Podcast appearances and mentions of Elena Ferrante

Kate Wolf and Medaya Ocher are joined by editor and writer Joanna Biggs, whose new book is called A Life of One's Own: Nine Women Writers Begin Again. Joanna is an editor at Harper's Magazine. Her writing has appeared in the New Yorker, The Nation, the Financial Times and the Guardian. In her new book, Joanna is attempting to recalibrate her life after a divorce. She turns to literature and specifially, to nine different women writers and philosophers, ranging from Mary Wollstonecraft to Sylvia Plath to Toni Morrison to Elena Ferrante. In exploring their lives and their work, Joanna finds radical ways to live and rebuild, inspired by these women who forged their own paths outside of domestic and societal expectations. With the help of their writing and their example, Joanna slowly starts to find a new sense of self. She writes “I was alone in many ways, but in my reading I had company for the big questions.” Also, Gary Indiana, author of Do Everything in the Dark, returns to recommend The Age of Skin by Dubravka Ugresic.

Vendredi signifie le jour de Vénus. Vénus c'est la déesse de l'amour dans la mythologie romaine. Si vous écoutez True Story, c'est que vous aimez que l'on vous raconte des histoires extraordinaires. Alors pour célébrer la déesse de l'amour, découvrez chaque vendredi des histoires d'amour hors du commun de Love Story, le podcast de Bababam qui parle le mieux d'amour. Pour les deux, aimer c'est tout se dire. Dans leurs échanges, elles se racontent sans artifices, échangent leurs doutes les plus profonds. Une correspondance de 18 ans, sans doute la relation la plus importante de leur vie. Pour découvrir d'autres récits passionnants, cliquez ci-dessous : Elena Ferrante, la plus mystérieuse des romancières Louise Weiss, la pionnière méconnue de l'Europe George Francis Train, l'aventurier excentrique qui a inspiré Jules Verne Learn more about your ad choices. Visit megaphone.fm/adchoices

Dans cet épisode, Andréa Brusque vous parle d'un nom qui évoque l'horreur. Gourou des années 60, il est considéré comme l'un des criminels les plus notoires de l'Amérique. Symbole sombre dans une période qui prône l'amour et la paix, sa vie a inspiré de nombreux artistes. Son nom : Charles Manson. De son enfance aux crimes qu'il a commandités, découvrez sa True Story. Une nouvelle vie 1967, San Francisco. Charles, un homme de 32 ans, sort du bus, il vient de sortir de prison en probation. Sa sortie a un goût amer, il avait demandé à rester enfermé loin de cette société qu'il méprise. Mais la loi en a décidé autrement, il a alors choisi de prendre un nouveau départ et de découvrir le foyer du mouvement hippie. Pour découvrir d'autres récits passionnants, cliquez ci-dessous : Elena Ferrante, la plus mystérieuse des romancières Louise Weiss, la pionnière méconnue de l'Europe George Francis Train, l'aventurier excentrique qui a inspiré Jules Verne Un podcast Bababam Originals Ecriture : Clémence Setti Voix : Andréa Brusque Production : Bababam (montage Célia Brondeau, Antoine Berry Roger) Learn more about your ad choices. Visit megaphone.fm/adchoices

Dans cet épisode, Andréa Brusque vous parle d'un des plus grands mystères du 21e siècle. Cette énigme est celle d'une autrice, dont personne ne connaît la véritable identité. Nous ne savons que très peu de chose sur elle, pourtant, elle a conquis le monde littéraire international, et ses œuvres ont été adaptées à l'écran. En 2016, le magazine Time l'a classée parmi les 100 personnes les plus influentes au monde. Son nom : Elena Ferrante. Du mystère qui plane autour d'elle à ses romans à succès, découvrez sa True Story. Un contexte unique C'est dans les années 40, dans une famille modeste, qu'Elena Ferrante voit le jour, avec une mère couturière et un père dont on ne sait rien. La ville de Naples, avec son riche patrimoine historique et culturel, est l'arrière-plan de sa jeunesse. Quand Elena était enfant, Naples était encore profondément marquée par les conséquences de la Seconde Guerre mondiale. La violence et la pauvreté régnaient dans les rues. Elle a grandi dans une ville où les inégalités étaient omniprésentes. Néanmoins, Naples était également fascinante. C'était tout un univers, qu'on ne trouve nulle part ailleurs. Pour découvrir d'autres récits passionnants, cliquez ci-dessous : Le Bal des folles, ou l'attraction morbide du Tout-Paris Le “manifeste des 343”, l'appel fondateur des femmes pour le droit à l'avortement Les Suffragettes, celles qui se sont sacrifiées pour le droit de vote Un podcast Bababam Originals Ecriture : Clémence Setti Voix : Andréa Brusque Production : Bababam (montage Célia Brondeau, Antoine Berry Roger) Learn more about your ad choices. Visit megaphone.fm/adchoices

Hi Friends. Time for a new episode of TBR Lowdown: It's no secret the identity of Elena Ferrante is a mystery. The author has never introduced themselves to the world, so there has been a lot of speculation over the years. We watch a video by Ann Novella, who provides some pretty solid proof of Ferrante's identity, and discuss it in this week's episode. We also discussed the identity of Elena Ferrante back in episode 6 of season 1. Check it out at https://www.tbrlowdown.com/show-notes/s1e6. Highlights:

We're seven years old today! To celebrate, we decided to put one of our Patreon-only episodes up for everybody. On our bonus series Started/Finished, we talk about what we've started and finished lately. On this one from Jul 2022, Alan and Andrea talk about Stranger Things, Elena Ferrante, Disney Cruise Youtube Walkthroughs, and the Portal games. One of these things turned into an extended discussion about Weezer and Pat Finnerty. You'll never guess which one. Started/Finished is usually only available to our Slammer level patrons. There are currently 22 episodes of Started/Finished along with other bonus episodes, zines, and outtakes at patreon.com/juvenalia Thank you so much to everybody who's ever listened to an episode or shared the show. Thanks to Dee McDonnell for our artwork which still slaps. Thank you to Cassie Delaney for having us on Tall Tales.

durée : 00:54:05 - Le masque et la plume - par : Jérôme Garcin - Nos critiques ont-il aimé "Le Passage" de Cormac McCarthy, "Entre les marges" d'Elena Ferrante, "Offenses" de Constance Debré, "Le Bureau d'éclaircissement des destins" de Gaëlle Nohant et "La Petite-fille" de Bernhard Schlink ? - réalisé par : Xavier PESTUGGIA

Medaya Ocher and Kate Wolf speak with the celebrated translator Ann Goldstein, whose most recent translated work is a novel called Forbidden Notebook by Alba de Céspedes. Ann Goldstein is a former editor at the New Yorker, where she worked from 1974 to 2017. She began translating Italian literature in the '90s and in 2005 she translated Elena Ferrante's Days of Abandonment. She went on to translate Ferrante's entire Neapolitan trilogy, starting with My Brilliant Friend. Goldstein's latest translation, Forbidden Notebook, is a novel written by the Cuban-Italian writer Alba de Céspedes. First published in Italy in the 1950s, the novel centers around a woman who buys a notebook on a whim, and begins to furtively write in it, hiding it and herself from her husband and her children. Through the notebook, she begins to learn more about her desire, her guilt, and the sacrifices she has made for her family, her past, and her future. Also, Maggie Millner, author of Couplets, returns to recommend The Call-Out: A Novel in Rhyme by Cat Fitzpatrick.

Medaya Ocher and Kate Wolf speak with the celebrated translator Ann Goldstein, whose most recent translated work is a novel called Forbidden Notebook by Alba de Céspedes. Ann Goldstein is a former editor at the New Yorker, where she worked from 1974 to 2017. She began translating Italian literature in the '90s and in 2005 she translated Elena Ferrante's Days of Abandonment. She went on to translate Ferrante's entire Neapolitan trilogy, starting with My Brilliant Friend. Goldstein's latest translation, Forbidden Notebook, is a novel written by the Cuban-Italian writer Alba de Céspedes. First published in Italy in the 1950s, the novel centers around a woman who buys a notebook on a whim, and begins to furtively write in it, hiding it and herself from her husband and her children. Through the notebook, she begins to learn more about her desire, her guilt, and the sacrifices she has made for her family, her past, and her future. Also, Maggie Millner, author of Couplets, returns to recommend The Call-Out: A Novel in Rhyme by Cat Fitzpatrick.

Elena Ferrante está de volta ao Perdidos, agora com o livro A Vida Mentirosa dos Adultos, mais um dos clássicos da escritora que traz o melhor de seu jeito singular de contar histórias. Com ambientação napolitana e temáticas profundas do universo feminino acompanhadas de muitas reflexões morais sobre o cotidiano, no livro você encontra uma ótima dose de mergulho pra si. Além do livro, tem também a minissérie que estreou na Netflix em janeiro de 2023 com produção italiana. Já assistiu? No episódio de hoje, Amanda Barreiro conversa com Tamires Carvalho sobre o livro A Vida Mentira dos Adultos e sobre a adaptação. Bom episódio! Recomendações Resenha de Tamires no blog Literaturablog.com Perdidos na Estante 103 - Livro A Amiga Genial Perdidos na Estante 104 - Série A Amiga Genial Perdidos na Estante 180 - Livro A Filha Perdida Perdidos na Estante 181 - Filme A Filha Perdida Mais um beijo pra gente! Quer receber um beijo nosso no próximo quadro "Momento do beijo"? É só nos deixar um salve em qualquer rede social ou um comentário no post. Estamos loucas para te beijar! ;) Ficha técnica Apresentação: Amanda Barreiro e Tamires Carvalho Pauta: Amanda Barreiro  Produção: Domenica Mendes Assistente: Leonardo Tremeschin Edição: Leonardo Tremeschin Capa e descrição da imagem: Amanda Barreiro Agradecimentos Especiais Esse episódio foi produzido graças a Airechu, Aline Bergamo, Allan Felipe Fenelon, Amauri Silva, Caio Amaro, Camila Vieira, Carol Vidal, Carolina Soares Mendes, Clecius Alexandre Duran, Daiane Silva Souza, Guilherme De Biasi, Igor Bajo, Janaína Fontes Vieira, Lucas Domingos, Lu Bento, Luiz Henrique Soares, Marina Jardim, Marina Kondratovich, Moacir de Souza Filho, Nilda, Priscilla Rubia, Ricardo Brunoro e Rodrigo Leite. Segue a gente, a gente é legal!  

