Podcasts about Leonard Cohen

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Baker Street by Gerry Rafferty (1978)Song 1: The Great Pretender by The Platters (1955)Song 2: Two Days in February by The Goo Goo Dolls (1990)Song 3: Made Up Mind by Tedeschi Trucks Band (2013)Song 4: Rainbow Connection by Kermit the Frog (1979)Song 5: Today by Smashing Pumpkins (1993)Song 6: Trash by New York Dolls (1973)Song 7: Isjaki by Sigur Ros (2013)Song 8: Yorktown (The World Turned Upside Down) by Hamilton Cast (2015)Song 9: Suzanne by Leonard Cohen (1967)Song 10: The Charge by New Model Army (1989)

How has the media distorted Israel's response to the October 7 Hamas attacks? In this powerful conversation from AJC Global Forum 2025, award-winning journalist and former AP correspondent Matti Friedman breaks down the media bias, misinformation, and double standards shaping global coverage of Israel. Moderated by AJC Chief Communications and Strategy Officer Belle Etra Yoeli, this episode explores how skewed narratives have taken hold in the media, in a climate of activist journalism. A must-listen for anyone concerned with truth in journalism, Israel advocacy, and combating disinformation in today's media landscape. Take Action: Take 15 seconds and urge your elected leaders to send a clear, united message: We stand with Israel. Take action now. Resources: Global Forum 2025 session with Matti Friedman:: Watch the full video. Listen – AJC Podcasts: The Forgotten Exodus: Untold stories of Jews who left or were driven from Arab nations and Iran People of the Pod:  Latest Episodes:  John Spencer's Key Takeaways After the 12-Day War: Air Supremacy, Intelligence, and Deterrence Iran's Secret Nuclear Program and What Comes Next in the Iranian Regime vs. Israel War Why Israel Had No Choice: Inside the Defensive Strike That Shook Iran's Nuclear Program Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript of the Interview: Manya Brachear Pashman: I've had the privilege of interviewing journalism colleague Matti Friedman: twice on this podcast. In 2022, Matti took listeners behind the scenes of Jerusalem's AP bureau where he had worked between 2006 and 2011 and shared some insight on what happens when news outlets try to oversimplify the Israeli-Palestinian conflict. Then in 2023, I got to sit down with Matti in Jerusalem to talk about his latest book on Leonard Cohen and how the 1973 Yom Kippur War was a turning point both for the singer and for Israel.  Earlier this year, Matti came to New York for AJC Global Forum 2025, and sat down with Belle Yoeli, AJC Chief Strategy and Communications Officer. They rehashed some of what we discussed before, but against an entirely different backdrop: post-October 7. For this week's episode, we bring you a portion of that conversation.  Belle Yoeli:   Hi, everyone. Great to see all of you. Thank you so much for being here. Matti, thank you for being here.  Matti Friedman:   Thanks for having me.  Belle Yoeli:   As you can tell by zero empty seats in this room, you have a lot of fans, and unless you want to open with anything, I'm going to jump right in. Okay, great.  So for those of you who don't know, in September 2024 Matti wrote a piece in The Free Press that is a really great foundation for today's discussion. In When We Started to Lie, Matti, you reflect on two pieces that you had written in 2015 about issues of media coverage of Israel during Operation Protective Edge in 2014. And this piece basically talked about the conclusions you drew and how they've evolved since October 7. We're gonna get to those conclusions, but first, I'm hoping you can describe for everyone what were the issues of media coverage of Israel that you first identified based on the experience in 2014? Matti Friedman:   First of all, thanks so much for having me here, and thanks for all of the amazing work that you guys are doing. So it's a real honor for me. I was a reporter for the AP, between 2006 and the very end of 2011, in Jerusalem. I was a reporter and editor. The AP, of course, as you know, is the American news agency. It's the world's largest news organization, according to the AP, according to Reuters, it's Reuters. One of them is probably right, but it's a big deal in the news world.  And I had an inside view inside one of the biggest AP bureaus. In fact, the AP's biggest International Bureau, which was in Jerusalem. So I can try to sketch the problems that I saw as a reporter there. It would take me seven or eight hours, and apparently we only have four or five hours for this lunch, so I have to keep it short. But I would say there are two main problems. We often get very involved. When we talk about problems with coverage of Israel. We get involved with very micro issues like, you call it a settlement. I call it a neighborhood. Rockets, you know, the Nakba, issues of terminology. But in fact, there are two major problems that are much bigger, and because they're bigger, they're often harder to see. One of the things that I noticed at the Bureau was the scale of coverage of Israel. So at the time that I was at the AP, again, between 2006 and the very end of 2011 we had about 40 full time staffers covering Israel. That's print reporters like me, stills photographers, TV crews. Israel, as most of you probably know, is a very small country. As a percentage of the world's surface, Israel is 1/100 of 1% of the surface of the world, and as a percentage of the land mass of the Arab world, Israel is 1/5 of 1%. 0.2%.  And we had 40 people covering it.  And just as a point of comparison, that was dramatically more people than we had at the time covering China. There are about 10 million people today in Israel proper, in China, there are 1.3 billion. We had more people in Israel than we had in China. We had more people in Israel than we had in India, which is another country of about 1.3 billion people. We had more people in Israel than we had in all of the countries of Sub-Saharan Africa. That's 50 something countries. So we had more people in Israel than we had in all of those countries combined. And sometimes I say that to Jews, I say we covered Israel more than we covered China, and people just stare at me blankly, because it's Israel. So of course, that makes perfect sense.  I happen to think Israel is the most important country in the world because I live there. But if the news is meant to be a rational analysis of events on planet Earth, you cannot cover Israel more than you cover the continent of Africa. It just doesn't make any sense. So one of the things that first jumped out at me– actually, that's making me sound smarter than I am. It didn't jump out at me at first. It took a couple of years. And I just started realizing that it was very strange that the world's largest organization had its largest international bureau in the State of Israel, which is a very small country, very small conflict in numeric terms. And yet there was this intense global focus on it that made people think that it was the most important story in the world. And it definitely occupies a place in the American political imagination that is not comparable to any other international conflict.  So that's one part of the problem. That was the scope, the other part was the context. And it took me a while to figure this out, but the coverage of Israel is framed as an Israeli-Palestinian conflict. The conflict is defined in those terms, the Israeli Palestinian conflict, and everyone in this room has heard it discussed in those terms. Sometimes we discuss it in those terms, and that is because the news folks have framed the conflict in those terms. So at the AP bureau in Jerusalem, every single day, we had to write a story that was called, in the jargon of the Bureau, Is-Pals, Israelis, Palestinians. And it was the daily wrap of the Israeli Palestinian conflict. So what Netanyahu said, what Abbas said, rockets, settlers, Hamas, you know, whatever, the problem is that there isn't an Israeli=Palestinian conflict. And I know that sounds crazy, because everyone thinks there is.  And of course, we're seeing conflicts play out in the most tragic way right now in Gaza. But most of Israel's wars have not been fought against Palestinians. Israel has unfortunately fought wars against Egyptians and Jordanians and Lebanese and Iraqis. And Israel's most important enemy at the moment, is Iran, right? The Iranians are not Palestinian. The Iranians are not Arab. They're Muslim, but they're not Arab. So clearly, there is a broader regional conflict that's going on that is not an Israeli Palestinian conflict, and we've seen it in the past year. If we had a satellite in space looking down and just following the paths of ballistic missiles and rockets fired at Israel. Like a photograph of these red trails of rockets fired at Israel. You'd see rockets being fired from Iraq and from Yemen and from Lebanon and from Gaza and from Iran. You'd see the contours of a regional conflict.  And if you understand it's a regional conflict, then you understand the way Israelis see it. There are in the Arab world, 300 million people, almost all of them Muslim. And in one corner of that world, there are 7 million Jews, who are Israelis. And if we zoom out even farther to the level of the Islamic world, we'll see that there are 2 billion people in the Islamic world. There's some argument about the numbers, but it's roughly a quarter of the world's population. And in one corner of that world there, there are 7 million Israeli Jews. The entire Jewish population on planet Earth is a lot smaller than the population of Cairo.  So the idea that this is an Israeli-Palestinian conflict, where Israelis are the stronger side, where Israelis are the dominant actor, and where Israelis are, let's face it, the bad guy in the story, that's a fictional presentation of a story that actually works in a completely different way. So if you take a small story and make it seem big. If you take a complicated regional story and you make it seem like a very small local story involving only Israelis and Palestinians, then you get the highly simplified but very emotive narrative that everyone is being subjected to now. And you get this portrayal of a villainous country called Israel that really looms in the liberal imagination of the West as an embodiment of the worst possible qualities of the age. Belle Yoeli:   Wow. So already you were seeing these issues when you were reporter, earlier on. But like this, some of this was before and since, since productive edge. This is over 10 years ago, and here we are. So October 7 happens. You already know these issues exist. You've identified them. How would you describe because obviously we have a lot of feelings about this, but like, strictly as a journalist, how would you describe the coverage that you've seen since during October 7, in its aftermath? Is it just these issues? Have they? Have they expanded? Are there new issues in play? What's your analysis? Matti Friedman:   The coverage has been great. I really have very I have no criticism of it. I think it's very accurate. I think that I, in a way, I was lucky to have been through what I went through 10 or 15 years ago, and I wasn't blindsided on October 7, as many people were, many people, quite naturally, don't pay close attention to this. And even people who are sympathetic to Israel, I think, were not necessarily convinced that my argument about the press was right. And I think many people thought it was overstated.  And you can read those articles from 2014 one was in tablet and one was in the Atlantic, but it's basically the two chapters of the same argument. And unfortunately, I think that those the essays, they stand up. In fact, if you don't really look at the date of the essays, they kind of seem that they could have been written in the past year and a half. And I'm not happy about that. I think that's and I certainly wrote them in hopes that they would somehow make things better. But the issues that I saw in the press 15 years ago have only been exacerbated since then. And October seven didn't invent the wheel. The issues were pre existing, but it took everything that I saw and kind of supercharged it.  So if I talked about ideological conformity in the bureaus that has been that has become much more extreme. A guy like me, I was hired in 2006 at the AP. I'm an Israeli of center left political leanings. Hiring me was not a problem in 22,006 by the time I left the AP, at the end of 2011 I'm pretty sure someone like me would not have been hired because my views, which are again, very centrist Israeli views, were really beyond the pale by the time that I left the AP, and certainly, and certainly today, the thing has really moved what I saw happening at the AP. And I hate picking on the AP because they were just unfortunate enough to hire me. That was their only error, but what I'm saying about them is true of a whole new. Was heard. It's true of the Times and CNN and the BBC, the news industry really works kind of as a it has a herd mentality. What happened was that news decisions were increasingly being made by people who are not interested in explanatory journalism. They were activists. Activists had moved into the key positions in the Bureau, and they had a very different idea of what press coverage was supposed to do. I would say, and I tried to explain it in that article for the free press, when I approach a news story, when I approach the profession of journalism, the question that I'm asking is, what's going on? That's the question I think you're supposed to ask, what's going on? How can I explain it in a way that's as accurate as as possible? The question that was increasingly being asked was not what's going on. The question was, who does this serve? That's an activist question. So when you look at a story, you don't ask, is it true, or is it not true? You ask, who's it going to help? Is it going to help the good guys, or is it going to help the bad guys?  So if Israel in the story is the villain, then a story that makes Israel seem reasonable, reasonable or rational or sympathetic needs to be played down to the extent possible or made to disappear. And I can give you an example from my own experience.  At the very end of 2008 two reporters in my bureau, people who I know, learned of a very dramatic peace offer that Prime Minister Ehud Olmert had made to the Palestinians. So Olmert, who was the prime minister at the time, had made a very far reaching offer that was supposed to see a Palestinian state in all of Gaza, most of the West Bank, with land swaps for territory that Israel was going to retain, and a very far reaching international consortium agreement to run the Old City of Jerusalem. Was a very dramatic. It was so far reaching, I think that Israelis probably wouldn't have supported it. But it was offered to the Palestinian side, and the Palestinians rejected it as insufficient. And two of our reporters knew about this, and they'd seen a map of the offer. And this was obviously a pretty big story for a bureau that had as the thrust of its coverage the peace process.  The two reporters who had the story were ordered to drop it, they were not allowed to cover the story. And there were different explanations. And they didn't, by the way, AP did not publish the story at the time, even though we were the first to have it. Eventually, it kind of came out and in other ways, through other news organizations. But we knew at first. Why were we not allowed to cover it? Because it would have made the Israelis who we were trying to villainize and demonize, it would have made Israel seem like it was trying to solve the conflict on kind of reasonable lines, which, of course, was true at that time. So that story would have upended the thrust of our news coverage. So it had to be made to go away, even though it was true, it would have helped the wrong people. And that question of who does this serve has destroyed, I want to say all, but much, of what used to be mainstream news coverage, and it's not just where Israel is concerned.  You can look at a story like the mental health of President Biden, right. Something's going on with Biden at the end of his term. It's a huge global news story, and the press, by and large, won't touch it, because why? I mean, it's true, right? We're all seeing that it's true, but why can't you touch it? Because it would help the wrong people. It would help the Republicans who in the press are the people who you are not supposed to help.  The origins of COVID, right? We heard one story about that. The true story seems to be a different story. And there are many other examples of stories that are reported because they help the right people, or not reported because they would help the wrong people. And I saw this thinking really come into action in Israel 10 or 15 years ago, and unfortunately, it's really spread to include the whole mainstream press scene and really kill it.  I mean, essentially, anyone interested in trying to get a solid sense of what's going on, we have very few options. There's not a lot, there's not a lot out there. So that's the broader conclusion that I drew from what I thought at the time was just a very small malfunction involving Israel coverage. But Israel coverage ends up being a symptom of something much bigger, as Jews often are the symptom of something much bigger that's going on.  So my problems in the AP bureau 15 years ago were really a kind of maybe a canary in the coal mine, or a whiff of something much bigger that we were all going to see happen, which is the transformation of the important liberal institutions of the west into kind of activist arms of a very radical ideology that has as its goal the transformation of the west into something else. And that's true of the press, and it's true of NGO world, places like Human Rights Watch and Amnesty International, which were one thing 30 years ago and are something very different today. And it's also true of big parts of the academy. It's true of places like Columbia and places like Harvard, they still have the logo, they still have the name, but they serve a different purpose, and I just happen to be on the ground floor of it as a reporter. Belle Yoeli:   So obviously, this concept of who does this serve, and this activist journalism is deeply concerning, and you actually mentioned a couple other areas, academia, obviously we're in that a lot right now in terms of what's going on campus. So I guess a couple of questions on that. First of all, think about this very practically, tachlis, in the day to day.  