Podcasts about brits

Keir Starmer has unveiled a £29 billion plan to freeze energy bills for six months. Under his proposals, the Labour leader said Brits would not face the enormous price hikes anticipated in October and January.  But is his idea a serious one? Where would the money come from? And how have the Tories responded? Isabel Hardman speaks to Fraser Nelson and Katy Balls. Produced by Max Jeffery.

This week is a party!!! The ladies are joined by another dynamic duo, Kiki SaidSo and Medinah Monroe from the Cocktales: Dirty Discussions Podcast. The crew start off with an ice breaker using questions from the “Curious to Know” card game. This week's Vanilla Sh-t, “Do you have a type?' According to the Sun.co, 1/3 of Brits say they are in long-term relationships with people who are not their type. Does this mean we should settle or look outside our “types”? Tons of sex stories entail as Medinah shares about her time as a flight attendant and giving coochie to a homosexual. Vacation Sex….Let's talk about it!    Follow the hosts on social media Weezy @Weezywtf & Mandii B @Fullcourtpumps and follow the Whoreible Decisions pages Instagram @whoreible_decisions Twitter @whoreiblepod   Don't forget to tag #whoreibledecisions or @ us to let us know what you think of this week's episode! Want more? Bonus episodes, merch and more Whoreible Decisions!! Become a Patron at Patreon.com/whoreibledecisions   Want some Whoreible Decisions merchandise? GET YOURS NOW AT WHOREHIVE.COMSee omnystudio.com/listener for privacy information.

In the latest episode of Tennis Weekly, Joel and Kim catch up on the action and key talking points from Toronto and Montreal, where we saw Simona Halep back to winning ways and Pablo Carreno Busta claiming his first Masters 1000.With Beatriz Haddad Maia making further waves for Brazilian tennis by reaching her first 1000 final, Hubert Hurkacz just falling shy of claiming a sixth straight victory in ATP Finals, and Dan Evans going deep for the Brits, there is plenty to discuss from the past week on tour.Joel and Kim also discuss Serena Williams's impending retirement (and her upcoming match against Emma Raducanu), the latest Laver Cup announcements, preview the Cincinnati Masters and debate over on-court fast food, inspired by a certain Jenson Brooksby.______________DOWNLOADTENNIS.COMTo stay up to date on all tennis around the world including ATP, WTA and Challenger tours, download TNNS Live Scores.Download on Apple PodcastsDownload on Google PlayFollow  TNNS Live Scores on TwitterAnd check out the TNNS Lives Scores website at www.downloadtennis.com______________SOCIAL MEDIAShare your fan thoughts on the week with the #TennisWeekly on social media.Twitter: @tennisweeklypodInstagram: @tennisweeklypodWebsite: tennisweekly.co.ukWritten, presented and produced by Joel Girling and Kim MackenzieCrowdfunded by our listeners.Recorded on 15th August 2022.

In this episode we are joined by Maureen Freedman, talking all things performance design. A South African designer for performance, Maureen has worked with production teams in the US and abroad creating spaces and crafting characters for theatre, object theatre, opera and dance. Some notable work includes The Exalted at BAM with Carl Hancock-Rux and Theo Belckmann, Anne Bogart, Freedman's directing credits include Collider Classroom with Dr. Christopher Emdin at Lincoln Theatre Studio, The Wolves at the Window by Toby Davis for Brits off Broadway, and several collaborations with Yael Rasooly including The House by the Lake (Israel & touring), Silence Makes Perfect (UK) and upcoming Burning Blue in Norway. Maureen is a Linbury Prize finalist, Cheek by Jowl young Professional alum, NYFA IAP fellow and in May this year she and her team presented their winning design for Orfeo ed Euridice in Opera America's L. B. Tobin Director-Designer award for 2021-22. https://www.maureenfreedman.com/ We want to hear from YOU and provide a forum where you can put in requests for future episodes. What are you interested in listening to? Please fill out the form for future guest suggestions here and if you have suggestions or requests for future themes and topics, let us know here! @theatreartlife Thanks to David Zieher who composed our music.

'Profit is not a dirty word', Liz Truss said at last night's leadership hustings. The Foreign Secretary has made clear that she would prefer to cut taxes than take money from energy firms and give it directly to struggling Brits. But, if Truss makes it into No. 10, could she really reverse the windfall tax? Isabel Hardman speaks to James Forsyth and Katy Balls. Produced by Max Jeffery.

It’s been quite a while since the team’s last Q&A episode, and this round features three of our favorite Brits in the fan community: Charles Thomson, Samar Habib, and Charlie Continue Reading →

On the sixteenth episode of Blockbuster Rewatch, Andy Atherton welcomes Mirandia Berthold to do a live watch of the 2016's Doctor Strange continuing his MCU rewatch. Originally broadcasted live on Stream Lounge, the duo discusses charming Brits; cocky doctors; Rachel McAdams; beards; holistic medicine; the lack of jetlag in Marvel movies; astral projections; nerd eye candy; magic relics; IKEA meatballs; the Sanctum Sanctorum and where the MCU will go from this point.   To watch the Stream Lounge Broadcast, click on the link below: https://www.streamlounge.io/watch/48e23b81-583d-4e12-a0cc-93ac7b9fdeb6 

Remember when "long-haired" British rock 'n' rollers made teenage girls swoon — and their parents go crazy? Subtitled “The British Invasion of the Sixties in Pop Culture,” “Britmania” plunges into the period when suddenly, America went wild for All Things British. This profusely illustrated full-color hardback explores the movies (“A Hard Day's Night,” “Having a Wild Weekend”), TV (“Ed Sullivan,” “Magical Mystery Tour”), collectibles (toys, games, lunch boxes), comics (real-life Brits in the DC and Marvel Universes) and, of course, the music. Written and designed by Mark Voger (“Monster Mash,” “Groovy,” “Holly Jolly”), TwoMorrows Publishing's “Britmania” features interviews with members of the Beatles, the Rolling Stones, the Who, the Kinks, Herman's Hermits, the Yardbirds, the Animals, the Hollies and more. It's a gas, gas, gas! PRE ORDER THE BOOK HERE: https://twomorrows.com/index.php?main_page=product_info&products_id=1683

0:00 Trump 13:50 Other News 21:30 Inflation 33:30 Positive News 46:45 Vaccines 51:45 Australia 1:03:00 Terror   - #DOJ and #FBI have become lawless terror cells waging a war against Trump and America. - Calls for #nullification and #secession are growing louder as free states reject the insanity. - Corrupt Biden sends another $4.5 BILLION to fund Ukraine's entire government! - Amnesty International confirms #Ukraine is using innocent civilians as HUMAN SHIELDS - New announcement in cold fusion confirms excess heat / energy production. - #Taiwan is being mass murdered by #BigPharma thanks to #vaccine obedience - 75,000 Brits pledge to stop paying their electric bills due to rising costs - US Treasury bans Tornado Cash crypto mixing service to stop "laundering" - laughable! For more updates, visit: http://www.brighteon.com/channel/hrreport NaturalNews videos would not be possible without you, as always we remain passionately dedicated to our mission of educating people all over the world on the subject of natural healing remedies and personal liberty (food freedom, medical freedom, the freedom of speech, etc.). Together, we're helping create a better world, with more honest food labeling, reduced chemical contamination, the avoidance of toxic heavy metals and vastly increased scientific transparency. ▶️ Every dollar you spend at the Health Ranger Store goes toward helping us achieve important science and content goals for humanity: https://www.healthrangerstore.com/ ▶️ Sign Up For Our Newsletter: https://www.naturalnews.com/Readerregistration.html ▶️ Brighteon: https://www.brighteon.com/channels/hrreport ▶️ Join Our Social Network: https://brighteon.social/@HealthRanger ▶️ Check In Stock Products at: https://PrepWithMike.com

This episode may just live rent-free in your heads, and we're going to start charging rent. Comedian and cartoonist for The New Yorker Mads Horwath is with us today! Support the show on Patreon Field Notes Cover letters suck, right? Apparently you can't say sp*z anymore, at least according to Lizzo and the Brits. HBO and Discovery simultaneously merge and destroy, leaving behind a media landscape with nothing but Shark Week and freaking... Honey Boo Boo! For real though: what happened to those guys in the 90s who wore Cat In The Hat hats? Please call us and let us know. Join the Thought Cops Deputy Patrol Support the show on Patreon Join the Thought Cops Discord! Click here to buy Thought Cops shirts, hoodies, stickers, and mugs. Like what we do? Buy us a Ko-fi! Episode produced by Commissioner Zwick Leave the show a voicemail at 312-788-7361 or thoughtcopspodcast@gmail.com

Why do our bodies need magnesium? Do you suffer from twitching eyes, muscle spasms, restless sleep and irritability? If so, there's a chance it might just be down to a magnesium deficiency. Indeed, that was the case for as many as 70% of the 8,000 Brits who took part in an 18-month study by testing company Mineral Check from August 2014 to January 2016. And it's something of a big deal. Magnesium is an essential nutrient which is needed for over 300 biochemical reactions in the human body, contributing to a wide range of muscle and nerve functions, as well as building strong bones and regulating blood sugar. An adult human body contains around 25 grams of magnesium, which is mostly stored in the bones, muscles and nerve cells. How can I know if I'm low on magnesium? What's the best way to treat a deficiency? In that case, do we need to be taking supplements? In under 3 minutes, we answer your questions ! To listen to the last episodes, you can click here : Am I in a situationship? Why should I eat more fermented foods? What is trauma dumping, the toxic equivalent of oversharing? A podcast written and realised by Joseph Chance. In partnership with upday UK. Learn more about your ad choices. Visit megaphone.fm/adchoices

This summer, many Brits are striking or thinking about striking. From railway workers to barristers, Post Office workers to teachers, an unusually large wave of strikes continues to build as the summer goes on. As workers struggle with the cost of living and turn to industrial action, the Labour Party is divided on how to act. As the leader of the opposition, Keir Starmer is walking a tightrope:  the Party was founded on workers rights but strikes are disruptive and unpopular with many voters. So how have Labour leaders in opposition dealt with mass strike action in the past? Jonathan Freedland takes the Long View. Contributors: Professor Steven Fielding of the University of Nottingham and political historian Anne Perkins Producer: Sarah Shebbeare Studio Manager and mixing: Tim Heffer

Elon Musk has challenged Twitter CEO Parag Agrawal to a public debate about the percentage of bots on the platform. It's after Musk's lawyers put together a 165-page argument about why he no longer wants to go through with the $44 billion deal to buy the social network. Also on Twitter: hackers may have figured out which fake accounts you're using.US Senate approves a money-saving climate change bill, and scientists find a cheap and easy way of capturing carbon.A pair of beavers are doing their bit to help tackle the UK's water drought by rewilding old farmland.Beano and EE create a Dennis the Menace comic to help teach children about online dangers.Consumer expert calls for EU roaming rules for Brits to be made clearer. Feelin' feline? Pokémon Go releases huge 3D cats in Japan, and could PlayStation be about to release NFT's?Follow us on Twitter for more news @EveningStandard See acast.com/privacy for privacy and opt-out information.

Weekend is taking a break. So this week, the team are picking out their favourite pieces from the last few months just in case you missed them. This week, reporter Kari Paul asks why so many people are going ‘goblin mode' (1m46s), Hadley Freeman shares some defining moments from the Wagatha Christie trial (9m51s), and Charlotte Higgins asks why Brits are still obsessed with the Regency period (43m40s)

Manoj Kamps is te gast, midden in de Amsterdamse Pride week van 2022! Hen is dirigent, queer, theatermaker, vriend, non-binair, poly, Sri Lankaans, Brits en Nederlands, heerlijk persoon, en staat op het punt om in Groot Britannië de opera La Traviata te dirigeren bij Opera North. Dat is een big deal. Maar er zijn zoveel onderwerpen waar we het met hen over willen hebben, zoals bijvoorbeeld het Milkshake Festival. En hoe dat was, na drie jaar.Verder meer over glittertriggers, piemeldiademen, en het bedrijfsborrelpodium op Milkshake; kortom je bent weer helemaal bij na het beluisteren van deze Flagship Queer Podcast. Veel plezier!ShownotesWebsite van het Milkshake Festival, waar je overigens niets wijzer van wordtAlle informatie over apenpokken/ monkeypox/ MPX bij het RIVMLa Traviata bij Opera North, inclusief speellijstHet broodje aapverhaal van het hondje in de magnetronCryogenically frozen hamstersCultuurtip ‘can this chef' op het YouTube kanaal TastyI like nuked foodAflevering met carcinoloog Werner de GierZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

On this week's ESPN Roundtable, Colter Nuanez is joined live in Bozeman by Montana State assistant basketball coach Chris Haslam and defending Big Sky MVP Jubrile Belo, two of the Bobcats' coterie of Brits, as the team prepares for its preseason trip to England and France. Colter also gets the lowdown from Joey Lovell, assistant MSU golf coach and two-time defending state amateur champion, on his most recent State Am win.

00:00 - Thanks for tuning in! 00:15 - 10X in the new studio baby!!! 02:35 - Rocky Horror featuring Tim Slurry 08:05 - Is the moon fake? 12:00 - Can you be racist against cars? 15:00 - The future of fake stand-up 17:40 - Mexicans in Arkansas 24:25 - Drunk people in the club 29:30 - Drinking is awesome 33:54 - Brits vs. Yanks 41:55 - Apache flags 45:06 - No more hard R's 49:55 - Review of Fourth of July by Louis C.K. 52:56 - Family issues 55:30 - Vasectomies for political reasons 1:02:50 - SINKHOLE August 26th!!!!!

