Podcasts about brits

What did the trafficking and labor of enslaved Africans do to and for the British empire? What role did slavery in the Caribbean play in capitalism's expansion in Britain? Steve Cushion weighs in on these and other matters, including key dimensions of British abolitionism and stances taken by British elites and workers toward the U.S. Civil War. Steve Cushion, Slavery in the British Empire and its Legacy in the Modern World Monthly Review Press, 2025     The post Slavery, Capitalism, and the Brits appeared first on KPFA.

Polish-American man Leo Gerstenzang is credited with inventing the humble cotton bud in the 1920s, an item which has since gone on to be used for many different purposes, having originally been thought up as a baby hygiene product.Yougov research from 2019 found that 62% of Brits use cotton buds to clean their ears, and 22% of us only use them for that purpose. That's particularly true for men, given women are more likely to use them for touching up nail polish mistakes, or applying make up.  But you may well have heard warnings that cotton buds can be bad for you. 2019 also saw the unlikely case of a man who developed a severe bacterial infection, which sprread to the lining of his brain, after the tip of a cotton bud got stuck inside his ear. He ended up having a seizure and had to be treated at University Hostpital Coventry, according to Livescience.com. How can I clean my ears then? Are there any safe ways? In under 3 minutes, we answer your questions! To listen to the last episodes, you can click here: ⁠Why do some men get ill after they orgasm?⁠ ⁠Is nostalgia good or bad for us?⁠ ⁠How can the unisex condom improve my sex life?⁠ A podcast written and realised by Joseph Chance. First Broadcast: 21/2/2024 Learn more about your ad choices. Visit megaphone.fm/adchoices

Having spent his early years in London, Mark Ronson grew up in Manhattan, began working as a DJ as a teenager and quickly made a name for himself on the New York club scene of the 1990s. He moved into music production and, in 2006, co-wrote and co-produced the Amy Winehouse album Back To Black. The record won five Grammys and Mark Ronson himself scooped the Producer of the Year Award.  Since then, he has released five solo albums and worked with some of the most successful names in pop including Lady Gaga, Dua Lipa, Queens Of The Stone Age and Paul McCartney. The winner of ten Grammys and two Brits, he added an Academy Award to his list of accolades in 2018 as co-writer of the song Shallow from the film A Star Is Born. He was also Oscar nominated for his work as executive producer, composer and songwriter for the soundtrack to the Barbie movie. More recently he has written a book called Night People, a memoir about his time as a DJ in 90s New York.  Mark Ronson tells John Wilson about the influence of his music-loving parents, who often threw parties at their north London home when he was a child. He talks about the influence of his stepfather Mick Jones, songwriter, guitarist and producer of the 80s rock band Foreigner, who allowed Mark to experiment with equipment in his home studio in New York and encouraged his early interest in production. He remembers how hearing the 1992 track They Reminisce Over You by Pete Rock and CL Smooth led him to pursue a career as a club DJ and become renowned for the diverse range of music he played in clubs - from soul and hip-hop to classic rock - an eclectic approach which later informed his work as a producer. Mark Ronson also recalls first meeting Amy Winehouse and how they wrote and recorded the songs for her Back To Black album.  Producer: Edwina Pitman

PopaHALLics #153 "Popping Up Secrets" Dad and daughter dish on Lily Allen's "divorce album," the new seasons of "Slow Horses" and "The Diplomat," a late-to-the-party discovery of TV's "Interview with a Vampire," a funny, wise novel called "I See That You've Called in Dead"—and more!Streaming:"Sisu: Road to Revenge," Hulu, Prime. In this John Wick-ish Finnish action thriller, Nazi soldiers steal gold from an old prospector. One problem: He's a former "one-man death squad" legendary for his ruthlessness. "Slow Horses," Apple TV. In Season 5, coordinated terrorist attacks in London begin a destabilization campaign. The first sign something's amiss: Obnoxious Roddy Ho (Christopher Chung) has a girlfriend."The Diplomat," Netflix. In Season 3, the Brits are upset with an American betrayal, and Kate (Keri Russell) and Hal (Rufus Sewell) struggle with their roles and relationship. Bradley Whitford joins the cast as First Husband to President Grace Penn (Allison Janey)."Interview with a Vampire," AMC. Season 2 finds Louis (Jacob Anderson) traveling to Paris  with teen fledgling Claudia (Delainey Hayles) in a search for Old World vampires. He meets Armand (Assad Zaman), a relationship that will have devastating consequences. Books:"I See That You've Called in Dead," by John Kenney. When a drunken obit writer accidentally publishes his own fake obit, he ends up getting a second chance at life in this funny, moving novel."The God of the Woods," by Liz Moore. In this acclaimed mystery, the disappearance of a 13-year-old girl from a summer camp triggers an investigation into her vanishing and her family's dark secrets."Exit Lane: An 831 Stories Romance," by Erica Veurink. This "sweet romance," a debut novel, follows Teddy and Marin's eight-year rocky relationship from Iowa City to NYC and back.Music:Lily Allen returns with her first album in seven years, "West End Girl," about the breakup of her marriage to David Harbour ("Stranger Things"). Our PopaHallics Playlist #153 (Lily) also contains tunes by Tame Impala and Southside Johnny and the Asbury Jukes. Click through the links above to watch, read, and listen to what Steve and Kate discuss. The "fair use" doctrine of U.S. copyright law allows for the limited use of copyrighted material without permission for purposes such as criticism, comment, and education.

Comedian, singer and actor, Lloyd Griffith joins Spooning With Mark Wogan this week.Lloyd opens up about the start of his career as a choir boy, how he deals with rejection and reveals the differences between Brits and Australians. Plus, Lloyd opens up about his time on Ted Lasso and being part of the Return To Paradise cast.Food served:Guilty Pleasure: Homeslice pizza with pea, ham, egg and chipsTV food: Turkish DelightSpoon One: Haslet SandwichSpoon Two: Banana bread with custardReturn To Paradise is available to watch on the BBC Iplayer now.Senior Podcast Producer: Johnny SeifertVisual Producer: Chris JacobsAssistant Producer: Panos Kalaroutis This is a News Broadcasting Production Hosted on Acast. See acast.com/privacy for more information.

Glenn Fogel, CEO and President of the world's largest online travel platform, Booking.com joins Will Bain to discuss whether the USA is witnessing a downturn in foreign visits due to the policies of the Trump administration. He also outlines his thoughts on issues that affect many Brits on their summer holidays: over-tourism. You'll also hear how his company is positioning itself in legal disputes over some property listings, and why the rapid rise of AI could reshape the way we plan and experience our trips. Plus find out why Will got offended!Presenter: Will Bain Editor: Henry Jones00:00 Intro from Fliss and Will 02:00 Tourists to USA down 05:00 Over-tourism 13:30 Legal cases against Booking.com 17:30 Use of AI(Picture: Getty)

