Podcasts about Barbican Centre

In this special bonus episode of Sound Healing News, host Natalie Brown dives into the expanding world of sound healing—from global market trends and industry insights to the latest research and inspiring stories from the field. Discover the numbers behind the movement, explore key trends and get practical tips for growing your sound healing practice. We also highlight recent clinical research on sound frequencies, a groundbreaking immersive exhibition at London's Barbican Centre, and an exciting update from Monique Mead and the Scottie Sound Bath program at Carnegie Mellon University. Tune in for a powerful glimpse into the evolving landscape of sound—where healing, science, art, and innovation meet. References: https://straitsresearch.com/press-release/global-sound-therapy-market-size https://rollingout.com/2025/03/09/impact-of-sound-frequencies-on-wellbeing https://www.theguardian.com/artanddesign/2025/may/21/anyone-fancy-a-subwoofer-massage-the-show-that-shakes-you-senseless https://www.cmu.edu/news/stories/archives/2025/may/a-massage-for-the-brain-scottie-sound-bath-soothes-the-stress-of-everyday-life Natalie Brown, host of Sounds Heal Podcast: http://www.soundshealstudio.com http://www.facebook.com/soundshealstudio http://www.instagram.com/nataliebrownsoundsheal http://www.youtube.com/soundshealstudio Music by Natalie Brown

On Sunday 18th May, Mickey-Jo was joined at my live Cabaret show 'MickeyJoTheatre: LIVE' at the Phoenix Arts Club by the extraordinary Carly Mercedes Dyer. Carly received an Olivier Award nomination for her hysterical performance as Erma in Anything Goes at the Barbican Centre, and has also wowed audiences in A Chorus Line, West Side Story, Dirty Rotten Scoundrels, and the UK tour of the Drifter's Girl. Just days before her debut cabaret show as part of Janie Dee's "A Wonderful World" cabaret festival at Crazy Coqs, she joined me at MickeyJoTheatre: LIVE to discuss her career so far, the notion of stardom, and how her cabaret will tie in with the festival's conversations about raising awareness of climate change and celebrating connectivity and the beauty of the natural world. •get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club:https://phoenixartsclub.com/events/mickeyjotheatre-live/About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Keir Starmer claims Britain is back on the world stage after securing a new deal between Britain and the EU - but opposition leaders say he has surrendered on fishing rights. Chief political correspondent Rachael Burford has the latest.And in part two, The London Standard's business editor Jonathan Pyrnn reveals details of the Barbican Centre's ambitious renovation. Hosted on Acast. See acast.com/privacy for more information.

Kathleen MarshallKathleen began her Broadway career as an assistant to her brother Rob, the choreographer of Kiss of the Spider Woman, in 1993. The two also collaborated on She Loves Me, Damn Yankees , Victor/Victoria and Seussical. She was the artistic director for the Encores! series of staged musical revivals from 1996 through 2000. During that time, she choreographed The Boys from Syracuse, Li'l Abner and Call Me Madam and she directed and choreographed Babes in Arms and Wonderful Town.She also directed and choreographed the Broadway revival of Grease.  I was fortunate enough to catch the Encores! production of Wonderful Town when it transferred to Broadway.Kathleen was also the director and choreographer of the Broadway revival of Pajama Game which opened in February 2006 and which was the Broadway acting debut of Harry Connick Jr.  I'm happy to report I was there too!More pertinent, Kathleen directed and choreographed a Broadway revival of Cole Porter's Anything Goes in 2011, with Sutton Foster as Reno Sweeney.  The show ran at London's Barbican Centre in 2021 and was recorded for television (BBC) by Ross MacGibbon, later picked up by PBS in America.  Kathleen's production is as close to perfect as can be. In fact, she won the Laurence Olivier Award for Best Theatre Choreographer. Stephen RidleyIn 2021 Steve joined Kathleen as music supervisor and music director of Anything Goes at the Barbican.  He was also music supervisor of Oklahoma! at Wyndham's Theatre.  Steve conducted the highly-acclaimed Broadway transfers of The King and I at The London Palladium and the Dominion Theatre and An American in Paris at the Dominion Theatre, and he was the music director of the Olivier Award winning revival of Ken Ludwig's Crazy for You at the Novello Theatre.  He later was music supervisor of Kiss me, Kate at the Barbican, now being shown on PBS throughout the U.S.Steve is a music director, conductor and pianist based in London. He was born in Middlesbrough and is a graduate of the Royal College of Music. I'm thrilled that he joined us for this exciting episode!

Send us a textTo commemorate Shakespeare's 461st Birthday, I am very happy to bring on to the Fixate & Binge Podcast, HANNAH YOUNG, a native of Stratford-on-Avon, the home of Shakespeare. Hannah is a classically trained actress who has performed extensively with the Royal Shakespeare Company over several seasons in her career. She features as Lady Macbeth in Cheek by Jowl's film ‘Acting' which is premiered this weekend in London's The Barbican Centre, and has also worked at the National Studio in London and in several West End productions.In this episode, Hannah shares her first experiences with Shakespeare, growing up in Stratford-on-Avon, recounting her work on the stage with stage and screen legends. She illuminates how she approaches her characters, and uses the text itself to explore clues and ideas about her portrayals for audiences.If you're a casual fan of Shakespeare, a budding academic, a Bardolater, or terrified of experiencing Shakespeare for the first time -- this is the perfect podcast  to hear from Hannah on how best to approach the immortal Bard.In this podcast, I also provide a spoiler-free review of Alex Garland and Ray Mendoza's film WARFARE -- currently in theaters and well-worth the price of admission to experience on the big screen!Thank you for listening! You can find and follow us with the links below!Read our Letterboxd reviews at:https://letterboxd.com/fixateandbinge/Follow us on Instagram at:https://www.instagram.com/fixateandbingepodcast/?hl=msFollow us on TikTok at:https://www.tiktok.com/@fixateandbingepodcastVisit our website at:https://fixateandbingepodcast.com/

In March 2025 we made a series of recordings in and around the Barbican Centre, with the idea of those sounds being folded back into the Observatory Station sound installation, so that the sounds of the Barbican itself become part of the stories being told by sound from around the world.  In this recording, we ride the lifts inside the Barbican Centre, taking a close listen to the announcements, closing and opening doors and lift mechanisms inside this brutalist wonder. At the end of the recording we emerge into a very busy cocktail bar, to the sounds of early evening merriment.  Recorded by Cities and Memory. 

"With a nod to the arpeggiated, headspace-clearing epic E2-E4 by Manuel Göttsching, this piece represents how a journey in a lift can be an opportunity to gather your thoughts, to collect yourself and to return your mind to clarity in that space between two floors.  The journey in a lift can be just long enough to reset yourself, and this piece is a sonic tribute to all those little, head-clearing trips we've taken up and down tall buildings. Four different layers of synthesiser from the ASM Hydrasynth play off one another, until the final dreamlike synth waves see us emerge blinking from the lift into the hustle and bustle of a busy cocktail bar, but with a serene mind." Barbican Centre lifts reimagined by Cities and Memory.