A quirk of fate brings both Lem and Fanshaw face to face with people from their pasts.  disagreeable reunions bring up disagreeable memories, and show a taste of what makes a man into a gunslinger. Written and Produced by Julie Hoverson Cast List Lemuel Roberts /Deadeye Kid -  J. Spyder Isaacson Clarence Fanshaw -  J. Hoverson ~~~~~~ Grisham - Bill Hollweg  (BrokenSea Audio) Lisette Carmichael - Robyn Keyes Commander Bannington -  Glen Hallstrom Scotty - Mike Campbell Other Voices: Episode 1 Bartender - Rick Lewis Episode 2 Townsfolks - Mark Olson, Candace Behuniak, Big Anklevitch & Rish Outfield (Dunesteef audio magazine) Episode 3 Juliet - Alexa Chipman (Imagination Lane) Glen Hallstrom Episode 4 Bandits - Big Anklevitch & Rish Outfield (Dunesteef audio magazine) Piedmont - Russell Gold Mr. Roberts - Jack Kincaid (Edict Zero) Episode 5 Nanny - Jennifer Dixon Bandits - Big Anklevitch & Rish Outfield (Dunesteef audio magazine) Episode 6 Bandits - Big Anklevitch & Rish Outfield (Dunesteef audio magazine) Mark & Connor Olson Russell Gold Cover Design:  Brett Coulstock Announcer:  Glen "Ole Hoss" Hallstrom Opening theme:  "The Wreck of Old '97" from public domain recording found on archive.org Any incidental music:  Kevin MacLeod (Incompetech.com) Editing and Sound:   Julie Hoverson   No gunshots herald his approach.  No trademark left behind him when he leaves.  The Kid had his fill of notoriety in days gone by - as plenty of empty boots can surely testify.   Some say he rides alone.  That's the Deadeye Kid. ******************************************************************   Auld Lang Syne [DeK4] EPISODE 1 MUSIC 1_ARRIVAL SOUND HORSES, RIVER, BOAT TRAFFIC LEM Largest town I been near in a good passel of time.  I hear tell it started out as a frontier fort, but the frontier moseyed west and left it a-setting behind. FANSHAW Will it be safe? LEM Safe? FANSHAW I had rather assumed you were avoiding larger towns.  For ... notoriety's sake. LEM Meaning I don't want be invited to a necktie party?  'at's part of it, though I'm purty sure I ain't never been posted in this territory.  FANSHAW Is it worth the risk? LEM [shrug noise]  Time to time a man wants a bath and a night in a bed. FANSHAW There are some distinct benefits to being deceased. LEM [laughs]    I don't gotta listen to you bellyaching about aches and pains and sleeping on the ground no more.  Never mind being all prissy and citified about finding you a comf'table bush now and then-- FANSHAW [rolling eyes]  Yes, yes. LEM Sides, I'm outta coffee.  And low on shells.  FANSHAW [teasing] Heavens.  How DO you manage? 2_STROLLING AMB IN TOWN SOUND WALKING ON WOOD LEM Lotta trade hereabouts.  Reckon I'll be able to get what all I need. FANSHAW Lem!  LEM [voice low]    We'll go on over yonder.  [beat] Must still be a fort within spitting distance.  FANSHAW I did notice that the old fortification appears to have become the mansion for an authority of some kind.  LEM Probly best to get my business done and skeddaddle. SOUND SALOON DOOR OPENS, JUST OFF, PEOPLE COME OUT FANSHAW I say.  Isn't it a bit early for a drink? LEM [shrug] Three weeks.  Don't seem early to me. FANSHAW I'll-- LISETTE [off a bit] Clary? FANSHAW [stunned and horrified] Oh god. LISETTE [off a bit] Clary?  I'd know that voice anywhere! LEM Friend o'yourn? FANSHAW [stiff, covering]  Old acquaintance.  Go on ahead! LEM 3_SALOON SOUND HE WALKS INTO SALOON AMB SALOON LEM One here. SOUND DRINK POURED BARTENDER There you go. SOUND COINS SOUND LEM DRINKS GRISHAM [angry growl] Lemuel Roberts. LEM [SPIT-TAKE] SOUND GLASS SLAMMED DOWN BARTENDER Something wrong, fella? LEM [coughing, trying to clear his throat]    Hit like a snakebite. GRISHAM You look at me, you pissant slab of gun leather. BARTENDER [sympathetic] Tarnation.  You need it yonked?  Barber can‑‑ LEM [finally getting clear] No, no.  I kin handle it.  SOUND COINS, GLASS DOWN LEM   And sorry about the-- BARTENDER [dismissive] Ain't no nevermind. SOUND MORE COINS LEM Give me the bottle. GRISHAM Now I found you, you could float a heap o rotgut and won't never drown me! BARTENDER You drink more careful now, you hear? LEM 4_LISETTE AMB OUTSIDE LISETTE [close, laughing] Oh, good lord, look at you!  Mustache and all.  Aren't you a little brigadier? FANSHAW [acknowledging] Carmichael. LISETTE Oh, how formal.  Just like at school.  What have you been up to Clary, dear? FANSHAW "Fanshaw," if you please. LISETTE And we used to be such chums.  However did you end up here? FANSHAW I'm quite sorry to see that you are dead, Carmichael. LISETTE [laughing] Oh, I rather doubt that!  You're only very sad to see that I'm here, aren't you? FANSHAW Would you prefer that I said I am pleased to find that you died, since that would be the only circumstance that could ever have stopped you from tormenting every living soul around you? LISETTE [not amused any more]  At least that would be closer to the truth. FANSHAW Jolly good.  Happy you're dead.  Must get along. LISETTE Don't run off so quickly, Clary!  FANSHAW [long breath of self-control]  LISETTE There's been no one interesting to talk to or listen in on for simply ages.  FANSHAW How unfortunate.  Must rush. LISETTE I noticed you speaking to that fellow. FANSHAW [quiet] Bloody hell.  [up]  I speak to a lot of people. LISETTE I'm sure.  But he replied.  Might I speak with him as well? FANSHAW I-- LISETTE Oh, just watch your face!  You're trying desperately to come up with a lie!  You never could hide anything from me, mustache or no mustache, silly Clary-- FANSHAW Stop calling me that. LISETTE Oh, how I've missed these little moments with my dearest friends - ever since I made the leap.  I shall have to spend a great deal of time with you - and with your rugged looking friend.  FANSHAW [gritted teeth] Jolly good. 5_SALOON2 AMB SALOON SOUND LEM DRINKS, SLAMS DOWN GLASS GRISHAM I know you kin hear me, you toad-bellied worm. SOUND CHAIR SHIFTS, KICKED OUT FROM TABLE LEM [low] Sit. GRISHAM What makes you think I'd sit with you?  You done went and killed me! LEM That's one reason I'm plumb surprised to see you.  You went down all the way to Fayetteville - damn far north o' here. GRISHAM I ... drifted. LEM That's just what's got me hornswoggled.  Ain't no one drifts. GRISHAM Well I did, and I's planning to get you back for what you done, one way or t'other. LEM [sigh] SOUND DRINK POURS 6_PIGS SOUND PIGS LEM Why'd you drag me out to the slaughterhouse? FANSHAW That woman - ghost woman. LEM An old flame? FANSHAW Nonsense!  We knew each other as ... children.  She is-- [changing the subject] She is unlikely to follow us here.  LEM Spect not.  Womenfolks ain't fond of this sort of messy business. FANSHAW [disgusted] Yes... LEM So?  You'd best'a brought me here fer a reason. FANSHAW Lisette Carmichael.  She [hard to say] is a person who likes to know things.  About other people.  She likes to -- LEM Hold a grudge?  Like a noose over yer head? FANSHAW Aptly put.    LEM You cain't have much in the way of dark secrets, though, can you?  Leastways not no more. FANSHAW You might be surprised. LEM Who's she a-gonna tell?  [realizes] Oh.  FANSHAW And while I'm fairly certain you think you could overlook any past indiscretion on my  part, I don't doubt there are a few things that might shock even you.  Lord knows, she's not even above the occasional fabrication. LEM [after a moment]  Did it involve a sheep? FANSHAW What? LEM Whatever it was you done. FANSHAW   It isn't - it's not like that at all. LEM [shrug] Sounds like we should jest ride on out. FANSHAW What? LEM Got my coffee, ain't no reason to lollygag. FANSHAW You would leave?  Over this? LEM I figger you saved m'life more'n once, and ain't much I can do in return.  SOUND WALKING IN MUD LEM Let's get gone before you start a-thanking me. 7_BARN AMB BARN SOUND TACK, HORSES, ETC. LEM You distract her, I'll get the gear.  Come and find me when you feel the pull. FANSHAW Righty-ho.  SOUND LEAVES GRISHAM Running away, eh?  Allus knew you'ure yella. LEM [sigh]  You're lucky ain't no one about but us.  Otherwise, I wouldn't dignify none of that with an answer. GRISHAM You kilt me! LEM We had it out, fair and square.  I never shot no one in-- [breaks off, a bit choked up]  I never din't kill any one not a-gunning fer me.  Not on purpose. SOUND LAST BIT OF TACKING UP GRISHAM Are you saying I was asking fer it? LEM I seem to recall you a-calling me out in the middle of a fairish game of cards.  Yellin blue bloody murder that I should step out and face you. GRISHAM Well, yeah, but I was drunk. LEM I din't do THAT to you neither.  You called me out, without no good reason agin me. GRISHAM [losing some of his bluster] I fancied making a name for myself. SOUND LEM GETS INTO THE SADDLE LEM By shooting the Kid?  You ain't the first. GRISHAM But you still kilt me. LEM And I won't never forget none of it, but you got what you asked for, and not a jot more.  Blame providence if you cain't blame yerself, but don't put this guilt on me.  Hee-yaw! SOUND RIDES OFF 8_DISTRACTION FANSHAW Lisette? LISETTE There you are!  Just like a naughty boy, running off to filthy places to get away. FANSHAW So sorry.  Didn't have much choice.  My friend is quite fascinated by... hogs. LISETTE Did you make a clean breast of it?  Or just warn him not to believe a thing I say?  FANSHAW You don't understand what you're threatening to do - you never did.  LISETTE So bothered over trifles!  How much people change! FANSHAW Ruining someone's life never meant anything to you!  Do you recall poor Selfridge? LISETTE Carmela?  Served her right.  FANSHAW She threw herself off a bridge! LISETTE She also let herself be compromised!  I didn't put her in the family way, and she was the one lying and hiding-- FANSHAW Are you trying to imply that you are somehow in the right?  A champion of truth? LISETTE Shall I point out what it is you are doing that flies in the face of nature? FANSHAW History is replete with-- LISETTE Oh, spare me.  Next you'll be quoting Shakespeare. FANSHAW Very well.  I shan't try and justify myself, but I will point out that whatever I am doing, it cannot be changed.  Being dead, there's not much one can do about such trifles. LISETTE Then why should it be such a catastrophe were I to tell? FANSHAW [beat] You've never had a real friend, only people who fawned on you in order that you would not reveal their shortcomings.  LISETTE [outraged] I--?  You--! FANSHAW Kindly allow me to finish.  There is a certain camaraderie among men that simply does not - cannot - occur once a woman is involved.  Once you put your nose in, I fear it would never be quite the same. LISETTE No doubt.  I'll just go and find your friend now, shall I? FANSHAW [strange gasp, ending on a laugh]  No, but I think I shall. SOUND FANSHAW LEAVING NOISE CLOSING         Auld Lang Syne [DeK4] EPISODE 2 1_MOSEYING AMB OPEN COUNTRYSIDE, nighttime SOUND HORSES WALKING LEM I still cain't reckon how he got so far from where he-- I-- where we had it out. FANSHAW How odd.  Have you ever encountered other ghosts who could travel? LEM Present comp'ny only. FANSHAW And we know the how and why of that.  Perhaps this fellow has a similar... arrangement? LEM How?  And who with?  Ain't no one would carry that ugly cuss a dog's walk, let alone some hundred miles. FANSHAW Well, every one of we "spirits" seems to be a bit different. LEM Like your lady friend back there? FANSHAW [sigh] From her current appearance and [disapproving] "costume", she had fallen on ‑ahem- hard times indeed.  Possibly drifted west - whilst alive - in hopes of making something better for herself.  LEM Lot of people can say that, out this way. FANSHAW [a bit snotty] Frankly I'm not surprised at her misfortune.  When you alienate all those around you, no one will step in to help if things take a turn for the worse. LEM Cain't say I ain't never been that fella. FANSHAW [chagrined] Oh.  MUSIC FOR FLASHBACK NOTE Lem is younger, more cocky, more superior in the falshback - need to really show who he used to be 2_THE OLD KID AMB SALOON LEM Gimme two. SOUND CARDS LEM [pleased noise]  I'll see you and raise-- SOUND CROWD HUSHES GRISHAM [snarling declaration] I hear tell the Deadeye Kid's here in town? LEM [ignoring him, smug] Raise ten. DEALER [shaky] Uh, Kid? GRISHAM Which one o' y'all's sposed to be this weasel? LEM Your call. PLAYER1 [shaky] Um...  I fold. LEM [chuckles] PATRON1 How can he--? Patron2 Shh! SOUND HEAVY SPURRED BOOTS CROSS FLOOR, PEOPLE SCUTTLE OUT OF WAY GRISHAM [heavy menace]  You the deadeye kid? LEM [offhanded] I'm the man playing a nice civil hand of cards.  Mebbe you can hold your hosses there, whistle stomper. GRISHAM Either you come out and face me now, or I swear'n I'm gonna shoot you where you sit. SOUND CHAIRS SCOOTING OUT, PEOPLE LEAVING TABLE LEM [long dramatic sigh]  Now that sounds a mite like a threat. PLAYER1 [muttered] Uh, yeah.  I'm done.  Fergot my wife wants me home. GRISHAM Are you coming, or am I shooting? LEM If everyone's takin' leg, I guess I win by forfeit? DEALER Um, I don't think anyone's gonna argue you on that. GRISHAM You turn around now and face me, you yellow bellied dog! SOUND MONEY BEING SHOVED TOGETHER LEM Give the frog a chance to jump, knuckles.  Cain't just leave all this layin around. SOUND G's GUN DRAWN AND COCKED GRISHAM Now! LEM [to dealer, cocky] You'll look after this til I get back? DEALER .. certainly. GRISHAM I'll do it!  I will! SOUND CHAIR SLOWLY MOVES, LEM'S SPUR-STEPS, STANDS LEM Rightchere in front of all these good folks?  And leave the dealer to clean up the mess?  [tsks]  Let's at least be civilized and take this on outside. 3_EASIER MUSIC BACK TO NOW SOUND HORSES WALKING FANSHAW Seems as if it would be a great deal easier. LEM Whazzat? FANSHAW Shooting someone in the back. LEM And killin a chicken's easier than takin down a buffalo, but ain't a thing to swell over.  Ain't no pride in the easy way.  FANSHAW Backshooting would gain you notoriety just as quickly. LEM It's all about how folks look at you... and how they see you. MUSIC BACK TO FLASHBACK 4_WARMUP GRISHAM Are you stepping? LEM What flavor of tarantula juice got you fit to wake snakes?  Milk?  [insulting that he can't hold his liquor] GRISHAM [furious noise]  I got a pill to run you on, and I'm gonna chew back every moment of it. LEM [to the crowd] Righchere's a rumbustious fellow for you.  SOUND DRINKS DOWN HIS LIQUOR, SLAMS IT DOWN LEM Barkeep?  Have me a shot of top mark waitin. SOUND WALKS OUT, SLOWLY GRISHAM You look at me while I'm a talking to you! LEM [walking out] You say somethin' more wheat than chaff, mebbe I will. 5_RATTLING FANSHAW Were you trying to upset his equilibrium? LEM What's that when it's at home? FANSHAW uh - Throw him off - make him upset and more likely to make mistakes. LEM   Yup.  There's as much head as hand in a proper showdown.  Not that this was one o' them. FANSHAW Why not?  He called you out. LEM He was halfway round on rotgut.  Not a nugget's chance agin me.  Even if he had all his [careful] equilibriums about him. FANSHAW But you stepped out with him?  Even knowing he had no chance? LEM A'course.  He wouldn't take no.  Drunk fellers who ain't gettin their way are as likely to shoot just about anyone.  I reckoned I was a-helpin, putting him down. FANSHAW [a bit touchy] And you couldn't simply injure him or knock him out - he had to die? LEM Ain't no place for fine feelins when there's a man with a gun a-facin you.  And ain't no time to aim all purty and shoot him just so.  You hit hard and put him down, cause if you don't, he'll do it to you.  That's the part you cain't get away from - one or t'other's likely for boot hill, and you GOTTA face it that way. 6_SHOWDOWN MUSIC BACK TO FLASHBACK SOUND OUTSIDE NOW GRISHAM You ready? LEM Why trouble yerself to call me out anyhow?  I kill someone yer riled over? GRISHAM [duh] Yer the Deadeye Kid! LEM [duh] Yep.  [beat] That's your sole entire reason?  You wanna walk in my boots? GRISHAM No faster way to make a name, than laying out a name. SOUND THEY MOVE TO EITHER SIDE OF THE SOUNDSCAPE SOUND GUN BEING CHECKED, LEM LEM And o'course it gots to be a callout.  [digsut, sarcasm] No one wants to be the next Robert Ford.  [man who backshot his friend Jesse James] GRISHAM Come on!  Kick it up, Deadeye!  Less'n yer yellow! SOUND LEM - DIRT PATTERS - checking the wind] LEM [maddenginly cool] Oh.  I'm ripe and ready to drop. SOUND TENSION NOISE, CROWD NOISE, THEN SUDDEN FLURRY OF GUNFIGHT. SOUND G - BODY DROP SOUND LEM - GUN INTO HOLSTER.  A MOMENT.  FEET WALK BACK UP INTO SALOON 7_ENJOY MUSIC BACK TO NOW FANSHAW [relenting a bit] I suppose it's very like being in battle - not a good place to have consideration for the other fellow. LEM Have to ice over that pond.  Hard and cold.  Hard and cold. FANSHAW I- I do apologize for sounding disapproving.  I want to assure you, it's the process that... well... seems so very pointless. LEM [a litle lighter] Men'll be men. FANSHAW But men can behave in a civilized manner!  Look at we Brits. LEM [grunt - half laugh half dismissive] FANSHAW Do you enjoy it? LEM [very mixed feelings] Enjoy? FANSHAW Throughout history there have been men who reveled in killing, in battle. LEM   [musing] There's a fire that burns you at that moment, like bugs in the skin. LEM S'like the best whiskey and the moment you almost fall off a cliff, and being with the love of your life, all at the same damn time.  FANSHAW The thrill of danger? LEM That, but even more so.  If'n you just want danger, you go climbin cliffs or breakin broncs.  This is starin into the eyes of death - death right there and then and ain't no "maybe so" about it.  Kill or be killed.  [beat, then not quite truthful]  Enjoy?    FANSHAW Sometimes a person's strength is in making the right choice, even when it might pain them to do so. LEM I reckon. 8_WINNER MUSIC FLASH BACK AMB INSIDE SALOON, HUSHED SOUND GUNSHOT, OUTSIDE WOMAN [gasps] SOUND [CROWD NOISE, OUTSIDE], THEN OMINOUS BOOTS ON WOOD, SALOON DOOR OPENS SOUND PIANO PLAYS, CHATTER BEGINS AGAIN LEM [voiceover]  there's also this way people have of lookin at you - like yer the best.  Used be I din't see the fear beneath it. SOUND BOTTLE POURS, GLASS SET DOWN BARTENDER Your shot, Mister. LEM [drinks big, then bragging] My second shot in two minutes! SOUND Forced laughter from the crowd, warps out a bit. 9_HUNKER MUSIC BACK TO NOW LEM [brisk] It's coming down dusk.  Need to find a place to hunker fer the night. FANSHAW I shall keep an eye out for-- [dread] oh! LEM Whazzat? FANSHAW Look - the horizon! LEM Signal fires, and a lot of em.  FANSHAW They're a little far off to get a better look at.  We shall... have to return, shan't we? LEM Someone's gotta warn the town.  Whether it's injuns or sumpin else, looks like an ambush on the march. FANSHAW [weakly] Surely the garrison maintains lookouts? LEM Not so much that I saw.  They're purt near closed up shop, from the looks back there.  FANSHAW [heavy sigh]  Right, then.  SOUND DISMOUNT, SHIFTING A FEW THINGS FROM HORSE TO HORSE LEM You worried about your lady friend? FANSHAW She's neither a lady nor a friend.  But whatever she might have to say will matter to none but me.  [change of tone]  We are a couple of hours out. LEM Horses ain't fresh, but I weren't pushin.  We can get back before them out there can get into spittin distance. SOUND MOUNT OTHER HORSE FANSHAW [resigned but determined] Shall we? MUSIC     Auld Lang Syne [DeK4] EPISODE 3 1_WONT SPOOK SOUND READYING FOR BATTLE LEM If'n you got a fresh horse, I kin go scout some fer you. COMMANDER You've done enough already, stranger.  Ain't even your fight. LEM I know where they're at, and I got some idea of where they're likely to be by the time I get back there.  Give me one horse ain't like to spook, and I'll-- COMMANDER I'll have to send a man along with you. LEM That's fine.  Make sure he ain't like to spook neither. 2_LISETTE SOUND [above scene plays out in the background] LISETTE And here I thought you had run away and left me all alone.  FANSHAW [sigh] Why don't we step outside to have this conversation? LISETTE   I like seeing what the "menfolk" are up to.  [frustrated noise] What I wouldn't give to be able to leave this rattletrap town.  I'm still not sure how you did that.  Or why you came back. FANSHAW We had to warn the garrison. LISETTE Always full of suprises, aren't you - and yet still sanctimonious.  Fanshaw, dear old chum.  Are you not afraid of what I might say? FANSHAW Any concern you might cause me is negligible when weighed against the potential danger to others. LISETTE [surprised laugh]  Hah!  All you superior little snobs, with your noses in the air!  And deep down, all just as afraid as the rest of us. FANSHAW I've no idea what you're talking about, and I don't care to find out.  Whatever you plan to do, just get on with it.  We have a job to do. LISETTE Wait! FANSHAW [long sigh]  Yes? LISETTE Shall I wish you "good luck"? FANSHAW I doubt I shall need any.  But I thank you for the sentiment, Miss Carmichael, however grudgingly bestowed. 3_JULIET FLASHBACK JULIET Romeo, doff thy name, And for that name which is no part of thee Take all myself. FANSHAW I take thee at thy word: Call me but love, and I'll be new baptized; Henceforth I never will be Romeo. JULIET What man art thou that thus bescreen'd in night So stumblest on my counsel? ROMEO By a name I know not how to tell thee who I am: My name, dear saint, is hateful to myself-- SOUND POUNDING LISETTE Oh heavens!  Not again! MAN [calling from off] Sorry. SOUND POUNDING STOPS LISETTE Try that scene again from the top.  Romeo? FANSHAW [sigh] Yes? LISETTE Couldn't you try to be a bit more ... masculine? JULIET Oh, I like "him".  So terribly byronic. FANSHAW I'll see what I can do. 4_SCOTTY SOUND PACKING A HORSE SCOTTY Sir? LEM Yeah? SCOTTY Private Scott.  Commander Bennington told me to report to you. LEM [sigh] Right.  You ever shot that for real? SCOTTY O'course. LEM Against a person? SCOTTY Well, against animals. LEM GRISHAM Not everyone can be you. LEM [sighs] SCOTTY Don't you worry!  I ain't afraid! GRISHAM This pullet ain't even got pinfeathers yet.  You get him killed, you gonna adda a notch fer him too? LEM You got a horse, Scott? SCOTTY Everyone calls me Scotty. GRISHAM Later, they'll just call him dead. LEM   Right.  You gotta horse? SCOTTY Over there. GRISHAM [rueful] My damn horse.  Serving in the army like the rest of the idjets.  LEM Well, go and get'im. SCOTTY Right, sir! GRISHAM Ain't he a little young?  You should oughtta throw him back. LEM I'm stuck with him.  And I never kept notches. GRISHAM That ain't what I heered. LEM Lot o' tales goin round - ain't a one of 'em naught but sagebrush smoke. GRISHAM And the tale 'bout how you kilt me? LEM [sharp intake] I don't brag on none o' that no more. GRISHAM So, you think I like being plumb forgot? LEM If I thought tellin about it would ease you on to the next thing, you think I wouldn't? SCOTTY Tell me about what?  Injuns?  [certain] I know all about them. LEM [sigh] 5_SCOUTING AMB CRICKETS SOUND HORSES FANSHAW They're still out of range.  I can just barely catch snippets of sound at my farthest reach, but I'm fairly certain it is not Indians. LEM Hmm? FANSHAW I can make out English and Spanish.  Are we anywhere near the Mexico territories? LEM [quiet] Ain't impossible.  Deserters, mebbe. SCOTTY What ain't impossible? LEM We're gettin close.  Best to go on foot.  SCOTTY These here horses are my responsibility! LEM Best you stay and watch'em, then.  FANSHAW Don't forget the satchel. SOUND CREAK LEM Like I'd forget that. SCOTTY I wouldna gone through your kit or nothin!  I ain't no finger monkey. FANSHAW [laughs]  I ne'er heard that one before. SOUND REMOVING SPURS LEM Ain't that I don't trust you, son, just might need me some things.  If I was you, I'd take them horses up yonder - forge as far into the high rough as you can, but keep where you can see if I come tearin out of there.  You reckon? SCOTTY How'll you find us? LEM I'll find you.  Just be ready.  And don't shoot me. SOUND QUIET FEET ON DIRT 6_JULIET2 FLASHBACK echoey hallway LISETTE [running up] Fanshaw? FANSHAW LISETTE [trying to start a fight] We've been reconsidering your costume.  Those leggings are positively scandalous. FANSHAW [bland] Romeo can hardly appear in bloomers.  Would be rather difficult to climb to the balcony. LISETTE Perhaps plain trousers, then.  [sly] Though I understand you were quite keen on showing off your legs. FANSHAW [rueful] There is a great deal to be said for the freedom of movement.  [dismissive] But a costume is a costume.  I certainly shan't make a fuss. LISETTE [annoyed at not being able to get a rise out of F] Very well. 7_FANSHAW SCOUTS SOUND SLIGHT RUSTLE OF LEAVES LEM [very quiet] Close enough? FANSHAW I'll have a look round.  SOUND FANSHAW LEAVES GRISHAM [very loud] You hiding from something? LEM [reaction noise, quickly stifled] GRISHAM Ooh!  Scairt you, din't I? LEM [whispered] Made me jump damn near out my skin. GRISHAM [smug and evil] Well that's good, then.  Looks like I can get my own back on you. LEM What all do you want? GRISHAM Apart from you in a pine box?  I'm hankerin to be alive agin, but that ain't gon happen. LEM Not likely, nope.  How'd you follow us? GRISHAM What kind of tenderfoot you take me for that I can't follow my own damn horse? LEM [half realizing something] Damn. SOUND FANSHAW COMES BACK FANSHAW Who the devil is this? GRISHAM Who the devil are you? LEM What'd ya find out? FANSHAW A motley crew, but definitely girding themselves for battle.  GRISHAM What kinda girlie man are ya?  Highfaluting slicker talk! FANSHAW [sigh, but determined] They're half mounted already, but I could make out that they're waiting til after midnight, to make certain of finding as many people abed as possible. GRISHAM Put you in a dress, and I bet everyone'd wanna dance! FANSHAW We need to get moving. GRISHAM I think you need a shave, girlie man. SOUND KNIFE FANSHAW [finally breaking concentration] God damn you all to hell! SOUND PUNCH, KNEE TO GROIN LEM [trying not to laugh] GRISHAM FANSHAW Marquis of Queensbury be damned.  We need to go. GRISHAM [different kind of ooooh - like he's falling, or being dragged off] SOUND SUCK NOISE AND GRISHAM VANISHES LEM What'd you do to him? FANSHAW I didn't!  I couldn't-- I... haven't the faintest idea?  8_JULIET3 SOUND TAP ON DOOR LISETTE Fanshaw? FANSHAW Come in. LISETTE I've brought you your hat-- whatever are you doing? FANSHAW I was considering what I might do with my hair.  To create the right ilusion. LISETTE That is what the HAT is for. FANSHAW I prefer not.  It looks like an ottoman on my head.  LISETTE And Romeo does not wear a moustache. FANSHAW Whyever not? LISETTE On the stage, moustaches are only for villains and army colonels! FANSHAW [considering] I might just cut my hair. LISETTE That is the final straw!  Miss Peabody said this would happen. FANSHAW What? LISETTE That you would take too many liberties.  You are out. FANSHAW Out? LISETTE [snidely satisfied] You are no longer a member of this production. 9_DEAD SCOTT SOUND QUIET BOOTSTEPS LEM [very quiet] Scotty? FANSHAW [off a bit] Oh, good god. LEM Do I need to keep quiet? FANSHAW I don't see anyone.  .. hostile. SOUND QUICK, NOISIER FOOTSTEPS SCOTTY [as if waking up] Oooh! LEM What is--  [tragic regret] Ohh. SCOTTY They come in out of nowheres! FANSHAW I don't doubt it. SCOTTY And they took the damn horses, Mister Roberts! FANSHAW I think that just might explain-- SCOTTY And who in blue blazes is this feller? LEM [heavy sigh]  CLOSING       Auld Lang Syne [DeK4] EPISODE 4 1_DROP EVERYTHING SOUND UNBUCKLING, BAG DOWN, ETC. LEM Good thing I had that with me.   Though now I gotta leave it. SOUND SATCHEL DOWN FANSHAW Of course. SCOTTY I'm really sorry about this, sir. LEM I doubt me you coulda stopped it, son.  And you been punished enough. SCOTTY What do you mean?  They musta knocked me out, but I don't even feel it. FANSHAW I'll deal with him. LEM I'll leave you to it.  SCOTTY What are you doing? LEM Gonna haveta hoof it back to town - cain't take naught but my guns.  