Podcasts about lightroom

On this episode of Play It Brave, we're diving into one of the biggest conversations happening in photography right now: AI. The excitement. The skepticism. The "Is this going to replace us?" energy. All of it. I brought on Noella Andres from Imagen AI to talk about what AI in editing actually is (and what it isn't). Noella has spent over 20 years supporting photographers in finding more freedom in their workflows, and her move into Imagen fits perfectly with that mission. Together, we unpack how AI can support your artistry instead of threaten it, how it integrates into Lightroom, how it learns your style, and how to use it consciously — without losing your creative voice. Key Takeaways The real question isn't "Will AI replace photographers?", it's "How can we use AI consciously?" Burnout in photography often comes from hours behind the screen, not from shooting itself. When repetitive tasks are automated, creative energy expands. AI can function like a virtual assistant, handling the grunt work while you stay in artistic control. The danger isn't AI — it's losing your unique voice by relying on formulas (in editing, branding, or marketing). As the world becomes more automated, genuine human connection and client experience become even more valuable. Originality requires intention. Photographers must resist copying trends and instead refine their own artistic identity. Social media fatigue is real. Intentional automations (like email marketing funnels) can create sustainability without constant online presence. Used wisely, AI can actually help you fall back in love with photography by giving you your time and inspiration back. AI isn't the enemy. Burnout is. Blending in is. Giving away your creative voice is. When you let AI handle the repeatable tasks — culling, base edits, workflow — you get your time back for what actually matters: your clients, your craft, and creating because you want to. If you're curious, you can try Imagen through my ambassador link (with 1500 free edits included). And if you have questions, DM me. I want you editing faster, loving your images more, and feeling inspired again. Meet Noella Noella Andres has been in the photography game for over 20 years — Chasing love stories, and eventually finding her real passion: helping other photographers grow wildly successful businesses of their own. These days, she's all about marketing, brand partnerships, and business coaching — guiding photographers as they step into their next big thing, whether that's launching a course, building passive income, or leveling up their visibility. She's part strategy nerd, part hype girl, and fully invested in helping creatives find freedom in their business (and have a little fun doing it). Connect with Noella + Imagen AI Get your 1500 free edits here Noella's WebsiteNoella's Instagram Click here for more ways to listen to this episode.

In dieser Folge sprechen wir über eine Show in Worms, bei der Patrick einen Comedian gefilmt habt und über Dennis´ Auftrag für das Bildungsministerium. Von dort aus steigen wir direkt in das Thema Digitalisierung im Bildungswesen ein.Wir sprechen über innovative Schulen, die bereits mit KI und 3D-Druck arbeiten, über die Bedeutung sozialer Kompetenzen für Kinder und darüber, warum der sinnvolle Einsatz von Technologie im Unterricht gefördert werden muss. Auch die Diskussion rund um KI im Klassenzimmer greifen wir auf inklusive der Frage, welche Rolle soziale Medien in der persönlichen Entwicklung spielen.Außerdem geht es intensiv um Fotografie: die rasante Entwicklung der Kameratechnologie, den Einfluss persönlicher Erfahrungen mit verschiedenen Kameras, die Bedeutung von Objektiven und die Frage, wie sehr Technik die Kreativität beeinflusst. Wir