Podcasts about akiyuki shinbo

Voici un autre thème qui nous démange d'être refait depuis sa première édition : les musiques d'anime. On se réunit donc en comité extraordinaire pour causer de ce pan de la culture nipponne dont la consommation en France se place en deuxième, juste derrière le Japon. Raison, donc, d'en parler plus que jamais avec bienveillance et Amour, autour d'une table ronde de (pseudo-)connoisseurs. Bonne écoute. Tracklist : Tsuneo Imahori - Never Could Have Been Worse (Trigun, Satoshi Nishimura, 1998) Official HIGE DANdism - White Noise (Tokyo Revengers, Koichi Hatsumi, 2023) Kirari - Last Piece (GTO, Naoyasu Hanyu & Noriyuki Abe, 1999) Mob Choir - 99 (Mob Psycho 100, Yuzuru Tachikawa, 2016) Yuki Kajiura - The Main Theme of Petite Cosette (Kozetto no Shōzō, Akiyuki Shinbo, 2004) Maaya Sakamoto - Kiseki no Umi (Lodoss War, Ryô Mizuno, 1999) Nothing's Carved in Stone - Out of Control (Psycho-Pass, Katsuyuki Motohiro & Naoyoshi Shiotani, 2013) SPYAIR - Sakuramitsutsuki (Gintama, Shinji Takamatsu, Yoichi Fujita & Chizuru Miyawaki, 2018) Maximum the Hormone - What's Up, People?! (Death Note, Tetsurō Araki, 2007) Bradio - Flyers (Death Parade, Yuzuru Tachikawa, 2015) bôa - Duvet (Serial Experiments Lain, Ryūtarō Nakamura, 1998) Radwimps - Zenzenzense (Your Name., Makoto Shinkai, 2016) Beat Crusaders - Spice of Life (Beck: Mongolian Chop Squad, Osamu Kobayashi, 2005) Heart of Air - Blue Flow (Haibane Renmei, Tomokazu Tokoro, 2002) Bernard Minet - Juliette, Je t'aime (Maison Ikkoku, Kazuo Yamazaki, Takashi Anno & Naoyuki Yoshinaga, 1993 Photo : Cromartie High School, Eiji Nonaka (2001)

Recently I've been thinking a lot about the things that divide up an anime episode, be it an OP or short intertitles - and so I decided to make a whole episode about them! In this edition of Get In The Mecha, I talk about how these dividing mechanisms make all the difference to how an episode / film feels and ask the question of what is so important about structure. This is the last episode of 2022! I want to get the podcast back on track next year so bear with me a little longer. Thanks for all your support, feedback and attention this year! Video Version of this episode: - https://youtu.be/1Cx_ZWJWN-c 0:00 - Intro 1:31 - Structure & Dividers 3:06 - Openings, Ending Credits & Avants 14:00 - Eyecatches & Title Cards 19:25 - Intertitles & Other Dividers 28:48 - Closing Thoughts 30:53 - Outro + Credits 32:26 - super secret post-credit scene 2000 Lightyears into Sonny Boy – Interview with Shingo Natsume: https://fullfrontal.moe/2000-lightyears-into-sonny-boy-interview-with-shingo-natsume/ Chisholm, Reading Intertitles: https://www.tandfonline.com/doi/abs/10.1080/01956051.1987.9944095 Artists Mentioned: Shingo Natsume, Akiyuki Shinbo, Tatsuya Oishi, Eunyoung Choi, Masaaki Yuasa, Nobutoshi Ogura, Satoru Utsunomiya, Yoshimichi Kameda Anime Mentioned / Referenced: Do It Yourself!!, Sonny Boy, Kizumonogatari, The Soultaker, Nichijou, Kemonozume, Kaguya-sama: Love Is War, The End of Evangelion, EVANGELION: DEATH(TRUE)^2, Sk8, 86 Eighty-Six Show Notes for this episode: - https://getinthemecha.home.blog/2022/12/31/how-is-anime-divided-gitm-podcast-ep-117/ Follow me on Twitter: https://twitter.com/GetInTheMecha Questions, corrections, complaints: getinthemecha@gmail.com Listen to Get In The Mecha on podcast platforms: https://linktr.ee/getinthemecha Music In This Episode: Synth Wave by Alex by Alex McCulloch: https://opengameart.org/content/synth-wave-by-alex Chill by Alex McCulloch: https://opengameart.org/content/chill-1 On The Road Again by Alex McCulloch: https://opengameart.org/content/on-the-road-again Adventure Time: https://opengameart.org/content/adventure-time-revised