Tiff and Dana discuss how to achieve full team alignment on periodontal policies and protocols, even when it's the last thing you feel like doing. Their tips include which habits to build upon, which templates for conversation with the patient are most educational, maintaining team alignment, and more. Episode resources: Subscribe to The Dental A-Team podcast Schedule a Practice Assessment Leave us a review Transcript The Dental A Team (00:00) Hello Dental A Team listeners. We are back with you with us today I have Ms. Dana and I'm so excited to do these podcasts. I have podcasts all day I have podcasts with you Dana. I podcast with Britt today I never get Britt on these suckers anymore and then I think I'm Kristy later, too So it is a whirlwind of podcasting day. Thank you for letting me, you know Just bust it out and get all of you guys here today I'm really excited. I'm really excited for the one we just did. We record these just kind of like back to back to back just so you guys know in case you were wondering how this actually happens. We're not live right now. I wish we were. That'd be super cool. But it'd be really time consuming at the same time. But we just did a really fun one. I'm excited for them to hear about it. Dana though, I haven't asked you lately just how's life. had, it sounds like a full weekend of kiddos sports. Dana (00:54) Mm-hmm. The Dental A Team (00:54) ⁓ But you personally, you guys, talked about consistency in this last one. And you personally, you have some of the best consistency that I've ever seen anyone maintain. So number one, I think my big question that might be on everyone's mind is why? How do you maintain that consistency? You show up for everyone, but you still show up for yourself. You still do your workouts. You still make sure that your path for your own health is one of the most important aspects of your life. So Dana, how do you maintain that? Dana (01:29) Yeah, I think that just I learned early on in life, right? Like, especially with my health, like I had a point in my life where my health cup was pretty much empty and I had nothing to pour from. And so I just promised myself when I made it through that, that like, I would always prioritize keeping that like as a priority. And ⁓ it's just something that like, I've shown up for for myself. ⁓ And to like, because I've shown up, it just, I don't know, like it just keeps me saying it makes me a better mom, it makes me a better friend, it makes me a better partner, it makes me like, just better in so many ways, because I do take that space. And I don't always like, there's guilt, for sure that I do it and that I take the time and that you know, like I put other things aside to do it. But I think what it like, reaps and benefits and rewards for me outweigh those things. And so I'm truly on to the point now where I have kept it so consistent that when I fall off I feel terrible. The Dental A Team (02:43) Yeah, yeah, that's the real deal now. Yeah, I love that. I think that the things you pointed out there just your why is big enough. And I think a massive reminder to everyone that typically for a human being to make a change in life, it has to be hard enough. Like, we don't change things that don't feel like they're not working, right? That haven't like sprung up as a quote unquote, like broken piece of life yet, right? Like however you want to word it. If it's not hurting, we don't typically think, we're not thinking about it. If it's not hurting, we're just not thinking about it. So why are we addressing things we're not thinking about? So when it finally does get bad enough, I think I had a similar story, not the degree of health, but a similar instance where it was just like I hit the spot where it's like I actually don't have a choice. I either take care of myself or my health continues to deteriorate. So was honestly, it was easy at that point. So it's interesting because it's so easy, I think for us from the outside, especially for you and I for fitness and health, like I think you and I have, I can imagine you're the same like my whole life. It's been in my, it's been in my being for as long as I can remember. So it was very easy to see that in myself and to see that in my life and to see where. the consistencies or the inconsistencies are, but it's interesting to take a step back and see how relatable it is to just so many aspects of life. And if we applied those same steps and processes, the same thought to other aspects of life, how different things could look. And we narrow that focus because I think fitness and health just like, I don't know, I feel like it's like a box to check instead of like, away and for you and I like it's a way especially for you and so it's just gives you the template for other areas which I think for us makes a lot of times consulting fun. I think it's more fun and it's a little bit easier for us to sometimes see the structure of what needs to happen because it's literally mimicking the results that we've seen in other areas of our life and first So happy you're here, Dana, because had you not taken that initiative, things could look very different today. And I'm very happy that you did and that you dedicated to yourself and that you continue to. Second, you were teaching your kids the most important valuable lessons of their entire life. And it's so cool to watch you do that and to watch you show up for yourself, but for them too. I've always taken that stand with it. They're like, Brody's going to know that exercise is for health. It's not for the other. ideas in there. So I never wanted him to, you know, have whatever complications with health and fitness in his life. So I made it a priority for me pretty early on in his life because of that. And then really had to about six years ago. So I applaud you for those pieces. And I just think it's really, really cool. And I think it kind of stems and spurs into a more fun version of today's podcast. Because I really do think that that consistency and again that template that you have for like no I'm just going to do it and some days, you know I'm sure you wake up like I do or I'm like today's not the day and then it's like no just go just go it's 30 minutes It's an hour of my life. Like just go and you will always feel better afterwards So sometimes life comes in and this task or this duty comes in and it's like this feels like it's gonna be really hard I don't really want to talk to this person about this thing I'll do it next time. And the I'll do it next time only slides us backwards. And we see that with the health and fitness very easily. If we don't go to the gym today, like we're sliding backwards to tomorrow. But in these conversations that we're talking about today with the perio, everyone's favorite word, perio, and being in alignment on the periodontal care kind of makes me think of those areas where we really do slide backwards because we're like. I don't really want to have that hard conversation or, that kind of borderline or I don't know what we would classify this as. I'm just going to probe you today. Maybe they'll see somebody else next time. Like you're my, you're one of my favorites, Brits, my other favorite, ⁓ perio brain to pick when it comes to stuff like this, because really getting alignment on that can look like so many different things and consistency on the alignment I think is one of the key pieces. And Dana, there's so much to pick apart in there. I'm obviously alluding to have the hard conversations with the patients when they need deep cleaning, even if they've been coming to your practice forever. I don't care, just do it. But how are the doctors important in your opinion and from a hygiene standpoint in gaining the alignment within the periodontal care, within the periodontal policies and protocols? Because we can tell a hygiene team to go do it, but I feel like without the doctor, we're like 90 % there. Dana (07:22) Mm-hmm. ⁓ Yeah, and and I really and truly feel like the doctor is so crucial in to me. It's like, ⁓ we have to do in this situation is build a plan and then create habits stacking for our hygienists like to do it right. And I think that the doctor is so crucial in setting up the standard of care for perio like what are the expectations for the hygiene team for each specific perio service within the practice? What are our parameters? What are our guidelines? That way, when a patient walks in, no matter which hygienist they see, the same thing is recommended. Also too, it gives a very clear roadmap for the doctor to back you up. You've built it together. So you know that if you follow the protocol, the doctor can confidently back you up. You know that you'll get that every time that they walk in the room. And then lastly, importantly, just as important, it allows you to ⁓ confidently have the discussions that maybe you haven't. And I've seen an office as to where we built the protocol and there are moments of maybe we disagree, right? Maybe we see something different on an x-ray or maybe we see, you know, we probe slightly different or our angles are a little bit different or I've got a doctor versus a hygienist that one presses a little bit harder when they probe, right? But it allows us to definitively be able to make a decision and say, we default to the protocol. This is what the protocol The Dental A Team (09:08) Yeah. Dana (09:16) says when we have this many millimeters in probing depth, this many, and this is how often we do those things. This is the cadence in which we bring them back. These are the results that we expect to get it. And so when you have that outline, whether you are so far from it when you start or whether you're like pretty close to it when you start, it's okay. It's just build your roadmap of what you want your The Dental A Team (09:23) Yeah. Dana (09:41) period to look like in your practice first. And doctors play such a key role in developing standards of care with hygienists. The Dental A Team (09:50) Yeah. my gosh, that was beautiful. something you said at the beginning was the habit stacking and then something in pieces, ⁓ kind of pulling those together, the habit stacking, mentioned, basically you mentioned templates, right? Templates of how to get there. So I think the first template that a doctor in that habit stacking, which is 101 of anything, accomplishing anything in life, it just generally gets put on the health and like fitness industry. ⁓ side of it, but anything is habit stacking to create any kind of habit you're going to have it stack. So what you're saying there and what it makes me think of is like realistically the initial template, like what do I do with my patient? So you mentioned probing. So I think that habit stacking is like probing how often that's your, that's your first habit. Like how do we implement the x-rays and the probing at a certain interval to get the result that we want. And if we want to be able to diagnose periodontal disease, we've gotta have the x-rays and the perio charting. So then it's like, okay, our first habit is getting these things into the appointment. Our second habit is diagnosing accurately and having those three to four periodontal classifications, that's the word I want there, that we can choose from and making sure that we're in alignment on those. There's so many, you guys, you can get recommendations. You can get 15 recommendations on anything anymore. So just be careful what you're looking at. That's a true space of alignment. What is a one to three periaprobe? One to three millimeters, what does that mean? What is three to five? What is five plus? And then what is, we're referring this out. So I think when you're talking habit stacking from an outsider's perspective, I am not a hygienist, I would imagine if I were to sit in your seat, these are the things I would need. to get this started and the consistency on time, like how often are we periaprobing? How often are we taking these x-rays? Dana, I think those come from the doctor and I know I might've just made so many hygienists so angry because I know that I have this conversation so many times. You are a provider but at the end of the day, like it is the doctor's practice and the doctor's license and those types of recommendations have to come from Dana (12:11) you The Dental A Team (12:15) him or her where they're saying, I want bite wings once a year. I want bite wings every six months. I want perioprobes once a year. Dana, is that the kind of habit stacking and templates that you're looking for too? Dana (12:27) Yep, You're spot on in there. How do we gather the information that we need to make our period diagnosis or to make our cleaning recommendation with our patients and outlining and defining how often we do that, when we do that. What it means to do that, like what are we doing ⁓ is your first and foremost foundation. And then it is like bridging into what we do end up diagnosing, right? So what treatments do we choose and when do we choose them? So that's your perioprotocol, right? That is when do we do localized SRP? When do we do generalized SRP? What is scaling in the presence of gingivitis in this office, right? Because that's a term that's very broad. So how many bleeding points? do we have to have? it have to be in all four quadrants? Does it have to be 20 bleeding spots? What does that look like in your office? ⁓ What is a perio maintenance? What do we do? mean, even farther as far as, when do we refer out? If we... aren't, that's one time that I see that hygienists maybe sometimes disagree because it's hygiene comfort. Then I always say default to who you recommend to. If you have a periodontist that you love in your area, call them and say, hey, at what point would you really like to see them in your office? And we start to kind of go back and forth with this patient. So that way it's a very, very cut and dry of what we follow. Right? And then, you know, then it becomes then it's templates for the conversation. Right? So how do we get to the conversation to educate the patient? What do we say if this has been a long term patient? What do we do if a patient refuses? Right? If they just want the cleaning that insurance covers, what do we do once they've had each of these? Right? Is it are we a yes please, perio for life, right? Like once perio, always perio. Do we have wiggle room in there, right? Like what is our, like what's our protocol for all of that? The Dental A Team (14:27) Mm-hmm. Dana (14:28) And I do feel like a lot ⁓ of doctors take the place that like, hey, my hygienists are my perio experts. And I think that like, that is a great stance to have, but I think doctors, need to be a part of building the standard in your practice. And then yes, trusting your hygienists to follow that standard for sure, and make the recommendations on the things that they see. Absolutely. But I do think it's crucial that the doctors are part of the standard setting within their own practice. The Dental A Team (14:54) Yeah. Oh, you nailed it. I couldn't agree more. And that's coming from a non hygiene standpoint. And you just heard a hygienist word straight from her mouth. And I think even the most, I'm gonna say it stubborn and hard headed hygienist who are like, no, this is my world. It is your world. But I think even the most stubborn, hard headed or strong willed is probably a better word to use. Hygienist will agree that structure. helps progress. And if there is a structure to be had, there's input to be had, I think anyone would prefer that input upfront and honestly than on the back end saying like something went wrong, right? I didn't do something correctly. Well, we've all said it like, well, you didn't tell me that I didn't know, right? Or I didn't know you wanted it that way. This is the space to get all of that stuff out on the table first. And doctors, for you to be like, my standard of care is X, Y, Z. And a hygienist to be like, well, tell me more about that because I think this. You know, I think ABC. And a doctor's like, cool, this is why I think X, Y, Z. Why do you think ABC? This is a space to have conversation. it's not, Dana, what you're saying is everything you said was a conversation. So it's more about Everyone being able to bring to the table their own knowledge, what you guys have learned, we've all gone, everyone likely has gone to a different school, right? Hygienists go to a different school, typically university, than the doctors do or trade school or wherever it's from. Doctors in most practices, it's rare that you have even associates that have gone to, everybody's gone to the same school. So there's different schools of thought depending on where your training was. And there's different opinions. I walk into some practices that floss is floss. I walk into other practices that there's like, do not use glide, or do not use whatever on the wall, and it's coconut floss. And then there's other practices that are like, don't eat coconut. You just pick and choose. It's all just the best that you guys can come to terms with. And so I think that it's more of a sharing of ideas coming with the standards and protocols. Now, there are things that will be like, There are things that will be a discussion and I think everything is a discussion. ⁓ There are things that will be flexible, there's things that won't be super flexible. Like x-rays are probably not a super flexible spot. How often are you periaproping? Because these are based off of standards, literally standards of care for their licenses, but it's still a discussion. And I know I've had hygienists that are like two years bite wings, but doctors are firm on one. Like, cool, just take the bite wings. That's the standard of care. and come to an agreement. And Dana, think that based off what you're saying, like that alignment is not just a, this is the box you stay in, but it's a conversation. And what you said earlier kind of resonated with me too, because I do see sometimes, oftentimes where doctors are like, yeah, we'll do a perio alignment meeting and meeting Mondays, we'll do meeting Mondays and we'll do perio alignment meeting. And they've got a patient, they're doing a crown while hygienists are meeting. And then hygienists come out. They're like, this is what we decided. And doctors are like, OK, I'll review it. I was like, come on, just be at the meeting. Right, Dana, do you think? Dana (18:16) yeah. Yeah, I see that a lot. And then, you know, then it sits on a doctor's desk or, or a doctor does review it and has notes, but like the notes don't get to the team or then it doesn't get even fully rolled out because we're still kind of waiting to see like, did we agree? Do we agree? Like, where is this? Where is this thing? And and I think the doctors being part of the meeting and part of the The Dental A Team (18:33) Mm-hmm. Dana (18:42) conversation, I just feel like you leave with alignment and you leave with buy-in. When a doctor is just is a part of that because I feel like, As a hygienist, I never wanted to feel as if like I was doing something that was outside of what the doctor wanted as far as care for their patients. And so I think when they're part of the discussion, they're part of the building the standards, they're part of mapping out those habits stacking and the pieces that they want to see. I think then it makes sure that no matter what patient is in the chair, no matter who they see, right, everybody is aligned and everybody is doing like what is desired for that specific office. The Dental A Team (19:29) Totally, I agree. think this was so cool. And I think we spun this in some fun directions today that were a little bit different than ⁓ areas we've spoken before where it was much more structured. This one is a little, slightly less structured. There's still structure to it, but it's more giving you guys the knowledge base to understand that you get to build the structure as a team together too. Our structure, our recommendations, your action items today. Schedule a perio. alignment meeting. A lot of times these get put in the schedule as a hygiene team meeting or a hygiene department meeting and they're going to talk about perioprotocols and doctors don't think they have to attend or it's not on their schedule at all. But doctors who are listening, hygienists who are listening, office managers who are listening, schedule a full team alignment even if you're like, hey, we don't have issues, we diagnosed just fine. I just come together once, at least once a year, probably once every six months or so. Just make sure we're all on the same page, you guys. And I think Dana, Something I've seen happen the most frequently is any kind of addition to the team, even Steril Tech, who's helping turnover rooms, any kind of addition to the team, those are the pieces that get lost first. That consistency becomes inconsistent and we lose the template. So first and foremost, make sure you guys have alignment meetings and then make sure you have some sort of a structure or a checklist on what are the things that these alignment meetings... One, what are we trying to gain? Like what is the goal of the alignment meeting? And what are we going to cover? So templates A to Z, our x-rays, our perioprobing, our exams, how often do you have to have a doctor in the room for an exam? All of these pieces that might to some of you guys listening now be like, that's crazy that practices deal with this. But if you don't have it, there will come a day, there will be someone that it gets lost on. So just make sure it's there. So Dana. Let me know if you have any more action items. My first one, schedule that alignment meeting. Second, make sure there's templates. Make sure you guys know what you're working towards and why. And then implement. And I think, Dana, when we're building out Perio protocols, I think it would be safe to say you should be able to implement those within a quarter. So if you've got the alignment meeting scheduled, you hashed out on the meetings, you should be, if you do it quarter one, you should quarter two, be able to roll out those Perio protocols. Do you agree, Dana? Dana (21:51) Yeah, I do. I agree with that for sure. And then I think the last action is if you already have a perio protocol in place, make sure that every hygienist on your team knows it and make sure it is updated. Right. I think that, you know, there are some things that in the perio world have changed and will continue to change. And so I always say when you build these protocols or you build these templates and you have alignment, it's not just like set it and kind of forget it. Make sure it gets added to onboarding packets for new hygienists. Make sure that we, you know, continue to kind of check in and see what we're doing. Make sure that we've got tracking in place and make sure that we update those things as Perio changes because, you know, grading and staging is now here and pieces that if you've had a long term Perio protocol, we may need to add or consider updating. The Dental A Team (22:40) Totally, beautiful, thank you. I am leaving it at that. Everybody, if you were listening in the car, go listen again, write these things down. If you were listening, I don't know, anywhere else, I hope that you were taking some awesome notes. If not, listen again. The recordings are here for just that. So, share this with a friend, you guys. Everyone needs to know these Prairie Protocols. This is massive. It is a huge space that is underdeveloped in a lot of practices, I would say most practices. the perio space is underdeveloped. So these are some really quick, easy tools to get that ball rolling without having to take extra courses and laser certifications and all of these things. Those would be like step two or three. These are your first steps. So go do the things you guys drop us a review. We always like to see those five stars and know what you loved and any ideas that you have to add to what we talked about. And then Hello@TheDentalATeam.com. That was a hard one to say today. ⁓ is where you'll reach us. If you have any questions or you want any templates or ideas, just shoot us an email, you guys. do, Dana and I do get a lot of those requests straight to us from our Hello team. So just let us know how we can best help you and we'll catch you guys next time. Thank you.