sprechen über Panasonic und Markenwahrnehmung, über Tethering mit Capture One im Vergleich zu Lightroom sowie über KI-gestützte Bildbearbeitung durch EVoto.Zum Schluss diskutieren wir, wie KI die Zukunft der Fotografie verändert, wie politische Themen in kreative Prozesse hineinspielen können und warum die Wahl der richtigen Kamera, Objektive und Software den Workflow eines Fotografen maßgeblich beeinflusst._Discord I Nah - https://discord.gg/9NzeQsPjb6Discord I Dennis - https://discord.gg/gC2vrjhw5qDiscord I Patrick - https://discord.gg/fPGEtSktTwitch I Dennis - https://twitch.tv/derweissmantelTwitch I Patrick - https://twitch.tv/patrickharazimPlaylist Nah Songs Spotify - https://open.spotify.com/playlist/756rZq11saAg3zZ6DIa5fH?si=AQeDfraSRNWGHQy-DOmlLwPlaylist Nah Songs Apple Music - https://music.apple.com/de/playlist/nah-der-fotopodcast-playlist/pl.u-KVXBkA6TzVrR88

In this episode of the Wild Eye podcast, Gerry confronts the "identity crisis" currently dividing wildlife photographers. He argues that if you use Lightroom masking, Denoise, or Topaz, you are already using AI. Whether you admit it or not.Gerry explores how synthetic imagery is rapidly consuming the entry-level market and why the "lived experience", the wind on your face and the physical grit of the bush, is your last true differentiator. He provides a practical framework for using captions as "proof of presence" and shares an ethics statement to help photographers draw their own line between technical enhancement and digital fabrication.The episode concludes with a direct challenge: stop the existential crisis, define your "why," and decide exactly where you stand in this new reality.Vsit the Wild Eye website: https://wild-eye.com

What if the secrets of a 1968 masterpiece were hiding in plain sight—just waiting for modern color tools to reveal them? We dive into 2001: A Space Odyssey with a forensic eye, exploring how a carefully mastered HDR release lets subtle artifacts surface: matte lines stepping in eight-frame rhythms, hand-painted star fields, and reflections that whisper clues about the set. Instead of diminishing Kubrick's vision, these discoveries deepen our respect for Douglas Trumbull's team and the analog ingenuity that still holds our gaze at 24 frames per second.From there, we pivot to the craft of color as a science. Our guest, Paulo Martins of Alchemy Color, breaks down how to treat your camera like a measurement device. He walks us through building rigorous profiles with thousands of color patches under D50 and tungsten, navigating metameric pitfalls from spiky LEDs, and establishing a dependable baseline inside Lightroom and Adobe Camera Raw. Then we get practical with a methodical, 32-bit approach to inverting color negatives—rooted in open-source insights—so the “print-like” result honors the negative without baking in an arbitrary lab look.If you've ever wanted film's character without surrendering control, this conversation maps a path. We talk chart-driven emulations, creating accurate 3D LUTs, and exporting Cineon log for seamless grading in DaVinci Resolve with print film and halation treatments. Whether you're reverse-engineering a spaceship window to glimpse a soundstage or building an end-to-end digital film pipeline for stills and motion, the throughline is the same: use precision to serve the illusion. Tune in, get inspired, and see how curiosity, calibration, and careful workflows can bring the texture of cinema to everyday images.Enjoyed the show? Subscribe, share it with a friend, and leave a quick review on Apple Podcasts or Spotify to help others discover the craft behind color.Guest Links:IG - https://www.instagram.com/alchemy_color/Website - https://alchemycolor.com/YouTube - https://www.youtube.com/@alchemy_colorYouTube Video on 2001 - https://www.youtube.com/watch?v=TcpDS1r6mQYCorridor Crew VFX React - https://youtu.be/Dx3Vv6j4tmE?si=EgjUpcG4OuEgop5A&t=1092 Send a textPixelToolsModern Color Grading Tools and Presets for DaVinci Resolve Support the showLike the show? Leave a review!This episode is brought to you by FSI, DeMystify Color, and PixelToolsFollow Us on Social: Instagram @colorandcoffeepodcast YouTube @ColorandCoffee Produced by Bowdacious Media LLC

