Podcasts about Tower Records

Today we welcome Designer Anna Flowers The B.I.STANDER Podcast is a conversational podcast unique to Bainbridge Island and Seattle Washington, that covers the Arts, Society & Culture told through Human Interest stories. The intent is to introduce interesting people, ideas, and conversations. We are not perfect and that's OK! Thank you for your support! The B.I.Stander Podcast is a listener supported show, please consider subscribing.   BE A FRIEND OF PODCASTVILLE AND TELL A FRIEND  The BISTANDER Podcast! Blue Canary Auto NOW ALSO in Bremerton! Sound Reprographics Tideland Magazine (Yo! Check out page 16!) Song "Fly on the Wall by LeRoy Bell and available at:  Tower Records! Additional sound effects by: https://www.zapsplat.com/ Support the Show on PATREON "Be a friend, tell a friend!"

Today we welcome John Kydd and Paul Aussendorf of: STANDING TOGETHER BI .ORG The B.I.STANDER Podcast is a conversational podcast unique to Bainbridge Island and Seattle Washington, that covers the Arts, Society & Culture told through Human Interest stories. The intent is to introduce interesting people, ideas, and conversations. We are not perfect and that's OK! Thank you for your support! The B.I.Stander Podcast is a listener supported show, please consider subscribing.   BE A FRIEND OF PODCASTVILLE AND TELL A FRIEND  The BISTANDER Podcast! Blue Canary Auto NOW ALSO in Bremerton! Sound Reprographics Tideland Magazine (Yo! Check out page 16!) Song "Fly on the Wall by LeRoy Bell and available at:  Tower Records! Additional sound effects by: https://www.zapsplat.com/ Support the Show on PATREON "Be a friend, tell a friend!"

I've been into magazines for what seems like most of my life. I started archiving and sharing my own collection back in 2022 but I want to expand and take it even further. So this episode is just a bit of my history collecting magazines, zine, and photo books. Check out the progress on Instagram and TikTok! More library content coming soon exclusively to the SubStack!---Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon! Host: Lauren @lauren_melanie Follow Fashion Grunge PodcastFind more Fashion Grunge on LinktreeJoin me on Substack:  The Lo Down: a Fashion Grunge blog/newsletter☕️ Support Fashion Grunge on Buy Me a Coffee: https://www.buymeacoffee.com/fashiongrunge

Damian Kulash of OK Go discusses his evolution from punk music fan, working with Dischord records, and creating boundary-pushing music, vinyl packaging and viral videos Topics Include: New album "And The Adjacent Possible" available for streaming now. Discussion about physical media's role in OK Go's output. OK Go primarily known for videos that "live in the ether." Damian was into physical record packaging during college years. First record was Herbie Hancock's "Rockit," bought at Tower Records. Young Damian damaged the record trying to scratch like DJ. Later played with Herbie Hancock at Obama's 50th birthday party. Musical journey from hip-hop through Prince, Beatles, Led Zeppelin. DC punk scene was influential, with bands playing in cafeterias. Started Level Records at age 15,with funding from Dischord Records. Ian MacKaye lent teenager Damian money to start label. Level Records produced 7-inches and compilation CDs for friends' bands. College made running a record label difficult for Damian. Studied art semiotics at Brown University. Worked as NPR radio engineer and Photoshop retoucher after college. Indifferent to Napster's rise during OK Go's early days. Band finances operated like "roadrunner off the cliff" cartoon. Discussion about gift economy model working for the band. Belief that making things you love matters most, not success. Music sometimes gets overshadowed by video's visual impact. Videos gave OK Go longevity beyond typical radio-hit bands. New album theme explores Stuart Kaufman's "adjacent possible" concept. OK Go doesn't have unified sound; band is "like a mixtape." Treadmill video was originally made for "nerdiest fans" only. Videos aim to create real events that connect with viewers. Physical pressings of OK Go albums are costly in secondary market. New vinyl features elaborate pop-up sphere in custom packaging. Hidden track on second album deliberately blocked copy-protection software. Record label "Paracadute" means parachute in Italian. Ten-year album gap wasn't intentional; life and pandemic happened. Directed "The Beanie Bubble" film with his wife for Apple. Film directing different from making music videos; less adrenaline-driven. Video production typically takes 3-6 months from concept to completion. Some video ideas abandoned when technology made them commonplace. Order the OK Go LP "And The Adjacent Possible" on vinyl here EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Today we welcome PAWS PEOPLE to Podcast! Mindy Anderson and Becca Hanson update us on PAWS 50th Pet Gala!  https://pawsbink.org/  The B.I.STANDER Podcast is a conversational podcast unique to Bainbridge Island and Seattle Washington, that covers the Arts, Society & Culture told through Human Interest stories. The intent is to introduce interesting people, ideas, and conversations. We are not perfect and that's OK! Thank you for your support! The B.I.Stander Podcast is a listener supported show, please consider subscribing.   BE A FRIEND OF PODCASTVILLE AND TELL A FRIEND  The BISTANDER Podcast! Blue Canary Auto NOW ALSO in Bremerton! Sound Reprographics Tideland Magazine (Yo! Check out page 16!) Song "Fly on the Wall by LeRoy Bell and available at:  Tower Records! Additional sound effects by: https://www.zapsplat.com/ Support the Show on PATREON "Be a friend, tell a friend!"

https://www.goodplayamerica.org/ Today we welcome ALEJANDRO HENAO    The B.I.STANDER Podcast is a conversational podcast unique to Bainbridge Island and Seattle Washington, that covers the Arts, Society & Culture told through Human Interest stories. The intent is to introduce interesting people, ideas, and conversations. We are not perfect and that's OK! Thank you for your support! The B.I.Stander Podcast is a listener supported show, please consider subscribing.   BE A FRIEND OF PODCASTVILLE AND TELL A FRIEND  The BISTANDER Podcast! Blue Canary Auto NOW ALSO in Bremerton! Sound Reprographics Tideland Magazine (Yo! Check out page 16!) Song "Fly on the Wall by LeRoy Bell and available at:  Tower Records! Additional sound effects by: https://www.zapsplat.com/ Support the Show on PATREON "Be a friend, tell a friend!"

Will Westercauw chats with Johnny (guitarist from the band Dig) about scandalous rumors, working at Tower Records, Clear Channel censorship, and the modern rock hits of March 1994. Songs under discussion include: Crash Test Dummies - "Mmm Mmm Mmm Mmm" Tori Amos - "God" Alice In Chains - "No Excuses" Dig - "Believe" Season 7 (1994) Spotify Playlist: https://open.spotify.com/playlist/19V29Sq8PhdbMVyODJyUz6

Welcome back:  Molly Brahmer Art Molly has just finished an impressive mural at The Cove on Bainbridge Island. The B.I.STANDER Podcast is a conversational podcast unique to Bainbridge Island and Seattle Washington, that covers the Arts, Society & Culture told through Human Interest stories. The intent is to introduce interesting people, ideas, and conversations. We are not perfect and that's OK! Thank you for your support! The B.I.Stander Podcast is a listener supported show, please consider subscribing.   BE A FRIEND OF PODCASTVILLE AND TELL A FRIEND  The BISTANDER Podcast! Blue Canary Auto NOW ALSO in Bremerton! Sound Reprographics Tideland Magazine (Yo! Check out page 16!) Song "Fly on the Wall by LeRoy Bell and available at:  Tower Records! Additional sound effects by: https://www.zapsplat.com/ Support the Show on PATREON "Be a friend, tell a friend!"

In the first episode of season 2, we speak with Jack Smyth – a freelance designer and illustrator from Ireland. His clients include Penguin Random House, Faber & Faber, Harpercollins, Granta, Daunt Books, Simon & Schuster, The New York Times, The New Yorker, Politico and The Atlantic. He has previously worked inhouse at 4th Estate, Simon & Schuster, Little, Brown and Tower Records and holds an MA in Graphic Design from Kingston University. In 2024, he was named the designer of the year at the British Book Awards. He has received 9 ABCD awards, a BBDPA award and has been featured in Creative Review, It's Nice That, Communication Arts and the 100 Archive. He lives in Dublin with his wife and cat. Cover Meeting was hosted by Steve Leard and produced by James Ede of beheard.org.uk.

Today we welcome Brady Cullen of the Bainbridge Island Land Trust to talk about the sell of the Grand Forrest and the efforts to save the Rookery of Herons on Lovell Ave. https://www.bi-landtrust.org/ BIG SHOUT OUT TO BLUE CANARY! Thank you for your services and sorry I edited half your commercial off. I am a bit tech illiterate  The B.I.STANDER Podcast is a conversational podcast unique to Bainbridge Island and Seattle Washington, that covers the Arts, Society & Culture told through Human Interest stories. The intent is to introduce interesting people, ideas, and conversations. We are not perfect and that's OK! Thank you for your support! The B.I.Stander Podcast is a listener supported show, please consider subscribing.   BE A FRIEND OF PODCASTVILLE AND TELL A FRIEND  The BISTANDER Podcast! Blue Canary Auto NOW ALSO in Bremerton! Sound Reprographics Tideland Magazine (Yo! Check out page 16!) Song "Fly on the Wall by LeRoy Bell and available at:  Tower Records! Additional sound effects by: https://www.zapsplat.com/ Support the Show on PATREON "Be a friend, tell a friend!"

Episode 414: I will discuss my memories of Tower Records in Schaumburg, IL, and the 60th Anniversary of The Park-Ruddle News Team on WGN-TV 9 in Chicago.

Episode 414: I will discuss my memories of Tower Records in Schaumburg, IL, and the 60th Anniversary of The Park-Ruddle News Team on WGN-TV 9 in Chicago.

