Podcasts about old men

What are the best thrillers published since 2000? That was the question that the team at The New York Times's Book Review posed to hundreds of writers of every kind of crime fiction, from legal thrillers to spy novels to cozy mysteries, as well as librarians, editors, critics and bookstagrammers. We counted up all those votes and came up with a list of the 50 best thrillers of the 21st century, available here. In this episode, the host Gilbert Cruz is joined by Tina Jordan, the editor of the Book Review, and Sarah Lyall, a longtime columnist who writes the Book Review's monthly thrillers column, to revisit the books that changed the genre, discuss overlooked favorites and recommend the thrillers that everyone should read next. Books discussed on this episode: “Cat Among the Pigeons,” by Agatha Christie “Rebecca,” by Daphne du Maurier “The Turn of the Screw,” by Henry James “The Firm,” by John Grisham “A Time to Kill,” by John Grisham “The Client,” by John Grisham “The Pelican Brief,” by John Grisham “Presumed Innocent,” by Scott Turow “And Then There Were None,” by Agatha Christie “Murder on the Orient Express,” by Agatha Christie “Peril at End House,” by Agatha Christie “Crooked House,” by Agatha Christie “Time and Again,” by Jack Finney “Gone Girl,” by Gillian Flynn “Sharp Objects,” by Gillian Flynn “The Likeness,” by Tana French “In the Woods,” by Tana French “Broken Harbor,” by Tana French “Mystic River,” by Dennis Lehane “All the Sinners Bleed,” by S. A. Cosby “Defending Jacob,” by William Landay “We Need to Talk About Kevin,” by Lionel Shriver “The Push,” by Ashley Audrain “The God of the Woods,” by Liz Moore “The Girl With the Dragon Tattoo,” by Stieg Larsson “No Country for Old Men,” by Cormac McCarthy “Slow Horses,” by Mick Herron “Shutter Island,” by Dennis Lehane “The Constant Gardener,” by John le Carré “The Secret History,” by Donna Tartt “My Sister, the Serial Killer,” by Oyinkan Braithwaite “Butter,” by Asako Yuzuki “Case Histories,” by Kate Atkinson “Life After Life,” by Kate Atkinson “Our Noble Selves,” by Kate Atkinson “The Expats,” by Chris Pavone “The Anomaly,” by Hervé Le Tellier Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Gothalion returns this week to learn WAY too much about Zeke. He has also been playing Everquest Legends along with Cohh, a new remixed version of the classic 90s MMO, Splatoon Raiders and to chat about the convention he helps run - GCX! JP has been off surviving a zombie apocalypse in the newly updated Project Zomboid, Zeke finally opens up to us about Disc Golf and much more (too much more.) 0:00 - Intro1:00 - Florida3:50 - Everquest Legends20:30 - EA sale going through23:40 - GPU prices skyrocketing25:10 - Capcom sales27:10 - Helldivers 2 x Warhammer 40K28:10 - Path of Exile 2 fixes a major bug33:40 - Shift Up releases AI promo video39:30 - Twitch and Amazon training AI off streamers50:00 - Old Men toesies 1:01:30 - Dysmantle 1:09:45 - Project Zomboid1:39:00 - Game goals1:57:40 - Splatoon Raiders2:07:00 - Disc Gold Masters2:16:50 - Marvel Tokon: Fighting Souls2:29:30 - Corsair Cove2:39:30 - Below Rusted Gods2:44:00 - The Incident at Galley House2:49:40 - Emberville/GCX3:04:00 - Dragonsword: Awakening3:06:50 - Shoutouts See omnystudio.com/listener for privacy information.

Michaela is out of gas and stranded at the Last Stop in Yuma County (2023), taking refuge in a twisty, Tarantino-esque character thriller about a group of people (and two on-the-lam bank robbers) waiting uncomfortably at a roadside diner for a refueling truck to appear. Listen as we recast Richard Brake as a romantic lead, reverse-engineer first time director Francis Gallupi's No Country for Old Men inspiration, and moral compromises on this week's exciting episode! Hosted on Acast. See acast.com/privacy for more information.

Inspired by Listener Merrick, the gang goes nuts with recommendations of old Spider-man stories (mostly it is Andy going crazy with too many titles and all the Ditko). Mostly amazing, some spectacular and even a Team Up or Two. Too many titles to keep them all contained! Can you read them all? Have you read them all?

Inspired by Listener Merrick, the gang goes nuts with recommendations of old Spider-man stories (mostly it is Andy going crazy with too many titles and all the Ditko). Mostly amazing, some spectacular and even a Team Up or Two. Too many titles to keep them all contained! Can you read The post Marvel Noise Episode 468 – Old Men Talk Old Spider-man appeared first on .

Women Prey On Lonely OLD Men With Money - MGTOWAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Air Date: 7/25/2026 Today we look at the idea that America has become a gerontocracy, a country run by the old, and then interrogate the premise a bit. The wealth, the politicians, and the voting electorate really do concentrate at the top of the age ladder, and benefits for the old tend to stay protected while younger people wait their turn. But several of our sources argue age is the wrong name for the problem, that it is really a story about money and who the whole system was built to serve. Full Show Notes Transcript Be part of the show! Leave a voice message, message us on Signal at the handle bestoftheleft.01, or email Jay@BestOfTheLeft.com BestOfTheLeft.com/Support (Members Get Bonus Shows + No Ads!) Use our links to shop Bookshop.org and Libro.fm for a non-evil book and audiobook purchasing experience! Join our Discord community! TOP TAKES KP 1: What Is There to Say About Lindsey Graham - Takes™ by Jamelle Bouie - Air Date 7-12-26 KP 2: Where Is Mitch McConnell? - The NPR Politics Podcast - Air Date 7-10-26 KP 3: The Mitch McConnell Mystery Part 1 - Today, Explained - Air Date 7-14-26 KP 4: Why Is Congress Like This Part 1 - Civics 101 - Air Date 6-30-26 KP 5: Mitch, Lindsey and the Gerontocracy Part 1 - What Next - Air Date 7-13-26 KP 6: Gerontocracy with Samuel Moyn Part 1 - This Is Hell! - Air Date 7-1-26 (00:52:22) NOTE FROM THE EDITOR How Congress Got Crippled, A True Crime Story My commentaries on YouTube - Share them! DEEPER DIVES (01:07:37) SECTION A: THE MCCONNELL & GRAHAM MOMENT A1: A Grave Situation In The Senate Part 1 - The Muckrake Political Podcast - Air Date 7-14-26 A2: The Mitch McConnell Mystery Part 2 - Today, Explained - Air Date 7-14-26 A3: A Grave Situation In The Senate Part 2 - The Muckrake Political Podcast - Air Date 7-14-26 A4: The Attractive Anti-Politics of 'Gerontocracy' Discourse Part 1 - Citations Needed - Air Date 9-21-22 (01:49:14) SECTION B: THE GERONTOCRACY CASE B1: Mitch McConnell and Our Very Old Congress Part 1 - What A Day - Air Date 7-9-26 B2: Mitch, Lindsey and the Gerontocracy Part 2 - What Next - Air Date 7-13-26 B3: Mitch McConnell and Our Very Old Congress Part 2 - What A Day - Air Date 7-9-26 B4: The Gerontocracy Problem Samuel Moyn - Future Hindsight - Air Date 6-11-26 B5: Gerontocracy with Samuel Moyn Part 2 - This Is Hell! - Air Date 7-1-26 B6: The Attractive Anti-Politics of 'Gerontocracy' Discourse Part 2 - Citations Needed - Air Date 9-21-22 (02:34:15) SECTION C: HOW CONGRESS ACTUALLY WORKS C1: Melinda N. Ritchie, Backdoor Lawmaking Evading Obstacles in the US Congress (Oxford UP, 2023) Part 1 - New Books in Political Science - Air Date 12-12-23 C2: Why Is Congress Like This Part 2 - Civics 101 - Air Date 6-30-26 C3: Melinda N. Ritchie, Backdoor Lawmaking Evading Obstacles in the US Congress (Oxford UP, 2023) Part 2 - New Books in Political Science - Air Date 12-12-23   Produced by Jay! Tomlinson Visit us at BestOfTheLeft.com Listen Anywhere! BestOfTheLeft.com/Listen Follow BotL: Bluesky | Mastodon | Threads | X Like at Facebook.com/BestOfTheLeft Contact me directly at Jay@BestOfTheLeft.com

Schnelles Update zum Irrsinn rund um die Squadra Azzurra...

