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Dead On Arrival: What was just Hype and what was just wrong Timing? Some technologies and products get over-hyped, and never seem to come to fruition? Some just come to fruition, but years or even decades later? In this episode of Tech Deciphered, what is Dead On Arrival versus just wrong timing Navigation: Intro The Fork Cold Open General Magic The Metaverse Dead on Arrival The soon to be Resurrected… Conclusion Our co-hosts: Bertrand Schmitt, Entrepreneur in Residence at Red River West, co-founder of App Annie / Data.ai, business angel, advisor to startups and VC funds, @bschmitt Nuno Goncalves Pedro, Investor, Managing Partner, Founder at Chamaeleon, @ngpedro Our show: Tech DECIPHERED brings you the Entrepreneur and Investor views on Big Tech, VC and Start-up news, opinion pieces and research. We decipher their meaning, and add inside knowledge and context. Being nerds, we also discuss the latest gadgets and pop culture news Subscribe To Our Podcast Bertrand SchmittIntroduction Welcome to Tech Deciphered episode 78, Dead on Arrival. Was it just hype or just wrong timing? In this episode, we are going to discuss two different types of businesses that as an investor, as an entrepreneur, you want to think carefully about. Looking back, you want to understand better what happened. If we take dead on arrival, we’re talking about businesses, technologies that maybe the tech work fine, but actually no one cared about it, no one wanted it. It’s really a mismatch in terms of what consumer want versus what you are trying to deliver. It’s a classic example of a solution finding for a problem. On the other hand, will it happen but not like that, not now? It’s a type of business where we were too early. We tried to make it work, but actually the technology is not ready now, but it might become ready in the future. As an entrepreneur, as an investor, obviously, you want to make sure you are not in one of these two technologies, one of these two categories. But it’s really a useful lesson to learn which situation you might be in because it will help you make better decision and pick better industries going forward. Nuno, what’s your take on this tough analysis?Nuno Goncalves PedroYeah, in hindsight, everything looks like, “Oh, of course, this wasn’t meant to work,” etc. But here we’re going to take a stab, as you mentioned, at things that are just wrong timing. They might have failed miserably in the past, but they might work in the future. The Fork To have this stake on the ground approach to it, as we’ve had in previous episodes, of defining exactly what we think will happen, but just not like that, versus the dead-on-arrival, which is a little bit more of a hardcore view on it. To your point, we want to really split between those two things because in some ways people are like, “Well, are we ever going to go and have different ways of interacting, for example, in terms of input and output, like with glasses or things like that, that really scale to become pretty pervasive?” We probably would agree that, “Yes, that will happen”. Maybe not in the way that we’ve anticipated until now, and certainly it’s going to take longer than we’ve expected. In some ways, the “will happen, not like that” is a little bit like Amara’s law or Nuno’s law, as referred to in the past. We tend to overestimate the speed at which we get to a revolution, underestimate impact. The “will happen, not like that” will probably fit into that. They will have probably bigger impact than we thought they would, but they will just take longer. Therefore, the solutions we’ve had until now are not great solutions. Whereas the dead-on-arrival, we’re saying, “Hey, we don’t think actually this works.” It’s to your point, not solving a problem that actually needs to be solved, or it’s solving it in the wrong way. Yeah, it’s basically an attempt to really frame, if you’re an entrepreneur, if you’re a venture capitalist, if you’re someone who is an angel investor and is looking at the market right now, what things should you put some real money and real resources, real time behind versus not, and really share that with you guys: our audience.Bertrand SchmittCold Open I always like to go back to a company called General Magic, a company that was legendary in Silicon Valley, spun out of Apple in the 1990s. There was even a movie made about General Magic. It’s a company that tried to basically build the first modern smartphone with touchscreens, app ecosystem. The only issue was it was years before the technology existed to support it. But Nokia at the time was less ambitious and more practical with what the technology was able to do at the time. But what’s interesting with this company is that obviously the smartphone was coming, just took 10 more years, 15 more years. Interestingly enough, some of the people in the team ended up being very successful in that exact space. Tony Fadell, for instance, who ended up creating the iPhone, co-create at least, and Andy Rubin, who end up building up Android, selling that to Google and leading the charge with Google Android.Nuno Goncalves PedroYeah, a very successful team. Tony Fadell, obviously, later on did Nest as well. Megan Smith, who was later the Chief Technology Officer of the US. A lot of people that came out of it that did a lot of important things. To be honest, I think a lot of the technology that was developed that was in some way a capacity or that are reused later on by some of these team members. I’m not saying they were infringing on any IP, but definitely there was a lot of reuse of tech. But it was too soon, right? They were doing something that was truly ambitious too soon. But a lot of these principles, a lot of these things ended up manifesting themselves, and particularly in the iPhone later on and in that deployment. Another such example is actually the metaverse. We did two episodes back in the day, a long time ago, on the metaverse. We debunked it a little bit. Back then, I think it was a very nuanced debunking, if I recall it correctly, Bertrand, because we were saying, “Hey, it’s going to happen in some ways, but it’s an evolution, not a revolution,” not in the way that we saw definitionally. We were huge fans of Matthew Ball and his analysis around media, but somehow we disagreed, I remember, with his definition of what the metaverse is and how it will look like. There’s no doubt that there’s going to be a metaverse in the future, probably metaverses in the future before there’s any given unification. In those metaverses, we do believe. But this whole hype cycle around metaverse and what’s happening clearly didn’t work out well, as proven also by all the write-offs done by Meta on their metaverse stuff. That much must have hurt. It’s related to AR and VR as well and to the enriched reality positioning of a lot of these technologies, which we’ll talk about later. But, again, it was probably something that’s going to happen. It’s going to happen likely in a different product manifestation as the one that was anticipated by a lot of the pundits that opined on what’s happening around metaverse in the future. But it’s going to happen. It’s just going to take longer. It’s going to probably come from angles of entry that are likely not what people had anticipated earlier on. Maybe it’s from gaming, maybe from something else. But definitely it’s going to happen.Bertrand SchmittYes, and you could argue that Apple did a similar mistake with the Vision Pro. I think the Vision Pro is the worst launch of an Apple product. When we say launch, it’s been three years maybe?Nuno Goncalves PedroSince the Newton, maybe?Bertrand SchmittYes, that’s my point. You have to go back a really long time to have such a disastrous launch. I think for me, it’s very interesting because it’s really a category where on one side there is a metaverse of some sort. You should argue if you are just using Twitter, or Facebook, these are some parallel universe in parallel to your real life. But the full on metaverse where you need some extra super heavy glasses to make it work, that simply has not worked. Don’t get me wrong, there are some super small, narrow cases where your heavy VR glasses makes sense for some training, for some simulation, for some light gaming. But given the weight, the disconnection from the real world, it has really never taken fire. Even at cheaper price like Meta was able to do, at more expensive price, much higher quality like the Vision Pro did. It looks like people have an issue with putting heavy glasses on top of them. We’ll talk later about the other side: AR glasses. But the traditional metaverse, heavy glasses, VR glasses, yes, it’s not feeling right, and I don’t think it will ever be right. It needs a different form factor to go at scale.Nuno Goncalves PedroDefinitely fundamental shifts on the metaverse. Just a quick reminder, Meta actually changed their name because of metaverse.Bertrand SchmittYes. Nuno Goncalves PedroIt’s not just that they’re writing off the investments, it’s their name is apparently wrong. It didn’t really happen in that way. You are saying that this persistent embodied virtual world, which was the early definitions of what a metaverse was, didn’t really happen until now. It might happen at some point, but not in that way. But, obviously, a lot of the enablement layers are still work in progress, right? Real-time 3D, presence, avatars, all of these things are moving on. A lot of these enablers will be ready once there is a time where these technologies and businesses that are fundamentally anchored around these technologies will emerge. It’s, again, right components, wrong product alignment, but at the same time, it will happen, just not yet.Bertrand SchmittAgain, I think we’re going to face a split of a virtual reality light that you can call AR with very light glasses that are not a pain to wear, that are more limited, especially today or the next 5 years. The VR glasses that will stay a niche product that are useful for some use cases. Do you want to do a flight simulation? You want to do military training? There will be use for that. But beyond that, it’s more limited. We forgot to talk about the Google Glass. This one was an early, early AR glasses. But, again, here we go back to the capabilities. Simply, we were not there at the time.Nuno Goncalves PedroDead on Arrival We’re moving to Dead on Arrival. What things do we think are relatively dead on arrival? We’ll be nuanced on a couple of these aspects. Not everything is totally dead on arrival. But maybe let’s start with a good one, which is some of the crypto summer promises, particularly around NFTs, non-fungible tokens, and the decentralization of everything, the tokenization of everything. That didn’t quite work the way people thought it would. A lot of people were very happy for a period of time that they had some NFT that was worth a ton of money. Good for them. I hope they sold it back then. Some did actually, fortunately for them, but most of them did not. As an asset and the tokenization element, we’re not questioning that tokenization itself doesn’t make any sense. But from my perspective, a lot of the elements of tokenization plus the tokenization of everything don’t make necessarily imminent sense. I think we’re going to have a world that not everything is going to be tokenized, and a world where, to be honest, having the latest ape token as an NFT is maybe not something I really need. It’s dead on arrival in some ways. What do you think, Bertrand?Bertrand SchmittIt feels like it’s a tale of two worlds. On one side, there was clearly exuberance and bullshit. All these cryptocurrencies that make no sense, have no values. The NFTs are the same: no values, no sense, no logic in them. At the same time, we can see that Bitcoin, Ethereum, and few others were significant products, invention, that have a current total market value that is significant. I would say we can see that step by step, little by little, there is some tokenization happening, but it has been much more narrow than what was initially thought, expected. But it’s happening step by step. I think there is value in tokenization, but definitely not as much value as people expected. I think for one simple reason: it’s very expensive to set up in the sense that it doesn’t work so well, actually. It requires a lot of computing power for stuff that might not justify it as simple as that. Why do you want to replace a very efficient, superfast database by something slow, expensive to maintain? Why? You need to have real reason for that. I think in most situations, there was not a real justification to make that switch. I think, again, there is a niche for tokenization. It’s getting used. Obviously, there is stablecoin as well that are working and provide value. But definitely, the use cases have narrowed. The success stories have been few and far between. It’s definitely a space, but I don’t think it has lived up to the expectations. The expectations were simply quite insane in terms of what to expect, and it failed to achieve that. I don’t think it qualifies as a true revolution. It has been successful again in our situation: in Bitcoin, in Ethereum, in some tokenization. But beyond that, it was not the dramatic change that people were picturing.Nuno Goncalves PedroYeah, it’s been successful and there is a security, in this case, a currency of types, that links to the value of that specific network and the utility of that specific network. But on this case, in particular, the NFT stuff, I think there were two core premises that were very valuable about it. One was the premise of digital collectibles, the element itself being collectible and the fact that I have a unique one was only minted one. It’s a unique thing out there. I think at some point people forgot that actually digital collectibles are not as valuable as people think they are. Physical collectibles are more valuable. The reason for that is just human nature. I want to have something in physicality. I want to have something that I can show people, etc, that has a physicality to it. Digital collectibles, I think there was a problem fundamentally in part of the articulation of NFTs that reside in the value of digitization of these collectibles in and of themselves. I think that was part of the problem. The second problem was really the notion of provenance, the notion of certification, the notion of “this is what it says it is, and nobody can say this is something else.” This notion of provenance. That, I think, fits more into the point you were making, which is the point around use cases. This doesn’t fit all use cases. The provenance piece and the certification piece doesn’t fit for all use cases. Probably it might fit actually even more for actual physical assets where you want to have a certificate, that thing is what it says it is, but it’s actually maybe a physical asset rather than a digital asset. Again, lo and behold, it doesn’t apply to all the use cases that relate to provenance. I don’t think we need to tokenize all the provenance ledgers in the world for this to be working well. Again, it was a little bit of an overreach. In some ways, all these players were very happy. There was a lot of bullshit. To be honest, this is an area that I do think there was actual active fraud. All due respect to a lot of the players in the market, but there was active fraud. Honestly, there was bullshit.Bertrand SchmittI agree with you. I was going to say that it’s one of the rare sector in technology where I think frauds, scams were prevalent. Yes, you might have some shitty startups in general and stuff, and there might be fraud. I think true fraud is rare. True scam is rare. But here for NFTs, for cryptocurrencies, that was the majority you could argue. That’s the part that I never really liked in all that industry. If you look at NFT, personally, I never understood the concept. For me, it made simply no sense because, yes, you can say, “Oh, I have created this rare digital token.” But sure, so what? Who cares? Who cares? You can have hundreds, thousands, millions of unique digital tokens. How does it matter? What’s the use case? What’s the connection? You can show it on your screen, but then how is it unique anymore? It’s not like people have to come to your house and check stuff on site or something like physical art. No, not at all. I don’t know. I think it was surprisingly true bullshit. Again, I’m still a believer in Bitcoin. I think there is true logic to have a separate virtual digital currency. But you don’t need hundreds of them. You just need one, maybe two for some variation. The same for tokenization, it doesn’t need to happen everywhere. Just need to happen where there is really strong real logical value. Beyond that, there is no point.Nuno Goncalves PedroYeah, makes sense. Maybe moving to our next one. I think we discussed this in a previous episode, which was the whole 3D TV stuff. We just don’t think that’s the product, right? It’s not going to be a 3D TV. I believe when we discussed this in the episode—I don’t want to lie too much—but I believe that’s what we came up with… It looks a bit more holographic or the manifestation comes through other mechanisms like glasses, etc. But we thought it was just dead on arrival. Nobody wanted to have glasses on the couch to watch the 3D TV, but also the 3D TVs themselves they tried to develop were very holographic, were super clunky and very heavy. In some ways, I think TV manifestation somehow is not a great manifestation for this. I put it on the dead-on-arrival pile. I have one, just to be clear. I still have one.Bertrand SchmittYeah, but it’s a weird one because if you remember, it suddenly happened. I remember being shocked as a consumer. Suddenly everyone talks about 3D TV. In a few months, 3D TVs are all out everywhere. Then after a few years, no one bothered to keep adding that because consumers didn’t care. I think one issue was, I think it has only worked with Blu-rays. I don’t think any streaming service supported that. With the rise of streaming, that was certainly a pretty big issue in the first place. Interestingly, in the movie theaters, do we still have movies being shown in 3D? I think we still have a few, but it’s really few and far between the movie theater.Nuno Goncalves PedroYeah, IMAX won on that format, the high-end format, IMAX won, not the 3D thing.Bertrand SchmittBut, yeah, if you’re on the TV at home, you don’t want to bother. Maybe if you’re in the movie theater, more high-end experience, you are willing to wear special glasses. I think it makes sense. I think, I guess at home, we are just too busy doing multiple things at once. Rarely sitting all around 2 hours for a movie, so you watch your phone, you check on something else. You don’t want to have these glasses on top that block you from the rest of what’s happening at home.Nuno Goncalves PedroYeah, it just didn’t work. I’m not sure it will work in any case, so we’ll see. But definitely, I don’t think that’s the right form factor.Bertrand SchmittIt technically worked, but practically, it was not accepted by consumers.Nuno Goncalves PedroLet me rephrase. I think it was a solution to a problem nobody thought they had. The execution of the product was the wrong one. It’s like that’s not what people wanted. Maybe we do want some 3D immersive experience, but that’s not the 3D immersive experience that we want, not manifested like that in effect, with its limitations, etc.Bertrand SchmittI want to say that we are not denigrating some of these experiments. Me, I still remember putting a Vision Pro and watching some content that is natively created by Apple for the Vision Pro. It’s an amazing magical experience, truly. But at the same time, I’m always worrying to have to think I’m going to spend 30 minutes putting my Vision Pro on my head. It’s heavy, it’s painful. Again, we go back to, I’m disconnected from everything else, and I don’t like that.Nuno Goncalves PedroWhen there was real technological development, like the case of 3D TVs, that technology development may have served other purposes. Again, we applaud those that put the money where their mouth was, the companies, the individuals that wanted to move forward some of these technology stacks, maybe less so the people that just decided to create NFTs for the sake of it with apes. No attack on those guys specifically, but just to create a specific view on that. But there’s a lot of stuff we’re talking about today which is actually great technological development. There’s stuff that came out of it that is very, very valuable technological development. Maybe to our next one on mobility, physical mobility. The Segway. Everyone’s like, “Oh, this is going to change how we move around the world, in particular for shorter distances, etc.” Well, apparently no. Apparently, it’s not super intuitive. There are still Segways out there for use by police forces, tours, and all that stuff. People say, “Oh, it’s…” No, well, it never scaled. It wasn’t changed. It didn’t change how relatively short local mobility was going to be done. I think part of it is actually the problem with the product. The product is not as intuitive as people thought it would be, and it has other issues around that in terms of security and safety. If you’re going to have a device or something that moves you around, what’s the minimum-accepted level of security that you would have. The fact that you have to incline to move it is actually not super as initially some probably people thought it’s actually not as intuitive as some might have thought it was. I think it’s a dead-on-arrival play. The vehicles of the future, I’m not sure, look like that at all. Happy to eat my words down the road, but I don’t think so.Bertrand SchmittYes, and I remember the massive hype at the start of this product. They were hiding it, but still telling you, We have seen it. That’s true. It’s going to totally change how cities are planned. I mean, the level of hype and bullshit was insane before the launch of the product and before anyone outside of a few knew what it looked like. Then we saw what it looked like, and it was on one side, an engineering marvel, the self-stabilization system was new. I mean, very few people had seen something like this before. At the same time, as you said, the issue was what happens if it loses battery? What happens if you fall from it? Quite frankly, if you look at today’s modern electric scooter, you have 95% of the value of a Segway without any of the downsides. You don’t need to learn a new way to do things. If you lose battery, it still works. I guess you can still push it. It’s not too expensive. You don’t have massive computers to just make it work. You don’t have massive robotics. It’s clearly an impressive engineering solution. But the exact example of a solution to a problem people didn’t have, when ultimately a much more simple and elegant solution was there for people who care. To be clear, you still could use a regular bike. The alternative was still your regular bike. But now you have electric scooters that are a clear, closer alternative, I guess, in spirit to what was supposed to be the Segway. Sometimes, let’s be careful. Overengineering might not be the answer.Nuno Goncalves PedroEven scooters, which are, to be honest, I would argue a much easier philosophical view of how mobility should be done and a much easier form factor, so to speak, in terms of mobility, even those won’t have wide adoption to everyone. It’s not like everyone’s going to use a scooter. The bar for a scooter is much less than a bar for a Segway.Bertrand SchmittYes. I think in a way, the electric scooter is showing us in some ways that the limit of the dream is that even well-executed, even cheap, even easy to use, even low-risk in a way, there is still only so much that people are willing to use it because it’s a pain to bring with you everywhere. Actually, in some ways, you could argue it has only worked with this distributed platform, like lime and others that let you take one and drop it when you are done using it. But that was not a model that was workable for the Segway. I totally agree. You could argue that bikes are still the gold standard or now electric bikes are still the gold standard for who want that level of mobility.Nuno Goncalves PedroWell, the next one is to be a favorite of, I guess, everyone that didn’t invest in them, which is Juicero, which was the machine that basically created Juices out of squeezing a bag. I’m going to be nice here to… There were a bunch of well-known investors. They raised, I think, 120 million or something like that.Bertrand SchmittThat’s insane.Nuno Goncalves PedroIt is insane. But maybe the vision was not that vision. It was something grandiose and the complexity around dealing with liquids and whatever. I’m not really sure we didn’t pass or invest on the company.Bertrand SchmittBig old juice bags.Nuno Goncalves PedroMaybe. You’re being facetious. Anyway, I’m not trying to attack the guys who actually invested in this, the investors that put money into this. But it was basically one of these examples that we’re trying to solve a problem that didn’t exist. It’s like a solution for a problem that doesn’t exist. I can just squeeze a bag of concentrated thing and make a juice. I can do something around the juice. As I said, maybe the big vision was well beyond that, and I’m not sure many of us will ever know what the big vision actually was. But yes, it was a solution, a $400 machine to a problem that nobody really had. That didn’t work.Bertrand SchmittI think the most crazy part of the story is that the business exploded when there was this Bloomberg reporter that showed that you could squeeze the bag with your hands without a machine and get the same juice. That’s pretty insane. That’s just so unbelievable.Nuno Goncalves PedroThe funny part of the story is MSCHF, this company that does all their on-point, slightly artistic, whatever, one-off, drops, etc, etc. Shout out to Gabriel. Gabe Wally, who was the founder there. This is funny. They actually did a collectible series of figurines of that startup toys, of which Juicero was one of them. Jibo, which I don’t think you’d appreciate. Bertrand, and the Theranos minilab. So someone is also making money on that, which is funny. So well done, MSCHF.Bertrand SchmittWhy not? Why not? Maybe we can go quickly over Lytro. This one was, I would say, brilliant technology. It was a camera able to capture light in a different way. You could actually dynamically change focus after the picture was taken. So something quite impressive, and I still remember looking at their products and thinking, should I get one? At the same time where it didn’t work, it was too limited in terms of image quality versus shooting the real picture. It was very tough to sell as an independent device because either you’re in the phone or you are in a DSLR, but there was no spot in between. In some ways, phones solved the issue not directly, but they kept adding cameras. At some point, you had not one, but two, but three, but four, but five cameras in your phone. You had a specific mode for anything you needed, and that’s it. Phone manufacturers managed to convince people they should pay for all these cameras, or provide a low-end version if you don’t want to pay for all these cameras. But yes, very interesting technology that did not manage to find a go-to market.Nuno Goncalves PedroYes, it’s falling in love with a technology solution that, as you said, was incredible, and not falling in love with what problem you are actually trying to solve. Because a lot of the elements of the problem that you’re trying to solve, either you take another picture. All due respect, instead of me trying to change the field of view, etc, and the focus, post picture taken, I take another picture. To be honest, you can take thousands of pictures now with different setups. Also, ignoring the fact that this was pre this whole AI boom. So obviously, that one I will be kind on. But with the AI boom, you can do a lot of things to pictures and changes and stuff like that. All of that changes the game in and of itself. Obviously, Lytro or Lytro, not sure how you spell them, or how you say their name, but they failed before that. So again, this was super great tech, great investors, good investors on board, but just nobody wanted that device. Why would I want this thing? A total failure on arrival. I think one also other aspect of it that may have been misinterpreted and underestimated by some of the early investors, certainly in the company, is the value chain. There is a value chain for cameras, for SLRs, DSLRs, etc, etc. They know what they’re doing, and they’re doing their own level of innovation. In some ways, that fits squarely into that value chain, which I’m sure is a complex value chain to manage in and of itself. Maybe that’s created its own dynamics as well.Bertrand SchmittI think they try to insert themselves in the value chain, but I’m not sure first that they managed to get technology as small as it should have been. They simply didn’t convince anyone. The Sony or Nikon of the world, or the Apple or Google of the world, to use their technology in their phones, because no one really saw the value, per se. One thing to keep in mind, using their technology means you had a big trade-off in terms of megapixels. Actually, you will benefit from that great effect around the focus that can move anywhere after the fact. But in exchange, you had to lose dramatically the number of megapixels. At the time, all the rage was about how do I get more megapixels for my phone with good image quality. That was all that you were selling to consumers. Consumers would not have bought 10 times less megapixels for a weird benefit that at the time no one cared about. I think you are very right to introduce the fact that, of course, they could not have guessed at the time, but today you can get for free this refocusing effect with AI, actually.Nuno Goncalves PedroThat’s exactly the point I was making on the value chain. They went into a value chain that has a lot of players in it, and they got kicked in the butt anyway, because people were like, Why would I adopt it? They didn’t serve the purpose of the use case or the user flow. They didn’t anticipate competitive dynamics to it. Then they actually went straight up into a technology plus IP logic on a value chain that would be like, “Hey, dudes, just get out of here.” What would be the incentive for people to bring them on board? It’s like in some ways, they did all the mistakes under the book in that sense. Again, I’m not trying to diss the company, the founders, the investors, but it feels that was the problem in the end.Bertrand SchmittYes.Nuno Goncalves PedroShall we do some rapid fire dead-on-arrivals?Bertrand SchmittYes. A fan favorite. Have you tried a keyboard projector on?Nuno Goncalves PedroYes. I think I mentioned that in a previous episode, I did have one of the early ones and whatever. Yes, somehow we forgot that there’s other best, better ways of input, maybe voice would be a better way of input if that’s the problem, but anyway.Bertrand SchmittThis one is interesting because you just use it for one minute, and you discover it’s horrible.Nuno Goncalves PedroIt’s a horrible experience.Bertrand SchmittYou have to type on it. You don’t see exactly where you type. Each time you type, you are hurting your fingers because it’s not a smooth keyboard feeling, but you are tapping a solid surface. That’s amazing that it went to manufacturing, and basically no one gave feedback. There is no way it’s working. No way technically working, but practically, no one would want to use that.Nuno Goncalves PedroIt’s bad in all aspects. The finger’s touching. It needs to be a very over-engineered experience for it to actually detect the key stroking and all that stuff. It’s an over-engineered solution by default. It’s not private because once you have the keyboard projector, you’re like, “Where am I keyboarding projecting on?” It’s something that others can see. There are other alternatives that are better. The keyboards on our phones are pretty good these days, with autocorrection in most cases, I wouldn’t say all cases. Voice can also be an interesting replacement to that. If that’s what you’re going for, voice recognition has improved dramatically over the last few years. Again, it’s one of these, “Yeah, cool.”Bertrand SchmittIt’s clear that, first, touch has replaced a physical keyboard where you need one. And two, now voice recognition is getting better for sure.Nuno Goncalves PedroThe opposite side is that voice assistants were going to take over everything, that everything was going to be voice assistant-led. Alexa is going to run your life. You’re going to have games for voice. I actually have a good friend of mine who did a startup in that space. Actually, the company got acquired, and everything’s going to be voice, which, as we know, is also not true. We need to visualize sometimes. Sometimes we still want to write because we want either the added value of privacy or of expression at some standpoint. There are a lot of things that are happening around voice that are exciting. We just mentioned voice recognition, but not everything is going to be voice. Certainly not for the foreseeable future, and so that doesn’t work. Also, as the ultimate platform, we also want some visuals. We also want to have other kinds of interactions. There are limitations to voice assistants, for example. Voice assistants were not quite the next platform that people said they were going to be. I would say they’re a channel, but they’re definitely not a platform. That’s how, at least I see them.Bertrand SchmittYes, a channel versus a platform. I would agree with you. I must say I start to feel that we could be close to the future we have seen in Her. This movie, Her, I guess you saw it as well, where these guy keep talking to his personal assistants, and it’s becoming his friend, maybe even his love. I start to feel we are getting close enough with AI that this becomes a possibility. But again, it’s not your only way to interact. You want to type, you want to see stuff. There are many situations where you don’t want to be seen talking with someone. It’s more of a channel versus a platform. Yes, Alexa, it’s quite amazing how it went to the roof and crashed and burned. It moved up very quickly. Amazon invested billions, hired thousands of people, which was the right move. I mean, you have something that seems to work well enough and could be game changer, why not? But it was quite impressive as a crash and burn. It’s pretty rare to move that fast up and down.Nuno Goncalves PedroI agree. A lot of money is put into this stuff. I mean, Google went after it as well. I think Google probably executed better. Their tools and their hub tools, etc, were better in their devices. But to be honest, it was the beginning of something, it wasn’t really there. It’s shocking because a lot of people have Alexa at home, and Google Hubs at home, and whatever at home. But it’s really not that powerful. I have a bunch of Google stuff at home, and I still use it for very basic information. It’s not really doing much for me. It’s not like magically now with AI, it’s going to be much better. It’s not. It’s a legacy device now. Maybe in the future, we’ll have some stuff that will be cool, but definitely not the voice assistant manifestation that we saw in the past. I know the next is exciting to you, so I’ll let you go for it, Bertrand.Bertrand SchmittNetbooks. If you remember Netbooks, this was a horribly underpowered PC device. I kept buying one after the other, hoping that the next one would be fast enough. Trying to be a small, lightweight portable PC, they were called netbooks. Usually, they also had a small screen, like 10, 12-inch, 9-inch, and each time it was horrible. Very poor battery life, 2-3 hours, super, super, super slow. They were equipped typically with a full Windows OS, and they were killed overnight by the iPad. After 2 years of the iPad, no more netbooks. Oh, yes, and they had this… Typically, they would be equipped with… What was this name of the CPU? It was an Intel Atom CPU, I believe, or Celeron. Again, the root cause why, it was so slow. It was horribly slow.Nuno Goncalves PedroSo netbooks didn’t work. We didn’t want to go back to that. The iPad won and all [inaudible 00:34:05].Bertrand SchmittI think it has been proven at this stage. There are some small mini PCs these days. You have, for instance, the ROG Ally for gaming. There has been some revival with some Chinese manufacturers making some small PCs. I have to admit, I bought some, so I kept trying. It’s much more powerful, no question. Better battery life also. But we go back to the fact that if you have a very limited screen size, 7, 8, 10 inch, it’s just tough to put a full desktop operating system to good use. You need something more simplified, more touch friendly for it to be really practical. Yes, you can run the full desktop Excel on it, but will you do it on an 8-inch screen? Probably not.Nuno Goncalves PedroNetbooks, and maybe we’ll end with Google Glass. I mean, obviously, we’re going to talk about AR and VR in just a bit. I think it’s a good segue to our next section, and we’re not necessarily saying AR, VR is dead on arrival. We actually think they’re going to be out there for us in the future. But Google Glass, in the way that a lot of the first wave wearables were developed, was cool, but not enough. I think even the recent ones, the Meta Ray-Bans. I see a lot of friends of mine now, you’re wearing Meta Ray-Bans, and they’re like, “Oh, this is so cool”. It’s like, “How is that different from the Google Glass, but now a little bit nicer?” It still feels to me that’s the wrong way to approach it. Either we go with a more comprehensive solution for glasses or a solution for glasses that’s a little bit more easily integrated into existing frames, etc, for those of us, like the two of us, who have actual eyeglasses, or I don’t see it quite happening this way. I think just as a formality in how it was deployed, it seems to me it’s been the wrong angle a couple of times, even, to be honest, beyond the first wave of wearables. It’s been a little bit the wrong way to approach this, the wrong paradigm.Bertrand SchmittIf you remember the Google Glass, initially, they were launched in… Again, overhyped. You couldn’t even buy them, but still, it was overhyped. You could see a marketing department going crazy when they were showcasing models wearing Google Glass, that sort of stuff, fashion shows. That was insane. How is it connected to the value proposition of the Google Glass? Absolutely not. But you remember what killed the Google Glass?Nuno Goncalves PedroThis is the Robert Scoble in the shower thing. The whole lack of privacy thing.Bertrand SchmittYou tried to have this vision of the Google Glass that models are wearing and stuff in fashion shows. You have this guy, Robert Scoble, taking his picture with his Google Glass in the show, half-naked. Oh, wow, that quickly dropped. In the interest into Google Glass.Nuno Goncalves PedroRobert’s a good guy for the most part, so we’ll let him get away with it. But yes, it was not a good moment for the use of Google Glass. But to your point, it was overhyped. I don’t even recall that I had to do so many things to actually get access to one. I still have it. Then in the end, it was just totally underwhelming. I do think the meta Ray-Ban solutions, etc, etc, now they’re doing it with other brands as well, are more elegant because it’s around voice activation and stuff like that. But still, it’s not this. The soon to be Resurrected… I think these kinds of solutions are dead on arrival, which may be a good segue to the resurrection pile, so to speak, that will happen, just not like that pile that we have to share today.Bertrand SchmittYes. That’s the question. Are we in resurrection mode with AR glasses? The Ray-Ban, Oakley glasses, are the way to go? There are also some other brands like XREAL, for instance, that are a different approach. It’s more fun to watch movies that I personally like a lot and use a lot. I know quite a few fans for this. There is a market for either the XREAL for movies, meta, or Ray-Ban, for light information on top of your glasses. There are niches. I don’t know if it’s full resurrection mode yet, but I can see again, with AI, that there is the ability to do more and more. Will it be connected to your phone, will be independent from a phone? That’s also stuff to see. I guess at this stage, connection to a phone has some value. It’s making a comeback.Nuno Goncalves PedroI think it’s suffering from being overhyped. It makes sense that the category comes back. The use of glasses, a lot of people actually have eyeglasses. The use of different mechanisms that really expand your view. We’ve seen that with the advent of foldables in mobile phones. People want bigger screens. They want to get as close as they can to the tablet experience without necessarily having to go to laptops, etc. Definitely, I think the use cases make sense. It’s just how do you deploy it, and who’s going to deploy it best? I don’t think we’ve seen anyone that’s been particularly enlightened about doing it. All the great developments with Android XR from Google, Samsung doing a bunch of things in terms of deployment out there as well at the same time. I mean, are these guys going to redefine this category and create the first ever wearable, at least AR great experience or VR category of experience, or are we going to have much of the same? In the same way, it took several years for the smartphone category to be recategorized as a smartphone category under the iPhone. That was the category-defining moment. It was the vision of a bunch of people, obviously led by Steve, but a bunch of people that went to market and said, This is how we view the market to be, and they just nailed it. We haven’t seen the guys who’ve nailed it, I think, is the issue thus far, either on the VR side or the AR side. We just haven’t seen it.Bertrand SchmittDefinitely, we have not seen that. There are, of course, rumors that Apple is ending their Vision Pro program, and at the same time, is full-on on AR glasses, an alternative to the Meta Ray-Ban. We will see. I start to think I have trouble to see Apple pull this off because it starts to feel that, yes, they are great at making more efficient supply chain these days, but I feel after 10 years plus of Tim Cook leading the business, that’s all there is to Apple these days: thinner phones, pink colors for your latest device.Nuno Goncalves PedroVariations.Bertrand SchmittMore efficient chips, for sure. They have great chips. But beyond that, they canceled their car program, the Vision Pro was not successful in the marketplace. They have trouble to find the next story and to execute on the next story, quite frankly. You could argue that their most successful recent launch has been the AirPods.Nuno Goncalves PedroI think that’s absolutely spot on. We’ve discussed it in previous episodes how much… It’s taken much longer than I thought it would. I always said after Steve’s passing, that it would take maybe 5 to 10 years for the beginning of the demise of Apple, and it is taking longer. There was definitely some gravity created. Steve passed away in 2011, right? They’ve been hanging on to their time, so it’s now 15 years. It seems that only now Apple is really suffering in terms of product lines. Probably they started 1 or 2 years ago. They have a new CEO coming in September, so we’ll see if John will do a better job, if he’s really a product guy, and that’s how he’s going to go for it. He’s going to go for a few products really nicely done that can have great experiences, which is Steve’s hallmark, instead of what you said was the milking of the cow, so to speak, under Tim Cook. There’s nothing wrong with it created in a hugely valuable company with a huge amount of still innovations around the edges, but it’s like now they need real product innovation, a new category definition, play, and is John going to be the guy for that or not?Bertrand SchmittYes. Positively, Tim increased market cap of Apple. He didn’t destroy the business. We are not trying to tell that Tim Cook was a failure, but definitely it was not Steve Jobs. It was more a caretaker, optimizer type of CEO. But to go to the next level, you need another type of CEO. Quite frankly, it’s hard to find when it’s not a founder CEO.Nuno Goncalves PedroYeah, I think it will be difficult to find, but we’ll give John a chance once his time comes in September 2026, as one would. Moving to another topic that we’ve discussed in the past, self-driving. It’s going to happen. We all are waiting for it to happen. Self-driving cars, self-driving vehicles that we don’t need to drive in this mess of traffic, in particular spending a lot of my time in Southern California where traffic is incessant. The driving is… How can I put it in a nice way? Awful. People don’t seem to know what they’re doing. I think we all want to have self-driving cars. It’s taking longer than we thought it would, but I do think it’s going to happen. I wouldn’t put a mark on the sand on how long to get this world of self-driving cars. It’s going to coexist with non-self-driving cars for sure for a period of time. But I, for one, know deeply that it will happen, and I look forward to it. I love driving, but not in horrible traffic with horrible drivers.Bertrand SchmittWe are for sure very close. I mean, now, Tesla self-driving is extremely good. I have taken Waymo many times with great experience. It’s not going too fast, it’s not going on the highway, so there are some limits. But I would say really impressive all in all. I think we are pretty close. I don’t know if you know, but Waymo is working on expanding to many, many more cities, actually. I think we might be at a tipping point there. Quite frankly, I expect that teenagers in 10 years from now are not going to bother to learn driving. I mean, we’ll see, but I think many won’t.Nuno Goncalves PedroI mean, Waymo is now doing also stuff on freeways, certainly in the Bay Area. I had a friend of mine who took one recently, and he was scared. He was scared shitless—I think that would be the right way to put it—because the car wasn’t going that fast, people are aggressive on the freeway around your car. But to your point, I’ve used it in city. In the city, it’s great, and it’s aggressive enough. That’s one of the things I was a bit afraid about Waymo, that it wasn’t going to be aggressive enough in city driving, it is pretty aggressive. Yeah, maybe we’re closer than we think. Maybe it’s a couple of years rather than a decade, which is normally where we put the stake on the ground. But it’s definitely going to happen. I think there was an overhype too soon. There were great movements around level 3 and level 4 autonomy that in some ways were misconstrued early on as full autonomy. But now we will likely get what we ask for. Then at some point someone’s saying, “Hey, but why don’t we just have the flying objects instead?” We’ll get back to that. The flying car stuff, the eVTOLs and all that stuff, we’ll see.Bertrand Schmitt10 years ago, I remember the overhyping was very, very strong with self-driving. I nearly believed the bullshit. It was so strong in 2015, 2016 that nearly everyone thought it’s here in the next 12 months, basically. I think that was a lesson for quite a lot of people. Don’t trust the Silicon Valley bullshit machine, hype machine. It can go way too strong, way too fast. You absolutely need to spend time to understand realistically where we truly are. You cannot just buy the premise.Nuno Goncalves PedroMoving maybe to robotics and humanoids. Again, it’s going to happen both for consumer and for industrial. The humanoid form, I think, at some point will be important. Just not yet. I think we’re behind now the big buzz sentence is embodied AI, where you have physical AI manifestations. AI manifested through robots and other kinds of devices. It’s going to start happening in certain beachheads. But, hey, we’ve had this offer for a long time, and I know you still have your frustrations, Bertrand, with the Sony AIBO. I won’t traumatize you more than that, but definitely it will happen. We will have humanoids at some point. We’ll have different specialty devices that will help us in activities that we do both as consumers and also in the B2B and enterprise space, even in the industrial space. The writing’s on the wall that definitely is going to happen.Bertrand SchmittYes. I think the question, as always, is how do you get there? I think the intermediate steps of your optimized robot, a physically optimized robot, like a Roomba to clean your home or some other robots to mow your grass, a good example, I think initially you have to start a small, practical, not too technology advanced and progress your way. Truly humanoid robots are very disruptive because technically, if they work, they can do everything a human could do. But practically, I don’t think it’s that true because a lot of constraints. You have to have enough weight, you have to have enough force, you have to have enough vision, you have to have enough AI to just understand commands and move around. But, again, with all the progress in AI, the progress in electric motors, I am optimistic that there is a chance for the humanoid robot, but it’s not 3 years. It’s probably not even 5. It’s probably more like 10. Let’s not forget that a lot of demos with humanoid robots today are fake. It’s a remote operator, remotely controlling a robot. It’s not a robot working by himself in many, many, many situations. That, I think, is another thing hurting the reputation of some of these companies because these fake demos, they look great, but once you dig a bit, you realize it was a fake demo because it certainly didn’t come with a warning that it’s remotely operated.Nuno Goncalves PedroMoving maybe to the next one that it will happen, but not exactly like that. Quantum computing, I think for the most, it’s been in many cases a solution looking for problems. It’s beautiful, but it’s like, “What’s the problems we’re trying to solve?” I think we’re going to start having beachheads into problem solution and apps. I’m sure a lot of people out there would say, “Well, there’s already killer apps for this, a lot of the scientific modulation, cryptography, breaking, all that stuff.” But I’m like, “Yeah, cool.” It still feels very much like a bunch of pieces and hardware in effect that is trying to solve a problem that needs to be very much defined into several problems, several areas of problem solution going forward. Will it happen? For sure. I’ve been hearing about quantum computing since I was in college, since I was 17 when I got into college. I’m sure it will happen. It will have manifestations. There’s a lot of stuff probably already residing on some of these instances. But a full mainstream view of what quantum computing can do for us is still quite ways out.Bertrand SchmittYes, I mean, there has been some reports that some key steps in the technology starts to be working and that potentially the technology could start to deliver results in the coming 2-3 years. What I mean by results, results that will dramatically change how you need to encrypt because a lot about quantum computing is actually trying to decrypt the current technologies that are used to protect your information online. This one is big. If we manage to have a limited use of quantum computing things that work in a few years, that will have a dramatic impact on how we encrypt data. That’s the one piece I’m looking for: do we really manage to solve encryption with computing? If yes, then we need to make a lot of changes how we encrypt things.Nuno Goncalves PedroFusion energy, the gift that keeps on giving, but this somehow doesn’t fully happen. I know you’re a big fan.Bertrand SchmittI would say, practically, I’m a big fan of nuclear fusion energy because in a way, it’s working. It’s solved in terms of safety. Latest Gen5 reactors are ultra-safe. They cannot go out of control anymore. China has a working reactor. In some ways, part of me would say, “Why bother with fusion when we have fission that is working extremely well, and we know how to make?” If we are efficient about the process, we could make for really cheap. Having a better source of energy today will already be great for the world. I would like to see scale with fission. It’s great to research fusion. Fusion is near a limitless form of energy. This is exciting. I think what’s interesting with fusion these days, it’s not just the big governments working on spending billions before seeing any potential returns, but there is a lot of startups that are working on it. The bar went lower in terms of researching fusion. That part gets me excited. But again, I think we should go fission first and parallel with some fission investment, fusion research, and hopefully, fusion comes at some point, but we should not wait for fusion would be my big take.Nuno Goncalves PedroGood point. Last but not the least, we’ve dedicated episodes on this, so maybe today we’ll just do the little teaser. If you guys haven’t heard our episodes on AI and the bubble and all those things. The last big one that’s just not like that, it will happen is AI itself, and in particular, AGI, so generalized AI that will be just like a human. Obviously, it’s happening. We’ve discussed in previous episodes, there’s a lot of breakthroughs in terms of methodological approach beyond the GPT curse of actual hallucinations that doesn’t seem to be solvable. There’s a lot of things happening around reinforcement learning, evolutionary computation, and other methodological approaches to AI that we think will create tremendous breakthroughs. There’s definitely a lot of funding going into it. We quantified it recently. I think 63, the number probably has changed in the last couple of weeks, but 63 new AI labs that have raised significant rounds upfront, just getting into the market, some of them as high as hundreds of millions or even over a billion dollars for the first round of funding. Obviously, there’s a lot of dramatic things happening in that space. There’s a lot of capital going to that space. It’s going to happen. It’s going to take much longer than, I think, we think it’s going to take. I just saw, I think, Marc Andreessen recently saying, AGI is already upon us. Maybe it is. Maybe he knows something we don’t know. But I suspect we’re still ways to go in a lot of the developments on AI. For now, it will continue its complications and its limitations. But definitely it will untap a lot of great productivity enhancements, technological enhancements, even in the short term that at least I’m very excited about. Then the AGI story, I think, will be a story that will be told later.Bertrand SchmittI might actually disagree on this one. I actually believe, like Marc Andreessen, that we are at AGI. We reached AGI a few months ago with the latest ChatGPT 5.5 with Claude Anthropic, Opus 4.7, 4.6 even. For me, in some specific space, let’s say coding, for instance, I truly believe we have reached AGI. It is totally replacing people for development, testing, writing, specifications, doing design. Yes, there are some use cases where it’s not working as well. But for at least the coding side, I think AGI is truly there. Is it better than the best human experts at every piece of the puzzle? No. I think if you go to some very specialized development stuff like a CUDA development, for instance, or some kernel development, it might not be at the level of the top human experts. But as we can hear about stories around security to the new versions that are unreleased yet of Anthropic and others seem to be at the level of the best human experts at cybersecurity. I think we are actually there. I think that’s why there is an acceleration the past six months in terms of investments in data centers. There was a big question in 2023, 2024, 2025, “Are we investing too much? Is it a bubble?” And so on. That was true because revenues were increasing, but not that fast. The increase in the growth in revenues for Anthropic is insane. No one has ever seen that in the whole history of technology, what happened to them the past six months. Growing so fast at such a scale, no one has seen. I think that’s truly because they have stumbled upon AGI for coding. Coding is such a huge, large market that even if we are just solving coding, even if we never solve more than that, I think it’s already one of the biggest markets in the world, full stop.Nuno Goncalves PedroBut that, for me, I think maybe it’s a definitional thing. That, for me, is still narrow AI. AGI, as defined, is a type of AI that can match or surpass human capabilities across virtually all cognitive and intellectual tasks. Coding is just one of them. I think there’s a lot of narrow AI right there, to your point, that can replace humans maybe today. Coding may be a great example of that. But I don’t think we are at the AGI. I haven’t seen any agents out there that can replace fully human beings, where I would not understand that they’re actually AI. Anyway, again, maybe you guys have seen stuff that I haven’t seen. I just feel there’s a lot of overhype on what the AGI actually is. But the ability to surpass us as human beings, I haven’t seen it yet across the board, not on a specific domain.Bertrand SchmittYes, I think my point is that I have seen it on a few domains. If you look at mathematics, for instance, and there are more and more examples of people who are using AI to solve math problems that only the very top people in the world were able to solve that are now being solved by AI. I start to feel that we are getting a few examples in different fields where AI is matching the absolute best experts in the world. I would just go back in terms of market size. Already what we got today, and today is not the limit, but what we got today, and especially AI combined with all these agents, harness agents, that’s also that specific combo that makes a difference. This is, for me at this stage, huge market. Does it solve everything? Does it replace a human for everything? No, you still need the human in the loop. You don’t let your AI go wild for weeks and just check once in a while. But you could argue very few humans are able to do that, quite frankly, to run by themselves for weeks without control.Nuno Goncalves PedroI feel there’s still a great deal of confusion because there’s dramatic impact on narrow AI domains where things are being done that weren’t done before, where there’s these great mathematical proofing, coding stuff is being done very easily, etc, etc. But still that, for me, is not the definition of AGI. AGI is a human being. It’s like someone who can really be a human being. Ideally, become top end of what a human being will look intellectually across domains. I don’t think that’s where we are. Again, maybe definitional, maybe that’s what Marc means, but I mean-Bertrand SchmittYeah, the question is, what does it mean? I would argue it’s beating 80% of humanity today pretty easily. Most of humanity doesn’t know how to code. It will be unable to do coding at the level AI is doing. It will be unable to do math at the level AI is doing. Use ChatGPT to check for medical issues and stuff. It’s not perfect for sure, but, again, it still beats most humans. I don’t know. I feel that we are reaching a level where it’s truly beating most of humans, many experts in many fields. I feel the definition of, “Hey, it has reached the level of an average human being.” I would say it passed that one. Is it the same as a human being? No. But reaching the level of your average human being, I think we are there in a lot of fields.Nuno Goncalves PedroConclusion Well, in conclusion, in episode 78 of Tech Deciphered, we went into two piles: the pile of dead-on-arrival products, technologies, businesses, and the pile of “it will happen, but not like that” or “not yet” pile of technologies, business out there as well. We went into a bunch of topics today that were of extreme importance back in the past where we thought the world was going to change, anywhere from self-driving to fusion in the nuclear space. We also went into some dramatic, dramatic mistakes like Juicero and other deployments like Segway that seem to be really very much dead on arrival. With that, I would ask you if you’re excited, and you want to share with us some of your agreements or disagreements on today’s episode, as well as your own dead-on-arrival versus merely-early examples, feel free to do so on LinkedIn, X, or via email. Thank you, Bertrand.Bertrand SchmittThank you, Nuno.

