Podcasts about no country

This week on our Live Show we discussed Chemtrails Join my PodFather Podcast Coaching Community https://www.skool.com/podfather/about Start Your Own SKOOL Community https://www.skool.com/signup?ref=c72a37fe832f49c584d7984db9e54b71 Donations https://www.awakeningpodcast.org/support/ #awakening #geoengineering #chemtrails About my Co-Host:Arnold Beekes Innovator, certified coach & trainer and generalist. First 20 years in technology and organizational leadership, then 20 years in psychology and personal leadership (all are crucial for innovation). What we Discussed: 00:00 Arnold's Personal Experience02:10 Roy's Personal Chemtrail Experience04:00 What happened last week05:06 We are Attacked because people think we are wrong06:00 The UK Government Confirmed that they are blocking the Sun07:30 When Geo Engineering Started08:45 What they are Spraying11:00 The effects from the spraying12:15 My Farmer has seen the damage to the soil12:40 The Toxic Fog13:20 A friend that did not believe me in the Chemtrails14:10 Definition of Geo Engineering16:50 We are both sick more and not just us18:15 Documentaries to Watch on the Topic19:30 HAARP20:30 The Floods in Valencia23:00 No Country admits to Toxic Spraying23:20 The US States that Banned Chemtrails24:30 No One wil be held Liable26:00 Woman recorded Pilot that was Spraying28:05 They are Loyal to the Dollar Substack Subscriptionhttps://substack.com/@podfatherroy How to Contact Arnold Beekes: https://braingym.fitness/ https://www.linkedin.com/in/arnoldbeekes/ Donations ⁠⁠ https://www.awakeningpodcast.org/support/ https://www.podpage.com/speaking-podcast/support/ ⁠⁠ All about Roy / Brain Gym & Virtual Assistants athttps://roycoughlan.com/ 

In this episode, host Moon Zappa talks with filmmaker and fellow podcast host Susie Singer Carter(My Mom and the Girl) about her eye-opening doc series, No Country for Old People, which exposes the nursing home/elder abuse crisis, advocating for accountability, transparency, and people over profits, her personal connection to the subject, why it was important to get her documentary Guild-covered, and more.

My guest is an award-winning filmmaker and caregiver advocate. We discuss the making of her powerful documentary "No Country for Old People", the urgent issues facing elder care in America, the personal caregiving experiences that shaped her storytelling, and much more.

In this episode of JKL Media Reviews, hosts Jesse, Karen, and Lou delve into the 2007 Coen Brothers film 'No Country for Old Men,' based on the Cormac McCarthy novel. They discuss the film's unique storytelling, star-studded cast, and character arcs, focusing on the interplay between Josh Brolin's, Javier Bardem's, and Tommy Lee Jones' characters. The hosts share their thoughts on the film's dark themes, the unconventional narrative structure, and standout performances. They also reflect on the film's cinematography by Roger Deakins and its place among other contemporary films. The episode wraps up with listener feedback and announcements for future podcasts. 00:00 Introduction and Movie Overview 00:24 Initial Impressions from Jesse and Karen 01:47 Star-Studded Cast and Unconventional Storytelling 02:28 Following the Storyline: Easy or Confusing? 06:11 Surprising Moments and Unsettling Endings 11:36 Favorite Performances and Character Analysis 19:55 The Cat and Mouse Game: Hunter Becomes the Hunted 29:56 Tommy Lee Jones as Ed Tom Bell: A Deep Dive 31:42 Analyzing Character Relationships 32:12 The Significance of Quiet Moments 32:19 Barry Corbin's Impactful Performance 32:49 Sheriff's Conversations and Reflections 36:13 The Ending and Its Interpretation 39:17 The Motel Scene Analysis 43:07 Violence and Its Justification 44:48 Border Crossing Realities 55:15 Final Thoughts and Reflections 58:06 Listener Feedback and Closing Remarks

ACADEMY AWARD WINNER FOR BEST PICTURE!! No Country for Old Men Full Movie Reaction Watch Along:   / thereelrejects   Visit https://huel.com/rejects to get 15% off your order Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With Ethan Coen's "Honey Don't" out now & Josh Brolin garnering rave reviews in "Weapons," Andrew & Aaron are BACK to give their No Country for Old Men Reaction, Recap, Commentary, Breakdown, & Spoiler Review! The Coen Brothers' 2007 Academy Award-winning thriller No Country for Old Men comes to our channel as Aaron Alexander & Andrew Gordon dive into a first-hand Reaction & Review of one of the most iconic modern Western crime dramas. Based on the novel by Cormac McCarthy and directed by Joel & Ethan Coen (Fargo, The Big Lebowski), the film follows the deadly chain reaction set off when Vietnam veteran Llewelyn Moss (Josh Brolin – Sicario, Deadpool 2) stumbles upon a drug deal gone wrong and takes off with a suitcase full of cash. His decision puts him on the radar of Anton Chigurh (Javier Bardem – Skyfall, Vicky Cristina Barcelona), the cold-blooded hitman whose coin toss scenes have become some of the most chilling and famous moments in film history. Also starring Tommy Lee Jones (The Fugitive, Men in Black) as Sheriff Ed Tom Bell, who struggles with the moral decay and unstoppable violence he sees in modern crime, and Woody Harrelson (True Detective, Natural Born Killers) as Carson Wells, a bounty hunter caught in the crossfire, the movie blends psychological tension with brutal realism. With unforgettable scenes such as Chigurh's silenced shotgun and the iconic “call it” gas station confrontation, No Country for Old Men remains a haunting meditation on fate, chance, and justice. Aaron & Andrew break down the performances, themes, shocking ending, and the Coens' masterful direction that cemented this film as a modern classic. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Celebrate a decade of AlzAuthors with this replay of a film discussion from our first film festival! Marianne Sciucco and the AlzAuthors community gathered to discuss Susie Singer Carter's documentary series No Country for Old People, inspired by her painful but illuminating journey alongside her mother in a five-star Los Angeles nursing facility. Key Topics Behind the Film: Susie shares what drove her to make No Country for Old People, highlighting the persistent systemic crises in long-term care and her struggle to advocate for her mom within a broken system. She discusses both personal and policy challenges—from underfunding and understaffing to navigating Medicaid and family caregiver roles.Caregiving Realities: Multiple audience members and guests brought their own lived experiences—from those who have placed loved ones in care homes to those doing the daily grind at their side. Honest input covers the isolation and exhaustion of caregiving, the guilt and judgments faced, and the varied trajectories and needs of those with dementia.Systemic and Cultural Barriers: The episode reveals the complexities behind facility care: understaffing, high turnover, the business model of elder care, and how profit-driven motives can lead to neglect, overmedication, and a lack of dignity for residents.Advocacy and Taking Action: Susie announced the ROAR initiative—Respect, Oversight, Advocacy, and Reform for Long Term Care. She stresses the urgent need for grassroots collective action and oversight to drive meaningful change for people living with dementia and their caregivers. Standout Quotes from Susie Singer Carter “Love is super powerful. I think it's our greatest tool.”“Documentaries are not money makers. They are changemakers at best.”“We have a broken system... But it's so important to know what's out there and what's really happening.” Takeaways Caregiver stories are unique—what works (or doesn't) varies case by case.The importance of advocacy and family involvement doesn't end with placement in a facility; sometimes, it increases.Systemic reforms are desperately needed, and community effort can move the needle.Connection, creativity, and compassion remain vital tools in the caregiving journey. Next Up Tune in to the upcoming episode with Frank Silverstein as he discusses his short film, Lousy: Love in the Time of Dementia, and continue engaging with films that capture the real, raw, and sometimes uplifting world of dementia caregiving. Join the film festival Resources Mentioned Listen & Watch: Find film festival films, replays, and podcast episodes on alzauthors.comListen to Susie's Love Conquers Alz PodcastWatch My Mom and the Girl (short film)Watch No Country for Old People (docu-series)Get Involved with ROARSubscribe to the AlzAuthors newsletter and follow us on social media (@alzauthors on Facebook, Twitter/X, Instagram, LinkedIn, Pinterest, Bluesky). Learn about the Moderators Marianne Sciucco Christy Byrne Yates About the Podcast AlzAuthors is the global community of authors writing about Alzheimer's and dementia from personal experience to light the way for others. Our podcast introduces you to our authors who share their stories and insights to provide knowledge, comfort, and support. Please subscribe so you don't miss a word. If our authors' stories move you, please leave a review. And don't forget to share our podcast with family and friends on their own dementia journeys. Ideas and opinions expressed in this podcast belong to the speakers and not AlzAuthors. Always consult your healthcare provider and legal and financial consultants for advice on any of the topics covered here. Thanks for listening. We are a Whole Care Network Featured Podcast Proud to be on The Health Podcast Network Find us on The World Podcast Network and babyboomer.org Want to be on the podcast? Here's what you need to know We've got merch! Shop our Store

