Podcasts about nme

Britain's best journalist is back on the pod as we navigate our way through his fave songs of the 00s. @theresetsamFull show with songs: https://www.mixcloud.com/IslingtonRadio/22-grand-pod-best-of-the-00s-with-sam-delaney-26082025/------22 Grand Pod is on Patreon: https://www.patreon.com/22grandpodOff the back of the main pod, we are creating Patreon only bonus content. For £3 a month you will get:The 00's Deep Dive: Taking a look back at the likes of the Stalking Pete Doherty documentary and going through them in painful detail. As well as going through NME Awards from back in the day and discussing what happened.My Favourite 00's Songs: Inviting patrons and other guests to come on the podcast to talk about their favourite songs, albums or moments from back in the day.Legend or Landfill: We go through NME's top 10 albums of each year and see if we think they are indeed Legendary or for the Landfill.Fans Stories: Talking to people about their memories and opinions on all things 00's.Unsigned Stories: Chatting with bands that didn't quite 'make it' in terms of signing that elusive record deal.Patrons will also get early access to any main pod episodesMerch etc: https://www.redbubble.com/people/22grandpod/shop?asc=uAlso check the YouTube channel for extended video versions of the interviews and much more: https://bit.ly/3Ts7Wu1And 22 Grand Pod on Islington Radio: https://www.mixcloud.com/IslingtonRadio/playlists/22-grand-pod/ Hosted on Acast. See acast.com/privacy for more information.

Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠Only for NME+ subscribers—the time has finally arrived. Analytic Dreamz brings you an exclusive Notorious Mass Effect experience, diving deep into Mass Effect Legendary Edition. This limited-access playthrough takes listeners through the remastered trilogy with insightful commentary, detailed analysis, and a full appreciation for BioWare's legendary storytelling. Whether you're a long-time fan of Commander Shepard's journey or discovering the universe for the first time, this exclusive series delivers a premium look at one of gaming's most iconic franchises.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Debsey Wykes was in Dolly Mixture, one of the very few all-girl groups in post-punk London, a time when bands with charisma won the battle for attention and you promoted singles on the back of a truck. Her memoir Teenage Daydream perfectly captures a slice of late ‘70s life, the thrill of playing the pub circuit and trying to storm Radio One. Along with … … the agony of re-reading teenage diaries … being supported by U2 then watching their “annoying” ascent … Girls With Electric Guitars and why rock hacks couldn't take them … forming bands for self-expression: “you reach that moment when all you want to do is scream!” … “when Jean-Jacques Burnel rests his boot on your head you don't wash your hair for a week” … early adventures with Pink Floyd, Led Zeppelin, David Cassidy and Bowie: “Cassidy was normal, Bowie was weird” … diary entries: “the lead singer of the Only Ones has fantastic legs and glittery plimsolls” … “Sugary Sweets Cause Youth Decay!”: the NME's withering interview … the satin-and-silk allure of Stevie Nicks … violence at ‘70s gigs: “we were locked in the dressing-room with the sirens going off” … “a cross between the Slits and the Nolans”: John Peel's producer's loathing for Dolly Mixture … the vicious rivalry between ‘70s girl singers … letters from her old boss and headmaster after she appeared on Top Of The Pops Order ‘Teenage Daydream: We Are The Girls Who Play In A Band' here: https://linktr.ee/new.modern?utm_source=linktree_profile_share<sid=008bc73f-2400-4a67-81df-04fa9758dc06Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Debsey Wykes was in Dolly Mixture, one of the very few all-girl groups in post-punk London, a time when bands with charisma won the battle for attention and you promoted singles on the back of a truck. Her memoir Teenage Daydream perfectly captures a slice of late ‘70s life, the thrill of playing the pub circuit and trying to storm Radio One. Along with … … the agony of re-reading teenage diaries … being supported by U2 then watching their “annoying” ascent … Girls With Electric Guitars and why rock hacks couldn't take them … forming bands for self-expression: “you reach that moment when all you want to do is scream!” … “when Jean-Jacques Burnel rests his boot on your head you don't wash your hair for a week” … early adventures with Pink Floyd, Led Zeppelin, David Cassidy and Bowie: “Cassidy was normal, Bowie was weird” … diary entries: “the lead singer of the Only Ones has fantastic legs and glittery plimsolls” … “Sugary Sweets Cause Youth Decay!”: the NME's withering interview … the satin-and-silk allure of Stevie Nicks … violence at ‘70s gigs: “we were locked in the dressing-room with the sirens going off” … “a cross between the Slits and the Nolans”: John Peel's producer's loathing for Dolly Mixture … the vicious rivalry between ‘70s girl singers … letters from her old boss and headmaster after she appeared on Top Of The Pops Order ‘Teenage Daydream: We Are The Girls Who Play In A Band' here: https://linktr.ee/new.modern?utm_source=linktree_profile_share<sid=008bc73f-2400-4a67-81df-04fa9758dc06Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Debsey Wykes was in Dolly Mixture, one of the very few all-girl groups in post-punk London, a time when bands with charisma won the battle for attention and you promoted singles on the back of a truck. Her memoir Teenage Daydream perfectly captures a slice of late ‘70s life, the thrill of playing the pub circuit and trying to storm Radio One. Along with … … the agony of re-reading teenage diaries … being supported by U2 then watching their “annoying” ascent … Girls With Electric Guitars and why rock hacks couldn't take them … forming bands for self-expression: “you reach that moment when all you want to do is scream!” … “when Jean-Jacques Burnel rests his boot on your head you don't wash your hair for a week” … early adventures with Pink Floyd, Led Zeppelin, David Cassidy and Bowie: “Cassidy was normal, Bowie was weird” … diary entries: “the lead singer of the Only Ones has fantastic legs and glittery plimsolls” … “Sugary Sweets Cause Youth Decay!”: the NME's withering interview … the satin-and-silk allure of Stevie Nicks … violence at ‘70s gigs: “we were locked in the dressing-room with the sirens going off” … “a cross between the Slits and the Nolans”: John Peel's producer's loathing for Dolly Mixture … the vicious rivalry between ‘70s girl singers … letters from her old boss and headmaster after she appeared on Top Of The Pops Order ‘Teenage Daydream: We Are The Girls Who Play In A Band' here: https://linktr.ee/new.modern?utm_source=linktree_profile_share<sid=008bc73f-2400-4a67-81df-04fa9758dc06Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Rock & Roll Hall of Fame inductees and “British Invasion” pioneers, The Zombies, todayannounce the release of Odessey & Oracle Mono Remastered on September 26th. The album, thefirst of four definitive physical reissues from their catalog, includes the classic songs “Time OfThe Season,” “Care of Cell 44,” and “This Will Be Our Year” and is a regular entry in “BestAlbums of All Time” lists in publications like Rolling Stone, NME, and Mojo Magazine. Therelease, which coincides with The Zombies' documentary, Hung Up On A Dream, marks the firsttime the band's original mono mix, remastered from studio tapes, has appeared on LP since therecord's British issue in 1968, presenting the album as they originally intended it to be heard.Pre-order the album on all formats here.Recorded primarily at London's legendary Abbey Road Studios in 1967, Odessey & Oracle wasself-produced in Mono on a shoestring budget by primary songwriters Rod Argent (keyboards/vocals) and Chris White (bass/vocals). Under last-minute pressure from their record label, thealbum was hastily remixed in the newly emerging Stereo format, which sacrificed key elementsfrom the Mono recording, most notably the beloved horn parts in “This Will Be Our Year”.The band today also share the first track off the album, the mono remastered version of “ThisWill Be Our Year”, with the horn parts restored. Although never released as a single, this deepcut has found a new life thanks to prominent uses in TV and film, including memorable scenes inMad Men, The Marvelous Mrs. Maisel, and Schitt's Creek, and covers by artists like FooFighters, OK Go and Susanna Hoffs. Its positive and uplifting message has been embraced bycouples as a popular wedding song, and become a staple of New Year's playlists. Listen here.The album also includes new liner notes from famed writer, David Fricke. Read an excerptbelow:Odessey and Oracle is very much of and about its time: songs of youth and love – thelucky strike of attraction ("I Want Her She Wants Me"); flickering memories held tight("Brief Candles"); longing that defies the odds ("Maybe After He's Gone") – from pop'shigh season of amour, a crowded nirvana of landmark debuts (Pink Floyd, the Doors, theJimi Hendrix Experience) and definitive accounts of Britain's psychedelic bloom…Thisalbum was also built to stand the test of time, at the 11th hour by a band with everythingto prove. "We were always dissatisfied with the production of our records," Argent said in1971 of the Zombies' Decca work. "We wanted to produce an album before we broke upto satisfy ourselves." The result was a fearlessness that still rings fresh, that inventiondriven by the Zombies' stringent resources and their confidence in the songs. Most of "ARose for Emily" is simply piano and vocal, an Argent-Blunstone duet with streaks ofchoral sigh.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Rock & Roll Hall of Fame inductees and “British Invasion” pioneers, The Zombies, todayannounce the release of Odessey & Oracle Mono Remastered on September 26th. The album, thefirst of four definitive physical reissues from their catalog, includes the classic songs “Time OfThe Season,” “Care of Cell 44,” and “This Will Be Our Year” and is a regular entry in “BestAlbums of All Time” lists in publications like Rolling Stone, NME, and Mojo Magazine. Therelease, which coincides with The Zombies' documentary, Hung Up On A Dream, marks the firsttime the band's original mono mix, remastered from studio tapes, has appeared on LP since therecord's British issue in 1968, presenting the album as they originally intended it to be heard.Pre-order the album on all formats here.Recorded primarily at London's legendary Abbey Road Studios in 1967, Odessey & Oracle wasself-produced in Mono on a shoestring budget by primary songwriters Rod Argent (keyboards/vocals) and Chris White (bass/vocals). Under last-minute pressure from their record label, thealbum was hastily remixed in the newly emerging Stereo format, which sacrificed key elementsfrom the Mono recording, most notably the beloved horn parts in “This Will Be Our Year”.The band today also share the first track off the album, the mono remastered version of “ThisWill Be Our Year”, with the horn parts restored. Although never released as a single, this deepcut has found a new life thanks to prominent uses in TV and film, including memorable scenes inMad Men, The Marvelous Mrs. Maisel, and Schitt's Creek, and covers by artists like FooFighters, OK Go and Susanna Hoffs. Its positive and uplifting message has been embraced bycouples as a popular wedding song, and become a staple of New Year's playlists. Listen here.The album also includes new liner notes from famed writer, David Fricke. Read an excerptbelow:Odessey and Oracle is very much of and about its time: songs of youth and love – thelucky strike of attraction ("I Want Her She Wants Me"); flickering memories held tight("Brief Candles"); longing that defies the odds ("Maybe After He's Gone") – from pop'shigh season of amour, a crowded nirvana of landmark debuts (Pink Floyd, the Doors, theJimi Hendrix Experience) and definitive accounts of Britain's psychedelic bloom…Thisalbum was also built to stand the test of time, at the 11th hour by a band with everythingto prove. "We were always dissatisfied with the production of our records," Argent said in1971 of the Zombies' Decca work. "We wanted to produce an album before we broke upto satisfy ourselves." The result was a fearlessness that still rings fresh, that inventiondriven by the Zombies' stringent resources and their confidence in the songs. Most of "ARose for Emily" is simply piano and vocal, an Argent-Blunstone duet with streaks ofchoral sigh.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Tom returns to the podcast as we navigate our way through his fave songs of the 00s and fill in a few blanks from our last chat.Full show with songs: https://www.mixcloud.com/IslingtonRadio/22-grand-pod-16052025-best-of-the-00s-with-tom-woodhead-forward-russia/Pic: @thiswasourscene------22 Grand Pod is on Patreon: https://www.patreon.com/22grandpodOff the back of the main pod, we are creating Patreon only bonus content. For £3 a month you will get:The 00's Deep Dive: Taking a look back at the likes of the Stalking Pete Doherty documentary and going through them in painful detail. As well as going through NME Awards from back in the day and discussing what happened.My Favourite 00's Songs: Inviting patrons and other guests to come on the podcast to talk about their favourite songs, albums or moments from back in the day.Legend or Landfill: We go through NME's top 10 albums of each year and see if we think they are indeed Legendary or for the Landfill.Fans Stories: Talking to people about their memories and opinions on all things 00's.Unsigned Stories: Chatting with bands that didn't quite 'make it' in terms of signing that elusive record deal.Patrons will also get early access to any main pod episodesMerch etc: https://www.redbubble.com/people/22grandpod/shop?asc=uAlso check the YouTube channel for extended video versions of the interviews and much more: https://bit.ly/3Ts7Wu1And 22 Grand Pod on Islington Radio: https://www.mixcloud.com/IslingtonRadio/playlists/22-grand-pod/ Hosted on Acast. See acast.com/privacy for more information.

