Podcasts about musqueam

“The more we look into social structures, the more many of us realize we don't fit into them," says So Mayer, author of the new book Bad Language, "So each phrase or set of vocabulary is another piece of that dismantlement.” We discuss finding vocabulary for oneself, coming out as a speech act, growing up under Section 28, busting through oppression and shame, and joyous listening.Content note: in the episode we refer to sexual abuse or crimes against consent, and to suicide, but we do not go into any detail about these things, or describe any experiences. Also there are some category A and B swears.Visit theallusionist.org/disobedience for more information about So's work and today's topics, plus a transcript of the episode.Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes info about every episode; livestreams with me reading from my ever-growing collection of dictionaries, and the charming and nurturing Allusioverse Discord community, where among daily sharing of thoughts and amusements, we're watching The Princess Bride, the current season of Great Canadian Baking Show, and Game of Wool.This episode was produced by me, Helen Zaltzman, on the unceded ancestral and traditional territory of xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. Martin Austwick. Download his own songs at palebirdmusic.com and on Bandcamp, and listen to his podcasts Song By Song and Neutrino Watch.Find the Allusionist at youtube.com/allusionistshow, instagram.com/allusionistshow, facebook.com/allusionistshow, @allusionistshow.bsky.social… If I'm there, I'm there as @allusionistshow. Our ad partner is Multitude. If you want me to talk compellingly about your product, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:• Squarespace, your one-stop shop for building and running your online forever home. Go to squarespace.com/allusionist for a free trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.• Home Chef, meal kits that fit your needs. For a limited time, Home Chef is offering Allusionist listeners fifty per cent off and free shipping on your first box, plus free dessert for life, at HomeChef.com/allusionist.• Rosetta Stone, immersive and effective language learning. Allusionist listeners get 50% off unlimited access to all 25 language courses, for life: go to rosettastone.com/allusionist.• Uncommon Goods, which sells thousands of one-of-a-kind gifts. To get 15% off your next purchase, go to UncommonGoods.com/allusionist.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mary Lovell is a queer grassroots organizer, visual artist, and activist who has been fighting oil and gas infrastructure and for social justice for their adult life - living up in the Kitsap Penninsula they are working on their first book  and love working with people to build power in their communitiesWelcome to the Arise podcast. This is episode 12, conversations on Reality. And today we're touching on organizing and what does it mean to organize? How do we organize? And we talk to a seasoned organizer, Mary Lavelle. And so Mary is a queer, grassroots organizer, visual artist and activist who has been fighting oil and gas infrastructure and fighting for social justice in their adult life. Living in the Kitsap Peninsula. They're working on their first book and love working with people to build power in their communities. Join us. I hope you stay curious and we continue the dialogue.Danielle (00:02):Okay, Mary, it's so great to have you today. Just want to hear a little bit about who you are, where you come from, how did you land? I know I met you in Kitsap County. Are you originally from here? Yeah. Just take itMary (00:15):Away. Yeah. So my name is Mary Lovel. I use she or they pronouns and I live in Washington State in Kitsap County. And then I have been organizing, I met Danielle through organizing, but I've spent most of my life organizing against oil and gas pipelines. I grew up in Washington state and then I moved up to Canada where there was a major oil pipeline crossing through where I was living. And so that got me engaged in social justice movements. That's the Transmountain pipeline, which it was eventually built, but we delayed it by a decade through a ton of different organizing, combination of lawsuits and direct action and all sorts of different tactics. And so I got to try and learn a lot of different things through that. And then now I'm living in Washington state and do a lot of different social justice bits and bobs of organizing, but mostly I'm focused on stopping. There's a major gas build out in Texas and Louisiana, and so I've been working with communities down there on pressuring financiers behind those oil and gas pipelines and major gas export. But all that to say, it's also like everyone is getting attacked on all sides. So I see it as a very intersectional fight of so many communities are being impacted by ice and the rise of the police state becoming even more prolific and surveillance becoming more prolific and all the things. So I see it as one little niche in a much larger fight. Yeah,Yeah, totally. I think when I moved up to Canada, I was just finished high school, was moving up for college, had been going to some of the anti-war marches that were happening at the time, but was very much along for the ride, was like, oh, I'll go to big stuff. But it was more like if there was a student walkout or someone else was organizing people. And then when I moved up to Canada, I just saw the history of the nation state there in a totally different way. I started learning about colonialism and understanding that the land that I had moved to was unseated Tu Squamish and Musqueam land, and started learning also about how resource extraction and indigenous rights went hand in hand. I think in general, in the Pacific Northwest and Coast Salish territories, the presence of indigenous communities is really a lot more visible than other parts of North America because of the timelines of colonization.(03:29):But basically when I moved and had a fresh set of eyes, I was seeing the major marginalization of indigenous communities in Canada and the way that racism was showing up against indigenous communities there and just the racial demographics are really different in Canada. And so then I was just seeing the impacts of that in just a new way, and it was just frankly really startling. It's the sheer number of people that are forced to be houseless and the disproportionate impacts on especially indigenous communities in Canada, where in the US it's just different demographics of folks that are facing houselessness. And it made me realize that the racial context is so different place to place. But anyways, so all that to say is that I started learning about the combination there was the rise of the idle, no more movement was happening. And so people were doing a lot of really large marches and public demonstrations and hunger strikes and all these different things around it, indigenous rights in Canada and in bc there was a major pipeline that people were fighting too.(04:48):And that was the first time that I understood that my general concerns about climate and air and water were one in the same with racial justice. And I think that that really motivated me, but I also think I started learning about it from an academic standpoint and then I was like, this is incredibly dumb. It's like all these people are just writing about this. Why is not anyone doing anything about it? I was going to Simon Fraser University and there was all these people writing whole entire books, and I was like, that's amazing that there's this writing and study and knowledge, but also people are prioritizing this academic lens when it's so disconnected from people's lived realities. I was just like, what the fuck is going on? So then I got involved in organizing and there was already a really robust organizing community that I plugged into there, but I just helped with a lot of different art stuff or a lot of different mass mobilizations and trainings and stuff like that. But yeah, then I just stuck with it. I kept learning so many cool things and meeting so many interesting people that, yeah, it's just inspiring.Jenny (06:14):No, that's okay. I obviously feel free to get into as much or as little of your own personal story as you want to, but I was thinking we talk a lot about reality on here, and I'm hearing that there was introduction to your reality based on your education and your experience. And for me, I grew up in a very evangelical world where the rapture was going to happen anytime and I wasn't supposed to be concerned with ecological things because this world was going to end and a new one was going to come. And I'm just curious, and you can speak again as broadly or specifically if the things you were learning were a reality shift for you or if it just felt like it was more in alignment with how you'd experienced being in a body on a planet already.Mary (07:08):Yeah, yeah, that's an interesting question. I think. So I grew up between Renton and Issaquah, which is not, it was rural when I was growing up. Now it's become suburban sprawl, but I spent almost all of my summers just playing outside and very hermit ish in a very kind of farm valley vibe. But then I would go into the city for cool punk art shows or whatever. When you're a teenager and you're like, this is the hippest thing ever. I would be like, wow, Seattle. And so when I moved up to Vancouver, it was a very big culture shock for me because of it just being an urban environment too, even though I think I was seeing a lot of the racial impacts and all of the, but also a lot of just that class division that's visible in a different way in an urban environment because you just have more folks living on the streets rather than living in precarious places, more dispersed the way that you see in rural environments.(08:21):And so I think that that was a real physical shift for me where it was walking around and seeing the realities people were living in and the environment that I was living in. It's like many, many different people were living in trailers or buses or a lot of different, it wasn't like a wealthy suburban environment, it was a more just sprawling farm environment. But I do think that that moving in my body from being so much of my time outside and so much of my time in really all of the stimulation coming from the natural world to then going to an urban environment and seeing that the crowding of people and pushing people into these weird living situations I felt like was a big wake up call for me. But yeah, I mean my parents are sort of a mixed bag. I feel like my mom is very lefty, she is very spiritual, and so I was exposed to a lot of different face growing up.(09:33):She is been deep in studying Buddhism for most of her life, but then also was raised Catholic. So it was one of those things where my parents were like, you have to go to Catholic school because that's how you get morals, even though both of them rejected Catholicism in different ways and had a lot of different forms of abuse through those systems, but then they're like, you have to do this because we had to do it anyways. So all that to say is that I feel like I got exposed to a lot of different religious forms of thought and spirituality, but I didn't really take that too far into organizing world. But I wasn't really forced into a box the same way. It wasn't like I was fighting against the idea of rapture or something like that. I was more, I think my mom especially is very open-minded about religion.(10:30):And then my dad, I had a really hard time with me getting involved in activism because he just sees it as really high risk talk to me for after I did a blockade for a couple months or different things like that. Over the course of our relationship, he's now understands why I'm doing what I'm doing. He's learned a lot about climate and I think the way that this social movements can create change, he's been able to see that because of learning through the news and being more curious about it over time. But definitely that was more of the dynamic is a lot of you shouldn't do that because you should keep yourself safe and that won't create change. It's a lot of the, anyways,I imagine too getting involved, even how Jenny named, oh, I came from this space, and Mary, you came from this space. I came from a different space as well, just thinking. So you meet all these different kinds of people with all these different kinds of ideas about how things might work. And obviously there's just three of us here, and if we were to try to organize something, we would have three distinct perspectives with three distinct family origins and three distinct ways of coming at it. But when you talk about a grander scale, can you give any examples or what you've seen works and doesn't work in your own experience, and how do you personally navigate different personalities, maybe even different motivations for getting something done? Yeah,Mary (12:30):Yeah. I think that's one of the things that's constantly intention, I feel like in all social movements is some people believe, oh, you should run for mayor in order to create the city environment that you want. Or some people are like, oh, if only we did lawsuits. Why don't we just sue the bastards? We can win that way. And then the other people are like, why spend the money and the time running for these institutions that are set up to create harm? And we should just blockade them and shift them through enough pressure, which is sort of where I fall in the political scheme I guess. But to me, it's really valuable to have a mix where I'm like, okay, when you have both inside and outside negotiation and pressure, I feel like that's what can create the most change because basically whoever your target is then understands your demands.(13:35):And so if you aren't actually clearly making your demands seen and heard and understood, then all the outside pressure in the world, they'll just dismiss you as being weird wing nuts. So I think that's where I fall is that you have to have both and that those will always be in disagreement because anyone doing inside negotiation with any kind of company or government is always going to be awkwardly in the middle between your outside pressure and what the target demand is. And so they'll always be trying to be wishy-washy and water down your demands or water down the, yeah. So anyways, all that to say is so I feel like there's a real range there, and I find myself in the most disagreements with the folks that are doing inside negotiations unless they're actually accountable to the communities. I think that my main thing that I've seen over the years as people that are doing negotiations with either corporations or with the government often wind up not including the most directly impacted voices and shooing them out of the room or not actually being willing to cede power, agreeing to terms that are just not actually what the folks on the ground want and celebrating really small victories.(15:06):So yeah, I don't know. That's where a lot of the tension is, I think. But I really just believe in the power of direct action and arts and shifting culture. I feel like the most effective things that I've seen is honestly spaghetti on the wall strategy where you just try everything. You don't actually know what's going to move these billionaires.(15:32):They have huge budgets and huge strategies, but it's also if you can create, bring enough people with enough diverse skill sets into the room and then empower them to use their skillsets and cause chaos for whoever the target is, where it's like they are stressed out by your existence, then they wind up seeding to your demands because they're just like, we need this problem to go away. So I'm like, how do we become a problem that's really hard to ignore? It's basically my main strategy, which sounds silly. A lot of people hate it when I answer this way too. So at work or in other places, people think that I should have a sharper strategy and I'm like, okay, but actually does anyone know the answer to this question? No, let's just keep rolling anyways. But I do really going after the financiers or SubT targets too.(16:34):That's one of the things that just because sometimes it's like, okay, if you're going to go after Geo Corp or Geo Group, I mean, or one of the other major freaking giant weapons manufacturers or whatever, it just fully goes against their business, and so they aren't going to blink even at a lot of the campaigns, they will get startled by it versus the people that are the next layer below them that are pillars of support in the community, they'll waffle like, oh, I don't want to actually be associated with all those war crimes or things like that. So I like sub targets, but those can also be weird distractions too, depending on what it is. So yeah, really long. IDanielle (17:24):Dunno how you felt, Jenny, but I feel all those tensions around organizing that you just said, I felt myself go like this as you went through it because you didn't. Exactly. I mean nothing. I agree it takes a broad strategy. I think I agree with you on that, but sitting in the room with people with broad perspectives and that disagree is so freaking uncomfortable. It's so much just to soothe myself in that environment and then how to know to balance that conversation when those people don't even really like each other maybe.Mary (17:57):Oh yeah. And you're just trying to avoid having people get in an actual fight. Some of the organizing against the banger base, for instance, I find really inspiring because of them having ex submarine captains and I'm like, okay, I'm afraid of talking to folks that have this intense military perspective, but then when they walk away from their jobs and actually want to help a movement, then you're like, okay, we have to organize across difference. But it's also to what end, it's like are you going to pull the folks that are coming from really diverse perspectives further left through your organizing or are you just trying to accomplish a goal with them to shift one major entity or I dunno. But yeah, it's very stressful. I feel like trying to avoid getting people in a fight is also a role myself or trying to avoid getting invites myself.Jenny (19:09):That was part of what I was wondering is if you've over time found that there are certain practices or I hate this word protocols or ways of engaging folks, that feels like intentional chaos and how do you kind of steward that chaos rather than it just erupting in a million different places or maybe that is part of the process even. But just curious how you've found that kind ofMary (19:39):Yeah, I love doing calendaring with people so that people can see one another's work and see the value of both inside and outside pressure and actually map it out together so that they aren't feeling overwhelmed by the prospect of one sort of train of thought leading. Do you know what I mean? Where it's like if people see all of this DC based blobbing happening, that's very much less so during the current administration, but for example, then they might be frustrated and feel like, where is our pressure campaign or where is our movement building work versus if you actually just map out those moments together and then see how they can be in concert. I feel like that's my real, and it's a bit harder to do with lawsuit stuff because it's just so much not up to social movements about when that happens because the courts are just long ass processes that are just five years later they announced something and you're like, what?