Podcasts about lightroom

HT2653 - There Are No Bad Lenses, There Are No Perfect Lenses The other day I was working on some images in Lightroom and realized that one of them was a fantastically sharp image that I had made with a notoriously bad lens. Looking more closely at the EXIF data I realized this image had been shot in the middle of the zoom range and stopped down a bit. My "bad lens" performed beautifully. Wide open at maximum zoom this lens was just crap. Do I blame the lens for making bad pictures, or do I blame myself for not knowing the lens as well as I should have? This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2600 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

In this episode, Hannah and Ashley discuss the evolving wedding industry post-COVID, including vendor-client relationships, industry trends for 2026, and practical tips for vendors and couples. They share personal stories, industry insights, and future outlooks to help listeners navigate the changing landscape of wedding planning.Key TopicsWedding industry evolution post-COVIDVendor-client relationship managementUpcoming wedding trends for 2026Practical tips for wedding vendors and couplesChapters00:00 Welcome Back and Updates02:08 Controversial Wedding Venue News11:25 Lessons from a Wedding Cancellation18:13 The Changing Landscape of Weddings in 202626:57 Customization in Wedding Planning32:06 Building Genuine Relationships with Clients37:34 The Role of AI in Photography42:21 Collaboration Among Wedding Vendors47:56 Shifts in Wedding Trends and Guest Experience Keywordswedding industry, vendor tips, wedding trends 2026, client relationships, wedding planning, industry insights, wedding vendor advice ResourcesThe Vendor Table Podcast - https://podcastvendor.comAdobe Photoshop and Lightroom - https://www.adobe.com/products/photoshop.htmlNews Story - https://www.wral.com/consumer/5onyourside/durham-wedding-venue-backlash-refund-groom-death-september-2025/Photography Course - https://katelynjames.com/ Hosted on Acast. See acast.com/privacy for more information.

¡Hola fotógrafo! En junio tenemos tema caliente en la Academia de Fotógrafos y este va a ser todo lo que la IA es capaz de hacer en nuestras fotos de paisaje y retrato principalmente.Fernando Ortega, formador desde 2007 de Lightroom y un pionero en España sobre formación en este software pasa por el podcast para mostrarnos entre otras cosas todas las últimas implementaciones que tenemos a nuestra disposición.A mayores, ha creado una formación en profundidad sobre Lightroom en 2026 cuyo enlace os pongo a continuación para que echéis un ojo si estáis decididos a mejorar vuestras fotos.  No olvides usar el cupón ACADEMIADEFOTOGRAFOS para beneficiarte de un descuento

In dieser Folge beginnt alles mit einer kaputten Uhr und einer kleinen Sonntagmorgen-Irritation – und landet überraschend schnell bei großen Fragen rund um fotografische Träume. Lars und Falk sprechen über Projekte, die schon lange im Kopf wohnen, aber bisher nie richtig begonnen haben. Über Streetfotografie zwischen Alltag, Familie und Selbstzweifeln. Über die Sehnsucht, Menschen wirklich zu sehen. Und über die Frage, warum manche Ideen erst dann lebendig werden, wenn man ihnen einen festen Platz im Leben gibt. Dabei entsteht fast nebenbei ein sehr persönliches Gespräch über Begegnungen, Aufmerksamkeit und die Art von Fotografie, die nicht nur Bilder sammelt, sondern Erfahrungen. Außerdem geht es um Bildbearbeitung, Filmsimulationen, Lightroom, Korn, kleine Retuschen und die Frage, wann ein Foto eigentlich „fertig“ ist. Eine ruhige Sonntagsepisode über Projekte, die noch wachsen dürfen – und über Fotografie als Versuch, Menschen und Momente bewusster wahrzunehmen.

Timmy der Wal ist vermutlich abgetaucht und nie wiedergekommen – Anlass genug für eine kleine Marinebiologie-Stunde mit höchst zweifelhaften Fakten über Walfleisch, explodierende Strandwale und die Frage, ob Wale eigentlich wirklich so schlau sind, wie immer behauptet wird (Spoiler: nope, sie ertrinken ja ständig). Außerdem in dieser Folge: Wieso ein einzelner Thunfisch 2,7 Millionen Euro kosten kann, warum Markus Söder die Bayernhymne offenbar für das drängendste politische Problem unserer Zeit hält, und ein längerer Rant darüber, warum die meisten erfolgreichen Interview-Podcasts in Deutschland eigentlich nur deshalb funktionieren, weil der Host austauschbar ist. Zum Schluss noch Roberts Spartipp des Tages: Wie man Adobe sein Photoshop-Abo auf knapp 16 € im Monat runterhandelt – inklusive Mini-Exkurs zu Dark Patterns, DaVinci Resolve und warum Lightroom langsam ein Problem hat. Themen dieser Folge: - Wal Timmy & traurige Walbiologie - Thunfischpreise im Großhandel vs. Rekordauktion - Söder, Bayernhymne, ideologiefreies Wurstessen - Christopher Nolans „The Odyssey" (Kinostart 16. Juli) - Interview-Podcasts: Ben Unscripted, Tim Gabel, Jasmin Kosubek - Adobe-Abo-Trick & Dark Patterns - DaVinci Resolve frisst Lightroom - Blizzard, Diablo & schmutzige Tricks Musikwünsche dieser Woche:

Cal Holland is a UK based street photographer who exclusively shoots film and not on a Leica. I felt like I had to know more and found him to be a great guest. I mention in the show that I was logging photos I was taking using a shortcut. You can download it yourself here, there are instructions for using it in the shortcut. There is a bit of setup needed. I also talk about Lenstagger which is a great Lightroom plugin.Lastly, we talked about developing film at home with the AGO Film Processor. You can find out more on the 35MMC review.Sign up to the Prime Lenses newsletter for a mid-week treat.Support the show on Patreon.More about this show:A camera is just a tool but spend enough time with photographers and you'll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I'm interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

Something we want to encourage you to consider is treating yourself to a night away. That's exactly what we did at the weekend. We talk about that among a panoply of other recommendations. As always, please send your ideas to our instagram @makingthecutpodcast.Frameless - https://frameless.com/The Lightroom - https://lightroom.uk/Tuddenham Mill - https://www.mrandmrssmith.com/luxury-hotels/tuddenham-mill/Van Morrison - https://open.spotify.com/album/1s9pyp2esxBxLKEjEeSc5NDoors of Perception - https://www.instagram.com/doorsofperception_ibiza/Red Hot Chili Peppers Doc - https://www.netflix.com/gb/title/82087556Air Fryer Girl - https://www.instagram.com/airfryergirluk/Michael Jackson: An American Tragedy - https://www.bbc.co.uk/iplayer/episodes/m002trr2/michael-jackson-an-american-tragedyLittle Miss Sunshine - https://www.imdb.com/title/tt0449059/Johno Verity - https://www.instagram.com/johnoverity/ Hosted on Acast. See acast.com/privacy for more information.

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HT2613 - My Favorite Lightroom Tool Is... I haven't counted, but I wouldn't be surprised to learn there's about a gazillion tools in Lightroom that can help us refine and finesse our images. Some of them I never use, and some of them I'm sure I don't know about. There is, however, one tool, that I use on almost every image. No, it's not Exposure, not Clarity, not Texture, not Crop and Rotate. It is (drum roll, please) ... Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

On this week's episode of The MacRumors Show, we answer your listener questions about the future of Apple's product lineup, the software and services shaping the ecosystem, and our own personal histories with the company and its devices.Some questions centre on the iPhone Air and its future direction, including whether Apple might adopt silicon-carbon battery technology for a second-generation model, or prioritise adding a second camera lens instead. There is also interest in how ‌iPhone Air‌ might evolve with features like a vibrating surface speaker.The foldable iPhone generates a lot of discussion, with questions touching on whether listeners would choose it over an ‌iPhone Air‌, whether it could replace both an iPhone and iPad mini, and whether its arrival signals the end of the dedicated compact tablet.Broader hardware questions include when the 11th-generation iPad will be updated, when Apple plans to complete the OLED with ProMotion rollout across its entire laptop lineup, whether the MacBook Neo risks cannibalizing ‌iPad‌ sales, and what the future holds for Apple Vision Pro given its underwhelming reception.On the software side, questions cover what visionOS might look like several years down the line, Photomator's future and whether Apple intends to develop it into a proper Lightroom alternative, and whether Apple is falling behind competitors like Alexa on basic smart home automation, pointing out that HomePod still relies on Shortcuts for many routines that Alexa handles natively.The general tech questions are the most varied, asking which Apple device would cause the biggest bottleneck if swapped for an entry-level version, whether we would attempt an Apple Watch-only week without an iPhone, and what device combinations we actually rely on day to day. There is also curiosity about Nothing as a brand and whether it is worth taking seriously, as well as concerns about the escalating cost of MacBook Pro models and where the ceiling might be.A number of questions are more personal, asking about our first Apple products, what originally drew us to the ecosystem, our favorite and oldest devices, and whether family members using non-Apple products causes any friction. The MacRumors Show has its own YouTube channel, so make sure you're subscribed to keep up with new episodes and clips.