You gon' be all right? SOUND RUSTLE OF BUSHES FANSHAW Well, we won't be able to do much to stop them if they came across your bag, but that looks like a good hiding place.  Especially in the dark. SCOTTY Can't do anything?  What are you talking about?  FANSHAW Hush, Scotty.  Let Lem get moving and we'll have a good long talk. SOUND BOOTS RUN OFF 2_REBEL CAMP SOUND MANY HORSES, MEN CHATTER, etc. SOUND GRISHAM STUMBLES IN GRISHAM Where the hell?   [Thunder?]!  Goddam rustlers!  SOUND MEN WALK BY LEADER Two horses, two saddles.  I don't like it. SECOND Guerrero had the kid down before we realized.  But if there's another scout, he won't be able to get anywhere - at least not soon enough.   LEADER [thinks, then definite] We must move up the charge. SECOND We're nearly ready.  3_NO HEAVEN SCOTTY [trying not to cry] So that's IT?  I mean this is it?  No nothing left?  No heaven? FANSHAW There are so many things even I don't understand.  I wish I could offer you more in the way of consolation. SCOTTY But don't no one ever pass along? FANSHAW Most do.  And I'm even aware of those who spend some time like this, and then pass on, though there's no easy answer for how or why it happens. SCOTTY And I won't never even get to be with a woman. FANSHAW [uncomfortable] Oh, dear.  That is a shame. SCOTTY What's it like? FANSHAW [dread] What is ... what... like? SCOTTY Being with a woman? FANSHAW ... 4_RUNNING LEM [heavy but measured breathing] SOUND RUNNING FOOTSTEPS - TROT, NOT DASH LEM [muttered] Dammit.  Leastways there's a good moon. 4A_FLASHBACK MUSIC FLASHBACK SOUND NIGHT, DOGS, CHICKENS - ALARUMS SOUND ANGRY MOB, OFF ROBERTS [yelling, off]  Leastways, there's a good moon!  PIEDMONT [up close, heavy breathing, trying to be quiet] ROBERTS [off, yelling]  Spread out!  Don't let that traitor get away!  Where's that rope? PIEDMONT [gasp, then trying to breathe even quieter] SOUND VERY SLOW CREAK, SHUTTING DOOR ON THE NOISE. YOUNG LEM [about 12] Whatchoo doin', mister? PIEDMONT [terrible gasp, smothers a scream] 6_EXPERIENCE FANSHAW My experience is not ... vast, but I have had one or two ... romantic encounters. SCOTTY Well, you're a man of the world, ain't you?  You been all over the place! FANSHAW Oh dear.  [up]  I've spent most of my life deep in study.  I suppose I've always felt there would be time - later - to settle down to a family and all.  SCOTTY Me too.  Not the studying, but the ... "later". FANSHAW [after a moment]  Women are.... soft. SCOTTY [eager] Yeah? FANSHAW And round.  In places where men aren't. SCOTTY But they do got legs, don't they? FANSHAW [flabbergasted]  What? SCOTTY You never don't see none of them out of skirts!  Who knows what they got under there? FANSHAW Well, that I can answer - generally, women are made the same as men.  Arms, legs, heads - well, one head.  You understand. SCOTTY [avid] And bosoms. FANSHAW   Yes, that. 7_VARMINT SOUND RUNNING, LEM'S HEAVY BREATHING UNDER THIS? PIEDMONT Shh!  Don't let anyone know I am here. YOUNG LEM You the varmint they's looking fer? PIEDMONT There is no call to use such language, boy.  Do you know this area? YOUNG LEM I should hope I do!  My pa's Mr. Jorgenson's top man. PIEDMONT [sarcastic] So he's the one leading the search. YOUNG LEM [pride] Yup. SOUND OUTSIDE, THE ROW GETS CLOSER ROBERTS [outside]  Get him, Honeysuckle, there's a good bitch! YOUNG LEM [pride and fear] That's my pa! PIEDMONT But you're not going to tell him I am in here? YOUNG LEM I don't fancy getting whupped.  I ain't sposed to be in the barn at night.  8_YOUNG LOVE FANSHAW I was in love.  When I was very young. SCOTTY Was she really purtty? FANSHAW [sigh] I thought the sun rose and set with my beloved's face.  Have you ever seen hair so fine and blonde that your fingers desperately wanted to touch it? SCOTTY You talk so flowery, I bet all the girls jest love you! FANSHAW Our parents objected.  They said we were too young, and I was packed off to school. SCOTTY What didja do? FANSHAW I waited.  I nursed my deep love, and remained constant, like patience on a rock. SCOTTY You waited on a rock? FANSHAW I waited at school.  I was determined that one day, when we were old enough that no one could object, I would return and we would be joined forever. SCOTTY What happened? FANSHAW I made my way to the object of my affection and...discovered... SCOTTY Yes? FANSHAW That I was the only one who had bothered to wait. SCOTTY She'd gone and -- FANSHAW My "dearest love" had married another.  Had, and I quote "almost forgotten about that summer." SCOTTY Damn!  Women are right terrible. FANSHAW Don't fault women, boy.  There are quite as many constant and sweet-natured females as there are fickle and wicked men.  We all deserve a "heaping helping" of the blame. 8_DISCOVERED SOUND UNDER - LEM WALKING NOW, STILL BREATHING HARD, PACING HIMSELF YOUNG LEM They're fixing to hang you? PIEDMONT YOUNG LEM Why?  What for? PIEDMONT We were on opposite sides in a fight. YOUNG LEM You mean the war?    My pa says why keep slaves when you can hire men for even cheaper and don't have to sell them if'n they don't do the job right. PIEDMONT [incensed] You think your pa knows so much about everything, don't you? YOUNG LEM [a bit afraid] Well, he knows where you are. SOUND DOOR SLAMS OPEN ROBERTS There he is! MAN Get him! PIEDMONT [scream] SOUND SCUFFLE, KNIFE DRAWN YOUNG LEM [gasp, cut off by hand] PIEDMONT I'll kill your boy, just see if I won't! 10_STUCK SCOTTY You said you know about some folks what was like this for a time and then moved along? FANSHAW   We've encountered one or two. SCOTTY How'd it work? FANSHAW Work? SCOTTY I mean, I don't wanna be stuck out here, middle o' nowhere, all by my lonesome, forever! FANSHAW I don't know that I have an answer for you.  I've only been - like this - for a... a couple of years, myself, and haven't seen a fraction of what Lem has. SCOTTY Years?  You been dead for years and ain't moved on? FANSHAW .. help people.  And I get to see the world - [half pleased, half rueful] hmph... in perfect safety.  11_SHOT SOUND LEM RUNNING AGAIN PIEDMONT [panicky, but trying to be placating] I am going to have to ask you to take a step back, sir!  My hand could slip a fraction of an inch, and that's all it would take.   YOUNG LEM [gasp]  Pa? SOUND GUNSHOT SOUND TWO BODY DROPS ROBERTS [cold] You understand we cain't leave that kind of critter running loose, don't you? 12_BUSINESS FANSHAW Some folks stay because they have unfinished business, and once the business is completed, they are able pass on.  SCOTTY Business?  I ain't never been in business. FANSHAW No, no.  For instance, one young man was able to move along once his murderer was uncovered and hung. SCOTTY   I spose that could happen. FANSHAW Or perhaps when the horses have been recovered, since that was your task at the time of your death. SCOTTY [very down] Oh, right. FANSHAW [cheering]  Or, when the town has been warned.  That could very well have been at the forefront of your thoughts. SCOTTY [wailing] Oh no!  FANSHAW Whatever is the matter? SCOTTY What if it's ladies? FANSHAW [careful] What if what is "ladies"? SCOTTY What if I can't never pass on til I been with a lady? FANSHAW [cold, practical] That would be most extremely awkward.  Worry about that once we find out if you can get back to town or not. 13_WHUPPING YOUNG LEM [sniffles a bit] ROBERTS You crying, boy? YOUNG LEM [stifling it] No sir. ROBERTS   Now run and let Mrs. Roberts have a look at that scratch. SOUND A COUPLE OF STEPS, THEN TURN YOUNG LEM [blank] You shot him dead. ROBERTS YOUNG LEM In the dark, and on the draw, and din't even hit me. ROBERTS   [beat]  You asking something? YOUNG LEM What if he'd'a kilt me?  Or what if you did? ROBERTS [long pause]  Life's hard, boy.  You cain't let folks get away with wrongdoing, no matter who they got a grip on. YOUNG LEM SOUND BARN DOOR SWINGS OPEN, COUPLE OF STEPS ROBERTS Lem?  YOUNG LEM [almost a gasp] Yessir? ROBERTS [casual] Don't think I'm not gon' whale you for being in the barn by night, neither. [neeether] YOUNG LEM [quiet, resentful] Yes, sir. 14_CRICKET SCOTTY It ain't fair!  I'm being punished and I ain't never even done nothing! FANSHAW Life is not fair.  Death even less so.  SCOTTY I-- FANSHAW [cutting him off] Still, I expect there must be some sort of answer.  SCOTTY Answer? FANSHAW Very likely, when they take your body back to town, you will accompany it, and there will find what you need to do to pass on. SCOTTY What if they don't take it - me back? FANSHAW Lem will see that they do. SCOTTY   And what about you, Mister Fanshaw? FANSHAW What about me? SCOTTY Don't you get to pass on too? FANSHAW   But you see Scotty, I have no wish to. SCOTTY No?  Why? FANSHAW I still have many things to see.  And I feel like I'm doing good here.  There's a story I read some time back, a sort of fable, about a puppet that comes to life. SCOTTY That's crazy talk. FANSHAW That's why it's a story.  In the tale, a cricket is asked to stay with him and make sure he does the right things. SCOTTY All right.  Wait, a cricket, like a bug? FANSHAW A talking bug, but yes, a bug.  SCOTTY That's just plumb crazy. FANSHAW   [gasp]  Look at the horizon!  I think they are on the move! SCOTTY Is there something we can do? FANSHAW This is one of those times I truly wish there was. CLOSING     Auld Lang Syne [DeK4] EPISODE 5 1_COMING SOUND IN TOWN - HORSES, MEN, READYING FOR BATTLE COMMANDER [commands]  We need more shot at the western boundary!  Get someone over there! SOLDIER Yessir! SOUND FEET RUN OFF SHARPLY SOUND DISTANT APPROACH OF PAINED, SLOW RUNNING SOLDIER2 Sir!  Someone's coming!  On foot! COMMANDER On foot?  SENTRY [off] Halt! LEM [breathless, with long gasps] I can't... If I stop...  I'm gon fall down...  And I gotta get to...  The commander. SENTRY Stop, I say! COMMANDER Let him on through. LEM They're a-movin.  Deserters 'n comancheros.  Have guns.  COMMANDER Why are you-- LEM Kilt Scotty.  Took the horses.  Look sharp. Ungh! SOUND FALLS DOWN COMMANDER Are you all right?  [up] Someone get Doc! LEM I'll be [coughing fit] fine. Jest let me lie till the shakin goes off. 2_SPOOK HORSES SCOTTY We got to do something! FANSHAW And just what do you have in mind?  I've already done all I can, scouting them for Lem.  By the time they come close enough for us to get a look at, they will be moving fast enough that we shall hardly have time to observe. SCOTTY Can't we spook the horses or nothing?  That's what haints do, isn't it? FANSHAW I was with you the entire trip out from town.  Did the horses seem spooked to you? SCOTTY [really down] No. FANSHAW If Lem makes it back in time, there are ways we can help him.  Otherwise, we are merely spectators at this show. 3_TONIC DOC Can you get yourself around this? LEM [still hoarse, puffing] Tonic? DOC [shrug] Mostly brandy.  LEM [rusty chuckle] Thanks, doc. [drinks] LISETTE Oh, goodness.  I believe you are Fanshaw's dear friend.  LEM [coughs] DOC Din't say it was GOOD brandy. LEM [hawks, spits, clear throat]  Hits the spot.  LISETTE [calculating] And not able to walk away.  [cruel chuckle] How perfectly jolly. DOC The commander's gone off to rally the men, but they're like to need you to guide them.  You up fer it? LEM Will be... shortly.  Any chance of a mite to eat?  It's been a powerful long night, and not looking to roll up any time soon. 4_DO SOMETHING SCOTTY He's the only one what can hear us? FANSHAW We've come across... others.  But they are very rare. SCOTTY [yelling] I want to DO something!  I want to help! FANSHAW There is no need to make such a ... a ruckus!  I am in precisely the same predicament! SCOTTY But I-- GRISHAM [off]  Will you two shut up?  They're trying to sneak up on your position! FANSHAW Oh dear.  Come along. SCOTTY Where? FANSHAW To do the only productive thing - gather as much information as possible. 5_SADDLED SOUND MEN READY TO GO SOUND MOUNT UP LEM [sigh of relief, but also soreness]  COMMANDER You doing all right, there, feller? LEM Better saddle than boots.  I fair run the soles offa these. COMMANDER Morning comes, we'll stand you a new set.  Least we can do.  Let's go. SOUND HORSES MOVE OUT LEM Commander? COMMANDER Hmm? LEM Rather than meet them headlong, since ain't no way to know how far they come, might could I suggest a defensive position? COMMANDER This town is not a good place for that.  Too spread out.  And there's no way to get everyone into the fort, not without leaving near everything they own ripe for the picking. LEM Nah - I'm a-thinkin just this side of the bridge, right about halfway out.  Bridge and creek - they ain't much, but if we can catch them this side of it, put their backs to water, and use the treeline for cover-- COMMANDER I like the way you think, hombre.  [up] Company!  [attention!] 6_FIGHT GRISHAM Ain't no way you're taking me by surprise again, you-- ow! SOUND PUNCH FANSHAW [casual] shut up. SCOTTY That was a good'un! But what if he lands one on you - he's awful big! FANSHAW Leave him!  [quiet, moving away]  We can't actually be hurt.  But not everyone realizes that, and many feel the pain, even when there is no reason to.  I learned that the hard way. GRISHAM [off] I'm a-gonna get you! FANSHAW Blast!  He may not be able to harm me, but he can annoy and distract, and make it difficult to get anything constructive done. SCOTTY Maybe - maybe I could keep him from bothering you? FANSHAW How? SCOTTY Well, I been plumb angry since I got kilt, and my momma says sometimes the best way to get over anger, if you don't got no pie, is to-- GRISHAM Kill you, you girly man! SCOTTY [grunt as he punches him] GRISHAM oof! SCOTTY Better'n pie!  You go on, Mr. Fanshaw, and do what you gotta. FANSHAW Good lad. 7_GRANDKIDS LEM [muttered] Fanshaw?    Too far out.  COMMANDER What's the terrain like beyond the bridge? LEM Nothing much to speak of.  Some hills.  A ridge off to the north where first we saw them.  No place fer them to make a stand tween here and there, though. COMMANDER   Cain't let this sort of thing go.  LEM Course not.  COMMANDER You got the extra shot you needed, did you? LEM   Had to leave all o' mine cached back with Scotty. COMMANDER You're sure he's ... dead? LEM I'm afraid I do know dead when I see it. COMMANDER [sad] That's too bad. LEM Kin? COMMANDER   LEM [trying to ease] He went down fightin. COMMANDER That don't give my sister grandbabies. LEM [symp] Nope, it shore don't. 8_PIRATES SOUND MUCH CREEPING FANSHAW Looks like about three score.  Hardly a fair fight, sneaking up on a defenseless town at night.  Like pirates. 8A_FLASHBACK MUSIC FLASHBACK AMB BRIGHT SUNNY DAY NANNY Come along in now, bunny bug. YOUNG CLARA Stop calling me that, nanny!  I'm very nearly 10 years old. NANNY You'll always be my little bunny bug.  Oh!  Whatever is that tea towel doing on your head?  [gasp of fear]  Did you hurt yourself?  Show nanny! YOUNG CLARA No!  I am a pirate. NANNY Do not be so silly.  There are no pirates. YOUNG CLARA Of course there are.  They are in books, so they must be real. NANNY Besides, you cannot be a pirate. YOUNG CLARA Well not just NOW.  When I am bigger, I shall be able to do whatever I want. 9_WASPS COMMANDER Did you see how big a force they had? LEM Not to count them, but it was bigger'n I thought.  At least 30, probably more. COMMANDER [skeptical] Really? LEM They had a dozen cookin fires goin, and you don't make a fire to feed a lone fellow. COMMANDER [considers, then agrees] No, you don't.  LEM 'Sides, better to expect a whole hive of wasps than be surprised by one too many. COMMANDER [chuckles]  Sound thinking.  [up]  Lieutenant! 10_BAG SOUND STILL MUCH MOVEMENT SOUND SCOTTY AND GRISHAM, FIGHTING SCOTTY [pleased] You tired yet, feller?  I ain't even blowed! GRISHAM [tired] You little whippersnapper!  Think you can pull a man's whiskers and walk away! FANSHAW [muttered] There are some distinct benefits to being dead.  More than he will ever know.  [gasp] No. RUFFIAN1 Hey!  I found something! SOUND CREAK OF LEATHER - LEM'S GEAR FANSHAW [worried] Damn!  Lem's bag! RUFFIAN2 What? SECOND Silence! RUFFIAN2 [whispered] bring it - we'll split it later! RUFFIAN1 Split it?  Nonsense!  It's mine, whatever it is! SECOND [whispered] Keep moving! 11_SCOUT AHEAD COMMANDER [ordering, but hushed] Take your men and circle round up thataway.  Get to high ground and cut off retreat. BOB Yessir! LEM If you don't mind, sir, I'us thinkin I might scout on up ahead a mite.  COMMANDER You aren't even being paid to be part of this, fellow, why do you keep risking yourself? LEM [shrug] Someone's gotta.  'sides I had to leave my kit behind, and wanna get it if I can before someone else lays hands on it. COMMANDER Valuables? LEM Nothin worth money, but some things cain't be replaced. COMMANDER [teasing a bit] Go on then, but if you see them coming, you'll come back and tell us first, eh? LEM [chuckle] I reckon. 12_LEAD ROPE SCOTTY Mister Fanshaw!  That fellow just vanished!  Like he flew away, whilst I was a-hittin on him! FANSHAW I fear I shall be gone shortly as well. SCOTTY Why? FANSHAW I am not sure of his reasons, but I must stay with the bag.  Now that it has been found... SCOTTY Why?  Keeping an eye on it? FANSHAW   There's something in there - Oh!  It's moving.  Stay with me as long as you can.  SCOTTY Why can't I--? FANSHAW Shh!  [very hurried] Picture a rope tied to something, say, to you - your body, over there.  And you are on the other end. SCOTTY Like a training rope? [ASK PAT] FANSHAW Basically, yes.  You can go anywhere, within the circle made by that rope. SCOTTY [figuring it out] So you're ... tied to that bag? FANSHAW Yes!  [gasp] Bloody thieves! SOUND FANSHAW SUCKED AWAY 13_BE A BOY YOUNG CLARA I am going to be a pirate!  I shall sail the seven seas and steal all the gold! NANNY Stealing is very wicked.  YOUNG CLARA But you can't be a pirate without stealing!  Then you're just a sailor! NANNY And young ladies do not become pirates.  Young ladies become mommies. YOUNG CLARA Or nannies. NANNY [reassuring] Don't fret yourself, bunny bug.  You shall be a mummy. YOUNG CLARA I should rather be a nanny.  Mummies are boring.  Nannies have things to do. NANNY [sigh] Mummies have things to do too. YOUNG CLARA I don't want to be a mummy, I want to be a pirate!  I want to see the world! NANNY [stern] There are many thing in this world, Clara Fanshaw, that are only meant for boys. YOUNG CLARA Then I want to be a boy! END     Auld Lang Syne [DeK4] EPISODE 6 1_READY SOUND NIGHT, MEN BEING QUIET, HORSES OFF COMMANDER Yer sure you wanna go on out there, all on your own?? LEM I'm best on my own, and I don't want another of yer boys on my conscience. COMMANDER [acknowledging] Scotty. LEM If I can't see my way to get back and warn you quick enough, I'll shoot off twice-- COMMANDER [warning] They'll know you're there. LEM I kin look after myself.  Two shots means it's a-comin, and I spect after that there'ull be plenty more shots to keep y'all busy.  I best get a move on. COMMANDER One thing. LEM Yeah? COMMANDER One of my men swore he'd seen you before. LEM [down] Oh. COMMANDER And that you're the Deadeye kid. LEM I- COMMANDER [overriding, but clearly lying] I told him not to be so credulous.  Deadeye Kid looks nothing like that man that's about to save our town. LEM [realizing] Ri-ight. COMMANDER [serious] Don't make me a liar. LEM I kin only do my best. SOUND WALKS AWAY 2_BLACKGUARDS SOUND COMMOTION, MANY MEN, HORSES, TRAVELING LEADER [loud whisper] We'll leave the horses near the stream and sneak up. FANSHAW RUFFIAN2 [whisper] What's in that bag you found anyways? RUFFIAN1 [whisper] Ain't had no time, but it's shore heavy. RUFFIAN2 [whisper]  Heavy is good!  Mebbe it's gold! RUFFIAN1 Well, I still ain't sharing! FANSHAW Such stimulating conversation.  I wonder how far ahead of these ruffians I can manage to stay.  3_TALLYHO SOUND STEALTHY MOVING THROUGH UNDERBRUSH, STOPS LEM   [angry hmph] They cain't be too damn far off.  And ridin. FANSHAW [distant]  Tally-ho!  LEM [starts to laugh but turns it into a snort] FANSHAW Halloooooo!  Halloo- [suddenly cut off] LEM What the devil?  [shrugs, to himself] Well, you can take care of your own damn self. SOUND RUNNING FEET TAKE OFF 4_STRUGGLE AMB IN THE ATTACK FORCE GRISHAM Now I gotcha sorted out! FANSHAW [muffled noises] SOUND STRUGGLING GRISHAM Oh, no you don't!  SOUND MORE STRUGGLE GRISHAM I finally figgered out cain't do nothing to hurt me.  Long as I ignore it.  But I can still keep a tight grip on you. FANSHAW [noise of effort] GRISHAM [ouch!] Hey!  You bit me!  FANSHAW Keep ahead of them!!!! GRISHAM   [disgusted noise] FANSHAW [to grisham] Damn you all to--[muffled again] GRISHAM Stop with all the wiggling, you stupid--  [stunned!] whatthehell? FANSHAW [noise of effort] SOUND STRUGGLE, BREAKS FREE GRISHAM You're a-- ?  FANSHAW You may be stronger than me, but I am faster. SOUND FANSHAW LEAVES GRISHAM what the hell?  A female? 5_SIGNAL COMMANDER He's been gone a fair piece. SOUND [DISTANT] TWO GUN SHOTS COMMANDER [commanding, but quiet]  They're coming! SOUND [command passes along ranks - GET VOICES] COMMANDER [a bit superior]  I knew that that fellow was no sort of outlaw.  6_PLAN DOS LEADER Shots? SECOND Sir? LEADER   Someone has seen.  Get El puerco and his fellows.  Tell them plan dos. SECOND Plan dos, sir? LEADER They'll circle south and get behind the town.  We get some children in hand, no one will fight any more. SECOND Yessir! SOUND RUNS OFF SCOTTY [torn] I can't just let them-- [plaintive] but what can I do? 7_BUCKETFULL SOUND HORSES APPROACHING NOTE - Lem is lying in wait, letting the group go past, and plans to pick them off from behind. FANSHAW [distant but closer, yelling] Lem!  That dead friend of yours is about - watch out! LEM [muttered] Damn.  And I don' want to go shootin no good horse jest to lay a varmint like that down. SOUND HORSES BEGIN TO PASS LEM [very quietly] 30...?  Nearer fifty.  That's a bucketful of wasps. SOUND SHOTS!  (where the horses went to) LEM [muttered to self] hold on.  SOUND NO MORE HORSES COMING LEM [muttered] almost... GRISHAM There you are! LEM [sharp intake of breath]  That don't work on me twice.  Specially when I been warned. GRISHAM Oh, that girly friend of your'n?  Funny thing about that-- SOUND GRISHAM IS YANKED AWAY LEM Good riddance.  And jest in time. SOUND BEGINS SHOOTING MaN [shot, fall] 8_HOLD THE LINES COMMANDER [roaring now] Hold the lines!  More shot, boy! BOY Yessir! MAN [hit, argh!] COMMANDER Stay low! FANSHAW All seems rather well here.  GRISHAM There you are. FANSHAW Bloody hell. GRISHAM [nasty chuckle] I was just wondring - if I kin grab you, I bet I kin kiss you, little lady! FANSHAW [dodging] I doubt you'll catch me again, now that I'm watching for you, but I will admit that one advantage to being a ghost is that I needn't make an effort to remain upwind of you. SOUND FANSHAW OUT 9_RELOAD SOUND COMMOTION OFF, NOT RIGHT HERE SOUND RELOADING SOUND NEARBY HORSE PFFS LEM That's nine.  SOUND SLAPS GUN SHUT SCOTTY [distant, yelling] Someone!  They're circling round!  There's some fellers as are going south to get behind lines! LEM   [listens for a second]  Fanshaw?  Damn.  SCOTTY [yelling]  Please!  Don't let them hurt nobody in town. LEM [muttered] boy'll yell himself hoarse.  [chuckles]  dead don't get hoarse.  But I gotta get one.  [clucks to horse] SOUND HORSE BLOWS LEM [grunts as he swings into the saddle]  Come on. FANSHAW [a bit distant] Lem? LEM Wazzat?  There you are! FANSHAW Close as I can get just now, and can't stay.  That blighter keeps trying to grab me. LEM Grisham?  FANSHAW The commander seems to be holding well.  The villains have taken heavy losses and are starting to fall apart. LEM   Can you yell to Scotty, let him know I got his message? FANSHAW What message? LEM Just try and tell the boy.  So he can rest hisself.  [to the horse] Geeyah! SOUND HORSE TAKES OFF FANSHAW Scotty?  Can you hear me? 10_YOU STAY COMMANDER Let's clean this up - leave none of them to try and harm the town. CORPORAL Yessir! Should we capture them, or-- COMMANDER This is no time to be peaceable.  They set themselves up to attack a settlement, and we have to take serious measures. SOUND HORSE APPROACHING LEM [distant] Commander! COMMANDER Let him through.  [up, to Lem]  Looks like we've got nearly all of them.  SOUND GUNSHOTS DISTANT COMMANDER A bit of tidying up to do, but-- SOUND HORSE PULLS UP and STOPS LEM [to horse] Whoah!  I overheard a couple at the back, saying they had a force circlin south - dozen men mebbe - to get round any resistance and come up behind.  COMMANDER My god! LEM Horse up a few good men, load em up and come with me. COMMANDER You, boy! BOY Yessir? COMMANDER Bring my horse, quickly! LEM You're needed here, surely? COMMANDER You're the one who needs a rest, mister Roberts.  My corporal, here, will be happy to hear any other suggestions you might have, but I will be leading my men. LEM Sound thinkin.  I have been going a bit. COMMANDER Corporal? CORPORAL [acknowledging] Yes sir. FANSHAW Lem?  I think I got through to Scotty, but there's such a distance.  Poor lad, he merely wants to do his duty. SOUND LEM DISMOUNTS LEM Let's you and I see if we cain't root out a few more of these varmints.  I see purty well in the dark. CORPORAL Excellent!  FANSHAW I'll see what I can turn up. GRISHAM Found you! FANSHAW Oh, damn!  GRISHAM You ain't never getting away from me, you-- FANSHAW [hits out] GRISHAM [ungh!] FANSHAW Have to get him out of here, Lem.  Too distracting. SOUND FANSHAW LEAVES GRISHAM [laughs triumphantly]  Coward!  But I don't suppose I should be surprised. LEM [quietly, but deadly serious] You don't stop making a fuss, I'm gon' kill your horse. GRISHAM What? LEM You sit still and be quiet or that horse yer so attached to is gonna find itself on the wrong end of a bullet.  You hear me? GRISHAM [all the bluster gone]  LEM   I don't fancy killin no animal just fer this, but this here's a battle-- SOUND GUNSHOT LEM [gasp, hit!] Damn! SOUND QUICKDRAW, GUNS BLAZE GRISHAM Hah!  I still gotcha! LEM [weakening, through gritted teeth] Din't no one see them a-sneakin up?  CORPORAL [commanding] Men! SOUND MORE GUNSHOTS LEM [groan] SOUND BODY DROP AS HE COLLAPSES END   NEXT EPISODE BEGINS SOUND FADES IN AND OUT COMMANDER Hold on, there, fellow. LEM [vague] all's well? COMMANDER We got em. LEM My pack? COMMANDER I'll set someone to finding it. FADE OUT DOCTOR Bite down on this.  He's lost a lot of blood. FADE OUT BOOTMAKER I'll have a new pair ready before he'll be walking anywhere on them.  You sure I should even bother--? FADEOUT WOMAN Just a little bit of broth, mister.  You need to get some o'yer strength back. SICKROOM LEM [annoyed moan] FANSHAW You're awake. LEM [quiet]  Anyone--? FANSHAW Not close enough to hear - as long as you stay quiet. LEM   I been shot? FANSHAW At least twice, judging by the bandages.  Once in the chest, once in the leg, I should say.  I should have been watching. LEM [reassuring] Can't leave you to do everythin.   FANSHAW [awkward pause, then stiffly]  Should I ...go? LEM Go?  go where? FANSHAW [covering] I - I mean, leave you in peace.  To rest.  I don't doubt you will still be needing a great deal of it. LEM [straining a bit]  Did you see, did it go alla way through? FANSHAW I don't know, but you were very fortunate - or so the doctor declared. LEM [satisfied]  FANSHAW I'll leave you to your rest, then, shall I? LEM Go or stay, I ain't so wrung out I cain't tell you got somethin on yer mind. FANSHAW LEM Is it that female ghost o'yours yer frettin over? FANSHAW [bracing breath]  LEM [exasperated snort]  Yer worried she said sumpin, izzat it? FANSHAW LEM [playing it up a bit] You furriners and the trifles that plague you. FANSHAW So she did--? LEM [shrug]    So? FANSHAW [surprised] So? LEM You cain't be the first. FANSHAW First? LEM Nor the last, like enough. FANSHAW But it... doesn't... bother you? LEM Well, you don't do it no more. FANSHAW .. don't? LEM 'sides, plenty of little fellers wet up the bed right up til they'us in long pants.  FANSHAW What? END    