Todos los episodios contienen SPOILERS.En este episodio nos quedamos en el 2007 para hablar de otra obra maestra que fue la que resultó ganadora de los Oscars mas importantes de ese año. Con una actuación legendaria de Javier Bardem y una dirección inolvidable de los hermanos Coen, esta semana entra a la Colección: NO COUNTRY FOR OLD MEN¡NO OLVIDES SEGUIRNOS EN REDES SOCIALES!- Instagram: @coleccionablespodcast- Facebook: @coleccionablespodcast- Tiktok: @coleccionablespod

The Two Friendos, plus “Masterpiece” Leslye Headland and “I would have had no problems handling that bag of money” Ben Hosley take on one of the most acclaimed films of the 21st century in this week's episode. It's No Country For Old Men week on Blank Check! We're chatting about Anton Chigurh's strange physicality, Tommy Lee Jones' tired resignation, and Josh Brolin's career breakthrough in this episode, all while lavishing praise on the Coens' practically perfect film. Now tell us - what's the most that you've ever lost on a coin toss? Check out the SNL Jumanji Sketch Read Cormac McCarthy's Books Check out the Brooklyn Kolache Company Check out Every Frame a Painting Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Please join us for a very special episode where we present our list of the 25 Essential movies if you want to start gaining a greater appreciation for the art of cinema.25 essential movies1.   Shawshank Redemption2.   12 Angry Men*3.   Airplane*4.   Star Wars (OT)*5.   Back to the Future*6.   Terminator 2*7.   The Godfather8.   Monty Python & The Holy Grail*9.   The Matrix*10. LoTR11. The Good the Bad and the Ugly12. The Shining13. Schindler's List14. The Dark Knight15. Inception16. Raiders of the Lost Ark17. Snatch18. No Country for Old Men19. Blade Runner20. The Iron Giant21. Casablanca22. Paddington 223. Spirited Away24. Jurassic Park25. Into the Spider-Verse

Laughter—why does it happen? Brilliant filmmaker and comedy consigliere Ian Faria joins the study group to break down comedy in all its forms, be it slapstick physical violence, zinging dialogue, or a slow-burn silent reveal. Ian is just wrapping up post-production on a feature with his comedy group Simple Town and has much to share. This episode is the whole ball of wax and you're just gonna love it—definitely stay tuned to the very end for a surprise...! Coens covered: No Country for Old Men, Raising Arizona, The Big Lebowski, O Brother Where Art Thou?, The Ladykillers, Burn After Reading Plus: Friendship, Simple Town Goes to London Want to join the study group? Follow us on social media, tell your friends about the show, and leave a rating/review on Spotify and Apple Podcasts. These all really help the show. And join the Discord too! **You can also support us directly at https://ko-fi.com/tothewhitesea** For all things TTWS visit tothewhitesea.me

Miller's Crossing (1990) was chosen by supporter Justin, and it stands as one of the most stylish entries in the Coen Brothers' early catalogue. After the breakout success of Blood Simple and the quirky charm of Raising Arizona, the Coens set their sights on the gangster genre, crafting a film inspired by classic Dashiell Hammett novels such as The Glass Key and Red Harvest. Their vision was to make a thoughtful, atmospheric crime drama that combined sharp, layered dialogue with the kind of morally tangled storytelling that would become their trademark.The journey to get there wasn't exactly smooth. Midway through writing, the brothers hit a creative wall so severe they shelved the script and instead made Barton Fink before returning to finish Miller's Crossing. Filming in New Orleans gave the movie its richly authentic period feel, with Barry Sonnenfeld's moody cinematography and Carter Burwell's haunting score elevating the production. While the film didn't set the box office on fire, its craftsmanship and style have since earned it a devoted following and cemented its reputation as one of the Coens' most accomplished works.If you enjoy the show, we have a Patreon, so become a supporter ⁠⁠here⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠NordVPN⁠⁠⁠⁠NordPass⁠⁠Trailer Guy Plot SummaryIn a city of power, deception, and danger… One man navigates the shadows of loyalty and betrayal.From the visionary Coen Brothers comes Miller's Crossing — a stylish, tension-packed journey through the underworld, where every word is a weapon, every glance a threat, and nothing is as it seems. With danger lurking around every corner, alliances are tested, and the rules of the game are rewritten in blood and cunning.Miller's Crossing - loyalty has a price… and betrayal has consequences.Fun FactsMiller's Crossing (1990) was directed by Joel and Ethan Coen, following their cult hit Raising Arizona (1987).The film is considered one of the greatest gangster movies of the 1990s, heavily inspired by Dashiell Hammett's novels The Glass Key and Red Harvest.During production, the Coen Brothers experienced writer's block and paused to create Barton Fink (1991) before returning to finish Miller's Crossing.The title Miller's Crossing refers to the forested setting where some of the movie's most pivotal scenes take place.Cinematographer Barry Sonnenfeld gave the movie its iconic noir-inspired look, marking his last collaboration with the Coens before moving on to direct The Addams Family.The haunting score by Carter Burwell is infused with Irish folk influences, including themes based on the traditional piece Lament for Limerick.Despite a production budget of around $10–14 million, the movie only grossed about $5 million at the box office.Over the years, Miller's Crossing has been critically reappraised and is now celebrated as one of the Coen Brothers' finest works.The film is often ranked alongside Coen classics such as Fargo (1996) and No Country for Old Men (2007).Today, it's seen as a masterclass in neo-noir storytelling and has influenced a new generation of filmmakers in the gangster genre.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

Episode 60 of READING McCARTHY sees the return of one of my favorite guests, Dr. Stacey Peebles. In addition to her many other roles described below, she is the preeminent expert on McCarthy's work in screenplays.  Please join us for a consideration of his various screenplays, both produced (The Counselor) and unproduced (Cities of the Plain, No Country for Old Men, Men and Whales) as well as a brief discussion of the film adaptations of his work thus far.  Stacey Peebles is the HW Stodghill and Adele H Stodghill Professor of English and Director of Film Studies at Centre College. She's the author of The War Comes With You: Enduring War in Life, Fiction, and Fantasy (Dec. 2024), Welcome to the Suck: Narrating the American Soldier's Experience in Iraq, and Cormac McCarthy and Performance: Page, Stage, Screen. She has been editor of the Cormac McCarthy Journal since 2010 and is the current President of the Cormac McCarthy Society.Thanks to Thomas Frye, who composed, performed, and produced the music for READING MCCARTHY.  The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society.  Download and follow this podcast on Apple, Spotify, Google Play, Stitcher, or wherever you get your podcasts.  If you're agreeable it'll help us if you provide favorable reviews on these platforms.  To contact the host, please reach out to readingmccarthy@gmail.com. Support the showStarting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...

Halten Sie mal kurz still.... Der allererste Coen Brüder Film in unserem schnuckeligen Podcast. Anton Chigurh, unser kleiner Serienkiller mit der niedlichen Prinz Eisenherz Frisur auf der Suche nach Josh Brolin, der ihm ein wenig Geld gemoppst hat. Viel Spaß!

I want the audience to buy my merch, make me famous, not like Logan Paul famous, maybe Connie Chung famous!!!! This episode we watch Conjuring Last Rites and snuggle with our sister!!!!We a close family!!!