I'm a journalist, and I go to write about what's happening in Gaza. What would you say is, if you had to throw out a percentage, are all of them aware of this activist journalist tendency? Or you think it's like, like intentional for many of them, or it's sort of they've been educated that way, and it's their worldview in such a way that they don't even know that they're not reporting the news in a very biased way. Does that make sense? Matti Friedman:   Totally. I think that many people in the journalism world today view their job as not as explaining a complicated situation, but as swaying people toward the correct political conclusion. Journalism is power, and the power has to be wielded in support of justice. Now, justice is very slippery, and, you know, choosing who's in the right is very, very slippery, and that's how journalism gets into a lot of trouble. Instead of just trying to explain what's going on and then leave, you're supposed to leave the politics and the activism to other people. Politics and activism are very important.  But unless everyone can agree on what is going on, it's impossible to choose the kind of act, the kind of activism that would be useful. So when the journalists become activists, then no one can understand what's what's going on, because the story itself is fake, and there are many, many examples of it. But you know, returning to what you asked about, about October 7, and reporting post October 7, you can really see it happen. The massacres of October 7 were very problematic for the ideological strain that now controls a lot of the press, because it's counterintuitive. You're not supposed to sympathize with Israelis.  And yet, there were a few weeks after October 7 when they were forced to because the nature of the atrocities were so heinous that they could not be ignored. So you had the press covering what happened on October 7, but you could feel it. As someone who knows that scene, you could feel there was a lot of discomfort. There was a lot of discomfort. It wasn't their comfort zone, and you knew that within a few weeks, maybe a month, it was gonna snap back at the first opportunity.  When did it snap back? In the story of the Al Ahli hospital strike. If you remember that a few weeks in, there's a massive global story that Israel has rocketed Hospital in Gaza and killed about 500 people and and then you can see the kind of the comfort the comfort zone return, because the story that the press is primed to cover is a story about villainous Israelis victimizing innocent Palestinians, and now, now we're back. Okay. Now Israel's rocketing hospital. The problem was that it hadn't happened, and it was that a lot of stories don't happen, and they're allowed to stand.  But this story was so far from the truth that even the people involved couldn't make it work, and it had to be retracted, but it was basically too late. And then as soon as the Israeli ground offensive got into swing in Gaza, then the story really becomes the same old story, which is a story of Israel victimizing Palestinians for no reason. And you'll never see Hamas militants in uniform in Gaza. You just see dead civilians, and you'll see the aftermath of a rocket strike when the, you know, when an Israeli F16 takes out the launcher, but you will never see the strike. Which is the way it's worked in Gaza since the very end of 2008 which is when the first really bad round of violence in Gaza happens, which is when I'm at the AP.  As far as I know, I was the first staffer to erase information from the story, because we were threatened by Hamas, which happened at the very end of 2008. We had a great reporter in Gaza, a Palestinian who had always been really an excellent reporter. We had a detail in a story. The detail was a crucial one. It was that Hamas fighters were dressed as civilians and were being counted as civilians in the death toll, an important thing to know, that went out in an AP story. The reporter called me a few hours later. It was clear that someone had spoken to him, and he told me, I was on the desk in Jerusalem, so I was kind of writing the story from the main bureau in Jerusalem. And he said, Matti, you have to take that detail out of the story. And it was clear that someone had threatened him. I took the detail out of the story. I suggested to our editors that we note in an Editor's Note that we were now complying with Hamas censorship. I was overruled, and from that point in time, the AP, like all of its sister organizations, collaborates with Hamas censorship in Gaza.  What does that mean? You'll see a lot of dead civilians, and you won't see dead militants. You won't have a clear idea of what the Hamas military strategy is. And this is the kicker, the center of the coverage will be a number, a casualty number, that is provided to the press by something called the Gaza health ministry, which is Hamas. And we've been doing that since 2008, and it's a way of basically settling the story before you get into any other information. Because when you put, you know, when you say 50 Palestinians were killed, and one Israeli on a given day, it doesn't matter what else you say. The numbers kind of tell their own story, and it's a way of settling the story with something that sounds like a concrete statistic. And the statistic is being, you know, given to us by one of the combatant sides. But because the reporters sympathize with that side, they're happy to play along. So since 2008, certainly since 2014 when we had another serious war in Gaza, the press has not been covering Gaza, the press has been essentially an amplifier for one of the most poisonous ideologies on Earth. Hamas has figured out how to make the press amplify its messaging rather than covering Hamas. There are no Western reporters in Gaza. All of the reporters in Gaza are Palestinians, and those people fall into three categories. Some of them identify with Hamas. Some of them are intimidated by Hamas and won't cross Hamas, which makes a lot of sense. I wouldn't want to cross Hamas either. So either. And the third category is people who actually belong to Hamas. That's where the information from Gaza is coming from. And if you're credulous, then of course, you're going to get a story that makes Israel look pretty bad. Belle Yoeli:   So this is very depressing. That's okay. It's very helpful, very depressing. But on that note, I would ask you so whether, because you spoke about this problem in terms, of, of course, the coverage of Israel, but that it's it's also more widespread you talk, you spoke about President Biden in your article, you name other examples of how this sort of activist journalism is affecting everything we read. So what should everyone in this room be reading, truly, from your opinion. This is Matti's opinion. But if you want to you want to get information from our news and not activist journalism, obviously The Free Press, perhaps. But are there other sites or outlets that you think are getting this more down the line, or at least better than some, some better than others?  Matti Friedman:   No, it's just The Free Press. No. I mean, it's a question that I also wrestle with. I haven't given up on everyone, and even in publications that have, I think, largely lost the plot, you'll still find good stuff on occasion. So I try to keep my eye on certain reporters whose name I know. I often ask not just on Israel, but on anything, does this reporter speak the language of the country that they're covering? You'd be shocked at how rare that is for Americans. A lot of the people covering Ukraine have no idea what language they speak in Ukraine, and just as someone who covers Israel, I'm aware of the low level of knowledge that many of the Western reporters have. You'll find really good stuff still in the Atlantic. The Atlantic has managed, against steep odds, to maintain its equilibrium amid all this. The New Yorker, unfortunately, less so, but you'll still see, on occasion, things that are good. And there are certain reporters who are, you know, you can trust. Isabel Kirchner, who writes for The New York Times, is an old colleague of mine from the Jerusalem report. She's excellent, and they're just people who are doing their job. But by and large, you have to be very, very suspicious of absolutely everything that you read and see. And I'm not saying that as someone who I'm not happy to say that, and I certainly don't identify with, you know, the term fake news, as it has been pushed by President Trump.  I think that fake news is, you know, for those guys, is an attempt to avoid scrutiny. They're trying to, you know, neuter the watchdog so that they can get away with whatever they want. I don't think that crowd is interested in good press coverage. Unfortunately, the term fake news sticks because it's true. That's why it has worked. And the press, instead of helping people navigate the blizzard of disinformation that we're all in, they've joined it. People who are confused about what's going on, should be able to open up the New York Times or go to the AP and figure out what's going on, but because, and I saw it happen, instead of covering the circus, the reporters became dancing bears in the circus. So no one can make heads or tails of anything. So we need to be very careful.  Most headlines that are out there are out there to generate outrage, because that's the most predictable generator of clicks, which is the, we're in a click economy. So I actually think that the less time you spend following headlines and daily news, the better off you'll be. Because you can follow the daily news for a year, and by the end of the year, you'll just be deranged. You'll just be crazy and very angry.  If you take that time and use it to read books about, you know, bitten by people who are knowledgeable, or read longer form essays that are, you know, that are obviously less likely to be very simplistic, although not, you know, it's not completely impossible that they will be. I think that's time, that's time better spent. Unfortunately, much of the industry is kind of gone. And we're in an interesting kind of interim moment where it's clear that the old news industry is basically dead and that something new has to happen. And those new things are happening. I mean, The Free Press is part of a new thing that's happening. It's not big enough to really move the needle in a dramatic way yet, but it might be, and I think we all have to hope that new institutions emerge to fill the vacuum.  The old institutions, and I say this with sorrow, and I think that this also might be true of a lot of the academic institutions. They can't be saved. They can't be saved. So if people think that writing an editor, a letter to the editor of the New York Times is going to help. It's not going to help. Sometimes people say, Why don't we just get the top people in the news industry and bring them to Israel and show them the truth? Doesn't help. It's not about knowing or not knowing. They define the profession differently.  So it's not about a lack of information. The institutions have changed, and it's kind of irrevocable at this point, and we need new institutions, and one of them is The Free Press, and it's a great model of what to do when faced with fading institutions. By the way, the greatest model of all time in that regard is Zionism. That's what Zionism is. There's a guy in Vienna in 1890 something, and his moment is incredibly contemporary. There's an amazing biography of Herzl called Herzl by Amos Elon. It's an amazing book. If you haven't read it, you should read it, because his moment in cosmopolitan Vienna sounds exactly like now. It's shockingly current. He's in this friendly city. He's a reporter for the New York Times, basically of the Austro Hungarian empire, and he's assimilated, and he's got a Christmas tree in his house, and his son isn't circumcised, and he thinks everything is basically great. And then the light changes.  He notices that something has changed in Vienna, and the discourse about Jews changes, and like in a Hollywood movie, the light changes. And he doesn't try to he doesn't start a campaign against antisemitism. He doesn't get on social media and kind of rail against unfair coverage. He sits down in a hotel room in Paris and he writes this pamphlet called the Jewish state, and I literally flew from that state yesterday. So there's a Zionist model where you look at a failing world and you think about radical solutions that involve creation. And I think we're there. And I think Herzl's model is a good one at a dark time you need real creativity. Belle Yoeli:   Thank God you found the inspiration there, because I was really, I was really starting to worry. No, in all seriousness, Matti, the saying that these institutions can't be saved. I mean the consequences of this, not just for us as pro-Israel, pro-Jewish advocates, but for our country, for the world, the countries that we come from are tremendous.  And the way we've been dealing with this issue and thinking about how, how can you change hearts and minds of individuals about Israel, about the Jewish people, if everything that they're reading is so damaging and most of what they're reading is so damaging and basically saying there's very little that we can do about that. So I am going to push you to dream big with us. We're an advocacy organization. AJC is an advocacy organization. So if you had unlimited resources, right, if you really wanted to make change in this area, to me, it sounds like you're saying we basically need 15 Free Presses or the new institutions to really take on this way. What would you do? What would you do to try to make it so that news media were more like the old days? Matti Friedman:   Anyone who wants unlimited resources should not go into journalism. I have found that my resources remain limited. I'll give you an answer that is probably not what you're expecting or not what you want here. I think that the fight can't be won. I think that antisemitism can't be defeated. And I think that resources that are poured into it are resources wasted. And of course, I think that people need legal protection, and they need, you know, lawyers who can protect people from discrimination and from defamation. That's very important. But I know that when people are presented with a problem like antisemitism, which is so disturbing and it's really rocking the world of everyone in this room, and certainly, you know, children and grandchildren, you have a problem and you want to address it, right? You have a really bad rash on your arm. You want the rash to go away, and you're willing to do almost anything to make it go away. This has always been with us. It's always been with us.  And you know, we recently celebrated the Seder, and we read in the Seder, in the Haggadah, l'chol dor vador, omdim aleinu l'chaloteinu. Which is, in every generation, they come at us to destroy us. And it's an incredibly depressing worldview. Okay, it's not the way I wanted to see the world when I grew up in Toronto in the 1990s. But in our tradition, we have this idea that this is always gonna be around. And the question is, what do you do? Do you let other people define you? Do you make your identity the fight against the people who hate you? And I think that's a dead end.  This crisis is hitting the Jewish people at a moment when many of us don't know who we are, and I think that's why it's hitting so hard. For my grandfather, who was a standard New York Jew, garment industry, Lower East Side, poor union guy. This would not have shaken him, because he just assumed that this was the world like this. The term Jewish identity was not one he ever heard, because it wasn't an issue or something that had to be taught. So if I had unlimited resources, what I would do is I would make sure that young Jewish people have access to the riches of Jewish civilization, I would, you know, institute a program that would allow any young Jewish person to be fluent in Hebrew by the time they finish college. Why is that so important? Why is that such an amazing key?  Because if you're fluent in Hebrew, you can open a Tanakh, or you can open a prayer book if you want. Or you can watch Fauda or you can get on a plane to Israel and hit on Israeli guys. Hebrew is the key to Jewish life, and if you have it, a whole world will open up. And it's not one that antisemites can interfere with. It does not depend on the goodwill of our neighbors. It's all about us and what we're doing with ourselves. And I think that if you're rooted in Jewish tradition, and I'm not saying becoming religious, I'm just saying, diving into the riches of Jewish tradition, whether it's history or gemara or Israel, or whatever, if you're if you're deep in there enough, then the other stuff doesn't go away, but it becomes less important.  It won't be solved because it can't be solved, but it will fade into the background. And if we make the center of identity the fight against antisemitism, they've won. Why should they be the center of our identity? For a young person who's looking for some way of living or some deep kind of guide to life, the fight against antisemitism is not going to do it, and philanthropy is not going to do it. We come from the wisest and one of the oldest civilizations in the world, and many of us don't know how to open the door to that civilization, and that's in our hands. And if we're not doing it, it's not the fault of the antisemites. It's our own fault. So if I had unlimited resources, which, again, it's not, it's not going to happen unless I make a career change, that's where I would be putting my effort. Internally and not externally.  Belle Yoeli:   You did find the inspiration, though, again, by pushing Jewish identity, and we appreciate that. It's come up a lot in this conversation, this question about how we fight antisemitism, investing in Jewish identity and who we are, and at the same time, what do we do about it? And I think all of you heard Ted in a different context last night, say, we can hold two things, two thoughts at the same time, right? Two things can be true at the same time. And I think for me, what I took out of this, in addition to your excellent insights, is that that's exactly what we have to be doing.  At AJC, we have to be engaging in this advocacy to stand up for the Jewish people and the State of Israel. But that's not the only piece of the puzzle. Of course, we have to be investing in Jewish identity. That's why we bring so many young people to this conference. Of course, we need to be investing in Jewish education. That's not necessarily what AJC is doing, the bulk of our work, but it's a lot of what the Jewish community is doing, and these pieces have to go together. And I want to thank you for raising that up for us, and again, for everything that you said. Thank you all so much for being here. Thank you. Manya Brachear Pashman: If you missed last week's episode, be sure to tune in as John Spencer, Chair of Urban Warfare Studies at West Point, breaks down Israel's high-stakes strike on Iran's nuclear infrastructure and the U.S. decision to enter the fight. 