Warning: Explicit Conversations About Politics, Culture, & Sexuality All Aboard F.D.R. as Capt'n Max and I penetrate the Tunnel of Love, exploring Sleeper Car sex, “Pulling a Train”—with Consent, of course—and the fine art of “pegging” with a special focus on the “Prince of Pegging.” Guess which Royal we're talking about! Hint: It's not that Prince who fantasized he was a tampon inside his lover's vagina (that's the Prince of Begging) nor the one with the Princess of Montecito nor the one who was BFFs with Jeffrey Epstein. His Highness (His Heiny?) Prince WILL get pegged occasionally, according to rumors, and maybe this is why the upright Prince William walks like he's got a stick up his butt… because he literally does. Perhaps a discreet, tampon-sized butt plug (like father, like son, but in reverse) is what keeps him serene during those long regal ceremonies. In any case, Kate is fine with it, and so are we. Actually we love pegging! (though for Max, who's also Prince Lobkowicz di Filangieri, it's a royal pain in the butt); it's the Royal Family Corruption that bothers us (alongside the popular #PrinceofPegging hashtag is often #AbolishtheMonarchy). Though truth be told, we Americans have a worse Royal Problem than the Brits, with our billionaire Family Values, pampered celebrities, rampant nepotism and politicians who command princely sums brimming with Royal Corruption, thanks to the Supreme Court's Citizens United ruling.  We also condemn fake “progressive” LA Sheriff Alex Villaneuva for his Deputy Gangs, homeless sweeps and the sadistic beatings in LA's infamous Twin Towers Jail (Max tells stories of having seen Sheriff-approved jail beatings like this firsthand). Finally, we dive into the riveting tale of a poor little tRump supporter who's not as bad as most – maybe BECAUSE he receives excellent Phone Sex Therapy from the Dr. Susan Block Institute. Mitigate your MAGAt ways The Bonobo Way with a little sex therapy (you know you need it!) & listen to this sapiosexual and very sex educational (especially if you're into anal) radio podcast. Read more prose and watch more shows uncensored and free on DrSuzy-Tv: https://drsusanblock.com/fdr-PrinceofPegging  Need to Talk PRIVATELY? Call the Therapists Without Borders of the Dr. Susan Block Institute anytime: 213.291.9497. We're here for YOU.