(20:53):But for the things that you can pace internally, I feel like that is a big part of it. And I find that when people are working together in coalition, there's a lot of communities that I work with that don't get along, but they navigate even actively disliking each other in order to share space, in order to build a stronger coalition. And so that's to me is really inspiring. And sometimes that will blow up and become a frustrating source of drama where it's like you have two frontline leaders that are coming from a very different social movement analysis if one is coming from economic justice and is coming from the working class white former oil worker line of thinking. And then you have a community organizer that's been grown up in the civil rights movement and is coming from a black feminism and is a black organizer with a big family. Some of those tensions will brew up where it's like, well, I've organized 200 oil workers and then you've organized a whole big family, and at the end of the day, a lot of the former oil workers are Trumpers and then a lot of the black fam is we have generations of beef with y'all.(22:25):We have real lived history of you actually sorting our social progress. So then you wind up in this coalition dynamic where you're like, oh fuck. But it's also if they both give each other space to organize and see when you're organizing a march or something like that, even having contingent of people coming or things like that, that can be really powerful. And I feel like that's the challenge and the beauty of the moment that we're in where you're like you have extreme social chaos in so many different levels and even people on the right are feeling it.Danielle (23:12):Yeah, I agree. I kind of wonder what you would say to this current moment and the coalition, well, the people affected is broadening, and so I think the opportunity for the Coalition for Change is broadening and how do we do that? How do we work? Exactly. I think you pinned it. You have the oil person versus this other kind of family, but I feel that, and I see that especially around snap benefits or food, it's really hard when you're at the government level, it's easy to say, well, those people don't deserve that dah, dah, dah, right? But then you're in your own community and you ask anybody, Hey, let's get some food for a kid. They're like, yeah, almost no one wants to say no to that. So I don't know, what are you kind of hearing? What are you feeling as I say that?Mary (24:11):Yeah, I definitely feel like we're in a moment of great social upheaval where I feel like the class analysis that people have is really growing when have people actually outright called the government fascist and an oligarchy for years that was just a very niche group of lefties saying that. And then now we have a broad swath of people actually explicitly calling out the classism and the fascism that we're seeing rising. And you're seeing a lot of people that are really just wanting to support their communities because they're feeling the impacts of cost of living and feeling the impacts of all these social programs being cut. And also I think having a lot more visibility into the violence of the police state too. And I think, but yeah, it's hard to know exactly what to do with all that momentum. It feels like there's a huge amount of momentum that's possible right now.(25:24):And there's also not a lot of really solid places for people to pour their energy into of multiracial coalitions with a specific demand set that can shift something, whether it be at the state level or city level or federal level. It feels like there's a lot of dispersed energy and you have these mass mobilizations, but then that I feel excited about the prospect of actually bringing people together across difference. I feel like it really is. A lot of people are really demystified so many people going out to protests. My stepmom started going out to a lot of the no kings protests when she hasn't been to any protest over the whole course of her life. And so it's like people being newly activated and feeling a sense of community in the resistance to the state, and that's just really inspiring. You can't take that moment back away from people when they've actually gone out to a protest.(26:36):Then when they see protests, they know what it feels like to be there. But yeah, I feel like I'm not really sure honestly what to do with all of the energy. And I think I also have been, and I know a lot of other organizers are in this space of grieving and reflecting and trying to get by and they aren't necessarily stepping up into a, I have a strategy, please follow me role that could be really helpful for mentorship for people. And instead it feels like there's a bit of a vacuum, but that's also me calling from my living room in Kitsap County. I don't have a sense of what's going on in urban environments really or other places. There are some really cool things going on in Seattle for people that are organizing around the city's funding of Tesla or building coalitions that are both around defunding the police and also implementing climate demands or things like that. And then I also feel like I'm like, people are celebrating that Dick Cheney died. Fuck yes. I'm like, people are a lot more just out there with being honest about how they feel about war criminals and then you have that major win in New York and yeah, there's some little beacons of hope. Yeah. What do you all think?Jenny (28:16):I just find myself really appreciating the word coalition. I think a lot of times I use the word collective, and I think it was our dear friend Rebecca a couple of weeks ago was like, what do you mean by collective? What are you saying by that? And I was struggling to figure that out, and I think coalition feels a lot more honest. It feels like it has space for the diversity and the tensions and the conflicts within trying to perhaps pursue a similar goal. And so I just find myself really appreciating that language. And I was thinking about several years ago I did an embodied social justice certificate and one of the teachers was talking about white supremacy and is a professor in a university. I was like, I'm aware of representing white supremacy in a university and speaking against it, and I'm a really big believer in termites, and I just loved that idea of I myself, I think it's perhaps because I think I am neurodivergent and I don't do well in any type of system, and so I consider myself as one of those that will be on the outside doing things and I've grown my appreciation for those that have the brains or stamina or whatever is required to be one of those people that works on it from the inside.(29:53):So those are some of my thoughts. What about you, Danielle?Danielle (30:03):I think a lot about how we move where it feels like this, Mary, you're talking about people are just quiet and I know I spent weeks just basically being with my family at home and the food thing came up and I've been motivated for that again, and I also just find myself wanting to be at home like cocoon. I've been out to some of the marches and stuff, said hi to people or did different things when I have energy, but they're like short bursts and I don't feel like I have a very clear direction myself on what is the long-term action, except I was telling friends recently art and food, if I can help people make art and we can eat together, that feels good to me right now. And those are the only two things that have really resonated enough for me to have creative energy, and maybe that's something to the exhaustion you're speaking about and I don't know, I mean Mary A. Little bit, and I know Jenny knows, I spent a group of us spent years trying to advocate for English language learners here at North and in a nanosecond, Trump comes along and just Fs it all, Fs up the law, violates the law, violates funding all of this stuff in a nanosecond, and you're like, well, what do you do about that?(31:41):It doesn't mean you stop organizing at the local level, but there is something of a punch to the gut about it.Mary (31:48):Oh yeah, no, people are just getting punched in the gut all over the place and then you're expected to just keep on rolling and moving and you're like, alright, well I need time to process. But then it feels like you can just be stuck in this pattern of just processing because they just keep throwing more and more shit at you and you're like, ah, let us hide and heal for a little bit, and then you're like, wait, that's not what I'm supposed to be doing right now. Yeah. Yeah. It's intense. And yeah, I feel that the sense of need for art and food is a great call. Those things are restorative too, where you're like, okay, how can I actually create a space that feels healthy and generative when so much of that's getting taken away? I also speaking to your somatic stuff, Jenny, I recently started doing yoga and stretching stuff again after just years of not because I was like, oh, I have all this shit all locked up in my body and I'm not even able to process when I'm all locked up. Wild. Yeah.Danielle (33:04):Yeah. I fell in a hole almost two weeks ago, a literal concrete hole, and I think the hole was meant for my husband Luis. He actually has the worst luck than me. I don't usually do that shit meant I was walking beside him, I was walking beside of him. He is like, you disappeared. I was like, it's because I stepped in and I was in the moment. My body was like, oh, just roll. And then I went to roll and I was like, well, I should put my hand out. I think it's concrete. So I sprained my right ankle, I sprained my right hand, I smashed my knees on the concrete. They're finally feeling better, but that's how I feel when you talk about all of this. I felt like the literal both sides of my body and I told a friend at the gym is like, I don't think I can be mortal combat because when my knees hurt, it's really hard for me to do anything. So if I go into any, I'm conscripted or anything happens to me, I need to wear knee pads.Jenny (34:48):Yeah. I literally Googled today what does it mean if you just keep craving cinnamon? And Google was like, you probably need sweets, which means you're probably very stressed. I was like, oh, yeah. It's just interesting to me all the ways that our bodies speak to us, whether it's through that tension or our cravings, it's like how do we hold that tension of the fact that we are animal bodies that have very real needs and the needs of our communities, of our coalitions are exceeding what it feels like we have individual capacity for, which I think is part of the point. It's like let's make everything so unbelievably shitty that people have a hard time just even keeping up. And so it feels at times difficult to tend to my body, and I'm trying to remember, I have to tend to my body in order to keep the longevity that is necessary for this fight, this reconstruction that's going to take probably longer than my life will be around, and so how do I keep just playing my part in it while I'm here?Mary (36:10):Yeah. That's very wise, Jenny. I feel like the thing that I've been thinking about a lot as winter settles in is that I've been like, right, okay, trees lose their leaves and just go dormant. It's okay for me to just go dormant and that doesn't mean that I'm dead. I think that's been something that I've been thinking about too, where it's like, yeah, it's frustrating to see the urgency of this time and know that you're supposed to be rising to the occasion and then also be in your dormancy or winter, but I do feel like there is something to that, the nurturing of the roots that happens when plants aren't focused on growing upwards. I think that that's also one of the things that I've been thinking a lot about in organizing, especially for some of the folks that are wanting to organize but aren't sure a lot of the blockade tactics that they were interested in pursuing now feel just off the table for the amount of criminalization or problems that they would face for it. So then it's like, okay, but how do we go back and nurture our roots to be stronger in the long run and not just disappear into the ether too?Danielle (37:31):I do feel that, especially being in Washington, I feel like this is the hibernation zone. It's when my body feels cozy at night and I don't want to be out, and it means I want to just be with my family more for me, and I've just given myself permission for that for weeks now because it's really what I wanted to do and I could tell my kids craved it too, and my husband and I just could tell they needed it, and so I was surprised I needed it too. I like to be out and I like to be with people, but I agree, Mary, I think we get caught up in trying to grow out that we forget that we do need to really take care of our bodies. And I know you were saying that too, Jenny. I mean, Jenny Jenny's the one that got me into somatic therapy pretty much, so if I roll out of this telephone booth, you can blame Jenny. That's great.Mary (38:39):That's perfect. Yeah, somatics are real. Oh, the cinnamon thing, because cinnamon is used to regulate your blood sugar. I don't know if you realize that a lot of people that have diabetes or insulin resistant stuff, it's like cinnamon helps see your body with sugar regulation, so that's probably why Google was telling you that too.Jenny (39:04):That is really interesting. I do have to say it was one of those things, I got to Vermont and got maple syrup and I was like, I don't think I've ever actually tasted maple syrup before, so now I feel like I've just been drinking it all day. So good. Wait,Mary (39:29):That's amazing. Also, it's no coincidence that those are the fall flavors, right? Like maple and cinnamon and all the Totally, yeah. Cool.Danielle (39:42):So Mary, what wisdom would you give to folks at whatever stage they're in organizing right now? If you could say, Hey, this is something I didn't know even last week, but I know now. Is there something you'd want to impart or give away?Mary (39:59):I think the main thing is really just to use your own skills. Don't feel like you have to follow along with whatever structure someone is giving you for organizing. It's like if you're an artist, use that. If you're a writer, use that. If you make film, use that, don't pigeonhole yourself into that. You have to be a letter writer because that's the only organized thing around you. I think that's the main thing that I always feel like is really exciting to me is people, if you're a coder, there's definitely activists that need help with websites or if you're an accountant, there are so many organizations that are ready to just get audited and then get erased from this world and they desperately need you. I feel like there's a lot of the things that I feel like when you're getting involved in social movements. The other thing that I want to say right now is that people have power.(40:55):It's like, yes, we're talking about falling in holes and being fucking exhausted, but also even in the midst of this, a community down in Corpus Christi just won a major fight against a desalination plant where they were planning on taking a bunch of water out of their local bay and then removing the salt from it in order to then use the water for the oil and gas industry. And that community won a campaign through city level organizing, which is just major because basically they have been in a multi-year intense drought, and so their water supply is really, really critical for the whole community around them. And so the fact that they won against this desal plant is just going to be really important for decades to come, and that was one under the Trump administration. They were able to win it because it was a city level fight.(42:05):Also, the De Express pipeline got canceled down in Texas and Louisiana, which is a major pipeline expansion that was going to feed basically be a feeder pipeline to a whole pipeline system in Mexico and LNG export there. There's like, and that was just two weeks ago maybe, but it feels like there's hardly any news about it because people are so focused on fighting a lot of these larger fights, but I just feel like it's possible to win still, and people are very much feeling, obviously we aren't going to win a lot of major things under fascism, but it's also still possible to create change at a local level and not the state can't take everything from us. They're trying to, and also it's a fucking gigantic country, so thinking about them trying to manage all of us is just actually impossible for them to do it. They're having to offer, yes, the sheer number of people that are working for ICE is horrific, and also they're offering $50,000 signing bonuses because no one actually wants to work for ice.(43:26):They're desperately recruiting, and it's like they're causing all of this economic imbalance and uncertainty and chaos in order to create a military state. They're taking away the SNAP benefits so that people are hungry enough and desperate enough to need to steal food so that they can criminalize people, so that they can build more jails so that they can hire more police. They're doing all of these things strategically, but also they can't actually stop all of the different social movement organizers or all of the communities that are coming together because it's just too big of a region that they're trying to govern. So I feel like that's important to recognize all of the ways that we can win little bits and bobs, and it doesn't feel like, it's not like this moment feels good, but it also doesn't, people I think, are letting themselves believe what the government is telling them that they can't resist and that they can't win. And so it's just to me important to add a little bit more nuance of that. What the government's doing is strategic and also we can also still win things and that, I don't know, it's like we outnumber them, but yeah, that's my pep talk, pep Ted talk.Mary (45:18):And just the number of Canadians that texted me being like, mom, Donny, they're just like, everyone is seeing that it's, having the first Muslim be in a major political leadership role in New York is just fucking awesome, wild, and I'm also skeptical of all levels of government, but I do feel like that's just an amazing win for the people. Also, Trump trying to get in with an endorsement as if that would help. It's hilarious. Honestly,Mary (46:41):Yeah. I also feel like the snap benefits thing is really going to be, it reminds me of that quote, they tried to bury us, but we were seeds quote where I'm just like, oh, this is going to actually bite you so hard. You're now creating an entire generation of people that's discontent with the government, which I'm like, okay, maybe this is going to have a real negative impact on children that are going hungry. And also it's like to remember that they're spending billions on weapons instead of feeding people. That is so radicalizing for so many people that I just am like, man, I hope this bites them in the long term. I just am like, it's strategic for them for trying to get people into prisons and terrible things like that, but it's also just woefully unstrategic when you think about it long term where you're like, okay, have whole families just hating you.Jenny (47:57):It makes me think of James Baldwin saying not everything that's faced can be changed, but nothing can be changed until it's faced. And I feel like so many of these things are forcing folks who have had privilege to deny the class wars and the oligarchy and all of these things that have been here forever, but now that it's primarily affecting white bodies, it's actually forcing some of those white bodies to confront how we've gotten here in the first place. And that gives me a sense of hope.Mary (48:48):Oh, great. Thank you so much for having me. It was so nice to talk to y'all. I hope that you have a really good rest of your day, and yeah, really appreciate you hosting these important convos. Well, first I guess I would have to believe that there was or is an actual political dialogue taking place that I could potentially be a part of. And honestly, I'm not sure that I believe that.