"No Country for Love", now translated into French as "Ce pays qui n'aimait pas l'amour" is a novel based on real events written by Yaroslav Trofimov, who is also chief foreign-affairs correspondent for The Wall Street Journal. Trofimov, who was born in Kyiv, features a lead character based on his grandmother who grew up in Ukraine during the Holodomor – the famine imposed on the country in the 1930s that killed millions – and then the outbreak of World War II. For Trofimov, the book covers one of the most terrifying moments of the 20th century and also explains why the spirit of "never again" animates Ukraine in its fight today. He spoke to us in Perspective.

Luke and Griffin discuss the 2007 western thriller "No Country for Old Men" and determine if the film is overhyped or not.

Peadar Tóibín, leader of Aontú, discusses his parties priorites ahead of their Think-In on Saturday.

Reporter Cian McCormack speaks to Pennsylvania Congressman Brendan Boyle who has criticised social media for “spreading conspiracies and inflaming people” and gives his reaction to Charlie Kirk's killing.

Demon Slayer: Kimetsu No Yaiba (Infinity Castle) Out of Theater Reaction!Alien Earth Episode 6 Reaction!Come kick it, have some drinks and laughs and lets talk NERD! Here's some more topics on the docket this week! - Peacemaker is now the "highest rated comic book show ever" - Spiderman Brand New Day will "Be a Comic Book Brought to Life" - Lanterns Director compares show to "Fargo", "No Country for Old Men" and "True Detective"... BOLD - Marvel considering bringing back the OG Avengers for a movie...WHY?! - Comics of the Week and more!Remember to Like, Comment and Subscribe!➜Join this channel to get access to perks:https://www.youtube.com/channel/UCYVbz95-_7Fwm_FsnZ51cpQ/join---------------------------------Follow us on Social Media!

Gather your bolt pistols and money satchels, friend-os! Andrew's pick for the film that made him a cinephile is the Coen Brothers' violent noir/western No Country for Old Men. He and Joshua partake in a ramble about evil, age, philosophy, movie tattoos, and most importantly, which one of them lost the most out of a coin toss (spoiler: it was Andrew). And then stayed tuned as they bring up One More Thing, going into the apocalyptic zoo novel The Island of Lost Things by Emma Sloley and the latest Big Thief album Double Infinity. Next week, special guest and The Take-Up contributor Cliff Froelich guides the hosts out of the west and into the dark, scuzzy streets of 70s New York with Taxi Driver, the classic Scorsese thriller that led to Froelich's own cinematic awakening. Let's hope that was the only thing that movie inspired him to become.Read on at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTake-Up.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and follow us @thetakeupstl on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Special thanks to Social Media Manager Kayla McCulloch and Contributor Ethan Tarantella. Theme music by AMP.

No Country for Old People, a documentary from filmmaker Susie Singer Carter and former federal prosecutor and US Attorney Rick Mountcastle, investigates widespread neglect and systemic failures in nursing facilities. Singer Carter tells a personal story about her mother, who lived with Alzheimer's disease and received inadequate care in a five-star facility. Mountcastle, known for prosecuting Purdue Pharma for its role in the opioid crisis, connects his legal experience exposing corporate misconduct to troubling practices he uncovered in the long-term care industry. Together, they highlight how residents with dementia and other disabilities are often silenced, overlooked, or neglected by a system that profits from their vulnerability.In this Live Talk with Being Patient's founder Deborah Kan, Carter and Mountcastle share the stories behind the film, including Singer Carter's firsthand account of her mother's decline in a care facility, and Mountcastle's insights into how legal and corporate structures perpetuate exploitation. As advocates of the ROAR(Respect, Oversight, Advocacy, and Reform for Long-Term Care) movement, they said they intend their film to give voice to the voiceless and push for accountability. 

Today we're joined by writer, researcher, and podcaster Edward Ongweso Jr. to discuss “the essence of The Dialectic,” as a highly-fictionalized Herbert Marcuse proclaims in Hail, Caesar! Dialectics: what are they, what is their function, and how might their theory and praxis manifest multifariously across the Coens' body of work? We discuss the history of the term, how the concept of keeping two ideas in tension is expressed within individual characters, and we finally tackle the loop-de-loop structure of Inside Llewyn Davis. This conversation is a deep dive and we hope you enjoy it as much as we did. Ed's podcast: This Machine Kills Ed's substack: The Tech Bubble Coens Covered: Hail, Caesar!, Inside Llewyn Davis, A Serious Man, No Country for Old Men, Raising Arizona, Miller's Crossing, Fargo Plus: No Direction Home Want to join the study group? Follow us on social media, tell your friends about the show, and leave a rating/review on Spotify and Apple Podcasts. It really helps the show. And join the Discord too! **You can also support us directly at https://ko-fi.com/tothewhitesea** For all things TTWS visit tothewhitesea.me

Skriv til os!The final reckoning! Andreas og Jens samler op på anden halvdel af Coen brødrenes film med både de bedste og værste fra filmografien. Hæng på for at høre top 4 fra hver af de to Coen-fanatiske podcastværter. (00:00:00) Intro(00:03:58) Fra Intolerable Cruelty til Buster Scruggs(01:02:21) Top 4 Coen-film(01:10:35) OutroIntromusik produceret af Timur.Find Række 8 på Facebook og Instagram.Følg William på Twitter og LetterboxdFølg Jens på Twitter og Letterboxd

SEASON 2 - EPISODE 157 - Garret Dillahunt - Actor In this episode of the Team Deakins Podcast, we speak with actor Garret Dillahunt (NO COUNTRY FOR OLD MEN, THE ASSASSINATION OF JESSE JAMES, DEADWOOD). We worked with Garret on NO COUNTRY and JESSE JAMES, and we had a wonderful time catching up with him. Garret shares how he made his way from rural Washington to the graduate program for acting at NYU, and we learn why he made the leap from theatre to film and television. While trading stories from NO COUNTRY, Garret shares a humorous episode involving himself, actor Tommy Lee Jones, the Coen brothers, and a bowl of wrapped candies, and we marvel at the Coens' ability to nudge actors into shooting their storyboards. In the latter half of our conversation, Garret recalls his experiences shooting the television series DEADWOOD, and we learn how those experiences set the tone for the rest of his career. Garret also reveals how showrunner David Milch wrote the show as they shot it, and we discuss the different strategies and approaches to coverage. Plus, we discuss dealing with imposter syndrome, and Garret reflects on the actor-in-a-supporting-role's tricky task of trying to find the vibe on a set at 2AM. - Recommended Viewing: NO COUNTRY FOR OLD MEN, THE ASSASSINATION OF JESSE JAMES, DEADWOOD - This episode is sponsored by Aputure & Barco

We just watched Honey Don't — twice — and still can't believe how bad it was. Directed by Ethan Coen and co-written with Tricia Cooke, the film stars Margaret Qualley, Aubrey Plaza, Chris Evans, and Charlie Day in what should have been a stylish neo-noir. Instead, it's a messy, over-sexed, and painfully misguided movie that left us frustrated, confused, and honestly kind of angry. In this episode of Thumb War, we break down exactly why Honey Don't doesn't work — from the awkward sex scenes, one-note characters, and forced political gags, to the wasted performances of a stellar cast. We also compare it to Drive-Away Dolls, Bound, and even classic Coen Brothers films like Fargo and No Country for Old Men to highlight just how far this one misses the mark. Spoilers throughout. We also talk representation, Ethan & Joel Coen's split, and why this film feels like a wasted “blank check” project. If you saw Honey Don't, did you hate it as much as we did? Send us an email! ThumbWarPod@gmail.com Subscribe to our Patreon! http://bit.ly/44Mo8xU  

A pair of tough Texas dramas reckon with the bleakness of the Bush years—resulting in two of the most unpredictable films of the early 2000s. Host: Brian Raftery Producers: Devon Baroldi, Brian Raftery, and Vikram Patel Sound Design: Devon Baroldi Mixing and Mastering: Scott Somerville Learn more about your ad choices. Visit podcastchoices.com/adchoices