Photography has plenty of different specialty areas—portraits, sports, fashion, food, still life—to name just a few. In today's show we're going to investigate a specialty that involves all these subjects, while calling for a photographer who is technically precise, emotionally intuitive, and practically invisible, all at once. It's a corner of the industry people rarely consider, but one that holds massive influence over our cultural lives. This is the domain of the Unit Set Photographer: the person responsible for the pictures that sell a film or a show before anyone else has seen a frame of it.  During a spirited conversation with photographers Myles Aronowitz and Cara Howe, we pull back the curtain on what it really feels like to toil on set, build trust with talent, and come away with great images under conditions that are rarely in your favor.  In addition to learning the origin stories to their intense, multifaceted careers, we distinguish between work on feature films and tv productions, reveal the secret superpowers of stealth and stillness essential for success on set, describe how to build alliances across an film entire crew, and talk about value of the global shutter to combat banding with LED lights. Or, as Myles sums things up in a nutshell, "One of the great things about being a still photographer on set is you're basically observing everything. I think of it as a learning experience every day." Episode Timeline: 3:26: Defining the role of a unit set photographer and how it fits into a larger film or tv production. 8:24: How Myles first got into photographing stills for movie sets in the analog days.  11:22: Cara's career path to working on films, joining the union, and becoming a unit set photographer. 16:54: Digging deeper into the multifaced role of still photographer on movie sets. 20:50: Does your work on a film set affect how you experience the finished production? 22:28: Making distinctions between work on a feature film set vs a tv production. 35:40: The importance of relationships with other crew members, from the assistant director to the lighting crew to the sound department.  40:35: Episode Break 41:22: The sound blimp days of working with film and DSLRs before the switch to mirrorless.  52:37: The cameras and lenses Myles & Cara work with on set. 57:12: Booking gigs, work schedules & downtime between jobs in both feature films and tv productions. 1:00:03: Post-production and turn-around time for delivering files. 1:02:41: Pathways for joining the Cinematographers Guild—IATSE Local 600. 1:05:53: Myles's post-retirement life and the importance of personal work as part of his vision. 1:10:28: Cara's personal projects and connections to the Hudson Valley art community. Stay Connected: Myles Aronowitz Website: https://mylesaronowitz.com/ Myles Aronowitz YouTube: https://www.youtube.com/@mylesaronowitz Myles Aronowitz Vimeo: https://vimeo.com/mylesaronowitz?fl=pl&fe=po Myles Aronowitz on LinkedIn: https://www.linkedin.com/in/myles-aronowitz-0779499/ Myles Aronowitz on IMDB: https://www.imdb.com/name/nm0036938/ Cara Howe Unit Stills Website: http://carahowephoto.com/ Cara Howe Personal Website: https://www.carahowecreative/ Cara Howe on Instagram: https://www.instagram.com/carahowephoto/ Cara Howe on LinkedIn: https://www.linkedin.com/in/carahowe/ Cara Howe on IMDB: https://www.imdb.com/name/nm1244868/  