Episode 165 Notes and Links to Anna Hogeland's Work       On Episode 165 of The Chills at Will Podcast, Pete welcomes Anna Hogeland, and the two discuss, among other things, her early reading and writing, the formative writers, writing, and UC Irvine MFA program that set her on her own writing path, her embrace of Marvel movies as cathartic, her rationale in structuring her book like she did, and the myriad themes and real-life connections that come from the great losses experienced by mothers and loved ones in her profound book.      Anna Hogeland is a psychotherapist in private practice, with an MSW from Smith College School of Social Work and an MFA from UC Irvine. She lives in Vermont.            Buy The Long Answer   Anna Hogeland's Website   LitHub Article: "After Two Pregnancy Losses, I Wrote the Book I Needed to Read”   Brenda Shaughnessy Reviews The Long Answer for The New York Times At about 6:30, Anna shouts out contact info and places (like The Bennington Book Shop) to buy her book The Long Answer   At about 7:15, Anna discusses her “interrupted path” to becoming a writer and her early relationships with reading and writing   At about 9:45, The two talk about David Foster Wallace Infinite Jest and the hubbub around it   At about 10:35, Anna discusses her path to the MFA and reading that inspired and thrilled her, as well as her positive experiences with a loving workshop partner and workshops in general    At about 14:25, Anna gives background on her time applying to and being accepted at UC Irvine's    At about 15:40, Anna lists some formative writers and current favorites, including Elena Ferrante and Thomas Bernhard   At about 18:20, Pete bringing up Anna's skill with writing using various tones and POVs leads to Anna explaining her philosophy of writing versatility    At about 20:20, Anna responds to Pete's question about her writing informs her work as a psychotherapist, and vice versa   At about 25:40, Anna gives background on seeds for the book, as well as her initial visions for the book's structure   At about 29:10, the two focus on Elizabeth's chapter to start the book and the icy relationship between the narrator and her sister Margot   At about 31:30, Pete asks about how grief and traumas and resulting relationships are connected in the book and in real life, and Anna speaks to ideas of resentment and wrongs    At about 36:10, The two discuss a memorable and clever scene that ends Part I revolving around mother/son bonds   At about 39:30, Pete and Anna recount Part II and Corrie's page-turning and action-packed and salacious stories   At about 43:35, The short chapter is discussed with regards to its diction and angry tone    At about 46:35, The two discuss our collective inability to grieve and the awkwardness and silence that often is part of this process   At about 49:20, The juxtaposition between Ruth and Anna's pregnancy losses are discussed, including the moving writing that focuses on the banal    At about 52:00, Anna focuses on the silences that often accompany pregnancy loss and how common these losses are   At about 53:10, Anna and Pete discuss Marvel-Anna finds them “so moving”   At about 55:10, The two discuss Marisol's chapter in which Anna has taken a weekend away on an important anniversary    At about 57:15, Anna responds to Pete's questions about Marisol's mindset and reasons behind an infatuation with her bosses   At about 58:30, Anna lays out ideas of manipulation and vulnerability that characterize the relationship between Marisol and Ellen   At about 1:01:15, Pete highlights a moving scene between Anna and Marisol    At about 1:02:05, Pete recaps (without spoilers) the fitting last chapter and    At about 1:03:25, Anna responds to Pete's question about meaningful feedback she's received about the book   At about 1:05:50, Anna talks about future projects    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl          Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 166 with Kai Harris. who is a writer and educator from Detroit, Michigan. She uses her voice to uplift the Black community through realistic fiction centered on the Black experience, and she is the author of What The Fireflies Knew, the first fiction title from Tiny Reparations Book. She is an Assistant Professor of Creative Writing at Santa Clara University (GO BRONCOS!)    The episode will air on February 14.

The Ramayana is not one book, but a living text with countless versions across languages, each reflecting the values of its time and place. Arshia Sattar joins Amit Varma to share her insights from decades of study. Also discussed: the art of translation -- and our search for dharma. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out 1. Arshia Sattar on Amazon, Open and Wikipedia. 2. Valmiki's Ramayana -- Translated by Arshia Sattar. 3. Maryada: Searching for Dharma in the Ramayana -- Arshia Sattar. 4. Lost Loves: Exploring Rama's Anguish -- Arshia Sattar. 5. AK Ramanujan on Amazon and Wikipedia. 6. Wendy Doniger on Amazon and Wikipedia. 7. Alf Hiltebeitel on Amazon and Wikipedia. 8. 300 Ramayanas — AK Ramanujan. 9. On Hinduism and The Hindus — Wendy Doniger. 10. Yuganta — Irawati Karve. 11. The Loneliness of the Indian Woman — Episode 259 of The Seen and the Unseen (w Shrayana Bhattacharya). 12. The Loneliness of the Indian Man — Episode 303 of The Seen and the Unseen (w Nikhil Taneja). 13. 'I Have a Dream' (video) (transcript) -- Martin Luther King. 14. Whatever happened To Ehsan Jafri on February 28, 2002? — Harsh Mander. 15. The Gita Press and Hindu Nationalism — Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 14. Gita Press and the Making of Hindu India — Akshaya Mukul. 15. The Shah Bano case, the Sati at Deorala and the banning of Satanic Verses. 16. 1968: The Year that Rocked the World -- Mark Kurlanksy. 17. The Rooted Cosmopolitanism of Sugata Srinivasaraju — Episode 277 of The Seen and the Unseen. 18. Girish Karnad on Amazon and Wikipedia. 19. Understanding India Through Its Languages — Episode 232 of The Seen and the Unseen (w Peggy Mohan). 20. Wanderers, Kings, Merchants: The Story of India through Its Languages — Peggy Mohan. 21. Early Indians — Episode 112 of The Seen and the Unseen (w Tony Joseph). 22. Early Indians — Tony Joseph. 23. Who We Are and How We Got Here — David Reich. 24. Nissim Ezekiel on Amazon, Wikipedia and All Poetry. 25. The Seven Basic Plots — Christopher Booker. 26. The Long Road From Neeyat to Neeti -- Episode 313 of The Seen and the Unseen (w Pranay Kotasthane and Raghu S Jaitley). 27. Sansar Se Bhage Phirte Ho — Song from Chitralekha with lyrics by Sahir Ludhianvi. 28. Episodes of the Seen and the Unseen on Mughal history with Ira Mukhoty, Parvati Sharma, Rana Safvi and Manimugdha Sharma. 29. Tales from the Kathasaritsagara -- Somadeva (translated by Arshia Sattar). 30. The Second Game of Dice -- Amit Varma. 31. Range Rover -- The archives of Amit Varma's column on poker for the Economic Times. 32. Critical Theory and Structuralism. 33. The Missing Queen -- Samhita Arni. 34. Ramcharitmanas (Hindi) (English) (Wikipedia) -- Tulsidas. 35. Krittivasi Ramayan (Bengali) (Wikipedia) -- Krittibas Ojha. 36. The Kamba Ramayana -- Translated by PS Sundaram. 37. The Odyssey and The Iliad by Homer. 38. David Shulman on Amazon and Wikipedia. 39. Narendra Modi takes a Great Leap Backwards — Amit Varma (on demonetisation). 40. Bimal Krishna Matilal on Amazon and Wikipedia. 41. Dharma: Dimensions of Asian Spirituality -- Alf Hiltebeitel. 42. Understanding Gandhi. Part 1: Mohandas — Episode 104 of The Seen and the Unseen (w Ram Guha). 43. Understanding Gandhi. Part 2: Mahatma — Episode 105 of The Seen and the Unseen (w Ram Guha). 44. The Origins of Evil in Hindu Mythology -- Wendy Doniger. 45. Raja Ravi Varma. 46. Shoodhra Tapasvi -- Kuvempu. 47. Ludwig Wittgenstein on Amazon, Wikipedia, Britannica and Stanford Encyclopedia of Philosophy. 48. The Art of Translation — Episode 168 of The Seen and the Unseen (w Arunava Sinha). 49. The Life and Times of Shanta Gokhale — Episode 311 of The Seen and the Unseen. 50. The Life and Times of Jerry Pinto -- Episode 314 of The Seen and the Unseen. 51. RRR -- SS Rajamouli. 52. The Girish Karnad Podcasts: The Rover Has No Fear of Memories -- An oral history enabled by Arshia Sattar and Anmol Tikoo. 53. This Life At Play: Memoirs -- Girish Karnad. 54. Kind of Blue -- Miles Davis. 55. Elena Ferrante on Amazon. 56. The Door -- Magda Szabó. 57. The Mahabaharata -- Peter Brook. 58. The Discreet Charm of the Bourgeoisie, The Phantom of Liberty, That Obscure Object of Desire — Luis Buñuel. 59. The Unbearable Lightness of Being — Philip Kaufman. 60. The Line -- An Apple Original podcast. This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art: ‘Searching for Dharma' by Simahina.