The well regarded video editor DaVinci Resolve just introduced a Photos module inside the app, making some people wonder whether the free software could replace traditional photography tools like Lightroom. We also talk about a book of passport photos, photos that change history and film simulations. (Image: Black Magic Design) Hosts: Jeff Carlson: website, Jeff's photos, Jeff on Instagram, Jeff on Glass, Jeff on Mastodon, Jeff on Bluesky Kirk McElhearn: website, Kirk's photos, Kirk on Instagram, Kirk on Glass, Kirk on Mastodon, Kirk on Bluesky Show Notes: (View show notes with images at PhotoActive.co) Rate and Review the PhotoActive Podcast! Book Review: 'Passport Photo Service,' by Philip SHarkey, NYTimes Occasionally a picture can change the course of history, The Guardian DaVinci Resolve The color grading tool used by Hollywood now supports still photos - and it's free, Digital Camera World The film simulation rabbit hole: Why digital photographers are obsessing over analog looks, Digital Camera World Episode #8 - Gordon Laing on Taking Great Photos In Camera The difference between drinking coffee and tea Parachute Backup at Mac App Store Episodes on Backups Jeff's Snapshot EPSON inkjet printer cleaning sheet A4 size 3 pieces MJCLS Kirk's Snapshot Parachute Backup app Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site to be notified of new episodes and be eligible for occasional giveaways. If you've already subscribed, you're automatically entered. If you like the show, please subscribe in iTunes/Apple Podcasts or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group to discuss the podcast, share your photos, and more. Disclosure: Sometimes we use affiliate links for products, in which we receive small commissions to help support PhotoActive.

Llega GPT Images 2Escucha el podcast "Marketing Digital"Aquí tienes lo importante, directo y comparado con criterio real de uso:

HT2600 - Photoshop Has Become Too Damn Complicated I know many photographers who think that Photoshop is the cat's meow of digital processing. I'm not one of them. For me, the engineers have taken the usability right out of Photoshop by making it so "capable." For me, using Photoshop always feels a bit like driving to the grocery store in a Formula 1 race car. I use 90% of Lightroom's features and capabilities; I use 3% of Photoshop's features and capabilities. The point I'm trying to make is not about Photoshop, but rather about choosing the tools that fit your needs. The purpose of software is to make our tasks easier, not more complicated. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Steam releases Proton for ARM plus a native Linux client, Davinci Resolve bring professional photo editing to Linux, running NVIDIA GPUs on Rockchip SBCs, and Firefox get a native GTK emoji picker.Patreon: ⁠⁠⁠https://www.patreon.com/lwdw⁠⁠⁠⁠⁠⁠⁠Discord: ⁠⁠⁠⁠⁠⁠⁠https://discord.gg/uQVckr5gEZ⁠⁠⁠⁠⁠⁠⁠TOPICSResolve 21 Editor https://petapixel.com/2026/04/16/the-davinci-resolve-21-photo-editing-tools-show-promise-but-are-imperfect/ARMing Steam Protonhttps://www.techpowerup.com/348297/steams-proton-gets-wine-11-gaming-performance-improvements-valve-launches-arm64-compatibility-layerFirefox 150

This episode is brought to you by our friends at DxO and their newest release, PureRAW 6. If you want to learn more about how DxO's PureRAW 6 works, you'll find PetaPixel's "DxO PureRAW 6: The Ultimate Beginner's Guide" hugely informative.DxO is giving PetaPixel Podcast listeners 15% off any of their software, including PureRAW 6. Head to dxo.com and use the code "PetaPixel" to save 15% today!Now saving when you shop for your favorite gear at B&H Photo is even easier with the B&H Payboo Credit Card which lets you Save the Tax — you pay the tax, and B&H pays you back instantly! (Save the Tax on eligible purchases shipped to eligible states.) OR you can pay over time with our 6 & 12 month financing (on minimum purchases of $199 for 6 months, and $599 for 12 months). Terms apply, learn more at http://bhphoto.com/payboo. Credit card offers are subject to credit approval.Payboo Credit Card Accounts are issued by Comenity Capital BankThis week has been a big one, and the PetaPixel Podcast team is joined by Sarah Teng to talk DJI Osmo Pocket 4 and GoPro Mission 1 and how each is going to affect content creators.Check out PetaPixel's limited-edition merch drop with Harper Finch: store.petapixel.com/ We use Riverside to record The PetaPixel Podcast in our online recording studio.We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe.In This Episode:00:00 - Intro07:46 - Dirty Dew13:12 - DaVinci Resolve looks like a possible Lightroom alternative now21:41 - ProGrade forced to increase prices due to memory shortage24:30 - Freefly has joined the L-mount alliance26:56 - OM System announced an infrared OM-1 Mark II32:01 - Arri acquired by a German entrepreneur38:03 - GoPro impresses with the Mission 1 Pro series54:49 - DJI's Osmo Pocket 4 is here1:14:13 - What have you been up to?1:21:07 - Do you want a NASA video? 1:24:28 - Tech Support1:34:13 - Feel good story of the week

Gemini launches a Mac app, Adobe Firefly brings more AI tools, Anthropic upgrades Claude Code with routines, Apple is sending Siri engineers to AI boot camp, Jason vibe coded some pretty great apps, and how genuine is Sam Altman?Ad-Free + Bonus EpisodesShow Notes via EmailCreative Effort - Jason's PodcastWatch on YouTube!Join the CommunityEmail Us: podcast@primarytech.fm@stephenrobles on Threads@jasonaten on Threads------------------------------Sponsors:Copilot Money - Limited-time: Get 2 months FREE when you sign up at: copilot.money/primaryShopify - Sign up for your one-dollar-per-month trial and start selling today at: shopify.com/primary------------------------------ Links from the showIs a $3,000 Movie Player Worth It? - YouTubeFerrari Luce Interior - XAllbirds announced a switch from shoes to AI and its stock jumped 600 percent | The VergeGemini for macOS - your native AI desktop appGus Mueller: "The new Mac Gemini app has a huge executable bina…" - MastodonDaVinci Resolve adds new photo editing tools to take on Lightroom and Photoshop | The VergeAdobe Ushers in a New Era of Creativity with New Creative Agent and Generative AI Innovations in Adobe FireflyAnthropic adds routines to redesigned Claude Code, here's how it works - 9to5MacRedesigning Claude Code on desktop for parallel agents | ClaudeDoorDash Stunt - Apple NewsReport: Apple to send Siri engineers to multi-week AI coding bootcamp - 9to5MacAmazon to buy Globalstar for $11.57B in bid to flesh out its satellite biz | TechCrunchYouTube now lets you turn off Shorts | The Verge$10K Apple Pay Hack - YouTubeDJI's Osmo Pocket 4 camera is better at capturing slo-mo footage and photos | The VergeMicrosoft is testing OpenClaw-like AI bots for Copilot | The VergeFestival for Personal AIApple threatened to pull Musk's AI Grok from App Store over sexualized deepfakes | The VergeSam Altman's BlogSam Altman May Control Our Future—Can He Be Trusted? | The New YorkerPodcast Search------------------------------Chapters (00:00) - Intro (06:26) - Allbird AI Pivot (10:58) - Gemini Mac App (19:01) - Resolve 21 (21:41) - Adobe Firefly (27:50) - Sponsor: Copilot Money (29:33) - Sponsor: Shopify (31:05) - Claude Mac App (36:02) - DoorDash Stunt (44:15) - Siri Engineers to Boot Camp (46:02) - Amazon Buy Globalstar (51:15) - Turn Off YouTube Shorts (52:40) - $10K Apple Pay Hack (55:09) - Lightning Round (01:06:39) - How Real is Sam Altman? (01:20:10) - Jason's Vibe Coded Apps ★ Support this podcast ★

HT2593 - Mindlessness It may seem silly to insist that images of a mind of their own, but just pretend with me for a few minutes of experimentation. Pull up an image in Lightroom or Photoshop that you have not previously processed. Now, just sit back and look. Try not to think. Let go of photography, of art making, of analysis, of memory. Just look with an empty mind, at least as mindless as you can. Try to be open to the image and its will. The measure of your success as an artist is how successfully you let go of being an artist. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

She's shooting University of Hawaii games, building trust with athletes and coaches, and still choosing the harder road. We talk story with Photos by Kaikai as she pushes past the “big fish in a small pond” trap and chases real growth in sports media and sports photography.We get into how her athlete background shaped her eye and her work ethic, plus the exact moment she decided to stop waiting and start reaching out. That one email to ScoringLive turns into credentials, constant reps across multiple sports, and the confidence to keep leveling up. Kai also explains why the Hawaii photography community feels different, how she learns through YouTube and mentors, and why being yourself matters more than copying someone's edit style.Then we go deeper on the craft and the business: planning shoots ahead of time, narrowing down thousands of photos, and keeping edits clean with Lightroom and Photoshop so the image speaks for itself. She shares what it's like to photograph elite events, including getting the chance to shoot an NBA game and capture Steph Curry up close while following media rules that protect your future access. We close with her dream assignments like pro volleyball and the NFL, plus advice for any creator trying to break in.Subscribe, share this with a friend chasing a goal, and leave a review to help more people find the show. What's one uncomfortable move you know you need to make next?