Lionel spends the third hour talking about the impact of AI on music, truck driving, Gardner, Massachusetts, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello everyone! It's been a minute but we are back with another episode selected by vote from out discord community! We will be talking about one of the greatest films of the 21st century (according to a New York Times polll,) No Country For Old Men, directed by the Joel and Ethan Coen, also known as the Coen Brothers. It is the first film we have covered from the acclaimed duo, and to make this episode extra special, we have a guest that is a big Coen Brothers fan!Not only did the film win 4 Oscars during the 80th Academy Awards ceremony, more importantly, the film left a resounding impression on audiences at the time, particularly the three of us on this episode. We talk about how the use of violence, lack of score, and the motivated cinematography courtesy of the great Roger Deakins elevated what we could expect from a movie. Also, who can forget the chilling performance from Javier Bardem, creating the iconic hitman, Anton Chigurh, doing to bob cuts what Jaws did to sharks.We talk about the differences between the novel by Cormac McCarthy and the film, and how the camera work, performances, and costume design elevates the words from the novel into the visual language of film. We get into how the Coen Brothers work together, and talk about why they are no longer making films together. We talk about their style and what makes them some of the greatest film makers in modern cinema. Also, speaking of cinema, our guest Aaron is a professional cinematographer! He provides insight on the craft and its use in the film, and what makes it one of his favorites. As casual movie goers sometimes it is easy to forget the actual work it takes to make a film look the way it does. We don't think about why a particular shot is used for a particular line of dialogue, or how are the lights placed to create that shot, or why any of it matters. Yet, we can always feel it, because it is a part of every movie we ever watch. On this episode we get a chance to talk to someone who can tell us a little of how that movie magic works.We hope you enjoy this one!

NOTE: Sizzle Reel Link fro NO COUNTRY: https://vimeo.com/1097399645/4baf4cc693 NOTE: Susie also produced and directed the film “My Mom and the Girl: A True Story” starring Valerie Harper and Liz Torres, dealing with care giving, assisted living and transgender - Trailer: https://video.search.yahoo.com/yhs/search?fr=yhs-trp-001&ei=UTF-8&hsimp=yhs-001&hspart=trp&p=my+mother+and+the+girl&type=Y241_F163_219417_081222#id=51&vid=d331d83fc2bcfa529324cc3d1ce0a5f9&action=click NO COUNTRY FOR OLD PEOPLE” By Award Winning Director & Producer, Susie Singer Carter And Co-Produced by Former United States Attorney Rick Mountcastle In Time For National Senior Citizen's Day, August 21st Coming August 1st, 2025 On Amazon followed by Hoopla, Spectrum, Charter, Cox, Xfinity, Tubi, VA Media, Prime AVOD, Gan Jing World, and Vyre Network The Film That The Long Term Care Industry Doesn't Want You To See. You Are Invited To Witness The Truth A Documentary Honored in the category of Health Awareness At the Anthem/Webby Awards TRAILER/SIZZLE REEL: https://vimeo.com/1097399645/4baf4cc693 Award winning filmmaker, Susie Singer-Carter and spokesperson for NO COUNTRY FOR OLD PEOPLE, a nursing home exposé, proudly announced today that the documentary has won an Anthem Award in the category of Health Awareness - Film, Video, Television or Show in The 4th Annual Anthem Awards. No Country for Old People: A filmmaker chronicles the last 6 months of her mother's life in a 5-star nursing home and discovers the system designed to protect our most vulnerable has been flouted by venture capitalists and real estate investment trusts. For decades greed has caused millions of people insufferable consequences and even death, yet most of the public has no idea until it's too late. No Country for Old People is a cautionary tale and a public rally for change. "Stories have the power to reach where statutes and regulations fall short," said Mountcastle (Co-Producer and former United States Attorney). "This series exposes what the public hasn't seen—and what some institutions would rather keep hidden. We hope it inspires outrage, awareness, and ultimately, reform." Country for Old People - A Nursing Home Exposé will be available for streaming on Amazon beginning August 1, 2025. No Country for Old People will air on Amazon on August 1st, followed by Hoopla, Spectrum, Charter, Cox, Xfinity, Tubi, VA Media, Prime AVOD, Gan Jing World, and Vyre Network (Dates and times TBA) Speak with Susie Singer-Carter who discusses: *** From the years 2021-2023, nursing homes in Michigan funneled $1.2 billion dollars through related party companies. *** 98 nursing homes in Michigan, paid related parties $544.5 million from 2021-2023, with little to no accountability. *** In the four chains examined, staffing levels were well below recommended and Care Compare Star Ratings were well below average. *** 75% of nursing homes had inadequate staffing before the Pandemic … Now it's even worse. *** Nursing homes claim to be underfunded, while owners are living $11,000,000 homes. *** Nursing homes is a multi-million dollar business. *** Nursing homes operate like a corrupt criminal enterprise. *** Evidence presented of a specialized Nursing Home Mafia (Article by Maureen Tkacik/The American Prospect) *** A nurses 12-hour shift allows the average staff member 25 minutes per person *** CNAS only work 8 hours which allows them and average of 8 minutes per person *** Health Care workers told to keep quiet *** Money laundering: $1 Billion Medicare Fraud & Money Laundering Scheme *** American Elderly being warehoused *** Purposely left without food and water for days *** Failure to clean or bath a patient for up to a month *** Raping, toruture and other abuses against our senior citizens *** Embezzling money from the elderly *** Disregarding medical directives. *** Not Notifying families of accidents *** Concerned family members treated like criminals

Award winning filmmaker, Susie Singer-Carter and spokesperson for NO COUNTRY FOR OLD PEOPLE, a nursing home exposé, proudly announced today that the documentary has been named a Finalist in Health Awareness - Film, Video, Television or Show in The 4th Annual Anthem Awards.   No Country for Old People: A filmmaker chronicles the last 6 months of her mother's life in a 5-star nursing home and discovers the system designed to protect our most vulnerable has been flouted by venture capitalists and real estate investment trusts. For decades greed has caused millions of people insufferable consequences and even death, yet most of the public has no idea until it's too late. No Country for Old People is a cautionary tale and a public rally for change.   No Country for Old People is on Amazon now followed by Hoopla, Spectrum, Charter, Cox, Xfinity, Tubi, VA Media, Prime AVOD, Gan Jing World, and Vyre Network (Dates and times TBA)   Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

There's something alluring, almost sacred, about the idea of finding a buck's bed, especially if it's still warm or matted with white hair. It's kind of like the scene in No Country for Old Men when Sheriff Bell finds the still-sweating glass of milk that Chigurh, the ruthless mercenary, drank from just minutes before. It's an indicator that you're on the trail, even if you're a few steps behind. As tantalizing as a fresh buck bed is, do you...

In episode 101 of The Neon Crew Podcast, Kyle and Mac discuss how delicious Paul Dano's milkshake must be, why a coin toss is the best way to make any decision, and the best movie mustaches of all time (possibly).LISTEN TO PODCAST HERE:YouTube: https://www.youtube.com/@theneoncrewpodcast/featured Spotify: https://open.spotify.com/show/3AI17IdYnujCrtSc7M5EKG?si=58d599af20514ae8 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-neon-crew-podcast/id1585795358SOCIAL MEDIA:Facebook: https://www.facebook.com/NeonCrewPodcastYouTube Community: https://www.youtube.com/@theneoncrewpodcast/community Instagram: https://www.instagram.com/neon_crew_podcast/ MERCH: https://www.etsy.com/shop/TheNeonCrewPodcast?ref=shop-header-name&listing_id=1374844203&from_page=listing Night Call with Sam ParkerSam's Channel: https://www.youtube.com/@BlockPartyAcademy/featured Music by Gideon HunterGideon's Channel: https://www.youtube.com/@wakerisefall Logo design by Lauren HunterLauren's Instagram: https://www.instagram.com/pineandsun/?fbclid=IwAR1zgGnVTNcnK6lji2A5NhDj-NCmD3f1PLqj1ckjr220HiWvsFJisfy9n8g Timestamps:00:00 | Intro10:21 | There Will Be Blood1:25:22 | No Country for Old Men29:29 | Batman Begins (SPOILER discussion)2:45:16 | Mac's recommendation for episode 102

In this episode, Loye and Fola provide updates on Nigeria's lack of ambassadors, an offer made by Somaliland to President Trump, and the acquisition of MultiChoice by Canal+ and what it means for the African media landscape. But first, they provide quick updates on Alassane Ouattara's announcement of his decision to run for a fourth term in the upcoming Ivorian elections, as well as on the recent helicopter crash in Ghana.Time stamps:01:02 Updates on Alassane Ouattara's announcement to run for a fourth term and on the helicopter crash in Ghana03:51 Where are Nigeria's ambassadors?09:22 Somaliland's offer to Trump18:24 Canal+'s acquisition of MultiChoice34:44 What in the worldhttps://www.instagram.com/thebrief.xyz/

In der letzten Episode der diesjährigen Saisonvorschau blickt Yannick mit Kai Bieler auf die anstehende Spielzeit von RaBa Leipzig.

