned what it meant to commit to a film.From the Warner Bros. Mail Room to Running the Studio (20:31): Canton traces his rise from UCLA film student to head of Worldwide Production at Warner Bros., sharing stories about the Vacation franchise, Caddyshack, and Lethal Weapon.Taking the Helm at Columbia Pictures (39:22): Recruited by Peter Guber and Jon Peters, Canton became Chairman of Columbia Pictures and later oversaw Columbia TriStar. He reflects on the team he assembled and the record-breaking run that followed, including Jerry Maguire, My Best Friend's Wedding, Bad Boys, and Air Force One.The Art of the Difficult Screening (47:51): Canton recounts two defining test screening moments: a chaotic preview of Scorsese's The Age of Innocence in a New Jersey bowling alley, and a tough audience response to Luc Besson's Léon: The Professional that led to an ultimatum and a reworked film that became a modern classic.The Cable Guy and No Regrets (50:43): Canton defends paying Jim Carrey $17 million and notes what history confirmed: the film launched Ben Stiller's directing career, introduced Jack Black, Owen Wilson, and Judd Apatow. He also recalls his affectionate standoff with Mike Nichols over the ending of Wolf.What Keeps Audiences Coming Back (54:50): Canton argues that what fills theaters today is the same thing that made Purple Rain a phenomenon: the feeling of a live, communal, irreplaceable experience.Host: Kevin GoetzGuest: Mark CantonProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Mark Canton:Wikipedia: https://en.wikipedia.org/wiki/Mark_CantonIMDB: https://www.imdb.com/name/nm0004799/Instagram: https://www.instagram.com/markcanton/?hl=enFor more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

Cape Fear is Martin Scorsese at his sleaziest, sweatiest, and most unhinged — and Robert De Niro's Max Cady might be one of the most terrifying villains we've reviewed yet.In this long-form horror movie review podcast, we dive into Cape Fear (1991), the wild performances, the uncomfortable tension, the Hitchcock vibes, the piano wire kill, the boat finale, and why this movie somehow manages to be hilarious… until it absolutely is not.Is Cape Fear an underrated Scorsese thriller? Is Max Cady one of cinema's creepiest villains? And why did those guys think a bike chain was going to stop him?Hit play and join us as we dissect the madness...

0:00 - Best two words in sports: Game 7. Buffalo vs Montreal was, as the Scorsese meme goes, Absolute Cinema. Shoutout former Av Alex Newhook for the OT game winner! He's scored 2 Game 7 game-winning goals in the same playoff series. Speaking of absolute cinema, how about Wemby carving up the Thunder on the road in Game 1 of the WCF? Wemby has been just as good as advertised, if not better. He's only 22 years old. Strap in, y'all. He's gonna be a problem for a LONG time.16:23 - Let's preview tomorrow's Avs vs Golden Knights WCF Game 1 by the numbers. Moser actually hit the books and did some research! 33:42 - Last week, Colin Cowherd said the NFL intentionally gave the Broncos a ridiculously though schedule in Weeks 1-6 because they don't like Sean Payton. They're trying to stick it to him publicly. We see Colin's mouth moving...but it's Sean Payton's word coming out.(And for what it's worth, the song I bumped back with is "All Downhill From Here" by New Found Glory)

