Podcasts about Albert Camus

“There is no experience of death, only the fear of it.” Albert Camus

Lista de motivaciones para avanzar sobre los cambios que necesito hacer en mi ECDQEMSD podcast episodio 6170 Auto Motivación Conducen: El Pirata y El Sr. Lagartija https://canaltrans.com Noticias del Mundo: Trump y el plan nuclear - Putin y las pruebas - Reunión en Brasil  - Juicio a CFK - Tifón por Vietnam - Noticias por todos lados - La bandera de One Piece - Generación Z - Más famoso que Tylor Swift y Bad Bunny - La biopic de Michael Jackson - Pronóstico del Tiempo - Paleta de colores mexicana Historias Desintegradas: Alejo todo vicio - El amor mueve montañas - Sin drogas ni alcohol - Estoy limpio - La chica que me gusta - Necesito la fuerza de Gokú - Las mellizas dos por uno - Ahorro sustancial - Una cancha de fútbol en La Paz - Los michis - El viaje de ayahuasca - Cemento alisado - Turrón de almendra - Marie Curie y la física médica - Nacía Albert Camus y más... En Caso De Que El Mundo Se Desintegre - Podcast no tiene publicidad, sponsors ni organizaciones que aporten para mantenerlo al aire. Solo el sistema cooperativo de los que aportan a través de las suscripciones hacen posible que todo esto siga siendo una realidad. Gracias Dragones Dorados!! NO AI: ECDQEMSD Podcast no utiliza ninguna inteligencia artificial de manera directa para su realización. Diseño, guionado, música, edición y voces son de  nuestra completa intervención humana.

Kurz bevor die deutschen Truppen 1940 in Frankreich einmarschierten, beendete ein junger, algerisch-französischer Schriftsteller die Arbeit an seinem ersten Roman. Zwei Jahre später, am 19. Mai 1942, veröffentlichte Gallimard den Roman trotz deutscher Besatzung in Paris. Das Buch wurde als literarische Sensation gefeiert und avancierte zu einem der meistgedruckten französischen Romane des 20. Jahrhunderts. Das ist die Geschichte von «L'étranger», dem ersten Roman von Albert Camus. Er traf mit seiner Geschichte über den gleichgültigen Mörder Meursault den Nerv seiner Zeit. Seine Generation war tief desillusioniert durch die Weltkriege und den scheinbar unaufhaltsamen Aufstieg des Totalitarismus. Heute, 85 Jahre später, stehen wir wieder an einem ähnlichen Punkt. Wieder sind Ideale vom Sockel gestürzt, koloniale Konflikte flammen wieder auf, wieder scheint der Aufstieg des Totalitarismus nicht aufzuhalten. Albert Camus sah 1940 den Menschen in einer absurden Situation: Wir Menschen sehnen uns nach Sinn, die Welt aber ist sinnlos, ja sinnwidrig. Camus vergleicht den Menschen deshalb mit Sisyphos, der zur Strafe in der Unterwelt einen Felsbrocken einen Berg hinaufwälzen muss. Kurz vor dem Gipfel des Bergs entgleitet ihm der Brocken und rollt wieder ins Tal. Deshalb steht Sisyphos jeden Tag vor derselben sinnlosen Aufgabe. Es ist eine absurde Arbeit. Camus sagt nun aber, der Ausweg liege darin, dass Sisyphos diese Absurdität seines Tuns akzeptiere und seine Erfüllung im täglichen Kampf mit seinem Felsbrocken sehe. Er schreibt deshalb: «Der Kampf gegen Gipfel vermag ein Menschenherz auszufüllen. Wir müssen uns Sisyphos als einen glücklichen Menschen vorstellen.» Und heute, 85 Jahre später? Wie müssen wir uns Sisyphos heute vorstellen?Matthias Zehnder ist Autor und Medienwissenschaftler in Basel. Er ist bekannt für inspirierende Texte, Vorträge und Seminare über Medien, die Digitalisierung und KI.Website: https://www.matthiaszehnder.ch/Newsletter abonnieren: https://www.matthiaszehnder.ch/abo/Unterstützen: https://www.matthiaszehnder.ch/unterstuetzen/Biografie und Publikationen: https://www.matthiaszehnder.ch/about/

François Ozon met en scène ce roman majeur dʹAlbert Camus dans un noir et blanc radical et épuré. Meursault (Benjamin Voisin) peu après lʹenterrement de sa mère, entame une liaison avec Marie (Rebeca Marder). Cet homme indifférent au monde, sans consistance ni émotion, va tuer un homme, "lʹArabe". Son procès semble moins porter sur son crime que sur son indifférence au monde. François Ozon avec Pierre Philippe Cadert.

Entre deux nouveaux épisodes, je vous propose de revenir sur une notion-clé avec un extrait d'un ancien épisode. Aujourd'hui : en quoi le mythe de Sisyphe, selon Albert Camus, nous apprend à être heureux. ➔ Écoutez l'intégralité de l'épisode dont cette capsule est extraite : https://youtu.be/dREQA9Eeoi8 ➔ Rejoignez-moi sur Patreon : https://www.patreon.com/Paroledephilosophe Membre du Label Tout Savoir. Régies publicitaires : PodK et Ketil Media._____________ Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

A l'occasion de son adaptation sur grand écran, découvrez le livre d'Albert Camus, "L'étranger".