Are investors right to downplay the risk of recession? It certainly looks like the markets have been acting that way this year. Confluence Advisory Director Bill O'Grady joins Phil Adler on this day in early August to discuss whether we might have less to fear than we traditionally have assumed.

Today Alison interviews Film Director Susie Singer Carter, Talking about her film No Country For Old People

In this eye-opening episode, Christy and Marianne welcome back the formidable advocate, filmmaker, and podcast host Susie Singer Carter. Known for her poignant short film My Mom and the Girl —inspired by her experiences with her mother's Alzheimer's and starring the late beloved television actress Valerie Harper - and her award-winning podcast, “Love Conquers ALZ,” Susie shared details of her latest project, No Country for Old People, a stirring docuseries set to premiere on Amazon Prime August 1st. The conversation delves into the often-unseen challenges families face when loved ones require long-term or memory care. Despite finding what she believed was a 5-star facility for her mother, Susie encountered heartbreaking realities: inadequate care, chemical restraints, and a systemic unwillingness to change. As Susie recounted, “Most documentaries are labors of love. They're not money makes. If you choose to do a documentary, it's because you really care.” Her commitment shows not only in her work but in her partnership with retired federal prosecutor Rick Mountcastle (Dopesick), who spent decades investigating and prosecuting elder care fraud and neglect. Their collaboration—and the nearly 100 interviews with families, doctors, and whistleblowers—revealed this crisis is widespread, persistent, and demands urgent reform. Processing her own trauma, Susie found motivation in community and collective action. Inspired by the lack of real change through traditional advocacy, she and her partners founded ROAR—Respect, Oversight, Advocacy, and Reform for long-term care. “Any hard issue in our society has been overcome by the collective. That's our power,” Susie urges. She invites everyone to join the movement, harnessing the “power of love” to demand oversight and expose the veiled corporate interests prioritizing profits over people. Join the movement nocountryforoldpeople.com and learn about ROAR. No Country for Old People will be featured in the AlzAuthors Fall Film Festival 2025 — sign up for our newsletter for details as they come out. Mentioned Resources No Country for Old People docuseries: NoCountryForOldPeople.comLearn about ROAR and get involved: Via the website aboveAlzAuthors Film Festival Info & Newsletter Signup: AlzAuthors.comSusie's other works:My Mom and the Girl Love Conquers ALZ and wherever you listen to podcasts About the Podcast AlzAuthors is the global community of authors writing about Alzheimer's and dementia from personal experience to light the way for others. Our podcast introduces you to our authors who share their stories and insights to provide knowledge, comfort, and support. Please subscribe so you don't miss a word. If our authors' stories move you, please leave a review. And don't forget to share our podcast with family and friends on their own dementia journeys. We are a 501(c)(3) charitable organization totally reliant on donations to do what we do. Your generosity will help cover our many operating costs, which include website hosting and maintenance fees, service charges to keep things running smoothly, and marketing expenses to promote our authors, expand our content, improve our reach, and more. Our ongoing work supports our mission to lift the silence and stigma of Alzheimer's and other dementias. Please help: donate here Ideas and opinions expressed in this podcast belong to the speakers and not AlzAuthors. Always consult your healthcare provider and legal and financial consultants for advice on any of the topics covered here. Learn about the Moderators Marianne Sciucco Christy Byrne Yates Thanks for listening. We are a Whole Care Network Featured Podcast Proud to be on The Health Podcast Network Find us on The World Podcast Network and babyboomer.org Want to be on the podcast? Here's what you need to know. We've got merch! Shop our Store

When award-winning filmmaker Susie Singer Carter placed her mother, who was living with dementia, in a five-star nursing home in Los Angeles, she never expected to be dealing with substandard care, inadequate staffing, and chemical restraints. Horrified by what was happening, Susie connected with former federal prosecutor Rick Mountcastle, whose prosecution of Purdue Pharma was featured in the miniseries, Dopesick. Susie and Rick have collaborated on a new documentary, No Country for Old People, to raise awareness about failures in our long-term care system and spur action to promote quality and accountability. On the eve of the release of the documentary, join a conversation with Susie and Rick about what they've learned in this process and what you can do to help change the system. Guests: Guest: Susie Singer Carter, Writer and Director, and Rick Mountcastle, Former Federal Prosecutor

Every caregiver knows the feeling—overwhelmed by endless to-do lists, struggling to coordinate help from well-meaning family members, and searching desperately for reliable information at 3 AM. Nicole àBeckett lived this reality when she lost both parents in her thirties, emerging from what she calls "the washing machine" of caregiving determined to create a solution.As co-founder of Hero Generation, Nicole has built what many caregivers only dream of: a comprehensive platform that organizes the chaos. In this candid conversation, she reveals how the platform's three pillars—organization, resources, and community—transform the caregiving experience. The system allows users to store vital information, delegate tasks to helpers, access expert guidance, and connect with others on similar journeys.What makes this episode particularly powerful is the shared understanding Don and I with Nicole about caregiving's hidden challenges. We discuss the moment you realize you're a caregiver (often long after you've taken on the role), the difficulty of navigating healthcare systems not designed to support family care providers, and the profound isolation that comes with the territory.Beyond practical solutions, the conversation explores how caregiving, despite its heartbreak, offers precious moments of connection. As Nicole reflects, "Having cared for my mom, I wouldn't change that for anything." Hero Generation aims to minimize stress so caregivers can be fully present during these meaningful interactions.The discussion also touches on broader themes of civic engagement and advocacy, emphasizing how collective action drives systemic change. Whether caring for aging parents, managing children's needs, or even coordinating pet care (a surprising use case for the platform), Hero Generation demonstrates how technology can strengthen rather than replace human connection.Ready to transform your caregiving journey? Listen now, and discover resources that might just make tomorrow a little easier. And don't forget to watch "No Country for Old People" on Amazon starting August 1st to join the movement for better long-term care systems.Connect with Nicole on Social Media:LINKEDININSTAGRAMFACEBOOKSupport the showBe a ROAR-ior!! JOIN THE R.O.A.R. MOVEMENT for quality long term care! Visit the No Country For Old People Website for more information.YOU CAN ALSO SUPPORT THE ABSOLUTELY CRUCIAL PROMOTION OF OUR DOCUMENTARY "NO COUNTRY FOR OLD PEOPLE" BY MAKING A TAX DEDUCTIBLE DONATION THROUGH THE NATIONAL CONSUMER VOICE HERE Follow us on Twitter, FB, IG, & TiK Tok