Join us, Bex, Alex (two Brits), and Jenn (an American)—three Call The Midwife super fans—as we rewatch our favourite show and discuss each episode in order. Why not join us? Watch an episode, and then listen to us! This week, we are recapping series 12, episode 4 - 1968!The maternity home is thrown into chaos by an outbreak of gastroenteritis, and Nurse Crane fights to save her career. Meanwhile, Cyril encourages Reggie to seek help.Please follow us on Instagram @recallthemidwifepodcast, on Facebook @Recallthemidwifepodcast, on Twitter/X @RECallthemidPod, Threads @recallthemidwifepodcast, BlueSky @recallthemidwife.bsky.social, subscribe to our YouTube channel https://www.youtube.com/@recallthemidwife or e-mail us at Recallthemidwife@gmail.com with any questions, suggestions, ideas or feedback! Hosted on Acast. See acast.com/privacy for more information.

In our latest weekend round up, Matt and Oli review all the action from the Valencia Half that featured some serious times from Brits. Alfie Manthorpe led the charge with a 61:26 clocking, closely followed by Charlie Wheeler and Alex Yee. Lily Partridge led the British women with a 69:52. Enjoy!  Presented by SportsShoes.com

Rory McGowan sits down with Samantha Duffy, a Senior Manager of Global Water Programs at NSF to talk about some disturbing findings that reveals that thousands of people across the UK may have illegal water fittings, and that not only could they be contaiminating their water but also how the law leaves homeowners liable for legal reprocussions for the consequences. Samantha talks about how you can check your water fittings and how bad water fittings can contaiminate your water as someone who helps run a water testing non-profit facilitiy that tests taps and certifies their safety. There is also discussion about how the law could change to protect homeowners from unknown illegal water fittings.

Rory McGowan speaks to Founder of The Level Group George Williamson about new research that sheds light on the UK's relationship with inheritance, and how over 1 in 3 people are financially depended on that money right now. They talk about how family farms and pensions may be hit by the proposed inheritance tax changes presumed to be in the next UK budget and how that'll impact families across the UK, using data to back up what many Brits' response will be to try and protect their family's money, once their older family members pass away.

In this episode of Quah (Q & A), Sal, Adam & Justin coach four Pump Heads via Zoom. Mind Pump Fit Tip: Should You Do Cardio Before or After Weights? The rules when it comes to workout programming. (2:55) Silly social media comments, and making life easier. (22:58) The future of skincare. (28:21) Jump roping is underrated. (31:21) The best “biohack.” (33:07) The Great Debate: Should You Sit or Stand When Wiping? (35:57) Your body on TRT. (36:40) Is ‘dead internet' around the corner? (44:21) ‘Chatboxes' scary tactics. (46:34) Unpopular speech is the only kind that requires protecting. (54:45) #ListenerLive question #1 – Do you have any tools for measuring the volume of outdoor activities? Or just go based on how they're recovering? (57:49) #ListenerLive question #2 – Would I see better results by doing zero cardio in a bulk, then doing cardio in a cut? (1:11:30) #ListenerLive question #3 – Looking for advice to see if my testosterone is too high? I'm getting conflicting advice, and I don't know who to listen to. (1:25:37) Related Links/Products Mentioned Ask a question to Mind Pump, live! Email: live@mindpumpmedia.com Visit Caldera Lab for an exclusive offer for Mind Pump listeners! **Code MINDPUMP20 for 20% off your first order of their best products. ** Visit Joovv for an exclusive offer for Mind Pump listeners! ** Code MINDPUMP to get $50 off your first purchase. ** October Special: MAPS GLP-1 50% off! ** Code GLP50 at checkout. ** Mind Pump Store Mind Pump #1927: Performance Training Secrets from a Top NBA Trainer With Cory Schlesinger Emerging role of exosomes in cancer therapy Sit or stand when wiping IG clip Steroids vs Natural: The Muscle Building Effects Of Steroid Use AI “companions” use emotional tricks to extend chats: Harvard study Parents of 16-year-old sue OpenAI, claiming ChatGPT advised on his suicide 12,000 Brits arrested per year over social media posts Get a free Sample Pack of LMNT's most popular drink mix flavors with any purchase! As always, LMNT offers no-questions-asked refunds on all orders. The 8-count LMNT Sample Pack doubles down on our most popular flavors: Citrus Salt, Raspberry Salt, Watermelon Salt, and Orange Salt (2 stick packs of each flavor): Visit DrinkLMNT.com/MindPump HANDGRIP DYNAMOMETER Visit Transcend for this month's exclusive Mind Pump offer! ** Telehealth Provider • Physician Directed GET YOUR PERSONALIZED TREATMENT PLAN!  Hormone Replacement Therapy, Cognitive Function, Sleep & Fatigue, Athletic Performance and MORE! ** Mind Pump Podcast – YouTube Mind Pump Free Resources People Mentioned Brian Kula (@kulasportsperformance) Instagram Cory Schlesinger (@schlesstrength) Instagram Joe DeFranco (@defrancosgym) Instagram  

The Best of Notes on... gathers the funniest, sharpest and most wonderfully random pieces from The Spectator's beloved miscellany column. For more than a decade, these short, sharp essays have uncovered the intrigue in the everyday and the delight in digression. To purchase the book, go to spectator.co.uk/shopOn this special episode of Spectator Out Loud, you can hear from: William Moore on jeans; Laura Freeman on Brits in Paris; Justin Marozzi on boxer shorts; Mark Mason on coming second; Michael Simmons on doner kebabs; Fergus Butler-Gallie on Friday the 13th; Hannah Tomes on rude place names; and, Margaret Mitchell on lobsters.Produced and presented by Patrick Gibbons, with an introduction from William Moore. Hosted on Acast. See acast.com/privacy for more information.

What if homeschooling could feel like discovering Narnia while everyone else is just playing hide and seek? In this inspiring episode of Everyday Educator, Lisa Bailey connects with Janine Bell, Country Coordinator for Classical Conversations in the United Kingdom, for a fascinating conversation about building classical Christian communities across the pond. Janine shares her family's pioneering journey as home educators in a country where most people still think homeschooling is illegal—and how God has used Classical Conversations to transform not just education, but entire family cultures. What You'll Discover: The surprising history of home education in the UK (and why most Brits thought it was against the law!) How Classical Conversations is helping rebuild community and authentic conversation in a culture known for its "stiff upper lip" The story of the UK's first CC graduate and the miraculous provision of classical Christian universities Real barriers facing home educators in Britain—including pending legislation that could restrict parental freedom Why British Christians struggle with the idea that homeschooling might be "hiding their light" (and Janine's powerful response) How God is using "the new dog to teach the old dog" as America shares classical education with its British roots Janine's transparency about her own doubts and discoveries—from making report cards at home to becoming the UK's country coordinator—offers hope to every parent who wonders if they're equipped for this calling. Her passion for seeing families discover the "Narnia" of classical community is absolutely contagious.   This episode of Everyday Educator is sponsored by: Judson College At Judson College, North Carolina's only four-year accredited confessional Christian institution, we equip passionate students with over 25 majors and exceptional faculty to pursue God's calling in ministry, missions, or the workplace. Experience vibrant community through our unique House System while receiving comprehensive scholarships and special SBC church member discounts to make your divine calling affordable. Ready to answer your calling? Apply to Judson College today and step into God's plan for your life. https://judsoncollege.com/distinctives/

The Best of Notes on... gathers the funniest, sharpest and most wonderfully random pieces from The Spectator's beloved miscellany column. For more than a decade, these short, sharp essays have uncovered the intrigue in the everyday and the delight in digression. To purchase the book, go to spectator.co.uk/shopOn this special episode of Spectator Out Loud, you can hear from: William Moore on jeans; Laura Freeman on Brits in Paris; Justin Marozzi on boxer shorts; Mark Mason on coming second; Michael Simmons on doner kebabs; Fergus Butler-Gallie on Friday the 13th; Hannah Tomes on rude place names; and, Margaret Mitchell on lobsters.Produced and presented by Patrick Gibbons, with an introduction from William Moore.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcasts. Contact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.

Tom and Karl are back for the United States Grand Prix, bringing you their unique brand of chaotic commentary from the land where everything's bigger — including the egos, the portion sizes, and the track limits.In true Austin fashion, the weekend had it all: cowboy hats, confused strategy calls, and more deleted laps than Karl has brain cells left after the afterparty. The lads hand out their Driver of the Day awards (expect at least one based on vibes alone) and, of course, crown the Dick of the Day, because someone always deserves to wear the Stetson of shame.It's the usual mix of banter over brains, with more tangents than turns at COTA and enough off-topic chatter to make Crofty short-circuit. Was the race good? Who cares — the podcast definitely isn't.If you want proper F1 insight, go listen to Grid Talk. But if you prefer bad jokes, bad takes, and two Brits doing bad American accents, you're in the right paddock.Catch Tom and Karl pretending to know what they're doing on the Grid Talk Podcast @gridtalkuk across all socials.Check out f1chronicle.com for real journalism, and hit linktr.ee/gridtalkuk for all things Grid Talk.Find The Monkey Seat on Spotify, Apple Music, Pocket Casts, YouTube, Anchor, Castbox, Radio Public, TuneIn, and Breaker — or just scream “YEEHAW!” into a microphone and we'll appear with terrible opinions and even worse accents.

Clay's conversation with Nat and Mikey, schoolteachers from Britain, who are floating down the Missouri and Mississippi Rivers from Three Forks, Montana, all the way to St. Louis and beyond, with hopes of ending in New Orleans around the time of Mardi Gras. They recount their adventures so far. At the time of the interview, they were just north of Pierre, South Dakota, staying for one night in a resort motel on Lake Oahe. What have they learned about America, about Lewis and Clark, about Native Americans, about their relationship, and about themselves? They capsized on day two just north of Three Forks, but have managed to stay upright ever since, and they are confident they will be able to float all the way to the mouth of the Mississippi. This episode was recorded on September 30, 2025.