Oh, hey, look at that...still talking about Sundiata this week! Suggested talking points: Rooting for Captain Dirk, Adopted by Foxes, Missed Thirst-Trap Opportunity, Oral Tradition Ad-Break, Throbbing for War, Acute Benjamin Button Syndrome Check out Gordie's TTRPG, Mythomorphosis If you'd like to support Carman's artistic endeavors, visit: https://www.patreon.com/carmandaartsthings If you like our show, find us online to help spread the word! Follow us on Twitter, Facebook, and Youtube. Support us on Patreon to help the show grow at www.patreon.com/wtfolklore. You can find merchandise and information about the show at www.wtfolklorepodcast.com.

Trey and Blaine take a look at a Coen brothers project starring Javier Bardem and Tommy Lee Jones.Support this show http://supporter.acast.com/99-years-100-films. Hosted on Acast. See acast.com/privacy for more information.

Editor Katie McQuerrey has collaborated with Joel and Ethan Coen on several significant films over the past 25 years, including Intolerable Cruelty, No Country for Old Men, A Serious Man, True Grit, and Inside Llewyn Davis. Their partnership began during the Coens' transition from film to digital – a period that also saw major changes to their editing process and suite. Katie's work transcends a unique range of genres and styles. Her credits include Matthew Barney's six-hour opera film River of Fundament; the road films Driveways and Wanderland; Roger Waters' concert documentaries Roger Waters: The Wall (2014) and Us + Them (2019); X, the short film directed by Josh Brolin; Naked Singularity, starring John Boyega; and Asphalt City (formerly Black Flies), starring Sean Penn, Tye Sheridan, and Michael Pitt. Asphalt City marked her third collaboration with director Jean-Stéphane Sauvaire, following Punk and A Prayer Before Dawn. In television, Katie has also edited episodes of Human Giant, the cult classic The Andy Milonakis Show, and George & Tammy. Her most recent project, De Gaulle: Résistance, premiered at the Cannes Film Festival in May 2026. Directed by Antonin Baudry and starring Simon Abkarian as Charles de Gaulle, the film chronicles de Gaulle's emergence as one of the defining military and political figures of World War II France. Adapted by Baudry and Bérénice Vila from Julian Jackson's biography A Certain Idea of France: The Life of Charles de Gaulle, Résistance is the first installment of an ambitious two-part epic, preceding De Gaulle: Liberté, which opened theatrically across France on June 26, 2026. In our conversation, we discussed Katie's multicultural background; the profound impact of seeing Apocalypse Now at a young age; her path to becoming one of Hollywood's most sought-after editors and collaborating with Joel and Ethan Coen; and her experience editing De Gaulle through an international post-production process spanning France and the United States.Opening Credits: Pierce Murphy - Persimmon I CC BY; Pierce Murphy - Among The Stars I CC BY. Closing Credits: Tommaso Croce - Electric Clementine I CC BY-NC.

The Passage of the Two Old Men into Death - All the Winds of Heaven - Galactica, 12, Season 6, Out-of-Body Travel FilmsBased on the Book Series 'Galactica: A Treatise on Death, Dying and the Afterlife,' by Marilynn HughesThe Out-of-Body Travel Foundation - https://outofbodytravel.org – Astral Travel and Astral Projection: Download Books, Films, Seminars, Livestreams, Music, Art, Vignettes, Radio and TV Appearances and More on Out-of-Body Experiences. (Ghosts, Reincarnation, Initiations, Heaven, Hell, Angels, Demons.) Out-of-Body Travel Author, Marilynn Hughes (Copyright)Out of Body Travel, Out of Body Experiences, Out of Body, Astral Travel, Astral Projection, Near Death Experiences, Mystical Experiences, OBE, OOBE, NDE

LANTERNS, MARVEL'S WOLVERINE, RESIDENT EVIL, & EBENEZER TRAILER REACTIONS!!! With SDCC 2026 Fully underway, we've got a fresh crop of San Diego Comic Con Trailers to React to!! ● Build credit fast and get your first month for just a dollar at https://www.getkikoff.com/rejects today. Thanks to Kikoff for sponsoring us! First up DC's new Lanterns trailer gives us a deeper look at both the criminal and cosmic stakes as Hal Jordan (Kyle Chandler - Friday Night Lights, Godzilla Kong of the Monsters) attempts to train future lantern Jon Stewart (Aaron Pierre - Rebel Ridge, Mufasa: The Lion King) as an even greater threat - the Manhunters - looms its ugly head… from show runners Damon Lindeloff (Watchmen), Chris Mundy (Ozark), and Tom King (Supergirl: Woman of Tomorrow) the cast also includes Nathan Fillion (Superman, Firefly) as Guy Gardner, along with Laura Linney (Ozark), Kelly Macdonald (No Country for Old Men), Garret Dillahunt (Deadwood), and MORE! Next we turn our eyes toward Marvel reacting to the Wolverine Story Trailer revealed at SDCC 2026! Marvel's Wolverine PS5 trailer gives us a deeper look at Logan's past, his connection to Jean Grey and Team X, and his violent battles against Lady Deathstrike, Omega Red, The Hand, the Reavers and Bolivar Trask's Sentinels. We discuss the Weapon X imagery, Wolverine's adamantium skeleton, the darker and more graphic combat, and the game's mix of emotional storytelling, horror and brutal action. They also react to Jean Grey attempting to reach Logan, Lady Deathstrike preparing for battle, Omega Red's appearance and the possibility of Wolverine rejoining Team X. After that, Greg & John Give their reaction to Zach Cregger's full Resident Evil Official Trailer - bringing the survival horror of Raccoon City back to the big screen with Austin Abrams (Euphoria, Whalefall). They break down Austin Abrams' journey toward Raccoon City General, the abandoned farmhouse, the ominous phone call, the search for shotgun shells, the typewriter save reference, and the game-inspired use of fixed camera angles and over-the-shoulder shots. And finally we react to the first trailer for Ebenezer: A Christmas Carol, the new Paramount Pictures film from Ti West, director of X, Pearl, MaXXXine, and The House of the Devil. Johnny Depp stars as Ebenezer Scrooge, returning to a major Hollywood leading role after performances in Pirates of the Caribbean, Edward Scissorhands, & more. The cast also features Ian McKellen (The Lord of the Rings, X-Men) as Jacob Marley, Rupert Grint (Harry Potter, Servant) as Bob Cratchit, and Sam Claflin (The Hunger Games, Me Before You) as Scrooge's nephew Fred. The film arrives in theaters November 13, 2026. Follow Greg Alba:  Instagram: https://www.instagram.com/thegregalba/ Twitter:  https://x.com/thegregalba Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Rakush, Julian, and Matt as they calmly and rationally discuss the pros and cons of Final Fantasy 7 Remake and Rebirth on this weeks episode of The Mistake Zone. 0:00 - Actual Saturday Morning Arcade 3:12 - Nostalgia Franchises 12:57 - One Plus 29:11 - FF7 Remake Initial Impressions 37:25 - FF16 Comparison 41:20 - Side Questing 49:05 - FF7 Original vs Remakes 58:08 - Rebirth and Chadley  1:20:06 - Minigames 1:27:03 - World  1:32:12 - Combat Gameplay 1:51:38 - Remake 2:07:29 - Don't Match Me: Final Fantasy 7 Remake

No Conference for Old Men is back for season 3! After a 2-month break, welcome to our first 2026 offseason interview episode (#81). The 3 Old Men return with a bang, as we sit down and chat with former UH player and now UH MBB Player Development Assistant, Ryan Elvin.  We cover things far and wide as we dive into Ryan's background, his journey as a former walk-on, his rise to cult hero status at UH after icing the NCAA tourney win over A&M in 2024, and his time on the UH coaching staff.  We bring a depth and insight into Ryan's background & perspective that you won't find anywhere else! - No Conference for Old Men is available for free via Spotify / Apple Podcast / SoundCloud & the GoCoogs.com YouTube Page; we're also available via Dave Campbell's College Podcast Network feed as their only basketball-centric offering. - Intro / Exit music:  Ground Zero provided by FreeBeats.io - Please follow us on https://gocoogs.com/old-men/ or https://www.youtube.com/@GoCoogs Learn more about your ad choices. Visit megaphone.fm/adchoices

