Podcasts about no longer empty

At 42, Kerri Robertson was walking her dog in the park one morning when she suffered a heart attack. The event completely changed her life outlook and that of her 3 children and husband, now learning and living “you're here for a good time not a long time!”. In this episode of the Redefining Midlife Podcast Jo is joined with self described ambivert Kerri Robertson and her beloved Bernese Mountain Dog, Luna who you can hear panting in the background. Jo and Kerri discuss: Going back to university with 3 young children to pursue a passion since childhood. Downsizing to apartment living and the emotional adjustment of becoming empty nesters for a while until the unexpected takes you back to parenting in a completely different direction. When maternal instincts kick in and how we never stop parenting even after our children are no longer living with us. Stumbling across a passion for fashion and open to the possibility of a business evolving in your 50s (even when we don't know exactly what that looks like yet). Kerri's character and personality illuminates through this episode, right alongside her wonderful dog as well. To follow Kerri's creative endeavours and collaborations you can find her on instagram @heres_to_you_mrsrobertson. Alongside the invitation is always open for you to connect with Jo personally. Head over to www.joclarkcoaching.com for more information. You can also find Jo on Instagram - https://www.instagram.com/joclarkcoaching/ and Private Facebook Group - https://www.facebook.com/groups/womenswellnesscollective1. Look forward to connecting. Here's to redefining midlife and making our next half of life even better than the first.

This is part of the Ephesians - Foundations series

Loss has been a constant over the past few weeks. Writer, educator and theatermaker Diane Exavier joins me to talk about personal and collective grief during a pandemic. We talk about how coping in our current moment requires some of the resiliency we’ve built through other experiences of loss, and yet those well-trodden maps still fall short of helping us navigate the present. Diane discusses how she’s processing being a writer right now, especially since she defines poetry as being about the encounter and being obsessed with the truth. Plus we finally get to talk about 90 Day Fiance, the best show on television.  Diane Exavier creates performances, public programs, and games that challenge and invite audiences to participate in an active theater that rejects passive reception. Her work has been presented at The Lark, No Longer Empty, Bushwick Starr, Haiti Cultural Exchange, Westmont College, The Flea Theater, Bowery Poetry Club, West Chicago City Museum, New Urban Arts, and more. Her writing appears in The Atlas Review and The Racial Imaginary: Writers on Race in the Life of the Mind, amongst other publications online and in print. Diane lives and works in Brooklyn. You can find her on Twitter where she tweets about basketball, poetics, and grief. Twitter: @peacheslechat Literature and Television for the Covid-19 Age Parable of the Talents by Octavia E. Butler Poetry is Not a Luxury by Audre Lorde  The Leftovers  90 Day Fiance Dispatches from Elsewhere  Supernova Era by Cixin Liu My Brilliant Friend by Elena Ferrante

As the leader of The Gathering, a Christ-centered mission at Community First! Village, Matt Freeman (a.k.a the Pastor Dude) is a familiar face with a jovial presence around the neighborhood. Matt spends a good amount of time helping his formerly homeless neighbors through a process of healing and restoration, and often draws upon his own past experiences through the most difficult trials to remind others that he, too, once felt broken and beyond repair. In this episode of the Gospel Con Carne, Matt breaks down the simple truth of the gospel and explains how the path he once found himself on in life—including a turning point moment that involved time in jail and his loss of hope—led to healing you can only find in Jesus Christ.  

Amanda Browder's "Land of Hidden Gems" on display on the HFA building at UNLV In Las Vegas, Nev. on April 5, 2019. Born in Missoula, MT in 1976, Amanda Browder received an MFA/MA from the University of Wisconsin at Madison and taught at the School of the Art Institute of Chicago. She currently lives and works in Brooklyn, New York producing large-scale fabric installations for building exteriors and other public sites. She works primarily with the community, and sources all of her material from donations. She has shown nationally, and internationally including at the New Museum, Ideas City Festival, SPRING/BREAK Art Fair, FAB Fest in New York City; The Dumbo Arts Festival, Brooklyn; University of Alabama at Birmingham AAHD, Birmingham, AL; Nuit Blanche Public Art Festival/LEITMOTIF in Toronto; Mobinale, Prague; Allegra LaViola Gallery, NYC; Nakaochiai Gallery, Tokyo; White Columns, NYC; No Longer Empty, Brooklyn. She has been published in books such as Unexpected Art: Chronicle Books and Strange Material; Arsenal Pulp Press. This year she will create a large-scale work as part of Art Prize: Project 1 and was named a Transformation Fellow at UNLV. In 2016, she received her first National Endowment for the Arts grant and worked with the Albright Knox Art Gallery to drape three buildings in Buffalo, NY. Photos and reviews have appeared in New York Times to Fibers Magazine and she is a founder of the art podcast, badatsports.com. Book mentioned during the interview were The Art of Gathering: How we Meet and Why it Matters by Priya Parker and Janesville: An American Story - Book by Amy Goldstein. Spectral Locus: Clifton Hall and a Public Sewing Day at Starlight Studios in Buffalo, NY, 2016 - Albright Knox Art Gallery + AK Public Art; photo by Tom Loonan Spectral Locus: Richmond and Ferry Church and 920 Broadway in Buffalo, NY, 2016 - Albright Knox Art Gallery + AK Public Art; photo by Tom Loonan

This week's we talk to Abou Farman, artist and anthropologist at the New School, and Raquel de Anda, director of public engagement at No Longer Empty, about their recent efforts to educate New York City cultural leaders about the needs of immigrant communities. Then I invite Hyperallergic staff writer Zachary Small to tell us about the latest news in the #MeToo movement, particularly in light of the case of NYU professor Avital Ronell, who was found responsible for sexual harassment and suspended her for the 2018–19 academic year. He interviews Emma Sulkowicz, who many people suggest helped kick off the movement with their widely publicized "Mattress Performance (Carry That Weight)" (2014–2015) performance. A special thanks to Newborn Huskies for the music to this week’s episode. You can listen to that and more at newbornhuskies.bandcamp.com and other streaming services.