On this episode of Below the Radar, our host Am Johal is joined by Dave Biddle, artist, musician, theorist, and PhD Candidate at SFU's School for the Contemporary Arts. Together, they chat about Dave's research, artistic practice, and rugby. Enjoy the episode! Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/btr-bsides-dave-biddle.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/btr-bsides-dave-biddle.html Resources: Copyright Linda Fox: https://kopyrightlindafox.bandcamp.com/ Dave's Oasis: https://davesoasis.cargo.site/ Liquidation World: https://www.instagram.com/liquidationw0rld/?hl=en Bio: Dave Biddle (being me) is a musician (being Copyright Linda Fox), a theorist (being susceptible to gnosis), and a filmmaker (being quick to tell you about his new "script"). He (still being me) is interested in how the many different forms of life on earth (being metaphorically different) are all oriented toward the production of new expressions of meaning (being negentropic), and in this process some of those expressions emerge as something called an "artist bio" (being the ultimate expression). Dave Biddle (being the artist whose bio is in question) was born in Vancouver (being the traditional territories of the Musqueam, Squamish and Tsleil-Waututh First Nations) and he continues to live in that (being this) strange place where he studies the silverfish in his books (being being). Cite this episode: Chicago Style Johal, Am. “M.I.T.C.O.E. — with Dave Biddle.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, October 21, 2025. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/btr-bsides-dave-biddle.html.

Wyatt C. Louis is a Plains Cree singer-songwriter from Montana First Nation on Treaty 6 Territory, Alberta. Their songs are deeply rooted in story and place, and speak to universal themes of home, family, and love. Their much-celebrated debut album Chandler (2024) draws from multiple musical influences, but sits comfortably in the folk/roots genre. The album was long-listed for the 2025 Polaris Music Prize, and was a 2025 Juno Award nominee for "Album Artwork of the Year" (Erik M. Grice and Vanessa Heins). Learn more about Wyatt at wyattclouis.com. This conversation was taped at the University of British Columbia, on the  traditional, ancestral, and unceded territory of the Musqueam people. Music in this episode (used with permission):"In Emerald" - Wyatt C. Louis (Chandler, 2024)"Carefree" - Wyatt C. Louis (Chandler, 2024)"Bobtail Road" (Single) - Wyatt C. Louis (2023)Support the showPlease help us keep the pod rocking and rolling with a donation. Any amount helps! MUSIC BUDDY IS:Jane Gowan (host, producer, editor) ; Tim Vesely (co-producer)The show's theme song, "Human Stuff," is written by Jane Gowan and Tim Vesely, and performed by Jane and Tim, with additional vocals by Steve Wright and Connie Kostiuk STAY IN TOUCH Email: jane@musicbuddy.caInstagram: @musicbuddypodcastFacebook: @musicbuddypodcastBluesky: @musicbuddy.bsky.socialTikTok: @musicbuddypodThis podcast is brought to you by Morning Run Productions.

