Podcasts about festivals

JOHN 6:22-40 - THE BREAD OF LIFE - BRIAN SUMNER - 2025John 6:22 On the following day, when the people who were standing on the other side of the sea saw that there was no other boat there, except that one which His disciples had entered, and that Jesus had not entered the boat with His disciples, but His disciples had gone away alone— 23 however, other boats came from Tiberias, near the place where they ate bread after the Lord had given thanks— 24 when the people therefore saw that Jesus was not there, nor His disciples, they also got into boats and came to Capernaum, seeking Jesus. 25 And when they found Him on the other side of the sea, they said to Him, “Rabbi, when did You come here?”26 Jesus answered them and said, “Most assuredly, I say to you, you seek Me, not because you saw the signs, but because you ate of the loaves and were filled. 27 Do not labor for the food which perishes, but for the food which endures to everlasting life, which the Son of Man will give you, because God the Father has set His seal on Him.”28 Then they said to Him, “What shall we do, that we may work the works of God?”29 Jesus answered and said to them, “This is the work of God, that you believe in Him whom He sent.”30 Therefore they said to Him, “What sign will You perform then, that we may see it and believe You? What work will You do? 31 Our fathers ate the manna in the desert; as it is written, ‘He gave them bread from heaven to eat.' ”32 Then Jesus said to them, “Most assuredly, I say to you, Moses did not give you the bread from heaven, but My Father gives you the true bread from heaven. 33 For the bread of God is He who comes down from heaven and gives life to the world.”34 Then they said to Him, “Lord, give us this bread always.”35 And Jesus said to them, “I am the bread of life. He who comes to Me shall never hunger, and he who believes in Me shall never thirst. 36 But I said to you that you have seen Me and yet do not believe. 37 All that the Father gives Me will come to Me, and the one who comes to Me I will by no means cast out. 38 For I have come down from heaven, not to do My own will, but the will of Him who sent Me. 39 This is the will of the Father who sent Me, that of all He has given Me I should lose nothing, but should raise it up at the last day. 40 And this is the will of Him who sent Me, that everyone who sees the Son and believes in Him may have everlasting life; and I will raise him up at the last day.”To support this channel and partner with Brian in Ministryhttps://www.briansumner.net/support/For more on Brianhttp://www.briansumner.nethttps://www.instagram.com/BRIANSUMNER/https://www.facebook.com/BRIANSUMNEROFFICIALTo listen to Brians Podcast, click below.https://podcasts.apple.com/us/podcast...Purchase Brians Marriage book at https://www.amazon.com/Never-Fails-Da...Brian is a full time "Urban Missionary" both locally and internationally with a focus on MISSIONS - MARRIAGES - MINISTRY. Since coming to faith in 2004 doors continued opening locally and internationally to do more and more ministry with a focus on Evangelism, Outreach Missions, Marriage, Counsel, Schools, Festivals, Conferences and the like.  Everything about this ministry is made possible because of people personally partnering through the non profit. God Bless and thank you. †Support the showSUPPORT THE SHOW

Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we discuss John Frankenheimer, a true expert of the craft and a man who could make any kind of film. Our B-Sides today include Prophecy, 52 Pick-Up, Dead Bang, and the HBO Film Against the Wall (for which Frankenheimer won an Emmy!) Our guest today is the great Blake Howard of One Heat Minute Productions. He's just wrapping up his podcast series Romin, in which Blake discusses Frankenheimer's late-period action masterpiece (and certified A-Side) Ronin with incredible film minds (and also two schlubs from The Film Stage). In this episode, I tell a fairly interesting first-hand story about original Ronin screenwriter J.D. Zeik! The superb interview book John Frankenheimer: A Conversation With Charles Champlin is referenced quite a bit throughout, as is this interview with Ben Affleck (which includes a funny memory of the temperamental Frankenheimer on the set of Reindeer Games). Frankenheimer's BMW Films short with Clive Owen comes up, as does underrated character actor Tim Reid. We admire the nastiness of 52 Pick-Up, the way that Against the Wall looks, and the ambitions of Prophecy, failed though they may be. Then there's Dead Bang, a deeply troubled production with a supremely strange William Forsythe performance. Additionally, Frankenheimer made his bones in live television, specifically being the lead director of Playhouse 90. One episode we talk about a bit is “Forbidden Area.”

Welcome to The B-Side! Here we talk about movie stars, movie directors, and sometimes––sometimes––movie writers! Today, we speak with author and screenwriter Jordan Harper, whose novel She Rides Shotgun got made into a movie of the same name, directed by Nick Rowland and starring Taron Egerton and Ana Sophia Heger. The film is in theaters this Friday, August 1, 2025. We spoke with Harper about adapting his novel for the big screen, his reaction to watching the final cut of the film, and those superb lead performances from Egerton and Heger. There's mention of his other books The Last King of California and Everybody Knows, as well as B-Sides that reminded us of She Rides Shotgun, which include One False Move, Flesh & Bone, A Perfect World, and Lone Star. Harper mentions Freeway as well, which is a great call. Harper brings up his new novel due out next year: A Violent Masterpiece. There's also appreciation for Shogun Assassin (a direct inspiration for She Rides Shotgun) and a discussion of genre and genre tropes and why they are so effective when used well.