Join Dr. Mark C Meade for a discussion regarding the importance of  The Seven Storey Mountain by Thomas Merton. Mark C. Meade is the Assistant Director of the Thomas Merton Center at Bellarmine University. In over 20 years at the Center as an archivist, he has assisted scholars from around the world while himself presenting and publishing internationally on Merton's writings. Mark served as the sixteenth president of the International Thomas Merton Society. His scholarship has focused on Merton's autobiography and dialogue with the writings of Victoria Ocampo, Albert Camus, and Flannery O'Connor. About the podcast: We all know we need to read more and there are literally millions of books on shelves with new ones printed every day. How do we sort through all the possibilities to find the book that is just right for us now? Well, the McConnell Center is bringing authors and experts to inspire us to read impactful and entertaining books that might be on our shelves or in our e-readers, but which we haven't yet picked up. We hope you learn a lot in the following podcast and we hope you might be inspired to pick up one or more of the books we are highlighting this year at the University of Louisville's McConnell Center. Stay Connected Visit us at McConnellcenter.org Subscribe to our newsletter  Facebook: @mcconnellcenter Instagram: @ulmcenter  Twitter: @ULmCenter This podcast is a production of the McConnell Center 

Consider human ecological loneliness and our longing for reconnection with all creation. What healing is available in an era defined by environmental loss and exploitation? Can we strengthen the fragile connection between modern society and the space we inhabit?“Loneliness is the symptom that desires its cure.”In this episode Macie Bridge welcomes writer, translator, and poet Laura Marris to reflect on her essay collection The Age of Loneliness, a meditation on solitude, grief, and the ecology of attention. Marris considers what it means to live through an era defined by environmental loss and human disconnection, yet still filled with wonder. She shares stories of tardigrades that endure extreme conditions, how airports reveal our attitudes toward birds, and the personal loss of her father that awakened her to “noticing absence.” Together, they explore how ecological loneliness might transform into longing for reconnection—not only among humans, but with the creatures and landscapes that share our world. Marris suggests that paying attention, naming, and noticing are acts of restoration. “Loneliness,” she writes, “is the symptom that desires its cure.”Episode Highlights“Loneliness is the symptom that desires its cure.”“There are ways, even very simple ones, that individuals can do to make the landscape around them more hospitable.”“I don't believe that humans are hardwired to exploit. There have been many societies with long traditions of mutual benefit and coexistence.”“It's really hard to notice an absence sometimes. There's something curative about noticing absences that have been around but not acknowledged.”“Ecological concerns are not a luxury. It's actually really important to hold the line on them.”Helpful Links and ResourcesThe Age of Loneliness by Laura Marris — https://www.graywolfpress.org/books/age-lonelinessUnderland by Robert Macfarlane — https://wwnorton.com/books/9780393242140E.O. Wilson on “Beware the Age of Loneliness” — https://www.economist.com/news/2013/11/18/beware-the-age-of-lonelinessAbout Laura MarrisLaura Marris is a writer and translator whose work spans poetry, essays, and literary translation. She is the author of The Age of Loneliness and has translated Albert Camus's The Plague for Vintage Classics. She teaches creative writing and translation at the University at Buffalo.Show NotesThe Ecology of Loneliness and LongingLaura Marris discusses The Age of Loneliness—“Eremocene”—a term coined by E.O. Wilson to describe a speculative future of environmental isolation.Fascination with poetic form and environmental prose emerging during the pandemic.Ecological loneliness arises from biodiversity loss, but also offers the chance to reimagine more hospitable human landscapes.Extreme Tolerance and the Human ConditionMarris describes tardigrades as metaphors for endurance without thriving—organisms that survive extremes by pausing metabolism.“How extremely tolerant are humans, and what are our ways of trying to be more tolerant to extreme conditions?”Air conditioning becomes an emblem of “extreme tolerance,” mirroring human adaptation to a destabilized environment.Birds, Airports, and the Language of BlameMarris explores how modern air travel enforces ecological loneliness by eradicating other species from its space.She reveals hidden networks of wildlife managers and the Smithsonian's Feather Identification Lab.Reflects on the “Miracle on the Hudson,” where language wrongly cast geese as antagonists—“as if the birds wanted to hit the plane.”Loneliness, Solitude, and Longing“Loneliness is solitude attached to longing that feels painful.”Marris distinguishes solitude's generativity from loneliness's ache, suggesting longing can be a moral compass toward reconnection.Personal stories of her father's bird lists intertwine grief and ecological noticing.Ground Truthing and Community ScienceMarris introduces “ground truthing”—people verifying ecological data firsthand.She celebrates local volunteers counting birds, horseshoe crabs, and plants as acts of hope.“Community care applies to human and more-than-human communities alike.”Toxic Landscapes and Ecological AftermathMarris recounts Buffalo's industrial scars and ongoing restoration along the Niagara River.“Toxins don't stop at the edge of the landfill—they keep going.”She reflects on beauty, resilience, and the return of eagles to post-industrial lands.Attention and Wonder as Advocacy“A lot of advocacy stems from paying local attention.”Small, attentive acts—like watching sparrows dust bathe—are forms of resistance against despair.Cure, Absence, and Continuing the ConversationMarris resists the idea of a final “cure” for loneliness.“Cure could be something ongoing, a process, a change in your life.”Her annual bird counts become a continuing dialogue with her late father.Wisdom for the Lonely“Take the time to notice what it is you're lonely for.”She calls for transforming loneliness into longing for a more hospitable, interdependent world.Production NotesThis podcast featured Laura MarrisInterview by Macie BridgeEdited and Produced by Evan RosaProduction Assistance by Alexa Rollow, Emily Brookfield, and Hope ChunA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give

In this week's film show, Manon Kerjean and Dheepthika Laurent look at Nadia Melliti's performance as an Arab woman struggling with her sexual identity in "La Petite Dernière", a film for which she won best actress at the Cannes Film Festival. We also look at François Ozon's daring, bold adaptation of Albert Camus' masterpiece "L'Étranger" and discuss the technical prowess of "L'Homme qui rétrécit", a film starring Oscar-winning actor Jean Dujardin. Finally, we check out Isabelle Huppert's new film, "La femme la plus riche du monde", a biopic loosely inspired by L'Oréal heiress Liliane Bettencourt.