"High In My Balloon" When it comes to the Grammy-nominated musician and composer Willie Aron, he's worked with so many people, it might be faster just to list the people he hasn't worked with. Born in Southern California, Aron studied classical piano before falling in love with the Beatles and new wave and teaching himself guitar. He co-founded The Balancing Act who signed to I.R.S., put out three excellent albums, toured with 10,000 Maniacs and They Might Be Giants before calling it a day in 1989. After the band broke up, Aron became an in-demand session musician and over the years he's collaborated with Leonard Cohen, The Dream Syndicate, Rickie Lee Jones, Milo Binder, Susanna Hoffs, Brian Wilson, Michael Penn and Peter Himmelman. Speaking of Brian Wilson, yes, that's Wilie in Love & Mercy and he was also a consultant for the Beatles doc Eight Days A Week. Willie also has worked as a film and television composer, a producer of children's music and a composer for commercials and music libraries. Additionally, he helped develop the curriculum and write original songs for a Los Angeles-based children's music space and company called Play Music (play-losangeles.com) and he also earned a a Master's Degree in clinical psychology from Antioch University in Los Angeles. As for the bands he plays in currently, the list is long, but let's just start with Moremen/Bonebrake with Matthew Sweet guitarist John Moremen and X drummer DJ Bonebrake, an improvisation outfit called Mushroom, The Vince Melouney Sect featuring original Bee Gees guitarist Vince Melouney, and the all-star musical collective known as The Wild Honey Orchestra that raises money for autism. All of which brings us to Thee Holy Brothers, which finds Willie teaming up with his pal Marvin Etzioni who you might remember from Lone Justice and his appearance on this podcast. The duo's new album "High In My Balloon" is a sterling platter of rootsy stomp and jangling pop that's pure melodic joy. And this conversation is equally joyful and it's also a reminder that being a nice person like Willie Aron leads to lasting friendships and as we all know, without lasting friendships, none of us would last. www.theeholybrothers.com (http://www.theeholybrothers.com) www.bombshellradio.com www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers The Podcast IG + BLUESKY: @emberspodcast editor@stereoembersmagazine.com

Informativo de primera hora de la mañana, en el programa El Remate de La Diez Capital Radio. El juez decreta prisión comunicada y sin fianza para Santos Cerdán tras su declaración en el Supremo. Hoy hace un año el titular era: “Canarias es una fábrica de trabajadores pobres” Los líderes sindicales reclaman en el Parlamento un reparto justo de la riqueza y subidas salariales, más allá de la productividad o el absentismo: "Hay más descontento que nunca. Hoy se cumplen 1.224 días del cruel ataque e invasión de Rusia a Ucrania. 3 años y 117 días. Hoy es martes 1 de julio de 2025. Día Internacional de la Fruta. Desde el año 2007 se celebra el Día Internacional de la Fruta el 1 de julio, una fecha creada para divulgar la importancia del consumo de frutas para una vida más saludable. Contribuyen a mejorar la salud y la nutrición de las personas, así como incrementar la biodiversidad y generar sostenibilidad ambiental. 1869: Las Cortes Constituyentes proclaman la nueva Constitución. 1938: en Estados Unidos comienza a publicarse la historieta Superman. 1952: en España se suprimen las cartillas de racionamiento. Tal día como hoy, 1 de julio de 1980 se lanza la primera cadena de televisión de noticias las 24 horas: CNN en Atlanta, Georgia. 1990: Bush y Gorbachov firman un documento sobre la reducción de armas estratégicas START, que prevé la disminución en un 30 por ciento de los arsenales nucleares y la finalización de la producción de armas químicas. Años más tarde, el 1 de julio de 1998, se funda en Bruselas el Banco Central Europeo para definir y ejecutar la política monetaria de la UE. 2013: El Celler de Can Roca, es elegido mejor restaurante del mundo por segunda vez. 2018: Pedro Sánchez se convierte en el nuevo presidente del Gobierno de España tras una moción de censura contra Mariano Rajoy. Santoral: San Iñigo, patrón de Calatayud (Zaragoza); San Pablo; San Simeón y Ntra. Sra. de la Luz. Zelenski afirma que Ucrania se retirará del tratado internacional de prohibición de minas. Colonos israelíes incendian una base militar en Cisjordania y agreden a soldados. Sánchez defiende que actuó con "contundencia" con Cerdán y dice tras su envío a prisión: "Es el momento de la justicia". Gamarra dejará de ser secretaria general del PP tras el Congreso Nacional del partido: "Toca relevo" Canarias declara la situación de emergencia tecnológica tras el fallo de los servidores. Esta medida excepcional está destinada a reforzar el sistema informático autonómico. La Diputación del Común afea la falta de transparencia en discapacidad en Canarias: “La lista de espera es un agujero negro”. Padrón alerta de "colapso" y pide ser "valientes" con un "cambio estructural" porque la situación "se agrava y va a más" Los canarios realizan más de 1,4 millones de viajes en el primer trimestre de 2025 Gastaron en ese periodo 574,1 millones, con un gasto medio por persona de 398 euros, a razón de 95 euros al día. El Estado asume formalmente la tutela de 827 menores migrantes. El Gobierno canario recibe la resolución de alta en el Sistema de Acogida de Protección Internacional de los jóvenes que tutela la comunidad y que ahora pasan a ser responsabilidad del conjunto del Estado. El plátano canario se asoma al abismo: batacazo de precios en el inicio veraniego. La fruta pasa de 1,65 euros/ kilo al por mayor y en verde en la Península a solo un euro; primera caída relevante e irrecuperable, por ahora, del precio en lo que va de año, tras no haber dejado de subir desde febrero, con valores al consumidor de tres euros/kilo en las islas y hasta cinco en el resto del país. El Tribunal Superior de Justicia atribuye al modelo turístico la avalancha de pleitos en Canarias. La memoria anual vincula la alta litigiosidad a una economía "más pleitista" y a que no se tiene en cuenta la población flotante. 2011.- El canadiense Leonard Cohen es galardonado con el Premio Príncipe de Asturias de las Letras.

Lutz Graf-Ulbrich, der sich Lüül nennt, hatte ein Ticket gekauft, um zu Nico nach Ibiza zu fliegen. In der Flughalle in Berlin-Tegel, wo er sich erst vor kurzem von ihr verabschiedet hatte, springt ihm die Schlagzeile der BZ ins Auge: „Nico. Hitzetod des Stars aus Berlin enthüllt das verschwiegene Liebesdrama um Alain Delon“. Er wusste schon, dass sie gestorben war, und wusste auch, dass sich die Boulevardpresse auf alles stürzte, was man über Promis in ihrem Umfeld schreiben konnte: über Andy Warhol, Lou Reed, Leonard Cohen, Brian Jones, Jim Morrison, Brian Eno, Jackson Browne, Marianne Faithfull, John Cale – und Alain Delon. Lüül erzählt von seiner ungewöhnlichen Liebe zu Christa Päffgen, die sich Nico nannte, berichtet von ihrer Todessehnsucht, von ihrem Verhältnis zur deutschen Heimat und würdigt sie als Ausnahmekünstlerin, die immer noch vergöttert wird.