After a 2 month break, welcome to our 1st offseason Interview episode (#81) of Season 3 on the No Conference for Old Men Podcast.The 3 Old Men return with a bang, as we sit down and chat with Ryan Elvin (UH MBB Player Development Assistant). We cover things far & wide as we dive into Ryan's background, his journey as a former Walk-on, becoming a cult hero at UH after icing the NCAA tourney win over A&M 2 seasons ago, to now becoming a part of the UH coaching staff. We bring a depth and insight into Ryan's background & perspective that you won't find anywhere else!- No Conference for Old Men is available for free via Spotify / Apple Podcast / SoundCloud & the GoCoogs.com YouTube Page; we're also available via Dave Campbell's College Podcast Network feed as their only basketball-centric offering.- Intro / Exit music: Ground Zero provided by FreeBeats.io- Please follow us on https://gocoogs.com/old-men/

The debut collaborative album from doPE—a project by The Doors' drummer John Densmore and Public Enemy's Chuck D—is titled no country for old men. The 2026 Record Store Day (RSD) exclusive release features the 2026 RSD Song of the Year, "every tick tick tick". do-Doors PE = Public Enemy The project's origins trace back to a 2014 Record Store Day panel, where the two music legends first met. A year later, Chuck D reached out to Densmore with a simple pitch: “You've got the beats, I've got the rhymes, let's make doPE”. The resulting record blends spoken word, rhythm, and raw social commentary to bridge generations of musical rebellion. Maggie & John discuss the project and listen to tracks together with John's play by play insight into the songs & messages. We also discuss the recent Bruce Springsteen American Music Honors concert where The Doors were honored. The Bruce Springsteen American Honors program—formally called American Music Honors—is an annual awards and celebration event created and presented by the Bruce Springsteen Archives & Center for American Music. Its purpose is to recognize artists who have had a profound and lasting impact on American music and culture.According to the Center, the program exists to honor American artists who demonstrate artistic excellence, creative integrity and a long term commitment to music's role in American life. The 2026 honorees for the Bruce Springsteen Center for American Music's annual American Music Honors were Dionne Warwick, Patti Smith, Dr. Dre, The E Street Band, and The Doors. The fourth annual ceremony took place on April 18, 2026, at Monmouth University's Pollak Theatre. The album No Country for Old Men by doPE (the collaboration between Chuck D and John Densmore) was released by the independent record label Org Music.Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Souce: https://recordstoreday.com/SpecialRelease/19800Source: https://www.johndensmore.com/Source: https://publicenemy.clothing/Source: https://rockhall.com/inductees/public-enemy/Source: https://springsteencenter.org/american-music-honors-2026/?playlist=c1441df&video=dc5d272Send us Fan MailSupport the show@profileswithmaggielepique@maggielepique

the long High June comes to a close with two very different westerns outro: https://youtu.be/dbGt-nFhzJ8?si=EOksF41EoX-hsXbJ patreon.com/generationloss

#588 Your independent alternative to the partisan voices you're used to nonetaken.horse

In this episode of the 18Forty Podcast, we talk to Jewish communal executive Carmi Schwartz about lessons he's learned in his 90-plus years as a member and leader of the Jewish community. In this episode we discuss: —What draws a professional to Jewish communal work rather than business pursuits or Torah scholarship?—How does one imbue organizational and Zionist work with religious Jewish content?—What has it been like to directly witness the Jewish community's tensions around driving on Shabbat, patrilineal descent, and recognition of non-Orthodox conversions?Interview begins at 10:20.Tune in to hear a conversation about all of the forks in the road that brought us to this moment in American Jewish history.Carmi Schwartz is a longtime leader in the North American Jewish federation system. He served as Executive Vice President of the Council of Jewish Federations (CJF), one of the organizations that later merged into today's Jewish Federations of North America. Earlier in his career, he held leadership positions with Jewish federations in Metropolitan New Jersey, Baltimore, Utica, Miami, and Montreal.References:No Country for Old Men (2007)For more 18Forty:NEWSLETTER: 18forty.org/joinCALL: (212) 582-1840EMAIL: info@18forty.orgWEBSITE: 18forty.orgIG: @18fortyX: @18_fortyWhatsApp: join hereBecome a supporter of this podcast: https://www.spreaker.com/podcast/18forty-podcast--4344730/support.

In this episode, Bookin' favorite Dan Hawkins joins host Jason Jefferies in a continuation of their readthrough of the works of Cormac McCarthy. No Country for Old Men, the novel and the film, are discussed at length, as are Sicario and Roberto Bolaño's 2666. Thank you for listening, and happy reading! 

Send us a text about your favourite films relating to the episode.My Film vs My Inspiration is back once again people for your listening pleasure. Boy have I got a gem of podcast for you. I'm joined by the writer, director Rick Stanton, behind the wonderful and powerful short film Spectrum. That stars Sinners very own Wunmi Mosaku and Ricks own brother Steve in the lead role. We'll be talking about his fantastic film in great detail, as well as his inspirational films that include, hold your breath, Clerks, No Country for Old Men, Nil by Mouth, Nope and The Royal Family TV show. We also talk about the real life events that inspired the film. This film is a powerful, important must watch. Do check it out on the links below.Spectrum website Spectrum Yutube FVF Social linkstwitterinstagramTikTokAs ever please enjoy.      Support the show

This week I'm joined by my co-founder of Beeya Wellness, Kaya Purohit, and we're sitting down with two women who completely changed how I thought about my own fertility journey: Ronit Menashe and Vida Delrahim, the founders of WeNatal. These two are best friends who go all the way back to their Nike days, and years later, they each had a miscarriage one week apart. When the doctors said "it's just your age, there's nothing you can do," they refused to accept it. They dug into the research and found something that stunned them: half of all miscarriages are linked to sperm quality. And no one had asked their husbands a single question.In this episode, we break down everything they wish every woman knew. We get into trimester zero and why it might be the most important trimester of all, the simple things you and your partner can start doing today to support your hormones and fertility, and why the "clock is ticking" narrative is not your full story. Ronit got pregnant at 41 and gave birth three days after her 42nd birthday. And that's the whole message of this episode: you have more control over your fertility than you think.If you've ever been told you're too old, too late, or too far behind, this episode is your proof that you're not. This episode is brought to you by Beeya:* If you or anyone you know have been struggling with hormonal imbalances and bad periods, go to https://beeyawellness.com/free to download the free guide to tackling hormonal imbalances* Plus, get $10 off your order by using promo code BEHINDHEREMPIRE10Follow Yasmin:* Instagram: https://www.instagram.com/yasminknouri/* Website: https://www.behindherempire.com/Follow Ronit and Vida: * Website: https://wenatal.com/* Instagram: https://www.instagram.com/we_natal/* Instagram: https://www.instagram.com/ronitmenashe/* Instagram: https://www.instagram.com/vidadelrahim/ Hosted on Acast. See acast.com/privacy for more information.