Never trust anyone who tries to be ethically pure. This is the message of Albert Camus's short novel La Chute (The Fall), in which a retired French lawyer tells a stranger in a bar in Amsterdam about a series of incidents that led to a profound personal crisis. The self-described ‘judge-penitent' had once thought himself to be morally irreproachable, but an encounter with a woman on a bridge and a mysterious laugh left him tormented by a sense of hypocrisy. In this episode, Jonathan and James follow Camus's slippery hero as he tries and fails to undergo a moral revolution, and look at the ways in which the novel's lightness of style allows for twisted inversions of conventional morality. They also consider the similarities between Camus's novels and those of Simone de Beauvoir, and his fractious relationship with Jean-Paul Sartre. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe: Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠https://lrb.me/applecrcip⁠⁠⁠⁠⁠⁠ In other podcast apps: ⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingscip⁠⁠ Further reading in the LRB: Jeremy Harding: Algeria's Camus: ⁠⁠https://lrb.me/cip11camus1⁠⁠ Jacqueline Rose: 'The Plague': ⁠⁠https://lrb.me/cip11camus3⁠⁠ Adam Shatz: Camus in the New World: ⁠⁠https://lrb.me/cip11camus2⁠⁠ Audiobooks from the LRB Including Jonathan Rée's 'Becoming a Philosopher: Spinoza to Sartre': ⁠⁠⁠⁠https://lrb.me/audiobookscip⁠

Die Pause dient dazu, Bedeutung zu unterstreichen, Gedanken Raum zu geben oder das Publikum emotional mitzunehmen. Sie trägt keine Uhr, sie zählt Momente. Während andere noch sprechen, hat sie längst gewirkt. Worte sind Waffen, doch die mächtigste Munition ist das Nichts dazwischen. Hier die fünf wichtigsten Pausenarten in der Rhetorik:

Nommé ministre de la Justice en 1981, suite à l'arrivée de la gauche au pouvoir, Robert Badinter a su conjuguer ses convictions politiques à son approche humaniste. Écoutez ses plaidoyers contre la peine de mort, pour la captation audiovisuelle des procès historiques et pour la dépénalisation de l'homosexualité : les combats d'un avocat exemplaire.    Robert Badinter est entré dans l'Histoire le 9 octobre 1981 pour avoir obtenu l'abolition de la peine capitale, promesse de campagne de François Mitterrand. Pour le Garde des Sceaux, c'est l'aboutissement d'une longue lutte portée par de grandes figures intellectuelles telles que Victor Hugo, Alphonse de la Martine, Flora Tristan ou encore Albert Camus. Rappelons également l'engagement sans faille de Robert Badinter pour la dépénalisation de l'homosexualité en France et dans le monde. Robert Badinter a défendu la loi Forni, rapportée par la députée Gisèle Halimi. Le texte promulgué le 4 août 1982 abrogeait définitivement le «délit d'homosexualité». Sans oublier la loi autorisant les captations filmées des procès historiques promulguées le 11 juillet 1985. Un texte novateur permettant la constitution de sources audiovisuelles, pour les historiens et le travail de mémoire. Je tiens à remercier chaleureusement toutes celles et ceux qui ont largement contribué à la réalisation de ce documentaire inédit. Toute l'équipe des rendez-vous de l'Histoire de Blois et plus particulièrement Caroline Gomes, responsable des archives et des podcasts Badinter.   À écouter :  Justice et histoire, Robert Badinter Robert Badinter, alors sénateur, avocat et ancien ministre de la Justice, traite des rapports complexes qu'entretiennent magistrats et historiens, en revenant sur le procès de Robert Faurisson ou bien sur les lois mémorielles. Conférence de clôture de l'édition 2010 des Rendez-vous de l'Histoire sur le thème «Faire Justice».  La dépénalisation de l'homosexualité En 2010, lors des Rendez-vous de l'histoire sur «La Justice», Robert Badinter, Louis-Georges Tin et Philippe Castetbon, sous la modération de Florence Tamagne, ont échangé au sujet de la dépénalisation de l'homosexualité. Ensemble, ils dressent un état des lieux du sujet en France, près de 30 ans après la suppression du «délit d'homosexualité» et 3 ans avant l'adoption du mariage pour tous, ainsi que l'ouverture de l'adoption aux couples homosexuels. Ils en appellent également à une mobilisation internationale pour obtenir la dépénalisation universelle de l'homosexualité. Remerciements également à notre partenaire le magazine Historia, dont le numéro d'Octobre consacre un article au maître Badinter, Historia que vous retrouverez également aux rendez-vous de l'Histoire de Blois à partir du 9 octobre 2025, jour de l'entrée au Panthéon de Robert Badinter ! Robert Badinter est mort à l'âge de 95 ans, dans la nuit du 8 au 9 février. En 2001, il revenait pour Historia sur son combat pour la peine de mort dans un long entretien.   «Robert Badinter au Panthéon», un évènement national à suivre sur les antennes de RFI le jeudi 9 octobre à partir de 17h10 TU.

En La Mesa de Filósofos el tema fue Albert Camus, un autor que nació en 1913, pero que se mantiene muy actual. De hecho, en la pandemia, una de sus obras más conocidas, “La peste”, fue best seller mundial. Camus nos habla de lo absurdo y es muy interesante analizar sus planteos sobre la vida, la violencia, la esperanza, entre otros.

Gefühlt muss heute alles Sinn machen: Yoga für die Selfcare, Reisen für die Horizonterweiterung, sogar Schlaf wird zum Biohacking. Aber manchmal nervt genau dieser permanente Sinn-Overload. In dieser Folge frage ich mich, ob wir nicht mehr Unsinn brauchen. Vom TikTok-Trend “German Brainrot” über dadaistische Lautgedichte bis hin zu Albert Camus: Kann das Sinnlose nicht manchmal das Sinnvollste sein?

Simone Weil écrit "Les besoins de l'âme" en 1943, dans le cadre de ce que pourrait être, après la guerre, une nouvelle Déclaration des Droits de l'homme. Albert Camus, qui publiera ce texte après la mort de Simone Weil, déclara que son livre était l'un des plus élevés et des plus beaux qu'on ait écrits sur notre civilisation. Et il ajoutera que Simone Weil fut le seul grand esprit de son temps.➔ Regardez la version vidéo de cet épisode : https://youtu.be/A_oRA5DHCyw➔ Rejoignez-moi sur Patreon : https://www.patreon.com/ParoledephilosopheMembre du Label Tout Savoir. Régies publicitaires : PodK et Ketil Media._____________Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Prix Nobel de littérature en 1957, Albert Camus travaillait au Premier Homme au moment de sa mort, survenue dans un accident de voiture, le 4 janvier 1960