As Americans make it clear how much they don't want a monarchy with No Kings protests, Brits might be feeling the same as the Andrew scandal rumbles on. Alex von Tunzelmann joins Jacob Jarvis to discuss the latest news from across the world and how it might play out this week.  Head to nakedwines.co.uk/thebunker to get 6 top-rated wines from our sponsor Naked Wines for £39.99, delivery included. We are sponsored by Indeed. Go to Indeed.com/bunker for £100 sponsored credit.  www.patreon.com/bunkercast    Written and presented by Jacob Jarvis with Alex von Tunzelmann. Audio production: Tom Taylor. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. Music by Kenny Dickinson. THE BUNKER is a Podmasters Production.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Don't be shy, send me a message!Thomas Felix Creighton talks about life in the UK, examining local news in a little town in West Yorkshire and a visit to London. Whilst the national media is very London-centric, most Brits only see the capital on occasional visits - Thomas has only visited London once in 2025. So, that 'internal tourist' view is given for 10 minutes, with the majority of remaining 20 minutes focussing on local news: missing cats, a rogue roof tile, a swan on the loose, a surprise chocolate bar, a 100 year old being taken back to work (for a visit), local hooligans, criminals, and the prospects of Golden Arches in town. Plus, our swimming pool drama. This is life as it is truly led, here in the UK.Visit the podcast website: https://albionneverdies.com/Message Thomas anytime on Instagram, @FlemingNeverDies, or e-mail: AlbionNeverDies@gmail.comCheck out Thomas' Youtube channel https://www.youtube.com/britishcultureCheck out the Red Bubble shopSubscribe to the newsletter for update e-mails, random postcards, and stickers: https://youtube.us9.list-manage.com/subscribe?u=b3afdae99897eebbf8ca022c8&id=5165536616Support the show

Humble travels all the way to the London suburbs in a quest to improve his golf game even more / While there, Humble hears to Brits fu$king / The Pig President reaches a new low / We welcome the return of loyal sponsor Gigsky / The Jays force a seventh game / Social media is poison / Dan Duran the anchorman / McDavid shows class Hosted on Acast. See acast.com/privacy for more information.