Who are the Jews of Iraq? Why did they leave? And why do so many Iraqi Jews, even those born elsewhere, still consider Iraq their home?  The premiere episode of a new limited narrative series from American Jewish Committee (AJC) uncovers the answers to these questions through the inspiring story of Mizrahi Jewish cartoonist Carol Isaacs' family. Feeling alienated growing up as the only Jew in school from an Arab-majority country, Carol turned her longing for Iraq and the life her family left behind into a gripping graphic memoir, The Wolf of Baghdad.  Meanwhile, Zvi Ben-Dor Benite, professor of History and Middle Eastern and Islamic Studies at New York University, delves into the fascinating, yet the little-known history of Iraqi Jewry, from its roots in the region 2,600 years ago, to the antisemitic riots that led them to seek refuge in Israel, England, and the U.S. _________ Show notes: Sign up to receive podcast updates here. Learn more about the series here. Song credits: Thanks to Carol Isaacs and her band 3yin for permission to use The Wolf of Bagdad soundtrack. Portions of the following tracks can be heard throughout the episode:  01 Dhikrayyat (al Qasabji)  02 Muqaddima Hijaz (trad)  03 Che Mali Wali (pt 1) (trad) 05 Fog el Nakhal (trad)  11 Balini-b Balwa (trad)  12 Al Effendi (al Kuwaiti)  14 Dililol (trad)  15 Che Mail Wali (pt 2) (trad)  Pond5: “Desert Caravans”: Publisher: Pond5 Publishing Beta (BMI), Composer: Tiemur Zarobov (BMI), IPI#1098108837; “Sentimental Oud Middle Eastern”: Publisher: Pond5 Publishing Beta (BMI), Composer: Sotirios Bakas (BMI), IPI#797324989. ______ Episode Transcript: CAROL ISAACS: A lot of businesses were trashed, houses were burnt. It was an awful time. And that was a kind of time when the Jews of Iraq had started to think, ‘Well, maybe this isn't our homeland after all.' MANYA BRACHEAR PASHMAN: Welcome to the premiere of the first ever podcast series devoted exclusively to an overlooked episode in modern history: the 800,000 Jews who left or were driven from their homes in Arab nations and Iran in the mid-20th century. Some fled antisemitism, mistreatment, and pogroms that sparked a refugee crisis like no other, as persecuted Jewish communities poured from numerous directions.  Others sought opportunities for their families or followed the calling to help create a Jewish state. In Israel, America, Italy, wherever they landed, these Jews forged new lives for themselves and future generations. This series explores that pivotal moment in Jewish history and the rich Jewish heritage of Iran and Arab nations as some begin to build relations with Israel. Each week, we will share the history of one Jewish family with roots in the Arab world. Each account is personal and different. Some include painful memories or elegies for what could've been. Others pay homage to the conviction of their ancestors to seek a life where they were wanted. To ground each episode, we rely on a scholar to untangle the complexities. Some of these stories have never been told because they wished to leave the past in the past. For those of you who, like me, before this project began, never read this chapter in Jewish history, we hope you find this series enlightening. And for those who felt ignored for so many decades, we hope these stories honor your families' legacies. Join us as we explore stories of courage, perseverance, and resilience.  I'm your host, Manya Brachear Pashman, and this is The Forgotten Exodus. Today's episode: Leaving Iraq. CAROL: All my life, I've lived in two worlds – one inside the family home, which is a very Jewish world, obviously, but also tinged with Iraqi customs like Iraqi food, a language we spoke—Judeo Arabic. So, I've always known that I'm not just British. I've lived in these two worlds, the one at home, and then the one at school. And then later on at work, which was very English. I went to a terribly English school, for example, there were about a thousand girls. Of those thousand girls, 30 were Jewish, and I was the only Mizrahi, the only non-European Jew. So, there's always been that knowing that I'm not quite fitting into boxes. Do you know what I mean? But I never quite knew which box I fit into. MANYA: Carol Isaacs makes her living illustrating the zeitgeists of our time, poking fun at the irony all around us, reminding us of our common quirks. And she fits it all into a tiny box. You might not know Carol by her given name, but you've probably seen her pen name, scrawled in the corner of her cartoons published by The New Yorker and Spectator magazines: TS McCoy, or The Surreal McCoy.  Carol is homesick for a home she never knew. Born and raised Jewish in London, she grew up hearing stories of her parents' life in Baghdad. How her family members learned to swim in the Tigris River using the bark of palm trees as life preservers, how they shopped in the city sooks for dates to bake b'ab'e b'tamer.  Millions of Jews have called Iraq home for more than 2,600 years, including many of their children and grandchildren who have never been there, but long to go. Like Carol, they were raised with indelible stories of daily life in Mosul, Basra, Baghdad – Jewish life that ceased to exist because it ceased to be safe. CAROL: My mother remembered sitting with her mother and her grandmother and all the family in the cellar, going through every single grain of rice for chometz. Now, if you imagine that there were eight days of Passover, I don't know 10, 12 people in the household, plus guests, they ate rice at least twice a day. You can imagine how much rice you'd have to go through. So little things like that, you know, that would give you a window into another world completely, that they remembered with so much fondness.  And it's been like that all my life. I've had this nostalgia for this, this place that my parents used to . . . now and again they'd talk about it, this place that I've never visited and I've never known. But it would be wonderful to go and just smell the same air that my ancestors smelled, you know, walk around the same streets in the Jewish Quarter. The houses are still there, the old Jewish Quarter. They're a bit run down. Well, very run down. MANYA: Carol turned her longing for Iraq and the life her family left behind into a graphic memoir and animated film called The Wolf of Baghdad. Think Art Spiegelman's Maus, the graphic novel about the Holocaust, but for Jews in Iraq who on the holiday of Shavuot in 1941 suffered through a brutal pogrom known as the Farhud, followed by decades of persecution, and ultimately, expulsion. Her research for the book involved conversations with family members who had never spoken about the violence and hatred they witnessed. They had left it in the past and now looked toward the future. There's no dialogue in the book either. The story arc simply follows the memories. CAROL: They wanted to look forward. So, it was really gratifying that they did tell me these things. ‘Cause when my parents came, for example, they came to the UK, it was very much ‘Look forward. We are British now.' My father was the quintessential city gent. He'd go to the office every day in the city of London with his pinstriped suit, and a rose plucked from the front garden, you know, a copy of The Guardian newspaper under his arm. He was British. We listened to classical music. We didn't listen to the music of my heritage. It was all Western music in the house. MANYA: But her father's Muslim and Christian business associates in Iraq visited regularly, as long as they could safely travel.    CAROL: On a Sunday, every month, our house would turn into little Baghdad. They would come and my mother would feed them these delicacies that she spent all week making and they'd sit and they'd talk. MANYA: As Carol said, she had heard only fond memories throughout her childhood because for millennia, Jews in Iraq lived in harmony with their Muslim and Christian neighbors.  CAROL: Jews have always lived in Mesopotamia, lived generally quite well. There was always the dimmi status, which is a status given to minorities. For example, they had to pay a certain tax, had to wear certain clothing. Sometimes, they weren't allowed to build houses higher than their neighbor, because they weren't allowed to be above their neighbor. They couldn't ride a horse, for example, Jews. I mean, small little rules, that you were never quite accorded full status. But then when the Brits arrived in 1917, things became a bit easier. MANYA: But 20-some years later, life for Jews took a turn for the worse. That sudden and dramatic turning point in 1941 was called The Farhud. ZVI BEN-DOR BENITE: Jews have been living in Iraq for thousands of years. If we start with the Farhud, we are starting in the middle of the story, in fact, in the middle of the end.” MANYA: That's Zvi Ben-Dor Benite, a professor of history and Middle Eastern and Islamic Studies at New York University. The son of Iraqi Jewish parents who migrated to Israel in the early 1950s, he carries in his imagination maps of old Jewish neighborhoods in Mosul and Baghdad, etched by his parents' stories of life in the old country. He shares Carol's longing to walk those same streets one day.  ZVI: Iraqis, even those who were born in Israel, still self-identify as Iraqis and still consider that home to a certain extent – an imaginary home, but home. And you can say the same thing, and even more so, for people who were born there and lived there at the time. So here's the thing: if I go there, I would be considering myself a returnee. But it would be my first time. MANYA: As a Jew, Zvi knows the chances of his returning are slim. To this day, Iraq remains the only Arab country that has never signed a ceasefire with Israel since Arab nations declared war on the Jewish state upon its creation in 1948. Jews are not safe there. Really, no one has been for a while. The dictatorship of Saddam Hussein, ISIS, and general civil unrest have made modern-day Iraq dangerous for decades. The region is simply unstable. The centuries leading up to the Farhud in 1941 were no different. The territory originally known as Mesopotamia flipped from empire to empire, including Babylonian, Mongol, Safavids, Ottoman, British. Just to name a few. But during those centuries, Iraq was historically diverse – home to Muslims, Jews, Assyrian Christians. Yes, Jews were a minority and faced some limitations. But that didn't change the fact that they loved the place they called home.  ZVI: We zoom in on the Farhud because it is a relatively unique event. Jews in Iraq were highly integrated, certainly those who lived in the big cities and certainly those who lived in Baghdad. Few reasons to talk about this integration. First of all, they spoke Arabic. Second of all, they participated in the Iraqi transition to modernity. In many ways, the Jewish community even spearheaded Iraqi society's transition into modernity. Of course, you know, being a minority, it means that not everything is rosy, and I'm not in any way trying to make it as a rosy situation. But if you compare it to the experiences of European Jews, certainly Europeans in the Pale of Settlement or in Eastern Europe, it's a much lovelier situation. Many Jews participate in Iraqi politics in different ways. Many Jews joined the Communist Party, in fact, lead the Communist Party to a certain extent. Others join different parties that highly identify in terms of Iraqi nationalism. MANYA: Very few Iraqi Jews identified with the modern Zionist movement, a Jewish nationalist movement to establish a state on the ancestral homeland of the Jews, then known as Palestine. Still, Iraqi Jews were not immune from Arab hostility toward the notion of Jewish self-determination. Adding to that tension: the Nazi propaganda that poured out of the German embassy in Baghdad.  CAROL: Mein Kampf was translated into Arabic and published in all the newspapers there. There were broadcasts coming from Radio Berlin, in Arabic, politicizing Islam and generally manipulating certain texts from the Quran, to show that Jews were the enemies of Islam. So, there was this constant drip, drip of antisemitism. ZVI: Another factor is, of course, the British. There is an anti-British government in Baghdad at the time, during the period of someone who went down in history as a Nazi collaborator, Rashid Ali. And Rashid Ali's been removed just before the British retake Iraq. We should remember that basically, even though Iraq is a kind of constitutional monarchy, the British run the show behind the scenes for a very, very long time. So, there is a little bit of a hiatus over several months with Rashid Ali, and then when he is removed, you know, people blame the Jews for that. MANYA: On the afternoon of June 1, 1941, Jews in Baghdad prepared to celebrate the traditional Jewish harvest festival of Shavuot. Violent mobs descended on the celebrants. CAROL: In those two days the mobs ran riot and took it all out on the Jews. We don't, to this day, we don't know how many Jews died. Conservative estimates say about 120. We think it was in the thousands. Certainly, a lot of businesses were trashed, houses were burnt, women raped, mutilated, babies killed. It was an awful time. And that was a kind of time when the Jews of Iraq had started to think, ‘Well, maybe this isn't our homeland after all.' MANYA: The mobs were a fraction of the Iraqi population. Many Muslim residents protected their Jewish neighbors.  CAROL: One of my relations said that during the Farhud, the pogrom, that her neighbors stood guard over their house, Muslim neighbors, and told the mobs that they wouldn't let them in that these people are our family, our friends. They wouldn't let them in. They looked after each other, they protected each other. MANYA: But the climate in Iraq was no longer one in which Jews could thrive. Now they just hoped to survive. In the mid-to-late 40s, Carol's father, who worked for the British army during World War II, left for the United Kingdom and, as the eldest son, began to bring his family out one by one. Then came 1948. Israel declared independence and five Arab nations declared war.  ZVI: So, Iraq sent soldiers to fight as part of the Arab effort in Palestine, and they began to come back in coffins. I mean, there's a sense of defeat. Three deserters, three Iraqi soldiers that deserted the war, and crossed the desert back to Iraq, and they landed up in Mosul on the Eve of Passover in 1949. And they knocked on the door of one of my uncles. And they said, they were hosted by this Jewish family. And they were telling the Jews, who were their hosts that evening, about the war in Palestine, and about what was going on and so on. This is just an isolated case, but the point is that you know, it raises the tension in the population, and it raises the tensions against Jews tenfold. But there's no massive movement of Iraqi Jews, even though the conditions are worsening. In other words, it becomes uneasy for someone to walk in the street as a Jew. There is a certain sense of fear that is going on. And then comes the legal action. MANYA: That legal action, transacted with the state of Israel and facilitated by Zionist operatives, set the most significant exodus in motion. In 1950, the Iraqi government gave its Jewish citizens a choice. Renounce their Iraqi citizenship, take only what fits in a suitcase, and board a flight to Israel, or stay and face an uncertain future. The offer expired in a year, meaning those who stayed would no longer be allowed to leave. ZVI: If you're a Jew in Iraq in 1950, you are plunged into a very, very cruel dilemma. First of all, you don't know what the future holds. You do know that the present, after 1948, suggests worsening conditions. There is a sense that, you know, all the Jews are sort of a fifth column. All of them are associated with Zionism, even though you know, the Zionist movement is actually very small. There are certain persecutions of Zionists and communists who are Jews as well. And, you know, there have been mass arrests of them, you know, particularly of the young, younger Jewish population, so you don't know. And then the state comes in and says, ‘Look, you get one year to stay or to leave. If you leave, you leave. If you stay, you're gonna get stuck here.' Now, just think about presenting someone with that dilemma after 1935 and the Nuremberg Laws, after what happened in Europe. MANYA: In all, 120,000 Iraqi Jews leave for Israel over nine months – 90% of Iraqi Jewry. For the ten percent who stayed, they became a weak and endangered minority. Many Iraqis, including the family on Carol's mother's side, eventually escaped to America and England.  CAROL: My mother and my father were separated by a generation. My father was much older, 23 years older than my mother. So, he had a different view of life in Baghdad. When he was around, it was generally very peaceful. The Jews were allowed to live quite, in peace with their neighbors. But with my mother's generation and younger, it was already the beginning – the rot had started to set in. So, she had a different view entirely. CAROL: My grandmother, maternal grandmother, was the last one to come out of our family, to come out of Iraq. She left in ‘63. And my dad managed to get her out. MANYA: After Israel defeated another Arab onslaught in 1967, thousands more fled. ZVI: This was a glorious community, a large community, which was part of the fabric of society for centuries, if not millennia. And then, in one dramatic day, in a very, very short period, it just basically evaporated. And what was left is maybe 10 percent, which may be elite, that decided to risk everything by staying. But even they, at the end, had to leave.  MANYA: Remember, Carol said she was one of 30 Jewish girls at her school, but the only Mizrahi Jew. The term Mizrahi, which means “Eastern” in Hebrew, refers to the diaspora of descendants of Jewish communities from Middle Eastern countries such as: Iraq, Iran, and Yemen, and North African countries such as: Egypt, Libya, and Morocco. CAROL: It's been interesting. A lot of people didn't even know that there were Jews living in Arab lands. I mean, for all my life, I've been told, ‘Oh, you're Jewish, you speak Yiddish, you come from Poland. You eat smoked salmon and bagels. You say ‘oy vey,' which is great if you do all those things and you do come from Eastern Europe, but I don't. Almost 1 million Jews of Arab lands, nobody knows about what happened to them, that they were ethnically cleansed, removed from their homes, and dispersed across the world. It's our truth. And it's our history and make of it what you will, just add it to other family histories that we know. MANYA: Carol has discovered that even Iraqis did not know of their country's rich Jewish past, nor the fate of its Jewish citizens. Since the animated version of The Wolf of Baghdad premiered at the Israeli and Iraqi embassies in London, accompanied by Carol's accordion and other musicians playing its Judeo-Arabic soundtrack, Iraqis in the audience have been moved to tears.  CAROL: At one Q&A, after we did a performance, one Iraqi gentleman stood up at the front. He was crying. He said, ‘I'm really sorry for what we did to you. I'm so sorry.' And that was immensely moving for me. It was like, well, you know what? We're talking now. It's wonderful. We can sit down together. We can talk in a shared language. We can talk about our shared culture, and we've got more that ties us together than separates us. We've got more in common, right? So, I'm always looking for that, that kind of positive, and so far it's come back to me, multiplied by a million, which has been brilliant. The truth is coming to light, that people know that the Jews of Iraq contributed so much, not just culturally but also socially, in the government too. So, it's this reaching out from Iraq to its lost Jews saying ‘Well where are you? What happened to you? Tell us your story. We want to see where you are. Come back even,' some of them are saying. MANYA: Carol has continued to give a voice to the Jewish refugees of Iraq. Most recently, she has been adapting The Wolf of Baghdad for younger, middle school-aged readers to better understand the story. And high schools in London and Canada have added The Wolf of Baghdad to their history curriculum.  CAROL: Leaving Iraq was called the silent exodus for a reason. We just left quietly and without fuss, and just went and made our lives elsewhere. I do know that life was difficult for them wherever they went, but they just got on with it, like refugees will do everywhere. MANYA: These Jews are just one of the many Jewish communities who, in the last century left Arab countries to forge new lives for themselves and future generations. Join us next week as we share another untold story of The Forgotten Exodus. Many thanks to Carol Isaacs for sharing her family's story and to her band 3yin for the music. Throughout this episode, you have been listening to pieces of the soundtrack from The Wolf of Baghdad motion comic performed by 3yin, a groundbreaking London based band that plays Jewish melodies from the Middle East and North Africa. The soundtrack is available at thesurrealmccoy.com. Atara Lakritz is our producer, CucHuong Do is our production manager. T.K. Broderick is our sound engineer. Special thanks to Jon Schweitzer, Sean Savage, Ian Kaplan, and so many of our colleagues, too many to name really, for making this series possible. And extra special thanks to David Harris, who has been a constant champion for making sure these stories do not remain untold. You can subscribe to The Forgotten Exodus on Apple Podcasts, Spotify, or wherever you listen to podcasts, and you can learn more at AJC.org/forgottenexodus.  The views and opinions of our guests don't necessarily reflect the positions of AJC.  You can reach us at theforgottenexodus@ajc.org. If you've enjoyed this episode, please be sure to spread the word, and hop onto Apple Podcasts to rate us and write a review to help more listeners find us.  