In episode 237 of Heavy Metal Philosophy, Jon Barbas is traveling, so the good folks over at the Didn't Go Platinum Podcast were kind enough to let us repurpose Jon's appearance on that show. During this appearance, we discussed the meaning of Rivers of Nihil 'The Work.' Consequently, Albert Camus came up. What is the meaning of work? Join us and find out!Subscribe to Didn't Go Platinum here!https://open.spotify.com/show/2XUxsqJQQajUMW06fZz7KXhttps://www.instagram.com/dngplatinumhttps://www.threads.com/@dngplatinumGet Heavy Metal Philosophy Merch!https://jonbarbas-shop.fourthwall.com/Heavy Metal Philosophy Contact;https://heavymetalphilosophy.com/YouTube: https://youtube.com/@heavymetalphilosophyhttps://www.spreaker.com/show/heavy-metal-philosophyJonBarbas@heavymetalphilosophy.comhttps://mobile.twitter.com/heaviestdoyenhttps://www.facebook.com/HeaviestDoyenhttps://www.instagram.com/heavy_metal_philosophy/https://www.threads.net/@heavy_metal_philosophyhttps://bsky.app/profile/jonbarbas.bsky.social Metal Digest articles link;https://metal-digest.com/author/jon-barbas/#metal #philosophy #work

Nous sommes le 10 mai 1953, à Saint-Etienne, à 60 km, au sud-ouest de Lyon. Dans une allocution qu'il prononce à la bourse du travail, le futur prix Nobel de littérature, auteur de « La Peste » ou de « L'Etranger, Albert Camus déclare : « Si quelqu'un vous retire votre pain, il supprime en même temps votre liberté. Mais si quelqu'un vous ravit votre liberté, soyez tranquille, votre pain est menacé, car il ne dépend plus de vous et de votre lutte, mais du bon plaisir d'un maître. La misère croît à mesure que la liberté recule dans le monde et inversement. » Gage de stabilité politique au cours des siècles, la pain, lorsqu'il vient à manquer, devient le combustible des révolutions. Un peu moins de deux siècles plus tôt, en 1770, dans ses « Dialogues sur le commerce des blés », l'abbé Galiani, économiste italien, écrit : « Le blé peut être regardé comme une production du sol, et sous cette vue, il appartient au commerce et à la législation économique. Ensuite, il peut et doit être, en même temps, regardé comme la matière de première nécessité et le premier soin de l'ordre civil des sociétés, et sous ce point de vue, il appartient à la politique et à la raison d'Etat ». Invités : Coline Arnaud et Denis Saillard, chercheuse et chercheur au Centre d'histoire culturelle des sociétés contemporaines, à l'université de Versailles. « Pain et liberté – Une histoire politique du pain, du Moyen Âge au XXIe siècle » paru aux éd. Textuel. Sujets traités : pain, politique, liberté, Albert Camus, misère, blé Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Why Hope Won't Make You Happy (And What Will) - Albert Camus (Absurdism). In this podcast we will be talking about why hope will not make you happy from the philosophy of Albert Camus. This video also talks about  how to live without hope and still find joy in the here and now.  Albert Camus is one of the most representative figures of the philosophy of “absurd” or “absurdism".  So here's how to live without hope and still find joy in the here and now  -  01. Accept Life's Lack of Ultimate Meaning 02. Finding Meaning Through Actions, Not Answers 03. Live fully, unapologetically 04. Embrace Struggle 05. Love life as it is I hope you listening to these 5 ways to live without hope and still find joy in the here and now from the philosophy of Albert Camus, and find these insights helpful in your life.    Albert Camus is one of the greatest French writers and thinkers. He was a philosopher, an author and a journalist. He won the Nobel Prize in Literature in 1957 and his most famous works are The Stranger, The Plague, The Myth of Sisyphus, The Fall, and The Rebel. Camus is one of the most representative figures of the philosophy of the “absurd” or “absurdism,” which is a philosophical movement having as its central hypothesis that human beings exist in a purposeless, chaotic universe. Camus considered that absolute freedom must be balanced with absolute justice - too much freedom leads to the situation when the strong suppresses the weak but too much justice kills freedom, and we need to live and let live. As a promoter of the philosophy of the “absurd”, Camus believed that life has no meaning, that the universe simply exists and that it is indifferent to people's lives. We are like Sisyphus from Greek mythology, forever carrying that heavy rock to the top of the hill, although we know the rock will always fall down and our life's work is meaningless. Our condition might be tragic, but Camus considered that this exact condition hides a blessing in disguise: life does not have a meaning, but we are free to attribute it any meaning we want. His philosophy has inspired a lot of  people in dealing with the absurdity of life and even today, his philosophy is extremely relevant.

„Der Fremde“ von Albert Camus gilt als schwer verfilmbar. Regisseur François Ozon hat es trotzdem gewagt und sein Werk auf dem Filmfest Venedig vorgestellt. Seine Lesart des Romans ist teils radikal, aber respektvoll und folgerichtig. Wellinski, Patrick www.deutschlandfunkkultur.de, Lesart

„Der Fremde“ von Albert Camus gilt als schwer verfilmbar. Regisseur François Ozon hat es trotzdem gewagt und sein Werk auf dem Filmfest Venedig vorgestellt. Seine Lesart des Romans ist teils radikal, aber respektvoll und folgerichtig. Wellinski, Patrick www.deutschlandfunkkultur.de, Lesart

