Podcasts about musqueam

In this NBN episode, host Hollay Ghadery speaks with Vancouver poet Natalie Lim about her debut poetry collection, Elegy for Opportunity (Wolsak & Wynn/Buckrider Books, 2025). In this collection, Natalie Lim asks: How do we go on living and loving in a time of overlapping crises? Anchored by elegies for NASA's Opportunity rover and a series of love poems, this collection explores the tension and beauty of a world marked by grief through meditations on Dungeons & Dragons, Taylor Swift's cultural impact, the all-engulfing anxiety of the climate crisis and more. Confessional, funny and bursting with joy, Elegy for Opportunity extends a lifeline from Earth that will leave you feeling comforted, challenged and a little less alone in the universe. About Natalie Lim: Natalie Lim is a Chinese-Canadian poet living on the unceded, traditional territories of the Musqueam, Squamish and Tsleil-Waututh Peoples (Vancouver, BC). She is the winner of the 2018 CBC Poetry Prize and Room magazine's 2020 Emerging Writer Award, with work published in Arc Poetry Magazine, Best Canadian Poetry 2020 and elsewhere. She is the author of a chapbook, arrhythmia (Rahila's Ghost Press, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Get in, winner: we're going on a field trip. We're spending the day in five of Vancouver's city parks with Justin McElroy, Municipal Affairs Reporter for the CBC and ranker of Vancouver's 243 parks at VancouverParkGuide.ca. Together we ponder: what IS a park? You think you know, then along comes a slab of concrete called a park to test your taxonomy.Visit theallusionist.org/park for photos of the parks and more information about them, plus a transcript of the episode.Events are happening! Get info at theallusionist.org/events about the meetup on 13 August in one of Vancouver's beach parks, the listening party for the live Radio 4 broadcast of our piece Souvenirs, and for Four Letter Word season, a watchalong of the films Dick and Dicks: The Musical. Want to join that? Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses about every episode, livestreams with me and my collection of dictionaries, and the charming and supportive Allusioverse Discord community, where we're watching the current seasons of Great British Sewing Bee and Bake Off: The Professionals.This episode was produced by me, Helen Zaltzman, on the unceded ancestral and traditional territory of xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. The music is by Martin Austwick. Download his songs at palebirdmusic.com and listen to his podcasts Song By Song and Neutrino Watch.Find the Allusionist at youtube.com/allusionistshow, instagram.com/allusionistshow, facebook.com/allusionistshow, @allusionistshow.bsky.social… If I'm there, I'm there as @allusionistshow. Our ad partner is Multitude. If you want me to talk compellingly about your product, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:• Understance, a growing Vancouver BC company making thoughtfully designed, pretty and comfy bras, undies and sleepwear. They're having a sale on June 26-July 1 so get over there and stock up at understance.com or at their stores in Vancouver, Burnaby, Calgary and Toronto.• Squarespace, your one-stop shop for building and running your online forever home. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.• Quince, luxurious clothing and homewares at prices 50-80% lower than comparable brands. Go to Quince.com/allusionist for free shipping on your order and 365-day returns.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is a special edition of conscient roundtable featuring Lara Felsing, Adrian Avendaño, Hildegard Westerkamp, Toni-Leah C. Yake as part of the Listening in Relation gathering at Emily Carr University of Art and Design on March 21-23, 2025 on the traditional, ancestral, and unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations, also known as Vancouver. Warm thanks to Julie  Andreyev of Emily Carr University, Barbara Adler of The Only Animal, the Canadian Association for Sound Ecology (CASE), Raphael Zen (who is a guest on conscient e228), and all the roundtable participants. Show notes generated by Whisper Transcribe AIAction PointsExplore the role of listening in decolonizing creative practices and challenging colonial narratives.Recognize the importance of land acknowledgments as active opportunities to listen to and honor Indigenous requests.Integrate personal and ancestral knowledge into artistic processes to foster relationality with the land and more-than-human beings.Reflect on the ethical implications of technology use in art, considering environmental impact and responsible creation.Embrace silence and slow down to connect with inner wisdom and speak from the heart.Story PreviewWhat does it truly mean to listen? Dive into an exploration of decolonization through sound, art, and personal reflections. Hear from artists who are reshaping their creative practices to honor the land, ancestors, and the unseen voices that guide them.Chapter Summary00:00 Introduction to Listening in Relation02:20 Keynote Panel Overview06:48 Artistic Journeys and Ancestral Connections29:58 Dream Technology and Cultural Expression41:27 Identity, Land, and Heritage50:01 Sonic Memories and Cultural Practices57:04 Sacred Spaces and Cultural Resilience01:03:05 Reflections on Cultural Action and Belonging01:11:09 The Power of Listening and Silence01:16:10 Technology, Creativity, and Environmental Impact01:35:20 Closing Thoughts and Community EngagementFeatured QuotesLara Felsing : ‘I think about listening in my practice as being receptive to concerns that are happening on the land.'Toni Leah C. Yakes : ‘When you're asking where you're from, you're actually asking: What clay are you made of? or What earth are you made of?'Hildegard Westerkamp : ‘Listening was always the base from where I functioned. Listening always brought us back to ground.'Behind the StoryThe ‘Listening in Relation' event at Emily Carr University of Art and Design brought together artists and thinkers to explore the critical role of listening and decolonization. This episode captures the keynote panel of that event, exploring how artists are actively engaging with sound, memory, and the land to challenge colonial narratives and foster deeper connections. The discussion highlights the delicate balance between technology, creativity, and environmental responsibility, prompting a reflection on our relationship with the world around us. *END NOTES FOR ALL EPISODESHey conscient listeners, I've been producing the conscient podcast as a learning and unlearning journey since May 2020 on un-ceded Anishinaabe Algonquin territory (Ottawa). It's my way to give back.In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish fee ‘a calm presence' Substack see https://acalmpresence.substack.com.Your feedback is always welcome at claude@conscient.ca and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on July 8, 2025

The first thing that comes to mind is my young activist in me that says, of course, let's just fight. Let's just do what we can to speak out against, be revolutionary, be, you know, like we were when we were young in the 60s, 70s. Now I think that my response is to stop and to slow down and to do some deep listening and some meditation and to ground myself because I don't know what to do at this point in time, at all.My second conscient conversation with composer and acoustic ecologist Hildegard Westerkamp. The first took place on March 31, 2021 in Vancouver, e22 westerkamp – slowing down through listening, and this second took place on March 17, 2025 in Vancouver BC which is on the unceded traditional territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations.. Hildi is also featured in numerous other episodes of this podcast including 157, 170 and 226. I asked Hildi to focus our conversation on her childhood in post war Germany and how her upbringing has affected her work as an artist and listener. This is especially relevant as authoritarian regimes are unfolding around the world. I think we are well served by listening to our elders who have important stories to tell. Show notes generated by Whisper Transcribe AIActionsAcknowledge the importance of slowing down and listening deeply in times of crisisRecognize the lasting impact of childhood experiences, particularly in environments of trauma and upheavalSeek calm and open spaces to foster creativity and profound changeEmbrace the creative spirit and artistic behavior as essential for survival and resilienceConnect with others and use intelligence and senses to navigate challenging momentsStory PreviewHildegard Westerkamp reflects on a childhood shaped by the ruins and lingering fears of post-war Germany, revealing how early exposure to trauma and a deep connection to nature forged her path as an artist and listener. Hear how immigrating to Canada gave her the space to heal and create.Chapter Summary00:00 The Activist's Dilemma00:47 Childhood Reflections02:06 The Impact of War06:05 Rebellion and Reflection08:05 Finding Creative Freedom10:01 Art in Times of Crisis12:50 The Spirit of ResilienceFeatured QuotesTo make change on a more profound level, you have to almost distance yourself from the crisis and be in a place of calm.The first thing that comes to mind is my young activist in me that says, of course, let's just fight.In hindsight, it was that connection to the outdoors, to the being in the forest and in the garden, that I think really shaped me.Behind the StoryHildegard Westerkamp's narrative paints a picture of a generation grappling with the unspoken horrors of war and the weight of collective guilt. Her story highlights the importance of acknowledging the past, finding solace in nature, and cultivating inner calm to foster creativity and resilience in the face of ongoing global challenges. *END NOTES FOR ALL EPISODESHey conscient listeners, I've been producing the conscient podcast as a learning and unlearning journey since May 2020 on un-ceded Anishinaabe Algonquin territory (Ottawa). It's my way to give back.In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish fee ‘a calm presence' Substack see https://acalmpresence.substack.com.Your feedback is always welcome at claude@conscient.ca and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on July 8, 2025

To close out Pride Month this week, we're sharing a special best of episode featuring stories about coming out in science!  Part 1: Science educator Charlie Cook experiments with coming out to students. Charlie Cook is a non-binary white settler on ancestral, unceded Musqueam, Squamish, and Tsleil-Waututh territory. They are a museum science interpreter with a BFA in Original Works from Cornish College of the Arts. Part 2: Marine biologist Shayle Matsuda adapts to his new identity as a transgender man while on assignment in the Philippines. Dr. Shayle Matsuda is a Research Biologist at the John G. Shedd Aquarium in Chicago, where he leads the Aquatic Microbial Ecology: Coral Reefs and Urban Freshwater Ecosystems research program. Shayle Matsuda's story originally aired on our podcast in November 2014. See details here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