Samira Ahmed and guest critics - the novelist and anthropologist Tahmima Anam and Ben Luke from the Art Newspaper - give their verdict on the week's cultural releases. They've been to see Cate Blanchett in Anton Chekhov's play The Seagull at the Barbican Centre. The classic drama still features characters from Russian nobility – but it's given a modern-day treatment including VR headsets and quad bikes. They have also watched Sister Midnight, a film about a young bride called Uma who joins her husband in Mumbai but struggles to adapt to her new life and connect with the man she knew as a childhood friend. She wanders the streets, drawn to the moon and becomes an accidental outlaw.Also under consideration are portraits in an exhibition at the National Portrait Gallery by Edvard Munch – an artist best known for his painting The Scream. Plus we pay tribute to Five Star's Stedman Pearson who's died at the age of 60.Presenter: Samira Ahmed Producer: Claire Bartleet

One of this week's biggest London Theatre openings was a new adaptation of Anton Chekhov's THE SEAGULL at the Barbican Centre, directed snd co-written by Thomas Ostermeier alongside Duncan Macmillan.The production's starry ensemble cast includes Cate Blanchett, Tom Burke, Jason Watkins, Emma Corrin, Priyanga Burford, Zachary Hart, Paul Higgins, Tanya Reynolds, Paul Bazely, and Kodi Smit-McPhee.Check out this full review to find out how Mickey-Jo responded to this challenging, and provocative contemporary staging of the iconic play...•00:00 | introduction02:25 | synopsis / overview07:04 | this production12:16 | adaptation / direction17:13 | standout scenes22:43 | performances•About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 75,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

What vegetables could I grown that aren't native to the UK? Are there any punk-ish plants that thrive in a hot and humid room? Which plant would make a great building structure? Peter Gibbs and a team of gardening experts explore the various locations of the beautifully brutalist Barbican Centre in London, all while digging into the GQT postbag to answer your gardening conundrums.Joining Peter are ethnobotanist James Wong, garden designer Juliet Sargeant and Head Gardener Matthew Pottage. Leading them around various locations is the Barbican Centre's Head Gardener Marta Lowcewicz.Producer: Bethany Hocken Assistant Producer: Rahnee Prescod Executive Producer: Carly MaileA Somethin' Else production for BBC Radio 4

How do we make space for the curious child? In a society where we are eroding subjects such as music, art and dance from the curriculum, where knowledge and achievement are valued above play and creativity, how do we encourage curiosity in children and allow it to thrive inside and outside the classroom?Ross Borthwick, Isabel Rich and David Marshall approach the question of curiosity in Episode 5 of Season 3 with...well, curiosity. It's something all schools want to promote - or say they want to promote - but what exactly is it, and how do we keep the spark alive in the children we teach, particularly in an age of instant access knowledge?Episode Links & Other Things Article from The Atlantic: How the Ivy League Broke America, a thought-provoking look at the way exclusivity in education has increased the divide in the States. Essential reading for anyone involved in education, with lots of relevance to the UK system: https://bit.ly/4iibPOwMichael Rosen's Book of Play is wonderful, not just because of all the creative ideas but because of Rosen's own commentary on the ideas behind play, referencing Jean Piaget among others: https://wellcomecollection.org/books/michael-rosen-s-book-of-playFrancis Alÿs' study of different children's games around the world explores play across different countries. Following the exhibition at The Barbican Centre earlier this year, you can find videos on this site showing different games in different countries, a window into the ingenuity of children everywhere: https://francisalys.com/category/childrens-games/How to Develop Curiosity in Kids: 9 engaging ideas from the International School in Ho Chi Minh City: https://bit.ly/3BAxcddFor anyone alive in the 90s, Dorling Kindersley (DK) were the go-to for information and fact-based learning, especially their cross-section books: https://www.dk.com/uk/book/9780241379783-stephen-biestys-incredible-cross-sections/ We also love the range of non-fiction books you can get today. Flying Eye is one of the best around, with plenty to inspire curiosity: https://flyingeyebooks.com/Dunkeld Cathedral in Perthshire can be visited all year round: https://www.historicenvironment.scot/visit-a-place/places/dunkeld-cathedral/The Rest is Education is a podcast created by teachers for teachers, parents and anyone interested in education. Please follow, share and recommend whenever you can. You can email us at therestiseducation@gmail.com or find us on LinkedIn. Thanks for listening!

Ep.218 Ibrahim Mahama was born in 1987 in Tamale, Ghana. He lives and works in Accra, Kumasi, and Tamale. Solo exhibitions include Fruitmarket Gallery, Edinburgh (2024); Barbican Centre, London (2024); Kunsthalle Osnabrück, Germany (2023); Oude Kerk, Amsterdam (2022); Frac des Pays de la Loire, France (2022); The High Line, New York (2021); University of Michigan Museum of Art (2020); The Whitworth, The University of Manchester, UK (2019); Norval Foundation, Cape Town (2019); Tel Aviv Art Museum, Israel (2016); and KNUST Museum, Kumasi, Ghana (2013). He has participated in numerous group exhibitions including Desert X AlUla, Saudi Arabia (2024); Sharjah Biennial 15, UAE (2023); 18th International Venice Architecture Biennale, Italy (2023); the 35th Bienal de São Paulo, Brazil (2023); Museum of Fine Arts, Houston, Texas (2021); Centre Pompidou, Paris (2020); 22nd Biennale of Sydney, Australia (2020); Stellenbosch Triennale, South Africa (2020); 6th Lubumbashi Biennale, Democratic Republic of the Congo (2019); Ghana Pavilion, 58th Venice Biennale, Italy (2019); Documenta 14, Athens and Kassel, Germany (2017); Broad Art Museum, Michigan State University (2016); Kunsthal Charlottenborg, Copenhagen and Holbæk, Denmark (2016); 56th Venice Biennale, Italy (2015); and Artist's Rooms, K21, Düsseldorf, Germany (2015). Mahama was also appointed Artistic Director of the 35th Ljubljana Biennale of Graphic Arts, Ljubljana (2023). In 2024, Mahama was selected for the inaugural Sam Gilliam award by the Dia Art Foundation and the Sam Gilliam Foundation, which includes the presentation of a public program at Dia in fall 2024. Photo credit: Carlos Idun-Tawiah White Cube https://www.whitecube.com/artists/ibrahim-mahama Sam Gilliam Award https://www.diaart.org/about/sam-gilliam-award Dia Art Foundation https://www.diaart.org/program/calendar/sam-gilliam-award-program-ibrahim-mahama-dia-talks-11212024/period/2024-11-02 Fruitmarket https://www.fruitmarket.co.uk/about-us/ Stedelijk Museum Amsterdam https://www.stedelijk.nl/en/events/artist-talk-ibrahim-mahama-en Ghana Remembers https://ghanaremembers.com/stories/people/ibrahim-maham-the-first-ghanaian-artist-to-win-the-inaugural-sam-gilliam-award-in-2024.html#google_vignette Barbican https://www.barbican.org.uk/whats-on/2024/event/ibrahim-mahama-purple-hibiscus Observer https://observer.com/2024/09/interview-ibrahim-mahama-artist-white-cube-exhibition/ Vennice Biennale https://www.labiennale.org/en/architecture/2023/force-majeure/ibrahim-mahama Institute for Humanity Activities https://www.humanactivities.org/en/iha-blank/sculpture-workshop-with-ibrahim-mahama/ Edinburgh Art Festival https://www.edinburghartfestival.com/event/ibrahim-mahamasongs-about-roses/ Wallpaper https://www.wallpaper.com/art/exhibitions-shows/ibrahim-mahama-tells-us-why-he-has-covered-the-barbican-in-pink-fabric Reiter Galleries https://www.reitergalleries.com/en/artists/ibrahim-mahama/ NYTimes https://www.nytimes.com/2024/09/19/arts/design/ibrahim-mahama-artist-ghana-white-cube.html The Brooklyn Rail https://brooklynrail.org/2024/10/artseen/ibrahim-mahama-a-spell-of-good-things/ Bonhams https://www.bonhams.com/press_release/38679/ Burlington Contemporary https://contemporary.burlington.org.uk/reviews/reviews/ibrahim-mahama-songs-about-roses The Highline https://www.thehighline.org/art/projects/ibrahim-mahama/ Desert X AlUla https://desertx.org/dx/dx24-alula/ibrahim-mahama C& https://whitewall.art/whitewaller/best-of-new-york-exhibitions-ibrahim-mahama-janaina-tschape-and-more/ artnet https://news.artnet.com/art-world/ibrahim-mahamas-stunning-textile-installation-blankets-the-barbican-in-london-2476760 BBC https://www.bbc.com/news/world-africa-68846770 The Art Newspaper https://www.theartnewspaper.com/2024/08/23/saatchi-collection-ibrahim-mahama-auction-bonhams Whitewall https://whitewall.art/whitewaller/best-of-new-york-exhibitions-ibrahim-mahama-janaina-tschape-and-more/

