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Sein und Streit - Das Philosophiemagazin (ganze Sendung) - Deutschlandfunk Kultur
Hannah Arendt, Simone de Beauvoir – dann wird es dünn im Philosophieunterricht in der Schule: Weiße europäische Männer machen immer noch einen Großteil des Kanons aus. Wie prägt das unser Bild vom Denken? Und wie lässt sich der Kanon diverser gestalten? Rohde, Stephanie; von Lüpke, Annika; Spielhaus, Riem www.deutschlandfunkkultur.de, Sein und Streit
TW : AVORTEMENT L'œil fixe, imperturbable, elle regarde dans les yeux ceux qui lui font face. Le port altier, la nuque dégagée : c'est sans doute ainsi que Marie-Louise est montée à l'échafaud.Le 30 juillet 1943, sa tête est tranchée. Marie-Louise est la seule femme à qui l'on refuse la grâce. La seule condamnée à mort exécutée, et son visage, lui, a sombré dans l'oubli. Alors, son malheur ou son destin fut de croiser l'Histoire. « La tragédie de la mort, écrivait Malraux, c'est de transformer la vie en destin. »Elle n'est ni voleuse, ni meurtrière ; elle se cache dans l'ombre, dans les chambres et sur les lits. On la nomme « faiseuse d'anges ». Le procès de Marie-Louise est un modèle du genre ; il n'a été possible que par le traumatisme de la défaite et ses conséquences : la Révolution nationale et la fin de l'État de droit. Les femmes abandonnées, les maris prisonniers, la délation, les juridictions d'exception, l'ombre du Maréchal.Oui, en 1940, la France va mal. L'Occupation pèse, les hommes sont réquisitionnés, les femmes abandonnées doivent composer avec la propagande nataliste et la pression d'un régime qui les rend coupables de la défaite.Le 8 juin 1943, le procès s'ouvre : elle est l'« assassin de la patrie ». Dans moins d'un an, les troupes alliées vont débarquer sur les plages normandes. Paris, en attendant, vit sous l'Occupation allemande. Simone de Beauvoir fréquente surement le Café de Flore, sans savoir qu'elle rédigera plus tard Le Deuxième Sexe. Peut-être a-t-elle entendu, sur le boulevard Saint-Germain, les journaux annoncer la nouvelle : « Une faiseuse d'anges condamnée à mort. »Derrière chaque cri qu'on étouffe sous un oreiller, derrière chaque ventre noué sous les corsets de la honte, elle a vu des femmes – non des criminelles, mais des corps las, usés, brisés, des traces, des cicatrices.Le crime de Marie-Louise a été de ne pas être l'épouse, la mère et la femme de Vichy : la faiseuse d'anges a trouvé l'ange de la mort.Jolis, S. et al. Spectacle.Equer-Hamy, C., & Scemama, M. Septembre 1942.Boyer, L. (1944). Que reste-t-il de nos amours ?.Szpiner, F. Une affaire de femme.Dayez, B. (1990). « L'avortement et la raison pénale ».Capuano, C. (2009). Vichy et la famille.Collovald, A. (2004). « Vichy et l'éternel féminin ».Prost, A., & Muel-Dreyfus, F. (1997). « Vichy ou l'éternel féminin ».Rouquet, F. (2002). « Le sort des femmes sous Vichy ».Archives de Paris. Affichette du gouvernement de Vichy.Ensemble en France (2021). « Le régime de Vichy ».France Inter (2023). « Marie-Louise Giraud ».Ponseille, A. (2024). « Répression de l'avortement sous Vichy »
El podcast de RobotaniaMiércoles 13 de agosto 20252:50 Libro: Las inseparables de Simone de Beauvoir de Editorial Lumen11:30 Tania LIbertad 45 años en México en Teatro Diana14:25 Jujutsu Kaisen: El tesoro escondido / El tesoro perdido de Sony Pictures17:50 El Cuervo de Poe: 20 años de oscuridad inquebrantable en Conjunto Santander21:50 Libro: Las inseparables de Simone de Beauvoir de Editorial Lumen27:00 Un Tranvía llamado deseo con Marina de Tavira en Conjunto Santander
Capitalism is typically treated as a force for relentless commodification. Yet it consistently fails to place value on vital aspects of the nonhuman world, whether carbon emissions or entire ecosystems. In Free Gifts, Alyssa Battistoni explores capitalism's persistent failure to value nature, arguing that the key question is not the moral issue of why some kinds of nature shouldn't be commodified, but the economic puzzle of why they haven't been. To understand contemporary ecological problems from biodiversity collapse to climate change, she contends, we have to understand how some things come to have value under capitalism—and how others do not. To help us do so, Battistoni recovers and reinterprets the idea of the free gift of nature used by classical economic thinkers to describe what we gratuitously obtain from the natural world, and builds on Karl Marx's critique of political economy to show how capitalism fundamentally treats nature as free for the taking. This novel theory of capitalism's relationship to nature not only helps us understand contemporary ecological breakdown, but also casts capitalism's own core dynamics in a new light.Battistoni addresses four different instances of the free gift in political economic thought, each in a specific domain: natural agents in industry, pollution in the environment, reproductive labor in the household, and natural capital in the biosphere. In so doing, she offers new readings of major twentieth-century thinkers, including Friedrich Hayek, Simone de Beauvoir, Garrett Hardin, Silvia Federici, and Ronald Coase. Ultimately, she offers a novel account of freedom for our ecologically troubled present, developing a materialist existentialism to argue that capitalism limits our ability to be responsible for our relationships to the natural world, and imagining how we might live freely while valuing nature's gifts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
Capitalism is typically treated as a force for relentless commodification. Yet it consistently fails to place value on vital aspects of the nonhuman world, whether carbon emissions or entire ecosystems. In Free Gifts, Alyssa Battistoni explores capitalism's persistent failure to value nature, arguing that the key question is not the moral issue of why some kinds of nature shouldn't be commodified, but the economic puzzle of why they haven't been. To understand contemporary ecological problems from biodiversity collapse to climate change, she contends, we have to understand how some things come to have value under capitalism—and how others do not. To help us do so, Battistoni recovers and reinterprets the idea of the free gift of nature used by classical economic thinkers to describe what we gratuitously obtain from the natural world, and builds on Karl Marx's critique of political economy to show how capitalism fundamentally treats nature as free for the taking. This novel theory of capitalism's relationship to nature not only helps us understand contemporary ecological breakdown, but also casts capitalism's own core dynamics in a