Coming up in our April podcast: Marcus asks why astronauts have chosen 10 year old DSLRs to accompany them to Moon this year, James explains why Sigma's latest venture is in farming, and and we all try to make sense of Adobe's very expensive payout. Plus, the guys take aim at a “7-in-1” photographer's jacket - with 29 places to lose your lens cap - and wonder if you need to be Clint Eastwood to use the Ultimate Lens Holder. LINKS

Ever since the very first episode of this show, we've aimed to include as many of our listeners in our shows as possible, but that our hosts are located in three different countries and in four different time zones makes finding a time that works for everyone difficult, especially those of you in Europe and other European-aligned time zones where it is often the middle of the night when we typically record. In an effort to give more people in these areas of the world the opportunity to join us, on occasion we change our recording time.  For Episode 106, we did just that and saw a large number of people show up! Joining Anthony, Paul, Stephen, Theo, and Mike on this show were returning and first time callers, Brendon Wilson, Brian MacDomhnail, Fernando Villava, Ira Cohen, Joey Alvillar, John Wade, Josh Calvetti, Krijn Vogelaar from Holland, Kamil from Norway, Norris Liu, Pat Casey, Stuart Pratt, Vlad Kern, and Wayne Scheipers. On this show, we covered a wide array of topics including one of Paul's most hated Nikons, John Wade shares with us a very interesting Ilford monorail camera which supports shooting on 35mm film, Ira shares his love for Eigenbau cameras, and we admire Krijn's beautifully painted Kodak box cameras. In addition, we cover a large range of cameras from the AGFA Automatic 66, to the Kodak Medalist, Hasselblad SWC, Leidolf Lordomat, Mamiya RB67, the Tom Thumb 'radiocamera', and Mike shares a quick preview of a neat rangefinder camera he picked up called the Wenk Wenka. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are returning to one of the gang's favorite camera families, the Kodak Retina.  To help us navigate the nuances of so many Retina models, we are happy to welcome Chris Sherlock, of Retina Rescue.  Chris has many years of experience repairing Kodak Retinas and other leaf shutter cameras and is sure to have a great deal of insight into these wonderful cameras!  We will record Episode 107 on Monday, April 6th at 7pm Central Daylight Time, 8pm Eastern Daylight Time, and Tuesday April 7th at Noon New Zealand Standard Time.  For more time zones, please consult the World Time Buddy calculator and plug in your time.  Make sure you set your calendars and look out for the show announcement at the usual locations and be prepared to join us! In This Episode Happy Birthday to Pat Casey / Kamil and the Olympus mju Zoom / Minolta Dynax 5 / Nikon F80 Paul Really Hates the Nikon F70 / Mike's First DLSR was the Nikon D40x Fujifilm Finepix Pro early DSLRs were F80 bodies John Wade has stopped writing books, but still writes for Amateur Photographer Ilford KI Monobar, a 35mm monorail camera John has Stanley German's (Botanist in 1940s) specially made one off camera with all his slides Ira's Eigenbau and Frankencameras / Machinists Who Make Good Cameras at Home John showed a stereo camera which was converted to a Panoramic Camera Paul likes the pretty Kodak Model F 620 box camera Kodak pushed 620 across the world Agfa Automatic 66 and the Goerz Minicord Krijn's Hand Painted Kodak Brownies Brendan has a Mandelar Leica M lens, they are a hot item Third party lenses are really good value Wayne is shooting a Zeiss-Ikon Contessa 35 and a Kiev 88 Vlad has had a few problems with US Customs Mike has gone 3D printing crazy Josh has a new Minolta Rokkor 40mm f/2 CL Leica mount Joey picked up a Hasselblad SWC which could have gone through the Camerosity rounds Leidolf Lordomat / Brian has reduced his camera collection a lot, he is enjoying the Pentax MX Wishing the I Dream of Cameras podcast congratulations for 100th episode Some cameras have strange battery compartments Fernando has a new Kodak Medalist Many photographers used the collected cameras as workhorses Good photographers do not rely on the camera alone for the results Kamil scored a Mamiya RB67 Pro S New seals are often needed for older cameras / Don't put cameras in the sun Norris brought in a radio camera called the Tom Thumb Mike Picked Up a Wenk Wenka / Stuart has a Rolleicord 5b and some Zeiss Ikoflexes Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, Stephen, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. Order Your Very Own Camerosity Podcast T-Shirt! - https://www.zazzle.com/z/tbykl0hg The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