Video zur Episode Text-/Audio-/Videokommentar einreichen HS-Hörer:innen im Slack treffen #hsfeedback Nachtrag zu japanischen/chinesischen Schriftzeichen von Stefan: Besuch im Leica Museum Titel für einen neuen Workshop: LichtGestalten von Paul: Fotorucksack, der in ein Flugzeug Handgepäck passt Vergrößerungsfaktor in Lightroom von Arne: Vermisster Workshop von Manuel: Fotolabore von Erik: Abspeichern als RAW und JPEG ohne Hintertürchen? von … „#938 – Lizenzgebamsel“ weiterlesen

Become a member of AIAP to participate in these discussions: https://forms.aiap.net/forms/createaccount. This discussion delves into essential file management and metadata practices for architectural photographers, offering practical advice for organizing, protecting, and retrieving your work: CAMERA SETTINGS: The Foundation of File Management • Ensure your camera is configured for optimal file management from the start. • Copyright Information: Set up your camera's menu to embed copyright details. This is crucial as used camera bodies often lack this information. • Annual Updates: Remember to update copyright information annually, particularly the year.   CONTINUOUS FILE NUMBERING: Utilize continuous file numbering in your camera to avoid duplicate numbers, which can cause significant issues, especially for copyright registration. • File Naming Conventions: Structure and Clarity • Establishing a clear file naming system is vital for easy retrieval and client clarity. • Project-Based Naming: Incorporate project names, dates, and client information into your file names for efficient searching. • Date Format: Use a consistent date format (e.g., YYYY-MM-DD) for chronological organization. • Personal Suffix: Add your last name as a suffix to file names to clearly identify ownership.   METADATA: Embedding Essential Information • Metadata is crucial for protecting your work and providing essential details. • Lightroom Presets: Utilize Lightroom presets to automatically populate metadata fields, saving significant time. • Key Metadata Fields: Include your name, contact information (phone, email, website), and copyright notice. • IPTC Standards: Adhere to IPTC metadata standards, which are widely supported by professional photo software.   METADATA RESOURCES and TOOLS • Leverage available resources to deepen your understanding and implementation of metadata. • "The Damned Book" by Peter Crow: Recommended for comprehensive information on metadata. • Lightroom Queen Guides: Valuable resources for Lightroom users. • Michael Clark's Resources: Useful content from an adventure and sports photographer.   FILE DELIVERY and COLOR MANAGEMENT • Understand the importance of delivering files in appropriate formats. • Dual Format Delivery: Provide both high-resolution JPEGs (300 PPI for print) and sRGB JPEGs for web use. • CMYK for Specific Needs: While generally not recommended unless requested by a printer, be prepared to provide CMYK files if specifically asked for by ad agencies. • Color Management: Understand basic color management principles for accurate representation across different platforms.   COPYRIGHT PROTECTION and INFRINGEMENT DETECTION • Proactively protect your work and monitor its usage. • Google Lens for Image Search: Use Google Lens for reverse image searches to identify where your photos are being used online. • "Exact Matches" Tab: Focus on the "exact matches" tab in Google Lens for precise identification of your images. • Demand Letters and Legal Action: If infringements are found, sending demand letters or pursuing legal action can be necessary.   NAVIGATING ONLINE PLATFORMS and AI • Be aware of the complexities surrounding online platforms and the rise of AI. • Platform Policies: Understand the terms of service for platforms like Houzz, which may grant broad usage rights to uploaded images. • AI-Generated Content: Be mindful of contracts that prohibit the use of AI in your deliverables, as AI can embed copyrighted material. • AI Detection: While early, European regulations are beginning to address AI's use of copyrighted material, with potential for licensing fees.   FOLDER STRUCTURE and WORKFLOW EFFICIENCY • Maintain a clear and logical folder structure for seamless file management. • Simple, Consistent Structure: Organize files by broad categories (e.g., architecture, landscape, commercial) and then by project. • Lightroom Integration: Lightroom can mirror your existing folder structures, aiding organization. • Batch Processing: While debated, batch processing can be efficient for certain tasks, but individual review is often preferred.   This podcast is Copyright 2026, The Association of Independent Architectural Photographers™, All Rights Reserved. This content may not be used in full or in part without the written consent of the AIAP. ➤➤Don't forget to like the podcast and subscribe to the channel .... Click the bell icon to get our regular videos. Share the video with your friends if you like it, and stay tuned to our channel.

Above Photograph © Donald Pettit, NASA At its best, photography draws from both science and art, to give resulting images a dual purpose—aesthetic innovation and scientific merit. And when that photography happens from the windows of the International Space Station, capturing star trails, city lights, and our blue planet against the void of space, it becomes something truly transcendent.  In today's show, we're privileged to chat with NASA Astronaut Donald Pettit, a scientist, inventor, and photographer who has spent nearly two years living, working, and making pictures in orbit. Some fun take aways from our chat include:  How photographing in a microgravity environment can turn a traditional group portrait      into bodies scattering like bowling pins when the photographer tries to join the shot. The vast perspective when viewing out a window of the ISS—on the order of half a continent—rather than a 50-to-100-kilometer horizon on earth. The stratospheric volume of imagery captured during a mission, and the discerning Lightroom workflow Don uses to retrieve individual photos from his archive at home.  The importance of a humble synch cord to connect two cameras and render the "many decades of brightness" on an EV scale as a single HDR image to illustrate the rapid transition from day to night that occurs in orbit.  And, finally, how Don has taken the concept of synchronized imagery to a cosmic level by pairing the same phenomena he captures from orbit with a complementary view recorded from earth, in collaboration with astrophotographer Babak Tafreshi. As Don explains towards the end of our chat, "I'm a big proponent of the concept of a frontier. My frontier happens to be space, but there are frontiers all around us." He then shares this parting advice: "So just explore the frontiers that present themselves to you, the frontiers that you're motivated to go to. And just open your eyes and collect data, and then record or write about it, because you could make an observation and if you don't somehow share that with others through publications or imagery, it's almost as if it's never been done." Guest: NASA Astronaut Donald Pettit Episode Timeline: 2:06: Donald Pettit's introduction to photography, plus connections between his love of science and his creative vision. 5:51: Don's first space flight in 2002 - 2003, using both film and digital cameras, plus the learning curve on the ground to prepare for photographing in space.  10:36: The success rate when shooting with film and challenges to photographing in orbit. 13:42: From photographing with a barn-door tracker to Don's recent use of an orbital sidereal tracker. 19:07: Advances in digital camera technology, Don's relationship with NASA photo trainers, and challenges to capturing group shots in microgravity. 23:43: Don's most memorable photos from space, the advantages of pro-level camera technology, plus his personal everyday camera—the Nikon Z9. 29:38: Episode Break 30:33: The benefits to fast glass for nighttime images, plus Don's reluctant transition to mirrorless technology.  33:57: Capturing the colors of city lights, plus the spread of cosmic fireflies—commonly known as Starlink satellites 37:54: Changes on Earth that affect a view from space, plus the extra gear list for Don's next flight. 42:10: The volume of images captured during a mission, Don's Lightroom workflow at home, plus taking notes on the ISS for future reference on Earth.  49:32: Don's Antarctic expedition to hunt for meteorites, and the creative potential of a frontier environment. 53:17: Don's project From Above and Below with astrophotographer Babak Tafreshi, plus the unicorns in space he hopes to capture on future missions. 57:52: Parting advice about chasing your dreams—Explore the frontiers that present themselves, open your eyes, record your observations, and share them with others. Guest Bio:  Donald Pettit is NASA astronaut and a veteran of four spaceflights, logging more than 590 days in space, primarily on the International Space Station. Currently NASA's oldest active astronaut, Don's missions have focused on scientific research into topics that include microgravity, 3D printing, water purification, and plant growth. He's also known for his remarkable in-space inventions, stunning astrophotography, and engaging educational content that makes space science engaging and fun.  A native of Silverton, Oregon, Pettit was selected as an astronaut candidate in 1996. He holds a bachelor's degree in chemical engineering from Oregon State University and a doctorate in the same field from the University of Arizona. Prior to joining NASA, Pettit worked as a staff scientist at the Los Alamos National Laboratory in New Mexico.  Stay Connected: Donald Pettit on the NASA Website: https://www.nasa.gov/people/donald-r-pettit/ Donald Pettit Instagram: https://www.instagram.com/astro_pettit/ Donald Pettit on X: https://x.com/astro_Pettit Donald Pettit's Wikipedia page: https://en.wikipedia.org/wiki/Donald_Pettit# Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens

Travels With Randy Route 66 Episode 9 is here! Texas! - All 178 Miles Of It Digital Photography Advantages Discussion Randy explained the benefits of digital photography over film, particularly the ability to shoot in raw format and adjust images later using software like Lightroom. He described how he uses dehaze filters to enhance sharpness and can now take photos from the car or in different lighting conditions, making the process more flexible than with film. Randy noted that modern phone cameras have improved significantly in quality, potentially allowing for 80-90% of the quality achieved with a professional camera, though he mentioned planning to do a comparison between phone and camera photos on social media. Phone Photography Techniques Discussion Bubba and Randy discussed photography techniques, particularly the advantages of using phones for low-light photography compared to cameras. Randy explained that phones automatically process images into JPEGs with built-in settings that often require less post-processing work, especially on devices like Samsung phones. They also talked about how digital photography has replaced film, with Randy noting that older photographers from previous generations might struggle with the transition due to the required computer processing. The conversation concluded with them agreeing to return to discussing Route 66, which they had been planning to cover in a previous meeting. Route 66 Texas Towns Discussion Bubba and Randy discussed their Route 66 journey, focusing on the unique characteristics of towns like Adrian, Glen Rio, and Vega in Texas. They highlighted the historical and geographical significance of these locations, including the state line where different laws and time zones meet. Randy shared insights about the challenges faced by local businesses, particularly gift shops and restaurants, in these small towns, noting competition and the need for unique offerings to stand out. They also discussed the importance of experiencing Route 66 from different directions to fully appreciate its diverse sights and discussed plans for future visits, including exploring more restaurants and capturing additional photos. Route 66 Texas Signage Challenges The discussion focused on Route 66, particularly in Texas, where the participants shared observations about signage, infrastructure, and tourism opportunities. They noted that while New Mexico had improved its Route 66 signage, Texas still had poor signage and needed better direction markers. The conversation highlighted the missed opportunity for businesses, including Ford, to capitalize on the Route 66 centennial celebrations, with many advertising opportunities on historic building walls going unused. They also discussed specific challenges in Amarillo, where the original Route 66 route was difficult to follow due to poor signage and the city's run-down appearance, leading to disappointment with the experience despite its historical significance. Texas Route 66 Discussion Bubba and Randy discussed their experiences driving through Texas on Route 66, particularly highlighting the town of Groom known for its massive cross and windmills. They compared the impact of wind farms on the landscape, with Bubba noting how windmills have affected the view near his hometown, while Randy observed that solar farms may be more efficient than wind power. The conversation concluded with Randy mentioning plans to ask Beth about the historical significance of the original Route 66 path. Route 66 Texas Travel Discussion Randy and Bubba discussed their Route 66 travel experience in Texas, focusing on Jericho Gap, a notorious muddy clay road that trapped cars, and the nearby Donnelly County rest stop, which features Route 66-themed exhibits and history. They explored the town of Allen Reed, noting its transformation from a ghost town to a functioning community with a working gas station and motel. The conversation concluded with plans to visit McLean and Shamrock, including a stop at the Texas Historical Route 66 Visitor Center in Shamrock. Route 66 Heritage Preservation Visit Randy discussed his visit to Shamrock, Texas, where he explored the historic UDrop In restaurant and gift shop, which inspired the character Ramon's body shop in the movie Cars. He noted that Shamrock has done a good job preserving Route 66's heritage, with many businesses displaying the route's emblem. Randy observed a positive trend of restoring abandoned buildings along the route, though some small towns struggled. The conversation concluded with a discussion about using AI tools like ChatGPT for their podcast, including plans to potentially incorporate AI-generated content in future episodes. Route 66 Travel Journey Discussion Randy and Bubba discussed their Route 66 travel journey, focusing on the Texas and Oklahoma sections. They highlighted interesting towns like Texola, Oklahoma, and discussed the transition from Route 66 to U.S. Bicycle Route 66 in Oklahoma. They also talked about the growth of their social media following, particularly on Facebook, and the success of their photography posts. Bubba mentioned the launch of an Instagram account and plans for YouTube content. Podcast Recording Plans Discussion Bubba and Randy discussed plans to record their podcast with screen captures, potentially using Beth's computer for screen recording while Randy handles Zoom on the phone. They mentioned having an announcement to share next week before the end of the month. The conversation also included a birthday wish for Bubba and Bubba's recommendation of the upcoming movie Project Hail Mary, which he highly praised.   SO. MANY. PHOTOS - Come join the conversation on Facebook with our 32,000 friends! https://www.facebook.com/travelswithrandypodcast Have a great idea for the guys?  Want to sponsor us?  Want us to sell something National Park or Route 66 related? Want to be a guest? Want to pay for both of us to go to Alaska? Want me to stop asking questions?   bubba@travelswithrandypodcast.com !!

This is The Digital Story Podcast 1,043, March 17, 2026. Today's theme is, "No Matter Where Your Photos Are, This App Can Display Them." I'm Derrick Story. On my MacBook, I have Aperture libraries, Capture On catalogs, Lightroom collections, thousands of images in Photos for macOS, and a bunch of file folders. I can search across all of those proprietary catalogs, find what I want, and export to my desktop. How? Using a magical application called Peakto. I'll explain how, and its latest updates, on today's TDS Photography Podcast. I hope you enjoy the show.

Send a textYour shoot is flowing, the lighting is perfect, the poses are landing and then your screen freezes and the dreaded message pops up: camera not detected. I've lived that panic, and I'm breaking down how to make camera tethering reliable so it supports your creativity instead of sabotaging it.We start with what tethered shooting actually is: a photography workflow that changes how you see, judge, and refine your images in real time. I share why tethering in the studio can be such a game changer for portrait photography, branding sessions, headshots, product photography, and commercial work. When you review frames on a larger monitor in Capture One or Lightroom, you can catch flyaways, fabric wrinkles, focus softness, and subtle expression issues immediately, saving serious time in post-production and keeping your final set consistent.Then we get practical about the setup details that prevent most failures: choosing the right tether cable, using the correct camera port, connecting directly to your computer (no hubs, no adapters), and turning off sleep and energy saving settings so your connection doesn't drop mid-session. I also explain the part photographers don't talk about enough: cable weight and port stress. One preventable mistake cost me a $400 repair, and it's why I now treat strain relief, tether guards, and base plates as essential gear, not accessories. We'll also talk laptop port limitations, PD power delivery hubs, and when a docking station makes tethering smoother in a client-facing studio.If you want fewer interruptions and more confidence behind the camera, listen now, grab the checklist, and then subscribe, share this with a photographer friend, and leave a review so more shooters can stop fighting their tether setup.Questions or Comments? Reach out at mariabphotostudio@gmail.com and I'll be in touch* directly or address your comment on the podcast.*By submitting a question or statement, you agree that your submission can be discussed publicly on the podcast, website, or other platforms owned by or affiliated with CluedUpBTS and its parent company, HeadshotNJ, and affiliate company Maria B Photography Studio. while retaining your anonymity.

Have you ever wondered how we capture those beautiful shots of our paper flowers? In this episode, Quynh, Jessie, and Sara pull back the curtain on their photography and videography equipment, settings, and creative processes. Sara shares her daily filming routine and why she shoots the same action from multiple angles. Jessie breaks down her camera choices and explains why the person behind the lens matters more than the equipment. And Quynh reveals her favorite affordable tripod and why she upgraded her Canon for her book deal. "Do a B-roll shot list of things that you want to capture because when you're filming, you forget you're thinking you're getting all this." - Quynh Whether you're shooting with an iPhone or investing in professional equipment, this conversation is packed with practical tips to help you showcase your work beautifully. Here's What You'll Hear in This Episode: Sara's complete camera setup and why she switched from Canon to Sony The importance of lenses over camera bodies (and which ones to invest in first) How to shoot multiple angles of the same action for dynamic content iPhone camera settings for the highest quality photos and videos Why natural light beats artificial lighting every single time The pre-production process: shot lists, prep work, and planning your day Editing software recommendations: Premiere Pro, Final Cut Pro, Lightroom, and more How to find affordable secondhand camera equipment The best tripods for overhead shots and easy movement Microphone recommendations for clear audio in videos Equipment & Tools Mentioned: Sony cameras (various models) with GM 16-35mm wide angle zoom lens Canon DSLR cameras Fujifilm GFX 50S II (for professional photography) Viltrox 20mm lens (affordable option, around $100) iPhone 16 Pro Max with specific camera settings Rode shotgun and wireless microphones DJI Osmo and DJI wireless remote Greek Geekcraft tripod (extends to 7 feet with magnetic phone mount) Tethering cables for shooting directly to computer Editing Software Mentioned: Adobe Premiere Pro (video editing) Final Cut Pro (video editing for Mac users) Adobe Lightroom (photo editing) Adobe Photoshop (advanced photo editing) Edits app (mobile video editing) Snapseed (mobile photo editing) Capture One (professional photo editing with tethering)