new light.Battistoni addresses four different instances of the free gift in political economic thought, each in a specific domain: natural agents in industry, pollution in the environment, reproductive labor in the household, and natural capital in the biosphere. In so doing, she offers new readings of major twentieth-century thinkers, including Friedrich Hayek, Simone de Beauvoir, Garrett Hardin, Silvia Federici, and Ronald Coase. Ultimately, she offers a novel account of freedom for our ecologically troubled present, developing a materialist existentialism to argue that capitalism limits our ability to be responsible for our relationships to the natural world, and imagining how we might live freely while valuing nature's gifts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Le 03 novembre 1793, vers 17h, place de la Révolution, à Paris, une femme monte sur l'échafaud. Juste avant d'avoir la tête tranchée, elle prononce ses dernières paroles : « enfants de la patrie, vous vengerez ma mort. » Elle a quarante-cinq ans, elle s'appelle Olympe de Gouges. Son crime ? Avoir remis en question l'autorité de la République et, surtout, osé écrire, deux ans plus tôt, la Déclaration des droits de la femme et de la citoyenne. Une femme contre son temps que l'Histoire aura malmenée pendant près de deux siècles. Et pourtant sans Olympe de Gouges, Simone de Beauvoir n'aurait, peut-être pas écrit son « Deuxième sexe ». Avec Valérie André, directrice de recherches en histoire de la littérature à l'ULB, membre de l'Académie royale de Belgique Sujets traités : Olympe de Gouges, République, Déclaration, droits, femme, citoyenne, Simone de Beauvoir Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Capitalism is typically treated as a force for relentless commodification. Yet it consistently fails to place value on vital aspects of the nonhuman world, whether carbon emissions or entire ecosystems. In Free Gifts, Alyssa Battistoni explores capitalism's persistent failure to value nature, arguing that the key question is not the moral issue of why some kinds of nature shouldn't be commodified, but the economic puzzle of why they haven't been. To understand contemporary ecological problems from biodiversity collapse to climate change, she contends, we have to understand how some things come to have value under capitalism—and how others do not. To help us do so, Battistoni recovers and reinterprets the idea of the free gift of nature used by classical economic thinkers to describe what we gratuitously obtain from the natural world, and builds on Karl Marx's critique of political economy to show how capitalism fundamentally treats nature as free for the taking. This novel theory of capitalism's relationship to nature not only helps us understand contemporary ecological breakdown, but also casts capitalism's own core dynamics in a new light.Battistoni addresses four different instances of the free gift in political economic thought, each in a specific domain: natural agents in industry, pollution in the environment, reproductive labor in the household, and natural capital in the biosphere. In so doing, she offers new readings of major twentieth-century thinkers, including Friedrich Hayek, Simone de Beauvoir, Garrett Hardin, Silvia Federici, and Ronald Coase. Ultimately, she offers a novel account of freedom for our ecologically troubled present, developing a materialist existentialism to argue that capitalism limits our ability to be responsible for our relationships to the natural world, and imagining how we might live freely while valuing nature's gifts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Capitalism is typically treated as a force for relentless commodification. Yet it consistently fails to place value on vital aspects of the nonhuman world, whether carbon emissions or entire ecosystems. In Free Gifts, Alyssa Battistoni explores capitalism's persistent failure to value nature, arguing that the key question is not the moral issue of why some kinds of nature shouldn't be commodified, but the economic puzzle of why they haven't been. To understand contemporary ecological problems from biodiversity collapse to climate change, she contends, we have to understand how some things come to have value under capitalism—and how others do not. To help us do so, Battistoni recovers and reinterprets the idea of the free gift of nature used by classical economic thinkers to describe what we gratuitously obtain from the natural world, and builds on Karl Marx's critique of political economy to show how capitalism fundamentally treats nature as free for the taking. This novel theory of capitalism's relationship to nature not only helps us understand contemporary ecological breakdown, but also casts capitalism's own core dynamics in a new light.Battistoni addresses four different instances of the free gift in political economic thought, each in a specific domain: natural agents in industry, pollution in the environment, reproductive labor in the household, and natural capital in the biosphere. In so doing, she offers new readings of major twentieth-century thinkers, including Friedrich Hayek, Simone de Beauvoir, Garrett Hardin, Silvia Federici, and Ronald Coase. Ultimately, she offers a novel account of freedom for our ecologically troubled present, developing a materialist existentialism to argue that capitalism limits our ability to be responsible for our relationships to the natural world, and imagining how we might live freely while valuing nature's gifts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies
This week, I spoke with the Irish-Canadian author Joanna Pocock, whose new memoir, Greyhound, absolutely blew me away. The story follows Joanna as she recounts two journeys – one from 2006, and one from 2023 – that she took across the United States of America. However, unlike the classic ‘roadtrip' novel, Joanna undertook the entirety of both journeys by Greyhound bus. What follows is an incredible portrait of a nation and its people: a feminist, ecological, anti-capitalist, profoundly humanist elegy that left me desperate to buy a ticket and head for the open road.Lit with Charles loves reviews. If you enjoyed this episode, I'd be so grateful if you could leave a review of your own, and follow me on Instagram at @litwithcharles. Let's get more people listening – and reading!Joanna's four books were:Bear, Marian Engel (1976)Silent Spring, Rachel Carsen (1962)Refuge: An Unnatural History of Family and Place, Terry Tempest Williams (1991)America Day by Day, Simone de Beauvoir (1948)