Ari Kinarthy's existence is marked by worry and vigilance around his health, as he struggles with spinal muscular atrophy. Yet he was born with the soul of an artist, becoming a celebrated composer eager to share his story through the power of music. Making him the subject of Jeff Petry and Nathan Drillot's 'Ari's Theme,' Director of Programming at VIFF, Curtis Woloschuk, sits down with Petry to discuss what it takes to build trust with your documentary subject, the importance of centering their story, and how to ensure their art will be remembered. This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In their heyday of the 1970s and 1980s, there were more than 200 - possibly more than 400 - feminist restaurants and coffee shops in the USA and Canada. These places were aiming to change ways of working, and upend the hierarchies of restaurants; to provide food that was ethically sourced and affordable to customers, while providing staff with a decent wage; to signal to particular kinds of people that a space was specifically for them. They didn't always succeed, and often they didn't last for more than a couple of years. But they sure did try things. Dr Alex Ketchum, author of Ingredients for Revolution, a History of American Feminist Restaurants, Cafes, and Coffeehouses, explains the ups and downs of how these places used words.Visit theallusionist.org/breadroses for more information about today's topics, plus a transcript of the episode.Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes info about every episode; livestreams with me, Martin and my ever-growing collection of dictionaries, and the charming and nurturing Allusioverse Discord community, where we're watching the current season of Great British Bake Off, and donors are learning that apparently it is a surprisingly productive source of writing inspiration for me.This episode was produced by me, Helen Zaltzman, on the unceded ancestral and traditional territory of xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. The music is by Martin Austwick. Download his own songs at palebirdmusic.com and on Bandcamp, and listen to his podcasts Song By Song and Neutrino Watch.Find the Allusionist at youtube.com/allusionistshow, instagram.com/allusionistshow, facebook.com/allusionistshow, @allusionistshow.bsky.social… If I'm there, I'm there as @allusionistshow. Our ad partner is Multitude. If you want me to talk compellingly about your product, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:• Squarespace, your one-stop shop for building and running your online forever home. Go to squarespace.com/allusionist for a free trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.• Home Chef, meal kits that fit your needs. For a limited time, Home Chef is offering Allusionist listeners fifty per cent off and free shipping on your first box, plus free dessert for life, at HomeChef.com/allusionist.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this special edition of the VIFF Podcast, get a glimpse of what goes on behind-the-scenes when it comes to VIFF programming, and how certain shorts make it to screen at our annual festival. VIFF Shorts Forum programmer Casey Wei and her coordinator, Jaewoo Kang discuss how to find the balance between telling the story, and film as a an art form. The pair also dive into the importance of choosing titles with urgent themes, providing an opportunity for audiences to stay engaged with the topic in order to increase education, and invoke change. This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Watching the film Legally Blonde one day with the subtitles on, numerous perfectly innocuous words were partially asterisked out, because of a technological problem I can't name here lest this episode be blocked from your podfeed, thus becoming an example of the problem itself.Who's to blame? A 900-year-old man from Lincolnshire. Although he didn't ask for this either.Content note: this episode contains SWEARS. Educational though!Visit theallusionist.org/terisk for more information about today's topics, plus a transcript of the episode.Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes info about every episode; livestreams with me, Martin and my ever-growing collection of dictionaries, and the charming and nurturing Allusioverse Discord community, where we're watching the current seasons of Great British Sewing Bee and Great British Bake Off, and our previous watchalong of Legally Blonde begat this episode.This episode was produced by me, Helen Zaltzman, on the unceded ancestral and traditional territory of xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. Martin Austwick sings and composed the music. Download his own songs at palebirdmusic.com and on Bandcamp, and listen to his podcasts Song By Song and Neutrino Watch.Find the Allusionist at youtube.com/allusionistshow, instagram.com/allusionistshow, facebook.com/allusionistshow, @allusionistshow.bsky.social… If I'm there, I'm there as @allusionistshow. Our ad partner is Multitude. If you want me to talk compellingly about your product, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:• Squarespace, your one-stop shop for building and running your online forever home. Go to squarespace.com/allusionist for a free trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.• Home Chef, meal kits that fit your needs. For a limited time, Home Chef is offering Allusionist listeners fifty per cent off and free shipping on your first box, plus free dessert for life, at HomeChef.com/allusionist.• Rosetta Stone, immersive and effective language learning. Allusionist listeners get 50% off unlimited access to all 25 language courses, for life: go to rosettastone.com/allusionist.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In Santiago Lozano's 'I Saw Three Black Lights,' a wise old shaman embarks on a final journey into the Colombian jungle to settle a spiritual debt and reconnect with his late son. We sit down with the filmmaker to discuss how an immersive, lush setting can almost act as a character itself, the importance of connecting with cast in mind, body, and spirit, and more on this story of honouring the dead, and tradition.This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Estlin McPhee returns to the podcast to chat about their debut collection, In Your Nature. Andrew asks about werewolves and community. It's a good listen!--Estlin McPhee is a writer and librarian who lives on the traditional territories of the Musqueam, Squamish, and Tsleil-Waututh peoples. They hold an MFA in Creative Writing from the University of British Columbia and are the author of the poetry chapbook Shapeshifters (Rahila's Ghost Press, 2018). For many years, they co-organized REVERB, a queer reading series in Vancouver. In Your Nature (Brick Books, 2025) is Estlin's debut poetry collection.--Andrew French is a poet from North Vancouver, British Columbia. They have published three chapbooks, most recently Buoyhood (Alfred Gustav Press, 2025). Andrew holds a BA in English from Huron University College at Western University and an MA in English from UBC. They have hosted this very podcast since 2019.

Listener Erica commented: "Perhaps an idea for a bonus ep of Four Letter Word season would be one on two-letter words: there's an established list that Scrabble nerds end up memorizing, and it's full of weirdness." In fact, there are TWO established lists, NASPA, the North American Scrabble Players Association, which has currently 107 two-letter words, and Collins Scrabble Words, formerly known as SOWPODS, used by the rest of the world and contains at present 127 two-letter words.And this episode, we're going to hear all those two-letter words. If you don't agree with their Scrabbular validity, don't blame me! Some of the inclusions were a surprise!Visit theallusionist.org/two for more information about today's two-letter words, plus a transcript of the episode.Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes info about every episode, livestreams where I read from my ever-growing collection of dictionaries, and the charming and nurturing Allusioverse Discord community, where we're watching the current season of Great British Sewing Bee and soon the new season of Great British Bake Off.This episode was produced by me, Helen Zaltzman, on the unceded ancestral and traditional territory of xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. The music is by Martin Austwick; download his songs at palebirdmusic.com and on Bandcamp, and listen to his podcasts Song By Song and Neutrino Watch.Find the Allusionist at youtube.com/allusionistshow, instagram.com/allusionistshow, facebook.com/allusionistshow, @allusionistshow.bsky.social… If I'm there, I'm there as @allusionistshow. Our ad partner is Multitude. If you want me to talk compellingly about your product, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:• Squarespace, your one-stop shop for building and running your online forever home. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

'Cat's Cry' filmmaker Sanja Zivkovic sits down with VIFF Festival Programmer & Program Lead, Sonja Baksa, to talk about her global career spanning all the way from SFU's Burnaby campus to Serbia. 'Cat's Cry' first fell into Zivkovic's lap when the son of famous Serbian filmmaker Goran Paskaljević, Vlad Paskaljević, approached her with the possibility of reviving this moving screenplay following Goran Paskaljević's passing in September 2020. The work, 'Cat's Cry', is the true story of a couple fighting for custody of their granddaughter, who has been diagnosed with a unique condition called cat's cry syndrome. Zivkovic walks us through her approach to balancing male and female perspectives in features, her journey directing for a work she hasn't written herself (a first for the filmmaker), and how experiencing motherhood at the time of the film's conception influenced her approach to character work. Plus, a few words on her guilty pleasure, HBO's 'Sex and the City.'This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

For today's instalment of Four Letter Word season, we're hopping from ‘bane' to ‘bain' to ‘bath', via poison gardens, doll's eyes, alchemists, placentas and waterborne curses.Visit theallusionist.org/bane for more information about today's topics, plus a transcript of the episode.Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes info about every episode, livestreams with me, Martin and my ever-growing collection of dictionaries, and the charming and nurturing Allusioverse Discord community, where we're watching the current seasons of Great British Sewing Bee.This episode was produced by me, Helen Zaltzman, on the unceded ancestral and traditional territory of xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. Martin Austwick appears and also composed the music, including his new song 'Poison Garden'. Download his songs at palebirdmusic.com and on Bandcamp, and listen to his podcasts Song By Song and Neutrino Watch.Find the Allusionist at youtube.com/allusionistshow, instagram.com/allusionistshow, facebook.com/allusionistshow, @allusionistshow.bsky.social… If I'm there, I'm there as @allusionistshow. Our ad partner is Multitude. If you want me to talk compellingly about your product, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:• Squarespace, your one-stop shop for building and running your online forever home. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.• Home Chef, meal kits that fit your needs. For a limited time, Home Chef is offering Allusionist listeners fifty per cent off and free shipping on your first box, plus free dessert for life, at HomeChef.com/allusionist.• Rosetta Stone, immersive and effective language learning. Allusionist listeners get 50% off unlimited access to all 25 language courses, for life: go to rosettastone.com/allusionist.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

When a mute young man seeks to escape into the wilderness, he quickly realizes he's not suited to survive on his own. To adapt, the young man begins to embody a feline, finding solace in a blind man's home, someone also seeking connection and comfort. Together, the pair forge an unconventional path towards tenderness and intimacy, where the mute young man begins to forget his human identity altogether. Kam Fai Leung's 'Save My Soul' is a unique commentary on the war of loneliness and the feeling that one must change to receive love. Leung joins the VIFF Podcast to talk plot, production, and the Hong Kong indie film scene. This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Harvey is a lonely, overweight man who discovers new self-esteem when he submits a photo to Cherub, a gay magazine “For big men and their admirers.” Director Devin Shears talks from his move from shorts to features in this gentle, ambient character study, revealing the healing power of being admired.This episode was recorded during the 2024 Vancouver International Film Festival.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

The latest four letter word of Four Letter Word season is dino. 'Dinosaur' is derived from Greek 'terrible lizard', and they could have called it 'whopping great lizard' or 'sublime lizard' or 'hey cool lizard', but no. TERRIBLE. Professor Hannah McGregor of Material Girls podcast and author of the book Clever Girl: Jurassic Park explains humans' relationship with language for dinosaurs, and why 'terrible' might be a perfect choice.Visit theallusionist.org/dino for more information about dinos, links to Hannah and her work, pics of the Crystal Palace Park dinosaurs, and the transcript of the episode.TOMORROW, ie 22 July, at 4pm UK time, BBC Radio 4 is broadcasting (and internetting) our piece Souvenirs, a sort of tragicomic essay/documentary/musical? about the two friends who around 1900 founded the groundbreaking Doves Press then almost immediately had a big falling out and spent more than a decade fighting over their in-house typeface. And THEN things got weird. If you like stories about history and/or petty revenge, this is for you.It's some of my best work - I give it 7.8 out of 10 - and I'd love for you to listen to it, via radio or BBC website or BBC Sounds (it'll be on there for a while after, I'm not sure how long). We're also having a live listening party during the broadcast in the Allusioverse Discord, so what a great time to join: theallusionist.org/donate You also get behind the scenes scoops about the making of every episode, livestreams with me and my collection of dictionaries, perks at live shows, the company of your fellows in the Allusioverse Discord, and watchalongs eg currently the new season of Great British Sewing Bee. And, you're keeping this independent podcast going, what great outcomes for your money.This episode was produced by me, Helen Zaltzman, on the unceded ancestral and traditional territory of xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. Martin Austwick provided music and editorial assistance. Download his songs at palebirdmusic.com and listen to his podcasts Song By Song and Neutrino Watch.Find the Allusionist at youtube.com/allusionistshow, instagram.com/allusionistshow, facebook.com/allusionistshow, @allusionistshow.bsky.social… If I'm there, I'm there as @allusionistshow. Our ad partner is Multitude. If you want me to talk compellingly about your product, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:• Understance, a growing Vancouver BC company making thoughtfully designed, pretty and comfy bras, undies and sleepwear. They're having a sale on June 26-July 1 so get over there and stock up at understance.com or at their stores in Vancouver, Burnaby, Calgary and Toronto.• Squarespace, your one-stop shop for building and running your online forever home. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.• Home Chef, meal kits that fit your needs. For a limited time, Home Chef is offering Allusionist listeners fifty per cent off and free shipping on your first box, plus free dessert for life, at HomeChef.com/allusionist.• Rosetta Stone, immersive and effective language learning. Allusionist listeners get 50% off unlimited access to all 25 language courses, for life: go to rosettastone.com/allusionist.• Quince, luxurious clothing and homewares at prices 50-80% lower than comparable brands. Go to Quince.com/allusionist for free shipping on your order and 365-day returns.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Natalie Lim is back with her debut poetry collection, Elegy for Opportunity! Andrew talks about capturing connection in poems. It's a great reunion!--Natalie Lim (she/her) is a Chinese-Canadian poet living on the unceded, traditional territories of the Musqueam, Squamish and Tsleil-Waututh Peoples (Vancouver, BC). She is the author of a full-length book of poetry, Elegy for Opportunity (Wolsak & Wynn, 2025) and a chapbook, arrhythmia (Rahila's Ghost Press, 2022). Winner of the 2018 CBC Poetry Prize and Room Magazine's 2020 Emerging Writer Award, her work has been published in Arc Poetry Magazine, Best Canadian Poetry 2020 and elsewhere.--Andrew French is a poet from North Vancouver, British Columbia. They have published three chapbooks, most recently Buoyhood (Alfred Gustav Press, 2025). Andrew holds a BA in English from Huron University College at Western University and an MA in English from UBC. They write poems, book reviews, and have hosted this very podcast since 2019.

