Podcast appearances and mentions of tom scholte

On this episode, I have the great pleasure of finally getting to talk with one of the “unsung heroes” of cybernetics, whose work has finally begun to receive the critical attention it has long deserved, and upon which I have leaned quite heavily in my own work since I entered this field. With Cybernetics for the Social Sciences, out from Brill in 2021, Bernard Scott has met a long-felt need by authoring a book that shows the foundational relevance of cybernetics for such fields as psychology, sociology, and anthropology. Scott provides user-friendly descriptions of the core concepts of cybernetics, with examples of how they can be used in the social sciences, and explains how cybernetics functions as a transdiscipline that unifies other disciplines and a metadiscipline that provides insights about how other disciplines function. He provides an account of how cybernetics emerged as a distinct field, following interdisciplinary meetings in the 1940s, convened to explore feedback and circular causality in biological and social systems and also recounts how encountering cybernetics transformed his thinking and his understanding of life in general. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people

On this episode, I have the great pleasure of finally getting to talk with one of the “unsung heroes” of cybernetics, whose work has finally begun to receive the critical attention it has long deserved, and upon which I have leaned quite heavily in my own work since I entered this field. With Cybernetics for the Social Sciences, out from Brill in 2021, Bernard Scott has met a long-felt need by authoring a book that shows the foundational relevance of cybernetics for such fields as psychology, sociology, and anthropology. Scott provides user-friendly descriptions of the core concepts of cybernetics, with examples of how they can be used in the social sciences, and explains how cybernetics functions as a transdiscipline that unifies other disciplines and a metadiscipline that provides insights about how other disciplines function. He provides an account of how cybernetics emerged as a distinct field, following interdisciplinary meetings in the 1940s, convened to explore feedback and circular causality in biological and social systems and also recounts how encountering cybernetics transformed his thinking and his understanding of life in general. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/systems-and-cybernetics

On this episode, I have the great pleasure of finally getting to talk with one of the “unsung heroes” of cybernetics, whose work has finally begun to receive the critical attention it has long deserved, and upon which I have leaned quite heavily in my own work since I entered this field. With Cybernetics for the Social Sciences, out from Brill in 2021, Bernard Scott has met a long-felt need by authoring a book that shows the foundational relevance of cybernetics for such fields as psychology, sociology, and anthropology. Scott provides user-friendly descriptions of the core concepts of cybernetics, with examples of how they can be used in the social sciences, and explains how cybernetics functions as a transdiscipline that unifies other disciplines and a metadiscipline that provides insights about how other disciplines function. He provides an account of how cybernetics emerged as a distinct field, following interdisciplinary meetings in the 1940s, convened to explore feedback and circular causality in biological and social systems and also recounts how encountering cybernetics transformed his thinking and his understanding of life in general. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

On this episode, I have the great pleasure of finally getting to talk with one of the “unsung heroes” of cybernetics, whose work has finally begun to receive the critical attention it has long deserved, and upon which I have leaned quite heavily in my own work since I entered this field. With Cybernetics for the Social Sciences, out from Brill in 2021, Bernard Scott has met a long-felt need by authoring a book that shows the foundational relevance of cybernetics for such fields as psychology, sociology, and anthropology. Scott provides user-friendly descriptions of the core concepts of cybernetics, with examples of how they can be used in the social sciences, and explains how cybernetics functions as a transdiscipline that unifies other disciplines and a metadiscipline that provides insights about how other disciplines function. He provides an account of how cybernetics emerged as a distinct field, following interdisciplinary meetings in the 1940s, convened to explore feedback and circular causality in biological and social systems and also recounts how encountering cybernetics transformed his thinking and his understanding of life in general. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

On this episode, I have the great pleasure of finally getting to talk with one of the “unsung heroes” of cybernetics, whose work has finally begun to receive the critical attention it has long deserved, and upon which I have leaned quite heavily in my own work since I entered this field. With Cybernetics for the Social Sciences, out from Brill in 2021, Bernard Scott has met a long-felt need by authoring a book that shows the foundational relevance of cybernetics for such fields as psychology, sociology, and anthropology. Scott provides user-friendly descriptions of the core concepts of cybernetics, with examples of how they can be used in the social sciences, and explains how cybernetics functions as a transdiscipline that unifies other disciplines and a metadiscipline that provides insights about how other disciplines function. He provides an account of how cybernetics emerged as a distinct field, following interdisciplinary meetings in the 1940s, convened to explore feedback and circular causality in biological and social systems and also recounts how encountering cybernetics transformed his thinking and his understanding of life in general. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

On this episode, I have the great pleasure of finally getting to talk with one of the “unsung heroes” of cybernetics, whose work has finally begun to receive the critical attention it has long deserved, and upon which I have leaned quite heavily in my own work since I entered this field. With Cybernetics for the Social Sciences, out from Brill in 2021, Bernard Scott has met a long-felt need by authoring a book that shows the foundational relevance of cybernetics for such fields as psychology, sociology, and anthropology. Scott provides user-friendly descriptions of the core concepts of cybernetics, with examples of how they can be used in the social sciences, and explains how cybernetics functions as a transdiscipline that unifies other disciplines and a metadiscipline that provides insights about how other disciplines function. He provides an account of how cybernetics emerged as a distinct field, following interdisciplinary meetings in the 1940s, convened to explore feedback and circular causality in biological and social systems and also recounts how encountering cybernetics transformed his thinking and his understanding of life in general. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

On this episode, I have the great pleasure of finally getting to talk with one of the “unsung heroes” of cybernetics, whose work has finally begun to receive the critical attention it has long deserved, and upon which I have leaned quite heavily in my own work since I entered this field. With Cybernetics for the Social Sciences, out from Brill in 2021, Bernard Scott has met a long-felt need by authoring a book that shows the foundational relevance of cybernetics for such fields as psychology, sociology, and anthropology. Scott provides user-friendly descriptions of the core concepts of cybernetics, with examples of how they can be used in the social sciences, and explains how cybernetics functions as a transdiscipline that unifies other disciplines and a metadiscipline that provides insights about how other disciplines function. He provides an account of how cybernetics emerged as a distinct field, following interdisciplinary meetings in the 1940s, convened to explore feedback and circular causality in biological and social systems and also recounts how encountering cybernetics transformed his thinking and his understanding of life in general. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