Capitalism is typically treated as a force for relentless commodification. Yet it consistently fails to place value on vital aspects of the nonhuman world, whether carbon emissions or entire ecosystems. In Free Gifts, Alyssa Battistoni explores capitalism's persistent failure to value nature, arguing that the key question is not the moral issue of why some kinds of nature shouldn't be commodified, but the economic puzzle of why they haven't been. To understand contemporary ecological problems from biodiversity collapse to climate change, she contends, we have to understand how some things come to have value under capitalism—and how others do not. To help us do so, Battistoni recovers and reinterprets the idea of the free gift of nature used by classical economic thinkers to describe what we gratuitously obtain from the natural world, and builds on Karl Marx's critique of political economy to show how capitalism fundamentally treats nature as free for the taking. This novel theory of capitalism's relationship to nature not only helps us understand contemporary ecological breakdown, but also casts capitalism's own core dynamics in a new light.Battistoni addresses four different instances of the free gift in political economic thought, each in a specific domain: natural agents in industry, pollution in the environment, reproductive labor in the household, and natural capital in the biosphere. In so doing, she offers new readings of major twentieth-century thinkers, including Friedrich Hayek, Simone de Beauvoir, Garrett Hardin, Silvia Federici, and Ronald Coase. Ultimately, she offers a novel account of freedom for our ecologically troubled present, developing a materialist existentialism to argue that capitalism limits our ability to be responsible for our relationships to the natural world, and imagining how we might live freely while valuing nature's gifts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics
Capitalism is typically treated as a force for relentless commodification. Yet it consistently fails to place value on vital aspects of the nonhuman world, whether carbon emissions or entire ecosystems. In Free Gifts, Alyssa Battistoni explores capitalism's persistent failure to value nature, arguing that the key question is not the moral issue of why some kinds of nature shouldn't be commodified, but the economic puzzle of why they haven't been. To understand contemporary ecological problems from biodiversity collapse to climate change, she contends, we have to understand how some things come to have value under capitalism—and how others do not. To help us do so, Battistoni recovers and reinterprets the idea of the free gift of nature used by classical economic thinkers to describe what we gratuitously obtain from the natural world, and builds on Karl Marx's critique of political economy to show how capitalism fundamentally treats nature as free for the taking. This novel theory of capitalism's relationship to nature not only helps us understand contemporary ecological breakdown, but also casts capitalism's own core dynamics in a new light.Battistoni addresses four different instances of the free gift in political economic thought, each in a specific domain: natural agents in industry, pollution in the environment, reproductive labor in the household, and natural capital in the biosphere. In so doing, she offers new readings of major twentieth-century thinkers, including Friedrich Hayek, Simone de Beauvoir, Garrett Hardin, Silvia Federici, and Ronald Coase. Ultimately, she offers a novel account of freedom for our ecologically troubled present, developing a materialist existentialism to argue that capitalism limits our ability to be responsible for our relationships to the natural world, and imagining how we might live freely while valuing nature's gifts. Learn more about your ad choices. Visit megaphone.fm/adchoices
En se demandant "qu'est-ce qu'une femme ?", Simone de Beauvoir pose les bases du féminisme moderne. Elle montre que cette question permet de construire la féminité comme une figure de l'altérité. Altérité qui rend possible la domination masculine : l'homme se pense comme "l'un" tandis qu'il pense la femme comme "l'autre". Par-delà les polémiques sur Simone de Beauvoir, son propos philosophique est salutaire.➔ Regardez la version vidéo de cet épisode : https://youtu.be/j29nfTlbAjo➔ Rejoignez-moi sur Patreon : https://www.patreon.com/ParoledephilosopheMembre du Label Tout Savoir. Régies publicitaires : PodK et Ketil Media._____________Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
Viva Culture à Avignon : Simone de Beauvoir
Énorme podcast avec les humoristes Virginie Courtiol et Laurence C. Germain.Nous parlons de l'origine sordide du mot bikini, on se moque de moi quand je cite Hannah Arendt et Simone de Beauvoir, Virginie et Laurence parlent de leur premier baiser et on lit des dates horribles. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Un amant pour se sentir plus libre ? C'est la femme forte, libre, par excellence. L'éminence féministe et existentialiste. Son fameux turban, ses grandes boucles d'oreilles et sa relation si spéciale avec Sartre. Mais Simone de Beauvoir a aimé un autre homme, avec une intensité toute particulière : Nelson Algren. Un podcast Bababam Originals Ecrit et raconté par Alice Deroide Première diffusion : 14 février 2019 Learn more about your ad choices. Visit megaphone.fm/adchoices
Simone de Beauvoir a dit un jour : "on ne naît pas femme, on le devient" et même si je suis pas une grande fan de Simone... Je suis entièrement d'accord avec cette phrase. Être une femme et ACCEPTER sa féminité... c'est pas "inné". Dans cet épisode, je vous en dévoile un paquet sur mon parcours de guérison et d'acceptation de ma féminité, je vous confie mes blessures, mon passé et je vous laisse entrevoir la femme (non assumée) que j'ai été... Avant de devenir celle que je suis.En espérant que ça puisse aider et inspirer d'autres combattant(e)s de ce long parcours initiatique que j'ai nommé : la Renaissance Vénusienne. Xoxo, Vénus(Anciennement : The Venus Perspective Podcast)//Instagram : @venuswasthereHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
INTERVIEW Clément Beauvoir et Vincent Bernard, Opération code danger, Théâtre des Barriques
In ‘Het wilde-vrouwenpad' neemt Brigitte Ars de lezer mee op twaalf bijzondere wandelroutes, op zoek naar vrijheid en vrouwelijke kracht. In het boek verweeft zij persoonlijke ervaringen met verhalen van vrijgevochten vrouwen als Nan Shepherd, Astrid Lindgren en Simone de Beauvoir. Brigitte Ars zwierf jarenlang als journalist door afgelegen gebieden in Afrika en Azië en schreef boeken als ‘Hoe wikkel je een sari om' en ‘Waar is avontuur'.
