POPULARITY
2 episodes with Arsenal Pulp Press
2 episodes with Arsenal Pulp Press
2 episodes with Arsenal Pulp Press
2 episodes with Arsenal Pulp Press
2 episodes with Arsenal Pulp Press
2 episodes with Arsenal Pulp Press
2 episodes with Arsenal Pulp Press
2 episodes with Arsenal Pulp Press
Comics artist and writer, Teresa Wong is the author of the 2019 graphic memoir Dear Scarlet: The Story of My Postpartum Depression, a finalist for The City of Calgary W.O. Mitchell Book Prize and longlisted for CBC Canada Reads 2020. Her comics have appeared in The Believer, The New Yorker and McSweeney's. Her new book, All Our Ordinary Stories, is just out from Arsenal Pulp Press. Listen in as she and I discuss the intimacy that the graphic memoir allows. The QWERTY podcast is brought to you by the book The Memoir Project: A Thoroughly Non-Standardized Text for Writing & Life. Read it, and begin your own journey to writing what you know. To learn more, join The Memoir Project free newsletter list and keep up to date on all our free webinars and instructive posts and online classes in how to write memoir, as well as our talented, available memoir editors and memoir coaches, podcast guests and more.
-How does vaping affect your lungs? Guest: Dr. Ajitha Thanabalasuriar, Assistant Professor in the Department of Pharmacology and Therapeutics at McGill University -What are the strange blobs washing ashore in NewFoundland? Guest: Dr. Hilary Corlett, Marine Microplastics Specialist at Memorial University -Will Paul Bernardo get parole? Guest: Mary Campbell, Lawyer and Former Director General of Corrections & Criminal Justice at the Department of Public Safety -Is the healthcare system falling short on menopause treatment? Guest: Dr. Lori Brotto, Executive Director of the Women's Health Research Institute at BC Women's Hospital and Health Centre, and Professor in the Department of Obstetrics and Gynaecology at UBC -Will Trump's criminal cases impact his presidency? Guest: Lawrence Douglas, Professor of Law at Amherst College -Is there a deeper meaning to coincidences? Guest: Stephen Osborne, Founder of Arsenal Pulp Press, Co-Founder of Geist Magazine, and Author of “The Coincidence Problem” Learn more about your ad choices. Visit megaphone.fm/adchoices
Linda speaks with Corinna Chong about her novel, Bad Land, published by Arsenal Pulp Press and long-listed for the Giller Prize. Chong, originally from Calgary, lives in Kelowna, B.C. where she teaches English and fine arts at Okanagan College. She published her first novel, Belinda's Rings, in 2013.In her opening remarks, Linda explains why she sees the protagonist and main narrator, Regina, as … well, kind of “brat.” She's a fascinating, messy, and lovable character who has buried her life--and the secrets around that life--in the home in which she and her brother, Ricky, were raised ... until he shows up with his daughter, Jez, with a new secret of their own. The tensions that are produced open wide the secrets by the novel's end, revealing both the beauty and violence that have haunted Regina for years. Other sources of discussion or references include:Henry James' What Maisie Knew (14.45)Aristotle (16:10)Nabokov, Lolita (18.30)Sinclair Ross, As For Me and My House (18.30; 19:30)Unreliable narrators (18:50)the geode (and archeology (25:25)And a final reminder! Please vote for us in the Women's Podcasting Awards! Only a few days left! Hosted on Acast. See acast.com/privacy for more information.
City Lights celebrates the publication of "Blessings," a novel by Chukwuebuka Ibeh, published by Doubleday. Purchase here: https://citylights.com/blessings/ Obiefuna has always been the black sheep of his family—sensitive where his father, Anozie, is pragmatic, a dancer where his brother, Ekene, is a natural athlete. But when Obiefuna's father witnesses an intimate moment between his teenage son and another boy, his deepest fears are confirmed, and Obiefuna is banished to boarding school. As he navigates his new school's strict hierarchy and unpredictable violence, Obiefuna both finds and hides who he truly is. Back home, his mother, Uzoamaka, must contend with the absence of her beloved son, her husband's cryptic reasons for sending him away, and the hard truths that they've all been hiding from. As Nigeria teeters on the brink of criminalizing same-sex relationships, Obiefuna's identity becomes more dangerous than ever before, and the life he wants drifts further out of reach. Set in post-military Nigeria and culminating in the Same Sex Marriage Prohibition Act of 2013, "Blessings" is an elegant and exquisitely moving story that asks how to live freely in a country that forbids one's truest self, and what it takes for love to flourish despite it all. Chukwuebuka Ibeh is a writer from Port Harcourt, Nigeria, born in 2000. His writing has appeared in McSweeney's, New England Review of Books and Lolwe, amongst others, and he is a staff writer at Brittle Paper. He was the runner-up for the 2021 J.F. Powers Prize for Fiction, was a finalist for the Gerald Kraak Award, and was profiled as one of the “Most Promising New Voices of Nigerian Fiction” by Electric Literature. He has studied creative writing under Chimamanda Ngozi Adichie, Dave Eggers, and Tash Aw, and is currently a an MFA student at Washington University in St. Louis, Missouri. francesca ekwuyasi is a learner, artist, and storyteller born in Lagos, Nigeria. She was awarded the Writers Trust Dayne Ogilvie Prize for LGBTQ2S+ Emerging Writers in 2022 for her debut novel, "Butter Honey Pig Bread" (Arsenal Pulp Press, 2020). "Butter Honey Pig Bread" was also shortlisted for a Lambda Literary Award, the Governor General's Literary Award for Fiction, the Amazon Canada First Novel Award, and longlisted for the Scotiabank Giller Prize and the Dublin Literary Award. "Butter Honey Pig Bread" placed second on CBC's "Canada Reads: Canada's Annual Battle of the Books," where it was selected as one of five contenders in 2021 for “the one book that all of Canada should read.” francesca's writing has appeared in the Malahat Review, Transition Magazine, Room Magazine, Brittle Paper, the Ex-Puritan, C-Magazine, Vol. 1 Brooklyn, Canadian Art, Chatelain and elsewhere. Her short story, "Ọrun is Heaven" was longlisted for the 2019 Journey Prize. She co-authored, "Curious Sounds: A Dialogue in Three Movements" (Arsenal Pulp Press, 2023), a multi-genre collaborative book with Roger Mooking. Originally broadcast via Zoom on Thursday, July 11, 2024. Hosted by Peter Maravelis. Made possible by support from the City Lights Foundation. citylights.com/foundation/
Michael V. Smith is a deeply loving, insightful poet and performer – who uses intimacy and humour as tools to explore pain. In this interview, Linda chats with him about power dynamics and bullying, as they address his poetry collection, Queers Like Me (published by Book*hug in 2023)Here are some of the subjects we covered: on the nature of creative writing and genre (6.15)poetic technique, poetic devices, and poetic voice (verbatim poems: 6.45, 8.00, 42.43)Facebook poem and writing about his father (9.35, 10.48, 27.50, 32.20)depictions of masculinity (21.40 mistake with bike/book; 12.05, 21.25)The Floating Man (13.03, 27.10)Agnes Varda (12.12)Eloise Marseille (4.18)working across genres (16.25)Michael reads from “Grandma Cooper's Corpse” (20.25)humour and contrast (22.42, 24.25)poetry and knowledge - the function of poetry (37.00)his chapbook (23.45)dynamics of power and bullying (32, 32.40, 33.40)the importance of nuance (34.50)gay marriage (36.08)Bronwen Wallace (38.30)Lorna Crozier (39.20)His memoir, My Body is Yours (40.38, published by Arsenal Pulp Press)radical inclusion (46.54) Hosted on Acast. See acast.com/privacy for more information.
Hey folks! Excited to bring you another episode. Had a wonderful, interesting chat with author Corinna Chong about her work and short stories as a form. Her newest collection is The Whole Animal, available through Arsenal Pulp Press. Check out the show!
ABOUT THIS EPISODE: In this episode, host Megan Cole talks to return guest, Danny Ramadan. Danny's novel The Foghorn Echoes is a finalist for the 2023 Ethel Wilson Fiction Prize. In their conversation Danny talks about how he approaches structure, and gives tips on writing good sex scenes, and why there are so many bad sex scenes. On the episode Danny mentions the book Cleanness by Garth Greenwell: http://www.garthgreenwell.com/ And Megan and Danny both gush over francesca ekwuyasi's Butter Honey Pig Bread, published by BC publisher Arsenal Pulp Press: https://arsenalpulp.com/Books/B/Butter-Honey-Pig-Bread Visit BC and Yukon Book Prizes: https://bcyukonbookprizes.com/ About The Foghorn Echoes: https://bcyukonbookprizes.com/project/the-foghorn-echoes/ ABOUT DANNY RAMADAN: Danny Ramadan (he/him) is a Syrian-Canadian author, public speaker, and advocate for LGBTQ+ refugees. His debut novel, The Clothesline Swing, was shortlisted for the Lambda Literary Award, longlisted for Canada Reads, and named a Best Book of the Year by The Globe and Mail and Toronto Star. He has an MFA in Creative Writing from UBC and currently lives in Vancouver with his husband. ABOUT MEGAN COLE: Megan Cole the Director of Programming and Communications for the BC and Yukon Book Prizes. She is also a writer based on the territory of the Tla'amin Nation. Megan writes creative nonfiction and has had essays published in Chatelaine, This Magazine, The Puritan, Untethered, and more. She has her MFA in creative nonfiction from the University of King's College and is working her first book. Find out more about Megan at megancolewriter.com ABOUT THE PODCAST: Writing the Coast is recorded and produced on the territory of the Tla'amin Nation. As a settler on these lands, Megan Cole finds opportunities to learn and listen to the stories from those whose land was stolen. Writing the Coast is a recorded series of conversations, readings, and insights into the work of the writers, illustrators, and creators whose books are nominated for the annual BC and Yukon Book Prizes. We'll also check in on people in the writing community who are supporting books, writers and readers every day. The podcast is produced and hosted by Megan Cole.