Jen Offord (Standard Issue Podcast, author The Year of the Robin) and Hana Walker Brown (Broccoli Productions, author A Delicate Game) return to Flixwatcher remotely to review Jen's choice The Lost Daughter.   The Lost Daughter is a 2021 drama, based on the Elena Ferrante novel of the same name and directed by Maggie Gyllenhaal (her directorial debut). It stars Olivia Coleman as Leda, a university professor and translator on holiday in Greece. One day on the beach she meets Nina (Dakota Johnson) a young mother, when Nina's three-year-old daughter goes missing for a short period Nina is faced with her own memories and feelings of being a mother, told in flashbacks with Jessie Buckley playing the young Leda. Paul Mescal, Peter Sarsgaard and Ed Harris also co-star. Feelings about The Lost Daughter were mixed but there is no doubt about the powerhouse of acting on show - particularly from Coleman and Buckley playing Leda at different times of her life. The Lost Daughter is a bold choice by Gyllenhaal and Flixwatcher and guests look forward to seeing what she directs next. The Lost Daughter scored fairly highly on recommendability but with a runtime of two hours the repeat viewing scores were lower to give an overall rating of 3.39.   [supsystic-tables id=294] Episode #282 Crew Links Thanks to Episode #282 Crew of Hana Walker Brown (@HWalker_Brown) and Jen Offord (@inspireajen) Find their Websites online at https://twitter.com/broccolicontent And at https://twitter.com/hodderbooks And at https://linktr.ee/hana_walker_brown And at https://linktr.ee/JenOfford And at https://twitter.com/llmonts And at https://twitter.com/standardissueUK Please make sure you give them some love   More about The Lost Daughter For more info on The Lost Daughter, you can visit The Lost Daughter IMDb page here or The Lost Daughter Rotten Tomatoes page here. Final Plug! Subscribe, Share and Review us on iTunes If you enjoyed this episode of Flixwatcher Podcast you probably know other people who will like it too! Please share it with your friends and family, review us, and join us across ALL of the Social Media links below. Learn more about your ad choices. Visit megaphone.fm/adchoices

Oggi si parla di strani singolari e spot televisivi non proprio riusiti. Ma anche di libri e come usare Netflix quando si impara una lingua! Trascrizione interattiva e Vocab Helper Support Easy Italian and get interactive transcripts, live vocabulary and bonus content: easyitalian.fm/membership Note dell'episodio Cosa è successo nell'ultima puntata di Easy Italian? https://www.youtube.com/watch?v=LD4UoO1wyoM Iniziamo subito con uno spot un po' strano per "la capitale" della cultura Bergamo e Brescia. https://www.ilfattoquotidiano.it/2023/01/07/cala-il-sipario-su-itsart-la-creatura-di-franceschini-140mila-abbonati-75-milioni-di-costo-altro-carrozzone-di-stato-in-liquidazione/6928433/ A proposito di Bergamo, lo sapevato? Uno dei primi video di Easy Italian è stato girato a Bergamo alta! Eccolo https://www.youtube.com/watch?v=1Icy982ODwc&list=PLA5UIoabheFOqYw63G4Dk7taoYEMdnlY-&index=119 Poi letteratura! Matteo e Raffaele parlano di Elena Ferrante! ;D https://it.wikipedia.org/wiki/Elena_Ferrante E poi si parla di come usare Netflix quando si impara una lingua! Trascrizione Transcript Musica Raffaele: [0:24] Come va, Matteo? Matteo: [0:26] Buongiorno! Buongiorno! (Buongiorno a te!) Che mi racconti? Raffaele: [0:29] Nulla di nuovo, a parte l'anno, ma ci siamo già sentiti per gli auguri dell'anno nuovo anche con i nostri ascoltatori. Matteo: [0:41] Sì, sì, sì, sì. ... Support Easy Italian and get interactive transcripts, live vocabulary and bonus content: easyitalian.fm/membership

Bu bölümde haftanın en çok konuşulan iki seyirliğine odaklanıyoruz. Don DeLillo'nun aynı adlı eserinden uyarlanan Noah Baumbach filmi Beyaz Gürültü (White Noise) ve yine bir edebiyat uyarlaması olan, Elena Ferrante romanından ekrana aktarılan Yetişkinlerin Yalan Hayatı dizisini Tuğçe Arslan Üçer'den dinliyoruz. Yine geçtiğimiz hafta herkesin izlediği Aftersun'a dair de son kez birkaç kelam ediyoruz. Eylül Görmüş bu hafta yine çokça Julian Barnes anlatıyor; Bir Çift Söz, Arthur ve George & Korkulacak Bir Şey Yok, bu haftaki Barnes kitapları. Ayrıca Dostoyevski'nin Ezilmiş ve Aşağılanmışlar romanı ile Carlos Fuentes'in Körlerin Şarkısı kitabı da gündemimizde. "Yetişkinler de çocuk kitabı okusa!" diyerek konuştuğumuz Halenur Çalışan kitabı Kelime Atlası ve Dünya'nın bu haftaki kitap önerisi olan Seyrederim Dünyayı ise bölümün sonunda. Herkese iyi haftalar!

A challenging Friday crossword, although our intrepid co-hosts -- solving, as always, independently -- ran into difficulties in different areas of the grid. Jean got stuck in the center left, remaining INASTUPOR until she wasn't; whereas Mike encountered headwinds in the southwest, almost done in by his unfamiliarity with Spanish and the Italian literati, ENERO and ELENA Ferrante, respectively. In other news, it is Fun Fact Friday™️, and Jean weighs in with a striking article on SHRIKES. Enjoy!Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

‘Literatura y adolescencia'. Especial de Patricia del Río dedicado a los chicos y chicas que, conforme crecen, experimentan diversos aprendizajes en sus vidas que les permite hacer más llevadera su convivencia en sociedad. En ese aspecto, la literatura juega un papel preponderante en ese proceso de descubrimientos, sueños, ilusiones y desilusiones, mal de amores, sufrimiento, miedos, alegrías, esperanza, dolor… Recogiendo estas emociones, autores y autoras del mundo se han referido a esta temática desde diversas perspectivas. Ahí tenemos ‘El guardián entre el centeno', de JD Salinger; ‘Mujercitas', de Louise May Alcott; ‘Matar a un ruiseñor', de Harper Lee; las novelas de Charles Dickens; historias de aventuras como ‘Los viajes de Gulliver' o Robinson Crusoe. En la lista también están ‘La soledad de los números primos', de Paolo Giordano; ‘La amiga estupenda', de Elena Ferrante, por citar algunos porque la lista es larga. El psicólogo, Stefano de la Torre-Bueno Mannarelli, coautor de las investigaciones ‘Ser adolescente en el Perú', un estudio sobre el estado de la adolescencia en el Perú de hoy, nos da algunos aportes de lo que significa para los niños, niñas y adolescentes ser aceptados en una sociedad con distintas miradas y realidades. En las lecturas de la semana, el crítico literario y gerente de Escena libre, Julio Zavala, recomienda: ‘Los retornos', de Luis Cruzalegui (novela); ‘El héroe y su relación con la heroína', de Oswaldo Chanove (poesía); y ‘Un largo respiro. Vida y obra de Álex Klein', de Ramon Mendes de Oliveira (biografía). Las canciones que refuerzan la temática son: ‘7 Rings', de Ariana Grande; ‘The catcher in the rye', de Elephanz; ‘It ain't me', por Kygo y Selena Gomez; ‘Temblando', por Hombres G; ‘She's leaving home', de The Beatles; y ‘I'm not a girl, not yet a woman', de Britney Spears. Conducción: Patricia del Río ||| Producción: Amelia Villanueva ||| Edición de audio: Andrés Rodríguez ||| Episodio 45 – Tercera temporada.

A lot of people assume that Fiona is a very old Scottish name, but the first known Scottish Fiona is from the 1890s: Fiona Macleod, the enormously popular novelist of Scotland's Celtic Revival movement. But when she suddenly stopped writing in 1905...and there turned out to be far more surprises about Fiona Macleod than the novelty of her name. Writer and performer Harry Josie Giles and PhD researcher Moll Callaway-Heaton consider the first Scottish Fiona. This is part one of a pair of episodes about the name Fiona; part two will explore the etymology of the name and similar ones in various languages, and examine the first appearance of Fiona in literature, which comes with its own cocktail of complication. Find out more about this episode and get extra information about the topics therein at theallusionist.org/fiona1, where there's also a transcript. The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow, while it still stands. Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, fortnightly livestreams, special perks at live shows, and best of all the Allusioverse Discord community. The Allusionist is produced by me, Helen Zaltzman. Thanks to Anne Pond from the National Maritime Museum in Cornwall for boat information, and to Martin Austwick for editorial help and the original music. Hear Martin's own songs via palebirdmusic.com. Our ad partner is Multitude. To sponsor the show, contact them at multitude.productions/ads. This episode is sponsored by: • Wondrium, the online library of lectures, courses, tutorials, documentaries and more. Get 50% off your first three months of Wondrium at wondrium.com/allusionist.• Mint Mobile: cut your cellphone bill to a mere $15 a month at mintmobile.com/allusionist.• Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. • Squarespace, your one-stop shop for building and running a sleek website. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