We take a look at the Nikon D2Hs, which had an unusual sensor design that we'd never seen before. Also, Canon released a list of their favorite compact cameras, which shockingly are all made by them. Finally, a new Kickstarter gives you the opportunity to buy a camera for your camera. If you enjoy the show, we'd welcome your support on Patreon. It's only $3 per month and helps us keep the show running. You can check it out here: https://www.patreon.com/cameragearpodcast If you prefer to make a one-time donation, you can find us on Buy Me a Coffee: https://buymeacoffee.com/cameragearpodcast  Want to send us a question or comment, or just learn more about the show? Check out our website at https://cameragearpodcast.com, or email us directly at cameragearpodcast@gmail.com. Also, some of the product links in the notes below are affiliate links, which earn us a commission if you make a purchase at no additional cost to you. Notes: Nikon D5 [B&H] Nikon Issues Advisory: Some Z6 III, Z5 II, and ZR Have a Hardware Problem [PetaPixel] Canon picks its 12 favorite compact cameras [Digital Camera World] Canon PowerShot V1 LIGAR Camera Kickstarter Nikon D2H Review [DPReview]

"Instagram is dentistry and Facebook is where friends and family are... Instagram is like meth, I can't get off it." — Alan Mead Alan sits down with a powerhouse trio—Dr. Russell Schafer, Dr. Mitch Hopkins, and Dr. Matt Standridge—live from Voices of Dentistry 2026. They bridge the gap between "Instagram Dentistry" and the daily grind of running a productive practice, covering everything from why 2D photography still beats 3D face scanning to the hard truths about dental school debt and clinical mastery. The Guest List: Dr. Russell Schafer: The man who helped name the "Group Function" and a recurring voice on the network. Dr. Mitch Hopkins: A first-time guest and longtime listener, sharing his journey into implant training and full-mouth rehabs. Dr. Matt Standridge: The "Tom Hanks of the Very Dental Podcast," returning to discuss the discipline of dental photography. Key Conversations: The Gateway to Comprehensive Care: Photography The group discusses Matt's presentation on photography. While high-end DSLRs create "dental porn" for Instagram, the real value lies in using photography as a diagnostic tool for every new patient. The "Dummy" Solution: Discussion on the ShoFu camera as a simpler alternative to complex DSLR setups. The IG Satire: A hilarious pitch for "Garbage Mouth Instagram"—high-end photography of the most neglected cases to stick it to the "AACD" types. 3D Scanning vs. The "Uncanny Valley" Despite the push for $10,000 3D face scanners, the consensus remains: 2D photos are more useful for lab design. * 3D renderings often fall into the "uncanny valley"—looking almost human but just "off" enough to be distracting. Photos are essential for designing smiles that actually fit the patient's face, not just their arches. Advice for the "Mid-Career" and New Dentists The conversation turns to the crushing debt and clinical gaps facing new grads. The All-on-4 Trap: Why jumping straight into full-arch implants because of debt can be a recipe for malpractice. The Power of Bread and Butter: A defense of molar endo, quadrant fillings, and the "Lean and Mean" model of dentistry. The PVS Skillset: Why learning analog impressions (and packing cord!) is still a vital skill in a digital world. Leveling Up Your Clinical Skills The episode wraps with a "lightning round" of advice for improving your work tomorrow: Design Your Own Crowns: Use software to marginate your own preps. It's the fastest way to realize where your technique is failing. Magnification & Lighting: Whether it's jumping from 2.5x to 4.5x loops or investing in high-quality surgical headlamps, if you can't see it, you can't treat it. Some links from the show: Clinical Mastery Series (Mitch teaches here) Russell's denture ce Matt's "Clear Aligner Boot Camp" Matt's "Self Ligating Band and Bracket" Course Matt at 3D Dentists Shofu Eyespecial camera Join the Very Dental Facebook Group using one of these passwords: Timmerman, Paul, Bioclear, Hornbrook, Gary, McWethy, Papa Randy, or Lipscomb!  The Very Dental Podcast network is and will remain free to download. If you'd like to support the shows you love at Very Dental then show a little love to the people that support us! I'm a big fan of the Bioclear Method! I think you should give it a try and I've got a great offer to help you get on board! Use the exclusive Very Dental Podcast code VERYDENTAL8TON for 15% OFF your total Bioclear purchase, including Core Anterior and Posterior Four day courses, Black Triangle Certification, and all Bioclear products. Are you a practice owner who feels like the bottleneck in your own business? If you're tired of being the hardest-working person in your office, I've got something you need to hear. Dr. Paul Etchison, is hosting a virtual event that is a total game-changer. Paul is honestly one of the most brilliant minds in dental leadership today, and he's hosting the 3-Day Freedom Practice Workshop from February 19th through the 21st. He's going to show you exactly how to break through that two-million-dollar revenue ceiling while actually compressing your clinical week. It's about building a leadership team that takes ownership so you can finally step into the CEO role you deserve. Head over to DentalPracticeHeroes.com/freedom to grab your spot. And do me a favor—mention the Very Dental podcast when you sign up. It's 100% guaranteed, so you've got nothing to lose but the stress. Crazy Dental has everything you need from cotton rolls to equipment and everything in between and the best prices you'll find anywhere! If you head over to verydentalpodcast.com/crazy and use coupon code "VERYSHIP" you'll get free shipping on your order! Go save yourself some money and support the show all at the same time! The Wonderist Agency is basically a one stop shop for marketing your practice and your brand. From logo redesign to a full service marketing plan, the folks at Wonderist have you covered! Go check them out at verydentalpodcast.com/wonderist! Enova Illumination makes the very best in loupes and headlights, including their new ergonomic angled prism loupes! They also distribute loupe mounted cameras and even the amazing line of Zumax microscopes! If you want to help out the podcast while upping your magnification and headlight game, you need to head over to verydentalpodcast.com/enova to see their whole line of products! CAD-Ray offers the best service on a wide variety of digital scanners, printers, mills and even  their very own browser based design software, Clinux! CAD-Ray has been a huge supporter of the Very Dental Podcast Network and I can tell you that you'll get no better service on everything digital dentistry than the folks from CAD-Ray. Go check them out at verydentalpodcast.com/CADRay!  

Happy 2026! We are back by the fire for our first chat of the year, and we have a lot to catch up on.In this episode, we dive deep into the current state of the wedding industry. After judging hundreds of films for the British Wedding Film Festival, we've noticed some polarizing trends - from AI-generated voiceovers to the resurgence of "home movie" Super 8 vibes. We also discuss the controversial return of the "Dutch tilt" in photography (thanks, Gen Z) and ask the question: are Content Creators actually taking over, or was it just a phase?On the business side, we open up about a recent painful client cancellation and discuss the ethics of contracts and refunds when things go wrong. We also debate a recent award-winning image controversy - where do we draw the line between photography, digital art, and cheating?Plus, we share some life updates, including Liam's new career path, Bee's Harry Potter-style darkroom, and why Laura is painting in her underwear.Topics:•2026 Trends: The rise of AI music and voiceovers in wedding films.•Gear Nostalgia: Why everyone is buying old DSLRs and 35mm film cameras.•Business Realities: Handling last-minute cancellations and protecting your income.•Ethics: The controversy of using stock imagery and composites in photo awards.•Life Updates: Darkrooms, driving instructors, and car breakdowns.Whether you are a photographer, videographer, or just a creative trying to navigate the changing landscape, grab a coffee (or a wine) and join the commune.Timestamps:
00:00 - Intro: Happy New Year 2026
01:05 - Judging film awards & the rise of AI Voiceovers
05:23 - Photography trends: The return of the "Wonky Horizon"
07:00 - The DSLR nostalgia trap
09:30 - Bee's new cupboard darkroom & developing film
14:55 - Laura's new painting hobby
21:50 - Liam's now a Qualified Driving Instructor
29:40 - Have Content Creators actually taken over?
33:00 - Dealing with a major wedding cancellation
36:40 - The Awards Controversy: Stock images vs. Photography
43:00 - Will AI eventually eat itself?
47:00 - Highs & Lows: Client testimonials & car breakdown nightmares
57:30 - Bee's health scare & 80s nostalgiaLawson Film School: https://www.lawsonfilms.co.uk/lawson-film-schoolSay hi on Instagram @ourcreativecommuneGet a free 14 day trial of Musicbed: https://www.musicbed.com/invite/935CyThe British Wedding Film Festivalhttps://www.britishweddingfilmfestival.com/liamandbee.comlawsonfilms.co.uklawsonphotography.co.uk#weddingphotography #weddingvideography #filmphotography #creativepodcast #weddingindustry #ourcreativecommune Hosted on Acast. See acast.com/privacy for more information.

Burnie and Ashley discuss college football final four, DSLRs, mobile electronics, 28 X Later, Operation Absolute Resolve, Venezuela, Maduro costume changes, regime changes, narcoterrorism, and moving ahead.

In this episode of Creatives Grab Coffee, Dario Nouri and Kyrill Lazarov sit down with Daniel Calleja, founder of Visual Production Agency in Melbourne, Australia. With more than 20 years in the game, Daniel shares how he built a resilient corporate video business through two decades of rapid industry change — from VHS to HD, DSLRs, and today's AI-driven landscape.They dive into how video production companies can survive in an oversaturated market, balance pricing and quality, adapt to budget-tight clients, and find long-term stability through smart specialization.Topics Covered:00:00 – Daniel's origin story & early industry lessons07:00 – From VHS to HD to DSLR revolutions14:00 – The rise of competition & SEO's impact on video production19:00 – Price wars and the race to the bottom24:00 – Freelancers vs agencies & direct-to-client trends29:00 – Content creators vs production companies33:00 – In-house vs outsourced marketing teams42:00 – Forecasting, rebranding & future-proofing your agency50:00 – Outreach, networking & finding new clients52:00 – Niching down into corporate training videosKey Takeaways:The industry is shifting from production to content creation — and how to stay relevant.Why you should never race to the bottom on pricing.How to forecast your marketing and sales pipeline year-round.Why training videos are a recession-proof niche for corporate producers.The importance of quality, longevity, and investing in your team.

I'm diving deep into the pros and cons of doing a live podcast, inspired by a question from Ralph over at askralph.com. If you've ever considered going live with your show—whether with video or audio—you'll want to hear my honest take after years of experience.I break down what it's really like to start live streaming, especially if you're new to podcasting or just thinking about expanding into video. From gear recommendations, background setups, and green screens to my latest waste-of-money purchase (ouch!), I share what works, what doesn't, and what you should really consider before investing.You'll hear why consistency in scheduling is key and how I built a loyal live audience for Ask the Podcast Coach, which now feels like the new Saturday morning cartoons for my regulars. I talk candidly about realistic audience expectations—don't be shocked when only a handful show up at first!—and why you shouldn't start live if you're overwhelmed by tech.I run through my favorite live streaming platforms, like Restream, eCamm Live, EVMux, and Streamyard, and why I personally steer clear of Riverside despite its flashy features. I talk camera options, from affordable 4K webcams to fancy DSLRs, and stress why you should practice, practice, practice before going live in front of folks.You'll also get my advice on handling live chat, co-host dynamics, the need for two monitors, and the occasional awkwardness of booting guests off gracefully. I share war stories about live mishaps, from surprise guests to technical gremlins, and why your audience is nearly always rooting for you.If you're weighing whether the extra expense, learning curve, and time spent prepping for live shows is worth it, I'll walk you through how it's brought me closer to my audience and generated great content for my main show. Spoiler: For me, the connection, fun, and instant feedback have made it worthwhile—even if those first few live shows felt like talking to a brick wall!Takeaways: Going live can totally change your podcast game, but it comes with a whole load of tech headaches. There are so many tools out there for live streaming, but honestly, they all have their quirks and bugs. You really need to be consistent with your live show schedule, or folks will forget about you faster than a sneeze in a windstorm. Interacting with your audience live can spark some killer ideas, so don't shy away from it! Don't overthink your video background; if they care more about your messy room than your words, that's a problem. Prepare like you're about to run a marathon, because going live isn't just 'turn it on and chat' - it's a whole production! Equipment MentionedNeewer Keylight KitObsbot Meet 4k CameraYolo 3 4K CameraLogitech MX Brio Ultra HD 4KSony ZV-E10 II DSLR...

Is it time to say goodbye to your DSLR? Are mirrorless cameras really the future of dental photography? If your DSLR is still working perfectly, should you upgrade now or wait for the right time? Jaz is joined by Dr. Ashish Soneji in this game-changing episode to discuss the death of the DSLR and why the shift to mirrorless cameras is inevitable. They break down whether you should proactively switch or strategically hold off, plus what this means for your existing lenses. You'll also learn the rules of mix and match—can you use your current DSLR lens on a mirrorless body? And most importantly, which mirrorless lenses are worth buying and which ones to avoid (hint: if they don't have markings, you might be in trouble!). If you care about consistent, high-quality dental photography, this episode is a must-listen! https://youtu.be/Y29Mnz26ZIU Watch PDP239 on Youtube Protrusive Dental Pearl: Jaz introduces the 21-Day Photography Challenge for beginners, featuring 21 short videos to help dentists take clear, well-framed photos. In just three weeks, participants will master essential shots, including tricky occlusal views, at their own pace. Key Takeaways: Investing in quality equipment pays off in the long run. Mirrorless cameras offer significant advantages over DSLRs. Lighting is crucial for capturing quality images. Standardized images require barrel markings on lenses. Second-hand DSLRs can be a cost-effective option for beginners. The evolution of camera technology impacts photography practices. Choosing the right lens is essential for dental photography. Flash consistency is vital for accurate representation in images. Upgrading to mirrorless is a smart move for future-proofing photography. Upgrading your camera setup should align with your clinical progression. Mirrorless cameras are lighter and offer better image quality. Consider the size and transportability of your camera kit. Timing for upgrades can be linked to job changes or equipment failures. Image quality is influenced by megapixels, especially for presentations and printing. Using the right tools, like smaller mirrors and retractors, can improve photography outcomes. Testing second-hand cameras before purchase is crucial to avoid issues. Mobile photography is improving, but may not match the quality of dedicated cameras. Investing in good photographic equipment is essential for quality results. Highlights of this episode: 00:00 Teaser 00:47 Intro 01:41 Protrusive Dental Pearl 03:30 Ashish's Journey into Photography 09:06 The Shift from DSLR to Mirrorless Cameras 13:33 Choosing the Right Camera Setup 15:32 Upgrading to Mirrorless Cameras 19:22 Camera Recommendations for Beginners 27:23 Investing in Reliable Flash Equipment 32:20 Investing in Reliable Flash Equipment 33:48 When to Upgrade Your Camera Setup 38:08 Getting HQ Images: Mirrorless vs DSLR 42:03 Avoiding Newer Lenses 43:23 Posterior Quadrant Photography 47:50 Tips for Buying Second-Hand Cameras 49:54 Mobile Dental Photography: Are We There Yet? 53:20 Getting Your First Mirrorless Camera 55:40 Course Information 57:53 Outro

NASCAR's Jeb Burton: Talladega Heartbreak, Hounds & Habitat | 100% Wild Podcast Ep. 442 NASCAR Xfinity driver Jeb Burton drops by the studio to talk racing, Talladega heartbreak, and why race-day prep feels a lot like bow season. We get into self-filming realities, conservation easements (and his dad's foundation protecting 12K+ acres), and the hot-button topic of deer hunting with hounds in the South: what good clubs do right, what gives it a bad name, and how tech changed the game. We wrap with a rapid-fire “Fast Lap” on favorite seasons, first birds, and bucket-list hunts. Topics Covered: Talladega finish controversy and racing prep How racing windows compare to hunting chances Jeb's 163” muzzleloader buck story Trail-cam follow-ups and access strategies Food plot and edge cover tactics Self-filming hunts: DSLR vs. POV setups  The Burton Conservation Foundation and easements The “Four D's” of land turnover explained NASCAR sponsorship grind and playoff cutoff battle  Deer hunting with dogs: good vs. bad clubs Fast Lap Q&A: favorite season, first turkey, stand snacks, bucket-list hunts  Timestamps 00:00 – “Deer hunting with dogs” teaser: why it's touchy (and where it's legal) 00:14 – Welcome back; Jeb Burton joins in-studio (No. 27 Xfinity) 02:03 – Outdoor TV roots; car livery & the Talladega finish controversy 03:15 – Grip, setups & why St. Louis isn't Talladega; $10M simulator prep 04:57 – Racing chances vs. limited big-buck windows; food plot strategy & risk 07:25 – Jeb's 163” muzzleloader buck story & why edge cover matters 11:13 – Locked-down buck lessons; trail-cam heartbreak the next morning 13:46 – Access without blowing timber; slow-roll entries during the rut 15:13 – Self-filming reality: DSLRs, POVs, frame vs. impact tradeoffs 21:04 – Golden Corral & sponsor banter (Casey's, anyone?) 25:05 – Ad break – HHR Sports 25:31 – The Burton Conservation Foundation: military-base buffers, easements (12K+ acres) 29:55 – The “Four D's” of land changing hands & why easements matter 35:42 – Ad break – Cold Steel 36:07 – Growing up Burton; 200 Xfinity starts & the sponsorship grind 43:27 – Points picture before the cutoff; racing a cousin for the last spot 46:20 – MJ's team, the charter dispute & the judge's warning to both sides 49:46 – Deer dogs deep-dive: good clubs vs. bad behavior; tech & trespass 55:17 – Fast Lap: favorite season, first turkey at age 9, stand snacks, bucket-list hunts 57:32 – Elk & pronghorn plans; travel preferences; outro & invitation back Join the Rack Pack Facebook Group : https://www.facebook.com/share/g/n73gskJT7BfB2Ngc/ Get ahead of your Game with DeerCast available on iOS and Android devices App Store: https://itunes.apple.com/us/app/deercast/id1425879996 Play Store: https://play.google.com/store/apps/details?id=com.druryoutdoors.deercast.app Don't forget to stock up for your next hunt! 1st Phorm has you covered!  Protein Sticks: https://1stphorm.com/products/protein-sticks-15ct?a_aid=DruryOutdoors Level-1 Bars: https://1stphorm.com/products/level-1-bar-15ct?a_aid=DruryOutdoors Energy Drinks: https://1stphorm.com/products/1st-phorm-energy?a_aid=DruryOutdoors Hydration Sticks: https://1stphorm.com/products/hydration-sticks?a_aid=DruryOutdoors Send us a voice message on Speakpipe! https://www.speakpipe.com/100PercentWild?fbclid=IwY2xjawHG5cpleHRuA2FlbQIxMAABHS-OqetdhlMV6LGrV5KfUBO7fjYcduyut_LzgxrQnEgBbe_vPXGCMgF1Sw_aem_ZmFrZWR1bW15MTZieXRlcw For exciting updates on what's happening on the field and off, follow us on social Facebook: http://www.facebook.com/OfficialDruryOutdoors Instagram: @DruryOutdoors  Twitter: @DruryOutdoors Be sure to check out http://www.druryoutdoors.com for more information, hunts, and more!  Music provided by Epidemic Sound http://player.epidemicsound.com/