We've all been there: investing our time and energy into worshiping our favourite artist only for them to call us "creepy as fuck". Ok, maybe we've not ALL been there, but thousands of Doja Cat stans were last year, whilst just a few days ago The Pretenders upset a bunch of their most hardcore fans in an Instagram post that has since been deleted. It offered us the chance to get into the fan/artist relationship on this week's podcast, as well as Greg reporting back from Sexyland World, a club in Amsterdam, and Stu from the perhaps less sexy Barbican Centre in London. We won't pretend that we planned this, but every element of this week's show, from Joni Mitchell at the Hollywood Bowl to Greg's Top 3 challenge, happens to based around live music. Oh. And we're calling our listeners Werewolves now. Cheers. Further reading/listening/viewing Heartworms Loud And Quiet interview boygenius Loud And Quiet interview Robbie Williams' art exhibition ADE Listen to our new Beat the Algorithm Spotify playlist Credits: Editing by Stuart Stubbs  Mixing and mastering by Flo Lines Artwork by Kate PriorSee omnystudio.com/listener for privacy information.

We report from the CTBUH International Conference at London's Barbican Centre where keynote speakers and city-building experts discuss how to do density better.See omnystudio.com/listener for privacy information.

This episode was recorded live at the Barbican Centre's Frobisher Auditorium on 25 June 2024, with panelists Bob Allies of Allies and Morrison; Charlie Edmonds of the grassroots activist group Future Architects Front; Cristina Gaidos + Maia Rollo of the recently formed union Section of Architectural Workers; and Jane Issler Hall + Owen Lacey of the the architecture collective Assemble. Scaffold is an Architecture Foundation production, hosted by Matthew Blunderfield. Download the London Architecture Guide App via the App Store or Google Play Hosted on Acast. See acast.com/privacy for more information.

Some people take a lifetime to find their true north, the thing they want to spend their days working on. That's not the case for Sean Perkins. Growing up in South Yorkshire in the 70s, it wasn't cool to get good grades. Even though he was smart, he flunked almost everything. Everything, but art. From a young age he was exposed to, “the future, all this incredible visual culture”, by way of Japanese mementos his dad would bring back from work trips to Tokyo. And the fashion his mum would wear after disappearing to the fashion shows in Paris to stock her boutique in Huddersfield. Today, he's one of the most influential graphic designers of our time. He's created visual identities for some of the world's most recognisable brands with his London-based studio North Design. And the brands and clients relationships he builds — they stand the test of time. Some of his identity systems are still being used 20+ years after he and his partners Jeremy Coysten and Stephen Gilmore first created them. Think Tate Modern, Barbican Centre, West Kowloon Cultural District, ACMI. And perhaps most notably, the project that put his name on the map as a young designer, the UK's most iconic roadside assistance company, the RAC. Listen in as Vince and Sean discuss, growing up buying albums for the covers, learning from Gert Dumbar, and the highs and lows of running their respective studios. See omnystudio.com/listener for privacy information.

On Sunday, June 16th, 2024, Jason Drury traveled to London's Barbican Centre to watch and listen to music performed by the world's greatest film music orchestra, the London Symphony Orchestra. The evening celebrated the orchestra's 90th anniversary of performing film scores. Under the direction of the equally great Dirk Brossé, they performed suites from twenty scores, some well-known, some underrated, all pure quality. Listening to all that wonderful music gave Jason an idea. Why not produce an Archive Show celebrating the music of the LSO featuring scores all performed by this wonderful ensemble? So, that's what we are going to do today. In addition, as with the concert, Jason will play one cue from the film or a small suite. And, because it is a ‘concert', you will hear several of these suites with as little contribution from your trusted host as possible. Welcome to Cinematic Sound Radio's celebration of the music of the London Symphony Orchestra. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Mike Kohutich, Scott Bordelon, James Alexander, Brett French —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Have you ever wondered what it would be like to breathe yourself into your own body? To flow with the out-breath of trees into your own fractaling lungs, to dance ribbonlike into an ancient ceiba's vasculature, to stitch an ecosystem together as a mycelium highways sparkling with energy? In this episode we explore the transformational potential of virtual reality through the work of Marshmallow Laser Feast, an artist collective that has emerged as a leading VR creators in the last decade. They exhibited internationally from London to New York, Melbourne to Seoul, their work included in major exhibitions at institutions including the Barbican Centre, Saatchi Gallery, Sundance Film Festival, and SXSW. 'In The Eyes Of The Animal' was nominated for the Design of the Year by Design Museum Beazley Awards and won the Wired Innovation Award (2016). Most recently, the team at MLF won the Tribeca Film Festival Storyscapes Award for Innovation in Storytelling and Best VR Film at VR Arles Festival for ‘TreeHugger, Wawona'. Ersin Han Ersin is the director of MLF and describes to us how they use dazzlingly aesthetic real-time VR experiences to explore the invisible perspectives of nature's lifeworlds – and how they are constantly pushing the bounds of what technology makes possible in expanding our ecological sensitivities. I enquire into:Who they need to speak to in order to create their masterpieces and translate the umwelts of other species? What other scientists, poets, musicians, make this possible?What is it that virtual reality can create that no other medium can?What is the building block of a multisensory story?What are some of the astounding ways that other beings experience the world that are divergent from the human?How could global education be redesigned based on kinesthetic educative tools like VR?Episode Website Link.Show Links:Marshmallow Laser FeastTED talkVimeo of MLFSoulful connection with trees: DartingtonLifeworlds Episode with Karen BakkerObservations on Being by MLFAI piece from Berggruen InstituteAbandon Normal Devices FestivalLook out for meditations, poems, readings, and other snippets of inspiration in between episodes.Music: Electric Ethnicity by Igor Dvorkin, Duncan Pittock & Ellie Kidd Hosted on Acast. See acast.com/privacy for more information.

Strap in for Episode 1 of our brand new series, Business of Cannabis: Podcast at Cannabis Europa 2024. Kicking things off, CEO of Ziel, Arthur de Cordova joins our host Shahbaaz Kara at the Barbican Centre during our recent Cannabis Europa event - Europe's gateway to global cannabis and thought leadership.

The Broadway Tony-winning powerhouse on making British shores her home as she stars in the Barbican Centre production of Kiss Me, Kate. Plus, we dive into rewriting our own limitations, leaning into a new style of her infamous singing voice and why her London co-star Adrian Dunbar reminds her about the magic of laugher. And SJB in LDN? We find out what it would take to bring her to the West End for a lengthy run here. Host: William J Connolly Produced by: William J Connolly/Darren Bell kissmekatemusical.com Welcome to eleven. The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Follow eleven on social media via @elevenpodcast and via elevenpodcast.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kyle Birch (A Strange Loop / I'm Gonna Marry You Tobey Maguire) co-hosts The West End Frame Show!Kyle and Andrew discuss Title Of Show (Phoenix Arts Club) as well as the latest news about The Society of London Theatre's “Theatre for Every Child" campaign, casting for the Les Misérables arena tour, James Corden delaying a performance of The Constituent to watch England's penalties and lots more. Kyle is currently playing Brenda Dee Cankles & others in I'm Gonna Marry You Tobey Maguire at the Southwark Playhouse (Borough, The Little). Written by Samantha Hurley, the show is described as a sharp new comedy that reminds us that with great obsession comes great heartache.Last year Kyle was in the UK premiere of A Strange Loop. Direct from Broadway, Kyle started out as the alternate for the central character, Usher, before taking over the role full-time to huge acclaim for the final months of its run at the Barbican Centre. Some of Kyle's other theatre credits include The Color Purple (UK Tour), Bat Boy (London Palladium), Children Of Eden (Cadogan Hall) and various iterations of In Pieces. He starred as Agwe in the British Theatre Academy's production of Once On This Island (Southwark Playhouse). I'm Gonna Marry You Tobey Maguire runs at the Southwark Playhouse (Borough, The Little) until 10th August. Visit www.southwarkplayhouse.co.uk for info and tickets.Follow Kyle on Instagram: @kbirch27 Hosted by Andrew Tomlins. @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.   

