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Get original articles, extended podcasts, and direct access to Blendr News on our Substack Channel: blendrnews.com-This episode is brought to you by The Tallowed Truth. Use promo code "Blendr" for 15% off:www.thetallowedtruth.com/blendr-In this episode of "The Blendr Report," Liam and Jonathan discuss:00:00 — Intro00:56 — The West is shrinking04:53 — The values fracture08:14 — The dual-income economy and the dating mismatch12:51 — Simone de Beauvoir and the war on motherhood17:27 — Fatherhood as the answer to existential dread21:20 — Sponsor: The Tallow Truth22:17 — Climate anxiety as a virtue mask24:36 — What does your life look like at 60?29:25 — Life is a blessing or life is a burden33:04 — Trudeau's two mistakes that cemented the crisis36:42 — The values front41:59 — Have more kids-Follow BLENDR News:Twitter - @BlendrNewsInstagram - @blendr.reportTikTok - @blendrnews-Follow Jonathan:Instagram - @itsjonathanharveyTikTok - @itsjonathanharvey-Follow Liam:Instagram - @liam.out.loudX - @liam_out_loudYouTube - @liam-out-loud
¿Estamos realmente en una guerra entre hombres y mujeres... o hemos olvidado cómo complementarnos?En este episodio de CEO Latinas Podcast, Charissa Vargas explora una de las conversaciones más polémicas de nuestra época: la supuesta batalla entre los géneros. Inspirada por las ideas de Simone de Beauvoir y su famosa frase "No se nace mujer, se llega a serlo", Chary comparte una reflexión profunda sobre lo que significa ser mujer en el mundo moderno.Hablamos de energía femenina, energía masculina, feminismo, maternidad, amor propio, sombra, liderazgo y la importancia de integrar todas las partes de nosotras mismas para construir relaciones más conscientes y auténticas.Descubrirás por qué una mujer verdaderamente empoderada no rechaza la energía masculina, sino que aprende a equilibrarla dentro de sí misma. Porque la verdadera libertad no está en hacerlo todo sola, sino en crear una vida donde la estructura y la creatividad puedan coexistir.Si alguna vez te has preguntado cómo encontrar equilibrio entre tu ambición, tu sensibilidad, tu independencia y tu deseo de ser sostenida, este episodio es para ti.
C'est la femme forte, libre, par excellence. L'éminence féministe et existentialiste. Son fameux turban, ses grandes boucles d'oreilles et sa relation si spéciale avec Sartre. Mais Simone de Beauvoir a aimé un autre homme, avec une intensité toute particulière : Nelson Algren. Un podcast Bababam Originals Ecrit et raconté par Alice Deroide Learn more about your ad choices. Visit megaphone.fm/adchoices
This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comHarvey is a political philosopher. He's been on the faculty at Harvard since 1962, and he's currently the William R. Kenan Jr. Professor of Government. His 13 books include Taming the Prince, Manliness, and Machiavelli's Effectual Truth. His new book is The Rise and Fall of Rational Control: The History of Modern Political Philosophy. Harvey was my tutor as a graduate student at Harvard, an overseer of my dissertation, and I was a teaching fellow for the course in modern political thought that his latest book reprises brilliantly. To be honest, my reverence for him made me nervous for this podcast. But his brilliance and dry humor and joie de vivre all came through, and he put me at ease.For two clips of the episode — on the shift from virtue to freedom during the Enlightenment, and how Nietzsche reframed the West — head to our YouTube page.Other topics: raised by New Deal liberals in New Haven and DC; his dad a Yale professor and mom a musician; Leo Strauss an academic mentor; thymos and masculinity; Plato's Apology of Socrates; Aristotle; Aquinas; why democracy leads to tyranny; the humor of Machiavelli; Spinoza and dissent; Locke's Two Treatises; the incest prohibition; Hegel; Hobbes; common sense; Nietzsche and nihilism; deconstructing Christianity; science as a product of “white supremacy”; the sex binary; de Beauvoir's Second Sex; the postmodern view of science; Rawls; AI and human obsolescence; grade inflation; Judith Shklar and her love of Montaigne; Oakeshott; anti-semitism on campus after 10/7; and how moderns set aside the deepest questions.Browse the Dishcast archive for an episode you might enjoy. We have some real stars coming up: Ben Rhodes on Iran and speech-writing, HW Brands on the life of George Washington, John Gray on Trump's new world, Bob Wright on the evolutionary force of AI, Tiffany Jenkins on privacy in a liberal democracy, Daniel McCarthy on conservatism, Stephen Grosz on the struggles of love, and Robby George on all our disagreements. Please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.
En esta sección de El Café de la Lluvia, conversamos con Rubén Almarza sobre algunos de los libros y autores más censurados de la historia de España. Desde las Biblias traducidas a lenguas vernáculas perseguidas por la Iglesia y la Inquisición, hasta obras prohibidas durante el franquismo por motivos políticos, morales o ideológicos. Hablamos de la censura a Voltaire y las ideas ilustradas, el exilio de Vicente Blasco Ibáñez, la prohibición del Ulises de James Joyce, la persecución de Homenaje a Cataluña de George Orwell y el impacto de El segundo sexo de Simone de Beauvoir frente al modelo femenino del franquismo. También analizamos el caso de La colmena de Camilo José Cela, una novela censurada por mostrar la crudeza de la posguerra española. Una conversación sobre literatura, poder, religión y control ideológico en la historia cultural española. ☕ Hazte socio/a de El Café de la Lluvia y forma parte de nuestra comunidad: https://elcafedelalluvia.com/hazte-socio-a-de-el-cafe-de-la-lluvia/ Escúchanos y léenos en nuestra web: https://elcafedelalluvia.com/ ▶️ Suscríbete a nuestro canal de YouTube: https://www.youtube.com/c/ElCafédelaLluvia Recibe nuestros contenidos en tu correo: https://elcafedelalluvia.com/suscripcion-newsletter/ Síguenos en redes sociales: Twitter: https://twitter.com/cafelluvia Instagram: https://www.instagram.com/elcafedelalluvia/ Facebook: https://www.facebook.com/Cafedelalluvia Tu apoyo nos ayuda a seguir dando voz a la cultura, la literatura y el pensamiento crítico. Gracias por acompañarnos ☕✨
Simone de Beauvoir nous a quittés voici quarante ans. Sa fille adoptive, Sylvie Le Bon de Beauvoir, nous parle du « Deuxième sexe qui paraît en un volume dans la prestigieuse collection de la Pléiade et « Une fois que les femmes ont ouvert les yeux : Écrits et paroles féministes (1947-1985) », édités également chez GallimardHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
A partir do encontro entre o Existencialismo de Simone de Beauvoir e o Behaviorismo de B.F. Skinner, conversamos sobre a frase "Seja Homem!" como uma imposição de performance que esconde a inexistência de uma essência masculina. Como seria uma vida que não se submete à cartilha de comportamentos imputados a um corpo, mas que se entende como um feixe de relações bio-psico-sociais em constante construção? É possível escapar dessa coação que tenta transformar hábitos culturais em naturezas imutáveis, reduzindo a potência singular a uma categoria pré-fabricada? Partimos da análise da seleção pelas consequências para entender que o "tornar-se homem" não é um destino, mas a condição de possibilidade para que possamos, finalmente, recusar os modelos dados e florescer em múltiplas almas e caminhos.ParticipantesRafael LauroRafael TrindadeLinksTexto lidoOutros LinksFicha TécnicaCapa: Felipe FrancoEdição: Pedro JanczurAss. Produção: Bru AlmeidaTexto: Rafael TrindadeGosta do nosso programa?Contribua para que ele continue existindo, seja um assinante!Support the show