On this episode, I have the great pleasure of finally getting to talk with one of the “unsung heroes” of cybernetics, whose work has finally begun to receive the critical attention it has long deserved, and upon which I have leaned quite heavily in my own work since I entered this field. With Cybernetics for the Social Sciences, out from Brill in 2021, Bernard Scott has met a long-felt need by authoring a book that shows the foundational relevance of cybernetics for such fields as psychology, sociology, and anthropology. Scott provides user-friendly descriptions of the core concepts of cybernetics, with examples of how they can be used in the social sciences, and explains how cybernetics functions as a transdiscipline that unifies other disciplines and a metadiscipline that provides insights about how other disciplines function. He provides an account of how cybernetics emerged as a distinct field, following interdisciplinary meetings in the 1940s, convened to explore feedback and circular causality in biological and social systems and also recounts how encountering cybernetics transformed his thinking and his understanding of life in general. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

On this episode, I have the great pleasure of finally getting to talk with one of the “unsung heroes” of cybernetics, whose work has finally begun to receive the critical attention it has long deserved, and upon which I have leaned quite heavily in my own work since I entered this field. With Cybernetics for the Social Sciences, out from Brill in 2021, Bernard Scott has met a long-felt need by authoring a book that shows the foundational relevance of cybernetics for such fields as psychology, sociology, and anthropology. Scott provides user-friendly descriptions of the core concepts of cybernetics, with examples of how they can be used in the social sciences, and explains how cybernetics functions as a transdiscipline that unifies other disciplines and a metadiscipline that provides insights about how other disciplines function. He provides an account of how cybernetics emerged as a distinct field, following interdisciplinary meetings in the 1940s, convened to explore feedback and circular causality in biological and social systems and also recounts how encountering cybernetics transformed his thinking and his understanding of life in general. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Often seen as an outlier in science, Gaia has run a long and varied course since its formulation in the 1970s by atmospheric chemist James Lovelock and microbiologist Lynn Margulis. Gaian Systems: Lynn Margulis, Neocybernetics, and the End of the Anthropocene (U Minnesota Press, 2020) is a pioneering exploration of the dynamic and complex evolution of Gaia's many variants, with special attention to Margulis's foundational role in these developments. Bruce Clarke assesses the different dialects of systems theory brought to bear on Gaia discourse. Focusing in particular on Margulis's work--including multiple pieces of her unpublished Gaia correspondence--he shows how her research and that of Lovelock was concurrent and conceptually parallel with the new discourse of self-referential systems that emerged within neocybernetic systems theory. The recent Gaia writings of Donna Haraway, Isabelle Stengers, and Bruno Latour contest its cybernetic status. Clarke engages Latour on the issue of Gaia's systems description and extends his own systems-theoretical synthesis under what he terms "metabiotic Gaia." This study illuminates current issues in neighboring theoretical conversations--from biopolitics and the immunitary paradigm to NASA astrobiology and the Anthropocene. Along the way, he points to science fiction as a vehicle of Gaian thought. Delving into many issues not previously treated in accounts of Gaia, Gaian Systems describes the history of a theory that has the potential to help us survive an environmental crisis of our own making. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Often seen as an outlier in science, Gaia has run a long and varied course since its formulation in the 1970s by atmospheric chemist James Lovelock and microbiologist Lynn Margulis. Gaian Systems: Lynn Margulis, Neocybernetics, and the End of the Anthropocene (U Minnesota Press, 2020) is a pioneering exploration of the dynamic and complex evolution of Gaia's many variants, with special attention to Margulis's foundational role in these developments. Bruce Clarke assesses the different dialects of systems theory brought to bear on Gaia discourse. Focusing in particular on Margulis's work--including multiple pieces of her unpublished Gaia correspondence--he shows how her research and that of Lovelock was concurrent and conceptually parallel with the new discourse of self-referential systems that emerged within neocybernetic systems theory. The recent Gaia writings of Donna Haraway, Isabelle Stengers, and Bruno Latour contest its cybernetic status. Clarke engages Latour on the issue of Gaia's systems description and extends his own systems-theoretical synthesis under what he terms "metabiotic Gaia." This study illuminates current issues in neighboring theoretical conversations--from biopolitics and the immunitary paradigm to NASA astrobiology and the Anthropocene. Along the way, he points to science fiction as a vehicle of Gaian thought. Delving into many issues not previously treated in accounts of Gaia, Gaian Systems describes the history of a theory that has the potential to help us survive an environmental crisis of our own making. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Often seen as an outlier in science, Gaia has run a long and varied course since its formulation in the 1970s by atmospheric chemist James Lovelock and microbiologist Lynn Margulis. Gaian Systems: Lynn Margulis, Neocybernetics, and the End of the Anthropocene (U Minnesota Press, 2020) is a pioneering exploration of the dynamic and complex evolution of Gaia's many variants, with special attention to Margulis's foundational role in these developments. Bruce Clarke assesses the different dialects of systems theory brought to bear on Gaia discourse. Focusing in particular on Margulis's work--including multiple pieces of her unpublished Gaia correspondence--he shows how her research and that of Lovelock was concurrent and conceptually parallel with the new discourse of self-referential systems that emerged within neocybernetic systems theory. The recent Gaia writings of Donna Haraway, Isabelle Stengers, and Bruno Latour contest its cybernetic status. Clarke engages Latour on the issue of Gaia's systems description and extends his own systems-theoretical synthesis under what he terms "metabiotic Gaia." This study illuminates current issues in neighboring theoretical conversations--from biopolitics and the immunitary paradigm to NASA astrobiology and the Anthropocene. Along the way, he points to science fiction as a vehicle of Gaian thought. Delving into many issues not previously treated in accounts of Gaia, Gaian Systems describes the history of a theory that has the potential to help us survive an environmental crisis of our own making. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Often seen as an outlier in science, Gaia has run a long and varied course since its formulation in the 1970s by atmospheric chemist James Lovelock and microbiologist Lynn Margulis. Gaian Systems: Lynn Margulis, Neocybernetics, and the End of the Anthropocene (U Minnesota Press, 2020) is a pioneering exploration of the dynamic and complex evolution of Gaia's many variants, with special attention to Margulis's foundational role in these developments. Bruce Clarke assesses the different dialects of systems theory brought to bear on Gaia discourse. Focusing in particular on Margulis's work--including multiple pieces of her unpublished Gaia correspondence--he shows how her research and that of Lovelock was concurrent and conceptually parallel with the new discourse of self-referential systems that emerged within neocybernetic systems theory. The recent Gaia writings of Donna Haraway, Isabelle Stengers, and Bruno Latour contest its cybernetic status. Clarke engages Latour on the issue of Gaia's systems description and extends his own systems-theoretical synthesis under what he terms "metabiotic Gaia." This study illuminates current issues in neighboring theoretical conversations--from biopolitics and the immunitary paradigm to NASA astrobiology and the Anthropocene. Along the way, he points to science fiction as a vehicle of Gaian thought. Delving into many issues not previously treated in accounts of Gaia, Gaian Systems describes the history of a theory that has the potential to help us survive an environmental crisis of our own making. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/systems-and-cybernetics