One of this summer's most anticipated musical revivals is the brand new production of Kiss Me, Kate at the Barbican Centre in London. The revival, which has been directed by Bartlett Sher stars Stephanie J Block and Adrian Dunbar as well as Charlie Stemp and Georgina Onuorah. Check out the review to find out what Mickey-Jo thought of the production, the Cole Porter score and the performances… • 00:00 | introduction 02:35 | synopsis / material 10:51 | this production 20:21 | performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Day 9: Jimin Seo reads his poem “Richard Wakes Up in The Middle of The Night” forthcoming from his book OSSIA (Changes, 2024).  Jimin Seo was born in Seoul, and immigrated to the US to join his family at the age of eight. He is the author of OSSIA, a winner of The Changes Book Prize. His poems can be found in Action Fokus, The Canary, annulet, Pleiades, mercury firs, and The Bronx Museum. His most recent projects were Poems of Consumption with H. Sinno at the Barbican Centre in London, and a site activation for salazarsequeromedina's Open Pavilion at the 4th Seoul Biennale of Architecture and Urbanism. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

This week, AF Trustee Shumi Bose moderates a discussion on the state of architectural education with panellists Adrian Lahoud (Dean, School of Architecture at the Royal College of Art), Kester Rattenbury (former Professor of Architecture at the University of Westminster), and Neal Shasore (Head of the London School of Architecture). The event was recorded in front of a live audience on 1 February 2023 at Benk and Bo in Aldgate, London. An upcoming live panel, titled "The Rights of the Architectural Worker" takes place on the evening of Tuesday 25 June at the Barbican Centre, with speakers Bob Allies (Allies and Morrison) Charlie Edmonds (Future Architects Front) and Jane Issler Hall (Assemble), as well as members of the Section of Architectural Workers. For more information and to book your tickets, follow this link. Hosted on Acast. See acast.com/privacy for more information.

Sharlene Hector is playing Grace / Alice in Standing at the Sky's Edge at the Gillian Lyne Theatre. Originally written as a love letter to Sheffield, Standing at the Sky's Edge has transferred to the West End following triumphant runs at the National Theatre and  Crucible Theatre in Sheffield. The show is directed by Robert Hastie, featuring songs by Richard Hawley and book by Chris Bush.Sharlene previously worked in music before transitioning into theatre. She made her West End debut as Lorraine in Hairspray at the London Coliseum, also covering and playing Motormouth Maybelle before touring the UK and Ireland as the alternate Effie White in Dreamgirls. Most recently Sharlene played Thought 1 in the UK premiere of A Strange Loop at the Barbican Centre. In the music world, Sharlene was Lead Vocalist in Basement Jaxx and Blonde. She has sung backing for the likes of Alicia Keys, Muse, Emeli Sandé, Sam Sparro, Primal Scream, Rebecca Ferguson, Lalah Hathaway, Tinie Tempah, Josh Groban and Michael Bublé.  Sharlene has performed at Glastonbury, V Festival, Bestival and Wireless with her television appearances including Alan Carr's Epic Game Show – Name That Tune (ITV), X Factor (ITV), Top of the Pops (BBC), Sounds Like Friday Night (BBC) and Later with Jools Holland (BBC).Sharlene previously recorded an episode of In The Frame in 2022 during her run in Dreamgirls. In this episode, she discusses her reflections of playing Effie White, what A Strange Loop taught her and why she fell in love with Standing at the Sky's Edge... plus lots more!Standing at the Sky's Edge runs at the Gillian Lyne Theatre until 3rd August 2024. Visit www.skysedgemusical.com for info and tickets. Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  46s Film Making 46s: Filmmakers talk origins, challenges, budgets, and profits.Listen on: Apple Podcasts Spotify

In today's episode, I'm joined by the incredible designer, Meryl Vedros, as we dive into the remarkable life Gunta Stölzl, a visionary force at the iconic Bauhaus in Germany. We uncover what it truly meant to be a woman navigating the male-dominated world of design during the early 20th century. From her groundbreaking textile designs to her influential role as the only female master at the Bauhaus, we'll explore the enduring legacy of Gunta Stölzl and how her innovative spirit continues to inspire designers around the globe. As the only female master of the Bauhaus, textile artist Gunta Stölzl is arguably the single most influential figure in the modern history of Western woven art. Under her leadership, the school's weaving workshop was transformed from a neglected department to one of its most successful facilities. During her tenure, she updated the focus from pictorial work to more industrial designs, introducing radical ideas from the world of modern art to weaving, and initiated experiments in materials and methods that helped shift weaving into the modern age. Sources2019 Book “Bauhaus Women: A global perspective”2022 Daily Art Magazine article1999 Bauhaus Book by Anja Baumhoff2012 Talk at The Barbican Centre in London by daughter Monika “Bauhaus: Art as Life”Diary entries from Gunta herself. Slit Tapestry Red/Greenhttps://www.guntastolzl.org/Works/Bauhaus-Dessau-1925-1931/Wall-Hangings-and-Carpet/i-4h4SxCp Tapestry Paintings / Designshttps://www.guntastolzl.org/Works/Bauhaus-Dessau-1925-1931/Designs-for-Carpets/i-6fRNWJHhttps://www.guntastolzl.org/Works/Bauhaus-Dessau-1925-1931/Designs-for-Wall-Hangings/i-xJrzrhMhttps://www.guntastolzl.org/Works/Bauhaus-Dessau-1925-1931/Designs-for-Wall-Hangings/i-tJbfVbHhttps://www.guntastolzl.org/Works/Bauhaus-Dessau-1925-1931/Designs-for-Carpets/i-CqVr29m From Sketch to Finalhttps://www.guntastolzl.org/Works/Bauhaus-Weimar-1919-1925/Designs-for-Wall-Hanging/i-VxXtPrNhttps://www.guntastolzl.org/Works/Bauhaus-Weimar-1919-1925/Wall-Hangings-and-Carpet/i-3ZMsh3B Thank you Meryl Vedros! https://www.vedrosstudio.com https://www.instagram.com/vedrosstudio/