Who was Stanley DeSantis? Why is a 2004 Slipknot tee selling for $2,000? And what does a Daft Punk Roulette residency shirt have to do with how fashion brands sell you a lifestyle in 2026?Sol Thompson and Michael Smith return from their Neuehouse live recording for Episode 3 of Pair of Kings Season 14, continuing the season's deep dive into integrated fashion — the symbiotic loop where brands, hobbies, and ephemera matter more than the clothes. This week the boys go solo on the post-COVID explosion of the vintage band tee resale market and the story of Stanley DeSantis, the late character actor turned licensing impresario whose 90s company Passing For Sane made some of the most collectible all-over print T-shirts ever: X-Files, Aeon Flux, Spawn, Wizard of Oz, Speed Racer, Beavis and Butt-Head, Gone With the Wind, Pink Panther, Independence Day. The man licensed everything.Sol and Michael unpack why vintage T-shirts became fashion's most contested asset class: NYC's 8x vintage multiplier, why Slipknot Iowa-era merch and Daft Punk Vegas Roulette tees command four-figure resale on eBay and Whatnot, single stitch vs. double stitch hems, and the rodent-brain instinct of saving a Dub Tribe Sound System eBay search for years. They revisit the Miu Miu Literary Club through intellectual signaling (Simone de Beauvoir, Fumiko Enchi), the Aimé Leon Dore x Porsche 993 Turbo collab, defend RRL as American integrated fashion's original blueprint, and confront the imposter syndrome of wearing someone else's faded jeans.Other topics: Hedi Slimane Dior Homme resale gatekeeping, Charlie XCX Pop 2 merch as a future grail, the $3,700 Lady Gaga Schott Perfecto, why Akira and Ghost in the Shell tees became NFTs from first principles, scenecore and metalcore history (Suicide Silence, Dance Gavin Dance, The Used, Odd Future), Graceland Ridgewood, Rick Birkenstocks, and a moment for the goat — Stanley DeSantis, 1953–2005.Brought to you by ScentSplit. Tune in next week for a conversation on the artist as avatar.Lots of love!SolTags: Stanley DeSantis, Passing For Sane, vintage band tees, 90s licensed apparel, all over print t-shirts, integrated fashion, Pair of Kings podcast, fashion podcast 2026, menswear podcast, Slipknot Iowa shirt, Daft Punk Roulette, Hedi Slimane Dior Homme, Lady Gaga Fame Monster, Charlie XCX Pop 2, Aimé Leon Dore Porsche, Miu Miu Literary Club, RRL, Aeon Flux shirt, X-Files vintage, Ghost in the Shell tee, NYC vintage multiplier, Graceland Ridgewood, scenecore, archive fashion, ephemera fashionSol Thompson and Michael Smith explore the world and subcultures of fashion, interviewing creators, personalities, and industry insiders to highlight the new vanguard of the fashion world. Subscribe for weekly uploads of the podcast, and don't forgot to follow us on our social channels for additional content, and join our discord to access what we've dubbed “the happiest place in fashion”.Message us with Business Inquiries at pairofkingspod@gmail.comSubscribe to get early access to podcasts and videos, and participate in exclusive giveaways for $4 a monthLinks:InstagramTikTokTwitter/XSol's Substack (One Size Fits All)Sol's InstagramMichael's InstagramMichael's TikTok
Viaje comigo, Vogel e Barbarussa pra Grécia e Roma! Link: partiu.vip/historiaecinema2026Uma das criaturas mais antigas da história da civilização humana é reinterpretada e usada como uma prova da desigualdade de gênero que, pelo menos desde a Antiguidade, ronda o mundo ocidental. Separe trinta minutos do seu dia e aprenda com o professor Vítor Soares (@profvitorsoares) sobre a história e a mitologia da górgona Medusa-Se você quiser ter acesso a episódios exclusivos e quiser ajudar o História em Meia Hora a continuar de pé, clique no link: www.apoia.se/historiaemmeiahoraConheça o meu canal!https://www.youtube.com/@profvitorsoaresConheça meu outro canal: História e Cinema!https://www.youtube.com/@canalhistoriaecinemaOuça "Reinaldo Jaqueline", meu podcast de humor sobre cinema e TV:https://open.spotify.com/show/2MsTGRXkgN5k0gBBRDV4okAssista meu outro podcast, o História pros brother!https://open.spotify.com/show/04a8C8gXTLj68lmZiQD8vmCompre o livro "História em Meia Hora - Grandes Civilizações"!https://a.co/d/47ogz6QCompre meu primeiro livro-jogo de história do Brasil "O Porão":https://amzn.to/4a4HCO8Compre a camisa do História em Meia Hora: https://www.blablalogia.com/blablalojinha/akiralampiaoh30PIX e contato: historiaemmeiahora@gmail.comApresentação: Prof. Vítor Soares.Roteiro: Prof. Vítor Soares e Prof. Victor Alexandre (@profvictoralexandre)REFERÊNCIAS USADAS:- OVÍDIO. Metamorfoses. Tradução: Domingos Paschoal Cegalla. São Paulo: Cultrix, 2010.- HESÍODO. Teogonia: a origem dos deuses. Tradução: Jaa Torrano. São Paulo: Iluminuras, 2009.- HAMILTON, Edith. Mythology. Boston: Little, Brown & Company, 1940.- HILGERT, Luiza Helena. O arcaico do contemporâneo: Medusa e o mito da mulher. Lampião — Revista de Filosofia, UFAL, v. 1, n. 1, p. 41-70, 2020.- BEAUVOIR, Simone de. O segundo sexo. Fatos e mitos. São Paulo: Difusão Europeia do Livro, 1970.- BEAUVOIR, Simone de. O segundo sexo. A experiência vivida. São Paulo: Difusão Europeia do Livro, 1967.- CIXOUS, Hélène. O riso da Medusa. In: CIXOUS, H.; CLÉMENT, C. The newly born woman. Minneapolis: University of Minnesota Press, 1986.- FREUD, Sigmund. A cabeça de Medusa. Tradução: Ernani Chaves. Clínica & Cultura, v. II, n. II, p. 91-93, 2013.- KAROGLOU, Kiki. Dangerous Beauty: Medusa in Classical Art. The Metropolitan Museum of Art Bulletin, New York, v. 75, n. 3, 2018.
durée : 00:58:50 - Le Book Club - par : Marie Richeux - Au-delà du "Deuxième Sexe", l'œuvre de Simone de Beauvoir révèle une pensée féministe plurielle en perpétuel mouvement. Entretien croisé avec Esther Demoulin, qui a réuni traductions, inédits et retranscriptions d'archives, et l'historienne Marine Rouch. - réalisation : Vivien Demeyère - invités : Esther Demoulin Maîtresse de conférences à l'université Paris Cité; Marine Rouch Historienne des féminismes et du genre, spécialiste de Simone de Beauvoir et de ses correspondances avec son lectorat
Wat is de relevantie van Simone de Beauvoir drie feministische golven later? De Pools-Belgische filosoof Alicja Gescinska wekt ‘De tweede sekse' van Simone de Beauvoir opnieuw tot leven.In 1949 analyseerde Simone de Beauvoir in ‘De tweede sekse' haarscherp hoe het ervoor stond met de vrouwenemancipatie nadat de eerste feministische golf was gaan liggen. Stemrecht was weliswaar bereikt, maar nog altijd waren vrouwen economische afhankelijk van, en achtergesteld aan de man. Die afhankelijkheidsrelaties maken, zo luidt het filosofische adagium dat onlosmakelijk met De Beauvoir verbonden is, dat je niet als vrouw geboren wordt, maar tot vrouw gemaakt.Wat is de relevantie van Simone de Beauvoir nu de vierde feministische golf gaande is? De Pools-Belgische filosoof Alicja Gescinska wekt ‘De tweede sekse' opnieuw tot leven en haalt De Beauvoir naar de eenentwintigste eeuw. Is het niet de man die behoefte heeft aan emancipatie?Alicja Gescinska is een Pools-Belgische filosoof, schrijver en publicist. Afgelopen jaar verscheen van haar hand Vrouwen in duistere tijden, tien biografische portretten van vrouwen van blijvende betekenis, onder wie Rosa Luxemburg, Anna Achmatova, Hannah Arendt en Barbara Skarga. Met dit boek is ze genomineerd voor de Socrates Wisselbeker. Deze maand verschijnt in de serie De originelen ‘De ontdekking van de vrouw', een filosofisch monoloog waarin Gescinska ‘De tweede sekse' opnieuw vertelt.Programmamaker: Veronica BaasModerator: Frida BoekeIn samenwerking met: Uitgeverij Athenaeum en Filosofie MagazineZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.