Often seen as an outlier in science, Gaia has run a long and varied course since its formulation in the 1970s by atmospheric chemist James Lovelock and microbiologist Lynn Margulis. Gaian Systems: Lynn Margulis, Neocybernetics, and the End of the Anthropocene (U Minnesota Press, 2020) is a pioneering exploration of the dynamic and complex evolution of Gaia's many variants, with special attention to Margulis's foundational role in these developments. Bruce Clarke assesses the different dialects of systems theory brought to bear on Gaia discourse. Focusing in particular on Margulis's work--including multiple pieces of her unpublished Gaia correspondence--he shows how her research and that of Lovelock was concurrent and conceptually parallel with the new discourse of self-referential systems that emerged within neocybernetic systems theory. The recent Gaia writings of Donna Haraway, Isabelle Stengers, and Bruno Latour contest its cybernetic status. Clarke engages Latour on the issue of Gaia's systems description and extends his own systems-theoretical synthesis under what he terms "metabiotic Gaia." This study illuminates current issues in neighboring theoretical conversations--from biopolitics and the immunitary paradigm to NASA astrobiology and the Anthropocene. Along the way, he points to science fiction as a vehicle of Gaian thought. Delving into many issues not previously treated in accounts of Gaia, Gaian Systems describes the history of a theory that has the potential to help us survive an environmental crisis of our own making. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Often seen as an outlier in science, Gaia has run a long and varied course since its formulation in the 1970s by atmospheric chemist James Lovelock and microbiologist Lynn Margulis. Gaian Systems: Lynn Margulis, Neocybernetics, and the End of the Anthropocene (U Minnesota Press, 2020) is a pioneering exploration of the dynamic and complex evolution of Gaia's many variants, with special attention to Margulis's foundational role in these developments. Bruce Clarke assesses the different dialects of systems theory brought to bear on Gaia discourse. Focusing in particular on Margulis's work--including multiple pieces of her unpublished Gaia correspondence--he shows how her research and that of Lovelock was concurrent and conceptually parallel with the new discourse of self-referential systems that emerged within neocybernetic systems theory. The recent Gaia writings of Donna Haraway, Isabelle Stengers, and Bruno Latour contest its cybernetic status. Clarke engages Latour on the issue of Gaia's systems description and extends his own systems-theoretical synthesis under what he terms "metabiotic Gaia." This study illuminates current issues in neighboring theoretical conversations--from biopolitics and the immunitary paradigm to NASA astrobiology and the Anthropocene. Along the way, he points to science fiction as a vehicle of Gaian thought. Delving into many issues not previously treated in accounts of Gaia, Gaian Systems describes the history of a theory that has the potential to help us survive an environmental crisis of our own making. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science