I really enjoy these live chats and the background noise adds some atmosphere - this time it's a chat with sax player, composer and band leader Mark Lockheart in London's Barbican Centre.Mark's latest album - Smiling - is out on Edition Records at the end of March and you can hear a couple of tracks from it.Thanks to Mark for joining me in conversation and for sharing tracks from Smiling alongside our chat.Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showThanks for listening to Harmonious World. You can support the show by becoming a subscriber.Please rate and review wherever you find your podcasts - it really helps.Read my reviews of albums, gigs and books as well as a little personal stuff on my blogFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Curator Matthew Barrington marks 220 years since the Haitian Revolution, the only successful slave uprising, unreeling how resistance continues with a series of films, from the first zombie horrors, to contemporary Caribbean and diasporic documentaries. The Caribbean island of Haiti is often reduced to binary representations, of the 18th century Haitian Revolution and its iconic leader, Toussaint Louverture, or environmental disasters, with the earthquake of 2010. But resistance has long been central to Haitian identities and the popular imagination - past and present. Since 1492, when Christopher Columbus arrived on Hispaniola, now Haiti and the Dominican Republic, Spanish, Dutch, English, and French colonists all attempted to ‘settle' the land. The Revolution was the first and only successful uprising of self-liberated slaves against French colonial rule in the island region of Saint-Domingue, a rebellion that still resounds across the islands and diasporas today - whether in the words of Naomi Osaka, or filmmakers like Esery Mondesir, who say ‘we've been screaming Black Lives Matter (#BLM) for over 200 years'. Marking 220 years since the Revolution, and formation of the first independent Black republic on 1 January 1804, Barbican Cinema curator Matthew Barrington shares some of the ways Haiti is depicted on screen. We cover 70 years of films, travelling from ‘exotic' plantations to more everyday scenes, starting with Victor Halperin's White Zombie (1932), which birthed the horror genre. Drawing on Bela Lugosi's portrayal of factory owner Murder Legendre, and own othering, we discuss how such movies often sensationalised local spiritual practices as ‘superstitions', and reinforced racial and gender hierarchies with their Western European-centric gaze. But they can also be read more subversively, in relation to colonialism, as evidence of forced labour, slavery, and capitalist extraction. We find similar tropes in gothic and body horrors, from vampires to killer plants, and connect with post-colonial landscapes across the Caribbean like Cuba. Contemporary filmmakers also grapple with the ‘ghosts' of colonialism and capitalism. Matthew explains how the continued extraction of wealth from the islands, many of which were forced to pay reparations to their former enslavers, has perpetuated political instability, forcing many into exile or to migrate for economic opportunities. He shares classic films by Raoul Peck and Arnold Antonin, connecting with Third Cinema, and more experimental works by award-winning makers like Miryam Charles and Gessica Généus. Exploring the occupation and ongoing intervention by the US, and the dictatorship of Jean-Claude Duvalier in the 1970s and 1980s, we see how the distance of diasporas often creates the conditions for rebellion, protest, and radical community-building today, as well as pluralising perspectives of well-known landscapes, like New York City. Finally, we discuss the importance of art, visual culture, and Carnival in the context of this ongoing underdevelopment and high illiteracy rates in Haiti, and how public institutions like the National Portrait Gallery will mark this vital anniversary. Visions of Haiti ran at the Barbican Cinema in London throughout October 2023. WITH: Matthew Barrington, film curator and researcher. Matthew is the Manager of the Birkbeck Institute for the Moving Image in London, a programmer for the Essay Film Festival and the London Korean Film Festival, and has worked with the Open City Documentary Festival. He is also a curator of cinema at the Barbican Centre, including the series, Visions of Haiti. ART: ‘White Zombie, Victor Halperin (1932) (EMPIRE LINES x Visions of Haiti, Barbican Cinema)'. SOUNDS: ‘White Zombie, Victor Halperin (1932)'. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcast And Twitter: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines

SUPER fun conversation with Chinese national Jiang Zi Xiu (Klaire) of the Shanghai band GUJI about one of her favorite records: 'Monster Movie' by the German experimental band CAN! "You made a believer out of me..." Songs discussed in this episode: Can Dialog - The Can Project (Irmin Schmidt with the London Symphony Orchestra at the Barbican Centre, London 2017); I Like To Hang Out In China, Judgement Day - GUJI; Billy - Round Eye; Come sta, La Luna - Can; I Can't Stand It - The Velvet Underground; Zyklus für einen Schlagzeuger (Zweite Version, 1959) - Karlheinz Stockhausen; Father Cannot Yell - Can; Mary, Mary, Quite Contrary - Mediaeval Baebes; Pale Blue Eyes - The Velvet Underground; Mary, Mary So Contrary - Can; Ballad of North Henan Province - Yu Hongmei; Outside My Door, Yoo Doo Right - Can; Build A Friend For Me, My Mao Suit - GUJI

The first women's liberation conference in the UK, Miss World protests, the formation of the Brixton Black Women's Group and the politics of who cleans the house are all explored in a new exhibition at Tate Britain. Whilst activism and art linked to ecology by 50 women and gender non-conforming artists are on display at the Barbican Centre in London and eco-feminist Monica Sjöö (1938-2005) is celebrated in a show opening at Modern Art Oxford. Naomi Paxton is joined by the academics Sophie Oliver and Ana Baeza Ruiz, by Alona Pardo curator of the Re/Sisters exhibition at the Barbican, and by Marlene Smith, a member of the BLK art group in Britain, who has helped pull together the Tate show. Producer: Julian Siddle Women in Revolt: Art, Activism and the Women's movement in the UK 1970–1990 runs at Tate Britain until 7 April 2024 Monica Sjöö: The Great Cosmic Mother runs at Modern Art Oxford from 18 November to 25 February 2024 RE/SISTERS A Lens on Gender and Ecology runs at the Barbican Centre, London until Sun 14 Jan 2024 Ana Baeza Ruiz is at Loughborough University working as the Research Associate for the project Feminist Art Making Histories - an oral history of women's art. Sophie Oliver teaches literature at the University of Liverpool, specialising in modernist writing by women and in links between art and writing. Both are New Generation Thinkers on the scheme run by the BBC and the AHRC to put research on the radio.

We're bringing you a bonus episode with Jean-Luke Worrell (Peter Pan Goes Wrong / A Strange Loop) and Bernie Dieter (Club Kabarett).Jean-Luke Worrell is currently playing Francis in Peter Pan Goes Wrong. Michief's show is back for a UK tour and West End run. Jean-Luke previously worked with Michief when he did The Comedy About a Bank Robery in the West End at the Criterion Theatre. His other theatre credits include Cluedo on tour and most recently he was an understudy in the London transfer of A Strange Loop at the Barbican Centre.Peter Pan Goes Wrong runs in the West End at the Lyric Theatre 23rd November - 14th January 2024 and tours the UK until April 2024. Visit www.peterpangoeswronglive.com for info, tour dates and tickets. Kabarett superstar (aka the mistress of mayhem) Bernie Dieter is back in London with her show Bernie Dieter's Club Kabarett. Renewed worldwide, the show features a live band and some of the world's best circus, cabaret and sideshow acts at their "provocative" best. Club Kabarett is the first production at the newly reopened and renamed Underbelly Boulevard Soho.Bernie Dieter's Club Kabarett runs at Underbelly Boulevard Soho until 6th January 2024. Visit www.underbellyboulevard.com for info and tickets. Hosted by Andrew Tomlins. @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

Danny Bailey recently starred as Thought 5 in the London production of A Strange Loop at the Barbican Centre.Some of Danny's theatre credits include Hair, South Pacific, The Lion King, Motown, Priscilla Queen of the Desert, Jesus Christ Superstar and Girl from the North Country. He played multiple roles to huge acclaim in the original West End cast of Get Up Stand Up.  Danny is also a writer, artist, journalist, speaker, activist, digital content producer, filmmaker and more. He founded The Palace Of The Dogs which started out as an online magazine and has evolved into a full out multi-disciplinary arts collective.Danny's documentary Black Exodus was screened at the V&A, his play Pressure just had an unrehearsed reading at the Bush Theatre and he has many other projects underway.  In this episode Danny discusses his path into theatre, being an activist before it was 'cool', what fuels his creativity and lots more.  Follow Danny on Instagram: @itsdannybwoi and visit The Palace of The Dogs  www.thepalaceofthedogs.co.ukHosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