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comPaul is a writer, an editor, and an old friend. He's a regular contributor to The New Yorker and a senior fellow in Georgetown's Berkley Center for Religion, Peace, and World Affairs. He's the author of The Life You Save May Be Your Own and Reinventing Bach, and his new book is The Last Supper: Art, Faith, Sex, and Controversy in the 1980s.For two clips of our convo — on Martin Scorsese's extraordinary religious films, and the strikingly resilient Catholicism of Andy Warhol — head to our YouTube page.Other topics: Paul raised in upstate NY as a child of Vatican II; his great-uncle was the bishop of Burlington who attended the 2nd Council; Thomas Merton and Flannery O'Connor as formative influences; working in publishing with McPhee and Wolfe; Cullen Murphy on the historical Christ; Jesus as tetchy; Czesław Miłosz; Leonard Cohen making it cool to be religious; the row over The Last Temptation of Christ and Scorsese's response with Silence; Bill Donahue the South Park caricature; Bono and U2; The Smiths; The Velvet Underground; Madonna and her Catholic upbringing; “Like A Prayer” and “Papa Don't Preach”; her campaign for condom use; when I accidentally met her at a party; Camille Paglia; Warhol the iconographer; his near-death experience that led to churchgoing; Robert Mapplethorpe; S&M culture in NYC; Andres Serrano's “Piss Christ”; Jesse Helms' crusade against the NEA; Sinead O'Connor's refusal to get an abortion; tearing up the JP II photo on SNL; the sex-abuse crisis; Cardinal O'Connor; the AIDS crisis; ACT-UP's antics at St. Patrick's Cathedral; the AIDS quilt as a cathedral; and Paul's gobsmacking omission of the Pet Shop Boys.Coming up: Edward Luce on the war with Iran, Walter Isaacson on Ben Franklin, Tara Zahra on the revolt against globalization after WWI, Thomas Mallon on the AIDS crisis, and Johann Hari turning the tables to interview me. (NS Lyons indefinitely postponed a pod appearance — and his own substack — because he just accepted an appointment at the State Department; and the Arthur Brooks pod is postponed because of calendar conflicts.) Please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.

Hometown Radio 06/25/25 3:30p: Leonard Cohen reports on the downtown parking situation

Lyrics, Limerence and Learning to Carry OnIn this poetic, funny, and deeply human episode, host Graham Coath is joined by rising singer-songwriter Maggie Baring for a wide-ranging conversation that covers everything from lost Tube stops and lyrical complexity to mythological songwriting and choir-school memories.Maggie shares the story behind her beautiful new single “Carey” — a track that deals with the grey areas of emotion, unspoken chemistry, and moral complexity. We explore how her English literature background (including a dissertation on Leonard Cohen!) influences her lyrics, why specific details can create universal connection, and how moving to London made her creatively happier than ever — even if it meant being constantly overwhelmed.Along the way, they chat:

20-6-25: Poética de Leonard Cohen Conocido y exitoso por su música y sus canciones, sin embargo, Leonard Cohen fue antes poeta que músico. Nunca llegó a a haber una división radical entre ambas artes en la obra del canadiense.

Send us a textGraham and Charles dissect Pulp's new album more - but is it more Leonard Cohen than Roxy Music?What Brian Wilson of the Beach Boys meant to me  - Graham remembers - in four brief parts and Charles examines the majest of the most trult gifted singer and songwriter of his generation.Thanks to a tip-off by Producer Antony, Graham reports back on his sonic visit to Bang & Olufsen in Harrogate. But is it more AI than wey hey?Charles captures the shots at the heart of the new Rolling Stones exhibition at Sledmere House of photographs from  the legendary Tour Of The Americas 1975.Keep in touch with Two Big Egos in a Small Car:X@2big_egosFacebook@twobigegos

What do Andy Warhol, Leonard Cohen, Bob Dylan, Flannery O'Connor, and Bono all have in common? According to writer and cultural historian Paul Elie, they're “cryptoreligious.” Their art isn't about affirming doctrine—it's about invoking mystery, longing, and spiritual disquiet. In a culture where religious belief is often either rigidly defined or entirely dismissed, these artists dwell in the in between. They don't preach—but they provoke. Their work invites us into important questions, questions to which the artists themselves often don't have answers.   This week, Russell Moore talks with Paul Elie, author of The Life You Save May Be Your Own: An American Pilgrimage—Russell's favorite biography—and the new book The Last Supper: Art, Faith, Sex, and Controversy in the 1980s. Together they explore how religion haunts the work of artists like Dylan (especially his “Christian era”), Cohen (“Hallelujah”), singer Sinéad O'Connor (her unforgettable Saturday Night Live moment), and even Andy Warhol's more-than-15 minutes of fame.   If you've ever felt as if a song lyric or a painting was almost a prayer—or wondered why some of our greatest artists can't seem to stop brushing up against the divine—this conversation is for you. Resources mentioned in this episode or recommended by the guest include: The Last Supper: Art, Faith, Sex, and Controversy in the 1980s by Paul Elie The Life You Save May Be Your Own: An American Pilgrimage by Paul Elie Special offer for listeners of The Russell Moore Show: Click here for 25% off a subscription to CT magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 01:00:05 - Kyrie Kristmanson, auteur, chanteuse, compositrice - par : Priscille Lafitte - Recevoir Kyrie Kristmanson, c'est accueillir une chanteuse avec la guitare sur le dos, s'exprimant de sa voix fine et précise, prompte à partager son folk inscrit dans les pas de Leonard Cohen et de Joni Mitchell, mais surtout dans les textes médiévaux ou dans les mélodies de Fauré. - réalisé par : Claire Lagarde

Escuchamos las canciones que acompañan el día a día del catedrático emérito de Química Inorgánica de la Universidad de Zaragoza, que acaba de recibir la medalla Echegaray. Suenan Joe Cocker, Dire Straits, Leonard Cohen, los Rolling Stones o Jacques Brel.

It's often remarked that America has become less religious, especially during recent decades. But what if that religiosity hasn't disappeared, but just taken less visible forms? That's exactly what was happening in the arts in 1980s NYC, argues Paul Elie, author of The Last Supper: Art, Faith, Sex, and Controversy in the 1980s.  As Elie tells it, the era wasn't just marked by the ascendance of the moral majority and the authority of tradition—figures like Pope John Paul II and Ronald Reagan.  It also featured subtle engagement with spiritual themes by the likes of figures like Leonard Cohen, Andy Warhol, Madonna, Patti Smith, Bruce Springsteen, and Martin Scorcese, and provides a template for understanding where Catholicism stands today.  For further reading:  An excerpt from Paul Elie's new book Kaya Oakes on why religion must ask better questions Susan Bigelow Reynolds on millennial religious rejection

This week on Musings from the Mount, we explore one of the most complex topics in spiritual practice - our relationship with luxury and material wealth. Using The Great Gatsby story as our starting point, we examine how the tragedy wasn't wealth itself, but using luxury as a substitute for authentic self-realization. Drawing from the Agni Yoga teachings and insights from cultural anthropology, we discuss how different societies define luxury - from American "military stripes" that signal divine approval, to Italian artistic refinement, to British aristocratic detachment. The conversation moves beyond simple judgments about wealth to examine the deeper psychological drives behind our material desires. We explore practical questions like: Is buying quality tools the same as indulging in luxury? How do we balance spiritual detachment with appreciation for beautiful craftsmanship? When does accumulation serve utility versus status? Through examples ranging from Leonard Cohen's utilitarian tour plane to the difference between owning a guitar to make music versus hanging it on your office wall. The episode doesn't offer easy answers about what's "right" or "wrong" regarding wealth, but rather invites deeper reflection on identity, stewardship, and our role as conscious participants in life's regenerative ecosystem. Whether you're navigating financial abundance or scarcity, this conversation offers thoughtful perspectives on what it means to relate consciously to the material world. Meditation Mount and HeartLight Productions are pleased to present Musings from the Mount – a weekly podcast with host Joseph Carenza and guests in conversation exploring a range of topics drawn from the Ageless Wisdom teachings. New episodes every Monday. If you enjoy this podcast, please consider donating at MeditationMount.org

Welcome to episode #986 of Six Pixels of Separation - The ThinkersOne Podcast. Pico Iyer lives between worlds - geographically, culturally, and spiritually - and that makes him one of the most attuned chroniclers of what it means to be alive right now. Best known for travel writing that often transcends borders and genres (The Global Soul, Video Night in Kathmandu, The Lady and the Monk), Pico is also a deeply reflective thinker about silence, stillness, and solitude. In his latest book, Aflame - Learning from Silence, he returns to a Benedictine monastery in Big Sur - a place he has visited over 100 times - to explore what it means to pause in a world that won't stop moving. This isn't a religious retreat or a spiritual how-to. It's a meditation on fire: what we lose, what remains, and how burning down can be its own kind of beginning. In this conversation, we talk about the power of silence in an always-on culture, why the monastic life holds so much wisdom even for secular people, and how loss (of home, of place, of identity) can be a clarifier rather than just a crisis. There are moments of levity (Leonard Cohen, a fellow monastery-goer, makes an appearance), but mostly what Pico offers is a quiet urgency: that we're missing too much while looking at everything. His reflections on mindfulness, technology, climate anxiety, writing, and what it means to find meaning when everything feels untethered will resonate with anyone seeking more presence in a distracted world (also check out his other books: The Art of Stillness and The Half Known Life). Pico splits his time between Japan and California, writes with grace and generosity for The New York Times, Time, The New York Review of Books and others. If you're struggling to make sense of modern life, this one offers something deeper than answers - it offers permission to pause. He is one of my mentors and someone I constantly think about. Enjoy the conversation… Running time: 1:05:46. Hello from beautiful Montreal. Listen and subscribe over at Apple Podcasts. Listen and subscribe over at Spotify. Please visit and leave comments on the blog - Six Pixels of Separation. Feel free to connect to me directly on Facebook here: Mitch Joel on Facebook. Check out ThinkersOne. or you can connect on LinkedIn. ...or on X. Here is my conversation with Pico Iyer. Aflame - Learning from Silence. The Half Known Life. The Art of Stillness. Video Night in Kathmandu. The Global Soul. The Lady and the Monk. Chapters: (00:00) - The Impact of Wildfires and Personal Loss. (02:55) - Nature's Call: The Urgency of Change. (06:07) - Fire as a Metaphor for Renewal. (08:47) - Mindfulness in a Fast-Paced World. (12:04) - The Essence of Stillness and Silence. (14:57) - The Role of Technology in Connection and Disconnection. (17:58) - Finding Serendipity in Everyday Life. (21:05) - The Monastic Experience: A Journey Within. (23:58) - Exploring the Concept of Cells in Monasteries. (27:00) - The Intersection of Religion and Personal Growth. (35:25) - The Essence of a Holy Day. (36:36) - Life in the Monastery: A Unique Perspective. (39:00) - Leonard Cohen: The Monk and the Artist. (46:45) - Solitude vs. Community: The Monastic Life. (48:50) - The Art of Writing: Silence and Reflection. (55:26) - Facing Silence: The Challenge of Solitude. (57:35) - Creating in Chaos: The Need for Retreat. (01:04:28) - Lessons from Japan: A Different Perspective.

Award-winning actress Fiona Shaw talks about her Cork upbringing, her career in theatre, opera, film and TV and meeting her wife, Sonali, who lost her husband and children in a tsunami. She also picks five songs that have meant something special to her throughout her life from Bob Marley to Tracy Chapman to Leonard Cohen.