  Today: We welcome Sam Spiva.  https://spivacooking.com/ In 2020, the world changed—and so did Sam's and Heather's lives. After a pandemic-induced layoff from the corporate world, we, Sam and Heather Spiva, decided to turn there passion for bold flavors into something extraordinary. Drawing from years of experience as professional chefs, they founded Spiva Cooking with a vision to transform how people experience spices. The Spiva's started small, grinding spices fresh in their kitchen and blending flavors that reflect  culinary expertise. Over time, what began as a hustle became a thriving business, driven by a commitment to quality, innovation, and our love of great food. Today, Spiva Cooking is proud to bring fresh, handcrafted spices to kitchens and restaurants across the globe. The B.I.STANDER Podcast is a conversational podcast unique to Bainbridge Island and Seattle Washington, that covers the Arts, Society & Culture told through Human Interest stories. The intent is to introduce interesting people, ideas, and conversations. We are not perfect and that's OK! Thank you for your support! The B.I.Stander Podcast is a listener supported show, please consider subscribing.   BE A FRIEND OF PODCASTVILLE AND TELL A FRIEND  The BISTANDER Podcast! Blue Canary Auto NOW ALSO in Bremerton! Sound Reprographics Tideland Magazine (Yo! Check out page 16!) Song "Fly on the Wall by LeRoy Bell and available at:  Tower Records! Additional sound effects by: https://www.zapsplat.com/ Support the Show on PATREON "Be a friend, tell a friend!"    

And our Was (not Was) odyssey comes to an end with the glory years of What Up, Dog? and Walk The Dinosaur alongside working with Elvis Costello, Roy Orbison and Frank Sinatra Jr.7. WHAT UP, DOG? (1986-88)A two year process begun with a rejected album by Geffen. Then former podcast guest, David Bates saves the day and one of the best albums of the 80s results.Special focus made on the superlative ballads from the LP; Anytime Lisa, Somewhere in America There's a Street Named After My Dad, Anything Can Happen and Wedding Vows in Vegas.8. ELVIS COSTELLO (1986)A Was/Costello co-write results from a fortuitous meeting with Mr MacManus at Tower Records. We discover what lyric Costello contributed and how David was responsible for the track Elvis made with Brian Eno for The X Files 10 years later.9. WALK THE DINOSAUR (1987)Plenty was said about the hit in part 1 of the interview but we boom-boom-ackla-lacka-lacka boom once more with a few more questions. What was the line David was asked to change? Why was it released so much earlier in the UK than the USA? What was Randy Jacobs songwriting contribution?10. MISCELLANEOUS (1987-89)Plenty of chat about David's old comrade, Don. As well as talk on my favourite lesser know WNW track, working with the great Roy Orbison and some chat on why David's answer to Are You Okay? was "no". Plus the highs of Top of the Pops and live performing in the UK.80SOGRAPHY QUICKFIRE ROUNDDavid is on Twitter @HennyYoungbloodPlease support the podcast via PayPal - 80sography@gmail.comTwitter/Blue Sky @80sography                  Men Without Women Are Like Fish Without Water To Swim In.                 With Their Eyes Bugging Out, They Flop On The Beach,                 And Look Up At The Girls Who Are Just Out of Reach. Send us a text

NANCY SOULE'  Author, Vocalist, Speaker, and Ship Musician Coach  We discuss her new book "Notes that Float." The B.I.STANDER Podcast is a conversational podcast unique to Bainbridge Island and Seattle Washington, that covers the Arts, Society & Culture told through Human Interest stories. The intent is to introduce interesting people, ideas, and conversations. We are not perfect and that's OK! Thank you for your support! The B.I.Stander Podcast is a listener supported show, please consider subscribing.   BE A FRIEND OF PODCASTVILLE AND TELL A FRIEND  The BISTANDER Podcast! Blue Canary Auto NOW ALSO in Bremerton! Sound Reprographics Tideland Magazine Song "Fly on the Wall by LeRoy Bell and available at:  Tower Records! Additional sound effects by: https://www.zapsplat.com/ Support the Show on PATREON "Be a friend, tell a friend!"

Artist Pardee joins Dave and talks about how his earliest inspirations - Garbage Pail Kids, Santa Cruz Skateborads, Tales From the Crypt and Gary Larsen's Far Side comics - formed the recipe for his unique and colorful artistic style. They discuss how the positive power of art can help quiet an anxious mind, the glory days of Tower Records, David Fincher and the hustle involved in building something from nothing. Alex's talks about his recent character design work on Hulu's Mr. Crocket and reflects on his recent Return Of The Dopplegangers exhibition at Harman Projects. Purchase Dopplegangers -https://harmanprojects.myshopify.com/collections/alex-pardee Alex's Shop! https://shop.alexpardee.com/ Follow Alex - https://www.instagram.com/alexpardee/?hl=en https://www.westcoastdavengers.com/direct-edition-podcast

Today we welcome Author Nancy Blakey Nancy was born in Idaho and raised in the Pacific Northwest where she now lives on an island in Puget Sound. In her adult life she married in Scotland and lived in the Highlands, then they moved to South Australia. Later she spent summers in Alaska with her family during the Bristol Bay salmon season. Nancy and her husband Greg have four children. While raising her family she had a syndicated kids' activity column called Mudpies that was collected and published into five books. Years later, after Greg's premature death, she was drawn to spend more time outdoors, and By the Shore and The Mountains Are Calling were born. These guide books encourage people to explore the wonders of the Pacific Northwest and make memories--one of the most precious assets we possess. Nancy believes there is no rewind. She believes some day is now. The B.I.STANDER Podcast is a conversational podcast unique to Bainbridge Island and Seattle Washington, that covers the Arts, Society & Culture told through Human Interest stories. The intent is to introduce interesting people, ideas, and conversations. We are not perfect and that's OK! Thank you for your support! The B.I.Stander Podcast is a listener supported show, please consider subscribing.   BE A FRIEND OF PODCASTVILLE AND TELL A FRIEND  The BISTANDER Podcast! Blue Canary Auto NOW ALSO in Bremerton! Sound Reprographics Tideland Magazine Song "Fly on the Wall by LeRoy Bell and available at:  Tower Records! Additional sound effects by: https://www.zapsplat.com/ Support the Show on PATREON "Be a friend, tell a friend!"

Today we welcome Sex Therapist Dr. Roger Libby Roger is a marriage and relationship counselor who is an internationally recognized sexologist, social psychologist, sociologist and an AASECT-certified sex therapist with two practice offices in Seattle, and in Poulsbo (Kitsap County), Washington. The B.I.STANDER Podcast is a conversational podcast unique to Bainbridge Island and Seattle Washington, that covers the Arts, Society & Culture told through Human Interest stories. The intent is to introduce interesting people, ideas, and conversations. We are not perfect and that's OK! Thank you for your support! The B.I.Stander Podcast is a listener supported show, please consider subscribing.   BE A FRIEND OF PODCASTVILLE AND TELL A FRIEND  The BISTANDER Podcast! Blue Canary Auto NOW ALSO in Bremerton! Sound Reprographics Tideland Magazine Song "Fly on the Wall by LeRoy Bell and available at:  Tower Records! Additional sound effects by: https://www.zapsplat.com/ Support the Show on PATREON "Be a friend, tell a friend!"

The B.I.STANDER Podcast is a conversational podcast unique to Bainbridge Island and Seattle Washington, that covers the Arts, Society & Culture told through Human Interest stories. The intent is to introduce interesting people, ideas, and conversations. We are not perfect and that's OK! Thank you for your support! The B.I.Stander Podcast is a listener supported show, please consider subscribing.   BE A FRIEND OF PODCASTVILLE AND TELL A FRIEND  The BISTANDER Podcast! Blue Canary Auto NOW ALSO in Bremerton! Sound Reprographics Song "Fly on the Wall by LeRoy Bell and available at:  Tower Records! Additional sound effects by: https://www.zapsplat.com/ Support the Show on PATREON "Be a friend, tell a friend!"

Fresh Face in Hell Podcast   The  The Heart of Winter drops locally at Eagle Harbor Books January 7th, 6:30 2025  Save 10% when you pre-order!  The extraordinary new novel by Jonathan Evison, about a married couple in their golden years, from when they met across big ups, deep downs, and survive-it-all, opposites-attract love The B.I.STANDER Podcast is a conversational podcast unique to Bainbridge Island and Seattle Washington, that covers the Arts, Society & Culture told through Human Interest stories. The intent is to introduce interesting people, ideas, and conversations. We are not perfect and that's OK! Thank you for your support! The B.I.Stander Podcast is a listener supported show, please consider subscribing.   BE A FRIEND OF PODCASTVILLE AND TELL A FRIEND  The BISTANDER Podcast! Blue Canary Auto NOW ALSO in Bremerton! Sound Reprographics Song "Fly on the Wall by LeRoy Bell and available at:  Tower Records! Additional sound effects by: https://www.zapsplat.com/ Support the Show on PATREON "Be a friend, tell a friend!"

Today we welcome Blair King The City Manager of Bainbridge Island Background Blair King was appointed City Manager May 2021.  Prior to serving the City of Bainbridge Island, King served as city manager for a variety of small to medium sized cities, including coastal and island communities.   His background includes experience with budget and finance; growth control and land use; public works and infrastructure; "Main Street;" and public safety.  Mr. King has spent a career working for cities and is committed to ethical effective high quality local government.   He is a member of the International City/County Managers Association (ICMA) and the International Network of Asian Public Administrators (I-NAPA).  King holds a Master of Public Administration and bachelor's degree from Fresno State University. The B.I.STANDER Podcast is a conversational podcast unique to Bainbridge Island and Seattle Washington, that covers the Arts, Society & Culture told through Human Interest stories. The intent is to introduce interesting people, ideas, and conversations. We are not perfect and that's OK! Thank you for your support! The B.I.Stander Podcast is a listener supported show, please consider subscribing.   BE A FRIEND OF PODCASTVILLE AND TELL A FRIEND  The BISTANDER Podcast! Blue Canary Auto NOW ALSO in Bremerton! Sound Reprographics Song "Fly on the Wall by LeRoy Bell and available at:  Tower Records! Additional sound effects by: https://www.zapsplat.com/ Support the Show on PATREON "Be a friend, tell a friend!"