El programa comienza con la escritora, poeta y periodista peruana Gabriela Wiener, que llega acompañada de Maielis González para hablar de Sudakasa. Este espacio se configura como una residencia artística destinada a mujeres migrantes, un lugar donde desarrollar proyectos que muchas veces no encuentran cabida en los grandes circuitos ni en las instituciones culturales. De esta experiencia surge el libro 'Siembra: Relatos de vidas Migra', publicado por Sudakasa Ediciones, que recoge historias nacidas a partir de esa convivencia y creación compartida.En la sección literaria, la actualidad pasa por Arturo Pérez-Reverte, que ha presentado 'Misión en París', la octava entrega de la saga de 'El capitán Alatriste', iniciada en 1996 y convertida en una de las series de novela histórica más populares en lengua española.El cine centra otra parte del programa con la Mostra de Venecia. Allí François Ozon estrena 'El extranjero', adaptación cinematográfica de la novela de Albert Camus, que compite por el León de Oro. Fuera de competición, Sofia Coppola debuta en el género documental con 'Marc by Sofia', una cinta sobre el diseñador Marc Jacobs, mientras Gus Van Sant presenta el thriller 'Dead Man's Wire'. La cobertura corre a cargo de Jordi Barcia.El repaso a festivales continúa con el de Santander, que celebra su edición del 12 al 18 de septiembre. En su presentación se anuncia la concesión de los Faros de Honor 2025 al actor Luis Tosa' y a la productora María Zamora.Estrenamos además la primera colaboración de Xaviera Torres, que cada dos semanas propondrá cuestiones surgidas de su experiencia como bióloga y que se relacionan con la cultura, la historia, la naturaleza o la vida cotidiana.El cierre lo ocupa la música con la historia de José Padilla. Este compositor español convirtió un coro de pescadores de zarzuela en la canción 'Valencia', que trascendió fronteras y llegó a sonar en cabarets de París, en orquestas de jazz de Nueva York e incluso en producciones de Hollywood. La explicación la aporta el musicólogo Enrique Mejías García, conocedor de estos repertorios que unen raíces mediterráneas y ecos cosmopolitas.Escuchar audio

The story so far: The boys are trapped in an underground movie store run by an anthropomorphic moleman. After a year of insane adventures, they start questioning where they might truly be...Magic mole scrolls and random scrawlings litter the place down here, so we dig through in the hopes of figuring out what Moleman might be hiding. But then the existential dread hits us...and what if we're actually in the afterlife? Like Lost? No...probably more like Jacob's Ladder (1990)! So we pop it in the VCR and ruminate on our lives by discussing our chiropractor experiences, Greg's history with My Girl, our favorite Albert Camus books, and An Occurrence At Owl Creek Bridge! Get comfy, pop some headphones in, and come get sad with us! If you dig us, why not check out our other podcast Greg's Cryptid Corner? It's fun, has the same hosts, and we talk about spooky monsters that Greg believes are real and Eric and Dan are still skeptical of. It's fun. You'll like it. Go subscribe.Leave us a 30 second voicemail and if we like it we'll play it on the show: (949) 4-STABBY (949-478-2229)Next movie announced every Wednesday. New episodes every Monday. Follow us on the things:Website: https://www.stabbypod.comLinktree: https://www.linktr.ee/stabbystabbyInstagram:  @stabbypod  https://www.instagram.com/stabbypod/Letterboxd:   https://boxd.it/dp1ACSend us a text

Neste episódio Marcos Carvalho Lopes fala sobre os Engenheiros do Hawaii, destacando sua relação com a arquitetura e o debate modernismo/pós-modernismo, o existencialismo de Jean Paul-Sartre e Albert Camus; e a imagem do surfista da imanência de Gilles Deleuze. Leia mais → O post 232.Engenheiros do Hawaii, com Marcos Carvalho Lopes apareceu primeiro em filosofia pop.

Albert Camus. „Svetimas“. Vertė Laima Rapšytė, išleido leidykla „baltos lankos“.Tai knyga apie neįveikiamą individo vienatvę inertiško abejingumo, absurdo akivaizdoje. Prancūzų rašytojo karta brendo dviejų pasaulinių karų kanonados, atominės bombos apokalipsės ir Holokausto košmaro laiku. Kamiu savo kūryba išreiškė naujosios epochos dvasią ir galią, o jo jaunatviškas entuziazmas, neabejotinas intelektualinis autoritetas ir meninis principingumas pradėjo ligi šiol tebesitęsiančią draugystę su skaitytojais. Romano ištraukas skaito aktorius Vladas Bagdonas.

Albert Camus. „Svetimas“. Vertė Laima Rapšytė, išleido leidykla „baltos lankos“.Tai knyga apie neįveikiamą individo vienatvę inertiško abejingumo, absurdo akivaizdoje. Prancūzų rašytojo karta brendo dviejų pasaulinių karų kanonados, atominės bombos apokalipsės ir Holokausto košmaro laiku. Kamiu savo kūryba išreiškė naujosios epochos dvasią ir galią, o jo jaunatviškas entuziazmas, neabejotinas intelektualinis autoritetas ir meninis principingumas pradėjo ligi šiol tebesitęsiančią draugystę su skaitytojais. Romano ištraukas skaito aktorius Vladas Bagdonas.

Albert Camus. „Svetimas“. Vertė Laima Rapšytė, išleido leidykla „baltos lankos“.Tai knyga apie neįveikiamą individo vienatvę inertiško abejingumo, absurdo akivaizdoje. Prancūzų rašytojo karta brendo dviejų pasaulinių karų kanonados, atominės bombos apokalipsės ir Holokausto košmaro laiku. Kamiu savo kūryba išreiškė naujosios epochos dvasią ir galią, o jo jaunatviškas entuziazmas, neabejotinas intelektualinis autoritetas ir meninis principingumas pradėjo ligi šiol tebesitęsiančią draugystę su skaitytojais. Romano ištraukas skaito aktorius Vladas Bagdonas.

Albert Camus. „Svetimas“. Vertė Laima Rapšytė, išleido leidykla „baltos lankos“.Tai knyga apie neįveikiamą individo vienatvę inertiško abejingumo, absurdo akivaizdoje. Prancūzų rašytojo karta brendo dviejų pasaulinių karų kanonados, atominės bombos apokalipsės ir Holokausto košmaro laiku. Kamiu savo kūryba išreiškė naujosios epochos dvasią ir galią, o jo jaunatviškas entuziazmas, neabejotinas intelektualinis autoritetas ir meninis principingumas pradėjo ligi šiol tebesitęsiančią draugystę su skaitytojais. Romano ištraukas skaito aktorius Vladas Bagdonas.