An award-winning writer captures a year that defined the modern world, intertwining historical events around the globe with key moments from her personal history.The year 1947 marks a turning point in the twentieth century. Peace with Germany becomes a tool to fortify the West against the threats of the Cold War. The CIA is created, Israel is about to be born, Simone de Beauvoir experiences the love of her life, an ill George Orwell is writing his last book, and Christian Dior creates the hyper-feminine New Look as women are forced out of jobs and back into the home.In the midst of it all, a ten-year-old Hungarian-Jewish boy resides in a refugee camp for children of parents murdered by the Nazis. This year he has to make the decision of a lifetime, one that will determine his own fate and that of his daughter yet to be born, Elisabeth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
An award-winning writer captures a year that defined the modern world, intertwining historical events around the globe with key moments from her personal history.The year 1947 marks a turning point in the twentieth century. Peace with Germany becomes a tool to fortify the West against the threats of the Cold War. The CIA is created, Israel is about to be born, Simone de Beauvoir experiences the love of her life, an ill George Orwell is writing his last book, and Christian Dior creates the hyper-feminine New Look as women are forced out of jobs and back into the home.In the midst of it all, a ten-year-old Hungarian-Jewish boy resides in a refugee camp for children of parents murdered by the Nazis. This year he has to make the decision of a lifetime, one that will determine his own fate and that of his daughter yet to be born, Elisabeth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
An award-winning writer captures a year that defined the modern world, intertwining historical events around the globe with key moments from her personal history.The year 1947 marks a turning point in the twentieth century. Peace with Germany becomes a tool to fortify the West against the threats of the Cold War. The CIA is created, Israel is about to be born, Simone de Beauvoir experiences the love of her life, an ill George Orwell is writing his last book, and Christian Dior creates the hyper-feminine New Look as women are forced out of jobs and back into the home.In the midst of it all, a ten-year-old Hungarian-Jewish boy resides in a refugee camp for children of parents murdered by the Nazis. This year he has to make the decision of a lifetime, one that will determine his own fate and that of his daughter yet to be born, Elisabeth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies
An award-winning writer captures a year that defined the modern world, intertwining historical events around the globe with key moments from her personal history.The year 1947 marks a turning point in the twentieth century. Peace with Germany becomes a tool to fortify the West against the threats of the Cold War. The CIA is created, Israel is about to be born, Simone de Beauvoir experiences the love of her life, an ill George Orwell is writing his last book, and Christian Dior creates the hyper-feminine New Look as women are forced out of jobs and back into the home.In the midst of it all, a ten-year-old Hungarian-Jewish boy resides in a refugee camp for children of parents murdered by the Nazis. This year he has to make the decision of a lifetime, one that will determine his own fate and that of his daughter yet to be born, Elisabeth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies
An award-winning writer captures a year that defined the modern world, intertwining historical events around the globe with key moments from her personal history.The year 1947 marks a turning point in the twentieth century. Peace with Germany becomes a tool to fortify the West against the threats of the Cold War. The CIA is created, Israel is about to be born, Simone de Beauvoir experiences the love of her life, an ill George Orwell is writing his last book, and Christian Dior creates the hyper-feminine New Look as women are forced out of jobs and back into the home.In the midst of it all, a ten-year-old Hungarian-Jewish boy resides in a refugee camp for children of parents murdered by the Nazis. This year he has to make the decision of a lifetime, one that will determine his own fate and that of his daughter yet to be born, Elisabeth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs
An award-winning writer captures a year that defined the modern world, intertwining historical events around the globe with key moments from her personal history.The year 1947 marks a turning point in the twentieth century. Peace with Germany becomes a tool to fortify the West against the threats of the Cold War. The CIA is created, Israel is about to be born, Simone de Beauvoir experiences the love of her life, an ill George Orwell is writing his last book, and Christian Dior creates the hyper-feminine New Look as women are forced out of jobs and back into the home.In the midst of it all, a ten-year-old Hungarian-Jewish boy resides in a refugee camp for children of parents murdered by the Nazis. This year he has to make the decision of a lifetime, one that will determine his own fate and that of his daughter yet to be born, Elisabeth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
An award-winning writer captures a year that defined the modern world, intertwining historical events around the globe with key moments from her personal history.The year 1947 marks a turning point in the twentieth century. Peace with Germany becomes a tool to fortify the West against the threats of the Cold War. The CIA is created, Israel is about to be born, Simone de Beauvoir experiences the love of her life, an ill George Orwell is writing his last book, and Christian Dior creates the hyper-feminine New Look as women are forced out of jobs and back into the home.In the midst of it all, a ten-year-old Hungarian-Jewish boy resides in a refugee camp for children of parents murdered by the Nazis. This year he has to make the decision of a lifetime, one that will determine his own fate and that of his daughter yet to be born, Elisabeth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Michel Onfray "L'autre collaboration. Les origines françaises de l'islamo-gauchisme" (Plon)Au lendemain de la tragédie du 7 octobre, Michel Onfray s'est demandé pourquoi des millions de citoyens français avaient salué un grand jour pour le peuple palestinien. Son livre gravite autour de la question suivante : quel rôle ont joué les philosophes du XXe siècle dans la construction de cette effrayante passion triste qu'est le consentement au sadisme des bourreaux contre des victimes innocentes.Preuves à l'appui, Michel Onfray revient aux sources intellectuelles de l'antisémitisme de la gauche radicale avec Marx, Alain, Sartre, Beauvoir, Deleuze, Foucault, Derrida, Genet, Jean-Luc Nancy, Roger Garaudy, Lacoue-Labarthe, Alain Badiou…Musique: Gérard Manset « Quand on perd un ami »Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