We present our review of Babymetal - Metal Forth and more!Babymetal's Metal Forth, released August 8th, 2025, on Capitol Records. It's officially their fourth canonical album — they set The Other One aside as a concept project — and it's the first full record to feature Momometal as a permanent member alongside Su-metal and Moametal.The title is a play on words: “Metal Forth” as in moving forward, and “Metal Forth” as in pushing beyond the genre itself. And that's exactly what they try to do. This record is built almost entirely on collaborations. Only three of the ten tracks are just Babymetal. Everywhere else you've got guests: Poppy, Spiritbox, Polyphia, Electric Callboy, Slaughter to Prevail, Bloodywood, even Tom Morello dropping in with that unmistakable guitar attack.Clocking in at just over 35 minutes, it's lean, polished, and loud. You get flashes of nu-metal, deathcore, alt-metal, even EDM crossover, all stitched together by Babymetal's trademark pop-metal energy. It's maximalist by design — a chaos of styles colliding with choreography and gloss.Critics were split but mostly positive. Clash called it “unrelentingly maximalist” and gave it a 7 out of 10. Blabbermouth went higher with an 8, praising it as their snappiest record to date. Kerrang! and Dork both landed at 4 out of 5, while NME and Sputnikmusic were less impressed, arguing that some collabs drowned out the band's core identity. Louder Sound described it as “a high-stakes experiment in what heavy music could become if it stopped worrying about authenticity and genre loyalty.”And that's the big takeaway: Metal Forth isn't about purity, it's about possibility. Babymetal has always been divisive, but here they lean into that division as a statement. The album says metal can be pop, it can be global, it can be hybridized beyond recognition — and still be metal. Love it or hate it, Metal Forth proves that Babymetal aren't just survivors of their own gimmick. They've turned into disruptors, forcing the genre to ask what comes next.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Unlock the latest on gaming and music culture with THE NOTORIOUS MASS EFFECT EPISODE 151 by Analytic Dreamz! In this highly-anticipated episode, Analytic Dreamz breaks down the seismic shifts rocking the gaming landscape in 2025—headlined by Nintendo's meteoric rise. With the Nintendo Switch 2 smashing records as the fastest-selling console of all time and 3.5 million units flying off shelves in just four days, analysts now seriously debate: is Nintendo taking over the entire gaming industry?Dive deep as Analytic Dreamz spotlights how Nintendo's unique strategy—creative gameplay, fan-favorite franchises, and accessible technology—keeps them ahead even as Sony and Microsoft grapple with shifting business models and market pressures. Get real insights on Donkey Kong Bonanza Rematch, College Football 26, Ready Or Not, Marvel Token, Warhammer 40,000: Tacticus, and the latest mobile game buzz.But that's not all! Analytic Dreamz connects gaming with what's popping in music: hear fresh takes on Drake's new heat, the much-anticipated Clipse & Pusha T “Let God Sort ‘Em Out,” Justin Bieber's “album swag,” Travis Scott's JACKBOYS 2, Tyler The Creator's “Don't Tap The Glass,” and more. Plus, get the rundown on industry news including 2025's surprisingly down music revenue, Live Nation's game-changing Black Creator Network, and Sony's bold move buying shares in Bandai Namco.Finally, Analytic Dreamz doesn't shy away from the drama—get the latest on Ubisoft's legal headaches and the Jim Jones vs. Pusha T clash.If you crave organic, insightful analysis on gaming, music, and industry culture—delivered with passion and perspective—subscribe to THE NOTORIOUS MASS EFFECT and listen in as Analytic Dreamz breaks down who's really winning 2025!NME 151:MusicDrake IcemanPusha T & Malice Clipse "Let God Sort Em Out"Justin Bieber album "swag"Travis Scott "Jackboys 2"Tyler The Creator album "Don't Tap The Glass"Industry NewsMusic industry is down compared to 2024 halfway earnings reportLive Nation creates the biggest Black creator networkSony buys shares into Bandai NamcoGamingDonkey Kong BonanzaRematchCollege Football 26Ready Or NotMarvel TokenWarhammer 40,000: Tacticus mobile gameDramaUbisoft Assault CaseJim Jones vs Pusha TSupport this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Unlock the latest on gaming and music culture with THE NOTORIOUS MASS EFFECT EPISODE 151 by Analytic Dreamz! In this highly-anticipated episode, Analytic Dreamz breaks down the seismic shifts rocking the gaming landscape in 2025—headlined by Nintendo's meteoric rise. With the Nintendo Switch 2 smashing records as the fastest-selling console of all time and 3.5 million units flying off shelves in just four days, analysts now seriously debate: is Nintendo taking over the entire gaming industry? Dive deep as Analytic Dreamz spotlights how Nintendo's unique strategy—creative gameplay, fan-favorite franchises, and accessible technology—keeps them ahead even as Sony and Microsoft grapple with shifting business models and market pressures. Get real insights on Donkey Kong Bonanza Rematch, College Football 26, Ready Or Not, Marvel Token, Warhammer 40,000: Tacticus, and the latest mobile game buzz. But that's not all! Analytic Dreamz connects gaming with what's popping in music: hear fresh takes on Drake's new heat, the much-anticipated Clipse & Pusha T “Let God Sort ‘Em Out,” Justin Bieber's “album swag,” Travis Scott's JACKBOYS 2, Tyler The Creator's “Don't Tap The Glass,” and more. Plus, get the rundown on industry news including 2025's surprisingly down music revenue, Live Nation's game-changing Black Creator Network, and Sony's bold move buying shares in Bandai Namco. Finally, Analytic Dreamz doesn't shy away from the drama—get the latest on Ubisoft's legal headaches and the Jim Jones vs. Pusha T clash. If you crave organic, insightful analysis on gaming, music, and industry culture—delivered with passion and perspective—subscribe to THE NOTORIOUS MASS EFFECT and listen in as Analytic Dreamz breaks down who's really winning 2025! NME 151: MusicDrake IcemanPusha T & Malice Clipse "Let God Sort Em Out"Justin Bieber album "swag"Travis Scott "Jackboys 2"Tyler The Creator album "Don't Tap The Glass"Industry NewsMusic industry is down compared to 2024 halfway earnings reportLive Nation creates the biggest Black creator networkSony buys shares into Bandai NamcoGamingDonkey Kong BonanzaRematchCollege Football 26Ready Or NotMarvel TokenWarhammer 40,000: Tacticus mobile gameDramaUbisoft Assault CaseJim Jones vs Pusha TSupport this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠ Only for NME+ subscribers—the time has finally arrived. Analytic Dreamz brings you an exclusive Notorious Mass Effect experience, diving deep into Mass Effect Legendary Edition. This limited-access playthrough takes listeners through the remastered trilogy with insightful commentary, detailed analysis, and a full appreciation for BioWare's legendary storytelling. Whether you're a long-time fan of Commander Shepard's journey or discovering the universe for the first time, this exclusive series delivers a premium look at one of gaming's most iconic franchises.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠ Dive into Analytic Dreamz's Biggest Loser: NME+ Fitness Blueprint Edition, an exclusive segment of Notorious Mass Effect, crafted for NME+ subscribers. Follow Analytic Dreamz's personal fitness journey as he shares detailed workouts, vitamin regimens, protein-packed smoothies, and nutritious meals. Weekly body shots—pause—reveal real-time progress, providing a transparent blueprint for your own transformation. Gain practical insights and actionable tips to implement this fitness plan in your life. Subscribe to NME+ to join Analytic Dreamz on this inspiring journey and start sculpting your own success!Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠Analytic Dreamz Presents: Notorious Mass Effect Music EP Project by RJ3, an exclusive segment of Notorious Mass Effect for NME+ subscribers. Hosted by Analytic Dreamz, this series dives into RJ3's groundbreaking music EP, exploring its creation, themes, and impact. Analytic Dreamz delivers in-depth analysis, exclusive interviews, and behind-the-scenes insights into RJ3's artistry. Perfect for music enthusiasts, this segment offers a front-row seat to the creative process. Subscribe to NME+ to experience this unique musical journey with Analytic Dreamz!Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Only for NME+ subscribers—the time has finally arrived. Analytic Dreamz brings you an exclusive Notorious Mass Effect experience, diving deep into Mass Effect Legendary Edition. This limited-access playthrough takes listeners through the remastered trilogy with insightful commentary, detailed analysis, and a full appreciation for BioWare's legendary storytelling. Whether you're a long-time fan of Commander Shepard's journey or discovering the universe for the first time, this exclusive series delivers a premium look at one of gaming's most iconic franchises.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Between 2005-11, Stokesie, in his own words: worked on the news desk at NME (print, online, radio, TV) for four years as editor, then took a role managing the brand, running the NME Awards and creating all the online video output for the iconic music title - We deep dive all that & more!------22 Grand Pod is on Patreon: https://www.patreon.com/22grandpodOff the back of the main pod, we are creating Patreon only bonus content. For £3 a month you will get:The 00's Deep Dive: Taking a look back at the likes of the Stalking Pete Doherty documentary and going through them in painful detail. As well as going through NME Awards from back in the day and discussing what happened.My Favourite 00's Songs: Inviting patrons and other guests to come on the podcast to talk about their favourite songs, albums or moments from back in the day.Legend or Landfill: We go through NME's top 10 albums of each year and see if we think they are indeed Legendary or for the Landfill.Fans Stories: Talking to people about their memories and opinions on all things 00's.Unsigned Stories: Chatting with bands that didn't quite 'make it' in terms of signing that elusive record deal.Patrons will also get early access to any main pod episodesMerch etc: https://www.redbubble.com/people/22grandpod/shop?asc=uAlso check the YouTube channel for extended video versions of the interviews and much more: https://bit.ly/3Ts7Wu1And 22 Grand Pod on Islington Radio: https://www.mixcloud.com/IslingtonRadio/playlists/22-grand-pod/Between 2005-11, Paul, in his own words: worked on the news desk at NME (print, online, radio, TV) for four years as editor, then took a role managing the brand, running the NME Awards and creating all the online video output for the iconic music title - We deep dive all that & more! Hosted on Acast. See acast.com/privacy for more information.