Often seen as an outlier in science, Gaia has run a long and varied course since its formulation in the 1970s by atmospheric chemist James Lovelock and microbiologist Lynn Margulis. Gaian Systems: Lynn Margulis, Neocybernetics, and the End of the Anthropocene (U Minnesota Press, 2020) is a pioneering exploration of the dynamic and complex evolution of Gaia's many variants, with special attention to Margulis's foundational role in these developments. Bruce Clarke assesses the different dialects of systems theory brought to bear on Gaia discourse. Focusing in particular on Margulis's work--including multiple pieces of her unpublished Gaia correspondence--he shows how her research and that of Lovelock was concurrent and conceptually parallel with the new discourse of self-referential systems that emerged within neocybernetic systems theory. The recent Gaia writings of Donna Haraway, Isabelle Stengers, and Bruno Latour contest its cybernetic status. Clarke engages Latour on the issue of Gaia's systems description and extends his own systems-theoretical synthesis under what he terms "metabiotic Gaia." This study illuminates current issues in neighboring theoretical conversations--from biopolitics and the immunitary paradigm to NASA astrobiology and the Anthropocene. Along the way, he points to science fiction as a vehicle of Gaian thought. Delving into many issues not previously treated in accounts of Gaia, Gaian Systems describes the history of a theory that has the potential to help us survive an environmental crisis of our own making. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Often seen as an outlier in science, Gaia has run a long and varied course since its formulation in the 1970s by atmospheric chemist James Lovelock and microbiologist Lynn Margulis. Gaian Systems: Lynn Margulis, Neocybernetics, and the End of the Anthropocene (U Minnesota Press, 2020) is a pioneering exploration of the dynamic and complex evolution of Gaia's many variants, with special attention to Margulis's foundational role in these developments. Bruce Clarke assesses the different dialects of systems theory brought to bear on Gaia discourse. Focusing in particular on Margulis's work--including multiple pieces of her unpublished Gaia correspondence--he shows how her research and that of Lovelock was concurrent and conceptually parallel with the new discourse of self-referential systems that emerged within neocybernetic systems theory. The recent Gaia writings of Donna Haraway, Isabelle Stengers, and Bruno Latour contest its cybernetic status. Clarke engages Latour on the issue of Gaia's systems description and extends his own systems-theoretical synthesis under what he terms "metabiotic Gaia." This study illuminates current issues in neighboring theoretical conversations--from biopolitics and the immunitary paradigm to NASA astrobiology and the Anthropocene. Along the way, he points to science fiction as a vehicle of Gaian thought. Delving into many issues not previously treated in accounts of Gaia, Gaian Systems describes the history of a theory that has the potential to help us survive an environmental crisis of our own making. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On this episode, we speak with Ragav Rajagopalan about his book, Immersive Systemic Knowing: Advancing Systems Thinking Beyond Rational Analysis, out from Springer in 2020. This fascinating book advances systems thinking by introducing a new philosophy of systemic knowing. It argues that there are inescapable limits to rational understanding. Humankind has always depended on extended ways of knowing to complement the rational-analytic approach. The book establishes that the application of such methods is fundamental to systemic practice. The author advocates embracing two modes of consciousness: intentionality, which Western philosophy has long recognized, and non-intentional awareness, which Eastern philosophy additionally highlights. The simultaneity of these two modes of consciousness, and the variety of knowings they spawn are harnessed for a more holistic, systemic knowing. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On this episode, we speak with Ragav Rajagopalan about his book, Immersive Systemic Knowing: Advancing Systems Thinking Beyond Rational Analysis, out from Springer in 2020. This fascinating book advances systems thinking by introducing a new philosophy of systemic knowing. It argues that there are inescapable limits to rational understanding. Humankind has always depended on extended ways of knowing to complement the rational-analytic approach. The book establishes that the application of such methods is fundamental to systemic practice. The author advocates embracing two modes of consciousness: intentionality, which Western philosophy has long recognized, and non-intentional awareness, which Eastern philosophy additionally highlights. The simultaneity of these two modes of consciousness, and the variety of knowings they spawn are harnessed for a more holistic, systemic knowing. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science

On this episode, we speak with Ragav Rajagopalan about his book, Immersive Systemic Knowing: Advancing Systems Thinking Beyond Rational Analysis, out from Springer in 2020. This fascinating book advances systems thinking by introducing a new philosophy of systemic knowing. It argues that there are inescapable limits to rational understanding. Humankind has always depended on extended ways of knowing to complement the rational-analytic approach. The book establishes that the application of such methods is fundamental to systemic practice. The author advocates embracing two modes of consciousness: intentionality, which Western philosophy has long recognized, and non-intentional awareness, which Eastern philosophy additionally highlights. The simultaneity of these two modes of consciousness, and the variety of knowings they spawn are harnessed for a more holistic, systemic knowing. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

On this episode, we speak with Ragav Rajagopalan about his book, Immersive Systemic Knowing: Advancing Systems Thinking Beyond Rational Analysis, out from Springer in 2020. This fascinating book advances systems thinking by introducing a new philosophy of systemic knowing. It argues that there are inescapable limits to rational understanding. Humankind has always depended on extended ways of knowing to complement the rational-analytic approach. The book establishes that the application of such methods is fundamental to systemic practice. The author advocates embracing two modes of consciousness: intentionality, which Western philosophy has long recognized, and non-intentional awareness, which Eastern philosophy additionally highlights. The simultaneity of these two modes of consciousness, and the variety of knowings they spawn are harnessed for a more holistic, systemic knowing. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/systems-and-cybernetics

Regular listeners to this podcast will be well aware of my strong conviction that the Perceptual Control Theory initially formulated by William T. Powers entails many significant contributions to the domains of systems and cybernetics despite the fact that, for the last several decades, its applications have been further developed in a largely “adjacent” academic community.  It is in the ongoing spirit of a much-needed rapprochement between these fields, that previous guest, Warren Mansell, returns to this podcast; this time, as editor of The Interdisciplinary Handbook of Perceptual Control Theory – Vol. 1, out from Elsevier in 2020. Astonishing in its sweeping, panoramic view of the contemporary sciences, both “natural” and “social,” this magnificent volume brings together the latest research, theory, and applications of Powers' powerful and parsimonious theory proposing that the behavior of a living organism lies in the control of perceived aspects of both itself and its environment. Illustrating both the fundamental theory and the application of PCT to a broad range of disciplines, various chapters illuminate why perceptual control is fundamental to understanding human nature, describe a new way to do research on brain processes and behavior, reveal how the role of natural selection in behavior can be demystified, explain how engineers can emulate human purposeful behavior in robots with significantly lower computational expense, and so much more. If ever there was a book that could consolidate some of the world's most rigorous applications of PCT in a manner rendering its remarkable explanatory power and paradigm exploding practical value in vivid detail and inspiring insight, this is it. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/neuroscience

