Podcasts about canon eos 5d

Initially released in spring 2012, the 5D Mark III is the replacement to the wildly popular 5D Mark II. And like the Mark II, it's a high-end professional workhorse DSLR photography camera aimed to tackle the harshest shooting conditions. Blog Post https://photographypx.com/canon-5d-mark-iii-review/ Video https://youtu.be/Aa1M0v8TVWI

Initially released in spring 2012, the 5D Mark III is the replacement to the wildly popular 5D Mark II. And like the Mark II, it's a high-end professional workhorse DSLR photography camera aimed to tackle the harshest shooting conditions.https://photographypx.com/canon-5d-mark-iii-review/

Hoy estamos de enhorabuena, porque en este capítulo número  estrenamos nuevo patrocinador. Los amigos de Foto Ruano, una de las mejores tiendas de fotografía de España, han decidido apostar por el formato para que este consultorio dure muchos años. Así que ya sabéis, darles mucho amor de nuestra parte y no dejéis de echar un ojo a los fantásticos productos de su tienda que os vamos a enseñar, y que podéis comprar on-line con envíos a toda la península. Y si más demora (y Aragón) aquí os dejamos con el índice de temas, dudas, quejas y sugerencias que hemos atendido hoy: ¿Por qué las sin espejo son mejores? Mi sueño es una Canon EOS 5D, ¿espero a la nueva EOS R5? (05:55) ¿Me paso de Fujifilm a Sony para tener estabilizador o espero a la nueva X-T4? (11:52) ¿Son todos los SAT igual de lentos y tediosos? (16:05) ¿Cual es el mejor software de edición de fotos? (19:13) ¿Qué tal la INSTA 360 ONE R con el módulo de 1 pulgada? (22:13) ¿Qué ha pasado con la saga GM de Panasonic? (26:30) ¿Qué diferencias hay entre la Panasonic Lumix S1H y las cámaras de cine de Canon y Sony? (29:01) ¿Qúe modelo de impresora bluetooth me recomendáis? (31:48) ¿Drone con sensor de 1 pulgada o con sensor pequeño y resolución 8K? También busco Macro para Sony de focal larga (34:13) Tengo 1000 euros para sustituir a una Canon EOS 400D, ¿Qué me compro? (37:37) ¿Merece la pena pasarse a la Olympus E-M5 Mark III? (43:23) Busco cámara para fotografiar palomas en vuelo (47:47) ¿Como lograr un look cinematográfico con una GoPro? (52:37) ¿Olympus OM-D E-M5 Mark III o Fuji XT-4? (54:53) Cámara para fotografiar relojes y joyas (56:06) Plan Renove para una Sony Alpha A33 (58:49) Recordad que podéis hacer las preguntas a través de Patreon si sois embajadores o enviarlas a hola@photolari.com poniendo “Ola K Ase” en el asunto. ¡Preguntad malditos!

Initially released in spring 2012, the 5D Mark III is the replacement to the wildly popular 5D Mark II. And like the Mark II, it's a high-end professional workhorse DSLR photography camera aimed to tackle the harshest shooting conditions.Blog Posthttps://photographypx.com/canon-5d-mark-iii-review/Videohttps://youtu.be/Aa1M0v8TVWI

In these next few episodes, we are focusing on professional photography, videography, and content collection gear. This week’s podcast is focusing on the Canon EOS M50 (4K video). We reviewed this camera in Episode 13, right after it was released. Now we have taken more time to get to know this little camera and found many professional use cases in our daily production shoots and personal lives. We do a slight comparison between this camera and two other DSLRs, specifically the Canon EOS 5D mkiii (HD video) and the Canon EOS 5D mkiv (4k video). All three are great video capture tools tools great for any production and content collection teams, but we take a deeper dive into the user experience and where we find one is more useful than the other.   Here are links to items we discussed: Link to review the Canon EOS M50 Link to review the Canon EOS 5D mkiii Link to review the Canon EOS 5D mkiv

In these next few episodes, we are focusing on professional photography, videography, and content collection gear. This week’s podcast is focusing on the Canon EOS c100 (HD video) and compares this video camera to two DSLRs, specifically the Canon EOS 5D mkiii (HD video) and the Canon EOS 5D mkiv (4k video). All three are great video capture tools tools great for any production and content collection teams, but we take a deeper dive into the user experience and where we find one is more useful than the other.   Here are links to items we discussed: Link to review the Canon EOS c100 Link to review the Canon EOS 5D mkiii Link to review the Canon EOS 5D mkiv