In this special International Women's Day episode, I wanted to take a moment to celebrate the incredible women inside my coaching programs and share some of the momentum they're building in their photography businesses.Watching photographers grow their confidence, raise their prices, and step into stronger positioning in their businesses is one of the most rewarding parts of the work I get to do. So today I'm sharing a few wins and updates from photographers inside the community who are doing amazing things right now.I'm also recapping my recent experience at WPPI (Wedding & Portrait Photographers International). Being surrounded by photographers from all over the world was such a reminder of how powerful community can be in this industry. Conferences like WPPI always bring fresh perspective, inspiration, and new conversations about where the photography industry is headed.This episode is also sponsored by Aftershoot, a tool many photographers use to streamline their editing workflow. One of the newest updates I'm excited about is that you can now train Aftershoot with just one Lightroom gallery. That means photographers can teach the AI their editing style much faster and start saving time in post-production while still maintaining their personal look.If you're a photographer looking to grow your business, find community in the industry, and simplify your editing workflow, this episode is for you.Free Resources from me I Mentioned: https://racheltraxler.com/shop

On this episode of Play It Brave, we're diving into one of the biggest conversations happening in photography right now: AI. The excitement. The skepticism. The "Is this going to replace us?" energy. All of it. I brought on Noella Andres from Imagen AI to talk about what AI in editing actually is (and what it isn't). Noella has spent over 20 years supporting photographers in finding more freedom in their workflows, and her move into Imagen fits perfectly with that mission. Together, we unpack how AI can support your artistry instead of threaten it, how it integrates into Lightroom, how it learns your style, and how to use it consciously — without losing your creative voice. Key Takeaways The real question isn't "Will AI replace photographers?", it's "How can we use AI consciously?" Burnout in photography often comes from hours behind the screen, not from shooting itself. When repetitive tasks are automated, creative energy expands. AI can function like a virtual assistant, handling the grunt work while you stay in artistic control. The danger isn't AI — it's losing your unique voice by relying on formulas (in editing, branding, or marketing). As the world becomes more automated, genuine human connection and client experience become even more valuable. Originality requires intention. Photographers must resist copying trends and instead refine their own artistic identity. Social media fatigue is real. Intentional automations (like email marketing funnels) can create sustainability without constant online presence. Used wisely, AI can actually help you fall back in love with photography by giving you your time and inspiration back. AI isn't the enemy. Burnout is. Blending in is. Giving away your creative voice is. When you let AI handle the repeatable tasks — culling, base edits, workflow — you get your time back for what actually matters: your clients, your craft, and creating because you want to. If you're curious, you can try Imagen through my ambassador link (with 1500 free edits included). And if you have questions, DM me. I want you editing faster, loving your images more, and feeling inspired again. Meet Noella Noella Andres has been in the photography game for over 20 years — Chasing love stories, and eventually finding her real passion: helping other photographers grow wildly successful businesses of their own. These days, she's all about marketing, brand partnerships, and business coaching — guiding photographers as they step into their next big thing, whether that's launching a course, building passive income, or leveling up their visibility. She's part strategy nerd, part hype girl, and fully invested in helping creatives find freedom in their business (and have a little fun doing it). Connect with Noella + Imagen AI Get your 1500 free edits here Noella's WebsiteNoella's Instagram Click here for more ways to listen to this episode.

In this episode of the Wild Eye podcast, Gerry confronts the "identity crisis" currently dividing wildlife photographers. He argues that if you use Lightroom masking, Denoise, or Topaz, you are already using AI. Whether you admit it or not.Gerry explores how synthetic imagery is rapidly consuming the entry-level market and why the "lived experience", the wind on your face and the physical grit of the bush, is your last true differentiator. He provides a practical framework for using captions as "proof of presence" and shares an ethics statement to help photographers draw their own line between technical enhancement and digital fabrication.The episode concludes with a direct challenge: stop the existential crisis, define your "why," and decide exactly where you stand in this new reality.Vsit the Wild Eye website: https://wild-eye.com

What if the secrets of a 1968 masterpiece were hiding in plain sight—just waiting for modern color tools to reveal them? We dive into 2001: A Space Odyssey with a forensic eye, exploring how a carefully mastered HDR release lets subtle artifacts surface: matte lines stepping in eight-frame rhythms, hand-painted star fields, and reflections that whisper clues about the set. Instead of diminishing Kubrick's vision, these discoveries deepen our respect for Douglas Trumbull's team and the analog ingenuity that still holds our gaze at 24 frames per second.From there, we pivot to the craft of color as a science. Our guest, Paulo Martins of Alchemy Color, breaks down how to treat your camera like a measurement device. He walks us through building rigorous profiles with thousands of color patches under D50 and tungsten, navigating metameric pitfalls from spiky LEDs, and establishing a dependable baseline inside Lightroom and Adobe Camera Raw. Then we get practical with a methodical, 32-bit approach to inverting color negatives—rooted in open-source insights—so the “print-like” result honors the negative without baking in an arbitrary lab look.If you've ever wanted film's character without surrendering control, this conversation maps a path. We talk chart-driven emulations, creating accurate 3D LUTs, and exporting Cineon log for seamless grading in DaVinci Resolve with print film and halation treatments. Whether you're reverse-engineering a spaceship window to glimpse a soundstage or building an end-to-end digital film pipeline for stills and motion, the throughline is the same: use precision to serve the illusion. Tune in, get inspired, and see how curiosity, calibration, and careful workflows can bring the texture of cinema to everyday images.Enjoyed the show? Subscribe, share it with a friend, and leave a quick review on Apple Podcasts or Spotify to help others discover the craft behind color.Guest Links:IG - https://www.instagram.com/alchemy_color/Website - https://alchemycolor.com/YouTube - https://www.youtube.com/@alchemy_colorYouTube Video on 2001 - https://www.youtube.com/watch?v=TcpDS1r6mQYCorridor Crew VFX React - https://youtu.be/Dx3Vv6j4tmE?si=EgjUpcG4OuEgop5A&t=1092 Send a textPixelToolsModern Color Grading Tools and Presets for DaVinci Resolve Support the showLike the show? Leave a review!This episode is brought to you by FSI, DeMystify Color, and PixelToolsFollow Us on Social: Instagram @colorandcoffeepodcast YouTube @ColorandCoffee Produced by Bowdacious Media LLC

Kev and Neale are lamenting the weather: all hail weather-resistant lenses! Kev's also watching Mr Mercedes from behind the sofa - don't tell him the ending! On the show today, is Fujifilm mirrorless the perfect kit for newborn photography, when is the next FujiCast away day, and will Andreas like Kev's Valentine card enough that he invites The Mullins back into the inner fold? Kev shares why he released presets and Lightroom plugins and how they have changed his business, and why he still can't bear Apple kit! We also talk about third-party lenses and Neale sends Kev to sleep with some tech thoughts about podcasting. Email the show with your questions: click@fujicast.co.uk  For links go to the showpage. If you'd like to travel to far-off places with a camera: https://www.thejourneybeyond.uk/

The best-selling compact camera in Japan is from... Kodak? We've talked about compact cameras in the past, but it remains a fascinating part of the photo marketplace as people look for something different than mirrorless and DSLR cameras. By the way, do you have $10,000 to spare on a new 35mm lens? Leica's Noctilux-M 35mm f/1.2 ASPH was just announced at that eye-watering price. Lastly, Jeff covers some new Lightroom features in the latest versions. (Photo: Leica) Hosts: Jeff Carlson: website, Jeff's photos, Jeff on Instagram, Jeff on Glass, Jeff on Mastodon, Jeff on Bluesky Kirk McElhearn: website, Kirk's photos, Kirk on Instagram, Kirk on Glass, Kirk on Mastodon, Kirk on Bluesky Show Notes: (View show notes with images at PhotoActive.co) Rate and Review the PhotoActive Podcast! I Asked AI to Predict the Weather. It's About as Reliable as a Groundhog - CNET Compact Camera Sales More Than Doubled Last Year in Japan | PetaPixel Regarding the price of the Ricoh GR cameras, Kirk was thinking of the prices in the UK. In the US, the prices are $1,600 and and $2.200. Noctilux-M 35 f/1.2 ASPH. | Leica Camera US Leica 35mm Noctilux-M f/1.2 ASPH Review: A Long Time Coming | PetaPixel Adobe Lightroom Classic release notes Aftershoot Thomas Pynchon: Vineland (Kirk said it was published in 1980; that should be 1990) How 'One Battle After Another' Shot the Car Chase Scene Like a Gritty '70s Film - YouTube Jeff's Snapshot The Uncool by Cameron Crowe Kirk's Snapshot One Battle After Another Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site to be notified of new episodes and be eligible for occasional giveaways. If you've already subscribed, you're automatically entered. If you like the show, please subscribe in iTunes/Apple Podcasts or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group to discuss the podcast, share your photos, and more. Disclosure: Sometimes we use affiliate links for products, in which we receive small commissions to help support PhotoActive.