In which Cass & Alex discuss Puella Magi Madoka Magica, directed by Akiyuki Shinbo and Yukihiro Miyamoto and produced by Shaft.Next month we will be discussing Night on the Galactic Railroad directed by Gisaburo Sugii and produced by Group TAC. Discussed: we fucked up, a subtle textural difference, yu gi oh beds, getting genied, She entered the Home of Phobia and wasn't even scared, saya no uta, "Madoka Magica Writer Urobochi Compares Plot to Al-Quaeda", the visceral horror of discovering that your soul is in an egg, the gospel according to dad, the free marketplace of ideas, inductive reasoning, the last refuge of the scoundrel, straight women tiktok, the most powerful energy source in the universe: teen girls, dying for the sake of the universe, livestock, what's really going on, foreshadowing, a song about cake and fruitFINAL SCORES:Walking Around 3/5Fellowship 5/5Deliciousness 3/5Transcendence 5/5Goofing 3/5Amelioration 5/5Coitus 2/5Enthrallment 5/5Evil Cats: infinity/5Homosexuality: 5/5Alex's Book Recommendation: Kindred by Octavia E ButlerCass's Book Recommendation: The Death and Life of Great American Cities by Jane JacobsSocial:Show Twitter: @animeisforjerksShow Mastodon: @animeisforjerks@skeleton.coolShow Cohost: @animeisforjerksShow Email: animeisforjerks@gmail.comCass's Twitter: @prophet_goddessCass's Mastodon: @prophet_goddess@skeleton.coolCass's Cohost: @prophet-goddessAlex's Twitter: @dunndunndunnAlex's Mastodon: @catalina@selfy.armyAlex's Cohost: @catalina Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

In which Cass & Alex discuss Ghost in The Shell: Stand Alone Complex 1st Gig, directed by Kenji Kamiyama and produced by Production I.G.Next month we will be discussing Puella Magi Madoka Magica, directed by Akiyuki Shinbo and Yukihiro Miyamoto and produced by Shaft.Discussed: what production i.g. stands for, trying to make cass like your show by mentioning frederic jameson at the last second, copaganda, that fuckin swedish show alex likes, surveillance, the experience machine, cyberbrain autistic mode, genderswapped karl marx, wine fraud, being a hot lady with huge boobsFINAL SCORES:Walking Around 3/5Fellowship 4/5Deliciousness 1/5Transcendence 1/5Goofing 2/5Ameliorate 2/5Coitus 0/5Enthrallment 2/5Genderswapped Karl Marx: 4/5Postmodernism: 3/5Alex's Book Recommendation: Martin Beck Police Mystery series by Maj SjöwallCass's Book Recommendation: The Catcher in the Rye by J.D. SalingerSocial:Show Twitter: @animeisforjerksShow Mastodon: @animeisforjerks@skeleton.coolShow Email: animeisforjerks@gmail.comCass's Twitter: @prophet_goddessCass's Mastodon: @prophet_goddess@skeleton.coolAlex's Twitter: @dunndunndunnAlex's Mastodon: @catalina@selfy.army Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

'March Comes in Like a Lion' is a masterpiece that beautifully delivers on character-driven stories via internal monologues, nuanced dialogue, and effective imagery centered around the world of shogi. Ionatan and Ravi dive deep into the series, discussing the strengths of Chica Umino's writing and Akiyuki Shinbo's adaptation, the realistic depictions of depression and bullying, and how the message of the series is ultimately optimistic in terms of personal growth and relationships.

Akiyuki Shinbo may be one of the greatest anime directors of all time - but how exactly does he direct anime? In this week's episode of Get In The Mecha, I do a brief study of Shinbo's OVAs to get to the bottom of what his style really looks like and what we can learn from his approach to anime. Timestamps: 0:00 - Intro 1:56 - Context 3:08 - Le Portrait de Petit Cossette 9:09 - Shin Hurricane Polymar 12:28 - Tenamonya Voyagers 15:42 - Learning from Shinbo 19:33 - Outro + Music Credits Creatives mentioned in this episode: Akiyuki Shinbo, Masahiro Ando, Hirofumi Suzuki Anime mentioned in this episode: Le Portrait de Petit Cossette, Shin Hurricane Polymar, Tenamonya Voyagers, The SoulTaker, Naruto Leave a Review on Apple Podcasts here: https://podcasts.apple.com/podcast/get-in-the-mecha/id1477541787 For the complete show notes, visit getinthemecha.home.blog Follow me on Twitter @GetInTheMecha for updates on the show! Questions, corrections, complaints: getinthemecha@gmail.com Music In This Episode: Synth Wave by Alex by Alex McCulloch Mandatory Overtime by Joth