Regular listeners to this podcast will be well aware of my strong conviction that the Perceptual Control Theory initially formulated by William T. Powers entails many significant contributions to the domains of systems and cybernetics despite the fact that, for the last several decades, its applications have been further developed in a largely “adjacent” academic community.  It is in the ongoing spirit of a much-needed rapprochement between these fields, that previous guest, Warren Mansell, returns to this podcast; this time, as editor of The Interdisciplinary Handbook of Perceptual Control Theory – Vol. 1, out from Elsevier in 2020. Astonishing in its sweeping, panoramic view of the contemporary sciences, both “natural” and “social,” this magnificent volume brings together the latest research, theory, and applications of Powers' powerful and parsimonious theory proposing that the behavior of a living organism lies in the control of perceived aspects of both itself and its environment. Illustrating both the fundamental theory and the application of PCT to a broad range of disciplines, various chapters illuminate why perceptual control is fundamental to understanding human nature, describe a new way to do research on brain processes and behavior, reveal how the role of natural selection in behavior can be demystified, explain how engineers can emulate human purposeful behavior in robots with significantly lower computational expense, and so much more. If ever there was a book that could consolidate some of the world's most rigorous applications of PCT in a manner rendering its remarkable explanatory power and paradigm exploding practical value in vivid detail and inspiring insight, this is it. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Regular listeners to this podcast will be well aware of my strong conviction that the Perceptual Control Theory initially formulated by William T. Powers entails many significant contributions to the domains of systems and cybernetics despite the fact that, for the last several decades, its applications have been further developed in a largely “adjacent” academic community.  It is in the ongoing spirit of a much-needed rapprochement between these fields, that previous guest, Warren Mansell, returns to this podcast; this time, as editor of The Interdisciplinary Handbook of Perceptual Control Theory – Vol. 1, out from Elsevier in 2020. Astonishing in its sweeping, panoramic view of the contemporary sciences, both “natural” and “social,” this magnificent volume brings together the latest research, theory, and applications of Powers' powerful and parsimonious theory proposing that the behavior of a living organism lies in the control of perceived aspects of both itself and its environment. Illustrating both the fundamental theory and the application of PCT to a broad range of disciplines, various chapters illuminate why perceptual control is fundamental to understanding human nature, describe a new way to do research on brain processes and behavior, reveal how the role of natural selection in behavior can be demystified, explain how engineers can emulate human purposeful behavior in robots with significantly lower computational expense, and so much more. If ever there was a book that could consolidate some of the world's most rigorous applications of PCT in a manner rendering its remarkable explanatory power and paradigm exploding practical value in vivid detail and inspiring insight, this is it. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Regular listeners to this podcast will be well aware of my strong conviction that the Perceptual Control Theory initially formulated by William T. Powers entails many significant contributions to the domains of systems and cybernetics despite the fact that, for the last several decades, its applications have been further developed in a largely “adjacent” academic community.  It is in the ongoing spirit of a much-needed rapprochement between these fields, that previous guest, Warren Mansell, returns to this podcast; this time, as editor of The Interdisciplinary Handbook of Perceptual Control Theory – Vol. 1, out from Elsevier in 2020. Astonishing in its sweeping, panoramic view of the contemporary sciences, both “natural” and “social,” this magnificent volume brings together the latest research, theory, and applications of Powers' powerful and parsimonious theory proposing that the behavior of a living organism lies in the control of perceived aspects of both itself and its environment. Illustrating both the fundamental theory and the application of PCT to a broad range of disciplines, various chapters illuminate why perceptual control is fundamental to understanding human nature, describe a new way to do research on brain processes and behavior, reveal how the role of natural selection in behavior can be demystified, explain how engineers can emulate human purposeful behavior in robots with significantly lower computational expense, and so much more. If ever there was a book that could consolidate some of the world's most rigorous applications of PCT in a manner rendering its remarkable explanatory power and paradigm exploding practical value in vivid detail and inspiring insight, this is it. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science

Regular listeners to this podcast will be well aware of my strong conviction that the Perceptual Control Theory initially formulated by William T. Powers entails many significant contributions to the domains of systems and cybernetics despite the fact that, for the last several decades, its applications have been further developed in a largely “adjacent” academic community.  It is in the ongoing spirit of a much-needed rapprochement between these fields, that previous guest, Warren Mansell, returns to this podcast; this time, as editor of The Interdisciplinary Handbook of Perceptual Control Theory – Vol. 1, out from Elsevier in 2020. Astonishing in its sweeping, panoramic view of the contemporary sciences, both “natural” and “social,” this magnificent volume brings together the latest research, theory, and applications of Powers' powerful and parsimonious theory proposing that the behavior of a living organism lies in the control of perceived aspects of both itself and its environment. Illustrating both the fundamental theory and the application of PCT to a broad range of disciplines, various chapters illuminate why perceptual control is fundamental to understanding human nature, describe a new way to do research on brain processes and behavior, reveal how the role of natural selection in behavior can be demystified, explain how engineers can emulate human purposeful behavior in robots with significantly lower computational expense, and so much more. If ever there was a book that could consolidate some of the world's most rigorous applications of PCT in a manner rendering its remarkable explanatory power and paradigm exploding practical value in vivid detail and inspiring insight, this is it. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Regular listeners to this podcast will be well aware of my strong conviction that the Perceptual Control Theory initially formulated by William T. Powers entails many significant contributions to the domains of systems and cybernetics despite the fact that, for the last several decades, its applications have been further developed in a largely “adjacent” academic community.  It is in the ongoing spirit of a much-needed rapprochement between these fields, that previous guest, Warren Mansell, returns to this podcast; this time, as editor of The Interdisciplinary Handbook of Perceptual Control Theory – Vol. 1, out from Elsevier in 2020. Astonishing in its sweeping, panoramic view of the contemporary sciences, both “natural” and “social,” this magnificent volume brings together the latest research, theory, and applications of Powers' powerful and parsimonious theory proposing that the behavior of a living organism lies in the control of perceived aspects of both itself and its environment. Illustrating both the fundamental theory and the application of PCT to a broad range of disciplines, various chapters illuminate why perceptual control is fundamental to understanding human nature, describe a new way to do research on brain processes and behavior, reveal how the role of natural selection in behavior can be demystified, explain how engineers can emulate human purposeful behavior in robots with significantly lower computational expense, and so much more. If ever there was a book that could consolidate some of the world's most rigorous applications of PCT in a manner rendering its remarkable explanatory power and paradigm exploding practical value in vivid detail and inspiring insight, this is it. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/systems-and-cybernetics