Delve into a multisensory extravaganza at the Dance Umbrella Festival 2023, hosted at the Barbican Centre, where MOS Greece magically transforms the stage into a cinematic symphony of sights and sounds. Using everyday items like umbrellas, plungers, and, of course, coconut shells, MOS recreates the intricate sound effects crafted by expert foley artists for film and television. What emerges is not just audio, but a mesmerizing dance of energy as tap numbers are translated into a rhythmic canvas of looped, distorted, paused, and intensified recordings. Witness this fusion of visual and auditory artistry as Athens-based dancer and choreographer Ioanna Paraskevopoulou takes her Dance Umbrella Festival debut, crafting an unmissable narrative that dances between movement, sound, and imagery. Venture into the world of acting with a biting twist in I Love Acting But F*** This Industry, a new theatrical masterpiece that recently graced Theatre Peckham's stage. Written by Faisal Dacosta and Raphel Famotibe, the play unfolds against the backdrop of a global pandemic and a workers' strike that has upended the acting industry in 2023. Join close friends Manny, Ade, and Zion, South London natives, as they navigate the post-pandemic acting scene. Balancing their unwavering love for their craft with the disheartening acting industry that funds it, they grapple with the challenges this new world poses to their group dynamics and mental well-being. Get ready for laughter and introspection with Meetings, a razor-sharp comedy by Mustapha Matura. Hugh's encounter with street food triggers a journey into his Trinidadian roots, much to the bemusement of his high-flying wife, Jean. To quench his nostalgic passion, he hires a cook, Elsa, whose culinary talents transport him back in time. As they explore themes of identity, belonging, and the cost of progress, the play invites you to a feast of humour and contemplation. Experience it all through stellar performances, featuring Martina Laird, known from TV shows like Casualty and Dreamland, alongside an impressive theatrical portfolio. Join the journey as this comedy unfolds, with Martina joined by Kevin N Golding and Bethan Mary-James Finally, immerse yourself in the curious and captivating world of Trueman and the Arsonists. in a new version by Simon Stephens, complete with catchy songs by Chris Thorpe. This unique morality play, originally penned by Max Frisch challenges traditional notions of right and wrong, inviting evil in with open arms, warm blankets, and fine dinners. It's an amoral tale that's also sprinkled with songs, creating an atmosphere that's both thought-provoking and entertaining. Dive deeper into the play as you join an exclusive interview with the talented actors Adam Owers and Angela Jones. 

In episode 95 of The Gradient Podcast, Daniel Bashir speaks to Nao Tokui.Nao Tokui is an artist/DJ and researcher based in Tokyo. While pursuing his Ph.D. at The University of Tokyo, he produced his first music album and singles using AI, including a 12-inch record with Nujabes, a legendary Japanese hip-hop producer. After completing his Ph.D. research, he founded Qosmo, AI Creativity and Music Lab, in 2009. Since then, he has been actively working at the intersection of AI technology and art. Nao and his team's works have been exhibited at renowned venues such as the New York MoMA and the Barbican Centre in London. Their performances have also been showcased at various music festivals, including MUTEK and Sonar. Additionally, he is leading the development of AI-based music instruments at his newly founded company, Neutone. In 2021, Nao received the Okawa Publishing Award for his Japanese book on art, creativity, and AI. The book is scheduled to be released in English as "Surfing human creativity with AI — A user's guide" in November 2023.Have suggestions for future podcast guests (or other feedback)? Let us know here or reach us at editor@thegradient.pubSubscribe to The Gradient Podcast:  Apple Podcasts  | Spotify | Pocket Casts | RSSFollow The Gradient on TwitterOutline:* (00:00) Intro* (02:15) Nao's background and how he got into AI and music* (05:10) Nao's experiences as a DJ, collaboration with Nujabes* (07:10) HCI and music* (10:35) Leveraging the difference between AI systems and humans* (12:40) Total control vs total chaos* (13:45) Qosmo and the Neutone Project, misusable AI tools* (17:25) On music and “creating something new”* (21:00) Declarative and top-down vs. bottom-up creation, individual taste* (23:50) How generative AI enables humans* (26:25) On misusing technology and art* (32:00) Dawn Patrol EP* (36:00) A two-discriminator GAN for creating music in new genres* (37:45) The AI DJ Project* (38:20) The interactive vision of the project* (42:10) How AI chooses music, breaking from constraints* (43:15) Interpretability and how an AI system DJs differently* (45:15) How the project altered Nao's perspective on DJing, the role of humans* (51:40) Nao's book Creating with AI* (55:15) Human-AI interaction as joint improvisation* (58:10) Nao's advice and takeaways for thinking about AI creatively* (1:01:32) OutroLinks:* Nao's homepage and Twitter* Other links:* Neutone, AI audio plugin* Real-time AI-generative DJ performance* Qosmo* Dawn Patrol EP* Nao's book: Surfing human creativity with AI — A user's guide* Paper on Creative-GAN for deviating from existing music genres Get full access to The Gradient at thegradientpub.substack.com/subscribe

Minter Dialogue with Sir William Russell Sir William Russell was Lord Mayor of the City of London 2019-2021 and is currently Alderman of Bread Street Ward. He's also Board Member of CityUK, deputy chair of the Barbican Centre, and NED at Augmentum Fintech. Will was a classmate and housemate back from my time at Eton College where we shared many experiences on the sports field. In this conversation, we discuss his fascinating career, the influence of sports on his life, his appreciation of working for American companies, what makes an effective leader today, the important challenges for boards of governors, the impact of Brexit on Britain, as well as his experience in being knighted by the King. If you've got comments or questions you'd like to see answered, send your email or audio file to nminterdial@gmail.com; or you can find the show notes and comment on minterdial.com. If you liked the podcast, please take a moment to go over to Apple Podcasts or your favourite podcast channel, to rate/review the show. Otherwise, you can find me @mdial on Twitter.

Loss and belonging are explored in an installation at the Barbican Centre in London from Sierra Leonian poet and artist/filmmaker Julianknxx which hears choirs and musicians from cities across the world voice a single refrain: ‘We are what's left of us'. Momtaza Mehri has been Young People's Poet Laureate for London. A poem from her collection Bad Diaspora Poems is picked out in a selection for this year's National Poetry Day on October 5th, which has the theme of refuge. Matthew Sweet explores with them where we find refuge and hears from the academic Dr Jesús Sanjurjo about refugees from Spain who arrived in Somers Town in Camden in 1823 . Producer: Julian Siddle Chorus in Rememory of Flight by Julianknxx runs until 11 Feb 2024 at The Curve in the Barbican Centre London. He also has a film exploring Sierra Leone in the exhibition A World in Common: Contemporary African Photography on at Tate Modern until Jan 14 2024 and an artwork on show in an exhibition about Sankofa curated by Ekow Eshun on in Accra, Ghana. On the National Poetry Day website https://nationalpoetryday.co.uk/ you can find the text and teaching resources relating to the poem by Momtaza Mehri Brief Dialogue Between the Self-declared East African Micronations of Regent Park Estate (Toronto) & Regent's Park Estate (London) Dr Jesús Sanjurjo is an Early Career Fellow of the Leverhulme and Isaac Newton Trusts at the University of Cambridge

A Unesco conference and archeological summit in Saudi Arabia are the latest examples of the country's increasing focus on culture as part of the so-called Vision 2030 programme. We look at Saudi Arabia's unprecedented and lavishly funded focus on contemporary and ancient culture and how that relates to ongoing concerns about artistic freedom and human rights abuses in the kingdom. Alia Al-Senussi, a cultural strategist, and senior advisor at Art Basel and to the Saudi Ministry of Culture, joins host Ben Luke to discuss the contemporary art scene, and Melissa Gronlund, a reporter on the Middle East for The Art Newspaper, tells us about the push to reveal hitherto underexplored Saudi heritage. The Sierra Leone-born, London-based artist and poet Julianknxx this week unveiled a new project at London's Barbican Centre, Chorus in Rememory of Flight. The multi-screen installation features performers and choirs from the African diaspora who Julianknxx met on a 4,000-mile trip around European cities with colonial histories, from Lisbon via Marseille, Rotterdam and Berlin to London. We talk to him about this epic endeavour. And this episode's Work of the Week is among the greatest works on paper ever made: Michelangelo's studies in red chalk for the Libyan Sibyl, one of the most distinctive figures on his Sistine Chapel ceiling. The drawing features in Michelangelo and Beyond at the Albertina in Vienna and one of its curators, Constanze Malissa, tells us more about it.Art in Saudi Arabia: A New Creative Economy? by Rebecca Anne Proctor, with Alia Al-Senussi, published 30 November, Lund Humphries, £19.99.Julianknxx: Chorus in Rememory of Flight, The Curve, Barbican Centre, London, and online on WePresent, until 11 February 2024; Julianknxx is in A World in Common: Contemporary African Photography, Tate Modern, until 14 January 2024.Michelangelo and Beyond, Albertina, Vienna, 15 September-14 January 2024. Hosted on Acast. See acast.com/privacy for more information.