In these next few episodes, we are focusing on professional photography, videography, and content collection gear. This week’s podcast is focusing on comparisons between two professional grade DSLR’s specifically the Canon EOS 5D mkiii (HD video) and the Canon EOS 5D mkiv (4k video). Both DSLR’s are photo and video capture tools great for any production and content collection teams, but we take a deeper dive into the user experience and where we find one is more useful than the other.   Here are links to items we discussed: Link to review the Canon EOS 5D mkiii Link to review the Canon EOS 5D mkiv

O momento do desencarne daqueles que amamos é em sua grande maioria muito doloroso e muito desafiador.  A importância de um entendimento mais abrangente e de um amparo emocional, inclusive para aqueles que estão partindo Leia mais…

Seguro que ya estás preparando tus próximas vacaciones, así que hemos pensado que es un buen momento para explicar con detalle nuestros métodos para hacer copias de seguridad en viajes fotográficos. Cada uno tenemos una manera diferente de mantener todos esos datos a salvo y te invitamos a que tú perfecciones la tuya. Hoy en el espacio de Sandra Vallaure vamos a conocer el trabajo de Lucie Debelkova. COPIAS DE SEGURIDAD EN VIAJES FOTOGRÁFICOS Aquí estamos de nuevo para hablar de copias de seguridad en viajes fotográficos, porque queremos asegurarnos de que no pierdes esos archivos que tanto esfuerzo te ha costado conseguir. Pero antes, te recuerdo que tenemos muy cerca mi próximo Taller de Fotografía en la Costa de Bizkaia que voy a impartir los días 13, 14 y 15 de Abril. Un fin de semana completo disfrutando con la Fotografía de Paisaje. Si quieres acompañarme, tienes toda la información en Taller Costa Bizkaia. ATENCIÓN porque quedan pocas plazas. Taller de Fotografía Costa Bizkaia A continuación, Sandra y yo explicamos con detalle el método que usamos cada uno de nosotros para no llevarnos sustos con nuestros archivos y describimos nuestro flujo de trabajo a la hora de hacer copias de seguridad en viajes fotográficos. MATERIAL QUE UTILIZO CÁMARA FOTOGRÁFICA Canon EOS 5D Mark IV ORDENADOR PORTÁTIL Apple MacBook Air LECTORES DE TARJETAS DE MEMORIA Lector de tarjetas LEXAR USB 3.0 CFR1 CompactFlash USB 3.0 reader (copia de seguridad) TARJETAS DE MEMORIA Lexar 32GB Lexar Professional CF 1066x 32GB UDMA SanDisk 32GB SanDisk CF Extreme Pro 32GB UDMA SanDisk 32GB SanDisk Extreme Pro SDHC UHS-I 64GB backup en mi 5D Mark IV ESTUCHES PARA GUARDAR TARJETAS Utilizo tarjetas de memoria de diferentes formatos (Compact Flash, SD y micoSD) y me gusta mantenerlas ordenadas. Para facilitar la tarea utilizo varios estuches: ThinkTank Pixel Pocket Rocket / Truco para saber tarjetas están llenas y cuales no Think Tank Pee Wee Pixel Pocket Rocket Flashwoife Turtle-SD8MSD16 Estuche para tarjetas de memoria SD y micro SD DISCOS DUROS SAMSUNG T5 500 GB, Disco SSD WD My Passport 1TB SOFTWARE Adobe Lightroom ChronoSync es un programa que permite hacer copias de seguridad y duplicar el contenido de un disco duro en otro. PREPARANDO EL MATERIAL - PASOS A SEGUIR Etiquetar las tarjetas con un nombre único. Ajustar grabación en las dos tarjetas Canon EOS 5D mark IV (siempre que tu cámara tengo 2 ranuras). Cada disco duro también está etiquetado con la fecha de puesta en marcha y nombre único: DISCO A y DISCO B. NOTA IMPORTANTE: Las velocidades de transferencia de datos disminuyen significativamente cuando los HD se van llenando. Por ese motivo, intento no superar el 80% de espacio ocupado. Creo un nuevo Catálogo de Lightroom para cada viaje y mantengo las carpetas de archivos y el catálogo juntos para facilitar las copias de seguridad/duplicación en discos externos (copia de un disco a otro). Con todo el material ya preparado, veamos con detalle los 3 pasos que forman el proceso completo: 1 - IMPORTACIÓN Importo los archivos desde el Catálogo de Lightroom. Aprovecho para renombrarlos al importarlos. Es algo que se puede hacer en ese momento o incluso, después de tenerlos ya importados. Utilizo un Ajuste preestablecido con una estructura personalizada: ESTRUCTURA DE NOMBRES DE ARCHIVO RIRUSTA-AñoMesDía-Modelo de Cámara-Nº archivo asignado por la cámara (para evitar archivos duplicados) RIRUSTA-20180202-5DMarkIV-4800.CR2 2 - ORGANIZACIÓN y EDICIÓN Organizar archivos por fecha y localización al importarlos. Crear Colecciones en Lightroom para ordenar de forma más eficiente mis archivos RAW. Ya puedo Editar Fotos, aunque casi nunca lo hago cuando estoy fuera. Si tengo tiempos muertos en los que puedo sentarme con el ordenador, voy haciendo una selección preliminar con los primeros descartes asignando banderas,