Konuğumuz Nedret Öztokat Kılıçeri ile Simone de Beauvoir üzerine konuşuyoruz.
durée : 00:29:55 - Les Nuits de France Culture - par : Mathilde Wagman - À travers les récits autobiographiques de Simone de Beauvoir, Geneviève Gennari explorait sa relation singulière à la mort et à l'écriture. Elle revenait sur la construction de son œuvre et sur le regard porté par ses contemporains sur sa vie d'écrivaine. - réalisation : Virginie Mourthé
Bienvenue dans la saison 5 "La Voix en Héritage"Le livre "Une mort très facile" de Simone de Beauvoir décrit les semaines passées au chevet de sa mère mourante, une femme avec laquelle elle entretenait une relation conflictuelle depuis l'adolescence "Je m'étais attachée à cette moribonde. Tandis que nous parlions dans la pénombre, j'apaisais un vieux regret: je reprenais le dialogue brisé pendant mon adolescence et que nos divergences et notre ressemblance ne nous avaient jamais permis de renouer. Et l'ancienne tendresse que j'avais crue tout à fait éteinte ressuscitait, depuis qu'il lui était possible de se glisser dans des mots et des gestes simples."C'est un récit brut. Précis. Presque chirurgical. Et pourtant… profondément humain.#FinDeVie #Aidants #Podcast #AccompagnementHumain #SweetPapiPodcast
durée : 00:29:56 - Les Nuits de France Culture - par : Mathilde Wagman - De "Tous les hommes sont mortels" à "Tout compte fait", les écrits de Simone de Beauvoir interrogent le sentiment du néant et l'angoisse existentielle. En 1974, Geneviève Gennari en proposait des extraits autour de sa perception du temps et son appréhension de la disparition. - réalisation : Virginie Mourthé
durée : 00:29:56 - Les Nuits de France Culture - par : Mathilde Wagman - À partir de ses récits autobiographiques et de ses romans, en 1974, Geneviève Gennari proposait une immersion dans la vie de Simone de Beauvoir. Elle évoquait son quotidien durant la guerre, sa vision de la condition féminine et son rapport au vieillissement et à la mort. - réalisation : Virginie Mourthé
durée : 00:38:35 - L'Invité(e) des Matins - par : Guillaume Erner, Yoann Duval - Aujourd'hui nous commémorons la mort de Simone de Beauvoir : il y a 40 ans disparaissait l'autrice du "Deuxième Sexe", qui rentre seulement maintenant dans la collection de la Pléiade. Comment comprendre ce paradoxe pour une femme aussi célèbre de son vivant ? - réalisation : Félicie Faugère - invités : Anne-Cécile Mailfert Fondatrice de la Fondation des femmes, ancienne Porte-parole d'Osez le féminisme.; Geneviève Fraisse Philosophe de la pensée féministe, directrice de recherche émérite au CNRS
durée : 02:30:19 - Les Matins - par : Guillaume Erner, Yoann Duval - Ce matin, sur France Culture, à 7h40, Guillaume Erner reçoit Geneviève Fraisse et Anne-Cécile Mailfert pour discuter de la place de Simone de Beauvoir dans le féminisme d'aujourd'hui, 40 ans après sa mort. A 7h17, la journaliste turque Ece Temelkuran parle de l'état de la démocratie dans son pays. - réalisation : Félicie Faugère
durée : 00:25:33 - Questions du soir : l'idée - par : Quentin Lafay, Bruno Baradat - Simone de Beauvoir est aujourd'hui devenue une référence presque incontournable. Le 40e anniversaire de sa mort donne lieu à beaucoup d'hommages, tandis que ”Le Deuxième Sexe” est entré fin mars 2026 dans la prestigieuse Pléiade. - invités : Mickaëlle Provost Docteure en philosophie de l'Université Paris 1 Panthéon-Sorbonne
durée : 00:29:56 - Les Nuits de France Culture - par : Mathilde Wagman - À travers un choix de textes extraits de ses récits autobiographiques et de ses romans, Geneviève Gennari présentait les facettes méconnues de Simone de Beauvoir. Entre souvenirs de voyages et vie intellectuelle à Paris après la guerre, l'écrivaine facétieuse dévoilait une jeunesse anticonformiste. - réalisation : Virginie Mourthé
Il y a 40 ans s'éteignait Simone de Beauvoir. Philosophe et romancière française, elle est considérée comme une théoricienne majeure du féminisme notamment via son essai Le Deuxième Sexe. 40 ans après, des combats ont été gagnés mais la lutte pour l'égalité entre les femmes et les hommes est toujours d'actualité. Comment l'engagement féministe a-t-il évolué ? Quelles sont les nouvelles causes à défendre ? Pour en débattre : - Florence Montreynaud, historienne et féministe, cofondatrice des Chiennes de gardes (1999), autrice du livre Les femmes sont des salopes, les hommes sont des Don Juan (édition Hachette Pratique, 2023) et coordinatrice de l'ouvrage Des bordels aux forums : Paroles d'hommes (La trêve éditions, 13 avril 2026) - Ketsia Mutombo, cofondatrice de Féministes contre le cyberharcèlement, autrice du livre Politiser la cyberviolence (éditions Le Cavalier Bleu, 2023)- Florence Pagneux, journaliste, autrice du livre Ce que nos filles ont à nous dire : La première génération post me-too (Editions La mer salée, 2022)
Il y a 40 ans, s'éteignait Simone de Beauvoir. Philosophe et romancière française, elle est considérée comme une théoricienne majeure du féminisme, notamment via son essai Le Deuxième Sexe. 40 ans après, des combats ont été gagnés mais la lutte pour l'égalité entre les femmes et les hommes est toujours d'actualité. Comment l'engagement féministe a-t-il évolué ? Quelles sont les nouvelles causes à défendre ? Pour en débattre : - Florence Montreynaud, historienne et féministe, cofondatrice des Chiennes de garde (1999), autrice du livre Les femmes sont des salopes, les hommes sont des Don Juan (édition Hachette Pratique, 2023) et coordinatrice de l'ouvrage Des bordels aux forums : Paroles d'hommes (La trêve éditions, 13 avril 2026) - Ketsia Mutombo, cofondatrice de Féministes contre le cyberharcèlement, autrice du livre Politiser la cyberviolence (éditions Le Cavalier Bleu, 2023) - Florence Pagneux, journaliste, autrice du livre Ce que nos filles ont à nous dire : La première génération post me-too (éditions La mer salée, 2022).
Nous sommes vers l'an 300 avant notre ère, à Némée, au sud de Corinthe, dans le Péloponnèse, lieu d'un sanctuaire grec devenu célèbre pour son temple consacré à Zeus et pour les jeux organisés en son honneur. C'est lors des concours panhelléniques que le jeune boxeur Athènodôros remporte la couronne pour sa cité en se faisant proclamer comme Éphésien. Or, le garçon n'est pas citoyen d'Ephèse, cette cité de la région de l'Ionie, sur la côte de la mer Égée, non loin de l'île de Samos. Il n'est alors qu'un étranger résident, un isotèle. En réalité, Athènodôros devance, par ce geste spectaculaire, l'octroi officiel de son statut par la cité qui s'empressera de régulariser sa situation. Voilà un événement qui nous montre que la citoyenneté grecque n'est pas un simple état civil figé reçu à la naissance, mais bien une construction sociale continue et qui demeure fragile. Une citoyenneté « en devenir ». Pour paraphraser Simone de Beauvoir : on ne naît pas citoyen, on le devient par la pratique et la performance. Si la loi de Périclès de 451 av. J.-C. privilégie, théoriquement le droit du sang, le quotidien des cités grecque impose un dialogue permanent entre les codes juridiques et les épreuves du réel. L'expérience de la « politeia » passe autant par la pratique que par les normes : l'identité civique se travaille et se prouve tout au long de la vie. Reconnaissance familiale, naturalisations collectives, place des femmes, inclusion, exclusion … qu'est-ce qui fait un citoyen ou une citoyenne authentique ? De quelle manière cette citoyenneté s'est-elle développée ? Comment a-t-elle transité vers le modèle cosmopolite de l'Empire romain ? Avec Christel Müller, professeur d'histoire grecque à l'université Paris-Nanterre. « La fabrique du citoyen – Les Grecs et la politeia d'Aristote à Auguste » ; Passés/Composés. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
durée : 00:29:56 - Les Nuits de France Culture - par : Mathilde Wagman - En 1974, Geneviève Gennari proposait une autobiographie de Simone de Beauvoir. Entre souvenirs bucoliques de son enfance et premières expériences dans le Paris des années 1930, la lecture d'extraits de ses mémoires permettaient d'aborder la complexité de son parcours et de sa pensée. - réalisation : Virginie Mourthé
P1:s veckomagasin om Sverige och världen politik, trender och analyser. Lyssna på alla avsnitt i Sveriges Radios app. I timme ett:I veckan blev det vapenvila i Iran och under helgen inleds fredsförhandlingar. Så vem gick segrande ur striden och sitter med starkast kort vid förhandlingsbordet?Trots vapenvilan i Iran så har bomberna fortsatt falla över Libanon. Ekots medarbetare Lina Malers har träffat räddningsarbetarna som nästan dagligen förlorar kollegor i kriget.I april röstar riksdagen om förändringar som gör det svårare att bli medborgare i Sverige. Reportage av Erica Sundén som träffat en som precis fått sitt medborgarskap, och en som fortfarande hoppas på att få det.Krönika av Agri Ismail.Panelen om SVT:s nyhetsdokumentär ”Vid pump”, om Vänsterpartiets regeringskrav och barn och ungas sovvanor.I timme två:Under söndagen går väljarna till valurnorna och opinionsundersökningar visar att Orban kan förlora valet efter 16 år vid makten. Är det slutet för en tid då auktoritära krafter blickat mot Orbans politiska projekt som något att lära sig av?På måndag är det dags för budgetpromenaden igen, den sista för mandatperioden och av allt att döma i en lågkonjunktur fram till valet. Hör reportage av Anders Diamant och uppföljande samtal om hur svårt det är att behålla makten i en lågkonjunktur.Satir med Radioskugga.Det är 40 år sedan Simone de Beauvoir dog och vi pratar med en av de svenska översättarna till hennes mest kända verk ”Det andra könet”.Reportage om hur de unga har det på Grönland signerat David Rasmusson.Kåseri av Mark Levengood.Programledare: Jesper LindauProducent: Gustav FranzénTekniker: Jacob Gustavsson
durée : 00:38:21 - Questions du soir : le débat - par : Quentin Lafay, Stéphanie Villeneuve - En 1949, dans Le Deuxième Sexe, Simone de Beauvoir écrivait : « la mère ne fait pas vraiment l'enfant, il se fait en elle », pointant la dimension aliénante de la maternité. Soixante-quinze ans plus tard, cette lecture ne va plus de soi. - invités : Camille Froidevaux-Metterie Philosophe, professeure de Sciences Politiques et romancière; Aziliz Le Corre Journaliste française
Inspired by the new editions of Simone de Beauvoir's 1966 novel The Image of Her and travel diary America Day by Day (Vintage), translator and novelist Lauren Elkin and writer and curator Lou Stoppard talked about the life, works and legacy of one of feminism's most enduring icons.