It's been said that you can spot an American from a mile away. Travelers to Europe are advised to adjust their attire to blend in with locals and avoid looking so … casual. The French think Americans are loud and rude, and Europe has a long tradition of sneering at how classless we all are, even before Trump.I spent a month in Italy, and it's a beautiful place. The slow living, the long naps when all the stores shut down for hours during the day, the tiny cars, the laundry drying on the balconies, the fresh food at the Farmer's Market. I feel lucky that when I came back from Italy, I was pregnant and having my baby is the single greatest thing that has ever happened to me. But I'm also glad she grew up in America.I used to travel to France to cover the Cannes Film Festival, and again, I admired their way of life, the food especially. But every time I stayed too long, I began to miss my home in America. There is something thrilling about living in a free country that I've never felt anywhere else.It seems to me that if you are born here, you make up your life as it goes along. It is not planned out for you, necessarily, although in some cases, I guess it probably is. In my case, it wasn't. I knew I could invent myself any way I wanted. And if I didn't like that version, I could reinvent myself. We're like our country, a work in progress. It's always there for the taking, that promise of opportunity.Donald Trump is all of America's freedoms wrapped up in one imperfect man. He broke through the thick layer of oppressive thought and speech and showed the world that here, you really can say anything you want - as long as some crazed totalitarian doesn't try to shoot you. That's the country I want to live in. It isn't that the greatest writing or art has come from a place like America. Plenty of great works have come from places that don't center freedom as their main objective. But once you've tasted it, you can't give it up.In his speech last night, Trump said:The American founding represents the best ideas and traditions in history by the best people, like you. You can be loyal to Karl Marx or you can be loyal to America. You can be a communist or you can be a patriot. You cannot be both. As for those who peddle Marxist lies about our heritage, tell our children that we live on stolen land or that our heroes were oppressors, they're doing something much worse than slandering our past. They are slandering and attacking our future. Not going to let that happen.They're trying to tear down the great American character to destroy the people who declared independence, who crossed the Delaware, who settled the West and conquered the skies. You know who those people are. But we will never let that happen.In America now, two stories are competing to claim the right to rule the future. Trump is telling the better story, the one America was founded on and the one we've all believed, at least up until recently, when a new wave of progressives decided that the better story paints America as a corrupt, rotten, white supremacist empire that has to be torn down to the studs and rebuilt.They must be terrified about the 2030 Census because they've decided to die on the hill of illegal immigration, which is fast becoming their most important issue. That, alongside Democratic Socialism, is a recipe for disaster.This was Bill Clinton's bummer message on the Fourth:I always thought Bill Clinton was a good president, but reading that just now makes me think he wasn't. All he's ever been able to do is point the finger at the other side and never offer any real solutions. He's not the man in the arena. He's the man on the sidelines.What I love about Trump and his supporters is how much they love America. They love it so much that they plant flags all over their homes. They admire the Founding Fathers. They call themselves Patriots. We didn't have that kind of pride on the Left when I was growing up.And even now, so many see the American flag and the love of country as dangerous, racist, bigoted, fascist. Whoever told those people that is what MAGA is about lied. They're protective of America's laws and its border. That is out of love for the country. The Left has taken almost everything from them. They've locked them out of culture, forbidden them from participating in any of their major events, dehumanized, demonized, and disenfranchised them. But the one thing they couldn't take was their citizenship. They hit the jackpot just by being born in America. To think it would be so easy for people all over the world to come here illegally and claim that prize or to come here and attempt to remake America into something it was never meant to be devalues the one thing they treasure most of all. I've always been a proud American. I've always preferred this country over any other, but only in the last few years have I understood what it means to be a Patriot, to be ready to fight for the country I love. And that is because of the people I've gotten to know on the Right.This country is worth fighting for. I might not agree with all of the policies on the Right, or even Trump himself, all of the time, but I'd rather have the future of this country in the hands of people who love it the way Trump does than people who hate it, the way so many on the Left do, just because their candidates are weak and their policies are toxic. I wanted to write 250 things I love about America, but it got too long, so this will have to do. Here are just some of the things I love:I love the interstates as part of the great legacy of Dwight D. Eisenhower.I love the Pacific Ocean because it stretches along the state. I love Catalina Island off the California Coast, where I spent many a summer with my best friend.I love seeing our history in the many cultures that came here, like Chinatown, Little Italy, Mexican food in LA, soul food in the South, Irish bars and pubs in the middle of nowhere. And yes, you can appreciate a nation of immigrants while still policing our borders now. I love how nice people are in some places, like California, Ohio, and Iowa, where they smile at you on the street.I love the weather extremes, from the dusty plains to the snowy mountains to hurricanes by the sea.I love the historic monuments from the Civil War and the Revolutionary War.I love the town squares that you can still see if you drive through the middle of America. Even though many are abandoned, they still look like hope to me.I love how each town square has a church, a post office, and a school.I love the many farmlands that blanket the Midwest.I love the small mom-and-pop coffee drive-throughs, and even the convenience of a Starbucks in nearly every town.I love Route 66 and how people still drive it and visit the forgotten places.I love the absurdity of Las Vegas, how it sprouts up impossibly in the middle of the desert.I love the American writers who helped shape our country's sense of itself - Mark Twain, F. Scott Fitzgerald, Flannery O'Connor, Richard Ford, Maya Angelou. I love the musical traditions that started here: Jazz and the Blues. And became Rock n' Roll. I love the Legend of Sleepy Hollow and the town that still remembers it.I love diners and dive bars.I love Gone with the Wind and how it's still the highest-grossing film of all time when adjusted for inflation. I love The Twilight Zone and find it timeless, as relevant today as it was in the 1950s.I love the footprints at the (Grauman's) Chinese Theater in Hollywood.I love the US military and its devotion to the country. I love the wildflowers that bloom in California every year.I love soft-serve ice cream at the DQ.I love Levi's.I love New York pizza.I love Solvang in California.I love driving up the Oregon coast. I love the songs of Bob Dylan.I love the tap dancing of Fred Astaire.I love how anyone can be a star on YouTube, no matter where they come from, but YouTube couldn't have been invented anywhere but America.I love how I could build a business as a single mom in a one-room guesthouse in Van Nuys, and that business would, five years later, become profitable because I worked hard and had a good idea. And then, when my career went up in flames in 2024 because I voted for Trump, I could build another career on Substack because that is what America is all about - inventing and reinventing yourself.I love the innovative spirit that built America in real life and online.I love reading about the early settlers, the Puritans, and the homesteaders, how much they sacrificed to help make America a home. And I love the history of the Native Americans, too, even if so much of it remains a tragedy now. I love high-speed internet and Wi-Fi that are available almost everywhere, and if they're not, I have a hotspot.I love the old American cars that were not just exceptional but beautiful.I love the tradition of baseball.I love that people faithfully watch football, even if I don't.I love the tradition of sourdough bread all over social media.I love that the best basketball players in the world are from here.I love that every state is different from one to the next.I love Harper's Ferry, how it's frozen in time.I love that we found a way to move on from the trauma of our past with slavery and how we fought a bloody Civil War to end it. I love that we were the good guys in World War II. We did the right thing in entering the war and helping the Allies win. I love that you can be anything here. The door is always open. It's up to you to walk through it.I love that America is a Christian nation, and you can see that if you drive across it. But it's also a country that stands for freedom of religion, too.I love the American comedians: Groucho Marx, George Carlin, Richard Pryor, Steve Martin, and Johnny Carson.I love that the best films from the 1970s were American movies, like The Godfather, The French Connection, Taxi Driver, and Network. But I also love more modern masterpieces by American filmmakers, like No Country for Old Men and Sideways.I love that people play the lottery, thinking one day they will hit the jackpot. They never will, but they can still dream.I love Thanksgiving and the way we celebrate it in America, which is to say, all together as one big dysfunctional family.I love the tradition of Halloween and how every October, the pumpkins and costumes come out. I love the way the weather changes. I love the Declaration of Independence and those who dared to build this wild, untamed, optimistic work in progress. I love that America is always looking to the future to find a better version of itself and its people. I love that so many Americans still believe in the American Dream.I love watching the movie Jaws on the 4th of July.I love that people watch fireworks, even if I never do, because they traumatize my dogs.I love that we have a holiday just to celebrate the day we became a country, a ragtag group of deplorable revolutionaries who set out to build a brand new country. Oh, the audacity of it. I love living here and would not want to live anywhere else. Happy 250th Birthday, my beloved country.Happy 4th to you, dear readers. Thanks for everything. I hope you are having a wonderful weekend. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Seller productivity is being redefined in real time, and the divide is no longer about effort or experience. In this segment, Alex Varel shares a grounded look at how AI is already reshaping the role, from a RevOps leader training multiple agents in a single weekend to the expectation that sellers will augment their own output. The conversation highlights a growing reality for revenue teams: those who get hands-on with AI will operate at a different level, while those who don't risk falling behind faster than they expect. Alex Varel is EVP of Worldwide Sales at Cerebras Systems, where he leads global go-to-market efforts at the forefront of AI infrastructure. He has built and scaled high-performing teams across MongoDB, Zscaler, and Multiverse, driving growth through IPO, hyper-scale expansion, and emerging technology shifts. Connect with Alex: LinkedIn Resources mentioned: "The Power of Myth" by Joseph Campbell "AI Superpowers" by Kai-Fu Lee “Leonardo da Vinci” by Walter Isaacson "No Country for Old Men" by Cormac McCarthy "The Road" by Cormac McCarthy “The Founders: The Story of Paypal and the Entrepreneurs Who Shaped Silicon Valley” by Jimmy Soni Listen to the full episode: How AI Is Rewriting the Sales Playbook and Raising the Bar on Human Performance with Alex Varel Hosted by five-time CRO John McMahon and Force Management Co-Founder John Kaplan, the Revenue Builders podcast goes behind the scenes with the sales leaders who have been there, done that, and seen the results. This show is brought to you by Force Management. We help companies improve sales performance, executing their growth strategy at the point of sale. Connect with Us: LinkedInYouTubeForce Management