Listen to the premiere episode of a new limited narrative series from American Jewish Committee (AJC): The Forgotten Exodus. Each Monday, for the next six weeks, AJC will release a new episode of The Forgotten Exodus, the first-ever narrative podcast series to focus exclusively on Mizrahi and Sephardic Jews. This week's episode focuses on Jews from Iraq. If you like what you hear, use the link below to subscribe before the next episode drops on August 8. Who are the Jews of Iraq? Why did they leave? And why do so many Iraqi Jews, even those born elsewhere, still consider Iraq their home?  Join us to uncover the answers to these questions through the inspiring story of Mizrahi Jewish cartoonist Carol Isaacs' family. Feeling alienated growing up as the only Jew in school from an Arab-majority country, Carol turned her longing for Iraq and the life her family left behind into a gripping graphic memoir, The Wolf of Baghdad.  Meanwhile, Zvi Ben-Dor Benite, professor of History and Middle Eastern and Islamic Studies at New York University, delves into the fascinating, yet the little-known history of Iraqi Jewry, from its roots in the region 2,600 years ago, to the antisemitic riots that led them to seek refuge in Israel, England, and the U.S. ____ Show Notes: Sign up to receive podcast updates here. Learn more about The Forgotten Exodus here.  Song credits: Thanks to Carol Isaacs and her band 3yin for permission to use The Wolf of Bagdad soundtrack. Portions of the following tracks can be heard throughout the episode:  01 Dhikrayyat (al Qasabji)  02 Muqaddima Hijaz (trad)  03 Che Mali Wali (pt 1) (trad) 05 Fog el Nakhal (trad)  11 Balini-b Balwa (trad)  12 Al Effendi (al Kuwaiti)  14 Dililol (trad)  15 Che Mail Wali (pt 2) (trad)  Pond5: “Desert Caravans”: Publisher: Pond5 Publishing Beta (BMI), Composer: Tiemur Zarobov (BMI), IPI#1098108837; “Sentimental Oud Middle Eastern”: Publisher: Pond5 Publishing Beta (BMI), Composer: Sotirios Bakas (BMI), IPI#797324989. ____ Episode Transcript: CAROL ISAACS: A lot of businesses were trashed, houses were burnt. It was an awful time. And that was a kind of time when the Jews of Iraq had started to think, ‘Well, maybe this isn't our homeland after all.' MANYA BRACHEAR PASHMAN: Welcome to the premiere of the first ever podcast series devoted exclusively to an overlooked episode in modern history: the 800,000 Jews who left or were driven from their homes in Arab nations and Iran in the mid-20th century. Some fled antisemitism, mistreatment, and pogroms that sparked a refugee crisis like no other, as persecuted Jewish communities poured from numerous directions.  Others sought opportunities for their families or followed the calling to help create a Jewish state. In Israel, America, Italy, wherever they landed, these Jews forged new lives for themselves and future generations. This series explores that pivotal moment in Jewish history and the rich Jewish heritage of Iran and Arab nations as some begin to build relations with Israel. Each week, we will share the history of one Jewish family with roots in the Arab world. Each account is personal and different. Some include painful memories or elegies for what could've been. Others pay homage to the conviction of their ancestors to seek a life where they were wanted. To ground each episode, we rely on a scholar to untangle the complexities. Some of these stories have never been told because they wished to leave the past in the past. For those of you who, like me, before this project began, never read this chapter in Jewish history, we hope you find this series enlightening. And for those who felt ignored for so many decades, we hope these stories honor your families' legacies. Join us as we explore stories of courage, perseverance, and resilience.  I'm your host, Manya Brachear Pashman, and this is The Forgotten Exodus.   Today's episode: Leaving Iraq.   CAROL: All my life, I've lived in two worlds – one inside the family home, which is a very Jewish world, obviously, but also tinged with Iraqi customs like Iraqi food, a language we spoke—Judeo Arabic. So, I've always known that I'm not just British. I've lived in these two worlds, the one at home, and then the one at school. And then later on at work, which was very English. I went to a terribly English school, for example, there were about a thousand girls. Of those thousand girls, 30 were Jewish, and I was the only Mizrahi, the only non-European Jew. So, there's always been that knowing that I'm not quite fitting into boxes. Do you know what I mean? But I never quite knew which box I fit into. MANYA: Carol Isaacs makes her living illustrating the zeitgeists of our time, poking fun at the irony all around us, reminding us of our common quirks. And she fits it all into a tiny box. You might not know Carol by her given name, but you've probably seen her pen name, scrawled in the corner of her cartoons published by The New Yorker and Spectator magazines: TS McCoy, or The Surreal McCoy.  Carol is homesick for a home she never knew. Born and raised Jewish in London, she grew up hearing stories of her parents' life in Baghdad. How her family members learned to swim in the Tigris River using the bark of palm trees as life preservers, how they shopped in the city sooks for dates to bake b'ab'e b'tamer.  Millions of Jews have called Iraq home for more than 2,600 years, including many of their children and grandchildren who have never been there, but long to go. Like Carol, they were raised with indelible stories of daily life in Mosul, Basra, Baghdad – Jewish life that ceased to exist because it ceased to be safe. CAROL: My mother remembered sitting with her mother and her grandmother and all the family in the cellar, going through every single grain of rice for chometz. Now, if you imagine that there were eight days of Passover, I don't know 10, 12 people in the household, plus guests, they ate rice at least twice a day. You can imagine how much rice you'd have to go through. So little things like that, you know, that would give you a window into another world completely, that they remembered with so much fondness.  And it's been like that all my life. I've had this nostalgia for this, this place that my parents used to . . . now and again they'd talk about it, this place that I've never visited and I've never known. But it would be wonderful to go and just smell the same air that my ancestors smelled, you know, walk around the same streets in the Jewish Quarter. The houses are still there, the old Jewish Quarter. They're a bit run down. Well, very run down. MANYA: Carol turned her longing for Iraq and the life her family left behind into a graphic memoir and animated film called The Wolf of Baghdad. Think Art Spiegelman's Maus, the graphic novel about the Holocaust, but for Jews in Iraq who on the holiday of Shavuot in 1941 suffered through a brutal pogrom known as the Farhud, followed by decades of persecution, and ultimately, expulsion. Her research for the book involved conversations with family members who had never spoken about the violence and hatred they witnessed. They had left it in the past and now looked toward the future. There's no dialogue in the book either. The story arc simply follows the memories. CAROL: They wanted to look forward. So, it was really gratifying that they did tell me these things. ‘Cause when my parents came, for example, they came to the UK, it was very much ‘Look forward. We are British now.' My father was the quintessential city gent. He'd go to the office every day in the city of London with his pinstriped suit, and a rose plucked from the front garden, you know, a copy of The Guardian newspaper under his arm. He was British. We listened to classical music. We didn't listen to the music of my heritage. It was all Western music in the house. MANYA: But her father's Muslim and Christian business associates in Iraq visited regularly, as long as they could safely travel.    CAROL: On a Sunday, every month, our house would turn into little Baghdad. They would come and my mother would feed them these delicacies that she spent all week making and they'd sit and they'd talk. MANYA: As Carol said, she had heard only fond memories throughout her childhood because for millennia, Jews in Iraq lived in harmony with their Muslim and Christian neighbors.  CAROL: Jews have always lived in Mesopotamia, lived generally quite well. There was always the dimmi status, which is a status given to minorities. For example, they had to pay a certain tax, had to wear certain clothing. Sometimes, they weren't allowed to build houses higher than their neighbor, because they weren't allowed to be above their neighbor. They couldn't ride a horse, for example, Jews. I mean, small little rules, that you were never quite accorded full status. But then when the Brits arrived in 1917, things became a bit easier. MANYA: But 20-some years later, life for Jews took a turn for the worse. That sudden and dramatic turning point in 1941 was called The Farhud. ZVI BEN-DOR BENITE: Jews have been living in Iraq for thousands of years. If we start with the Farhud, we are starting in the middle of the story, in fact, in the middle of the end.” MANYA: That's Zvi Ben-Dor Benite, a professor of history and Middle Eastern and Islamic Studies at New York University. The son of Iraqi Jewish parents who migrated to Israel in the early 1950s, he carries in his imagination maps of old Jewish neighborhoods in Mosul and Baghdad, etched by his parents' stories of life in the old country. He shares Carol's longing to walk those same streets one day.  ZVI: Iraqis, even those who were born in Israel, still self-identify as Iraqis and still consider that home to a certain extent – an imaginary home, but home. And you can say the same thing, and even more so, for people who were born there and lived there at the time. So here's the thing: if I go there, I would be considering myself a returnee. But it would be my first time. MANYA: As a Jew, Zvi knows the chances of his returning are slim. To this day, Iraq remains the only Arab country that has never signed a ceasefire with Israel since Arab nations declared war on the Jewish state upon its creation in 1948. Jews are not safe there. Really, no one has been for a while. The dictatorship of Saddam Hussein, ISIS, and general civil unrest have made modern-day Iraq dangerous for decades. The region is simply unstable. The centuries leading up to the Farhud in 1941 were no different. The territory originally known as Mesopotamia flipped from empire to empire, including Babylonian, Mongol, Safavids, Ottoman, British. Just to name a few. But during those centuries, Iraq was historically diverse – home to Muslims, Jews, Assyrian Christians. Yes, Jews were a minority and faced some limitations. But that didn't change the fact that they loved the place they called home.  ZVI: We zoom in on the Farhud because it is a relatively unique event. Jews in Iraq were highly integrated, certainly those who lived in the big cities and certainly those who lived in Baghdad. Few reasons to talk about this integration. First of all, they spoke Arabic. Second of all, they participated in the Iraqi transition to modernity. In many ways, the Jewish community even spearheaded Iraqi society's transition into modernity. Of course, you know, being a minority, it means that not everything is rosy, and I'm not in any way trying to make it as a rosy situation. But if you compare it to the experiences of European Jews, certainly Europeans in the Pale of Settlement or in Eastern Europe, it's a much lovelier situation. Many Jews participate in Iraqi politics in different ways. Many Jews joined the Communist Party, in fact, lead the Communist Party to a certain extent. Others join different parties that highly identify in terms of Iraqi nationalism. MANYA: Very few Iraqi Jews identified with the modern Zionist movement, a Jewish nationalist movement to establish a state on the ancestral homeland of the Jews, then known as Palestine. Still, Iraqi Jews were not immune from Arab hostility toward the notion of Jewish self-determination. Adding to that tension: the Nazi propaganda that poured out of the German embassy in Baghdad.  CAROL: Mein Kampf was translated into Arabic and published in all the newspapers there. There were broadcasts coming from Radio Berlin, in Arabic, politicizing Islam and generally manipulating certain texts from the Quran, to show that Jews were the enemies of Islam. So, there was this constant drip, drip of antisemitism. ZVI: Another factor is, of course, the British. There is an anti-British government in Baghdad at the time, during the period of someone who went down in history as a Nazi collaborator, Rashid Ali. And Rashid Ali's been removed just before the British retake Iraq. We should remember that basically, even though Iraq is a kind of constitutional monarchy, the British run the show behind the scenes for a very, very long time. So, there is a little bit of a hiatus over several months with Rashid Ali, and then when he is removed, you know, people blame the Jews for that. MANYA: On the afternoon of June 1, 1941, Jews in Baghdad prepared to celebrate the traditional Jewish harvest festival of Shavuot. Violent mobs descended on the celebrants. CAROL: In those two days the mobs ran riot and took it all out on the Jews. We don't, to this day, we don't know how many Jews died. Conservative estimates say about 120. We think it was in the thousands. Certainly, a lot of businesses were trashed, houses were burnt, women raped, mutilated, babies killed. It was an awful time. And that was a kind of time when the Jews of Iraq had started to think, ‘Well, maybe this isn't our homeland after all.' MANYA: The mobs were a fraction of the Iraqi population. Many Muslim residents protected their Jewish neighbors.  CAROL: One of my relations said that during the Farhud, the pogrom, that her neighbors stood guard over their house, Muslim neighbors, and told the mobs that they wouldn't let them in that these people are our family, our friends. They wouldn't let them in. They looked after each other, they protected each other. MANYA: But the climate in Iraq was no longer one in which Jews could thrive. Now they just hoped to survive. In the mid-to-late 40s, Carol's father, who worked for the British army during World War II, left for the United Kingdom and, as the eldest son, began to bring his family out one by one. Then came 1948. Israel declared independence and five Arab nations declared war.  ZVI: So, Iraq sent soldiers to fight as part of the Arab effort in Palestine, and they began to come back in coffins. I mean, there's a sense of defeat. Three deserters, three Iraqi soldiers that deserted the war, and crossed the desert back to Iraq, and they landed up in Mosul on the Eve of Passover in 1949. And they knocked on the door of one of my uncles. And they said, they were hosted by this Jewish family. And they were telling the Jews, who were their hosts that evening, about the war in Palestine, and about what was going on and so on. This is just an isolated case, but the point is that you know, it raises the tension in the population, and it raises the tensions against Jews tenfold. But there's no massive movement of Iraqi Jews, even though the conditions are worsening. In other words, it becomes uneasy for someone to walk in the street as a Jew. There is a certain sense of fear that is going on. And then comes the legal action. MANYA: That legal action, transacted with the state of Israel and facilitated by Zionist operatives, set the most significant exodus in motion. In 1950, the Iraqi government gave its Jewish citizens a choice. Renounce their Iraqi citizenship, take only what fits in a suitcase, and board a flight to Israel, or stay and face an uncertain future. The offer expired in a year, meaning those who stayed would no longer be allowed to leave. ZVI: If you're a Jew in Iraq in 1950, you are plunged into a very, very cruel dilemma. First of all, you don't know what the future holds. You do know that the present, after 1948, suggests worsening conditions. There is a sense that, you know, all the Jews are sort of a fifth column. All of them are associated with Zionism, even though you know, the Zionist movement is actually very small. There are certain persecutions of Zionists and communists who are Jews as well. And, you know, there have been mass arrests of them, you know, particularly of the young, younger Jewish population, so you don't know. And then the state comes in and says, ‘Look, you get one year to stay or to leave. If you leave, you leave. If you stay, you're gonna get stuck here.' Now, just think about presenting someone with that dilemma after 1935 and the Nuremberg Laws, after what happened in Europe. MANYA: In all, 120,000 Iraqi Jews leave for Israel over nine months – 90% of Iraqi Jewry. For the ten percent who stayed, they became a weak and endangered minority. Many Iraqis, including the family on Carol's mother's side, eventually escaped to America and England.  CAROL: My mother and my father were separated by a generation. My father was much older, 23 years older than my mother. So, he had a different view of life in Baghdad. When he was around, it was generally very peaceful. The Jews were allowed to live quite, in peace with their neighbors. But with my mother's generation and younger, it was already the beginning – the rot had started to set in. So, she had a different view entirely. CAROL: My grandmother, maternal grandmother, was the last one to come out of our family, to come out of Iraq. She left in ‘63. And my dad managed to get her out. MANYA: After Israel defeated another Arab onslaught in 1967, thousands more fled. ZVI: This was a glorious community, a large community, which was part of the fabric of society for centuries, if not millennia. And then, in one dramatic day, in a very, very short period, it just basically evaporated. And what was left is maybe 10 percent, which may be elite, that decided to risk everything by staying. But even they, at the end, had to leave.  MANYA: Remember, Carol said she was one of 30 Jewish girls at her school, but the only Mizrahi Jew. The term Mizrahi, which means “Eastern” in Hebrew, refers to the diaspora of descendants of Jewish communities from Middle Eastern countries such as: Iraq, Iran, and Yemen, and North African countries such as: Egypt, Libya, and Morocco. CAROL: It's been interesting. A lot of people didn't even know that there were Jews living in Arab lands. I mean, for all my life, I've been told, ‘Oh, you're Jewish, you speak Yiddish, you come from Poland. You eat smoked salmon and bagels. You say ‘oy vey,' which is great if you do all those things and you do come from Eastern Europe, but I don't. Almost 1 million Jews of Arab lands, nobody knows about what happened to them, that they were ethnically cleansed, removed from their homes, and dispersed across the world. It's our truth. And it's our history and make of it what you will, just add it to other family histories that we know. MANYA: Carol has discovered that even Iraqis did not know of their country's rich Jewish past, nor the fate of its Jewish citizens. Since the animated version of The Wolf of Baghdad premiered at the Israeli and Iraqi embassies in London, accompanied by Carol's accordion and other musicians playing its Judeo-Arabic soundtrack, Iraqis in the audience have been moved to tears.  CAROL: At one Q&A, after we did a performance, one Iraqi gentleman stood up at the front. He was crying. He said, ‘I'm really sorry for what we did to you. I'm so sorry.' And that was immensely moving for me. It was like, well, you know what? We're talking now. It's wonderful. We can sit down together. We can talk in a shared language. We can talk about our shared culture, and we've got more that ties us together than separates us. We've got more in common, right? So, I'm always looking for that, that kind of positive, and so far it's come back to me, multiplied by a million, which has been brilliant. The truth is coming to light, that people know that the Jews of Iraq contributed so much, not just culturally but also socially, in the government too. So, it's this reaching out from Iraq to its lost Jews saying ‘Well where are you? What happened to you? Tell us your story. We want to see where you are. Come back even,' some of them are saying. MANYA: Carol has continued to give a voice to the Jewish refugees of Iraq. Most recently, she has been adapting The Wolf of Baghdad for younger, middle school-aged readers to better understand the story. And high schools in London and Canada have added The Wolf of Baghdad to their history curriculum.  CAROL: Leaving Iraq was called the silent exodus for a reason. We just left quietly and without fuss, and just went and made our lives elsewhere. I do know that life was difficult for them wherever they went, but they just got on with it, like refugees will do everywhere. MANYA: These Jews are just one of the many Jewish communities who, in the last century left Arab countries to forge new lives for themselves and future generations. Join us next week as we share another untold story of The Forgotten Exodus. Many thanks to Carol Isaacs for sharing her family's story and to her band 3yin for the music. Throughout this episode, you have been listening to pieces of the soundtrack from The Wolf of Baghdad motion comic performed by 3yin, a groundbreaking London based band that plays Jewish melodies from the Middle East and North Africa. The soundtrack is available at thesurrealmccoy.com. Atara Lakritz is our producer, CucHuong Do is our production manager. T.K. Broderick is our sound engineer. Special thanks to Jon Schweitzer, Sean Savage, Ian Kaplan, and so many of our colleagues, too many to name really, for making this series possible. And extra special thanks to David Harris, who has been a constant champion for making sure these stories do not remain untold. You can subscribe to The Forgotten Exodus on Apple Podcasts, Spotify, or wherever you listen to podcasts, and you can learn more at AJC.org/forgottenexodus.  The views and opinions of our guests don't necessarily reflect the positions of AJC.  You can reach us at theforgottenexodus@ajc.org. If you've enjoyed this episode, please be sure to spread the word, and hop onto Apple Podcasts to rate us and write a review to help more listeners find us.