Kev and Neale are lamenting the weather: all hail weather-resistant lenses! Kev's also watching Mr Mercedes from behind the sofa - don't tell him the ending! On the show today, is Fujifilm mirrorless the perfect kit for newborn photography, when is the next FujiCast away day, and will Andreas like Kev's Valentine card enough that he invites The Mullins back into the inner fold? Kev shares why he released presets and Lightroom plugins and how they have changed his business, and why he still can't bear Apple kit! We also talk about third-party lenses and Neale sends Kev to sleep with some tech thoughts about podcasting. Email the show with your questions: click@fujicast.co.uk  For links go to the showpage. If you'd like to travel to far-off places with a camera: https://www.thejourneybeyond.uk/

The best-selling compact camera in Japan is from... Kodak? We've talked about compact cameras in the past, but it remains a fascinating part of the photo marketplace as people look for something different than mirrorless and DSLR cameras. By the way, do you have $10,000 to spare on a new 35mm lens? Leica's Noctilux-M 35mm f/1.2 ASPH was just announced at that eye-watering price. Lastly, Jeff covers some new Lightroom features in the latest versions. (Photo: Leica) Hosts: Jeff Carlson: website, Jeff's photos, Jeff on Instagram, Jeff on Glass, Jeff on Mastodon, Jeff on Bluesky Kirk McElhearn: website, Kirk's photos, Kirk on Instagram, Kirk on Glass, Kirk on Mastodon, Kirk on Bluesky Show Notes: (View show notes with images at PhotoActive.co) Rate and Review the PhotoActive Podcast! I Asked AI to Predict the Weather. It's About as Reliable as a Groundhog - CNET Compact Camera Sales More Than Doubled Last Year in Japan | PetaPixel Regarding the price of the Ricoh GR cameras, Kirk was thinking of the prices in the UK. In the US, the prices are $1,600 and and $2.200. Noctilux-M 35 f/1.2 ASPH. | Leica Camera US Leica 35mm Noctilux-M f/1.2 ASPH Review: A Long Time Coming | PetaPixel Adobe Lightroom Classic release notes Aftershoot Thomas Pynchon: Vineland (Kirk said it was published in 1980; that should be 1990) How 'One Battle After Another' Shot the Car Chase Scene Like a Gritty '70s Film - YouTube Jeff's Snapshot The Uncool by Cameron Crowe Kirk's Snapshot One Battle After Another Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site to be notified of new episodes and be eligible for occasional giveaways. If you've already subscribed, you're automatically entered. If you like the show, please subscribe in iTunes/Apple Podcasts or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group to discuss the podcast, share your photos, and more. Disclosure: Sometimes we use affiliate links for products, in which we receive small commissions to help support PhotoActive.

This is The Digital Story Podcast 1,038, Feb. 10, 2026. Today's theme is, "Lightroom Mobile's Insane Scene Enhance Tool for Auto Masking." I'm Derrick Story. Regardless of which Lightroom you have, it has impressive auto masking features. Classic and Desktop versions let you choose between basic elements like Subject, Sky, and background. But the Mobile version simplifies this even more with its Scene Enhance feature. And that's our top story for this week. I hope you enjoy the show.