Our monthly contributors via Patreon/ActBlue receive EARLY ACCESS to listen and download the full uncut conversations from our weekly LFShow. Season 3, Episode 341- “The Future is Disabled” with Leah Lakshmi Piepzna-Samarasinha: Writer, Disability/Transformative Justice Movement Worker; Author, The Future Is Disabled: Prophecies, Love Notes and Mourning SongsDescription: “At the core of my work and life is the belief that disabled wisdom is the key to our survival and expansion,” shares Leah Lakshmi Piepzna-Samarasinha, a writer, disability, and transformative justice movement worker. Laura speaks with Leah about her newly-released book of essays, The Future is Disabled: Prophecies, Love Notes, and Mourning Songs. The book, published by Arsenal Pulp Press, an independent queer of color-led press, was written during the pandemic and documents two years of “disabled” isolation. Among the grief and despair came essential organizing from the Disability Justice movement — and we should all take notice. And what about joy? Disabled pleasure activism, disabled art and culture-making brought hope in a time of crisis. Leah has joined Laura twice previously to talk about their work and read their poetry. In her new book, Leah asks: What if, in the near future, the majority of people will be disabled—and what if that's not a bad thing? Full research and reading list to further delve into the conversation is available here on Patreon.
“At the core of my work and life is the belief that disabled wisdom is the key to our survival and expansion,” shares Leah Lakshmi Piepzna-Samarasinha, a writer, disability, and transformative justice movement worker. Laura speaks with Leah about her newly-released book of essays, The Future is Disabled: Prophecies, Love Notes, and Mourning Songs. The book, published by Arsenal Pulp Press, an independent queer of color-led press, was written during the pandemic and documents two years of “disabled” isolation. Among the grief and despair came essential organizing from the Disability Justice movement — and we should all take notice. And what about joy? Disabled pleasure activism, disabled art and culture-making brought hope in a time of crisis. Leah has joined Laura twice previously to talk about their work and read their poetry. In her new book, Leah asks: What if, in the near future, the majority of people will be disabled—and what if that's not a bad thing?“When I say the future is disabled, I mean that as disabled people . . . we are imagining, in the worst conditions, futures where not only do we exist but we are thriving, we are in leadership and we are sharing the tools that everyone's going to need to survive.” - Leah Lakshmi Piepzna-SamarasinhaGuest:Leah Lakshmi Piepzna-Samarasinha: Writer, Disability/Transformative Justice Movement Worker; Author, The Future Is Disabled: Prophecies, Love Notes and Mourning Songs Full conversation & show notes are available at Patreon.com/theLFShowThe Show is listener and viewer supported thanks to you! Please donate and become a member.
In this last episode of the season, Linda considers how empathy is often considered a function of literature and may be ideally represented -- as it is in Catherine Hernandez's Scarborough published by Arsenal Pulp Press. In order to explore how this should work, she considers the Classical orator, Cicero (and Aristotle's Poetics and Horace's Ars Poetica) to show how there is a long tradition of arguing that rhetoric and "good literature" should be able to teach, to delight, and to move us. Other highlights include:references to Brené Brown (2.30)the difference between empathy and sympathy (2.45)literature and empathy (3.00)references to Cicero, Aristotle, Horace (4.05)discussion of Hernandez's Scarborough (5.40)In the Takeaway, she considers the novel - a thriller - Truth is a Flightless Bird by Akbar Hussain and published by Iskanchi Press. And then she offers her best wishes for the new year. Hosted on Acast. See acast.com/privacy for more information.
No tempo mágico entre a noite e o dia, quando o sol e a lua estão no céu, uma criança nasce em uma casinha azul em uma colina. E Miu Lan não é uma criança qualquer, mas alguém que pode mudar para qualquer forma que possa imaginar. O único problema é que Miu Lan não pode decidir o que ser: um menino ou uma menina? Um pássaro ou um peixe? Uma flor ou uma estrela cadente? Na escola, porém, Miu Lan deve suportar olhares curiosos e perguntas difíceis das outras crianças, e tem dificuldade em encontrar amigos que lhe aceitem como é. Mas Miu Lan encontra conforto nos braços amorosos de sua mãe, que sempre lhe oferece o mesmo refrão amoroso: “Seja o que vc quiser sonhar ser / Das estrelas do céu, aos peixinhos do mar." O livro "From the stars in the sky to the fish in the sea" foi escrito por Kai Cheng Thom, ilustrado por Wai-Yant Li e Kai Yun Ching, publicado pela Arsenal Pulp Press e ainda não publicado no Brasil, então eu traduzi e adaptei especialmente pra esse episódio com a super ajuda da Natalia Fonseca, minha amiga e parceira de traduções. Para acompanhar a história juntamente com as ilustrações do livro, compre o livro aqui: https://amzn.to/3DjEejE Se vc gostou, compartilhe com seus amigos e me siga nas redes sociais! https://www.instagram.com/bookswelove_livrosqueamamos/ E fiquem ligados, porque toda sexta-feira publico uma nova história. Até mais! Trilha sonora: The following music was used for this media project: Music: Sad Reflection Background by MusicLFiles Free download: https://filmmusic.io/song/8032-sad-reflection-background License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://cemmusicproject.wixsite.com/musiclibraryfiles
Tara McGuire is a writer, voice-over actor, and former broadcaster. She is a graduate of The Writer's Studio at Simon Fraser University and holds an MFA from The School of Creative Writing at The University of British Columbia. She also holds an Honours Diploma in Radio Journalism from the British Columbia Institute of Technology. Tara's first volume-length work: Holden After and Before, is a hybrid work in memoir and fiction exploring grief and the opioid crisis in the aftermath of the death of her son, Holden. It will be published by Arsenal Pulp Press in September 2022 in Canada, and October 2022 in the US.
The Grounded Futures Show, Ep #19 Liberated Care, with Zena Sharman “I think about care as a process, as an ongoing act of weaving — that it is this active thing that we do, that happens in relationships, that happens in communities.” Zena Sharman joins the show to talk casting spells and weaving webs of care beyond institutions. This episode is all about intergenerational solidarity, and queering kinship and care in the everyday. Zena is a writer, speaker, strategist and LGBTQ+ health advocate and our conversation goes deep into the radical possibilities for care as an ongoing, consensual process — from grief care to ageing and dying, to gender open parenting, to centring pleasure and disability justice in health care. Show Notes Follow Zena on Twitter Zena's two books: The Care We Dream Of: Liberatory and Transformative Approaches to LGBTQ+ Health The Remedy: Queer and Trans Voices on Health and Health Care Photo of Zena for show is by K. Ho Recommendations: Leah Lakshmi Piepzna-Samarasinha's books Care Work: Dreaming Disability Justice and The Future is Disabled Megan Linton's Invisible Institutions podcast Hil Malatino's book Trans Care (the free open access version is available here) Jules Gill-Peterson's article Doctors Who? Radical lessons from the history of DIY transition I didn't mention it during the interview, but this podcast interview The Legend of the Orchi Shed with Guest Eilís Ni Fhlannagáin is another wonderful example of an oral history about trans DIY health care The book Trans Bodies, Trans Selves (second edition) Katie Batza's book Before AIDS: Gay Health Politics in the 1970s Dean Spade's mutual aid course syllabus, which includes Katie Batza's book alongside other health-related titles like Alondra Nelson's book Body and Soul: The Black Panther Party and the Fight against Medical Discrimination and the history of the Young Lords' health organizing, which is also covered in Mia Donovan's Dope is Death podcast and documentary Interrupting Criminalization's brief We Must Fight In Solidarity With Trans Youth: Drawing the Connections Between Our Movements Transcript Zena Sharman is a writer, speaker, strategist and LGBTQ+ health advocate. She's the author of three books, including The Care We Dream Of: Liberatory and Transformative Approaches to LGBTQ+ Health (published by Arsenal Pulp Press in the fall of 2021). Zena edited the Lambda Literary award-winning anthology The Remedy: Queer and Trans Voices on Health and Health Care. She's also an engaging speaker who brings her passion for LGBTQ+ health to audiences of health care providers, students and community members at universities and conferences across North America. You can learn more about Zena and her work at https://zenasharman.com/ Music for our show by: Sour Gout The GF Show art by Robin Carrico Thanks for listening!
Ronnie Jack, 26, Doreen Jack, 26, Russell 9, and Ryan 4 were last seen on August 2, 1989 at their home in Prince George. Earlier that night, Ronnie met a guy in the pub who offered him a job bucking logs and Doreen work in the camp kitchen. They told their family that there was a daycare for the boys and they'd be gone about 10 days. And then they vanished. This episode is based on a story from Cold Case BC: the stories behind the province's most sensational murders and missing persons cases and includes interviews with family and police. For more information, please visit my website evelazarus.com Sponsors: Forbidden Vancouver Walking Tours, Arsenal Pulp Press
This week on rabble radio, Stephen Wentzell sits down with Joshua Whitehead, author of ‘Making Love with the Land.” Whitehead is an Oji-Cree/nehiyaw, Two-Spirit/Indigiqueer member of Peguis First Nation (Treaty 1). He is the author of the novel ‘Jonny Appleseed' (Arsenal Pulp Press), which was longlisted for the Scotiabank Giller Prize and shortlisted for a Governor General's Literary Award in Fiction. He is also the author of the poetry collection ‘full-metal indigiqueer' (Talonbooks), which was shortlisted for the inaugural Indigenous Voices Award for Most Significant Work of Poetry in English and the Stephan G. Stephansson Award for Poetry. Currently, he is working on a PhD in Indigenous Literatures and Cultures at the University of Calgary's English department (Treaty 7). Today, Whitehead explains to Wentzell about ‘Making Love with the Land' - a book which is part memoir, part poetry, part literary criticism. Whitehead explains how this genre-bending of traditional colonial literary standards is a “radical act of freedom” and more similar to a Indigenous form of storytelling. Whitehead also shares how touring for Jonny Appleseed and experiencing nature, break-ups, and isolation during the COVID-19 pandemic influenced his writing this book. Finally, Whitehead shares what truth and reconciliation means to him. If you like the show please consider subscribing on Apple Podcasts, Spotify, or wherever you find your podcasts. And please, rate, review, share rabble radio with your friends — it takes two seconds to support independent media like rabble. Follow us on social media across channels @rabbleca. Or, if you have feedback for the show, get in touch anytime at editor@rabble.ca.