Aussi étrange que cela puisse paraître, oui, Jean-Paul Sartre a bien connu une obsession pour les crustacés, et plus précisément pour les homards. Mais il ne s'agit pas là d'un goût culinaire ou d'une fascination philosophique : cette obsession trouve son origine dans une expérience hallucinogène, vécue par le philosophe dans les années 1930.À cette époque, Sartre s'intéresse de près aux états modifiés de conscience. Dans un cadre semi-expérimental, il accepte de consommer de la mescaline, un puissant psychotrope extrait de cactus comme le peyotl, utilisé traditionnellement par certaines tribus amérindiennes. La substance est connue pour provoquer des hallucinations visuelles et des distorsions sensorielles intenses.Peu de temps après cette expérience, Sartre est victime d'hallucinations récurrentes. Il voit apparaître, autour de lui, des homards qui le suivent dans la rue, l'attendent dans les couloirs, surgissent dans son champ de vision. Il en parlera comme de "crabes", ou de "grosses bêtes aux pinces", qui deviennent une présence quasi constante, parfois intrusive, parfois presque familière.Loin de disparaître avec le temps, ces visions persistent plusieurs semaines après la prise de mescaline. Sartre, alors âgé d'environ 30 ans, s'en amuse parfois, mais en garde une certaine inquiétude. Il confiera plus tard à Simone de Beauvoir, puis à des journalistes, que ces créatures semblaient l'accompagner dans ses déplacements — une sorte de délire visuel lucide, dont il avait conscience, mais qu'il ne pouvait totalement maîtriser.Dans une interview donnée à John Gerassi dans les années 1970, Sartre expliquera avec humour :"J'ai vu des homards pendant longtemps. Ils m'accompagnaient partout. Je savais bien qu'ils n'étaient pas réels… mais ils étaient là."Cette anecdote étrange n'a rien d'un délire permanent ou pathologique. Elle montre plutôt la curiosité de Sartre pour les frontières de la perception, la nature de la conscience, et la subjectivité. Des thèmes qu'il explorera d'ailleurs dans La Nausée ou L'Imaginaire, où le trouble de la réalité occupe une place centrale.Aujourd'hui, cet épisode est devenu presque légendaire. Il illustre le côté expérimental et audacieux de Sartre, qui n'hésita pas à mettre son esprit à l'épreuve pour mieux comprendre ce qu'il appelait "l'existence pure".Alors oui, Sartre fut bien escorté par des crustacés… du moins dans sa tête.--------------------Vous cherchez des récits inspirants de course à pied ? Avec Course Epique découvrez les plus belles histoires de coureurs, amateurs comme élites, qui vous encouragent à débuter, continuer ou exceller. Ecouter Course Epique sur :Apple Podcasts : https://podcasts.apple.com/fr/podcast/course-epique/id1510967100Spotify : https://courseepique.fr/wp-content/uploads/2021/02/Spotify.pngDeezer : https://www.deezer.com/fr/show/1174282ou encore : https://shows.acast.com/course-epiqueYouTube : https://www.youtube.com/@CourseEpique Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
«Det finnes ikke noe skille mellom liv og filosofi», pleier Toril Moi å sitere Simone Beauvoir på.Dette har vært grunntanken i Mois mangeårige forskningsarbeid innen litteraturvitenskap, kjønnsforskning og filosofi. Med titler som Sexual/Textual Politics, Simone de Beauvoir. En intellektuell kvinne blir til, Ibsens modernisme og Revolution of the Ordinary, har hun etablert seg som en av Norges mest fremstående intellektuelle, og som en internasjonalt toneangivende forsker.I år er Moi aktuell med to utgivelser viet hennes liv og virke: Essaysamlingen På jakt etter Norge. En personlig og historisk reiseskildring fra 1950-tallets kulturliv, hvor Moi utforsker norske væremåter og norsk identitet, og Ane Farsethås' samtalebiografi Toril Moi. I frihetens tegn. Her er det Mois eget liv og virke som danner materiale for en utforskning av de filosofiske, politiske og eksistensielle spørsmålene hun har undersøkt.Moi har skrevet om litterære forbilder som Margaret Atwood, Ursula Le Guin, Doris Lessing, Philip Pullmann, Annie Ernaux – og en av Norges største samtidsforfattere, Vigdis Hjorth. Moi framhever Hjorths evne til å finne og vise fram de grunnleggende eksistensielle sidene ved livet, også i den tilsynelatende trivielle hverdagen. Hjorths forfatterskap er preget av underliggende filosofiske spørsmål, som behandles både dypt alvorlig og med selvironisk humor. Hennes siste roman Gjentakelsen fikk strålende mottakelse, og ble belønnet med Kritikerprisen og Ungdommens kritikerpris.Hjorth og Moi har fulgt hverandre tett, og møttes sist på Litteraturhusets scene da Moi intervjuet Hjorth om Arv og miljø i 2016. Nå møtes de igjen til samtale, ledet av Moi-biograf og redaksjonssjef i Morgenbladet Ane Farsethås, om hverdagsliv, eksistens, og litteraturens plass i turbulente tider. Hosted on Acast. See acast.com/privacy for more information.
L'info du matin - Deux aliments favoris des enfants pourraient les rendre plus... gentils ! C'est ce qu'ont évoqué ce matin Grégory Ascher et Justine Salmon. Le winner du jour - À Chalon-sur-Saône, un homme retrouve son appartement vidé après l'avoir loué sur Booking. - À Antibes, une lycéenne doit repasser une épreuve du Bac car elle a reçu le mauvais sujet ! Le flashback de février 1991 - "E=M6" fait ses débuts sur M6 avec Mac Lesggy. - En musique : "Sadeness" d'Enigma cartonne dans les classements. Le savoir inutile - À La-Ville-aux-Dames (Indre-et-Loire), presque toutes les rues portent des noms de femmes célèbres comme Jeanne d'Arc, Simone de Beauvoir ou Marie Curie. 3 choses à savoir sur Lionel Richie - En 1984, il chante "All Night Long- lors de la clôture des JO de Los Angeles devant 2,3 milliards de téléspectateurs. - À cette époque, son album "Can't Slow Down- s'écoule à plus de 20 millions d'exemplaires dans le monde. Qu'est-ce qu'on fait ? - C'est la fête de la musique partout en France ! - RTL2 présente "Le Festival", organisé par Renault au Chalet des Îles pour le lancement de la Renault 4 E-Tech électrique. Rendez-vous dimanche entre 18h et 19h sur RTL2 avec les interviews d'Éric Jean-Jean et des artistes présents : Adé, Hervé, Clara Luciani... Le jeu surprise - Olivier de Noeux-les-Mines gagne un séjour de 2 nuits pour 2 personnes au Fregate Provence à Saint-Cyr-sur-Mer La banque RTL2 - Emma d'Antibes gagne 500 € - Aurélie de La Celle-sur-Morin repart avec un appareil photo AGFA Realishot DC9200 Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
1. Ribbon Skirt - Wrong Planet. 2. Interlay - Be Quiet and Drive (Far Away). 3. Xiu Xiu - Maestro One Chord. 4. Penny & the Pits - Montenegro On Ice. 5. Horse Jumper of Love - Ugly Brunette. 6. KT Laine - Again. 7. Makaya McCraven - Dream Another. 8. Holy Hive - Oh I Miss Her So. 9. Devours - Homecoming Queen. 10. Baths - Aminals. 11. Annie-Claude Deschênes - ELECTRIC LIGHT. 12. Slash Need - Worm. 13. TOPS - Petals. 14. sunshower - wait! 15. Laraw - Beaux yeux. 16. Barbara - My Birthday Party. 17. Tropical Fuck Storm - Stayin' Alive. 18. PyPy - Erase. 19. Spirit Hotel - Moon Eyes. 20. Zola Jesus - Lost. 21. Sunglaciers - Cursed. 22. Diamond Day - Come Over Here. 23. Tebby And The Heavy - Razzle Dazzle. 24. Bibi Club - Parc de Beauvoir. 25. PISS - time loop at hot slit.