To prove he truly absorbs movies even when not glued to the screen, Wes submits to a blind quiz on–surprise–NO COUNTRY FOR OLD MEN. Does Iris prove her point, even if Wes's overall knowledge is impressively deep? CONTAINS MAJOR SPOILERS. Thanks for listening!  818-835-0473 orwhatevermovies@gmail.com www.orwhatevermovies.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Joe has a sickness bug. Nick has a bad back. In this short and utterly inadequate episode, we talk a little bit about well-meaning but tone-deaf sermons and what really might bring us happiness in the life to come. Also we think a little about books for mid-faith crisis. What are your favourites? Support the podcast Contact the podcast through your email machine Mid-faith Crisis Facebook Page Nick's Blog Mentioned in this episode: Woven: Nurturing a Faith Your Kids Doesn't Have to Heal From ‎What Dreams May Come City of Angels | Wikipedia Adrian Plass | Heavenly Playground Paul McGee | The SUMO Guy

We revisited movies that leave emotional dents in the audience. We reflected on the particular impact of Bone Tomahawk, Memento, and No Country for Old Men, each of which demonstrates that filmmakers possess an alarming ability to rearrange our nervous systems using little more than editing, tension, and a refusal to provide comforting explanations. That discussion led naturally to sports culture, which in America occasionally transforms victory into an elaborate public works project involving overturned objects and insurance claims. We traded stories about celebrations that escalated into city-wide chaos, highlighting the peculiar civic tradition of expressing affection for a team by setting fire to things the team had never asked anyone to ignite. Along the way, we examined regional rivalries and the enduring belief that residents of other cities are fundamentally misguided people whose sports preferences reveal deep character flaws. The focus widened to the curious presence of protestors outside Christian rock concerts, a niche activity requiring both logistical commitment and a sophisticated understanding of where Christian rock concerts are being held. We considered how these groups operate and the strange optics of objecting to music performed by people who are, on paper, already in broad ideological agreement with them. We considered how analogies work and whether they can be trained the same way people train themselves to catch flying Frisbees or remember where they parked. Through improv exercises and whatever everyday objects happened to be nearby, we discovered that the human brain is apparently eager to connect unrelated things, which is both the foundation of creativity and the reason someone eventually compares municipal budgeting to a crockpot. We also explored the paradox of songwriting, where jokes sometimes become hits and carefully engineered masterpieces occasionally disappear without a trace. Creating under pressure requires a willingness to chase ideas that initially sound ridiculous, while popularity itself remains stubbornly indifferent to effort, expertise, or anyone's carefully developed five-year plan. The same unpredictability surfaced in conversations about celebrity opinions, social media bans, and the mysterious mechanics by which certain people become influential while others post into the digital equivalent of an abandoned mall food court. By the end, we had connected improv exercises, traumatic movie endings, championship riots, concert protestors, songwriting deadlines, curmudgeonly tendencies, and the fragile economics of internet fame.

We revisited movies that leave emotional dents in the audience. We reflected on the particular impact of Bone Tomahawk, Memento, and No Country for Old Men, each of which demonstrates that filmmakers possess an alarming ability to rearrange our nervous systems using little more than editing, tension, and a refusal to provide comforting explanations. That discussion led naturally to sports culture, which in America occasionally transforms victory into an elaborate public works project involving overturned objects and insurance claims. We traded stories about celebrations that escalated into city-wide chaos, highlighting the peculiar civic tradition of expressing affection for a team by setting fire to things the team had never asked anyone to ignite. Along the way, we examined regional rivalries and the enduring belief that residents of other cities are fundamentally misguided people whose sports preferences reveal deep character flaws. The focus widened to the curious presence of protestors outside Christian rock concerts, a niche activity requiring both logistical commitment and a sophisticated understanding of where Christian rock concerts are being held. We considered how these groups operate and the strange optics of objecting to music performed by people who are, on paper, already in broad ideological agreement with them. We considered how analogies work and whether they can be trained the same way people train themselves to catch flying Frisbees or remember where they parked. Through improv exercises and whatever everyday objects happened to be nearby, we discovered that the human brain is apparently eager to connect unrelated things, which is both the foundation of creativity and the reason someone eventually compares municipal budgeting to a crockpot. We also explored the paradox of songwriting, where jokes sometimes become hits and carefully engineered masterpieces occasionally disappear without a trace. Creating under pressure requires a willingness to chase ideas that initially sound ridiculous, while popularity itself remains stubbornly indifferent to effort, expertise, or anyone's carefully developed five-year plan. The same unpredictability surfaced in conversations about celebrity opinions, social media bans, and the mysterious mechanics by which certain people become influential while others post into the digital equivalent of an abandoned mall food court. By the end, we had connected improv exercises, traumatic movie endings, championship riots, concert protestors, songwriting deadlines, curmudgeonly tendencies, and the fragile economics of internet fame.

We revisited movies that leave emotional dents in the audience. We reflected on the particular impact of Bone Tomahawk, Memento, and No Country for Old Men, each of which demonstrates that filmmakers possess an alarming ability to rearrange our nervous systems using little more than editing, tension, and a refusal to provide comforting explanations. That discussion led naturally to sports culture, which in America occasionally transforms victory into an elaborate public works project involving overturned objects and insurance claims. We traded stories about celebrations that escalated into city-wide chaos, highlighting the peculiar civic tradition of expressing affection for a team by setting fire to things the team had never asked anyone to ignite. Along the way, we examined regional rivalries and the enduring belief that residents of other cities are fundamentally misguided people whose sports preferences reveal deep character flaws. The focus widened to the curious presence of protestors outside Christian rock concerts, a niche activity requiring both logistical commitment and a sophisticated understanding of where Christian rock concerts are being held. We considered how these groups operate and the strange optics of objecting to music performed by people who are, on paper, already in broad ideological agreement with them. We considered how analogies work and whether they can be trained the same way people train themselves to catch flying Frisbees or remember where they parked. Through improv exercises and whatever everyday objects happened to be nearby, we discovered that the human brain is apparently eager to connect unrelated things, which is both the foundation of creativity and the reason someone eventually compares municipal budgeting to a crockpot. We also explored the paradox of songwriting, where jokes sometimes become hits and carefully engineered masterpieces occasionally disappear without a trace. Creating under pressure requires a willingness to chase ideas that initially sound ridiculous, while popularity itself remains stubbornly indifferent to effort, expertise, or anyone's carefully developed five-year plan. The same unpredictability surfaced in conversations about celebrity opinions, social media bans, and the mysterious mechanics by which certain people become influential while others post into the digital equivalent of an abandoned mall food court. By the end, we had connected improv exercises, traumatic movie endings, championship riots, concert protestors, songwriting deadlines, curmudgeonly tendencies, and the fragile economics of internet fame.

This week Ryan talks about the White House UFC event that showed freedom? Breaks down a great NBA and NHL Final and asks why old people want to be in charge. Subscribe! E-Mail:RyanWoodspod@gmail.comYoutube: https://www.youtube.com/channel/UC1Nu1XWTHMOjA9--Eb3Ry-ATwitter: https://twitter.com/Ryan_WoodssInstagram: https://www.instagram.com/ryanwoodss/Facebook: https://www.facebook.com/IntoTheWoodspod/