In 2012, Intelligence Squared partnered with The Elders, a coalition of world leaders and figureheads freed from the constraints of office whose wealth of experience can open doors at the highest level. Brought together by Nelson Mandela in 2007, The Elders use their collective experience and influence to promote peace, justice and human rights worldwide, using private advocacy and public diplomacy. To celebrate the group's fifth anniversary, Intelligence Squared hosted three of the Elders on stage in London at the Barbican Centre including former US president Jimmy Carter, Mary Robinson – the first female president of Ireland and former UN High Commissioner for Human Rights – and South African religious leader and activist Archbishop Desmond Tutu. Hosted by the broadcaster Jon Snow, the audience were also joined for a brief introductory discussion about the formation of The Elders organisaton with Virgin Group entrepreneur Sir Richard Branson and musician Peter Gabriel. This is the first half of the the discussion. Join us for the second half in the following episode.  We'd love to hear your feedback and what you think we should talk about next, who we should have on and what our future debates should be.  Send us an email or voice note with your thoughts to podcasts@intelligencesquared.com or Tweet us @intelligence2.  And if you'd like to get ad-free access to all Intelligence Squared podcasts, including exclusive bonus content, early access to new episodes and much more, become a supporter of Intelligence Squared today for just £4.99, or the equivalent in your local currency .  Just visit intelligencesquared.com/membership to find out more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kyle Ramar Freeman is currently starring as Usher in A Strange Loop at the Barbican Centre.A Strange Loop is about a young, gay, black writer who's writing a musical about a young, gay, black writer. Kyle understudied Usher on Broadway where A Strange Loop opened in 2022, winning the Tony Award for Best Musical.Prior to making his Broadway debut in A Strange Loop, Kyle played Asaka in the US tour of Once On This Island. After finishing his run in London, Kyle will star as The Lion in the highly anticipated 2024 Broadway revival of The Wiz. This episode was recorded in Kyle's dressing room at the Barbican Centre. He discusses his journey with A Strange Loop and what it has been like to bring the show to London, as well as all-things The Wiz and lots more!A Strange Loop runs at the Barbican Centre until Saturday 9th September 2023. Visit www.strangeloopmusical.com for info and tickets. Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

Did paganism survive all through the Middle Ages, as scholars once thought, remaining the religion of the common people, while the elite had embraced Christianity? Or did it die out earlier?This lecture will consider a broad range of evidence, including figures in seasonal folk rites, carvings in churches, the records of trials for witchcraft and a continuing veneration of natural places such as wells. It will also compare ancient paganism and medieval Christianity as successive religious systems.A lecture by Ronald Hutton recorded on 7 June 2023 at Barbican Centre, London The transcript and downloadable versions of the lecture are available from the Gresham College website: https://www.gresham.ac.uk/watch-now/medieval-paganGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://gresham.ac.uk/support/Website:  https://gresham.ac.ukTwitter:  https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport the show

The Universe is expanding, increasingly so. Will this persist or will it collapse back on itself? If it does expand forever, what happens to the galaxies? What is the long-term trajectory for the ultimate in collapsed matter, black holes?A lecture by Katherine Blundell OBE recorded on 31 May 2023 at Barbican Centre, London.The transcript and downloadable versions of the lecture are available from the Gresham College website: https://www.gresham.ac.uk/watch-now/end-universeGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://gresham.ac.uk/support/Website:  https://gresham.ac.ukTwitter:  https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport the show

Recordings in sub-zero temperatures and the hottest day on record have fed into the sound of Erland Cooper's latest composition. Ahead of a performance at the Barbican Centre, he discusses the way his Folded Landscape piece thaws through seven movements. New Generation Thinker Sam Johnson-Schlee is researching the social history of central heating, how its changed what we do in the home, and why climate change and global geopolitics are leading to questions about its' future. Sarah Jilani has suggested reading for the Nigerian take on the impact of the oil industry, which has produced a new style of literature 'Petropoetry'. And in her new book 'Nomad Century' science writer Gaia Vince looks at how global temperature changes are raising the prospect of mass migration in response to climate change . Matthew Sweet presents. Producer: Julian Siddle Folded Landscapes by Erland Cooper is released as an album in May and performed with the Scottish Ensemble at the Barbican Centre from May 11th-13th Sam Johnson-Schlee is a 2023 New Generation Thinker on the scheme run by BBC Radio 3 and the Arts and Humanities Research Council to put research on the radio. He teaches at London South Bank University and has written a book called Living Rooms Dr Sarah Jilani is also on the scheme. She teaches at City University London You can find out about books and articles from science writer Gaia Vince at https://wanderinggaia.com/about-me/

The magical, award-winning Royal Shakespeare Company production of My Neighbour Totoro is returning to the Barbican Centre from November! To mark the occasion, Michael speaks with Tom Morton-Smith, the writer tasked with adapting Hayao Miyazaki's beloved film for the stage.Join us on Patreon for ad-free and bonus episodes, Discord access and show footnotes and more: Patreon.com/ghibliothequeEmail us: ghibliotheque@gmail.com or follow us on Twitter @ghibliotheque and Instagram @ghibliotheque.pod.@MichaelJLeader – Michael@jakehcunningham – Jake@_stephwatts - Steph Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this episode we sit down with George Magner to speak about his journey as a filmmaker and his latest short film, 'Fall Better'. We go into all sorts of topics in this episode, from his decision to shoot on film to how George pitched his short film to charities in order to secure funding. He goes through the long pitching process and the hustle required of both him and his producers to bring his very personal project to life.His previous short films 'Cost of Bronze' and 'Skipping Lunch' (links below) both qualified for Underwire Festival with Cost of Bronze also winning Best Short Film at the Venice Fine Arts Film Festival.George is also the co-founder of 'Mountain Way' which specialises in producing films for charity and arts organisations. Previous clients include the Royal Opera House, the Barbican Centre, Humane Society International and the National Children's Bureau.Will and George met at a BAFTA Guru event back in 2018 and have kept the relationship alive since then, providing feedback on each others work and bumping into each other at festivals and networking events. It was great to catch up!Here are some links to his work:georgemagner.com/fallbettershortgeorgemagner.com/the-cost-of-bronzegeorgemagner.com/skipping-lunchgeorgemagner.com/derek-jarman-my-gardens-boundaries-are-the-horizon