In this NBN episode, host Hollay Ghadery speaks with Vancouver poet Natalie Lim about her debut poetry collection, Elegy for Opportunity (Wolsak & Wynn/Buckrider Books, 2025). In this collection, Natalie Lim asks: How do we go on living and loving in a time of overlapping crises? Anchored by elegies for NASA's Opportunity rover and a series of love poems, this collection explores the tension and beauty of a world marked by grief through meditations on Dungeons & Dragons, Taylor Swift's cultural impact, the all-engulfing anxiety of the climate crisis and more. Confessional, funny and bursting with joy, Elegy for Opportunity extends a lifeline from Earth that will leave you feeling comforted, challenged and a little less alone in the universe. About Natalie Lim: Natalie Lim is a Chinese-Canadian poet living on the unceded, traditional territories of the Musqueam, Squamish and Tsleil-Waututh Peoples (Vancouver, BC). She is the winner of the 2018 CBC Poetry Prize and Room magazine's 2020 Emerging Writer Award, with work published in Arc Poetry Magazine, Best Canadian Poetry 2020 and elsewhere. She is the author of a chapbook, arrhythmia (Rahila's Ghost Press, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this NBN episode, host Hollay Ghadery speaks with Vancouver poet Natalie Lim about her debut poetry collection, Elegy for Opportunity (Wolsak & Wynn/Buckrider Books, 2025). In this collection, Natalie Lim asks: How do we go on living and loving in a time of overlapping crises? Anchored by elegies for NASA's Opportunity rover and a series of love poems, this collection explores the tension and beauty of a world marked by grief through meditations on Dungeons & Dragons, Taylor Swift's cultural impact, the all-engulfing anxiety of the climate crisis and more. Confessional, funny and bursting with joy, Elegy for Opportunity extends a lifeline from Earth that will leave you feeling comforted, challenged and a little less alone in the universe. About Natalie Lim: Natalie Lim is a Chinese-Canadian poet living on the unceded, traditional territories of the Musqueam, Squamish and Tsleil-Waututh Peoples (Vancouver, BC). She is the winner of the 2018 CBC Poetry Prize and Room magazine's 2020 Emerging Writer Award, with work published in Arc Poetry Magazine, Best Canadian Poetry 2020 and elsewhere. She is the author of a chapbook, arrhythmia (Rahila's Ghost Press, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In 'Judas Icarus Twists His Wrist,' Director Kerr Holden (she/her) follows BC-based wrestler, Judas Icarus, following his arduous road to recovery after an injury. On the choreography of wrestling, the power of score, and how to emphasize athleticism and physicality on screen, Holden joins VIFF Shorts programmer Casey Wei on the VIFF Podcast talking her filmmaking journey, how to identify a subject, and how metal music simply, rocks. This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this NBN episode, host Hollay Ghadery speaks with Vancouver poet Natalie Lim about her debut poetry collection, Elegy for Opportunity (Wolsak & Wynn/Buckrider Books, 2025). In this collection, Natalie Lim asks: How do we go on living and loving in a time of overlapping crises? Anchored by elegies for NASA's Opportunity rover and a series of love poems, this collection explores the tension and beauty of a world marked by grief through meditations on Dungeons & Dragons, Taylor Swift's cultural impact, the all-engulfing anxiety of the climate crisis and more. Confessional, funny and bursting with joy, Elegy for Opportunity extends a lifeline from Earth that will leave you feeling comforted, challenged and a little less alone in the universe. About Natalie Lim: Natalie Lim is a Chinese-Canadian poet living on the unceded, traditional territories of the Musqueam, Squamish and Tsleil-Waututh Peoples (Vancouver, BC). She is the winner of the 2018 CBC Poetry Prize and Room magazine's 2020 Emerging Writer Award, with work published in Arc Poetry Magazine, Best Canadian Poetry 2020 and elsewhere. She is the author of a chapbook, arrhythmia (Rahila's Ghost Press, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Get in, winner: we're going on a field trip. We're spending the day in five of Vancouver's city parks with Justin McElroy, Municipal Affairs Reporter for the CBC and ranker of Vancouver's 243 parks at VancouverParkGuide.ca. Together we ponder: what IS a park? You think you know, then along comes a slab of concrete called a park to test your taxonomy.Visit theallusionist.org/park for photos of the parks and more information about them, plus a transcript of the episode.Events are happening! Get info at theallusionist.org/events about the meetup on 13 August in one of Vancouver's beach parks, the listening party for the live Radio 4 broadcast of our piece Souvenirs, and for Four Letter Word season, a watchalong of the films Dick and Dicks: The Musical. Want to join that? Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses about every episode, livestreams with me and my collection of dictionaries, and the charming and supportive Allusioverse Discord community, where we're watching the current seasons of Great British Sewing Bee and Bake Off: The Professionals.This episode was produced by me, Helen Zaltzman, on the unceded ancestral and traditional territory of xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. The music is by Martin Austwick. Download his songs at palebirdmusic.com and listen to his podcasts Song By Song and Neutrino Watch.Find the Allusionist at youtube.com/allusionistshow, instagram.com/allusionistshow, facebook.com/allusionistshow, @allusionistshow.bsky.social… If I'm there, I'm there as @allusionistshow. Our ad partner is Multitude. If you want me to talk compellingly about your product, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:• Understance, a growing Vancouver BC company making thoughtfully designed, pretty and comfy bras, undies and sleepwear. They're having a sale on June 26-July 1 so get over there and stock up at understance.com or at their stores in Vancouver, Burnaby, Calgary and Toronto.• Squarespace, your one-stop shop for building and running your online forever home. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.• Quince, luxurious clothing and homewares at prices 50-80% lower than comparable brands. Go to Quince.com/allusionist for free shipping on your order and 365-day returns.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is a special edition of conscient roundtable featuring Lara Felsing, Adrian Avendaño, Hildegard Westerkamp, Toni-Leah C. Yake as part of the Listening in Relation gathering at Emily Carr University of Art and Design on March 21-23, 2025 on the traditional, ancestral, and unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations, also known as Vancouver. Warm thanks to Julie  Andreyev of Emily Carr University, Barbara Adler of The Only Animal, the Canadian Association for Sound Ecology (CASE), Raphael Zen (who is a guest on conscient e228), and all the roundtable participants. Show notes generated by Whisper Transcribe AIAction PointsExplore the role of listening in decolonizing creative practices and challenging colonial narratives.Recognize the importance of land acknowledgments as active opportunities to listen to and honor Indigenous requests.Integrate personal and ancestral knowledge into artistic processes to foster relationality with the land and more-than-human beings.Reflect on the ethical implications of technology use in art, considering environmental impact and responsible creation.Embrace silence and slow down to connect with inner wisdom and speak from the heart.Story PreviewWhat does it truly mean to listen? Dive into an exploration of decolonization through sound, art, and personal reflections. Hear from artists who are reshaping their creative practices to honor the land, ancestors, and the unseen voices that guide them.Chapter Summary00:00 Introduction to Listening in Relation02:20 Keynote Panel Overview06:48 Artistic Journeys and Ancestral Connections29:58 Dream Technology and Cultural Expression41:27 Identity, Land, and Heritage50:01 Sonic Memories and Cultural Practices57:04 Sacred Spaces and Cultural Resilience01:03:05 Reflections on Cultural Action and Belonging01:11:09 The Power of Listening and Silence01:16:10 Technology, Creativity, and Environmental Impact01:35:20 Closing Thoughts and Community EngagementFeatured QuotesLara Felsing : ‘I think about listening in my practice as being receptive to concerns that are happening on the land.'Toni Leah C. Yakes : ‘When you're asking where you're from, you're actually asking: What clay are you made of? or What earth are you made of?'Hildegard Westerkamp : ‘Listening was always the base from where I functioned. Listening always brought us back to ground.'Behind the StoryThe ‘Listening in Relation' event at Emily Carr University of Art and Design brought together artists and thinkers to explore the critical role of listening and decolonization. This episode captures the keynote panel of that event, exploring how artists are actively engaging with sound, memory, and the land to challenge colonial narratives and foster deeper connections. The discussion highlights the delicate balance between technology, creativity, and environmental responsibility, prompting a reflection on our relationship with the world around us. *END NOTES FOR ALL EPISODESHey conscient listeners, I've been producing the conscient podcast as a learning and unlearning journey since May 2020 on un-ceded Anishinaabe Algonquin territory (Ottawa). It's my way to give back.In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish fee ‘a calm presence' Substack see https://acalmpresence.substack.com.Your feedback is always welcome at claude@conscient.ca and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on July 8, 2025

The first thing that comes to mind is my young activist in me that says, of course, let's just fight. Let's just do what we can to speak out against, be revolutionary, be, you know, like we were when we were young in the 60s, 70s. Now I think that my response is to stop and to slow down and to do some deep listening and some meditation and to ground myself because I don't know what to do at this point in time, at all.My second conscient conversation with composer and acoustic ecologist Hildegard Westerkamp. The first took place on March 31, 2021 in Vancouver, e22 westerkamp – slowing down through listening, and this second took place on March 17, 2025 in Vancouver BC which is on the unceded traditional territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations.. Hildi is also featured in numerous other episodes of this podcast including 157, 170 and 226. I asked Hildi to focus our conversation on her childhood in post war Germany and how her upbringing has affected her work as an artist and listener. This is especially relevant as authoritarian regimes are unfolding around the world. I think we are well served by listening to our elders who have important stories to tell. Show notes generated by Whisper Transcribe AIActionsAcknowledge the importance of slowing down and listening deeply in times of crisisRecognize the lasting impact of childhood experiences, particularly in environments of trauma and upheavalSeek calm and open spaces to foster creativity and profound changeEmbrace the creative spirit and artistic behavior as essential for survival and resilienceConnect with others and use intelligence and senses to navigate challenging momentsStory PreviewHildegard Westerkamp reflects on a childhood shaped by the ruins and lingering fears of post-war Germany, revealing how early exposure to trauma and a deep connection to nature forged her path as an artist and listener. Hear how immigrating to Canada gave her the space to heal and create.Chapter Summary00:00 The Activist's Dilemma00:47 Childhood Reflections02:06 The Impact of War06:05 Rebellion and Reflection08:05 Finding Creative Freedom10:01 Art in Times of Crisis12:50 The Spirit of ResilienceFeatured QuotesTo make change on a more profound level, you have to almost distance yourself from the crisis and be in a place of calm.The first thing that comes to mind is my young activist in me that says, of course, let's just fight.In hindsight, it was that connection to the outdoors, to the being in the forest and in the garden, that I think really shaped me.Behind the StoryHildegard Westerkamp's narrative paints a picture of a generation grappling with the unspoken horrors of war and the weight of collective guilt. Her story highlights the importance of acknowledging the past, finding solace in nature, and cultivating inner calm to foster creativity and resilience in the face of ongoing global challenges. *END NOTES FOR ALL EPISODESHey conscient listeners, I've been producing the conscient podcast as a learning and unlearning journey since May 2020 on un-ceded Anishinaabe Algonquin territory (Ottawa). It's my way to give back.In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish fee ‘a calm presence' Substack see https://acalmpresence.substack.com.Your feedback is always welcome at claude@conscient.ca and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on July 8, 2025

To close out Pride Month this week, we're sharing a special best of episode featuring stories about coming out in science!  Part 1: Science educator Charlie Cook experiments with coming out to students. Charlie Cook is a non-binary white settler on ancestral, unceded Musqueam, Squamish, and Tsleil-Waututh territory. They are a museum science interpreter with a BFA in Original Works from Cornish College of the Arts. Part 2: Marine biologist Shayle Matsuda adapts to his new identity as a transgender man while on assignment in the Philippines. Dr. Shayle Matsuda is a Research Biologist at the John G. Shedd Aquarium in Chicago, where he leads the Aquatic Microbial Ecology: Coral Reefs and Urban Freshwater Ecosystems research program. Shayle Matsuda's story originally aired on our podcast in November 2014. See details here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