NASCAR's Jeb Burton: Talladega Heartbreak, Hounds & Habitat | 100% Wild Podcast Ep. 442 NASCAR Xfinity driver Jeb Burton drops by the studio to talk racing, Talladega heartbreak, and why race-day prep feels a lot like bow season. We get into self-filming realities, conservation easements (and his dad's foundation protecting 12K+ acres), and the hot-button topic of deer hunting with hounds in the South: what good clubs do right, what gives it a bad name, and how tech changed the game. We wrap with a rapid-fire “Fast Lap” on favorite seasons, first birds, and bucket-list hunts. Topics Covered: Talladega finish controversy and racing prep How racing windows compare to hunting chances Jeb's 163” muzzleloader buck story Trail-cam follow-ups and access strategies Food plot and edge cover tactics Self-filming hunts: DSLR vs. POV setups  The Burton Conservation Foundation and easements The “Four D's” of land turnover explained NASCAR sponsorship grind and playoff cutoff battle  Deer hunting with dogs: good vs. bad clubs Fast Lap Q&A: favorite season, first turkey, stand snacks, bucket-list hunts  Timestamps 00:00 – “Deer hunting with dogs” teaser: why it's touchy (and where it's legal) 00:14 – Welcome back; Jeb Burton joins in-studio (No. 27 Xfinity) 02:03 – Outdoor TV roots; car livery & the Talladega finish controversy 03:15 – Grip, setups & why St. Louis isn't Talladega; $10M simulator prep 04:57 – Racing chances vs. limited big-buck windows; food plot strategy & risk 07:25 – Jeb's 163” muzzleloader buck story & why edge cover matters 11:13 – Locked-down buck lessons; trail-cam heartbreak the next morning 13:46 – Access without blowing timber; slow-roll entries during the rut 15:13 – Self-filming reality: DSLRs, POVs, frame vs. impact tradeoffs 21:04 – Golden Corral & sponsor banter (Casey's, anyone?) 25:05 – Ad break – HHR Sports 25:31 – The Burton Conservation Foundation: military-base buffers, easements (12K+ acres) 29:55 – The “Four D's” of land changing hands & why easements matter 35:42 – Ad break – Cold Steel 36:07 – Growing up Burton; 200 Xfinity starts & the sponsorship grind 43:27 – Points picture before the cutoff; racing a cousin for the last spot 46:20 – MJ's team, the charter dispute & the judge's warning to both sides 49:46 – Deer dogs deep-dive: good clubs vs. bad behavior; tech & trespass 55:17 – Fast Lap: favorite season, first turkey at age 9, stand snacks, bucket-list hunts 57:32 – Elk & pronghorn plans; travel preferences; outro & invitation back Join the Rack Pack Facebook Group : https://www.facebook.com/share/g/n73gskJT7BfB2Ngc/ Get ahead of your Game with DeerCast available on iOS and Android devices App Store: https://itunes.apple.com/us/app/deercast/id1425879996 Play Store: https://play.google.com/store/apps/details?id=com.druryoutdoors.deercast.app Don't forget to stock up for your next hunt! 1st Phorm has you covered!  Protein Sticks: https://1stphorm.com/products/protein-sticks-15ct?a_aid=DruryOutdoors Level-1 Bars: https://1stphorm.com/products/level-1-bar-15ct?a_aid=DruryOutdoors Energy Drinks: https://1stphorm.com/products/1st-phorm-energy?a_aid=DruryOutdoors Hydration Sticks: https://1stphorm.com/products/hydration-sticks?a_aid=DruryOutdoors Send us a voice message on Speakpipe! https://www.speakpipe.com/100PercentWild?fbclid=IwY2xjawHG5cpleHRuA2FlbQIxMAABHS-OqetdhlMV6LGrV5KfUBO7fjYcduyut_LzgxrQnEgBbe_vPXGCMgF1Sw_aem_ZmFrZWR1bW15MTZieXRlcw For exciting updates on what's happening on the field and off, follow us on social Facebook: http://www.facebook.com/OfficialDruryOutdoors Instagram: @DruryOutdoors  Twitter: @DruryOutdoors Be sure to check out http://www.druryoutdoors.com for more information, hunts, and more!  Music provided by Epidemic Sound http://player.epidemicsound.com/

EP 42 “Xerxes”In this episode of The Slanted Attic Experience, Tyler welcomes Xerxes, a software engineer whose curiosity fuels a life of building, experimenting, and exploring. What begins as a conversation about cameras quickly evolves into a wide-ranging discussion that blends technology, personal stories, and big-picture insights. From the early days of college memories to the intricacies of hardware and the future of computing, Xerxes brings a refreshing mix of energy, perspective, and wit to the attic.Guest Panel:XerxesXerxes spends his days engineering software and his evenings pursuing projects that combine problem-solving with creativity. Whether it is building systems, dissecting financial trends, or taking his motorcycle out in search of new experiences, he thrives on finding adventure in every setting. His natural curiosity, paired with a sharp sense of humor, keeps the conversation both insightful and engaging, offering listeners a balance of technical depth and relatable storytelling.Topics Covered:1. Intro and first impressions2. Cameras, from DSLRs and mirrorless systems to action gear3. College memories and how Tyler and Xerxes first met4. The Netflix Right to Repair documentary and the subscription economy5. Internet hardware and the reality of home networking6. How to stay safe online and what to know about public Wi-Fi7. A live PC build and an investing sidebar8. The origins of the podcast and how far it has come9. IT, PC peripherals, and designing a workspace you enjoy10. Effort, social media, and the science of dopamine11. Software engineering, coding, and the path toward quantum computing12. Spy planes, crypto discussions, tariffs, and the U.S. bond market13. Capitol Trades and the tools reshaping economics14. Closing thoughts and reflectionsEach episode of The Slanted Attic Experience offers more than conversation. It is a chance to explore ideas, share stories, and gain perspectives that connect technology, culture, and the human experience.Episodes release every other Monday at 10:30 AM EST, with occasional surprise drops that keep the attic fresh and unpredictable. Explore past episodes and bonus content at https://dot.cards/slantedatticLinks!!!https://www.capitoltrades.com/

eit Februar sind wir bei Lora München und wollen an der Stelle mal Danke sagen. Rote oder blaue Pille Im Dezember läuft der neue Matrix in den Kinos an. Ein kluger Schachzug ist, eine maximal beeindruckende Unreal Engine 5 Tech Demo auf Xbox Series X und PS5 mit dem Thema Matrix zu veröffentlichen. Diese Demo zeigt wirklich, wie Next Gen Gaming aussehen kann. Hammer! Black Friday Geständnisse Na, wer hat unnötiges Zeug gekauft am Black Friday? und wer hat ECHTE Schnäppchen gemacht? Jason räumt wieder auf Der neue Film von Guy Ritchie ist wieder ein knallharter Action Thriller. In Wrath of Man räumt Jason Statham als Fahrer eines Geldtransports knallhart auf: kompromisslos, spannend und mit der großen Menge Testosteron macht der Film eine Menge Spaß! Bushido ist zurück Gerade ist die Bushido Dokumentation auf Amazon Prime in aller Munde. Am 17. Dezember kommt sein neues Album Sonny Black II. Wir stellen einen neuen Track vor. Krypto in the Game Es gibt ja einige Spiele, bei denen man Krypto verdienen kann. Natürlich gibt es auch Spiele bei denen man Krypto verlieren kann. Nun gibt es aber in der Tat gleich zwei Projekte wo dieses neue Universum mit dem alten kollidiert. Projekt 1: Ubisoft integriert Tezos Blockchain (XTZ) um NFTs zu handeln (Ubisoft Quarz für Skins, Waffen, etc.). Projekt 2: Der Parodie Meme Coin Shiba Inu eröffnet eine Gaming Sparte und arbeitet da wohl mit PlaySide Studios in Australien zusammen. Die Lichtfeldfotografie ist wieder zurück Eine Subfirma des Max Planck Instituts hat zusammen Karl Zeiss aus Jena ein Lichtfeldobjektiv für DSLRs entwickelt. Für 2.000€ könnt Ihr bei Kickstarter das Projekt unterstützen und mit Angabe Eures Kameratyps dann bei Erscheinen, das korrekt Objektiv erhalten. Spannende Sache! 5-G-Edge-Computing Was ist das schon wieder? Ganz einfach. Das ist, wenn man die Cloud direkt ans Eck des 5G Netzes stellt. Also wenn man z.B. einen Schwarm Drohnen nimmt, die ein Gebäude vermessen lässt und dann die Daten nicht erst speichert und später hochlädt sondern wenn Steuerung und Übetragung der Daten unmittelbar und live über dsa 5G Netzwerk stattfinden und alles quasi direkt von der Drohne in die Cloud zur Verarbeitung geschickt wird. Vodafone und Amazon machen da gerade so ein Projekt.

 What happens when you turn your love of food into a full-time career—and a citywide influence?In this flavorful episode of The JB and Sandy Show, Sandy sits down with Jane Ko, founder of A Taste of Koko, to explore how she built one of Austin's most beloved food and lifestyle brands from scratch. From the early days of clunky video gear and mediocre iPhones to today's sleek content creation tools, Jane shares her journey through the evolving tech landscape and the challenges of staying fresh in a fast-moving industry. Her passion for discovering new restaurants and giving back to the community shines through, making this episode a must-listen for foodies, creators, and anyone stuck in a dining rut.Guest Spotlight: Jane Ko is the creator of A Taste of Koko, a top-tier Austin food and lifestyle blog known for its vibrant recommendations, restaurant reviews, and community-driven content. With over a decade of experience, Jane has become a trusted voice in Austin's culinary scene and a trailblazer in digital storytelling. Key Moments:

In dieser Folge geht es neben einem kleinen Update zur aktuellen Klausurvorbereitungsphase um die geilste Kamera, die Canon jemals gebaut hat: Die Canon 5D Mark IV.Ich wünsche Dir ganz viel Spaß beim Zuhören =)-----Wenn Dir meine Inhalte gefallen, denke bitte daran diesen Podcast positiv auf Deiner jeweiligen Plattform zu bewerten oder vielleicht sogar eine Rezension zu schreiben! Damit würdest Du mir, aber vor allem der ganzen Community, wirklich sehr helfen! DANKEMeine Website: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.benediktbrecht.de⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/momentedeinergeschichte/⁠⁠⁠⁠⁠⁠⁠⁠Facebook:⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/momentedeinergeschichte⁠⁠⁠⁠⁠⁠⁠⁠MdG-Community auf Facebook:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/313021897452285⁠⁠⁠⁠⁠⁠⁠⁠Du möchtest mich mit einem kleinen, einmaligen oder regelmäßigen Beitrag unterstützen und mir so einen ganz besonderen Dank zukommen lassen? Ich meine, denke an meine KaffeSucht...⁠⁠⁠⁠⁠⁠⁠⁠https://buymeacoffee.com/benvonmdg⁠⁠⁠⁠⁠⁠⁠⁠Heute schon getaggt? =)Benutzt Du schon den #momentedeinergeschichte?Damit können wir uns gegenseitig finden und voneinander lernen! Geht schnell, kostet nix und ist ziemlich stylisch, finde ich^^

In an industry obsessed with specs, megapixels, and the latest mirrorless marvels, it's easy to fall into the trap of thinking that your photos will only be as good as your gear. But let's set the record straight: you do not need the newest camera on the market to create high-quality, compelling images. The true power of a photograph lies not in its resolution—but in the person behind the lens. In this episode of the podcast, we're diving into the myth that better gear automatically leads to better photos. Yes, having the right tools for the job matters—but far too often, photographers get caught up in a cycle of gear envy, believing that the latest model will suddenly make them better artists. Spoiler alert: it won't. Creativity, understanding of light, composition, and the ability to connect with your subject are all far more important than any spec sheet. We share stories of incredible images shot on so-called “outdated” equipment, including photographers who have created award-winning work with entry-level DSLRs or even smartphone cameras. It's a reminder that limitations can actually spark innovation. When you stop relying on the camera to “wow,” and instead rely on your eye and your instincts, your photography improves in leaps and bounds. Plus, let's talk about the financial side of this. Chasing gear is expensive. That money could be better spent investing in education, portfolio-building experiences, or maybe even a relaxing weekend that helps refill your creative cup. There's nothing wrong with upgrading when it's truly needed—but constant upgrades won't make up for gaps in skill or vision. At the end of the day, your camera is just a tool—like a paintbrush to a painter or a pen to a writer. It's how you use it that matters most. So before you hit “add to cart” on that shiny new body, ask yourself: do you need more megapixels—or just more practice? Tune in to this episode and be reminded that your greatest photography asset isn't in your bag—it's in your head and heart. Support The Nerdy Photographer Want to help The Nerdy Photographer Podcast? Here are a few simple (and mostly free) ways you can do that: Subscribe to the podcast! Tell your friends about the podcast Sign up for the newsletter - https://nerdyphotographer.com/newsletter Subscribe to our YouTube Channel - https://www.youtube.com/@CaseyFatchett Buy some merchandise - https://nerdyphoto.dashery.com Follow on Instagram - https://instagram.com/thenerdyphoto Follow on Threads - https://threads.net/@thenerdyphoto Follow on BlueSky - https://bsky.app/profile/thenerdyphoto.bsky.social Follow in Tiktok - https://tiktok.com/@thenerdyphoto About The Podcast The Nerdy Photographer Podcast is written and produced by Casey Fatchett. Casey is a professional photographer in the New York City / Northern New Jersey with more than 20 years of experience. He just wants to help people and make them laugh. You can view Casey's photography work at https://caseyfphoto.com   If you have any questions or comments about this episode or any other episodes, OR if you would like to ask a photography related question or have ideas for a topic for a future episode, please reach out to us at https://nerdyphotographer.com/contact      

Send us a textPhotographing wildlife at night is tough, but there's a formula I've found that works incredibly well. It produces high quality, even low ISO, inspiring images of rarely seen animals we may encounter on wildlife photo adventures.In this episode I also go over the tools and specific camera settings, along with lessons and techniques from over 20 years on this topic for how to capture stunning nocturnal wildlife in their natural habitat.Sponsors & Promo Code:LensRentals.com - WildPhotographer15 for 15% offShimodaDesigns.com - Whelan10 for 10% offArthelper.Ai - WILD for 30 day free trial of Pro VersionTakeawaysNighttime wildlife photography is challenging due to low light.A good flashlight is essential for illuminating subjects. No flash--too harsh!Using a headlamp helps in adjusting camera settings in the dark.Spotting wildlife at night can be easier with a guide.Any camera can work, but DSLRs or mirrorless are preferred.Fast lenses are not always necessary for nighttime wildlife photography.Manual plus auto ISO is a great setting for low light.Underexposing the shot helps capture the essence of night.Editing can enhance the darkness around the subject.Macro photography can be done without a dedicated macro lens.Chapters00:00 Introduction to Night Wildlife Photography04:38 Essential Tools for Night Photography09:21 Camera and Lens Considerations12:12 Camera Settings for Low Light18:17 Techniques for Capturing Wildlife23:01 Editing Night Wildlife Photos26:55 Wild Card Tips for Night Photography Check out Court's photography and conservation work: CourtWhelan.com Follow Court Whelan (@courtwhelan) on YouTube for more photography tips Sign up for Court's conservation, travel and photography blog at www.courtwhelan.com View Court's recommended camera gear Promo Codes:LensRentals.com - WildPhotographer15 for 15% offShimodaDesigns.com - Whelan10 for 10% offArthelper.Ai - WILD for 30 day free trial of Pro Version

This week on the Thinking Tackle Podcast UNCUT, Tom Dove, Damian Clarke, and Adam Reed are back in the hot seat—well, most of them... Spooner's gone full-time carper and left us holding the mics! We kick things off talking about Spooner's NEW Meta Glasses that have turned him into an "influencer", the launch of the Spooner's 50 Club (yes, you can win a laser-etched YETI cup if you beat him to a UK 50), and dive headfirst into the hot topic of fishing during spawning—you know the one… cue the passionate rants and a bit of fence-sitting. Tom Dove brings the storytelling with a breakdown of his recent trips to Wrasbury: missed swims, double takes, and a red-letter day with TEN carp in 24 hours, including a stunning 35lb 8oz common. We also get real about the carp photo culture—are we doing it for the 'Gram, or is it enough to just enjoy the moment on the mat? Plenty of stories, banter, and a few choice words for rusty DSLRs found in the garage…

This week on the Thinking Tackle Podcast UNCUT, Tom Dove, Damian Clarke, and Adam Reed are back in the hot seat—well, most of them... Spooner's gone full-time carper and left us holding the mics! We kick things off talking about Spooner's NEW Meta Glasses that have turned him into an "influencer", the launch of the Spooner's 50 Club (yes, you can win a laser-etched YETI cup if you beat him to a UK 50), and dive headfirst into the hot topic of fishing during spawning—you know the one… cue the passionate rants and a bit of fence-sitting. Tom Dove brings the storytelling with a breakdown of his recent trips to Wrasbury: missed swims, double takes, and a red-letter day with TEN carp in 24 hours, including a stunning 35lb 8oz common. We also get real about the carp photo culture—are we doing it for the ‘Gram, or is it enough to just enjoy the moment on the mat? Plenty of stories, banter, and a few choice words for rusty DSLRs found in the garage…