Les femmes qui n'ont pas peur des hommes font-elles peur aux hommes, comme le disait Simone de Beauvoir ? Un podcast Bababam Originals Ecrit par Hélène Vézier Retrouvez tous les épisodes de Madame Meuf ici. Learn more about your ad choices. Visit megaphone.fm/adchoices
Antes de llenar escenarios y convertirse en una de las voces femeninas más representativas del rock colombiano, Andrea Echeverri ya creaba desde lo profundo: moldeando cerámica, haciendo grabados y leyendo a Simone de Beauvoir en los salones de la Facultad de Artes y Humanidades de la Universidad de los Andes.En este episodio de Historias Uniandinas, Andrea nos lleva de regreso a sus días como estudiante uniandina, a ese pequeño taller de cerámica entre el campito y la cafetería central, donde empezó a tomar forma su lenguaje artístico, primero entre tornos, hornos y esmaltes, y luego en las canciones que hoy hacen parte de la historia y memoria colectiva de varias generaciones.Alumni Uniandes continúa con la misión de compartir las experiencias de los Uniandinos a través de personajes que están marcando la diferencia.Síguenos en nuestras redes sociales @AlumniUniandes
Have you always thought you could do with some expert guidance when reading Iris's philosophy? Well help is at hand! This episode marks the start of a new mini-series of episodes where we'll be reading Iris's collected essay collection – Existentialists and Mystics – with a team of excellent academics and seasoned readers, and you can join us for the experience! Each episode will focus on a small number of essays – or perhaps just one essay if it is substantial in length – and explore exactly what Murdoch was up to and how the essay fits in with her overall vision. We'll keep in roughly chronological order, starting with her work from the 1950s and ending up in the mid-1980s with her two Platonic dialogues. Although Existentialists and Mystics doesn't contain all of her published philosophy it's a great place to start so, if you've not got a copy, you can pick one up very reasonably second-hand via this link: https://www.bookfinder.com/search/?isbn=9780140264920&st=xl&ac=qr In this episode we're starting out with her earliest material on Existentialism – closely reading ‘The Existentialist Hero' and ‘The Novelist as Metaphysician' as well as her review of Simone de Beauvoir's The Ethics of Ambiguity – all from 1950. The two essays were originally given as talks on BBC Radio's The Third Programme; and are the groundwork for her first monograph, Sartre: Romantic Rationalist that would be published just a few years later in 1953. Joining Miles is Sam Filby, currently working on his PhD thesis on Murdoch at Northwestern University, Chicago; and the current recipient of the BSH research fund. His work focuses on Murdoch's aesthetics and moral psychology
Les députés ont voté en faveur du droit à l'aide à mourir, ce mardi 27 mai. La proposition de loi a été approuvée par 305 votes pour et 199 contre. Selon ce texte, une personne majeure atteinte d'une affection grave et incurable pourra décider, sous réserve de l'accord d'un médecin, de mettre fin à son existence, si elle estime que ses souffrances physiques ou psychologiques ont atteint un seuil au-delà du supportable. Le texte doit maintenant être débattu au Sénat.Pour poursuivre la réflexion autour de ce sujet complexe, nous vous proposons aujourd'hui d'écouter ou de réécouter un épisode diffusé pour la première fois en novembre 2022, dans un contexte différent : celui de la mise en place de la convention citoyenne sur la fin de vie. Il pose la question de la manière dont notre perception de la « bonne » façon de mourir a changé au fil de l'Histoire.Un épisode de Marion Bothorel. Réalisation : Quentin Tenaud. Musique du générique : Amandine Robillard. Présentation et rédaction en chef : Morgane Tual. Dans cet épisode : extraits du débat sur l'euthanasie diffusé le 23 octobre 1975 sur Antenne 2 dans l'émission « Aujourd'hui madame », du livre Une mort très douce, de Simone de Beauvoir et d'un reportage du journal télévisé de France 2 du 2 janvier 2006.---Pour soutenir "L'Heure du Monde" et notre rédaction, abonnez-vous sur abopodcast.lemonde.fr Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.
Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman's work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman's work but also the ways in which Ackerman's work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman's cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman's work attends to and notices women's experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso's analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman's work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig's Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices
Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman's work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman's work but also the ways in which Ackerman's work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman's cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman's work attends to and notices women's experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso's analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman's work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig's Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman's work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman's work but also the ways in which Ackerman's work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman's cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman's work attends to and notices women's experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso's analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman's work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig's Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
This single block in Montparnasse has it all: history, design, art, writers, photographers, models and World War II heroes... from photographer Lee Miller to Resistance leader Colonel Rol-Tanguy, from abolitionist Schoelcher to writer Anais Nin, and even my own near-miss with philosopher Simone de Beauvoir's apartment. For photos, please check out my website. Thanks as always to Bremner Fletcher for technical expertise and general know-how. The Improbable Walks theme music is performed by David Symons, New Orleans accordionist extraordinaire.
Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman's work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman's work but also the ways in which Ackerman's work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman's cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman's work attends to and notices women's experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso's analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman's work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig's Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman's work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman's work but also the ways in which Ackerman's work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman's cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman's work attends to and notices women's experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso's analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman's work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig's Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
Tous les week-end, découvrez de courtes histoires d'amours, tendres ou percutantes, pour engager de vraies réflexions sur l'amour. C'est la femme forte, libre, par excellence. L'éminence féministe et existentialiste. Son fameux turban, ses grandes boucles d'oreilles et sa relation si spéciale avec Sartre. Mais Simone de Beauvoir a aimé un autre homme, avec une intensité toute particulière. Learn more about your ad choices. Visit megaphone.fm/adchoices