La guerra entre Estados Unidos, Israel e Irán continúa escalando a un mes de su inicio. En esta ocasión, la entrada de los hutíes, un grupo armado yemení chiita, aliado de Irán, ha encendido todas las alarmas internacionales.Durante la reapertura del Estadio Banorte, un hombre en estado de ebriedad falleció durante la previa del partido México vs. Portugal.Cuatro mineros permanecen desaparecidos tras el colapso de una mina de oro en la localidad de Chele, Sinaloa.Nicolás Maduro, junto a su esposa, Cilia Flores, mandó un mensaje de reconciliación al pueblo venezolano durante el Domingo de Ramos. Una activista pidió una investigación sobre la posible participación de agencias de modelaje en la red de tráfico sexual de Epstein.Obras de Henri Matisse, Paul Cèzanne y Pierre-Auguste Renoir fueron hurtadas de la Fundación Magnani Rocca.Y para el vaso medio lleno, el Instituto de Liderazgo Simone de Beauvoir lanzó el “Recetario de saberes para los cuidados y el Buen Vivir”. Para enterarte de más noticias, suscríbete aquí a nuestro newsletter y síguenos en redes sociales. Estamos en todas las plataformas como Te lo cuento. Hosted on Acast. See acast.com/privacy for more information.
Au cœur de Paris, à un jet de pierre de la Seine, se dresse l'Hôtel Louisiane. Créé il y a plus de deux cents ans par un ancien colonel de l'armée de Napoléon Ier, l'établissement a traversé deux guerres et accueilli de nombreuses stars : de Rimbaud à Jimmy Hendrix, de Simone de Beauvoir à Tarantino. Avec Jean-Marc Panis et la romancière Julie Duchatel, nous revenons sur le légendaire lieu d'étape ou de villégiature. Sujets traités : Hôtel Louisiane, havre, Paris, Napoléon Ier, Rimbaud, Jimmy Hendrix, Simone de Beauvoir, Quentin Tarantino. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
This lecture discusses key ideas from the 20th century existentialist and feminist philosopher, novelist, essayist, and playwright Simone de Beauvoir's book, The Ethics of Ambiguity It focuses specifically on her discussion in the conclusion, which looks at a question that arises for existentialists, namely whether existentialist ethics is individualistic or not. As it turns out, the answer depends on what conception one is relying upon of "individualism", and de Beauvoir provides important clarifications about the senses in which existentialism does focus upon individuals To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3500 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase De Beauvoir's Ethics of Ambiguity - amzn.to/32IbKya
This lecture discusses key ideas from the 20th century existentialist and feminist philosopher, novelist, essayist, and playwright Simone de Beauvoir's book, The Ethics of Ambiguity It focuses specifically on her discussion in the section "Ambiguity", looking at her discussions about how violence should be evaluated from an existentialist ethical perspective. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3500 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase De Beauvoir's Ethics of Ambiguity - amzn.to/32IbKya
This lecture discusses key ideas from the 20th century existentialist and feminist philosopher, novelist, essayist, and playwright Simone de Beauvoir's book, The Ethics of Ambiguity It focuses specifically on her discussion in the section "Ambiguity" of what existentialist ethics is. In her view, it isn't an ethics that can be summed up in absolute principles, but has to be understood as a method. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3500 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase De Beauvoir's Ethics of Ambiguity - amzn.to/32IbKya
This lecture discusses key ideas from the 20th century existentialist and feminist philosopher, novelist, essayist, and playwright Simone de Beauvoir's book, The Ethics of Ambiguity It focuses specifically on her discussion in the section "Ambiguity", which looks at the distinction she draws between absurdity and ambiguity as characteristic of human existence, and whether or not ambiguity rules out treating anything whatsoever as an absolute or not To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3500 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase De Beauvoir's Ethics of Ambiguity - amzn.to/32IbKya
This lecture discusses key ideas from the 20th century existentialist and feminist philosopher, novelist, essayist, and playwright Simone de Beauvoir's book, The Ethics of Ambiguity It focuses specifically on her discussion in the section "The Present And The Future", which looks at the concept of the "festival" and how it represents a temporary overcoming of the flow of time from the present into the future in history To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3500 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase De Beauvoir's Ethics of Ambiguity - amzn.to/32IbKya
This lecture discusses key ideas from the 20th century existentialist and feminist philosopher, novelist, essayist, and playwright Simone de Beauvoir's book, The Ethics of Ambiguity It focuses specifically on her discussion in the section "The Present And The Future", which centers on the notion of totalities like humanity, the universe, and history, which turn out to be "detotalized totalities", having their meaning for and through finite individuals To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3500 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase De Beauvoir's Ethics of Ambiguity - amzn.to/32IbKya
Week 49 of Ted Gioia's Immersive Humanities list brings three modern French thinkers into conversation: Simone de Beauvoir, Michel Foucault, and René Girard. Unlike many earlier weeks in this project, these readings aren't novels or unified texts—they're philosophical excerpts that stand largely on their own. So rather than forcing a single theme, I consider how each of these writers might still be shaping the world we live in today.Beauvoir's The Second Sex asks why “man” is treated as the default while woman becomes the “other,” raising questions that still echo in modern debates about biology, identity, and women's health. It even makes an appearance with an interaction I had with ChatGPT!Foucault's “Eye of Power” examines surveillance and the famous “Panopticon,” showing how systems of observation quietly shape behavior. This is an idea that feels spookily prescient in our world of cameras, cookies, and algorithms. Finally, René Girard's theory of mimetic desire and scapegoating offers a striking explanation for why humans compete, blame, and sometimes unite against a chosen victim. Spoiler: I really love Girard.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm
This week's books are: How to Measure a Cow by Margaret Forster (chosen by Lolita Chakrabarti) The House of God by Samuel Shem (chosen by Guy Leschziner) A Very Easy Death by Simone de Beauvoir (chosen by Harriett Gilbert) The producer is Eliza Lomas for BBC Audio Bristol Join us over on Instagram @agoodreadbbc
This lecture discusses key ideas from the 20th century existentialist and feminist philosopher, novelist, essayist, and playwright Simone de Beauvoir's book, The Ethics of Ambiguity It focuses specifically on her discussion in the section "The Present And The Future", which looks at the two different interpretations of what "future" means. One of these maintains continuity with the present and involves a continual transcendence of it. The other displaces the meaning of the present to a future which justifies whatever one does or has done in the present. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3500 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase De Beauvoir's Ethics of Ambiguity - amzn.to/32IbKya
This lecture discusses key ideas from the 20th century existentialist and feminist philosopher, novelist, essayist, and playwright Simone de Beauvoir's book, The Ethics of Ambiguity It focuses specifically on her discussion at the end of the section "The Antinomies Of Action", which looks at the willingness of some people to justify sacrificing others for the sake of some conception of usefulness or utility in achieving some value they view as transcendent. De Beauvoir argues that "useful" is not an absolute term, and that one has to clarify the end that one is claiming justifies the sacrifice. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3500 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase De Beauvoir's Ethics of Ambiguity - https://amzn.to/32IbKya
Anne Ghesquière reçoit Laurence Devillairs, normalienne, agrégée et docteur en philosophie. Pourquoi les femmes ont-elles été oubliées dans l'histoire de la philosophie ? Comment des figures comme Gabrielle Suchon, Elisabeth de Bohême ou Simone de Beauvoir ont-elles pourtant contribué à l'évolution de la pensée sans recevoir la reconnaissance qu'elles méritent ? Qu'est-ce que la philosophie féminine, et comment en parler sans réduire ces penseuses à leur féminité ? Quel impact le mouvement #MeToo a-t-il eu sur la manière dont nous repensons l'histoire de la philosophie et de la justice ? Hypatie, Ban Zhao, Rosa Luxemburg, Olympe de Gouges, Jeanne Hersh, Simone de Beauvoir, Mary Wollstonecraft, Isabelle Stengers, Rachel Carson... Laurence Devillairs nous propose de redécouvrir ces femmes oubliées de l'histoire des idées, et de repenser la place des femmes dans la philosophie. Elle a co-dirigé, avec Laurence Hansen-Løve, Ce que la philosophie doit aux femmes aux éditions Robert Laffont. [SÉLECTION WEEK-END – METAMORPHOSE] L'épisode #527 a été diffusé, la première fois, le 30 sept. 2024.Quelques citations du podcast avec Laurence Devillairs :"Il n'y a pas une pensée féminine, il y a de la pensée.""Comment parler de ces philosophes sans les réduire à leur féminité, mais sans non plus occulter leur féminité.""Je crois que MeToo a permis, permet et permettra de repenser la justice et donc l'injustice."Recevez chaque semaine l'inspirante newsletter Métamorphose par Anne GhesquièreDécouvrez Objectif Métamorphose, notre programme en 12 étapes pour partir à la rencontre de soi-même.Suivez nos RS : Insta, Facebook & TikTokAbonnez-vous sur Apple Podcast / Spotify / Deezer / CastBox / YoutubeSoutenez Métamorphose en rejoignant la Tribu MétamorphoseThèmes abordés lors du podcast avec Laurence Devillairs :00:00Introduction00:51 L'invitée03:33 Les femmes, grandes oubliées de l'Histoire09:03 Être une femme impacte-t-il la façon de penser ?16:44 Histoire de la philo, reflet de l'Histoire ?21:18 Place des femmes dans l'Antiquité25:26 Qu'est-ce qu'être philosophe ?29:09 L'incroyable Gabrielle Suchon au 17e36:54 La méconnue Elisabeth de Bohême48:16 Penser l'amour : l'impact des mystiques du Moyen-Âge58:05 Catherine McKinnon et l'injustice institutionnelle01:01:10 Le corps : un enjeu de la pensée01:11:21 Révolutions et femmes01:15:27 Repenser la justice après MeToo01:19:08 Consentement et inégalité systémique01:23:59 L'écoféminisme et le CAREAvant-propos et précautions à l'écoute du podcast Photo © Astrid di Crollalanza Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