I'm back after a bit of a stop-start spell with the podcast, and I'm talking honestly about headspace, mojo, and how hard it can be to create when you're just not feeling it. The main point I wanted to cover is this: there's more than one way to do things in photography, and the “that's wrong” comments (especially online) completely miss the point. I'm sharing why I try to frame everything as my way, not the way, and how clients, time, kit, and real-world constraints always shape what works. I also give you a quick update on upcoming workshops, where to find the new short-form video content, and what I'll be covering next after a couple of judging days. Key links Mastering Portrait Photography Our Reels & Shorts Mastering Portrait Photography on YouTube Workshops mentioned Mastering Dogs With Their Owners workshop (9 Feb 2026) Mastering Advanced Studio Lighting (16 Mar 2026) Mastering Portrait Photography Bootcamp (11–12 May 2026) Transcript [00:00:00] So hello one and all. This is the Mastering Portrait Photography podcast, which hasn't, hasn't been the most frequent in the past few months, one reason or another. Um, I just haven't managed to find either the time or if I'm more honest, I guess the headspace, the difficulty with doing anything creative is that if you don't feel it, if you're not right into it, and you know this as photographers, it's really hard to do it. And every time I've sat down, it's just been incredibly difficult to find, I suppose the words, I'm not sure that last year was the greatest year on earth. We got there, we grafted, but we got there, um, massively busy year, but I don't know if the positivity that we've had over the past years was quite, quite the same. And so in that context, it's been quite hard, I think. To, uh, be a photographer, to be a portrait [00:01:00] photographer, and also to record this podcast. So when I talk to people and they say they're not feeling it, I totally understand. Somebody in a workshop the other day, we always, at the beginning of every workshop we run here, we ask the people on it what they'd like to get out of it. And I think on every single one last year, and certainly the one we ran a couple of weeks ago, there is someone who will simply say. I've lost my mojo. What an interesting line given I think I've been feeling the same way about the podcast. Not that I haven't wanted to do it. I love doing it. I love sitting here and chatting. It's sort of like having my own personal counselor, you, but I just haven't really found the energy and the headspace, um, to do it. And for a million reasons, some of it to do with just the mood, the news. Politics, the weather. Um, and then just to compound everything over Christmas, I completely lost my voice [00:02:00] and I do mean, completely caused a lot of hilarity amongst my family and my team. But I had to do a couple of workshops at the convention. And they were quite squeaky. I literally sounded like squeaky from the toy story. Anyway, you'd be pleased to hear it's all back. It's all firing on all cylinders. 2026 is a new year. I'd like to say it's the start of a new year, but given it's February, I'm not even certain. I can say Happy New Year to all of you, but here we are. I'm Paul, and this is the return of the Mastering Portrait Photography podcast. So, hello one and all. I hope you're well. I hope the weather, I dunno what the weather's like all around the world. Of course I don't. But right here, right now in this bit of the world, it is miserable. We had to drive a Land Rover over to get, um, to. I think it's called an eyebrow repaired an odd, an odd phrase, but it's the bit of the wing that pro [00:03:00] protrudes over the wheel on the front, front driver's side. Because the other day as I was about to head out and do a job for the hearing dogs and with my client, my client's climbing into the car next to me and somebody decided the gap between my front driver's side wing and the wall next to him was sufficient to get a very big Mercedes-Benz through it. It turns out it wasn't. And the only damage, sadly for me was that it put a, put a hole in the, uh, wheel arch. It's called an eyebrow, this thing. So anyway, today we must have, find someone to get it repaired. The guy's paid, it's fine. It'll all get fixed. Um, so, uh, drove over, but the weather. The weather was horrific, and it's cold and it's gray and there's just water everywhere. It's a miserable state of affairs and trying to, trying to be a portrait photographer in this. I'm glad we have a warm studio that I will say. Uh, so here we are. [00:04:00] Here we are. It is, what time is it? It's, uh, 10 past eight on a Tuesday evening. I'm still in the studio and this time. I am recording video for it Now. I don't know whether you'll see the video. This is the first time I've tried to do, what do they call it, A visualized podcast? I'm not sure. It's a video podcast. That would be, um, over egging it a little bit. It's me staring at one very small camera that I dug outta a drawer. To see if I can get this to work. If it works, then we'll throw something a little bit more sophisticated at it. But in our team at the moment, in the mastering portrait photography team, we have Katie, I've introduced you to Katie before. That's not news. But one of the things we have been doing is recording more and more and more and more content, mostly short reels, short videos of one sort or another. And it's, I mean, it's a huge amount of fun. I'm having a blast. I come in on a Monday and Katie will tell me the topics we're going to cover, uh, and we get on with it and we film small [00:05:00] videos of one form or another. Um, and it's, I'll be honest, I'm loving it because it gets, it gives us a chance to talk about this business die love. Um, however, some of the things that have popped up through that are that really the podcast also now needs to be on video. Here I am and if you take a look around me, if you are looking at this on the video and take a look around me, you can see that it's the first foray. 