All Home Care Matters and our host, Lance A. Slatton were honored to welcome back the team behind the film "No Country for Old People"   About "No Country for Old People":   A filmmaker chronicles her mother's last 6 months in a 5-star nursing home exposing what is a national systemic, deadly, profit-over-people business model. No Country For Old People; a Nursing Home Exposé is a scorching documentary posed to set the long-term care industry, policy makers, and the country ablaze. Shining a much-needed light on what is truly a national human emergency.   No Country for Old People; a Nursing Home Exposé is a 3-part documentary that exposes the dark realities of neglect and abuse in nursing homes and throughout U.S. long-term care industry.   The film answers four questions: What happens. 2. How does it happen? 3. Why does it happen? 4. And how do we fix it?   The film highlights a systemic crisis - the result of corporate greed - that has been taking a devastating human toll within the walls of our nation's long-term care facilities for decades.   The film weaves personal loss with journalistic rigor, exposing a pattern of abuse that is enabled by profit-first models that include chronic understaffing, undertraining, and financial exploitation.   PERSONAL STORIES AND EMOTIONAL IMPACT:   The filmmaker's own experience with her mother along with other emotional testimonies emphasize the human cost of systemic failure and illustrate the severe consequences of poor nursing home care.   The film is both deeply personal and widely resonant — amplifying voices too often silenced and inviting viewers to confront uncomfortable truths about aging, policy, and accountability in America.   About Susie Singer Carter:   Susie Singer Carter is a multi-award-winning, Oscar qualified filmmaker, writer, director, producer, actor, podcast producer, host, and Caregiver Advocate. She is best known for writing, directing, and producing the 2018 Oscar qualified short film, My Mom and The Girl starring Valerie Harper in her final performance, writing and producing “Bratz the Movie” for Lionsgate, and co-producing “Soul Surfer” for Sony.   Susie also produces and hosts the podcast Love Conquers Alz – awarded BEST PODCAST 2020 by New Media Film Festival and is #4 on Feedspots' 2022 25 Best Alzheimer's Podcasts list. Susie is also the co-creator, co-writer, co-star, and director of the outrageous horror/comedy narrative podcast I Love Lucifer, nominated Best Audio Fiction 2023 by Indie Series Awards.   Susie wrote the screenplay, “RUN”, based on the book “Plain Jane” and is attached to direct in spring 2024. She is currently writing, producing, and directing a docuseries, No Country For Old People, which centers on the Nursing Home Neglect and the systemic healthcare crisis responsible for it. She is also a host of the Writers Guild of America West's 3rd & Fairfax Podcast.   About Rick Mountcastle:   Mr. Mountcastle is the former United States Attorney for the Western District of Virginia (2017-2018) and is a retired award-winning federal and state prosecutor. He led the prosecution of Purdue Pharma for fraudulently marketing OxyContin, as portrayed in the Emmy-nominated limited miniseries "Dopesick" (streaming on Hulu).   He also led the criminal and civil prosecution of Abbott Laboratories for fraudulently marketing the anti-epileptic, Depakote, for use as a chemical restraint for dementia patients in nursing homes, resulting in Abbott's guilty plea to a felony and payment of $1.5 billion, at the time the largest penalty against a pharmaceutical company for misconduct related to a single drug.   Mr. Mountcastle spent his career prosecuting healthcare companies and executives who exploited vulnerable patients for profit, and brings his passion to change a system that allows such exploitation to this project.   About Don Priess:   For over two decades, Don Priess has shunned sleep in order to become a highly sought-after, award winning writer, producer, director and editor. He co-founded Modern Media, now one of the top marketing and infomercial production companies in the world.   After six years and hundreds of TV and radio commercials, Don decided to spread his wings and since his credits include projects for CBS/Dic Entertainment, Nickelodeon, Buena Vista, American Movie Classics, Lifetime, Hanna-Barbera, Playboy Entertainment and more.   While continuing to work on a wide variety of entertainment projects, Don teamed with the highly energetic and talented Susie Singer Carter as part of Go Girl Media. Together they were the writers and Co-Executive Producers of two series for CBS, “CAKE” and “DANCE REVOLUTION”, SURVIVING HAWKING, and “SILVER LININGS” for Fox Television Studios.

Like a seashell to your ear, we are here. In this extra special episode of To the White Sea we are thrilled and honored to welcome Academy Award-winning sound editor Skip Lievsay, who has worked on more Coen brothers movies than the Coen brothers themselves! This paradox wrapped in an enigma will be unraveled along with so much more. Together we listen closely to scenes of “perfect quiet” when the volume of the soundtrack drops down to almost zero, yet it's in this zone where a whole galaxy of perception may be unlocked. We explore how these quiet scenes build tension, intimacy, tactility, and subjectivity. We also discuss Skip's fascinating working relationship with the Coens, as well as Martin Scorsese, Terrence Malick, and Darren Aronofsky. Immense thanks to Skip Lievsay, Kyle Miller, Mitchell Wareham, and Nina Leitenberg for their time and effort. Mega special thanks to Kate Sanford making this connection. Coens Covered: Blood Simple, The Big Lebowski, The Man Who Wasn't There, No Country for Old Men, The Ballad of Buster Scruggs Plus: The New World Want to join the study group? Follow TTWS on social media, tell your friends about the show, and leave a rating/review on Spotify and Apple Podcasts. ***You can also support us directly at https://ko-fi.com/tothewhitesea*** For all things TTWS visit tothewhitesea.me – and join the Discord too!

This week: Bavarian recap, Boyhood crushes on the now-elderly, Shushgate, Burn Notice revisited yet again, No Country for Old Men