In this episode of the Creating Superfans podcast, I sit down with Bob Kaufman, president of international at Xponential Fitness, to dive into the art of global franchising. Bob shares fascinating stories from his career, including the expansion of brands like Club Pilates, Coffe Bean & Tea Leaf, and Tower Records into international markets. We discuss how to balance brand consistency with local cultural nuances and uncover the key traits of successful franchisees. Even if franchising isn't on your radar, this episode is packed with valuable lessons for any business owner looking to grow, adapt, and create superfans. Tune in for a fun and inspiring conversation!Connect with Bob on LinkedIn--Subscribe to Brittany's biweekly newsletterFollow Brittany on LinkedIn and InstagramGrab a copy of Creating Superfans on Amazon

April 11 -16 , 2004 This week Ken welcomes Bridge 9 Records and Sully Brands impresario Chris Wrenn to the show. Ken and Chris discuss their shared Boston punk rock history, the 2004 Red Sox World Series victory, regional variations, Ken's complete lack of sports knowledge, very specific niches, T-shirts that are hard to explain, building a community space, the sports punk rock overlap in Boston, vending outside of Fenway park, how weirdly horny 2004 was, JJ Jackson's death, being stuck in traffic outside a game, John Sayles, indecency on television, the Janet Jackson Justin Timberlake Superbowl incident, the Red Sox vs Yankees rivalry, the long history of novelty sporting sayings in New England, Stephen King's book about the 2004 Red Sox season, Fever Pitch, The Celtics, Mel Gibson, Quantum Leap, Outlander, the TV on DVD phenomenon, offensive cigarette discount stores, Ms Pac Man, Running your own dorm room video store, Gilmore Girls, working at Tower Records, making art projects, Yao Ming, when terrible things make money, The Town, DIY ethos, when TV Guide switched formats, and Romeo Must Die. 

•Curtis (C. Barry) Martin remembers...when Gospel music...was the stepchild in modern music of all the genres!  It was his team's task to put our line of artists in every chain, Distributor/ One Stop/record store/bookstore in America and worldwide! •C. Barry called the major chain stores; Tower Records, Turtles, Strawberrys, Musicland, and others! As BeBe & CeCe began to break, The Winans, Richard Smallwood, The Clark Sisters, Tramaine Hawkins, Darly Coley, The Hawkins Family, Kurt Carr, Trin-nit-tee 5:7, A-1 Swift, PID, Ron Kenoly, West Angeles...Saints In Praise Series, 1, 2 and 3. Gospel Gangtaz, Mom & Pop Winans, Vickie Winans, Norman Hutchins to name a few; the Game Changed.  •Vicky Mack Lataillade came to Nashville talked with C. Barry about two artists she was considering, she was just beginning their labels, Claude & Vicki's, Gospo-Centric Records / B-Rite Records. She could only choose 1 artist...Kirk Franklin.  Elroy Smith on V103 in Chicago an Urban station played “Why We Sing” once, the phones lit up.....and the rest is History - 18 Gold Albums and 3 Platinum Albums/CD'S! •Now...The Orchard Promotional Firm...C. Barry's company of 28 years.  Our biggest Hit..."Falling In Love With Jesus" "Run And Tell That" "Don't Let The Devil Ride." Making history with The Bowmans, Tim Sr. & Jr., The Williams Brothers, Rev. Robert Lowe & The MoriahCity Singers, Tiffany Bynoe and I will stop right there because there is so much more! •Please send Let's Talk: Gospel Music Gold an email sharing your thoughts about this show segment also if you have any suggestions of future guests you would like to hear on the show. Send the email to ⁠⁠letstalk2gmg@gmail.com⁠⁠ •You may Subscribe to be alerted when the newest episode is published. Subscribe on Spotify and we will know you are a regular listener. All previous Seasons of guests are still live; check out some other Podcast Episodes •LET'S TALK: GOSPEL MUSIC GOLD RADIO SHOW AIRS SATURDAY MORNING 9:00 AM CST / 10:00 AM EST ON INTERNET RADIO STATION WMRM-DB AND WJRG RADIO INTERNET RADIO STATION 12:00 PM EST / 11:00 AM CST •Both the Podcast and Radio shows are heard anywhere in the World on the Internet! •BOOK ENTITLED •"Legacy of James C. Chambers And his Contributions to Gospel Music History " Available on Amazon.com!

@PermissionToStanPodcast on Instagram (DM us here) & TikTok!NEW Podcast Episodes every THURSDAY! Please support us by 'Following' & 'Subscribing' for more K-POP talk!SEVENTEEN World Tour: L.A. Day 1 & 2 ChaosEarly November comebacks: BTS JIN, ATEEZ, MEOVV, TAYEON, NEXZ, TRIPLESMusic Videos watched: LE SSERAFIM, ENHYPEN, STRAY KIDS, XGLA Popups: JUNGKOOK, JIMIN, TWICEBLACKPINK ROSE joins First We Feast for Spicy Hot Sauce Wings Challenge: Talks about her dog Hank, song inspiration, Tangled, meat pies, & stress ballNEWJEANS possibly threatened ADOR with Contract TerminationNEWJEANS MINJI & DANIELLE go to pottery class & paragliding (with a lot of screaming)GOT7 BAMBAM passes the torch for his show 'Bam House' to KISS OF LIFE NATTYBTS JIN scheduled for the Tonight Show with Jimmy FallonJHOPE still in L.A. and is possibly staying for a while?SKZ Japan Album 'Giant' has ab awesome new Christmas song "Christmas Love"STRAY KIDS takes over Japan! Voice messages on Japan Railways, exhibition, Tower Records, on a ferris wheelBANGCHAN goes super Delulu (AGAIN!) that even JYPE company contacted himSupport this podcast at — https://redcircle.com/permission-to-stan-podcast-kpop-multistans-andamp-weebs/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today we welcome author Anisa Ashabi “If my life were a TV show, Chaz Humbert would be the bad guy.” Roxie Nazari's had it. She's been subjected to Chaz Humbert's creepy come-ons and inappropriate antics for three years—and she's not his only victim. With teachers, guidance counselors, and school administration unwilling to end the harassment, Roxie exacts revenge on an anger-fueled impulse. What she doesn't realize is how her actions will completely change her life--and her worldview. Turns out, revenge is not so sweet, not just because of the guilt she feels, but because her sentence is an in-school suspension…with the perp himself! Trapped in close quarters with Chaz, Roxie is determined not to be fooled by the sudden drastic change in his behavior. But when Chaz reveals an unexpected truth, both he and Roxie hurtle down an entirely new path of self-discovery. Meanwhile, they aren't the only ones in their school—or town—with problems. Old friends, new friends, and family are all struggling with their own first steps into adulthood. Roxie's eyes are opened to the narrow-mindedness and limitations of her hometown. Will things ever improve? And can a girl who just started high school make a difference? An American coming-of-age story set against the social backdrop of the 2000s, Finding Chaz illustrates the pitfalls of adolescence with raw humor, honesty, and heart. The B.I.STANDER Podcast is a conversational podcast unique to Bainbridge Island and Seattle Washington, that covers the Arts, Society & Culture told through Human Interest stories. The intent is to introduce interesting people, ideas, and conversations. We are not perfect and that's OK! Thank you for your support! The B.I.Stander Podcast is a listener supported show, please consider subscribing.   BE A FRIEND OF PODCASTVILLE AND TELL A FRIEND  The BISTANDER Podcast! Blue Canary Auto NOW ALSO in Bremerton! Sound Reprographics Song "Fly on the Wall by LeRoy Bell and available at:  Tower Records! Additional sound effects by: https://www.zapsplat.com/ Support the Show on PATREON "Be a friend, tell a friend!" Finding Cha by Anisa Ashabi:  