To close out Pride Month this week, we're sharing a special best of episode featuring stories about coming out in science!  Part 1: Science educator Charlie Cook experiments with coming out to students. Charlie Cook is a non-binary white settler on ancestral, unceded Musqueam, Squamish, and Tsleil-Waututh territory. They are a museum science interpreter with a BFA in Original Works from Cornish College of the Arts. Part 2: Marine biologist Shayle Matsuda adapts to his new identity as a transgender man while on assignment in the Philippines. Dr. Shayle Matsuda is a Research Biologist at the John G. Shedd Aquarium in Chicago, where he leads the Aquatic Microbial Ecology: Coral Reefs and Urban Freshwater Ecosystems research program. Shayle Matsuda's story originally aired on our podcast in November 2014. See details here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hot air ballooning has been illegal in São Paulo, Brazil since the 1990's. Intrigued by this underworld of guerilla artists, who risk their lives, and freedom in order to craft and release huge, lavishly decorated paper balloons up to 70 metres in height, Director Sissel Morell Dargis began creating 'Balomania' when she was 19, spending a decade earning the trust of these baloeiros to tell this story. Today, she joins the VIFF Podcast to talk starting from nothing as a filmmaker, how to finance your film, and most importantly, how to earn the trust of your subjects as a documentarian (especially when what they're doing is technically, outlawed). This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

The other day was the 53rd anniversary of the break-in at the Watergate Hotel, which not only caused a lot of political uproar, it had a big linguistic legacy: the suffix -gate to mean a scandal. Today, as part of Four Letter Word season, we have a list of -gates - royal, sporting, political, food, showbiz - it's a non-exhaustive list because there are so many, and new ones are being spawned all the time. Content warning for all sorts of bad human behaviour.At theallusionist.org/gate you'll find a transcript of this episode, plus links to more information about many of the -gates, and to the rest of Four Letter Word season.Also check theallusionist.org/events for upcoming live shows, including a special collab with Material Girls podcast, and an event with Samin Nosrat for her new book Good Things.Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses about every episode, livestreams with me and my collection of dictionaries, and the charming and supportive Allusioverse Discord community.This episode was produced by me, Helen Zaltzman, on the unceded ancestral and traditional territory of xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. The music is by Martin Austwick. Download his songs at palebirdmusic.com and listen to his podcasts Song By Song and Neutrino Watch.Find the Allusionist at youtube.com/allusionistshow, instagram.com/allusionistshow, facebook.com/allusionistshow, @allusionistshow.bsky.social… If I'm there, I'm there as @allusionistshow. Our ad partner is Multitude. If you want me to talk compellingly about your product, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:• Understance, a growing Vancouver BC company making thoughtfully designed, pretty and comfy bras, undies and sleepwear. They're having a sale on June 26-July 1 so get over there and stock up at understance.com or at their stores in Vancouver, Burnaby, Calgary and Toronto. • Squarespace, your one-stop shop for building and running your online forever home. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.• Home Chef, meal kits that fit your needs. For a limited time, Home Chef is offering Allusionist listeners fifty per cent off and free shipping on your first box, plus free dessert for life, at HomeChef.com/allusionist.• Rosetta Stone, immersive and effective language learning. Allusionist listeners get 50% off unlimited access to all 25 language courses, for life: go to rosettastone.com/allusionist.• Quince, luxurious clothing and homewares at prices 50-80% lower than comparable brands. Go to Quince.com/allusionist for free shipping on your order and 365-day returns.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Filmmaker Emilija Gašić joins VIFF's Vanguard series programmer Sonja Baksa to discuss 78 Days, a found-footage film that won the Vanguard Award at VIFF 2024. Shot on hi-8 tapes in her native Serbia, the film follows three sisters documenting their lives during the NATO bombing of Yugoslavia in 1999. Inspired by her own childhood memories, Gašić's decision to use analog tape lent to the "docufiction" quality of the film.In this conversation, Sonja and Emilija unpack the film's unconventional process and the Vanguard series' focus on "films that are pushing the boundaries of cinema", and how Gašić's journey from Lord of the Rings fan to NYU Tisch grad shaped her voice as a director.This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of the VIFF Podcast, program manager and senior programmer PoChu AuYeung sits down with acclaimed Canadian animator and filmmaker Ann Marie Fleming to discuss her latest film, Can I Get a Witness?, which screened at VIFF 2024. Set in a near future where citizens are required to exit life at 50 to combat climate change and inequality, the live-action film stars veteran Vancouver actor Sandra Oh, along with newcomers Keira Jang and Joel Oulette. Ann Marie reflects on the emotional and ethical questions at the heart of the story, as well as the film's themes of sustainability, technology reduction, and community care. This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Ten years ago, on the fourth episode of the show, I investigated why the C-word is considered a worse swear than the others. Since then - well really just in the last three years or so - there has been a huge development: the word has hit the mainstream as a compliment. Linguists Nicole Holliday and Kelly Elizabeth Wright discuss this use of the word originating in the ballroom culture of New York City in the 1990s, and what it means to turn such a strong swear into praise.Related to this: the Allusionist live show Souvenirs! Which is about, among other things, some of the tech problems today's word causes, and how being one can wreck a friendship and a printing press. See Souvenirs in Toronto 1 June and Montréal 9 June; find ticket links and venue info at theallusionist.org/events.Visit theallusionist.org/serving for a transcript of this episode, plus links to more information about topics in the episode, and the rest of Four Letter Word season.Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses about every episode, fortnightly livestreams with me and my dictionaries, and the Allusioverse Discord community.This episode was produced by me, Helen Zaltzman, on the unceded ancestral and traditional territory of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. The music is by Martin Austwick. Download his songs at palebirdmusic.com and listen to his podcasts Song By Song and Neutrino Watch.Find the Allusionist at youtube.com/allusionistshow, instagram.com/allusionistshow, facebook.com/allusionistshow, @allusionistshow.bsky.social… If I'm there, I'm there as @allusionistshow. Our ad partner is Multitude. If you want me to talk compellingly about your product, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:• Squarespace, your one-stop shop for building and running your online forever home. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.• Rosetta Stone, immersive and effective language learning. Allusionist listeners get 50% off unlimited access to all 25 language courses, for life: go to rosettastone.com/allusionist.• Home Chef, meal kits that fit your needs. For a limited time, Home Chef is offering Allusionist listeners fifty per cent off and free shipping on your first box, plus free dessert for life, at HomeChef.com/allusionist.• Quince, luxurious clothing and homewares at prices 50-80% lower than comparable brands. Go to Quince.com/allusionist for free shipping on your order and 365-day returns.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tara chats with author Harman Burns, a Saskatchewan-born trans woman, writer, filmmaker, and sound artist. Her work has been published in Rebelle Zine, Untethered Magazine, and Metatron Press, and her story “Among Strange Machines” was shortlisted for the Far Horizons Award for Short Fiction. Her debut novella, Yellow Barks Spider was published in 2024 by Radiant Press. She currently resides in Vancouver on the unceded, ancestral territories of the Musqueam, Squamish, and Tsleil-Waututh peoples. Books and authors mentioned: Little Fish; A Dream of a Woman by Casey Plett Johnny Appleseed by Joshua Whitehead Kai Cheng Thom Ducks, Newburyport by Lucy Ellmann Zulaikha by Niloufar-Lily Soltani Spirals in Time: The Secret Life and Curious Afterlife of Seashells by Helen Scales House of Chains (Malazan Book of the Fallen #4/10) by Steven Erikson https://www.instagram.com/harman.burns/ https://radiantpress.ca/shop/p/yellowbarksspider      

