Podcast appearances and mentions of Warren B Kanders

In this episode, Nashwa is joined by longtime online friend Zoé Samudzi to sit down and chat about anti-racist booklists, the need to buy from independent sellers, the surge in popularity of anti-racist books, diverse syllabi, Jessica Krug and the expanded universe of faking race in academia, and the Whitney Museum's parasitic Mutual Aid project. We also share our love for another friend of the show Lauren Michele Jackson, and her piece What is an Anti-Racist Reading List For?; additionally, we highlight a piece from the Boston Review by Melissa Phruksachart entitled The Literature of White Liberalism. Another topic we touch upon is The Combahee River Collective Statement and the morphing role of the words identity politics. An informative piece about Warren B. Kanders, former art collector and vice chair of the Whitney Museum, can be found here. Lastly, we end by considering what happens or what we do with people who are race tourists, as well as Zoé's top five dissertation writing songs.If you liked this episode please consider supporting us on Patreon, following us on Twitter @habibtiblease, and/or subscribing to our Substack https://habibtiplease.substack.com/subscribe. Shukran bezaf habibtis & habibis! Guest Information:Guest of the week: Zoé SamudziAs detailed in this episode, Zoé is the co-author of a book with William C. Anderson titled As Black as Resistance (AK Press), which engages the anarchistic position of Black people in the United States. It can be ordered here.Find Zoé on Twitter @ztsamudzi and check out her website.Additional Resources:As mentioned in the episode, here is a list curated by Zoé of good Latinx writing that isn't American Dirt:Tell Me How it Ends: An Essay in Forty Questions by Valeria Luisellito love and mourn in the age of displacement by Alan Palaez LopezSigns Preceding the End of the World by Yuri HerreraCruel Fictions by Wendy TrevinoUnforgetting: A Memoir of Family, Migration, Gangs, and Revolution in the Americas by Robert LovatoThe Afro-Latin@ Reader: History and Culture in the United States edited by Miriam Jiménez Román and Juan FloresBlack and Indigenous Owned Bookstores in America and Canada: https://secondstorypress.ca/wavemaker/2020/6/12/black-and-indigenous-owned-bookstores-in-canada-and-the-usaIndependent bookstores in Canada: https://www.penguinrandomhouse.ca/canadian-independent-bookstores-deliveryIndependent bookstores in America: https://www.newpages.com/independent-bookstoresProduction Credits:Hosted by Nashwa Lina KhanMusic by Johnny Zapras and postXamericaArt for Habibti Please by postXamericaProduction by Nashwa Lina Khan and Johnny ZaprasProduction Assistance by Raymond KhananoSocial Media & Support:Follow us on Twitter @habibtipleaseSupport us on PatreonSubscribe to us on Substack This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit habibtiplease.substack.com/subscribe

In the news, we discuss how the artists of the Whitney Biennial leveraged their very presence in protest of Warren Kanders (of Defence company Safariland) continuing to sit on the Board of the Institution. Kanders officially resigned his position at the Whitney in late July. We discussed how Museums can better equip themselves to appeal to a neurodiverse audience, and what the benefits are for institutions who make small changes to be more inclusive. Finally, Sarah interviewed the talented and dynamic sculptor Kelly O'Brien. ‘It's Just the Beginning': Art World Responds to Warren B. Kanders's Resignation from Whitney Board Warren Kanders Quits Whitney Board After Tear Gas Protests Kelly O'Brien Sculpture Instagram @kosculpture --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/sota/message Support this podcast: https://anchor.fm/sota/support

A conversation on cultural politics, occasioned by the resignation of Warren B. Kanders from the board of the Whitney Museum of American Art.

Guest host, Michelle Hartney rounds out her month-long dive into Art & Morality with Decolonize This Place. Decolonize This Place is an action-oriented collective of activists who stage protests in cultural institutions to open conversations related to Indigenous struggle, Black liberation, free Palestine, global wage workers and de-gentrification. In this episode, Michelle and Marz Saffore, along with, Amy Weng members of Decolonize This Place, discuss the practice of "art washing," who defines what art is or isn't, issues of display, and the responsibility museum and institutions have to hold their board members accountable for actions which go against their values.Notably, at the time of this recording, Michelle and Decolonize This Place members debated the position of Warren B. Kanders as, then, Vice-Chairman at the Whitney Museum. Kanders company, Safariland, produces tear-gas canisters and other supplies used by the military and law enforcement. Safariland canisters have been used against unarmed migrants at the U.S.-Mexico border, protestors in Ferguson, Missouri, Turkey’s Gezi Park, the Gaza Strip, Standing Rock in North Dakota, and, most recently, in San Juan, Puerto Rico. Decolonize this Place has led the charge in protesting Kanders presence on the Museum's board hosting 9 weeks of art and action in the weeks leading up to the Whitney Biennial. Today, on July 25, 2019, Warren B. Kanders announced his resignation as Vice-Chairman at the Whitney.- About Decolonize This Place -Decolonize This Place is an action-oriented movement centering around Indigenous struggle, Black liberation, free Palestine, global wage workers and de-gentrification. Facilitated by MTL+ Collective. #decolonizethisplaceLearn more at https://www.decolonizethisplace.org/Follow them @decolonizethisplace

Last week's clash between U.S. law enforcement and Central American migrants along the border with Mexico took place thousands of miles from New York. But the controversy surrounding the conflict found its way to New York City through an unlikely place: the Whitney Museum. Two days after the event, the arts news site Hyperallergic reported that Warren B. Kanders, one of the museum’s top board members, owns Safariland, the company that made the tear gas used on the border. In response to the news, more than 100 staffers at the museum wrote a letter demanding answers about Kanders and his business, which prompted responses from both him and the museum's director, Adam Weinberg. The controversy has led to criticism of the Whitney and restarted a conversation about the role of money in the arts, especially when it comes from donors that people disagree with. This week on Money Talking, Charlie Herman discusses the issue with Robin Pogrebin, reporter for the Culture Desk at The New York Times, and Hrag Vartanian, editor-in-chief of Hyperallergic.

Donna DeSalvo assembles some of Andy Warhol's greatest work for his retrospective at the Whitney Museum, while revelations that Whitney Vice Chair Warren B. Kanders owns a company that sells tear gas used at the border shake museum staff. Soul of a Nation at the Brooklyn Museum looks at the history of political activism, while Jack Waters offers a mix of bag of awe inspiring abject art paired with groan inspiring sculptures and paintings. Jack Whitten at the Metropolitan Museum dazzles, Art and Conspiracy flops, and Amazon is going to drive us all out of our homes. Relevant links below.  Andy Warhol at The Whitney Museum Whitney Museum Vice Chairman Owns a Manufacturer Supplying Tear Gas at the Border, Hyperallergic Whitney Museum Staffers Demand Answers, Hyperallergic  Soul of a Nation, Art in the Age of Black Power at the Brooklyn Museum  John Waters: Indecent Exposure at the Baltimore Museum of Art  Jack Whitten at the Metropolitan Museum of Art (Closed Dec 2) Everything is Connected: Art and Conspiracy at the Metropolitan Museum of Art Amazon Headquarters Will Come to Long Island City: Curbed Explainer ASAP Pledge Not to Take Crumbs from Amazon