To close out Pride Month this week, we're sharing a special best of episode featuring stories about coming out in science!  Part 1: Science educator Charlie Cook experiments with coming out to students. Charlie Cook is a non-binary white settler on ancestral, unceded Musqueam, Squamish, and Tsleil-Waututh territory. They are a museum science interpreter with a BFA in Original Works from Cornish College of the Arts. Part 2: Marine biologist Shayle Matsuda adapts to his new identity as a transgender man while on assignment in the Philippines. Dr. Shayle Matsuda is a Research Biologist at the John G. Shedd Aquarium in Chicago, where he leads the Aquatic Microbial Ecology: Coral Reefs and Urban Freshwater Ecosystems research program. Shayle Matsuda's story originally aired on our podcast in November 2014. See details here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hot air ballooning has been illegal in São Paulo, Brazil since the 1990's. Intrigued by this underworld of guerilla artists, who risk their lives, and freedom in order to craft and release huge, lavishly decorated paper balloons up to 70 metres in height, Director Sissel Morell Dargis began creating 'Balomania' when she was 19, spending a decade earning the trust of these baloeiros to tell this story. Today, she joins the VIFF Podcast to talk starting from nothing as a filmmaker, how to finance your film, and most importantly, how to earn the trust of your subjects as a documentarian (especially when what they're doing is technically, outlawed). This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

The other day was the 53rd anniversary of the break-in at the Watergate Hotel, which not only caused a lot of political uproar, it had a big linguistic legacy: the suffix -gate to mean a scandal. Today, as part of Four Letter Word season, we have a list of -gates - royal, sporting, political, food, showbiz - it's a non-exhaustive list because there are so many, and new ones are being spawned all the time. Content warning for all sorts of bad human behaviour.At theallusionist.org/gate you'll find a transcript of this episode, plus links to more information about many of the -gates, and to the rest of Four Letter Word season.Also check theallusionist.org/events for upcoming live shows, including a special collab with Material Girls podcast, and an event with Samin Nosrat for her new book Good Things.Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses about every episode, livestreams with me and my collection of dictionaries, and the charming and supportive Allusioverse Discord community.This episode was produced by me, Helen Zaltzman, on the unceded ancestral and traditional territory of xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. The music is by Martin Austwick. Download his songs at palebirdmusic.com and listen to his podcasts Song By Song and Neutrino Watch.Find the Allusionist at youtube.com/allusionistshow, instagram.com/allusionistshow, facebook.com/allusionistshow, @allusionistshow.bsky.social… If I'm there, I'm there as @allusionistshow. Our ad partner is Multitude. If you want me to talk compellingly about your product, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:• Understance, a growing Vancouver BC company making thoughtfully designed, pretty and comfy bras, undies and sleepwear. They're having a sale on June 26-July 1 so get over there and stock up at understance.com or at their stores in Vancouver, Burnaby, Calgary and Toronto. • Squarespace, your one-stop shop for building and running your online forever home. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.• Home Chef, meal kits that fit your needs. For a limited time, Home Chef is offering Allusionist listeners fifty per cent off and free shipping on your first box, plus free dessert for life, at HomeChef.com/allusionist.• Rosetta Stone, immersive and effective language learning. Allusionist listeners get 50% off unlimited access to all 25 language courses, for life: go to rosettastone.com/allusionist.• Quince, luxurious clothing and homewares at prices 50-80% lower than comparable brands. Go to Quince.com/allusionist for free shipping on your order and 365-day returns.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Filmmaker Emilija Gašić joins VIFF's Vanguard series programmer Sonja Baksa to discuss 78 Days, a found-footage film that won the Vanguard Award at VIFF 2024. Shot on hi-8 tapes in her native Serbia, the film follows three sisters documenting their lives during the NATO bombing of Yugoslavia in 1999. Inspired by her own childhood memories, Gašić's decision to use analog tape lent to the "docufiction" quality of the film.In this conversation, Sonja and Emilija unpack the film's unconventional process and the Vanguard series' focus on "films that are pushing the boundaries of cinema", and how Gašić's journey from Lord of the Rings fan to NYU Tisch grad shaped her voice as a director.This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of the VIFF Podcast, program manager and senior programmer PoChu AuYeung sits down with acclaimed Canadian animator and filmmaker Ann Marie Fleming to discuss her latest film, Can I Get a Witness?, which screened at VIFF 2024. Set in a near future where citizens are required to exit life at 50 to combat climate change and inequality, the live-action film stars veteran Vancouver actor Sandra Oh, along with newcomers Keira Jang and Joel Oulette. Ann Marie reflects on the emotional and ethical questions at the heart of the story, as well as the film's themes of sustainability, technology reduction, and community care. This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Ten years ago, on the fourth episode of the show, I investigated why the C-word is considered a worse swear than the others. Since then - well really just in the last three years or so - there has been a huge development: the word has hit the mainstream as a compliment. Linguists Nicole Holliday and Kelly Elizabeth Wright discuss this use of the word originating in the ballroom culture of New York City in the 1990s, and what it means to turn such a strong swear into praise.Related to this: the Allusionist live show Souvenirs! Which is about, among other things, some of the tech problems today's word causes, and how being one can wreck a friendship and a printing press. See Souvenirs in Toronto 1 June and Montréal 9 June; find ticket links and venue info at theallusionist.org/events.Visit theallusionist.org/serving for a transcript of this episode, plus links to more information about topics in the episode, and the rest of Four Letter Word season.Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses about every episode, fortnightly livestreams with me and my dictionaries, and the Allusioverse Discord community.This episode was produced by me, Helen Zaltzman, on the unceded ancestral and traditional territory of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. The music is by Martin Austwick. Download his songs at palebirdmusic.com and listen to his podcasts Song By Song and Neutrino Watch.Find the Allusionist at youtube.com/allusionistshow, instagram.com/allusionistshow, facebook.com/allusionistshow, @allusionistshow.bsky.social… If I'm there, I'm there as @allusionistshow. Our ad partner is Multitude. If you want me to talk compellingly about your product, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:• Squarespace, your one-stop shop for building and running your online forever home. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.• Rosetta Stone, immersive and effective language learning. Allusionist listeners get 50% off unlimited access to all 25 language courses, for life: go to rosettastone.com/allusionist.• Home Chef, meal kits that fit your needs. For a limited time, Home Chef is offering Allusionist listeners fifty per cent off and free shipping on your first box, plus free dessert for life, at HomeChef.com/allusionist.• Quince, luxurious clothing and homewares at prices 50-80% lower than comparable brands. Go to Quince.com/allusionist for free shipping on your order and 365-day returns.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tara chats with author Harman Burns, a Saskatchewan-born trans woman, writer, filmmaker, and sound artist. Her work has been published in Rebelle Zine, Untethered Magazine, and Metatron Press, and her story “Among Strange Machines” was shortlisted for the Far Horizons Award for Short Fiction. Her debut novella, Yellow Barks Spider was published in 2024 by Radiant Press. She currently resides in Vancouver on the unceded, ancestral territories of the Musqueam, Squamish, and Tsleil-Waututh peoples. Books and authors mentioned: Little Fish; A Dream of a Woman by Casey Plett Johnny Appleseed by Joshua Whitehead Kai Cheng Thom Ducks, Newburyport by Lucy Ellmann Zulaikha by Niloufar-Lily Soltani Spirals in Time: The Secret Life and Curious Afterlife of Seashells by Helen Scales House of Chains (Malazan Book of the Fallen #4/10) by Steven Erikson https://www.instagram.com/harman.burns/ https://radiantpress.ca/shop/p/yellowbarksspider      

Welcome to Four Letter Word season!We're kicking off with one of the most versatile words: it can be a noun, verb, punctuation, expostulation, full sentence on its own; it can be an intensifier, an insult and a compliment... and a Category A swear, which is why I've had to sanitise it for the title lest your pod app takes exception. And of course, content note: this episode contains many category A swears, plus some sexual references.Lexicographer and editor Jesse Sheidlower joins to talk about making four editions (so far) of The F Word, a history and dictionary of the multivalent F word. Find his work at jessesword.comNext up in Four Letter Word season: we revisit an even stronger swear.Visit theallusionist.org/ffff (that's four Fs) for a transcript of this episode, plus links to more information about topics in the episode.Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses about every episode, fortnightly livestreams with me and my dictionaries, and the Allusioverse Discord community.This episode was produced by me, Helen Zaltzman, on the unceded ancestral and traditional territory of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations.The music is by Martin Austwick. Download his songs at palebirdmusic.com and listen to his podcasts Song By Song and Neutrino Watch.Find the Allusionist at youtube.com/allusionistshow, instagram.com/allusionistshow, facebook.com/allusionistshow, @allusionistshow.bsky.social… Essentially: if I'm there, I'm there as @allusionistshow. Our ad partner is Multitude. If you want me to talk compellingly about your product, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:• Squarespace, your one-stop shop for building and running your online forever home. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.• Audio Maverick, a 9-part documentary podcast from CUNY TV about radio maven Himan Brown. Hear about the dawn of radio and Brown's remarkable career, via archive footage and new interviews with audio mavericks, by subscribing to Audio Maverick in your podcast app.• Home Chef, meal kits that fit your needs. For a limited time, Home Chef is offering Allusionist listeners eighteen free meals, plus free shipping on your first box, and free dessert for life, at HomeChef.com/allusionist.• Quince, luxurious clothing and homewares at prices 50-80% lower than comparable brands. Go to Quince.com/allusionist for free shipping on your order and 365-day returns.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of the VIFF Podcast, programmer Alan Franey interviews American filmmaker Connie Field about her documentary feature Democracy Noir, which explores the rise of Viktor Orbán in Hungary and its global implications. The film follows three women—a journalist, a nurse, and a politician—who fight against Orbán's regime, highlighting Orbán's manipulation of democracy to maintain power, including changing the constitution to require a two-thirds parliamentary majority for amendments. Field discusses the parallels between Orbán's tactics and those of other authoritarian leaders (such as Trump) and the broader impact on global democracy. Despite its relevance, distribution challenges persist, particularly in the U.S.This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode we are joined by Kevin Huang and Kimberley Wong of hua foundation. The conversation centers on the rise of anti-Asian racism during the COVID-19 pandemic, and highlights urgent concerns around community health, public health orders, and hate crimes. Kevin and Kimberley emphasize the importance of recognizing and addressing diverse experiences and perspectives within Asian communities, and shifting community engagement and resource allocation towards racialized communities. Speakers also discuss the limitations of the model minority myth and the need to build intergenerational relations, while acknowledging the complexities of identity and power dynamics in community work. Resources: hua foundation: https://huafoundation.org/ Asian Community Convener Project: https://huafoundation.org/portfolio/acc/ Anti-Racism and Solidarities Resource Collection: http://solidarities.huafoundation.org The Choi Project: https://huafoundation.org/portfolio/seasonal-choi-guide/ Chinatown Cares Grocery Program: https://huafoundation.org/work/food-systems/chinatown-cares/ Chinatown Food Security Report: https://huafoundation.org/wp-content/uploads/2020/05/Report_VancouverCTFoodSecurity.pdf Reorienting Our Trauma: https://huafoundation.org/portfolio/reorienting-our-trauma/ Bios: Kimberley Wong 黄壯慈 (they/them) Kimberley Wong | 黄壯慈 (they/them) is the Program Manager at hua foundation. In their role, Kimberley designs resources for anti-racism education, builds solidarity across racialized communities, and forges paths to access culturally-appropriate mental health care for youth facing barriers. They served as a Co-Chair of the City of Vancouver's Chinatown municipal advisory committee, were a founding member and Vice President of Chinatown Today, and were an elected member of the OneCity Vancouver Organizing Committee. Their work often mirrors their experiences moving through spaces as a queer, neurodivergent, and fifth generation Cantonese diasporic person, and though they draw on their knowledge from over a decade of navigating precarious work environments in the arts, culture, political, and equity sectors, Kimberley's work is also deepened by their love of being a lifelong crafter, a triathlete, and a descendant whose ancestors have long histories organizing for marginalized populations on unceded Musqueam, Squamish, and Tsleil-Waututh land known colonially as Vancouver. Find them online @KimberleyLW. Kevin Huang 黃儀軒 (he/him) Kevin Huang 黃儀軒 (he/him) is the co-founder and executive director of hua foundation, an organization with the mission of strengthening the capacity among Asian diasporic youth, in solidarity with other communities, to challenge, change, and create systems for a more equitable and just future. His work has ranged from scaling culturally appropriate consumer-based conservation strategies, advancing municipal food policy to address inclusion and racial equity, to providing supports for youth from ethnocultural communities to reclaim their cultural identity on their own terms. Kevin currently serves on committees with Vancity Credit Union, Vancouver Foundation, and Metro Vancouver.