Bad Bunny is at the center of the cultural conversation once again, with a week full of viral moments, major media appearances, and a highly anticipated movie debut. The past seven days have seen Benito Antonio Martínez Ocasio dominate headlines and social media for both his artistry and unpredictable off-stage moves.Early in the week, Bad Bunny made history with a back-to-back late-night talk show takeover, appearing first on The Late Show with Stephen Colbert on CBS and immediately after on NBC's Late Night with Seth Meyers. As highlighted by the Los Angeles Times, this unprecedented double booking by two competing networks was a testament to his current superstar status. His interviews covered everything from the evolution of his own Puerto Rican musical influences to his upcoming film role, but much of the buzz was generated by glimpses into his personal connection to nostalgia and culture, themes that tie directly to his recent music.The big screen is calling, as Bad Bunny will make his acting debut alongside Adam Sandler in Happy Gilmore 2, which premieres July 25 on Netflix. He's taking on the role of Sandler's caddy—a quirky, comedic pairing that online fans are already anticipating. Bad Bunny himself posted about the film on Instagram, and social media reels and Twitter/X are full of excitement for his cinematic turn. According to Latenighter.com, both he and Sandler appeared together on Seth Meyers' show to tease the film, adding another layer of anticipation for listeners.Musically, Bad Bunny is generating headlines with a new single and news of his next album. Last week, he surprised fans by dropping “Pitorro de Coco,” a holiday-inspired track named after a Puerto Rican rum, and anchored its release to the announcement of his sixth studio album, “Debí Tirar Más Fotos,” coming January 5, 2025. Outlets like NME and AOL highlight that the project is expected to be his most personal yet, contending with themes of nostalgia, heartbreak, and the fleeting nature of memory. Album promotion included a poignant video teaser with Puerto Rican filmmaker Jacobo Morales, setting a reflective tone for the upcoming release and giving fans a taste of a deeper, more vulnerable side to the artist's journey.It wouldn't be a week of Bad Bunny headlines without controversy—at a recent concert at the Coliseo de Puerto Rico, a video went viral of him adjusting a fan's neckline while performing. As reported by CiberCuba, some on social consider the gesture protective and endearing, while others called it intrusive. The moment sparked fierce debates over boundaries, stardom, and consent, as is often the case with Bad Bunny's highly interactive stage presence. The fan in question appeared grateful and unfazed, but the incident has kept social feeds ablaze with opinions, memes, and debates.Beyond music and television, Bad Bunny's “No Me Quiero Ir de Aquí” residency in San Juan is making headlines for its economic and cultural impact. According to Discover Puerto Rico and Moody's Analytics, the concert series is reversing tourism slumps, with record hotel occupancy and a 25% jump in lodging revenues this quarter. Industry experts suggest the shows and Bad Bunny's deep celebration of Puerto Rican identity are helping redefine the island as a must-visit destination, with the artist arguably doing more for tourism than any campaign or influencer.Throughout the week, images of Bad Bunny's unique wardrobe—most recently, viral pics of him in tiny shorts—have been circulating as he cements his place as both an internet heartthrob and a style icon.Thanks for tuning in to this week's round up of all things Bad Bunny. Come back next week for another episode following the latest from around the world of culture and music. This has been a Quiet Please production. For more, check out Quiet Please Dot A I.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.ai

Tom and Stuee are back on the pod to pick their fave songs of the 00s for Islington Radio and chat about The Paddingtons playing 20th anniversary gigs this year.Full show with songs: https://www.mixcloud.com/IslingtonRadio/22-grand-pod-18042025-best-of-the-00s-with-tom-atkin-stuee-bevan-the-paddingtons/Recorded early 2025.------22 Grand Pod is on Patreon: https://www.patreon.com/22grandpodOff the back of the main pod, we are creating Patreon only bonus content. For £3 a month you will get:The 00's Deep Dive: Taking a look back at the likes of the Stalking Pete Doherty documentary and going through them in painful detail. As well as going through NME Awards from back in the day and discussing what happened.My Favourite 00's Songs: Inviting patrons and other guests to come on the podcast to talk about their favourite songs, albums or moments from back in the day.Legend or Landfill: We go through NME's top 10 albums of each year and see if we think they are indeed Legendary or for the Landfill.Fans Stories: Talking to people about their memories and opinions on all things 00's.Unsigned Stories: Chatting with bands that didn't quite 'make it' in terms of signing that elusive record deal.Patrons will also get early access to any main pod episodesMerch etc: https://www.redbubble.com/people/22grandpod/shop?asc=uAlso check the YouTube channel for extended video versions of the interviews and much more: https://bit.ly/3Ts7Wu1And 22 Grand Pod on Islington Radio: https://www.mixcloud.com/IslingtonRadio/playlists/22-grand-pod/ Hosted on Acast. See acast.com/privacy for more information.

Nick Hobbs in conversation with David Eastaugh    https://soundcloud.com/nikolaigalen https://www.youtube.com/user/nikolaigalen/featured The Shrubs were an English rock music group, formed in 1985, releasing three albums before splitting up in 1989. Shrubs contributed Bullfighters Bones to the NME's famous C86 album. A further 12", Blackmailer followed towards the end of the year, with debut album Take Me Aside for a Midnight Harangue hitting the shops in July 1987. With the collapse of the Ron Johnson label and the indie distribution network The Cartel, several hundred copies of "Harangue" were incinerated, much to Hobbs' annoyance. Shrubs signed with the Hertfordshire-based Public Domain label for a studio/live 12", Another Age, and second and final album Vessels of the Heart, both in 1988, after which the band split. Hobbs went on to form Mecca, who toured the former Soviet Union with Nitzer Ebb and others, and subsequently Infidel, along with current Pere Ubu guitarist Keith Moliné and Nico's former drummer Graham Dowdall (a.k.a. Dids), at the same time carrying on in artist management. He carries on making music solo and with different groups under the name of Nikolai Galen.

"Strange Kind Of Paradise" Formed in Leeds at the dawn of the '80s, Red Lorry Yellow Lorry were weaned on the MC5 and Wire, but their brooding melodies and dark and churning instrumentation got them lumped in with the Goth scene. Their 1985 debut Talk About The Weather went to #3 on the NME indie chart and to this day remains an undisputed classic. With John Peel a huge fan and their own fans affectionately referring to them as the Lorries, they quickly followed that up with fabulous albums like Paint Your Wagon, Nothing Wrong, Blow and Blasting Off. Ironically, 1992's Blasting Off sounded like a band taking flight, but at that point they were a band breaking up. Well, not really breaking up, but heading into a deep hiatus. The band's braintrust Chris Reed surfaced in 2004 with a few new tracks and the Lorries did tour that year and into 2005. But aside from the Thunder In A Black Cave live DVD and Reed's acoustic record Minimal Animal, the Lorries were silent for more than twenty more years. Until now. Long considered to be a holy grail of sorts for Lorries fans, Strange Kind Of Paradise is the band's sixth and final album. Brewing for two decades, the band completed work on the album and it'll be the last word for the Lorries. A wicked blast of angular beauty, dark melodicism and grinding intensity, Strange Kind Of Paradise is a brilliant final chapter that ends with an artful and deeply satisfying crescendo. I hope you'll feel the same way about this chat--it's a good one. https://www.red-lorry-yellow-lorry.com https://redlorryyellowlorry.bandcamp.com/album/strange-kind-of-paradise www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.bombshellradio.com www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers The Podcast BLUESKY + IG: @emberspodcast Email: editor@stereoembersmagazine.com

Very extended chat with Steve Bays as he picks his fave songs of the 00s and plenty more! Listen to the edited version with songs here: https://www.mixcloud.com/IslingtonRadio/22-grand-pod-21022025-best-of-the-00s-with-steve-bays-hot-hot-heat/Recorded early 2025------22 Grand Pod is on Patreon: https://www.patreon.com/22grandpodOff the back of the main pod, we are creating Patreon only bonus content. For £3 a month you will get:The 00's Deep Dive: Taking a look back at the likes of the Stalking Pete Doherty documentary and going through them in painful detail. As well as going through NME Awards from back in the day and discussing what happened.My Favourite 00's Songs: Inviting patrons and other guests to come on the podcast to talk about their favourite songs, albums or moments from back in the day.Legend or Landfill: We go through NME's top 10 albums of each year and see if we think they are indeed Legendary or for the Landfill.Fans Stories: Talking to people about their memories and opinions on all things 00's.Unsigned Stories: Chatting with bands that didn't quite 'make it' in terms of signing that elusive record deal.Patrons will also get early access to any main pod episodesMerch etc: https://www.redbubble.com/people/22grandpod/shop?asc=uAlso check the YouTube channel for extended video versions of the interviews and much more: https://bit.ly/3Ts7Wu1And 22 Grand Pod on Islington Radio: https://www.mixcloud.com/IslingtonRadio/playlists/22-grand-pod/ Hosted on Acast. See acast.com/privacy for more information.

During our live interview with Skye Edwards and Ross Godfrey of Morcheeba, I found myself at one stage scrolling through my notes to find a description of the band's sound I'd queried using Chat GPT. I couldn't find it at the time but here is what it said:“Morcheeba's signature rich, mellow music became the soundtrack of the suburban homes and chillout rooms of the late 90s and early 00s”.That's a composite of much that has been written about the band over some 30 years, and it doesn't really flatter does it? “The devil's own lounge band” is the quip that Skye Edwards recalled from an early review. The music press loves to characterise bands, but in Morcheeba's case, it comes across somewhat dumbed down. Contained within Morcheeba's mellow sounds are multiple layers of influence that reveal hidden depths with every listen. The interview with the band for this launch episode for The Art of Longevity (Season 12!) manages to scratch just beneath the surface at least. That said, Morcheeba know their place in making music that can be the perfect backdrop, to quote Ross Godfrey:“We've always made relaxing music. You can get home from work on a Friday night, have a glass of wine or smoke a spliff or whatever and play our music”. On the other hand, the sheer depth of their musical influences and references can be breathtaking. Within the mix are Bacharach, Barry and Moriconi of course, but also Brazilian late 60s Tropicalia, and somewhat less obviously (but most certainly in terms of always impressive guitar work) classic rock from Ross Godfrey's childhood favourites Neil Young and Jimi Hendrix. Meanwhile, Skye's lyrics and styles include 70s country music, along with ska and dub reggae. All of this is somehow weaved into the seamless Morcheeba sound on the new outstanding album Escape The Chaos. Launched in the mid-90s and quickly swept along on the British ‘trip-hop' wave, Morcheeba outlasted most of their contemporaries including Portishead (who refused to heed to the repeated calls to re-form). Morcheeba is one of those bands you might easily have forgotten about. And yet the band has (give or take a short hiatus and shuffling of personnel sometime between 2003 and 2009) steadily worked their way to 11 albums over 30 years, most of it under the radar of music industry gatekeepers and without much love from the music press. “They hated us” was Skye Edward's response when I brought up the subject of early press reviews. And yet, Pitchfork gave their debut album Who Can You Trust (1996) an 8.3/10, but then stopped loving them as the band's popularity took off. Recent single We Live & Die references “in the old days of NME” which had me going on to Wayback Machine to dig out an NME review from 1998 of the breakthrough album Big Calm. It was the now legendary music critic Syvia Patterson, who wrote:“Morcheeba you see, sounds nothing like Portishead. They sound like they like life”.That has certainly proved a lasting observation. And Morcheeba has proved a lasting British trip hop institution. One of the few 90s bands that just seem to keep on getting better and better. This live episode launches a new partnership between The Art of Longevity and Bang & Olufsen. Find more details on the Song Sommelier web pages.Support the showGet more related content at: https://www.songsommelier.com/

Football journalist Seb White is on the pod as he chooses his favourite 00s songs for Islington Radio: https://www.mixcloud.com/IslingtonRadio/22-grand-pod-24052024/https://www.instagram.com/sebdwhite/Recorded Summer 2024.------22 Grand Pod is on Patreon: https://www.patreon.com/22grandpodOff the back of the main pod, we are creating Patreon only bonus content. For £3 a month you will get:The 00's Deep Dive: Taking a look back at the likes of the Stalking Pete Doherty documentary and going through them in painful detail. As well as going through NME Awards from back in the day and discussing what happened.My Favourite 00's Songs: Inviting patrons and other guests to come on the podcast to talk about their favourite songs, albums or moments from back in the day.Legend or Landfill: We go through NME's top 10 albums of each year and see if we think they are indeed Legendary or for the Landfill.Fans Stories: Talking to people about their memories and opinions on all things 00's.Unsigned Stories: Chatting with bands that didn't quite 'make it' in terms of signing that elusive record deal.Patrons will also get early access to any main pod episodesMerch etc: https://www.redbubble.com/people/22grandpod/shop?asc=uAlso check the YouTube channel for extended video versions of the interviews and much more: https://bit.ly/3Ts7Wu1And 22 Grand Pod on Islington Radio: https://www.mixcloud.com/IslingtonRadio/playlists/22-grand-pod/ Hosted on Acast. See acast.com/privacy for more information.