Yes, I have incorporated all the keywords into the show notes. Here is the updated version with all the keywords included:---**Show Notes: MMT50 - 212**Hey there, Pavement aficionados! jD is back with another episode of our Top 50 Countdown on the *Meeting Malkmus* podcast, exploring the essential tracks by the seminal indie rock band, **Pavement**. This week, we're diving into track number 12 on the countdown.Joining jD is Pavement superfan **Tim from Portland**, and trust us, you don't want to miss this one. It's a rollercoaster ride through **'90s indie rock** nostalgia, **Pavement concert stories**, and a heartfelt plea to support live music.---**Episode Highlights:****[0:00] Introduction and Tim's Pavement Origin Story**- **Discovering Pavement through the College Music Journal:** - Tim shares how he first stumbled upon Pavement in the summer of '94 through the *College Music Journal*, a pivotal moment in his journey into **'90s indie rock**. - *"Yeah, I ran down to Tower Records in San Diego and got the CD along with a few other ones... been cranking it ever since."*- **First Impressions of 'Crooked Rain, Crooked Rain':** - His immediate obsession after purchasing Pavement's seminal album, *Crooked Rain, Crooked Rain*. - *"Right out of the gate, this album was different, and I applauded that."***[1:57] Early Live Shows and Military Gear Coincidence**- **First Pavement Concert Experience in the San Diego Music Scene:** - Tim talks about seeing Pavement live for the first time in January '96 at Montezuma Hall, San Diego State University—a highlight in his **Pavement concert memories**. - **Silkworm as the Opening Act:**  - The concert featured **Silkworm** as the opening act, adding to the night's **indie music nostalgia**. - *"We decided to dress up... everyone put on some sort of military garb."*- **Serendipitous Moment with the Band:** - The hilarious coincidence of the band also wearing military attire, showcasing the quirky connection between Pavement and their fans. - *"We all looked at them and then at each other and just started laughing."***[4:13] Following the Band and Memorable Performances**- **Photographing Pavement at Bimbo's 365 Club:** - Tim recalls capturing the band during a show at **Bimbo's 365 Club in San Francisco**, adding to his collection of **Pavement fan experiences**. - *"I have some great shots from there... there was definitely, you know, kind of a whole San Francisco vibe going on."*- **Tibetan Freedom Concert Adventure [7:11]:** - Get the lowdown on Tim's experience at the massive **Tibetan Freedom Concert** in San Francisco, featuring a lineup that included **Sonic Youth** and cemented **Pavement's influence on indie rock**. - *"There were, I think, like a hundred thousand people there... It was a total bottleneck of a festival."***[9:05] Unforgettable Gigs and Onstage Antics**- **Mark Ibold's Onstage Incident:** - Hear about bassist **Mark Ibold's** mysterious onstage moment in Pomona, one of the more intriguing **Pavement concert stories**. - *"He couldn't play; he couldn't finish a song... the show ended shortly after that."*- **Bob Nastanovich's Live Performances:** - Discussing **Bob Nastanovich's** energetic contributions during live shows, highlighting the band's dynamic stage presence.**[11:01] Accidental HBO Appearance**- **HBO Reverb Special Featuring Pavement:** - Learn how Tim unknowingly became part of the **HBO Reverb Pavement** special during a gig at Cane's in San Diego, a unique highlight in his **Pavement concert memories**. - *"We didn't even know that was happening... Spiral was like, 'Oh, they're doing some fucking HBO show.' He didn't seem happy about it."***[12:20] Deep Dive into Track #12**- **Why Track #12 Matters in Pavement's Discography:** - Tim breaks down why this song is in his personal top five, offering insightful **Pavement song analysis**. - *"This song, you know, it's awesome. It's got rockets; it goes."*- **Personal Connection and Indie Music Nostalgia:** - How the song's themes resonate with Tim's own travels and experiences across California, enhancing his **indie music nostalgia**. - *"I know all the places it talks about... Hearing this the first times, we were just like, 'Who are these guys? What are they doing singing about our places?'"*- **The Quintessential Pavement Vibe:** - Discussing how Pavement's songs often mean everything and nothing all at once, reflecting their unique place in **alternative rock**. - *"It has kind of a theme but is totally non sequitur at the same time—it's right up my alley. It's cool."***[18:49] The Pavement Ethos and Live Music Today**- **Stephen Malkmus and the Band's Stance on Fame:** - Reflect on **Pavement's** unique approach to art over commercial success, and how **Stephen Malkmus** embodies this ethos. - *"They lean more art rather than commercialized... They always look painfully uncomfortable."*- **Memorable 2010 Reunion and 2022 LA Show:** - Tim and jD reminisce about the **Pavement 2010 reunion tour** and their first meeting at the epic **Pavement 2022 LA show**, standout events in the **Pavement fan community**. - *"Everybody that was there really wanted to be there... It just checked all the boxes for me."***[29:11] Support Live Music: An Impassioned Plea**- **Get Out and Go to Local Music Venues:** - Tim urges listeners to support live music by attending shows at local venues and supporting **local music venues in Portland** and beyond. - **Quote:** *"Go out, spend some money, and support the arts. When you go to a concert—even if you only stay for four songs—it has a positive impact on your body and your soul."*- **Local Venue Shoutouts in the Portland Music Scene:** - Tim mentions his favorite spots in the **Portland music scene**: Turn Turn Turn, the Kenton Club, and the Fixin' To, encouraging listeners to experience the thriving local music scene.---**Join the Conversation:**- **Twitter:** [@meetingmalkmus](https://twitter.com/meetingmalkmus)- **Facebook Group:** [facebook.com/groups/meetingmalkmus](https://facebook.com/groups/meetingmalkmus)- **Website:** [jd.meetingmalkmus.com](http://jd.meetingmalkmus.com)---**Extra Nuggets:**- **Exclusive Live Recording:** - Tim shares a rare live version of a song from Pavement's Toronto show. It's raw, it's real, and it's right here on the *Meeting Malkmus* podcast.- **Fun Fact:** - Did you know jD used an abacus and a goat with an extra leg to tabulate your Top 20 ballots in the **Pavement Top 50 Countdown**? Don't ask.- **Akin to a Pavement Band Interview:** - This episode feels like an intimate **Pavement band interview**, offering deep insights into the band's history and impact on **indie music**.- **Indie Music Podcast Community:** - As part of the broader **indie music podcast** scene, *Meeting Malkmus* continues to bring you in-depth discussions and interviews with **Pavement superfans** and insiders.---So grab your headphones, crank up the volume, and let's get amped together on this **indie rock** journey through Pavement's legacy.---Transcript: [0:00] Previously on the Pavement Top 50: That's right, song number 13 on the countdown is "Shady Lane," J vs. S. Ralph from Lincolnshire, what is your initial thought about this song?"Well, it's an amazing song. It's an amazing song. I mean, I think it might be—maybe I'm putting it third on my ranking of 'Brighten the Corners.' And I would almost say, you know, 'Brighten the Corners' is my favorite Pavement, so it is super up there. It's brilliant.""Hey, this is Westy from the rock and roll band Pavement, and you're listening to The Countdown."[0:39] "Hey, it's JD here, back for another episode of our Top 50 Countdown for seminal indie rock band Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own top 20 ballots. I tabulated the results using an abacus and a goat with an extra leg—don't ask. How will your favorite song fare in the ranking? You'll need to tune in to find out, so there's that."This week, we're joined by Pavement superfan Tim from Portland. Tim, how's it going, motherfucker?""Hey, hey, hey, it's going, motherfucker. It's going great.""That was very Canadian of me, motherfucker. Let's get right to it; let's not mess around here, let's not dilly-dally. Talk to me about your Pavement origin story.""Who? I discovered them through—I believe through College Music Journal, which was a publication back in the '90s. It was kind of—""I don't think so.""Okay. It was like a half-sized magazine, so I think it was an evolution from zines. I don't know. Anyways, I read a record review of 'Crooked Rain.'"[1:57] "And that's when I was introduced to them. So this was, you know, '94—summer of '94 probably—because I had just left uni and got a house with friends. And yeah, I ran down to Tower Records in San Diego and got the CD along with a few other ones. I would get this College Music Journal and read reviews and go buy albums; that was kind of my thing. So yeah, went down and got 'Crooked Rain' and have been cranking it ever since.""Yeah. So what was it like the first time you spun it?""Oh man, I loved it. You know, I had just graduated from uni; I was an art and business major of all things, and I was into everything that wasn't normal—trying, anyways. And that's what Pavement was for me, you know? Right out of the gate, this album was different, and I applauded the—I don't know, there's this sense of, like Beavis and Butthead said, trying and not trying, and I love that about this. I recently heard Jack Black say—somebody asked him what kind of bands he's into, and he's like, 'I only want to listen to bands'—this is an old interview—but he said, 'I only want to listen to bands who kick ass, who fucking take names.' And I was like, oof, I wonder if Jack Black's a Pavement fan because they do—they do, but they don't. But I love that about them."[3:40] "That, to me, oozed alternative. So yeah. But I didn't see them play live for, oh, a year and a half later. I was just this morning looking up shows I went to.""Oh, really?""Yeah. About half the shows I went to were before 2000 and half after. So the first time I saw them was in San Diego in '96 in January, and that was really fun. Just a quick story on that one."[4:13] "I went with a gang of friends, and they were playing at San Diego State University at this place called Montezuma Hall. I would say it holds like, I don't know, 500 people or something—not big. We were all pre-partying and talking about what we were going to wear; we decided to dress up. So everybody put on some sort of military garb—fatigues, whether pants or shirts or hats or what have you—which kind of looked like normal cool kid wear at the time. Then we go to the show, and Pavement walked out on stage, and they were in full military gear. Steve West had a safari hat with mosquito mesh draped over his shoulders, and he had his raccoon eyes—you know, paint around his eyes—and everybody was wearing military stuff, all the guys in the band.""Did you guys catch wind of that beforehand?""No, it was totally coincidental. We all looked at each other because we knew they were dressed up—they went out of their way—and we all looked at them and then at each other and just started laughing. It was a comical moment, and that was such a good show. JD, kind of like our LA show in May of '22, that first show in January of '96 was fucking awesome. They went nuts. After their encore, Malkmus said something to the effect of—they came back out and he was like, 'San Diego, huh? San Diego's alright. You guys think San Diego's okay? Yeah, San Diego's alright.' And then he said something like, 'Let's fucking fuzz out San Diego.' And then they just went into their last three songs.""Wow.""And just destroyed them. They were so, so good. I kind of followed them a little bit after that. I saw them in San Francisco weeks later; it was so fun for me, I had to get more.""Were they playing 'Brighten' stuff at this point? Because 'Brighten' was going to come out next year. Was it pretty much all 'Wowee'?""You know, I had a couple setlists pulled up. I have to go back and look. I'm not sure.""And my other question is, that San Diego show—was it opened by Silkworm?""Yeah, that was the one. They came out with, I don't know, '30s or '40s-looking sailor suits.""What the hell?""Like Navy sailor suits.""I guess San Diego, huh?""They looked cute. At the time, we had an amazing army surplus store downtown, and I just figured these guys went and hit it up."[7:11] "That's awesome.""None of them seemed sober that night. They were going for it. I saw them play in San Francisco after that and actually photographed that show at Bimbo's 365. I have some great shots from there.""Is that a good venue?""Yeah, it was cool. A cool bar-club, smallish—you know, medium-small size. There was definitely a whole San Francisco vibe going on. I brought some friends to that one from San Diego as well; instant fans. Then the Tibetan Freedom Concert in San Francisco the next summer.""You saw that?""Yeah.""That was kind of typical, you know, festival-type Pavement show.""Sure.""Quick and dirty. We were way in the back."[8:11] "Lots of people?""Oh, hordes. I think there were like a hundred thousand people there or something.""Holy shit.""It was giant. We were kind of there for the whole experience—you know, Beastie Boys.""So they did a show in New York City and one in San Francisco?""Yeah, June of '96.""How have we never talked about this before? I don't think we've ever talked about you going to Tibetan Freedom.""Yeah, it was amazing. I drove my truck and had like four people in the back of the camper shell. We just piled in, and it literally took us like five hours to drive two miles to get out of the city. It was a total bottleneck of a festival. That was one of my first festivals where I thought, 'You know, might not really need to go to festivals,' but I continued."