This lecture discusses key ideas from the 20th century existentialist and feminist philosopher, novelist, essayist, and playwright Simone de Beauvoir's book, The Ethics of Ambiguity It focuses specifically on the contempt for both humanity as a whole and for individual human beings that is displayed by some people in the use of their own freedom. She notes that this generally involves the reduction of persons to things, taking away their transcendence and viewing them only in their facticity or immanence. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3500 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase De Beauvoir's Ethics of Ambiguity - https://amzn.to/32IbKya
In a special programme looking ahead to International Women's Day on March 8th, Shahidha Bari looks at how women express themselves in language, argument, poetry and art. Her guests include:Sara Ahmed is the author of No is Not a Lonely Utterance Karen McCarthy Woolf's latest poetry collection is called Unsafe Lauren Elkin's books include Art Monsters: Unruly Bodies in Feminist Art, she translated Simone de Beauvoir's previously-unpublished novel The Inseparables and has a new book coming out in May Vocal Break: On Women, Music, and Power. She has been reading the new translation by Sophie Lewis of Angst by the French feminist thinker Hélène Cixous Mary Wellesley is a historian and author of Hidden Hands: The Lives of Manuscripts and Their Makers Ash Percival-Borley, military historian and former soldierProducer: Luke Mulhall
This lecture discusses key ideas from the 20th century existentialist and feminist philosopher, novelist, essayist, and playwright Simone de Beauvoir's book, The Ethics of Ambiguity It focuses specifically on what she calls the "paradox of action" which imposes itself upon human beings, which is "no action can be generated for man without it being immediately generated against men". To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3500 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase De Beauvoir's Ethics of Ambiguity - https://amzn.to/32IbKya
This lecture discusses key ideas from the 20th century existentialist and feminist philosopher, novelist, essayist, and playwright Simone de Beauvoir's book, The Ethics of Ambiguity It focuses specifically on what she terms "sophisms", that is plausible but ultimately bad arguments, that conservatives make about freedom in order to justify remaining in and even reinforcing situations of oppression from which they benefit. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3500 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase De Beauvoir's Ethics of Ambiguity - https://amzn.to/32IbKya
This lecture discusses key ideas from the 20th century existentialist and feminist philosopher, novelist, essayist, and playwright Simone de Beauvoir's book, The Ethics of Ambiguity It focuses specifically on what she terms the "situation of oppression", which divides the human world into camps or clans. The oppressed can make use of their freedom to revolt against a harmony from which they are excluded, while those benefitting from oppression often frame it in terms of a "natural condition". To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3500 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase De Beauvoir's Ethics of Ambiguity - https://amzn.to/32IbKya
This lecture discusses key ideas from the 20th century existentialist and feminist philosopher, novelist, essayist, and playwright Simone de Beauvoir's book, The Ethics of Ambiguity It focuses specifically on her discussion of several main areas of what she calls "constructive human activities", namely philosophy, art, science, and technics (technology and techniques) and how they figure into the uses of human freedom. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3500 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase De Beauvoir's Ethics of Ambiguity - https://amzn.to/32IbKya
This lecture discusses key ideas from the 20th century existentialist and feminist philosopher, novelist, essayist, and playwright Simone de Beauvoir's book, The Ethics of Ambiguity It focuses specifically on her analysis of what he terms the "aesthetic attitude" early on in part 3 of the work. This is a use of one's freedom that is inauthentic, because it adopts a detached contemplative stance towards the very history and situations one exists within, refusing to acknowledge that one takes a stance one way or another. She also highlights how this can be an even more acute problem for artists and writers. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3500 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase De Beauvoir's Ethics of Ambiguity - https://amzn.to/32IbKya
This lecture discusses key ideas from the 20th century existentialist and feminist philosopher, novelist, essayist, and playwright Simone de Beauvoir's book, The Ethics of Ambiguity It focuses specifically on her explanation of what it means for a person to "will themselves free" and to "will that there be being", which concludes her discussions in part 2 of the work. As it happens, both of these willing involve willing the freedom of other people as well. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3500 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase De Beauvoir's Ethics of Ambiguity - https://amzn.to/32IbKya
This lecture discusses key ideas from the 20th century existentialist and feminist philosopher, novelist, essayist, and playwright Simone de Beauvoir's book, The Ethics of Ambiguity It focuses specifically on ways in which certain intellectuals can fall into an inauthentic existence that attempts to escape the ambiguity of existence. She discusses two different forms that this takes: critical thought and creative activity. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3500 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase De Beauvoir's Ethics of Ambiguity - https://amzn.to/32IbKya
How do you stay audacious in a world that's noisier and more saturated than ever? How might the idea of creative rhythm change the way you write? Lara Bianca Pilcher gives her tips from a multi-passionate creative career. In the intro, becoming a better writer by being a better reader [The Indy Author]; How indie authors can market literary fiction [Self-Publishing with ALLi]; Viktor Wynd's Museum of Curiosities; Seneca's On the Shortness of Life; All Men are Mortal – Simone de Beauvoir; Surface Detail — Iain M. Banks; Bones of the Deep – J.F. Penn. This episode is sponsored by Publisher Rocket, which will help you get your book in front of more Amazon readers so you can spend less time marketing and more time writing. I use Publisher Rocket for researching book titles, categories, and keywords — for new books and for updating my backlist. Check it out at www.PublisherRocket.com This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Lara Bianca Pilcher is the author of Audacious Artistry: Reclaim Your Creative Identity and Thrive in a Saturated World. She's also a performing artist and actor, life and creativity coach, and the host of the Healthy Wealthy Wise Artist podcast. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why self-doubt is a normal biological response — and how audacity means showing up anyway The difference between creative rhythm and rigid discipline, and why it matters for writers How to navigate a saturated world with intentional presence on social media Practical strategies for building a platform as a nonfiction author, including batch content creation The concept of a “parallel career” and why designing your life around your art beats waiting for a big break Getting your creative rhythm back after crisis or burnout through small, gentle steps You can find Lara at LaraBiancaPilcher.com. Transcript of the interview with Lara Bianca Pilcher Lara Bianca Pilcher is the author of Audacious Artistry: Reclaim Your Creative Identity and Thrive in a Saturated World. She's also a performing artist and actor, life and creativity coach, and the host of the Healthy Wealthy Wise Artist podcast. Welcome, Lara. Lara: Thank you for having me, Jo. Jo: It's exciting to talk to you today. First up— Tell us a bit more about you and how you got into writing. Lara: I'm going to call myself a greedy creative, because I started as a dancer, singer, and actress in musical theatre, which ultimately led me to London, the West End, and I was pursuing that in highly competitive performance circles. A lot of my future works come from that kind of place. But when I moved to America—which I did after my season in London and a little stint back in Australia, then to Atlanta, Georgia—I had a visa problem where I couldn't work legally, and it went on for about six months. Because I feel this urge to create, as so many of your listeners probably relate to, I was not okay with that. So that's actually where I started writing, in the quietness, with the limits and the restrictions. I've got two children and a husband, and they would go off to school and work and I'd be home thinking, ha. In that quietness, I just began to write. I love thinking of creativity as a mansion with many rooms, and you get to pick your rooms. I decided, okay, well the dance, acting, singing door is shut right now—I'm going to go into the writing room. So I did. Jo: I have had a few physical creatives on the show. Obviously one of your big rooms in your mansion is a physical room where you are actually performing and moving your body. I feel like this is something that those of us whose biggest area of creativity is writing really struggle with—the physical side. How do you think that physical practice of creativity has helped you in writing, which can be quite constrictive in that way? Lara: It's so good that you asked this because I feel what it trained me to do is ignore noise and show up. I don't like the word discipline—most of us get a bit