'cause even if, as I look around the screen here that I'm, I've got feeding information back to me, it does look like my desk has been burgled. It is pretty bad at the moment. There is stuff everywhere. Uh, which isn't great, but I will get that fixed and get it sorted. So it looks a little bit prettier. I'm not sure this is the right camera, uh, for this particular job, but, uh, if it works, like I said, we might just upgrade. Um, but off the back of these videos, this is the topic I wanted to talk about today. This is only gonna be a short podcast, uh, partly 'cause I am starving. I've been here all [00:06:00] day. I've had one banana, one sandwich, one pair. Um, and I really, really, really want to go and do a little bit of exercise, um, and maybe have some food. So this is gonna be a shorter podcast than perhaps you're used to. However, this is what I wanted to cover. I wanted to sort of cover a point that has arisen through doing these little reels and videos with Katie that there is definitely more than one way of doing things. Now I'm doing this unscripted. I've got my pen to make some notes in case I kind of lose track. Um, so forgive me if I ramble, but. There's more than one way of doing things in. When we do a workshop or I do a presentation, I will always, or nearly always put up a slide that simply has two words, opinion overload, and I put it up there to remind me, to remind the people watching me that just because I say this is a way of doing [00:07:00] it doesn't mean it's the. Way of doing it. It's just the way that I found works for me on the whole, sometimes it'll be two or three different ways I've discovered will work and I'll point out which one seems to give me the most consistent results, or is the least expensive in time and materials, or is just simply the, you know, the one I enjoy the most. Because if you, if you are attending workshops, if you are going through the process of learning, and we all do this every time the person in front of you says, this is how to do it, there's a tendency for us to believe them. There's a tendency for us to, in our head say, right, that's what we're gonna do. Their photography is what I like. That's how we're gonna do it. And that can't possibly. Be the case. There are too many different styles, too many different photographers for that to be the case, and so I try to remind people, this is just my opinion at this [00:08:00] moment in time. This is how I do it, or this is how I have done it tomorrow. It may well be different next year. It's highly likely to be different changes in technology. In equipment, in approaches in clients, your client drives an awful lot of this too. Remember, you know, if your client's demanding that you travel light, then you travel light. And so some of the techniques for lighting, for instance, won't be, uh, quite the same as if you have all the time in the world and a studio. There's always a way of doing something that works for you, and there are plenty of other ways that maybe don't work so well. And the point is, we've learned this through the reels and videos that we've been posting, but all too often I'll put something up and somebody will tell me quite, quite vigorously, that's not right. Whether it's clamshell, just use a reflector. You don't need two lights, whether it's white balance adjustments, differential white balance. I'll just do it all in night room in post, whether it's, and my favorite comment was, [00:09:00] you are three times my age. Maybe that's right for you, which I thought was entertaining, if nothing else, and these are all valid by the way, I'm not worried about it. It just struck me that people seem to think that there is just one way of doing something. And of course there isn't, there's not one technique, there's not one aesthetic. If, if we all liked the same thing, if we all liked the same output, if we all liked the same processes, life would be, frankly, frigging dull because there'd be nothing interesting every, and I use the musician, I know I use the musician musician's analogy a lot, but if you think about the number of different ways that you've heard a composer or different composers say they write music, some will sit at a piano, some will write the lyrics, some will hum it, some will record it. Some people just have their phone to their bed and record a quick snippet of vocal or whatever it might [00:10:00] be. Everyone has a different way of doing it, and yet no one seemingly