[9:05] "The next time I saw them was the following year at this club called Soma in San Diego. That was a great show—small to medium-sized again. They didn't play in San Diego a whole heck of a lot. Then I saw them at the Glass House in Pomona, which is out in the desert east of LA. Ibold, at one point during the show, just kind of lost it—like his brain left his body.""Or he had a serious gear malfunction?""Because he couldn't play, and the show kind of ended.""Yeah, he couldn't play, he couldn't finish a song—he just couldn't do it. The show ended shortly after that. I remember everybody on stage going, 'What's the deal? What's going on?' Malkmus or Ibold had some sort of breakdown or meltdown. Something happened. Stuff started kicking, I don't know.""A couple of years later, at Cane's in San Diego—Cane's was a bar where they filmed the HBO Reverb special.""Oh, really?""Yeah, I went to that. We didn't even know that was happening. We just thought we were going to a Pavement gig.""Right.""Walked in—and I have so many stories about seeing these guys—walked in and Spiral was standing right there, just hanging out by himself. I said to him, 'What's going on tonight? What's up with all the cameras?' And he's like, 'Oh, they're doing some fucking HBO show.' He didn't seem happy about it, and that was kind of the vibe of the whole gig that night—they were punching the card, you know.""They're sort of shy that way, right?""Yeah. I think—I don't know, man."[11:01] "They're a different band, right? They lean more art rather than commercialized.""Yeah.""And I think when you produce something that way, you obviously don't care if you're making Billboard Top 100. So if someone approaches you and they're like, 'Hey, I'm Mike Jones from HBO Reverb. We'd love to film you guys; you're hot right now,' what's your reaction if you're Pavement? You're like, 'Fuck. Okay, here's another drill we got to do and get over with,' you know?""Yeah.""They always look painfully uncomfortable. Like that Jay Leno performance and even the one on—was it Conan when they did the 2010 reunion? Or maybe it was Jimmy Fallon, I'm not sure.""All I remember is the Leno one.""Yeah, that one's so awkward.""It's so good though.""That personifies them, you know.""They were a little more experienced by '99. By then they'd been playing a bit. Then I saw them at the Hollywood Bowl for the 2010 show with Sonic Youth."[12:20] "Amazing lineup.""Yeah. Both of those shows, in my opinion, were like, get it done. The highlight of all of it—I was hoping at one point either Malkmus coming out and playing with Sonic Youth or Thurston coming out and playing with Pavement.""Didn't happen though.""It seemed like such an opportunity.""Yeah. I was thinking, this might not happen ever again. These guys have to get on stage and play together.""Yes.""And they didn't. The highlight was at the Hollywood Bowl—there's this half wall around the orchestra pit, like out in the crowd, that separates the orchestra pit from box seats, which is kind of where we were. Bob paraded that catwalk—that half wall. He went back and forth—you probably could guess what song he was screaming a chorus to—but he was like, 'I'm trying' all the way across that thing. It's probably like 50 or 60 paces across; it's like a half-circle.""Oh, wow.""It was so fucking cool. Then at the end, even Malkmus was like, 'We're out of here. We're going to the Speedy Ortiz show,' or some shit like that. It was just lights out, you know."[13:41] "Damn.""But then it was a long, long time until I saw them at the Fonda with you, my friend.""Yeah.""That was our first meeting.""Yeah. My hair was too long for you.""Oh my gosh. I'm so glad you canceled your dreads appointment for the next day.""Yes. Well, I was going to ask you to just pour some Coke in my hair and roll them, but we didn't know each other that way.""Denny's at 3 a.m., or whenever we were there.""That's right. That was such a good show. That was so amazing. I know you've mentioned it, but man, that was such a good show. It just checked all the boxes for me. There was so much excitement, so much buzz in the air in that venue. Everybody that was there really wanted to be there. It felt like there weren't sort of pretentious Hollywood people just showing up because it's Pavement, you know.""Yeah. Well, except—maybe you caught a glimpse of this—except the short girl that got in the fight with the other gal there. We saw a chick fight at a Pavement gig in 2022. It was kind of weird. It was kind of awesome. I doubt either of those gals—or maybe one of them, maybe the taller one—is listening, but man, one of them got sent down, like down to the floor from our platform. That was amazing. When I saw that happen, I was like, 'Fuck yes.'"[15:25] "Because it just gave me reassurance that the vibe of Pavement—being all of these different things in indie alternative music, whatever—is still alive. To have something like that at a show. Way better than the 2010 reunion. That holds a special place in my heart because it was my first time seeing them. It was in Central Park; it was really cool. But seeing them with you that night was definitely the best show I've ever seen.""Yeah.""Yeah. Maybe of all the shows I've ever seen, not just Pavement—it was very good.""Yeah.""So anyways, we saw them in '22 a bunch, and I think I counted—from what I could remember—like 12 times I've seen them. So half before 2010, half after.""That's pretty cool.""Yeah. They've always been, you know, sure, superfan status. But more as time goes by, they're kind of a classic for me. If I want to put on something, I usually reach for an album—actual vinyl instead.""Which one is the one you go to? Do you have them all on vinyl?"[16:55] "No, I don't think so.""Okay."[17:00] "I go to 'Crooked Rain.'""Oh, okay.""That's the one I was first introduced to.""Yeah.""You know, it checks the boxes for me. It's got a big start. It's got a great song number three.""Yeah. We love your number three.""I know. It's got a great midway point. It's got an instrumental—'5 + 4 = Unity,' or '5 - 4 = Unity.' And it's got a lot of staple items that make Pavement Pavement that you can pick out from the beginning to the end of their recordings. It has a little bit of 'Wowee' in it to me. It's a really good mix of who they are.""Yeah, if there was a Pavement Bingo card, you would definitely get a line.""Yeah.""Maybe even a full box.""Yeah, 'Hit the Plane Down'—you couldn't get more punky than that for Pavement.""Yeah.""You know, it's got a hit, 'Cut Your Hair.'""Yeah.""It's got it all. 'Silence Kid.' When I first put this on, from song one, it became my go-to for when I kicked off things like road trips or moved into a new house. Anytime I've begun something monumental in my life, I would put this album on. It's such a good start. I clearly remember when I moved to LA, set up my stereo, and I put this album on.""Oh yeah.""It just gets me in a really fun, good mood. Creative, too.""Yeah, I like that with 'Pot Hot.'"[18:49] "It makes me fun and creative.""Me too. Well, what do you say we take a quick break and then come back and reveal track number 12? We are almost in the top 10, my friend.""All right.""We'll be right back."[19:04] "Hey, this is Bob Nastanovich from Pavement. Thanks for listening. And now, on with the countdown.""Twelve."[21:46] "All right. Track number 12 on the countdown. I couldn't imagine a better person to do this song, having spent some time in SoCal. It's 'Unfair'—the South taking what the North delivers.""That's right.""Were you delivering to the North?""I mean, when I sucked and kissed, it's sour.""This song, you know, it's awesome. On the album, it could be a song three for me. It's got rockets; it goes. That's amazing. I'm so glad it's number 12. That's in the top 20, so it definitely should be. It's really high up there for me; it's probably in my top five.""Oh, wow.""So yeah, I'm happy. I've already answered my 'Is it properly ranked' question.""Oh yeah, big time.""I love this one. I mean, it really personifies Pavement—being from Stockton, Sacto area, all of that. This song is about the supposed battle between the North and South of California. I know all the places it talks about. I've been to Shasta many times. We had family living for many years in the Tahoe area; we know all these places. And I guess the jury's still out on where that North-South boundary line really is, because I think this song—"[23:27] "Malkmus likely wrote this song. I think he's just not having the South. He's really dissing it. There's a total vibe here of him just dissing the South.""So it's amazing.""Well, we've seen in his later life him moving to Portland, your hometown. He didn't move to LA. He didn't pack up and move to LA or Nashville, I suppose, would be the other big music place. But yeah, he went to Portland and went with that indie vibe rather than that corporate vibe. So I wonder if he gets that feeling or something.""Yeah, I don't know. It's good—you know, I went back, I was searching through some of those gigs I went to, and I believe it was the San Francisco show I saw in '96 that they closed with 'Unfair.' I'll have to go back and look at this.""Oh, wow.""Such a good song for a closer, leaving on high energy."[24:35] "And just when you think you've maxed out energy-wise, you get to that chorus—a sort of chorus."[24:47] "You know, 'the foothills of our mind,' and when he's just screaming, it goes into a second gear or a third gear and really picks up steam. It's so good.""Yeah, I used to put this on mixtapes.""Oh, you did? That's cool.""Yeah, like road trip mixtapes. It feels really road-trippy to me because he's name-checking all that geography.""Yeah, yeah. That last question in the song, 'To the last psychedelic band'—are they talking about themselves? Is that giving themselves kudos? I don't know. I would love to find that out. But yeah, this song really hits home for me. I drove California so many times; I know all these places. Hearing this the first times—even talking about Shasta early on in the song, verse two—I mean, at the time, my roommate was from Redding, which is adjacent to Mount Shasta. So we were just like, 'Who are these guys? What are they doing singing about our places?' Where are they from? Stockton, which is hilarious because he's like, in the song—"[26:16] "He says, 'This ain't no Bakersfield' or whatever the line is.""Yeah.""And Bakersfield really is not that much different from Stockton.""Oh, no?""They're both armpit cities.""Oh, really?""Just armpit cities, yeah.""Like industrial or something?""Yeah, like farm—ag cities. They're just kind of wastelands.""Oh, wow.""But yeah, I dig this song, dude. It's something you can sing along to and scream along to. It's not a quiet song.""Great to drive to.""Yeah. I'm so glad it's number 12. I would rather have heard it was in the top 10, but I'll take it as number 12. That way, it's still more special for me because it didn't make it to the top 10.""Yeah.""And it would have been my drift. That's kind of like the Pavement thing—like, you don't know us, but you might know us, you know?""Oh, you're a Pavement fan. Okay. Yeah, you seem like that. I've heard people say that before.""But great, you film hack. I don't need your fade. There are so many good lines in here. There's a theme, but it's kind of all over, which is what I love about these guys. Also, one thing that really vibed with me in the mid-early '90s with these guys is the lyrics not meaning shit a lot of the time, because everything we were listening to around then—there was so much cheese, bro, in rock and indie and alternative. So much music that I just had a hard time being a fan of. I'm not a big singer-songwriter guy. I like quite a bit, but it's not my favorite genre. So to get somebody putting a song together like this—it has kind of a theme but is totally non sequitur at the same time—it's right up my alley. It's cool."[28:27] "That is very cool. Well, thanks so much for coming out today and doing this. This has been great.""Yeah, JD. It's been great. Thanks for doing what you do because there's no one like you who could put this together. So we're all grateful.""Buddy, thanks so much.""Yeah, thank you."[28:48] "That's—I don't know what else to say. That's pretty fucking cool of you to say. Thanks.""From Portland.""And now I'm going to go back into game show host mode. Tim from Portland, do you have anything you would like to plug?"[29:11] "Yeah, I just want to tell everybody out there to get off your ass and go to a gig. Go to a show. Go to your local bar that has a stage. Go to your venue that holds less than 250 people.""Nice.""And support the arts, you know? When you go to these places—here in Portland, Oregon, I have three great places within three or four miles: Turn Turn Turn, the Kenton Club, which is just down the hill from me, and the Fixin' To in St. John's. These are all amazing places to experience live music. If you go in and you pay $10, you don't buy a drink—that $10 is generally going to the band.""Fucking right.""If you don't buy a drink or some food, the bar isn't making any money. Go out, spend some money, and support the arts. This is supporting the arts, and it's such an awesome thing to do. When you go to a concert—even if you hear a gig and only stay for four songs—it has a positive impact on your body and your soul. We walk away with heightened endorphins, and it feels good. You ever leave a show where you're just like, 'God damn, that was amazing. I feel so good. I wish I could do that all over again.' That's the chase, and that's supporting the arts. Everybody's got to keep getting out and doing that. I'm not talking about the mega stadium shows or the big festivals—if you can afford to go to that enormous dome, go for it. I'm talking about hitting up your local spots, your local venues. And if you don't have any, then find the amazing ones and do a road trip. Just get out and go to some shows. That's my plug."[30:50] "That's nice. I like from where you came. So there's that. Hey, it's JD here, checking in from the present. That's right—it's October the 4th today. That episode with Tim and I was recorded way back in February—the Ides of February, in fact. So, you know, as I'm editing this episode—and hey, listen, I don't do a whole lot of editing; I want this to be sort of authentic and real and, you know, all the rest of that shit. So, listening back, Tim's impassioned plea for live music made me think of some of the gigs that we've been to. Tim and I were talking; he's like, 'Hey, remember the Toronto show where they played "Unfair"?' And I was like, 'Fuck yeah, do I?' And he's like, 'I have a file.' And I was like, 'Ooh, send it my way, motherfucker.' Here it is. This is 'Unfair,' live from Toronto, on 'Meeting Malkmus,' a Pavement podcast."[34:47] "All right, man. Thanks, buddy. Well, thanks again. That's what I got for you. Wash your goddamn hands."[34:53] "Thanks for listening to 'Meeting Malkmus,' a Pavement podcast, where we count down the top 50 Pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email: jd.meetingmalkmus at gmail.com."Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