JOHN 6:15-21 - FAITH AMIDST STORMS - BRIAN SUMNER - 2025JOHN 6:15 "Therefore when Jesus perceived that they were about to come and take Him by force to make Him king, He departed again to the mountain by Himself alone.16 Now when evening came, His disciples went down to the sea, 17 got into the boat, and went over the sea toward Capernaum. And it was already dark, and Jesus had not come to them. 18 Then the sea arose because a great wind was blowing. 19 So when they had rowed about Three or four miles, they saw Jesus walking on the sea and drawing near the boat; and they were afraid. 20 But He said to them, “It is I; do not be afraid.” 21 Then they willingly received Him into the boat, and immediately the boat was at the land where they were going."To support this channel and partner with Brian in Ministryhttps://www.briansumner.net/support/For more on Brianhttp://www.briansumner.nethttps://www.instagram.com/BRIANSUMNER/https://www.facebook.com/BRIANSUMNEROFFICIALTo listen to Brians Podcast, click below.https://podcasts.apple.com/us/podcast...Purchase Brians Marriage book at https://www.amazon.com/Never-Fails-Da...Brian is a full time "Urban Missionary" both locally and internationally with a focus on MISSIONS - MARRIAGES - MINISTRY. Since coming to faith in 2004 doors continued opening locally and internationally to do more and more ministry with a focus on Evangelism, Outreach Missions, Marriage, Counsel, Schools, Festivals, Conferences and the like.  Everything about this ministry is made possible because of people personally partnering through the non profit. God Bless and thank you. †Support the showSUPPORT THE SHOW

Much dancing, leaping, drinking and a musical instrument. As a month March had a legacy of sorts and there was a lot of fun to be had, though not everyone approved. Episode notes on www.ancientblogger.com Reviews on any platform are really welcome, thanks for those who have done so and for the kind messages! Music by Brakhage (Le Vrai Instrumental).

We're headed to the Northwest, on the shore of Lake Washington, to chat with Alexa Coyle, Marketing Manager for Seattle Seahawks, Lumen Field, and WAMU Theater + Co-founder of The Female Edge. Alexa oversees event marketing for Lumen Field (concerts, dirt events, WAMU Theater, and conventions), branding and marketing for food and beverage, Seahawks retail marketing, and more. She tells us about many of the unique things about their stadium, which includes the most just-walk-out concession stands of any venue in the world. We talk about innovation within more seasoned venues, elevating premium spaces, and how they are inspired and driven by the technology-forward market of Seattle. As a former professional soccer player, we talk about what it means to her to work at one of the host venues for the 2026 World Cup, as well as early preparations and planning currently underway as they look ahead to next summer. Alexa tells us about her career, from an interest in analytics and creative, and finishing her MBA and co-founding The Female Edge (which provides recruiting support and mentoring to female athletes) while playing professional soccer at Hibernian WFC in Edinburgh, Scotland. You'll love this fun, interesting episode, which is full of interesting strategy and great discussion.Alexa Coyle: Instagram | LinkedInLumen Field: Facebook | Instagram | Twitter/X ––––––ADVENTURES IN VENUELANDFollow on Instagram, LinkedIn, Facebook, or X/TwitterLearn more about Event & Venue Marketing ConferenceMeet our team:Paul Hooper | Co-host, Booking, Branding & MarketingDave Redelberger | Co-host & Guest ResearchMegan Ebeck | Marketing, Design & Digital AdvertisingSamantha Marker | Marketing, Copywriting & PublicityCamille Faulkner | Audio Editing & MixingHave a suggestion for a guest or bonus episode? We'd love to hear it! Send us an email.

In this special birthday month episode - We dive into a mix of celebrating the entire month in true Leo fashion while also tackling topics like teen slang and corporate buzzwords. The highs and lows of Essence Festival and SumFest, and the importance of community in these events. Sanika addresses the need for clarity, transparency, and intentionality in organizing large festivals, urging for feedback to be met with modifications and improvements. She also emphasizes the significance of being present at such events and discusses the evolving landscape of community organizing and festivals, highlighting new generations of organizers who bring intentionality, intimacy, and integrity to the forefront.Send us a text Thank you for listening and for adding new dimensions to your definitions. Keep growing, keep exploring, and keep defining life on your terms.

Israelfeindliche Äußerungen auf der Bühne, Sprechchöre im Publikum, die dem israelischen Militär den Tod wünschen: Vorfälle wie die der Rap-Gruppe Kneecap oder des Rappers Bobby Vylan haben für Schlagzeilen gesorgt. Weitere Eklats prognostiziert Joachim Hentschel, Redakteur bei der Süddeutschen Zeitung, jedoch im laufenden Festivalsommer nicht. Er hofft auf eine Gegenbewegung. Festivals könnten Orte sein, „wo Künstlerinnen und Künstler aus Israel und aus Palästina nebeneinander spielen.“

Gwyn and Ode (+Jax!) talk about feasts, festivals, and fancy teas. Special Guest: Jax.