Mỗi không gian nghệ thuật đều mang trong mình một câu chuyện mà ở đó người kể chuyện phải cân bằng giữa việc gửi đi một thông điệp cụ thể với việc khuyến khích và trao quyền cho người xem tự do chiêm nghiệm ngay cả khi họ đã rời khỏi tác phẩm. Vậy làm thế nào để  điều hòa rất nhiều cái "tôi" trong một môi trường đề cao cá tính như vậy? Hãy cùng unlock fm trò chuyện cùng giám tuyển Lê Thuận Uyên để hiểu hơn về một lĩnh vực thú vị nhưng vẫn còn rất mới mẻ ở Việt Nam trong tập 31 này.Nội dung tập 31 01:45 Giới thiệu chị Uyên & câu hỏi mở đầu09:36 Công việc của một giám tuyển nghệ thuật (art curator)13:54 Liệu có tồn tại những quy chuẩn đánh giá một tác phẩm nghệ thuật đương đại ?16:46 Thế kỷ 20 - thời kỳ nở rộ của trí thức Việt. Con người văn chương, con người thị giác.22:40 Tips thưởng thức tác phẩm nghệ thuật dành cho người ngoại đạo26:00 Storytelling và những cái “tôi” trong nghệ thuật39:46 Sáng tạo nghệ thuật và hiện thực cuộc sống 51:05 Viết như một dòng suối có những ghềnh đá58:08 The Outpost, vụn thời đại, và những dự định tương lai--------Lê Thuận Uyên là một giám tuyển (curator) sống và làm việc tại Hà Nội, hiện là Giám đốc Nghệ thuật của The Outpost – tổ hợp tư nhân hướng tới việc phát triển văn hoá và nghệ thuật thị giác. Trước khi đến với nghệ thuật, Thuận Uyên theo học ngành chính trị và quan hệ quốc tế tại Anh với ý định ban đầu là trở thành một nhà ngoại giao. Tuy nhiên, chính những năm tháng sống tại UK đã khơi dậy sự tò mò, hứng thú của Uyên với nghệ thuật, thôi thúc chị theo đuổi lĩnh vực này một cách bài bản hơn, bắt đầu bằng việc theo học Master of Arts, Cultural & Creative Industries tại King's College London. Sau thời gian làm việc tại những địa chỉ văn hóa có bề dày lịch sử như British Museum, Barbican Centre, chị Uyên trở về Việt Nam và bắt đầu một hành trình mới. Ở Việt Nam, Thuận Uyên làm việc và hợp tác cùng nhiều không gian nghệ thuật ở các vai trò khác nhau như hỗ trợ về mặt tổ chức hoặc xây dựng chương trình, trong đó bao gồm Nhà Sàn Collective, Sàn Art, The Factory Centre for Contemporary Art, APD (Centre for Art Patronage and Development), Nguyen Art Foundation. Một số triển lãm chị Uyên đã tham gia thực hiện bao gồm: Thân bằng quyến thuộc (Ilham Gallery, KL, 2019); Gang of Five Lạc bước Tân kỳ (Hà Nội, 2017); Sindikat Campursari (Jakarta, 2016); (Những) phương Nam đan xen (Sàn Art, online, 2016); Những chân trời có người bay 3 (Hà Nội, 2015-17); trợ lý cho giám tuyển Trần Lương cho triển lãm Miền Méo Miệng (Umea, 2015). Ngoài ra, Uyên cũng tham gia lưu trú tại Art in General (New York) năm 2017 thông qua học bổng của Asian Cultural Council.--------CreditsIllustration: GydientBiên tập và kịch bản: Vi Anh, Quyền, Khánh VySản xuất hậu kỳ: Quyền, Hạo, Vi AnhSocial media & marketing: Giang Dương, Hạo --------Cảm nghĩ của mọi người về tập này như thế nào? Hãy để lại đánh giá hoặc ⭐️ cho unlockfm ở Spotify hoặc Apple Podcasts nhé!Nếu mọi người có góp ý hoặc ý tưởng về khách mời, chủ để cho các tập sau, hãy nhắn tụi mình qua một trong các kênh dưới đây.☕ Ủng hộ unlock fm: https://www.buymeacoffee.com/unlockfm 

A year ago, as I was preparing my memorial Countermelody episode dedicated to Maria Ewing I was struck anew at just how naturally she had mastered the often messy “crossover” genre. Perhaps that's because she never “crossed over” at all: this material formed part of her essence. I thought it would be a lovely thing to give a more complete picture of her work as a pop singer, using three primary sources: first, her 1990 studio pop album entitled “From this Moment On,” featuring arrangements by Richard Rodney Bennett; second, a rare release entitled “Simply Maria,” which comprises a live concert she gave at the Barbican Centre in London in 10 May 1997; and third, live and studio recordings that she made in in the early 2000s with the jazz combo Kymaera, led by guitarist Simon James. The range of material is dizzying, from Broadway classics by Rodgers and Hammerstein, Cole Porter, Jule Styne, Harold Arlen, Cy Coleman, Kurt Weill, and George and Ira Gershwin to jazz stylings by Tom Jobim, eden ahbez, and Billy Strayhorn, with more than a few surprises along the way, and her mastery of it all is exceptional, with all of the intense commitment she showed in her operatic portrayals (and none of the condescension or preciousness associated with certain other crossover artists). I'm so thrilled to share this less well-known side of one of the great operatic singing actors of our time. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Nina Bernat is the first prize winner at the 2019 International Society of Bassists Solo Competition and first and grand prize winner of the 2022 Minnesota Orchestra Young Artist Competition.    At the age of 19, she performed as guest principal of the Israel Philharmonic under Adrás Schiff and Osmo Vänskä and the New York Philharmonic under Gustavo Dudamel. As a recipient of the 2019 Keston MAX Fellowship, she performed with the London Symphony Orchestra on a subscription series concert at the Barbican Centre and in a chamber music concert for LSO Discovery Day at LSO St. Lukes.   We dig into her journey so far, what it was like having her dad as her teacher, the great Discover Double Bass interview she did with Geoff Chalmers, her father Mark Bernat's recent second recording of the Bach Cello Suites, and more.   Enjoy, and be sure to follow along with Nina on her website, Instagram, and YouTube!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle. Check out my Beginner's Classical Bass course and Intermediate to Advanced Classical Bass course, available exclusively from Discover Double Bass.   Thank you to our sponsor!   Carnegie Mellon University Double Bass Studio - CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   theme music by Eric Hochberg

It's Ryan from Bremen's turn to direct the bean chat and he has them get busy on board games.Tim Rice pops up of course. There's a tiny knight's helmet and a hot tip for those hoping to thrive socially in any suburban cul-de-sac. All this AND a rare audio visit to the toilets in the Barbican Centre.

Michael and Jake talk with Basil Twist, the puppetry designer for the stage production of My Neighbour Totoro, which recently premiered at the Barbican Centre in London.Join us on Patreon for ad-free and bonus episodes, Discord access and show footnotes and more: Patreon.com/ghibliothequeEmail us: ghibliotheque@gmail.com or follow us on Twitter @ghibliotheque and Instagram @ghibliotheque.pod.@MichaelJLeader – Michael@jakehcunningham – Jake@_stephwatts - Steph Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Julia Watson is a leading light at this crucial moment in humanity's history. We were honoured and delighted to be able to interview her recently about indigenous architecture.From 5 May - 29 August 2022, the Barbican Centre is featuring Julia's  collaborative exhibition, Our Time on Earth,  which is a major exhibition celebrating the power of global creativity to transform the conversation around the climate emergency. Through art, design, science, music and philosophy, the exhibition presents a range of radical visions for the future of all species.A journey through immersive, interactive installations and digital works, the exhibition invites visitors to experience a range of perspectives of our shared planet, exploring Earth as a community to which we all belong – humans as just one species among millions.Aiming to reignite respect for our essential and complex biosphere and inspire awe and wonder for our beautiful planet, the exhibition explores different ways of existing on Earth and finding ways to reconnect with them, while also looking at the role technology has to play in deepening our understanding and connection to the natural world. Our Time on Earth encourages visitors to take an active role and leave feeling empowered to make positive change.About Julia WatsonJulia is a leading expert of Lo—TEK nature-based technologies for climate-resilience. Her eponymously named studio brings creative and conceptual, interdisciplinary thinking to design projects and corporations interested in systemic and sustainable change.She is the author of Lo—TEK Design by Radical IndigenismJulia Watson is a renowned architectural historian but is especially known for her work around Indigenous ArchitectureJulia Watson is a renowned architectural historian and the author of several books on the history of architecture. She is a professor at the University of Texas at Austin and has taught at Harvard University, Yale University, and Columbia University. Julia Watson is one of the world's leading experts on the history of architecture and has published numerous articles and books on the subject.She is a highly respected authority on the subject and her work is widely respected by her peers. Julia Watson is an important voice in the field of architectural history and her work is essential reading for anyone interested in the subject.More about Julia Watson on our website.