No Braincast 633, Carlos Merigo, Cris Dias, Hiago Vinícius, Ken Fujioka e Bia Fiorotto discutem a Bro Tax: o pedágio simbólico que transforma produtos comuns em objetos aceitáveis para homens inseguros com cuidado, higiene, saúde ou prazer. O papo passa por Liquid Death, a água com estética de caveira e atitude; pela brasileira Dane-se; pelos lenços umedecidos “de homem” da Dude Wipes; pelo Man Cereal, cereal com proteína, creatina e slogan sobre “recuperar as bolas”; e por marcas que transformam sabonete, maquiagem, protetor solar, barba, skincare e até café da manhã em performance de masculinidade. A pergunta é: isso é branding brilhante, diferenciação em categorias sem graça ou só mais um jeito de vender insegurança masculina em embalagem preta fosca? Também tem Qual é a Boa com documentários sobre Paul McCartney e Martin Scorsese, podcast sobre Palmares, ciência, Cinemático, Love Cabaré, Liderança Subversiva e Momento Faustão. 04:58 PAUTA 07:59 Água com atitude 12:46 Da Pink Tax à Bro Tax 14:23 Exemplos Dude Wipes e Man Cereal 16:29 Challenger brands e exageros 19:37 Protetor solar Slather 22:04 Masculinidade frágil e consumo 26:23 Produtos masculinos na prática 32:24 Economia da atenção 33:04 Marca desafiante vira líder 34:54 Warpaint e maquiagem masculina 37:16 Insegurança como negócio 37:56 Pressão estética nos homens 39:53 Água premium e luxo 41:34 Identidade e códigos de gênero 42:53 Axe Click e propaganda datada 46:41 Campanhas masculinas que funcionam 48:10 Restaurantes com atitude 49:38 Barbearias e experiência forçada 52:10 Ritual de loja e constrangimento 54:16 Storytelling demais nas marcas 56:08 Masculinidade simples e básica 01:03:13 QUAL É A BOA 01:03:55 Documentário Paul McCartney 01:06:15 Mr Scorsese na Apple 01:09:15 Cupom IA em Curso 01:12:14 Podcast Vida Palmarina 01:17:08 Bluey e Paternidade 01:18:24 Naruhodo com Paleontóloga 01:22:17 Rooster na HBO 01:25:31 Magic Love Cabaré 01:29:32 Podcast Liderança Subversiva 01:32:00 Momento Faustão 01:33:57 Confundindo Cris Dias 01:38:42 Despedida e Beijos -- ✳️ TORNE-SE MEMBRO DO B9 E GANHE BENEFÍCIOS: Braincast secreto; grupo de assinantes no Telegram; e episódios sem anúncios!

durée : 00:02:30 - Les Nuits de France Culture - par : Albane Penaranda - Rossellini, Cousteau, Lelouch, Scorsese, Mike Leigh et Ken Loach... Quatre-vingts ans après la première édition de 1946, pour accompagner la 79e édition du Festival de Cannes, nous vous proposons une Nuit qui, de 1946 à 2016, saute de décennie en décennie et de Palme d'or en Palme d'or. - réalisation : Rafik Zénine, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

What are the best movies from six of the greatest directors ever? Lance Taylor and Tyler Johns go filmmaker by filmmaker through the careers of Quentin Tarantino, Martin Scorsese, David Fincher, Paul Thomas Anderson, Stanley Kubrick, and Christopher Nolan to choose the films that best define each director. From Tarantino's pop-culture-changing Pulp Fiction to Scorsese's gangster classic Goodfellas, Fincher's dark thriller Seven, PTA's powerhouse drama There Will Be Blood, Kubrick's horror landmark The Shining, and Nolan's massive historical epic Oppenheimer, this episode is a full movie-lover deep dive. The guys also discuss the difference between a director's “best” movie and their personal favorite, why some films age better than others, and how certain movies reshape an entire genre. Before the main topic, Lance and Tyler review recent viewings including Who Will Stop the Rain?, Marathon Man, Billy Idol Should Be Dead, Hooper, Widow's Bay, Mortal Kombat 2, and Batman Beyond. #BestFilms #BestMovies #LegendaryDirectors #QuentinTarantino #MartinScorsese #ChristopherNolan #StanleyKubrick #DavidFincher #PaulThomasAnderson #PulpFiction #Goodfellas #Oppenheimer #TheShining #TheNextReel #moviereview SUBSCRIBE: @NextRoundLive - / @nextroundlive FOLLOW TNR ON SPOTIFY: https://open.spotify.com/show/7zlofzLZht7dYxjNcBNpWN FOLLOW TNR ON APPLE PODCASTS: https://podcasts.apple.com/us/podcast/the-next-round/id1797862560 WEBSITE: https://nextroundlive.com/ MOBILE APP: https://apps.apple.com/us/app/the-next-round/id1580807480 SHOP THE NEXT ROUND STORE: https://nextround.store/ Like TNR on Facebook: / nextroundlive Follow TNR on Twitter: / nextroundlive Follow TNR on Instagram: / nextroundlive Follow everyone from the show on Twitter: Jim Dunaway: / jimdunaway Ryan Brown: / ryanbrownlive Lance Taylor: / thelancetaylor Scott Forester: / scottforestertv Tyler Johns: /TylerJohnsTNR Sponsor the show: sales@nextroundlive.com Learn more about your ad choices. Visit megaphone.fm/adchoices