Like the transdiscipline of cybernetics, the philosophical movement known as Existentialism rose to prominence in the decade following World War II, was communicated to the general public by a handful of charismatic evangelizers who, for a time, became bona fide celebrities in popular culture, generated much excitement and innovation on university campuses across Europe, the Americas and beyond, and, in subsequent decades, seemed to fade to the periphery of intellectual discourse with some declaring both movements dead and others keeping the faith in small circles of committed artists, scholars, and practitioners. Along the way, both movements have found some of their strongest expressions through works of art; from the plays and novels of some of existentialisms key players, to the 1968 Cybernetic Serendipity exhibition that toured America after its original incarnation at the Institute for Contemporary Arts in London. In the early decades of the 21st century, well into the so-called Information and at a historical moment fraught with new and amplified ethical challenges, both fields seem, to many, to be poised for a comeback. One such observer is Steve Dixon, whose monograph, Cybernetic-Existentialism: Freedom, Systems, and Being-for-Others in Contemporary Arts and Performance (Routledge, 2020), not only explores the often surprising conceptual overlaps between the two fields but manages to offer nothing less than an original aesthetic theory fusing perspectives from the philosophy of Existentialism with insights from the ‘universal science' of cybernetics to provide a new analytical lens and deconstructive methodology to critique art. In this study, Steve Dixon examines how a range of cutting edge contemporary artists' works embody core ideas from such Existentialist philosophers as Søren Kierkegaard, Albert Camus, Simone de Beauvoir, and Jean-Paul Sartre on freedom, being and nothingness, eternal recurrence, the absurd, and being-for-others while, simultaneously, engaging in complex explorations of concepts proposed by such cyberneticians as Norbert Wiener, Claude Shannon, and Gregory Bateson on information theory and ‘noise', feedback loops, circularity, adaptive ecosystems, autopoiesis, and emergence. Dixon's ground-breaking book demonstrates how fusing insights and knowledge from these two fields can throw new light on pressing issues within contemporary arts and culture, including authenticity, angst and alienation, homeostasis, radical politics, and the human as system. Join me now as Dixon, in his own words, “talks for England” in an energetic romp across these complex, overlapping intellectual and aesthetic landscapes. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/systems-and-cybernetics