Dear Ms. Maher,You don't know me, and there is no reason why you should. I am mostly a nobody. If people know me at all, they know me as a former Oscar blogger whose public support for Trump destroyed my so-called “career.”But really, I am not all that different from you. Or at least, I didn't use to be. I come from your world, more or less. Not that I was ever a tech-savvy, globtrotting millennial in charge of National Public Radio, but it would not have been unusual for me to take a picture of myself in a mask in November of 2020, wearing a Joe Biden hat.In November of 2020, however, I was already afraid of the Democrats retaking power. Things had gotten weird on the Left, Ms. Maher. Really, really weird and no one would talk about it, least of all NPR or PBS. Then again, they couldn't talk about it because they would be destroyed if they did. Everyone knew that, and everyone just went along with it, especially you.I am a creature of the Internet and a former lifelong Liberal who left the party and the movement in 2020 after things had derailed so badly that I could no longer stand to be associated with them. It was the dehumanization of half the country. It was the corruption within the Democratic Party. It was the dangerous future in store for the nation's young people.It took me a while to finally get kicked out of Woketopia for good, banished to the virtual gulag. I made a joke about “White Dudes for Harris,” suggesting finally “white power” was back in style. But one thing about the Woketopians, they have no sense of humor. None. It's been stripped away and replaced with yet more of the suffocating, repellent monoculture that's been shoved down our throats for these long ten years.They all thought I was serious, that I really meant it, that “white power” was back. Thousands saw the tweet. A close friend of mine would text me to see if I really meant it. I wanted to joke that no self-respecting “white supremacist” would be caught dead praising “White Dudes for Harris,” but I was already in too deep.That caught the attention of a reporter named Rebecca Keegan, who was a devoted NPR listener and a true believer in the causes of the Left. She called me a “MAGA darling” in the Hollywood Reporter. A major studio pulled their ads that day, and everything I built over the last 25 years as a “woman-owned” business went up in flames almost overnight.It's quite a story, Ms. Maher, but it's one people like you wouldn't even want to talk about. To you, it isn't “cancel culture,” it's “consequence culture.” Well, you might call the defunding of NPR and PBS the same thing, it's “consequence culture” as a populist movement decides to finally fight back.How it started…You were just ten years old when I got online, Ms. Maher. The year was 1994. Bill Clinton was still the president. Much like it did last year, my life had fallen apart, and I needed a reset. I found the perfect escape on the Wild, Wild Web, where I would live out the rest of the next 30 years of my life. I had a baby in 1998 and, as a single mother, built a website devoted to the Oscars in 1999.I also helped birth an entire industry, and before long, even The New York Times would have an Oscar blogger. I appeared on NPR a few times as an Oscars expert. I would attend film festivals all over the world and hobnob with the rich and famous at fancy parties.I would be invited to cover the Oscars, attending as a guest for almost ten years. I would make money from movie studios that thought my voice was influential enough to advertise on my site. I could buy a new car. I could support my daughter. I could pay my rent.I would use my website to advocate for a more diverse and inclusive Oscars by promoting women and people of color for the awards. I did this even before Barack Obama won in 2008, which coincided with the rise of Twitter, Facebook, and the iPhone. I wouldn't realize it until much later, but all of that coming together at once would allow us to build a necessary “inside” where we could eventually banish the undesirables to the “outside.”We all caught the wave at the same time. We had come out of the 90s era of therapy and psych meds, and now, we were ready to build our Shining Woketopia on the Hill. As society migrated online, it was all under our control. We would ultimately build an empire that represented nearly all of the power in America - cultural, political, educational, and institutional. But only a select few would be invited in.My daughter attended all of the progressive public schools in Los Angeles. We listened to NPR on the way to and from school. I was a PTA mom, a progressive, active Liberal who cared about the climate and racial inequality. I barely noticed around 2014 when my daughter began feeling depressed from what she was learning in school.As a white student, whose best friend was Black and whose president was Black, she was now being told to stand outside the circle and de-center herself from the students of color. She was taught that she was part of the oppressor class and was among the “colonizers.” This disease was inside of her; it was her “whiteness.”I didn't realize then just how deeply indoctrinated our public schools and universities had become. When she graduated from high school, only one of her friends wanted to transition to become a boy. Her mother, a Conservative, refused to give her puberty blockers and amputate her breasts, though she would finish the job when she turned 18 and is now living as a boy.By the time my daughter graduated from college, two of her roommates were on cross-sex hormones, changing their sex as a couple. A boy she had a crush on had now fully transitioned and is living life as a transgender woman. And no one in the media, not at NPR or PBS, ever warned them. They were indoctrinated now, too. COVID paranoia and lockdowns only served to heighten the growing anxiety and fear about saying or doing the wrong thing. Wokeness arrived first as a low-frequency hum, a reaction to the election of the first Black president. As Republicans began to obstruct his agenda, we called them “racists.” The Tea Party was racist; it had to be. The Freedom Caucus was racist; it had to be. Our president was perfect, and the only reason anyone would object to anything had to be racism.The “social justice warriors” who came of age online on sites like Tumblr ballooned into a massive army of zealots. None of us saw this coming, and by the time we did, it was too late. The protests at Evergreen College were the first indication that something had gone very wrong. Holding a professor hostage because he went against the doctrine? It should not surprise you, Ms. Maher, that NPR and PBS did not cover that either, although it would have made a compelling episode of Frontline. Had they come even remotely close to telling the truth throughout this era, maybe things would be different now.That left it up to independent voices to cover the growing scandal at Evergreen, the transgender contagion, and the obsession with race. That is how evolution left NPR and PBS in the dust. Those looking for truth and common sense had to escape the bubble. I'm guessing you never did, Ms. Maher.The army that took to the streets in 2020 was not peacefully protesting; they were demanding diners raise their fists in support of Black Lives Matter. They were demanding everyone put a Black square on Instagram, or else. My niece threatened to cut off all ties if I didn't. I told her she was in a cult.When I saw the video of Sue's 100-year-old mattress store in Kenosha burning as the city was consumed by a false narrative perpetuated by the media, that Jacob Blake was unarmed and there to break up a fight, I tried to post about it on Facebook. I was shouted down and told I cared more about property than I did about people. You agree with that, don't you, Ms. Maher? When Tom Cotton published an op-ed in the New York Times reflecting what the majority of Americans believed, that if the protests could not be controlled, we must “send in the troops.” Then I watched everyone online lose their minds over the truth - once again, the truth, always the TRUTH.By the end of it, James Bennett and Bari Weiss would be out at the New York Times. They would not be the only ones at the Times or other news outlets. Writers and editors would lose their jobs for posting headlines like “Building Matter Too.” Or because some overly fragile staffer felt unsafe and called them out for something, like racism. Hundreds and hundreds of “cancel culture” purges taught everyone the same lesson: say nothing, or you're next. A glance at your tweets around that time, Ms. Maher, suggests that you were fully on board with all of it, too - a true believer in the cause, probably like everyone else who runs a public radio station across America. So when you say they're “collateral damage,” know this: in a monoculture, everything is the same. If it isn't, you lose your job. That you did not listen to Uri Berliner's brave testimony in the Free Press, but rather demonized him for speaking out, should have been enough to force your resignation by the Board of Directors, but I'm guessing they're all on the same page as you. Your resignation letter might look something like this, posted by Representative Brandon Gill:You remember him, right? He grilled you pretty hard, and you maintained a poker face throughout, gaslighting all of us. It's not “fascism” that canceled Stephen Colbert and defunded public broadcasting. It's democracy. Your side was voted out by the guy you spent ten years trying to destroy. That alone should send the message that whatever you were doing backfired. Maybe you'll learn the lesson. Probably not. I can promise you those community radio stations in Trump states don't have any Trump supporters listening to them. And though I do notice some subtle changes in the coverage at NPR after a few casual searches, I'm afraid it's too little, too late. Those local stations are likely to be as woke and indoctrinated as NPR and PBS have become. They have to be because everything has to be in a monoculture like ours. There is no other option but for all of us to leave it behind. We don't want this indoctrination anymore - not in our schools, not in Hollywood, not in science, not in culture, and not in our news. Our American story has always been that we shook off the class system that decided our station in life at birth, that anyone could rise regardless of their status, where they were born, their skin color, or their gender. Obviously, we haven't always lived up to that ideal, but it is still our story.The Woketopians tell a different story. And it's one you believe in, Ms. Maher. Or at least you pretend to because as long as you pay obeisance to the cult, the activists will leave you alone. As I strolled through the Farmer's Market in my very white, very liberal town this morning, I was awash in hedonistic pleasure. The smell of fresh strawberries, bountiful basil, organic olive oil, a whiff of lavender carried by the wind, freshly ground coffee, and someone playing music in the distance. You would fit right in here, Ms. Maher, in a sunhat with a smile on your face, because this is where you belong, inside utopia. But I also know none of these smiling faces I pass know me. For all of their hybrid cars, the lawn signs, the pleas for “kindness,” the careful, gentle language so as not to offend all come with an implicit threat: obey our rules or we will destroy you. Milan Kundera explains what happened to the Left, as we built our Woketopian empire, in the Book of Laughter and Forgetting:To quote one of the greatest films ever made, one Hollywood will never come close to making again, No Country for Old Men. You can't stop what's coming. You can't stop what's coming. It ain't all waiting on you. That's vanity. Nothing will ever be the same when this is all over. The good news is that the empire's collapse will usher in a renaissance —a big bang of brand-new culture that is alive, fearless, and rooted in truth, not dogma. The best thing you can do is what I did: escape the bubble now and realize those who don't agree with you aren't your enemy. They are your fellow Americans. // This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Dementia expert Teepa Snow has traveled around the world teaching her Positive Approach to Care, but what she discovered might surprise you - not one nation has truly figured out a comprehensive, person-centered dementia care plan. In this eye-opening episode, Teepa and Greg discuss why even the most promising programs fail to spread beyond small pilot projects, and share the uncomfortable truth about what's really happening in care facilities that claim to be doing everything rightTo learn more about Positive Approach to Care, visit: www.teepasnow.com.