#557 Matt Austin is a dedicated sports photographer whose journey from a novice to a professional has been nothing short of inspiring. Matt's life transformed dramatically as he went from using a basic camera to shooting high-profile sports events. Initially motivated by watching a Twitch stream of a videographer he admired, Matt took the dive into photography, capturing his local youth soccer league and rapidly advancing to sports photography on a larger scale. The episode not only highlights Matt's educational journey through podcasts and self-taught practices but also underscores the creative spark that ignited his love for sports photography. KEY TOPICS COVEREDJourney into Photography - Matt shares his initial exposure to photography through Twitch streams, leading to his active interest and practice during the COVID-19 pandemic. His personal story emphasizes the importance of seeking inspiration and mentorship through unconventional channels.Learning and Growth - The episode highlights the educational resources Matt utilized, such as podcasts and photography communities, to build foundational knowledge quickly. His journey reinforces the effectiveness of structured learning combined with practical application.Creative and Professional Pursuits - Discussion on blending creativity with professional sports photography showcases Matt's unique approach to capturing emotion in action shots. His proactive nature in seeking opportunities and partnerships underscores the value of perseverance and networking.IMPORTANT DEFINITIONS & CONCEPTSImposter Syndrome: A psychological pattern where individuals doubt their accomplishments and fear being exposed as a fraud. Relevant to the episode as Matt discusses overcoming this to pursue opportunities in sports photography.DISCUSSION & REFLECTION QUESTIONSHow can exploring different forms of media or content, like Twitch or podcasts, help accelerate learning in a new field?What role does community and mentorship play in overcoming imposter syndrome, particularly in creative fields?In what ways can photography be both a creative outlet and a structured, technical discipline?RESOURCES:Visit Matt Austin's Website - https://www.maustinphotography.com/sportsFollow Matt Austin on Instagram - https://www.instagram.com/maustinphoto/Download your free copy of46 Creative Photo Ideas to Get You Out of a Rutat https://creativeimageideas.com/ Sign up for your free CloudSpot Account today at www.DeliverPhotos.comConnect with Raymond! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Get your Photo Questions Answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

#555 Emily Brunner is a performance dance photographer from Philadelphia. The discussion focuses on Emily's journey from capturing casual photos of her children to specializing in dance photography. Key themes include transitioning into a photography niche, understanding the technical and artistic elements of dance photography, and the importance of collaborating with dancers to accurately capture their art. A central takeaway is Emily's emphasis on intentional photography, highlighting the need to capture movement with precision and artistry by mastering both technical settings and the dancer's form.KEY TOPICS COVEREDJourney into Dance Photography: Emily shares her experience evolving from family photography to a specialized focus on dance. Her motivation stemmed from a desire to document her daughter's dance performances, leading her to pursue professional skills in this niche.Technical Aspects and Equipment: The episode discusses the critical role of the right equipment, like DSLRs and high-quality lenses, in capturing dance movements. Emily emphasizes mastering manual camera settings to enhance image quality, demonstrating how the right lens can transform photographic outcomes.Collaboration and Technique: This topic underscores the collaborative nature of dance photography, where the photographer and dancer work together. Emily stresses the importance of safety, precise technique, and the photographer's responsibility to accurately reflect the dancer's skill and artistry.IMPORTANT DEFINITIONS & CONCEPTSIntentional Photography: Taking photos with specific artistic and technical goals, instead of capturing casual snapshots.Dance Movement Line: The visual impression created by a dancer's posture and movement, crucial in dance photography for conveying grace and power.DISCUSSION & REFLECTION QUESTIONSWhat steps can a photographer take to transition from a hobbyist to a professional niche, and what challenges might they face?How does collaboration enhance the creative process in photography?What ethical responsibilities does a photographer have in representing a dancer's art?RESOURCES:Visit Emily Brunner's Website - https://www.emilybrunnerphotography.com/Follow Emily Brunner on Instagram - https://www.instagram.com/emilybrunnerphotography/Download your free copy of 46 Creative Photo Ideas to Get You Out of a Rutat https://creativeimageideas.com/ Sign up for your free CloudSpot Account today at www.DeliverPhotos.comConnect with Raymond! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Get your Photo Questions Answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

Looking for a teleprompter that's simple, professional, and perfect for home studios? Peter Von Panda reviews the Elgato Teleprompter, a sleek and feature-packed device designed for content creators, trainers, and virtual meeting enthusiasts. From unboxing to setup, Peter walks you through its thoughtful design, built-in screen, and compatibility with devices like smartphones, laptops, and DSLRs. Discover why this teleprompter fixes the eye contact problem and simplifies your workflow, making it the best choice for recording, live streaming, and presentations. ▶ Get this product here: https://www.elgato.com/us/en/p/prompter ▶ Get elgatos products on Amazon here: https://geni.us/nqBCTu: ---------- LET'S TALK ABOUT LIVING BETTER: ▶ Podcast: https://geni.us/FtGAT4 ▶ My Amazon Store: https://www.amazon.com/shop/petervonp... ---------- IF YOU'D LIKE TO SHOW SOME LOVE: ▶ Buy My Book: https://geni.us/qwbZAE ▶ Become A Channel Member: https://geni.us/AA3Jk ▶ Patreon:   / petervonpanda   ▶ Merch: https://petervonpanda.storenvy.com/ ▶ Free Panda Group: https://panda-research-institute.mn.co FOLLOW MY OTHER SOCIAL MEDIA PLATFORMS: ▶ Instagram:   / petervonpanda   ▶ Facebook:   / petervonpanda   ----------

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When you collect vintage film cameras, if they don't work, just send it out for a CLA and some technician will take it apart, clean it up, lube what needs lubing, calibrate the shutter and it is ready to go, good as new!  How boring!  If the simplicity of CLAing a film camera is not enough of a challenge for you, perhaps you should consider collecting vintage digital cameras.  Incompatible memory cards, legacy file systems, unsupported USB cables, and batteries which no longer hold a charge are all the rage! Although the era of digital cameras barely exceeds three decades, the earliest days of digital saw a tremendous amount of innovation and strange designs because camera makers were still trying to figure out what and how a digital camera should look and work like. In this episode, the Camerosity crew (minus Anthony) go over this early innovative era of digital camera design and pick out some of the coolest cameras of the era.  Many of these cameras have early sensors which do not stand up to the quality of modern designs, but that's not why we collect them, Joining Paul, Theo, and Mike are returning callers AJ Gentile, Larry Effler, Mark Faulkner, Miles Libak, Pat Casey, Stephen Strangways, and Will Pinkham and we cover a great deal of history regarding the earliest and most important digital cameras like the Kodak DCS-100, Nikon E2Ns, and Minolta RD-175.  We declare two cameras from the late 1990s to be historically significant moments in camera design, on par with that of the Leica and Nikon F. Stephen Strangways shares with us his wide depth of knowledge about camera sensors.  We discuss the differences between CCD and CMOS sensors, why companies made the switch between the two, motivations of Live View, and why DSLRs eventually gave way to digital mirrorless cameras. We discuss the limitations of early CCD sensors, what are hot mirror filters, why we think Nikon missed the mark on mirrorless, plus we cover a great deal of cool digital cameras, some of which have features cameras today don't have, like the Sony Cybershot DSC-F828, Olympus E-100 RS, Panasonic GF1, and the Ricoh G900. In addition, Mike shares his large collection of 17 Pentax Q-series cameras, plus a very strange "camera coffin", a wooden Nikon rangefinder camera that has the guts of a Sony alpha mirrorless inside. As it is officially the holiday season and each of our schedules has gotten increasingly complicated, we do not yet know when the next show will be, or what we will discuss.  Rest assured, that once we know, you'll know.  Be sure to follow us on our Camerosity Podcast Facebook page, the Camerosity Discord server, our new BlueSky page, and right here on mikeeckman.com. In This Episode What Exactly is 'Vintage Digital'? / Differences Between Still Video and Digital Cameras Kodak Had the Most to Lose with Digital But Pioneered it Anyway Apple Quicktake 100 / The Kodak DCS-100 Was Used in the Gulf War Did Kodak's Involvement in APS Impact Their Role in Developing Digital Cameras? Early CCD Sensors Were Extremely Difficult to Make, Resulting in Smaller Sensors The Sony Digital Mavica Was the Beginning of the End for Polaroid The Digital Mavica Was Also the Introduction of Digital to Many People Floppy Discs Gave Way to PCMCIA Cards and Eventually Flash Cards So Many Different Formats, MemoryStick, SmartMedia 3v and 5v, Compact Flash, etc Minolta RD-175 DSLR / Early Digitals Didn't Write JPGs / Converting Extinct Formats Sony Cybershot DSC-F828 / Sony's Night Shot Feature and How it Worked / Digital IR Photography Early Digital Cameras Had Weak IR Filtration, Throwing a Color Cast on Images / Hot Mirror Filters Why Did Digital Cameras Switch from CCD to CMOS Sensors? / Live View and Video Recording Problems with Sony Sensors / Canon and Fuji FinePix Pro SLRs / Leica M9 Sensor Problems Early Live View Sensors Would Overheat / Externally Cooling Camera Sensors What Drives the Popularity of CCD Sensors Today? Larry and Paul Love the Canon G-Series / Canon Color Science / Olympus E-100 RS Sigma Foveon Sensors / Foveon Merrills and Quattro Cameras The Nikon D1 Was the Watershed Moment for DSLRs / Nikon E2Ns Canon Did Well with the Digital Rebel and 18-55mm Kit Lens Kodak DCS Pro SLR/14 Was the First Full Frame DSLR In a Nikon Body and Mount Polaroid Polachrome Instant Slide Films The Switch from DSLR to Mirrorless / Panasonic GF1 / Sony SLT Cameras Nikon One and Pentax Q-Series Mirrorless Cameras / Nikon Missed the Mark On Mirrorless "No one will ever shoot the Superbowl with a smartphone"...or Will They? Digital Mirrorless Cameras Generally Have Poorer Battery Life Compared to DSLRs Most Camera Makers Never Made a Profit off Making Digital Cameras In February 1986 Herbert Keppler Made Several Predictions About Electronic Cameras Leica M11 / Pentax W90 / Canon Digital Rebel / Epson R-D1 / Pentax 645 Digital / Ricoh G900 Kurt's Strange Nikon Rangefinder Wooden Sony Digital Camera / Hasselblad Lunar and Stellar Digicams Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. The Camerosity Podcast is now on BlueSky @camerosity.bsky.social.  This modern, and clean replacement for Twitter is a nice alternative to cluttered social networks out there.  Follow us there for show announcements and other content. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Keppler's Vault 86: Electronic Still Photography - https://mikeeckman.com/2021/03/kepplers-vault-86-electronic-still-photography/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

In today's podcast, we'll be talking with Norwegian photographer Naina Helén Jåma about her documentation of indigenous South Sami culture in Norway and her career as a press photographer in Scandinavia. Jåma details her childhood growing up in the small rural village of Snasa, where, at the age of 15, she began her career while working as a cultural interpreter and archivist at the Saemien Sijte Museum.  From there, Naina takes us on a journey through her fascinating career as a photographer, from her training at the Nordic School of Photography to her work for world-renowned publications such as The New York Times, Bloomberg, and The Guardian Alongside her journalistic work, Naina maintains a close relationship with the traditional Sami arts of Duodji. Documenting the ongoing development of this art form pays tribute to oral knowledge and silent tradition, which is learned and transmitted visually. Above photograph © Naina Helén Jåma If you haven't already listened, check out all the episodes of our Picturing World Cultures podcast series here. For more information on our guests and the gear they use, see:  www.bhphotovideo.com/explora/podcasts Guest: Naina Helén Jåma Episode Timeline: 2:23: Naina's early childhood and growing up in Snåsa, a small village in Norway with approximately 2,000 inhabitants. 6:14: Naina's first job and the start of her career, working as a cultural archivist at the Saemien Sijite Museum. 10:44: How photographing handcrafted Sami items became Naina's thesis while enrolled at the Nordic School of Photography 14:45: Discussing different aspects and signifiers of traditional Sami clothing. 19:40: The eight different seasons of Sami culture. 22:06: Discussing the role and influence of animism and other traditional Sami belief systems. 28:18: Episode Break 29:40: Naina's go-to kit for cameras and lenses 33:10: Tips for shooting in cold climates and extreme conditions 35:14: Structuring documentation when working as a photojournalist  39:49: Naina's diverse reportage, from documenting the NATO summit to Sami youth protests due to windmill farms violating traditional reindeer hunting lands. 46:30: What Naina learned from her time working on the other side of the lens as a Director of Photography 49:26: “Man Borrows the Land from Future Generations” 53:06: Naina Helén Jåma answers our PWC Visual Questionnaire. Guest Bio: Naina Helén Jåma is a South Sami photographer and storyteller from Snaasa in Norway, currently based in Oslo. After starting her career at the Saemien Sijte Museum at age 15, where she worked to interpret and preserve South Sami culture. Naina has maintained a close relationship with the traditional Sami arts of Duodji. Documenting the ongoing development of this art form pays tribute to oral knowledge and silent tradition, which is learned and transmitted visually. Trained at the Nordic School of Photography in Sweden, Naina has worked as both a photojournalist and a photo editor for various Scandinavian newspapers and agencies, as well as major international publications such as The New York Times, Bloomberg and The Guardian. Naina is a member of the Sami Artists Association, and in 2020 she received a working grant from the Sami Council. Most recently, she was selected by the Norwegian Journal of Photography as one of nine photographers to work on a two-year heritage project, where she will be photographing and doing in-depth interviews to investigate the evolving legacy of Sami culture. Stay Connected: Naina Helén Jåma Website: https://www.nainahelen.com/ Naina Helén Jåma on Instagram: https://www.instagram.com/nainahelen/  Naina Helén Jåma on Facebook: https://www.facebook.com/nainahelen.photography/ Naina Helén Jåma on Twitter: https://x.com/nainahelenwj/ Naina Helén Jåma in the Norwegian Journal of Photography: https://njp.no/2024/naina-helen-jama/ Naina Helén Jåma on Blink: https://blink.la/u/nainahelen End Credits: Senior Creative Producer & Host: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens Theme Music: Gabriel Richards

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In this episode, Nino and Johnnie discuss Johnnie's new favorite travel camera, the Osmo Pocket 3 (which he is currently reviewing), offering insights into its features and capabilities. They also delve into the recent developments in camera sales, examining trends such as mirrorless cameras' rise and DSLRs' decline. The hosts touch on the current challenges in Hollywood, including a notable decline in production. Additionally, they provide updates on the latest releases of Kinefinity and a new AI tool from Artlist.io and the Hollyland Pyro 7. Sponsors: This episode is sponsored by FUJIFILM and FilmConvert. Please check out their segments at [16:47].  Get 10% off FilmConvert Nitrate and CineMatch by using the code "CINED" at checkout at https://www.filmconvert.com.   Chapters:   (00:01:42) - DJI Osmo Pocket 3   (00:18:51) - Camera Sales Hit Their Highest Level in Three Years https://www.cined.com/camera-sales-hit-their-highest-level-in-three-years/   (00:35:45) - Hollywood Pumps Brakes – Film and TV Production Down 40% in the Last 2 Years. https://www.cined.com/hollywood-pumps-brakes/   (00:46:49) - Can the iPad Pro be a Professional Reference Monitor for Post-Production? https://www.cined.com/can-the-ipad-pro-be-a-professional-reference-monitor-for-post-production/ (00:48:44) - Blackmagic Camera App v1.1 for Android Released – HDMI Monitoring, Support for More Phones, and More https://www.cined.com/blackmagic-camera-app-v1-1-for-android-released-hdmi-monitoring-support-for-more-phones-and-more/   (00:52:13) - Kinefinity EAGLE SDI Electronic Viewfinder Launched https://www.cined.com/kinefinity-eagle-sdi-electronic-viewfinder-launched/   (00:56:08) - Artlist Voiceover Introduced – An AI Text-to-Speech Generator https://www.cined.com/artlist-voiceover-introduced-an-ai-text-to-speech-generator/   (01:06:00) - RED KOMODO-X Lab Test – Dynamic Range and Exposure Latitude https://www.cined.com/red-komodo-x-lab-test-dynamic-range-and-exposure-latitude/   (01:12:46) - Hollyland Pyro 7 Announced – All-in-One Wireless Video Transceiver Solution Combining TX, RX, and Recording Monitor https://www.cined.com/hollyland-pyro-7-announced-all-in-one-wireless-video-transceiver-solution-combining-tx-rx-and-recording-monitor/   (01:14:46) - Teradek Data Adds More Global Carriers To Their Cellular Data System https://www.cined.com/teradek-data-adds-more-global-carriers-to-their-cellular-data-system/ We hope you enjoyed this episode! You have feedback, comments, or suggestions? Write us at podcast@cined.com. 

Mastering pet photography is an art that involves much more than just a camera and a cute subject. Laurie Elmer and Knicki Knowlton of Urban Dog Studio have crafted an engaging podcast episode that guides pet lovers through the magic of utilizing light to create stunning pet portraits. This episode is a goldmine for pet owners looking to immortalize their furry friends in photographs that are not just memorable but emotionally captivating.Light is a crucial element in photography, shaping the mood and atmosphere of every shot. Understanding how to work with different lighting conditions can transform a simple pet photo into a masterpiece. The podcast episode begins by highlighting the significance of light and its impact on photography. It addresses common issues such as the harsh midday glare, and why the soft, warm glow of the golden hour is a photographer's dream.Laurie and Knicki offer practical advice that can be applied using any camera, from smartphones to professional DSLRs. They discuss how the direction and quality of light can drastically change the outcome of a photo. For example, placing a subject under a tree might seem like a good idea for a shade, but the uneven dappled light can create unflattering hot spots. Instead, they suggest positioning subjects in open light with a dappled background to achieve a balanced exposure.The episode is not just about instruction; it's about inspiring listeners to experiment with their pets and cameras. The hosts encourage their audience to step outside and play with natural light, capturing emotions and moments without the safety net of editing software. This approach promotes a deeper understanding of photography and the satisfaction of achieving beautiful results in-camera.This episode on pet photography is more than a tutorial; it's an invitation to view the world through a different light, literally and figuratively. By mastering the use of light, pet owners can produce images that not only showcase the beauty of their pets but also convey the bond and affection they share and a newfound appreciation for the art of pet photography.https://www.urbandogstudio.com/See photo example here:https://www.urbandogstudio.com/lets-bark-about-it-tampa-bay/2wjjvikaqmoaxdlf347r3us5ehb1j2Tampa Bay realtor and Dog Lover Leslie Haas Realty One Group Sunshine https://tampabayhomesforsale.realestate Art for Profit's Sake podcast-Discussions with artists at different stages of their business. Hosted by Nick Ribera (aka Chain Assembly) artist, illustrator, and creator. https://chainassembly.com/blogs/podcastURBAN DOG STUDIOHave you ever thought about capturing professional portraits of your furry family member? If so, we're here for you? Urban Dog Studio, Tampa Bay's premiere pet photography studio, specializes in stunning portrait sessions in the studio, on location, and even in the water! Whether you're in St. Petersburg, Tampa, Clearwater, Bradenton, Sarasota, or any of the beach communities, Urban Dog Studio is here for you. Contact Urban Dog Studio today, and let them work their magic to bring out the best in you and your pets.