In our season finale, Ann Goldstein, renowned translator of Elena Ferrante's Neapolitan novels, gives a master class in the art and business of translation. Ann speaks to Duke scholar Saskia Ziolkowski and host Aarthi Vadde about being the face of the Ferrante novels, and the curious void that she came to fill in the public imagination in light of Ferrante's anonymity. In a profession long characterized by invisibility, Ann reflects on her own celebrity and the changing orthodoxies of the book business. Where once having a translator's name on a book cover would be sure to kill interest, now there are movements to display author's and translator's names together. Ann reads an excerpt in Italian from Primo Levi's The Truce, followed by her re-translation of the autobiographical story for The Complete Works of Primo Levi. She then offers an extraordinary walk through of her decision-making process by honing in on the difficulty of translating one key word “scomposti.” Listening to Ann delineate and discard choices, we are reminded of Italo Calvino's assertion (echoed by Ann) that translation is indeed the closest way to read. This season's signature question on “untranslatables” yields another brilliant meditation on word choice and the paradoxical task of arriving at precise approximations. Plus, Ann and Saskia reveal some of their favorite Italian women writers, several of whom Ann has brought into English for the first time. Mentions: --Elena Ferrante --Jennifer Croft --Primo Levi, The Periodic Table --Primo Levi, The Truce, from The Complete Works of Primo Levi --Stuart Woolf, original translator of Levi, If This is the Man --Catherine Gallagher, Nobody's Story --Italo Calvino --Marina Jarre, Return to Latvia --Elsa Morante, Arturo's Island --Emily Wilson, only female translator of The Odyssey --Jenny McPhee --Cesare Garboli Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

In our season finale, Ann Goldstein, renowned translator of Elena Ferrante's Neapolitan novels, gives a master class in the art and business of translation. Ann speaks to Duke scholar Saskia Ziolkowski and host Aarthi Vadde about being the face of the Ferrante novels, and the curious void that she came to fill in the public imagination in light of Ferrante's anonymity. In a profession long characterized by invisibility, Ann reflects on her own celebrity and the changing orthodoxies of the book business. Where once having a translator's name on a book cover would be sure to kill interest, now there are movements to display author's and translator's names together. Ann reads an excerpt in Italian from Primo Levi's The Truce, followed by her re-translation of the autobiographical story for The Complete Works of Primo Levi. She then offers an extraordinary walk through of her decision-making process by honing in on the difficulty of translating one key word “scomposti.” Listening to Ann delineate and discard choices, we are reminded of Italo Calvino's assertion (echoed by Ann) that translation is indeed the closest way to read. This season's signature question on “untranslatables” yields another brilliant meditation on word choice and the paradoxical task of arriving at precise approximations. Plus, Ann and Saskia reveal some of their favorite Italian women writers, several of whom Ann has brought into English for the first time. Mentions: --Elena Ferrante --Jennifer Croft --Primo Levi, The Periodic Table --Primo Levi, The Truce, from The Complete Works of Primo Levi --Stuart Woolf, original translator of Levi, If This is the Man --Catherine Gallagher, Nobody's Story --Italo Calvino --Marina Jarre, Return to Latvia --Elsa Morante, Arturo's Island --Emily Wilson, only female translator of The Odyssey --Jenny McPhee --Cesare Garboli Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This week, writer-producer and person behind the bookstagram @readingtheother, Srishti Raj, joins us to discuss dilemmas around representation, ‘staying true' to the text, grappling with the legacy of complicated authors, and why we have a love-hate relationship with screen adaptations of books. Here are some of the books and movies we refer to in this podcast which we love: Who Fears Death by Nnedi OkoraforThe Neapolitan Novels by Elena FerranteThe Lost Daughter by Elena Ferrante The Lost Daughter the filmLittle Women by Louisa May AlcottLittle Women the 2019 filmAnd here is the link to Elena Ferrante's interview Srishti talks about at 34.14 — https://www.theguardian.com/lifeandstyle/2018/nov/10/elena-ferrante-on-screen-adaptations-of-her-novelsRespectfully Disagree is The Swaddle Team's very own podcast series, in which we get together to discuss and dissect the issues we passionately differ on.

In our season finale, Ann Goldstein, renowned translator of Elena Ferrante's Neapolitan novels, gives a master class in the art and business of translation. Ann speaks to Duke scholar Saskia Ziolkowski and host Aarthi Vadde about being the face of the Ferrante novels, and the curious void that she came to fill in the public imagination in light of Ferrante's anonymity. In a profession long characterized by invisibility, Ann reflects on her own celebrity and the changing orthodoxies of the book business. Where once having a translator's name on a book cover would be sure to kill interest, now there are movements to display author's and translator's names together. Ann reads an excerpt in Italian from Primo Levi's The Truce, followed by her re-translation of the autobiographical story for The Complete Works of Primo Levi. She then offers an extraordinary walk through of her decision-making process by honing in on the difficulty of translating one key word “scomposti.” Listening to Ann delineate and discard choices, we are reminded of Italo Calvino's assertion (echoed by Ann) that translation is indeed the closest way to read. This season's signature question on “untranslatables” yields another brilliant meditation on word choice and the paradoxical task of arriving at precise approximations. Plus, Ann and Saskia reveal some of their favorite Italian women writers, several of whom Ann has brought into English for the first time. Mentions: --Elena Ferrante --Jennifer Croft --Primo Levi, The Periodic Table --Primo Levi, The Truce, from The Complete Works of Primo Levi --Stuart Woolf, original translator of Levi, If This is the Man --Catherine Gallagher, Nobody's Story --Italo Calvino --Marina Jarre, Return to Latvia --Elsa Morante, Arturo's Island --Emily Wilson, only female translator of The Odyssey --Jenny McPhee --Cesare Garboli Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In our season finale, Ann Goldstein, renowned translator of Elena Ferrante's Neapolitan novels, gives a master class in the art and business of translation. Ann speaks to Duke scholar Saskia Ziolkowski and host Aarthi Vadde about being the face of the Ferrante novels, and the curious void that she came to fill in the public imagination in light of Ferrante's anonymity. In a profession long characterized by invisibility, Ann reflects on her own celebrity and the changing orthodoxies of the book business. Where once having a translator's name on a book cover would be sure to kill interest, now there are movements to display author's and translator's names together. Ann reads an excerpt in Italian from Primo Levi's The Truce, followed by her re-translation of the autobiographical story for The Complete Works of Primo Levi. She then offers an extraordinary walk through of her decision-making process by honing in on the difficulty of translating one key word “scomposti.” Listening to Ann delineate and discard choices, we are reminded of Italo Calvino's assertion (echoed by Ann) that translation is indeed the closest way to read. This season's signature question on “untranslatables” yields another brilliant meditation on word choice and the paradoxical task of arriving at precise approximations. Plus, Ann and Saskia reveal some of their favorite Italian women writers, several of whom Ann has brought into English for the first time. Mentions: --Elena Ferrante --Jennifer Croft --Primo Levi, The Periodic Table --Primo Levi, The Truce, from The Complete Works of Primo Levi --Stuart Woolf, original translator of Levi, If This is the Man --Catherine Gallagher, Nobody's Story --Italo Calvino --Marina Jarre, Return to Latvia --Elsa Morante, Arturo's Island --Emily Wilson, only female translator of The Odyssey --Jenny McPhee --Cesare Garboli Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In dit tweede deel van de dubbelaflevering over literaire fuckboys is Marja Pruis te gast om samen met Joost en Charlotte de rest van de top 10 samen te stellen. De literaire fuckboys in deze aflevering 6 Mr. Rochester uit Jane Eyre van Charlotte Brontë / 5 Junior uit This is How You Lose Her van Junot Diaz / 4 Graaf Wronski uit Anna Karenina van Lev Tolstoj / 3 H. uit Meisjesherinneringen van Annie Ernaux / 2 Nino uit De Napolitaanse romans van Elena Ferrante / 1 George Wickham uit Pride and Prejudice van Jane Austen en Daniel Cleaver uit Bridget Jones's Diary van Helen Fielding Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Jordan Tromblee and Deezy Youngdahl opened Novelette Booksellers in Nashville, Tennessee, less than six months ago. The vibrant, colorful, inclusive and welcoming shop has already been hailed as one of the city's most talked about indies. They join Matt this week to tell us why. Books We Talk About: Exalted by Anna Dorn, Babel by R.F. Kuang, Less by Andrew Sean Greer, The Neapolitan Novels by Elena Ferrante, Melissa Broder's books, Piranesi by Susanna Clarke, Red White and Royal Blue by Casey McQuiston and No Choice by Becca Andrews.Venture Europepersonal conversations with the entrepreneurs and investors reshaping our futureListen on: Apple Podcasts Spotify