Sponsored by Canon :: Canon invited me to the Canon 5D Mark IV Launch Event at the Whitney Museum of American Art! Canon worked with 4 photographers who were given the 5D Mark IV and 24 hours to make something. The resulting photographs and video were released at the event as the first images made on the Canon 5D Mk IV. I also had an opportunity to talk to Technical Specialist Drew MacCallum about some of his favorite aspects of the 5D Mark IV including touch screen focus, burst rates, 4K video recording, why the chose to do a cropped 4k and the Motion JPEG codec. Featured Photographers: Roberto Valenzuela Jendra Jarnagin Sue Bryce Alex Strohl Also special guest appearances by Tony and Chelsea Northrup https://www.youtube.com/user/VistaClues

On August 25th, the Canon EOS 5D Mark IV - was officially announced amidst a cacophony of both praise and disappointment - depending on whether you are primarily a stills photographer or videographer. Ben Bruton-Cox of the Our Week In Video podcast helps me work through my own angst over Canon. Is the Mark IV right for me?   “Expectation postponed makes the heart sick, but a desire realized is a tree of life” –ancient proverb.   After 8 years of unrequited love and anticipation, Canon has slammed the door closed on the convergence market that they gave birth to. When the 5D Mark II was released, it had the most basic of video features. But, O!, it was the loveliest HD video ever seen (only 30fps in the beginning, moire, poor dynamic range, and rolling shutter notwithstanding) from a camera costing less than $3,500. With that camera, Canon accidentally created the “convergence” market, and with it, hope and expectation that  Canon would continually improve the video features of the EOS 5D line.   Sadly, I feel that if Canon could go back in time, they would never approved video capability in any of their DSLRs. However, the genie is out of the bottle. The convergence market’s expectation was that their desires for pro video features would be built into 5D Mark IV. They thought “surely after 8 years we will have the ultimate convergence camera!”   Alas, that expectation - at least by those who consider themselves convergence photographers and filmmakers - was unrealized. They are the ones most disappointed in the EOS 5D Mark IV because Canon has the capability to deliver and meet the needs and wants of convergence creators, but have deliberately hobbled these features. What makes this sting even more is the marketing language Canon used to announce the 5D Mark IV gushes with phrases such as:   “see legendary"   “builds on the powerful legacy of the 5D series"   “amazing refinements"   “creative videographers will appreciate the brilliance and power that the EOS 5D Mark IV delivers"   You certainly have to have a creative imagination to believe that.   Frankly, the EOS 5D Mark IV feels like an intentional hobbling of features that – I believed if were reversed – would see Canon crush it over and beyond what they are doing now with the sale of mid range DSLRs.   The EOS 5D Mark IV is no doubt a superb still camera with competent - though mostly outdated - HD video baked in.  It’s a camera I want to like. I personally haven’t bought into other convergence cameras by Sony and Panasonic yet.   I love Canon. I love Canon gear. I love the Canon image. I love the Canon ergonomics. I love Canon lenses.   I get it that my love for Canon is unrequited and they probably don't want me – a convergence creative – as a customer. It hurts a bit in part because I and so many other convergence bloggers, podcasters, and YouTubers have resulted in the sales of tens of thousands of Canon DSLRs to convergence creatives - all to Canon’s benefit - and all without any compensation to us whatsoever.   Some folks make the claim that we should all just trust Canon’s marketing department, that they are smart, and know what they are doing. This is a dubious claim. Many large companies have marketing departments that have been clueless about their customers - resulting in massive failure for those companies. The same can happen to Canon.   It’s a serious mistake for Canon to jilt the very market they created – albeit accidentally.    Mentioned in the episode:   CrumplePop's website http://crumplepop.com   CrumplePop AudioDenoise http://www.crumplepop.com/fcpx-premiere-plugin-audio-denoise/   CrumplePop EchoRemover http://www.crumplepop.com/fcpx-premiere-audio-plugin-echoremover/   Soundstripe.com http://soundstripe.com   Ben Bruton-Cox and Our Week In Video podcast https://www.facebook.com/ourweekinvideo/   Canon EOS 5D Mark IV https://www.usa.canon.com/internet/portal/us/home/products/details/cameras/dslr/eos-5d-mark-iv   Official Canon EOS 5D Mark IV Introduction https://youtu.be/8Z9089048wk   Introducing the Canon EOS 5D Mark IV https://youtu.be/BtD-xEvG21E   Jared Polin “Fro Knows Photos” Canon EOS 5D Mark IV DSLR Preview https://www.youtube.com/watch?v=j0ou39qKoWM   Planet 5D article by Mitch Anger - RANT: “The Canon EOS 5D Mark IV Doesn’t Have…” http://blog.planet5d.com/2016/08/rant-the-canon-eos-5d-mark-iv-doesnt-have/