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Today's brand new episode is a full review of 1985's After Hours.   It's quite possible that you have never heard of this movie, but before you dismiss it, listen to this-   Directed by Scorsese.  Starring Catherine O'Hora, Rosanna Arquette, John Heard, Cheech and Chong, Bronson Pinchot, Dick Miller and more.   It could be described as having the anxiety of the original Uncut Gems.  It's fun and we think you will like it.   •0:00:00 - Introductions •0:02:30 - Memories of first viewing •0:06:00  - Pertinent movie details  •0:10:00  -  Critical and fan reviews •0:17:00 - Scene by scene breakdown  •1:42:00 - Modern day ratings —————————————————————— SPONSORS-  **ASPCA-  To learn more about Pet Health Insurance, visit http://aspcapetinsurance.com/breakfast  **TruDiagnostics- Our listeners can get 20% off at http://TruDiagnostic.com using code CONFUSED at checkout. **LITTLE SLEEPIES-  If you're expecting or dressing little ones, check out Little Sleeps.  You can visit http://littlesleepies.com and use promo code PodSpring26 for 15% off **Draftkings-  Download the app now and sign up with code CONFUSED to claim 1,500 flex spins. **FABLETICS-  Get 80% off everything when you sign up as a VIP! Just head to http://Fabletics.com/confused —————————————————————— **Support us at http://patreon.com/confusedbreakfast for bonus weekly episodes, voting on upcoming movies, giving your modern-day ratings on our movies and much more. **Mail us something   The Confused Breakfast PO Box 10016 Cedar Rapids, IA 52402-9802 Special thanks to our executive producers- Josh Miller, Starling, Dylan Mick and NicMad. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Patreon supporter Matt Bates, the Black Country Vlogger, brings us Innocent Blood (1992) for our Pain and Pleasure theme -- a film that revels in the push and pull between the two. Innocent Blood (1992) came about in a roundabout way, which is fitting for a film that defies easy categorisation. John Landis had originally been developing a vampire project called Red Sleep -- a wild premise about Las Vegas being run by vampires -- before Warner Bros. passed and handed him a first-time script by Michael Wolk. The film had an entirely different trajectory before Landis came aboard -- Jack Sholder had been set to direct with Lara Flynn Boyle and Dennis Hopper in the leads before creative differences saw all three replaced. Landis cast French actress Anne Parillaud fresh off La Femme Nikita, and filmed primarily in Pittsburgh's Little Italy neighbourhood after a location visit changed his original plan to shoot in Philadelphia. The MPAA initially slapped it with an NC-17, forcing further cuts to secure an R rating. Landis described his vision as "a Hammer film directed by Scorsese." It opened in September 1992 to a modest domestic gross but has since built a devoted cult following among fans of horror-comedy and 90s vampire films.Find Matt here - https://www.youtube.com/c/blackcountryvloggerTRAILER GUY PLOT SYNOPSISIn a world where the streets of Pittsburgh run red... one woman has a code. She is Marie. She is beautiful. She is deadly. And she only eats bad people.But one night she makes a mistake. She doesn't finish the job. And now the most dangerous mob boss in the city isn't just angry... he is immortal.Sal Macelli is back from the dead and building a vampire army from organised crime. Marie has no choice but to team up with one increasingly bewildered cop. Because you cannot arrest something that cannot die. And you cannot plea bargain with a monster in an Armani suit.FUN FACTS ABOUT INNOCENT BLOOD (1992)Despite revolving around vampires, the word "vampire" is never once spoken in the filmDario Argento, Sam Raimi, Frank Oz, Tom Savini, and Steve Johnson all have cameosScream Queen Linnea Quigley appears as a nurse alongside her then-husband Steve JohnsonLandis hid his recurring "See You Next Wednesday" joke on a marquee in the filmThe glowing vampire eyes used reflective contact lenses combined with a beam-splitter techniqueA POV flying shot was lifted directly from Dario Argento's Opera -- who also has a cameoChazz Palminteri appears in a supporting role -- a Godfather reunion crossed with The SopranosBy 1992, Landis hadn't directed horror since An American Werewolf in London -- an eleven year gapSUPPORT THE SHOWSupport the Show If you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠. If you're listening on Apple Podcasts or Spotify, leaving us a 5-star review (and a short comment) really helps more people discover the show. It's quick, free, and makes a huge difference. Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