Welcome to four letter word season! We're kicking off with one of the most versatile words: it can be a noun, verb, punctuation, expostulation, full sentence on its own; it can be an intensifier, an insult and a compliment... and a Category A swear, which is why I've had to sanitise it for the title lest your pod app takes exception. And, of course, content note: this episode contains many category A swears, plus some sexual references. Lexicographer and editor Jesse Sheidlower joins to talk about making four editions (so far) of The F Word, a history and dictionary of the multivalent F word. Find his work at jessesword.com. Find out more about the episode and read the transcript at theallusionist.org/ffff (that's four Fs). Next up in Four Letter Word season: we revisit an even stronger swear. The Allusionist live show Souvenirs is happening in Toronto on 1 June and Montréal 9 June! Get tickets via theallusionist.org/events. To help fund this independent podcast, take yourself to theallusionist.org/donate and become a member of the Allusioverse. You get regular livestreams with me reading from my ever-expanding collection of reference books, inside scoops into the making of this show, and watchalong parties. And best of all, you get to bask in the company of your fellow Allusionauts in our delightful Discord community. This episode was produced by me, Helen Zaltzman, on the unceded ancestral and traditional territory of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations, with music composed by Martin Austwick of palebirdmusic.com. Find @allusionistshow on Instagram, Facebook, YouTube and Bluesky. Our ad partner is Multitude. If you want me to talk about your product or thing on the show, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by: • Squarespace, your one-stop shop for building and running your online forever home. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.• Audio Maverick, a 9-part documentary podcast from CUNY TV about radio maven Himan Brown. Hear about the dawn of radio and Brown's remarkable career, via archive footage and new interviews with audio mavericks, by subscribing to Audio Maverick in your podcast app.• Home Chef, meal kits that fit your needs. For a limited time, Home Chef is offering Allusionist listeners eighteen free meals, plus free shipping on your first box, and free dessert for life, at HomeChef.com/allusionist.• Quince, luxurious clothing and homewares at prices 50-80% lower than comparable brands. Go to Quince.com/allusionist for free shipping on your order and 365-day returns.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

Musqueam filmmaker Faith Sparrow-Crawford joins VIFF short programmer Casey Wei to talk about Uncommon Ground, her haunting sci-fi short set in 2171. They dig into themes of ancestral connection, mental health, and the deep bond between main character Tawny and her aunt. Faith shares how storytelling runs in her family, why the short film format speaks to her, and how she's collaborating with her father on a larger TV series. Plus: a glimpse into her next project exploring Musqueam traditions around grief.This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of the VIFF Podcast, Curtis Woloschuk sits down with Canadian filmmaker Josephine Anderson to talk about her latest documentary Curl Power. Having premiered at VIFF 2024, Curl Power follows five teenage girls chasing curling glory while navigating the emotional terrain of adolescence. Anderson reflects on the challenges of long-term observational filmmaking, the power of trust between subject and filmmaker, and the unexpected mentorship of Olympic champion mothers. Plus, Josephine and Curtis discuss how experimenting with virtual reality can expand creativity and deepen the approach to storytelling.This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

On this episode of the VIFF podcast, programmer Alan Franey sits down with Mark Levinson to talk about his film, The Universe in a Grain of Sand. Levinson, who is a former theoretical particle physicist as well as a producer on films such as Mystic Pizza and Teen Wolf, details why he transitioned from physicist to filmmaker—influenced by his findings at Berkeley's Pacific Film Archive.The Universe in a Grain of Sand premiered at the 2024 Vancouver International Film Festival and explores the potential of quantum computing to solve complex problems, honing in on Levinson's view of AI as an extension of human creativity that could also bridge the gap between technology and our understanding of the universe.This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

On this episode of the VIFF podcast, director Liz Cairns joins VIFF programmer Curtis Woloschuck to talk about her feature film debut, Inedia. The film, which premiered at VIFF 2024, follows a young woman with mysterious food allergies who joins a remote island community practicing alternative healing methods. Curtis and Liz discuss the director's deep attachment to the writing of Inedia, casting and directing, and how to maintain intuition on a larger production.This episode was recorded during the the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of the VIFF Podcast, Year Round Programmer Tom Charity sits down with iconic Canadian filmmaker and (sometimes) opera director Atom Egoyan to discuss his latest film, Seven Veils, starring Amanda Seyfried. The film premiered during VIFF 2023 and was inspired by his remount of the opera Salome. Touching on trauma, abuse, and the artistic interpretation thereof, Adam talks about his experience directing opera and the controversies surrounding the original production.This episode was recorded during the 2023 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of the VIFF Podcast, Vancouver filmmaker Devan Scott speaks with VIFF Year-Round Programmer Tom Charity about his experimental feature Preface to a History, co-directed with Willa Ross. The film explores mental health struggles through the characters Vlad and Sophie—Vlad immerses himself in audiobooks, while Sophie grapples with career dissatisfaction.Scott shares how his experience listening to a 105-hour audiobook about the Third Reich while on a ski trip inspired the film and discusses the importance of sound design in shaping its unconventional storytelling. He also reflects on the challenges of shooting with a minimal crew in Vancouver and Pender Island, the influence of filmmakers like Chantal Akerman and Jacques Tati, and the evolving collaboration between him and Ross.This episode was recorded during the 2024 Vancouver International Film Festival.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of the VIFF Podcast, Director of Programming Curtis Woloschuk speaks with filmmaker Karen Chapman about her narrative feature Village Keeper, which explores themes of trauma, grief, and economic disparity through the story of a Toronto single mother.Chapman shares her desire to capture "lived-in" moments on screen, and how location plays a vital role in shaping character and story, highlighting the impact of class and economic realities on filmmaking.Chapman reflects on the challenges of directing while eight-and-a-half months pregnant, the need for better industry support for mothers and underrepresented filmmakers, and the value of mentorship programs like the Canadian Film Centre and TIFF Talent Lab (which helped shape her career).This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Up-and-coming Vancouver trans author Harman Burns joins NBN host Hollay Ghadery to talk about Burns' novella, Yellow Barks Spider (Radiant Press, 2024). Yellow Barks Spider takes place in the Canadian prairies, but it seeks to explore this landscape through the intimate lens of a ten-year-old trans kid. Set against the backdrop of the placid countryside, dusty summers and barren winters, it is both a queer coming-of-age novella as well as a deeply psychological character study, reflecting on the nature of memory, trauma, and self-discovery. More about Yellow Barks Spider: In the threadbare prairie town where Kid grew up, life moves slowly. For a troubled ten-year-old, the vast landscape of open skies and barren winters is a place of elemental magic and buried secrets. As the summers pass by, Kid explores a world of weed-choked yards, murky lakes, and a traveling carnival. But when Kid finds himself increasingly haunted by strange spider-infested visions of his next door neighbor's shed, he falls deeper and deeper into his haunted inner world, eventually turning to mind-altering substances to combat his growing torment. Confronted by this psychic pressure, the book itself begins to crumble, splintering into disparate narrative voices as the workings of Kid's imagination become animate, tactile—and language self-destructs. Emerging from this crucible, Kid surfaces into adulthood as she moves through love, sex, and self-discovery as a trans woman. But when she returns to her hometown following the death of a family member, she is forced to reckon with all the fears she once left behind. Yellow Barks Spider is an unforgettable portrait of trauma, isolation, and self-compassion. At its heart, it is a deeply-felt exhumation of memory, love, and the human spirit. About Harman Burns: Harman Burns is a Saskatchewan-born trans woman, filmmaker, sound artist and writer. Her practice is informed by folklore, nature, the occult and bodily transfiguration. Her writing has been published in Untethered Magazine and Metatron Press, and was shortlisted for The Malahat Review's Far Horizons Award for Short Fiction. Burns currently resides on the unceded ancestral territories of the Musqueam, Squamish, and Tsleil-Waututh peoples (Vancouver). About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at her website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Up-and-coming Vancouver trans author Harman Burns joins NBN host Hollay Ghadery to talk about Burns' novella, Yellow Barks Spider (Radiant Press, 2024). Yellow Barks Spider takes place in the Canadian prairies, but it seeks to explore this landscape through the intimate lens of a ten-year-old trans kid. Set against the backdrop of the placid countryside, dusty summers and barren winters, it is both a queer coming-of-age novella as well as a deeply psychological character study, reflecting on the nature of memory, trauma, and self-discovery. More about Yellow Barks Spider: In the threadbare prairie town where Kid grew up, life moves slowly. For a troubled ten-year-old, the vast landscape of open skies and barren winters is a place of elemental magic and buried secrets. As the summers pass by, Kid explores a world of weed-choked yards, murky lakes, and a traveling carnival. But when Kid finds himself increasingly haunted by strange spider-infested visions of his next door neighbor's shed, he falls deeper and deeper into his haunted inner world, eventually turning to mind-altering substances to combat his growing torment. Confronted by this psychic pressure, the book itself begins to crumble, splintering into disparate narrative voices as the workings of Kid's imagination become animate, tactile—and language self-destructs. Emerging from this crucible, Kid surfaces into adulthood as she moves through love, sex, and self-discovery as a trans woman. But when she returns to her hometown following the death of a family member, she is forced to reckon with all the fears she once left behind. Yellow Barks Spider is an unforgettable portrait of trauma, isolation, and self-compassion. At its heart, it is a deeply-felt exhumation of memory, love, and the human spirit. About Harman Burns: Harman Burns is a Saskatchewan-born trans woman, filmmaker, sound artist and writer. Her practice is informed by folklore, nature, the occult and bodily transfiguration. Her writing has been published in Untethered Magazine and Metatron Press, and was shortlisted for The Malahat Review's Far Horizons Award for Short Fiction. Burns currently resides on the unceded ancestral territories of the Musqueam, Squamish, and Tsleil-Waututh peoples (Vancouver). About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at her website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In this episode of Below the Radar, our host Am Johal is joined by Damla Tamer, a visual artist and sessional lecturer at UBC whose work explores the affective conditions of labour under late capitalism, and the evolution of forms of civil protest within the contemporary political history of Turkey. Damla is also a founding member of the Art Mamas artist collective, which aims to create support networks for artist caregivers, while critically exploring the place of motherhood and care work within the dominant culture of art production. Am and Damla discusses her recent exhibition at Access gallery, which explored the aftermath of the Gezi protests in Turkey through textile works, her work with housing co-ops in False Creek South, and why she thinks it's ok for students to express love for a work of art. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/258-damla-tamer.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/258-damla-tamer.html Resources: Art Mamas CBC Article: https://www.cbc.ca/arts/exhibitionists/art-mamas-meet-the-vancouver-collective-that-creates-community-for-mothers-in-the-arts-1.5129578 Art Mamas | Access Gallery: https://accessgallery.ca/programming/artmamas art/mamas: Intermedial Conversations on Art, Motherhood and Caregiving https://criticalmediartstudio.iat.sfu.ca/artmamas/?page_id=291&fbclid=PAAaYDby0LbG_w1ZkyIsEjU61ZIV3FfuBCa25TBFHLHuMn9XUUmJqpUro5pPU UBC Profile: https://ahva.ubc.ca/profile/damla-tamer/ Bio: Damla Tamer (born in Istanbul, Turkey) is a visual artist and educator living on the unceded Musqueam, Squamish and Tsleil-Waututh territories. Her practice engages with the intersections of textile crafts and contemporary studio practices, with a special focus on weaving. Her work is heavily invested in searching for a new ethics of temporality through the relationships between aesthetics and politics. Her most recent work focuses on tracing the rise of neoliberal authoritarianism in Turkey and its relation to global movements, the evolution of forms of civil protest and resistance, and the capacities and limits of language and representation in locating oneself in a world that is rife with shifts. She does social-collaborative work as part of various artist collectives and co-operatives. She is a founding member of the artist mothers collective A.M. (Art Mamas) and has organized extensive public programming and co-published a book on motherhood, caregiving and social reproduction in relation to art and labour at large. She teaches at The University of British Columbia, Simon Fraser University, and Emily Carr University of Art+Design. Cite this episode: Chicago Style Johal, Am. “Art Mamas — with Damla Tamer.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, December 17, 2024. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/258-damla-tamer.html. Tags: SFU, SFU's Vancity Office of Community Engagement, Simon Fraser University, Am Johal, Below the Radar, Damla Tamer, Art Mamas, Gezi, Vancouver Podcast

Sahibzada Mayed is a creative alchemist who uses design and storytelling to cultivate joy and imagination as tools of liberation. Mayed serves as the Co-Lead for Strategy and Research at Pause and Effect, a liberation-focused imagination and design collective based on Coast Salish territories of the Musqueam, Squamish, Tsleil-Waututh Nations. Beyond that, Mayed leads a small-scale startup, Naranji, that focuses on gender justice and decolonization in fashion. Today, we talk about decolonizing design and creative liberation. Listen to learn about: >> The impact of colonialism and power structures on design >> The need for critical social analysis in design >> Designing for Joy >> Decolonizing design >> The importance of locality and place in design >> Rethinking how we think about and experience systems Our Guest Sahibzada Mayed is a creative alchemist who uses design and storytelling to cultivate joy and imagination as tools of liberation. Mayed serves as the Co-Lead for Strategy and Research at Pause and Effect, a liberation-focused imagination and design collective based on Coast Salish territories of the Musqueam, Squamish, Tsleil-Waututh Nations. Beyond that, Mayed leads a small-scale startup, Naranji, that focuses on gender justice and decolonization in fashion. Their work has been prominently featured during New York and Chicago Fashion Weeks and highlighted in several publications across the United States, Pakistan, Thailand, and Japan. Mayed's identity is shaped by their background as a Muslim immigrant of Persian, Afghan, Indian, and Pakistani heritage, as well as lived experiences of queerness, disability, and neurodivergence. Show Highlights [02:15] Mayed's unconventional journey into design, combining engineering and social sciences. [04:05] How this background has helped Mayed in their work. [06:01] Mayed's current work focus is on understanding the impact of colonialism in design. [07:36] The challenge of collaborating when existing power differentials have yet to be addressed. [09:28] What is power? [12:04] Mayed shares thoughts on designing when you're close to, or a part of, the community you're designing for, versus being outside that community. [13:53] Dawan talks about how perfection is the enemy of change. [15:57] The fear and discomfort of taking responsibility for causing harm. [16:28] Good intentions do not absolve responsibility. [17:30] Building accountability into what you design. [19:19] Ethics in design and looking for the potential of harm while designing. [22:45] There is an assumption of neutrality and objectivity around design. [24:47] Designing to prevent harm, and also designing for joy and compassion and care. [29:45] Decolonizing design. [35:12] Grounding design in the context of the place and space where it will live. [38:47] Shifting the way we think about design, to move beyond the human. [40:44] Rethinking how we think about and experience systems. [45:13] Last thoughts from Mayed about doing the work and the responsibility that comes with that. LinksMayed on LinkedInMayed on MediumMayed's websitepause + effect - 5-week intensive, Reimagining ResearchInterview: Fashion Designer Sahibzada MayedCultivating Design Ecologies of Care, Community, and CollaborationI Don't Want A Seat at Your Table w/ sahibzada mayedDecentralizing Power through Design with Sahibzada Mayed and Lauren Lin Book Recommendations Emergent Strategy: Shaping Change, Changing Worlds, by Adrienne Maree Brown DT 101 EpisodesDesign Social Change with Lesley-Ann Noel — DT101 E128 Radical Participatory Design + Relationships in Complex Systems Inclusive Design with Victor Udoewa — DT101 E127 Design Ethics with George Aye — DT101 E136

Host Tiokasin Ghosthorse welcomes Edzi'u, a Tahltan and Tlingit artist based in Vancouver, British Columbia, Canada on the unceded territories of the Musqueam, Squamish and Tsleil-Waututh First Nations. Edzi'u is an innovative songwriter and composer who paints stories of the past, present and future with textures, elders' stories, words, and their ethereal voice. Edzi'u is the gentlest balance of hard and soft, a non-binary 2-spirit Indigiqueer femme, their strength of identity resonates in their music to create a fullness of fierce spirit combined with an elegant grace. Their new music is full of thick synths, drums dripping with reverb and a mix of a modern take on 80s and 90s sounds that blends the nostalgic essence of Stevie Nicks, the raw emotional depth of Sharon Van Etten, and the atmospheric electronic textures of DRAMA. The result is a sonic river of pain and beauty that sweetly soars into a singular, healing journey. Tiokasin talks with Edzi'u about their new EP, “Tunnel Vision,” a poignant exploration of the cruelty of heartbreak, the painful truth of mistreatment, and the radiant journey of resurgence. With vulnerability and fortitude, each track lingers with the listener like a cherished memory. Edzi'u invites listeners into an auditory sanctuary where music serves as both refuge and revelation. In this sacred space, reclamation of self stands as the most powerful act of all. Edzi'u and their artistry is a beacon of auntie joy for queer and Indigenous communities and beyond, embodying resilience, grace, and unapologetic authenticity. Find out more about Edzi' at https://www.edziumusic.com/ Production Credits: Tiokasin Ghosthorse (Lakota), Host and Executive Producer Liz Hill (Red Lake Ojibwe), Producer Karen Martinez (Mayan), Studio Engineer, Radio Kingston Tiokasin Ghosthorse, Audio Editor Kevin Richardson, Podcast Editor Music Selections: 1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song) Artist: Moana and the Moa Hunters Album: Tahi (1993) Label: Southside Records (Australia and New Zealand) 2. Song Title: Raven Clan Welcome Artist: Edzi'u Album: Potlatch in the Box (2023) Label: Ts'ats'ée Sounds 3. Song Title: Can You Introduce Yourself in the Language Artist: Edzi'u Album: Potlatch in the Box (2023) Label: Ts'ats'ée Sounds 4. Song Title: Not Enough Artist: Edzi'u Album: Tunnel Vision (2024) Label: Ts'ats'ée Sounds 5. Song Title: You Don't Wanna Know Me Artist: Edzi'u Album: Potlatch in the Box (2023) Label: Ts'ats'ée Sounds 6. Song Title: Ego Death Artist: Edzi'u Album: Tunnel Vision (2024) Label: Ts'ats'ée Sounds 7. Song Title: Warrior Song Artist: Edzi'u Album: Potlatch in the Box (2023) Label: Ts'ats'ée Sounds 8. Song Title: Fly With Us (feat. Ara Eden) Artist: Sarita Album: Earth Anthems (2024) Label: Ancient Future Productions AKANTU INTELLIGENCE Visit Akantu Intelligence, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuintelligence.org to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse

Future Ecologies presents "The Right to Feel," a two episode mini-series on the emotional realities of the climate crisis.This first episode, “Climate Feelings,” is a collection of students' non-fiction essays and reflections on their personal realities of living with and researching the climate crisis. The first episode opens with an introductory conversation between Naomi Klein and series producer Judee Burr that contextualizes how this class was structured and the writings it evoked.Over a two-year period, associate professor of climate justice and co-director of the UBC Centre for Climate Justice Naomi Klein taught a small graduate seminar designed to help young scholars put the emotions of the climate and extinction crises into words. The students came from a range of disciplines, ranging from zoology to political science, and they wrote eulogies for predators and pollinators, alongside love letters to paddling and destroyed docks. Across these diverse methods of scholarship, the students uncovered layers of emotion far too often left out of scholarly approaches to the climate emergency. They put these emotions into words, both personal reflections and fictional stories.“The Right to Feel” was produced on the unceded and asserted territories of the Sḵwx̱wú7mesh (Squamish), xʷməθkʷəy̓əm (Musqueam), and Səl̓ílwətaʔ (Tsleil-Waututh) peoples.Find a transcript, citations, credits, and more at www.futureecologies.net/listen/the-right-to-feel— — —Part 1: Climate Feelings2:38 — Introduction by Judee Burr and Naomi Klein19:05 — Connection to Jericho Willows by Ali Tafreshi22:27 — Connection to the Water by Foster Salpeter27:06 — Connection to Family and Land by Sara Savino31:01 — Scientists and Feelings by Annika Ord36:00 — Biking away from the Smoke by Ruth Moore39:32 — Climate Sensitivity on the Bus by Nina Robertson43:13 — Grief and Climate Change Economics by Felix Giroux46:36 — The Age of Sanctuary by Melissa Plisic52:04 — Age of Tehom by Maggie O'Donnell

For thousands of years, fluffy white dogs could be found across the Pacific Northwest. Their exceptionally soft, crimpy hair was shorn like sheep's wool, spun into yarn, and woven into blankets and robes by indigenous women who carefully tended them in communities across Coast Salish territory. But a hundred years ago, the woolly dog quietly vanished. Why? Today, the only known pelt of this extinct breed is in the collections of the Smithsonian's National Museum of Natural History, and it might hold some answers. Through collaborate research combining Western science with Indigenous knowledge, we delve into this animal's genome to learn the real story of the woolly dog's disappearance. Guests:Audrey Lin, evolutionary molecular biologist, research associate at the Smithsonian's National Museum of Natural History and postdoctoral scholar at the American Museum of Natural HistoryLogan Kistler, curator of archaeobotany and archaeogenomics in the anthropology department of the Smithsonian's National Museum of Natural History Liz Hammond-Kaarremaa, master spinner who studies traditional Salish textiles as a research associate at Vancouver Island University and the Smithsonian's National Museum of Natural HistorySteven Point / Xwĕ lī qwĕl tĕl, grand chief of the Stó:lō Tribal Council, chancellor of the University of British Columbia, former lieutenant-governor of British Columbia, retired judge, and member of the Skowkale First NationDebra Sparrow / θəliχʷəlʷət, weaver, artist and knowledge-keeper from Musqueam. Foundational Salish weaving revivalist who, with her sisters, she has worked for decades to rejuvenate and teach traditional Salish weaving. Violet Elliot / Snu'Meethia, weaver and teacher from Snuneymuxw First Nations living in Cowichan First Nations. She has been weaving for over 28 years.Melissa (Missy) Hawkins, curator of mammals at the Smithsonian's National Museum of Natural History