uncomfortable with it, it's not a nice word. What being a dancer did was teach me the practice of what I like to call a rhythm, a creative rhythm, rather than a discipline, because rhythm ebbs and flows and works more with who we are as creatives, with the way creativity works in our body. That taught me: go to the barre over and over again—at the ballet barre, I'm talking about, not the pub. Go there over and over again. Warm up, do the work, show up when you don't feel like it. thaT naturally pivoted over to writing, so they're incredibly linked in the way that creativity works in our body. Jo: Do you find that you need to do physical practice still in order to get your creativity moving? I'm not a dancer. I do like to shake it around a bit, I guess. But I mainly walk. If I need to get my creativity going, I will walk. If people are stuck, do you think doing something physical is a good idea? Lara: It is, because the way that our body and our nervous system works—without going into too much boring science, although some people probably find it fascinating—is that when we shake off that lethargic feeling and we get blood flowing in our body, we naturally feel more awake. Often when you're walking or you're doing something like dance, your brain is not thinking about all of the big problems. You might be listening to music, taking in inspiration, taking in sunshine, taking in nature, getting those endorphins going, and that naturally leads to the brain being able to psychologically show up more as a creative. However, there are days, if I'm honest, where I wake up and the last thing I want to do is move. I want to be in a little blanket in the corner of the room with a hot cocoa or a coffee and just keep to myself. Those aren't always the most creative days, but sometimes I need that in my creative rhythm, and that's okay too. Jo: I agree. I don't like the word discipline, but as a dancer you certainly would've had to do that. I can't imagine how competitive it must be. I guess this is another thing about a career in dance or the physical arts. Does it age out? Is it really an ageist industry? Whereas I feel like with writing, it isn't so much about what your body can do anymore. Lara: That is true. There is a very real marketplace, a very real industry, and I'm careful because there's two sides to this coin. There is the fact that as we get older, our body has trouble keeping up at that level. There's more injuries, that sort of thing. There are some fit women performing in their sixties and seventies on Broadway that have been doing it for years, and they are fine. They'll probably say it's harder for some of them. Also, absolutely, I think there does feel in the professional sense like there can be a cap. A lot of casting in acting and in that world feels like there's fewer and fewer roles, particularly for women as we get older, but people are in that space all the time. There's a Broadway dancer I know who is 57, who's still trying to make it on Broadway and really open about that, and I think that's beautiful. So I'm careful with putting limits, because I think there are always outliers that step outside and go, “Hey, I'm not listening to that.” I think there's an audience for every age if you want there to be and you make the effort. But at the same time, yes, there is a reality in the industry. Totally. Jo: Obviously this show is not for dancers. I think it was more framing it as we are lucky in the writing industry, especially in the independent author community, because you can be any age. You can be writing on your deathbed. Most people don't have a clue what authors look like. Lara: I love that, actually. It's probably one of the reasons I maybe subconsciously went into writing, because I'm like, I want to still create and I'm getting older. It's fun. Jo: That's freeing. Lara: So freeing. It's a wonderful room in the mansion to stay in until the day I die, if I must put it that way. Jo: I also loved you mentioning that Broadway dancer. A lot of listeners write fiction—I write fiction as well as nonfiction—and it immediately makes me want to write her story. The story of a 57-year-old still trying to make it on Broadway. There's just so much in that story, and I feel like that's the other thing we can do: writing about the communities we come from, especially at different ages. Let's get into your book, Audacious Artistry. I want to start on this word audacity. You say audacity is the courage to take bold, intentional risks, even in the face of uncertainty. I read it and I was like, I love the sentiment, but I also know most authors are just full of self-doubt. Bold and audacious. These are difficult words. So what can you say to authors around those big words? Lara: Well, first of all, that self-doubt—a lot of us don't even know what it is in our body. We just feel it and go, ugh, and we read it as a lack of confidence. It's not that. It's actually natural. We all get it. What it is, is our body's natural ability to perceive threat and keep us safe. So we're like, oh, I don't know the outcome. Oh, I don't know if I'm going to get signed. Oh, I don't know if my work's going to matter. And we read that as self-doubt—”I don't have what it takes” and those sorts of things. That's where I say no. The reframe, as a coach, I would say, is that it's normal. Self-doubt is normal. Everyone has it. But audacity is saying, I have it, but I'm going to show up in the world anyway. There is this thing of believing, even in the doubt, that I have something to say. I like to think of it as a metaphor of a massive feasting table at Christmas, and there's heaps of different dishes. We get to bring a dish to the table rather than think we're going to bring the whole table. The audacity to say, “Hey, I have something to say and I'm going to put my dish on the table.” Jo: I feel like the “I have something to say” can also be really difficult for people, because, for example, you mentioned you have kids. Many people are like, I want to share this thing that happened to me with my kids, or a secret I learned, or a tip I think will help people. But there's so many people who've already done that before. When we feel like we have something to say but other people have said it before, how do you address that? Lara: I think everything I say, someone has already said, and I'm okay with that. But they haven't said it like me. They haven't said it in my exact way. They haven't written the sentence exactly the way—that's probably too narrow a point of view in terms of the sentence—maybe the story or the chapter. They haven't written it exactly like me, with my perspective, my point of view, my life experience, my lived experience. It matters. People have very short memories. You think of the last thing you watched on Netflix and most of us can't remember what happened. We'll watch the season again. So I think it's okay to be saying the same things as others, but recognise that the way you say it, your point of view, your stories, your metaphors, your incredible way of putting a sentence togethes, it still matters in that noise. Jo: I think you also talk in the book about rediscovering the joy of creation, as in you are doing it for you. One of the themes that I emphasise is the transformation that happens within you when you write a book. Forget all the people who might read it or not read it. Even just what transforms in you when you write is important enough to make it worthwhile. Lara: It really, really is. For me, talking about rediscovering the joy of creation is important because I've lost it at times in my career, both as a performing artist and as an author, in a different kind of way. When we get so caught up in the industry and the noise and the trends, it's easy to just feel overwhelmed. Overwhelm is made up of a lot of emotions like fear and sadness and grief and all sorts of things. A lot of us don't realise that that's what overwhelm is. When we start to go, “Hey, I'm losing my voice in all this noise because comparison is taking over and I'm feeling all that self-doubt,” it can feel just crazy. So for me, rediscovering the joy of creation is vital to survival as an author, as an artist. A classic example, if you don't mind me sharing my author story really quickly, is that when I first wrote the first version of my book, I was writing very much for me, not realising it. This is hindsight. My first version was a little more self-indulgent. I like to think of it like an arrowhead. I was trying to say too much. The concept was good enough that I got picked up by a literary agent and worked with an editor through that for an entire year. At the end of that time, they dropped me. I felt like, through that time, I learned a lot. It was wonderful. Their reason for dropping me was saying, “I don't think we have enough of a unique point of view to really sell this.” That was hard. I lay on my bed, stared at the ceiling, felt grief. The reality is it's so competitive. What happened for me in that year is that I was trying to please. If you're a new author, this is really important. You are so desperately trying to please the editor, trying to do all the right things, that you can easily lose your joy and your unique point of view because you are trying to show up for what you think they all need and want. What cut through the noise for me is I got off that bed after my three hours of grief—it was probably longer, to be fair—but I booked myself a writing coach. I went back to the drawing board. I threw a lot of the book away. I took some good concepts out that I already knew were good from the editor, then I rewrote the entire thing. It's completely different to the first version. That's the book that got a traditional publishing deal. That book was my unique point of view. That book was my belief, from that grief, that I still have something to say. Instead of trusting what the literary agent and the editor were giving me in those red marks all over that first version, I was like, this is what I want to say. That became the arrowhead that's cut into the industry, rather than the semi-trailer truck that I was trying to bulldoze in with no clear point of view. So rediscovering the joy of creation is very much about coming back to you. Why do I write? What do I want to say? That unique point of view will cut through the noise a lot of the time. I don't want to speak in absolutes, but a lot of the time it will cut through the noise better than