La Venganza Será Terrible: todo el año festejando los 40 años Coliseo Podestá de La Plata Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada0:01:28 Segmento Inicial • Hábitos que parecen buenos y son malos, etc.0:05:38 Segmento Dispositivo • James Nayler, el cuáquero seductor0:50:19 • "Hallelujah" ♫ Leonard Cohen, Various Positions, 1984 Segmento Humorístico • Verdadero o Falso: animales de la selva Sordo Gancé / Trío Sin Nombre • Presentación • "Rezo Por Vos" ♫ (Charly García/Luis Alberto Spinetta) • "N.P. (No Placé)" ♫ (Juan José Riverol/Francisco Loiacono) • "Sasha, Sissí y el círculo de baba" ♫ (Fito Páez) • "Mi Refugio" ♫ (Juan Carlos Cobián/Pedro Numa Córdoba) • "Ain't No Sunshine" ♫ (Bill Withers) • "Night and Day" ♫ (Cole Porter) • "Vamos las Bandas" ♫ (Patricio Rey y sus Redonditos de Ricota)

Martha Wainwright is a key member of the Wainwright/McGarrigle clan, all of them big favourites of ours. She's currently on her 20th anniversary tour and looks back here at the first shows she ever saw and played which involves … … growing up in a folk dynasty in Montreal.   … the sight of Perla Batalla and Julie Christensen, backing singers on Leonard Cohen's I'm Your Man tour, “who made me want to be onstage too”. … the story of ‘Matapedia', the song Kate McGarrigle wrote when an old boyfriend thought she was her teenage daughter.   … her first shows playing Elvis, Dylan and Woody Guthrie songs on the coffeehouse circuit. … singing with her brother Rufus and her cousins with Kate & Anna McGarrigle at folk festivals. … onstage at the Roches' Christmas shows in New York. … the time her brother stole the show over Emmylou Harris: “I thought I want that kind of attention!” … seeing Pink Floyd's The Wall in a Montreal hockey stadium, aged 9 – “a very marking experience”. … the songs of her mother's she always plays: “I'm obsessed with her legacy”. Martha Wainwright 20th Anniversary tour tickets here: https://marthawainwright.com/showsFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Martha Wainwright is a key member of the Wainwright/McGarrigle clan, all of them big favourites of ours. She's currently on her 20th anniversary tour and looks back here at the first shows she ever saw and played which involves … … growing up in a folk dynasty in Montreal.   … the sight of Perla Batalla and Julie Christensen, backing singers on Leonard Cohen's I'm Your Man tour, “who made me want to be onstage too”. … the story of ‘Matapedia', the song Kate McGarrigle wrote when an old boyfriend thought she was her teenage daughter.   … her first shows playing Elvis, Dylan and Woody Guthrie songs on the coffeehouse circuit. … singing with her brother Rufus and her cousins with Kate & Anna McGarrigle at folk festivals. … onstage at the Roches' Christmas shows in New York. … the time her brother stole the show over Emmylou Harris: “I thought I want that kind of attention!” … seeing Pink Floyd's The Wall in a Montreal hockey stadium, aged 9 – “a very marking experience”. … the songs of her mother's she always plays: “I'm obsessed with her legacy”. Martha Wainwright 20th Anniversary tour tickets here: https://marthawainwright.com/showsFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Martha Wainwright is a key member of the Wainwright/McGarrigle clan, all of them big favourites of ours. She's currently on her 20th anniversary tour and looks back here at the first shows she ever saw and played which involves … … growing up in a folk dynasty in Montreal.   … the sight of Perla Batalla and Julie Christensen, backing singers on Leonard Cohen's I'm Your Man tour, “who made me want to be onstage too”. … the story of ‘Matapedia', the song Kate McGarrigle wrote when an old boyfriend thought she was her teenage daughter.   … her first shows playing Elvis, Dylan and Woody Guthrie songs on the coffeehouse circuit. … singing with her brother Rufus and her cousins with Kate & Anna McGarrigle at folk festivals. … onstage at the Roches' Christmas shows in New York. … the time her brother stole the show over Emmylou Harris: “I thought I want that kind of attention!” … seeing Pink Floyd's The Wall in a Montreal hockey stadium, aged 9 – “a very marking experience”. … the songs of her mother's she always plays: “I'm obsessed with her legacy”. Martha Wainwright 20th Anniversary tour tickets here: https://marthawainwright.com/showsFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Seasoned journalist Matti Friedman joins Jamie Weinstein to unpack the current state of Israel's war against Hamas, exploring the tension between military objectives and the return of hostages. He also delves into the role of American leadership, the morality of warfare, and what the future might hold for Israeli-Iranian relations. The Agenda:—Public trust in Israel's government is at an all-time low—The dilemma of the hostage return—Perception of American leadership and Donald Trump—Qatar: friend or foe?—Taking out Iran's nukes—Is there a Leonard Cohen in today's war? The Dispatch Podcast is a production of ⁠⁠⁠⁠The Dispatch⁠⁠⁠⁠, a digital media company covering politics, policy, and culture from a non-partisan, conservative perspective. To access all of The Dispatch's offerings—including members-only newsletters, bonus podcast episodes, and regular livestreams—⁠⁠⁠⁠click here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jasun Horsley is an author, podcaster and host of the Children of Job Substack. He chats to James about his late artist brother Sebastian, the perils of inheriting money when you are too young, the secret life of Leonard Cohen, the dubious cult of the serial killer and whether or not there really is a Grand Universal Conspiracy. His latest (erudite but readable) book 16 Maps of Hell*: The Unraveling of Hollywood Superculture finds - according to James - the perfect balance between red-pilled Normiedom and unashamed rabbit holery. 16 Maps of Hell: The Unraveling of Hollywood Superculture ↓ Good Food Project is hosting a Barbara O'Neill event at Cranage Estate in Cheshire from the 20th to 24th May. Visit www.goodfoodproject.co.uk, find the event link at the top of the homepage, and use code delingpole15 for 15% off your virtual ticket. ↓ Monetary Metals is providing a true alternative to saving and earning in dollars by making it possible to save AND EARN in gold and silver. Monetary Metals has been paying interest on gold and silver for over 8 years. Right now, accredited investors can earn 12% annual interest on silver, paid in silver in their latest silver bond offering. For example, if you have 1,000 ounces of silver in the deal, you receive 120 ounces of silver interest paid to your account in the first year. Go to the link in the description or head to https://monetary-metals.com/delingpole/ to learn more about how to participate and start earning a return on honest money again with Monetary Metals. ↓ ↓ How environmentalists are killing the planet, destroying the economy and stealing your children's future. In Watermelons, an updated edition of his ground-breaking 2011 book, James tells the shocking true story of how a handful of political activists, green campaigners, voodoo scientists and psychopathic billionaires teamed up to invent a fake crisis called ‘global warming'. This updated edition includes two new chapters which, like a geo-engineered flood, pour cold water on some of the original's sunny optimism and provide new insights into the diabolical nature of the climate alarmists' sinister master plan. Purchase Watermelons by James Delingpole here: https://jamesdelingpole.co.uk/Shop/ ↓ ↓ ↓ Buy James a Coffee at: https://www.buymeacoffee.com/jamesdelingpole The official website of James Delingpole: https://jamesdelingpole.co.uk xxx

Jake and Phil discuss Clement Greenberg's 1939 "Kitsch and the Avant-Garde" alongside Taylor Swift's "I Knew You Were Trouble" and Leonard Cohen's "Chelsea Hotel No. 2" The Manifesto: Clement Greenberg, "Avant-Garde and Kitsch" https://resources.finalsite.net/images/v1606923282/slcschoolsorg/wumlyaskvhhzawsvbbzc/Avant-GardeandKitsch.pdf The Art: Taylor Swift, "I Knew You Were Trouble" https://www.youtube.com/watch?v=vNoKguSdy4Y Leonard Cohen, "Chelsea Hotel No. 2" https://www.youtube.com/watch?v=QWZo7UmCbBc

How religious was the 80s creative scene? Very. At least according to Paul Elie, whose intriguing new cultural history, The Last Supper, charts the art, faith, sex and controversy of the 1980s. Elie argues that this was the age of what calls “crytpo-religious” art - a intensely creative decade in which religious imagery and motifs were often detached from conventional belief. Beginning in 1979 with with Dylan's “Christian” album Slow Train Coming and ending with Sinéad O'Connor's notorious SNL tearing up of a photo of the Pope, Elie presents the 80s as a "post-secular" era where religion remained culturally significant despite declining traditional belief. And he argues that artists as diverse as Leonard Cohen, Salman Rushdie, Andy Warhol, U2, Robert Mapplethorpe and Wim Wenders all translated their religious upbringings into books, movies, songs and artwork that shaped a momentously creative decade. Five Key Takeaways* "Crypto-religious" art uses religious imagery and themes from a perspective other than conventional belief, forcing audiences to question what the artist actually believes and examine their own faith.* The "post-secular" era began around 1979 when it became clear that progressive secularization wasn't happening—instead, religion remained a persistent cultural force requiring honest engagement rather than wishful dismissal.* America's religious transformation in the 1980s saw the country shift from predominantly Christian to multi-religious due to immigration, while also developing a strong secular contingent, creating unprecedented religious diversity.* Artists as "controverts" were divided against themselves, torn between progressive cultural experiences and traditional religious backgrounds, using art to work through these internal contradictions rather than simply choosing sides.* The Rushdie affair marked a turning point when violence entered religious-cultural debates, hardening previously permeable boundaries between belief and unbelief, leading to more polarized positions like the "New Atheism" movement.Paul Elie is the author of The Life You Save May Be Your Own (2003) and Reinventing Bach (2012), both National Book Critics Circle Award finalists. He is a senior fellow in Georgetown University's Berkley Center for Religion, Peace, and World Affairs, and a regular contributor to The New Yorker. He lives in Brooklyn.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

On the Saturday May 24, 2025 edition of The Richard Crouse Show we’ll meet Farren Timoteo, star, Co-Creator and Co-Executive Producer of “Made in Italy,” a tour-de-force solo show packed with disco, fantastic singing and a host of hilarious character, which plays at the CAA Theatre in Toronto until June 8, 2025. Based on his Italian family, in particular his father, it’s the story of an Italian teenager growing up in Jasper, Alberta in the 1970s, caught between two worlds and determined to make his mark. Farren and the show are the winners of a shelfful of awards, including the Calgary Theatre Critic's Award for Outstanding Performance in a One-Person Show. Then we’ll meet Christophe Lebold, the professor of literature, performance studies and rock culture from Strasbourg, France whose book, “Leonard Cohen: The Man Who Saw the Angels Fall,” is being called “an extraordinary piece of work, at every level” and the best book ever written on Leonard Cohen.

On the Saturday May 24, 2025 edition of The Richard Crouse Show we'll meet Farren Timoteo, star, Co-Creator and Co-Executive Producer of “Made in Italy,” a tour-de-force solo show packed with disco, fantastic singing and a host of hilarious character, which plays at the CAA Theatre in Toronto until June 8, 2025. Based on his Italian family, in particular his father, it's the story of an Italian teenager growing up in Jasper, Alberta in the 1970s, caught between two worlds and determined to make his mark. Farren and the show are the winners of a shelfful of awards, including the Calgary Theatre Critic's Award for Outstanding Performance in a One-Person Show. Then we'll meet Christophe Lebold, the professor of literature, performance studies and rock culture from Strasbourg, France whose book, “Leonard Cohen: The Man Who Saw the Angels Fall,” is being called “an extraordinary piece of work, at every level” and the best book ever written on Leonard Cohen.