According to Retaildata.co.uk, us Brits are the second biggest consumers of gum in the world. On average, Brits use between 120 and 130 sticks each every year! Now despite that, many people don't really know what chewing gum is actually made up of. We know that the minty freshness helps with bad breath and that maybe there's some connection to oral hygiene, but that's about it. Oh and of course we've heard that terrible things can happen if you swallow chewing gum. You could get appendicitis, the gum could stay stuck in your stomach for years, blocking your intestines. So, are they old wives' tales or should you really be afraid? What's actually in chewing gum then? Are there any health risks associated with chewing gum? What about if you accidentally swallow a piece of gum then?  To listen to the last episodes, you can click here : Why do doctors advise against chewing gum? Is holding back a sneeze dangerous? Is it dangerous to drink too much water? A podcast written and realised by Joseph Chance. First broadcast: 23/04/2024 Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's episode, we interview narrator Hollis McCarthy, who has narrated over 300 audiobooks, including many of THE GHOSTS and CLOAK MAGES. She is also co-author with her mother Dee Maltby of the MAGIC OF LARLION series, which you can learn more about at https://deemaltbyauthor.com/. This coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store: DRAGONSKULL25 The coupon code is valid through October 27, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT Introduction and Writing Updates (00:00): Hello, everyone. Welcome to Episode 273 of The Pulp Writer Show. My name is Jonathan Moller. Today is October 17th, 2025, and today we have an interview with audiobook narrator Hollis McCarthy. Hollis has narrated many audiobooks, including numerous books from the Ghost and Cloak Mage series, so we'll talk with her about that. Before we get to our main topic, we'll have Coupon of the Week and then a progress update on my current writing projects. This week's coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store, and that coupon code is DRAGONSKULL25. The coupon code is valid through October 27th, 2025. So if you need some new ebooks to read for this fall, we've got you covered. And as always, the coupon code and the links to my store will be available in the show notes. Now for an update on my current writing projects. As of this recording, I am 80% of the way through the first round of edits in Cloak of Worlds, so making good progress and if all goes well, the book should be out before the end of the month. I'm also 14,000 words into Blade of Shadows, which will be my next main project after Cloak of Worlds is published, which means I also have to write the outline for Elven-Assassin soon, and that will be the fifth book in the Rivah series. In audiobook news, recording will be underway next week for Blade of Flames. That will be narrated excellently by Brad Wills. Ghost in Siege is now out. It should be available at of all the audiobook stories (except Spotify) and it should be available there in a few days. And that is the final book in my Ghost Armor series that is excellently narrated by Hollis McCarthy. So that is where I'm at with my current writing and audiobook and publishing projects, which makes for a good segue into our main topic, our interview with Hollis McCarthy, which begins now. 00:03:56 Interview With Hollis McCarthy Hi everyone. I'm here today with Hollis McCarthy, who is a classically trained actor. Hollis has played leads in regional and off-Broadway theater, specializing in Shakespeare. On CBS. she's been a recurring guest star judge on Bull, the president of Ireland on Bluebloods, and a senator on Netflix's House of Cards. She's narrated more than 300 books for a variety of publishers and is the proud co-author of her mom Dee Maltby's epic fantasy series, The Magic of Larlion. Hollis, thanks for coming on the show today. Hollis: My pleasure. Jonathan: So to start, can you tell us a little bit about yourself and how you got into acting and performing? Hollis: That's a great question. I think it all started with doing my little brother's Sesame Street finger puppets. He's 10 years younger than me, so I mean, I got to reread all my favorite books with him and I started voicing the finger puppets to Burt, Ernie and Cookie Monster and all those guys in the backseat of the car and playing all the characters. And then my brother went into theater. My other brother's seven years older than me, and I used to go see his shows up at the college when I was in high school and kind of fell in love with it there. I absolutely meant to be an aeronautical engineer/physicist like my dad, but it didn't end up working out. I fell in love with theater and went to Stratford. I had a dual major because I was in an honors program, so I didn't have to declare a major until my fifth year of undergrad. But then I went to Stratford up in Canada and I saw two Shakespeare shows in one day and that was it. I had to do that. That was what I loved. Jonathan: Well, since we've had many audiobooks together, I'm glad it worked out that way. Hollis: Me too. Yeah, so I got my BFA in acting, and then I got my MFA from the University of Missouri-Kansas City in performance, and I was lucky enough to have some great coaches from the RSC and did a bunch more Shakespeare, and I've done that regionally a lot. And then I fell into audiobooks because I got tired of traveling, and I love to work from my home in my jammies. Jonathan: That is the dream. Speaking of that, could you tell us a bit more about how you sort of got into audiobooks or ended up doing a lot of that? Hollis: Yeah. Well, again, it starts with my childhood. My mom, who was a writer and an artist, she had, there were five of us kids and she would read out loud to us in the kitchen to keep us from fighting when we were cleaning up. So she started with Tolkien and Watership Down and Narnia and all of that. And then I got to, like I said, read to my little brother all my favorite books. And so I started doing all different voices for the characters and I always thought that was normal until, of course I volunteered to read in class in high school and people thought I was some sort of freak, but I always loved playing all the characters. And so when I started looking at staying home more and what could I do to work from home instead of being on the road for work, which was great for a long time, but then at some point you want to stay home and have a life as an actor as well as doing what you love. And audiobooks seemed a good fit. So my husband, who's also an actor, took a class from Paul Rubin here in the city in New York. We live in the New York area now. And he got a bunch of good tips from that that he passed on to me. And then my agent got me an audition with Audible and Mike Charzuk there. I came in and read a couple of pieces for him and he came back to the booth with a book he wanted me to start on. And from there I just kept building and got a lot of great indie authors through ACX like you. I don't know how many books we've done together now. Jonathan: It's over 30, I think. Yeah, 30 over the last seven years. So it's been a while. Hollis: And you're seriously, I mean, I'm not saying this because I'm on your blog, but your series are absolutely my favorites, especially because, yeah, the two series that I do, one is Nadia from the Midwest like me and then the other one with Caina, the epic fantasy world, which uses all my British and Irish bits and I absolutely love them. So yeah, I've just kept building up, getting in with a few more publishers now, which is harder to do and I just love it. Our first booth, when the pandemic hit, we had to build a booth at home and I had been going to studios in the city up until that point, but it hit pretty suddenly. It was obvious on St. Patrick's Day when it was like us going to the studio and people who were absolutely desperate folks were the only other ones on the street. We had to stay home. So my husband took our rapier blade (we fight with swords. We're actor combatants, like you said). He took two broadsword blades and a rapier blade, and he's handy with carpentry, fortunately. That's how he worked his way through school. He bracketed those to the wall and we ordered through Amazon before they kind of shut down too. We ordered packing blankets to hang over them and I ordered a new microphone and a new interface and it was trial and error for a bunch of days. And we had an engineer on call who talked us through how to run the software programs and stuff, how to set them up. And from there I've just kept recording at home. I sometimes still go into the studios when they have a budget where they can spring for a studio, but mostly they want you to work from home these days. So that's mostly what I do. Jonathan: Oh, building a recording booth out of swords. That's very Caina. Hollis: It's very Caina. I love Caina. Caina is me as a young woman. If I had been a superhero, I would've been a Caina. All my favorite roles in Shakespeare were the girl as boy ones. You asked, one of my favorite roles in theater was when I was at Alabama Shakespeare and I was playing Queen Elizabeth in Richard III and dressing in gorgeous gowns and being very seductive and very powerful and manipulative and all that. But in the earlier scenes, we did the three plays and in the Richard III and the Henry VI we did all three. And in the earlier scenes where Elizabeth wasn't in, I got to dress up and doublet and hose and I like stippled some stipple of beard on my face and climbed a siege ladder with a sword in one hand and did a spectacular pratfall running away from the bad guys and would slide on my stomach on the deck of the stage and I would come out into the lobby and the other guys who were playing my fellow fighters would be holding up rating cards for how far I'd slid that day. Jonathan: Sounds like very practical cardio. Hollis: Yeah, very. It was a lot of fun. That was probably my most fun I've ever done, though I also loved Beatrice and Much Ado, which I got to do twice because she's just so funny and witty and passionate. She's great, and Shakespeare, you know. Jonathan: Very good. So after all these audiobooks, what goes into preparing to record an audiobook? Hollis: That's a great question, too. It depends on the book, really. And I'm lucky enough to do a lot of series now, so when you're doing a series, it gets easier as you go along. I remember with the first ones I did for you, the first Caina, it probably took me an hour of prep to get through the first chapter. There were so many made up place names that I needed to figure out how to say, and then you have to be consistent. Even if they're made up, you still have to be consistent. So I really used my theater training there because I learned the international phonetic alphabet when I was in school, and so I can write down phonetic pronunciations and for each book, I'm old school with my prep, I'll keep a legal pad and I'll write down phonetic pronunciations, the word, page number, and the phonetic pronunciation for each word, so I have a record. You don't retain them from book to book. Pronunciations is a big part of what you do. Also, character voices, because again, you want to be true to the author's intent and you want to stay consistent. Again, for Caina, it became very complicated because you had to have Caina's basic voice, which is this [speaks in Caina's voice]. She started out a bit higher because she was younger. And then as she aged, she's gotten more medium pitch-wise, but then she was in disguise as various people. She was disguised as a cockney guy for a while, and she was an Irish guy for a while. And so for each of those personas, you have to notate for yourself in the script. Oh, now she has this accent. Now she has this one. And really for each chunk of dialogue, every time a character speaks, I'll put the initial of their name and if there are a lot of characters in the scene, I will have to differentiate between them pretty frequently. If it's two characters and I know them both very well, then I kind of have the shorthand in my head. So the different character voices I also put on my legal pad so I have a record, so Calvia sounds like this [speaks a line in the character's voice]. And sometimes I'll write down physical aspects of them so that I can just kind of feel the character. And after I do them for a while, the feel of the character will give me the voice and you write down everything that the author says about the character too. I'll just notate for myself that will oftentimes give you the voice. If it's a good author, which thank God you are, you write in different voices, which makes my job easier. Jonathan: The joke I sometimes say is I didn't do audiobooks for the first seven years I was publishing, and people would ask me, how do you pronounce this? I say, I don't care, pronounce it however you want. And then suddenly we started doing audiobooks and suddenly no, it matters very much how it's pronounced. Hollis: Yeah, exactly. It's funny, I'm just looking at my tablet. I have your Shield of Power up on my tablet. I've been reading that on the treadmill and at lunch. But yeah, we have to keep tabs. And when we have so many books now, I've started special folders just for the Ghost series and the Cloak series because a lot of times a character will show up from several books previous and I go, I remember them, but I don't remember what they sounded like. So I will have notated forward alto, slightly Irish or something like that for them. I have shorthand for all of it, and so I'll do that. Jonathan: Yeah, I spent a lot of time with Control + F searching through Word documents, trying to remember the first time I wrote this character and what they looked like. Hollis: Yeah, I bet you do. Some writers I guess do, well, if they don't do it all themselves. And if they have somebody who's like an administrative assistant, they have somebody who gives you, I've gotten these from authors before. Their assistant will send me a story log of characters with everything that's said about the character. I'm like, oh, well, that's very organized and helpful, but I would think it would be massively time consuming. Jonathan: It is. I did hire someone to help me with that this year. It was getting to be too much to go back and search through things and it is a very time consuming project, but once it's done, it's very helpful because it's quite easy to find things and look things up and refresh your memory. Hollis: I bet so. When I was working on my mom's books, we hired an editor and she did a spreadsheet, a database kind of different terms and characters and what was said about them. And I go back to that and amend it all the time now that I'm trying to write book eight. Jonathan: Yeah, that kind of thing is very helpful. But on a related topic of preparation, since you've done audiobooks, stage, and TV, how would say narrating audiobooks is different from the experience of doing theater or TV? Hollis: The major thing and the hardest thing for me when I was starting out was you can't move around all the time. I had an engineer at Audible. It was just, and a lot of times the chair is very important because if you move, what you're bound to do, if you're producing your voice correctly, you need to sit up and you need to use your hands to express yourself, and you have to have an absolutely silent chair. And the chairs at Audible at that time, were not absolutely silent. So every time I moved, the chair would squeak and we'd have to stop and start again. So that was very, very hard for me. In fact, I've been doing so much audiobooks now, and I also do TV and film, but that's gone to all for auditioning for that. It's all self tape, which means it's just like head and shoulders, so still you're just kind of using a little part of your body. And I had a theater callback for Pygmalion in the city the other day, in person, in a studio, in a rehearsal room. The day before, I used to do those all the time, and that's so rare now for them to do in-person auditions since the pandemic. But I put on my character shoes and my skirt and I practice just being bigger, opening my body up and doing all this stuff I learned to do in school and that you do when you're on stage to own the space because the space is the back wall of the theater. And that's a big difference between theater, film, TV, and audiobooks is the scope of it. When I did Beatrice, I was in an 1,100 seat unamplified stone amphitheater outdoors in Colorado. So you can imagine the scope physically and vocally is so big. And then for TV, film and you have to what they say, reach the back wall of whatever space you're in. Well, for film and TV, the back wall is the camera. It's right in front of your face a lot of the times. And the back wall is really kind of the inside of your head. It's almost like you have to have internal gaze so that the thoughts are just happening. You don't have to project them, you don't have to project your voice because all the equipment comes right to you, and all you have to do is feel the feelings and think the thoughts and the camera and microphone picked that up. Similarly with audiobooks, I'm just in a little tiny padded booth. My microphone is just a few inches from my face, and so I could be very, very intimate and everything gets picked up, and you have to do a lot less work for the emotion to come through. Again, really all you have to do is kind of feel the emotion. And for me, that's always for me is being in the moment and feeling the moment and letting that dictate the pace and the vocals and everything. I guess I'm pretty Method. I'm very Method, but that's how I trained. It's what works for me. Not every narrator is like that. There's a million different proper ways to narrate, and that's just my take on it. But everything is right there. So it's just kind of keeping it much smaller and more intimate. And in fact, when you want to be big like [character name's said in the character's] voice and he was yelling a lot, and I would have to pull back from the microphone to let his scope come out. Jonathan: Well, after 30 audiobooks together, I can say that method definitely works. Related to that, as we mentioned earlier, you're now at over 300 titles on Audible over the last 12 years. Congratulations for that. What would you say is most surprising or unexpected things about audiobooks you learned during that time? Hollis: Oh, well, it was very surprising that we could make a booth out of sword blades and blankets. That surprised me. Yeah, that's a great question. It's surprising to me how simple I can be. I went back and I had an author recently who wanted me to do a new chapter to begin and end a book that I had done like 2014, something like that, shortly after I started. And I thought at the time that I was really filling these voices and what I did was fine. You're always your own worst critic. But what I've discovered now is the more you do it, the more you record, the more you use your instrument every single day for 300 some books, the more effortless it becomes and the more depth you can bring to it. And as a young actor, we always resist that. My acting coach used to say, age and experience. There's no substitute for it. I'm like, yeah, yeah, but talent and hard work, that's something. But it's really true that just the repetition, there's no substitute for it. Those chapters that I did, they were the same voices basically. But when I went back and listened to the original, I was like, oh, it surprised me how without really changing anything mechanically, the work has just gotten deeper, more effortless, but it sounds better at the same time. Does that make sense? Jonathan: It does. Because you've probably noticed I've redesigned the covers for the Caina series like seven times over the last 10 years. And every time you think this is it, this is it. I'm done. This is good. And then with more practice, you look back and think, well, maybe I can improve this again, though. I suppose that's not often something that happens in the audiobook world where you get to go back and revisit something you did previously. Hollis: That is one of the hardest and most surprising things about audiobooks. And I've heard people say that this happens to every young narrator when they're starting out, you get through the first two chapters of a new book and you go, oh God, now I get it. I want to go back and start again. Well, there's no do overs with audiobooks. With audiobooks, “done is good” is what they always tell you when you're starting out. So even in film and TV, which you don't get much rehearsal for, you get a couple of run run-throughs, but with audiobooks, you got your prep. Not everyone does, but I always read the whole book before I start if possible, because otherwise you get surprises. But you get your one read through, your prep, and then you go and yes, you can stop. You can punch and roll, edit over. If you make a mistake, you go back half a line, you start again there. But there's no evolution of the work, which is what's great about series too, I think, because with the series you get, yeah, Caina was here last time I did her and now she's going through something new. And then the character grows and it becomes less and less effortful, but it also becomes like someone you really know so that it gets so much deeper and it's so much more fun to play with. Jonathan: That makes sense. 12 years really is a long time to have done audio narration or anything. So what do you think is the key to sticking it out for audiobooks for the long term? Hollis: Well, a lot of things make a difference. I didn't do it before this interview, which is why my voice is kind of rocky, but I always warm up in the morning when I'm setting up a session. I always do a vocal warmup. You got to get a good night's sleep, you have to drink water every couple of pages. I have a tea that I drink that keeps my stomach quiet because stomach gurgles is another bad thing about audiobooks. You have to eat very carefully and drink tea to keep your stomach quiet. You don't want to have to stop every time for that. And a lot of training, a lot of vocal training. I had Linklater training and the Lavan training, and Linklater to me is the most useful. And a lot of the stuff that applies to Shakespeare applies to audiobooks too. You warm up, you get yourself breathing, you warm up your resonators, your sinus, your mask resonators, the back of your head, your chest resonators. For the men [imitates male voice], you really have to have your chest warmed up, get the vibrations going here. And so I get all that kind of going before I sit down in the booth. And that also keeps you, then you keep your throat open so you're not hurting yourself. You have to have good posture so that the air can move from your diaphragm up to your throat and have it be open. And then optimally, like with Caina, Caina has a lot of mask resonance. Brits do; they are very far forward. So you really have to have all that warmed up and then that has to have no impediments between the front of your face all the way down to your diaphragm where the breath originates. And if you can do all that, then you could be an audiobook narrator. Also diction. I warm up my diction to everything from [imitates several vocal exercises] in just to get your mouth moving. You don't want lazy mouth with, there's a lot of enunciation in audiobooks that's important. But I also don't like, I really hate when you hear people enunciating. I don't like that. And with Caina, even though she's upper class, she's not like that. She's not pretentious. And certainly Nadia, you want to be able to understand what she says, but you don't want her to be enunciating. That be weird. So all of all that stuff I worked on in grad school and did all the Shakespeare plays, I would always get to the theater an hour early. You have to be there half hour for makeup and check in, but I would always get there an hour early and do at least 15 to 20 minutes of physical and vocal warmups. And so those habits have really helped me. I think I have pipes of iron, fortunately. I'm very lucky. So all that stuff really matters with audiobooks. Jonathan: It's amazing in how many different fields of life the answer seems to boil down to do the things you're supposed to over and over again forever. Hollis: Exactly. That's really true. When are we going to get old enough that we don't have to do that anymore? [laughs] Jonathan: Just one side question. What is Linklater training? I don't think I've heard that term before. Hollis: Oh, Kristen Linklater is, she's probably the biggest American vocal coach. She has a lot of books out there about voice and the actor and all of her training stems from allowing the breathing to drop in as she calls it, not forcing it to drop into the diaphragm, and then creating a pool of vocal vibrations that go from the diaphragm through an open throat to the resonators. And you can use every resonator in your body to project that sound. When I was doing Beatrice and Gertrude at Colorado Shakes in that unamplified stone amphitheater in the foothills of the Rockies, there was winds that would come down out of the mountains when we were on stage, and that theater was known for eating women's voices. And I had to thank God the vocal coach that summer was a Linklater coach, which is the method that I trained in, and he helped me work with even resonators. If you can imagine in your back, just using the whole chest box and shaking the vibrations through your body so that basically you're making your whole human skeleton an amplifier for the vocal energy coming from your breath. And that's Linklater. She's fascinating. If you ever want to study voice, you can't do better than Linklater, to my mind. Cicely Berry is another one I studied. She's the British guru for the RSC and the Royal Shakespeare Company and all those people, and she's great too. Jonathan: Well, that's just exciting. I learned something new today. Hollis: That's always good. Always learning from your books too about Medieval combat. Jonathan: We always want to learn something new every day, whether we like it or not. Hollis: Right. Jonathan: So to turn it around a little bit, what advice would you give a new indie author who is working with a narrator for the first time? Hollis: Oh yeah, I actually, I made some notes. I thought that was such a good question. Make sure that your narrator knows what you expect from them upfront. If you go through ACX, they have this great thing called the first 15 where your narrator is, if you're new to this author, you record the first 15 minutes of the book and you put that on ACX for your author to listen to and approve. You don't have to approve it if you don't like it. And in fact, if you don't like it, it's very important you don't approve it and you tell your narrator specifics about what you need them to change before they go on with the book. Because what you can't really do is once a book is recorded, say, oh, I really don't like it. I'm not going to pay you for it. I need you to go back and do it again. That's not acceptable and it will make narrators never want to work with you. But what's great about the first 15 is you have that chance to say, well, this voice was, she was a little higher than I wanted. I hear her in my head more as an alto because for me as a narrator, what I want to do is I want to take what you, Jonathan, hear your characters being as you're writing them in your head. I want to take that and translate that into an audiobook for you. So the more you give your narrators information about your characters, the better they're going to voice it. Also, if there's a style in your head, like with Nadia books, there's a little touch of noir there. It was a dark and stormy night kind of feel. If there's a style you kind of hear in your head, that would be a good thing to give them. But ACX has also, I think a character sheet where you can tell them about the different characters. You can fill that out for your narrator. That's tremendously helpful, age of the character, if you hear a vocal pitch range, soprano, alto, tenor, bass, any dialects, they need to know that. The narrator's nightmare is you finish up a book and you shouldn't do this, you should read ahead, but you get to the last line: “I love you, darling,” he said in his beautiful French accent. Jonathan: It explicitly shows up there for the first time. Hollis: Exactly. And then for the narrator, it's like, oh my God, I have to go back and rerecord everything this guy said, which is hours and hours and hours of work for you and your editor who will kill you. But yeah, let them know about all the character traits that you can and just, I think it's on the narrator too, to, I've been lucky with my authors, we always have a good give and take. I come from a theater background and you want to collaborate. You want to realize the author's vision and you want to be a partner in creating that. So try to be partners and give them more information than you think they need and use that first 15. It is totally acceptable to send it back and say, I'm going to need you to do this again, and I'm going to need these changes. And then once you get that ironed out, then you'll probably be ready to go ahead and have a book. And when you get the book, you won't be shocked and you'll be happy (hopefully) with the read. Is that helpful? Jonathan: It does. New authors, if you're listening to this, listen to that advice. Hollis: Yeah. Jonathan: Now for a slightly different topic, can you tell us about the Magic of Larlion books and how you ended up publishing that series? Hollis: Yeah. The Magic of Larlion is an epic fantasy adventures series seven, almost eight volumes. I'm working on finishing book eight now. The first book, Wizard Stone, my brilliant mother Dee Maltby started years and years ago, probably, gosh, maybe 20 years ago now, I think when my little brother moved out from home and she had an empty nest and she had more time to write, and she wrote Wizard Stone, and she sent it out a few places, and that was the only way you could get published back when she wrote it and didn't pursue it, she got discouraged, I think, by rejections from publishers, sat in her drawer for a while, and my sister-in-law, Dana Benningfield, who's also an actor, and she was my best friend even before she married my brother. I introduced them. So yeah, that was all me. She was an editor professionally for a while, and when she moved to Ohio where I'm from and was living with my brother and my parents lived right across the orchard, I told her about this book. And she wasn't editing at the time, she was kind of done with it, but she asked mom if she could read it. So she read it and edited it, and then it became a much better book and really encouraged my mom to keep writing, which I had been telling her to do for years. But hearing somebody who wasn't family, somehow giving her that input that it was really something special, changed her perspective. So she kept writing and she and I started, I was on the road doing Shakespeare a lot. We started trading chapters. She'd send me a chapter a week and I would edit it and send it back. And so Wizard Stone evolved from there into its current form, and then she started the next book, Wizard Wind and Wizard Storm. And we went that way through five and a half books. And my dad finally, when he retired from being a physicist, said he was going to, I always told you I'd get your published Dee, I'm going to take it down to the print shop and get a hundred copies made. And by this time I was working with you and a bunch of other great indie authors who were letting thousands of happy readers read their books through an independent platform. And I said, well, wait a minute. I could do better than that. So I convinced them to hire an editor that I had worked with, and I did the rewrites and got it through the pre-production process and hired a cover artist, very talented artist. And you and Meara Platt, another of my authors, gave me so much information and help. And we got it published in 2022, I believe. We had three ready to go. And we published those all within a month of each other. One a month for three months, and then four and five, and then six came. And I co-authored five, six, and seven because my mother was losing her sight and her hearing at that point. We got those done. We had six out and a lot of people reading them and loving them and reviewing them before my mom passed. And I think it's probably one of the most satisfying things I've done in my life, because not only do I love the books, and they're just a rip roaring, fantastic adventure-filled epic trip through this incredible world my mom invented. But when she was about to, one of the last things she said to me was, I told her how many people had read her books. I just went through the Kindle numbers and thousands of people in different countries and all over the world were reading and loving her books. And I told her that, and she said, that's all that matters. And she felt such a sense of pride in herself and accomplishment because they were being received for what they are, which is a brilliant creative flight of fancy, this magical world in the tradition of all the books she loved, always Tolkien. And so I promised her I'd finish it. So after she died, I published six and seven and I've got eight about 90% written now, and I'm hoping to bring that out by the end of the year, although I've been too darn busy with narration to really spend the time. I've got the big climactic Jonathan Moeller type battle at the end sketched in my head and on an outline, but I got to write that. And then we can get that out there and finish that too. Jonathan: Will you stop with eight or keep going after eight? Hollis: My feeling is that this series will culminate with book eight. It's been a long saga of Beneban, this young wizard who kind of gets flung off a mountain by his evil wizard master and has to master his fledgling wizardry powers and his magical sword to win his love Laraynia, a powerful sorceress, and save the kingdom. And that's book one. And there's ice dragons, and then they have kids, and then the later books have become much more about their kids. And the more I write, the more it's become about young women fighting with swords. Jonathan: Well, they say write what you know. Hollis: Defeating the bad guys. Plucky young women, overachieving, competing with men. And so I think that's all going to come to a head with book eight, and that will be the end of that series. But I do think I'm going to spin it off into possibly more on the younger characters. I don't know if it's going to be YA per se, I think it'll still be for adults, but more of a YA feel to it, the younger characters of the ice dragon riding school of battle and the wizarding school. I don't know if I want to make it schools necessarily, it might limit you too much. And that's kind of been done too. But I do think the ice dragons are going to figure largely in it. Oh, and I don't know, there's a plot point I probably shouldn't give away, but my mother's full name was Willa Dee Maltby. She writes under Dee Maltby and there is a character, a very magical character named Willa that shows up in this book eight. So I think Willa will be a big character going forward and the younger generation of women and some boys too. I like boys, I do. Jonathan: Well, I suppose if people want to know more, they will have to read and find out. Hollis: Yes. And please go to the website is deemaltbyauthor.com and everything you want to know (well, maybe not everything), but everything you can know for now is there. Jonathan: Well, I was going to ask you what you would say was the most rewarding things about publishing the books, but I think you covered that pretty well. On the flip side, what was the biggest unexpected challenge in publishing them? Hollis: The PR is hard. You seem to be great at it. I even did PR professionally to work my way through undergrad and then in between grad school and undergrad and after I graduated and I had an assistantship in it at my university. But the book world specifically is a whole different kind of PR and learning Amazon ads and Facebook ads and it's a lot. It's a lot. And again, you have been so helpful with it. And I mean, there are a lot of online resources out there too, which is great. But what I'm really finding, trying to do it part-time is overwhelming. You really need a full-time block of time to not only write the books, but then to publicize them the way they deserve to be publicized. Jonathan: Yeah, the tricky part is, as you said, book advertising is very different from anything else. I was talking with a guy who is an Amazon reseller for various toiletries and hygiene products and makes a good living doing that. I was telling him how much I pay per click on Amazon ads. He's just appalled. It's like, you can't make any money doing that. And then the flip side of that too is that Internet marketing is so different than any other form of PR, so it's just sort of constant challenge there. Hollis: I know, and I know I actually signed up for a TikTok account and I just don't, again at the time. Plus every time I turn it on, I'm like, I don't want to watch that. I'm allergic to the format. You'd think being an actor, being used to being on camera, I could come up easily with little things to do for the books and I probably could for TikTok. But again, just learning the platform and then applying yourself to it is just such a big time hack that I don't have that amount of time. I know that narrators are now more and more marketing themselves by recording themselves on camera narrating and putting that out there, which I can do, I guess. And that's why I got this ring light and everything. I can do that now. I haven't done anything with it, but I guess if some of the book work dries up, I'll be more motivated to do it. Jonathan: Well, that's how anything works. You try it and if you enjoy it and it works, keep doing it. And if you don't enjoy it and it doesn't work, no point in carrying on with it. Hollis: I think that's true. And you just have to keep learning too, as we know with everything. You got to keep learning new things. Jonathan: Well, this has been a very enjoyable interview and thank you for coming on the show. Hollis: My pleasure. Jonathan: Let's close out with one last question. You've obviously done a lot of theater, so what, out of all the productions you've done was the one you would say was your favorite or that you enjoyed the most? Hollis: I think I have to go back to Beatrice probably. I mean, the Alabama Shakes getting to play a man thing, that was a lot of fun. But Beatrice, we did a Wild West Much Ado about Nothing at Colorado Shakespeare. The premise was that I was the niece of Leonardo, who is the tavern keeper, the bar keeper in this Wild West world. And there was a bar fight opening this Wild West production, and I entered through a swinging tavern door with a six shooter in one hand and a bull whip in the other. And I shot the pistol and cracked the bull whip and broke up the fight and then got to do Shakespeare's incredible Beatrice and Benedict story from there. It was so much fun. Jonathan: It almost seems like the soundtrack could have been “I Shot the Sheriff.” Hollis: Yeah. Yeah, it really could. It was a heck of a lot of fun. Jonathan: Well, speaking of fun, it was good talking with you, and thank you for taking the time to be on the show. Hollis: Yeah, I am excited to start the next Cloak book soon. So I was going to offer to do a little snatch of you want the introduction for Cloak here? Jonathan: Oh, I think we'll save it for the Real Thing. Hollis: Oh, okay. All right. Well thank you, Jonathan. It's been a pleasure. Jonathan: It's been a pleasure. And see you soon for Cloak Mage #10. Hollis: Alright. So that was our interview with Hollis McCarthy. Thank you for coming on the show and giving us a very informative and entertaining interview. A reminder that the website with the Magic of Larlion books is deemaltbyauthor.com. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.