anyway, no one in that world criticizes another songwriter and tells them that that's how they should do it. They should do it differently, but somehow in photography, that's okay. Or maybe it's not that it's in photography. Maybe it's just that the medium of imagery, the medium video, lends itself to social media, in which case it lends itself to people writing comments. And so I just thought I'd explain whenever I go through something. I mean, I'd love you to have a look at some of the reels and things we're posting. I'll, I'll give you the details of where they can be found at the end, um, and see what you think. But I try really hard. To make it an open conversation. It's about, here's a way of doing it. Here's an explanation of what's going on. Here's why I like it. I mean, I think that's fair. It doesn't mean I don't have things that I like, but I do try really hard not to say this is a defacto [00:11:00] thing. Technique, method route. You shouldn't, you don't have to have this equipment, you don't have to have, um, this way of doing things, you know, light meters. Another one, people are very enthusiastic about light meters, tripods, gotta have a tripod, gotta have a light meter. Um, two things that actually, I, I own plenty of them. Um, just doesn't work particularly, or it does work for me. Of course it works and that's wrong. Saying it doesn't work for me, that's not true. It's just that not using a tripod and not using a light light meter works better for me in most circumstances. There are days when actually a tripod is really useful. Long exposures stop frames when I just want that pin sharp thing you can get when your camera is bolted to a good sturdy tripod or a light meter. When I'm running lots of different light sources and I just need to run around the room, checking that everything's balanced. Yeah, line meter is brilliant for that.[00:12:00]  But most of the time I just like the freedom. I like the pace, I like the fluidity of working without either of those things. Am I wrong? Well, to some people, clearly, but it doesn't feel wrong to me. It feels totally right to me. Do I think that people that use a tripod or like me are wrong? No, not at all. Um, I can give you my reasons why. I find it easier without, I find the speed of it without, I find the availability and the fact that I can just drag a camera out and get on with it. I find that appealing, and so my point is that as fast as I'm trying really hard to provide information, provide insight into one photographer's way of doing things. I think it's important to note that there's always more ways, um, of achieving an end result. Um, and I will try in the videos, actually, I'm gonna try in the coming months to do things in different ways. Things that I maybe I wouldn't normally do to illustrate my own point. Maybe [00:13:00] I will use a tripod to nail the sharpness. Maybe I will use a light meter. Um, to show how that works. Maybe I will just do, I'll listen to the comments coming back and I will try some of these routes. Maybe I'll do differential white balance in Lightroom and Photoshop rather than using actual lights. And all of these things are doable and it'll be a huge amount of fun, actually. 'cause I love, I love the idea that there's a million ways of, um, creating things because the more ways you learn, the more holes you can get out of. And we've all been there, right? We've all been in a shoot. Where chaos ensues or there's no time, or the weather doesn't play ball or the client or the location, or it doesn't matter, whatever it is, that just is causing you a headache. And so the more techniques you have at your fingertips, the better. And that's if there is one way of doing things. If there is a case where there's one way of doing it, there's the one thing I would say you should definitely do is learn lots of different ways [00:14:00] to do things. So I will try. Um, on that note, I said this is gonna be a short podcast. It just occurred to me today that I would have a quick, um, chat about that and also test whether doing this straight to video is gonna work, in which case we can move to some, uh, maybe some longer topics and some interviews. Uh, so some updates on where we are with everything else. It has been a busy start to the year. Lots of different things going on. Uh, workshops. Sarah's asked me to mention the workshops that we have, uh, in the diary at the moment. So I've got one next Monday actually, where we have a space left. It's dogs and their owners, I should say, photographing dogs and their owners. Uh, which is all about it's dog photography, but because I'm a portrait photographer, it's as important to me that we photograph the dogs with the people that bring them, their owners, their loved ones, all those kinds of things. Um, and so it's a day's workshop, uh, February the ninth, um, here at our studio, uh, on March the [00:15:00] 16th. And this might. Be my favorite single workshop to run. It's Advanced Studio Lighting and I love it because people just rock up with ideas and we play, we play all day. Uh, the one we did a couple weeks ago was off-camera flash, and that was a huge amount of fun too because people just ask us to try things. And I love that. I love the idea that, um, we