The Big Mates discuss Peter Buck, train love, traditional policemen, and Whatever People Say I Am, That's What I'm Not by Arctic Monkeys. Adam, Steve, and Lucas continue their discussion of the band's debut album, going track-by-track to provide analysis and opinion.They also find time to talk about the origins of the post-punk revival scene, the NME's influence on the music scene, and the meanness of 00s culture - all from three differing perspectives, from being deeply into music and analysis, to not caring for art or critique, and everything in between!What is the post-punk revival? What's the difference between cheeky and evil? How often do we talk about Austin Powers? Find out on this episode of What Is Music?Our next episode is out next week, Monday June 23rd, and will conclude the deep-dive into Whatever People Say I Am, That's What I'm Not!Join the conversation on:Bluesky: https://bsky.app/profile/whatismusicpod.bsky.socialThreads: https://www.threads.net/@whatismusicpodInstagram: https://www.instagram.com/whatismusicpodE-mail: whatismusicpod@gmail.comGet access to more shows, exclusive bonus content, ad-free episodes of this show, and more music discussion by subscribing to our Patreon!Head to patreon.com/whatismusicpod and receive up to two new episodes of our various shows every week (including our album club and monthly themed playlists!), ad-free archives of What Is Music?, and access to our Patron-only Discord server for even more music (and non-music) discussion!Support our show when starting your own podcast!By signing up to Buzzsprout with this link: https://www.buzzsprout.com/?referrer_id=780379Check out our merch!https://whatismusicpod.redbubble.comDonate to our podcast!https://ko-fi.com/whatismusichttp://whatismusic.buzzsprout.com/Support the show

For this episode we're joined in our Hammersmith lair by the highly respected Chris Bohn, known better these days by his alias Biba Kopf (cue a nod to Berlin Alexanderplatz author Alfred Döblin...) The veteran NME contributor and sometime editor-in-chief of The Wire talks about his long career as a Europhile connoisseur of extreme and out-there music. We start by asking our guest about his mother's experience as a teenage refugee fleeing her native Silesia after the advance of the Red Army in 1945 – and her subsequent settling in the English Midlands. We learn about Chris' journalistic training on the Sutton Coldfield News and his subsequent travels around Europe, where he reconnected with relatives in West (and East) Germany. Chris reminisces about his first London job as a press officer for Polydor Records, for whom he chaperoned Siouxsie & the Banshees to tapings of Top of the Pops. He then talks us through his writing career from Melody Maker and NME to decades-long association with The Wire. Among the articles mentioned are his 1979 live review of Joy Division, his groundbreaking 1981 on-the-road piece "Trans-Europe Express", and his interviews with Nina Hagen (1979) and Einstürzende Neubauten (1983). Discussion of The Wire leads us into clips from an audio interview with Wire icon Ornette Coleman … by Wire mainstay David Toop. We conclude the episode by paying heartfelt tribute to two Californian geniuses who left us this week: Family Stone funk pioneer Sly Stone and the Beach Boys' "pocket symphonist" Brian Wilson. We shall not see – or hear – their like again. Many thanks to special guest Chris Bohn a.k.a. Biba Kopf. Visit the Wire's website at thewire.co.uk to subscribe digitally and in print.  Pieces discussed: Nina Hagen: West Is Best, Einstürzende Neubauten: Let's Hear It For The Untergang Show, Ornette Coleman (1995), Sly & The Family Stone: Sly Buries Underground And Has Fun!, Not Only Sly, But Sometimes Just Plain Damn Evasive, Sly Stone's Higher Power, Some Producers' Hints From Beach Boy Brian, Brian Wilson, Brian Wilson: Beach Boy, Pop Visionary, Wounded Soul, The Devil and Jerry Lee Lewis and  Group Home: Supa Group.

Liam Gallagher calls Ted Kessler and Hamish MacBain “the Peter Cook and Dudley Moore of music journalism”. Both worked at the NME (and Ted at Q), both interviewed the band many times and have just published ‘A Sound So Very Loud' which, in the grand tradition of Revolution In The Head, tells the story of every Oasis song ever recorded. They talk to Mark here about …   … why Oasis struck such an almighty chord and were the band the press were waiting for. … their dismantling of the notion of rock stardom. … “a visceral dislike”: why they were so socially divisive in the ‘90s. … Liam “waking up in police custody with two missing teeth”. … the Gallaghers' dependable flair for the Smiths-style “performative interview” and why it sold the rock press. … what Noel stole from Tony Blair's maiden speech for the lyrics of Magic Pie. … the turning point in the shift in the brothers' powerbase.   … Liam and the invention of “Stillism”.   … “70 per cent of a band is the singer's identity”. … Noel's blog and Liam's Twitter and how the split might have been avoided if their debate hadn't been played out in public. … Supersonic, Cigarettes and Alcohol and the admirable honesty of Noel's “brazen theft”. … how Stop Crying Your Heart Out became an X-Factor standard.   … and the 5am Liam Gallagher social media publicity machine. ‘A SOUND SO VERY LOUD' BY TED KESSLER AND HAMISH MACBAINPreorder link here!: https://www.panmacmillan.com/authors/ted-kessler/a-sound-so-very-loud/9781035078257Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Liam Gallagher calls Ted Kessler and Hamish MacBain “the Peter Cook and Dudley Moore of music journalism”. Both worked at the NME (and Ted at Q), both interviewed the band many times and have just published ‘A Sound So Very Loud' which, in the grand tradition of Revolution In The Head, tells the story of every Oasis song ever recorded. They talk to Mark here about …   … why Oasis struck such an almighty chord and were the band the press were waiting for. … their dismantling of the notion of rock stardom. … “a visceral dislike”: why they were so socially divisive in the ‘90s. … Liam “waking up in police custody with two missing teeth”. … the Gallaghers' dependable flair for the Smiths-style “performative interview” and why it sold the rock press. … what Noel stole from Tony Blair's maiden speech for the lyrics of Magic Pie. … the turning point in the shift in the brothers' powerbase.   … Liam and the invention of “Stillism”.   … “70 per cent of a band is the singer's identity”. … Noel's blog and Liam's Twitter and how the split might have been avoided if their debate hadn't been played out in public. … Supersonic, Cigarettes and Alcohol and the admirable honesty of Noel's “brazen theft”. … how Stop Crying Your Heart Out became an X-Factor standard.   … and the 5am Liam Gallagher social media publicity machine. ‘A SOUND SO VERY LOUD' BY TED KESSLER AND HAMISH MACBAINPreorder link here!: https://www.panmacmillan.com/authors/ted-kessler/a-sound-so-very-loud/9781035078257Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Liam Gallagher calls Ted Kessler and Hamish MacBain “the Peter Cook and Dudley Moore of music journalism”. Both worked at the NME (and Ted at Q), both interviewed the band many times and have just published ‘A Sound So Very Loud' which, in the grand tradition of Revolution In The Head, tells the story of every Oasis song ever recorded. They talk to Mark here about …   … why Oasis struck such an almighty chord and were the band the press were waiting for. … their dismantling of the notion of rock stardom. … “a visceral dislike”: why they were so socially divisive in the ‘90s. … Liam “waking up in police custody with two missing teeth”. … the Gallaghers' dependable flair for the Smiths-style “performative interview” and why it sold the rock press. … what Noel stole from Tony Blair's maiden speech for the lyrics of Magic Pie. … the turning point in the shift in the brothers' powerbase.   … Liam and the invention of “Stillism”.   … “70 per cent of a band is the singer's identity”. … Noel's blog and Liam's Twitter and how the split might have been avoided if their debate hadn't been played out in public. … Supersonic, Cigarettes and Alcohol and the admirable honesty of Noel's “brazen theft”. … how Stop Crying Your Heart Out became an X-Factor standard.   … and the 5am Liam Gallagher social media publicity machine. ‘A SOUND SO VERY LOUD' BY TED KESSLER AND HAMISH MACBAINPreorder link here!: https://www.panmacmillan.com/authors/ted-kessler/a-sound-so-very-loud/9781035078257Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

On the cusp of releasing his new album, Brian is on the pod as we discuss his struggle in the 00s to success in the 10's and beyond via a move to Manchester from America.------22 Grand Pod is on Patreon: https://www.patreon.com/22grandpodOff the back of the main pod, we are creating Patreon only bonus content. For £3 a month you will get:The 00's Deep Dive: Taking a look back at the likes of the Stalking Pete Doherty documentary and going through them in painful detail. As well as going through NME Awards from back in the day and discussing what happened.My Favourite 00's Songs: Inviting patrons and other guests to come on the podcast to talk about their favourite songs, albums or moments from back in the day.Legend or Landfill: We go through NME's top 10 albums of each year and see if we think they are indeed Legendary or for the Landfill.Fans Stories: Talking to people about their memories and opinions on all things 00's.Unsigned Stories: Chatting with bands that didn't quite 'make it' in terms of signing that elusive record deal.Patrons will also get early access to any main pod episodesMerch etc: https://www.redbubble.com/people/22grandpod/shop?asc=uAlso check the YouTube channel for extended video versions of the interviews and much more: https://bit.ly/3Ts7Wu1And 22 Grand Pod on Islington Radio: https://www.mixcloud.com/IslingtonRadio/playlists/22-grand-pod/ Hosted on Acast. See acast.com/privacy for more information.

Video version on YouTube----------Take the 22 Grand Pod survey: http://bit.ly/grandpod-survey22 Grand Pod is on Patreon: https://www.patreon.com/22grandpodOff the back of the main pod, we are creating Patreon only bonus content. For £3 a month you will get:The 00's Deep Dive: Taking a look back at the likes of the Stalking Pete Doherty documentary and going through them in painful detail. As well as going through NME Awards from back in the day and discussing what happened.My Favourite 00's Songs: Inviting patrons and other guests to come on the podcast to talk about their favourite songs, albums or moments from back in the day.Legend or Landfill: We go through NME's top 10 albums of each year and see if we think they are indeed Legendary or for the Landfill.Fans Stories: Talking to people about their memories and opinions on all things 00's.Unsigned Stories: Chatting with bands that didn't quite 'make it' in terms of signing that elusive record deal.Patrons will also get early access to any main pod episodesMerch etc: https://www.redbubble.com/people/22grandpod/shop?asc=uAlso check the YouTube channel for extended video versions of the interviews and much more: https://bit.ly/3Ts7Wu1And 22 Grand Pod on Islington Radio: https://www.mixcloud.com/IslingtonRadio/playlists/22-grand-pod/ Hosted on Acast. See acast.com/privacy for more information.

Steve Wickham has certainly made his presence felt throughout Irish rock and roll history. The Dublin fiddle player was a long-time member of the Waterboys, as well as playing on recordings by great names such as Sinead O'Connor, Elvis Costello and World Party. Indeed, it's Steve's violin playing that you can hear on the U2 classic “Sunday Bloody Sunday”...is it any wonder that leader of The Waterboys, Mike Scott Steve Wickham "the world's greatest rock fiddle player", while the NME described him as a "fiddling legend."? Steve will be playing a benefit show in Clare for Medicins Sans Frontieres – Doctors Without Borders, who at present have over 1,000 staff in Gaza to provide vital medical assistance for all civilians caught up in the conflict. The show at the Westbridge in Miltown Malbay is the brainchild of music promoter, John Roberts, who joined Alan on the show. Photo(C): Clare FM

Tom Greatorex of Black Wire is back on the pod as he chooses his favourite 00s songs for Islington Radio.Recorded 2024.------22 Grand Pod is on Patreon: https://www.patreon.com/22grandpodOff the back of the main pod, we are creating Patreon only bonus content. For £3 a month you will get:The 00's Deep Dive: Taking a look back at the likes of the Stalking Pete Doherty documentary and going through them in painful detail. As well as going through NME Awards from back in the day and discussing what happened.My Favourite 00's Songs: Inviting patrons and other guests to come on the podcast to talk about their favourite songs, albums or moments from back in the day.Legend or Landfill: We go through NME's top 10 albums of each year and see if we think they are indeed Legendary or for the Landfill.Fans Stories: Talking to people about their memories and opinions on all things 00's.Unsigned Stories: Chatting with bands that didn't quite 'make it' in terms of signing that elusive record deal.Patrons will also get early access to any main pod episodesMerch etc: https://www.redbubble.com/people/22grandpod/shop?asc=uAlso check the YouTube channel for extended video versions of the interviews and much more: https://bit.ly/3Ts7Wu1And 22 Grand Pod on Islington Radio: https://www.mixcloud.com/IslingtonRadio/playlists/22-grand-pod/ Hosted on Acast. See acast.com/privacy for more information.