This is The Digital Story Podcast 1,038, Feb. 10, 2026. Today's theme is, "Lightroom Mobile's Insane Scene Enhance Tool for Auto Masking." I'm Derrick Story. Regardless of which Lightroom you have, it has impressive auto masking features. Classic and Desktop versions let you choose between basic elements like Subject, Sky, and background. But the Mobile version simplifies this even more with its Scene Enhance feature. And that's our top story for this week. I hope you enjoy the show.

I'm back after a bit of a stop-start spell with the podcast, and I'm talking honestly about headspace, mojo, and how hard it can be to create when you're just not feeling it. The main point I wanted to cover is this: there's more than one way to do things in photography, and the “that's wrong” comments (especially online) completely miss the point. I'm sharing why I try to frame everything as my way, not the way, and how clients, time, kit, and real-world constraints always shape what works. I also give you a quick update on upcoming workshops, where to find the new short-form video content, and what I'll be covering next after a couple of judging days. Key links Mastering Portrait Photography Our Reels & Shorts Mastering Portrait Photography on YouTube Workshops mentioned Mastering Dogs With Their Owners workshop (9 Feb 2026) Mastering Advanced Studio Lighting (16 Mar 2026) Mastering Portrait Photography Bootcamp (11–12 May 2026) Transcript [00:00:00] So hello one and all. This is the Mastering Portrait Photography podcast, which hasn't, hasn't been the most frequent in the past few months, one reason or another. Um, I just haven't managed to find either the time or if I'm more honest, I guess the headspace, the difficulty with doing anything creative is that if you don't feel it, if you're not right into it, and you know this as photographers, it's really hard to do it. And every time I've sat down, it's just been incredibly difficult to find, I suppose the words, I'm not sure that last year was the greatest year on earth. We got there, we grafted, but we got there, um, massively busy year, but I don't know if the positivity that we've had over the past years was quite, quite the same. And so in that context, it's been quite hard, I think. To, uh, be a photographer, to be a portrait [00:01:00] photographer, and also to record this podcast. So when I talk to people and they say they're not feeling it, I totally understand. Somebody in a workshop the other day, we always, at the beginning of every workshop we run here, we ask the people on it what they'd like to get out of it. And I think on every single one last year, and certainly the one we ran a couple of weeks ago, there is someone who will simply say. I've lost my mojo. What an interesting line given I think I've been feeling the same way about the podcast. Not that I haven't wanted to do it. I love doing it. I love sitting here and chatting. It's sort of like having my own personal counselor, you, but I just haven't really found the energy and the headspace, um, to do it. And for a million reasons, some of it to do with just the mood, the news. Politics, the weather. Um, and then just to compound everything over Christmas, I completely lost my voice [00:02:00] and I do mean, completely caused a lot of hilarity amongst my family and my team. But I had to do a couple of workshops at the convention. And they were quite squeaky. I literally sounded like squeaky from the toy story. Anyway, you'd be pleased to hear it's all back. It's all firing on all cylinders. 2026 is a new year. I'd like to say it's the start of a new year, but given it's February, I'm not even certain. I can say Happy New Year to all of you, but here we are. I'm Paul, and this is the return of the Mastering Portrait Photography podcast. So, hello one and all. I hope you're well. I hope the weather, I dunno what the weather's like all around the world. Of course I don't. But right here, right now in this bit of the world, it is miserable. We had to drive a Land Rover over to get, um, to. I think it's called an eyebrow repaired an odd, an odd phrase, but it's the bit of the wing that pro [00:03:00] protrudes over the wheel on the front, front driver's side. Because the other day as I was about to head out and do a job for the hearing dogs and with my client, my client's climbing into the car next to me and somebody decided the gap between my front driver's side wing and the wall next to him was sufficient to get a very big Mercedes-Benz through it. It turns out it wasn't. And the only damage, sadly for me was that it put a, put a hole in the, uh, wheel arch. It's called an eyebrow, this thing. So anyway, today we must have, find someone to get it repaired. The guy's paid, it's fine. It'll all get fixed. Um, so, uh, drove over, but the weather. The weather was horrific, and it's cold and it's gray and there's just water everywhere. It's a miserable state of affairs and trying to, trying to be a portrait photographer in this. I'm glad we have a warm studio that I will say. Uh, so here we are. [00:04:00] Here we are. It is, what time is it? It's, uh, 10 past eight on a Tuesday evening. I'm still in the studio and this time. I am recording video for it Now. I don't know whether you'll see the video. This is the first time I've tried to do, what do they call it, A visualized podcast? I'm not sure. It's a video podcast. That would be, um, over egging it a little bit. It's me staring at one very small camera that I dug outta a drawer. To see if I can get this to work. If it works, then we'll throw something a little bit more sophisticated at it. But in our team at the moment, in the mastering portrait photography team, we have Katie, I've introduced you to Katie before. That's not news. But one of the things we have been doing is recording more and more and more and more content, mostly short reels, short videos of one sort or another. And it's, I mean, it's a huge amount of fun. I'm having a blast. I come in on a Monday and Katie will tell me the topics we're going to cover, uh, and we get on with it and we film small [00:05:00] videos of one form or another. Um, and it's, I'll be honest, I'm loving it because it gets, it gives us a chance to talk about this business die love. Um, however, some of the things that have popped up through that are that really the podcast also now needs to be on video. Here I am and if you take a look around me, if you are looking at this on the video and take a look around me, you can see that it's the first foray. 'cause even if, as I look around the screen here that I'm, I've got feeding information back to me, it does look like my desk has been burgled. It is pretty bad at the moment. There is stuff everywhere. Uh, which isn't great, but I will get that fixed and get it sorted. So it looks a little bit prettier. I'm not sure this is the right camera, uh, for this particular job, but, uh, if it works, like I said, we might just upgrade. Um, but off the back of these videos, this is the topic I wanted to talk about today. This is only gonna be a short podcast, uh, partly 'cause I am starving. I've been here all [00:06:00] day. I've had one banana, one sandwich, one pair. Um, and I really, really, really want to go and do a little bit of exercise, um, and maybe have some food. So this is gonna be a shorter podcast than perhaps you're used to. However, this is what I wanted to cover. I wanted to sort of cover a point that has arisen through doing these little reels and videos with Katie that there is definitely more than one way of doing things. Now I'm doing this unscripted. I've got my pen to make some notes in case I kind of lose track. Um, so forgive me if I ramble, but. There's more than one way of doing things in. When we do a workshop or I do a presentation, I will always, or nearly always put up a slide that simply has two words, opinion overload, and I put it up there to remind me, to remind the people watching me that just because I say this is a way of doing [00:07:00] it doesn't mean it's the. Way of doing it. It's just the way that I found works for me on the whole, sometimes it'll be two or three different ways I've discovered will work and I'll point out which one seems to give me the most consistent results, or is the least expensive in time and materials, or is just simply the, you know, the one I enjoy the most. Because if you, if you are attending workshops, if you are going through the process of learning, and we all do this every time the person in front of you says, this is how to do it, there's a tendency for us to believe them. There's a tendency for us to, in our head say, right, that's what we're gonna do. Their photography is what I like. That's how we're gonna do it. And that can't possibly. Be the case. There are too many different styles, too many different photographers for that to be the case, and so I try to remind people, this is just my opinion at this [00:08:00] moment in time. This is how I do it, or this is how I have done it tomorrow. It may well be different next year. It's highly likely to be different changes in technology. In equipment, in approaches in clients, your client drives an awful lot of this too. Remember, you know, if your client's demanding that you travel light, then you travel light. And so some of the techniques for lighting, for instance, won't be, uh, quite the same as if you have all the time in the world and a studio. There's always a way of doing something that works for you, and there are plenty of other ways that maybe don't work so well. And the point is, we've learned this through the reels and videos that we've been posting, but all too often I'll put something up and somebody will tell me quite, quite vigorously, that's not right. Whether it's clamshell, just use a reflector. You don't need two lights, whether it's white balance adjustments, differential white balance. I'll just do it all in night room in post, whether it's, and my favorite comment was, [00:09:00] you are three times my age. Maybe that's right for you, which I thought was entertaining, if nothing else, and these are all valid by the way, I'm not worried about it. It just struck me that people seem to think that there is just one way of doing something. And of course there isn't, there's not one technique, there's not one aesthetic. If, if we all liked the same thing, if we all liked the same output, if we all liked the same processes, life would be, frankly, frigging dull because there'd be nothing interesting every, and I use the musician, I know I use the musician musician's analogy a lot, but if you think about the number of different ways that you've heard a composer or different composers say they write music, some will sit at a piano, some will