Welcome to Four Letter Word season!We're kicking off with one of the most versatile words: it can be a noun, verb, punctuation, expostulation, full sentence on its own; it can be an intensifier, an insult and a compliment... and a Category A swear, which is why I've had to sanitise it for the title lest your pod app takes exception. And of course, content note: this episode contains many category A swears, plus some sexual references.Lexicographer and editor Jesse Sheidlower joins to talk about making four editions (so far) of The F Word, a history and dictionary of the multivalent F word. Find his work at jessesword.comNext up in Four Letter Word season: we revisit an even stronger swear.Visit theallusionist.org/ffff (that's four Fs) for a transcript of this episode, plus links to more information about topics in the episode.Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses about every episode, fortnightly livestreams with me and my dictionaries, and the Allusioverse Discord community.This episode was produced by me, Helen Zaltzman, on the unceded ancestral and traditional territory of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations.The music is by Martin Austwick. Download his songs at palebirdmusic.com and listen to his podcasts Song By Song and Neutrino Watch.Find the Allusionist at youtube.com/allusionistshow, instagram.com/allusionistshow, facebook.com/allusionistshow, @allusionistshow.bsky.social… Essentially: if I'm there, I'm there as @allusionistshow. Our ad partner is Multitude. If you want me to talk compellingly about your product, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:• Squarespace, your one-stop shop for building and running your online forever home. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.• Audio Maverick, a 9-part documentary podcast from CUNY TV about radio maven Himan Brown. Hear about the dawn of radio and Brown's remarkable career, via archive footage and new interviews with audio mavericks, by subscribing to Audio Maverick in your podcast app.• Home Chef, meal kits that fit your needs. For a limited time, Home Chef is offering Allusionist listeners eighteen free meals, plus free shipping on your first box, and free dessert for life, at HomeChef.com/allusionist.• Quince, luxurious clothing and homewares at prices 50-80% lower than comparable brands. Go to Quince.com/allusionist for free shipping on your order and 365-day returns.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of the VIFF Podcast, programmer Alan Franey interviews American filmmaker Connie Field about her documentary feature Democracy Noir, which explores the rise of Viktor Orbán in Hungary and its global implications. The film follows three women—a journalist, a nurse, and a politician—who fight against Orbán's regime, highlighting Orbán's manipulation of democracy to maintain power, including changing the constitution to require a two-thirds parliamentary majority for amendments. Field discusses the parallels between Orbán's tactics and those of other authoritarian leaders (such as Trump) and the broader impact on global democracy. Despite its relevance, distribution challenges persist, particularly in the U.S.This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode we are joined by Kevin Huang and Kimberley Wong of hua foundation. The conversation centers on the rise of anti-Asian racism during the COVID-19 pandemic, and highlights urgent concerns around community health, public health orders, and hate crimes. Kevin and Kimberley emphasize the importance of recognizing and addressing diverse experiences and perspectives within Asian communities, and shifting community engagement and resource allocation towards racialized communities. Speakers also discuss the limitations of the model minority myth and the need to build intergenerational relations, while acknowledging the complexities of identity and power dynamics in community work. Resources: hua foundation: https://huafoundation.org/ Asian Community Convener Project: https://huafoundation.org/portfolio/acc/ Anti-Racism and Solidarities Resource Collection: http://solidarities.huafoundation.org The Choi Project: https://huafoundation.org/portfolio/seasonal-choi-guide/ Chinatown Cares Grocery Program: https://huafoundation.org/work/food-systems/chinatown-cares/ Chinatown Food Security Report: https://huafoundation.org/wp-content/uploads/2020/05/Report_VancouverCTFoodSecurity.pdf Reorienting Our Trauma: https://huafoundation.org/portfolio/reorienting-our-trauma/ Bios: Kimberley Wong 黄壯慈 (they/them) Kimberley Wong | 黄壯慈 (they/them) is the Program Manager at hua foundation. In their role, Kimberley designs resources for anti-racism education, builds solidarity across racialized communities, and forges paths to access culturally-appropriate mental health care for youth facing barriers. They served as a Co-Chair of the City of Vancouver's Chinatown municipal advisory committee, were a founding member and Vice President of Chinatown Today, and were an elected member of the OneCity Vancouver Organizing Committee. Their work often mirrors their experiences moving through spaces as a queer, neurodivergent, and fifth generation Cantonese diasporic person, and though they draw on their knowledge from over a decade of navigating precarious work environments in the arts, culture, political, and equity sectors, Kimberley's work is also deepened by their love of being a lifelong crafter, a triathlete, and a descendant whose ancestors have long histories organizing for marginalized populations on unceded Musqueam, Squamish, and Tsleil-Waututh land known colonially as Vancouver. Find them online @KimberleyLW. Kevin Huang 黃儀軒 (he/him) Kevin Huang 黃儀軒 (he/him) is the co-founder and executive director of hua foundation, an organization with the mission of strengthening the capacity among Asian diasporic youth, in solidarity with other communities, to challenge, change, and create systems for a more equitable and just future. His work has ranged from scaling culturally appropriate consumer-based conservation strategies, advancing municipal food policy to address inclusion and racial equity, to providing supports for youth from ethnocultural communities to reclaim their cultural identity on their own terms. Kevin currently serves on committees with Vancity Credit Union, Vancouver Foundation, and Metro Vancouver.

Welcome to four letter word season! We're kicking off with one of the most versatile words: it can be a noun, verb, punctuation, expostulation, full sentence on its own; it can be an intensifier, an insult and a compliment... and a Category A swear, which is why I've had to sanitise it for the title lest your pod app takes exception. And, of course, content note: this episode contains many category A swears, plus some sexual references. Lexicographer and editor Jesse Sheidlower joins to talk about making four editions (so far) of The F Word, a history and dictionary of the multivalent F word. Find his work at jessesword.com. Find out more about the episode and read the transcript at theallusionist.org/ffff (that's four Fs). Next up in Four Letter Word season: we revisit an even stronger swear. The Allusionist live show Souvenirs is happening in Toronto on 1 June and Montréal 9 June! Get tickets via theallusionist.org/events. To help fund this independent podcast, take yourself to theallusionist.org/donate and become a member of the Allusioverse. You get regular livestreams with me reading from my ever-expanding collection of reference books, inside scoops into the making of this show, and watchalong parties. And best of all, you get to bask in the company of your fellow Allusionauts in our delightful Discord community. This episode was produced by me, Helen Zaltzman, on the unceded ancestral and traditional territory of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations, with music composed by Martin Austwick of palebirdmusic.com. Find @allusionistshow on Instagram, Facebook, YouTube and Bluesky. Our ad partner is Multitude. If you want me to talk about your product or thing on the show, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by: • Squarespace, your one-stop shop for building and running your online forever home. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.• Audio Maverick, a 9-part documentary podcast from CUNY TV about radio maven Himan Brown. Hear about the dawn of radio and Brown's remarkable career, via archive footage and new interviews with audio mavericks, by subscribing to Audio Maverick in your podcast app.• Home Chef, meal kits that fit your needs. For a limited time, Home Chef is offering Allusionist listeners eighteen free meals, plus free shipping on your first box, and free dessert for life, at HomeChef.com/allusionist.• Quince, luxurious clothing and homewares at prices 50-80% lower than comparable brands. Go to Quince.com/allusionist for free shipping on your order and 365-day returns.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

Musqueam filmmaker Faith Sparrow-Crawford joins VIFF short programmer Casey Wei to talk about Uncommon Ground, her haunting sci-fi short set in 2171. They dig into themes of ancestral connection, mental health, and the deep bond between main character Tawny and her aunt. Faith shares how storytelling runs in her family, why the short film format speaks to her, and how she's collaborating with her father on a larger TV series. Plus: a glimpse into her next project exploring Musqueam traditions around grief.This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of the VIFF Podcast, Curtis Woloschuk sits down with Canadian filmmaker Josephine Anderson to talk about her latest documentary Curl Power. Having premiered at VIFF 2024, Curl Power follows five teenage girls chasing curling glory while navigating the emotional terrain of adolescence. Anderson reflects on the challenges of long-term observational filmmaking, the power of trust between subject and filmmaker, and the unexpected mentorship of Olympic champion mothers. Plus, Josephine and Curtis discuss how experimenting with virtual reality can expand creativity and deepen the approach to storytelling.This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

On this episode of the VIFF podcast, programmer Alan Franey sits down with Mark Levinson to talk about his film, The Universe in a Grain of Sand. Levinson, who is a former theoretical particle physicist as well as a producer on films such as Mystic Pizza and Teen Wolf, details why he transitioned from physicist to filmmaker—influenced by his findings at Berkeley's Pacific Film Archive.The Universe in a Grain of Sand premiered at the 2024 Vancouver International Film Festival and explores the potential of quantum computing to solve complex problems, honing in on Levinson's view of AI as an extension of human creativity that could also bridge the gap between technology and our understanding of the universe.This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