Enough with the e-bikes. https://demolisten.bigcartel.com/product/histamine-s-t-discography-cassette  Intro Music: Ozzy- Patient Number 9 Submit music to demolistenpodcast@gmail.com. Become a patron at https://www.patreon.com/demolistenpodcast. Leave us a message at (260)222-8341 Queue: Nabeel, Bidirna Dhamani, No Sector, Vacuous, Street Gloves, Science Man, NME, Glowing Brain, Psykostat, Baan https://nabnabnabeel.bandcamp.com/track/khatil-2 https://kaliyugakonspiracies.bandcamp.com/album/bidirna-dhamani-ojash https://razoredraw.bandcamp.com/album/mercury-poisoning https://vacuousdeath.bandcamp.com/album/in-his-blood https://awd-tapes.bandcamp.com/album/against-their-world https://scienceman.bandcamp.com/album/monarch-joy  

Ever wonder how someone becomes a rock and roll star? Well, today you're going to find out. Steph Paynes, founder and lead guitarist of the all-girl powerhouse quartet Lez Zeppelin, shares her journey from rock journalist to leader of a band that captures the essence, spirit, power and seductiveness of Led Zeppelin.  Steph started the group in 2004, after touring as a “Ronette” with the “first bad girl of rock and roll,” Ronnie Spector. Before donning the white satin dragon suit, she worked as a freelance writer, novelist and music journalist. Her stories and reviews have appeared in Rolling Stone, The NME, Musician, Guitar Player and Playboy among many other publications. She has shared the stage with Joey Ramone, Keith Richards and Chuck Berry.  So much gold in this episode. We go deep on: How boldly walking into the offices of The NME as a young 20-something propelled her early career as a music journalist The story of how she dined on ham sandwiches with Frank Zappa at the Waldorf Astoria and discussed the censorship happening in music Dealing with disappointment  The importance of practicing, persisting and being a master at your craft How Ronnie Spector restored her spirit and what she learned about giving everything to your performances When Steph knew she was onto something big with her new band Lez Zeppelin You've got to love what you're doing because the audience can tell Navigating the art and challenge of a group playing in communion Channeling emotion and pulling your own essence out of your art < CONNECT WITH LEZ ZEPPELIN > https://lezzeppelin.com/  < LET'S RISE > Energy Queen Mastermind: June - December 2025 Applications Open Soon What You Came Here For Retreat | Cape Cod | September 2025 https://www.oceanedge.com/wellness-retreats/What-You-Came-Here-For  Iceland Retreat: Worldly Women Traveling in the Land of Fire + Ice | November 2025 Applications Open Soon

Tom is on the podcast as we look back at his time in Black Wire, his take on the 00's scene & NME culture and what he deems to be the stand out album of the era..Recorded 2023 - For some reason I gatekept this for Patreon and YouTube, not sure why lol.-----Take the 22 Grand Pod survey: http://bit.ly/grandpod-survey22 Grand Pod is on Patreon: https://www.patreon.com/22grandpodOff the back of the main pod, we are creating Patreon only bonus content. For £3 a month you will get:The 00's Deep Dive: Taking a look back at the likes of the Stalking Pete Doherty documentary and going through them in painful detail. As well as going through NME Awards from back in the day and discussing what happened.My Favourite 00's Songs: Inviting patrons and other guests to come on the podcast to talk about their favourite songs, albums or moments from back in the day.Legend or Landfill: We go through NME's top 10 albums of each year and see if we think they are indeed Legendary or for the Landfill.Fans Stories: Talking to people about their memories and opinions on all things 00's.Unsigned Stories: Chatting with bands that didn't quite 'make it' in terms of signing that elusive record deal.Patrons will also get early access to any main pod episodesMerch etc: https://www.redbubble.com/people/22grandpod/shop?asc=uAlso check the YouTube channel for extended video versions of the interviews and much more: https://bit.ly/3Ts7Wu1And 22 Grand Pod on Islington Radio: https://www.mixcloud.com/IslingtonRadio/playlists/22-grand-pod/ Hosted on Acast. See acast.com/privacy for more information.

“It was, after all, 1970. No Twitter, no websites, no email. Bags of fan mail five feet high arriving at the studio every day – no possible way to read or answer them. How to respond to tens of thousands of fans, mostly girls in their early teens, some who wrote every day? They really needed to hear back from me…Tiger Beat, in the person of Ann Moses, was on the set, in the studio, and in my life.” - Bobby ShermanIt's a very special day on The Dolls Pod! We are joined by editor of Tiger Beat magazine, NME columnist, and “Meow! My Groovy Life with Tiger Beat's Teen Idols” author Ann Moses. She speaks about her groovy career, getting swept off her feet by a pop star or two, motherhood, a touch of Walt Disney magic, and finding her happily ever after. Ann is such a wonderful storyteller, you won't want to miss this one! We're thrilled to present Ann Moses: In Her Own Words on the Dolls Pod, available wherever you stream your podcasts. Thank you Ann for sharing your stories and photos with us!

Phil is on the podcast as we take a look at how he became The Rakes manager early doors and went from there to form a career in music.Recorded summer 2024.-----Take the 22 Grand Pod survey: http://bit.ly/grandpod-survey22 Grand Pod is on Patreon: https://www.patreon.com/22grandpodOff the back of the main pod, we are creating Patreon only bonus content. For £3 a month you will get:The 00's Deep Dive: Taking a look back at the likes of the Stalking Pete Doherty documentary and going through them in painful detail. As well as going through NME Awards from back in the day and discussing what happened.My Favourite 00's Songs: Inviting patrons and other guests to come on the podcast to talk about their favourite songs, albums or moments from back in the day.Legend or Landfill: We go through NME's top 10 albums of each year and see if we think they are indeed Legendary or for the Landfill.Fans Stories: Talking to people about their memories and opinions on all things 00's.Unsigned Stories: Chatting with bands that didn't quite 'make it' in terms of signing that elusive record deal.Patrons will also get early access to any main pod episodesMerch etc: https://www.redbubble.com/people/22grandpod/shop?asc=uAlso check the YouTube channel for extended video versions of the interviews and much more: https://bit.ly/3Ts7Wu1And 22 Grand Pod on Islington Radio: https://www.mixcloud.com/IslingtonRadio/playlists/22-grand-pod/ Hosted on Acast. See acast.com/privacy for more information.

Greg Keeffe in conversation with David Eastaugh https://preciousrecordingsoflondon.bandcamp.com/album/peel-sessions-84-86 Big Flame (often rendered bIG*fLAME) were a post-punk/indie rock three piece band, based in Manchester, England, and active from 1983 to 1986. The members were Alan Brown (bass, vocals), Greg Keeffe (guitar) and Dil Green (drums). After a debut EP ("Sink") on their own Laughing Gun label, they joined the Ron Johnson roster for a series of mid-1980s singles as well as an appearance on the NME's C86 compilation.

Lindsay is on the podcast as we look at how she went from being a fan on thelibertines.org and being in a band herself to becoming a prominent music photographer.Recorded Summer 2024.-----Take the 22 Grand Pod survey: http://bit.ly/grandpod-survey22 Grand Pod is on Patreon: https://www.patreon.com/22grandpodOff the back of the main pod, we are creating Patreon only bonus content. For £3 a month you will get:The 00's Deep Dive: Taking a look back at the likes of the Stalking Pete Doherty documentary and going through them in painful detail. As well as going through NME Awards from back in the day and discussing what happened.My Favourite 00's Songs: Inviting patrons and other guests to come on the podcast to talk about their favourite songs, albums or moments from back in the day.Legend or Landfill: We go through NME's top 10 albums of each year and see if we think they are indeed Legendary or for the Landfill.Fans Stories: Talking to people about their memories and opinions on all things 00's.Unsigned Stories: Chatting with bands that didn't quite 'make it' in terms of signing that elusive record deal.Patrons will also get early access to any main pod episodesMerch etc: https://www.redbubble.com/people/22grandpod/shop?asc=uAlso check the YouTube channel for extended video versions of the interviews and much more: https://bit.ly/3Ts7Wu1And 22 Grand Pod on Islington Radio: https://www.mixcloud.com/IslingtonRadio/playlists/22-grand-pod/ Hosted on Acast. See acast.com/privacy for more information.

Online videos of the rap trio Kneecap calling for the death of British MPs and shouting "Up Hamas, up Hezbollah" are now being investigated by the police.   It comes after MPs condemned the group and called for arts funding to be removed and their invitation to play at Glastonbury withdrawn.   Band members have apologised but have been cancelled by a number of festivals.   So, who are Kneecap and why are they creating such a stir?   Niall Paterson talks to Aoife Moore, journalist and author of The Long Game: Inside Sinn Fein. He also talks to Steve Cummins, former Ireland Editor for the NME. Producer: Natalie Ktena Editor: Philly Beaumont           

Tim is on the podcast as we discuss how it started for the band in Sheffield , their relationship with the likes of Arctic Monkeys, mental health struggles and blowing stuff up on film sets..Photo credit: Gary Wolstenholme------Take the 22 Grand Pod survey: http://bit.ly/grandpod-survey22 Grand Pod is on Patreon: https://www.patreon.com/22grandpodOff the back of the main pod, we are creating Patreon only bonus content. For £3 a month you will get:The 00's Deep Dive: Taking a look back at the likes of the Stalking Pete Doherty documentary and going through them in painful detail. As well as going through NME Awards from back in the day and discussing what happened.My Favourite 00's Songs: Inviting patrons and other guests to come on the podcast to talk about their favourite songs, albums or moments from back in the day.Legend or Landfill: We go through NME's top 10 albums of each year and see if we think they are indeed Legendary or for the Landfill.Fans Stories: Talking to people about their memories and opinions on all things 00's.Unsigned Stories: Chatting with bands that didn't quite 'make it' in terms of signing that elusive record deal.Patrons will also get early access to any main pod episodesMerch etc: https://www.redbubble.com/people/22grandpod/shop?asc=uAlso check the YouTube channel for extended video versions of the interviews and much more: https://bit.ly/3Ts7Wu1And 22 Grand Pod on Islington Radio: https://www.mixcloud.com/IslingtonRadio/playlists/22-grand-pod/ Hosted on Acast. See acast.com/privacy for more information.