On this episode we cover multiply split stays, using the Sunshine Flyer, a lost Phone, Moonlight magic, some thoughts on Genie Plus  and much more!  Contact the show at bgt.dvc@gmail.com twitter/instagram @bgtdvc Facebook page Brits Guide to Disney Vacation Club  We have fun T-shirts and mugs on are TeePublic site keep checking back as I'm always working on new designs  http://tee.pub/lic/Gq7DbtngxZ0 Bee Thaxton at dvcshop.com for all you DVC resale & rental needs make sure mention the show when contacting Bee  For all your travel needs contact  Contact David Tewkesbury at disney4brits.com David is one of the hosts of Brits Guide to DVC and a long time Disney fan. You can find him at his website www.disney4brits.com and Disney4brits on Facebook and youtube where his channel has lots of information and guides for Brits travelling to Florida. David is an independent travel agent offering personalised holiday experiences and you can find him at www.d4btravel.com and again at d4btravel on Facebook and Instagram. Www.Facebook.com/figaroswhiskers. https://www.facebook.com/groups/1511386985751639/?ref=share. https://www.facebook.com/groups/1511386985751639/?ref=share. https://www.facebook.com/groups/977464456412913/

Adele is a singer and songwriter who has achieved record-breaking sales and global recognition for her four albums which document her life from the age of 19 onwards. Her cache of awards includes 15 Grammys and nine BRITs. She also won a Golden Globe and an Academy Award for the James Bond theme Skyfall which she co-wrote. She was born Adele Laurie Blue Adkins in London in 1988. In 2002 she won a place at the BRIT School for Performing Arts where she studied music and developed her performing and song writing skills. In her final year a friend posted her three-song demo online which attracted the attention of several record companies. In 2006 Adele signed to XL Recordings and the following year she released her first single, Hometown Glory. In 2008 she released her debut album, 19, and the following year she won Grammy Awards for Best New Artist and Best Female Pop Vocal Performance. Her next two albums 21 and 25 consolidated her superstar status. In 2013 she was appointed an MBE in the Queen's Birthday Honours for services to music. Adele's fourth album, 30, was released in 2021. The songs addressed how she was adjusting to life post-divorce and her feelings about her new role as a co-parent. Adele lives in Los Angeles with her son. DISC ONE: Roam by The B-52's DISC TWO: Dreams by Gabrielle DISC THREE: Need Somebody by Shola Ama DISC FOUR: He Needs Me by Nina Simone DISC FIVE: Bills Bills Bills by Destiny's Child DISC SIX: I'd Rather Go Blind by Etta James DISC SEVEN: Maps by Yeah Yeah Yeahs DISC EIGHT: For All We Know by Donny Hathaway BOOK CHOICE: The Sun and Her Flowers by Rupi Kaur LUXURY ITEM: A self-inflating mattress CASTAWAY'S FAVOURITE: Dreams by Gabrielle Presenter: Lauren Laverne Producer: Paula McGinley