Join us, Bex, Alex (two Brits), and Jenn (an American)—three Call The Midwife super fans—as we rewatch our favourite show and discuss each episode in order. Why not join us? Watch an episode, and then listen to us! This week, we are recapping series 12, episode 3 - 1968!Sister Veronica is shaken when a mother reveals a terrible truth about her marriage. Shelagh cares for a baby with a life-threatening condition, and Nancy harbours a secret.Please follow us on Instagram @recallthemidwifepodcast, on Facebook @Recallthemidwifepodcast, on Twitter/X @RECallthemidPod, Threads @recallthemidwifepodcast, BlueSky @recallthemidwife.bsky.social, subscribe to our YouTube channel https://www.youtube.com/@recallthemidwife or e-mail us at Recallthemidwife@gmail.com with any questions, suggestions, ideas or feedback! Hosted on Acast. See acast.com/privacy for more information.

GET HEIRLOOM SEEDS & NON GMO SURVIVAL FOOD HERE: https://heavensharvest.com/ USE Code WAM to save 5% plus free shipping! BUY GOLD HERE: https://firstnationalbullion.com/schedule-consult/ Avoid CBDCs! GET YOUR WAV WATCH HERE: https://buy.wavwatch.com/WAM Use Code WAM to save $100 and purchase amazing healing frequency technology! Get Your SUPER-SUPPLIMENTS HERE: https://vni.life/wam Use Code WAM15 & Save 15%! Life changing formulas you can't find anywhere else! HELP SUPPORT US AS WE DOCUMENT HISTORY HERE: https://gogetfunding.com/help-keep-wam-alive/# Josh Sigurdson reports on the massive protests in London today as Brits say no to the technocratic digital IDs mandated by puppet Keir Starmer under the guise of "stopping mass migration." Leading the march was David Icke whom the media completely "forgot" to mentioned in their articles on the event. Jaymie Icke and Gareth Icke were in attendance as well as millions of people feel the technocratic grip on their throat in this rapidly growing digital age. While Keir Starmer claims you won't be able to work without a digital ID, more mandates are coming as the parliament looks at new digital IDs for children to use the internet. Florida is attempting a similar biometric internet ID for children as well. An obvious Trojan horse for mass surveillance. Canada has a similar law being pushed forward where the government plans to restrict internet access to people who criticize the government, at least that is what the bill appears to say. They aren't very specific. 86 million bank accounts were recently closed in Vietnam due to people rejecting the biometric ID system. Mexico is launching a bioCURP digital ID system mandated by January. The United States has RealID and the GENIUS Act which will force people into the digital gulag. Australia, Ukraine and the EU are rolling out massive digital ID wallets. The EU launches their Digital Euro CBDC this month. The clock is striking midnight as we speak and most are still sitting on their hands. The mainstream media promotes technocracy from one angle. Then, the mainstream alternative media promotes the technocracy from the other angle, mainly via Trump, Musk, Theil and others. Are you prepared for what comes next? How much more will it take? Stay tuned for more from WAM! Get local, healthy, pasture raised meat delivered to your door here: https://wildpastures.com/promos/save-20-for-life/bonus15?oid=6&affid=321 USE THE LINK & get 20% off for life and $15 off your first box! DITCH YOUR DOCTOR! https://www.livelongerformula.com/wam Get a natural health practitioner and work with Christian Yordanov! Mention WAM and get a FREE masterclass! You will ALSO get a FREE metabolic function assessment! GET YOUR APRICOT SEEDS at the life-saving Richardson Nutritional Center HERE: https://rncstore.com/r?id=bg8qc1 Use code JOSH to save money! SIGN UP FOR HOMESTEADING COURSES NOW: https://freedomfarmers.com/link/17150/ Get Prepared & Start The Move Towards Real Independence With Curtis Stone's Courses! GET YOUR FREEDOM KELLY KETTLE KIT HERE: https://patriotprepared.com/shop/freedom-kettle/ Use Code WAM and enjoy many solutions for the outdoors in the face of the impending reset! PayPal: ancientwonderstelevision@gmail.com FIND OUR CoinTree page here: https://cointr.ee/joshsigurdson PURCHASE MERECHANDISE HERE: https://world-alternative-media.creator-spring.com/ JOIN US on SubscribeStar here: https://www.subscribestar.com/world-alternative-media For subscriber only content! Pledge here! Just a dollar a month can help us alive! https://www.patreon.com/user?u=2652072&ty=h&u=2652072 BITCOIN ADDRESS: 18d1WEnYYhBRgZVbeyLr6UfiJhrQygcgNU World Alternative Media 2025