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter  or Bluesky for your chance to win the books that have been mentioned in this podcast.Competition ends on 7th May 2025. The winner will be contacted via Bluesky. Show references: Dynamic Earth website: https://dynamicearth.org.uk/Dynamic Earth X: https://x.com/ourdynamicearthDynamic Earth LinkedIn: https://www.linkedin.com/company/our-dynamic-earth-dynamic-earth-enterprises-ltd-dynamic-earth-charitable-trust-/Mark Bishop joined Dynamic Earth in the summer of 2022. The Edinburgh Science Centre & Planetarium provides science engagement to over 250,000 people a year at the centre and across Scotland. Prior to joining Dynamic Earth, Mark was a director at the National Trust for Scotland for seven years. In the 23 years Mark has been in the voluntary sector, he has also held senior roles at Prostate Cancer UK, Leonard Cheshire Disability and The Royal British Legion. His commercial sector experience includes roles at HarperCollins, Sky, and he co-founded two Internet start-ups. He continues to be a Trustee of Dads Rock, which is a charity dedicated to supporting men to be great parents. Transcriptions: Paul Marden: Welcome to Skip the Queue, a podcast for people working in and working with visitor Attractions. I'm your host, Paul Marden. The Millennium Commission was set up by the UK Government to celebrate the turn of the millennium. Funded by the National Lottery, not only did it fund the Millennium Dome, now the O2, it also funded many regional venues, including a number of science centres such as Dynamic Earth in Edinburgh, which was the first major millennium attraction in Edinburgh. In this episode, I'm talking to Mark Bishop, the CEO of Dynamic Earth, about those millennium babies and what the next 25 years looks for them. After a career in charity fundraising, Mark moved to the attraction sector in 2015 at the National Trust for Scotland, before becoming CEO of Dynamic Earth nearly three years ago. Now let's get into the interview. Paul Marden: Mark, welcome to Skip the Queue. Mark Bishop: Hi. Morning. How are you? Paul Marden: I'm very good. I'm very good on a very sunny morning here down in Hampshire at the moment. I don't know what the Easter holidays are like up there for you at the moment, Mark. Mark Bishop: Well, people always talk about the weather being different in Scotland, so here in Edinburgh, we had the most amazing first week of spring last week, and that made me sad because indoor visitor attractions often benefit from when it's cloudy or rainy. So I am delighted to say the second half of Easter is terrible outside, but amazing inside our building. Paul Marden: Oh, good. So, visitor numbers are good for you this Easter holiday, are they? Mark Bishop: Well, we had probably the best number of people in since COVID Yesterday. We had 1302 people in. Paul Marden: Wowsers.Mark Bishop: That's great, because to have families and groups in celebrating science in our building during their holiday time makes me happy. Paul Marden: Yeah, absolutely. Yeah, went. I've been doing day trips with my daughter just recently over the Easter break and you can definitely feel there's lots of people out and about and enjoying themselves over these Easter holidays. So good to hear that it's been kind to you as well. Longtime listeners will know that we always start our interviews with an icebreaker question that you cannot prepare for. So I think I've been kind to you. I've got a couple for you here. This is an A or B question. If you're going out for a night out, is it going to be a concert or is it going to be a museum nighttime exhibition? Mark Bishop: I think I'm supposed to, on behalf of the sector, go for the latter, but I am going to answer it in an authentic way and say A, a concert. So before I had kids, I'd probably go to about 150 concerts a year. Really, in the days when NME existed and it had a print edition and I'd pretty much just buy it, flick it and go, that looks interesting. And go without ever even hearing things because Spotify didn't exist and he goes to stuff and it was terrible or brilliant, but I loved it just from the variety and the surprise factor. Obviously, these days we kind of plan our music events a bit better. We know the artists and in theory we make better choices. But perhaps we don't do such good random things as well. Who knows? Paul Marden: Yeah, absolutely. Okay, now this one's a little bit more in depth. If there is a skill that you could master immediately, what would it be? Mark Bishop: Trying to understand how my three kids think and how I need to respond to that. But I don't think I'm the only parent on the planet that loves seeing the variety of ways they behave. But just question, how on earth did they come to be and think like that? Paul Marden: Yeah, it sounds like almost a kind of being able to speak child and become an interpreter, a child whisperer. Mark Bishop: And I think we, you know, sort of kind of be a bit more profound about these things. As an Earth Science Centre, that predominantly kind of has family audience, actually, some of the best questions we get are from younger people. So sometimes minds are probably more open and liberated. Paul Marden: Yeah, absolutely. Well, that's a nice segue, isn't it? So why don't you tell us a little bit about the Dynamic Earth? What stories does the Dynamic Earth try to tell? Mark Bishop: So Dynamic Earth, for those who don't know it, is the Edinburgh Science Centre and Planetarium. And as I'm sure we'll talk about, we were the first out of the millennium babies to launch back on 2nd July 1999. Our building predates being a science centre. It used to be a Scottish and Newcastle brewery. So when people say, I can't organise the proverbial in a brewery, I go, possibly released half row. And in the mid-1990s, they stopped making beer and handed the land over to public benefit. And it's become the UK's leading Earth science centre. So we're very much a science centre, but we're a science centre with a very specific theme around our planet and our universe and the experiences are very deliberately immersive. Mark Bishop: So we allow people to experience in a safe way what it feels like to be in an earthquake, to see a volcanic eruption, to touch a real iceberg, to dive to the bottom of the ocean and then fly out to the outer reaches of space. And we do all of that because we think our planet is beautiful and fascinating and the wonders of the world need to be celebrated. But increasingly, we also want to showcase the perils we're placing on our planet, our only home. We have about a quarter million people come through our doors a year, and that would be families, that'd be tour groups. There'll be a lot of school groups coming in, 30,000 kind of school groups coming in, and then we have about 400 conferences and events a year. Mark Bishop: So we have everything from Arctic conferences, water resilient conferences, and electric aeroplane conferences. You name it, we have it in our building. And I think a lot of the conferences have keynote speakers that tend to be first ministers or senior politicians, because unless somebody can tell me otherwise, I think we are the closest science centre in the world to a seat of government, because the Scottish parliament is 10 yards across the road. Paul Marden: Excellent. So you have the year of government as well? Mark Bishop: We like to think so. Paul Marden: So I've not been to Dynamic Earth yet, and I need to solve that problem. Yeah. But I'm getting a picture in my mind of telling the story around the geology of the planet, and there's going to be lots of physics around. The planetary stuff that you talk about when you take that big zoom out. Are there other elements of the science, the different sciences, that you bring into this storytelling? Is there elements of biology and botany and things like that you bring into this? Mark Bishop: Yeah, absolutely. So, for example, one of the galleries I didn't mention to you is a rainforest gallery. So you go into a tropical rainforest, regardless of what the weather is like outside in Edinburgh and Scotland, you come into a tropical rainforest, but the sounds and smells and sensations of that rainforest immerse you. And we do that because, you know, probably very few people will travel in their lifetime to a tropical rainforest. And there's lots of environmental reasons why you probably wouldn't encourage people to do that. But to be immersed in that space and to feel what it's like to be in a rainforest allows you to understand that it's humans' relationship with the world around them, and that we're not the only beings on this planet. And so hopefully we try and humble people by realising there are other habitats and species than ourselves. Paul Marden: Excellent. So today's episode, what we want to do, we've got a series of episodes that we want to do around the Millennium Project. I've got particular interest in this because my first job whilst I was still at uni was at the National Botanic Gardens of Wales, which was a millennium project. So I was there whilst they were digging. I can vividly remember it being a building site, and this dome where they built the gardens, sort of lifted out of the earth. So I felt, I can remember being there and feeling like this was something important, we were building something for the long term. It was an exciting opportunity. And we're at this kind of big anniversary, aren't we, this year, 25 years since many of those millennium projects opened. Paul Marden: And I wanted to kind of look back on those 25 years. Did it work out the way it was planned to work out? Did it turn out to be this exciting new opportunity, building a long term legacy for the country? Were there some growing pains, that kind of thing? And what does the future, what's the next 25 years and beyond look like for those millennium babies? So let's take a little step back because although I was wearing my wellies and walking around a building site, I didn't pay a lot of attention to what drove the investment in the first place. So there was a big explosion, wasn't there, through investment from the Millennium Commission in science centres. So what drove that in the first place? Why did these science centres come into being as a result, the Millennium Commission? Mark Bishop: Well, I think the thing that probably everybody felt in the 90s, from the mid-90s onwards, was you just heard about the millennium coming, as if this was going to be a significant zeitgeist kind of piece. We're all being told that every electronic device was going to break because of the millennium bug. Paul Marden: Yes. Mark Bishop: And that one didn't come to be kind of thankfully. But I think beyond that kind of anxiety piece around technology, there was a sort of spirit of looking to the future, thinking what might be. I felt like a time of optimism and hope. And so therefore it kind of made sense for government and other agencies to invest in thinking about the future, because a lot of museums and galleries and other institutions are fantastic custodians of the past. Mark Bishop: And of course galleries and museums reflect present times in terms of exhibitions and storytelling and interpretation. But there really weren't many science centres or organisations that were specifically existing to help each of us come to terms with what hasn't yet happened. So I think that's probably the kind of founding driving spirit behind it. And Dynamic Earth was very much part of that wave. Paul Marden: You talk a little bit about being a former brewery. How did Dynamic Earth come into being? What, what was the background story to it? Because these things didn't just appear on the high street in the year 2000. They were projects that ran up to that point, weren't they? Mark Bishop: Yeah. And I love going through our limited but really important kind of archive of documents to try and understand these things. And I sort of love heritage because my last job was working at the National Trust for Scotland. So therefore I'm kind of fascinated by the past as well as kind of looking to the future. And so when I go through our kind of archives and records, it shows that we stopped being a brewery in the early 1990s. Scottish Newcastle said to themselves, you know, we want to give the space over to public benefit. At the time, it wasn't defined to be a science centre. And this part of Edinburgh, the bottom end of the Royal Mile, had a royal Palace. It's had that for a long time. But it was pretty much run down housing and factories. Mark Bishop: And so this whole end of town was very down on its luck and everything kind of needed to be thought through again. So Edinburgh City Council and other agencies like Scottish Enterprise and major kind of funders all got behind thinking about this whole part of town in Scotland's capital, rather than just thinking about a side centre. Paul Marden: Right. Mark Bishop: So the land that Scotland Newcastle gave over to doing good things was partly sold off by dynavicarth to allow, you know, to allow flats to be developed next door we've got Rockstar North. The other side of me, we've got the Scottish parliament that opens 24 hours away from Dynamic Earth kind of stuff. So they opened the same week. So it's a whole story of kind of urban capital city regeneration that lies behind that. But very specifically, why did Dynamic Earth become an Earth Science Centre? Yeah, and you can't see it, but if I dramatically look out my window, I can see Arthur's Seat and the Salisbury Crags through Holyrood Park. Anybody who comes to Edinburgh, whose legs allow, will walk up the hill and experience an old volcano and a beautiful view of the city. Mark Bishop: And now the reason that's significant is that a guy called James Hutton, 300 years ago was a real leading light in the Enlightenment, and he managed to challenge all those kind of religious zealots in terms of the age of the planet by studying the rock forms right outside my window. And he went, “Guys, I've got a thought. This wasn't done in a day or seven days”. I'm telling you now, there's billions of years of laying down of rocks and stuff like that. And so, therefore, when we thought, what does this brewery need to become? Mark Bishop: A number of good people said, well, let's make this centre a homage to James Hutton, the idea that the Enlightenment is still alive with us today, the idea that you should be able to challenge existing hard set views by using insight and science to inform your thinking. And then the rest happened. Paul Marden: Excellent. So I didn't know that Edinburgh was the kind of the seat of that thinking around the geological history of the Earth and what drove the purpose for the centre. It makes lots of sense now. So let's talk about opening up. What was that experience like for the Dynamic Earth? I know there were lots of positives for many people. I know lots of millennium attractions didn't bring in the numbers of people that they were perhaps hoping for. What was that early life like at the centre? Mark Bishop: Well, so inevitably, anything that's new attracts a crowd of people who are curious. So the early couple of years were really good from a kind of visitor attraction side of things. But actually quite early on, within the first couple of years, my predecessors realised that you just can't, generally speaking, break even or make a profit from just running a visitor attraction, particularly when your purpose is educational rather than just pure entertainment. Paul Marden: Yes. Mark Bishop: And so our building had the answer built into it, in the sense we have an amazing set of conference suites for businesses, weddings and other kind of celebrations. And so quite early on, we started an events team and that now means we have 400 plus events here a year. Half of them, I would say, are kind of environmental science specific events. But that generates, you know, one and a half getting off £2 million of income ultimately for us. And that's very significant way of A, making sure that we are a place where ideas take place. Our convening power, if you want to call it that, but actually also the net contribution of that is a very significant way to fund any gap you have on the visitor side of things. Paul Marden: Yeah, I should imagine having the seat of Government 10 yards from the building helps with bringing in the events. And that's certainly not going to detract from the events portfolio, is it, being smack in the centre of the city like that? Mark Bishop: Well, if I think, I mean, in the space of what, the last three or four months, ie, 20, 25, we've had the first minister here two or three times, we've had the Deputy First Minister here the other evening. And so therefore, if you're a company or a conference organiser and you want to attract all the good and the great in terms of delegates, knowing there's a senior political figure to do the keynote address is a good way of making your marketing literature kind of really sing. I think, you know. Paul Marden: Yeah, absolutely. Mark Bishop: And also from a. I guess for the politicians as well, because their time is in demand, very precious. So the idea that they can reach their key stakeholders on pretty much any topic in the space of 10 yards, half an hour here and then back at your desk within the hour, that's quite attractive from a political perspective. Paul Marden: Absolutely. So, going back to those early days, as your predecessors were finding their feet, of figuring out what operating a science centre was going to be like, what were the growing pains? Were there some challenges along the way? Mark Bishop: So, inevitably, what is brand new doesn't stay new forever. And I think if you design a science centre and retrofit it into a brewery, there's obviously some trade offs in terms of layout and the design. And you have beautiful architects come in and do amazing things for you that look amazing at a kind of brochure, aesthetic level. But when you trade them day in, day out, you do sometimes question the infinite logic behind the design principle. So, for example, if you come through Dynamic Earth, we're a beautiful tented structure like the Millennium Dome or the O2 as it is today. And if you're coming in and you're buying a ticket in person, you would turn left and go to our ticket desk and join the queue there. But then the actual experience side of things is completely on the other side of the building. Mark Bishop: So the intuitive flow of coming in, getting a ticket and joining the experience is designed in a counterintuitive way where, in effect, audiences sort of meet in the middle to a certain extent. So that's probably an example of things that you just wouldn't have got right on day one, but kind of are a gentle living curse for you every day since. Paul Marden: I wonder, though, by retrofitting the centre into this old historic brewery, whether you may not have fallen foul of some of the other attractions that were built around that time, because many of them have got problems with the fabric of the building now, haven't they, these new buildings that perhaps were built with the same level of care and attention that we might lavish on them these days. Mark Bishop: Yeah, I mean, that's a good thing. I sit in this amazing sort office that basically looks like a castle turret. The walls are this thick, you know, they are very sort of stone and authentic. So it's a very authentic historic building, but with new ideas and thinking and experiences within it. So it's a trade off, I guess. Paul Marden: Yeah. So now that these centres are getting to early adulthood, how do you think they're doing? Mark Bishop: Well. Thankfully, the vast majority of science centres and other experiences that launched inspired by the millennium are still in existence. So survival in the first instance is a form of success. And I think that the fact that we're open shows we've all stood the test of time, which I think is an important achievement. I think what's clear from talking to all the science centres that I bump into is we all find it quite challenging to get that balance between your purpose and your profit, trying to get that balance between why you exist in the first place versus how you fund the building, your staff and your other bills. And so that's an ongoing kind of challenge that the original business plans are used to justify an investment probably don't reflect reality 25 years on. Mark Bishop: I think the other thing I would say that's a real shift is I think centres like Dynamic Earth were opened at the time when the Internet was absolutely in its infancy.Paul Marden: Completely. Mark Bishop: And I still remember from my homework and university work, going to libraries and getting books and using physical things to kind of acquire knowledge. And of course, the Internet now means that any facts and figures are available at the touch of a button. So if you want to know about a volcano, you can find as many facts and figures as you want on the Internet, Wikipedia or other sources. It means that Dynamic Earth and other science centres have kind of shifted from simply thinking about ourselves as a knowledge exchange centre to being a place where we inspire people to think for themselves and that. Mark Bishop: I don't know whether that happened on day 4009 or whatever it was, but I definitely think that when you look at what were doing on day one versus what we're doing in our 25th year, there's been a shift in emphasis and approach. Paul Marden: Yeah, absolutely. You're right that all of these facts and figures are the fingertips of the young people who are completely immersed in that as a natural way for them to research. But I've done enough school party visits, I've taken kids to different science centres, and you can't replace the storytelling, you can't replace being immersed in the place that is so powerful. Mark Bishop: I think 100% agree, and you'd be surprised if I didn't say that. But the idea that you learn as a shared experience, either as a school group or a family or a tall group, you have some jokes, you bounce ideas off of each other. And I saw that recently when my daughter came here a few months back for her last primary school visit, aged just 11, coming at 12.  And she begs me over breakfast, she said, “Please, Dad, don't do anything to embarrass me.” And I absolutely, solemnly swore at breakfast, you know, I will not do anything to embarrass you today. And I maintain I kept my promise. Mark Bishop: But when her school bus pulled up outside our building, the doors open, the kids poured out, my daughter's friends all pointed up to the top of the stairs and went, “There's a dinosaur there, Autumn, that's your dad. It's going to be your dad. You know that.” And I hope that you know that their school group had an amazing experience through the galleries, an amazing experience with our learning team and a fantastic sort of outer space experience in the planetarium. But even that sort of jokey bit of Dad's a dinosaur stayed with the kids. So at the end of their year's show, one of them hired a dinosaur outfit and they reenacted my daughter's embarrassment. And so even that tiny, silly example shows that shared experience is what it's all about. Paul Marden: Completely. I think those experiences that kids have when they go out on their school trips, it's something that Bernard et ALVA talked about earlier on this year as being really important, key points for that ALVA was asking of the government, was to make those school trips integral part of the curriculum. I think they're so powerful and so many kids don't get to experience that well. Mark Bishop: I think the challenge we sort of see here that be the same across Scotland and UK wide is even when there are opportunities to have subsidised tickets and you do everything you can to make sure the price of entry for school groups is as low as possible, often the barrier is the cost of the coach hire. Paul Marden: So I'm a governor at my daughter's school and I was talking to the head and they're in a really lucky position because they've got us. They're a very small village school, so there's only 90, 95 kids in total anyway. But they've got their own minibus which makes them mobile, so it means that any. We were at the Horse Crest, like the local heritage railway, just recently because we got invited for a trip and it was dead easy for us to go straight away. Yes. Because the kids can just get there easily and that's a different kettle of fish if you've got to hire coaches, because it's so perilously expensive now. Anyway, we digress a little bit. You've been in post now for three years, nearly three years, I think it is. Yeah. Paul Marden: What does your plan look like in the short term, but also what do you think the next 25 years look like for Dynamic Earth? Mark Bishop: I think that question sort of speaks to the idea that while an organisation should be proud of its 25 years of existence and everything it's done in that time, and we've certainly had some lovely staff celebrations and public celebrations to celebrate that important milestone. It's too self indulgent to spend all your time looking back rather than thinking about and facing into the future. And that's probably more true of science centres than anybody else, because if you were founded on looking to the future, you get to 25 years. Mark Bishop: Yes, have a little look back, but bang, think about looking forward to the future again and ask yourselves brave questions like what do we need to do that honours the spirit of what our founders did and thought about to put us together in the first place and not to betray our roots, but equally not to be constrained by them. Because the world is very different 25 years on, and particularly around the climate emergency and planetary crisis. We at Dynamic Earth, as an Earth Science Centre, feel not just an opportunity, but a kind of absolute responsibility to play our part, to kind of really shift the dial around helping people understand their role and responsibility when it comes to protecting our only home planet Earth. And so that's the kind of challenge we've set ourselves. Mark Bishop: And I'm going to do a dangerous thing of involving a prop. About 18 months, two years ago, we launched our 10 year strategy from beginning to end, and it's a document at the end of. But the exact summary is this. And of course you can see there's a clock there and you might be able to see the kind of temperature, kind of pieces, and the 1.5 is the 1 that we know quite tragically we're going to reach sometime very soon. And what we've done with that 10 year strategy is say how do we honour what we've been famous for, but how do we push and pivot that towards climate kind of response storytelling? Mark Bishop: And so therefore what we are trying to work through for ourselves is how do you maintain a popular visitor attraction? How do you inspire people, bring entertainment and delight into people's lives, but how do you absolutely hit home with some really hard truths around what we are doing to destroy the beauty of our only hope? Mark Bishop: And I'm not sure I've quite got the answers to that because becoming sort of quite purposeful and, you know, risks being didactic. And being didactic takes away the idea that you're helping people to think for themselves and risks being a bit preachy. So there's a really good set of conversations going on at Dynamic Earth and I think a lot of other places across the UK, which is, how do you, how do you exist on the right side of history while still existing as a visitor attraction? Paul Marden: Yes, because it is a tough story to tell, isn't it? And that doesn't necessarily sit comfortably with being a lovely day out with the family, but that doesn't take away from the importance of telling the story and telling it well. Mark Bishop: And I think what we feel is, if there's one criticism I'd kind of make of the past is we probably overdefined ourselves as a visitor attraction and underdefined ourselves as an Earth science education charity that happens to run the visitor attraction. And that might feel semantic, but actually it's quite fundamental because if you realise that your purpose is about educating people inclusively across Scotland, including in Edinburgh, and now increasingly helping people come to terms with climate issues, then your visitor attraction is a tool, a prop, an asset to achieve a bigger thought than just visiting numbers. Paul Marden: So is there work that you do, outreach work that goes beyond the centre in Edinburgh? Are you talking to people outside of that centre? Mark Bishop: Absolutely. And some of the work that makes me most proud of being chief exec here at Dynamic Earth is the stuff you do not see day in, day out. So we have outreach work that goes into schools and community groups right across Scotland. There's about 10 regional science festivals that take place across the year. We're at every one of those with our pop up planetarium, it's got an inflatable planetarium. Unbelievably, 30 people can slip inside a big squishy tent, and the universe comes to life wherever you happen to be. And that's kind of pretty magnificent. We go into children's hospitals, we work with community groups, we do digital and in person delivery in schools. And so therefore what we do away from Dynamic Earth as a science centre is as important as what we do at the centre. Mark Bishop: Because probably the people who might not be able to come to us for geographic reasons or financial or cultural reasons are often the people we most need to reach. And if we really believe that everybody in Scotland should play their individual and collective part in responding to climate planetary emergencies, we can't just say, well, if you don't come to us, we're not going to come to you. Because the climate issues need all of us to respond. So we have the added burden opportunity to get out there and tell our story across Scotland with that in mind. Paul Marden: Is there a shake up that's going on in the centre as you move on to this next stage of the maturity of the organisation? Mark Bishop: So I think that the things that are different in our approach is thinking about channel mix and that we kind of music to your ears because I think that science centres absolutely pride themselves on that in person shared experience, and that shouldn't go away. But actually thinking about how a one off experience is part of a longer customer or supporter journey is really key. So how do you connect with people before they come? By setting them, I know, a kind of online quiz and say how many of these questions about our planet can you answer? And then ask people to redo the quiz afterwards and see whether a visit to Dynamic Earth or another science centre has enriched their kind of knowledge. Mark Bishop: How do you connect what a family does on a Saturday to what a school group do in a classroom on a Tuesday and Wednesday? How do you get to what I call a nudge strategy, a multiple engagement kind of model? Because it strikes me that most things that, you know, mean something to people are developed over time rather than just one off experiences. So that's a shift in thinking, and it's a shift in thinking by not thinking for yourself as a visitor attraction, but thinking for yourself as a charity that exists to promote learning and engagement more broadly. Paul Marden: That's really interesting. So I'm totally guilty of thinking about the visitor attraction first and the commercial elements of it, because I guess that's our job is to get bumps on seats and to drive revenue. But when you think of that visitor attraction as the tool, not the end, you're using that tool to meet your bigger goals, aren't you? And it changes your perspective on how you do that. Mark Bishop: Well, it does because it allows you to sort of exist in a dual way of saying at a customer, experiential level, digital attraction side of things. How do you make sure that the experience you offer to people is distinctive, compelling, exciting and all the basic service features of toilets, cafe, shop, all this car parking, all those sorts of things on the functional side are doing what they need to do and then it means on the other side that you're also saying, “So what? you know, what is that trip all about? What did somebody take away?” Mark Bishop: And part of what people take away is that sense of shared experience, fun, entertainment, something to do on a wet Saturday afternoon. And that's valuable. But if you fundamentally help even a small proportion of your audience think radically different about themselves and the world around them. You might be doing something that goes way beyond what this attraction could ever imagine. Paul Marden: Yes, absolutely. So is that what you're aiming for? Is it the few minds that you can change radically, or is it the nudge of making small changes to the larger numbers of people that walk through the door? Mark Bishop: I mean, the answer to that is both, because we think every one of us has an opportunity and a responsibility to do basic things. So, I mean, the obvious good examples would be how you recycle stuff. And I look at my teenage boys, are they always recycling things in the best way or am I going through the bin resisting things? But then you ask more fundamental questions of, well, it's not just a case of recycling the bottle of plastic water. Why did you buy a bottle of plastic water in the first place? Yes, this stuff like that. Mark Bishop: And so a science centre like us helps people not just do the right thing in kind of lip service ways, but think more fundamentally about your role and relationship with what excites you at school, what studies you take, what degree you might go on to take, or what job are you going to go on to do? And how do you make sure that where you buy things from, where you work, where you spend your time is reinforcing the good rather than perpetuating the bad? And that's, you know, maybe I'm an idealist, maybe I'm a lack of realism, but actually I really do think that on our day, that's what we exist to do. Mark Bishop: And there will be maybe 1%, 2% of the people who come through our doors who are so inspired by science that they choose careers that are acting as environmental activists. I can think of a lovely lady I met the other day. I'll change her name to Laura. She told me that she came To Dynamic Earth 20 years ago for our Saturday science clubs and she used to come most Saturday mornings. And she so fell in love with science that she chose science subjects at school, went on to do a science degree and is now just finishing off a PhD in understanding volcanoes with a view that she wants to look at volcanic eruptions, where they happen and help think about where humans live alongside volcanoes. So all of that came from her coming here on Saturday mornings. Mark Bishop: So she is living proof that you inspire people young, and it can inform the whole direction of their studies and clear intention.Paul Marden: And deadline. Yeah, completely. What a lovely story to end on, but there's one more thing we have to do before we end today's Interview. We always end with a book recommendation. So, Mark, what book have you got for our listeners to maybe win today? Mark Bishop: So it will sound slightly sort of sanctimonious, but I've just started reading Mike Berners-Lee's book, A Climate of Truth. Now, Mike was in Edinburgh the other evening to do a talk as part of the Edinburgh Science Festival. Such an inspirational guy in terms of kind of climate, sustainability kind of issues. His mum must be very proud to have him. And you know, his, you know, one of the boys invents the Internet, the other one saves the planet. You sort of think to yourself, that ain't too bad. And I'm going to cheat slightly. And also just recommend one poem to people. It's Scottish poet Douglas Dunn. And it's a poem that I first heard when I was at school and I would say I read it probably 20 times a year. Mark Bishop: And the poem is called A Removal From Terry Street and it's only about 15 lines. And what I love about it is it finishes on that, on a beautiful line. That man, I wish him well, I wish him grass. And the context the poem is talking about a family removing, you know, working class family moving away from Hull and the neighbour is looking at them moving out and saying, you know, I wish him well, I wish him grass. And so I think that's just a lovely line that stayed with me. It speaks to the idea that we should all think the best of each other and hope for the futur, and think positive thoughts. Paul Marden: Well, Mark, it's been lovely talking to you. Thank you ever so much for coming on Skip the Queue, telling the story of dynamic Earth and looking forward to what happens next for your amazing attraction. Thank you very much. Mark Bishop: Thank you. Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others to find us. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them to increase their visitor numbers. You can find show notes and transcripts from this episode and more over on our website, skipthequeue fm.  The 2024 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsDownload the 2024 Rubber Cheese Visitor Attraction Website Survey Report