Hoy se ha fallado el Premio Princesa de Asturias de las Artes, y precisamente la gala de entrega de estos premios fue la que plantó la semilla de 'El guitarrista de Montreal', la última novela de Manuel Barrero editada por Galaxia Gutenberg. Todo comenzó cuando el autor cubrió la gala de los entonces Premios Príncipe de Asturias, celebrada en 2011, año en que Leonard Cohen recibió el galardón de las letras. La figura del músico canadiense y la atmósfera del evento quedaron grabadas en la memoria de Miguel Barrero, y más de una década después se han convertido en el eje de su nueva obra.Desde Cannes, Conxita Casanovas nos informa de los últimos títulos que se proyectan en el Festival Internacional de Cine. El director chino Bi Gan presenta 'Resurrection', mientras que el iraní Saeed Roustaee llega con 'Woman and Child'. Cate Blanchett también ha sido vista en la ciudad del cine, aunque el foco del día está sobre los hermanos Dardenne, que desfilan por la alfombra roja con 'Jeunes mères'. Ganadores ya de dos Palmas de Oro, su regreso genera gran expectación.El paseante de Jesús Marchamalo nos lleva hoy al encuentro con Enric Satué, historiador, académico y uno de los diseñadores gráficos más importantes de nuestro país, reconocido con el Premio Nacional de Diseño. Su último libro, 'El príncipe de la imprenta', repasa una vida dedicada a la historia del diseño editorial.La sesión musical de Leyre Guerrero nos traslada al Museo Reina Sofía, donde Radio 3 celebra el Día de los Museos con 17 horas de música en directo y más de 30 actuaciones.Escuchar audio

Radical engagement with the system doesn't mean participating in that system, distractedly resigned, knowing it all hierarchically at arm's length, with arms crossed, superficially, impatiently. Saying take it or leave means taking part in it alertly, with hope and curiosity, horizontally, leaning forward, hands on, digging deep, persisting, and above all, reciprocally and relationally. So that's the core idea of radical engagement and Claude, that's how I experience your way of being in the world.My conversation with writer, facilitator and consultant and many other hats Adam Kahane, which took place on April 8, 2025, on the very day of the launch of his latest book and Everyday Habits for Transforming Systems, the Catalytic Power of Radical Engagement. Adam talks about seven habits that enable ordinary citizens to become extraordinary agents of transformation. We talked about the process of co creating the book with over 300 individuals, including myself, and how these habits can apply to the arts.Show notes generated by Whisper Transcribe AIAction pointsUnderstand the concept of radical engagement and its role in societal change.Identify the seven everyday habits for transforming systems: acting responsibly, relating in three dimensions, looking for what's unseen, working with cracks, experimenting a way forward, collaborating with unlike others, and persevering and resting.Recognize that systems are human-made and can be rebuilt through collective action.Explore how artists and individuals can apply these habits in their daily lives to contribute to meaningful change.Consider the importance of “acting responsibly” as a foundational habit for engaging with complex systems.Story PreviewImagine a world where everyday actions can ripple through complex systems, sparking real change. Adam Kahane shares the journey behind his book, revealing how a frustrating interview led to a deep exploration of how ordinary people can transform the world around them.Chapter Summary00:00 Radical Engagement: A New Perspective01:00 The Birth of a Book03:30 Understanding Systems Change06:00 The Collective Nature of Transformation09:00 The Seven Habits of Transformation12:00 Art and Systems ChangeFeatured QuotesIt's now completely obvious that these systems were largely built by humans and can be rebuilt by humans… This idea that things are just the way they are and they'll always be the way they are to me is now obviously not true.We might think of systems as these solid, immovable things that you can only change them by using a sledgehammer or dynamite, but that's not true.This idea that things are just the way they are and they'll always be the way they are to me is now obviously not true. They can be transformed. They are being transformed.There's a crack in everything. That's how the light gets in.” - Leonard Cohen (referenced by Adam Kahane)Behind the StoryAdam Kahane's book, ‘Everyday Habits for Transforming Systems,' emerged from a desire to understand how individuals can contribute to large-scale change. Inspired by a challenging interview and co-created with a community of over 300 people, the book outlines seven practical habits for engaging with complex systems in a meaningful way. The process involved deep exploration, iteration, and a commitment to uncovering the essence of effective systems change. *END NOTES FOR ALL EPISODESHey conscient listeners, I've been producing the conscient podcast as a learning and unlearning journey since May 2020 on un-ceded Anishinaabe Algonquin territory (Ottawa). It's my way to give back.In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I publish a Substack newsletter called ‘a calm presence' see https://acalmpresence.substack.com. Your feedback is always welcome at claude@conscient.ca and/or on social media: Facebook, Instagram, Linkedin, Threads or BlueSky.I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on March 26, 2025

Mathieu Jaton is the CEO and artistic director of the Montreux Jazz Festival, carrying forward the legacy of one of the world's most revered music festivals.Since stepping into this role in 2013, Mathieu has been on a mission to build upon the vision of the festival's legendary founder, Claude Nobs who founded the event series in 1967.The Montreux Jazz Festival takes place for two weeks every summer in Switzerland, on the shores of Lake Geneva. In its 50 years history, Montreux has hosted iconic performances by artists including Nina Simone, Miles Davis, Aretha Franklin, Marvin Gaye, Prince, Leonard Cohen, David Bowie, Elton John and Stevie Wonder.Under Mathieu's leadership, Montreux has continued to evolve. He launched Montreux Jazz Digital, an ambitious project to make iconic festival performances accessible worldwide. He has also established the Montreux Jazz Artists Foundation, a platform that supports emerging talent, offering young artists the same legendary stage that shaped so many careers. And expanding beyond Montreux, Mathieu has also brought the festival's spirit to global audiences, launching events in cities like Tokyo and São Paulo.His work has turned Montreux into a global cultural phenomenon, bridging audiences and artists around the world with the magic that defines this unique festival.---CHAPTERS(00:00) Introduction: Mathieu Jaton(01:41) DNA of Montreux Jazz Festival(03:58) Origins of Music Passion(15:53) Making People Happy(18:35) Claude Nobs(31:00) A Lesson in Hospitality(40:08) Starting at Montreux Film Festival(57:23) The End of an Era(01:17:25) The Future of the Festival---RESOURCES & LINKSMontreux Jazz Festival Website - www.mjaf.chClaude Nobs - wikipedia.org/wiki/Claude_NobsMathieu Jaton - www.mjaf.ch/en/artist/mathieu-jaton

Brooklyn-based goth-folk duo Charming Disaster's upcoming album The Double—their seventh full-length release—explores the world that exists behind the one we know, featuring songs inspired by nature, mortality, magic, ritual, and literary genres ranging from science fiction to Victorian horror. The new album was co-produced by band members Ellia Bisker and Jeff Morris with longtime collaborator, recording engineer Don Godwin. All but one of the ten tracks were recorded at Tonal Park in Takoma Park, MD, with one song recorded by circus music composer Peter Bufano in Boston, MA. The Double will be released on CD, as a 12-inch colored vinyl LP, and on all digital platforms on May 16, 2025. The vinyl will be released in a 2-disc package that also includes Charming Disaster's 2024 compilation Time Ghost, a collection of singles released over the last decade.   The Double invites listeners to step across the border of an alternate reality, where spells are cast, time travel is possible, plants are taking over civilization, and vampires lurk in the shadows. Adventures in the darkness lie beyond the threshold.   The album's ten songs include “Black Locust,” a lullaby about mortality; “New Moon,” a magical nature ritual; “Trick of the Light,” a reimagining of Bram Stoker's Dracula; “Time Machine,” in which Charming Disaster change the past and start over again; “Scavengers,” a walk in the woods with vultures and bones; “Beautiful Night,” a defiant response to struggles with depression; “Vitriol,” a tribute to artist Thomas Little, who turns guns into ink; “Haunted Lighthouse,” a swashbuckling sea voyage; “Gang of Two,” a true crime adventure; and “Green Things,” a love letter to what grows between the cracks (and its inevitable takeover).   The album features an array of talented collaborators. Co-producer Don Godwin, who has worked on Charming Disaster's entire discography, contributed bass, drums, and horns as well as engineering and mixing. “Haunted Lighthouse” features Broadway percussionist Mike Dobson along with circus composer Peter Bufano, who played piano and accordion and engineered the track at Cirkestra World Headquarters in Boston, MA (with additional tracking at Tonal Park). “Scavengers” features cello recorded by Kate Wakefield of the duo Lung, who also created the string arrangement for “Beautiful Night.” Stefan Zeniuk of Gato Logo contributed saxophone to “Green Things.”   In conjunction with The Double, Charming Disaster is releasing the second edition of their “oracle deck” (similar to a Tarot deck). The Charming Disaster Oracle Deck contains 72 cards (including 12 new cards for the second edition), each representing one of the songs from Charming Disaster's discography. The cards feature illustrations commissioned from more than thirty different artists. The deck can be used as a divination tool, or as a visual accompaniment to Charming Disaster's music. The duo themselves use these cards in their live performances to determine the set through the element of chance.   Charming Disaster was formed by Bisker and Morris in 2012, inspired by the gothic humor of Edward Gorey and Tim Burton, the murder ballads of the American Folk tradition, and the dramatic flair of the cabaret. Together the duo write songs that tell stories about myth, magic, and mortality, using two voices to explore dark narratives and characters with a playfully macabre sensibility.   On their critically acclaimed albums Love, Crime & Other Trouble (2015), Cautionary Tales (2017), and SPELLS + RITUALS (2019), Charming Disaster explored death, crime, folklore, and the occult. On Our Lady of Radium (2022), they turned their attention to science and explored the life and discoveries of pioneering scientist Marie Curie. On Super Natural History (2023), they united the natural world and the metaphysical realm in a musical cabinet of curiosities.   The duo put out two releases in 2024: Time Ghost, an album-length collection of songs released as singles between 2013 and 2024; and Dance Me to the End of Bela Lugosi's Lovesong, an EP of covers paying tribute to a few of the band's influences: Leonard Cohen's “Dance Me to the End of Love,” “Bela Lugosi's Dead” by Bauhaus, and The Cure's “Lovesong.”   In Charming Disaster's live shows, the duo combine vocal harmonies and clever lyrics with ukulele, guitar, and foot percussion, with a cabaret-influenced performance style that straddles the line between concert and theatre and has been described as “haunted vaudeville” (Splice Magazine). Charming Disaster's music has been featured on the spooky hit podcast Welcome to Night Vale. They have opened for legendary cello-rock ensemble Rasputina, Goth icon Voltaire, and Amanda Palmer's punk cabaret duo The Dresden Dolls. Their concerts have captivated audiences across the United States and in Europe. They have appeared alongside storytellers, comedians, fire eaters, puppets, burlesque artists, poets, and circus performers. Recent appearances have included Joe's Pub in NYC, Atlanta's massive pop culture convention Dragon Con, Brooklyn's historic Green-Wood Cemetery, the Rochester Fringe Festival, Philadelphia's Science History Institute, the Edgar Allan Poe Museum in Richmond, VA, Cleveland's WizbangCircus Theatre, and the Coney Island Sideshow stage, as well as sundry bars, art galleries, theatres, bookstores, libraries, train cars, mausoleums, and museums.   LINKS: Website: www.charmingdisaster.com Facebook: www.facebook.com/charmingdisaster Instagram: http://instagram.com/charmingdisasterband YouTube: http://youtube.com/charmingdisasterband Bandcamp: http://charmingdisaster.bandcamp.com Spotify:https://open.spotify.com/artist/1RjkfhamohczSXjFy5WcZh   The Double preorder link: charmingdisaster.bandcamp.com/album/the-double     Tickets : Charming Disaster at The Foundry Cleveland June 5th with Cowboy Princess Brigade https://www.ticketweb.com/event/charming-disaster-cowboy-princess-brigade-the-foundry-tickets/14325923?utm_medium=affiliate&irgwc=1&clickid=yKYzFM2SwxycTOrRPc1Gt0d7UksRjjwhTXGA2E0&camefrom=CFC_BUYAT_219208&impradid=219208&REFERRAL_ID=tmfeedbuyat219208&wt.mc_id=aff_BUYAT_219208&utm_source=219208-Bandsintown&impradname=Bandsintown&ircid=4272   C-Level Pete Francis Tickets : https://www.ticketweb.com/event/peter-francis-of-dispatch-the-winchester-tickets/14338833?utm_source=AllEvents.in&utm_medium=event-discovery-platform&utm_campaign=lakewood-events  

El programa volverá a la sana costumbre de buscar y encontrar algunos de los directos más famosos en la historia de la discografía.  El primero de los tres que hoy recuperaremos lo grabó LEONARD COHEN en Londres en el año 2009, dentro de sus últimas giras mundiales. El segundo recoge el directo más sonado en la historia del compositor y cantante dominicano JUAN LUIS GUERRA, al concierto asistieron 50.000 personas y tuvo lugar en el Estadio Olímpico de Santo Domingo. El tercero lo dio la pianista y cantante canadiense DIANA KRALL  en aquel local parisino reservado a los grandes de la canción, el Olympia de Paris en el año 2002.