“Power trumps money fundamentally. And I think we've seen the extent to which these companies are very subservient to the US government. Because the US government can break them in an instant.” — Jack Watling on whether Anthropic and OpenAI can become geopolitical players In Cormac McCarthy's 2005 novel No Country for Old Men, an ageing Texas sheriff finds himself outmatched by a killer operating by a logic the old rules can't contain. It's the story of a man shaped by one world, and then trying to operate in an entirely different system. That's also the situation facing many statesmen today who are having to operate in an international system where the old rules no longer apply. The British military strategist Jack Watling argues in his new book Statecraft: The New Rules of Power in a Divided World that we have moved from a monopolar world to one of intensely multipolar competition where adversaries can subvert all the premises of another state's strategy. These disruptive rules of the 21st century multipolar international system aren't entirely new. There are, for example, eerie similarities with the chaotically multipolar system that led to the First World War. But they are new to the leaders who have to apply them. So, for example, they are having to deal with Vladimir Putin who is locked into an eighth-century Orthodox Holy Russian Empire fantasy. Or with the impulsive and disruptive Donald Trump whose only goal, it sometimes seems, is to subvert all the rules of the old world. These are Jack Watling's new rules of power in a divided world. New statecraft for old men. Or maybe old statecraft for new men. Five Takeaways •       The Rules Are New to the Leaders, Not the World: Watling's thesis: many of the principles in his book are old, as a historian he knows that. But they are new to the current crop of political leaders because they were formed in a monopolar world where America had primacy, crises were resolved, and the status quo was restored. We are now in a period of intense interstate competition where changes are permanent — the interventions that are being made fundamentally shift the trend. That does require a new way of thinking. The tragedy is that the leaders who most need to think in new ways — Putin and Trump in particular — are the least capable of it. •       Putin vs Trump: Two Different Kinds of Fallibility: Putin has locked himself into a rubric of looking at the world through the lens of the Orthodox Holy Russian Empire — a framework that doesn't align with how anyone else reads the map. He's not a pragmatic dealmaker; when you get him to the table, as Trump found in Alaska, he starts referring back to the eighth century. Trump is very different: much less cautious, much more impulsive, skilled at making the conversation happen on his terms by disrupting everything around him. The problem with impulsive rather than deliberate is that he has no clear idea of where he wants to get to. Both fallible. Neither predictable. •       The WWI Parallel: Over By Christmas: Watling's most sobering analogy: when we look at 1914, nobody thought it would become what it became. The assumption was over by Christmas. It grew out of any capacity to control it. Today, the rules between the great powers don't reflect where power actually sits. The capacity for a conflagration — Taiwan being the obvious tipping point — to suddenly trigger a series of escalations around the world is very real. We have to be cognisant that risk is latent in the system. The outcome we most wish to avoid is also the most mutually calamitous one. That's not a guarantee it won't happen. •       Power Trumps Money — Even Trumpian Power Trumps Trumpian Money: Andrew asks whether Anthropic and OpenAI could become geopolitical players — more powerful than middle powers like Brazil or Japan. Watling's answer: no. Russian oligarchs made this mistake in the 1990s. They thought that because they had huge amounts of money and controlled valuable resources they could play geopolitically. They were very quickly subsumed by the state. These tech companies are very subservient to the US government, which can break them in an instant. The pun lands perfectly: even Trumpian power trumps Trumpian money. •       How Smaller States Build Leverage: Stay Off the Menu: One of the book's central arguments: how do smaller states shape world events when dwarfed by superpowers? Watling's answer: leverage is not just military. It is economic, informational, reputational. The UK spends billions on aircraft carriers it struggles to support at sea — a good illustration of how a state can mistake the form of power for its substance. Smaller states that build genuine leverage — through control of chokepoints, indispensable relationships, asymmetric capabilities — can stay off the menu even in a world dominated by great powers. That requires statecraft. Not just military spending. About the Guest Jack Watling is Senior Research Fellow for Land Warfare at the Royal United Services Institute (RUSI) in London. He works closely with the British, Ukrainian, and American military and advises governments on security and strategy. He was formerly a Global Fellow at the Wilson Center in Washington, D.C. He is the author of Statecraft: The New Rules of Power in a Divided World (Pan Macmillan, 2026) and The Arms of the Future: Technology and Close Combat in the Twenty-First Century. Originally a journalist, he has contributed to Reuters, The Atlantic, Foreign Policy, and The Guardian. References: •       Statecraft: The New Rules of Power in a Divided World by Jack Watling (Pan Macmillan, 2026). •       Episode 2935: Michael Mandelbaum on The American Way of Foreign Policy — referenced in the conversation. •       RUSI (Royal United Services Institute), Whitehall, London — Watling's institutional base. About Keen On America Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,900 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting. WebsiteSubstackYouTubeApple Podcasts

In 2024, The New York Times Book Review gathered more than 500 novelists, nonfiction writers, poets and literary enthusiasts to help pick the best books of the 21st century so far. One of those books was Cormac McCarthy's Pulitzer Prize-winning novel, “The Road,” which came in at No. 13. That book tells the story of a man and his young son trying to survive in a postapocalyptic United States. Like other books by McCarthy, it combines ornate prose with moments of unforgettable violence. It is also a moving story of love and parenthood under the most extreme circumstances. One of the people who voted on our best books list was Ryan Holiday, author of more than a dozen nonfiction books, host of the “Daily Stoic” podcast and owner of the Painted Porch Bookshop in Bastrop, Texas. We recently invited him on the “Book Review” podcast to talk about “The Road,” and how its meaning changed for him after he became a father. Books Discussed on This Episode: “The Road” by Cormac McCarthy “No Country for Old Men” by Cormac McCarthy “All the Pretty Horses” by Cormac McCarthy “Blood Meridian” by Cormac McCarthy “The Odyssey” by Homer “The Great Gatsby” by F. Scott Fitzgerald “The Children of Men” by P. D. James “The Plague” by Albert Camus “Revolutionary Road” by Richard Yates “Meditations” by Marcus Aurelius “Of Boys and Men” by Richard Reeves “Outdoor Kids in an Inside World” by Steven Rinella “Letter to His Father” by Franz Kafka “Range” by David Epstein “Good Inside” by Becky Kennedy “Wild Dark Shore” by Charlotte McConaghy “Death Be Not Proud” by John Gunther “The Revenant” by Michael Punke Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Which of these worthy adaptations deserves to be considered among the best ever put to film? In episode 384, join writer Luke Elliott and filmmaker James Bailey as they make the case and then argue over which three are the most deserving to make it in as Ink to Film's third class. The nominees are: "Arrival," "No Country for Old Men," "The Princess Bride," "The Return of the King," "The Exorcist," and "Dr. Strangelove." Which ones make the cut? Episode Breakdown: Intro Presenting the Contenders Awarding Scores Final Deliberations Announcing the 2026 Class Join our Discord channel https://discord.gg/yQpgu9jYB2 Pickup any of the books they've covered at the Ink to Film Bookshop https://bookshop.org/shop/inktofilm Support Ink to Film on Patreon for bonus content, merch, and the ability to vote on upcoming projects https://www.patreon.com/inktofilm Ink to Film's Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com Luke Elliott Website: www.lukeelliottauthor.com Social Media: https://www.lukeelliottauthor.com/social Writing: https://www.lukeelliottauthor.com/publications James Bailey Bluesky: https://bsky.app/profile/jamebail.bsky.social IG: https://www.instagram.com/jamebail/

Send us Fan MailIn today's episode, I interview Wesley Wang, director of the short film “Violet and Marlowe Rob a Bank,” a frenetic animated short set to a new song "Feel It All Again" by adore.Listen to hear about the collaboration between Wesley and adore with their unreleased music, some of the films that informed the creation of these characters, and his plans for the future of his company in the new age of digital media.Books mentioned in this episode include:The Trial by Franz KafkaThe Metamorphosis by Franz KafkaFilms and TV shows mentioned in this episode include:“Violet and Marlowe Rob a Bank” directed by Wesley Wang"nothing, except everything." directed by Wesley WangBonnie and Clyde directed by Arthur PennThe Matrix directed by Lilly Wachowski and Lana WachowskiJohn Wick directed by Chad Stahelski and David LeitchFantastic Mr. Fox directed by Wes AndersonWallace & Gromit directed by Nick ParkBackrooms directed by Kane ParsonsIron Lung directed by MarkiplierBrazil directed by Terry GilliamMulholland Drive directed by David LynchCity Lights directed by Charlie ChaplinThe Master directed by Paul Thomas AndersonThere Will Be Blood directed by Paul Thomas AndersonNo Country for Old Men directed by Joel Coen and Ethan CoenOther media mentioned in this episode:"did i tell u that i miss u" by adore"Feel It All Again" by adoreFollow Wesley on Instagram @wesleywanggg and subscribe to his YouTube channel @wesleywangfilm. You can also follow the film on Instagram @violetnmarlowe.Support the show

When I saw that this movie was described as a neo-Western crime drama, I said say less cause that's my favorite type of movie! And David was right, this movie holds up nicely and was right up my alley! This wasn't a watered down version of No Country for Old Men! We hope you enjoy this episode!     Music: https://jessejacethomas.bandcamp.com/album/want Create your podcast today! #madeonzencastr