Colin is on the podcast as we get a different take on the 00s scene ahead of the band's swansong headline show at The Albert Hall next month.------Take the 22 Grand Pod survey: http://bit.ly/grandpod-survey22 Grand Pod is on Patreon: https://www.patreon.com/22grandpodOff the back of the main pod, we are creating Patreon only bonus content. For £3 a month you will get:The 00's Deep Dive: Taking a look back at the likes of the Stalking Pete Doherty documentary and going through them in painful detail. As well as going through NME Awards from back in the day and discussing what happened.My Favourite 00's Songs: Inviting patrons and other guests to come on the podcast to talk about their favourite songs, albums or moments from back in the day.Legend or Landfill: We go through NME's top 10 albums of each year and see if we think they are indeed Legendary or for the Landfill.Fans Stories: Talking to people about their memories and opinions on all things 00's.Unsigned Stories: Chatting with bands that didn't quite 'make it' in terms of signing that elusive record deal.Patrons will also get early access to any main pod episodesMerch etc: https://www.redbubble.com/people/22grandpod/shop?asc=uAlso check the YouTube channel for extended video versions of the interviews and much more: https://bit.ly/3Ts7Wu1And 22 Grand Pod on Islington Radio: https://www.mixcloud.com/IslingtonRadio/playlists/22-grand-pod/ Hosted on Acast. See acast.com/privacy for more information.