In February 2010, No Longer Empty rented out the old Tower Records store in New York City called "Never Say Goodbye". I got to work with one of my favorite labels, Sacred Bones.

On this weeks episode of Never Records I walk you through my first Never Records installation at one of the old Tower Records in 2009, transforming it back into a record store. This would not have been possible without the support of all the the artists and musicians and No Longer Empty.

Southwest Church Meets Weekly on Saturdays & Sundays Saturday @ 5:30 PM Sunday @ 9:30 AM & 11:15 AM Website - www.southwestchurch.org Facebook - @SouthwestChurchOhio Twitter - @SWC_Ohio Instagram - southwestchurchurchohioSupport the show (http://www.southwestchurch.org)

In September of 2010 I was invited by the curator Asher Remy Toledo from the organization No Longer Empty along with a group call The Art Organization or TAO to participate in a satellite project for the Liverpool Biennial that they called SQUAT Liverpool.

On this week's episode of Never Records I will take you to Liverpool where I collaborated with No Longer Empty and The Art Organization in September 2010. I will tell the story of how I got my lathe and will showcase some of the first recordings I ever did.

In September of 2010 I was invited by the curator Asher Remy Toledo from the organization No Longer Empty along with a group call The Art Organization or TAO to participate in a satellite project for the Liverpool Biennal that they called SQUAT Liverpool. This is the first Never Records where I cut vinyl records with my brand new vinyl record lathe Rose Sisters - And Then Ottersgear - Untitled Jack Roberts - I don’t want to fall SJ Downes - Right Now

This week: Amanda talks to artist Skylar Fein!   Skylar Fein was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a gay film festival in Seattle, stringing for The New York Times and as pre-med student at University of New Orleans where he moved one week before Hurricane Katrina hit. In the wreckage of New Orleans, Fein found his new calling as an artist, experimenting with color and composition of the detritus of Katrina. His work soon became known for its pop sensibility as well as its hard-nosed politics. After a few starring roles in group shows, he had his first solo show in May 2008 at Jonathan Ferrara Gallery in New Orleans. In the fall of 2008, his Prospect.1: Biennial installation, "Remember the Upstairs Lounge," shined a spotlight on an overlooked piece of New Orleans history: a fire that swept through a French Quarter bar in 1973, killing everyone inside. The worst fire in New Orleans history has never been solved. His installation walked visitors right through the swinging bar doors, and offered visual riffs on politics and sexuality circa 1973. The piece was praised in Artforum, Art In America, The New York Times Magazine and The New Yorker, among others. In late 2009, Fein had his first solo museum show, "Youth Manifesto," at the New Orleans Museum of Art. The exhibition was an ode to punk rock as a force for social and cultural upheaval. True to form, the opening reception was shut down by police responding to the look of the unlikely art-going crowd. In March 2010, Jonathan Ferrara Gallery presented Fein's solo installation, “Skylar Fein: Rise of the Youth Front" at VOLTA Art Fair in New York during Armory Week. This installation drew thousands of people and delved into revolutionary politics past and present, a continuing theme in Fein's work.In May 2010,Fein was invited by the New York curatorial project No Longer Empty to recreate his "Remember the Upstairs Lounge" installation in a vacant Chelsea space.The exhibition, once again, drew thousands of visitors and sparked renewed interest in this piece of history. In September 2011, Fein exhibited over eighty new works in his solo exhibition Junk Shot at Jonathan Ferrara Gallery, New Orleans. This exhibition embodied this artist’s turn towards formalism and art historical reference while maintaining Fein’s iconic sensibilities and aesthetic. Skylar Fein was the recipient of a 2009 Joan Mitchell Foundation Award and his work is in several prominent collections including The Whitney Museum of American Art, The Brooklyn Museum, The Frederick R. Weisman Art Foundation, The Louisiana State Museum, The Birmingham Museum of Art, the New Orleans Museum of Art and collectors Beth Rudin DeWoody, Lance Armstrong, and Lawrence Benenson.

This week (the) Amanda Browder and Tom talk with curator Manon Slome about the "No Longer Empty" series of exhibitions. Manon is one of the curators of this year long series of shows, each of which inhabits an abandoned New York City store front for one month. Along the way the three talk about the dismal state of affairs in Ol' New York and how we can make lemonade out of these lemons.Manon Slome (PhD) is an independent curator working in New York City. From 2002 to June 2008 she was the Chief Curator of the Chelsea Art Museum in New York since its inception in 2002. During that time, she has curated and overseen a program of some forty exhibitions, symposia and museum publications as well as monographs and scholarly essays. Ms. Slome became highly involved with the Israeli art scene during her research for the exhibition, Such Stuff as Dreams are Made on”, (2005) and has followed and researched the Israeli scene for the last 3 years. Prior to the CAM, Ms. Slome worked as a curator at the Guggenheim Museum for 7 years and was a holder of a Helena Rubestein curatorial fellowship at the Whitney Independent Study program. She is currently working on a book, The Aesthetics of Terror.