On this QatEotW Presents we talk to Adam Garnet Jones about his short story History of the New World, from Love After the End, an Anthology of Two-Spirit and Indigiqueer Speculative Fiction, edited by Joshua Whitehead, and out from Arsenal Pulp Press in 2020. Learn more about Adam and his work at adamgarnetjones.com. You can also see their gorgeous beadwork by following him on Instagram @adamgarnetjones, and learn more about APTN, the first TV network for and by indigenous people, here. Thanks so much to the Ottawa Writers Festival for permission to use audio from their 2020 book launch for Love After the End. Check out the full event, with readings and a fantastic conversation among three of the collection's contributors, moderated by Joshua Whitehead, editor of the anthology, and poet and fiction writer, most recently of Making Love with the Land. --- Support this podcast: https://anchor.fm/queerworlds/support
Your heroes return to celebrate Pride Month with Blue is the Warmest Color! This episode features your heroes chat about the themes of the comic, talk about the muted color palette, and have a lengthy discussion of the award-winning film adaptation. As always, you'll find the History of the Creators, Favorite Lines, The Art Awards, and Adaptation Alley.Blue is the Warmest Color is created by Jul Maroh and published by Arsenal Pulp Press.Follow ComiClub on Instagram @ComiClubPodcastComiClub is hosted by Blaine McGaffigan and Adam Cook.
Your heroes celebrate Pride Month in the French fashion with Blue is the Warmest Color! "In this tender, bittersweet, full-color graphic novel, a young woman named Clementine discovers herself and the elusive magic of love when she meets a confident blue-haired girl named Emma: a lesbian love story for the ages that bristles with the energy of youth and rebellion and the eternal light of desire."Blue is the Warmest Color is created by Jul Maroh and published by Arsenal Pulp Press.Follow ComiClub on Instagram @ComiClubPodcastComiClub is hosted by Blaine McGaffigan and Adam Cook.
Artist and activist Cicely Belle Blain joins Meagan Black in this episode to talk about the poem “Dear Diaspora Child” with two Poetry in Voice semifinalists: Aaronsaul Negre and Mia Luz Nedellec. “Dear Diaspora Child” is a poem from Blain' debut poetry collection Burning Sugar, from Vivek Shraya's VS. Books (which is an imprint of Arsenal Pulp Press).
This week on ‘The Write Question,' Lauren speaks with poet and novelist John Elizabeth Stintzi, JES, about ‘My Volcano' (Two Dollar Radio; Arsenal Pulp Press), a meticulously-crafted tapestry of a novel—one in which a volcano emerges from the Central Park Reservoir in New York.
This week on ‘The Write Question,' Lauren speaks with poet and novelist John Elizabeth Stintzi, JES, about ‘My Volcano' (Two Dollar Radio; Arsenal Pulp Press), a meticulously-crafted tapestry of a novel—one in which a volcano emerges from the Central Park Reservoir in New York.
In which we discuss cultural practices that emerged in and about Plains Natives communities before, during, and after early colonization! Topics include powwows, the Ghost Dance, and Paul Kane. --- Contact: historiacanadiana@gmail.com, Twitter (@CanLitHistory) & Facebook (https://www.facebook.com/CanLitHistory). --- Support: Patreon (https://www.patreon.com/historiacanadiana); Paypal (https://www.paypal.com/paypalme/historiacanadiana); the recommended reading page (https://historiacanadiana.wordpress.com/books/) --- Sources/Further Reading: 1894 Sioux Ghost Dance. https://www.youtube.com/watch?v=3tMXbxVTby8 Axtmann, Ann. “Performative Power in Native America: Powwow Dancing.” Dance Research Journal, vol. 33, no. 1, Congress on Research in Dance, 2001, pp. 7–22, https://doi.org/10.2307/1478853. Corrigan, Samuel W. “The Plains Indian Powwow: Cultural Integration in Manitoba and Saskatchewan.” Anthropologica, vol. 12, no. 2, Canadian Anthropology Society, 1970, pp. 253–77, https://doi.org/10.2307/25604831. Ens, Gerhard J. "buffalo hunt." The Oxford Companion to Canadian History, Oxford University Press, 2004. Francis, Daniel. The Imaginary Indian: The Image of the Indian in Canadian Culture, Arsenal Pulp Press, 2011. Milloy, John S. "Plains Aboriginals." The Oxford Companion to Canadian History, Oxford University Press, 2004. Paul Kane, Assiniboine Hunting Buffalo, https://www.gallery.ca/collection/artwork/assiniboine-hunting-buffalo
This episode features an interview with Cid V. Brunet about their recent memoir "This Is My Real Name: A Stripper's Memoir. We talk about stripping, sex work, anarchist community, sex, gender and much more. Buy the book at Arsenal Pulp Press.
C.H.A.N.G.E. Agents - Comics & Social Issues Podcast - exploring graphic novels that have something to say. In this episode, we discuss The 500 Years of Indigenous Resistance Comic Book by Gord Hill. First edition published by Arsenal Pulp Press in 1910. Hosted by James Davidge. Special Guest is Karen Mills of the Alberta Advantage podcast. Upcoming titles include: Pass Me By: Electric Vice and V for Vendetta. We'll also be looking at groundbreaking superhero stories like Harley Quinn: Breaking Glass and Superman Son of Kal-El. C.H.A.N.G.E. Agents Theme Song - Lyrics by Brent Gough & James Davidge, Performed by Brent Gough with Chris Vail. Recorded by Chris Vail. Brought to you by C.H.A.N.G.E. Agents #1 from Renegade Arts Entertainment. Available now on ComiXology. Fight the Power. Be the Difference. https://www.facebook.com/ChangeAgentsComix https://twitter.com/ChangeAgentsCmx https://www.instagram.com/changeagentscomix/
Jeanne speaks to author Marc Herman Lynch about his debut novel Arborescent out from Arsenal Pulp Press. Then, Nathan speaks with Christie Hurrell of LabNEXT about opportunities to be found at the UofC library in the new year.
Jeanne speaks to author Marc Herman Lynch about his debut novel Arborescent out from Arsenal Pulp Press. Then, Nathan speaks with Christie Hurrell of LabNEXT about opportunities to be found at the UofC library in the new year.
Poet Nina Jane Drystek hosts conversations with two incredible poets, both published by Vancouver's Arsenal Pulp Press. Render is Sachiko Murakami's intimate and unflinching poetic memoir. In it, she travels the non-linear path of addiction to recovery, how it shifts over time, and what happens when it is translated through poetry. Looking beyond the straightforward, happily-ever-after narrative, Murakami wades through the aftermath of her addiction and questions what happens to trauma when it is put down on the page - and all the ways in which it can be rendered. In The Gospel of Breaking, Jillian Christmas extracts from family history, queer lineage, and the political landscape of a racialized life to create a rich, softly defiant collection of poems. Christmas draws a circle around the things she calls "holy": the family line that cannot find its root but survived to fill the skies with radiant flesh; the body, broken and unbroken and broken and new again; the lover lost, the friend lost, and the loss itself; and the hands that hold them all with brilliant, tender care.
andrea bennett chats about her new essay collection, Like a Boy but Not a Boy. Andrew asks where essays come from. It's just an all around great time! ----- Listen to more episodes of Page Fright here. Follow the podcast on twitter here. ----- andrea bennett is a National Magazine Award–winning writer and editor. Their writing has been published by The Atlantic, the Globe and Mail, The Walrus, Maisonneuve, Hazlitt, Vice, Reader’s Digest, Vogue Italia, Quill & Quire, Chatelaine, and many other outlets. andrea’s first book of essays, Like a Boy but Not a Boy, is out now with Arsenal Pulp Press. andrea’s first book of poetry, Canoodlers, came out with Nightwood Editions in 2014. Their Moon Travel travel guide to Montréal is now available, as is their guide to Québec City. andrea is an editor and designer at Talonbooks, the former Editor-in-Chief of Maisonneuve, and the designer for PRISM international. Originally from Hamilton, she is now back on the west coast after a stint in Montréal. She holds a BA in English and French from the University of Guelph, and an MFA in Creative Writing from the University of British Columbia. She/they; Mx. ----- Andrew French is an author from North Vancouver, British Columbia. Andrew holds a BA in English from Huron University College at Western University and an MA in English from UBC. He writes poems, book reviews, and hosts this very podcast.
Francesca Ekwuyasi joins Twenty Summers for our first virtual arts programming to read from her recently released novel Butter Honey Pig Bread (Arsenal Pulp Press, 2020), an intergenerational saga about three Nigerian women: a novel about food, family, and forgiveness. FROM THE PUBLISHER:Butter Honey Pig Bread is a story of choices and their consequences, of motherhood, of the malleable line between the spirit and the mind, of finding new homes and mending old ones, of voracious appetites, of queer love, of friendship, faith, and above all, family.Francesca Ekwuyasi's debut novel tells the interwoven stories of twin sisters, Kehinde and Taiye, and their mother, Kambirinachi. Kambirinachi feels she was born an Ogbanje, a spirit that plagues families with misfortune by dying in childhood to cause its mother misery. She believes that she has made the unnatural choice of staying alive to love her human family and now lives in fear of the consequences of that decision.Some of Kambirinachi's worst fears come true when her daughter, Kehinde, experiences a devasting childhood trauma that causes the family to fracture in seemingly irreversible ways. As soon as she's of age, Kehinde moves away and cuts contact with her twin sister and mother. Alone in Montreal, she struggles to find ways to heal while building a life of her own. Meanwhile, Taiye, plagued by guilt for what happened to her sister, flees to London and attempts to numb the loss of the relationship with her twin through reckless hedonism.Now, after more than a decade of living apart, Taiye and Kehinde have returned home to Lagos to visit their mother. It is here that the three women must face each other and address the wounds of the past if they are to reconcile and move forward.AUTHOR BIO:Francesca Ekwuyasi is a writer, artist, and filmmaker born in Lagos, Nigeria. Her work explores themes of faith, family, queerness, consumption, loneliness, and belonging. Francesca's writing has been published in Winter Tangerine Review, Brittle Paper, Transition Magazine, the Malahat Review, Visual Art News, Vol. 1 Brooklyn, and GUTS magazine. Her story Ọrun is Heaven was longlisted for the 2019 Journey Prize. Her forthcoming debut novel, Butter Honey Pig Bread will be available October 2020 through Arsenal Pulp Press. Supported through the National Film Board's Film Maker's Assistance Program and the Fabienne Colas Foundation, Francesca's short documentary Black + Belonging has screened in festivals Halifax, Toronto, and Montreal.