Albert Camus. „Svetimas“. Vertė Laima Rapšytė, išleido leidykla „baltos lankos“.Tai knyga apie neįveikiamą individo vienatvę inertiško abejingumo, absurdo akivaizdoje. Prancūzų rašytojo karta brendo dviejų pasaulinių karų kanonados, atominės bombos apokalipsės ir Holokausto košmaro laiku. Kamiu savo kūryba išreiškė naujosios epochos dvasią ir galią, o jo jaunatviškas entuziazmas, neabejotinas intelektualinis autoritetas ir meninis principingumas pradėjo ligi šiol tebesitęsiančią draugystę su skaitytojais. Romano ištraukas skaito aktorius Vladas Bagdonas.

Put on your black turtleneck! Jacke starts the episode with a look at #22 on the list of The Greatest Books of All Time, The Stranger by Albert Camus. Then he talks to Jake Poller about British and American novelist and playwright Christopher Isherwood, whose Goodbye to Berlin was adapted into the stage musical and movie Cabaret. In discussing his work Christopher Isherwood: A Critical Life, Jake tells Jacke about what it was like to write a biography of such an the itinerant and multifaceted writer. PLUS a listener in Yunnan writes Jacke an email about Madame Bovary. Join us on tour! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠John Shors Travel⁠. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠historyofliterature.com⁠. Or visit the ⁠History of Literature Podcast Tour itinerary⁠ at ⁠John Shors Travel⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠gabrielruizbernal.com. Help support the show at ⁠patreon.com/literature ⁠or ⁠historyofliterature.com/donate ⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Albert Camus. „Svetimas“. Vertė Laima Rapšytė, išleido leidykla „baltos lankos“.Tai knyga apie neįveikiamą individo vienatvę inertiško abejingumo, absurdo akivaizdoje. Prancūzų rašytojo karta brendo dviejų pasaulinių karų kanonados, atominės bombos apokalipsės ir Holokausto košmaro laiku. Kamiu savo kūryba išreiškė naujosios epochos dvasią ir galią, o jo jaunatviškas entuziazmas, neabejotinas intelektualinis autoritetas ir meninis principingumas pradėjo ligi šiol tebesitęsiančią draugystę su skaitytojais. Romano ištraukas skaito aktorius Vladas Bagdonas.

Woman in the Dunes is a 1964 Japanese film directed by Hiroshi Teshigahara. It's about a guy who gets trapped in a sandpit and has to keep shovelling sand to stay alive! It's a repetitive and futile situation! Ring any bells? 

This lecture discusses key ideas from the 20th century philosopher, novelist, and essayist Albert Camus' four Letters To A German Friend (anthologized in Resistance, Rebellion, and Death: Essays) Specifically it examines the fourth and final letter, which looks at the importance of attending to the demands of justice but also human happiness when considering what one owes to one's country, and whether it is worth fighting or not To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3,500 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase Resistance, Rebellion, and Death: Essays - https://amzn.to/415sfTf

Elena Rui"Vedove di Camus"L'Orma Editorewww.lormaeditore.it«Esistono dubbi sul fatto che abbia amato Casarès, l'Unica? Le ha amate tutte, a suo modo, alcune più di altre, e Maria più di tutte, forse. Amate come un uomo, con la vanità di un uomo, l'egoismo di un uomo.»Il 4 gennaio 1960, la Facel Vega guidata dal celebre editore Michel Gallimard sfreccia lungo una strada della Borgogna e va a schiantarsi contro un platano. Sul sedile del passeggero, Albert Camus, che solo tre anni prima era stato insignito del Premio Nobel per la Letteratura, muore sul colpo. Mentre il mondo intero rimane attonito, orfano di uno dei più grandi intellettuali del Novecento, quattro donne si ritrovano all'improvviso “vedove” dell'uomo che amavano: la moglie Francine Faure, la brillante attrice Catherine Sellers, la giovane pittrice Mette Ivers, di origini danesi, e Maria Casarès, immensa interprete del teatro francese, che Camus stesso – fedele ai paradossi del sentimento – definiva «l'Unica».Con estro e rigore, Elena Rui indaga le vite e le voci di queste quattro figure femminili di fronte all'ineluttabilità della disgrazia. Si imbastisce così «un discorso sull'amore» che rifiuta viete certezze morali per restituire la trama sottile, contraddittoria e irriducibile degli affetti, offrendo a chi legge la libertà – e l'onere – di interrogarsi sui confini e sugli abissi dei rapporti umani.Elena Rui, nata a Padova nel 1980, vive in Francia dal 2005. Ha insegnato italiano ad Albi, Tolosa e Parigi. Ha già pubblicato La famiglia degli altri (Garzanti, 2021) e la raccolta di racconti Affetti non desiderati (Arkadia, 2024). Vedove di Camus è il suo ultimo romanzo.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

This lecture discusses key ideas from the 20th century philosopher, novelist, and essayist Albert Camus' four Letters To A German Friend (anthologized in Resistance, Rebellion, and Death: Essays) Specifically it examines the third letter, which elaborates the theme of the meaning of Europe, a matter where fascists and nationalists like the Nazis view matters one way and other Europeans view matters differently. The Nazis view Europe as something to possess and dominate, a system of resources to exploit. Camus advocates viewing Europe much as he views France, as something valuable, to which one can belong, and which has to be held to standards of justice and truth. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3,500 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase Resistance, Rebellion, and Death: Essays - https://amzn.to/415sfTf

This lecture discusses key ideas from the 20th century philosopher, novelist, and essayist Albert Camus' four Letters To A German Friend (anthologized in Resistance, Rebellion, and Death: Essays) Specifically it examines the second letter, which builds upon and expands themes from the first letter, specifically holding one's country to standards. This is connected with a refusal to subordinate or suppress intelligence in favor of a misguided patriotism. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3,500 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase Resistance, Rebellion, and Death: Essays - https://amzn.to/415sfTf

This lecture discusses key ideas from the 20th century philosopher, novelist, and essayist Albert Camus' four Letters To A German Friend (anthologized in Resistance, Rebellion, and Death: Essays) Specifically it examines the first letter, which elaborates the theme of love for one's country. He makes a distinction between two different conceptions of love for one's country, one which subordinates all other values and realities to one's country (as the Nazis do), and one that holds one's country to higher standards (as the French do), which seems to put them at a disadvantage. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3,500 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase Resistance, Rebellion, and Death: Essays - https://amzn.to/415sfTf