you trying to please the industry. Jo: I can't remember who said it, but somebody talked about how you've got your stone, and your stone is rough and it has random colours and all this. Then you start polishing the stone, which you have to do to a point. But if you keep polishing the stone, it looks like every other stone. What's the point? That fits with what you were saying about trying to please everyone, you end up pleasing no one. I also think the reality of what you just said about the book is a lot of people's experience with writing in general. Certainly for me, I don't write in order. I chuck out a lot. I'm a discovery writer. People think you sit down and start A and finish Z, and that's it. It's kind of messy, isn't it? Was that the same in your physical creative life? Lara: Yes. Everything's a mess. In the book I actually talk about learning to embrace the cringe, because we all want to show up perfect. Just as you shared, we think, because we read perfect and look at perfect or near-perfect work—that's debatable all the time—we want to arrive there, and I guess that's natural. But what we don't often see on social media or other places is the mess. I love the behind the scenes of films. I want to see the messy creative process. The reality is we have to learn to embrace the messy cringe because that's completely normal. My first version was so messy, and it's about being able to refine it and recognise that that is normal. So yes, embrace it. That's my quote for the day. Embrace the cringe, show up messy. It's all right. Jo: You mentioned the social media, and the subtitle of the book mentions a “saturated world.” The other problem is there are millions of books out there now. AI is generating more content than humans do, and it is extremely hard to break through. How are we to deal with this saturated world? When do we join in and when do we step away? Lara: I think it's really important not to have black and white thinking about it, because trust me, every day I meet an artist that will say, “I hate that I have to show up online.” To be honest with you, there's a big part of me that does also. But the saturation of the world is something that I recognise, and for me, it's like I'm in the world but not of it. That saturation can cause so much overwhelm and nervous system threat and comparison. What I've personally decided to do is have intentional showing up. That looks like checking in intentionally with a design, not a randomness, and then checking out. When push comes to shove, at the end of the day, I really believe that what sells books is people's trust in us as a person. They might go through an airport and not know us at all and pick up the book because it's a bestseller and they just trust the reputation, but so much of what I'm finding as an artist is that personal relationship, that personal trust. Whether that's through people knowing you via your podcast or people meeting you in a room. Especially in nonfiction, I think that's really big. Intentional presence from a place where we've regulated ourselves, being aware that it's saturated, but my job's not to be focused on the saturation. My job is to find my unique voice and say I have something to bring. Be intentional with that. Shoot your arrow, and then step out of the noise, because it's just overwhelming if you choose to live there and scroll without any intentionality at all. Jo: So how do people do that intentionality in a practical way around, first of all, choosing a platform, and then secondly, how they create content and share content and engage? What are some actual practical tips for intentionality? Lara: I can only speak from my experience, but I'm going to be honest, every single application I sent asked for my platform stats. Every single one. Platform stats as in how many followers, how many people listening to your podcast, how many people are reading your blog. That came up in every single literary agent application. So I would be a fool today to say you've got to ignore that, because that's just the brass tacks, unless you're already like a famous footballer or something. Raising and building a platform of my own audience has been a part of why I was able to get a publishing deal. In doing that, I've learned a lot of hard lessons. Embrace the cringe with marketing and social media as well, because it's its own beast. Algorithms are not what I worry about. They're not going to do the creativity for you. What social media's great at is saying, “Hey, I'm here”—it's awareness. It's not where I sell stuff. It's where I say, I'm here, this is what I'm doing, and people become aware of me and I can build that relationship. People do sell through social media, but it's more about awareness statistically. I am on a lot of platforms, but not all of them work for every author or every style of book. I've done a lot of training. I've really had to upskill in this space and get good at it. I've put myself through courses because I feel like, yes, we can ignore it if we want to, but for me it's an intentional opting in because the data shows that it's been a big part of being able to get published. That's overwhelming to hear for some people. They don't want to hear that. But that's kind of the world that we are in, isn't it? Jo: I think the main point is that you can't do everything and you shouldn't even try to do everything. The best thing to do is pick a couple of things, or pick one thing, and focus on that. For example, I barely ever do video, so I definitely don't do TikTok. I don't do any kind of video stuff. But I have this podcast. Audio is my happy place, and as you said, long-form audio builds trust. That is one way you can sell, but it's also very slow—very, very slow to build an audio platform. Then I guess my main social media would be Instagram, but I don't engage a lot there. So do you have one or two main things that you do, and any thoughts on using those for book marketing? Lara: I do a lot of cross-posting. I am on Instagram and I do a lot of creation there, and I'm super intentional about this. I actually do 30 days at a time, and then it's like my intentional opt-in. I'll create over about two days, edit and plan. It's really, really planned—shoot everything, edit everything, put it all together, and then upload everything. That will be 30 days' worth. Then I back myself right out of there, because I don't want to stay in that space. I want to be in the creative space, but I do put those two days a month aside to do that on Instagram. Then I tweak things for YouTube and what works on LinkedIn, which is completely different to Instagram. As I'm designing my content, I have in mind that this one will go over here and this one can go on here, because different platforms push different things. I am on Threads, but Threads is not statistically where you sell books, it's just awareness. Pinterest I don't think has been very good for my type of work, to be honest. For others it might. It's a search engine, it's where people go to get a recipe. I don't necessarily feel like that's the best place, this is just my point of view. For someone else it might be brilliant if you're doing a cookbook or something like that. I am on a lot of platforms. My podcast, however, I feel is where I'm having the most success, and also my blog. Those things as a writer are very fulfilling. I've pushed growing a platform really hard, and I am on probably almost every platform except for TikTok, but I'm very intentional with each one. Jo: I guess the other thing is the business model. The fiction business model is very, very different to nonfiction. You've got a book, but your higher-cost and higher-value offerings are things that a certain number of people come through to you and pay you more money than the price of a book. Could talk about how the book leads into different parts of your business? Because some people are like, “Am I going to make a living wage from book sales of a nonfiction book?” And usually people have multiple streams of income. Lara: I think it's smart to have multiple streams of income. A lot of people, as you would know, would say that a book is a funnel. For those who haven't heard of it, a way that people come into your bigger offerings. They don't have to be, but very much I do see it that way. It's also credibility. When you have a published book, there's a sense of credibility. I do have other things. I have courses, I have coaching, I have a lot of things that I call my parallel career that chug alongside my artist work and actually help stabilise that freelance income. Having a book is brilliant for that. I think it's a wonderful way to get out there in the world. No matter what's happening in all the online stuff, when you're on an aeroplane, so often someone still wants to read a book. When you're on the beach, they don't want to be there with a laptop. If you're on the sand, you want to be reading a beautiful paper book. The smell of it, the visceral experience of it. Books aren't going anywhere, to me. I still feel like there are always going to be people that want to pick it up and dig in and learn so much of your entire life experience quickly. Jo: We all love books here. I think it's important, as you do talk about career design and you mentioned there the parallel career—I get a lot of questions from people. They may just be writing their first book and they want to get to the point of making money so they could leave their day job or whatever. But it takes time, doesn't it? So how can we be more strategic about this sort of career design? Lara: For me, this has been a big one because lived experience here is that I know artists in many different areas, whether they're Broadway performers or music artists. Some of them are on almost everything I watch on TV. I'm like, oh, they're that guy again. I know that actor is on almost everything. I'll apply this over to writers. The reality is that these high-end performers that I see all the time showing up, even on Broadway in lead roles, all have another thing that they do, because they can still have, even at the highest level, six months between a contract. Applying that over to writing is the same thing, in that books and the money from them will ebb and flow. What so often artists are taught—and authors fit into this—is that we ultimately want art to make us money. So often that becomes “may my art rescue me from this horrible life that I'm living,” and we