have a maximum of five delegates on these workshops, and that's deliberate. It gives us a chance to chat. It, it gives us a chance to talk our way through things. Uh, so the off-camera flash, uh, day was just brilliant. And the advanced Studio lighting, which is on March the 16th, um, is fun. Uh, for the same kinds of reasons, five people and me and a model or two just playing, just trying stuff and seeing what happens based on experience. And for me as a, um, as the person running the workshop. I love it when people come with ideas too, because. Quite often it pushes what we do here [00:16:00] at the studio a little bit further. We try new things and it's great. And I mean, the other thing of course is I'm an crom ambassador, so I get to play with all of this kit, um, that I so love using. So that's March the 16th. Now, may the 11th and May the 12th. This is a two day bootcamp. Uh, there's a space, I think there's one space left. Um, we didn't know last year when we ran the first one quite what this would be like. Um, we had to change tack a little bit, so we had a hall booked. Um, rather than do it here at our studio, uh, we had a hall booked at, um, a local hall. Um, and for one reason or another on the day before the bootcamp workshop, it just wasn't gonna happen for a million reasons at their end, not ours. And, and it just. We decided in the end to sidestep it and run everything here. We reworked the studio, we changed the way we were gonna do things literally overnight. We're not, I'm not joking now, that's overnight. [00:17:00] Um, and it worked really well because everything's to hand. So anything that someone asks, we can try again. Very limited number of people. Um, so it's not too busy. And that's a two day bootcamp. Um, and the other thing we did is at the end of the first day, we said if anyone fan sticking around in the evening and having a pizza and, and a beer, then you're very welcome to. It wasn't really part of the planned workshop as such. It was just rather than everyone scattering to their bread and breakfasts and hotels and things. Why don't, if you want to, why didn't stick around? Everybody stuck around. Um, and so actually we dragged lights out into the garden. We did different things. We tried different things. We had really nice food and a beer and laughed away, uh, into the we hours. It was brilliant and picked up the next day. So March, uh, sorry, may the 11th, may the 12th, two day boot camp. If you fancy it. Um, so those are the things. What have I got left for this week? Oh, right. I said, I'd say where the reels and things are. So we are publishing reels at the moment. Lots of short snippets alongside our long form stuff on, uh, you can head to [00:18:00] YouTube. Instagram is mastering portrait photography. That's um. Our ID for that. Um, and TikTok as well. Um, TikTok is a whole new thing, uh, for us. I feel about four times the age of the people on there. Uh, but Katie, who's in charge of all the seeing, who's, uh, much younger than us, um, assures us it's a good idea. So we're also putting content up onto there and get some really interesting conversations. Um, we're also putting all of those reels up on our mastering portrait photography.com website in a reel section. Um, still uploading those, still tuning them. So if you want to go to a single place. Uh, if you are not a social media freak, um, you can go up there and all of the little short reels will be on there with various links out to long form, uh, content that you have to be a member for, for the long form. But the reels, the short form, uh, will be on there. Uh, what else, latest? Oh, this week is judging. Um, I do, I think I'm due to give a quick update [00:19:00] on the judging I did at The Convention in London. As ever, when I do a judging. Um, a whole process of judging or a couple of days of judging. I normally come back with some things I've learned, but this time, because I'm going into The Guild judging, I'm chairing the guild judging, I thought I'd combine the two and go through my notes from. Both sessions. Uh, to be honest, I'm beginning to sound like a broken record. It's the same things you know. Don't blow your highlights. Don't block your blacks. Clean your sensor. Learn how to print. And for goodness sake, mount your finished work beautifully because it counts. If it's a print competition, make sure your work arrives immaculate. Um. So there you go. Those are some of the things I learned. Um, but I'll cover it properly when I've been through judging for the Guild, um, later this week, and I think that is everything. If not, um, Sarah will kill me or kick me or both. Um, if you have any questions at all, you can always reach me. And if you fancy, just browsing a ton of stuff, [00:20:00] lighting, diagrams, um, guides, videos, uh, the, um, frame previews that we can, you can download to visualize, uh, your, how your images will look on a wall. Then it's all on mastering portrait photography.com, which is also, as it happens, the spiritual home of this particular podcast and whatever else you're doing on this, really quite miserable Tuesday night before I go home and climb onto the Peloton bike to do some exercise. Please, whatever you do, be kind to yourself. Take care.   