How to write about the kaleidoscopic Sixties in the gloom of 2025? According to James Grady, author of the classic Six Days of the Condor and the new mid-century novel American Sky, the key is calibrating nostalgia with unflinching honesty about the past's complexities. "You can't just write about the past and not have a focus also on current times and really the future," Grady explains. The novelist's approach involves fictionalizing personal experiences while ensuring memories of traumatic events like the JFK or MLK assassinations connect with the painful realities of MAGA America. Rather than romanticizing the Sixties, Grady emphasizes the civil rights violence, the generational divide, and the "silent majority's" anxieties alongside the era's optimism. Grady's goal isn't to escape into nostalgia but to help readers understand how past dreams and failures shaped our present moment, making history a lens for understanding America's current challenges.1. Historical Fiction Must Connect Past to Present "You can't just write about the past and not have a focus also on current times and really the future. Otherwise it's like you're looking back at an old photograph of a horse and buggy. It's lovely, but it doesn't really speak to you."2. The Danger of Elite Liberal Condescension "Starting in about 1975 and 1976, I saw a new kind of, quote, liberal or left-winger come into the power circles of Washington, D.C. They were elite-educated, Ivy League, and they did their best to ignore any working class roots that they had. They started to look down on the labor unions."3. Fiction Can Reveal Truth Better Than Facts "So we can change the facts, but the facts are not necessarily necessary to reveal the truths... this is not a memoir where you have to be factual. This is fiction. And yet there's an echo of all of us."4. True Rebellion Requires Positive Vision "I always think of the great French philosopher Albert Camus who said a true rebel says yes to something better instead of just saying no and rejecting and fighting. You've got to have something to fight for."5. Literature Should Focus on Ordinary Americans "I think that a good author has to write about us, and you, almost more than they write about me... I want to know what's going on with someone in, you know, there's a town called Beaver Crossing, Nebraska, or, you know, Sonoma, California... Where real people are leading their lives and we learn from each other."Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Daily QuoteMan is the only creature that refuses to be what he is. (Albert Camus)Poem of the DayThe Wild HoneysucklePhilip FreneauBeauty of WordsThe Joys of WritingWinston Churchill

Konuğumuz Nedret Öztokat Kılıçeri ile Albert Camus ve edebiyatını konuşmaya devam ediyoruz. 

Duncan Trussell, comedian and Host of the Duncan Trussell Family Hour, joins Rushkoff to explore how we can best metabolize rising geopolitical tensions, the ways billionaires view the power of the AIs they've developed, the relationship between comedy and fascism, and the importance of human connection and community. Names citedAllah, Albert Camus, Buddha, Benito Mussolini, Benjamin Netanyahu, Drew Minsky, George Carlin, Jesus, Jack Kornfield, Jeff Bezos, Jean-Paul Sartre, Joe Rogan, Jimmy Hendrix, Mark Zuckerberg, Nostradamus, Pete Hegseth, Ram Dass, Sam Harris, Sharon Salzburg, Terrence McKenna, Tony Stark, Tulsi GabbardTeam Human is proudly sponsored by Everyone's Earth.Learn more about Everyone's Earth: https://everyonesearth.com/Change Diapers: https://changediapers.com/Cobi Dryer Sheets: https://cobidryersheets.com/Use the code “rush10” to receive 10% off of Cobi Dryer sheets: https://cobidryersheets.com/Support Team Human on Patreon: https://www.patreon.com/teamhumanFollow Team Human with Douglas Rushkoff:Instagram: https:/www.instagram.com/douglasrushkoffBluesky: https://bsky.app/profile/rushkoff.comGet bonus content on Patreon: patreon.com/teamhuman Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

Here is a fantastic episode by one of the world's leading Camus scholars, Dr. Simon Lea. The entire paper will be available in The Journal of Camus Studies. Below is the abstract of the paper:Albert Camus planned his works in cycles. Each were to contain an essay, a novel and plays. The first cycle wasconcerned with the absurd and the second with rebellion. Camus' life was tragically cut short in a motor accident before he could complete the third cycle. Between the second and third cycles, after the furore resulting from his publication of The Rebel, Camus wrote several texts that are not includedin his cyclical works. This paper is concerned with Camus' first cycle on the absurd and the following texts: The Myth of Sisyphus, The Stranger, Caligula and The Misunderstanding. In particular, I am interested in the role played by revelation in the communication of the absurd in these works. In this paper, I use the term 'revelation' in reference tomaking known something relating to the human condition via a process that is difficult or even impossible to understand. My argument is that Camus, drawing upon Nietzschean influences, is seeking in his first cycle to induce revelatoryexperiences in his readers in order to communicate ideas concerning the absurd.Please check out The Albert Camus Society.

Daily QuoteMan is the only creature that refuses to be what he is. (Albert Camus)Poem of the DayBathBy Amy LowellBeauty of Words北平的四季郁达夫天窗茅盾呼兰河传·后花园萧红

https://www.patreon.com/jarmedia Timecodes: 00:00 Intro 06:02 Housekeeping 22:23 It's Albert Camus' turn 38:24 Mid Break 52:16 Question Segment: JARland 1:00:18 Does episode finder scare you? 1:05:25 Why is fantasy, brit brit? 1:13:21 Answer the questions, three 1:19:28 Bongly 1:26:43 TT #BroCastS2E14