Last week Amy admitted she mostly just wanted to escape her life when she signed up for the Camino. This week, she tells you what actually happened when she got there — and it is tender, raw, funny, and genuinely miraculous. From blisters that should have stopped her to a stranger on a cobblestone street who blew her a kiss and changed everything, this episode is about what becomes possible when you slow down enough to notice. Amy and Karla also unpack one of the most profound questions a pilgrimage will ask of you: can you rest? Can you stop pushing through? Can you let yourself be cared for? For the overachievers, the caretakers, and the people who are last on their own list — this one is going to hit close to home. Plus, Karla shares her own experience of tending to others' pain and what she learned about the difference between witnessing suffering and internalizing it. That distinction alone is worth the listen.   Curious about pilgrimages or spiritual direction? Reach out to Karla Woggon, Director of Soul Sauntering:

Jen and Sarah dive into the coin toss scene in ‘No Country for Old Men.' They discuss Javier Bardem's Oscar-winning performance, the impactful cinematography, and the use of silence in this iconic scene. Click here to watch this scene. Remember to leave a rating and review of this episode. Connect with Movies & Us on Instagram, Threads, and Bluesky @moviesanduspod or by email at moviesanduspod@gmail.com. Check out andusmedia.co for the latest on Movies & Us and TV & Us. And subscribe to Movies & Us on YouTube for full video episodes and more. Join the & Us Living Room for early access to ad-free episodes, exclusive bonus content, and more! Movies & Us is part of the Movie Archer Podcast Network. Learn more at moviearcher.com. 

This week, we continue our series chatting about the best 25 films of the 21st century (so far). This week it's our 15th film and the first of two Coen entries on the list: 2007's No Country for Old Men. We chat about the ambiguities of the film, the way our view has changed over the years, as well as what style of Coens we like the best.Then, we chat about the last couple of weeks at the box office as Obsession and Backrooms dominate and Star Wars falls. We are putting this list together based on the rankings of our Patrons. You can check out the list, compile your own, and help influence the top 25 over at Doofmovies.com!Support us on Patreon: https://www.patreon.com/doofmediaFollow us on Twitter: @doofmediaSee all of our podcasts and more at doofmedia.com!

It was finally time for Naomi to experience one of the most acclaimed—and unsettling—movies ever made! From Anton Chigurh's terrifying presence to an ending that left her with some...strong thoughts, this was one of Naomi's most intense first-watch experiences yet! And what exactly does that ending mean?!?Plus, single-person luxuries or single slobs trying to convince themselves, how to get your house cleaned for a year for free, and is this the most dangerous place to eat chicken nuggets? Let's go Knicks, it's Luke & Naomi!

IS THIS ACTUALLY THE BEST ONE IN THE TRILOGY?! Men in Black 3 (2012) Full Movie Reaction & Review with Greg Alba and Jackie Bonsignore! Men in Black 3 Full Movie Uncut Watch Along:   / thereelrejects   -Check out the DC Studios Showcase Podcast here https://app.magellan.ai/listen_links/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ In this comprehensive movie review and reaction, Greg and Jackie conquer a wild rewatch filled with high-stakes timeline shifts and surprisingly deep character growth. We unpack the incredible comedic and dramatic performances of the legendary stellar cast, featuring Will Smith (Bad Boys, The Pursuit of Happyness) returning with his classic charisma as Agent J, Tommy Lee Jones (The Fugitive, No Country for Old Men) as the stoic, world-weary Agent K, and Josh Brolin (Avengers: Endgame, Sicario) delivering an absolutely flawless, mind-blowing impression as the younger 1969 variant of Agent K. We also break down the phenomenal presence of the main villains and supporting players, including Jemaine Clement (Flight of the Concords, What We Do in the Shadows) as the hyper-lethal, moon-escaping Boris the Animal, Emma Thompson (Sense and Sensibility, Love Actually) as Agent O, Bill Hader (Barry, Superbad) in a brilliant undercover cameo as Andy Warhol / Agent W, Michael Stuhlbarg (A Serious Man, Call Me by Your Name) as the sweet, fifth-dimensional being Griffin, and Mike Colter (Luke Cage, Evil) in a devastatingly emotional role. Our hosts react to every iconic visual gag, massive effects sequence, and tragic narrative beat this film has to offer. We break down the disgusting opening lunar prison breakout involving an alien-drenched cake, the dark comedy of K's shockingly brief funeral eulogy for Zed, and the intense Chinese restaurant shootout featuring a giant, aggressive alien fish brawl. We unpack the sheer terrifying thrill of the Chrysler Building time jump that triggers temporal fracture headaches cured by chocolate milk, the investigative logic of eating pie to unlock the secrets of the universe, and the massive Apollo 11 launchpad climax where the past and future completely collide. Greg and Jackie were both completely blown away by how much extra heart, emotional stakes, and cohesive storytelling this sequel brings compared to Men in Black 2, concluding with a beautifully tragic ending twist that fundamentally redefines the entire bond between J and K. Follow Greg Alba:  Instagram: https://www.instagram.com/thegregalba/ Twitter:  https://x.com/thegregalba Follow Jackie Bonsignore: https://www.instagram.com/jackiebonsignore/ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

How do very old men have children?

In this episode, I reflect on Cormac McCarthy's dark and haunting vision of the world through the lens of a recent Substack essay on his “gnostic conservatism.” Rather than treating McCarthy as a political writer in any simple sense, I explore his deeper existential concerns: violence, fate, evil, tenderness, and the fragile mystery of goodness in a fallen world.I think about Blood Meridian, No Country for Old Men, and The Road as works that refuse easy optimism while still leaving room for something like hope. McCarthy's world is often brutal, cold, and morally terrifying, but again and again there is also the image of fire: something fragile, humane, and sacred that must be carried even when there is no guarantee it will prevail.This episode is about darkness without despair, hope without sentimentality, and what it means to keep carrying the fire.

In this episode, I reflect on Cormac McCarthy, masculinity, therapy, and the fragile work of carrying the fire. I begin with a personal memory of my own therapist, who loved McCarthy's novels and encouraged me to read them during my own therapy process, and then I explore why those books continue to matter to me now as a therapist working with men who are trying to deconstruct machismo, emotional repression, and inherited versions of masculinity that have cut them off from tenderness, grief, intimacy, and their own inner lives.Through No Country for Old Men and The Road, I think about masculinity not simply as something to condemn or defend, but as something that can mature or fail to mature. McCarthy gives us men who are brave, capable, haunted, violent, loving, terrified, and often unable to speak directly about what is destroying them. And in that world, “carrying the fire” becomes a powerful image for a different kind of strength: not domination, not invulnerability, not control, but the ability to protect something vulnerable without destroying it.This episode is about fathers and sons, old myths and new possibilities, therapy as a different kind of initiation, and the hope that even in the dark, men can learn to become more fully human.

[Redacted]: Conspiring with Jesus 7/7 Rev. Dr. Katie Hays Contemplation of your baptism, past or future. Through our baptisms, we join the communion of the saints around the world, past and future. We are a link in a long chain of those who preserve the story, “the keepers of the horn” in Cormac McCarthy's phrase in No Country for Old Men. How wonderful to be part of something so old and so beautiful! To tell us your thoughts on this sermon, click through to the web posting and leave us a comment. Or, find us on social media: Facebook, Twitter, and Instagram. Or, email us the old-fashioned way: info@galileochurch.org. To contribute financially to the ongoing ministry of Galileo Church, find us on Venmo, Patreon, or Zelle (generosity@galileohurch.org), or just send a check to P.O. Box 668, Kennedale, TX 76060