In this episode of the Mr. Beacon Podcast, Donna Lanzetta—CEO of Manna Fish Farms and Manna Seafood Blockchain—shares her journey from attorney to aquaculture pioneer. Discover how she's building offshore fish farms, fighting seafood fraud with blockchain, and creating a transparent, sustainable supply chain. From ocean to plate, Donna's tech-driven, vertically integrated approach empowers consumers and supports ethical sourcing. Tune in to explore the future of seafood, digital traceability, and how small businesses can drive big change.Donna's Top 3 Favorite Songs:“Hallelujah” by Leonard Cohen: https://www.youtube.com/watch?v=ttEMYvpoR-k“Hold Your Head Up” by Argent: https://www.youtube.com/watch?v=jvfxI9yD2dM“Tapestry” by Carole King: https://www.youtube.com/watch?v=8FiR2Eb4NSMMister Beacon is hosted by Steve Statler, CEO of AmbAI Inc. — creators of AmbAI, the AI agent that connects people to products and the brands behind them. AmbAI also advises leading brands on Ambient Intelligence strategy. Hosted on Acast. See acast.com/privacy for more information.

Legendary singer-songwriter Suzanne Vega looks back at her remarkable career — and forward to her new album, Flying with Angels, her first collection of original songs in nearly a decade. From the moment she emerged in the 1980s with her self-titled debut and follow-up Solitude Standing, Vega has occupied a singular space in popular music. Known for her literate lyrics, calm delivery, and understated innovation, she became an unlikely pop star with songs like “Luka” — a devastating portrait of abuse — and “Tom's Diner,” which began as an a cappella sketch and became a surprise dance hit, later used in the development of the MP3 format. Vega discusses how those early hits shaped her identity, and how she's maintained a relationship with her past work while continuing to evolve as an artist. She shares stories behind her biggest songs, her longtime collaborations (including with producer and ex-husband Mitchell Froom), and her connection to a vibrant downtown New York songwriting community that included figures like Jack Hardy and Fast Folk magazine. She also reflects on the new material, including the haunting “Mariaupol,” inspired by the war in Ukraine, and “Rats,” inspired during the lockdown in New York. These songs mark a subtle shift for Vega: from her usual allegorical storytelling to more direct commentary and bearing witness to events in real time. Along the way, the conversation touches on Lou Reed, Leonard Cohen, Bob Dylan, motherhood, stagecraft, artistic responsibility, and the strange alchemy of simplicity and resonance. Vega shares anecdotes from her life on tour, her early performances (including a childhood appearance at Pete Seeger's feet), and her unexpected intersections with technology and culture. www.third-story.com www.leosidran.substack.com www.wbgo.org/podcast/the-third-story

Máximo Pradera nos desvela los acordes y secretos de la composición de las canciones del poeta y cantautor Leonard Cohen

We dive deep into Jeff Buckley's only studio album, "Grace," exploring its creation, impact, and the extraordinary talent behind this haunting masterpiece. And of course using our trademark competitive knock-out style format.• Examining Jeff Buckley's complex backstory, with almost no relationship to his famous father Tim Buckley• Discussing the album's eclectic mix of original compositions and inspired cover versions• Analyzing the definitive version of "Hallelujah" that transformed a relatively obscure Leonard Cohen song• Highlighting Buckley's extraordinary vocal range and expressive guitar playing• Considering the album's growing influence on artists from Radiohead to Muse• Reflecting on the tragedy of Buckley's death at 30 and the untapped potential it representsIf you enjoyed this episode, please subscribe and leave us a review or just listen to another one. Follow us on X @McCartneyingoal for updates on upcoming episodes.Support the showTwitter - https://twitter.com/mccartneyinWebsite - https://mccartneyingoal.com/

In this soulful episode of My Music, host Graham Coath reconnects with Canadian musician Martin Saint to dive deep into Martin's powerful new album Seekers.Together, they explore the emotional landscapes that shaped the record — a body of work that's intimate, reflective, and hauntingly honest. Martin opens up about the writing process, his influences (think Nick Cave, Leonard Cohen, and The Mission), and how vulnerability and heartbreak are woven into his music.Expect insights into the themes of mindfulness, mortality, loneliness, and the passing nature of existence, as well as a few brilliant side stories, including recording sessions featuring a howling dog!

On this week's episode, I am joined by Grammy-nominated singer/songwriter and collaborator with LEONARD COHEN, PERLA BATALLA, who discusses her good friend/creative muse and her thoughts on the film 'LEONARD COHEN: I'M YOUR MAN.'We discuss Perla's childhood and escape from her family into a life in music, her Mom's record store, working for T.V. legend Norman Lear documenting The Jeffersons & One Day At A Time, her surprisingly frantic introduction to Leonard Cohen's music and the man himself, musician Julie Christensen, working with Nick Cave, Rufus Wainwright & Beth Orton, being fired from the rock n' roll world, how Leonard's lyrics cracked Perla open emotionally, the pressures of being Leonard Cohen and what audiences expected from him, being a superstar in Europe, his album The Future, Cohen's work discipline, the flexibilty of Cohen's work leading artistic interruptations by others, how the concerts for Leonard Cohen came about through legendary producer Hal Wilner, why Leonard did not want to be in the film, the emotions of touring, how Perla worked her magic to get certain songs in the concert, why U2 is so prominent in the film even thought they were not in the concert itself, the problems we both have with this film, how the hell did Mel Gibson become a produer on the film, Laurie Anderson being involved in the prerfomrances originally, Leonard writing songs critizing his record company and more...So join us for a very insightful look into the depths of Cohen's life and music on this week's Revolutions Per Movie!PERLA BATALLA: https://perla.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Wat is de overeenkomst tussen Barry Hay, Fay Claassen, John Coltrane en Leonard Cohen? Ze komen allemaal langs in dit tweede uur All That Jazzz @1Twente Enschede.

Erin Marlow of It's a Fandom Thing joins Nicole and Ryan to talk about the 1994 Oliver Stone film, Natural Born Killers. It began as a Quentin Tarantino script before Oliver Stone turned it into an entirely different thing, which is just one of many controversies that surround this film. What's not controversial is the greatness of the Natural Born Killers Soundtrack. Trent Reznor currated the soundtrack and contributed two Nine Inch Nails to the soundtrack, specifically writing "Burn" for the film. The soundtrack also features songs from Leonard Cohen, Lard, L7, The Cowboy Junkies, Peter Gabriel and more.Chapters00:00:00 Introducing Erin of It's a Fandom Thing and Why She Chose Natural Born Killers17:34 Trent Reznor - Soundtrack Currator / Serial Killer Afficionado28:39 Tarantino Meets Johnny Cash and Casting the Leads of the Film39:05 The Bands on the Natural Born Killer Soundtrack43:05 Juliette Lewis' Breakthrough Peformance51:47 The 90 Aesthetics, Commercials and Gangsta Rap59:17 Back to the Soundtrack1:07:30 One Last Question1:13:37 Thank You's and GoodbyesIt's a Fandom Thing Socials:TikTokBlueskyInstagram

WHEN EUSTACE MET FRANÇOISE— I first met Françoise Mouly at The New Yorker's old Times Square offices. This was way back when artists used to deliver illustrations in person. I had stopped by to turn in a spot drawing and was introduced to Françoise, their newly-minted cover art editor.I should have been intimidated, but I was fresh off the boat from Canada and deeply ensconced in my own bubble—hockey, baseball, Leonard Cohen—and so not yet aware of her groundbreaking work at Raw magazine.Much time has passed since that fortuitous day and I've thankfully caught up with her ouevre—gonna get as many French words into this as I can—through back issues of Raw and TOON Books. But mostly with The New Yorker, where we have worked together for over 30 years and I've been afforded a front-row seat to witness her mode du travail, her nonpareil mélange of visual storytelling skills.Speaking just from my own experience, I can't tell you how many times at the end of a harsh deadline I've handed in a desperate, incoherent mess of watercolor and ink, only to see the published product a day later magically made whole, readable, and aesthetically pleasing.Because Françoise prefers her artists to get the credit, I assume she won't want me mentioning the many times she rescued my images from floundering. I can remember apologetically submitting caricatures with poor likenesses, which she somehow managed to fix with a little digital manipulation—a hairline move forward here, a nose sharpened there. Or ideas that mostly worked turned on their head—with the artist's permission, of course—to suddenly drive the point all the way home.For Françoise, “the point” is always the point. Beautiful pictures are fine, but what does the image say? Françoise maintains a wide circle of devoted contributing artists—from renowned gallery painters to scribbling cartoonists, and all gradations between—from whom she regularly coaxes their best work. I thank my étoiles chanceuses to be part of that group.And now, an interview with Françoise. Apparently. —Barry Blitt—This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

Front Row Classics is celebrating the 100th birthday of Robert Altman by taking a look at one of his greatest works. Brandon is joined by Spencer Davis to discuss 1971's McCabe and Mrs, Miller. Brandon and Spencer discuss this classic anti-Western which features stellar performances from Warren Beatty and Julie Christie. The hosts also discuss the spectacular screenplay by Altman and Brian McKay as well as the tone-setting songs by Leonard Cohen.

Episode 040: Buckle up for a therapy session disguised as a podcast! This week, we're diving deep into the emotional abyss with guest host Smitty, exploring music that hits harder than your therapist's co-pay. We're dissecting the darkness through Spanish Love Songs, Balance and Composure, Leonard Cohen, Badflower, Alice In Chains, and Nick Cave. Bonus: a completely uncomfortable conversation about 'the talk' that has nothing to do with birds, bees, or grammar - but absolutely everything to do with parental awkwardness.   Apple Podcasts Instagram Spotify Playlist Official Site Listener Listens Delivery - Instagram

This week is a special - we look at the ten main threats to democracy today - 1) Wealth imbalance - the Wisconsin election, Trump's Tariffs; 2) Islam - the BBC and Bradford, the Salaah, Cardiff city council promotes Islam; 3) Anti-Semitism - Douglas Murray; John Anderson with Mark Durie and Richard Shumack;  4) Misuse of the police - Parents arrested for criticising school in UK, Scottish politician and the non hate crime of criticising non-binary ideology, FBI ordered gag on Hunter Biden laptop; 5) Progressive Woke ideology - Shanna Kattari, Ross Greer, Toddler suspended for transphobia, Quality Street becomes Equality Street, two tier justice;  6) Lawfare - Country of the week - France, the banning of Marine Le Pen, Yanis Varoufakis, Guy Verhofstadt; 7) Net Zero - destroying virgin forest in Australia, Myanmar earthquake, - when did the 24 hour day begin? 8) A Censored Media - death of Val Kilmer, Adolescence, Celtic's Shame, 9) Education as an indoctrination business - 10) The Decline of the Church  - including Feedback and the Final Word with music from Leonard Cohen, ACDC, Edith Piaf, the Kingston Trio, Jim Croce, and Sovereign Grace 

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Funky Donkey by Beastie Boys (2011)Song 1: Glass Onion by The Beatles (1968)Song 2: Baby, I Love Your Way by Big Mountain (1994)Song 3: Because I Got High by Afroman (2000)Song 4: Scientist Studies by Death Cab for Cutie (2000)Song 5: Kisses on Fire by ABBA (1979)Song 6: Hallelujah by Leonard Cohen (1984)Song 7: Sigma Oasis by Phish (2020)Song 8: Sweater Weather by The Neighborhood (2012)Song 9: Footsteps in the Dark by The Isley Brothers (1977)Song 10: Mrs. Train by They Might Be Giants (1994)

I've been in a pendulum swing of suffering and joy lately—and as ever, I hope what I share is a popcorn trail through the dark for you. Because there's always another side. This episode is inspired by a poem from D.H. Lawrence that's become a mantra for me: “Are you willing to be made nothing?” The Phoenix only renews when she's burnt to flocculent ash. Immortal bird, anyone? This is my unfiltered download on what it means to truly rise. I'm talking about sacred surrender, resilience as your true nature, why guilt is a pathway to innocence, and how even a day of crying in bed can be an act of devotion.  Plus, I riff on my philosopher boyfriends (Krishnamurti and Leonard Cohen) and my metaphysical bestie, Manly P. Hall.  This one's personal and poetic—just how I like it. MENTIONED IN THIS EPISODE: The Rituals Class – A free live class to help you choose—and stick to, better habits. Saturday, March 29 at 9am PT | 12pm ET. How To Be Loving – For deeper teachings on Acceptance, Compassion + Soul Qualities Gail Larsen's last speaking Immersion.