Nous sommes le 25 novembre 1929, à Paris. Elisabeth Lacoin, dite Zaza, meurt, âgée de vingt et un ans, emportée par une encéphalite virale. Pour Simone de Beauvoir, l'amie de toujours, c'est une tragédie. « Une expérience bouleversante et inoubliable » écrira la future autrice du « Deuxième sexe », qui parlera d'assassinat, de « crime spiritualiste ». C'est en compagnie de Zaza, au lendemain de la Première Guerre mondiale, que Simone va quitter l'enfance. Avec elle encore qu'elle affrontera les choix cruciaux de l'adolescence et de l'entrée dans la vie d'adulte. Avec Zaza et, un peu plus tard, avec Maurice Merleau-Ponty rencontré sur les bancs de la Sorbonne. Pendant plusieurs années, ces trois-là vont s'écrire, beaucoup, avec la retenue inculquée par leur milieu bourgeois mais avec intensité. Les lettres envoyées des trois côtés ont été, heureusement, conservées : cent vingt-six lettres échangées pendant neuf ans avec Zaza, de 1920 à 1929, et cent-trente-six avec Merleau-Ponty durant trente-deux-ans, de 1927 à 1957. Que nous dit cette correspondance de ces jeunes gens et de leur époque ? De cette génération des années vingt pour laquelle la situation était si différente selon que l'on était une fille ou garçon ? Plongeons-nous dans ces lettres, si précieuses, ses lettres d'amitié… Avec nous : Sylvie Le Bon de Beauvoir. « Lettres d'amitié » ; Gallimard. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Madlik Podcast – Torah Thoughts on Judaism From a Post-Orthodox Jew
This episode explores the biblical and rabbinic perspectives on gender, sex, and reproduction through the lens of Leviticus 12. We examine how the Torah's language of "seed" and agricultural metaphors connect childbirth to creation and redemption. We explore the biblical imagination where women's reproductive power links her to primal creative forces. What does it mean that a woman's body mirrors the act of creation? The Torah's description of childbirth in Leviticus 12 might seem straightforward at first glance. However, the use of the word "tazria" (to seed) opens up a world of interpretation that spans millennia. "The verb refers to a woman producing an offspring," notes The Torah: A Women's Commentary. This active language challenges traditional notions of women as passive vessels in reproduction. It's a subtle yet powerful shift that sets the stage for deeper discussions on gender roles and biology. The discussion delves into ancient and modern interpretations of conception, from rabbinic debates on determining a child's sex to Simone de Beauvoir's critique of biological determinism. This week on Madlik, we're diving into the fascinating world of gender, sex, and creation in the Torah. Starting with the opening verses of Parshat Tazria, we unpack the rich agricultural metaphors used to describe conception and birth. We share some intriguing rabbinic interpretations about how the embryo is formed and what determines a child's sex. We also look at how these ancient texts have been reinterpreted over time - from medieval commentators to modern thinkers like Rabbi Shlomo Riskin and Simone de Beauvoir. There are some surprising insights about sexual ethics and gender roles that feel remarkably progressive for their time. Key Takeaways The Torah links women's reproductive power to primal creative forces Rabbinic tradition shows early sensitivity to mutual sexual needs in marriage Ancient beliefs about conception shaped gender roles, but are open to reinterpretation Timestamps [00:00] The Second Sex: Introducing Simone de Beauvoir and biblical connections [01:45] Exploring Torah laws of childbirth and personal purity [04:05] The metaphor of seed, soil, and creation in Genesis and Leviticus [08:55] Agriculture, menstruation, and exile: a deeper metaphor [11:00] The rabbinic obsession with embryology and “who contributes what” [13:50] Color-coded anatomy and Greek philosophy in Jewish texts [17:30] Could Adam have been male and female? What creation myths suggest [19:00] Can prayer change the sex of a child? The rabbis weigh in [22:30] Kosher Sex and rabbinic views on orgasm and mutual satisfaction [26:30] Simone de Beauvoir, Aristotle, and feminist deconstruction of biology Links & Learnings Sign up for free and get more from our weekly newsletter https://madlik.com/ Safaria Source Sheet: https://www.sefaria.org/sheets/643110 Transcript on episode web page:
In questa puntata, Olivia Guaraldo, professoressa ordinaria di filosofia politica presso il Dipartimento di Scienze Umane all'Università di Verona, discute il libro scritto in collaborazione con Adriana Cavarero, Donna si nasce (2024), che offre uno sguardo al femminismo e ai concetti di “donna” e “gender” da Simone de Beauvoir ai giorni nostri. Guaraldo storicizza concetti come “patriarcato” e “differenza sessuale”, soffermandosi su come queste valenze siano state mutuate dall'antropologia culturale, assorbite dal femminismo e poi complicate con l'introduzione dell'“identità di gender” nei paesi prevalentemente anglofoni. Analizzando il discorso dei “diritti” in Occidente a partire dalla Rivoluzione francese, Guaraldo discute di come il pensiero moderno sia stato plasmato da un orizzonte simbolico in cui i soggetti maschili erano di fatto soggetti di “liberazione”, mentre le donne venivano invariabilmente eclissate. Approfondendo il paradosso secondo cui i diritti “universali” concessi nel corso del XVIII e XIX secolo erano specificamente rivolti agli uomini, mai all'altra metà della popolazione umana, dove gli uomini erano “la misura dell'umano”, Guaraldo evidenzia anche alcune delle differenze tra il femminismo italiano e francese e il femminismo anglo-americano, dove il primo presenta un femminismo della differenza e il secondo un femminismo dell'“uguaglianza”, e dove i diritti conquistati sono invariabilmente pagati con il prezzo dell'“assimilazione” postulata all'interno di un “modello neutro” in cui i diritti della persona vengono assunti sul corpo (ad esempio, diritti riproduttivi, accesso all'aborto, ecc.) e dove le conquiste sono sempre parziali. Guaraldo sottolinea anche l'attuale paradosso socio-politico in cui il linguaggio della differenza e del gender, così come inscritto dal poststrutturalismo francese nella seconda metà del XX secolo, ha portato a un nuovo dogmatismo e a una rigidità sociale tale per cui le giovani generazioni di donne si stanno opponendo al definirsi “donne” a causa della deliberata diluizione del significato del linguaggio. Get full access to Savage Minds at savageminds.substack.com/subscribe
In 1975, at the height of their fame, British band Slade made a feature film, Slade in Flame. The film was a critical and commercial failure at the time, but has built up a cult following over the years. Now it's being re-released in cinemas and on DVD. Frontman Noddy Holder and film director Richard Loncraine spoke to Samira Ahmed in studio.With a new English translation of Simone de Beauvoir's novel The Image of Her and a stage adaptation of her semi-autobiographical The Inseperables, Lauren Elkin and Grace Joy Howarth discuss the enduring legacy of the French feminist icon.Plus Irish actor Stephen Rae talks about his career working with Samuel Beckett, his hit film The Crying Game, and his current production of Krapp's Last Tape
durée : 00:59:23 - Le Souffle de la pensée - par : Géraldine Mosna-Savoye - Manon Garcia évoque la première philosophe à avoir fait des femmes un sujet philosophique : Simone de Beauvoir. Dans "Le Deuxième sexe", elle pose cette question d'une grande actualité : comment conjurer les mythes du féminin pour permettre une véritable rencontre entre les hommes et les femmes ? - réalisation : Nicolas Berger - invités : Manon Garcia Philosophe, professeure à la Freie Universität de Berlin