Like the transdiscipline of cybernetics, the philosophical movement known as Existentialism rose to prominence in the decade following World War II, was communicated to the general public by a handful of charismatic evangelizers who, for a time, became bona fide celebrities in popular culture, generated much excitement and innovation on university campuses across Europe, the Americas and beyond, and, in subsequent decades, seemed to fade to the periphery of intellectual discourse with some declaring both movements dead and others keeping the faith in small circles of committed artists, scholars, and practitioners. Along the way, both movements have found some of their strongest expressions through works of art; from the plays and novels of some of existentialisms key players, to the 1968 Cybernetic Serendipity exhibition that toured America after its original incarnation at the Institute for Contemporary Arts in London. In the early decades of the 21st century, well into the so-called Information and at a historical moment fraught with new and amplified ethical challenges, both fields seem, to many, to be poised for a comeback. One such observer is Steve Dixon, whose monograph, Cybernetic-Existentialism: Freedom, Systems, and Being-for-Others in Contemporary Arts and Performance (Routledge, 2020), not only explores the often surprising conceptual overlaps between the two fields but manages to offer nothing less than an original aesthetic theory fusing perspectives from the philosophy of Existentialism with insights from the ‘universal science’ of cybernetics to provide a new analytical lens and deconstructive methodology to critique art. In this study, Steve Dixon examines how a range of cutting edge contemporary artists’ works embody core ideas from such Existentialist philosophers as Søren Kierkegaard, Albert Camus, Simone de Beauvoir, and Jean-Paul Sartre on freedom, being and nothingness, eternal recurrence, the absurd, and being-for-others while, simultaneously, engaging in complex explorations of concepts proposed by such cyberneticians as Norbert Wiener, Claude Shannon, and Gregory Bateson on information theory and ‘noise’, feedback loops, circularity, adaptive ecosystems, autopoiesis, and emergence. Dixon’s ground-breaking book demonstrates how fusing insights and knowledge from these two fields can throw new light on pressing issues within contemporary arts and culture, including authenticity, angst and alienation, homeostasis, radical politics, and the human as system. Join me now as Dixon, in his own words, “talks for England” in an energetic romp across these complex, overlapping intellectual and aesthetic landscapes. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Like the transdiscipline of cybernetics, the philosophical movement known as Existentialism rose to prominence in the decade following World War II, was communicated to the general public by a handful of charismatic evangelizers who, for a time, became bona fide celebrities in popular culture, generated much excitement and innovation on university campuses across Europe, the Americas and beyond, and, in subsequent decades, seemed to fade to the periphery of intellectual discourse with some declaring both movements dead and others keeping the faith in small circles of committed artists, scholars, and practitioners. Along the way, both movements have found some of their strongest expressions through works of art; from the plays and novels of some of existentialisms key players, to the 1968 Cybernetic Serendipity exhibition that toured America after its original incarnation at the Institute for Contemporary Arts in London. In the early decades of the 21st century, well into the so-called Information and at a historical moment fraught with new and amplified ethical challenges, both fields seem, to many, to be poised for a comeback. One such observer is Steve Dixon, whose monograph, Cybernetic-Existentialism: Freedom, Systems, and Being-for-Others in Contemporary Arts and Performance (Routledge, 2020), not only explores the often surprising conceptual overlaps between the two fields but manages to offer nothing less than an original aesthetic theory fusing perspectives from the philosophy of Existentialism with insights from the ‘universal science’ of cybernetics to provide a new analytical lens and deconstructive methodology to critique art. In this study, Steve Dixon examines how a range of cutting edge contemporary artists’ works embody core ideas from such Existentialist philosophers as Søren Kierkegaard, Albert Camus, Simone de Beauvoir, and Jean-Paul Sartre on freedom, being and nothingness, eternal recurrence, the absurd, and being-for-others while, simultaneously, engaging in complex explorations of concepts proposed by such cyberneticians as Norbert Wiener, Claude Shannon, and Gregory Bateson on information theory and ‘noise’, feedback loops, circularity, adaptive ecosystems, autopoiesis, and emergence. Dixon’s ground-breaking book demonstrates how fusing insights and knowledge from these two fields can throw new light on pressing issues within contemporary arts and culture, including authenticity, angst and alienation, homeostasis, radical politics, and the human as system. Join me now as Dixon, in his own words, “talks for England” in an energetic romp across these complex, overlapping intellectual and aesthetic landscapes. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Like the transdiscipline of cybernetics, the philosophical movement known as Existentialism rose to prominence in the decade following World War II, was communicated to the general public by a handful of charismatic evangelizers who, for a time, became bona fide celebrities in popular culture, generated much excitement and innovation on university campuses across Europe, the Americas and beyond, and, in subsequent decades, seemed to fade to the periphery of intellectual discourse with some declaring both movements dead and others keeping the faith in small circles of committed artists, scholars, and practitioners. Along the way, both movements have found some of their strongest expressions through works of art; from the plays and novels of some of existentialisms key players, to the 1968 Cybernetic Serendipity exhibition that toured America after its original incarnation at the Institute for Contemporary Arts in London. In the early decades of the 21st century, well into the so-called Information and at a historical moment fraught with new and amplified ethical challenges, both fields seem, to many, to be poised for a comeback. One such observer is Steve Dixon, whose monograph, Cybernetic-Existentialism: Freedom, Systems, and Being-for-Others in Contemporary Arts and Performance (Routledge, 2020), not only explores the often surprising conceptual overlaps between the two fields but manages to offer nothing less than an original aesthetic theory fusing perspectives from the philosophy of Existentialism with insights from the ‘universal science’ of cybernetics to provide a new analytical lens and deconstructive methodology to critique art. In this study, Steve Dixon examines how a range of cutting edge contemporary artists’ works embody core ideas from such Existentialist philosophers as Søren Kierkegaard, Albert Camus, Simone de Beauvoir, and Jean-Paul Sartre on freedom, being and nothingness, eternal recurrence, the absurd, and being-for-others while, simultaneously, engaging in complex explorations of concepts proposed by such cyberneticians as Norbert Wiener, Claude Shannon, and Gregory Bateson on information theory and ‘noise’, feedback loops, circularity, adaptive ecosystems, autopoiesis, and emergence. Dixon’s ground-breaking book demonstrates how fusing insights and knowledge from these two fields can throw new light on pressing issues within contemporary arts and culture, including authenticity, angst and alienation, homeostasis, radical politics, and the human as system. Join me now as Dixon, in his own words, “talks for England” in an energetic romp across these complex, overlapping intellectual and aesthetic landscapes. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Like the transdiscipline of cybernetics, the philosophical movement known as Existentialism rose to prominence in the decade following World War II, was communicated to the general public by a handful of charismatic evangelizers who, for a time, became bona fide celebrities in popular culture, generated much excitement and innovation on university campuses across Europe, the Americas and beyond, and, in subsequent decades, seemed to fade to the periphery of intellectual discourse with some declaring both movements dead and others keeping the faith in small circles of committed artists, scholars, and practitioners. Along the way, both movements have found some of their strongest expressions through works of art; from the plays and novels of some of existentialisms key players, to the 1968 Cybernetic Serendipity exhibition that toured America after its original incarnation at the Institute for Contemporary Arts in London. In the early decades of the 21st century, well into the so-called Information and at a historical moment fraught with new and amplified ethical challenges, both fields seem, to many, to be poised for a comeback. One such observer is Steve Dixon, whose monograph, Cybernetic-Existentialism: Freedom, Systems, and Being-for-Others in Contemporary Arts and Performance (Routledge, 2020), not only explores the often surprising conceptual overlaps between the two fields but manages to offer nothing less than an original aesthetic theory fusing perspectives from the philosophy of Existentialism with insights from the ‘universal science’ of cybernetics to provide a new analytical lens and deconstructive methodology to critique art. In this study, Steve Dixon examines how a range of cutting edge contemporary artists’ works embody core ideas from such Existentialist philosophers as Søren Kierkegaard, Albert Camus, Simone de Beauvoir, and Jean-Paul Sartre on freedom, being and nothingness, eternal recurrence, the absurd, and being-for-others while, simultaneously, engaging in complex explorations of concepts proposed by such cyberneticians as Norbert Wiener, Claude Shannon, and Gregory Bateson on information theory and ‘noise’, feedback loops, circularity, adaptive ecosystems, autopoiesis, and emergence. Dixon’s ground-breaking book demonstrates how fusing insights and knowledge from these two fields can throw new light on pressing issues within contemporary arts and culture, including authenticity, angst and alienation, homeostasis, radical politics, and the human as system. Join me now as Dixon, in his own words, “talks for England” in an energetic romp across these complex, overlapping intellectual and aesthetic landscapes. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Like the transdiscipline of cybernetics, the philosophical movement known as Existentialism rose to prominence in the decade following World War II, was communicated to the general public by a handful of charismatic evangelizers who, for a time, became bona fide celebrities in popular culture, generated much excitement and innovation on university campuses across Europe, the Americas and beyond, and, in subsequent decades, seemed to fade to the periphery of intellectual discourse with some declaring both movements dead and others keeping the faith in small circles of committed artists, scholars, and practitioners. Along the way, both movements have found some of their strongest expressions through works of art; from the plays and novels of some of existentialisms key players, to the 1968 Cybernetic Serendipity exhibition that toured America after its original incarnation at the Institute for Contemporary Arts in London. In the early decades of the 21st century, well into the so-called Information and at a historical moment fraught with new and amplified ethical challenges, both fields seem, to many, to be poised for a comeback. One such observer is Steve Dixon, whose monograph, Cybernetic-Existentialism: Freedom, Systems, and Being-for-Others in Contemporary Arts and Performance (Routledge, 2020), not only explores the often surprising conceptual overlaps between the two fields but manages to offer nothing less than an original aesthetic theory fusing perspectives from the philosophy of Existentialism with insights from the ‘universal science’ of cybernetics to provide a new analytical lens and deconstructive methodology to critique art. In this study, Steve Dixon examines how a range of cutting edge contemporary artists’ works embody core ideas from such Existentialist philosophers as Søren Kierkegaard, Albert Camus, Simone de Beauvoir, and Jean-Paul Sartre on freedom, being and nothingness, eternal recurrence, the absurd, and being-for-others while, simultaneously, engaging in complex explorations of concepts proposed by such cyberneticians as Norbert Wiener, Claude Shannon, and Gregory Bateson on information theory and ‘noise’, feedback loops, circularity, adaptive ecosystems, autopoiesis, and emergence. Dixon’s ground-breaking book demonstrates how fusing insights and knowledge from these two fields can throw new light on pressing issues within contemporary arts and culture, including authenticity, angst and alienation, homeostasis, radical politics, and the human as system. Join me now as Dixon, in his own words, “talks for England” in an energetic romp across these complex, overlapping intellectual and aesthetic landscapes. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Twenty-eight years after Francis Fukuyama declared the “end of history” and pronounced Western-style liberalism as the culmination of a Hegelian narrative of progress, pundits and academics of all stripes find themselves struggling to explain the failed prediction that China's increased activity in international markets would inevitably lead to increasing political and social liberalization in that country.  With his ground-breaking book, Network Origins of the Global Economy: East vs. West in a Complex Systems Perspective, out from Cambridge University Press in 2020, Hilton L. Root takes a road less-traveled in contemporary economics and brings the analytical tools of systems theory to bear on this perplexing question, believing that a study of network structure might be able to shed more light than the traditional tools of economic analysis. This clearly argued and eminently readable book accounts for much of the current state of affairs by tracing the contrasting historical evolution of Europe as a Small World Network constituted by the dense connectivity of dynastic marriages between the continent's royal houses, and China as a Hub and Spoke Network with communications flowing outward through the branches of its vast and robustly structured bureaucracy from a primary central node. Other networked social factors under consideration are the development of Europe's blend of Germanic custom and Roman law, and China's tradition of the ideal Confucian gentleman and its deep commitment to merit rather than birthright as the condition for ascending the ranks of administrative power structures. Emerging from this thoughtful and well-researched study is a compelling explanatory narrative of Europe's ongoing capacity to adapt to rapid change and China's pattern of long stretches of stability, sudden collapse, and subsequent resurrection of largely unchanged network structure. This adventurous scholarly work simultaneously opens new theoretical doors for economists and provides systems scholars with access to new dimensions of application. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/systems-and-cybernetics