Malgré l'avancée des luttes féministes, l'idée reçue selon laquelle les femmes ne peuvent pas s'entendre perdure. Aux confins de rivalités supposées, de sexisme intériorisé et de compétition pour le regard masculin, ces représentations d'une entente dite impossible entre les femmes ne sert qu'une idéologie : celle du patriarcat. Dans ce dernier épisode avant l'été, Clémentine et Pauline reviennent sur la mise en scène de ces conflits et sur les mécanismes de la misogynie dont peuvent faire preuve certaines femmes dans le milieu du travail et dans la pop culture. Références entendues dans l'épisode“Plainte pour viol contre Gérald Darmanin: le dossier est relancé”, Mediapart, 11 juin 2020. “« D'homme à homme » : l'expression de Macron pour défendre Darmanin fustigée par des féministes”, l'Obs, 15 juillet 2020. La crise de la masculinité, Francis Dupuis-Déri (Remue Ménage, 2018.)La sociobiologie selon Edward O. Wilson est une discipline étudiant les bases biologiques présumées des comportements sociaux répertoriés dans le règne animal.“Non Compete Clause”, The Baffler, 12 octobre 2017. “Why Women Compete With Each Other”, The New York Times, 31 octobre 2015. Pride and Prejudice réalisé par Joe Wright en 2005 et se basant sur le roman du même nom de Jane Austen. Pourquoi l'amour fait mal, l'expérience amoureuse dans la modernité, Eva Illouz, Seuil, 2006. Qui est miss Paddle ?, podcast de Judith Duportail, Pavillon Sonore, 2020. Mental FM, podcast d'Victoire Tuaillon, Arte Radio, 2018. Woman's Inhumanity to Woman, Phyllis Chessler, Chicago Review Press, 2009. “Passive Aggressive Pam”, Saturday Night Live, 2013. Feminist Fight club, A Survival Manual for a Sexist Workplace, Jessica Bennett, Harpen Collins, 2016. “The Persistent Myth of Female Office Rivalries”, Harvard Business Review, 2019. It's not you, it's the workplace, Andrea S. Cramer, Alton B. Harris, Nicolas Brealey Publishing, 2019. Latter-day Screens: Gender, Sexuality, and Mediated Mormonism, Brenda R. Weber, Duke University Press, 2019. Rivalités féminines au travail, Annik Houel, Odile Jacob, 2014. Valérie Pécresse au micro du Petit Journal, 15 mai 2015. “Concurrences professionnelles et stéréotypes de la rivalité féminine”, Le Genre Présidentiel, Frédérique Matonti, 2017. Le féminisme au-delà des idées reçues, Christine Bard, Le Cavalier Bleu, 2012. Antoinette Fouque, militante féministe et figure de proue du MLF l'enregistre en tant qu'association et marque en 1979. “Why Maria Sharapova's Rivalry With Serena Williams Echoes The Practiced Fragility of White Women”, Medium, 13 septembre 2017. Mrs. America est une série créée par Dahvi Waller en 2020. “Does Patriarchy Divide Women: The Importance Of Solidarity”, Feminism in India, 2019. Les Journalopes est un collectif français de six journalistes indépendantes. All about Eve est un film réalisé par Joseph L. Mankiewicz en 1950. La Favorite est un film réalisé par Yórgos Lánthimos en 2018. Mes meilleures amies (Bridesmaids) est un film réalisé par Paul Feig en 2011. “Why Bridesmaids just ain't funny”, Indie Wire, 20 juin 2018. La ligue des super-féministes, Mirion Malle, La Ville Brûle, 2019. Feud est une série de Ryan Murphy créée en 2017. L'Amie prodigieuse, Elena Ferrante, Gallimard, 2014. Princesse malgré elle est un film basé sur les livres de Meg Cabot réalisé par Garry Marshall en 2001. Selling Sunset est une téléréalité américaine produite par Netflix en 2019. The Real Housewives est une téléréalité américaine créée en 2005. Thirteen est un film réalisé par Catherine Hardwicke en 2003. Antéchrista, Amélie Nothomb, Albin Michel, 2003. Vicky Cristina Barcelona est un film réalisé par Woody Allen en 2008. Le numéro Sexe des Inrockuptibles, juillet 2020. L'exposition Claudia Andujar, Fondation Cartier. La playlist "QDM Summer 2020" sur Spotify.Quoi de Meuf est une émission de Nouvelles Écoutes, cet épisode est conçu et présenté par Clémentine Gallot et Pauline Verduzier mixé par Laurie Galligani. Générique réalisé par Aurore Meyer Mahieu. Montage et coordination Ashley Tola. Vous pouvez consulter notre politique de confidentialité sur https://art19.com/privacy ainsi que la notice de confidentialité de la Californie sur https://art19.com/privacy#do-not-sell-my-info.

On this weeks Book(ish) I sit down with photographer, stylist, blogger and influencer Tamsien West to discuss My Brilliant Friend by Elena Ferrante. Our conversation includes the ongoing mystery of who Elena Ferrante is, actively trying to widen the type of people you're reading, and the fascinating places you can go when you journal. Enjoy!Books/authors discussed:My Brilliant Friend by Elena FerranteNeverwhere by Neil GaimanBeowulf translated by Maria Dahvana HeadleyThe Artists Way by Julia CameronHiromi KawakamiSayaka MurataYou can follow Tamsien on Instagram at Bubbling Books and Mina and Maud.Follow Bookish Comedy on Twitter and Instagram.Sign up to our newsletter here. Join our facebook group here.You can now physically send us stuff to PO BOX 7127, Reservoir East, Victoria, 3073.Want to help support the show?Sanspants+ | Podkeep | USB Tapes | Merch Hosted on Acast. See acast.com/privacy for more information.

“I was always in a play, always in rehearsals. And if I wasn't in a play, I was counting the hours ‘til I could be in a play. Because it was the first time I felt a sense of belonging, a sense of community.” In Making a Scene, actress Constance Wu (Lyle, Lyle Crocodile) takes readers backstage in her own life in often hilarious — and always real and relatable — essays. She joins us on the show to talk about authenticity and big emotions, love, her big break (and what happened next), her literary inspirations including Elena Ferrante and Lily King, and much more with Poured Over's host, Miwa Messer. And we end this episode with TBR Topoff book recommendations from Marc and Becky. Featured Books (Episode): Making a Scene by Constance Wu Writers & Lovers by Lily King Five Tuesdays in Winter by Lily King The Days of Abandonment by Elena Ferrante   Featured Books (TBR Topoff) Hello, Molly! by Molly Shannon All the Women in My Brain by Betty Gilpin   Poured Over is produced and hosted by Miwa Messer and mixed by Harry Liang. Follow us here for new episodes Tuesdays and Thursdays (with occasional Saturdays).

Eseje bestsellerové italské spisovatelky Eleny Ferrante se tentokrát dotýkají samotného Danta Alighieriho, jednoho z nejvýznamnějších italských básníků a autora Božské komedie. Spisovatelka v něm našla něco, co se sama rozhodla následovat. I ona totiž byla posedlá hledáním formy svého psaní.

Rocco Pinto"Portici di carta"“A Torino la cultura è una passeggiata”15ª edizione sabato 8 e domenica 9 ottobre 2022, Torino https://www.salonelibro.it/Libri, letture, incontri, dialoghi, laboratori, passeggiate,degustazioni, azioni pittorichecon autrici e autori italiani e internazionali Dedica a Fruttero & LucentiniMini Portici + Portici a Scuola per bambine e bambiniEditori ospiti: e/o e CamelozampaDue km di libri con editori e librerie lungo i portici Due chilometri di libreria lungo i portici del centro e 140 appuntamenti legati al libro: Portici di Carta, la manifestazione letteraria che trasforma Torino in una delle librerie all'aperto più lunghe del mondo e in una straordinaria festa della comunità del libro, torna sabato 8 e domenica 9 ottobre 2022 con la sua quindicesima edizione.Il centro di Torino e i suoi eleganti portici, patrimonio architettonico del capoluogo piemontese, accoglieranno lettrici e lettori di ogni età con la presenza di librerie torinesi e editori piemontesi e con la proposta di un programma culturale caratterizzato da incontri, dialoghi, celebrazioni editoriali, dediche autoriali, passeggiate e degustazioni letterarie, letture, laboratori per bambine e bambini, azioni pittoriche in piazza, letture ad alta voce, accogliendo scrittori e scrittrici da tutta Italia, bibliotecarie, bibliotecari, insegnanti e volontari.Dopo alcuni anni di assenza, a Portici di Carta riapprodano autrici e autori internazionali, come nell'originario spirito della manifestazione, ritornano gli editori ospiti, che per questa quindicesima edizione saranno Edizioni e/o e Camelozampa, e viene riproposta la dedica a personalità emblematiche della narrativa italiana: il doveroso ricordo, tra incontri e passeggiate letterarie, andrà a Fruttero & Lucentini, a cinquant'anni dalla pubblicazione de La donna della domenica, a dieci anni dalla morte di Fruttero e a vent'anni dalla scomparsa di Lucentini. Un omaggio anche a Piero Angela, torinese e amico da sempre del Salone Internazionale del Libro di Torino.Novità 2022: la nuova iniziativa Portici a Scuola, gli incontri nelle scuole di Torino – realizzati in collaborazione con Piemonte Rete Libri, Camelozampa, Giunti, Editoriale Scienza e Piemme –, e le degustazioni letterarie Il giro del mondo in 40 libri per confrontarsi sui temi della multiculturalità.Per il secondo anno consecutivo il programma di Portici di Carta si amplia grazie alla nuova anima “off” dell'iniziativa, con Portici Off: gli appuntamenti nei giorni precedenti, a partire da lunedì 3 ottobre, nelle librerie e negli spazi delle Circoscrizioni torinesi, per coinvolgere anche la periferia nella grande festa open air del libro. E si espande anche nel centro città, coinvolgendo non solo, come consuetudine, i portici di Via Roma, Piazza San Carlo, Piazza C.L.N. e Piazza Carlo Felice con il suo Gazebo Sambuy e il Giardino Forbito, ma anche le Gallerie d'Italia-Torino – nuovo museo di Intesa Sanpaolo dedicato alla fotografia e alle arti visive –,il Museo nazionale del Risorgimento e, grazie alla collaborazione con il Centro Interculturale della Città di Torino, alcuni Caffè storici e pasticcerie (Stratta, Caffè Torino, Costadoro, Mokita, Turin-Vermouth).La maggioranza degli appuntamenti sono a ingresso gratuito. Portici di Carta si conferma la manifestazione di promozione del libro e della lettura capace di coinvolgere tutti i soggetti della filiera del libro, dagli editori ai librai, dalle biblioteche alle scuole.Tra le iniziative dell'editore ospite e/o per raccontarsi al pubblico: l'incontro Da Christa Wolf a Elena Ferrante con i fondatori della casa editrice, Sandro Ferri e Sandra Ozzola, e Bruno Ventavoli e la mostra fotografica in piazza San Carlo "Una giornata in casa editrice" con gli scatti in bianco e nero di Dario Nicoletti, che immortalano alcuni momenti del lavoro editoriale, e le didascalie dello scrittore Sasha Naspini. Piazza San Carlo sarà il centro pulsante del programma Mini Portici, dedicato a bambine e bambini, ragazze e ragazzi, realizzato in collaborazione con le Biblioteche civiche torinesi. Editore ospite è Camelozampa che animerà la piazza con incontri, attività letture e laboratori in compagnia di autrici e autori, illustratrici e illustratori, come Nicoletta Bertelle, Rossana Bossù, Mara Dompè, Serenella Quarello, Giulia Torelli, Pino Pace.Letture ad alta voce, anche a tu per tu, saranno proposte, sempre dalle Biblioteche civiche torinesi, prendendo ispirazione dai libri pubblicati da Camelozampa, dai libri per bambini sul tema del giallo, in sintonia con la dedica di quest'anno a Fruttero & Lucentini, e nell'ambito di Nati per Leggere, anche con i volumi del Premio Nati per Leggere.Torna l'appuntamento apprezzato da adulti e piccoli: Piazza San Carlo si vestirà di allegria e colore con le grandi azioni di pittura collettiva curate dal Dipartimento Educazione Castello di Rivoli Museo d'Arte Contemporanea, dedicate al genere letterario del Giallo e al libro Chroma di Derek Jarman.Non poteva mancare l'omaggio a Mario Lodi nell'anno del centenario della sua nascita: all'Oratorio San Filippo Neri va in scena lo spettacolo per bambine e bambini Cipì e Bandiera di Vania Pucci e Giorgio Scaramuzzino, che propone le due favole del grande scrittore e educatore.IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.it/