Melvyn Bragg and guests discuss the French philosopher Maurice Merleau-Ponty (1908-1961), who was part of the movement known as phenomenology. While less well-known than his contemporaries Jean-Paul Sartre and Simone de Beauvoir, his popularity has increased among philosophers in recent years. Merleau-Ponty rejected Rene Descartes' division between body and mind, arguing that the way we perceive the world around us cannot be separated from our experience of inhabiting a physical body. Merleau-Ponty was interested in the down-to-earth question of what it is actually like to live in the world. While performing actions as simple as brushing our teeth or patting a dog, we shape the world and, in turn, the world shapes us. With Komarine Romdenh-Romluc Senior Lecturer in Philosophy at the University of SheffieldThomas Baldwin Emeritus Professor of Philosophy at the University of YorkAnd Timothy Mooney Associate Professor of Philosophy at University College, DublinProduced by Eliane GlaserReading list:Peter Antich, Motivation and the Primacy of Perception: Merleau-Ponty's Phenomenology of Knowledge (Ohio University Press, 2021)Dimitris Apostolopoulos, Merleau-Ponty's Phenomenology of Language (Rowman and Littlefield, 2019) Sarah Bakewell, At the Existentialist Café: Freedom, Being and Apricot Cocktails (Chatto and Windus, 2016) Thomas Baldwin (ed.), Maurice Merleau-Ponty: Basic Writings (Routledge, 2004)Thomas Baldwin (ed.), Reading Merleau-Ponty (Routledge, 2007)Renaud Barbaras (trans. Ted Toadvine and Leonard Lawlor), The Being of the Phenomenon: Merleau-Ponty's Ontology (Indiana University Press, 2004).Anya Daly, Merleau-Ponty and the Ethics of Intersubjectivity (Palgrave Macmillan, 2016)M. C. Dillon, Merleau-Ponty's Ontology (Northwestern University Press, 1998, 2nd ed.) Maurice Merleau-Ponty (trans. Alden L. Fisher), The Structure of Behavior (first published 1942; Beacon Press, 1976)Maurice Merleau-Ponty (trans. Donald Landes), Phenomenology of Perception (first published 1945; Routledge, 2011)Maurice Merleau-Ponty, Sense and Non-Sense (first published 1948; Northwestern University Press, 1964)Maurice Merleau-Ponty, Signs (first published 1960; Northwestern University Press, 1964)Maurice Merleau-Ponty, The Visible and the Invisible (first published 1964; Northwestern University Press, 1968)Maurice Merleau-Ponty (trans. Oliver Davis with an introduction by Thomas Baldwin), The World of Perception (Routledge, 2008)Ariane Mildenberg (ed.), Understanding Merleau-Ponty, Understanding Modernism (Bloomsbury, 2019)Timothy Mooney, Merleau-Ponty's Phenomenology of Perception: On the Body Informed (Cambridge University Press, 2023) Katherine J. Morris, Starting with Merleau-Ponty (Continuum, 2012) Komarine Romdenh-Romluc, Merleau-Ponty and Phenomenology of Perception (Routledge, 2011)Komarine Romdenh-Romluc, The Routledge Guidebook to Merleau-Ponty's Phenomenology of Perception (Routledge, 2011)Jean-Paul Sartre (trans. Benita Eisler), Situations (Hamish Hamilton, 1965)Hilary Spurling, The Girl from the Fiction Department (Penguin, 2003)Jon Stewart (ed.), The Debate Between Sartre and Merleau-Ponty (Northwestern University Press, 1998)Ted Toadvine, Merleau-Ponty's Philosophy of Nature (Northwestern University Press, 2009)Kerry Whiteside, Merleau-Ponty and the Foundation of an Existential Politics (Princeton University Press, 1988)Iris Marion Young, On Female Body Experience: “Throwing Like a Girl” and Other Essays (Oxford University Press, 2005)In Our Time is a BBC Studios Audio Production
In this fierce and timely episode of The Scenic Route, we unpack the UK Supreme Court's ruling that redefines “woman” based solely on biological sex, excluding trans women from legal protections, political representation, and basic recognition.But this isn't just a courtroom debate. It's a culture war dressed in legal robes. We follow the funding behind the ruling, expose the billionaire feminists fueling the backlash, and dismantle the persistent myths about biology, gender, and identity.This episode asks hard questions: Who really benefits from the binary? Why do so many defend it so violently? And what does it mean that we wreck Teslas, but not Harry Potter books?“If you want to burn Teslas but not Harry Potter books… ask yourself why.”We draw insights from Judith Butler, bell hooks, Laurie Penny, Simone de Beauvoir, and others to examine why trans women are not a threat to womanhood: they are its most powerful proof.In this episode:Why the UK ruling matters far beyond BritainJK Rowling, Elon Musk, and the weaponisation of wealthWhy biological sex is a spectrum, not a binaryHow gender is assigned, performed, and punishedThe role of evangelical power and purity culture in gender politics10 takedowns of the “biological women only” mythSee you on the Scenic Route, because sometimes the long way is the shortest way home._____________________________________________________________________ Visit jenniferwalter.me – your cosy corner where recovering perfectionists, misfits, and those done pretending to be fine find space to breathe, dream, and create real change."
Harriett Gilbert talks with Michelle De Kretser about her 8th novel, and winner the 2023 Rathbones Folio Fiction Prize 'Scary Monsters'. This diptych novel consists of the tale of two immigrants, one in the past, and one in a dystopian future that seems all too possible. Which story to start with? That's the reader's decision. In the past, Lili. Her family migrated to Australia from Asia when she was a child. Now, in the 1980s, she teaches in Montpellier, in the south of France. Her life revolves around her desires to carve out a space for herself in ‘le centre historique', and become a great woman like Simone de Beauvoir. She tries to make friends, observes the treatment of other immigrants to France who don't have the shield of an Australian passport, and continually has to dodge her creepy downstairs neighbour, as stories of serial killers dominate news headlines. In the future, Lyle works for a government department in near-future Australia where Islam has been banned, a pandemic has only recently passed, and the elderly are encouraged to take advantage of ‘The Amendment' - a law that allows, if not encourages, assisted suicide. An Asian migrant, Lyle is terrified of repatriation and spends all his energy on embracing 'Australian values' - which in this future involve rampant consumerism, an obsession with the real estate market, and never mentioning the environmental catastrophe even as wildfires choke the air with a permanent smoke cloud. He's also preoccupied by his callously ambitious wife, his rebellious children and his elderly mother who refuses to capitulate to his desperate desire to invisibly blend in with society. We love it, not just because of the playful dual structure, but because Michelle's writing tackles the monsters - racism, misogyny, ageism - with keen observations and biting humour, shining a light not just on how society treats newcomers, but how we relate to our idea of our shared history, and what kind of future will be built from the world we live in now.
In this episode, we celebrate Women's History Month with words of wisdom from many powerful, brilliant, and inspiring women. Their poignant quotes provide lasting insight and inspiration for all women as we continue to work towards gender equity for all. These quotes and the resulting discussion come from a variety of women including women of color, women from the LGBTQ community, and women from countries across the globe. The quotes go as far back as the 1700s through current day. This is about the voice and inspiration of ALL women. From Abigail Adams, Susan B. Anthony and Lucrecia Mott to Gloria Steinem, Alice Walker, and Audre Lorde, to Doria Shafik, Raicho Hiratsuka, and Simone de Beauvoir to Maya Angelou and Emma Watson – you won't want to miss this inspiration and insight FROM warrior women, FOR warrior women. #womenshistorymonth For more information on Dr. Kimberly DeSimone or the Advancing Women Podcast: Instagram: https://www.instagram.com/advancingwomenpodcast/ Facebook: https://www.facebook.com/advancingwomenpodcast Advancing Women Podcast Website: https://advancingwomenpodcast.com/ LinkedIn: https://www.linkedin.com/in/kimberly-desimone-phd-mba-ba00b88/
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