Mirrorless cameras are thinner than DSLRs due to the removal of the mirror mechanism.  The thinner body means the existing DSLR lenses won't focus properly.  The camera companies have changed the mount to ensure that the older lenses won't work - that is without an adapter.  Canon currently charges $130 for their base adapter, but there are third party adapters which can save you some money and work fine as there are no optics, just a way to move the lens further from the sensor and couple them with the camera electronics!  Fred reviews one from Meke!

2023 has certainly come and gone in a flash, meaning it's time once again for us to reflect on new photo offerings in our ninth annual Cameras of the Year episode, now renamed Photo Gear of the Year. We'll be talking with B&H Camera and Lighting Senior Sales Trainer Kevin Rickert. Featured in our discussion are 25 new releases from Canon, FUJIFILM, Leica, Nikon, Panasonic, Ricoh Pentax, Polaroid, and Sony. In addition to insights about each camera on our list, we also examine broader topics, such as manufacturers' attempts to regain market share lost to smart phones through a growing crop of cameras geared toward content creation.  Instant cameras are a popular trend, leading us to diverge from alphabetical order when discussing this growing product category. And with two monochrome models among this year's offerings, we zoom in on the visual differences between pictures shot with these specialty cameras and those made by converting from color files.  For listeners who enjoy a good debate, whet your appetite for the main course as we consider this year's most touted technological advance—the global shutter. Finally, as an antidote to overindulgence that's so common during this time of year, Rickert offers some practical advice about avoiding GAS (Gear Acquisition Syndrome) with the tip “You date your cameras, marry your lenses.” Guest: Kevin Rickert For more information on our guest and the gear he uses, see: https://www.bhphotovideo.com/explora/podcasts/photography/2023-photo-gear-of-the-year-with-kevin-rickert Stay Connected: B&H Photo Video Website: https://www.bhphotovideo.com B&H Photo Video Instagram: https://www.instagram.com/bhphoto B& Photo Video Twitter: https://twitter.com/bhphoto B&H Photo Video YouTube: https://www.youtube.com/@BandH B&H Event Space YouTube: https://bhpho.to/BHEventSpaceYT B&H Photo Video Facebook: https://www.facebook.com/bhphoto B&H Photography Podcast Facebook Group: https://www.facebook.com/groups/1001107823418353

Episode 423 of the Lens Shark Photography Podcast In This Episode If you subscribe to the Lens Shark Photography Podcast, please take a moment to rate and review us to help make it easier for others to discover the show. Sponsors: - Build Your Legacy with Fujifilm - Shop with the legends at RobertsCamera.com, and unload your gear with UsedPhotoPro.com - Get 20% OFF select Nanlite PavoTube II X lights at NanliteUS.com - Get 20% OFF at KupoGrip.com - More mostly 20% OFF codes at LensShark.com/deals. Stories: My digital life is a mess, and this software might help with that….maybe (#) Ricoh Pentax on their DSLRs and upcoming film camera. (#) TTArtisan's 10mm f/2 ASPH. (#) New CFexpress Type A cards emerge. (#) Synology wants you to do this. (#) Inside Imaging closes after 15 years. (#) Photomator adds this handy, but possibly useless feature. (#)   Connect With Us Thank you for listening to the Lens Shark Photography Podcast! Connect with me, Sharky James on Twitter, Instagram Vero, and Facebook (all @LensShark).

On todays show Tom and Greg discuss the camera industry's shift to mirrorless technology, managing vast archives of personal photos, upgrading lighting kits for portraits, finding crushed house keys and simplifying workflows by clearing duplicate photography gear. Thank you for listening to The Exposed Negative Podcast. Running this podcast takes a lot of time and effort, and we hope you have found it helpful and interesting. If you would like to support us by buying us a beer or coffee, or by helping with the running costs of the show, we would greatly appreciate it. Please consider signing up for our Patreon (https://www.patreon.com/exposednegative) or making a one-time donation through PayPal (https://www.paypal.me/exposednegative).  Thank you for your support! Here are the shownotes; Small rig Tripod wheels: https://amzn.to/3GNFmOr LS Digi baseplate: https://www.lsdigi.com/products/digiplate-arca-swiss-base Fujfilm 55 F/1.7: https://www.wexphotovideo.com/fujifilm-gf-55mm-f1-7-r-wr-lens-3125504/?cpgnid=18142665068&adext=&account=853-353-2386&campaign=&group=&mkwid=_dc&pcrid=&kword=&match=&plid=&pgrid=&ptaid=&si=&gad_source=1 Jocko Willink: https://en.wikipedia.org/wiki/Jocko_Willink Sony A9 IiI global shutter: https://www.sony.co.uk/electronics/interchangeable-lens-cameras/ilce-9m3 Mind node: https://www.mindnode.com/ Discussing the shift from DSLRs to mirrorless cameras and what's next for the major camera brands Using Capture One Live and Frame.io for client image review and collaboration Keeping moisture out of camera gear with silica packs Greg's system for storing and organizing personal daily camera photos The importance of lens quality over camera bodies as phone cameras improve Upgrading professionally from 500W to 1200W lighting kits Clearing out duplicate unused gear to simplify mobile shoots Congratulating AOP Awards winners and lost house keys found crushed under a bus! Appreciating patron supporters and the future of the podcast #lenses #mirrorless #phonephotography #captureone #frameio #silicapacks #photoorganization #lightingkits #photogear #podcastlife 

Today, we delve deep into the world of content lifespan across various social media platforms. Join us as we unravel the mysteries of how long your content stays relevant online and discuss strategies to maximize your reach and impact. Whether you're a fitness enthusiast, a content creator, or someone looking to grow their business through social media, this episode is packed with valuable insights and practical advice that you won't want to miss.Timeline Summary:[00:00:24] Content Lifespan Discussion.[00:03:26] Fitness Industry Focus.[00:06:19] Long-Term Strategy and Consistency.[00:09:05] Engaging with Your Audience.Key Takeaways:Understand the Lifespan of Your Content: Different platforms have varying content lifespans, from a few minutes on TikTok to years on blogs. Knowing this helps in planning your content strategy effectively.Choose Platforms Wisely: Focus on platforms that align with your goals and audience. For fitness professionals, blogs and YouTube offer long-term value, while Instagram and TikTok provide immediate engagement.Consistency is Key: Regardless of the platform, consistent posting builds trust and keeps your audience engaged.Engage with Your Audience: Understand where your audience spends their time and engage with them on those platforms.Use the Right Equipment for the Platform: Phone cameras work great for Instagram and TikTok, while DSLRs are better suited for YouTube.Focus on Education Over Entertainment: As a professional, prioritize educating your audience rather than just entertaining them.Ask Your Clients About Their Preferences: Knowing which platforms your clients use can help tailor your content strategy to better suit their needs.Websites and Links Mentioned:Strength MattersFree Website AuditQuotes:"Choose a platform that you feel comfortable with. If you feel comfortable with a pen and writing, do that. If you want to be on camera, go for the videos." - James Breese"Focus on educating as opposed to entertaining because you're a professional, not an influencer." - James Breese"It's all about the awareness, but it's all about understanding that the first videos, even on Instagram and TikTok, they'll suck." - James Breese"Grab their eyeballs consistently." - Andrew Wallis"Don't expect instant results. You're not going to become a YouTube star overnight." - James BreeseShow Your Support: Rate and Review Us!If you enjoyed today's episode, please consider giving us a 5-star rating and a review on Apple Podcasts or wherever you listen to podcasts. Your support helps us reach more people and bring you even more quality content. Click the link below to rate and review us now! Rate and Review us on Apple Podcasts FREE DownloadsTo learn more about Strength Matters and our high-performance training system, download your FREE copy of The Strength Matters System of Athletic Development. Get it at - www.strengthmatters.com/system

In this episode, Corey and Josh sit down with Xavier “Art” Thomas from Art Like Us. Xavier is a Luxury Personal Photographer who has worked with talents like Wiz Khalifa, Wopo, PK Delay, and more. We talked about his love of photography and starting out with disposable cameras as a kid. The moment when the lightbulb goes off and you realize you can make money doing what you love. Finding your role in the world you want to be a part of, if you can't be an NBA Player be and NBA Blogger. The evolution of cameras, to DSLRs, to cell phone cameras and the difference they make. And the experience of starting to charge for an experience. All that and more on this episode of Thoughtful Discussions. Follow Xavier at the links below! https://www.instagram.com/artlikeus/ http://www.artlike.us/ Don't miss out on the chance to follow Corey's exciting journey by clicking on the links provided! ⁠https://www.instagram.com/muve_78/⁠ ⁠https://linktr.ee/1028podcast_studio⁠ Make sure to stay connected by following Josh, PGH Print Ship, as well as Thoughtful Discussions for more captivating content! https://www.instagram.com/joshsnider86/ https://www.instagram.com/pghprintship/ https://www.instagram.com/thoughtfuldiscussions/ Or visit PGHPrintShip.com today!

The integration of AI technologies with Adobe software has set the creative world on its head. To get a read on this hot-button, rapidly evolving field, we tapped two generations of tech wizardry—Scott Kelby, the original Photoshop Guy, and retouching powerhouse Kristina Sherk. We sat down with both of these experts at B&H's 2023 Depth of Field Conference in February 2023. Our first guest is Scott Kelby, the original Photoshop guy, who discusses the good and the bad of AI technology, from how it helps create workflow efficiencies to the potential for costing some photographers a job. Kelby envisions a future comprising high-end pros and serious iPhoneographers. With this in mind, we delve into the growing advantages of capturing images on a mobile device, while also identifying subjects that still require more robust gear. After a break, Kristina Sherk shares details about the powerful AI selection tools integrated into the Classic and Mobile versions of Adobe Lightroom, which are disruptive in a good way. Stay to the end for her story about saving the day for a wedding photographer whose sharp focus was disrupted by a rogue officiant, who stepped in front of the lens just before a couple's first kiss. Guests: Scott Kelby & Kristina Sherk For more information on our guests and the gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/adobe-software-and-ai-scott-kelby-kristina-sherk-at-depth-of-field-2023 Above photograph © Kristina Sherk Stay Connected: Scott Kelby Website: https://scottkelby.com Scott Kelby Instagram: https://www.instagram.com/scottkelby Scott Kelby Facebook: https://www.facebook.com/SKelby Scott Kelby YouTube: https://www.youtube.com/user/kelbymediagroup Scott Kelby Pinterest: https://www.pinterest.com/skelby01 Kristina Sherk / Shark Pixel Website: https://www.sharkpixel.com Kristina Sherk / Shark Pixel Instagram: https://www.instagram.com/shark_pixel Kristina Sherk Facebook: https://www.facebook.com/sharkpixel Kristina Sherk / Shark Pixel YouTube: https://www.youtube.com/@SharkPixel

Like good acting—and skilled retouching—masterful lighting is an accomplished skill that should remain mostly unseen. This is the takeaway from our conversations with two great lighting whisperers, Canon technical advisor Eric Stoner and Nikon Ambassador Joe McNally. We sat down with both of these experts earlier this year at B&H's 2023 Depth of Field Conference.   Our first guest is Eric Stoner, a Canon technical advisor who specializes in creating portraits with Speedlites and colored gels. He offers insights about the high degree of control these tools provide, describing how adding colored gels boosts creative improvisation and heightens impact. We also discuss the technological advances of the past 20 years, while reflecting on how great photography still hinges on learning the craft and connecting with your subjects.   After a break, Nikon Ambassador Joe McNally discusses his mission to light photographs in a way that provides an unfettered experience for the viewer. In addition, we explore his long and successful career as a working professional, from his formative years as a LIFE magazine staff photographer to the recent exhibition of those very same images in a fine art gallery. Stay to the end to learn about his latest book The Real Deal, which he wrote during COVID, and hear about his busy schedule of international workshops.  Guests: Eric Stoner & Joe McNally For more information on our guests and the gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/lighting-whisperers Above photograph © Joe McNally Stay Connected: Eric Stoner Website: https://www.mystonegallery.net/ Eric Stoner Instagram: https://www.instagram.com/ericstonerphoto Joe McNally Website: https://joemcnally.com Joe McNally Instagram: https://www.instagram.com/joemcnallyphoto Joe McNally Facebook: https://www.facebook.com/joemcnallyphoto Joe McNally YouTube: https://www.youtube.com/user/joemcnallyphoto Joe McNally Twitter: https://twitter.com/JoeMcNallyPhoto Joe McNally Pinterest: https://www.pinterest.com/joemcnallyphoto

“To invent, you need a good imagination and a pile of junk.” There is no better role model for this Thomas Edison quote than Steve Sasson, the electrical engineer fresh out of grad school who was hired to work in a Kodak research lab, in 1973. With a passion for scavenging parts and a penchant for invention, he developed the world's first self-contained digital camera just two years after his arrival in the lab. In honor of National Camera Day, we invited Sasson to the podcast for an in-depth discussion about his invention of this revolutionary device. Listen in to hear about the surprising reception Sasson's prototype received from Kodak executives during early demonstrations of its use, the complicated mix of cultural and business factors confronting a company in the throes of innovation, the many years that elapsed before Sasson was allowed to speak publicly about the camera, and much, much more.   In addition to being a storyline worthy of a Hollywood blockbuster, our conversation offers rare insight into the inner workings of a long-established, successful company that knows a lot about the problem but doesn't like the answer. Stay to the end to hear Sasson make a comparison to a groundbreaking technological development in the corporate world today. Guest: Steve Sasson For more information on our guest and the gear he uses, see: https://www.bhphotovideo.com/explora/podcasts/photography/invention-of-digital-camera Above photograph © Courtesy of the George Eastman MuseumStay Connected Steve Sasson Profile at Rensselaer Polytechnic Institute: https://eng.rpi.edu/about/alumni-achievements/steven-j-sasson Steve Sasson at the National Inventor's Hall of Fame: https://www.invent.org/inductees/steven-sasson Steve Sasson at the National Science & Technology Medals Foundation: https://nationalmedals.org/laureate/steven-sasson/ The George Eastman Museum: https://www.eastman.org

195 - DSLRs are dead. Long live the DSLR!  Are DSLRs dead? If you ask Robby Yankush, of YM Camera in Youngstown, Ohio, you're going to hear the straight talk.  They might not be dead yet but we can hear the death knell ringing in the distance.  This week's episode of the Hair of the Dog podcast features a replay of Gear Talk with Robby, a member's only workshop with Robby Yankush, of YM Camera in Youngstown, Ohio.  Robby and I dig into all the hype around mirrorless camera bodies and why they've become the hottest selling thing since … well, since DSLRs came on the scene.  What to listen for  4:25 What Nikon and Canon have stopped developing 13:09 The best mirrorless body for pet photography  20:03 Why you might want to stretch your initial budget 27:42 The difference in dynamic range from DSLR to mirrorless  29:34 Is Godox really all that and a bag of chips Even though I've made the switch to mirrorless with my R5, I've been holding onto my EF lenses and using Canon's adaptor. However, after this conversation, Robby is making me give serious consideration to taking the leap and going all-in.  What about you? Are you hanging on to your DSLR for a while longer? Or have you dipped your toes into mirrorless? Connect with Robby YM CameraYM Camera on IG JOIN THE PARTY: Join our free pet photography community More pet photography resources here Connect on Insta Ready to get serious about your pet photography? Join us inside Hair of the Dog Academy! Check out my gear and my favorite books. Grab my book! Pet and Horse Photography for Everybody

Why are so many pro photographers reaching for their iPhones and leaving their DSLRs and Mirrorless cameras at home? Scott Kelby, the prolific author of photography books and CEO of the Kelbyone.com website has the answer and more on the latest edition of the iPhone Photo Show podcast. Episode #73 --- Send in a voice message: https://podcasters.spotify.com/pod/show/iphonephotoshow/message

Humans and pets have shared a deep bond for centuries, yet our animal companions are now considered more a part of the family than ever. So, it's no surprise that pet photography is a blossoming niche, and a perfect subject for this week's podcast—especially since it's National Pet Month! Above photograph © Nancy Borowick We start by chatting with pet photographer Karen Hoglund, who alerted us to her work in response to Allan's musing about using the hashtag “kittens” to generate traffic on social media. After noting that #kittens only yields a 20 percent bump over #photographer, Hoglund offers advice on the dos and don'ts of posing pets, and picking up on their non-verbal signs of anxiety or stress. After a break, we switch gears from posed pet portraits to learn about Sony Artisan Nancy Borowick's candid editorial-style coverage of the Westminster Dog Show, and her long-term project, “Part of the Pack.” Primarily known for telling intimate stories about people, Nancy explains how an invitation to photograph the dog show helped her process the loss of both her parents to cancer. She talks about the challenges of covering the show's frenetic atmosphere, describing how she maintains focus by seeking out telling details.  As we all agree, pets are truly a gift in our daily lives, and learning how to capture their unique personalities in pictures can only deepen this bond and enrich our experience. Guests: Karen Hoglund & Nancy Borowick For more information on our guests and the gear they use, see: https://blogd7.bhphotovideo.com/explora/podcasts/photography/kittens-picturing-pets-karen-hoglund-nancy-borowick Top shot © Nancy Borowick Episode Timeline:  2:06: Does #Kittens or pictures of cute pets help to drive traffic on social media?  4:28: How to recognize signs of stress and anxiety in pets, and tips for posing pets during a photo session. 7:48: Giving treats to a pet so they'll behave during a photo shoot and behavior differences to keep in mind when photographing dogs or cats. 16:06: Tips for photographing groups of pets and people, plus advice for photographing darker-colored pets. 21:32: Hoglund's pet photography gear bag and her thoughts on using mirrorless cameras and lenses. 25:57: Episode Break 27:04: Nancy Borowick's love of the Westminster Dog show and the challenges of working in such a fast-paced, frenetic environment. 36:11: Difficult breeds to photograph, the benefits of real-time eye autofocus for animals in Sony lenses, and Borowick's favorite dog breed. 39:25: Borowick's love for close-up details as storytelling tools, and her favorite lens: a Sony G series 85mm f/1.4. 42:30: Evolution from photographing at the dog show to Borowick's long-term project “Part of the Pack,” and the differences between dogs and owners at a top competition setting and in a home environment 54:30: Final thoughts from Borowick and Hoglund about owning pets today. Guest Bios: Karen Hoglund started out as a graphic designer, art-directing photo shoots for ad agencies and commercial clients. After honing her camera skills by photographing children and families, she shifted focus to her true love—dogs and cats. After starting a pet photography business in 2012, she hasn't looked back, working from her home base in Denver, Colorado with a squeaky toy in one hand, a camera in the other, and fur all over her clothes. Nancy Borowick is an internationally renowned photographer, author, teacher, and speaker. A graduate of the International Center of Photography, she is a Sony Artisan of Imagery and a Kickstarter Thought Leader. Working regularly with the New York Times since 2013, Borowick has told intimate stories of people, places, and pets from every corner of the globe. Her break-out project about her two parents in parallel treatment for stage-four cancer has received major accolades and awards such as The Arnold Newman Prize and the Humanitarian Award from the organization Women That Soar. This project was published in 2018 as the monograph The Family Imprint. Borowick currently resides on the island of St. John, USVI with her husband, two sons, and her dog, Einstein. Stay Connected: Karen Hoglund Website: https://karenhoglundphotography.com Karen Hoglund Instagram: https://www.instagram.com/karenhoglundphoto Karen Hoglund Facebook: https://www.facebook.com/KarenHoglundPhotography Karen Hoglund Twitter: https://twitter.com/khoglund_photo Karen Hoglund Pinterest: https://www.pinterest.com/khoglund/ Karen Hoglund YouTube: https://www.youtube.com/@karenhoglundphotography/ Karen Hoglund TikTok: https://www.tiktok.com/@karenhoglundphoto   Nancy Borowick Website: https://www.nancyborowick.com Nancy Borowick Instagram: https://www.instagram.com/nancyborowick/ Nancy Borowick Facebook: https://www.facebook.com/nancy.borowick/ Nancy Borowick Twitter: https://twitter.com/nancyborowick