In this episode, we chat about the magic of newness. This was inspired by the progress we've been making on our teacher training manual for our very first MerryBody Teacher Training next year. If you're feeling a little stuck and bored with everything, tune in.This is what we spoke about during the episodeWhen the day-to-day becomes monotonous, it's easy to feel bored and lose that zest for life.Have you started anything new lately? Have you been curious about something and then dived in deeper?We reference the amazing book series (again!), My Brilliant Friend by Elena Ferrante.The attachment tto the ROI (return on investment). But what if the return on the investment was simply the newness of the experience?When you're young, you can develop these strong opinions of yourself. But you're not stuck there. You can make changes.Check out Irene Messias's amazing sculptures and art over here. Check out Damiano's work over here.Check in with yourself when was the last thing you did or brought into your life. Is it time for something new?We would love to hear from you, send us an email to carla@themerrymakersisters.com or emma@themerrymakersisters.com or message us on our Facebook and Instagram accounts @themerrymakersisters.Download our FREE Self Care Checklist and you'll find 50 brand new ideas to practice self care.Always merrymaking,Emma + CarlaP.s if you ever need further help or guidance please contact Lifeline or Beyond Blue. Asking for help is pure courage. Hosted on Acast. See acast.com/privacy for more information.

Imagine being a young girl growing up in a world of constant curfews, occasional raids, army bunkers outside homes, and the fear that whoever leaves home may not return. Farah Bashir joins Amit Varma in episode 295 of The Seen and the Unseen to speak about her childhood in Kashmir, and how she revisited it to write about it. (For full linked show notes, go to SeenUnseen.in.) Also check out: 1. Farah Bashir on Twitter and Instagram. 2. Rumours of Spring: A Girlhood in Kashmir -- Farah Bashir. 3. Kashmir and Article 370 — Episode 134 of The Seen and the Unseen (w Srinath Raghavan). 4. Curfewed Night -- Basharat Peer. 5. The Good Women Of China -- Xinran. 6. Svetlana Alexievich on Amazon. 7. Portrait of a Turkish Family -- Irfan Orga. 8. Amitava Kumar Finds the Breath of Life — Episode 265 of The Seen and the Unseen. 9. Sharon and My Mother-in-Law -- Suad Amiry. 10. Derry Girls on Netflix and Wikipedia. 11. Nazia Hasan on Spotify. 12. Little Women -- Louisa May Alcott. 13. Nikaah -- BR Chopra. 14. Things Fall Apart -- Chinua Achebe. 15. Sonnets -- William Shakespeare. 16. Hussain Haidry, Hindustani Musalmaan -- Episode 275 of The Seen and the Unseen. 17. The Life and Times of Nilanjana Roy — Episode 284 of The Seen and the Unseen. 18. The Life and Times of Urvashi Butalia — Episode 287 of The Seen and the Unseen. 19. Ghazal -- Agha Shahid Ali. 20. Farah Bashir on the Raw Mango campaign. 21. The Wretched of the Earth -- Frantz Fanon. 22. Kaabil: That Old Regressive Bollywood Strikes Again -- Amit Varma. 23. Georges Simenon on Amazon. 24. Varun Grover Is in the House -- Episode 292 of The Seen and the Unseen. 25. Masaan — Directed by Neeraj Ghaywan and written by Varun Grover. 26. Against White Feminism -- Rafia Zakaria. 27. Another Birth and Other Poems -- Forugh Farrokhzad. 28. The Late Bourgeois World -- Nadine Gordimer. 29. Telling Times -- Nadine Gordimer. 30. Kashmir ki Kali -- The Shakti Samanta film starring a Bengali! 31. Territory of Desire -- Ananya Jahanara Kabir. 32. Mahjoor and Habba Khatoon. 33. Ali Saffuddin and Parvaaz on Spotify. 34. Toni Morrison on Amazon. 35. The Patience Stone -- Atiq Rahimi. 36. Elena Ferrante on Amazon. 37. Milkman -- Anna Burns. 38. Paradise Lost -- John Milton. 39. Macbeth -- William Shakespeare. 40. Greta Gerwig on IMDb, Wikipedia and Mubi. 41. Hisham Matar on Amazon. 42. Museum of Innocence -- Orhan Pamuk. 43. Bell Hooks and WG Sebald on Amazon. 44. The Loneliness of the Indian Woman — Episode 259 of The Seen and the Unseen (w Shrayana Bhattacharya). 45. Vivian Gornick on Amazon. 46. The Odd Woman and the City — Vivian Gornick. 47. Fierce Attachments -- Vivian Gornick. 48. Shame On Me -- Tessa McWatt. 49. Home Fire -- Kamila Shamsie. 50. Joan Didion and Jane Austen on Amazon. This episode is sponsored by Capital Mind. Check out their offerings here. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art by Simahina, in a homage to Madhubani painting.

Autoficção e relações ambivalentes são tema do último episódio desta temporada de Meu Consciente Coletivo. O que norteia a conversa é a série "A Amiga Genial", da HBO,  baseada na chamada "tetralogia napolitana" da escritora italiana Elena Ferrante. A escritora e colunista da Folha Tati Bernardi fala com a psicanalista Fabianne Secches, especialista na obra de Ferrante. Esta temporada do podcast analisou as questões apresentadas por grandes séries e filmes. See omnystudio.com/listener for privacy information.

Full time blogger, at The Literary Lifestyle, Jules Buono joins Kristen Llorca on the Wild Wonder Podcast to explore why books have the power to blow open our understanding of ourselves, each other, and the world. On the podcast, Jules chooses our September WILD WONDER BOOKCLUB pick, "My Brilliant Friend" by Elena Ferrante. Find this book, along with our full bookclub reading list, on Bookshop at https://bookshop.org/lists/wild-wonder-bookclub. To join the Wild Wonder Bookclub, become a subscriber at https://www.patreon.com/wildwonder. For more on Jules and The Literary Lifestyle visit https://www.julesbuono.com/. WILD WONDER PODCAST On the Wild Wonder Podcast, host Kristen Llorca seeks to democratize and demystify holistic wellness practices by speaking with today's leading practitioners. The Wild Wonder Podcast is not possible without your generous support. Become a Patreon subscriber and get instant access to our bookclub, private Discord group, live meet-ups, discounts and more at https://www.patreon.com/wildwonder. Short on funds? Share the podcast with friends in a text, email, or on social media. The Wild Wonder Podcast is available on YouTube, Spotify, Apple Podcasts, and SoundCloud. Be sure to “follow” to receive notifications when episodes are made available. For everything else, visit us at https://wearewildwonder.com/