How do you stop a car that doesn't want to stop? If you see a rabbit should you chase the rabbit?   We talk about safety and statistics, what factors to weigh the risk versus reward, how policies play into decision making, what the Brits mean when they say “Red Mist,” and alternatives to vehicle pursuits including the role of Air Support, PIT, The Grappler, road spikes, surveillance, and intelligence gathering.   Find us on social media (Facebook/Twitter/Instagram/YouTube) @TacTangents. You can join the conversation in our Facebook Discussion Group. Find all of our episodes, articles, some reading list ideas, and more on our website www.tacticaltangents.com Like what we're doing? Head over to Patreon and give us a buck for each new episode. You can also make a one-time contribution at GoFundMe. Intro music credit Bensound.com  

This week, political columnist Ben Ansell joins Prospect's Alona and Imaan to discuss the rise of ethnonationalism in British politics, and the popularisation of the term “white British”. Ben explains the origin and implications of a term that has gone politically “viral”.He also discusses how a national conversation about asylum policy has “metastasised” into criticism of legal migrants—and now a suspicion that white British citizens are losing out to non-white Brits. Was this an inevitable consequence of an existing trend in the Conservative party, or not? How should the Labour government respond? And where does this end?Plus, Imaan and Alona talk sibling rivalries and whether AI book summaries are a “banger” or a “dud”.To read Ben's column “Who's ‘white British'? Who cares?”, click here: https://www.prospectmagazine.co.uk/politics/71217/whos-white-british-who-cares Hosted on Acast. See acast.com/privacy for more information.

The team discuss how one in five Brits see their AI companions as ‘friends', the takeaways from the world porridge making championships and Emerald's Trump-themed ‘Metal Matrix' game…   Later, they chat about why Stephen King's marriage was on the rocks, top tips from the World Wine-Tasting Championship and a tarot card reading cat going viral online… If you enjoy the podcast, please give us a 5-star rating on Apple Podcasts or Spotify and make sure you subscribe there so you don't miss an episode! For updates on the show, make sure you're following Have I Got News for You on Instagram, TikTok and X (formerly known as twitter) and get in touch with us there using #HIGNFYpod or emailing podcasts@hattrick.com.  Your hosts are Jack Harris Emerald Paston  And Diggory Waite filling in for Queenie Miller and Mike Rayment who, don't worry, will be back soon!  The Producer is Diggory Waite The Executive Producer is Claire Broughton The Music is by Big George In the News This Week is a Hat Trick Podcast

That Broncos vs Jets game was so incredibly bad and boring. It set the game of football back decades. Maybe they were trying to win over the Brits by only kicking the football. I digress...we asked Adam Schefter if he was able to stomach the whole thing, then got Schefty's thoughts on the NFL weekend that was.

0:00 - That Broncos vs Jets game was so incredibly bad and boring. It set the game of football back decades. Maybe they were trying to win over the Brits by only kicking the football. I digress...we asked Adam Schefter if he was able to stomach the whole thing, then got Schefty's thoughts on the NFL weekend that was.18:14 - The Chargers and Chiefs both won yesterday. The AFC West is looking like the AFC wild wild West. Broncos NEED to consistently move the ball on offense to keep pace. And their offense runs incredibly hot and cold. Yesterday proved one thing to us: they really miss Ben Powers and need to figure out how to stay afloat while he's out.34:11 - It's only preseason, but the Revamped Nuggets are looking sharp out there. Thank goodness we successfully secured Valanciunas and didn't let him go to Greece. Also, the Avs lost to the Stars again on Saturday. The curse lives on. The Avs power play is still not where it needs to be. Fans in Ball Arena booed their own squad, and Nathan MacKinnon wasn't having it.

Join us, Bex, Alex (two Brits), and Jenn (an American)—three Call The Midwife super fans—as we rewatch our favourite show and discuss each episode in order. Why not join us? Watch an episode, and then listen to us! This week, we are recapping series 12, episode 2 - 1968!It is May 1968, and the Nonnatus team faces challenging cases, one of which is much closer to home, as Lucille struggles with her own health. At a coffee morning for expectant mothers, Sister Julienne meets heavily pregnant Lilian Reynolds, who is expecting her first child. However, after Lilian experiences some breast discomfort, she receives a devastating diagnosis.Please follow us on Instagram @recallthemidwifepodcast, on Facebook @Recallthemidwifepodcast, on Twitter/X @RECallthemidPod, Threads @recallthemidwifepodcast, BlueSky @recallthemidwife.bsky.social, subscribe to our YouTube channel https://www.youtube.com/@recallthemidwife or e-mail us at Recallthemidwife@gmail.com with any questions, suggestions, ideas or feedback! Hosted on Acast. See acast.com/privacy for more information.

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https://www.jasonnewland.com/

Today's conversation is with David Belle, investor, writer and founder of Fink Money. David's mission is simple, as he puts it: “I only care about getting Brits to invest more in shares.”This episode covers the state of the UK economy, broken policies, culture shifts, and the unintended consequences of political decision-making. We also explore why David has decided to join the UK exodus and move to Portugal.Expect to learn:Why UK pension funds have pulled £372 billion out of domestic equities since 2006.How Australia's super funds have outperformed by allocating 45% to their own stock market.The scale of the UK's legal migration wave since 2020 The dangers of GDP manipulation and the “Boriswave” era of 4.5m arrivals in 4 years.Why the UK Government is ignoring 2nd and 3rd order consequences of its policiesIf the UK could really be heading for an IMF bailout.Whether Liz Truss's plan was actually a feasible way out of the mess.Why David is moving to Portugal – and why many other Brits are following.The story of how fraud rocked his previous business Macrodesiac, the impact on his mental health, and how he rebuilt.Today's episode is optimised by Puresport. You can save 10% using code CAMBRO10 - https://puresport.co/CAMBRO10Get my Sales Support - https://colcambro.kit.com/d0dceeb5ffConnect with David:Tiktok - https://www.tiktok.com/@fink.tok YouTube - https://www.youtube.com/@DavidBelleFink X - https://x.com/db_fink LinkedIn - https://www.linkedin.com/in/david-belle-3089b966/Connect with Col:Instagram: https://www.instagram.com/col.cambro/Email List: https://colcambro.kit.com/30bde23b0cPatreon: https://www.patreon.com/ColCampbell

London-based photographer and writer Michael Collins talks about: The flat where he's lived for 35 years, which is getting ‘Wallace & Gromit' crowded; how he keeps film in his deep freeze (aka freezer) as opposed to anything edible, and how he's happy to shop for the day, while he points out that Brits see American refrigerators and are overwhelmed by how large they are; and by the way, we're also bludgeoned by advertising here, compared with the UK and Europe; how he sees our social media consumption as giving in to the impulsive at the expense of the rational, a battle he gives in to daily for a half hour on IG…and how sometimes, you just want to look at a panda falling out of a tree; why readers (of books) make better viewers of artworks; how when his photographs are printed at full scale (4 x 5 feet) you can walk into them and how part of photography's schtick is that it's nosy, that it admits everything in it; his takeaways from giving a presentation at the Hampstead Photographic Society, in which have the members bolted for the door at the break; the importance of 19th century photography to understanding the history of photography, and how it's not shown enough in museums (at least in London); how he started studying politics, but switched over to art, initially stumbling into photography as an editor at a teenage girl's magazine, then moving to The Observer, and then he became picture editor at the Daily Telegraph, where he realized, amidst a more rushed editorial structure that went with predictable stock photographers, that the most interesting photography was not there to fulfill another's agenda, but in pursuit of independence, to fulfill its own agenda.  This podcast relies on listener support; please consider becoming a Patreon supporter of the podcast, for as little as $1/month, here: https://www.patreon.com/theconversationpod In the 2nd half of our conversation (available on Patreon), Michael talks about: The challenges of evolving and following your own path at the expense of taking the more marketable route, which means maintaining your integrity, and how his photographs, and his writing are both better than ever; the complex and fulfilling experience he had visiting and re-visiting a Jeff Wall museum exhibition; how the photographer Martin Parr dominates the scene in Britain, and how all his pictures look roughly the same, and yet he's kind of this hero in the country, through the ‘steamroll of publicity,' and how there's far more depth, wealth and nuance out there than we're being allowed…; his first art review (for The Daily Telegraph), of Andreas Gursky's exhibition at Tate Liverpool, which uncovered a surprising digital edit, one he was turned on to by one of the museum custodians, and when he wrote the review that included his misgivings about the work, the Tate press office told him he was being cruel (to which he replied, “that's not being cruel, that's being honest”), and how another artist's agent threatened to sue for a negative review; our respective takes on art writing and criticism, in terms of what he appreciates vs. can't tolerate, and what I appreciate and can't tolerate; more about the world of magazine editing, which he describes as being a lifetime ago…; and finally, to wind down our conversation, we talk about his book, Blind Corners, which features several essays exploring across the spectrum of photography and photography's history; in particular we review a passage where he compares Americana via Kodachrome and Hollywood light with the dull, austere light of Britain, and he goes on to call out Dubai as the culmination of late capitalism.