write the lyrics, some will hum it, some will record it. Some people just have their phone to their bed and record a quick snippet of vocal or whatever it might [00:10:00] be. Everyone has a different way of doing it, and yet no one seemingly anyway, no one in that world criticizes another songwriter and tells them that that's how they should do it. They should do it differently, but somehow in photography, that's okay. Or maybe it's not that it's in photography. Maybe it's just that the medium of imagery, the medium video, lends itself to social media, in which case it lends itself to people writing comments. And so I just thought I'd explain whenever I go through something. I mean, I'd love you to have a look at some of the reels and things we're posting. I'll, I'll give you the details of where they can be found at the end, um, and see what you think. But I try really hard. To make it an open conversation. It's about, here's a way of doing it. Here's an explanation of what's going on. Here's why I like it. I mean, I think that's fair. It doesn't mean I don't have things that I like, but I do try really hard not to say this is a defacto [00:11:00] thing. Technique, method route. You shouldn't, you don't have to have this equipment, you don't have to have, um, this way of doing things, you know, light meters. Another one, people are very enthusiastic about light meters, tripods, gotta have a tripod, gotta have a light meter. Um, two things that actually, I, I own plenty of them. Um, just doesn't work particularly, or it does work for me. Of course it works and that's wrong. Saying it doesn't work for me, that's not true. It's just that not using a tripod and not using a light light meter works better for me in most circumstances. There are days when actually a tripod is really useful. Long exposures stop frames when I just want that pin sharp thing you can get when your camera is bolted to a good sturdy tripod or a light meter. When I'm running lots of different light sources and I just need to run around the room, checking that everything's balanced. Yeah, line meter is brilliant for that.[00:12:00]  But most of the time I just like the freedom. I like the pace, I like the fluidity of working without either of those things. Am I wrong? Well, to some people, clearly, but it doesn't feel wrong to me. It feels totally right to me. Do I think that people that use a tripod or like me are wrong? No, not at all. Um, I can give you my reasons why. I find it easier without, I find the speed of it without, I find the availability and the fact that I can just drag a camera out and get on with it. I find that appealing, and so my point is that as fast as I'm trying really hard to provide information, provide insight into one photographer's way of doing things. I think it's important to note that there's always more ways, um, of achieving an end result. Um, and I will try in the videos, actually, I'm gonna try in the coming months to do things in different ways. Things that I maybe I wouldn't normally do to illustrate my own point. Maybe [00:13:00] I will use a tripod to nail the sharpness. Maybe I will use a light meter. Um, to show how that works. Maybe I will just do, I'll listen to the comments coming back and I will try some of these routes. Maybe I'll do differential white balance in Lightroom and Photoshop rather than using actual lights. And all of these things are doable and it'll be a huge amount of fun, actually. 'cause I love, I love the idea that there's a million ways of, um, creating things because the more ways you learn, the more holes you can get out of. And we've all been there, right? We've all been in a shoot. Where chaos ensues or there's no time, or the weather doesn't play ball or the client or the location, or it doesn't matter, whatever it is, that just is causing you a headache. And so the more techniques you have at your fingertips, the better. And that's if there is one way of doing things. If there is a case where there's one way of doing it, there's the one thing I would say you should definitely do is learn lots of different ways [00:14:00] to do things. So I will try. Um, on that note, I said this is gonna be a short podcast. It just occurred to me today that I would have a quick, um, chat about that and also test whether doing this straight to video is gonna work, in which case we can move to some, uh, maybe some longer topics and some interviews. Uh, so some updates on where we are with everything else. It has been a busy start to the year. Lots of different things going on. Uh, workshops. Sarah's asked me to mention the workshops that we have, uh, in the diary at the moment. So I've got one next Monday actually, where we have a space left. It's dogs and their owners, I should say, photographing dogs and their owners. Uh, which is all about it's dog photography, but because I'm a portrait photographer, it's as important to me that we photograph the dogs with the people that bring them, their owners, their loved ones, all those kinds of things. Um, and so it's a day's workshop, uh, February the ninth, um, here at our studio, uh, on March the [00:15:00] 16th. And this might. Be my favorite single workshop to run. It's Advanced Studio Lighting and I love it because people just rock up with ideas and we play, we play all day. Uh, the one we did a couple weeks ago was off-camera flash, and that was a huge amount of fun too because people just ask us to try things. And I love that. I love the idea that, um, we have a maximum of five delegates on these workshops, and that's deliberate. It gives us a chance to chat. It, it gives us a chance to talk our way through things. Uh, so the off-camera flash, uh, day was just brilliant. And the advanced Studio lighting, which is on March the 16th, um, is fun. Uh, for the same kinds of reasons, five people and me and a model or two just playing, just trying stuff and seeing what happens based on experience. And for me as a, um, as the person running the workshop. I love it when people come with ideas too, because. Quite often it pushes what we do here [00:16:00] at the studio a little bit further. We try new things and it's great. And I mean, the other thing of course is I'm an crom ambassador, so I get to play with all of this kit, um, that I so love using. So that's March the 16th. Now, may the 11th and May the 12th. This is a two day bootcamp. Uh, there's a space, I think there's one space left. Um, we didn't know last year when we ran the first one quite what this would be like. Um, we had to change tack a little bit, so we had a hall booked. Um, rather than do it here at our studio, uh, we had a hall booked at, um, a local hall. Um, and for one reason or another on the day before the bootcamp workshop, it just wasn't gonna happen for a million reasons at their end, not ours. And, and it just. We decided in the end to sidestep it and run everything here. We reworked the studio, we changed the way we were gonna do things literally overnight. We're not, I'm not joking now, that's overnight. [00:17:00] Um, and it worked really well because everything's to hand. So anything that someone asks, we can try again. Very limited number of people. Um, so it's not too busy. And that's a two day bootcamp. Um, and the other thing we did is at the end of the first day, we said if anyone fan sticking around in the evening and having a pizza and, and a beer, then you're very welcome to. It wasn't really part of the planned workshop as such. It was just rather than everyone scattering to their bread and breakfasts and hotels and things. Why don't, if you want to, why didn't stick around? Everybody stuck around. Um, and so actually we dragged lights out into the garden. We did different things. We tried different things. We had really nice food and a beer and laughed away, uh, into the we hours. It was brilliant and picked up the next day. So March, uh, sorry, may the 11th, may the 12th, two day boot camp. If you fancy it. Um, so those are the things. What have I got left for this week? Oh, right. I said, I'd say where the reels and things are. So we are publishing reels at the moment. Lots of short snippets alongside our long form stuff on, uh, you can head to [00:18:00] YouTube. Instagram is mastering portrait photography. That's um. Our ID for that. Um, and TikTok as well. Um, TikTok is a whole new thing, uh, for us. I feel about four times the age of the people on there. Uh, but Katie, who's in charge of all the seeing, who's, uh, much younger than us, um, assures us it's a good idea. So we're also putting content up onto there and get some really interesting conversations. Um, we're also putting all of those reels up on our mastering portrait photography.com website in a reel section. Um, still uploading those, still tuning them. So if you want to go to a single place. Uh, if you are not a social media freak, um, you can go up there and all of the little short reels will be on there with various links out to long form, uh, content that you have to be a member for, for the long form. But the reels, the short form, uh, will be on there. Uh, what else, latest? Oh, this week is judging. Um, I do, I think I'm due to give a quick update [00:19:00] on the judging I did at The Convention in London. As ever, when I do a judging. Um, a whole process of judging or a couple of days of judging. I normally come back with some things I've learned, but this time, because I'm going into The Guild judging, I'm chairing the guild judging, I thought I'd combine the two and go through my notes from. Both sessions. Uh, to be honest, I'm beginning to sound like a broken record. It's the same things you know. Don't blow your highlights. Don't block your blacks. Clean your sensor. Learn how to print. And for goodness sake, mount your finished work beautifully because it counts. If it's a print competition, make sure your work arrives immaculate. Um. So there you go. Those are some of the things I learned. Um, but I'll cover it properly when I've been through judging for the Guild, um, later this week, and I think that is everything. If not, um, Sarah will kill me or kick me or both. Um, if you have any questions at all, you can always reach me. And if you fancy, just browsing a ton of stuff, [00:20:00] lighting, diagrams, um, guides, videos, uh, the, um, frame previews that we can, you can download to visualize, uh, your, how your images will look on a wall. Then it's all on mastering portrait photography.com, which is also, as it happens, the spiritual home of this particular podcast and whatever else you're doing on this, really quite miserable Tuesday night before I go home and climb onto the Peloton bike to do some exercise. Please, whatever you do, be kind to yourself. Take care.   