Few people have contributed more to cinema and cinephilia in the last 50 years than Dave Kehr. He'd have some claim to this title solely as a major critical voice, his work remaining currency decades hence––just look at the popular Not Dave Kehr Letterboxd account for a symbol of his enduring prominence. As a film curator at the Museum of Modern Art, however, Kehr has emboldened one of the world's foremost cinema cultures with year-round programming that combines classic titles with far-flung finds. With the third edition of Silent Movie Week beginning at MoMA on July 30, I had the pleasure of speaking with Dave about their lineup, the major advancements made in digital restoration, a discussion of how exactly one puts together a series like this, and (lest you think this is all about my ego) why a presumption of mine was, in fact, incorrect. Plus: his pick––surprising to some, not to me––for the best film to premiere in recent years.

This morning, Melissa and Austin debated if festivals or concerts were better, found out how people have bettered themselves and gave away tickets to Six Flags Great America and Lady A

July 29th, 2025

Send us a textBill Bartholomew speaks with Maren Morris at Newport Folk 2025. Support the show

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A growing call to keep federal immigration agents out of community festivals. Local activists gather in the Pilsen Neighborhood today [MON] to call on federal immigration agents to stay out of community festivals.

Have you ever dreamed of exploring a fairy-tale town in the French Alps? In this episode of the Join Us in France Travel Podcast, titled "Discover Annecy: The Little Venice of the Alps," host Annie Sargent and her guest Elyse Rivin take you on a journey to one of the most picturesque places in France. Get the podcast ad-free Annecy is famous for its turquoise lake, charming canals, and Alpine backdrop. But there's more to it than pretty views. Annie and Elyse dive into the town's rich history, its role in the Duchy of Savoy, and the impressive transformation of its old prison — the Palais de l'Isle — into a cultural landmark. They also talk about the best things to do in Annecy: walk along the Thiou River, visit the Château d'Annecy, enjoy water sports on Lake Annecy, and ride or walk the bike path around the lake. This episode is packed with tips on Savoyard food specialties like tartiflette, raclette, and local cheeses. Whether you're planning a trip or just curious about French destinations beyond Paris, this episode will help you discover Annecy like a local.

WAFFLIN' Podcast by Joe Weller, Theo Baker & Luke Martin.Comment below what you think we should talk about next! #WafflinMafia LISTEN TO WAFFLIN' ON SPOTIFY: https://open.spotify.com/show/7gWt0SNNmzQjNdDzgvDcKZ?si=_OQ_edmfRNqIjfDje7yfoAAPPLE PODCASTS: https://podcasts.apple.com/gb/podcast/wafflin-by-joe-weller/id1501102056Send in your deep, dark, embarrassing confessions and questions to theboys@wafflin.co and your entry could be used in our next video!WAFFLIN' INSTAGRAM: https://www.instagram.com/wafflinpodcast/WAFFLIN' TWITTER: https://twitter.com/wafflinpodWAFFLIN' TIKTOK: https://www.tiktok.com/@wafflinpodcastWAFFLIN' REDDIT: https://www.reddit.com/r/wafflinpod/WAFFLIN' FACEBOOK: https://www.facebook.com/wafflinpodWORK WITH WAFFLIN': workwithwafflin@fellasstudios.comJoe's Socials: http://instagram.com/joeweller/https://twitter.com/joe_weller_Theo's Socials:https://www.instagram.com/theobaker_https://twitter.com/theobaker_Luke's Socials:https://www.instagram.com/justsayluke/https://twitter.com/justsayluke Hosted on Acast. See acast.com/privacy for more information.

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Welcome to The B-Side! Here we talk about movie stars, movie directors, and sometimes - sometimes - the companies that made the movies those stars and directors made! We were lucky to speak with Christine Vachon and Pamela Koffler of Killer Films in honor of Metrograph's 30th Anniversary program, with screenings starting on August 2, 2025. Vachon and Koffler speak on curating the celebratory program, which includes Office Killer. We also dish on myself and Conor's time as interns at Killer many years ago, some B-Sides (including A Home at the End of the World, The Safety of Objects, Dark Waters), and how Killer has survived this ever-changing industry of independent film. There's a wonderful discussion about wigs in film (prompted by Colin Farrell's bad wig in the first act of A Home at the End of the World), an appreciation of Dark Waters getting made and getting discovered to this day, and line producers “carrying the burden of the budget.” Vachon mourns The Safety of Objects being swallowed by the tragedy of 9/11 while Koffler suggests why the independent ensemble drama has gone by the wayside. There's discussion on the dangers of saying “good enough” during pre-production as well as Vachon and Koffler shouting out Killer Films B-Sides they personally love (The World to Come, Vox Lux, Dirty Girl). I shout out She Came to Me, an underrated, recent gem.

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