I got a hair transplant… let's talk about it.In this episode, Jonathan spills all the details about his recent FUE hair transplant. From the procedure and recovery, to the emotional support he found in a Guy Fieri shirt with flames on it... no but we are being for real. We're diving into what it's really like to get your hairline redone, the healing process, and what no one tells you about scalp surgery. But that's not all. As it turns out we have our own Real Housewives of New Jersey finale drama and it's all out on the table. Angry Canadian geese terrorizing a neighborhood, Patti LaBelle wants her Tupperware back from Elton John, and some thoughts on the bestselling thriller The Silent Patient... from an up and coming author?! It's a wild, chaotic ride—as always.Want BONUS CONTENT? Join our PATREON!Sponsors:➜ This episode is sponsored in-part by MeUndies. Get 20% off your first order, plus free shipping on orders of $75 or more, at MeUndies.com/counselors and use promo code: counselors➜ This episode is sponsored by Progressive Insurance. See if you can save on insurance at Progressive.comSources:➜ Kate Bueckert. “Ontario Students Terrorized by ‘angry' Nesting Canada Geese Can't Leave Their House.” CBC News, CBC/Radio Canada, 9 Apr. 2025.➜ Tom Skinner. “Patti Labelle Says Elton John Never Returned Her Tupperware: ‘It's Very Important to Me – I Don't Give It Out.'” NME, 8 Apr. 2025.Camp Songs:Spotify PlaylistYouTube PlaylistSammich's Secret MixtapeSocial Media:Camp Counselors TikTokCamp Counselors InstagramCamp Counselors FacebookCamp Counselors TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"Out of the water! I can hear the Fratellis coming on!" Another trip in the toe-curling time-machine to a criminally ignored Swiss music festival from the late noughties, where Alex dexterously unlocks Ivo's phone and his past to torture him with a spec review that could have been published in the NME if it was good enough, which we know of course it may not be. Next week: Alex's review of the European Youth Parliament! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Gordon is on the podcast as we deep dive his time in Bloc Party via the many fan questions.Photo by Jesse Hill.------22 Grand Pod is on Patreon: https://www.patreon.com/22grandpodOff the back of the main pod, we are creating Patreon only bonus content. For £3 a month you will get:The 00's Deep Dive: Taking a look back at the likes of the Stalking Pete Doherty documentary and going through them in painful detail. As well as going through NME Awards from back in the day and discussing what happened.My Favourite 00's Songs: Inviting patrons and other guests to come on the podcast to talk about their favourite songs, albums or moments from back in the day.Legend or Landfill: We go through NME's top 10 albums of each year and see if we think they are indeed Legendary or for the Landfill.Fans Stories: Talking to people about their memories and opinions on all things 00's.Unsigned Stories: Chatting with bands that didn't quite 'make it' in terms of signing that elusive record deal.Patrons will also get early access to any main pod episodesMerch etc: https://www.redbubble.com/people/22grandpod/shop?asc=uAlso check the YouTube channel for extended video versions of the interviews and much more: https://bit.ly/3Ts7Wu1And 22 Grand Pod on Islington Radio: https://www.mixcloud.com/IslingtonRadio/playlists/22-grand-pod/Take the 22 Grand Pod survey: http://bit.ly/grandpod-survey Hosted on Acast. See acast.com/privacy for more information.

Kevin Cummins has an international reputation as one of the world's leading photographers and is famed for his iconic portraits of musicians including Ian Curtis, Bowie, The Smiths, Iggy Pop, Bjork, Debbie Harry, Bob Marley, Public Enemy, Patti Smith and Oasis. These photographs have appeared on magazine covers and in galleries and museums worldwide, including Brooklyn Museum, Sydney Opera House, and the Pace Gallery, His work is included in the permanent collections of the National Portrait Gallery, V&A Museum and Manchester City Art Gallery. Kevin had a 20-year association with the NME, where he created many of the best-known images in modern music history. From the acting world he's photographed Helen Mirren, Ralph Fiennes, Vanessa Redgrave, Stephen Graham, Gary Oldman, and Richard E. Grant. His work has appeared on over 500 magazine covers and he's published many books documenting much of his own work with his latest, Oasis The Masterplan, being his sixteenth. It's out in April but you can pre-order it now. It documents twelve months of seismic change at the start of their career through the photographs he took that cemented the identity of Oasis and helped to define the band. You can buy the book, here - https://www.waterstones.com/book/oasis-the-masterplan/kevin-cummins/9781788405683Kevin Cummins is our guest in episode 478 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Buy Oasis The Masterplan by Kevin Cummins, here - https://www.waterstones.com/book/oasis-the-masterplan/kevin-cummins/9781788405683For everything Kevin Cummins, visit - http://www.kevincummins.co.ukFollow Kevin Cummins on Instagram & Twitter/X: @dkcmanc .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

John Harris is an old pal from our days in the music press. You might remember him from Sounds, the NME and Select (which he edited) and he's been one of the mainstays of the Guardian ever since, writing mostly about pop culture and politics. When his son James was diagnosed with autism and, looking for ways to connect with him and help his development, John began playing him various types of music. The results were life-changing for the family and recorded in his moving and revelatory book ‘Maybe I'm Amazed - A Story Of Love And Connection In 10 Songs'. With autism, John points out, “you can see the trees but seeing the wood is harder”. This fascinating conversation involves … … have we misread the eccentricities of John Coltrane or Van Morrison, Prince, David Byrne and Gary Numan? … how many musicians are outsiders in an industry requiring them to be the opposite of what they feel capable of. … how people with autism hear songs differently each time and “music is an endlessly replenishable source of wonder”. … why so many lead guitarists are loners. .. how James has perfect pitch and hears everything – birdsong, lawn-mowers, police sirens – as notes. And how music taught him to sight-read. … vivid, unforgettable, emotional recollections of the moment you first heard records – in John's case Sir Duke, Baker Street, Strange Town. … “blokes in black denim jackets drinking Becks”: the allure of working for the West End rock press. … “all records are novelty records when you're young”. … how 50-year-olds marvel at Spotify and 20-year-olds at vinyl. … the artistic rise and fall of Britpop. Order John's highly recommended book ‘Maybe I'm Amazed' here: https://www.amazon.co.uk/Maybe-Im-Amazed-Story-Connection-ebook/dp/B0D6B7H5NYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Australian punk pioneer Kim Salmon details his journey from discovering punk in isolated Perth to making extraordinarily rare and collectible records with The Scientists, The Beasts of Bourbon, Smoked Salmon and more! Topics Include: Kim Salmon has new “Smoked Salmon" album coming February 2025 Discovered punk through NME magazine articles in 1975 First heard Ramones after ordering album from Perth record store Formed The Cheap Nasties, one of Perth's first punk bands The Victims formed after watching Cheap Nasties perform Scientists formed when James Baker joined after Victims broke up "Frantic Romantic" single: 1000 copies made on DNA Records Bomp Records in USA ordered 500 copies, never paid Chris Robinson paid $800 for "Frantic Romantic" copy Scientists gained popularity touring Australia's east coast Band appeared on Countdown TV show, refused staged motorcycles Salmon painted original Scientists logo by hand Early Perth punk scene was isolated from eastern Australia Creedence Clearwater Revival influenced young Salmon's musical development Scientists' "Pink Album" recorded as band was breaking up "Weird Love" album re-recorded songs due to copyright issues Numero Group now handles Scientists' reissue campaign More archival Scientists recordings planned for future release Salmon stopped writing songs during Melbourne's 2020 lockdown Recorded pandemic song "Self Replicator" within 5km radius Smoked Salmon started as bushfire fundraiser project Recent Beasts album "Ultimo" features collaborative songwriting James Baker and Salmon still write songs together "Ballad of Rock and Roll" inspired by Mott The Hoople Creates watercolor artwork for Smoked Salmon releases Perth's isolation affected access to new music Scientists performed different styles before settling on sound Currently balancing multiple bands and visual art career Order the new "Smoked Salmon" album from Cheersquad Records EXTENDED, commercial free, high resolution verion of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Era's Tour Miami Recap (32:25)Jennifer Lawrence Is Pregnant! (PEOPLE) (42:46)The Stars Attend 2024 Academy Museum of Motion Pictures' Museum Gala (46:14)Morgan Wallen Unveils Sand in My Boots Festival Lineup (Variety) (1:01:53)Shakira postpones North American tour to switch from arenas to stadiums after overwhelming demand (NME) (1:06:08)The Toast with Jackie (@JackieOshry) and Claudia Oshry (@girlwithnojob) Lean InThe Camper and The Counselor by Jackie OshryMerchThe Toast PatreonGirl With No Job by Claudia OshrySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.