Since publishing his debut essay collection—Video Night in Kathmandu, featuring far-flung reportage from 10 Asian countries—in 1988, the prolific travel writer Pico Iyer has gone on to write more than a dozen books exploring themes ranging from displacement and identity to globalization and technology, as well as contribute to publications such as The New York Times, Time, and Condé Nast Traveler. Over the years, Iyer's travels have taken him to some of the world's most remote destinations—North Korea, Bhutan, and Iceland, to name a few—but it's his hundred-plus visits to a Benedictine hermitage in Big Sur, California, that form the heart of his latest book, Aflame: Learning From Silence. Connecting with his inner stillness during these various sojourns in solitude has left him wholly transformed, opening him up to discover the thrumming, ineffable joy of being truly awake to the world and wonderfully alive. On this episode of Time Sensitive, Iyer explores the purpose and joy of travel, and shares deeply moving reflections about what he finds most essential in life.Special thanks to our Season 11 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Pico Iyer[4:25] “Aflame”[4:25] “Autumn Light”[4:25] Philip Larkin[4:25] “The Art of Poetry No. 30”[7:18] Bashō[7:18] Leonard Cohen[10:21] New Camaldoli Hermitage[10:21] Post Ranch Inn [16:25] “Postmodern Tourism: A Conversation with Pico Iyer”[17:08] “The Eloquent Sounds of Silence”[21:48] “The Joy of Quiet”[31:42] “What Ping-Pong Taught Me About Life”[33:14] “Walden”[37:28] “The Open Road”[41:37] “Video Night in Kathmandu”[41:37] “The Lady and the Monk”[41:37] “Lonely Places”[41:37] The Global Soul[44:40] “In the Realm of Jet Lag”[52:35] “Culture: The Leading Hotels of the World”[55:17] Potala Palace[55:17] Naoshima, Japan[55:17] Teshima, Japan[55:17] Narita, Japan[01:00:43] “The Half Known Life”[01:10:10] “No Time”

Pico Iyer is a travel writer and a novelist who has spent time in far flung places like Ethiopia, Tibet, North Korea, Bhutan and Nepal exploring the history, culture and food of diverse cultures. In contrast to his life on the road in places, Iyer is now spending more time exploring his inner life. That's what his latest book called Aflame Is all about. Several times a year, Iyer visits a Benedictine monastery in Big Sur which he finds to be a refuge from the crowded noisy world he usually inhabits. Iyer examines the benefits of just sitting still and doing nothing. We talk about Iyer's relationship with the Dalai Lama and with singer Leonard Cohen when Cohen was a Buddhist monk living on a mountaintop. “Now What?” is produced with the help of Steve Zimmer, Lucy Little and Jackie Schwartz. Audio production is by Nick Ciavatta.

Susan Cain, author of the groundbreaking bestseller Quiet: The Power of Introverts in a World That Can't Stop Talking, shares a guide for how introverts can thrive in the workplace without sacrificing their authentic selves. Drawing from her extensive research and personal experience, Cain offers a powerful reframing: success doesn't require becoming more extroverted—it demands becoming more fully yourself.—What you'll learn:1. A simple definition of introversion and how it differs from shyness—plus a simple two-question test to determine where you fall on the spectrum2. Five practical tactics introverts can use to be more successful in business while staying true to their natural temperament3. How to handle challenging workplace scenarios like meetings dominated by loud voices and networking events that drain your energy4. Specific strategies for managers and founders to create environments where introverted team members can contribute their best work5. Practical techniques for saying no to energy-draining commitments6. Strategies for managers to better support and leverage introverted team members7. Practical advice for raising introverted children to help them develop confidence while honoring their natural temperament8. Why seeking to become “more extroverted” is the wrong goal—and what to focus on instead to achieve professional success—Brought to you by:• Enterpret—Transform customer feedback into product growth• Vanta—Automate compliance. Simplify security• Fundrise Flagship Fund—Invest in $1.1 billion of real estate—Find the transcript at: https://www.lennysnewsletter.com/p/the-hidden-power-of-introverts-susan-cain—Where to find Susan Cain:• X: https://x.com/susancain• LinkedIn: https://www.linkedin.com/in/susancain/• Website: https://susancain.net/• Instagram: https://www.instagram.com/susancainauthor/#• Facebook: https://www.facebook.com/authorsusancain• Substack: https://substack.com/@susancain—In this episode, we cover:(00:00) Introduction to Susan Cain(05:07) Understanding introversion(08:55) The spectrum of introversion and extroversion(13:27) Overcoming public speaking anxiety(17:13) Learning to embrace your introverted self(23:16) The power of leaning into your strengths(24:36) Strategies for introverts to thrive in their career(34:06) The importance of saying no(38:35) What to do instead of networking(41:59) Effective meeting participation for introverts(47:31) Creating a productive work environment(51:14) Raising an introverted child(57:58) Finding the right career fit(01:08:09) Lightning round and final thoughts—Referenced:• The power of introverts: https://www.ted.com/talks/susan_cain_the_power_of_introverts• The hidden power of sad songs and rainy days: https://www.ted.com/talks/susan_cain_and_min_kym_the_hidden_power_of_sad_songs_and_rainy_days• Why bittersweet emotions underscore life's beauty: https://www.ted.com/talks/susan_cain_why_bittersweet_emotions_underscore_life_s_beauty• Desensitization: https://en.wikipedia.org/wiki/Desensitization_(psychology)• Malcolm Gladwell's website: https://www.gladwellbooks.com/• Warren Buffett on X: https://x.com/warrenbuffett• Dale Carnegie speaking courses: https://www.dalecarnegie.com/en/presentation-skills-public-speaking-training• Bill Gates on X: https://x.com/billgates• Kathy Fish on LinkedIn: https://www.linkedin.com/in/kathy-fish-23b5777/• Why most public speaking advice is wrong—and how to finally overcome your speaking anxiety | Tristan de Montebello (CEO & co-founder of Ultraspeaking): https://www.lennysnewsletter.com/p/master-public-speaking-tristan-de-montebello• Ultraspeaking: https://ultraspeaking.com/lenny/• Rethinking the Extraverted Sales Ideal: The Ambivert Advantage: https://faculty.wharton.upenn.edu/wp-content/uploads/2013/06/Grant_PsychScience2013.pdf• Cutco: https://www.cutco.com/• Tim Ferriss's post about his new book: https://x.com/tferriss/status/1878936085033791817•  Mihaly Csikszentmihalyi: https://en.wikipedia.org/wiki/Mihaly_Csikszentmihalyi• Naval on X: https://x.com/naval• On saying no: https://www.lennysnewsletter.com/p/how-to-say-no• Susan Cain—How to Overcome Fear and Embrace Creativity: https://tim.blog/2019/01/24/susan-cain/• Zigging vs. zagging: How HubSpot built a $30B company | Dharmesh Shah (co-founder/CTO): https://www.lennysnewsletter.com/p/lessons-from-30-years-of-building• Renee Wood on LinkedIn: https://www.linkedin.com/in/recoale/• The Sopranos on Max: https://play.max.com/show/818c3d9d-1831-48a6-9583-0364a7f98453• The Talented Mr. Ripley on Prime Video: https://www.primevideo.com/detail/The-Talented-Mr-Ripley/0HA0GNFQ4ZXYPDNJHQEENK2Q6Q• Tugboat Institute: https://www.tugboatinstitute.com/• Leonard Cohen quote: https://www.goodreads.com/quotes/4484-there-is-a-crack-in-everything-that-s-how-the-light—Recommended books:• Quiet: The Power of Introverts in a World That Can't Stop Talking: https://www.amazon.com/Quiet-Power-Introverts-World-Talking/dp/0307352153• Creativity: Flow and the Psychology of Discovery and Invention: https://www.amazon.com/Creativity-Flow-Psychology-Discovery-Invention/dp/0062283251• Quiet Power: The Secret Strengths of Introverted Kids: https://www.amazon.com/Quiet-Power-Secret-Strengths-Introverted/dp/0147509920• Gandhi: An Autobiography—The Story of My Experiments with Truth: https://www.amazon.com/Gandhi-Autobiography-Story-Experiments-Truth/dp/0807059099• Flow: The Psychology of Optimal Experience: https://www.amazon.com/Flow-Psychology-Experience-Perennial-Classics/dp/0061339202• The Power of Myth: https://www.amazon.com/Power-Myth-Joseph-Campbell/dp/0385418868/• Bittersweet: How Sorrow and Longing Make Us Whole: https://www.amazon.com/Bittersweet-Oprahs-Book-Club-Longing/dp/0451499794• Good Energy: The Surprising Connection Between Metabolism and Limitless Health: https://www.amazon.com/Good-Energy-Surprising-Connection-Metabolism/dp/0593712641• The 5 Types of Wealth: A Transformative Guide to Design Your Dream Life: https://www.amazon.com/Types-Wealth-Transformative-Guide-Design/dp/059372318X—Production and marketing by https://penname.co/. For inquiries about sponsoring the podcast, email podcast@lennyrachitsky.com.—Lenny may be an investor in the companies discussed. Get full access to Lenny's Newsletter at www.lennysnewsletter.com/subscribe

Danielle Aykroyd is a singer-songwriter and multi-instrumentalist who performs under the name Vera Sola. Sometimes called the "lost love child of Leonard Cohen and Nancy Sinatra," Vera Sola's smoky vocalization and searing, soaring songs have a cinematic aspect to them, and would feel equally at home in a David Lynch film or a prairie full of phantoms. A trained poet, her lyrics are twisting and imagistic, marked alternatively by restrained mystery and a resplendent, wild-eyed rage.Her 2018 debut LP, Shades, which she plays every instrument on, is a study in shadowy Americana and mesmeric incantation. Her sophomore album of 2024, Peacemaker, is a more expansive extravaganza with lush orchestration, dark dreamscapes, and tales of vengeance, heartache, and haunting. Vera Sola's new EP, Ghostmaker is a pared-down resurrection of Peacemaker tracks, and features a brand new song, “The Ghostmaster's Daughter.”On this episode, Danielle discusses howspirits guide her music, her relationship to ghosts, and the liberating power of finding her voice.Pam also talks about the feminist history of Spiritualism, and answers a listener question about a precarious prediction. Vera Sola's songs featured in the audio version of this podcast episode are as follows:“Circles” from Shades“Bad Idea” from Peacemaker“The Ghostmaster's Daughter” from Ghostmaker“Blood Bond” from Peacemaker“Instrument of War” from PeacemakerCheck out the video of this episode over on YouTube (and please like and subscribe to the channel while you're at it!)Our sponsors for this episode are Mithras Candle, BetterHelp, Black Phoenix Alchemy Lab, and Dear Antigone.We also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave