Podcasts about musqueam

On this episode of the VIFF podcast, programmer Alan Franey sits down with Mark Levinson to talk about his film, The Universe in a Grain of Sand. Levinson, who is a former theoretical particle physicist as well as a producer on films such as Mystic Pizza and Teen Wolf, details why he transitioned from physicist to filmmaker—influenced by his findings at Berkeley's Pacific Film Archive.The Universe in a Grain of Sand premiered at the 2024 Vancouver International Film Festival and explores the potential of quantum computing to solve complex problems, honing in on Levinson's view of AI as an extension of human creativity that could also bridge the gap between technology and our understanding of the universe.This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

On this episode of the VIFF podcast, director Liz Cairns joins VIFF programmer Curtis Woloschuck to talk about her feature film debut, Inedia. The film, which premiered at VIFF 2024, follows a young woman with mysterious food allergies who joins a remote island community practicing alternative healing methods. Curtis and Liz discuss the director's deep attachment to the writing of Inedia, casting and directing, and how to maintain intuition on a larger production.This episode was recorded during the the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of the VIFF Podcast, Year Round Programmer Tom Charity sits down with iconic Canadian filmmaker and (sometimes) opera director Atom Egoyan to discuss his latest film, Seven Veils, starring Amanda Seyfried. The film premiered during VIFF 2023 and was inspired by his remount of the opera Salome. Touching on trauma, abuse, and the artistic interpretation thereof, Adam talks about his experience directing opera and the controversies surrounding the original production.This episode was recorded during the 2023 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of the VIFF Podcast, Vancouver filmmaker Devan Scott speaks with VIFF Year-Round Programmer Tom Charity about his experimental feature Preface to a History, co-directed with Willa Ross. The film explores mental health struggles through the characters Vlad and Sophie—Vlad immerses himself in audiobooks, while Sophie grapples with career dissatisfaction.Scott shares how his experience listening to a 105-hour audiobook about the Third Reich while on a ski trip inspired the film and discusses the importance of sound design in shaping its unconventional storytelling. He also reflects on the challenges of shooting with a minimal crew in Vancouver and Pender Island, the influence of filmmakers like Chantal Akerman and Jacques Tati, and the evolving collaboration between him and Ross.This episode was recorded during the 2024 Vancouver International Film Festival.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of the VIFF Podcast, Director of Programming Curtis Woloschuk speaks with filmmaker Karen Chapman about her narrative feature Village Keeper, which explores themes of trauma, grief, and economic disparity through the story of a Toronto single mother.Chapman shares her desire to capture "lived-in" moments on screen, and how location plays a vital role in shaping character and story, highlighting the impact of class and economic realities on filmmaking.Chapman reflects on the challenges of directing while eight-and-a-half months pregnant, the need for better industry support for mothers and underrepresented filmmakers, and the value of mentorship programs like the Canadian Film Centre and TIFF Talent Lab (which helped shape her career).This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of the VIFF Podcast, Director of Programming Curtis Woloschuk interviews filmmaker Yuqi Kang about her documentary 7 Beats Per Minute, which explores the world of free diving and the connection between humanity and nature.Kang shares how a YouTube clip sparked her own free diving journey and led her to meet Jessea Lu, a prominent Chinese free diver who became the subject of her film. She reflects on the challenges of underwater cinematography, from unpredictable weather to capturing authentic moments beneath the surface, and the importance of adapting to nature's elements.Kang also discusses her transition from documentary to narrative filmmaking and how Vancouver's cultural and creative environment has influenced her work.This episode was recorded during the 2024 Vancouver International Film Festival.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Aislinn Hunter joins Andrew to talk about editing Best Canadian Poetry 2025. Four featured poets read their poems from the anthology. Andrew asks about the monumental task of editing BCP25 and poetry more generally. It's a fun one! -- Aislinn Hunter is an award-winning novelist and poet and the author of eight highly acclaimed books including the novels 'The Certainties' – a bestseller shortlisted for the Ethel Wilson Fiction Prize – and ‘The World Before Us' – a NYT Editor's Choice book, a Guardian and NPR Book the Year, and winner of the Ethel Wilson Fiction Prize. Her work has been adapted into music, dance, art, and film forms ¬– including a feature film based on her novel ‘Stay' which premiered at the Toronto International Film Festival. Hunter's three poetry collections (‘Into the Early Hours,' 'The Possible Past,' and ‘Linger, Still') have been shortlisted for the Pat Lowther Award, the Dorothy Livesay Poetry Prize, and the ReLit Prize, and have won the Gerald Lampert Award and the Fred Cogswell Award for Excellence in Poetry. Aislinn holds a BFA in Creative Writing and Art History, an MFA in Creative Writing, an MSC in Writing and Cultural Politics, and a PhD in English Literature. In 2018 she served as a Canadian War Artist working with Canadian and NATO forces at CFB Suffield. She teaches creative writing part-time and lives in Vancouver, BC on the unceded lands of the Musqueam, Squamish and Tsleil-Watuth peoples. In 2023 she was the Guest Editor of the Best Canadian Poetry anthology. -- Andrew French is a poet from North Vancouver, British Columbia. They have published three chapbooks, most recently Buoyhood (forthcoming with Alfred Gustav Press, 2025). Andrew holds a BA in English from Huron University College at Western University and an MA in English from UBC. They write poems, book reviews, and have hosted this very podcast since 2019.

Up-and-coming Vancouver trans author Harman Burns joins NBN host Hollay Ghadery to talk about Burns' novella, Yellow Barks Spider (Radiant Press, 2024). Yellow Barks Spider takes place in the Canadian prairies, but it seeks to explore this landscape through the intimate lens of a ten-year-old trans kid. Set against the backdrop of the placid countryside, dusty summers and barren winters, it is both a queer coming-of-age novella as well as a deeply psychological character study, reflecting on the nature of memory, trauma, and self-discovery. More about Yellow Barks Spider: In the threadbare prairie town where Kid grew up, life moves slowly. For a troubled ten-year-old, the vast landscape of open skies and barren winters is a place of elemental magic and buried secrets. As the summers pass by, Kid explores a world of weed-choked yards, murky lakes, and a traveling carnival. But when Kid finds himself increasingly haunted by strange spider-infested visions of his next door neighbor's shed, he falls deeper and deeper into his haunted inner world, eventually turning to mind-altering substances to combat his growing torment. Confronted by this psychic pressure, the book itself begins to crumble, splintering into disparate narrative voices as the workings of Kid's imagination become animate, tactile—and language self-destructs. Emerging from this crucible, Kid surfaces into adulthood as she moves through love, sex, and self-discovery as a trans woman. But when she returns to her hometown following the death of a family member, she is forced to reckon with all the fears she once left behind. Yellow Barks Spider is an unforgettable portrait of trauma, isolation, and self-compassion. At its heart, it is a deeply-felt exhumation of memory, love, and the human spirit. About Harman Burns: Harman Burns is a Saskatchewan-born trans woman, filmmaker, sound artist and writer. Her practice is informed by folklore, nature, the occult and bodily transfiguration. Her writing has been published in Untethered Magazine and Metatron Press, and was shortlisted for The Malahat Review's Far Horizons Award for Short Fiction. Burns currently resides on the unceded ancestral territories of the Musqueam, Squamish, and Tsleil-Waututh peoples (Vancouver). About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at her website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Up-and-coming Vancouver trans author Harman Burns joins NBN host Hollay Ghadery to talk about Burns' novella, Yellow Barks Spider (Radiant Press, 2024). Yellow Barks Spider takes place in the Canadian prairies, but it seeks to explore this landscape through the intimate lens of a ten-year-old trans kid. Set against the backdrop of the placid countryside, dusty summers and barren winters, it is both a queer coming-of-age novella as well as a deeply psychological character study, reflecting on the nature of memory, trauma, and self-discovery. More about Yellow Barks Spider: In the threadbare prairie town where Kid grew up, life moves slowly. For a troubled ten-year-old, the vast landscape of open skies and barren winters is a place of elemental magic and buried secrets. As the summers pass by, Kid explores a world of weed-choked yards, murky lakes, and a traveling carnival. But when Kid finds himself increasingly haunted by strange spider-infested visions of his next door neighbor's shed, he falls deeper and deeper into his haunted inner world, eventually turning to mind-altering substances to combat his growing torment. Confronted by this psychic pressure, the book itself begins to crumble, splintering into disparate narrative voices as the workings of Kid's imagination become animate, tactile—and language self-destructs. Emerging from this crucible, Kid surfaces into adulthood as she moves through love, sex, and self-discovery as a trans woman. But when she returns to her hometown following the death of a family member, she is forced to reckon with all the fears she once left behind. Yellow Barks Spider is an unforgettable portrait of trauma, isolation, and self-compassion. At its heart, it is a deeply-felt exhumation of memory, love, and the human spirit. About Harman Burns: Harman Burns is a Saskatchewan-born trans woman, filmmaker, sound artist and writer. Her practice is informed by folklore, nature, the occult and bodily transfiguration. Her writing has been published in Untethered Magazine and Metatron Press, and was shortlisted for The Malahat Review's Far Horizons Award for Short Fiction. Burns currently resides on the unceded ancestral territories of the Musqueam, Squamish, and Tsleil-Waututh peoples (Vancouver). About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at her website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In this episode of the VIFF Podcast, feature film coordinator Natalie Murao interviews filmmaker Jerome Yoo about his debut feature film Mongrels, which follows a Korean immigrant family in rural Canada dealing with grief amid trying to belong in their new home country.Yoo shares about how he found talent in Korea, his casting process, and the challenges of working with 14 dogs while shooting the film. Plus, they discuss the importance of natural emotions and incorporating traditional Korean instruments into the film's score.This episode was recorded during the 2024 Vancouver International Film Festival.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode of Below the Radar, our host Am Johal is joined by Damla Tamer, a visual artist and sessional lecturer at UBC whose work explores the affective conditions of labour under late capitalism, and the evolution of forms of civil protest within the contemporary political history of Turkey. Damla is also a founding member of the Art Mamas artist collective, which aims to create support networks for artist caregivers, while critically exploring the place of motherhood and care work within the dominant culture of art production. Am and Damla discusses her recent exhibition at Access gallery, which explored the aftermath of the Gezi protests in Turkey through textile works, her work with housing co-ops in False Creek South, and why she thinks it's ok for students to express love for a work of art. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/258-damla-tamer.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/258-damla-tamer.html Resources: Art Mamas CBC Article: https://www.cbc.ca/arts/exhibitionists/art-mamas-meet-the-vancouver-collective-that-creates-community-for-mothers-in-the-arts-1.5129578 Art Mamas | Access Gallery: https://accessgallery.ca/programming/artmamas art/mamas: Intermedial Conversations on Art, Motherhood and Caregiving https://criticalmediartstudio.iat.sfu.ca/artmamas/?page_id=291&fbclid=PAAaYDby0LbG_w1ZkyIsEjU61ZIV3FfuBCa25TBFHLHuMn9XUUmJqpUro5pPU UBC Profile: https://ahva.ubc.ca/profile/damla-tamer/ Bio: Damla Tamer (born in Istanbul, Turkey) is a visual artist and educator living on the unceded Musqueam, Squamish and Tsleil-Waututh territories. Her practice engages with the intersections of textile crafts and contemporary studio practices, with a special focus on weaving. Her work is heavily invested in searching for a new ethics of temporality through the relationships between aesthetics and politics. Her most recent work focuses on tracing the rise of neoliberal authoritarianism in Turkey and its relation to global movements, the evolution of forms of civil protest and resistance, and the capacities and limits of language and representation in locating oneself in a world that is rife with shifts. She does social-collaborative work as part of various artist collectives and co-operatives. She is a founding member of the artist mothers collective A.M. (Art Mamas) and has organized extensive public programming and co-published a book on motherhood, caregiving and social reproduction in relation to art and labour at large. She teaches at The University of British Columbia, Simon Fraser University, and Emily Carr University of Art+Design. Cite this episode: Chicago Style Johal, Am. “Art Mamas — with Damla Tamer.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, December 17, 2024. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/258-damla-tamer.html. Tags: SFU, SFU's Vancity Office of Community Engagement, Simon Fraser University, Am Johal, Below the Radar, Damla Tamer, Art Mamas, Gezi, Vancouver Podcast

In this episode of the VIFF Podcast, Short Forum programmer Casey Wei interviews filmmaker Deborah Devyn Chaung about her short film Strawberry Shortcake, a genre-defying Freudian fantasy that explores a teenage girl's relationship with her mother. Chuang shares the deeply personal inspirations behind the film and the challenges of directing intimate scenes. Plus, they discuss the film's intricate set design, the symbolism of “strawberry shortcake” as both innocent and provocative, and Chuang's aspirations to develop the short into a feature.This episode was recorded during the 2024 Vancouver International Film Festival.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

On this episode of the VIFF Podcast, Laura Arboleda sits down with filmmaker Thea Loo, director of the documentary Inay (Mama).Thea shares the creative process behind the film, which explores the mental health impact of migration from the Philippines to Canada on the children of caregivers. Hear about the film's evolution from a five-minute concept to a feature-length documentary, the challenges of blending personal storytelling with archival research, and collaboration with her husband, Jeremiah.This episode was recorded during the 2024 Vancouver International Film Festival.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

ABOUT THIS EPISODE: In this episode, Katherine Palmer Gordon, Geoffrey Morrison, and Jess Housty share their thoughts and reflections about storytelling. Katherine Palmer Gordon is the author of This Place is Who We Are: Stories of Indigenous Leadership, Resilience, and Connection to Homelands, a finalist for the Roderick Haig-Brown Regional Prize. Geoffrey Morrison is the author of Falling Hour, a finalist for the Ethel Wilson Fiction Prize. Jess Housty is the author of Crushed Wild Mint, winner of both the Dorothy Livesay Poetry Prize and the Bill Duthie Booksellers' Choice Award. Visit BC and Yukon Book Prizes: bcyukonbookprizes.com/ To watch the full Storied video On Storytelling: https://vimeo.com/manage/videos/1004669107 About This Place is Who We Are : https://bcyukonbookprizes.com/project/this-place-is-who-we-are-stories-of-indigenous-leadership-resilience-and-connection-to-homelands/ About Falling Hour: https://bcyukonbookprizes.com/project/falling-hour/ About Crushed Wild Mint: https://bcyukonbookprizes.com/project/crushed-wild-mint/ ABOUT THE AUTHORS: Katherine Palmer Gordon is the author of eight books of non-fiction, including several BC Bestsellers: The Slocan: Portrait of a Valley, The Garden That You Are, and Made to Measure: A History of Land Surveying in British Columbia, for which she was awarded the 2007 BC Haig-Brown prize. She is also an award-winning freelance journalist and lives on Gabriola Island, BC. Geoffrey D. Morrison is the author of the poetry chapbook Blood-Brain Barrier (Frog Hollow Press, 2019) and co-author, with Matthew Tomkinson, of the experimental short fiction collection Archaic Torso of Gumby (Gordon Hill Press, 2020). He was a finalist in both the poetry and fiction categories of the 2020 Malahat Review Open Season Awards and a nominee for the 2020 Journey Prize. He lives on unceded Squamish, Musqueam, and Tsleil-Waututh territory (Vancouver). Jess Housty (‘Cúagilákv) is a parent, writer and grassroots activist with Heiltsuk (Indigenous) and mixed settler ancestry. They serve their community as an herbalist and land-based educator alongside broader work in the non-profit and philanthropic sectors. They are inspired and guided by relationships with the homelands, their extended family and their non-human kin, and they are committed to raising their children in a similar framework of kinship and land love. They reside and thrive in their unceded ancestral territory in the community of Bella Bella, BC. ABOUT MEGAN COLE: Megan Cole the Director of Programming and Communications for the BC and Yukon Book Prizes. She is also a writer based on the territory of the Tla'amin Nation. Megan writes creative nonfiction and has had essays published in Chatelaine, This Magazine, The Puritan, Untethered, and more. She has her MFA in creative nonfiction from the University of King's College and is working her first book. Find out more about Megan at megancolewriter.com ABOUT THE PODCAST: Writing the Coast is recorded and produced on the territory of the Tla'amin Nation. As a settler on these lands, Megan Cole finds opportunities to learn and listen to the stories from those whose land was stolen. Writing the Coast is a recorded series of conversations, readings, and insights into the work of the writers, illustrators, and creators whose books are nominated for the annual BC and Yukon Book Prizes. We'll also check in on people in the writing community who are supporting books, writers and readers every day. The podcast is produced and hosted by Megan Cole.

Show notes below:   Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP  /  FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart Music www.marcstewartmusic.com    © 2024 Tara Cheyenne Performance   Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.   Donate! To keep this podcast ad-free please go to:  https://www.canadahelps.org/en/dn/13386   Links: https://vanessakwan.com/ About Vanessa: Vanessa Kwan is an artist, producer, and curator with a focus on collaborative, site-specific and cross-disciplinary practices. They are currently Director + Curator, Gallery and Exhibitions at Emily Carr University on unceded Musqueam, Squamish and Tsleil-Waututh territories (Vancouver, Canada). They have worked in artistic leadership roles since 2003, contributing to organizations such as grunt gallery, the Vancouver Art Gallery, Other Sights for Artists' Projects, Access Gallery, Powell Street Festival and Out On Screen. They regularly write, speak and publish on art and culture, and since 2017 have been producing residency projects across the Pacific Rim (Vancouver, Seoul, Melbourne and Sydney) exploring artist-led creative exchange. In addition they have produced significant public art works including Geyser for Hillcrest Park (with Erica Stocking), Speaker A, a permanent sound installation co-created with Theatre Replacement (Maiko Yamamoto and James Long) and Curtains, an upcoming collaborative performance work.   About Tara:   Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).  With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can't remember the word for I can't remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally.  Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be,  which premiered at The Cultch, and her solo I can't remember the word for I can't remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.

The 100th episode(!) of Page Fright, in which Andrew hosts a live reading featuring four poets (Estlin McPhee, Kyle McKillop, Jane Shi, and Rob Taylor) at Massy Arts Society to celebrate 5 years and 100 episodes of poetry interviews! The poets share their writing with the audience, and Andrew gets overwhelmed! -- Estlin McPhee is a writer and librarian who lives on the traditional territories of the Musqueam, Squamish, and Tsleil-Waututh peoples. Estlin holds an MFA in Creative Writing from the University of British Columbia and is the author of the poetry chapbook Shapeshifters (Rahila's Ghost Press, 2018). Their writing has appeared in journals across North America; for many years, they co-organized REVERB, a queer reading series in Vancouver. Estlin's debut poetry collection In Your Nature is forthcoming in spring 2025 with Brick Books. Kyle McKillop is a poet and teacher who completed his MFA in creative writing at UBC. His poems have appeared in CV2, tuesday poem, English Practice, the Sustenance anthology of BC food writing, and a couple of chapbooks, among others. He is a past president of the BC Teachers of English Language Arts, the Surrey English Teachers' Association, and the Royal City Literary Arts Society, and he lives on the traditional and unceded territory of the Katzie, Kwantlen, Stó:lō, and other Coast Salish nations. Jane Shi lives on the occupied and stolen territories of the xʷməθkʷəýəm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) nations. Her writing has appeared in the Disability Visibility Project blog, Briarpatch Magazine, and The Offing, among others. She is the winner of The Capilano Review's 2022 In(ter)ventions in the Archive Contest and author of the chapbook Leaving Chang'e on Read (Rahila's Ghost Press, 2022). Her debut poetry collection echolalia echolalia is out now with Brick Books. She wants to live in a world where love is not a limited resource, land is not mined, hearts are not filched, and bodies are not violated. Rob Taylor is the author of five poetry collections, including Strangers and The News, which was a finalist for the Dorothy Livesay Poetry Prize. His new collection, Weather, was published in May from Gaspereau Press. Rob is also the editor of What the Poets Are Doing: Canadian Poets in Conversation and Best Canadian Poetry 2019. He teaches creative writing at the University of the Fraser Valley, and lives with his family in Port Moody, BC, on the unceded territories of the kʷikʷəƛ̓əm (Kwikwetlem) and səlilwətaɬ (Tsleil-Waututh) peoples. -- Andrew French is a poet from North Vancouver, British Columbia. They have published three chapbooks, most recently Buoyhood (forthcoming with Alfred Gustav Press, 2025). Andrew holds a BA in English from Huron University College at Western University and an MA in English from UBC. They write poems, book reviews, and have hosted this very podcast since 2019.

Online forum on the War and occupation of Lebanon on remembrance day to end wars on these traditional, occupied, ancestral, and unceded national homelands of the Coast Salish peoples – specifically the sḵwx̱wú7mesh (Squamish), sel̓íl̓witulh (Tsleil-Waututh), and xʷməθkʷəy̓əm (Musqueam) nations.Moderator:Imtiaz Popat: Activist, journalist, filmmaker, founder of Coalition Against Bigotry-Pacific.Guests:Ghinwa Yassine: Labanese Canadian anti-disciplinary artist, based on the unceded Territories of the Musqueam, Squamish, and Tsleil-waututh people.Her work includes film, installation, performance, sound, text, and sculpture, text, and is concerned with the body as a site where personal and collective memory manifest.Hadani Ditmars: Lebanese Canadian author, journalist, and photographer Hadani Ditmars has reported from Lebanon, Israel/Palestine, and Iraq, often examining the human costs of sectarian strife as well as cultural resistance to war, occupation and embargo.Become a supporter of this podcast: https://www.spreaker.com/podcast/policy-and-rights--3339563/support.

On this episode of the VIFF Podcast, Director of Programming Curtis Woloschuck sits down with filmmaker Mads K. Baekkevold, director of The Chef & the Daruma. Mads shares his creative process and talks about the journey of capturing Chef Hidekazu Tojo's life and legacy. Tune in to hear about Mads' influences, from Tampopo to Jiro Dreams of Sushi, the serendipitous beginnings of the film, and the power of authentic voices.This episode was recorded during the 2024 Vancouver International Film Festival.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Sahibzada Mayed is a creative alchemist who uses design and storytelling to cultivate joy and imagination as tools of liberation. Mayed serves as the Co-Lead for Strategy and Research at Pause and Effect, a liberation-focused imagination and design collective based on Coast Salish territories of the Musqueam, Squamish, Tsleil-Waututh Nations. Beyond that, Mayed leads a small-scale startup, Naranji, that focuses on gender justice and decolonization in fashion. Today, we talk about decolonizing design and creative liberation. Listen to learn about: >> The impact of colonialism and power structures on design >> The need for critical social analysis in design >> Designing for Joy >> Decolonizing design >> The importance of locality and place in design >> Rethinking how we think about and experience systems Our Guest Sahibzada Mayed is a creative alchemist who uses design and storytelling to cultivate joy and imagination as tools of liberation. Mayed serves as the Co-Lead for Strategy and Research at Pause and Effect, a liberation-focused imagination and design collective based on Coast Salish territories of the Musqueam, Squamish, Tsleil-Waututh Nations. Beyond that, Mayed leads a small-scale startup, Naranji, that focuses on gender justice and decolonization in fashion. Their work has been prominently featured during New York and Chicago Fashion Weeks and highlighted in several publications across the United States, Pakistan, Thailand, and Japan. Mayed's identity is shaped by their background as a Muslim immigrant of Persian, Afghan, Indian, and Pakistani heritage, as well as lived experiences of queerness, disability, and neurodivergence. Show Highlights [02:15] Mayed's unconventional journey into design, combining engineering and social sciences. [04:05] How this background has helped Mayed in their work. [06:01] Mayed's current work focus is on understanding the impact of colonialism in design. [07:36] The challenge of collaborating when existing power differentials have yet to be addressed. [09:28] What is power? [12:04] Mayed shares thoughts on designing when you're close to, or a part of, the community you're designing for, versus being outside that community. [13:53] Dawan talks about how perfection is the enemy of change. [15:57] The fear and discomfort of taking responsibility for causing harm. [16:28] Good intentions do not absolve responsibility. [17:30] Building accountability into what you design. [19:19] Ethics in design and looking for the potential of harm while designing. [22:45] There is an assumption of neutrality and objectivity around design. [24:47] Designing to prevent harm, and also designing for joy and compassion and care. [29:45] Decolonizing design. [35:12] Grounding design in the context of the place and space where it will live. [38:47] Shifting the way we think about design, to move beyond the human. [40:44] Rethinking how we think about and experience systems. [45:13] Last thoughts from Mayed about doing the work and the responsibility that comes with that. LinksMayed on LinkedInMayed on MediumMayed's websitepause + effect - 5-week intensive, Reimagining ResearchInterview: Fashion Designer Sahibzada MayedCultivating Design Ecologies of Care, Community, and CollaborationI Don't Want A Seat at Your Table w/ sahibzada mayedDecentralizing Power through Design with Sahibzada Mayed and Lauren Lin Book Recommendations Emergent Strategy: Shaping Change, Changing Worlds, by Adrienne Maree Brown DT 101 EpisodesDesign Social Change with Lesley-Ann Noel — DT101 E128 Radical Participatory Design + Relationships in Complex Systems Inclusive Design with Victor Udoewa — DT101 E127 Design Ethics with George Aye — DT101 E136

Sahibzada Mayed is a creative alchemist who uses design and storytelling to cultivate joy and imagination as tools of liberation. Mayed serves as the Co-Lead for Strategy and Research at Pause and Effect, a liberation-focused imagination and design collective based on Coast Salish territories of the Musqueam, Squamish, Tsleil-Waututh Nations. Beyond that, Mayed leads a small-scale startup, Naranji, that focuses on gender justice and decolonization in fashion. Today, we talk about decolonizing design and creative liberation. Listen to learn about: >> The impact of colonialism and power structures on design >> The need for critical social analysis in design >> Designing for Joy >> Decolonizing design >> The importance of locality and place in design >> Rethinking how we think about and experience systems Our Guest Sahibzada Mayed is a creative alchemist who uses design and storytelling to cultivate joy and imagination as tools of liberation. Mayed serves as the Co-Lead for Strategy and Research at Pause and Effect, a liberation-focused imagination and design collective based on Coast Salish territories of the Musqueam, Squamish, Tsleil-Waututh Nations. Beyond that, Mayed leads a small-scale startup, Naranji, that focuses on gender justice and decolonization in fashion. Their work has been prominently featured during New York and Chicago Fashion Weeks and highlighted in several publications across the United States, Pakistan, Thailand, and Japan. Mayed's identity is shaped by their background as a Muslim immigrant of Persian, Afghan, Indian, and Pakistani heritage, as well as lived experiences of queerness, disability, and neurodivergence. Show Highlights [02:15] Mayed's unconventional journey into design, combining engineering and social sciences. [04:05] How this background has helped Mayed in their work. [06:01] Mayed's current work focus is on understanding the impact of colonialism in design. [07:36] The challenge of collaborating when existing power differentials have yet to be addressed. [09:28] What is power? [12:04] Mayed shares thoughts on designing when you're close to, or a part of, the community you're designing for, versus being outside that community. [13:53] Dawan talks about how perfection is the enemy of change. [15:57] The fear and discomfort of taking responsibility for causing harm. [16:28] Good intentions do not absolve responsibility. [17:30] Building accountability into what you design. [19:19] Ethics in design and looking for the potential of harm while designing. [22:45] There is an assumption of neutrality and objectivity around design. [24:47] Designing to prevent harm, and also designing for joy and compassion and care. [29:45] Decolonizing design. [35:12] Grounding design in the context of the place and space where it will live. [38:47] Shifting the way we think about design, to move beyond the human. [40:44] Rethinking how we think about and experience systems. [45:13] Last thoughts from Mayed about doing the work and the responsibility that comes with that. LinksMayed on LinkedInMayed on MediumMayed's websitepause + effect - 5-week intensive, Reimagining ResearchInterview: Fashion Designer Sahibzada MayedCultivating Design Ecologies of Care, Community, and CollaborationI Don't Want A Seat at Your Table w/ sahibzada mayedDecentralizing Power through Design with Sahibzada Mayed and Lauren Lin Book Recommendations Emergent Strategy: Shaping Change, Changing Worlds, by Adrienne Maree Brown DT 101 EpisodesDesign Social Change with Lesley-Ann Noel — DT101 E128 Radical Participatory Design + Relationships in Complex Systems Inclusive Design with Victor Udoewa — DT101 E127 Design Ethics with George Aye — DT101 E136

In this episode of the VIFF Podcast, filmmaker Asher Penn talks about his debut feature documentary, Physician, Heal Thyself, with VIFF Year Round Programmer Tom Charity. The film is a searingly intimate portrait of the celebrated expert on addiction, stress, and trauma, Dr. Gabor Maté. Physician Heal Thyself follows Gabor's life's journey, from his start as a young contrarian to a contemporary icon.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

This week on Below the Radar, we're joined by Ghinwa Yassine, a Lebanese anti-disciplinary artist whose work confronts the ideological and patriarchal systems that she grew up in, while exploring collective feelings and what it means to be a marked body. Ghinwa discusses her recent multi-media installations and ongoing artistic research into gestural agency and freedom. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/251-ghinwa-yassine.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/251-ghinwa-yassine.html Resources: Ghinwa Yassine: https://www.ghinwayassine.com/ How Far Can a Marked Body Go? : https://www.ghinwayassine.com/how-far-can-a-marked-body-go KickQueen: https://www.ghinwayassine.com/kickqueen MENA Film Festival: https://www.menafilmfestival.com/ When You Pour Something, It Carries the Memory of its Mold: https://www.ghinwayassine.com/when-you-pour-something-it-carries-the-memory-of-its-mold Bio: Ghinwa Yassine is an anti-disciplinary artist based on the land of the Musqueam, Squamish, and Tsleil-Waututh people, so-called Vancouver. Her work uses various media, including film, installation, performance, text, and drawing. Yassine's work confronts the ideological and patriarchal systems that she grew up in while exploring collective feelings and what it means to be a marked body. She seeks a radical historicizing of individual and collective traumas where embodied memories are put into question. Using hybrid forms of storytelling, where story manifests as somatic experiencing, ritual, and gesture, her projects are portals to factual/fictional dimensions that activate collective memory. Yassine holds an MFA in Contemporary Art - Interdisciplinary Studies at Simon Fraser University in Vancouver, an MA in Digital Video Design from the University of the Arts Utrecht, and a BA in Graphic Design from the American University of Science and Technology in Beirut. Her works have been exhibited in the Netherlands, Lebanon, UAE, Canada, Iran, and Croatia. Cite this episode: Chicago Style Johal, Am. “How Far Can A Marked Body Go? — with Ghinwa Yassine.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, September 24, 2024. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/251-ghinwa-yassine.html.

Host Tiokasin Ghosthorse welcomes Edzi'u, a Tahltan and Tlingit artist based in Vancouver, British Columbia, Canada on the unceded territories of the Musqueam, Squamish and Tsleil-Waututh First Nations. Edzi'u is an innovative songwriter and composer who paints stories of the past, present and future with textures, elders' stories, words, and their ethereal voice. Edzi'u is the gentlest balance of hard and soft, a non-binary 2-spirit Indigiqueer femme, their strength of identity resonates in their music to create a fullness of fierce spirit combined with an elegant grace. Their new music is full of thick synths, drums dripping with reverb and a mix of a modern take on 80s and 90s sounds that blends the nostalgic essence of Stevie Nicks, the raw emotional depth of Sharon Van Etten, and the atmospheric electronic textures of DRAMA. The result is a sonic river of pain and beauty that sweetly soars into a singular, healing journey. Tiokasin talks with Edzi'u about their new EP, “Tunnel Vision,” a poignant exploration of the cruelty of heartbreak, the painful truth of mistreatment, and the radiant journey of resurgence. With vulnerability and fortitude, each track lingers with the listener like a cherished memory. Edzi'u invites listeners into an auditory sanctuary where music serves as both refuge and revelation. In this sacred space, reclamation of self stands as the most powerful act of all. Edzi'u and their artistry is a beacon of auntie joy for queer and Indigenous communities and beyond, embodying resilience, grace, and unapologetic authenticity. Find out more about Edzi' at https://www.edziumusic.com/ Production Credits: Tiokasin Ghosthorse (Lakota), Host and Executive Producer Liz Hill (Red Lake Ojibwe), Producer Karen Martinez (Mayan), Studio Engineer, Radio Kingston Tiokasin Ghosthorse, Audio Editor Kevin Richardson, Podcast Editor Music Selections: 1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song) Artist: Moana and the Moa Hunters Album: Tahi (1993) Label: Southside Records (Australia and New Zealand) 2. Song Title: Raven Clan Welcome Artist: Edzi'u Album: Potlatch in the Box (2023) Label: Ts'ats'ée Sounds 3. Song Title: Can You Introduce Yourself in the Language Artist: Edzi'u Album: Potlatch in the Box (2023) Label: Ts'ats'ée Sounds 4. Song Title: Not Enough Artist: Edzi'u Album: Tunnel Vision (2024) Label: Ts'ats'ée Sounds 5. Song Title: You Don't Wanna Know Me Artist: Edzi'u Album: Potlatch in the Box (2023) Label: Ts'ats'ée Sounds 6. Song Title: Ego Death Artist: Edzi'u Album: Tunnel Vision (2024) Label: Ts'ats'ée Sounds 7. Song Title: Warrior Song Artist: Edzi'u Album: Potlatch in the Box (2023) Label: Ts'ats'ée Sounds 8. Song Title: Fly With Us (feat. Ara Eden) Artist: Sarita Album: Earth Anthems (2024) Label: Ancient Future Productions AKANTU INTELLIGENCE Visit Akantu Intelligence, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuintelligence.org to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse

In this episode of the VIFF Podcast, BC-based film producer Mike Johnston talks about his his transition from directing to producing with VIFF Director of Programming, Curtis Woloschuck. He highlights the complexities of financing and managing co-productions, with Beehive and Wild Goat Surf as turning points, and an upcoming international co-production with Colombia, Memoria. Together, Mike and Curtis reflect on the resilience and future of the Vancouver film community.This conversation was recorded remotely during VIFF 2023.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode Elaine chats to Canadian theatre maker Claire Love Wilson. We talk about their show Morag You're a Long Time Died. Which is touring Scotland/Ireland/England this month after a successful month at the Edinburgh Festival. We chat about the show, generational relationships and much more. Tickets here: http://clairelovewilson.com/morag-youre-a-long-time-deid Morag You're a Long Time Died Morag's death left a silence in her place. When her grand-daughter Sam inherits her piano, she also inherits the mystery of Morag's story. An intimate letter composed of fragmented Scottish ballads leads Sam to uncover Morag's possible queerness. In piecing together Morag's history through their shared Scottish musical heritage, Sam discovers a voice of her own. This new experimental musical warps, disrupts, and reconfigures traditional Scottish storytelling, ballad singing and participatory community dance. Reimagining ceilidh theatre from a queer perspective, original compositions are playfully interwoven with electronic loops and interactive dancing to tell old stories anew. Claire Love Wilson Claire Love Wilson (she/they) is queer white/Scottish settler multidisciplinary artist living on the ancestral and unceded territories of the xwməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaʔ/Selilwitulh (Tsleil- Waututh) First Nations. She works as a theatre-maker, actor, playwright, musician, and singer-songwriter. Claire has been featured as a creator and performer at the Vancouver Fringe Festival, the rEvolver festival, The Shift Festival, and Theatre Under the Gun in collaboration with companies like The Only Animal, Urban Ink, the frank theatre, Aphotic Theatre and ITSAZOO Theatre. Claire has also facilitated workshops on her personal loop- based performance practice “Song-Walking” locally as part of Interplay Festival and the Vancouver Outsider Arts Festival, as well as internationally at the University of The West of Scotland, the Scottish Storytelling Centre, and BAM in Paris. Claire is the co- creator, lead performer and co-producer of the experimental musical “Morag, You're a Long Time Deid” (MORAG), which works to queer traditional Scottish ballads through loop-based soundscaping and storytelling. As a work in development MORAG has been showcased at the National Theatre of Scotland, The Scottish Storytelling Centre and at PushOff! in Vancouver. The production premiered as part of Touchstone Theatre's 45th anniversary season in June 2022. MORAG had its UK premiere at the 2024 Edinburgh Fringe Festival and is now on tour in Scotland, Ireland and England. OUR WEBSITE - www.persistentandnasty.co.uk HIPA GUIDES: HIPA GUIDES Equity Toolkit: Link Stellar Quines: Link Persistent Pal & Nasty Hero - Pals and Hero Membership Email – persistentandnasty@gmail.com Instagram - @persistentandnasty Twitter - @PersistentNasty Coffee Morning Eventbrite - Coffee Morning Tickets LINKTREE - LINKTR.EE Resources Samaritans - Rape Crisis Scotland - Rape Crisis UK ArtsMinds - BAPAM Freelancers Make Theatre Work Stonewall UK - Trevor Project - Mermaids UK Switchboard LGBT+ - GATE PLANNED PARENTHOOD DONATE - DONATE ABORTION SUPPORT NETWORK UK - ASN.COM- DONATE

In this episode of the VIFF Podcast, filmmaker Zarrar Kahn talks about his debut feature film, In Flames, with VIFF Director of Programming Curtis Woloschuk. In Flames, which premiered at Cannes 2023 and screened at VIFF 2023, follows a mother and daughter navigating loss and supernatural forces in Karachi, Pakistan. After the death of the family patriarch, a mother and daughter's precarious existence is ripped apart. They must find strength in each other if they are to survive the malevolent forces that threaten to engulf them.This conversation was recorded remotely.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Future Ecologies presents "The Right to Feel," a two episode mini-series on the emotional realities of the climate crisis.This first episode, “Climate Feelings,” is a collection of students' non-fiction essays and reflections on their personal realities of living with and researching the climate crisis. The first episode opens with an introductory conversation between Naomi Klein and series producer Judee Burr that contextualizes how this class was structured and the writings it evoked.Over a two-year period, associate professor of climate justice and co-director of the UBC Centre for Climate Justice Naomi Klein taught a small graduate seminar designed to help young scholars put the emotions of the climate and extinction crises into words. The students came from a range of disciplines, ranging from zoology to political science, and they wrote eulogies for predators and pollinators, alongside love letters to paddling and destroyed docks. Across these diverse methods of scholarship, the students uncovered layers of emotion far too often left out of scholarly approaches to the climate emergency. They put these emotions into words, both personal reflections and fictional stories.“The Right to Feel” was produced on the unceded and asserted territories of the Sḵwx̱wú7mesh (Squamish), xʷməθkʷəy̓əm (Musqueam), and Səl̓ílwətaʔ (Tsleil-Waututh) peoples.Find a transcript, citations, credits, and more at www.futureecologies.net/listen/the-right-to-feel— — —Part 1: Climate Feelings2:38 — Introduction by Judee Burr and Naomi Klein19:05 — Connection to Jericho Willows by Ali Tafreshi22:27 — Connection to the Water by Foster Salpeter27:06 — Connection to Family and Land by Sara Savino31:01 — Scientists and Feelings by Annika Ord36:00 — Biking away from the Smoke by Ruth Moore39:32 — Climate Sensitivity on the Bus by Nina Robertson43:13 — Grief and Climate Change Economics by Felix Giroux46:36 — The Age of Sanctuary by Melissa Plisic52:04 — Age of Tehom by Maggie O'Donnell

Future Ecologies presents "The Right to Feel," a two episode mini-series on the emotional realities of the climate crisis.The second and final episode, “Eulogies,” is based on fictional writing from the class. Students imagine and eulogize something that could be harmed by the climate emergency, and then imagine a speculative future in which action was taken to mitigate that harm.Over a two-year period, associate professor of climate justice and co-director of the UBC Centre for Climate Justice Naomi Klein taught a small graduate seminar designed to help young scholars put the emotions of the climate and extinction crises into words. The students came from a range of disciplines, ranging from zoology to political science, and they wrote eulogies for predators and pollinators, alongside love letters to paddling and destroyed docks. Across these diverse methods of scholarship, the students uncovered layers of emotion far too often left out of scholarly approaches to the climate emergency. They put these emotions into words, both personal reflections and fictional stories.“The Right to Feel” was produced on the unceded and asserted territories of the Sḵwx̱wú7mesh (Squamish), xʷməθkʷəy̓əm (Musqueam), and Səl̓ílwətaʔ (Tsleil-Waututh) peoples.Find a transcript, citations, credits, and more at www.futureecologies.net/listen/the-right-to-feel— — —Part 2: Eulogies02:15 – Clione by Annika Ord12:49 –The Abundance Will Be Forever by Judith Burr24:03 – A Eulogy for Wolves by Niki33:33 – Return of the Hidden Worlds by Sadie Rittman44:59 — Eulogy for the Bees by Rhonda Thygesen

In this episode of the VIFF Podcast, documentary filmmakers Jeremy Schaulin-Rioux and Kirk Thomas along with legendary streetball player Joel Haywood talk with VIFF Director of Programming Curtis Woloschuk. Handle With Care: The Legend of The Notic Streetball Crew chronicles the rise, fall and rebirth of The Notic, an upstart streetball collective. While their creative basketball moves brought them global fame as teenagers, it set them at odds with the status quo in a battle involving self-expression, race and rejection. Driven by a twenty year quest to finish their mixtape trilogy, the documentary charts how a group of friends from Vancouver, Canada played outside the confines of the NBA but left an imprint on the game forever.This conversation was recorded remotely.This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

For thousands of years, fluffy white dogs could be found across the Pacific Northwest. Their exceptionally soft, crimpy hair was shorn like sheep's wool, spun into yarn, and woven into blankets and robes by indigenous women who carefully tended them in communities across Coast Salish territory. But a hundred years ago, the woolly dog quietly vanished. Why? Today, the only known pelt of this extinct breed is in the collections of the Smithsonian's National Museum of Natural History, and it might hold some answers. Through collaborate research combining Western science with Indigenous knowledge, we delve into this animal's genome to learn the real story of the woolly dog's disappearance. Guests:Audrey Lin, evolutionary molecular biologist, research associate at the Smithsonian's National Museum of Natural History and postdoctoral scholar at the American Museum of Natural HistoryLogan Kistler, curator of archaeobotany and archaeogenomics in the anthropology department of the Smithsonian's National Museum of Natural History Liz Hammond-Kaarremaa, master spinner who studies traditional Salish textiles as a research associate at Vancouver Island University and the Smithsonian's National Museum of Natural HistorySteven Point / Xwĕ lī qwĕl tĕl, grand chief of the Stó:lō Tribal Council, chancellor of the University of British Columbia, former lieutenant-governor of British Columbia, retired judge, and member of the Skowkale First NationDebra Sparrow / θəliχʷəlʷət, weaver, artist and knowledge-keeper from Musqueam. Foundational Salish weaving revivalist who, with her sisters, she has worked for decades to rejuvenate and teach traditional Salish weaving. Violet Elliot / Snu'Meethia, weaver and teacher from Snuneymuxw First Nations living in Cowichan First Nations. She has been weaving for over 28 years.Melissa (Missy) Hawkins, curator of mammals at the Smithsonian's National Museum of Natural History 

When we heard that Helen Bevan was going to be in town, we jumped at the opportunity to connect with her. Helen is one of the leading voices in the world when it comes to health care transformation.In this episode, Helen and Victoria cover a range of topics related to how health systems can provide the best care possible for patients, including continuous improvement of care and services, compassionate leadership and Fraser Health's own engagement radicals.Guest bioHelen is a leader of large-scale change, an innovator and an activist in health and care. She is currently Professor of Practice in Health and Care Improvement at Warwick Business School at the University of Warwick and a Strategic Advisor to the National Health Service's Horizons team. Helen has spent more than three decades working in England's National Health Service, focusing on large scale transformational change. She has led and facilitated many nationwide improvement initiatives, including those in cancer services, urgent and emergency care, and dementia care and treatment. About The Heart of ItEvery episode, Dr. Victoria Lee, president and CEO of Fraser Health, take listeners to the heart of health care, where passion, dedication and innovation drive individual, community and planetary health.Listen to and watch more episodes of The Heart of It here. And be sure to subscribe to The Heart of It in your favourite podcast player app so that you don't miss a beat.This episode of The Heart of It was recorded on the traditional, ancestral and unceded shared territories of the xʷməθkʷəy̓əm (Musqueam), Skwxwú7mesh (Squamish) and səl̓ilwətaɁɬ (Tsleil-Waututh) Nations, and home to the Vancouver Sea to Sky Métis Association.Send us a Text Message.

In this episode we welcome Canadian filmmaker Pier-Philippe Chevigny, director of Richelieu in  conversation with  VIFF Director of Programming Curtis Woloschuk.Drawing from neo-realist traditions, beautifully photographed and elegantly constructed, Richelieu paints an undeniable portrait of a crisis unfolding across North America. Director Pier-Philippe Chevigny avoids didacticism and delivers an assured, emotionally resonant first feature which announces the arrival of a new Canadian talent.This conversation was recorded during the 2023 Vancouver International Film Festival.–––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

As an artist and educator, I see that this moment calls for a way of working through decolonization and forging a path of care. I like to think of this through multispecies communities so that, as humans, we're surrounded by more than human life, even in our urban environments. This path of care for our multi-species, communities that make up the neighborhood, the community, and ultimately the earth is where I see my call for research and practice. I know Julie Andreyev from my time on the board of the Canadian Association for Sound Ecology and from the acoustic ecology in Vancouver where she is an Associate Professor in the Audain Faculty of Art, Emily Carr University of Art + Design where she teaches New Media + Sound Arts and Critical Studies.Julie is located on the unceded, traditional and ancestral territories of the Coast Salish people, including the  xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh Úxwumixw (Squamish), and səl̓ilw̓ətaʔɬ (Tsleil-Waututh) First Nations, as well as the unceded traditional territories of more-than-human animals and plant life including bears, deers, raccoons, eagles, ravens, crows, hummingbirds, cedars, firs, salals and others.It's the first time I see a land acknowledgement that includes more-than-human life and Julie is a good person to lead the way. Her multispecies art practice explores more-than-human creativity and our relations. You'll hear talk about some current projects including Bird Park Survival Station, a long term reciprocity project with local birds, and Branching Songs a sound art project that draws attention to wondrous gifts provided by trees and forest ecosystems.During our conversation Julie mentioned her book : Lessons from a Multispecies Studio : Uncovering Ecological Understanding and Biophilia through Creative ReciprocityNear the end Julie tells a fascinating story about crow friends of hers, so stay tuned. Julie's recommended listening are:Tree Museum Talking Territory Podcast : interviews that explore the aesthetics and politics of trees, animals and relations to the land. When We Talk About Animals podcastQuantum Listening by Pauline Oliveros One Drum by Richard WagameseThe Light Eaters by Zoë SchlangerEntangled Life by Merlin Sheldrake *END NOTES FOR ALL EPISODESHere is a link for more information on season 5. Please note that, in parallel with the production of the conscient podcast and it's francophone counterpart, balado conscient, I publish a Substack newsletter called ‘a calm presence' which are 'short, practical essays for those frightened by the ecological crisis'. To subscribe (free of charge) see https://acalmpresence.substack.com. You'll also find a podcast version of each a calm presence posting on Substack or one your favorite podcast player.Also. please note that a complete transcript of conscient podcast and balado conscient episodes from season 1 to 4 is available on the web version of this site (not available on podcast apps) here: https://conscient-podcast.simplecast.com/episodes.Your feedback is always welcome at claude@conscient.ca and/or on conscient podcast social media: Facebook, X, Instagram or Linkedin. I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on April 2, 2024

What would change things is love. … We ask people to act, to change, to make sacrifices, or what may be perceived as sacrifices, which in the end can turn out to be incredible things as we open up a world we didn't consider possible for ourselves; it was always love that got people to take those steps and those decisions.Born and raised in the occupied unceded sovereign territories of the Sḵwx̱wú7mesh (Squamish), xʷməθkʷəy̓əm (Musqueam), and səlil̓wətaʔɬ (Tsleil-Waututh) peoples on the wild West coast of colonial Canada Beth Carruthers is an artist and researcher whose work and practice focuses on  how aesthetic engagements, and especially arts and design based praxis, can seed and nurture transformative change in socio-cultural systems leading toward a sustainably flourishing future for all life.My first conversation with Beth was in October 2019, e05 carruthers – art that informs, forms and transforms so I wanted to reconnect with Beth some 5 years later to get an update on what this amazing creative mind is up to.She told me many new things, for example, about her origins:I come from a family of Highland Scots who were driven off their land and shipped to Canada to be placeholders for the empire about five or six generations ago. For some reason the Scots, Irish and Celtic peoples have managed, despite the church and all kinds of other occupations, to hang on to a kind of animist understanding of being in the world and an understanding of the world as a living sentient place. That's not what school tells you and that's not the narrative of modernism in the West. At one point Beth referred to this poem, A Walk, by Rainer Maria Rilke, from his Uncollected Poems, which opens Beth's book chapter in the book Call and Response: Deep Aesthetics and the Heart of the World (2013). Beth asked that it be mentioned in the episode notes: ‘Already my gaze is on the hill, that sunlit one,up ahead on the path I've scarcely started.In the same way, what we couldn't grasp grasps us:blazingly visible, there in the distance –and changes us, even if we don't reach it,into what we, scarcely sensing it, already are;a gesture signals, answering our gesture…But we feel only the opposing wind.'Beth recommended the following reading and viewing materials: At Work in the Ruins: Finding Our Place in the Time of Science, Climate Change, Pandemics and All the Other Emergencies by Dougald HineThe world is not a problem: a conversation between Dougald Hine and Iain McGilchrist *END NOTES FOR ALL EPISODESHere is a link for more information on season 5. Please note that, in parallel with the production of the conscient podcast and it's francophone counterpart, balado conscient, I publish a Substack newsletter called ‘a calm presence' which are 'short, practical essays for those frightened by the ecological crisis'. To subscribe (free of charge) see https://acalmpresence.substack.com. You'll also find a podcast version of each a calm presence posting on Substack or one your favorite podcast player.Also. please note that a complete transcript of conscient podcast and balado conscient episodes from season 1 to 4 is available on the web version of this site (not available on podcast apps) here: https://conscient-podcast.simplecast.com/episodes.Your feedback is always welcome at claude@conscient.ca and/or on conscient podcast social media: Facebook, X, Instagram or Linkedin. I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on April 2, 2024

Show notes below:   Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP  /  FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart Music www.marcstewartmusic.com    © 2024 Tara Cheyenne Performance   Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.   Donate! To keep this podcast ad-free please go to:  https://www.canadahelps.org/en/dn/13386   Links: https://www.erikamitsuhashi.com/ https://holdonletgo.ca/performance/wherevereverhttps://www.katefranklin.ca/ About Erika: Erika Mitsuhashi is an interdisciplinary artist and performer living and working on the unceded, ancestral, and occupied, traditional lands of the xʷməθkʷəy̓əm (Musqueam), Səl̓ílwətaɬ (Tsleil-Waututh), and Skwxwú7mesh (Squamish) Nations of the Coast Salish peoples, known as Vancouver, British Columbia. She studied at Simon Fraser University School for the Contemporary Arts receiving a BFA (hons) in dance. She has had the pleasure of interpreting the work of dance artists including Justine A. Chambers, Ziyian Kwan (Dumb Instrument Dance), Sasha Kleinplatz (Wants&Needs Danse), Rob Kitsos, Vanessa Goodman (Action at a Distance) and Judith Garay (Dancers Dancing) in festivals and platforms such as Vancouver International Dance Festival, Dancing on the Edge Festival, Re-FUSE presented by the Vancouver Art Gallery and PuSh International Performing Arts Festival 2020. Erika's work has taken the form of performance for stage, installation, experimental film, site specific/responsive performance, scenography and projection design. Most recently she has been experimenting with live-stream video and digital spaces as sites for intimacy and choreography of attention. Her work and collaborative projects have been presented locally and internationally by PAUL Studios Berlin, Powell Street Festival, Toronto Love-In's PS:We are All Here series, Surrey Art Gallery's InFlux, Kinetic Studio's Open Studio Series, Shooting Gallery Performance Series, Upintheair Theatre's rEvolver Festival and La Serre's OFFTA festival of live art. She has been supported by organizations including New Works, SummerWorks, VIVO Media Arts, plastic orchid factory, Dance West Network, Boca De Lupo, Theatre Replacement and Company 605 in the creation and development of her works to date. Locally she engages with two diverse collaborative groups: Mardon + Mitsuhashi and Erika Mitsuhashi & Francesca Frewer.    About Tara:   Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).  With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can't remember the word for I can't remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally.  Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be,  which premiered at The Cultch, and her solo I can't remember the word for I can't remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.

In this episode we welcome Mark Mangini, sound designer of films such as Blade Runner 2049, The Fifth Element, and Gremlins in conversation with film producer Matt DrakeMark Mangini has made it his life's work to create the unimagined worlds and fabricated sonic realities of the most epic films you can imagine. Known for films including Blade Runner 2049, Star Trek I, IV and V, The Fifth Element, and Gremlins, Mark is a six-time Oscar nominated sound designer, winning twice for Dune and Mad Max Fury Road.We go behind-the-scenes as Mark shares the secrets behind creating the most memorable sound art of these monumental films.This conversation was recorded during the 2023 Vancouver International Film Festival.–––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), and year-round programming at VIFF Centre. See what's playing now at viff.org.

Season 1 Episode 8: We Really Went off Script Join me, Beth, on this week's episode of A Friend for the Long Haul, as I have a heartfelt conversation with my dear friend Katy. Katy (a first wave Covid long hauler from Canada) and I have known each other online since 2020. When I announced that Katy was going to be on the podcast, I said that I couldn't remember my Covid life without her. Our experience through the trials of long covid has brought us closer together and we're sharing our stories with you. In this episode, we reflect on the early days of the pandemic when the uncertainty of prolonged symptoms left us feeling isolated and misunderstood - and that part never really went away. Katy and I discuss our shared experiences with conditions like postural orthostatic tachycardia syndrome (POTS) and mast cell activation syndrome (MCAS), including harrowing episodes of anaphylaxis triggered by food and medications. We discuss our advocacy efforts to raise awareness and support for long Covid sufferers, discussing how we attempt to preserve our energy and find joy in the small details of life. Don't miss this episode filled with lols, strength, and hope. By the way, 10kms is equal to 6.21371, I was close!! Remember to subscribe to A Friend for the Long Haul and rate the pod on your favorite platform. Your support means the world to me and my listeners, and we're grateful to have your ears. Thank you for listening! Katy was a speaker at the following event, hosted by Ed Yong: https://youtu.be/BjNy1rn0yPk?si=cYV37I8vgST3YVjJ and she will be back on another podcast to talk more about that - hopefully with other speakers from that event. Ed, I'd love to chat with you too! :D Here's Ed's website: https://edyong.me/ You can find Katy on on Instagram at: https://www.instagram.com/suddendeparture/ Keywords: Long Covid, chronic illness, postural orthostatic tachycardia syndrome, mast cell activation syndrome, anaphylaxis, advocacy, covid long hauler, Ed Yong, pandemic, health journey, energy preservation, spoons, spoonie life, pasc, me/cfs, mcas, pots, asthma Land acknowledgement: Katy and I would like to take a moment to acknowledge the traditional territories on which we are situated. Katy was speaking to you from the unceded traditional territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. Beth joined from the traditional territory of the Núu-agha-tʉvʉ-pʉ̱ (Ute), hinono'eino' biito'owu' (Arapaho), Tséstho'e (Cheyenne), Ndé Kónitsąąíí Gokíyaa (Lipan Apache), and Očhéthi Šakówiŋ communities. We honor and respect the Indigenous peoples who have lived on and cared for these lands for generations. It is important for us to recognize the histories and cultures of these nations as we continue our conversation today. Thank you.

It's Asian Heritage Month in Canada – and this month, we're very excited to bring you a two-part discussion on the history of Asian labour in Canada.  This week's episode is a continuation from last week's conversation in which rabble labour reporter Kiah Lucero, and Patricia Chong and Karine Ng from the Ontario and BC branches of the Asian Canadian Labour Alliance discussed the history of the Alliance; key moments of Asian labour in Canada; and how racism, systemic discrimination, and “othering” still shows up in Canada today.  Today, we continue that discussion and dig into the concept of a “model minority,” what it means to be an immigrant on stolen land, and how all racial justice fights are intertwined.  About our guests  The Asian Canadian Labour Alliance (ACLA) is a national organization that represents the voice of Asian Canadian trade union members, Asian Canadian workers and the Asian community at large. Through educational events, organizing and strike support, the ACLA hopes to establish a wide network of labour and community activists in Canada. Patricia Chong holds a MA in Labour Studies from McMaster University and a Masters in Labour Policies and Globalisation from the Global Labour University (Germany). She is a short documentary film maker and a member of the Asian Canadian Labour Alliance Ontario Chapter. She has worked as an organizer for both public and private sector unions and has successfully unionized workers in Ontario, the Northwest Territories, Nunavut, and the Yukon. 吳珏穎 Karine Ng (she/her) is an immigrant-settler on Turtle Island, a spore blown across the Pacific from then British colonized Hong Kong, with ancestral roots in what is known today as China. Her work is anchored in education, spanning across diverse ages and socio-cultural settings in the ancestral lands of the Musqueam, Squamish and the Tseil-Waututh people and elsewhere.  For additional information on the organizations mentioned please visit:  ACLA Ontario  Canadian Sikh Heritage  Challenging Racist “British Columbia”: 150 Years and Counting Chinese Canadian Historical Society of BC Chinese Canadian Museum Coalition of Black Trade Unionists  For reading and watching materials:  Addressing Anti-Asian Racism: A Resource for Educators A Resource for Educators White Riot: The 1907 Anti-Asian Riots in Vancouver Toronto Solidarity Rally Against Anti-Asian Racism (2021)  More about Emmie Tsumura, the artist who worked on the Asian Canadian Labour History banners Asian Heritage Month designs Follow her on Instagram here  If you like the show please consider subscribing on Apple Podcasts, Spotify, or wherever you find your podcasts. And please, rate, review, share rabble radio with your friends — it takes two seconds to support independent media like rabble. Follow us on social media across channels @rabbleca.

In this episode we welcome Meredith Hama-Brown, director of the feature film Seagrass, in conversation with Sonja Baksa, Programmer + Program Lead at VIFFHaving decamped to a Gabriola Island couples' retreat in a last-ditch attempt to save their crumbling marriage, preoccupied Judith (Ally Maki) and Steve (Luke Roberts) leave their young daughters to their own devices. In turn, 11-year-old Stephanie (Nyha Breitkreuz) quickly ditches six-year-old Emmy (Remy Marthaller) in favour of a pack of unruly teens and their accompanying temptations. Abandoned and adrift, the introverted Emmy grows fixated with an eerie cave and convinced that her late grandmother has been conjured as an unseen ghost.Drawing from her own childhood experiences, writer-director Meredith Hama-Brown demonstrates a profound talent for eliciting unspeakably nuanced, frequently heartbreaking performances from Breitkreuz and Marthaller. Likewise, she deftly investigates the unique tensions of Judith and Steve's interracial marriage (including her infatuation with another man). All the while, Norm Li's highly observant cinematography provides a practically mesmerizing degree of intimacy. A deftly orchestrated, deeply moving portrait of a family at the brink of implosion, Seagrass sees Hama-Brown exude compassion and conviction in an accomplished debut.Meredith Hama-Brown is an actress, producer, and director. She is best known for her short Broke Bunny (2018), which won the Telus Sea to Sky Award at the Vancouver International Film Festival. With this short, she also won Best Narrative Film Award at Las Cruces International Film Festival and Best Film Award at the Future of Film Show. In 2020, Brown was selected for the TIFF Filmmaker Lab and was awarded the Canada Goose Fellowship for her first feature film, Seagrass (2023).This conversation was recorded remotely in March 2024.–––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), and year-round programming at VIFF Centre. See what's playing now at viff.org.

It's Asian Heritage Month in Canada – and this month, we're very excited to bring you a two-part discussion on the history of Asian labour in Canada.  Over the next two weeks, we're sharing a conversation between rabble's own labour reporter Kiah Lucero, and Patricia Chong and Karine Ng from the Ontario and BC branches of the Asian Canadian Labour Alliance. The three discuss the history of the Alliance; key moments of Asian labour in Canada; and how racism, systemic discrimination, and “othering” still shows up in Canada today.  About our guests  The Asian Canadian Labour Alliance (ACLA) is a national organization that represents the voice of Asian Canadian trade union members, Asian Canadian workers and the Asian community at large. Through educational events, organizing and strike support, the ACLA hopes to establish a wide network of labour and community activists in Canada. Patricia Chong holds a MA in Labour Studies from McMaster University and a Masters in Labour Policies and Globalisation from the Global Labour University (Germany). She is a short documentary film maker and a member of the Asian Canadian Labour Alliance Ontario Chapter. She has worked as an organizer for both public and private sector unions and has successfully unionized workers in Ontario, the Northwest Territories, Nunavut, and the Yukon. 吳珏穎 Karine Ng (she/her) is an immigrant-settler on Turtle Island, a spore blown across the Pacific from then British colonized Hong Kong, with ancestral roots in what is known today as China. Her work is anchored in education, spanning across diverse ages and socio-cultural settings in the ancestral lands of the Musqueam, Squamish and the Tseil-Waututh people and elsewhere.  For additional information on the organizations mentioned please visit:  ACLA Ontario  Canadian Sikh Heritage  Challenging Racist “British Columbia”: 150 Years and Counting Chinese Canadian Historical Society of BC Chinese Canadian Museum Coalition of Black Trade Unionists  For reading and watching materials:  Addressing Anti-Asian Racism: A Resource for Educators A Resource for Educators White Riot: The 1907 Anti-Asian Riots in Vancouver Toronto Solidarity Rally Against Anti-Asian Racism (2021)  More about Emmie Tsumura, the artist who worked on the Asian Canadian Labour History banners: Asian Heritage Month designs Follow her on Instagram here  If you like the show please consider subscribing on Apple Podcasts, Spotify, or wherever you find your podcasts. And please, rate, review, share rabble radio with your friends — it takes two seconds to support independent media like rabble. Follow us on social media across channels @rabbleca. 

Show notes below:   Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP  /  FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart Music www.marcstewartmusic.com    © 2024 Tara Cheyenne Performance   Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.   Donate! To keep this podcast ad-free please go to:  https://www.canadahelps.org/en/dn/13386   Links: https://justineachambers.com/ https://www.katefranklin.ca/ About Justine: The anchors of Justine A. Chambers movement based practice are found in collaborative creation, close observation, and the idea of choreography as living archive. She is concerned with a choreography of the everyday; with the unintentional dances, as she describes them “that are already there.” She emerges from the Black American Diaspora, bi-racial and a dual citizen. Her practice extends from this continuum, and its entanglements with western contemporary dance and visual art practices. Her recent choreographic projects include: Zephyrs, Heirloom, And then this also, One hundred more, tailfeather, for all of us, it could have been like this, ten thousand times and one hundred more,  Family Dinner, Family Dinner: The Lexicon, Semi-precious: the faceting of a gemstone only appears complete and critical; Enters and Exits and COPY. Chambers' work has been hosted at: Libby Leshgold Gallery at ECUAD, Leonard and Bina Ellen Gallery at Concordia, Contemporary Art Gallery (Vancouver), Sophiensaele (Berlin), Burrard Arts Foundation, Nanaimo Art Gallery, Art Museum at University of Toronto, Morris and Helen Belkin Art Gallery, Cantor Fitzgerald Gallery, Mile Zero Dance Society, Festival of New Dance, Agora de la danse, Canada Dance Festival, Dance in Vancouver, Dance Saskatchewan, Dancing on the Edge Festival, New Dance Horizons, The Roundhouse Community Arts Centre, Vancouver Art Gallery and the Western Front. Chambers is a founding member of project bk, was artist in residence at artist run centre 221A (2017), a selected artist for the  Visiting Dance Artist Program at the National Arts Centre (2019-2020), one of three choreographer's in the Yulanda Faris Choreographer's Program (2017-2018), and associate artist and artist in residence to The Dance Centre (2015-2017), Justine has collaborated on projects with: Digital video artist Josh Hite: COPY: a movement based installation, Incoming, Green Boot Print (The Roundhouse Community Arts Centre, Code Lab and 350.org), Choreography Walk (2015: Vancouver, 2019: Hong Kong, 2019: Vancouver). Choreographer and dancer Laurie Young: One hundred more Visual artist Natalie Purschwitz and sound artist Anju Singh: Co-facilitation of Trackings and Trappings – Summer Institute at Plug In Institute of Contemporary Art Sound artist Elisa Ferrari: EMF Movement Studies.  Visual artist Mike Bourscheid: Idealverein Dance Artist Alexa Solveig Mardon and scholar Peter Dickinson: Our Present Dance Histories Visual artist Evann Siebens:  Homemade Again. Dance artist Claudia Fancello: Light Was The Night: Night Shifting. Musician Ben Brown:  We're Making a Band Visual Artist Brendan Fernandes: The Working Move (The Western Front, The Stedelijk Museum) Contemporary Gamelan Composer Michael Tenzer: Sphinx (Tour of Bali 2013) Visual artist Jen Weih: Stack of Moves (Wrong Waves Festival 2013) Visual artists Marilou Lemmens and Richard Ibghy: Is there anything at all left to do be done at all (Trinity Square Video) Dance artist Deanna Peters: One + the Other (The Cultch and New Dance Horizons) Chambers, Sadira Rodrigues and battery opera's Su Feh Lee co-facilitate the monthly forum The Talking Thinking Dancing Body; a conversation about aesthetics, context and artistic processes. As a dancer, she has worked with a number of choreographers both nationally and abroad. Including: Kate Franklin, ame henderson, sasha ivanochko, battery opera, adelheid dance projects, Company 605, Tara Cheyenne Performance, Oded Graf and Yossi Berg, Wen Wei Dance, Mascall Dance. Chambers teaches at The School for Contemporary Arts at Simon Fraser University, Working Class, Toronto Community Love-In, Modus Operandi Training Program and Ballet BC. Justine is currently engaged as an artistic monitor for the work of Mardon + Mitsuhashi, and Amanda Acorn. Chambers is Max Tyler-Hite's mother.   About Kate:   Kate Franklin was born in North Bay, Ontario. She started dancing at age 5 and got super serious about it at age 10. When she was 13, she left home to attend Quinte Ballet School of Canada in Belleville, Ontario, where she undertook her professional training for the next five years. Now an independent contemporary dance artist, she has spent the past 20 or so years in Toronto/Tkaronto and so-called Vancouver (on the unceded Indigenous territories of the Musqueam, Squamish and Tsleil-Waututh First Nations) wearing almost every "hat" a person can wear in the community, (performer, choreographer, administrator, volunteer, producer, presenter, educator, outside eye, probably a couple other things). She works regularly for local artists Company 605, Justine A. Chambers and Tara Cheyenne Performance, amongst others, as well as being in her eighth season as Associate Artistic Director of four-year post-secondary contemporary dance program Modus Operandi, where she has the responsibility and privilege of teaching a small, dedicated, passionate group of younger dance artists.  Kate has taught Yoga and Pilates mat work in the past.    About Tara:   Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).  With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can't remember the word for I can't remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally.  Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be,  which premiered at The Cultch, and her solo I can't remember the word for I can't remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.

The suburbs haven't got a great press recently on KEEN ON. First there was Benjamin Herold, author of Disillusioned, who found the dead body of the American Dream in the American suburb. And then David Masciotra, author of Exurbia Now, discovered political lethargy and reaction in the outer suburbs of American “exurbia”. Matt Hern, however, disagrees, finding in the suburbs the very political energy and engagement that he believes have been lost from the gentrified inner cities of London, Vancouver and San Francisco. Indeed, Hern, a Canadian urban activist and author of the new Outside the Outside, believes that the “sub-urbs” are the very vibrant places of political resistance and regeneration that can offer a positive model for progressive critics of neo-liberal urbanism. Matt Hern lives in Richmond, BC on xʷməθkʷəy̓əm (Musqueam) territory.  He is the co-founder and co-director of Solid State Community Industries and has led many other community projects.  He teaches with multiple universities, continues to lecture globally and his books and articles have been translated into nineteen languages.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

On today's episode of Asked and Answered by Soul, Jennifer Urezzio and Tien Neo Eamas explore the big ideas of binary identity, cultural awareness, and the importance of releasing the ego attachment to judgment and the need to be right so that our Souls can access and stand in freedom and create a new dimension of awareness.  Join us here today as Jennifer and Tien share that it's time for us to be fully responsible for our part in what's happening in our world, and do the work to share wisdom, shine light and spread joy while having fun ourselves. When we consciously choose to be more interested in creation, generating light, and being joyful, that's when we are able to truly shift and impact others.About Tien Neo Eamas Tien is the 1st Asian transman to come out in Vancouver BC 2002 and his experience of racism, gender and trans hatred, family violence and more has been the training ground for him to shine finally and for him to share his purpose my Soul Purpose - Transcending Gender, so that we can Connect Soul to Soul. Tien is Singapore-born, of Chinese and Indigenous Southeast Asian blood, now living in Vancouver BC, the indigenous land of the Musqueam, Squamish, and Tsleil-Waututh people. Tien Gender Guide, an artist, performer, and a spiritual teacher. The Asked and Answered by Soul podcast is dedicated to helping you understand that your Soul is the answer. If you want to learn more about your soul's answers and purpose, access your free guide at www.themythsofpurpose.com. And, you can purchase our God magnet at https://jurezzio.etsy.com/listing/1623450013/refrigerator-magnet-borg-of-goodness. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we welcome Corey Payette, director of the movie musical Les Filles du Roi, in conversation with the film's editor Christian Díaz Durán.Adapted from Urban Ink's stage production, this locally-shot film screened at VIFF 2023. Les Filles du Roi tells through song the powerful story of the young Kanien'kehá:ka girl Kateri and her brother Jean-Baptiste, whose lives are disrupted upon the arrival of the “Daughters of the King” in ‘New France' (now Montreal) in 1665.Corey Payette is an interdisciplinary storyteller, writer, composer, producer, and director in film and theatre. Since 2014, he has been the Artistic Director of Urban Ink, a position first held by Marie Clements, at one of Canada's most ambitious theatre companies. Payette wrote the music, lyrics, and directed the acclaimed musicals Children of God, Les Filles du Roi, and Starwalker, among others. He is a member of the Mattagami First Nations, with French-Canadian and Irish ancestries. Les Filles du Roi is his first feature film.This conversation was recorded at VIFF Centre in March 2024.–––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), and year-round programming at VIFF Centre. See what's playing now at viff.org.

In this episode, we dive into the transformative world of memoir writing with Janelle Hardy, the innovative mind behind the "Art of Personal Mythmaking" course. This discussion is not just for those who see themselves as writers, but for anyone grappling with their life's narrative and seeking clarity and healing. Episode Highlights:  Memoir Writing's Healing Power: We explore how writing about one's life journey can both challenge and aid in understanding and overcoming personal hurdles. Janelle's Methodology: Learn about Janelle's unique blend of body-based, trauma-informed prompts and the rich stories of fairy tales and myths to help people heal and regain joy through writing their memoirs. Addressing Trauma in Writing: The conversation touches on the common fear and difficulty of revisiting traumatic memories during memoir writing and how to navigate these challenges. Beyond Writing a Memoir: This episode is relevant to anyone looking to make sense of their past experiences, understand the stories that have shaped them, and learn from them. A Special Narrative Experience: Janelle shares a fairy tale within the interview, providing a unique and engaging listening moment. This episode is an invitation to discover how articulating your life story can be a path to understanding and growth. Join us as we unravel the power of memoir writing with Janelle Hardy. About Janelle: Janelle Hardy is a writer, artist, host of the Memoir Body, Healing Story Podcast and the creator/teacher of a transformational memoir-writing course called The Art of Personal Mythmaking.  This process uses body-based, trauma-informed writing prompts, stories like fairy tale and myth, and themed modules to support people who want to heal from the difficult parts of their life stories as they write their memoirs. She's helped young single mothers, organic farmers, cabinetmakers, PhD writers and editors, psychotherapists, professional novelists, podcasters, entrepreneurs, stay-at-home moms, former Members of Parliament, retired teachers, spiritual directors, principals (and more) heal from the difficult parts of their life story as they write the first drafts of their memoirs and reclaim themselves. Janelle is a born and raised Yukoner and single mother, who has worked as a trauma-informed bodyworker in the hands-on healing arts fields since 2007 and as an artist (writing, painting + dance) for 17+ years. Throughout that time she's taught adults out of her living room, arts centres, universities and community colleges. She currently lives and works in both Whitehorse, Yukon and Vancouver, BC, Canada. Whitehorse is on unceded Kwanlin Dün First Nation and Ta'an Kwäch'än Council land. Vancouver is on unceded Coast Salish People's land (the xʷməθkʷəy̓əm (Musqueam), Səl̓ílwətaʔ (Tsleil-Watuth), and Skwxwú7mesh (Squamish) Nations). For the past 6+ years she's integrated all of her expertise, including a BA in Anthropology, an MA in Dance and a Diploma in Structural Integration, into supporting people in their creative healing work via the alchemy of transformational memoir-writing. Learn More:  Website: http://www.janellehardy.com/ Personal Mythmaking Podcast: https://www.janellehardy.com/podcast/ The Art of Personal Mythmaking - online course: https://www.personalmythmaking.com/ Instagram: https://www.instagram.com/janellemackinnonhardy/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/joshharris/message

On this episode of See How We Run! we're joined by Hives for Humanity's co-directors Sarah Common and Cait Hurley to talk about the history of the apicultural organization, its evolution from a supportive prevocational training program to a Community Supported Apiculture model, and the ways they are centering their relationship to the plants and soil in the Hastings Folk Garden in their work. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/series/see-how-we-run/231-learning-from-fireweed.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/231-learning-from-fireweed.html Resources: Hives for Humanity: https://www.hivesforhumanity.com/ Hives' Community Supported Apiculture: https://www.hivesforhumanity.com/onlineshop SOIL: A Transformative Justice Project: https://www.soiltjp.org/our-work/resources CARFAC: https://www.carfac.ca/tools/fees/ Bios: Sarah Common Sarah is a community weaver, gardener and sometimes beekeeper; she is passionate about fostering vibrant, healthy community through empowerment and education; they believe in the profound impact of connecting individuals and communities to their land, food, plant medicine, and spirit. They are of Irish Settler descent, a guest on these shared, ancestral, and occupied lands of the Sḵwx̱wú7mesh (Squamish), Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) and xʷməθkʷəy̓əm (Musqueam) peoples. Practicing care and connection through healing gardens, shared story, and slowing time, Sarah volunteers on the Board of Grounded Futures; and with Ancestral Food Ways. As Time & Times Sarah plays accordion and works with plant fibres - weaving protective spells into adornments towards truth. Cait Hurley Cait (they/them, co-director of Community Care & Growing Governance) is a queer care worker of Doukhobor and Irish descent, based on the ancestral and occupied lands of the Sḵwx̱wú7mesh (Squamish), Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) and xʷməθkʷəy̓əm (Musqueam) first peoples. Graduating from Simon Fraser University with a BA Geography, they are curious about community encounters that transform us and the durational care necessary to persist while considering the geographies of their utopian-commune settler ancestors. Composing small studies and time-based questions on the edges with Gentle Geographies, - an embodied, land-based research praxis grounded in a study of relationships and conditions - composing with plants and the elements, primarily orbiting through the Downtown Eastside and remote frontlines. Cite this episode: Chicago Style Aoki, Julia. “Learning from Fireweed – With Sarah Common and Cait Hurley.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, December 19, 2023. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/series/see-how-we-run/231-learning-from-fireweed.html. This episode is hosted by SFU VOCE program manager Julia Aoki.

On this episode of See How We Run!, we're joined by two cultural workers: Asia Jong, an emerging curator, arts facilitator and who was one of the co-organizers of Ground Floor Art Centre, a collectively-run DIY gallery, studio and project space with a focus on supporting early emerging artists; and Vitória “veto” Monteiro, an emerging visual artist, arts facilitator, ​​and current Board President of grunt gallery and Acting Curator of Learning and Engagement at the Contemporary Art Gallery. Hosted by SFU VOCE staff member and emerging visual artist Kathy Feng, the three are in conversation about some of Asia and Vitória's previous work and individual practices. They explore how to create opportunities for emerging artists, and the history of Ground Floor Art Centre and other DIY spaces similar to it. They also talk about incorporating accessibility into the gallery, opening up spaces through workshops and prioritizing access needs, as well as the importance of centering care and joy in arts and cultural spaces. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/series/see-how-we-run/230-from-a-place-of-care.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/230-from-a-place-of-care.html Resources: Vitória's website: https://vitoriamonteiro.ca/ Vitória's instagram: https://www.instagram.com/vetosea/ Contemporary Art Gallery: https://cagvancouver.org/ grunt gallery: https://grunt.ca/ Asia's Instagram: https://www.instagram.com/asiajong/ Ground Floor Art Centre: https://www.instagram.com/groundfloorac/ Bios: Asia Jong: Asia Jong is an independent curator, arts facilitator, administrator and writer from Armstrong, B.C. currently based in Vancouver, on unceded and traditional Musqueam, Squamish and Tsleil-Waututh territories. She co-ran Ground Floor, a DIY art space and collective which supported early-emerging artists, operating through the values of care, hospitality, and a positive approach to failure. Vitória “veto” Monteiro Vitória "veto" Monteiro (b. Brazil) is an arts worker, facilitator and visual artist. In their art practice, they explore the intricacies of language abstraction, the anti-archive and the reprocessing of information. Navigating the fields where information dwells, veto's work provides a new realm for knowledge to co-exist that is silent, inarticulate, and abstract. veto works as the Acting Curator of Learning and Engagement at the Contemporary Art Gallery, along with serving as the Board President at grunt gallery. Their community practice centers accessible, joyful, and more tender approaches to existing within art and cultural spheres. As a facilitator, they reimagine office culture and modes of productivity, shifting towards cultivating workspaces that prioritize care. By exploring ways of incorporating play, stimming, and self-expression into office culture or the day-to-day, veto roots these shifts as powerful acts of resistance. veto is based on Skwxwú7mesh, xʷməθkʷəy̓əm , and səl̓ilwətaɁɬ lands or so-called “Vancouver”. Cite this episode: Chicago Style Feng, Kathy. “See How We Run! From a Place of Care — with Asia Jong and Vitória Monteiro.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, December 12, 2023. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/series/see-how-we-run/230-from-a-place-of-care.html.

Timestamp1:24 — Professional Background4:11 — Challenge Point Framework7:16 — Difference Between Performance and Learning9:23 — Three Zones of Learning16:05 — Skill Transfer29:05 — Three Different Types of Practice35:07 — Commonly Overlooked Aspect of Deliberate Practice40:03 — 5 Common Myths of Coaching47:58 — 5 Keys to Facilitate Optimal Skill Learning50:41 — Recommendations For Golfers/Coaches53:46 — What's Something You've Changed Your Mind About Over Your Career?56:07 — Book Recommendations57:27 — Current ProjectsResourcesBook Recommendation #1: Thinking, Fast and SlowPaper #1: An extended challenge-based framework for practice design in sports coachingPaper #2: Effective practice and instruction: A skill acquisition framework for excellenceAbout Dr. Nicola HodgesGoogle Scholar: LinkDr Nicola Hodges runs the Motor Skills Lab in Kinesiology at UBC, in Vancouver Canada, which is on the unceded territories of the Musqueam, Squamish and Tsleil-Waututh Nations.It is here she studies anything to do with practice and the processes underpinning motor skill performance and learning. She conducts laboratory experiments with new learners to determine how and why various practice variables (such as instruction, demonstrations, feedback, order of practice) impact motor learning, as well as studying skilled performance and the developmental activities that are best predictors of expertise. She has a particular interest in processes involved in action observation; including the anticipation of action outcomes in sport-related contexts, how people learn from watching others, and how people “share” practice and impact skill acquisition processes when practising together.She has co-authored the popular book (now in its third edition), Skill acquisition in Sport: Research, Theory and Practice (Routledge) and she has close to 150 published journal articles and chapters on topics related to the study of motor learning and motor control more broadly. She has received funding for her research from the three major government funding agencies in Canada and is very grateful for continued support. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit noahsachs.substack.com

“when we turn our next goal or our next desire to something meaningful, something truly life-altering from the inside, heart opening… when we do that then the circle [of life] emerges and we realize that it's been there all along.” - Andrea Menard IN THIS EPISODE… What is rematriation and why is it so important for our future? Circular living and circular thinking The beautiful side of fear Inclusivity as a trait of the Sacred Feminine WELCOME ANDREA MENARD Andrea Menard is an accomplished Métis singer/songwriter, actor, speaker, wellness trainer, and the founder of the Sacred Feminine Learning Lodge. As seen in USA Today, Andrea is an influencer in feminine leadership and was named one of WXN Canada's Most Powerful Women: Top 100 Award Winner in 2020. An advocate for rematriation and reconciliation, Andrea helps all-gendered people to reclaim and embody the qualities of the Sacred Feminine. She is also the author of the Seeds from the Sacred Feminine Wisdom Cards, (Mango Publishing) which contains 52 gentle, land-based teachings and beautiful paintings by Metis painter, Leah Dorion. One of the co-stars of the new hit CTV series, Sullivan's Crossing, Andrea is a five-time Gemini-nominated actress, a 16-time music award winner, and was named ACTRA National's “Woman of the Year” for 2021. She has released 5 award-winning albums, including her latest Michif language album, a symphony show, 2 television programs, and her TEDx Talk called “Silent No More” has reached almost 200,000 views. Andrea  has performed for royalty, prime ministers, governor-generals, residential school survivors, families of the missing and murdered Indigenous women, and even sang her song “Peace” to the world's NATO generals.  Born in Manitoba, Andrea is a proud member of the Metis Nation of Canada. Her Metis family originates from St. Laurent, Manitoba. Andrea currently lives in the unceded traditional territory of the Squamish, Tsleil Waututh, and Musqueam peoples, also known as Vancouver, British Columbia, Canada. CONNECT WITH ANDREA WEBSITE: www.andreamenard.com LINKEDIN: @andreamenard TWITTER: @andreamenard FACEBOOK: @andreamenardmusic INSTAGRAM: @andreamenardmusic YOUTUBE: @andreamenardmusic iTUNES: @andreamenard SPOTIFY: @andreamenard SOUNDCLOUD: @andreamenard BANDCAMP: @andreamenard EMAIL: admin@andreamenard.com RESOURCES MENTIONED IN THIS SHOW ~ ANDREA'S SEEDS FROM THE SACRED FEMININE WISDOM CARDS THE SACRED FEMININE LEARNING LOUNGE HOLY HIIT!? THANKS FOR LISTENING! Head to iTunes and leave a review for the podcast! It really helps the podcast out and would mean the world to me

Gina Badger (they/she) is a clinical energetic herbalist. They offer care through their private practice, Long Spell, and collaborative projects such as Wet Coast mutual aid kits. Gina is a queer nonbinary femme of mixed Western European ancestry born in Treaty 6 territory and currently living on the unceded territories of the Musqueam, Squamish and Tsleil-Waututh nations (Vancouver, Canada). In this episode, Eryn and Gina talk about: Gina's journey with plants! Building an embodied relationship with plants Personal healing-oriented plant communication Looking to the plants as teachers Orienting toward plant relationship Ways to give plants attention What relationship with plants looks like for them in the winter Blog for this episode: www.living-open.com/blog/gina-badger  Subscribe to the Joy Notes substack here and get a copy of the Religious Trauma support workbook here. Connect with Gina on their website, Instagram, or over email at gina@longspellherbs.com. Footnotes from Gina: Episodes from KPFA radio show the Herbal Highway: “Herbal Energetics” (15/Feb/2023, originally aired 1/May/1999) and “Honoring our Elders: Karyn Sanders,” (2/Nov/2022) Joanna Macy's Work that Reconnects Chani Nicholas's Week Ahead Podcast for the week of 30/Jan/2023