Sonny Boy has blown me away countless times and the eighth episode of the anime storyboarded by Keiichirō Saitō honestly took it to another level. In this week's episode I want to break down my thoughts on the way this episode was directed and get to the bottom of why it's so effective at making the viewer uncomfortable. Timestamps: 0:00 - Intro 1:57 - Context & Credits 7:54 - Visual 'Emptiness' 11:13 - 'Surveilling' Wide Shots 13:59 - Uncomfortable Close-Ups 17:41 - Lighting 19:43 - Animation Direction 21:42 - Masterpiece (?) 23:25 - Outro + Music Credits Again, sorry for the super late episode - trying to get schedule back in check this week! Staff Mentioned in this Episode: Keiichirō Saitō, Shingo Natsume, Nobuhide Kariya, Mari Fujino, Keita Nagasaka, Reiko Nagasawa, Akiyuki Shinbo, Tatsuya Oishi. Anime Mentioned In This Episode: Sonny Boy, Boogiepop and Others, ACCA: 13-Territory Inspection Dept., One Punch Man, Space Dandy. My Article on Sonny Boy Episode 8: https://getinthemecha.home.blog/2021/09/08/the-talking-dogs-tale-exploring-sonny-boy-08-keiichiro-saitos-direction/ Leave a Review on Apple Podcasts here: https://podcasts.apple.com/podcast/ge... SEND ME A VOICE SUB! (it can be a question, opinion, etc): https://www.speakpipe.com/getinthemecha For the complete show notes, visit getinthemecha.home.blog Follow me on Twitter @GetInTheMecha for updates on the show! Questions, corrections, complaints: getinthemecha@gmail.com Music In This Episode: Synth Wave by Alex by Alex McCulloch Mandatory Overtime by Joth

It has been a long journey... but we finally made it to the final arc of Bakemonogatari, The Tsubasa Cat Arc! In this episode, let's talk about the final 'act' of this fifteen episode drama. From the mental health aspects of the show becoming more prominent, to the cinematic aspect ratio used throughout the arc, what makes this arc such a special one and why exactly is this one of my favourite stretches of episodes in TV anime? All this and more in this week's episode of Get In The Mecha. Timestamps (Feel free to skip around!): 0:00 - Previously + Intro 2:48 - Plot Summary 4:47 - Storyboard Credits + What I'm Focusing On 7:30 - An Uncomfortable Oddity 12:17 - Monogatari & Mental Health 15:07 - Visual Narrative 18:40 - Telling vs Showing 21:46 - Dark vs Light 22:58 - Hitagi Crab Parallels 24:31 - The 21:9 Aspect Ratio 29:38 - Closing Thoughts 32:20 - Outro + Music Credits (Main) Staff Mentioned in this episode: Tomoyuki Itamura, Nobuyuki Takeuchi, Toshimasa Suzuki, Tatsuya Oishi, Akiyuki Shinbo, Gen'ichirou Abe, Hironori Tanaka, Ryo Imamura. SEND ME A VOICE SUB! (it can be a question, opinion, etc): https://www.speakpipe.com/getinthemecha SUBSCRIBE ON YOUTUBE: https://www.youtube.com/channel/UC2kQWS-ClwMlZNU10uplTUw?sub_confirmation=1 For the complete show notes, visit getinthemecha.home.blog Follow me on Twitter @GetInTheMecha for updates on the show! Questions, corrections, complaints: getinthemecha@gmail.com MUSIC IN THIS PRODUCTION Synth Wave by Alex by Alex McCulloch China Town by Alex McCulloch Difference by chasersgaming Mandatory Overtime by Joth “Anomaly” Eric Matyas www.soundimage.org (Edited for length)

Ahora sí nos ponemos densas, al hablar del animé Puella Magi Madoka Magica, dirigido por Yukihiro Miyamoto y Akiyuki Shinbo, y escrito por Gen Urobuchi. Hablamos de los densos temas que esta serie retrata en tan solo 12 episodios, sobre los milagros y tener mucho cuidado con las cosas que deseamos.