In "The Subtweet," author, visual artist, musician, and university professor Vivek Shraya cuts to the heart of ambition, competition, and what it's like for a person of colour in music and art. Nam Kiwanuka talks to her about the experiences that led to writing a commentary on diversity, arts, and social media culture, and also about her mentorship of older writers through VS Books, her publishing imprint, a division of Arsenal Pulp Press.See omnystudio.com/listener for privacy information.
SpokenWeb is a monthly podcast produced by the SpokenWeb team as part of distributing the audio collected from (and created using) Canadian Literary archival recordings found at universities across Canada. To find out more about Spokenweb visit: spokenweb.ca . If you love us, let us know! Rate us and leave a comment on Apple Podcasts or say hi on our social media @SpokenWebCanada.Guest Bios: Hannah McGregor is an Assistant Professor of Publishing at Simon Fraser University, where her research focuses on podcasting as scholarly communication, systemic barriers to access in the Canadian publishing industry, and the history of middlebrow periodicals. Her work can be found in various journals including Participations, Modernism/modernity Print+, the Journal of Modern Periodical Studies, and Studies in Canadian Literature; she is also the co-editor of the book Refuse: CanLit in Ruins (Book*hug 2018). Hannah is the co-creator of Witch, Please, a feminist podcast on the Harry Potter world, and the creator of the weekly podcast Secret Feminist Agenda, which is currently undergoing an experimental peer review process with Wilfrid Laurier University Press. She is also the host of the monthly SpokenWeb Podcast, an experimental collaborative research podcast created through the SSHRC-funded SpokenWeb partnership.andrea bennett is a National Magazine Award–winning writer and editor. Their writing has been published by The Atlantic, the Globe and Mail, The Walrus, Maisonneuve, Hazlitt, Vice, Reader's Digest, Vogue Italia, Quill & Quire, and many other outlets. andrea's first book of poetry, Canoodlers, came out with Nightwood Editions in 2014. Their Moon Travel travel guide to Montréal is now available, as is their guide to Québec City. Their first book of essays, Like a Boy but Not a Boy, is forthcoming with Arsenal Pulp Press in Fall 2020. Katherine McLeod researches and teaches Canadian literature through sound, performance, and archives. Her recent publications include a chapters in the books Public Poetics: Critical Issues in Canadian Poetry and Poetics, Moving Archives (Wilfrid Laurier UP), and CanLit Across Media: Unarchiving the Literary Event (MQUP), which she also co-edited with Jason Camlot. Currently, she is an Affiliate Assistant Professor in the Department of English at Concordia University, where she researches CBC Radio recordings and where she is organizing SpokenWeb's Ghost Reading Series. Follow the site she curates for Montreal readings at WherePoetsRead.ca and @poetsread.Jen Sookfong Lee's books include The Conjoined, nominated for the International Dublin Literary Award and a finalist for the Ethel Wilson Fiction Prize; The Better Mother, a finalist for the City of Vancouver Book Award; The End of East, and Gentlemen of the Shade. Jen teaches writing at The Writers' Studio with Simon Fraser University and co-hosts the podcast, Can't Lit.Episode Resources: bennett, andrea. Excerpt from “The People's Poetry.” The essay appears in the book Like a Boy But Not A Boy: Navigating Life, Mental Health, and Parenthood outside the Gender Binary to be published by Arsenal Pulp Press, fall 2019.Camlot, Jason and Katherine McLeod. "SGW Poetry Remix" MP3 file, 12 Dec 2018.MacEwen, Gwendolyn. “Dark Pines Under Water.” https://www.youtube.com/watch?v=DaHTMxvxNGcMacEwen (a performance)." Resurfacing: Women Writing across Canada in the 1970s. Mount Allison University & Université de Moncton, 26-28 April 2018.--- "Performing the Archive: A Remix." Performed with Jason Camlot. Blue Metropolis International Literary Festival, Montreal, 5 May 2019.MacEwen, Gwendolyn. “Dark Pines Under Water.” https://www.youtube.com/watch?v=DaHTMxvxNGc--- Reading with Phyllis Webb at Sir George Williams University, Nov 18 1966. https://montreal.spokenweb.ca/sgw-poetry-readings/gwendolyn-macewen-at-sgwu-1966/--- "Past and Future Ghosts." Afterworlds. Toronto: McClelland and Stewart, 1987.McLeod, Katherine. "(Un)Covering the Mirror: Performative Reflections in Linda Griffiths's Alien Creature: A Visitation from Gwendolyn MacEwen and Wendy Lill's The Occupation of Heather Rose." Theatre and Autobiography: Writing and Performing Lives in Theory and Practice. Eds. Sherrill Grace and Jerry Wasserman (Talon, 2006). 89-104.--- "An Archival Remix" Performance by Katherine McLeod and Emily Murphy. Toronto: Modernist Studies Association, 18 Oct 2019.Music:“Flamenco Rhythm” by Sunsearcher: https://freemusicarchive.org/music/Sunsearcher"Soothe", “At Our Best Alone,” “A Certain Lightness,” “The Bus At Dawn,” “Slow Slow Sky” all from https://www.sessions.blue/
In Episode 49, we talk to native warrior, artist and author Gord Hill, who comes from the Kwakwaka'wakw Nation in BC. He is a well-known grassroots native activist and his artwork and writings have been published in various outlets including Briarpatch, Canadian Dimension magazine and Red Rising magazine. Today he talks to us about the importance of native resistance and solidarity with other social movements to effect real social change. For those of you who follow my Youtube series called Reconciliation Book Club, you’ll recall that we reviewed on his books: 500 Years of Indigenous Resistance. https://www.youtube.com/watch?v=k9PKZTTBZWc&t=8s Here is the link to buy his book: https://amzn.to/2vyQ9v5 In addition to that book, he also was the author and illustrator for two comic books: "500 yrs of Indigenous Resistance Comic Book" published in 2010: https://amzn.to/2VLeb0t And "The Anti-Capitalist Resistance Comic" book originally published in 2012, both by Arsenal Pulp Press: https://amzn.to/2VLeb0t Gord also suggested that we all read the book: Agents of Repression: The FBI's Secret Wars Against the Black Panther Party and the American Indian Movement (Classics Edition) for more information: https://amzn.to/3czihi1 As promised, here are the links to the Gitdimt'en Yintah Access website: www.yintahaccess.com/ And the Unist'ot'en Camp supporter toolkit for those who want to offer support, including the official link for donations: unistoten.camp/supportertoolkit/ If you would like to help me keep my content independent, please consider supporting my work at Patreon: www.patreon.com/join/2144345 Note: The information contained in this podcast is not legal, financial or medical advice, nor should it be relied on as such. Nothing in this podcast advocates for violence on Indigenous territories. If you would like more information about these issues, you can check out my website at https://www.pampalmater.com Thank you all for your ongoing support! Photo credit: Gord Hill
[Intro: 6:56] In this interview, I speak with Indigenous artist, activist the author Gord Hill. We discuss the recent events at the Unist’ot’en Camp on the Wet’suwet’en First Nation’s territory in B.C., Canada, and the wave of solidarity actions that have sprung up across Canada the past several weeks in response to the RCMP’s invasion of their territory. Over the past several weeks, the RCMP has invaded Wet’suwet’en sovereign territory and arrested numerous land defenders, including three Matriarchs — Freda Huson (Chief Howilhkat), Brenda Michell (Chief Geltiy), and Dr. Karla Tait (https://youtu.be/EgfVO6U5QuA) — to enforce an injunction to proceed with the construction of the Coastal GasLink pipeline project through their unceded territory. I ask Gord to update us on the dramatic acts of solidarity that have sprung up around Canada since this invasion began, in particular with the ongoing blockades spearheaded by members of the Mohawk Nation of railroads and roads, shutting down large sectors of the Canadian economy and putting enormous pressure on the Canadian government to carefully reconsider their next steps in this crisis. Citing the Oka Crisis of 1990 (https://youtu.be/ArOIdwcj2w8), Gord provides historical context to the scale and weight of the solidarity actions that have sprung up across the nation, and what is truly at stake in this struggle. Gord Hill, who also goes under the pen name Zig Zag, is a member of the Kwakwaka’wakw nation along the Northwest Coast. He is an Indigenous activist, author and illustrator of numerous books/graphic novels, including ‘500 Years of Indigenous Resistance,’ ‘The 500 Years of Resistance Comic Book,’ ‘The Anti-Capitalist Resistance Comic Book,’ and ‘The Antifa Comic Book.’ Episode Notes: - Support the Unist'ot'en Camp: http://unistoten.camp - Read ‘Reconciliation is Dead: A Strategic Proposal’: http://bit.ly/2PdGkcA - Stay up to date with Indigenous, anti-capitalist, and anti-fascist resistance, as well as all the work Gord is doing: https://warriorpublications.wordpress.com - Purchase ‘The 500 Years of Resistance Comic Book,’ ‘The Anti-Capitalist Resistance Comic Book,’ and ‘The Antifa Comic Book.’ at Arsenal Pulp Press: http://bit.ly/GHArsenalP - Artwork in title card is by Gord Hill. Download: http://bit.ly/3bVnuRf - Audio featured in introduction is from the video ‘Reconciliation Is Dead: RCMP Invade Unist'ot'en Territory’: https://youtu.be/EgfVO6U5QuA - Song featured is “Yus” by Knxwledge from the album TodaysAlreadYesterday.: https://knxwledge.bandcamp.com/album/todaysalreadyesterday WEBSITE: https://www.lastborninthewilderness.com PATREON: https://www.patreon.com/lastborninthewilderness DONATE: https://www.paypal.me/lastbornpodcast DROP ME A LINE: Call (208) 918-2837 or http://bit.ly/LBWfiledrop EVERYTHING ELSE: https://linktr.ee/patterns.of.behavior
Welcome back to part two of our interview with the lovely Jillian Christmas. In this second half, we cover topics including self-care, the sacredness of locs, and the development and inspiration for Jillian's forthcoming book, The Gospel of Breaking. “Writer. Seeker. Traveling Circus.", Jillian is a queer, Black writer living on the unceded territories Sḵwx̱wú7mesh (Squamish), Stó:lō and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) and xʷməθkʷəy̓əm (Musqueam) Nations, where she served for six years as Artistic Director of Versəs Festival of Words. As an enthusiastic organizer and advocate in the Canadian arts community, her focus has been to increase anti-oppression initiatives in spoken word. She has executed programs in partnership with the Toronto Poetry Project, The Chan Centre, Vancouver Opera, and more. Jillian has performed and facilitated spoken word workshops for youth and adults across the country and beyond. Her forthcoming debut book of poetry will be released in Spring 2020 with Arsenal Pulp Press. Preorder her book here: https://arsenalpulp.com/Books/T/The-Gospel-of-Breaking?fbclid=IwAR3qVUHVjuhDprZcm68OgSAjS7ex1igm89RYVEElGwl-I2dSQeTA3zNdchs For updates and ways to contribute, visit www.patreon.com/blackchat or follow us on Instagram and Facebook @blackchatvancouver Music and Poems by Jillian Christmas Artwork by Ifetayo Zarine Alabi