In episode nine, Caveman and Maggi head to Bean Town with The Departed. Filled with great acting, serious choices, and ridiculous accents. Will our duo enjoy this Scorsese classic? Find out today!Follow our Instagram, Threads, & Letterboxd accounts @movieminglepodCheck out our YouTube channel, MovieMinglePodcast here...Questions? Comments? Write us at movieminglepod@gmail.com

Jackie and Greg get a table at the Copacabana for Martin Scorsese's GOODFELLAS from 1990. Topics of discussion include Scorsese's breathless filmmaking, the real life of Henry Hill, why some critics complain it lacks depth, and how it's been woven into the fabric of American pop culture.#63 on Sight & Sound's 2022 "The Greatest Films of All Time" list. https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.com

We've reached the final curtain call for our Cate Blanchett spotlight here on We Drink & We Watch Things, and we're closing out with the performance that officially turned her into an Oscar winner: Martin Scorsese's 2004 epic, The Aviator. It's the ultimate meta-cinematic challenge - one of the greatest modern actresses stepping into the sensible shoes of the greatest Golden Age actress, Katharine Hepburn. Mix yourself something classic and sophisticated - perhaps a Howard's Punch by Mackenzie - and let's head to the golf course.This week, we examine the sheer audacity of Cate's "impersonation-turned-performance," looking at how she mastered that iconic, rapid-fire New England lockjaw and the athletic, "don't-fence-me-in" energy that defined Hepburn. We break down her electric chemistry with Leonardo DiCaprio's Howard Hughes, specifically that brilliantly uncomfortable family dinner at the Hepburn estate where two different worlds of American aristocracy collide. We also discuss the film's stunning visual evolution, as Scorsese uses "two-strip" and "three-strip" Technicolor effects to mirror the era, and how Cate manages to shine through the stylized, vibrant hues as a woman who was "too much" for any one man to hold onto.If you love the glamour of Old Hollywood, the technical precision of a master at work, or just want to hear us debate if anyone else could have pulled off "Hot Dawg!" with such conviction, this is the perfect finale. We're blending our awe for her first Academy Award-winning turn with our usual casual banter, making this a truly legendary conclusion to our first Actress Month run.This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!

It's pretty well known that originally, Steven Spielberg was interested in directing a remake of Cape Fear, and that Martin Scorsese held the rights to what became Schindler's List. That the two then swapped projects. Yet that's just part of the story. In this episode of Film Stories, Simon Brew digs into Scorsese's dislike of the project when he first came to it. Of Robert De Niro's tattoos. Of Nick Nolte not being recognised at the premiere of Goodfellas. And he uncovers a useful lesson in booking your location right near an airport... Patreon: www.patreon.com/simonbrew www.filmstories.co.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

Drusilla and Josh watch a strange Hammer film from 1960, Cyril Frankel's Never Take Sweets from a Stranger, or as it is known in the United States, Never Take Candy from a Stranger. From wiki: “Never Take Sweets from a Stranger (U.S. title: Never Take Candy from a Stranger) is a 1960 British thriller drama film directed by Cyril Frankel and starring Patrick Allen, Gwen Watford, Janina Faye and Felix Aylmer.[1] The screenplay was by John Hunter based on the 1954 play The Pony Cart by Roger Garis. It was produced by Hammer Films (in "HammerScope"),”Also discussed: Poetic Justice, Alice Doesn't Live Here Anymore and its sitcom Alice, Look Back in Anger. A Taste of Honey, Abigail's Party, Life is Sweet, Anora, Scorsese highlights, and more. NEXT WEEK: Angel's Egg (1985)Bloodhaus: https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