E sejam muito bem-vindos, queridos ouvintes a mais um podcast Quadro X Quadro! No programa de hoje, Jean ‘Kei’ Badji, Pedro Guilherme e Victor Hugo se reúnem para falar sobre o estúdio SHAFT! Quando esse estúdio começou? Quem foram os responsáveis por ele? Akiyuki Shinbo é um diretor super valorizado na Shaft ou não? O que a […] O post Quadro X Quadro 062 – Estúdio Shaft apareceu primeiro em Quadro X Quadro.

Episode 120 of One Week Only! Our key film this week is "Under The Tree," a hilariously twisted dark comedy about Icelandic neighbors feuding over a tree casting too much shade. Directed by Hafsteinn Gunnar Sigurdsson, it's a fiendishly funny tale of small problems that spiral disastrously out of control. (19:50) We also review the hilarious satire "Sorry To Bother You" directed by Boots Riley (4:15), and the beautiful anime fantasy "Fireworks" directed by Akiyuki Shinbo & Nobuyuki Takeuchi (12:55). Hosted by Carlos Aguilar & Conor Holt. Music by Kevin MacLeod at www.incompetech.com

“You’ve heard about Shinbo’s porn, right? “ ~ Digibro Part 2 of Digibro’s interview on Senpai Coast to Coast! The conversation continues with talk of Akiyuki Shinbo, and the interview that was recently translated on Le Portrait de Petit Cossette. We wander into the topic of anime studios and if... Read More

‘Say thank you for all the things we love about Japan…’ With Dragon Ball Super making news and a wonderful season of anime to comment on, let’s take some time to talk about a lil’ ol’ studio named SHAFT, a man named Akiyuki Shinbo, and... Read More

Today on PodTaku, the group get's into a discussion about the works of director Akiyuki Shinbo, while Jeanne professes her love for the Garden of Words.

Guest VinceA comes around this time to talk about the Madoka movies.

What? Huh? What’s a podcast? I’m not even sure anymore. But luckily David Estrella is here to help re-discover the true meaning of podcasting in the latest episode of the Ani-Gamers Podcast. Unfortunately, he doesn’t help me remember to introduce myself. Whoops! In this episode, we talk about crying anime girls, genre deconstructions, and spurious voice acting performances as we tackle the hugely popular magical girl anime Puella Magi Madoka Magica. Don’t worry if you haven’t seen the show — we’ve separated our spoiler talk into a separate section of the podcast after the outro song. Everything in the main section is free of Madoka spoilers (though we might slip in some spoilers for older series on occasion). DIRECT DOWNLOAD – RSS Feed – iTunes – Send us Feedback! – More episodes  (Runtime: 1 hour, 36 minutes) [0:00:00] Intro: “Kill Me” by Lame Drivers [0:00:17] Podcast-related news and introductions! (Host Evan Minto forgot to introduce himself, like an idiot.) We also talk about iDOLM@STER for a bit since David reviewed it on the site. [0:05:14] Madoka review starts. We decide on not spoiling the series until the end of the show (separated into a post-outro section). [0:09:58] The fan culture around Madoka is incredibly important to an understanding of the show, so we take a good look at the zeitgeist. [0:19:52] There’s a lot of suffering and sadness in Madoka. Which parts worked, and which ones didn’t? [0:23:53] The English dub has some spectacular hits and embarrassing misses. We also describe the fictional life story of Christina Vee. [0:32:35] Madoka is undoubtedly a deconstruction of the magical girl genre, but what does that mean? Does it help or hurt the show? Evan says the word “deconstruction” over and over without really explaining what he’s talking about, so, uh… sorry about that. In this case he’s basically talking about examining and taking apart a genre by looking at the consequences of the fantasies inherent therein. [0:43:04] Shaft and Akiyuki Shinbo are known for their quirky art style. Is it appropriate for Madoka’s ambitious narrative? [1:02:44] We lay down some final thoughts on Puella Magi Madoka Magica. [1:05:35] Leave us a comment! Review us on iTunes! Follow us on Twitter (@AniGamers, @VamptVo, @QX_20XX)! [1:09:38] Outro: “Kill Me” by Lame Drivers [1:09:59] David and Evan spoil the heck out of Madoka Magica as they continue their discussion of the series. Don’t listen past the end of the outro song unless you’ve already seen Madoka or are OK with having major plot twists spoiled. Also, uh, we kinda spoil some stuff from Gurren Lagann and Serial Experiments Lain. Sorry!