Thanks to our awesome Patrons, we're proud to present another episode of Mediasplode! What's a Mediasplode? It's a monthly special edition show in which we talk about what we are enjoying in media outside of the realm of comic books. It's like our All Media Year End Round-Up but in a shorter, monthly format. Note: Time codes are estimates due to dynamic ad insertion by the distributor. SPOILERS BELOW! Running Time: 00:51:39 This month, Conor Kilpatrick is joined by Paul Montgomery and Dr. Ryan Haupt to discuss… What We've Been Enjoying:00:01:11 – Conor watched the revival of Scrubs, binged Shrinking, and watched Rooster.00:08:05 – Ryan watched the new season of Just a Dash and series 19-21 of Taskmaster.00:16:22 – Paul watched Exit 8 and the new 4K release of Hold That Ghost. Old Men on Old Movies:00:23:59 – The Phantom Music:“Left to Right (iFanboy Theme)”Josh Flanagan Listen to Conor, Josh, and Ron on their other show Goodfellas Minute. Listen to Conor and Ron reminisce about Goodfellas Minute on Sporadicast: An Oral History of Movies by Minutes. Listen to Conor, Josh, and Ron discuss Blade (1998) on Cradle to the Grave. Listen to Josh discuss Fargo on Movie of the Year: 1996. Listen to Conor discuss Swingers on Movie of the Year: 1996. Watch Ron talk about pinball technology on the Daily Tech News Show. Listen to Conor discuss Ghostbusters on Movie of the Year: 1984. Listen to Conor, Josh, and Ron discuss The Crow (1994) on Cradle to the Grave. Listen to Josh discuss Jaws 4: The Revenge (1987) on Cradle to the Grave. Listen to Josh discuss Indiana Jones and the Temple of Doom (1984) on Cradle to the Grave. Watch Josh and Conor talk about how to start a podcast on OpenWater. Listen to Ron talk about The Phantom Menace minute 80 on Star Wars Minute. Listen to Ron talk about Return of the Jedi minute 124 on Star Wars Minute. Listen to Conor talk about Return of the Jedi minute 104 on Star Wars Minute. Listen to Ron talk about The Empire Strikes Back minute 115 on Star Wars Minute. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeff and Rebecca wrap up recommendation season. Discussed in this episode: The Intuitionist by Colson Whitehead Lincoln in the Bardo by George Saunders Julie Otsuka Susan Choi How to Live Safely in a Science Fictional Universe by Charles Yu The Hike by Drew Magary The Wilderness by Angela Flournoy Kin by Tayari Jones, go back to Fates & Furies by Groff Mrs Dalloway by Virginia Woolf Pachinko by Min Jin Lee Red Mars by Kim Stanley Robinson Siracusa by Delia Ephron Roman Stories by Jhumpa Lahiri Call Me By Your Name by Andre Aciman From Scratch by Tembi Locke Beautiful Runs by Jess Walter A Room with a View by E.M. Forster Go Like Hell The Tusk That Did the Damage by Tania James By the Sea by Abdulrazak Gurnah The Snows of Kilimanjaro by Hemingway The Poisonwood Bible by Barbara Kingsolver Dark Star Safari by Paul Theroux Things Fall Apart by Chinua Achebe Unbound by Steph Jagger Riverman by Ben McGrath In the Shadow of the Mountain So Old, So Young by Grant Ginder Behold the Dreamers by Imbolo Mbue Extremely Loud and Incredibly Close by Jonathan Safran Foer Last Night in Brooklyn by Xochitl Gonzalez Great Expectations by Vinson Cunningham Life in the Three Dimensions by Shegihiro Oishi So Good They Can't Ignore You by Cal Newport Congratulations, By the Way by George Saunders Letters to a Young Poet by Rainer Maria Rilke The List of Things That Will Not Change The Vanderbeerkers of 141st Street By Karina Yan Glaser Dragon Pearl The Eyes of the Impossible Daughter of the Deep The Story That Cannot Be Told Who is Government by Michael Lewis Two Women Living Together by Kim Hana and Hwang Sunwoo The Nickel Boys by Colson Whitehead Greta & Valdin by Rebecca K Reily The Sparrow, Wild Dark Shore Whidbey The Dream Hotel The Night Watchman by Louise Erdrich The Women of Brewster Place by Gloria Naylor The Joy Luck Club by Amy Tan The Pirate Queen by Ariel Lawhon On Stranger Tides by Tim Powers Gentlemen of the Road by Michael Chabon Interpreter of Maladies, Tenth of December Almost Famous Women Lost in the City by Edward P Jones The House on Mango Street by Sandra Cisneros Sweetbitter by Stephanie Danler Eat a Peach by David Chang Life is Meals by James & Kay Salter Chocolat by Joanne Harris Kitchens of the Great Midwest by J Ryan Stradal Go Gentle by Maria Semple Less by Andrew Sean Greer Pincher Martin by William Golding Black No More by George Schuyler Invisible Cities by Italo Calvino The English Understand Wool by helen dewitt Sea of Tranquility by Emily St John Mandel Still Life with Woodpecker by Tim Robbins Transcription by Ben Lerner Blood Meridian by Cormac McCarthy No Country for Old Men by Cormac McCarthy Butcher's Crossing by John Williams This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Thanks to our sponsor, Merit Beauty. Right now, Merit Beauty is offering our listeners their Signature Makeup Bag with your first order at meritbeauty.com. Head to quince.com/bookriot for free shipping on your order and 365-day returns. Now available in Canada, too! Learn more about your ad choices. Visit megaphone.fm/adchoices

Philippians 1  What is the TLC? ("This little corner of the Internet" also know as "the corner" https://youtu.be/Y3vqSjywot8?si=IVS3bnriwje5syPO TLC Search tool. https://tlc.ghost.tel/ The Flotilla List: https://thislittlecorner.net/channels https://www.livingstonescrc.com/give https://www.rigelthurston.com/p/austin-estuary-weekend-paul-vanderklay  https://www.eventbrite.ie/e/finding-god-in-nature-and-culture-tickets-1988447493982 Event in Ireland London Breakwater Event link https://www.tickettailor.com/events/flowinthedarkproductions/2159501 Paul Vander Klay clips channel https://www.youtube.com/channel/UCX0jIcadtoxELSwehCh5QTg https://www.meetup.com/sacramento-estuary/ My Substack https://paulvanderklay.substack.com/ Bridges of meaning https://discord.gg/yXtv7fcH Estuary Hub Link https://www.estuaryhub.com/ There is a video version of this podcast on YouTube at http://www.youtube.com/paulvanderklay To listen to this on ITunes https://itunes.apple.com/us/podcast/paul-vanderklays-podcast/id1394314333  If you need the RSS feed for your podcast player https://paulvanderklay.podbean.com/feed/  All Amazon links here are part of the Amazon Affiliate Program. Amazon pays me a small commission at no additional cost to you if you buy through one of the product links here. This is is one (free to you) way to support my videos.  https://paypal.me/paulvanderklay Blockchain backup on Lbry https://odysee.com/@paulvanderklay https://www.patreon.com/paulvanderklay Paul's Church Content at Living Stones Channel https://www.youtube.com/channel/UCh7bdktIALZ9Nq41oVCvW-A To support Paul's work by supporting his church give here. https://tithe.ly/give?c=2160640 https://www.livingstonescrc.com/give  

“The Old Die Rich”: They found him in an alley, dead of hunger, with seventeen thousand dollars sewn into the lining of his coat. He wasn't the first. He wouldn't be the last. Every one of them old. Every one of them starved. Every one of them carrying a bank book whose entries went back fifty years — in ink only months old. Private investigator Mark Weldon has chased the pattern across the city, and the pattern keeps leading back to a brownstone on Eldridge Avenue, and a beautiful red-haired physicist with ice-blue eyes and a want-ad that only hires men nobody will miss. Her name is May Roberts. Her laboratory hums behind a locked door. And the old men who walk through it come home rich — just in time to die. | #RetroRadio #WeirdDarkness | EP0634Look for this podcast on YouTube Music, Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and numerous other podcast apps. Get the full list of options here: https://weirddarkness.tiny.us/OTRCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “To Be a Rose” (August 29, 1977) 00:46:54.231 = BBC Spinechillers, “Inner Critic” (April 2006)01:00:50.698 = Stay Tuned For Terror, “Lizzie Borden Took An Axe” (July 23, 1945) ***WD01:13:48.186 = Strange Wills, “Lady And The Pirate” (June 29, 1946) ***WD01:43:28.483 = Suspense, “Sisters” (February 03, 1944)02:13:20.326 = Tales of the Frightened, “Deadly Dress” (1957)02:17:58.583 = Tales of Tomorrow, “The Old Die Rich” (March 26, 1953) ***WD02:49:45.547 = The Creaking Door, ‘Face To Face Music of the Spheres” (June 01, 1964) ***WD03:14:16.802 = The Saint, “Peter Great” (June 24, 1951)03:43:54.405 = Theater Five, “Nameless Day” (November 09, 1964)04:05:20.075 = Theater 1030, “Trespassers Will Be Experimented Upon” (1968-1971) ***WD04:34:07.590 = Tales From The Tomb, “The Raven” (1960s)04:43:33.852 = Two Thousand Plus, “The Brooklyn Brain” (June 21, 1950) ***WD05:12:14.545 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0634