L'équipe Quoi de Meuf espère de tout coeur que vous passez un bel été ! L'occasion de (ré)écouter des épisodes marquants du podcast. Et cette semaine, on vous propose un épisode avec Clémentine et Anne-Laure. Bonne écoute! « Transfuge de classe », « transclasses », « ascension », « mobilité sociale »… Ces termes font écho aux transformations et aux changements de classe sociale qu'un.e individu vit par rapport à ses parents et à ses origines. Le capital économique, culturel et social se modifie en fonction de ces transfuges. Dans ce nouvel épisode de Quoi de Meuf, Clémentine Gallot et Anne-Laure Pineau évoquent, entre autres, les parcours autant atypiques que communs d'auteur.ices tels que Annie Ernaux, Édouard Louis ou encore Nesrine Slaoui. Les références entendues dans l'épisode : Edouard Louis, “Changer”, Seuil, 2021Eddy Bellegueule, “En finir”, Seuil (2014)Léa Salamé, “Edouard Louis : "Je voudrais que les gens braquent la société comme on braque une banque", France Inter (2021)Adrien Naselli, “Et tes parents, ils font quoi ?” , JC Lattes (2021)Kaoutar Harchi, “Comme nous existons”, Actes sud (2021)Chantal Jaquet & Gérard Bras, “La fabrique des transclasses”, PUF (2018)Sonya Faure, “La lutte des transclasses”, Libération (2018)Jean-Claude Passeron, “Les héritiers”, Éditions de Minuit (1964)Jean-Claude Passeron, “La reproduction”, Éditions de Minuit (1970)Bernard Lahire, “La raison scolaire”, Presses universitaires de Rennes (2009)Bernard Lahire,“Enfance de classes”, Seuil (2009)Tout ce qui brille de Géraldine Nakache et Hervé Mimran (2010)Nesrine Slaoui, “Illégitimes”, Fayard (2021)Annie Ernaux, “La place et La honte”, Hatier (2005)Downton Abbey de Julian Fellowes (2005)Titanic de James Cameron (1998)Une nounou d'enfer de Peter Marc Jacobson, Fran Drescher et Prudence Fraser (1999)Elena Ferrante, “L'amie prodigieuse”, Gallimard (2016)Kate Charlesworth, “A pink story”, Casterman (2021)Elodie Font, “Coming in”, Payot (2021)Génération de Zelda Barnz, Daniel Barnz (2021)Quoi de Meuf est une émission de Nouvelles Écoutes. Rédaction en chef : Clémentine Gallot. Journalistes chroniqueuses: Anne-Laure Pineau. Montage et mixage par Laurie Galligani. Prise de son par Adrien Beccaria à l'Arrière Boutique. Générique réalisé par Aurore Meyer Mahieu. Réalisation et coordination : Cassandra de Carvalho et Mathilde JoninVous pouvez consulter notre politique de confidentialité sur https://art19.com/privacy ainsi que la notice de confidentialité de la Californie sur https://art19.com/privacy#do-not-sell-my-info.

This week's book, the first in a four-book series by the pseudonymous Elena Ferrante, is about the friendship of two Italian women across many years and many phases of life. You won't BELIEVE which friend ends up being the brilliant one!  Our theme music was composed by Nick Lerangis. Advertise on OverdueSee omnystudio.com/listener for privacy information.

Something about the hot sun, the endless hours on the beach that makes the European Holiday take a turn… This week Bethany and Mary discuss Elena Ferrante's “The Lost Daughter,” an iconic beach read and film directed by Maggie Gyllenhaal. The story uses the summer trip as a backdrop to exploring the darker sides of self and we ponder what it means to be a sad-girl-turned-sad-woman.Book discussed: The Lost Daughter by Elena FerranteSign up for our newsletter: https://sadgirlsyllabus.com/Become a patron: https://www.patreon.com/sadgirlsyllabus

“To me, the thing as a writer that you should always be working towards is like, how can I make this just be delicious for the reader?” Jana Casale has perfected the art of writing about the ordinary lives of women in such a way that fans of Elena Ferrante and Sally Rooney will flock to, and her latest story following the lives of three young women as they navigate love, How to Fall Out of Love Madly, is just out. Jana joins us on the show to talk about the lives and relationships of Millennial women, body image issues, self-love, loneliness, the influence one teacher had on her decision to be a writer, and much more with guest host, Elani Wilson. And we end this episode with TBR Topoff book recommendations from Marc and Becky.   Featured Books (episode) How to Fall Out of Love Madly by Jana Casale Anna Karenina by Leo Tolstoy Hello, Molly! by Molly Shannon   Featured Books (TBR Topoff): Next Year, for Sure by Zoey Leigh Peterson Real Life by Brandon Taylor   This episode of Poured Over is produced and hosted by Elani Wilson and mixed by Harry Liang. Follow us here for new episodes Tuesdays and Thursdays (with occasional Saturdays).   A full transcript of this episode is available here.

Kohlick, Annewww.deutschlandfunk.de, BüchermarktDirekter Link zur Audiodatei

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This week, we read Elena Ferrante's novella The Lost Daughter, set on the Ionian coast. We also watch Maggie Gyllenhaal's film adaptation. Join us!

As blistering heatwaves and raging forest fires sweep across Europe, climate change is once again back on the agenda. But Russia's attack on Ukraine and the consequent reduction in energy supplies to Europe has greatly complicated Europe's green transition. Some observers argue that a cold-turkey withdrawal from Russian fossil fuels will speed up the transition to renewable energy, but others predict that climate goals will fall by the wayside as European leaders turn to coal and whatever else is available to make up for the lack of Russian oil and gas. In this week's episode, Jeremy Shapiro, ECFR's research director seizes the reins of power as host from a vacationing Mark Leonard and talks to Susi Dennison, director of ECFR's European Power programme, and Simone Tagliapietra, senior fellow at Bruegel about these competing narratives. Will Europe manage to maintain unity as winter approaches? What does this mean for its efforts in climate diplomacy? This podcast was recorded on 19 July 2022. Further reading - Green peace: How Europe's climate policy can survive the war in Ukraine by Susi Dennison: https://buff.ly/3NqrHxw - Own coal: Why Europe could lose its green transition by Susi Dennison: https://buff.ly/3R2QuL7 - Circuit breakers: Securing Europe's green energy supply chains by Agatha Kratz, Charlie Vest, and Janka Oertel: https://buff.ly/3w67gAB Bookshelf: - How the World Really Works: A Scientist's Guide to Our Past, Present and Future by Vaclav Smil - Violetta by Isabel Allende - The Neapolitan Novels by Elena Ferrante

If you find yourself forever competing with your friendship group, this episode is for you.The chat was inspired by the book, My Brilliant Friend by Elena Ferrante, a story revolved around the friendship and rivalry between 2 girls growing up in post WWII Naples. The themes in the book are relatable, even though I grew up in Australia in the 1990s and 2000s. I remember feeling rejected with sense of competition between friends. Feeling lonely, like an outcast. The jealousy and the worry of what others think. Not only a fantastic, can't put it down kinda read, it inspires reflection of your own life.No wonder this book series (yes there are 3 more books to read) is so popular.This is what we spoke about during the episodeYou can be competitive with each other but still, want each other to succeed.Competition can create suffering. Having an ally over a competitor is just a more joyful way to live. When you help each other, it's a productive relationship.Reflect and check in, what's your sense of competition like. Is it bringing good or is it bringing others and yourself down?Jealousy can be a big reason why friendships become toxic. What can you do about it?If it does not come naturally to you, being happy for someone else is a practice.Seek inspiration and motivation from someone else's success. Get out of your ego. Let go of the competition.If you loved this episode, send us an email at carla@themerrymakersisters.com or emma@themerrymakersisters.com or message us on our Facebook and Instagram accounts @themerrymakersisters.Download our FREE Self Care Checklist and you'll find 50 brand new ideas to practice self care.Always merrymaking,Emma + CarlaP.s if you ever need further help or guidance please contact Lifeline or Beyond Blue. Asking for help is pure courage. See acast.com/privacy for privacy and opt-out information.

Meet Sam from the gorgeous, chic, always-on-point bookish account, __and.books. Her style is uncluttered, understated, yet so intuitively curated. She says she doesn't try… but truly.. what's her magic touch? Aside from her glorious feed, her taste in books is just as incredible. Joyce Carol Oates, Elena Ferrante, Ottessa Moshfengh, she has quality taste. In this episode, we discuss: Mind-bending stories from Joyce Carol Oates Sharing love for the amazing content creators on Bookstagram We bond over being picky bitches for good writing Dissecting the hype over Sarah J Mass Sam's favorite authors (up to the Sam standard) Our weird emotional attachment to books & so, so much more!! Make sure to give DogEared Book Club a follow wherever you get your podcasts, and leave a review! DM dogeared.bookclub on IG about what resonated, any guest suggestions (Leader or bookish), along with topics! CONNECT WITH SAM https://www.instagram.com/__and.books/ (HERE) CONNECT WITH DOGEARED https://www.instagram.com/dogeared.bookclub/ (HERE)