Listen without ads for 25 cents at www.patreon.com/dopeypodcast This Dopey Greatest Hits episode kicks off with Dave introducing a fan-voted theme around iconic TV characters, with Michael Imperioli winning the poll. Dave goes on a classic rant about ads vs Patreon, breaking down the cost to “25 cents a day,” before spiraling into plans for DopeyCon — including a long-shot idea to book Steve Jones during the CBGB Festival. A voicemail delivers pure Dopey chaos: a listener recounts taking acid, drinking, and shooting whiskey bottles in his basement, ultimately blowing apart his finger with a ricochet and attempting to cover it up using an angle grinder. The episode then pivots to a legendary Dopey story from Bill Blaber. After falling deep into crystal meth addiction, Bill describes wandering New York City in full paranoia, convinced AOL was responsible for ruining his life. This leads him to break into a building, climb to the roof, scale a water tower, and pass out inside. He's rescued by the FDNY, greeted by news cameras, and somehow avoids jail by fabricating a story — landing instead in a psych hold. Dave calls it one of the greatest Dopey stories ever before transitioning into an interview with Michael Imperioli, who discusses his early acting career, Goodfellas, working with Scorsese, and the infamous glass-breaking stunt that landed him in the hospital. Plus the Sopranos - and Michael's crazy Lou Reed Fan Fiction - The Perfume Burned His Eyes! All that and more on the Brand new old Greatest Hits Show! PLUS MORE!   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Mike and Vittorio's Guide to Parenting is a weekly podcast, where two London-based Irish comedians Mike Rice and Vittorio Angelone tackle the current issues facing parents from the unique perspective of not having any children, any interest in children, or mentioning children at all.Check out Ed's Special here: https://youtu.be/s-gt-Rqflo4?si=NnRM8vCbn_QDcxaIGo to ⁠⁠⁠⁠⁠https://surfshark.com/PARENTING⁠⁠⁠ or use code PARENTING at checkout to get 4 extra months of Surfshark VPN!Sign up to the Patreon⁠⁠⁠⁠⁠⁠: ⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/parenting⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Watch Vittorio's Special: ⁠⁠⁠⁠⁠https://youtu.be/mfU3TyeEkZQ?si=7BMe5yGa_vVq-4Vh⁠⁠⁠Buy tickets for Vittorio's Tour here: ⁠⁠⁠⁠www.vittorioangelone.com⁠⁠⁠ ⁠Buy Tickets for Mike's Tour here: ⁠⁠⁠⁠⁠www.mikericecomedy.com⁠⁠⁠ ⁠⁠Watch Mike's Special here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://youtu.be/aWgW4LBZHz8⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠Sign up for Mike's mailing list: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://mikericecomedy.us21.list-manage.com/subscribe?u=bb23fc6659c6ccb17551262ef&id⁠⁠⁠ =c27f2130fa⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sign up for Vittorio's mailing list: ⁠https://mailchi.mp/60fb9a4d4173/vittorioangeloneThanks for listening! Like, subscribe, drop a comment, all the good stuff.

durée : 00:58:43 - Toute une vie - par : Alexandre Vuillaume-Tylski - Ses affiches de films pour Preminger (Carmen Jones, Autopsie d'un meurtre, Exodus) et ses génériques pour Hollywood (du Spartacus de Kubrick au Casino de Scorsese, en passant par Psycho, Vertigo et La Mort aux trousses d'Hitchcock) ne doivent pas faire oublier le parcours personnel de Saul Bass. - réalisation : François Teste