Tati Bruening and Anya Anti are two rising stars at the confluence of photography, digital assets, and social influence. In this week's episode of the B&H Photography Podcast, we get the lowdown on their burgeoning careers in fashion / beauty and conceptual / fine art portraits in part two of our chats from B&H's 2023 Depth of Field Conference. Above photograph © Tati Bruening We start with Tati Bruening, who shares how her plea to “Make Instagram Instagram Again” became a global meme, ultimately prompting a response from the platform's head. Learn how she spent the pandemic focused on daily DIY shoots with friends, allowing her to quickly master her Canon 5D Mark IV inside and out. Today, Bruening is supported by a powerhouse management team. Hear how she made these essential connections, get tips on working with a manager, and learn which pitfalls to avoid. After a break, we shift gears to Anya Anti, who fills us in on the intricate set design and attentive compositing work behind her whimsical portraits, which seamlessly bridge fantasy and real life. She distinguishes between shooting self-portraits for a more personal approach and posing models as alter egos for more control behind the camera. We also tackle the elephant in the room—artificial intelligence in photographic creation—with Anti weighing in on both the significant ethical issues posed by AI and its positive aspects as incorporated in Adobe's smart selection tools. Guests: Tati Bruening and Anya Anti For more information on our guests and the gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/confronting-algorithms-and-ai-tati-bruening-anya-anti-at-depth-of-field-2023 Top shot © Tati Bruening Episode Timeline: 2:38: Tati Bruening's offhand Instagram post that turned into an international viral movement, emphasizing the value of stills over video.  6:13: Bruening's preferences for lighting tools, modifiers, and lenses. 11:52: Making an initial connection to a manager and assembling a wider team. 14:04: Bruening's 5-year plan to stop being controlled by social media algorithms. 15:33: Bruening's tips for seeking and working with a manager and pitfalls to avoid. 18:50: Episode Break 20:44: Anya Anti's approach to self-portraits vs. photographing other people to use as alter egos in her pictures. 25:20: Concept development and preproduction process for Anti's portraits. 28:27: Concerns about AI technology and its related ethical issues. 32:31: The beneficial aspects of AI and using Adobe smart selection tools. 34:22: Upcoming projects, a series of editing tutorials, and animation pieces. Guest Bios: Tati Bruening rose to fame by making personal portraits of some of TikTok's most recognizable stars, celebrating the individuality of her subjects. She made headlines in 2021 by posting a simple request to ‘Make Instagram, Instagram Again' and the rest of the world echoed her sentiment by adding over 300,000 signatures on her Change.org petition. She consults on Gen Z with various companies and has been a featured speaker on photography and social media at events such as VidCon 2022, among many other conferences. Anya Anti specializes in on-location fine art and conceptual portraiture. An internationally published, award-winning photo artist, Anti strives to go beyond traditional portraiture to tell imaginative stories through her art and share her passion for beauty and a craving for everyday enchantment. An international speaker and workshop instructor for companies such as Broncolor, Adobe, and Nikon, Anti has been a featured presenter at events like Adobe MAX, Adobe Live, PPE, WPPI, CES, among others. Stay Connected: Tati Bruening Website: https://www.illumitati.com/ Tati Bruening Instagram: https://www.instagram.com/illumitati/ Tati Bruening Facebook: https://www.facebook.com/tati.tutu.5/ Tati Bruening Twitter: https://twitter.com/illumitatiana Tati Bruening TikTok: https://www.tiktok.com/discover/tati-bruening Anya Anti Website: https://anya-anti.com/ Anya Anti Instagram: https://www.instagram.com/anya_anti_art/ Anya Anti Facebook: https://www.facebook.com/AnyaAntiArt Anya Anti YouTube: https://www.youtube.com/c/AnitaAnti Anya Anti Twitter: https://twitter.com/AnyaAnti Anya Anti Pinterest: https://www.pinterest.com/anya_anti/ Anya Anti TikTok: https://www.tiktok.com/@anya_anti

Many of you may be wondering what and where are the Galápagos Islands. Or perhaps this is one of the places that is already on your travel bucket list. And some of you just enjoy living vicariously through our travel adventures. If any of these apply to you, pack your bag and join us as we share our journey to the Galapagos. In this episode we discuss what and where the Galapagos islands are, how we got there (including a little travel delay along the way), what a typical day was like when cruising the Galapagos Islands, and what kinds of wildlife we snorkeled with. We let you know what essential items we packed into our bags and what you won't need and we both our favorite things about of the trip. So if the Galapagos Islands are on your bucket list or you're just curious what it would be like to travel there, tune in NOW! Links we mention in this episode: Our camera gear Go Pro Hero 11 Link Olympus TG-6 We booked our trip through Diana Endara at Galapagos Travel Center Follow our travels on Facebook Follow our travels on Instagram here and here Save our travel ideas on Pinterest Music Credit Music by OYStudio from Pixabay Episode transcript (continued on Episode webpage): I'm Scott and I'm Melissa and we are the Sunshine Travelers. Our passion is travel and sharing our experiences with those who share our passion, want to learn more about travel, or even those that just want to live vicariously through our travel experiences. No matter where you fall along that journey, get ready to hear about our first hand experiences as we visit some of the most amazing places on earth. Many of you may be wondering what and where are the Galápagos Islands. Or perhaps this is one of the places that is already on your travel bucket list. And some of you just enjoy living vicariously through our travel adventures. If any of these apply to you, pack your bag and join us as we share our journey to the Galapagos. Scott: We made it! That was the feeling of exhilaration when we finally made it on board the yacht. Melissa: Yeah it was a bit of a bumpy trip trying to get there, but we made it. We started the morning with an early flight from Quito, Ecuador. A member of our travel company picked us up from the hotel and assisted us with the check-in process at the airport Scott: yeah, by the way check the show notes for a link to the travel company, Galapagos Travel Center, that we used. We worked with Diana and It really is worth it to do business with a local company that will handle all of the paperwork and processes for you. Melissa: We can do another episode on Quito and the tours that were arranged for us by the tour company. For this leg of the trip we realized that there was one stop in the coastal city of Guayaquil. Some people were headed to the coast to enjoy their beach vacation, but we would stay on the plane and make the short hop over to the islands. That's when things got a little interesting. Neither of us have been on a flight before that experienced a bird strike. Just as we were about to lift off the ground, a bird flew into our left engine with a loud thud. The pilot immediately put the plane back down on the runway and skidded to a stop. Scott: Amazingly everyone on the plane stayed calm and within a couple of minutes the pilot notified us of what happened. They taxied us back to the gate and we began the process of trying to figure out what was next. I honestly thought that there was no way they would be getting us out of there anytime soon. But within a few hours they had another plane on the ground from Quito and we were off to the Galapagos with just a brief delay so only missing the first excursion of the trip but getting there in time for dinner. Melissa: great! Now what and where are the Galapagos you may ask. It's a chain of approximately 19 islands off the coast of Ecuador in the Pacific Ocean right along the Equator. The Galapagos have long been a fascination of people since Charles Darwin's publication of “Voyage of the Beagle” where he was greatly influenced in his theory of evolution. Today the Galapagos are a National Park where visitors can explore the Flora and Fauna of a relatively young island born of volcanic activity that continues today. The islands are known for their fearless wildlife and spectacular diving and snorkeling. SPOILER ALERT: this trip is going to fall into that category of a luxury trip. But when you think about it, you could easily spend this type of money for a week at Disney. You just have to keep everything in perspective. Scott: I was surprised to learn that almost 25,000 people live on the islands. Most in a few larger cities on the four inhabited islands, but still more than I expected. These islanders make their living on tourism and fishing. Melissa: But the real draw of the Galapagos is the wildlife. Giant tortoise that live to be about 150 years old, sea lions, marine iguanas, sea turtles, and penguins just to name a few. These animals have lived such an isolated life that they almost show an interest in the visitors. Scott: So let's start with a little insight with what a typical day looks like when cruising through the Galapagos. We were on a yacht named Camila. She is part of the fleet named Royal Galapagos and they call her the Horizon. She had 8 state rooms with 4 on each floor and then a sun deck with hot tub on the very top level. At 16 passengers, this is a very intimate experience. It had just recently been refurbished and everything was in beautiful condition. Each room had a private balcony, king size bed, and full bathroom. Melissa: You have a common dining area where all meals were served by a fabulous chef and friendly stewardesses. We did an 8 day cruise and each day started with an early breakfast and then your first excursion of the day. Sunlight is from 6 to 6 each day year round because you are on the equator. You want to be out and catch the animals during their most active times of the day (morning and afternoon). Sometimes the first excursion is a hike, some days a tender ride (small boat) they call a Pangea, or a snorkel adventure. The night before they will do a briefing and tell you what to expect and how to dress for the next day's activities. One of our favorite activities was the snorkeling. Scott: the snorkeling was off the charts. Depending on which island you visit the marine life changes. In some places we swam with sea turtles (literally surrounded by sea turtles), some places we swam with penguins, and many others had sea lions. You almost don't notice all of the amazing tropical fish because of the other sea life that would be swimming alongside you. Scott: I do want to take a minute and tell you about the camera gear that I took and what I would recommend. I am an amateur photographer and love nature photography. I have a Nikon D7000 camera and had purchased a 600mm telephoto lens for the trip. Some people had said you won't need such a lens and it will be too heavy to enjoy. I am so glad that I ignored them. Most of the people on the trip put their cameras down and just enjoyed the views after they saw some of the photos I could get vs what they were getting with their own cameras. After the trip we I set up a Google drive where we all shared the photos and videos that we took. As far as underwater videos and pictures, I had taken a GoPro HERO 4 that I've had for many years. With the clear water it made “good” photos and videos, but I decided to upgrade after the trip and am excited to take my new GoPro HERO 10 on our next trip to St John. They have made a ton of improvements in quality and resolution over what is available on the HERO4 version. I'll put some links in the show notes to some of my equipment. I also bought Melissa an Olympus TG-6 camera for use in the water and doing video. The quality on that camera is terrific and will be a great compliment to the GoPro for our in true water photography. Melissa: Now back to the trip. After each excursion you were met on deck with refreshing beverages like iced tea or fresh fruit juice and usually some sort of light snack. They would usually have some sort of lunch prepared followed by a brief downtime. You could relax on the sun deck or most people took a short nap to prepare for the afternoon's activities. Usually if we did a hike in the morning, we snorkeled in the afternoon or vice versa. Every evening started with a briefing of the next day and was followed by an amazing dinner prepared by the chef. He was great at catering for people's preferences and dietary restrictions. It's always so important to notify them of your dietary needs so that they can make sure to have things you will be able to eat. I personally am allergic to shellfish so they needed to know that when planning and preparing the meals. We also had vegan shipmates and he did his best to serve them something unique at each meal too. Scott: a couple of times fishermen brought fresh catch to the boat for the chef to prepare. A true boat to table experience. Scott: after dinner most people would linger in the dining room talking and getting to know each other, but would retire to their cabins and be in bed before 9:30. It is a lot of activity and you are tired by the end of day. Melissa: That's a good point. This is definitely an adventure cruise not a kick back and relax type of cruise. Scott: one of the things we did to get ready for this trip was to read suggested packing lists that others had made

All the big photography news for the month of July 2022. This episode Nikon says goodbye to DSLRs, big sensors come to phones, and is firmware a beta test?Hosted by Rich Stroffolino, Anthony LemosLinks:https://docs.google.com/spreadsheets/d/e/2PACX-1vT78sdGLpWm5s_JUsSb3P_ybaDGj4jyotf5TGxjZ3AF1_mbiz9Ekfx5vy4xWXgSylINKLyrBRO1QkAc/pubhtml?gid=358612025&single=true See acast.com/privacy for privacy and opt-out information. Become a member at https://plus.acast.com/s/dtns.

Think you have a good nose? Try competing with the robot nose that can smell different whiskeys. In this episode, I'll give you the insider take on why Netflix is struggling and why DSLRs are dying. Plus, AirTag stalking cases are rising. Here's how to protect yourself. Learn more about your ad choices. Visit megaphone.fm/adchoices

Think you have a good nose? Try competing with the robot nose that can smell different whiskeys. In this episode, I'll give you the insider take on why Netflix is struggling and why DSLRs are dying. Plus, AirTag stalking cases are rising. Here's how to protect yourself. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 369 of the PetaPixel Photography Podcast. Download MP3 -  Subscribe via iTunes, Google Play, email or RSS! Featured: Photographer, Austen Hunter   In This Episode If you subscribe to the PetaPixel Photography Podcast in iTunes, please take a moment to rate and review us and help us move up in the rankings so others interested in photography may find us. Show Opener:Photographer, Austen Hunter. Thanks Austen! Sponsors: - Fujifilm's Create With Me program.  Build Your Legacy with Fujifilm - Get 20% off at KupoGrip.com with offer code PetaPixel20- Get 20% off at BenroUSA.com with offer code PetaPixel20- Get 20% off at Tenba.com with offer code PetaPixel20 - More at LensShark.com/deals. Stories: Nikon kills two more DSLRs. (#) Tamron shows Fuji more love. (#) Nik Collection 5 is released. (#) ProGrade Digital's new card. (#) Nikon's new 400. (#) Godox has a new ring flash. (#) Capture One 22 gets updated. (#) Meike has a new fast 50. (#) A major firmware update for Sony's Alpha 1. (#) Profoto's new A2. (#) Connect With Us Thank you for listening to the PetaPixel Photography Podcast! Connect with me, Sharky James on Twitter, Instagram and Facebook (all @LensShark) as we build this community. We'd love to answer your question on the show. Leave us an audio question through our voicemail widget, comment below or via social media. But audio questions are awesome! You can also cut a show opener for us to play on the show! As an example: “Hi, this is Matt Smith with Double Heart Photography in Chicago, Illinois, and you're listening to the PetaPixel Photography Podcast with Sharky James!”

On this week's episode of the B&H Photography Podcast, we continue our coverage of the 2022 OPTIC Conference with two highly invigorating segments about exploring the world after dark. Our first guest is Susan Magnano, who specializes in luminescent night painted portraits. Our chat is revealing on many levels, from the balance of careful orchestration and randomness inherent in her portraits to a mention of the OM Systems OM1 as Magnano's newest secret weapon. After delving into her playful yet powerful arsenal of lighting tools, we gain insight into her multifaceted career—from beginning at a local newspaper to her currently thriving wedding photography business, and her upcoming schedule of intensive photo workshops. After a break, we welcome Sigma Ambassador Jack Fusco to discuss his unique blend of astrophotography with idyllic nocturnal landscapes. During our conversation, Fusco distinguishes astro work from deep sky photography, weighs the differences between DSLRs, the latest in mirrorless cameras, and even mobile phones such as Google's Pixel 6 Pro. In addition to elaborating on his favorite Sigma lenses for nocturnal imaging, Fusco provides insights about advanced accessories such as star trackers, all the while offering encouragement to anyone seeking to embark on a new adventure chasing the stars. Please join us for these otherworldly conversations about photography at night.  Guests: Susan Magnano and Jack Fusco Photograph © Susan Magnano For more information on our guests and the gear they use, see: www.bhphotovideo.com/explora/podcasts

It has been a hope of ours for some time to speak with photographer Stanley Greenberg and, considering he's made three books in the past three years, there is a lot to talk about. Greenberg is known for his large-scale series on subjects like the New York City reservoir and water systems, on giant particle accelerators, telescopes, and dams. His recent projects, however, are an interesting blend of urban exploration and 19th-Century history. We speak briefly about his 2019 book, CODEX New York,  and the typologies he identified walking the whole of Manhattan, but we concentrate our conversation on his work, Springs and Wells - Manhattan and the Bronx,  and after a break, we discuss his latest book Olmsted Trees.    Greenberg, who started his professional life working in city government, is a Guggenheim fellow and no stranger to prestigious grants and commissions. He's also no stranger to libraries and the research that informs his work. It was during a research visit to the New York Historical Society that he came across a book written and photographed primarily in the 1890s. The Springs and Wells of Manhattan and the Bronx (1938) is a survey made by James Reuel Smith, who located, described, and photographed hundreds of water sources throughout New York City, often traveling by bicycle. Greenberg commented: “My first response was that this had to have been done by a crazy person. [But] five minutes later, I knew I was going to map out all of his sites and photograph what was there now.”  And this is what he did, often also by bicycle. His 2021 book blends the work of Smith with his own contemporary photos from the same locations.   In the second half of the podcast, we discuss the project Olmsted Trees, which Greenberg photographed with a Hasselblad medium format digital camera after using DSLRs for CODEX and Springs and Wells and 4x5 film cameras in previous work. For this series, he photographed the oldest trees of the great public parks designed by Frederick Law Olmsted. These images are a study in black-and-white, in texture and form, almost portraits, that ask you to soak up the power of the trees themselves and consider the genius of the parks' design. Join us for this enjoyable conversation and find more of Greenberg's work here.   Guest: Stanley Greenberg   Above photograph © James Reuel Smith. Courtesy of Stanley Greenberg https://www.bhphotovideo.com/explora/podcasts