C'est le début des vacances, en couple, en famille, ou alors... entre copines ! À cette occasion, l'équipe de Quoi de Meuf vous propose de réécouter cet épisode sur l'amitié féminine sujet passionnant et inépuisable, tant il y a à dire…En proie aux représentations stéréotypées, elle fait l'objet tantôt d'appropriations, de fantasmes, avec un regard bien trop souvent hétéronormé et sexiste. Pourtant, elle est précieuse, complexe et d'une richesse incommensurable.Alors, Clémentine Gallot et Anne-Laure Pineau s'y attardent dans cet épisode long de Quoi de Meuf, et comptent bien dénoncer les préjugés, et rétablir les considérations qu'elle mérite.Les références entendues dans l'épisode :Amies, Ouvrage collectif, Nouvelles Questions Féministes Vol. 30 N2 (2011)Une histoire de l'amitié, Anne Vincent-Buffault, Bayard (2010)De l'amitié, Madame De Lambert, Rivages (2018)Love & Friendship de Whit Stillman (2016)What no one ever told you about people who are single, Bella DePaulo, Tedx Talk (2017)The Female World of Love and Ritual : Relations between Women in Nineteenth-Century America, Carroll Smith-Rosenberg (1975)The Bonds of Womanhood, Nancy F. Cott, Yall University Press (2020)There's a Divide in Even the Closest Interracial Friendships, Aminatou Sow et Ann Friedman, The Cut (2020)L'amitié entre hommes et femmes, la nouvelle frontière de la comédie romantique, Michael Atlan, Slate (2017)Surpassing the Love of Men, Lilian Faderman , The Women's Press Ltd (1981)Compulsory Heterosexuality and Lesbian Existence, Adrienne Rich (1981)Se dire lesbienne, Natacha Chetcuti, Payot (2021)The L World de Ilen Chaiken (2004)Sortir de l'hétérosexualité de Juliet Drouar, Collection sur la table (2021)Réinventer l'amour de Mona Chollet, La découverte (2021)Why Female Friendship Has Been The Greatest Love Of My Life, Emma Firth, Elle (2021)Mettre l'amitié au premier plan, Sasha Roseneil, Nouvelles Questions Féministes (2011)Les orageuses, Marcia Burnier, Cambourakis (2021)Violé.es une histoire de domination, Clémence Allezard, LSD La série documentaire, France Culture (2021)Big Friendship, Aminatou Sow et Ann Friedman, Virago (2020)The Friendship Season, Invisibilia (2021)A l'écart de la meute, Thomas Messias, Marabout (2021)Le deuxième sexe, Simonde De Beauvoir, Gallimard (1986)Bad feminist, Roxane gay, Denoël (2018)Nous devrions tous être féministes, Chimamanda Ngozi Adichie, TEDxEustonA brief history of squads, Arit John, The New York Times (2019)Les strates, Pénélope Bagieu, Gallimard (2019)Une chambre à soi, Virginia Woolf, Bibliothèque 10/18Divines de Houda Benyamina (2016)Tout ce qui brille de Géraldine Nakache (2009)Bande de filles de Céline Sciamma (2014)Thelma et Louise de Ridley Scott (1991)Baise-moi, Virginie Despentes, J'ai lu (2000)Insecure de Larry Wilmore et Issa Rae (2016)Adolescentes de Sébastien Lifshitz (2019)Les petites reines, Clémentine Beauvais, Sarbacane (2015)Desperate Housewives de Marc Cherry (2004)Frances Ha de Noah Baumbach (2012)L'amie prodigieuse, Elena Ferrante, Gallimard (2016)Les flingueuses de Paul Feig (2013)American predator, Maureen Callahan, Sonatine Eds (2021)Les suicidés du bout du monde, Leila Guerriero, Rivages (2021)Fungirl, Elizabeth Pich, Les requins marteaux (2021)Quoi de Meuf est une émission de Nouvelles Écoutes. Rédaction en chef : Clémentine Gallot. Journaliste chroniqueuse : Anne-Laure Pineau. Mixage et montage : Laurie Galligani. Prise de son par Thibault Delage à l'Arrière Boutique. Générique réalisé par Aurore Mahieu. Réalisation et coordination : Cassandra de Carvalho et Mathilde Jonin.Vous pouvez consulter notre politique de confidentialité sur https://art19.com/privacy ainsi que la notice de confidentialité de la Californie sur https://art19.com/privacy#do-not-sell-my-info.

This podcast episode is an unpacking and discussion of the recent Netflix production The Lost Daughter, based on the novel of the same name by the pseudonymous Italian novelist Elena Ferrante and directed by Maggie Gyllenhaal. The film explores the textured, complex, nuanced, challenging parts of the mothering experience and positioning of motherhood culturally. The themes explored shine a light on the shadow side of being a mother, the boundaries of maternal ‘transgressions', and the experience of maternal ambivalence. To reflect on the film, I'm joined in conversation by Julianne Boutaleb, a passionate and highly experienced perinatal psychologist who has worked for over 15 years in the NHS and private practice with parents and parents-to-be and their babies. Julianne and I discuss the importance of this film in exploring the complex and raw portrayal of motherhood on our screens, something we so rarely see examined in such a demanding and articulate way. We look at mothering and the experience of maternal violence, peacemaking and repair, and explore the gap between the idealised version of motherhood versus what is real. We ask and explore questions such as - what do we do with the loss of the imagined future we had before having our children? What are ‘maternal transgressions' of the ‘bad mother' and who defines these? Who decides which are acceptable and which ones aren't? What stories and rules have we internalised as mothers, and where have these come from? What standards are we holding ourselves to as mothers? We look at the possibility of self-erasure and self-surveillance, and explore why it could be helpful to start with the basic premise that we are never going to always meet our child's emotional needs, and why perhaps that's not our job. This is a powerful episode full of interesting discussion on the cultural, social and deeply personal experience of mothering and the sacrifice, tension and fierce love involved. Acknowledging that this film can raise challenging, fraught, and sometimes painful responses in viewers, if you find aspects of this podcast conversation raises difficult feelings for you, please reach out for support. Support lines Australia - https://www.panda.org.au/ - 1300 726 306 UK - https://pandasfoundation.org.uk/ - 0808 1961 776 USA - https://www.postpartum.net/ - Text “Help” to 800-944-4773 (EN) Podcast notes: Cultured magazine: ‘In the lost daughter mums are people too' - Mariah Kreutter. https://www.culturedmag.com/article/2022/01/13/in-emthe-lost-daughter-em-moms-are-people-too The Guardian: ‘How The Lost Daughter confronts one of our most enduring cultural taboos' - Adrian Horton https://www.theguardian.com/film/2022/jan/05/the-lost-daughter-elena-ferrante-maggie-gyllenhaal-motherhood Winnicott's theory of A Good Enough Mother Sara Ruddick; Feminist philosopher and the author of Maternal Thinking: Toward a Politics of Peace Foucault and Jeremy Bentham's panopticon Melanie Klein; Austrian-British author and psychoanalyst known for her work in child analysis.

Emmanuel Macron and Marine Le Pen will face off against each other in the second round of the French presidential election on April 24. We have a good idea of what a second Macron presidency would look like, but Marine Le Pen is another story all together. How would her presidency affect Europe and the world? Jeremy Shapiro – seizing the reins of the podcast this week from a complaisant Mark Leonard – will explore this question with Agneska Bloch, a senior research assistant at a DC-based think tank, where she works on European affairs. This podcast was recorded on 14 April 2022. Further reading: All ECFR analysis on the French election: https://ecfr.eu/topic/france-2022/ Bookshelf: - East West Street by Philippe Sands - My Brilliant Friend by Elena Ferrante

Di Michela Murgia e Chiara Tagliaferri, con l'aiuto prezioso di Dario Nesci.Questo episodio è realizzato in collaborazione con buddybank powered by UniCredit.La Morgana di questo episodio è Elena Ferrante. La scrittrice de "L'Amica Geniale" ha portato via il suo corpo dal discorso pubblico e ha impedito in ogni modo, con costanza pluridecennale, che la sua realtà fisica diventasse una gabbia o una chiave univoca di lettura della sua esistenza. Rompendo il dogma dell'apparire a tutti i costi, ha stabilito che l'unico corpo che vuole esporre è quello del suo testo.

Richard Lawson, Vanity Fair's chief critic and co-host of the podcast Little Gold Men, joins 'Daddy Issues' for a second year and counting to discuss fatherly presence in this year's Oscars nominations and to make his winner predictions. Fathers were a source of tender support in several of this year's nominated films'— as opposed to last year when they were tragically slipping away to Alzheimer's, drunk, or learning from an octopus. Nominated films like CODA, King Richard, Dune, Flee, Raya and the Dragon, Encanto, Mitchells Vs the Machine, and Luca all feature fathers of characters who are classic outliers. There's a lot less bullying and emotional infancy among these characters and a lot more kind-hearted helping of those who deserve a voice. It was also a big year for female directors contemplating gender norms. Maggie Gyllenhall's film adaptation of Elena Ferrante's novel The Lost Daughter explores an ambivalent mother who leaves her family in pursuit of her own academic career in a narrative that is traditionally attached to fathers. Jane Campion's The Power of the Dog, set in the 1920s American West, explores repressed rage and desire, internalized homophobia, particularly femme phobia, the complexities of mentorship, and history repeating itself. It's also the most nominated film of the year, which really sticks in noted bitch Sam Elliott's craw. We also discuss the "shockingly good" West Side Story, the incredible woof that was Being the Ricardos, and unpack Campion's biggest Power of the Dog misstep. (Besides what she said to Venus and Serena Williams at the Critics Choice Awards.) --- Support this podcast: https://anchor.fm/tell-me-about-your-father/support

Biz Ellis (from MaxFun's own One Bad Mother) joins Ify, Drea, and Alonso this week to weigh in  on Maggie Gyllenhaal's The Lost Daughter,  a raw and unflinching portrait of how annoying kids can be. Is Olivia Colman's character a bad mother? Can an introspective art film be as tense as a kaiju fight? Then, the hoses resort to movie memes to predict what 2022 will bring...What's Good MentionsAlonso - Girl Scout cookies/AdventurefulsDrea - Taskmaster Zoom Birthday ChallengeIfy - Meal prep serviceBiz - Doom PatrolITIDICDaniel Radcliffe to play Weird Al in Roku movieJoss Whedon's being defensiveHow to Read Jodorowski's Dune Bible for FreeListen to Drea on One Bad Mother!Buy Alonso's book - I'll Be Home for Christmas Movies Staff Picks:Ify - RashômonDrea - Belle (2021)Alonso - Stop-ZemliaBiz - EncantoEpisode SponsorBetterHelp.com/MAXFILMMaximum Film! listeners get 10% off their first month when you sign up at the above link. With:Ify NwadiweDrea ClarkAlonso DuraldeBiz Ellis