On this episode of the VIFF podcast, director Liz Cairns joins VIFF programmer Curtis Woloschuck to talk about her feature film debut, Inedia. The film, which premiered at VIFF 2024, follows a young woman with mysterious food allergies who joins a remote island community practicing alternative healing methods. Curtis and Liz discuss the director's deep attachment to the writing of Inedia, casting and directing, and how to maintain intuition on a larger production.This episode was recorded during the the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of the VIFF Podcast, Year Round Programmer Tom Charity sits down with iconic Canadian filmmaker and (sometimes) opera director Atom Egoyan to discuss his latest film, Seven Veils, starring Amanda Seyfried. The film premiered during VIFF 2023 and was inspired by his remount of the opera Salome. Touching on trauma, abuse, and the artistic interpretation thereof, Adam talks about his experience directing opera and the controversies surrounding the original production.This episode was recorded during the 2023 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of the VIFF Podcast, Vancouver filmmaker Devan Scott speaks with VIFF Year-Round Programmer Tom Charity about his experimental feature Preface to a History, co-directed with Willa Ross. The film explores mental health struggles through the characters Vlad and Sophie—Vlad immerses himself in audiobooks, while Sophie grapples with career dissatisfaction.Scott shares how his experience listening to a 105-hour audiobook about the Third Reich while on a ski trip inspired the film and discusses the importance of sound design in shaping its unconventional storytelling. He also reflects on the challenges of shooting with a minimal crew in Vancouver and Pender Island, the influence of filmmakers like Chantal Akerman and Jacques Tati, and the evolving collaboration between him and Ross.This episode was recorded during the 2024 Vancouver International Film Festival.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of the VIFF Podcast, Director of Programming Curtis Woloschuk speaks with filmmaker Karen Chapman about her narrative feature Village Keeper, which explores themes of trauma, grief, and economic disparity through the story of a Toronto single mother.Chapman shares her desire to capture "lived-in" moments on screen, and how location plays a vital role in shaping character and story, highlighting the impact of class and economic realities on filmmaking.Chapman reflects on the challenges of directing while eight-and-a-half months pregnant, the need for better industry support for mothers and underrepresented filmmakers, and the value of mentorship programs like the Canadian Film Centre and TIFF Talent Lab (which helped shape her career).This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of the VIFF Podcast, Director of Programming Curtis Woloschuk interviews filmmaker Yuqi Kang about her documentary 7 Beats Per Minute, which explores the world of free diving and the connection between humanity and nature.Kang shares how a YouTube clip sparked her own free diving journey and led her to meet Jessea Lu, a prominent Chinese free diver who became the subject of her film. She reflects on the challenges of underwater cinematography, from unpredictable weather to capturing authentic moments beneath the surface, and the importance of adapting to nature's elements.Kang also discusses her transition from documentary to narrative filmmaking and how Vancouver's cultural and creative environment has influenced her work.This episode was recorded during the 2024 Vancouver International Film Festival.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Aislinn Hunter joins Andrew to talk about editing Best Canadian Poetry 2025. Four featured poets read their poems from the anthology. Andrew asks about the monumental task of editing BCP25 and poetry more generally. It's a fun one! -- Aislinn Hunter is an award-winning novelist and poet and the author of eight highly acclaimed books including the novels 'The Certainties' – a bestseller shortlisted for the Ethel Wilson Fiction Prize – and ‘The World Before Us' – a NYT Editor's Choice book, a Guardian and NPR Book the Year, and winner of the Ethel Wilson Fiction Prize. Her work has been adapted into music, dance, art, and film forms ¬– including a feature film based on her novel ‘Stay' which premiered at the Toronto International Film Festival. Hunter's three poetry collections (‘Into the Early Hours,' 'The Possible Past,' and ‘Linger, Still') have been shortlisted for the Pat Lowther Award, the Dorothy Livesay Poetry Prize, and the ReLit Prize, and have won the Gerald Lampert Award and the Fred Cogswell Award for Excellence in Poetry. Aislinn holds a BFA in Creative Writing and Art History, an MFA in Creative Writing, an MSC in Writing and Cultural Politics, and a PhD in English Literature. In 2018 she served as a Canadian War Artist working with Canadian and NATO forces at CFB Suffield. She teaches creative writing part-time and lives in Vancouver, BC on the unceded lands of the Musqueam, Squamish and Tsleil-Watuth peoples. In 2023 she was the Guest Editor of the Best Canadian Poetry anthology. -- Andrew French is a poet from North Vancouver, British Columbia. They have published three chapbooks, most recently Buoyhood (forthcoming with Alfred Gustav Press, 2025). Andrew holds a BA in English from Huron University College at Western University and an MA in English from UBC. They write poems, book reviews, and have hosted this very podcast since 2019.

Up-and-coming Vancouver trans author Harman Burns joins NBN host Hollay Ghadery to talk about Burns' novella, Yellow Barks Spider (Radiant Press, 2024). Yellow Barks Spider takes place in the Canadian prairies, but it seeks to explore this landscape through the intimate lens of a ten-year-old trans kid. Set against the backdrop of the placid countryside, dusty summers and barren winters, it is both a queer coming-of-age novella as well as a deeply psychological character study, reflecting on the nature of memory, trauma, and self-discovery. More about Yellow Barks Spider: In the threadbare prairie town where Kid grew up, life moves slowly. For a troubled ten-year-old, the vast landscape of open skies and barren winters is a place of elemental magic and buried secrets. As the summers pass by, Kid explores a world of weed-choked yards, murky lakes, and a traveling carnival. But when Kid finds himself increasingly haunted by strange spider-infested visions of his next door neighbor's shed, he falls deeper and deeper into his haunted inner world, eventually turning to mind-altering substances to combat his growing torment. Confronted by this psychic pressure, the book itself begins to crumble, splintering into disparate narrative voices as the workings of Kid's imagination become animate, tactile—and language self-destructs. Emerging from this crucible, Kid surfaces into adulthood as she moves through love, sex, and self-discovery as a trans woman. But when she returns to her hometown following the death of a family member, she is forced to reckon with all the fears she once left behind. Yellow Barks Spider is an unforgettable portrait of trauma, isolation, and self-compassion. At its heart, it is a deeply-felt exhumation of memory, love, and the human spirit. About Harman Burns: Harman Burns is a Saskatchewan-born trans woman, filmmaker, sound artist and writer. Her practice is informed by folklore, nature, the occult and bodily transfiguration. Her writing has been published in Untethered Magazine and Metatron Press, and was shortlisted for The Malahat Review's Far Horizons Award for Short Fiction. Burns currently resides on the unceded ancestral territories of the Musqueam, Squamish, and Tsleil-Waututh peoples (Vancouver). About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at her website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Up-and-coming Vancouver trans author Harman Burns joins NBN host Hollay Ghadery to talk about Burns' novella, Yellow Barks Spider (Radiant Press, 2024). Yellow Barks Spider takes place in the Canadian prairies, but it seeks to explore this landscape through the intimate lens of a ten-year-old trans kid. Set against the backdrop of the placid countryside, dusty summers and barren winters, it is both a queer coming-of-age novella as well as a deeply psychological character study, reflecting on the nature of memory, trauma, and self-discovery. More about Yellow Barks Spider: In the threadbare prairie town where Kid grew up, life moves slowly. For a troubled ten-year-old, the vast landscape of open skies and barren winters is a place of elemental magic and buried secrets. As the summers pass by, Kid explores a world of weed-choked yards, murky lakes, and a traveling carnival. But when Kid finds himself increasingly haunted by strange spider-infested visions of his next door neighbor's shed, he falls deeper and deeper into his haunted inner world, eventually turning to mind-altering substances to combat his growing torment. Confronted by this psychic pressure, the book itself begins to crumble, splintering into disparate narrative voices as the workings of Kid's imagination become animate, tactile—and language self-destructs. Emerging from this crucible, Kid surfaces into adulthood as she moves through love, sex, and self-discovery as a trans woman. But when she returns to her hometown following the death of a family member, she is forced to reckon with all the fears she once left behind. Yellow Barks Spider is an unforgettable portrait of trauma, isolation, and self-compassion. At its heart, it is a deeply-felt exhumation of memory, love, and the human spirit. About Harman Burns: Harman Burns is a Saskatchewan-born trans woman, filmmaker, sound artist and writer. Her practice is informed by folklore, nature, the occult and bodily transfiguration. Her writing has been published in Untethered Magazine and Metatron Press, and was shortlisted for The Malahat Review's Far Horizons Award for Short Fiction. Burns currently resides on the unceded ancestral territories of the Musqueam, Squamish, and Tsleil-Waututh peoples (Vancouver). About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at her website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In this episode of the VIFF Podcast, feature film coordinator Natalie Murao interviews filmmaker Jerome Yoo about his debut feature film Mongrels, which follows a Korean immigrant family in rural Canada dealing with grief amid trying to belong in their new home country.Yoo shares about how he found talent in Korea, his casting process, and the challenges of working with 14 dogs while shooting the film. Plus, they discuss the importance of natural emotions and incorporating traditional Korean instruments into the film's score.This episode was recorded during the 2024 Vancouver International Film Festival.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of Below the Radar, our host Am Johal is joined by Damla Tamer, a visual artist and sessional lecturer at UBC whose work explores the affective conditions of labour under late capitalism, and the evolution of forms of civil protest within the contemporary political history of Turkey. Damla is also a founding member of the Art Mamas artist collective, which aims to create support networks for artist caregivers, while critically exploring the place of motherhood and care work within the dominant culture of art production. Am and Damla discusses her recent exhibition at Access gallery, which explored the aftermath of the Gezi protests in Turkey through textile works, her work with housing co-ops in False Creek South, and why she thinks it's ok for students to express love for a work of art. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/258-damla-tamer.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/258-damla-tamer.html Resources: Art Mamas CBC Article: https://www.cbc.ca/arts/exhibitionists/art-mamas-meet-the-vancouver-collective-that-creates-community-for-mothers-in-the-arts-1.5129578 Art Mamas | Access Gallery: https://accessgallery.ca/programming/artmamas art/mamas: Intermedial Conversations on Art, Motherhood and Caregiving https://criticalmediartstudio.iat.sfu.ca/artmamas/?page_id=291&fbclid=PAAaYDby0LbG_w1ZkyIsEjU61ZIV3FfuBCa25TBFHLHuMn9XUUmJqpUro5pPU UBC Profile: https://ahva.ubc.ca/profile/damla-tamer/ Bio: Damla Tamer (born in Istanbul, Turkey) is a visual artist and educator living on the unceded Musqueam, Squamish and Tsleil-Waututh territories. Her practice engages with the intersections of textile crafts and contemporary studio practices, with a special focus on weaving. Her work is heavily invested in searching for a new ethics of temporality through the relationships between aesthetics and politics. Her most recent work focuses on tracing the rise of neoliberal authoritarianism in Turkey and its relation to global movements, the evolution of forms of civil protest and resistance, and the capacities and limits of language and representation in locating oneself in a world that is rife with shifts. She does social-collaborative work as part of various artist collectives and co-operatives. She is a founding member of the artist mothers collective A.M. (Art Mamas) and has organized extensive public programming and co-published a book on motherhood, caregiving and social reproduction in relation to art and labour at large. She teaches at The University of British Columbia, Simon Fraser University, and Emily Carr University of Art+Design. Cite this episode: Chicago Style Johal, Am. “Art Mamas — with Damla Tamer.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, December 17, 2024. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/258-damla-tamer.html. Tags: SFU, SFU's Vancity Office of Community Engagement, Simon Fraser University, Am Johal, Below the Radar, Damla Tamer, Art Mamas, Gezi, Vancouver Podcast