In CI News this week: Over 1,000 church leaders across Britain urge Westminster to ditch plans for a “full, trans-inclusive ban on conversion practices” that could impact everyday church activities, TikTok comes under fire for pushing thirteen-year-olds towards pornographic content, and tens of thousands of Christians have taken to the streets in Belfast and Dublin to march for Jesus. You can download the video via this link. Featured stories Church leaders unite against proposed ‘conversion practices' law Scot Govt ‘ignoring concerns' as majority oppose ‘conversion practices' ban TikTok blasted for suggesting hardcore porn to 13-year-olds Nearly half of Brits admit to gambling Over 30,000 March for Jesus in Belfast and Dublin: ‘A celebration for Jesus in full public view'

It's time once again for your favorite game—The One-Year Garage! This time we're back for one of the best automotive years imaginable: 1965, by special request of Sue Counselman from Vintage Underground. In addition to the crew's picks for their preferred sports car, family hauler, truck/4x4, daily driver, and wild card, we have Randy's hot take on the second-series GTO; a flippy-floppy driving video in Hawaii; Alex's ideal Eichler-dwelling 1965 self; what constitutes too many windshields; deep pulls from the Brits and Germans; a sobering trivia tidbit from Le Mans; Alfa Romeo naming conventions; Kardex friction, and (of course)...more!Links for things mentioned in this episode:4:04  Ferrari 250 GTO drive review. Does it still deserve its almost mythical status today? Harry's Garage on YouTube7:07 1965 Porsche 911 Coupe 5-Speed BaT listing9:44  1965 Shelby Mustang GT350 BaT listing10:49  Modified 1985 Ferrari 308 GTB and 1985 Mazda RX-7 Group B Rally Car BaT listings11:08 1965 Alfa Romeo GTA BaT search13:44 3.0L Busso V6-Powered 1972 Alfa Romeo Spider-R by Alfaholics BaT listing17:10  1965 Ford Falcon Ranchero Deluxe 289 4-Speed BaT listing22:22  6.0L-Powered 1965 Toyota Land Cruiser FJ45LV BaT listing25:00  1965 Buick Sport Wagon BaT listing25:40  413-Powered 1960 DeSoto Fireflite Hardtop BaT listing27:39  1965 Aston Martin DB5 Shooting Brake Reddit29:06  Mercedes-Benz Universal station wagon BaT feature30:38 1967 Mercedes Benz 230S Fintail Rally Car BaT listing33:31 1965 Jaguar XKE Series I 4.2 Coupe 5-Speed BaT listing34:35 1964 Shelby Cobra 289 BaT listing36:17  Sounds Good: 1965 Honda RA272 V12 BaT feature37:33  Alfa Romeo Giulia TZ and TZ2 FCA Heritage 39:08  1965 Pontiac GTO BaT search44:37  AJ Baime on Go Like Hell, The Arsenal of Democracy, and More BaT podcast episode45:10  1965 Alpine A110 BaT search46:00 1965 Alfa Romeo  Sprint Speciale BaT search46:37 1965  Land Rover Series IIA BaT search50:23 1965 Buick Riviera BaT search53:10  1965 Austin Mini Moke BaT search54:08 1965 Mercedes-Benz Coupe BaT searchGot suggestions for our next guest from the BaT community or One Year Garage episode? Let us know at podcast@bringatrailer.com!

In this revealing conversation on Fine Point with Chanel Rion, we expose how the digital ID agenda is the backbone of a technocratic system designed to monitor, rank, and restrict human freedom under the guise of security. Over 2 million Brits have already risen up in defiance of this dystopian plan—proof that the tide is turning against global tyranny.Make sure you follow OAN on Rumble: https://rumble.com/c/OANNCatch The Jeff Dornik Show live every weekday at 1pm ET only on Rumble and Pickax, where free speech still reigns. https://rumble.com/c/jeffdornikBig Tech is silencing truth while farming your data to feed the machine. That's why I built Pickax… a free speech platform that puts power back in your hands and your voice beyond their reach. Sign up today: https://pickax.com/?referralCode=y7wxvwq&refSource=copySubscribe to my Pickax account today and get my hard-hitting, uncensored email newsletter delivered straight to your inbox. https://pickax.com/jeffdornik

1122. This week, we look at two subtle but persistent differences between American and British English: why Americans say "math" and Brits say "maths," and why Americans are "in the hospital" while Brits are "in hospital." Then, we look at the historical meaning of the word "spendthrift" and introduce some wonderfully obsolete insults like "dingthrift" and "scrapethrift."The "maths" segment was written by Samantha Enslen, who runs Dragonfly Editorial. You can find her at dragonflyeditorial.com.The "spendthrift" segment was written by Karen Lunde, a career writer and editor. These days, she designs websites for solo business owners who care about both words and visuals. Find her at chanterellemarketingstudio.com.

Women's World Cup Day 7, South Africa New Zealand: Tazmin Brits belatedly kicked off South Africa's tournament, and in some style. Have they done enough to wipe out the damage from the first game? New Zealand wilted under the Proteas fire and need to find some answers outside of the dependable Sophie Devine and Amelia Kerr. Firdose Moonda joins Geoff Lemon. Support the show with a Nerd Pledge at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/thefinalword⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn about Lacuna Sports - bespoke female cricket wear, created by women for women:⁠ lacunasports.co.uk⁠ Maurice Blackburn Lawyers - fighting for the rights of workers since 1919: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠mauriceblackburn.com.au⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get your big NordVPN discount: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠nordvpn.com/tfw⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get 10% off Glenn Maxwell's sunnies: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠t20vision.com/FINALWORD⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Find previous episodes at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠finalwordcricket.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠   Find previous episodes at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠finalwordcricket.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Title track by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Urthboy⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Join us, Bex, Alex (two Brits), and Jenn (an American)—three Call The Midwife super fans—as we rewatch our favourite show and discuss each episode in order. Why not join us? Watch an episode, and then listen to us! This week, we are recapping series 12, episode 1 - 1968!It's April 1968, and change is on the horizon for Nonnatus House. Racial tensions cast a shadow over Poplar, and the sisters welcome a new recruit.Please follow us on Instagram @recallthemidwifepodcast, on Facebook @Recallthemidwifepodcast, on Twitter/X @RECallthemidPod, Threads @recallthemidwifepodcast, BlueSky @recallthemidwife.bsky.social, subscribe to our YouTube channel https://www.youtube.com/@recallthemidwife or e-mail us at Recallthemidwife@gmail.com with any questions, suggestions, ideas or feedback! Hosted on Acast. See acast.com/privacy for more information.

Glenn Beck Special. Digital ID & Religious Persecution: New Globalist Plans to ENSLAVE You. We're at a crossroads — freedom or total control. We see it in the U.K., where people are thrown in jail for waving their flag or sharing a meme. Prime Minister Keir Starmer's push for digital IDs is just the latest piece of a control-freak puzzle that's been coming together for years, with nudges from the U.N. and World Economic Forum. Award-winning journalist Alex Newman tells Glenn Beck that the survival of freedom depends on stopping this agenda before it's too late. But it's not just the Brits who are slaves to global elites — Glenn Beck points out how governments worldwide are racing toward totalitarianism. He shares a jaw-dropping story from South Korea, where Reverend Son of Segero Church in Busan was arrested for calling out policies he saw as anti-biblical. His son Chance tells Glenn that just days before he was assassinated, Charlie Kirk promised to make Rev. Son's stance against the South Korean regime an international human rights issue. Chance calls on Americans to pick up Charlie's torch and remind the world what liberty looks like.   Watch this special at-  https://youtu.be/P468mrWI4UY?si=serQNpaHmz9bgbBd Glenn Beck 1.59M subscribers 69,710 views Premiered Oct 1, 2025 #glenntv #glennbeck #digitalid ► Click HERE to subscribe to Glenn Beck on YouTube: https://bit.ly/2UVLqhL ► Click HERE to subscribe to BlazeTV: get.blazetv.com/glenn ► Click HERE to subscribe to BlazeTV YouTube:    / @blazetv   ► Click HERE to sign up to Glenn's newsletter: https://www.glennbeck.com/st/Morning_... Connect with Glenn on Social Media:   / glennbeck     / glennbeck     / glennbeck   #glenntv #glennbeck #digitalid #religiouspersecution #globalist #pastorson #southkorea

Prince's commercial peak was Purple Rain but John McKie thinks Sign O' The Times was his creative masterpiece and tracked down over 200 collaborators, girlfriends, “Prince whisperers”, assistants and admirers to piece together the story of its construction (without allowing himself to use the word “genius”). Which leads us up some colourful, spot-lit alleys, among them … … “a man in suspenders playing funk”: why a disastrous support slot on the ‘81 Stones tour was pivotal moment … Mozart/Salieri levels of rivalry: he once told a Paisley Park engineer to stop singing Culture Club “as that's the competition” ... battles with Warners president Lenny Waronker: “he believed he was right and the rest were wrong” … “creative incontinence”: an autocrat in need of an editor … bodyguard “Big Chick” Huntsberry, performative stunts and the BRITS moment that immortalised him … the controlling, manipulative nature of anyone who can play 27 instruments … “he changed his cars to match the colour of his album campaigns” … artistic parallels with his hero Joni Mitchell … why he loved comedians in the way he loved jazz musicians … what we know about his “secret” wives Mayte Garcia and Manuela Testolini … and the four acts with eternal mystery – Prince, Bowie, Dylan, Dolly Parton. Order ‘Prince: A Sign O' The Times here:https://www.waterstones.com/book/prince-a-sign-o-the-times/john-mckie/9781785121944Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The UK has unveiled BritCard—a mandatory digital ID eerily similar to China's social credit system. By 2029, Brits will need one to work or even rent a home. At the same time, “speech police” are arresting citizens in the dead of night for social media posts—even one man who simply wrote “F Hamas” about a designated terror group. We break down how digital IDs, online surveillance, and woke enforcement collide to crush free expression, why Big Tech is backing away from UK censorship, and why this fight could soon be America's future too.

A clause in Harry Kane's contract at Bayern Munich has reignited debate over his long-term future, with Thomas Frank declaring that the England captain would be "more than welcome" back at Tottenham Hotspur. But should Kane even be considering a move? Let alone back to his former club?Andy, Dotun and Miguel discuss that, plus, should ambitious projects like Como and Paris FC be wary of repeating Newcastle's struggles with Alexander Isak? Will Dušan Vlahović finally show the world why he's worth €70 million? And why are so many young British players - like Archie Brown - going abroad?Please fill out Stak's listener survey! It'll help us learn more about the content you love so we can bring you even more - you'll also be entered into a competition to win one of five PlayStation 5's! Click here: https://bit.ly/staksurvey2025Ask us a question on Twitter, Instagram and TikTok, and email us here: otc@footballramble.com.For ad-free shows, head over to our Patreon and subscribe: patreon.com/footballramble.***Please take the time to rate and review us on Apple Podcasts or wherever you get your pods. It means a great deal to the show and will make it easier for other potential listeners to find us. Thanks!*** Hosted on Acast. See acast.com/privacy for more information.

Douglas Murray, Manhattan Institute Fellow and author of On Democracies and Death Cults: Israel and the Future of Civilization, joined The Guy Benson Show today to react to President Trump's speech at the UN, arguing that the United States has become somewhat of a lone voice in condemning Hamas terrorists within the body. Murray weighed in on the UK and France's recognition of Palestine as a state, which he said is a purely domestic political move with no intention of making it a reality. He also reacted to disturbing incidents in the UK, including a Jewish man threatened with arrest simply for his presence at a pro-Palestinian rally, and the arrest of Graham Linehan, which he called an example of the "left-wing enforcement ring." The conversation turned to the rise of Nigel Farage's Reform Party, which Murray sees as a revolt of ordinary Brits against the radical Labour Party. Benson and Murray also reflected on the life and legacy of Charlie Kirk, nearly two weeks after his assassination. Listen to the full interview below! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Have the Brits gone too far enforcing draconian free speech laws when it comes to social media? Yes. Is this story not the same as people have been claiming it is? Also yes. The assassination of Charlie Kirk has become fertile ground for people to birth their conspiracy theories. From Israel to disappearing bullets to fake text messages, we're separating fact from fiction.GUEST: Josh FirestineLink to today's sources: https://www.louderwithcrowder.com/sources-september-22-2025Buy the OG Mug Club Mug on Crowder Shop now! https://crowdershop.com/products/og-mug-club-mugLet my sponsor American Financing help you regain control of your finances. Go to https://americanfinancing.net/crowder or call 800-974-6500. NMLS 182334, http://nmlsconsumeraccess.org/DOWNLOAD THE RUMBLE APP TODAY: https://rumble.com/our-appsJoin Rumble Premium to watch this show every day! http://louderwithcrowder.com/PremiumGet your favorite LWC gear: https://crowdershop.com/Bite-Sized Content: https://rumble.com/c/CrowderBitsSubscribe to my podcast: https://rss.com/podcasts/louder-with-crowder/FOLLOW ME: Website: https://louderwithcrowder.com/ Twitter: https://twitter.com/scrowder Instagram: http://www.instagram.com/louderwithcrowder Facebook: https://www.facebook.com/stevencrowderofficialMusic by @Pogo