As Marla Gibbs (look her up, Boomer. Did I get that right?) once said, “there's no place like home!” And she was obviously singing about Skokie, Illinois - home of a cookie cutter AMC Movie Palace so glorious, it rivals only Chicago's famous Esquire Theater, now home to a shuttered Dallas-based steak chain. (#Progress) Usually, Tony and T.J. only go on post-Bears game movie dates when it involves seeing the latest Marvel sequel to a Marvel sequel. (Turn up the volume on those explosions, projector man!) But a special field trip was made after a SEASON-TURNING BEARS WIN, to go see the limited, first ever theatrical release of Paul McCartney's “One Hand Clapping”. Is the film better on the big screen than tucked away on the “Band On The Run” Archive Collection DVD? Does the music rock even harder in the theater? What's the deal with popcorn prices these days, Obama? Tony and T.J. ask these salient and Soily questions, and also ponder from the backyard (of the theater):

Today we welcome author John Van Dyke As a storyteller I am taking you along with me in my new book. Discovering people and places as I traveled around the country meeting people, having random conversations. History books will talk about us — and this time— long after we are gone. It will be a complicated history of technology, generations, finance, power, politics, media, and humanity.   The B.I.STANDER Podcast is a conversational podcast unique to Bainbridge Island and Seattle Washington, that covers the Arts, Society & Culture told through Human Interest stories. The intent is to introduce interesting people, ideas, and conversations. We are not perfect and that's OK! Thank you for your support! The B.I.Stander Podcast is a listener supported show, please consider subscribing.   BE A FRIEND OF PODCASTVILLE AND TELL A FRIEND  The BISTANDER Podcast! Blue Canary Auto NOW ALSO in Bremerton! Sound Reprographics Song "Fly on the Wall by LeRoy Bell and available at:  Tower Records! Additional sound effects by: https://www.zapsplat.com/ Support the Show on PATREON "Be a friend, tell a friend!"

Jason welcomes the hilarious Alfred Robles to this weeks pod. The guys talk about Fluffy, playing a sold out Dodger Stadium and Alfred's days as an undercover agent at Tower Records. Plus, Albert's attempts to be a caught, what his childhood was like in East LA, and who are some of Afred's biggest influences. Learn more about your ad choices. Visit megaphone.fm/adchoices

Unless by some miracle you know him already, the Swedish baritone Hugo Hasslo (1911 – 1994), is almost certainly the greatest baritone you never heard of. I discovered him entirely by accident years ago when Tower Records was going out of business and I, like a jackal picking the carcass of an unfortunate water buffalo, grabbed up scads of opera and vocal CDs that other customers / scavengers had passed over. The second that I heard Hasslo's voice, I knew I had discovered vocal gold. Initially it was the voice that impressed me the most: clarion yet dark-timbred, solid from bass-baritonal low range to an almost Heldentenor-like top (I was later to discover that Hasslo had dabbled in tenor repertoire, going so far as to sing Cavaradossi on stage!) But it was when I discovered a live 1959 recording of Hasslo singing the title role of Rigoletto with his home company, the Royal Swedish Opera, that I encountered his true greatness: here was a Rigoletto that combined the sheer animal power of a Bastianini with the dramatic insight of a Gobbi with an unmatched humanity and compassion for the character. And to think that, with few exceptions, his career, like that of a handful of other Swedish baritones from that era, was based almost entirely in Sweden, and at the Royal Opera, where he sang from 1940 to 1964. Here is a baritone considered by many cognoscenti to be perhaps the finest Swedish baritone that ever lived, a compleat artist, represented however by only a smattering of studio, live, and television recordings, which it is my honor to share with you. Welcome to the Hugo Hasslo Fan Club! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.  

This week Jeremy interviews Bo Lueders of Harm's Way and Hardlore Podcast. On this episode Jeremy and Bo talk Chicagoland, Kid Rock, Tower Records, NOFX, the straight edge, youth large shirts, Soulseek, meeting James from Harm's Way, making their record "Isolation",  quality of tour progression, bonding moments with the band Rise & Fall, the Hardlore Podcast, and so much more! SUBSCRIBE TO THE PATREON for a bonus episode where Bo answered questions that were submitted by subscribers! Follow the show on INSTAGRAM and TWITTER

Today we welcome Mike Cox and Kevin Thomas to talk all things electric and the upcoming expo The B.I.STANDER Podcast is a conversational podcast unique to Bainbridge Island and Seattle Washington, that covers the Arts, Society & Culture told through Human Interest stories. The intent is to introduce interesting people, ideas, and conversations. We are not perfect and that's OK! Thank you for your support! The B.I.Stander Podcast is a listener supported show, please consider subscribing.   BE A FRIEND OF PODCASTVILLE AND TELL A FRIEND  The BISTANDER Podcast! Blue Canary Auto NOW ALSO in Bremerton! Sound Reprographics Song "Fly on the Wall by LeRoy Bell and available at:  Tower Records! Additional sound effects by: https://www.zapsplat.com/ Support the Show on PATREON "Be a friend, tell a friend!"  

Anna Claiborne, SVP of Network Tooling and Automation at Zayo, shares her journey and insights on the Nomad Futurist podcast with co-hosts Nabeel Mahmood and Phillip Koblence. Her career path has been shaped by her love for tackling complex issues and her experiences in both startups and corporate America.Claiborne's interest in technology was sparked by early experiences with video games and computer hardware. Her academic path took a surprising turn when she pursued a bachelor's degree in genetics with a minor in computer science. This distinctive combination was inspired by an article about sequencing the human genome, which she read in sixth grade. She recalls thinking even then,"If you could build humans from code, essentially, or anything, any life, all life we have on this planet is built from DNA, which is essentially a language, like a computer language. If you could master that, you could build life."Claiborne's career has spanned both startup and corporate environments, with a focus on software and infrastructure. She worked for a bank in the IT department as well as being part of the team that built Tower Records. Notably, she mentions, "At the time, towerrecords.com was bigger than Amazon for selling music."This experience provided valuable insights into how technology can disrupt established industries. Claiborne reflects on the challenges faced by traditional businesses in adapting to digital changes, particularly in the music industry.Claiborne specifically emphasizes her love for problem-solving, highlighting this interest as a core aspect of her personal and professional identity:"I really am a problem solver. And I think you'll hear a lot of engineers say that. It's a very common theme with engineers. But when I was really forced to think about it, I enjoy problems and I enjoy, like taking them apart, looking at them from different angles and then figuring out not just a solution, but all possible solutions.”This fundamental aspect of her personality has not only influenced her professional choices but has also been a guiding force in her approach to technology and innovation. Throughout her journey, Claiborne has consistently sought out opportunities that allow her to engage with challenging issues and develop creative solutions, particularly in startups:"I've done a lot of startups as part of that – because startups are the best space that we have in this capitalistic society to explore problems and be able to pick them apart, and do all these things and still make a good living and support yourself and your family.”Anna Claiborne's journey showcases the evolving nature of technology and the importance of adaptability in the face of industry disruptions. Her unique blend of genetics and computer science knowledge, coupled with her problem-solving approach, has positioned her at the forefront of technological innovation.Stay connected with Claiborne on LinkedIn.