Hoy me he sentado con Álvaro para hablar sin filtros de lo que más está calentando a todo el sector: ¿la IA nos va a dejar sin trabajo o nos va a hacer ganar más?Te cuento lo que estoy viendo de verdad en fotografía (producto, retrato, arquitectura, gastronómica y stock): la IA no “hace magia” por sí sola… pero quien la mete en su flujo de trabajo se vuelve mucho más rápido, más rentable y más difícil de reemplazar. Y sí: también hablamos de esa parte que nadie dice: el contenido “huele” a IA, los clientes copian-pegan prompts sin entenderlos y Google ya empieza a penalizar lo genérico.Además, nos metemos con lo que todos preguntan: Sony A7V / A7-5 (enfoque brutal en condiciones complicadas, pantalla, ISO/ruido real…) y el drama que duele: Capture One todavía sin compatibilidad RAW (y tener que pasar por Lightroom cuando llevas años con C1… es criminal

HT2520 - Fantasy or Feedback Here's a creative challenge that can be a lot of fun. Let's assume that every image in your Lightroom catalog was captured because you, at the time, thought it would make great photograph. That implies that you could choose any capture at random from your catalog and make a good image from it. Can you? Pick an image at random and push yourself to turn it into something interesting with aggressive or perhaps unusual processing. The goal is not to create interesting artwork, but to observe what happens within you as you work with the compromise between impulse and possibility. This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2400 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2509 - Where DOF Fails A while back I did a research project looking at almost 10,000 raw captures in my Lightroom catalog. I wanted to determine what caused a failed image to fail, technologically. I did not consider aesthetics but rather the mechanics of photography. My hope was that I could eliminate or at least reduce those technical failures. Two primary failures dominated all others. The number one failure was camera movement, easily resolved with faster shutter speeds or tripods. The second most common reason for failure was related to depth of field, and in a surprising way. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

In this episode of The Wild Photographer, Court sits down with Ralph Lee Hopkins—National Geographic photo instructor, expedition leader, and one of the most influential photo guides in adventure travel—to unpack what it really means to live the life of a photographer.Ralph traces his journey from geology student to global photo mentor, sharing how photography became a way to slow down, tune in, and stay deeply present in nature. Along the way, he breaks down his core mantra—Light, Composition, Moment—and explains why mastering these fundamentals matters more now than ever.The conversation dives deep into the realities of building a sustainable photography career: shooting what you know, starting locally, developing multiple revenue streams, and understanding how travel, teaching, and storytelling intersect. Ralph also shares hard-earned lessons from decades of ship-based polar expeditions, including how to work fast in extreme conditions, simplify your kit, and stay ready when fleeting wildlife moments unfold.On the technical side, Ralph offers practical advice on exposure (why slightly overexposing can preserve color), Lightroom organization (collections are everything), and editing with restraint—letting strong images shine without over-processing. He also reflects on photography as a powerful conservation tool, emphasizing long-term projects, meaningful partnerships, and images that tell more complicated, honest stories.Whether you're an aspiring photographer or a seasoned pro, this episode is packed with wisdom, field-tested techniques, and perspective from someone who's spent a lifetime behind the camera—often at the edge of the world.Follow Ralph Online:Instagram: @ralphleehopkins (https://www.instagram.com/ralphleehopkins/)Facebook: https://www.facebook.com/RalphLeeHopkinsPhotography/Website/portfolio: RalphLeeHopkins.com (https://ralphleehopkins.zenfolio.com/)Court's Websites Check out Court's photo portfolio here: shop.courtwhelan.com Sign up for Court's photo, conservation and travel blog at www.courtwhelan.com Follow Court on YouTube (@courtwhelan) for more photography tips View Court's personal and recommended camera gear Sponsors and Promo Codes: ArtStorefronts.com - Mention this podcast for free photo website design. BayPhoto.com - 25% your first order (code: TWP25) LensRentals.com - WildPhoto15 for 15% off ShimodaDesigns.com - Whelan10 for 10% off Arthelper.Ai - Mention this podcast for a 6 month free trial of Pro Version

HT2505 - Buried in Lightroom One of the most dramatic impacts of digital photography is the volume of captures that now reside on all of our hard drives. It's not uncommon at all for me to hear that a photographer has tens of thousands, even hundreds of thousands of images in their catalog that are, essentially, inaccessible to anyone except the photographer. So much creativity buried in our hard drives just waiting for their turn on stage! This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2500 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process.

HT2498 - The Natural Look Like I often do with my morning coffee, this morning I watched a few YouTube videos on processing in Lightroom. I've learned a lot from these people, but not always the ideas they think they are teaching. By coincidence, all five videos I watched today were about making images look natural. Why is this the objective? I know I keep circling back to this point, but is photography a substitute for human vision or is it a medium for artistic expression? This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2500 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process.

In this episode of That Photography Girl, we're joined by the radiant and wildly talented Hope Taylor to talk about something photographers either love… or are slightly terrified of: same-day sneak peeks.But here's the hot take…Same-day sneak peeks aren't just a “nice touch.”They are a visibility engine. A referral magnet. A repeat-client creator. And honestly? One of the fastest ways to turn dreamy clients into lifelong hype-people for your brand.Hope breaks down:how she builds sneak peeks into her workflow without burning outwhy timing matters (the emotional high = the shareability high)what types of images to select for maximum impacthow sneak peeks create instant social proof + buzzhow this strategy has shaped her brand reputation over the yearsWe also talk about the reality behind it:balancing boundaries, editing efficiently, not feeling “behind,” and avoiding people-pleasing traps. Because yes, same-day sneak peeks can be magical… but they should also be sustainable. Key TakeawaysSame-day sneak peeks aren't about pressure. They're about intention + experienceDelivering images while emotions are fresh = organic reach you cannot buySneak peeks train clients to celebrate you, credit you, and share your work

The Leica M EV1 has us a little surprised at Leica's willingness to deviate from the analog nature of their M series of cameras, and we debate whether it's the camera Leica fans have been waiting for. But before that, Lucas continues his internal struggle of how to manage and edit his photos. Also, we look at an interesting set of Lightroom presets a listener pointed us to that seem to match other brands' cameras to Fuji film simulations. If you enjoy the show, we'd welcome your support on Patreon. It's only $3 per month and helps us keep the show running. You can check it out here: https://www.patreon.com/cameragearpodcast Also, some of the product links in the notes below are affiliate links which earn us a commission if you make a purchase, at no additional cost to you. Want to send us a question or comment, or just learn more about the show? Check out our website at https://cameragearpodcast.com, or email us directly at cameragearpodcast@gmail.com. Notes: Camera RAW X [Apple App Store] Nitro [Gentlemen Coders] Photomater [Pixelmator] Mylio FUJIFILM GFX ETERNA 55 LUTs Released [CineD] Fujify.me Leica M EV1 [B&H]

Daniel Buitrago & Jack Lau are joined in studio by special guests duo Ben & Ted Gatlin to talk international photography & cabin building in Alaska   Recent earthquake, lake ice impacted of quake, Binka lake access, property taxes, ski resorts open, Hilltop ski area, cross country skiing, in the need for more snow, shout out to play it again sports, night ski app, Dall rams on the highway, spirit animals, super powers, waking life and dreams, Thanksgiving and different unique preparations, this day in history, history books, a land so strange, expedition cruise ship photography in Antarctica and Alaska, Mount Arabus, timeline of photography gear, the wonderment of a 600 mm lens, improvements in camera technology, targeting ecosystems and animals photography, snow leopard Ibex story, Yellowstone photography guide, wolf stories, cold weather photography gear, close encounter in Malaysia, don't feed the wild animals, tropical weather preparedness, exotic bugs, bucket list animals to photograph, post-production in Lightroom, elusive birding birds,  Tedgatlin.com, unique animal sounds, An Immense World book, tigers and axis deer, Ben's cabin built, moving cabins, wood stoves, water wells, Trivia Time, Connoisseur Crude Trivia, upcoming events, Alaska Gun Company “Rapid Fire”,      Visit our Website - www.alaskawildproject.com Follow us on Instagram - www.instagram.com/alaskawildproject Watch on YouTube - www.youtube.com/@alaskawildproject $upport on Patreon - www.patreon.com/alaskawildproject

HT2452 - Photographing Is Not the Same Thing As Making Art I have 200,000 digital captures in my Lightroom catalog. Does that mean I have 200,000 pieces of artwork? Of course not. So I ask you, precisely, at what point in the process does the digital capture transmogrify into artwork? When you finish processing the image? When you make a print? When you use the image in a PDF? When you say, Quod Erat Faciendum (It is finished)? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Kev has lost a family heirloom, but fortunately, Neale finds the X100V he left on a car roof in Chelsea. Also today, Kev's looking to expand his photographic library, just don't tell Gemma, what makes a good photographic retreat, Kev's studio lighting workflow for portrait work, when to use Auto ISO, shutter speed choice, do you have a Gary in your life, plus correct preset and profile workflow in Lightroom. Email the show with your questions: click@fujicast.co.uk  For links go to the showpage. If you'd like to travel to far-off places with a camera: https://www.thejourneybeyond.uk/

This is The Digital Story Podcast 1,024, Nov. 4, 2025. Today's theme is, "My Favorite New Features in Lightroom 9." I'm Derrick Story. Opening Monologue Lightroom Desktop continues to vie for the hearts of enthusiast photographers who aren't already locked in to Lightroom Classic. And for those of us who want a more flexible solution, the terrific tweaks in version 9 bring it steps closer to becoming a total photo management and editing solution. I'll cover new features for both Classic and Desktop in today's TDS Photography Podcast. I hope you enjoy the show.

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What does it actually take for a thriving brick-and-mortar to make eCommerce half the business in 12 months? Morgan Lancaster breaks it down—brand, photography, Shopify setup, and the paid traffic engine that flipped the switch.