In this episode of the VIFF Podcast, Short Forum programmer Casey Wei interviews filmmaker Deborah Devyn Chaung about her short film Strawberry Shortcake, a genre-defying Freudian fantasy that explores a teenage girl's relationship with her mother. Chuang shares the deeply personal inspirations behind the film and the challenges of directing intimate scenes. Plus, they discuss the film's intricate set design, the symbolism of “strawberry shortcake” as both innocent and provocative, and Chuang's aspirations to develop the short into a feature.This episode was recorded during the 2024 Vancouver International Film Festival.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

On this episode of the VIFF Podcast, Laura Arboleda sits down with filmmaker Thea Loo, director of the documentary Inay (Mama).Thea shares the creative process behind the film, which explores the mental health impact of migration from the Philippines to Canada on the children of caregivers. Hear about the film's evolution from a five-minute concept to a feature-length documentary, the challenges of blending personal storytelling with archival research, and collaboration with her husband, Jeremiah.This episode was recorded during the 2024 Vancouver International Film Festival.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Show notes below:   Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP  /  FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart Music www.marcstewartmusic.com    © 2024 Tara Cheyenne Performance   Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.   Donate! To keep this podcast ad-free please go to:  https://www.canadahelps.org/en/dn/13386   Links: https://vanessakwan.com/ About Vanessa: Vanessa Kwan is an artist, producer, and curator with a focus on collaborative, site-specific and cross-disciplinary practices. They are currently Director + Curator, Gallery and Exhibitions at Emily Carr University on unceded Musqueam, Squamish and Tsleil-Waututh territories (Vancouver, Canada). They have worked in artistic leadership roles since 2003, contributing to organizations such as grunt gallery, the Vancouver Art Gallery, Other Sights for Artists' Projects, Access Gallery, Powell Street Festival and Out On Screen. They regularly write, speak and publish on art and culture, and since 2017 have been producing residency projects across the Pacific Rim (Vancouver, Seoul, Melbourne and Sydney) exploring artist-led creative exchange. In addition they have produced significant public art works including Geyser for Hillcrest Park (with Erica Stocking), Speaker A, a permanent sound installation co-created with Theatre Replacement (Maiko Yamamoto and James Long) and Curtains, an upcoming collaborative performance work.   About Tara:   Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).  With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can't remember the word for I can't remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally.  Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be,  which premiered at The Cultch, and her solo I can't remember the word for I can't remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.

On this episode of the VIFF Podcast, Director of Programming Curtis Woloschuck sits down with filmmaker Mads K. Baekkevold, director of The Chef & the Daruma. Mads shares his creative process and talks about the journey of capturing Chef Hidekazu Tojo's life and legacy. Tune in to hear about Mads' influences, from Tampopo to Jiro Dreams of Sushi, the serendipitous beginnings of the film, and the power of authentic voices.This episode was recorded during the 2024 Vancouver International Film Festival.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Sahibzada Mayed is a creative alchemist who uses design and storytelling to cultivate joy and imagination as tools of liberation. Mayed serves as the Co-Lead for Strategy and Research at Pause and Effect, a liberation-focused imagination and design collective based on Coast Salish territories of the Musqueam, Squamish, Tsleil-Waututh Nations. Beyond that, Mayed leads a small-scale startup, Naranji, that focuses on gender justice and decolonization in fashion. Today, we talk about decolonizing design and creative liberation. Listen to learn about: >> The impact of colonialism and power structures on design >> The need for critical social analysis in design >> Designing for Joy >> Decolonizing design >> The importance of locality and place in design >> Rethinking how we think about and experience systems Our Guest Sahibzada Mayed is a creative alchemist who uses design and storytelling to cultivate joy and imagination as tools of liberation. Mayed serves as the Co-Lead for Strategy and Research at Pause and Effect, a liberation-focused imagination and design collective based on Coast Salish territories of the Musqueam, Squamish, Tsleil-Waututh Nations. Beyond that, Mayed leads a small-scale startup, Naranji, that focuses on gender justice and decolonization in fashion. Their work has been prominently featured during New York and Chicago Fashion Weeks and highlighted in several publications across the United States, Pakistan, Thailand, and Japan. Mayed's identity is shaped by their background as a Muslim immigrant of Persian, Afghan, Indian, and Pakistani heritage, as well as lived experiences of queerness, disability, and neurodivergence. Show Highlights [02:15] Mayed's unconventional journey into design, combining engineering and social sciences. [04:05] How this background has helped Mayed in their work. [06:01] Mayed's current work focus is on understanding the impact of colonialism in design. [07:36] The challenge of collaborating when existing power differentials have yet to be addressed. [09:28] What is power? [12:04] Mayed shares thoughts on designing when you're close to, or a part of, the community you're designing for, versus being outside that community. [13:53] Dawan talks about how perfection is the enemy of change. [15:57] The fear and discomfort of taking responsibility for causing harm. [16:28] Good intentions do not absolve responsibility. [17:30] Building accountability into what you design. [19:19] Ethics in design and looking for the potential of harm while designing. [22:45] There is an assumption of neutrality and objectivity around design. [24:47] Designing to prevent harm, and also designing for joy and compassion and care. [29:45] Decolonizing design. [35:12] Grounding design in the context of the place and space where it will live. [38:47] Shifting the way we think about design, to move beyond the human. [40:44] Rethinking how we think about and experience systems. [45:13] Last thoughts from Mayed about doing the work and the responsibility that comes with that. LinksMayed on LinkedInMayed on MediumMayed's websitepause + effect - 5-week intensive, Reimagining ResearchInterview: Fashion Designer Sahibzada MayedCultivating Design Ecologies of Care, Community, and CollaborationI Don't Want A Seat at Your Table w/ sahibzada mayedDecentralizing Power through Design with Sahibzada Mayed and Lauren Lin Book Recommendations Emergent Strategy: Shaping Change, Changing Worlds, by Adrienne Maree Brown DT 101 EpisodesDesign Social Change with Lesley-Ann Noel — DT101 E128 Radical Participatory Design + Relationships in Complex Systems Inclusive Design with Victor Udoewa — DT101 E127 Design Ethics with George Aye — DT101 E136

In this episode of the VIFF Podcast, filmmaker Asher Penn talks about his debut feature documentary, Physician, Heal Thyself, with VIFF Year Round Programmer Tom Charity. The film is a searingly intimate portrait of the celebrated expert on addiction, stress, and trauma, Dr. Gabor Maté. Physician Heal Thyself follows Gabor's life's journey, from his start as a young contrarian to a contemporary icon.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

This week on Below the Radar, we're joined by Ghinwa Yassine, a Lebanese anti-disciplinary artist whose work confronts the ideological and patriarchal systems that she grew up in, while exploring collective feelings and what it means to be a marked body. Ghinwa discusses her recent multi-media installations and ongoing artistic research into gestural agency and freedom. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/251-ghinwa-yassine.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/251-ghinwa-yassine.html Resources: Ghinwa Yassine: https://www.ghinwayassine.com/ How Far Can a Marked Body Go? : https://www.ghinwayassine.com/how-far-can-a-marked-body-go KickQueen: https://www.ghinwayassine.com/kickqueen MENA Film Festival: https://www.menafilmfestival.com/ When You Pour Something, It Carries the Memory of its Mold: https://www.ghinwayassine.com/when-you-pour-something-it-carries-the-memory-of-its-mold Bio: Ghinwa Yassine is an anti-disciplinary artist based on the land of the Musqueam, Squamish, and Tsleil-Waututh people, so-called Vancouver. Her work uses various media, including film, installation, performance, text, and drawing. Yassine's work confronts the ideological and patriarchal systems that she grew up in while exploring collective feelings and what it means to be a marked body. She seeks a radical historicizing of individual and collective traumas where embodied memories are put into question. Using hybrid forms of storytelling, where story manifests as somatic experiencing, ritual, and gesture, her projects are portals to factual/fictional dimensions that activate collective memory. Yassine holds an MFA in Contemporary Art - Interdisciplinary Studies at Simon Fraser University in Vancouver, an MA in Digital Video Design from the University of the Arts Utrecht, and a BA in Graphic Design from the American University of Science and Technology in Beirut. Her works have been exhibited in the Netherlands, Lebanon, UAE, Canada, Iran, and Croatia. Cite this episode: Chicago Style Johal, Am. “How Far Can A Marked Body Go? — with Ghinwa Yassine.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, September 24, 2024. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/251-ghinwa-yassine.html.