Join us as we sit with our chosen family and local artist, Jillian Christmas. In part one, we talk about music and muscle memory, the intersections of Blackness and poetry, and her forthcoming book, The Gospel of Breaking. Stay tuned for part two, which drops February 6th. “Writer. Seeker. Traveling Circus.", Jillian is a queer, Black writer living on the unceded territories Sḵwx̱wú7mesh (Squamish), Stó:lō and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) and xʷməθkʷəy̓əm (Musqueam) Nations, where she served for six years as Artistic Director of Versəs Festival of Words. As an enthusiastic organizer and advocate in the Canadian arts community, her focus has been to increase anti-oppression initiatives in spoken word. She has executed programs in partnership with the Toronto Poetry Project, The Chan Centre, Vancouver Opera, and more. Jillian has performed and facilitated spoken word workshops for youth and adults across the country and beyond. Her forthcoming debut book of poetry will be released in Spring 2020 with Arsenal Pulp Press. Preorder her book here: https://arsenalpulp.com/Books/T/The-Gospel-of-Breaking?fbclid=IwAR3qVUHVjuhDprZcm68OgSAjS7ex1igm89RYVEElGwl-I2dSQeTA3zNdchs For updates and ways to contribute, visit www.patreon.com/blackchat or follow us on Instagram and Facebook @blackchatvancouver Music by: Jillian Christmas Artwork by Ifetayo Zarine Alabi
John Elizabeth Stintzi discusses their scientifically-inclined poetry project Plow Forward the Higgs Field (Rahila's Ghost). Andrew is intimidated by talking to somebody who can tell you what a molecule is with some confidence. It's really just a great time overall. Pre-Order Plow Forward the Higgs Field HERE. ----- John Elizabeth Stintzi is a non-binary poet and novelist who was raised on a cattle farm in northwestern Ontario. They are the winner of the 2019 RBC Bronwen Wallace Award for Emerging Writers from the Writers' Trust of Canada as well as The Malahat Review's 2019 Long Poem Prize. Their work has been published (or is forthcoming) in The Malahat Review, Kenyon Review, Cosmonauts Avenue, and Ploughshares. Their second chapbook of poetry, Plough Forward the Higgs Field, is imminently forthcoming from Rahila's Ghost Press this fall, and their debut novel Vanishing Monuments will be released in the spring of 2020 by Arsenal Pulp Press. They currently live with their partner and a dog named Grendel in Kansas City, Missouri. ----- Andrew William (A.W.) French is a poet and academic who was born and raised in North Vancouver, British Columbia. French holds a BA in English from Huron University College at Western University, and is pursuing an MA in English at UBC. He writes poems, book reviews, and hosts this very podcast. ----- Listen to more episodes of Page Fright at: www.theandrewfrench.com/pagefright
On Fresh is the Word, we like to deliver wisdom through great stories from the minds of bright creatives of pop culture. Through those stories, we like to dissect the journey of our guests and present actionable lessons and advice for our listeners no matter what career or avenue of artistry they pursue. This episode features the spotlight panel that your Fresh is the Word host Kelly "K-Fresh" Frazier moderated at the Toronto Comic Arts Festival 2019 (TCAF 2019) with Vivek Shraya and Ness Lee about their book Death Threat, released via Arsenal Pulp Press. Vivek Shraya is an artist living in Calgary, Alberta whose body of work crosses the boundaries of music, literature, visual art, theatre, and film and Ness Lee is an illustrator/artist based in Toronto and her work explores the sensitivity of emotional expression using wide range of mediums and surfaces such as ceramics, drawing, painting, mixed media sculpture and murals. During the panel, we talked about why they did the book based on the transphobic hate mail that Vivek began receiving in 2017 and what they hope people get out of it, why they did the book in that particular style, horror and humor, using comics to tell this story, how the book fits in with Vivek’s work in other media, social responsibility when you are part of a marginalized group, the roles of allies, getting “trapped” in your brand/identity and the struggle to break out of it. More Info/Purchase: Death Threat Follow Vivek Shraya: Web: vivekshraya.com Twitter: twitter.com/vivekshraya Instagram: instagram.com/vivekshraya Facebook: facebook.com/vivekshraya Bandcamp: vivekshraya.bandcamp.com Soundcloud: soundcloud.com/vivekshraya Follow Ness Lee: Web: nesslee.com Twitter: twitter.com/nessnesslee Instagram: instagram.com/nessleee FRESH IS THE WORD PATREON: patreon.com/freshistheword THEME MUSIC Courtesy of Knox Money, Bang Belushi, and Foul Mouth. SPONSOR Web: www.20x20apparel.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/freshistheword/message
Amanda Browder's "Land of Hidden Gems" on display on the HFA building at UNLV In Las Vegas, Nev. on April 5, 2019. Born in Missoula, MT in 1976, Amanda Browder received an MFA/MA from the University of Wisconsin at Madison and taught at the School of the Art Institute of Chicago. She currently lives and works in Brooklyn, New York producing large-scale fabric installations for building exteriors and other public sites. She works primarily with the community, and sources all of her material from donations. She has shown nationally, and internationally including at the New Museum, Ideas City Festival, SPRING/BREAK Art Fair, FAB Fest in New York City; The Dumbo Arts Festival, Brooklyn; University of Alabama at Birmingham AAHD, Birmingham, AL; Nuit Blanche Public Art Festival/LEITMOTIF in Toronto; Mobinale, Prague; Allegra LaViola Gallery, NYC; Nakaochiai Gallery, Tokyo; White Columns, NYC; No Longer Empty, Brooklyn. She has been published in books such as Unexpected Art: Chronicle Books and Strange Material; Arsenal Pulp Press. This year she will create a large-scale work as part of Art Prize: Project 1 and was named a Transformation Fellow at UNLV. In 2016, she received her first National Endowment for the Arts grant and worked with the Albright Knox Art Gallery to drape three buildings in Buffalo, NY. Photos and reviews have appeared in New York Times to Fibers Magazine and she is a founder of the art podcast, badatsports.com. Book mentioned during the interview were The Art of Gathering: How we Meet and Why it Matters by Priya Parker and Janesville: An American Story - Book by Amy Goldstein. Spectral Locus: Clifton Hall and a Public Sewing Day at Starlight Studios in Buffalo, NY, 2016 - Albright Knox Art Gallery + AK Public Art; photo by Tom Loonan Spectral Locus: Richmond and Ferry Church and 920 Broadway in Buffalo, NY, 2016 - Albright Knox Art Gallery + AK Public Art; photo by Tom Loonan
Gord Hill on Art and Resistance Gord Hill is an indigenous author, anarchist, antifascist and militant, a member of the Kwakwaka'wakw nation living in so-called British Columbia, Canada. Gord is also graphic artist and comic book author who most recently published The Antifa Comic Book, out from Arsenal Pulp Press, and runs the website Warrior Publications and sometimes publishes under the nom-de-plume of ZigZag. For the hour we speak about his writings documenting indigenous resistance history in the so-called Americas (mostly with a focus on Turtle Island), antifascist organizing, intersections of indigenous struggle and anarchism and critiques of Pacifism (see Gord's “Smash Pacifism” zine). Some of the points of resistance that we cover include Elsipogtog (Elsipogtog in 5 Minutes video at sub.media), Idle No More, The Oka Crisis (“The Oka Crisis in 5 Minutes” video at sub.media), Stoney Point/Aazhoodena (another 5 minutes video by Gord), Gustafsen Lake (we didn't talk about but another 5 minute video), the Zapatista Rebellion and the Unist'ot'en Camp resistance to pipelines in so-called B.C. (Sean Swain at 3min 55sec, Gord Hill at 11min 27sec, announces at 57min 29sec) Rayquan Borum Trial Update In a brief and sad update to last week's interview on the case of Rayquan Borum, we'd like to read a statement from the fedbook page for Charlotte Uprising: We are deeply saddened to report that Rayquan Borum has been found guilty of possession of a firearm and second degree murder with him being sentenced to 25/26 years in a cage. We knew it would be difficult to receive a fair trial in the same court that allowed Officer Randall Kerrick to walk free for the murder of unarmed Jonathan Ferrell. We know the police will continue to kill Black and brown folks and escape accountability. We suffered extreme suppression from the judge from the start of the trial. Even though the medical examiner testified there was a 51% chance that ANYTHING else killed Justin Carr, Judge Hayes would not allow any testimony naming the police. Of course, it is far easier to scapegoat a random Black man than to launch an investigation into the same police force that killed ONLY Black people in 2015. We also know that Justin Carr would be alive were it not for the Charlotte Mecklenburg Police Department murder of Keith Lamont Scott (no trial for that officer, of course). We know that the Mecklenburg County Courts disproportionately sentence Black and brown bodies to time in cages. We know that CMPD disproportionately arrests Black and brown folks. Black people are 30% of Charlotte's population and make up about 70% of the jail population. Heinous. We know that this is the American Way. In response, we will continue to rise up and resist this colonized nation and work toward building a more decolonized world, for all of us. Forward, together #CMPDKilledJustinCarr #CagesFixNothing #FreeThemAll #CMPD #RayquanBorum #MecklenburgCounty #NoMoreKIllerCopsOrJails Announcements A few house keeping notes about the show. We're happy to announce that The Final Straw is now available on the Pacifica Radio platform for affiliate stations to pick up more easily. If you, dear listener, live in an area where we aren't on the radio but there's a community station that airs programming from the Pacifica Network, you now have a WAY easier IN to bug the station's programming director with. If you want us on your airwaves, check out our “broadcasting” tab on our website and reach out to a local radio station. If you have questions or want help, reach out to us and we're happy to chat. We hope to have a some more terrestrial