don't design the life around the art. We hope, hope, hope that our art will provide. I think it's a beautiful hope and a valid one. Some people do get that. I'm all for hoping our art will be our main source of income. But the reality is for the majority of people, they have something else. What I see over and over again is these audacious dreams, which are wonderful, and everything pointing towards them in terms of work. But then I'll see the actor in Hollywood that has a café job and I'm like, how long are you going to just work at that café job? They're like, “Well, I'm goint to get a big break and then everything's going to change.” I think we can think the same way. My big break will come, I'll get the publishing deal, and then everything will change. The reframe in our thinking is: what if we looked at this differently? Instead of side hustle, fallback career, instead of “my day job,” we say parallel career. How do I design a life that supports my art? And if I get to live off my art, wonderful. For me, that's looked like teaching and directing musical theatre. It's looked like being able to coach other artists. It's looked like writing and being able to pivot my creativity in the seasons where I've needed to. All of that is still creativity and energising, and all of it feeds the great big passion I have to show up in the world as an artist. None of it is actually pulling me away or draining me. I mean, you have bad days, of course, but it's not draining my art. When we are in this way of thinking—one day, one day, one day—we are not designing intentionally. What does it look like to maybe upskill and train in something that would be more energising for my parallel career that will chug alongside us as an artist? We all hope our art can totally 100% provide for us, which is the dream and a wonderful dream, and one that I still have. Jo: It's hard, isn't it? Because I also think that, personally, I need a lot of input in order to create. I call myself more of a binge writer. I just finished the edits on my next novel and I worked really hard on that. Now I won't be writing fiction for, I don't know, maybe six months or something, because now I need to input for the next one. I have friends who will write 10,000 words a day because they don't need that. They have something internal, or they're just writing a different kind of book that doesn't need that. Your book is a result of years of experience, and you can't write another book like that every year. You just can't, because you don't have enough new stuff to put in a book like that every single year. I feel like that's the other thing. People don't anticipate the input time and the time it takes for the ideas to come together. It is not just the production of the book. Lara: That's completely true. It goes back to this metaphor that creativity in the body is not a machine, it's a rhythm. I like to say rhythm over consistency, which allows us to say, “Hey, I'm going to be all in.” I was all in on writing. I went into a vortex for days on end, weeks on end, months and probably years on end. But even within that, there were ebbs and flows of input versus “I can't go near it today.” Recognising that that's actually normal is fine. There are those people that are outliers, and they will be out of that box. A lot of people will push that as the only way. “I am going to write every morning at 10am regardless.” That can work for some people, and that's wonderful. For those of us who don't like that—and I'm one of those people, that's not me as an artist—I accept the rhythm of creativity and that sometimes I need to do something completely different to feed my soul. I'm a big believer that a lot of creative block is because we need an adventure. We need to go out and see some art. To do good art, you've got to see good art, read good art, get outside, do something else for the input so that we have the inspiration to get out of the block. I know a screenwriter who was writing a really hard scene of a daughter's death—her mum's death. It's not easy to just write that in your living room when you've never gone through it. So she took herself out—I mean, it sounds morbid, but as a writer you'll understand the visceral nature of this—and sat at somebody's tombstone that day and just let that inform her mind and her heart. She was able to write a really powerful scene because she got out of the house and allowed herself to do something different. All that to say that creativity, the natural process, is an in-and-out thing. It ebbs and flows as a rhythm. People are different, and that's fine. But it is a rhythm in the way it works scientifically in the body. Jo: On graveyards—we love graveyards around here. Lara: I was like, sorry everyone, this isn't very nice. Jo: Oh, no. People are well used to it on this show. Let's come back to rhythm. When you are in a good rhythm, or when your body's warmed up and you are in the flow and everything's great, that feels good. But what if some people listening have found their rhythm is broken in some way, or it's come to a stop? That can be a real problem, getting moving again if you stop for too long. What are some ways we can get that rhythm back into something that feels right again? Lara: First of all, for people going through that, it's because our body actually will prioritise survival when we're going through crisis or too much stress. Creativity in the brain will go, well, that's not in that survival nature. When we are going through change—like me moving countries—it would disconnect us a lot from not only ourselves and our sense of identity, but creativity ultimately reconnects you back into life. I feel like to be at our optimum creative self, once we get through the crisis and the stress, is to gently nudge ourselves back in by little micro things. Whether it's “I'm just going to have the rhythm of writing one sentence a day.” As we do that, those little baby steps build momentum and allow us to come back in. Creativity is a life force. It's not about production, it's actually how we get to any unique contribution we're going to bring to the world. As we start to nudge ourselves back in, there's healing in that and there's joy in that. Then momentum comes. I know momentum comes from those little steps, rather than the overwhelming “I've got to write a novel this week” mindset. It's not going to happen, most of the time, when we are nudging our way back in. Little baby steps, kindness with ourselves. Staying connected to yourself through change or through crisis is one of the kindest things we can offer ourselves, and allowing ourselves to come into that rhythm—like that musical song of coming back in with maybe one line of the song instead of the entire masterpiece, which hopefully it will be one day. Jo: I was also thinking of the dancing world again, and one thing that is very different with writers is that so much of what we do is alone. In a lot of the performance art space, there's a lot more collaboration and groups of people creating things together. Is that something you've kept hold of, this kind of collaborative energy? How do you think we can bring that collaborative energy more into writing? Lara: Writing is very much alone. Obviously some people, depending on the project, will write in groups, but generally speaking, it's alone. For me, what that looks like is going out. I do this, and I know for some writers this is like, I don't want to go and talk to people. There are a lot of introverts in writing, as you are aware. I do go to creative mixers. I do get out there. I'm planning right now my book launch with a local bookstore, one in Australia and one here in America. Those things are scary, but I know that it matters to say I'm not in this alone. I want to bring my friends in. I want to have others part of this journey. I want to say, hey, I did this. And of course, I want to sell books. That's important too. It's so easy to hide, because it's scary to get out there and be with others. Yet I know that after a creative mixer or a meetup with all different artists, no matter their discipline, I feel very energised by that. Writers will come, dancers will come, filmmakers will come. It's that creative force that really energises my work. Of course, you can always meet with other writers. There's one person I know that runs this thing where all they do is they all get on Zoom together and they all write. Their audio's off, but they're just writing. It's just the feeling of, we're all writing but we're doing it together. It's a discipline for them, but because there's a room of creatives all on Zoom, they're like, I'm here, I've showed up, there's others. There's a sense of accountability. I think that's beautiful. I personally don't want to work that way, but some people do, and I think that's gorgeous too. Jo: Whatever sustains you. I think one of the important things is to realise you are not alone. I get really confused when people say this now. They're like, “Writing's such a lonely life, how do you manage?” I'm like, it is so not lonely. Lara: Yes. Jo: I'm sure you do too. Especially as a podcaster, a lot of people want to have conversations. We are having a conversation today, so that fulfils my conversation quota for the day. Lara: Exactly. Real human connection. It matters. Jo: Exactly. So maybe there's a tip for people. I'm an introvert, so this actually does fulfil it. It's still one-on-one, it's still you and me one-on-one, which is good for introverts. But it's going out to a lot more people at some point who will listen in to our conversation. There are some ways to do this. It's really interesting hearing your thoughts. Tell people where they can find you and your books and your podcast online. Lara: The book is called Audacious Artistry: Reclaim Your Creative Identity and Thrive in a Saturated World, and it's everywhere. The easiest thing to do would be to visit my website, LaraBiancaPilcher.com/book, and you'll find all the links there. My podcast is called Healthy Wealthy Wise Artist, and it's on all the podcast platforms. I do short coaching for artists on a lot of the things we've been talking about today. Jo: Brilliant. Well, thanks so much for your time, Lara. That was great. Lara: Thank you.The post Audacious Artistry: Reclaiming Your Creative Identity And Thriving In A Saturated World With Lara Bianca Pilcher first appeared on The Creative Penn.
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