Sean and Amanda return to continue their yearlong project of listing the 25 best movies of the 21st century so far. Today they discuss Joel and Ethan Coen's ‘Inside Llewyn Davis,' starring Oscar Issac, one of the greatest depictions of a struggling artist of all time. They explain why this was their Coen brothers selection over ‘No Country for Old Men,' celebrate its incredible balance between devastating dramatic moments and hilarious comedy, and highlight Issac's fascinating career following this project. Hosts: Sean Fennessey and Amanda Dobbins Producer: Jack Sanders THIS EPISODE IS SPONSORED BY THE STARBUCKS COFFEE COMPANY. ORDER NOW | STARBUCKS.COM/MENU Learn more about your ad choices. Visit podcastchoices.com/adchoices

Surprise! We're back with a new episode. We jump off from the idea introduced to us by J. Todd Anderson, by way of Alfred Hitchcock, that filmmaking is about two things (and according to J. Todd only these two things): suspense and surprise. We analyze ways in which films create a “burden of knowledge” in the mind of the audience, and how this can dramatically affect the way scenes play out on a screen and behind our eyes. Sometimes you're ahead of the characters, and sometimes they're way, way ahead of you. Check us out in the new episode of Blank Check where we kick off their Coen brothers mini series Pod Country for Old Cast with the first film in the Coens ouvre, Blood Simple! Coens Covered: Raising Arizona, No Country for Old Men, Barton Fink, True Grit, Intolerable Cruelty, The Man Who Wasn't There Want to join the study group? Follow TTWS on social media, tell your friends about the show, and leave a rating/review on Spotify and Apple Podcasts. ***You can also support us directly at https://ko-fi.com/tothewhitesea*** For all things TTWS visit tothewhitesea.me – and join the Discord too!

Walk-Ins Welcome 345 Comedian Eleanor Kerrigan joins Bridget for a hilarious conversation covering how her dreams of being an actor led to an unexpected wrestling stint, a West Wing mixup, and the one woman show that led her to realize her true calling is comedy. She dishes on behind-the-scenes stories from over a decade running the iconic Comedy Store, being a caretaker for legendary owner Mitzi Shore, epic Pauly Shore parties, and blackout rages. They cover surviving tragedy, why there's no middle ground in comedy, how everything leads back to Tony Robbins, and how anyone who tries to help her dies. Check out Eleanor's comedy special No Country for Old Women - https://bit.ly/WiW-NoCountry --------------------------------------------------------------------- Sponsor Links: - Quest offers 100+ lab tests to empower you to have more control over your health journey. Choose from a variety of test types that best suit your needs, use code PHETASY to get 25% off - https://www.questhealth.com --------------------------------------------------------------------- Bridget Phetasy admires grit and authenticity. On Walk-Ins Welcome, she talks about the beautiful failures and frightening successes of her own life and the lives of her guests. She doesn't conduct interviews—she has conversations. Conversations with real people about the real struggle and will remind you that we can laugh in pain and cry in joy but there's no greater mistake than hiding from it all. By embracing it all, and celebrating it with the stories she'll bring listeners, she believes that our lowest moments can be the building blocks for our eventual fulfillment. ---------------------------------------------------------------------- PHETASY IS a movement disguised as a company. We just want to make you laugh while the world burns. https://www.phetasy.com/ Buy PHETASY MERCH here: https://www.bridgetphetasy.com/ For more content, including the unedited version of Dumpster Fire, BTS content, writing, photos, livestreams and a kick-ass community, subscribe at https://phetasy.com/ Twitter - https://twitter.com/BridgetPhetasy Instagram - https://www.instagram.com/bridgetphetasy/ Podcast - Walk-Ins Welcome with Bridget Phetasy https://itunes.apple.com/us/podcast/walk-ins-welcome/id1437447846 https://open.spotify.com/show/7jbRU0qOjbxZJf9d49AHEh https://play.google.com/music/listen?u=0#/ps/I3gqggwe23u6mnsdgqynu447wvaSupport the show

Meet my friends, Clay Travis and Buck Sexton! If you love Verdict, the Clay Travis and Buck Sexton Show might also be in your audio wheelhouse. Politics, news analysis, and some pop culture and comedy thrown in too. Here’s a sample episode recapping four Tuesday takeaways. Give the guys a listen and then follow and subscribe wherever you get your podcasts. Senate Passes Big, Beautiful Bill In Hour 1 of the Clay Travis and Buck Sexton Show, the hosts deliver a dynamic and timely breakdown of the Senate’s passage of the “Big Beautiful Bill”, a sweeping legislative package poised to reshape the political and economic landscape. Passed by a narrow 51-50 margin with Vice President JD Vance casting the tie-breaking vote, the bill now awaits President Donald Trump’s signature, expected by July 4th. This hour dives deep into the bill’s key provisions, including a $5 trillion debt ceiling increase, hundreds of billions allocated for border security and national defense, and a projected $3.3 trillion budget deficit increase through 2034. The hosts analyze the political drama surrounding the bill’s passage, highlighting opposition from Republican Senators Rand Paul, Tom Tillis, and Susan Collins, and the expected reconciliation process in the House. Lefty Language Games Analysis of the Senate’s passage of the “big, beautiful bill,” a major piece of legislation expected to stimulate economic growth, provide tax certainty, and enhance border security. The hosts emphasize the bill’s imperfections but argue its net benefits outweigh its flaws, especially in the context of a government that often lacks the political will to reduce spending. A significant portion of the hour is dedicated to the unsustainable trajectory of federal spending, with references to past efforts by figures like Ross Perot, Senator Ron Johnson, and Senator Rand Paul. The hosts critique both parties for failing to curb entitlement growth and highlight how slowing the rate of spending increases is misleadingly labeled as “cuts.” They also explore how artificial intelligence and productivity gains could potentially offset fiscal challenges, offering a rare optimistic note on economic innovation. The Art of the Possible The Big Beautiful Bill now heads back to the House, where the Freedom Caucus may voice opposition, but it’s expected to reach President Donald Trump’s desk for signature before the July 4th holiday. A major highlight of the hour is President Trump’s visit to “Alligator Alcatraz” in Ochopee, Florida, a remote airstrip facility intended for detaining and deporting illegal immigrants. Trump’s remarks emphasized deterrence, warning migrants against fleeing into the Everglades. The segment underscores the administration’s tough stance on immigration and sanctuary cities, with speculation that legal challenges may arise from cities defying federal deportation orders. Best Movie of the 21st Century? Clay and Buck debate the best movies of the 21st century, referencing a recent New York Times list. Films like The Dark Knight, There Will Be Blood, No Country for Old Men, and The Pianist are discussed, with particular praise for Heath Ledger’s iconic performance as the Joker. The conversation also includes listener favorites and humorous disagreements over ice cream flavors—particularly pistachio—and nostalgic TV shows like Knight Rider and The Dukes of Hazzard. Make sure you never miss a second of the show by subscribing to the Clay Travis & Buck Sexton show podcast wherever you get your podcasts! ihr.fm/3InlkL8 For the latest updates from Clay and Buck: https://www.clayandbuck.com/ Connect with Clay Travis and Buck Sexton on Social Media: X - https://x.com/clayandbuck FB - https://www.facebook.com/ClayandBuck/ IG - https://www.instagram.com/clayandbuck/ YouTube - https://www.youtube.com/c/clayandbuck Rumble - https://rumble.com/c/ClayandBuck TikTok - https://www.tiktok.com/@clayandbuck YouTube: https://www.youtube.com/@VerdictwithTedCruzSee omnystudio.com/listener for privacy information.

I always say that politics determines policy, and policy shapes a nation. This means that at the most local level, we must be involved in affairs, even the ones that are often uncomfortable. The future of our nation depends on it. Join Abraham Hamilton III and me as we discuss the importance of getting involved, and how even the most timid personalities can find a place to do it. Prime Sponsor: No matter where you live, visit the Functional Medical Institute online today to connect with Drs Mark and Michele Sherwood. Go to homeschoolhealth.com to get connected and see some of my favorites items. Use coupon code HEIDI for 20% off!Answers in Genesis | AnswersBibleCurriculum.com/HEIDIRVL Discipleship Curriculum | RVLCurriculum.com/heidi HEIDI10Give Send Go | givesendgo.comBrave Books | heidibrave.comLifestone Ministries | Lifestoneministries.com/heidiShow mentions: heidistjohn.com/mentionsWebsite | heidistjohn.comSupport the show! | donorbox.org/donation-827Rumble | rumble.com/user/HeidiStJohnYouTube | youtube.com/@HeidiStJohnPodcastInstagram | @heidistjohnFacebook | Heidi St. JohnX | @heidistjohnFaith That Speaks Online CommunitySubmit your questions for Mailbox Mondayheidistjohn.net/mailboxmonday

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