Composers not only create something non-corporeal but also enjoy bringing an actual object into the world. “One of my great great moments was when I finally had a recording of my own in a bin at Tower Records.” (Older people can explain to younger people what record stores were.) The delights of the irrefutably physical. Presented with BMI and the Ellis Island Honors Society.

Send us a Text Message.When Greg Wallis was hired at Tower Tacoma by Dave Coker, Greg had never heard of Tower Records. It was simply the big, new record store to move into his town. When Coker left to open and run the Seattle U District store, Rob Bruce came up from Anaheim CA to be General Manager. By this time, Greg was the buyer for all sections of music except for Classical Music. Soon after, Assistant Manger Bob Akin went to Sacramento to join the Advertising Department and Greg was promoted to Assistant Manager. Stints in Hawaii, the opening of the Boston store, working countless A-Teams until Clark Street Chicago opened and his promotion to Midwest/Southeast Regional Manager were all a part of Greg's Tower experiences. Greg touches on the excitement of the Blues scene in Chicago as well as the challenges of running a record store off the mainland where timely deliveries are essential to success.But something about his time in Boston made for some memorable stories. On this episode, Greg recounts the tales of Morris Levy, whom he and his crew dealt with around the opening and first year of operations in Boston. Also, if you've never heard the story of Greg's instore with Robyn Hitchcock and Hitchcock's ridiculous behavior beforehand, Greg recounts it from his perspective. The fact that Hitchcock continues to write about it on his Facebook page, decades later, proves Greg acted appropriately at such childish shenanigans. And….this is our 100th episode. Following our conversation with Greg Wallis, we take a moment to celebrate this occasion!

Today we welcome Alanna Imbach   Vibeworks CEO Vibeworks is a Co-Working space in Poulsbou and Bremerton. The B.I.STANDER Podcast is a conversational podcast unique to Bainbridge Island and Seattle Washington, that covers the Arts, Society & Culture told through Human Interest stories. The intent is to introduce interesting people, ideas, and conversations. We are not perfect and that's OK! Thank you for your support! The B.I.Stander Podcast is a listener supported show, please consider subscribing.   BE A FRIEND OF PODCASTVILLE AND TELL A FRIEND  The BISTANDER Podcast! Blue Canary Auto NOW ALSO in Bremerton! Sound Reprographics Song "Fly on the Wall by LeRoy Bell and available at:  Tower Records! Additional sound effects by: https://www.zapsplat.com/ Support the Show on PATREON "Be a friend, tell a friend!"  

Send Me A Text Message I would love to know where you are listening to me from!!Hello again Fellow Golfists, In the episode I vented about a less than ideal golf experience that I had this past weeekend trying to play golf somewhere that had a cooler climate.  I took a risk and it didn't work out.    I also had the chance to get out and practice at the Sacramento National at Haggin Oaks driving range where I had a breakthrough with regard to alignment and setup.  And met up with a couple of older gentlemen who I met back in the winter.  Rudy and Ray were delightful to chat with.  Rudy Danzinger was the founder at Tower Records, which is a historic music store institution, that, to my knowledge started in Sacramento California.  Also got to chat with an someone who had a eagle eye viewer account of the small airplane that crashed last weekend at the Haggin Oaks Blue and Red Nine clubhouse.  Thanks to Augusto at Haggin Oaks for chatting with me about what he observed last sunday when the Piper PA 28 aircraft fell out of the sky and landed with no power against the Haggin Oaks clubhouse.    Also got to visit Ancil Hoffman golf course and practiced more of my putting by "looking at the hole" where results were promising.  And spoke about what it is like to finally understand a golf concept, that took 30 years to finally realize.  Thanks again for listening to The Knackered Golfist Podcast.  Here is the podcast episode with Rudy Danzinger on the 2500 DelMonte Street: The Oral History of Tower Records.   https://www.buzzsprout.com/1988649/11891870#theknackeredgolfistpodcast #hagginoaksgolfcomplex#ancilhoffmangolfcourseSupport the Show.#theknackeredgolfistpodcast@theknackeredgolfistCheck out The Knackered Golfist on YouTubehttps://www.youtube.com/@TheKnackeredGolfistThis episode brought to you by the Forged Golf Club Appreciation page on FacebookOughton's Golf Repairhttps://oughtonsgolf.com/#myscorecardThank a Veteran Today!!https://www.pgareach.org/services/militaryThe Observant Ear Radio Network GOD Bless You!!

Send us a Text Message.Melissa Greene-Anderson grew up in the suburbs of Philadelphia. Since high school she was a part of her family's music business; Gotham Distribution, Collectables Records, and the direct-to-consumer website Oldies.com. Melissa's father started in a record store in Times Square NYC. At a very young age, Jerry Greene bought the rights to The Capri's “There's A Moon Out Tonight” which was released in 1959 and didn't chart. He re-released it in 1961 and it went to #3 on the Billboard Charts. With that money, Jerry Greene moved to Philadelphia and opened up a chain of record stores called The Record Museum. As straight as they come, he knew the business and made a killing on selling paraphernalia in the Philadelphia area, which often led to visits from Grace Slick and Jerry Garcia. After spending thousands of dollars on one visit, Jerry Garcia got busted crossing a bridge from Philadelphia to New Jersey with his haul. Melissa was the Executive Vice President of Gotham Distribution and started selling to Tower Records. At one point, she even hired the singles buyer from the brand new Washington DC store to help run their singles business. Licensing songs from labels and making albums and eventually CDs in conjunction with Oldies radio stations helped launch the Collectables album and CD part of the business. Eventually, Melissa got the go-ahead to rack the Tower stores with vinyl singles as cassingles and CD singles were taking over. Remember those bright gold 45 sleeves that got shipped back to send new product? Melissa worked with each store on an individual basis to make sure the program worked. She talks about a humiliating experience with a Tower Manager who refused to deal with her on their rollout. But most of her memories are good ones. Join us for a wide-ranging conversation about music, family, Philadelphia restaurants, and Tower Records. 

In this episode of "Everything is Personal," we sit down with the legendary DJ Mike Maserati, the pioneer behind Philly's first hip-hop club. Mike shares his incredible journey from the streets of Philadelphia to becoming a world-renowned DJ. We dive into the history of the hip-hop scene, the challenges he faced, and the cultural impact of his work and the fun we had working at Tower Records. Tune in to hear exclusive stories and insights from a true trailblazer in the music industry.EndoDNA: The breakthrough DNA test that matches you with the right cannabinoid products for your wellness journey. Endo·dna gives you two guaranteed ways to uncover your unique endocompatibility today. Click here to check out which product is right for you.   Connect with EndoDNA on SOCIAL: IG | X | YOUTUBE | FB Connect with host, Len May, on IG    

Send us a Text Message.“Son, never trust us lawyers because we're going to fuck you every time.” In 1991, how did Freddi Szilagi find himself face to face, hand-delivering a $10,000 check to Edwin Edwards at the Hotel Monteleone? In short, because of Russ Solomon and Tower Records. For a more detailed explanation, you can hear our guest this week break it all down for you. Before he was enmeshed in the world of state politics, Freddi Szilagi grew up poor on the Upper East Side of New York City. His mother was an aspiring Opera singer who moved from one bedroom apartment to another with four kids, two dogs, and a grand piano. Having a father who was a piano prodigy, who blew off his scholarship to Julliard, you could safely say that Freddi grew up with music in the house. When a friend set up an interview for Freddi to work at the new Tower Records at 4th and Broadway, it set in motion a 17-year career taking him from NYC to working an A-Team project at the new store that had opened in New Orleans. Meeting the woman who would become his wife while opening the store, Freddi moved down to New Orleans working under Dan Shepard. Eventually, Dan left New Orleans, Freddi became the General Manager and he immediately set about highlighting the tremendous music that was coming out of the city of New Orleans. A large part of that was becoming a part of the fabric of the New Orleans Jazzfest. Freddi finished his Tower career at the Washington DC store, leaving after receiving an offer from a member of his kid's school PTA, who worked for Time-Life music. Make sure to check out this week's episode with Freddi recalling buying kid's music from the Mafia, profanity-filled conversations with Dr. John, and a whole lot more. 

Episode: 235 I wax poetic about the magic that was Tower Records. To see a video of the recording of this episode, become a patron at patreon.com/saturdaymorningmedia Mentioned on the show: https://towerrecords.com https://www.amazon.com/Talent-Show-Various/dp/B000047876 https://en.wikipedia.org/wiki/The_Missing_Years_(album) https://www.chanticleer.org Photo of the former Tower Records site from - https://www.loopnet.com/property/2727-s-el-camino-real-san-mateo-ca-94403/06081-039351220/ Edits by Stephen Staver. FOLLOW GRANT http://www.MrGrant.com https://instagram.com/throwingtoasters/ ©2024 Saturday Morning Media/Grant Baciocco  

Send us a Text Message.When Kat Gavin was born, her mother was only 18 years old. And as a result, Kat's crib was right next to the stereo. So to say Kat grew up “with music” would be an understatement. After a stint working record retail in the malls of Northeast Philadelphia, Kat made her way into Center City Philadelphia and got a job at Tower Records South Street. It was there she met, worked, and bonded with so many of “her people”. It was there she met her former husband, Geoff Gavin, and raised a family with him. At South Street Kat did it all; sales clerk, cashier, buyer, Supervisor, Key Holder, Administrative Assistant…And then there were the In Stores; The Cramps, G Love & Special Sauce, The Roots, Morrissey, and a host of others. Kat especially remembers the South Street store's 10th Anniversary Party when she had to help the Phillie Phanatic get dressed and Hall & Oates took over the staff break room for hours, not letting anybody in. When the Tower Avenue of the Arts store opened up in 1999, Kat moved to the new digs and proved to be an invaluable part of the team. A completely new group of people and yet it was still Tower Records. But being in Center City, there were always odd goings on. The morning Kat opened the door at 7:30am to be met near the front of the store by a homeless man who had been locked in overnight, begging her not to call the Police. Kat also recollects the John Mayer in-store when, after an acoustic performance, Mayer stopped signing autographs and walked out of the store to the consternation of hundreds of girls and their mothers. Kat wraps things up by telling us about visiting the Ave of the Arts store a couple of years ago, the weird feelings she felt, and the need to get the hell out of there. Join us for this jawn. You'll be glad you did. 