In this podcast episode of Previously On, host Jillian Bonanne (rewatching) and her husband Tyler Branch (first-time watcher) dive into Euphoria Season 2 Episode 1 "Trying to Get to Heaven Before They Close the Door." After the hit show's follow-up season was delayed, Euphoria comes back in a big way!We're talking about the episode that gave us Fezco (Angus Cloud) and Ashtray's (Javon "Wanna" Walton) shocking backstory, the chaos of the Euphoria High New Year's Eve party, and one of the most jaw-dropping endings in the entire series. From Ashtray's surprise attack to Fez finally getting revenge on Nate Jacobs (Jacob Elordi), this episode proves Euphoria came back darker and more cinematic than ever.Of course, we also break down the drama everyone is still talking about — Cassie (Sydney Sweeney) hooking up with Nate (girl, what are you doing?!), Rue (Zendaya) spiraling deeper into relapse, and that emotional Rue and Jules (Hunter Schafer) reunion at midnight. Plus, Tyler shares his hilarious takes on everything from Rue's wild drug deal adventure to Fez and Lexi's (Maude Apatow) unexpectedly sweet connection.And since this episode takes place on New Year's Eve, we're ranking our Top 5 “New Year, Same Mess” Moments, including the terrifying drug deal with Laurie, Cassie's bathroom disaster, and Fez's brutal takedown of Nate.If you're rewatching before the Season 3 premiere or diving into Euphoria for the first time, this breakdown covers all the biggest moments, theories, and character reactions you don't want to miss.We're dropping a pod recapping every single episode of Euphoria leading up to the April 12th premiere, and then we'll recap each episode of Season 3 weekly. Follow the pod so you don't miss an episode! #euphoria #zendaya #sydneysweeney #hbo00:00:00 Lexi and Fez00:01:42 Euphoria S2 is back Scorsese style00:05:14 "Trying to Get to Heaven Before They Close the Door" explained00:08:16 S2 E1 Recap00:09:12 Season 2 glow-up00:10:18 NYE house party00:12:36 Top 5 New Year, Same Mess00:13:12 Ashtray kills Mouse00:18:32 Rue, Fez, and Ash meet drug lord Laurie00:25:06 Quentin Tarantino and David Lynch00:29:38 Cassie and Nate hook up00:40:53 Rue and Jules reconnect00:50:04 Fez beats up Nate00:56:51 Nate Jacobs weird to McKay00:59:15 Tyler's Takes00:59:27 Cracker with a bowl cut00:59:52 Angus Cloud01:01:22 Ash hates Rue01:03:03 Rue idolizing Laurie01:03:20 Episode structure01:04:43 Kat?01:06:04 Fez calls Jules "Jewel"Trailer for Euphoria Season 3: https://www.youtube.com/watch?v=-1UJJPAWudQThank you to Matt Buechele (@mattbooshell) for creating our new theme song. You can listen to "Sunscreen" on Spotify: https://open.spotify.com/artist/1gFHHF3QyQxjbbKXV3qLu9Buy our merch: ⁠https://www.etsy.com/shop/PreviouslyOnTeenTV⁠Follow Previously On Teen TV on Instagram: ⁠⁠https://www.instagram.com/previouslyon_teentv/Follow Previously On Teen TV on TikTok: ⁠⁠https://www.tiktok.com/@previouslyon_teentv⁠⁠Subscribe to our YouTube: ⁠⁠https://www.youtube.com/channel/UCe2lgvvZGKMrQ8v24FmDdWQ?sub_confirmation=1⁠

This is just a ten-ish-minute clip from our super-sized episode on THE DEPARTED! To access the full show, click through here to sign up now!“Martin Sheen pops like a grape!” - Andrew on Captain Queenan's demiseOn this month's We ❤️ Movies, Remake-ril is in full effect as we chat about Martin Scorsese's Oscar-winning remake, The Departed! A reimagining of Andrew Lau Wai-Keung & Alan Mak's Infernal Affairs, this is the flick that finally won Scorsese his first (and only) Oscar for directing. How majestic are all these wild-ass accents flying around this movie? Is this Marty's most grim look at the mob? How great is this Damon/Farmiga elevator meet cute? Isn't it great looking back at all this quaint cell phone technology? And how lucky are we to have gotten one last amazing Nicholson psycho performance? PLUS: If Yondu from Guardians of the Galaxy shows up at your apartment wearing paper booties, look out!The Departed stars Leonardo DiCaprio, Matt Damon, Mark Wahlberg, Martin Sheen, Ray Winstone, Vera Farmiga, Anthony Anderson, Alec Baldwin, Kevin Corrigan, James Badge Dale, and Jack Nicholson as Frank Costello; directed by Martin Scorsese.Be sure to visit the WHM Merch shop over on Dashery and check out all the latest show-related designs you can slap on t-shirts, hats, coffee mugs, stickers, whatever! Make your friends jealous by flaunting some WHM merch today!Original cover art by Felipe Sobreiro.