Circumstance made him a legend of the quizzing world, but Siddhartha Basu is a man of many parts. He joins Amit Varma in episode 420 of The Seen and the Unseen to talk about life, India, the art of asking questions and the answers he has found. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Siddhartha Basu on Wikipedia, Twitter, Instagram and IMDb. 2. Tree of Knowledge, DigiTok. 3. Quizzitok on YouTube. 4. Middlemarch -- George Eliot. 5. The Gita Press and Hindu Nationalism — Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 6. Gita Press and the Making of Hindu India — Akshaya Mukul. 7. Episodes of The Seen and the Unseen featuring Ramachandra Guha: 1, 2, 3, 4, 5, 6. 9. The Life and Times of KP Krishnan — Episode 355 of The Seen and the Unseen. 10. The Life and Times of Vir Sanghvi — Episode 236 of The Seen and the Unseen. 11. Gods, Guns and Missionaries: The Making of the Modern Hindu Identity — Manu Pillai. 12. The Forces That Shaped Hinduism — Episode 405 of The Seen and the Unseen (w Manu Pillai). 13. How to Become a Tyrant -- Narrated by Peter Dinklage. 14. What Is Populism? -- Jan-Werner Müller. 15. The Populist Playbook -- Episode 42 of Everything is Everything. 16. 20,000 Leagues Under the Sea -- Richard Fleischer. 17. The Hedgehog And The Fox — Isaiah Berlin. 18. Trees of Delhi : A Field Guide -- Pradip Krishen. 19. The Rooted Cosmopolitanism of Sugata Srinivasaraju — Episode 277 of The Seen and the Unseen. 20. The Refreshing Audacity of Vinay Singhal — Episode 291 of The Seen and the Unseen. 21. Stage.in. 22. Dance Like a Man -- Mahesh Dattani. 23. How Old Are You? -- Rosshan Andrrews. 24. The Mehta Boys -- Boman Irani. 25. A Portrait of the Artist as a Young Man -- James Joyce. 26. Massey Sahib -- Pradip Krishen. 27. Derek O'Brien talks to Siddhartha Basu -- Episode 6 of the Quizzitok Podcast. 28. Kwizzing with Kumar Varun. 29. Ivanhoe, Treasure Island and Black Beauty. 30. Jane Austen, Walter Scott, Charles Dickens, John Steinbeck, Albert Camus, Jean-Paul Sartre, Charles Baudelaire, Arthur Rimbaud, Allan Ginsberg, Jack Kerouac, James Joyce, TS Eliot and Vivekananda. 31. Ramayana and Mahabharata -- C Rajagopalachari. 32. Paradise Lost -- John Milton. 33. Morte d'Arthur -- Alfred Tennyson. 34. Death of a Salesman -- Arthur Miller. 35. Salman Rushdie, Amitav Ghosh, Mukul Kesavan, Rukun Advani, Vikram Seth, Shashi Tharoor, Jhumpa Lahiri, I Allan Sealy, Arundhati Roy and William Dalrymple. 36. The Trotter-nama -- I Allan Sealy. 37. The Everest Hotel -- I Allan Sealy. 38. The Life and Times of Altu-Faltu -- Ranjit Lal. 39. Mr Beast on YouTube. 40. The Spectacular Life of Prahlad Kakar — Episode 414 of The Seen and the Unseen. 41. Ramki and the Ocean of Stories -- Episode 415 of The Seen and the Unseen. 42. Adolescence -- Created by Stephen Graham & Jack Thorne. 43. Anora -- Sean Baker. 44. Jerry Seinfeld on the results of the Seinfeld pilot. 45. Scam 1992 -- Hansal Mehta. 46. Dahaad -- Created by Reema Kagti & Zoya Akhtar. 47. The Delhi Walla -- Mayank Austen Soofi. 48. Flood of Fire -- Amitav Ghosh. 49. The Shadow Lines -- Amitav Ghosh. 50. The God of Small Things -- Arundhati Roy. 51. Shillong Chamber Choir. 52. The Waste Land -- TS Eliot. 53. Omkara, Maqbool and Haider -- Vishal Bhardwaj. 54. A Tale of Two Cities -- Charles Dickens. 55. William Shakespeare and Henry James. Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: ‘Your Time Starts Now' by Simahina.

Today we talk about Camus' book The Fall and what the main character represents in his larger project. We also talk about someone Camus deeply admired, Franz Kafka, and how to think of the images he created in his work. We talk about the experience of the modern individual in relation to politics. We also talk about what Camus and Kafka disagreed on. Hope you love it. :) Sponsor: Better Help: https://www.BetterHelp.com/PHILTHIS Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today we talk about the concept of exile from the work of Camus. We focus on a couple stories from his book Exile and The Kingdom. We talk about why Camus insists that true lucidity can only arise from the jarring lived experience he calls “exile,” not from armchair reflection. We talk about Janine's desert epiphany in “The Adulterous Woman.” We talk about school‑teacher Daru in “The Guest,” trapped between France and Algeria, whose double exile shows how history can choose for us. We talk about the everyday escape hatches—nostalgia, comfort contracts, curated news bubbles—that let people dodge exile until reality blindsides them. Hope you enjoy it! :) Sponsors: ZocDoc: https://www.ZocDoc.com/PHILO Incogni: https://www.Incogni.com/philothis Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today we talk about Camus' concept of rebellion and how it offers a powerful alternative to abstract ideologies. We talk about solidarity as the foundation for justice without systems. We talk about the death penalty as a symbol of premeditated murder disguised as virtue. We talk about rebellion as something closer to art than politics—an act rooted in experience, defined by limits, and carried out with sincerity. Hope you love it! :) Sponsors: Nord VPN: https://nordvpn.com/philothis  The Perfect Jean: https://theperfectjean.nyc Code: PT15  Harry's: https://www.harrys.com/PHILOSOPHIZE Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow Learn more about your ad choices. Visit podcastchoices.com/adchoices

We look at Albert Camus' The Plague. We talk about a common misreading from the Myth of Sisyphus. We talk about different cycles of his work from his earlier individual confrontation with the absurd to a more community focus. We talk about solidarity. Absurd heroes. Empathy and metaphysical rebellion. Hope you enjoy it, my friends. :) Sponsors: Factor: https://www.FactorMeals.com/pt50off Better Help: https://www.BetterHelp.com/PHILTHIS Quince: https://www.QUINCE.com/pt Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today we talk about the book The Stranger by Albert Camus. We talk about why Camus saw himself as an artist and not a philosopher. We talk about happiness. The absurd and it's full implications. The Mediterranean lifestyle. The sun as a symbol of immanence. Revolt against the absurd as a descriptive claim-- not a normative one. Sponsors: ZocDoc: https://www.ZocDoc.com/PHILO Better Help: https://www.BetterHelp.com/PHILTHIS Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow Learn more about your ad choices. Visit podcastchoices.com/adchoices