Host Tiokasin Ghosthorse welcomes Edzi'u, a Tahltan and Tlingit artist based in Vancouver, British Columbia, Canada on the unceded territories of the Musqueam, Squamish and Tsleil-Waututh First Nations. Edzi'u is an innovative songwriter and composer who paints stories of the past, present and future with textures, elders' stories, words, and their ethereal voice. Edzi'u is the gentlest balance of hard and soft, a non-binary 2-spirit Indigiqueer femme, their strength of identity resonates in their music to create a fullness of fierce spirit combined with an elegant grace. Their new music is full of thick synths, drums dripping with reverb and a mix of a modern take on 80s and 90s sounds that blends the nostalgic essence of Stevie Nicks, the raw emotional depth of Sharon Van Etten, and the atmospheric electronic textures of DRAMA. The result is a sonic river of pain and beauty that sweetly soars into a singular, healing journey. Tiokasin talks with Edzi'u about their new EP, “Tunnel Vision,” a poignant exploration of the cruelty of heartbreak, the painful truth of mistreatment, and the radiant journey of resurgence. With vulnerability and fortitude, each track lingers with the listener like a cherished memory. Edzi'u invites listeners into an auditory sanctuary where music serves as both refuge and revelation. In this sacred space, reclamation of self stands as the most powerful act of all. Edzi'u and their artistry is a beacon of auntie joy for queer and Indigenous communities and beyond, embodying resilience, grace, and unapologetic authenticity. Find out more about Edzi' at https://www.edziumusic.com/ Production Credits: Tiokasin Ghosthorse (Lakota), Host and Executive Producer Liz Hill (Red Lake Ojibwe), Producer Karen Martinez (Mayan), Studio Engineer, Radio Kingston Tiokasin Ghosthorse, Audio Editor Kevin Richardson, Podcast Editor Music Selections: 1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song) Artist: Moana and the Moa Hunters Album: Tahi (1993) Label: Southside Records (Australia and New Zealand) 2. Song Title: Raven Clan Welcome Artist: Edzi'u Album: Potlatch in the Box (2023) Label: Ts'ats'ée Sounds 3. Song Title: Can You Introduce Yourself in the Language Artist: Edzi'u Album: Potlatch in the Box (2023) Label: Ts'ats'ée Sounds 4. Song Title: Not Enough Artist: Edzi'u Album: Tunnel Vision (2024) Label: Ts'ats'ée Sounds 5. Song Title: You Don't Wanna Know Me Artist: Edzi'u Album: Potlatch in the Box (2023) Label: Ts'ats'ée Sounds 6. Song Title: Ego Death Artist: Edzi'u Album: Tunnel Vision (2024) Label: Ts'ats'ée Sounds 7. Song Title: Warrior Song Artist: Edzi'u Album: Potlatch in the Box (2023) Label: Ts'ats'ée Sounds 8. Song Title: Fly With Us (feat. Ara Eden) Artist: Sarita Album: Earth Anthems (2024) Label: Ancient Future Productions AKANTU INTELLIGENCE Visit Akantu Intelligence, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuintelligence.org to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse

In this episode of the VIFF Podcast, BC-based film producer Mike Johnston talks about his his transition from directing to producing with VIFF Director of Programming, Curtis Woloschuck. He highlights the complexities of financing and managing co-productions, with Beehive and Wild Goat Surf as turning points, and an upcoming international co-production with Colombia, Memoria. Together, Mike and Curtis reflect on the resilience and future of the Vancouver film community.This conversation was recorded remotely during VIFF 2023.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode Elaine chats to Canadian theatre maker Claire Love Wilson. We talk about their show Morag You're a Long Time Died. Which is touring Scotland/Ireland/England this month after a successful month at the Edinburgh Festival. We chat about the show, generational relationships and much more. Tickets here: http://clairelovewilson.com/morag-youre-a-long-time-deid Morag You're a Long Time Died Morag's death left a silence in her place. When her grand-daughter Sam inherits her piano, she also inherits the mystery of Morag's story. An intimate letter composed of fragmented Scottish ballads leads Sam to uncover Morag's possible queerness. In piecing together Morag's history through their shared Scottish musical heritage, Sam discovers a voice of her own. This new experimental musical warps, disrupts, and reconfigures traditional Scottish storytelling, ballad singing and participatory community dance. Reimagining ceilidh theatre from a queer perspective, original compositions are playfully interwoven with electronic loops and interactive dancing to tell old stories anew. Claire Love Wilson Claire Love Wilson (she/they) is queer white/Scottish settler multidisciplinary artist living on the ancestral and unceded territories of the xwməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaʔ/Selilwitulh (Tsleil- Waututh) First Nations. She works as a theatre-maker, actor, playwright, musician, and singer-songwriter. Claire has been featured as a creator and performer at the Vancouver Fringe Festival, the rEvolver festival, The Shift Festival, and Theatre Under the Gun in collaboration with companies like The Only Animal, Urban Ink, the frank theatre, Aphotic Theatre and ITSAZOO Theatre. Claire has also facilitated workshops on her personal loop- based performance practice “Song-Walking” locally as part of Interplay Festival and the Vancouver Outsider Arts Festival, as well as internationally at the University of The West of Scotland, the Scottish Storytelling Centre, and BAM in Paris. Claire is the co- creator, lead performer and co-producer of the experimental musical “Morag, You're a Long Time Deid” (MORAG), which works to queer traditional Scottish ballads through loop-based soundscaping and storytelling. As a work in development MORAG has been showcased at the National Theatre of Scotland, The Scottish Storytelling Centre and at PushOff! in Vancouver. The production premiered as part of Touchstone Theatre's 45th anniversary season in June 2022. MORAG had its UK premiere at the 2024 Edinburgh Fringe Festival and is now on tour in Scotland, Ireland and England. OUR WEBSITE - www.persistentandnasty.co.uk HIPA GUIDES: HIPA GUIDES Equity Toolkit: Link Stellar Quines: Link Persistent Pal & Nasty Hero - Pals and Hero Membership Email – persistentandnasty@gmail.com Instagram - @persistentandnasty Twitter - @PersistentNasty Coffee Morning Eventbrite - Coffee Morning Tickets LINKTREE - LINKTR.EE Resources Samaritans - Rape Crisis Scotland - Rape Crisis UK ArtsMinds - BAPAM Freelancers Make Theatre Work Stonewall UK - Trevor Project - Mermaids UK Switchboard LGBT+ - GATE PLANNED PARENTHOOD DONATE - DONATE ABORTION SUPPORT NETWORK UK - ASN.COM- DONATE

In this episode of the VIFF Podcast, filmmaker Zarrar Kahn talks about his debut feature film, In Flames, with VIFF Director of Programming Curtis Woloschuk. In Flames, which premiered at Cannes 2023 and screened at VIFF 2023, follows a mother and daughter navigating loss and supernatural forces in Karachi, Pakistan. After the death of the family patriarch, a mother and daughter's precarious existence is ripped apart. They must find strength in each other if they are to survive the malevolent forces that threaten to engulf them.This conversation was recorded remotely.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Future Ecologies presents "The Right to Feel," a two episode mini-series on the emotional realities of the climate crisis.This first episode, “Climate Feelings,” is a collection of students' non-fiction essays and reflections on their personal realities of living with and researching the climate crisis. The first episode opens with an introductory conversation between Naomi Klein and series producer Judee Burr that contextualizes how this class was structured and the writings it evoked.Over a two-year period, associate professor of climate justice and co-director of the UBC Centre for Climate Justice Naomi Klein taught a small graduate seminar designed to help young scholars put the emotions of the climate and extinction crises into words. The students came from a range of disciplines, ranging from zoology to political science, and they wrote eulogies for predators and pollinators, alongside love letters to paddling and destroyed docks. Across these diverse methods of scholarship, the students uncovered layers of emotion far too often left out of scholarly approaches to the climate emergency. They put these emotions into words, both personal reflections and fictional stories.“The Right to Feel” was produced on the unceded and asserted territories of the Sḵwx̱wú7mesh (Squamish), xʷməθkʷəy̓əm (Musqueam), and Səl̓ílwətaʔ (Tsleil-Waututh) peoples.Find a transcript, citations, credits, and more at www.futureecologies.net/listen/the-right-to-feel— — —Part 1: Climate Feelings2:38 — Introduction by Judee Burr and Naomi Klein19:05 — Connection to Jericho Willows by Ali Tafreshi22:27 — Connection to the Water by Foster Salpeter27:06 — Connection to Family and Land by Sara Savino31:01 — Scientists and Feelings by Annika Ord36:00 — Biking away from the Smoke by Ruth Moore39:32 — Climate Sensitivity on the Bus by Nina Robertson43:13 — Grief and Climate Change Economics by Felix Giroux46:36 — The Age of Sanctuary by Melissa Plisic52:04 — Age of Tehom by Maggie O'Donnell