Do you want that gorgeous large camera sensor image but your not sure which Canon professional camera to choose for your video project? Check out the this video written and shot by a Production Company that uses the Canon EOS 5D, EOS C100, EOS C300 and the 4K EOS C500 for a wide range of commercial, corporate and cinema projects.

Do you want that gorgeous large camera sensor image but your not sure which Canon professional camera to choose for your video project? Check out the this video written and shot by a Production Company that uses the Canon EOS 5D, EOS C100, EOS C300 and the 4K EOS C500 for a wide range of commercial, corporate and cinema projects.

Today we take a look at the new Canon EOS 5D Mark III, with it's brilliant new Autofocus and incredible high ISO capabilities. Photos and Text on Blog: https://mbp.ac/328 Music by UniqueTracks

Today we take a look at the new Canon EOS 5D Mark III, with it's brilliant new Autofocus and incredible high ISO capabilities. Photos and Text on Blog: https://mbp.ac/328 Music by UniqueTracks

Episode 3 of the Digital Convergence Podcast by 16x9 Cinema with host Carl Olson - a visual artist, photographer, and videographer based in the Atlanta, Georgia, USA, area.  In episode 3, I talk with Trammell Hudson, creator of the Magic Lantern firmware update for the Canon 5D Mark II. Magic Lantern addresses some serious firmware limitations and turns your 5D Mark II into a 5D Mark "Free." Trammell talks about the features of Magic Lantern, exciting developments he currently working on for the next firmware update, and his thoughts on the art and craft of fimmaking. Trammell is a rare genius whose software prowess has helped users of the Canon EOS 5D Mark II push the camera into a more manageable video tool. But wait! There's more! Magic Lantern is not only for videographers, but has features that benefit still photographers. Trammell discusses those features, too.  

Learn how to use Boke or out of focus area of an image to add a dreamy feel to your shots. Plus something to try beforehand to lessen the shock of loosing extra zoom when switching to a full size sensor DSLR with no crop factor, such as the Canon EOS 5D. Text and Images: https://mbp.ac/006

Learn how to use Boke or out of focus area of an image to add a dreamy feel to your shots. Plus something to try beforehand to lessen the shock of loosing extra zoom when switching to a full size sensor DSLR with no crop factor, such as the Canon EOS 5D. Text and Images: https://mbp.ac/006

Having spent a few days with my new Canon EOS 5D, here is a first impressions based review, in which I explain the merits and demerits of the 5D, plus give you some examples shots from the field. Text and Images: https://mbp.ac/5

Having spent a few days with my new Canon EOS 5D, here is a first impressions based review, in which I explain the merits and demerits of the 5D, plus give you some examples shots from the field. Text and Images: https://mbp.ac/5