Twenty-eight years after Francis Fukuyama declared the “end of history” and pronounced Western-style liberalism as the culmination of a Hegelian narrative of progress, pundits and academics of all stripes find themselves struggling to explain the failed prediction that China's increased activity in international markets would inevitably lead to increasing political and social liberalization in that country.  With his ground-breaking book, Network Origins of the Global Economy: East vs. West in a Complex Systems Perspective, out from Cambridge University Press in 2020, Hilton L. Root takes a road less-traveled in contemporary economics and brings the analytical tools of systems theory to bear on this perplexing question, believing that a study of network structure might be able to shed more light than the traditional tools of economic analysis. This clearly argued and eminently readable book accounts for much of the current state of affairs by tracing the contrasting historical evolution of Europe as a Small World Network constituted by the dense connectivity of dynastic marriages between the continent's royal houses, and China as a Hub and Spoke Network with communications flowing outward through the branches of its vast and robustly structured bureaucracy from a primary central node. Other networked social factors under consideration are the development of Europe's blend of Germanic custom and Roman law, and China's tradition of the ideal Confucian gentleman and its deep commitment to merit rather than birthright as the condition for ascending the ranks of administrative power structures. Emerging from this thoughtful and well-researched study is a compelling explanatory narrative of Europe's ongoing capacity to adapt to rapid change and China's pattern of long stretches of stability, sudden collapse, and subsequent resurrection of largely unchanged network structure. This adventurous scholarly work simultaneously opens new theoretical doors for economists and provides systems scholars with access to new dimensions of application. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Twenty-eight years after Francis Fukuyama declared the “end of history” and pronounced Western-style liberalism as the culmination of a Hegelian narrative of progress, pundits and academics of all stripes find themselves struggling to explain the failed prediction that China's increased activity in international markets would inevitably lead to increasing political and social liberalization in that country.  With his ground-breaking book, Network Origins of the Global Economy: East vs. West in a Complex Systems Perspective, out from Cambridge University Press in 2020, Hilton L. Root takes a road less-traveled in contemporary economics and brings the analytical tools of systems theory to bear on this perplexing question, believing that a study of network structure might be able to shed more light than the traditional tools of economic analysis. This clearly argued and eminently readable book accounts for much of the current state of affairs by tracing the contrasting historical evolution of Europe as a Small World Network constituted by the dense connectivity of dynastic marriages between the continent's royal houses, and China as a Hub and Spoke Network with communications flowing outward through the branches of its vast and robustly structured bureaucracy from a primary central node. Other networked social factors under consideration are the development of Europe's blend of Germanic custom and Roman law, and China's tradition of the ideal Confucian gentleman and its deep commitment to merit rather than birthright as the condition for ascending the ranks of administrative power structures. Emerging from this thoughtful and well-researched study is a compelling explanatory narrative of Europe's ongoing capacity to adapt to rapid change and China's pattern of long stretches of stability, sudden collapse, and subsequent resurrection of largely unchanged network structure. This adventurous scholarly work simultaneously opens new theoretical doors for economists and provides systems scholars with access to new dimensions of application. Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people.