broadcast stations to announce soon. Actually, yah, that was the only note. Tee hee. Otherwise, if you want to hear Bursts dj'ing a 2 hour set of punk, goth and electronica on AshevilleFM, an archive is linked up in our show notes that's available until March 12th. Asheville Events If you're in the Asheville area, there're a few events coming up on March 16th of note. At 11am at Firestorm books, a participant in the Internationalist Commune, a self-organized collective in Northern Syria, will join us for a video chat about the revolutionary movement to transform Kurdish territory into a stateless society. Later, across town, there're a couple of Blue Ridge ABC events at Static Age on Saturday, March 16th. From 3-5pm there'll be an N64 Super Smash Brothers tournament with vegan philly cheese steaks and fries available, and then from 9pm onward an antifascist black metal show featuring Arid from Chicago, plus local bands Rat Broth and Feminazgul. Then, a reminder, that on March 22nd at the Block Off Biltmore is a benefit for info-sharing between Southern Appalachia and Rojava. The event will include a discussion, a short documentary showing, vegan desserts and nice merchandise. For more info, check out the flyer in our shownotes from March 3rd, 2019. And now a couple of prisoner announcements Chelsea Manning Imprisoned U.S. Army whistleblower and former Political Prisoner, Chelsae Manning, has been jailed for criminal contempt for refusing a subpoena to participate in a Federal Grand Jury in Virginia concerning her 2010 disclosures to Wikileaks of U.S. drone killings of civilians in Iraq and Afghanistan. A support committee called “Chelsea Resists!” has been set up and updates will be coming from the website xychelsea.is and there's a fundraiser up at actionnetwork.com for her as well. We hope to feature members of her support as well as former Grand Jury resisters who've been on this show before in an episode soon. You can write to Chelsea at the following address: Chelsea Elizabeth Manning AO181426 William G. Trusdale Adult Detention Center 2001 Mill Road Alexandria, VA 22314 Some quick guidelines to keep her safer while writing are in the show notes Address your letter exactly as shown above send letters on white paper use the mail service to send letters include color drawings if you'd like sparingly send 4x6 photos, as she may only keep 10 at a time Do not send cards, packages, postcards, photocopies or cash Do not decorate the outside of the envelope do not send books or magazines Exonerated Vaughn 17 prisoners transferred out of state As the cases proceed against the Vaughn17, 17 prisoners on trial in Delaware for a prison uprising following the election of Trump as president, an uprising sometimes compared to the Lucasville Uprising, repression continues. The uprising was as follows: prisoners took over Building C at the Vaughn prison in Smyrna, Delaware, and took three prison guards and one prison counselor hostage. Demands issued during the hostage standoff included that Delaware Governor John Carney investigate poor living conditions at the facility. One correctional officer who was taken hostage, Steven Floyd, would later be found dead after police re-entered the facility. The case can be followed at vaughn17support.org as it enters it's third trial group. A few words from the support site note the continued repression of some of the court-exonerated prisoners: The State of Delaware retaliated against defendants in the Vaughn uprising trial last week, by moving them out of state to Pennsylvania. Kevin Berry, Abednego Baynes, Obadiah Miller, Johnny Bramble, Dwayne Staats, and Jarreau Ayers were all transferred to solitary confinement at SCI Camp Hill, a maximum security facility. They joined Deric Forney, who was transferred weeks earlier in January. Berry, Baynes, and Forney have all been fully acquitted on all charges. “It's unusual to move prisoners with short terms left in their sentence out of state,” said Fariha Huriya, an organizer working closely with Vaughn 17 prisoners. “They're being held in solitary confinement, with no showers, no access to commissary, and limited phone calls. It's the same inhumane conditions that they faced at James T. Vaughn.” “The State's vindictiveness will cost them,” said Betty Rothstein, who also organizes with the prisoners. “The Vaughn 17 have resisted these charges, and will continue to resist and expose the corruption of the DOC and abuse on prisoners.” There are nine defendants who are still awaiting trial. New trial dates for groups 3 and 4 are scheduled for May 6th, 2019, and October 21st, 2019. . ... . .. Playlist
The Koffler Centre of the Arts is thrilled to present writers Joshua Whitehead and Arielle Twist together in conversation. Joshua Whitehead is a Two-Spirit, Ojibwe-nêhiyaw otâcimow from Peguis First Nation (Treaty 1). He is the author of full-metal indigiqueer (Talonbooks 2017), shortlisted for the Inaugural Indigenous Voices Award in Poetry and the Stephan G. Stephansson Award for Poetry, and Jonny Appleseed (Arsenal Pulp 2018), shortlisted for a Governor General’s Award for Fiction and longlisted for the Scotiabank Giller Prize. He is currently a doctoral student in the University of Calgary’s English Department (Treaty 7) where he focuses on Indigenous Lit and Cultures. Arielle Twist is a writer and sex educator from George Gordon First Nation, Saskatchewan, based in Halifax, Nova Scotia. She is a Cree, Two-Spirit, trans femme supernova writing to reclaim and harness ancestral magic and memories. Her debut collection of poetry Disintegrate/Dissociate will be released in spring 2019 from Arsenal Pulp Press.
In this episode, I speak with Gord Hill (also known as Zig Zag) — Indigenous artist, activist, and the author of numerous books/graphic novels, including ‘500 Years of Indigenous Resistance,’ ‘The 500 Years of Resistance Comic Book,’ ‘The Anti-Capitalist Resistance Comic Book,’ and 'The Antifa Comic Book.’ A major theme that runs through this discussion with Gord is the recognition that there is currently a growing intersection between what can be defined as traditionally Eurocentric Leftist political theory and practice with anti-colonial Indigenous resistance, throughout the so-called American continents, from North to South. At the beginning of this discussion, I ask Gord to provide some examples of Indigenous resistance to colonialist expansion throughout the so-called Americas over the past 500 years, from the earliest forms of resistance in the earliest days of European colonial expansion, up to the present day. Gord, having one foot in indigenous resistance movements and the other in anarchist/anti-capitalist/anti-fascist organizing, provides much needed context on how radical Leftist theory and practice (for the most part, European in origin) increasingly works in tandem with anti-colonial Indigenous resistance movements. As Gord lays out in this episode, various strains of resistance — anti-colonial, ecological, anti-capitalist, anti-fascist, egalitarian — stand to benefit from learning and working with each other -- and in great part, this is already happening. We also discuss that while different, each of these respective strains of resistance utilize a similar diversity of tactics in resistance to the State, the logic of Capital, and the Settler-Colonial culture that dominates the land up to the present moment. We discuss these subjects, and more, in this episode. Gord Hill, who also goes under the pen name Zig Zag, is a member of the Kwakwaka’wakw nation along the Northwest Coast. Gord is an indigenous activist, anarchist, and artist, and is the author and illustrator of numerous books/graphic novels, including ‘500 Years of Indigenous Resistance,’ ‘The 500 Years of Resistance Comic Book,’ ‘The Anti-Capitalist Resistance Comic Book,’ and ‘The Antifa Comic Book.’ Episode Notes: - Stay up to date with indigenous, anti-capitalist, and anti-fascist resistance -- as well as all the work Gord is doing -- on his website: https://warriorpublications.wordpress.com - Purchase ‘500 Years of Indigenous Resistance’ at PM Press: http://bit.ly/500yearsPM - Purchase ‘The 500 Years of Resistance Comic Book,’ ‘The Anti-Capitalist Resistance Comic Book,’ and ‘The Antifa Comic Book.’ at Arsenal Pulp Press: http://bit.ly/GHArsenalP - Read Gord’s interview on anti-fascism in Time: http://bit.ly/2RBKedu - The songs featured in this episode are “Sila (feat. Tanya Tagaq)” and “JHD (feat. Junior Ottawa)” by A Tribe Called Red from the album We Are the Halluci Nation. - WEBSITE: https://www.lastborninthewilderness.com - PATREON: http://bit.ly/LBWPATREON - DONATE: Paypal: http://bit.ly/LBWPAYPAL Ko-Fi: http://bit.ly/LBWKOFI - DROP ME A LINE: (208) 918-2837 - FOLLOW & LISTEN: SoundCloud: http://bit.ly/LBWSOUNDCLOUD iTunes: http://bit.ly/LBWITUNES Google Play: http://bit.ly/LBWGOOGLE Stitcher: http://bit.ly/LBWSTITCHER RadioPublic: http://bit.ly/LBWRADIOPUB YouTube: http://bit.ly/LBWYOUTUBE - NEWSLETTER: http://bit.ly/LBWnewsletter - SOCIAL MEDIA: Facebook: http://bit.ly/LBWFACEBOOK Twitter: http://bit.ly/LBWTWITTER Instagram: http://bit.ly/LBWINSTA
Mattilda Bernstein Sycamore is the guest. Her new novel SKETCHTASY is available from Arsenal Pulp Press. Described as "startlingly bold and provocative" by Howard Zinn, "a cross between Tinkerbell and a honky Malcolm X with a queer agenda” by the Austin Chronicle, and “a gender-fucking tower of pure pulsing purple fabulous” by The Stranger, Mattilda Bernstein Sycamore is the author of a memoir and three novels, and the editor of five nonfiction anthologies. Sycamore's memoir, The End of San Francisco(City Lights 2013), won a Lambda Literary Award, and her most recent anthology, Why Are Faggots So Afraid of Faggots?: Flaming Challenges to Masculinity, Objectification, and the Desire to Conform (AK Press 2012), was an American Library Association Stonewall Honor Book and a finalist for a Lambda Literary Award. Mattilda's novels include So Many Ways to Sleep Badly (City Lights 2008) and Pulling Taffy (Suspect Thoughts 2003). She is the editor of four additional nonfiction anthologies, Nobody Passes: Rejecting the Rules of Gender and Conformity (Seal 2007), That’s Revolting! Queer Strategies for Resisting Assimilation (Soft Skull 2004; 2008), Dangerous Families: Queer Writing on Surviving (Haworth 2004), and Tricks and Treats: Sex Workers Write about Their Clients (Haworth 2000), which now also appears in Italian (Effepi Libri 2007). Mattilda has written for a variety of publications, including the San Francisco Chronicle, BOMB, Bookforum, The Baffler, the New York Times, New Inquiry, Los Angeles Review of Books, Truthout, Time Out New York, Utne Reader, AlterNet, Bitch, Bookslut, and The Stranger, and for ten years, Mattilda was the reviews editor and a columnist for the feminist magazine Make/shift. Mattilda made a short 16mm film, All That Sheltering Emptiness, in collaboration with Joey Carducci. The film premiered in 2010, and has screened around the world. Mattilda created Lostmissing, a public art project about the friend who will always be there, and what happens when you lose that relationship. Mattilda’s activism has included ACT UP in the early ‘90s, Fed Up Queers in the late ‘90s, Gay Shame, and numerous lesser-known (or even unnamed) groups. Mattilda's papers are archived at the San Francisco Public Library, and are accessible to the public. Mattilda lives in Seattle, Washington, but will be on tour for Sketchtasy from fall 2018 through spring 2019. In the past, she has appeared in independent bookstores, community centers, performance venues and universities across the US (and Canada), from Yale to Evergreen, UCLA to Harvard to Mills to McGill. Mattilda loves feedback, so contact her, okay? Mattilda is now on Twitter. Don't tell anyone, but she kind of loves it. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sarah Schulman’s Conflict is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair (Arsenal Pulp Press, 2016) examines how accusations of harm are appropriated and deployed by powerful people, groups, and political entities in order to justify extreme punitive measures against marginalized “others.” The book exposes how the powerful capitalize on the language of abuse and misrepresent normative conflict, expressions of difference, and resistance to abuse, in order to avoid accountability and self-reflexivity. Linking a wide range of contexts, from intimate relationships to rapports between nation-states, Schulman highlights how negative in-group dynamics—organized around practices of group shunning, refusal of self-examination, and false loyalty that rejects accountability to others—become the “centerpiece of most social injustice”. Conflict is Not Abuse calls for us to interrupt and seek alternatives to escalation and violence by embracing mutual accountability and a sense of community responsibility for conflict resolution, rather than allowing the punitive state to act as the exclusive arbiter of conflict. Sarah Schulman is a Distinguished Professor of English at the College of Staten Island where she teaches courses on fiction writing, and is a prolific novelist, playwright, filmmaker, and non-fiction writer. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sarah Schulman’s Conflict is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair (Arsenal Pulp Press, 2016) examines how accusations of harm are appropriated and deployed by powerful people, groups, and political entities in order to justify extreme punitive measures against marginalized “others.” The book exposes how the powerful capitalize on the language of abuse and misrepresent normative conflict, expressions of difference, and resistance to abuse, in order to avoid accountability and self-reflexivity. Linking a wide range of contexts, from intimate relationships to rapports between nation-states, Schulman highlights how negative in-group dynamics—organized around practices of group shunning, refusal of self-examination, and false loyalty that rejects accountability to others—become the “centerpiece of most social injustice”. Conflict is Not Abuse calls for us to interrupt and seek alternatives to escalation and violence by embracing mutual accountability and a sense of community responsibility for conflict resolution, rather than allowing the punitive state to act as the exclusive arbiter of conflict. Sarah Schulman is a Distinguished Professor of English at the College of Staten Island where she teaches courses on fiction writing, and is a prolific novelist, playwright, filmmaker, and non-fiction writer. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sarah Schulman’s Conflict is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair (Arsenal Pulp Press, 2016) examines how accusations of harm are appropriated and deployed by powerful people, groups, and political entities in order to justify extreme punitive measures against marginalized “others.” The book exposes how the powerful capitalize on the language of abuse and misrepresent normative conflict, expressions of difference, and resistance to abuse, in order to avoid accountability and self-reflexivity. Linking a wide range of contexts, from intimate relationships to rapports between nation-states, Schulman highlights how negative in-group dynamics—organized around practices of group shunning, refusal of self-examination, and false loyalty that rejects accountability to others—become the “centerpiece of most social injustice”. Conflict is Not Abuse calls for us to interrupt and seek alternatives to escalation and violence by embracing mutual accountability and a sense of community responsibility for conflict resolution, rather than allowing the punitive state to act as the exclusive arbiter of conflict. Sarah Schulman is a Distinguished Professor of English at the College of Staten Island where she teaches courses on fiction writing, and is a prolific novelist, playwright, filmmaker, and non-fiction writer. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sarah Schulman’s Conflict is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair (Arsenal Pulp Press, 2016) examines how accusations of harm are appropriated and deployed by powerful people, groups, and political entities in order to justify extreme punitive measures against marginalized “others.” The book exposes how the powerful capitalize on the language of abuse and misrepresent normative conflict, expressions of difference, and resistance to abuse, in order to avoid accountability and self-reflexivity. Linking a wide range of contexts, from intimate relationships to rapports between nation-states, Schulman highlights how negative in-group dynamics—organized around practices of group shunning, refusal of self-examination, and false loyalty that rejects accountability to others—become the “centerpiece of most social injustice”. Conflict is Not Abuse calls for us to interrupt and seek alternatives to escalation and violence by embracing mutual accountability and a sense of community responsibility for conflict resolution, rather than allowing the punitive state to act as the exclusive arbiter of conflict. Sarah Schulman is a Distinguished Professor of English at the College of Staten Island where she teaches courses on fiction writing, and is a prolific novelist, playwright, filmmaker, and non-fiction writer. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sarah Schulman’s Conflict is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair (Arsenal Pulp Press, 2016) examines how accusations of harm are appropriated and deployed by powerful people, groups, and political entities in order to justify extreme punitive measures against marginalized “others.” The book exposes how the powerful capitalize on the language of abuse and misrepresent normative conflict, expressions of difference, and resistance to abuse, in order to avoid accountability and self-reflexivity. Linking a wide range of contexts, from intimate relationships to rapports between nation-states, Schulman highlights how negative in-group dynamics—organized around practices of group shunning, refusal of self-examination, and false loyalty that rejects accountability to others—become the “centerpiece of most social injustice”. Conflict is Not Abuse calls for us to interrupt and seek alternatives to escalation and violence by embracing mutual accountability and a sense of community responsibility for conflict resolution, rather than allowing the punitive state to act as the exclusive arbiter of conflict. Sarah Schulman is a Distinguished Professor of English at the College of Staten Island where she teaches courses on fiction writing, and is a prolific novelist, playwright, filmmaker, and non-fiction writer. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sarah Schulman’s Conflict is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair (Arsenal Pulp Press, 2016) examines how accusations of harm are appropriated and deployed by powerful people, groups, and political entities in order to justify extreme punitive measures against marginalized “others.” The book exposes how the powerful capitalize on the language of abuse and misrepresent normative conflict, expressions of difference, and resistance to abuse, in order to avoid accountability and self-reflexivity. Linking a wide range of contexts, from intimate relationships to rapports between nation-states, Schulman highlights how negative in-group dynamics—organized around practices of group shunning, refusal of self-examination, and false loyalty that rejects accountability to others—become the “centerpiece of most social injustice”. Conflict is Not Abuse calls for us to interrupt and seek alternatives to escalation and violence by embracing mutual accountability and a sense of community responsibility for conflict resolution, rather than allowing the punitive state to act as the exclusive arbiter of conflict. Sarah Schulman is a Distinguished Professor of English at the College of Staten Island where she teaches courses on fiction writing, and is a prolific novelist, playwright, filmmaker, and non-fiction writer. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Mercy Journals (Arsenal Pulp Press, 2016) is the third novel by Claudia Casper and her first work of science fiction. Set in 2047, it tells the story of Allen Quincy through his journals. Quincy–nicknamed Mercy–is a former soldier struggling with memories of his long-lost family and the traumas he suffered during the third World War. The story touches on complex issues such as genocide, climate change, and post-traumatic stress disorder. But it’s largely a book about one man’s struggle for survival and his attempt to find meaning in a world turned upside down. The Mercy Journals won the coveted Philip K. Dick Award, which means it’s destined to be a classic, read for years to come. Related to the interview: * Claudia Casper’s essay, “Attending a Literary Award Ceremony in an Alternate Universe,” was published on Literary Hub. Rob Wolf is the author of the science fiction novels The Alternate Universe and The Escape. His writing has appeared in numerous publications, from The New York Times to the literary journal Thema, and his work has been singled out for excellence by the New York Public Library, The Missouri Review, and the National Council on Crime and Delinquency. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Mercy Journals (Arsenal Pulp Press, 2016) is the third novel by Claudia Casper and her first work of science fiction. Set in 2047, it tells the story of Allen Quincy through his journals. Quincy–nicknamed Mercy–is a former soldier struggling with memories of his long-lost family and the traumas he suffered during the third World War. The story touches on complex issues such as genocide, climate change, and post-traumatic stress disorder. But it’s largely a book about one man’s struggle for survival and his attempt to find meaning in a world turned upside down. The Mercy Journals won the coveted Philip K. Dick Award, which means it’s destined to be a classic, read for years to come. Related to the interview: * Claudia Casper’s essay, “Attending a Literary Award Ceremony in an Alternate Universe,” was published on Literary Hub. Rob Wolf is the author of the science fiction novels The Alternate Universe and The Escape. His writing has appeared in numerous publications, from The New York Times to the literary journal Thema, and his work has been singled out for excellence by the New York Public Library, The Missouri Review, and the National Council on Crime and Delinquency. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Mercy Journals (Arsenal Pulp Press, 2016) is the third novel by Claudia Casper and her first work of science fiction. Set in 2047, it tells the story of Allen Quincy through his journals. Quincy–nicknamed Mercy–is a former soldier struggling with memories of his long-lost family and the traumas he suffered during the third World War. The story touches on complex issues such as genocide, climate change, and post-traumatic stress disorder. But it’s largely a book about one man’s struggle for survival and his attempt to find meaning in a world turned upside down. The Mercy Journals won the coveted Philip K. Dick Award, which means it’s destined to be a classic, read for years to come. Related to the interview: * Claudia Casper’s essay, “Attending a Literary Award Ceremony in an Alternate Universe,” was published on Literary Hub. Rob Wolf is the author of the science fiction novels The Alternate Universe and The Escape. His writing has appeared in numerous publications, from The New York Times to the literary journal Thema, and his work has been singled out for excellence by the New York Public Library, The Missouri Review, and the National Council on Crime and Delinquency. Learn more about your ad choices. Visit megaphone.fm/adchoices
Don't forget: Patreons who support with just $3 per month and above get exclusive weekly bonus content, too. Literally, every pledge sends me into an excited squeal of delight. patreon.com/sgrpodcast Zena Sharman, editor of "The Remedy: Queer and Trans Voices on Health and Health Care," is here talking about queer and trans health issues, community-based care, and oppression within the medical community. We geek out about trauma-informed care and talk about why cis straight men are really suffering inside these systems, too, based on the statistics. What does it look like to have healthcare informed by community, disability justice, racial justice, fat justice, and trauma? Zena has some stories and amazing ideas to get the activist in all of us going. How do we start asking, "Who are you and what's important to you?" instead of assuming what kinds of care and cures someone might want? Change is on the horizon, but we need to start looking at different possibilities that include kinky folks and poly folks and people of color among so many other intersections of oppression. When this happens, our sexual health and our mental health would improve drastically. Ready to dive in? Me too! Follow Sex Gets Real on Twitter and Facebook. It's true. Oh! And Dawn is on Instagram. Resources discussed in this episode Eli Clare's "Brilliant Imperfection: Grappling with Cure" Zena's blog post on Queer Interdependence "Living in Liberation: Boundary Setting, Self Care, and Social Change" by Cristien Storm Kelli Dunham's zine, "You Don't Have to Love Your Body to Take Care of It" and PLEASE send her a few bucks if you access this zine. Here's her PayPal to do just that. About Zena Sharman Zena Sharman is a femme force of nature and a passionate advocate for queer and trans health. She has over a decade’s experience in health research, including seven years as the Assistant Director of Canada’s national gender and health research funding institute. Zena co-chairs the board of the Catherine White Holman Wellness Centre, a holistic health care centre for transgender and gender-diverse communities. She served on the board of the Canadian Professional Association for Transgender Health from 2013-2015. Zena is the editor of the Lambda Literary award-winning anthology The Remedy: Queer and Trans Voices on Health and Health Care (Arsenal Pulp Press, 2016). The Remedy brings together her love of writing and stories with her commitment to making the world a healthier and more equitable place. Zena co-edited the Lambda Literary award-nominated anthology, Persistence: All Ways Butch and Femme (Arsenal Pulp Press, 2011), and she's presented on gender, sexuality, and health to audiences across North America. Zena has a PhD in interdisciplinary studies from the University of British Columbia. Her resume also includes party thrower, cabaret host, go-go dancer for a queer punk band, campus radio DJ, and elementary school public speaking champion. Zena is grateful to live and write on the lands of the Musqueam, Sḵwxwú7mesh, and Tsleil-Waututh peoples. As a small gesture of thanks for living on their unceded territories, she'll donate half of her royalties from The Remedy to Indigenous-led organizations. Follow Zena on Twitter @zenasharman Listen and subscribe to Sex Gets Real Listen and subscribe on iTunes Check us out on Stitcher Don't forget about I Heart Radio's Spreaker Pop over to Google Play Use the player at the top of this page. Now available on Spotify. Search for "sex gets real". Find the Sex Gets Real channel on IHeartRadio. Hearing from you is the best Contact form: Click here (and it's anonymous)
Comedian Fatima Dhowre recounts her many near death experiences and breaks down her first comedy set. Fatima is performing at the Winnipeg Comedy Festival April 6th to 9th. Betty Lambert was a writer based in Vancouver. Crossings was the only novel she published, but she also wrote plays, radio plays and short stories. That piece featured the voices of writers Anakana Schofield and Claudia Casper, Betty's daughter Ruth Lambert and Betty's sister, Dorothy Beavington. Thanks to Lee Beavington and Arsenal Pulp Press for their assistance. Mourning Coup is the musical project of Chandra Melting Tallow. Brad Ross is a man who knows Chad Kroeger Find links to more of their work at canadalandshow.com/imp Thank you to CIVL Radio and the podcast Cited for bringing us to the University of Fraser Valley in Abbotsford, where this show was originally performed.See omnystudio.com/listener for privacy information.
An excerpt of Scarborough by Catherine Hernandez. Edna is an esthetician who wants to teach a lesson or two to a police officer who sexually harasses her at the salon. Scarborough will be published by Arsenal Pulp Press in April 2017. For info: http://www.arsenalpulp.com/bookinfo.php?index=461
Ivan Coyote is the award-winning author of ten books, the creator of four short films, and has released three albums that combine storytelling with music. Ivan is a seasoned stage performer and long-time road dog, and over the last eighteen years has become an audience favourite at storytelling, writer's, film, poetry, and folk music festivals from Anchorage to Amsterdam. Ivan's 11th book, Tomboy Survival Guide, was released in the fall of 2016 with Arsenal Pulp Press. In this podcast, we discuss the writing process, performing, Ivan's new book Tomboy Survival Guide, trans and queer stories shared after Ivan's performances, and their latest projects.
This archival discussion between Paul Watkins and Wayde Compton from 2013 touches on the problem of identity, creativity in tradition, remembering past cityscapes, Hogan’s Alley Memorial Project, the DJ as sound archivist, lost sounds, R.Murray Schafer, Kid Koala, and Poetry! Take a look at Wayde Compton’s recent book of stories, The Outer Harbour, published by Arsenal Pulp Press. Originally aired in March 2015 on CFRU 93.3FM. Sound It Out is hosted by Rachel Elliott who is a PhD candidate in Philosophy at the University of Guelph in Ontario, Canada. Sound It Out is produced in conjunction with the International Institute for Critical Studies in Improvisation. The show explores whether and how improvised music can serve as a basis for discursive inclusivity, the creation of new forms of shared meaning, and more democratic means of connecting with each other. Sound It Out airs on Guelph’s campus and community radio station, CFRU 93.3FM, on alternating Tuesdays at 5pm.
Vivek Shraya is a multimedia artist living in Toronto with strong ties to prairie malls. She's produced 10 albums, written 3 books (with 2 more set for release next year) and created 4 short films, all to great acclaim. She talked to me about the production of art, how performance grounds her, Her debut novel, She of the Mountains, was named one of The Globe and Mail’s Best Books of 2014. A three-time Lambda Literary Award finalist, Vivek has read and performed at shows, festivals and post-secondary institutions internationally, sharing the stage with Tegan & Sara and Dragonette, and has appeared at NXNE, Word on the Street, and Yale University. Vivek is a three-time Lambda Literary Award finalist, the 2014 recipient of the Steinert & Ferreiro Award for leadership in Toronto’s LGBTQ community, recipient of Anokhi Media’s inaugural Most Promising LGBTQ Community Crusader Award in 2015, a 2015 Toronto Arts Foundation Emerging Artist Award finalist, and a 2015 recipient of the Writers’ Trust of Canada’s Dayne Ogilvie Prize Honour of Distinction. Both Vivek’s debut collection of poetry, even this page is white, and first children’s picture book, The Boy & the Bindi, will be published by Arsenal Pulp Press in 2016. Her POC fashion project (co-edited with Karen Campos Castillo) is at http://heart-beats.ca/HDB/ We talked about Rihanna, Beyonce (duh), gender expression, performance vs 'real life', and style as class privilege. She also educated me in the nicest way possible about being so judgemental about other people's style. Thanks Vivek! You're amazing!
Well, it's Can't Lit time again, friends. This month we host the magnificent Wayde Compton, author of the newly released, The Outer Harbour (Arsenal Pulp Press), which we talk about in this very episode! We also recap our summers, talk writing for serious, Vancouver history and Robin Williams. BONUS: There is a lost episode that we angrily discuss and make reference to throughout. You miss out on the great Wayde Compton bee story. Sorry!
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