Future Ecologies presents "The Right to Feel," a two episode mini-series on the emotional realities of the climate crisis.The second and final episode, “Eulogies,” is based on fictional writing from the class. Students imagine and eulogize something that could be harmed by the climate emergency, and then imagine a speculative future in which action was taken to mitigate that harm.Over a two-year period, associate professor of climate justice and co-director of the UBC Centre for Climate Justice Naomi Klein taught a small graduate seminar designed to help young scholars put the emotions of the climate and extinction crises into words. The students came from a range of disciplines, ranging from zoology to political science, and they wrote eulogies for predators and pollinators, alongside love letters to paddling and destroyed docks. Across these diverse methods of scholarship, the students uncovered layers of emotion far too often left out of scholarly approaches to the climate emergency. They put these emotions into words, both personal reflections and fictional stories.“The Right to Feel” was produced on the unceded and asserted territories of the Sḵwx̱wú7mesh (Squamish), xʷməθkʷəy̓əm (Musqueam), and Səl̓ílwətaʔ (Tsleil-Waututh) peoples.Find a transcript, citations, credits, and more at www.futureecologies.net/listen/the-right-to-feel— — —Part 2: Eulogies02:15 – Clione by Annika Ord12:49 –The Abundance Will Be Forever by Judith Burr24:03 – A Eulogy for Wolves by Niki33:33 – Return of the Hidden Worlds by Sadie Rittman44:59 — Eulogy for the Bees by Rhonda Thygesen

In this episode of the VIFF Podcast, documentary filmmakers Jeremy Schaulin-Rioux and Kirk Thomas along with legendary streetball player Joel Haywood talk with VIFF Director of Programming Curtis Woloschuk. Handle With Care: The Legend of The Notic Streetball Crew chronicles the rise, fall and rebirth of The Notic, an upstart streetball collective. While their creative basketball moves brought them global fame as teenagers, it set them at odds with the status quo in a battle involving self-expression, race and rejection. Driven by a twenty year quest to finish their mixtape trilogy, the documentary charts how a group of friends from Vancouver, Canada played outside the confines of the NBA but left an imprint on the game forever.This conversation was recorded remotely.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

For thousands of years, fluffy white dogs could be found across the Pacific Northwest. Their exceptionally soft, crimpy hair was shorn like sheep's wool, spun into yarn, and woven into blankets and robes by indigenous women who carefully tended them in communities across Coast Salish territory. But a hundred years ago, the woolly dog quietly vanished. Why? Today, the only known pelt of this extinct breed is in the collections of the Smithsonian's National Museum of Natural History, and it might hold some answers. Through collaborate research combining Western science with Indigenous knowledge, we delve into this animal's genome to learn the real story of the woolly dog's disappearance. Guests:Audrey Lin, evolutionary molecular biologist, research associate at the Smithsonian's National Museum of Natural History and postdoctoral scholar at the American Museum of Natural HistoryLogan Kistler, curator of archaeobotany and archaeogenomics in the anthropology department of the Smithsonian's National Museum of Natural History Liz Hammond-Kaarremaa, master spinner who studies traditional Salish textiles as a research associate at Vancouver Island University and the Smithsonian's National Museum of Natural HistorySteven Point / Xwĕ lī qwĕl tĕl, grand chief of the Stó:lō Tribal Council, chancellor of the University of British Columbia, former lieutenant-governor of British Columbia, retired judge, and member of the Skowkale First NationDebra Sparrow / θəliχʷəlʷət, weaver, artist and knowledge-keeper from Musqueam. Foundational Salish weaving revivalist who, with her sisters, she has worked for decades to rejuvenate and teach traditional Salish weaving. Violet Elliot / Snu'Meethia, weaver and teacher from Snuneymuxw First Nations living in Cowichan First Nations. She has been weaving for over 28 years.Melissa (Missy) Hawkins, curator of mammals at the Smithsonian's National Museum of Natural History 

As an artist and educator, I see that this moment calls for a way of working through decolonization and forging a path of care. I like to think of this through multispecies communities so that, as humans, we're surrounded by more than human life, even in our urban environments. This path of care for our multi-species, communities that make up the neighborhood, the community, and ultimately the earth is where I see my call for research and practice. I know Julie Andreyev from my time on the board of the Canadian Association for Sound Ecology and from the acoustic ecology in Vancouver where she is an Associate Professor in the Audain Faculty of Art, Emily Carr University of Art + Design where she teaches New Media + Sound Arts and Critical Studies.Julie is located on the unceded, traditional and ancestral territories of the Coast Salish people, including the  xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh Úxwumixw (Squamish), and səl̓ilw̓ətaʔɬ (Tsleil-Waututh) First Nations, as well as the unceded traditional territories of more-than-human animals and plant life including bears, deers, raccoons, eagles, ravens, crows, hummingbirds, cedars, firs, salals and others.It's the first time I see a land acknowledgement that includes more-than-human life and Julie is a good person to lead the way. Her multispecies art practice explores more-than-human creativity and our relations. You'll hear talk about some current projects including Bird Park Survival Station, a long term reciprocity project with local birds, and Branching Songs a sound art project that draws attention to wondrous gifts provided by trees and forest ecosystems.During our conversation Julie mentioned her book : Lessons from a Multispecies Studio : Uncovering Ecological Understanding and Biophilia through Creative ReciprocityNear the end Julie tells a fascinating story about crow friends of hers, so stay tuned. Julie's recommended listening are:Tree Museum Talking Territory Podcast : interviews that explore the aesthetics and politics of trees, animals and relations to the land. When We Talk About Animals podcastQuantum Listening by Pauline Oliveros One Drum by Richard WagameseThe Light Eaters by Zoë SchlangerEntangled Life by Merlin Sheldrake *END NOTES FOR ALL EPISODESHere is a link for more information on season 5. Please note that, in parallel with the production of the conscient podcast and it's francophone counterpart, balado conscient, I publish a Substack newsletter called ‘a calm presence' which are 'short, practical essays for those frightened by the ecological crisis'. To subscribe (free of charge) see https://acalmpresence.substack.com. You'll also find a podcast version of each a calm presence posting on Substack or one your favorite podcast player.Also. please note that a complete transcript of conscient podcast and balado conscient episodes from season 1 to 4 is available on the web version of this site (not available on podcast apps) here: https://conscient-podcast.simplecast.com/episodes.Your feedback is always welcome at claude@conscient.ca and/or on conscient podcast social media: Facebook, X, Instagram or Linkedin. I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on April 2, 2024

What would change things is love. … We ask people to act, to change, to make sacrifices, or what may be perceived as sacrifices, which in the end can turn out to be incredible things as we open up a world we didn't consider possible for ourselves; it was always love that got people to take those steps and those decisions.Born and raised in the occupied unceded sovereign territories of the Sḵwx̱wú7mesh (Squamish), xʷməθkʷəy̓əm (Musqueam), and səlil̓wətaʔɬ (Tsleil-Waututh) peoples on the wild West coast of colonial Canada Beth Carruthers is an artist and researcher whose work and practice focuses on  how aesthetic engagements, and especially arts and design based praxis, can seed and nurture transformative change in socio-cultural systems leading toward a sustainably flourishing future for all life.My first conversation with Beth was in October 2019, e05 carruthers – art that informs, forms and transforms so I wanted to reconnect with Beth some 5 years later to get an update on what this amazing creative mind is up to.She told me many new things, for example, about her origins:I come from a family of Highland Scots who were driven off their land and shipped to Canada to be placeholders for the empire about five or six generations ago. For some reason the Scots, Irish and Celtic peoples have managed, despite the church and all kinds of other occupations, to hang on to a kind of animist understanding of being in the world and an understanding of the world as a living sentient place. That's not what school tells you and that's not the narrative of modernism in the West. At one point Beth referred to this poem, A Walk, by Rainer Maria Rilke, from his Uncollected Poems, which opens Beth's book chapter in the book Call and Response: Deep Aesthetics and the Heart of the World (2013). Beth asked that it be mentioned in the episode notes: ‘Already my gaze is on the hill, that sunlit one,up ahead on the path I've scarcely started.In the same way, what we couldn't grasp grasps us:blazingly visible, there in the distance –and changes us, even if we don't reach it,into what we, scarcely sensing it, already are;a gesture signals, answering our gesture…But we feel only the opposing wind.'Beth recommended the following reading and viewing materials: At Work in the Ruins: Finding Our Place in the Time of Science, Climate Change, Pandemics and All the Other Emergencies by Dougald HineThe world is not a problem: a conversation between Dougald Hine and Iain McGilchrist *END NOTES FOR ALL EPISODESHere is a link for more information on season 5. Please note that, in parallel with the production of the conscient podcast and it's francophone counterpart, balado conscient, I publish a Substack newsletter called ‘a calm presence' which are 'short, practical essays for those frightened by the ecological crisis'. To subscribe (free of charge) see https://acalmpresence.substack.com. You'll also find a podcast version of each a calm presence posting on Substack or one your favorite podcast player.Also. please note that a complete transcript of conscient podcast and balado conscient episodes from season 1 to 4 is available on the web version of this site (not available on podcast apps) here: https://conscient-podcast.simplecast.com/episodes.Your feedback is always welcome at claude@conscient.ca and/or on conscient podcast social media: Facebook, X, Instagram or Linkedin. I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on April 2, 2024