Send us a Text Message.“A month before my 12th birthday, I turned on the TV on a Sunday night and there were these guys calling themselves The Beatles…And after that, everything was different for people of my age. After that, music was our art form.”Like many of that time and after, Paul asked his mother to buy him a guitar. He started with an acoustic. And then he got a cheap Japanese electric guitar. But it was a friend in his building playing records by Classical guitarists that really caught Paul's attention. Paul went back to college as a music major and studied music theory at Brooklyn College.Riding on the subway one day, a customer across from Paul was reading the New York Times. The side Paul could see had a full-page ad that said “World's Largest Record Store”. Intrigued Paul ended up visiting 4th & Broadway and checked out the brand-new Tower Records. A couple of months later, looking for a job, Paul applied at Tower, got interviewed and got the job. Starting as a clerk in #125's Classical Department to being promoted to Supervisor and then Classical cassette buyer, Paul was on his way to a Tower career. He recounts his unforgettable “new employee” meeting with Store Manager Matthew Koenig and Matthew's parting advice to the assembled group. Lincoln Center, Nanuet and Yonkers came next and then Paul called it a day for his Tower career. He ended up doing all of the Classical buying for the 3 Virgin Megastores in New York City before leaving music retail altogether and working on the label side at New World Records. Before wrapping up with us, Paul recounts three of his favorite Tower Record stories of all time. Join us for a lively, fun conversation with Paul Herzman. 

Send us a Text Message.Richard Leibowitz grew up in the Hudson Valley of New York to a father who listened to pre-1960s jazz and a mother who was more into folk music. Neither held much sway for young Richard, so he set out on his own and like a million other kids his age, KISS was the starting point for his music obsessions. Before working at Tower Records, Richard started working for Musicland while in college. Talking to a former bandmate who had signed on with Tower, Richard applied for and got the position of Store Artist in the Nanuet Store. Richard eventually moved up to the position of Record Sales Manager, a position he held both in Nanuet and in Carle Place. But Richard's time at Tower was something of a mixed bag. He got to attend one of the Tower Annual Conferences but what he remembers most is getting busted by Stan Goman for not attending a mandatory Human Resources meeting because he was hungover. He held the position of Record Sales Manager, but when he applied for that position in other, larger stores he didn't land those gigs. He eventually left the company, sick of 3-hour commutes and all that came with it. But thinking back on it, Richard met some. pretty cool people. He met Neil Young in a zombie-like state from smoking David Crosby's weed. He had lunch with the classic YES lineup complete with Rick Wakeman bowing down to him and other Tower employees. And do you want to know the connection a white guy from the suburbs has to Biggie and Tupac? You'll have to listen to this week's episode to find out. 

R. Kelly openly groomed teenage victims while on trial for child pornography – a trial based on sex tapes that were once sold at Tower Records. He wrote a song designed to help Michael Jackson turn attention away from his own troubling allegations, and he wrote that song while he was illegally married to a 15-year old. That marriage eventually brought about his downfall. But not before R. Kelly went on a 20-year reign of terror – all conducted in plain sight while he was one of the biggest R&B artists in the world. This episode contains themes that may be disturbing to some listeners, including sexual assault, child sexual assault, and domestic violence. To see the full list of contributors, see the show notes at www.disgracelandpod.com. Are you a fan of edge of your seat storytelling about Hollywood icons getting caught up in wild scandals and true crimes? About athletes falling from grace? Rockstars getting away with murder and more? All of these types of stories can be heard in the DISGRACELAND podcast feed, hosted by award winning podcaster, Jake Brennan. DISGRACELAND publishes new episodes weekly, each detailing the lives of beloved icons and artists from the dark side of entertainment and is available to listen to for free everywhere so be sure to follow along on Apple Podcasts, SiriusXM, Spotify, iHeartRadio or wherever you get your podcasts and contact us at disgraceland pod on instagram, TikTok, YouTube, and Facebook. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok Learn more about your ad choices. Visit megaphone.fm/adchoices

R. Kelly openly groomed teenage victims while on trial for child pornography – a trial based on sex tapes that were once sold at Tower Records. He wrote a song designed to help Michael Jackson turn attention away from his own troubling allegations, and he wrote that song while he was illegally married to a 15-year old. That marriage eventually brought about his downfall. But not before R. Kelly went on a 20-year reign of terror – all conducted in plain sight while he was one of the biggest R&B artists in the world. This episode contains themes that may be disturbing to some listeners, including sexual assault, child sexual assault, and domestic violence. To see the full list of contributors, see the show notes at www.disgracelandpod.com. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Go to badlandsfood.com/DISGRACELAND to learn how you can see incredible changes in your dog's health! Visit Tecovas in store or go to tecovas.com and find your new favorite pair of boots today! Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok Learn more about your ad choices. Visit megaphone.fm/adchoices

☕️Buy me a coffee: https://www.everyonelovesguitar.com/support

RUNDOWN Mitch dons his "Mr. Salary" & "Mr. NBA Expansion" caps - the Seahawks' salary cap facelift and the timeline for the NBA's return to Seattle. Randy Mueller, a 30-year NFL executive and former GM of the Saints & Dolphins and 2000 NFL Executive of the Year, previews next month's draft; Michael Penix Jr, Rome Odunze. Plus, thoughts on the Seahawks offseason & Russell Wilson's next destination. Mike Vorkunov – The Athletic NBA Business writer, examines the NBA's road to expansion in Seattle. Isaac Jones - Washington State hoops starter - on the Cougar's incredible season, his crazy journey in the Northwest & overcoming the odds to star for 1 of the unexpectedly great stories in college basketball. Mitch reflects upon the passing of Chris Mortensen. The ”Other Stuff” segment highlights Mike Tyson entering the ring at 57, and Roger Clemens taking the mound at 61. GUESTS Randy Mueller | NFL Executive and Former GM of the Saints & Dolphins Mike Vorkunov | The Athletic NBA Business Writer Isaac Jones (13) | NCAA Washington State Forward TABLE OF CONTENTS 0:00 | Mitch talks about area code 279, founding city of Tower Records, and list of notables from Sacramento. 9:46 | Chris Mortensen takes "nice guy" to a new level, "what time and when?" 21:45 | Mitch dons his "Mr. Salary" & "Mr. NBA Expansion" caps, restructuring Tyler Lockett's contract. 35:00 | NBA expansion to 32 teams focuses on Las Vegas and Seattle based on what two factors? 52:26 | GUEST: Randy Mueller talks about next month's NFL draft, Michael Penix Jr. and Rome Odunze. 1:02:39 | Rome Odunze might go higher than Marvin Harrison Jr., according to Randy. 1:12:54 | GUEST: Mike Vorkunov examines the NBA's road to expansion in Seattle. 1:21:00 | Maybe the NBA would go global, like Mexico City? 1:27:45 | GUEST: Isaac Jones on the Cougar's incredible season and his crazy journey in the Northwest. 1:42:05 | The "Other Stuff" segment opens by reflecting on Mike Hopkins.  1:50:10 | 2 Mariners trades have opposite outcomes. Ryne Stanek is a nice addition. 1:52:40 | Mike Tyson enters the ring at 57, and Roger Clemens takes the mound at 61.    

Gene Loves Jezebel founder and lead singer/songwriter Jay Aston joins Ralph Sutton and James Mattern and they discuss Jay Aston and Ralph both being twins, growing up with a dad who was a singer, the origin of the band name Gene Loves Jezebel, a nervous breakdown within the band, working with Bob Dylan, Gene Loves Jezebel being apart of the biggest Tower Records appearance, Jay Aston becoming the solo singer of Gene Loves Jezebel and fighting for the name of the band, Jay Aston hiking 20 miles a day, their issue with Jane's Addiction, Jay Aston's first concert, first drug and first sexual experience and so much more!(Air Date: January 20th, 2024)Support our sponsors!YoDelta.com - Use promo code: Gas to get 25% off!To advertise your product or service on GaS Digital podcasts please go to TheADSide.comand click on "Advertisers" for more information!The SDR Show merchandise is available at https://podcastmerch.com/collections/the-sdr-showYou can watch The SDR Show LIVE for FREE every Wednesday and Saturday at 9pm ET at GaSDigitalNetwork.com/LIVEOnce you're there you can sign up at GaSDigitalNetwork.com with promo code: SDR for a 7-day FREE trial with access to every SDR show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!Gene Loves JezebelInstagram: https://instagram.com/GeneLovesJezebelWithJayAstonWebsite: https://genelovesjezebel.co.uk/James L. MatternTwitter: https://twitter.com/jameslmatternInstagram: https://instagram.com/thejamesmatternRalph SuttonTwitter: https://twitter.com/iamralphsuttonInstagram: https://www.instagram.com/iamralphsutton/The SDR ShowTwitter: https://twitter.com/theSDRshowInstagram: https://www.instagram.com/thesdrshow/GaS Digital NetworkTwitter: https://twitter.com/gasdigitalInstagram: https://www.instagram.com/gasdigital/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.