The lads have been doing a bit of travelling around Germany this week. While Nic stuck to the safety of Bavaria, Simon went further afield, and on the way spotted some fellow Brits who've managed to avoid the traffic and make it to Germany. We talk about a recent funeral held in a forest and why that might be the most German of send offs, and we go over the recent travel chaos at various airports that's certainly not the expected level of German organisation. A kebab shop in Munich has recently laid claim to the title of most expensive kebab in the country, which gives us a chance to suggest our own luxury kebab recipes and how best to make a dessert kebab. All this kebab chat is hungry work, but clearly not as much as fighting in the UFC, where a young fighter wowed an recent press conference by eating two kebabs in under ten minutes. We finish this week with a catch-up on German Comic Con, which may be smaller than its more famous American cousin, but might well be the most pleasant event of its kind in the world. We discuss German cosplayers, asking celebrities questions in a second language, and recommend some of the best graphic novels by German artists. For those of you looking to support Ukraine or the many refugees currently fleeing the conflict, please take a look at these different charities and consider donating if you can:Ukraine Crisis Media Centre - A list of different donation pages to help the Ukrainian military response.Disaster Emergency Committee - Ukraine Humanitarian Appeal Save the ChildrenÄrzte ohne GrenzenImage CreditPhoto by Dev on UnsplashTheme tune courtesy of Kloß mit Soß

Last episode of the season - and before we pack our suitcases and bring out the bathing suits, we're closing off with an extra long segment. But don't worry - although we'll officially be back in September, we've got some surprises that will keep you entertained all through August. And for this episode: his predecessor may have maintained avid relations with Russia - but the man who now stands at the helm of both the Prime Minister's office and the Foreign Ministry, Yair Lapid, can't quite keep up the affections with the Kremlin. Amid a Russian court's consideration of a Jewish Agency liquidation lawsuit, Yonit and Jonathan speak to Shlomit Meir, former advisor to Naftali Bennett - on what may signal a decline in ties between Jerusalem and Moscow. Meir also speaks out on what went wrong for the coalition - and why she thinks Bennett hasn't said the last word yet. And what does she have to say about the Iranian threat?Plus: election season is upon Brits and Israelis alike, but before the votes are cast - our hosts introduce the political players from each home field. Follow us on Facebook and Instagram: Unholy Podcast.See omnystudio.com/listener for privacy information.

On tonight's episode of Farage:With an ever-present war in Ukraine, why aren't we more focused on defense in the Tory Leadership contest?Why are so many Brits being prescribed anti-depressants? And are they really helping?Has the fishing industry improved six years after Brexit?And joining Nigel on Talking Pints is former Liberal Democrat Mp Lembit Opik See acast.com/privacy for privacy and opt-out information.

Future of Motoring There's no doubt electric vehicles are the future of motoring. With the government banning sales of new petrol and diesel cars in 2030, many of us have come to realise adopting an EV can be a great way to save money, whilst being incredibly convenient for our daily journeys. A great start to a likely future trend, as many want alternatives to jetting between locations, but how easy is it to take an electric vehicle on a European road trip? To find out, DS Automobiles have uncovered the most EV-friendly road trips in Europe and the UK. They have done this by analysing several factors: The number of charging points per mile of the route. The number of accommodation spots with electric charging stations per mile. The number of attractions and restaurants per mile, to find out how much there is to see and do on the trip and whilst the electric vehicle charges. Discover how EV-friendly Europe's road trips are below. Basse Corniche, France Nice – Villefranche-sur-mer – Beaulieu-sur-mer – Eze – Cap-d'ail – Monaco – Menton The Basse Corniche route across the beautiful French Riviera is Europe's most friendly EV road trip. The route scored highest for the number of accommodation spots with EV charging points per mile at 0.41. That's 0.13 more EV friendly accommodation per mile than the second-best route – the Netherlands to Belgium. This stunning coastal road scored highest for the number of attractions and restaurants, at 48.16 per mile and 105.53 per mile. Perfect for EV drivers wanting to get a bite to eat or see the sights whilst their EV charges. So, what kind of attractions can you expect to see on this adventurous road trip? Well, for starters the route itself is filled with beautiful sights of the Mediterranean Sea and the cliffs between Nice and Monaco. You could wander in time through Old Town's cobbled streets in Nice, or the fortified medieval village of Eze. Monaco has a plethora of top-rated attractions, such as the Oceanographic Museum of Monaco, or the opulent Prince's Palace. From Ireland or the UK you can catch a ferry to Calais, Brittany or Le Havre and then make your way south to Nice. The Netherlands to Belgium Amsterdam – Rotterdam – Antwerp – Bruges The second most EV-friendly road trip in Europe is the cross-country route of the Netherlands to Belgium. This cultured road trip starts in Amsterdam, through to one of Europe's hottest destinations – Rotterdam. Then stop off at Antwerp, Belgium's hip city, before finishing at Bruges. This trip scored the highest out of all the road trips analysed for the number of charging stations at 18.73 per mile. In total there are a whopping 3,159 charging stations across the route. The road trip scored second-highest for EV-friendly accommodation spots, with 48 hotels equipped with an EV charger – that's 0.28 per mile. It's super easy to get to the Netherlands, catch a ferry from Harwich, Hull or Newcastle. Brits could even take the Eurostar to France and extend your driving holiday from Calais. Irish drivers can spend some extra time seeing the sights by travelling through the UK or France. Rhine Valley, Germany Dusseldorf – Cologne – Bonn – Remagen – Koblenz – Braubach – Boppard – St Goar – Loreley – Kaub – Bacharach – Rudesheim – Mainz Europe's third most friendly EV road trip is the idyllic Rhine Valley in Germany, scoring 60 out of 82. The route scored highly thanks to its number of charging stations with 459 in total, that's 1.42 charging points per mile. You'll be well-fed on this epic trip, there are 5,303 top-rated restaurants, which works out at 16.44 restaurants for every mile! There are plenty of cultural delights the Rhine Valley is well-known for, such as Himmel und Erde, a dish comprising of potatoes, apple sauce, and bacon. Or, satisfy your sweet tooth with waffles or Spekulatius – a German spiced biscuit. Atlantic Highway, England Eastover – Dunster – Selworthy – Clovelly – Bude – Camelford – Fistral Beach – Penzance – Sennen – Land's E...

On average, most of us will spend one third of our lives at work. That's a lot of time. But even though we spend so much of our lives at work, according to a 2022 happiness study over one third of Brits are unhappy in their job. Samantha Clarke is a work happiness consultant, author of Love It Or Leave It: How to Be Happy at Work and resident lecturer and facilitator at The School of Life, Simon Sinek's platform and The Guardian who gives masterclasses on career potential, navigating transitions and change, managing stress and anxiety, finding confidence and purpose at work. During the conversation me and Samantha break down the traditional prescription around what a career needs to look like and tackle all the big questions facing someone navigating a career: how do you figure out what career path to choose, how do you know when it's time to quit, how do you reinvent yourself in ease phase of your career, how do you negotiate emotional barriers to change, and most importantly, how do you design a career that you love. Timestamps:00:00 Intro 2:20 Overcoming the title trap3:47 Evolving understandings about work 08:53 Navigating emotional barriers to pursuing your dream career12:32 Exploring the hidden assumptions in coaching 17:13 Love It or Leave It: how to be happy at work 20:59 The 6 happiness pillars for work 23:35 How to assess your happiness at work 25:12 Can everyone find purpose in a job?28:32 The relationship between career purpose and money 35:20 Human Design Profiles42:17 Manifestation and affirmations 46:26 Decision making 51:09 The signs and symptoms of burnout 59:02 Following your passion vs finding your passion 01:07:28 Coaching Ali on company mission and happiness01:20:20 Takeaways