Season 1 Episode 8: We Really Went off Script Join me, Beth, on this week's episode of A Friend for the Long Haul, as I have a heartfelt conversation with my dear friend Katy. Katy (a first wave Covid long hauler from Canada) and I have known each other online since 2020. When I announced that Katy was going to be on the podcast, I said that I couldn't remember my Covid life without her. Our experience through the trials of long covid has brought us closer together and we're sharing our stories with you. In this episode, we reflect on the early days of the pandemic when the uncertainty of prolonged symptoms left us feeling isolated and misunderstood - and that part never really went away. Katy and I discuss our shared experiences with conditions like postural orthostatic tachycardia syndrome (POTS) and mast cell activation syndrome (MCAS), including harrowing episodes of anaphylaxis triggered by food and medications. We discuss our advocacy efforts to raise awareness and support for long Covid sufferers, discussing how we attempt to preserve our energy and find joy in the small details of life. Don't miss this episode filled with lols, strength, and hope. By the way, 10kms is equal to 6.21371, I was close!! Remember to subscribe to A Friend for the Long Haul and rate the pod on your favorite platform. Your support means the world to me and my listeners, and we're grateful to have your ears. Thank you for listening! Katy was a speaker at the following event, hosted by Ed Yong: https://youtu.be/BjNy1rn0yPk?si=cYV37I8vgST3YVjJ and she will be back on another podcast to talk more about that - hopefully with other speakers from that event. Ed, I'd love to chat with you too! :D Here's Ed's website: https://edyong.me/ You can find Katy on on Instagram at: https://www.instagram.com/suddendeparture/ Keywords: Long Covid, chronic illness, postural orthostatic tachycardia syndrome, mast cell activation syndrome, anaphylaxis, advocacy, covid long hauler, Ed Yong, pandemic, health journey, energy preservation, spoons, spoonie life, pasc, me/cfs, mcas, pots, asthma Land acknowledgement: Katy and I would like to take a moment to acknowledge the traditional territories on which we are situated. Katy was speaking to you from the unceded traditional territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. Beth joined from the traditional territory of the Núu-agha-tʉvʉ-pʉ̱ (Ute), hinono'eino' biito'owu' (Arapaho), Tséstho'e (Cheyenne), Ndé Kónitsąąíí Gokíyaa (Lipan Apache), and Očhéthi Šakówiŋ communities. We honor and respect the Indigenous peoples who have lived on and cared for these lands for generations. It is important for us to recognize the histories and cultures of these nations as we continue our conversation today. Thank you.

The suburbs haven't got a great press recently on KEEN ON. First there was Benjamin Herold, author of Disillusioned, who found the dead body of the American Dream in the American suburb. And then David Masciotra, author of Exurbia Now, discovered political lethargy and reaction in the outer suburbs of American “exurbia”. Matt Hern, however, disagrees, finding in the suburbs the very political energy and engagement that he believes have been lost from the gentrified inner cities of London, Vancouver and San Francisco. Indeed, Hern, a Canadian urban activist and author of the new Outside the Outside, believes that the “sub-urbs” are the very vibrant places of political resistance and regeneration that can offer a positive model for progressive critics of neo-liberal urbanism. Matt Hern lives in Richmond, BC on xʷməθkʷəy̓əm (Musqueam) territory.  He is the co-founder and co-director of Solid State Community Industries and has led many other community projects.  He teaches with multiple universities, continues to lecture globally and his books and articles have been translated into nineteen languages.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

On today's episode of Asked and Answered by Soul, Jennifer Urezzio and Tien Neo Eamas explore the big ideas of binary identity, cultural awareness, and the importance of releasing the ego attachment to judgment and the need to be right so that our Souls can access and stand in freedom and create a new dimension of awareness.  Join us here today as Jennifer and Tien share that it's time for us to be fully responsible for our part in what's happening in our world, and do the work to share wisdom, shine light and spread joy while having fun ourselves. When we consciously choose to be more interested in creation, generating light, and being joyful, that's when we are able to truly shift and impact others.About Tien Neo Eamas Tien is the 1st Asian transman to come out in Vancouver BC 2002 and his experience of racism, gender and trans hatred, family violence and more has been the training ground for him to shine finally and for him to share his purpose my Soul Purpose - Transcending Gender, so that we can Connect Soul to Soul. Tien is Singapore-born, of Chinese and Indigenous Southeast Asian blood, now living in Vancouver BC, the indigenous land of the Musqueam, Squamish, and Tsleil-Waututh people. Tien Gender Guide, an artist, performer, and a spiritual teacher. The Asked and Answered by Soul podcast is dedicated to helping you understand that your Soul is the answer. If you want to learn more about your soul's answers and purpose, access your free guide at www.themythsofpurpose.com. And, you can purchase our God magnet at https://jurezzio.etsy.com/listing/1623450013/refrigerator-magnet-borg-of-goodness. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we dive into the transformative world of memoir writing with Janelle Hardy, the innovative mind behind the "Art of Personal Mythmaking" course. This discussion is not just for those who see themselves as writers, but for anyone grappling with their life's narrative and seeking clarity and healing. Episode Highlights:  Memoir Writing's Healing Power: We explore how writing about one's life journey can both challenge and aid in understanding and overcoming personal hurdles. Janelle's Methodology: Learn about Janelle's unique blend of body-based, trauma-informed prompts and the rich stories of fairy tales and myths to help people heal and regain joy through writing their memoirs. Addressing Trauma in Writing: The conversation touches on the common fear and difficulty of revisiting traumatic memories during memoir writing and how to navigate these challenges. Beyond Writing a Memoir: This episode is relevant to anyone looking to make sense of their past experiences, understand the stories that have shaped them, and learn from them. A Special Narrative Experience: Janelle shares a fairy tale within the interview, providing a unique and engaging listening moment. This episode is an invitation to discover how articulating your life story can be a path to understanding and growth. Join us as we unravel the power of memoir writing with Janelle Hardy. About Janelle: Janelle Hardy is a writer, artist, host of the Memoir Body, Healing Story Podcast and the creator/teacher of a transformational memoir-writing course called The Art of Personal Mythmaking.  This process uses body-based, trauma-informed writing prompts, stories like fairy tale and myth, and themed modules to support people who want to heal from the difficult parts of their life stories as they write their memoirs. She's helped young single mothers, organic farmers, cabinetmakers, PhD writers and editors, psychotherapists, professional novelists, podcasters, entrepreneurs, stay-at-home moms, former Members of Parliament, retired teachers, spiritual directors, principals (and more) heal from the difficult parts of their life story as they write the first drafts of their memoirs and reclaim themselves. Janelle is a born and raised Yukoner and single mother, who has worked as a trauma-informed bodyworker in the hands-on healing arts fields since 2007 and as an artist (writing, painting + dance) for 17+ years. Throughout that time she's taught adults out of her living room, arts centres, universities and community colleges. She currently lives and works in both Whitehorse, Yukon and Vancouver, BC, Canada. Whitehorse is on unceded Kwanlin Dün First Nation and Ta'an Kwäch'än Council land. Vancouver is on unceded Coast Salish People's land (the xʷməθkʷəy̓əm (Musqueam), Səl̓ílwətaʔ (Tsleil-Watuth), and Skwxwú7mesh (Squamish) Nations). For the past 6+ years she's integrated all of her expertise, including a BA in Anthropology, an MA in Dance and a Diploma in Structural Integration, into supporting people in their creative healing work via the alchemy of transformational memoir-writing. Learn More:  Website: http://www.janellehardy.com/ Personal Mythmaking Podcast: https://www.janellehardy.com/podcast/ The Art of Personal Mythmaking - online course: https://www.personalmythmaking.com/ Instagram: https://www.instagram.com/janellemackinnonhardy/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/joshharris/message