Hoy me he sentado con Álvaro para hablar sin filtros de lo que más está calentando a todo el sector: ¿la IA nos va a dejar sin trabajo o nos va a hacer ganar más?Te cuento lo que estoy viendo de verdad en fotografía (producto, retrato, arquitectura, gastronómica y stock): la IA no “hace magia” por sí sola… pero quien la mete en su flujo de trabajo se vuelve mucho más rápido, más rentable y más difícil de reemplazar. Y sí: también hablamos de esa parte que nadie dice: el contenido “huele” a IA, los clientes copian-pegan prompts sin entenderlos y Google ya empieza a penalizar lo genérico.Además, nos metemos con lo que todos preguntan: Sony A7V / A7-5 (enfoque brutal en condiciones complicadas, pantalla, ISO/ruido real…) y el drama que duele: Capture One todavía sin compatibilidad RAW (y tener que pasar por Lightroom cuando llevas años con C1… es criminal

HT2520 - Fantasy or Feedback Here's a creative challenge that can be a lot of fun. Let's assume that every image in your Lightroom catalog was captured because you, at the time, thought it would make great photograph. That implies that you could choose any capture at random from your catalog and make a good image from it. Can you? Pick an image at random and push yourself to turn it into something interesting with aggressive or perhaps unusual processing. The goal is not to create interesting artwork, but to observe what happens within you as you work with the compromise between impulse and possibility. This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2400 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2509 - Where DOF Fails A while back I did a research project looking at almost 10,000 raw captures in my Lightroom catalog. I wanted to determine what caused a failed image to fail, technologically. I did not consider aesthetics but rather the mechanics of photography. My hope was that I could eliminate or at least reduce those technical failures. Two primary failures dominated all others. The number one failure was camera movement, easily resolved with faster shutter speeds or tripods. The second most common reason for failure was related to depth of field, and in a surprising way. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

In this episode of The Wild Photographer, Court sits down with Ralph Lee Hopkins—National Geographic photo instructor, expedition leader, and one of the most influential photo guides in adventure travel—to unpack what it really means to live the life of a photographer.Ralph traces his journey from geology student to global photo mentor, sharing how photography became a way to slow down, tune in, and stay deeply present in nature. Along the way, he breaks down his core mantra—Light, Composition, Moment—and explains why mastering these fundamentals matters more now than ever.The conversation dives deep into the realities of building a sustainable photography career: shooting what you know, starting locally, developing multiple revenue streams, and understanding how travel, teaching, and storytelling intersect. Ralph also shares hard-earned lessons from decades of ship-based polar expeditions, including how to work fast in extreme conditions, simplify your kit, and stay ready when fleeting wildlife moments unfold.On the technical side, Ralph offers practical advice on exposure (why slightly overexposing can preserve color), Lightroom organization (collections are everything), and editing with restraint—letting strong images shine without over-processing. He also reflects on photography as a powerful conservation tool, emphasizing long-term projects, meaningful partnerships, and images that tell more complicated, honest stories.Whether you're an aspiring photographer or a seasoned pro, this episode is packed with wisdom, field-tested techniques, and perspective from someone who's spent a lifetime behind the camera—often at the edge of the world.Follow Ralph Online:Instagram: @ralphleehopkins (https://www.instagram.com/ralphleehopkins/)Facebook: https://www.facebook.com/RalphLeeHopkinsPhotography/Website/portfolio: RalphLeeHopkins.com (https://ralphleehopkins.zenfolio.com/)Court's Websites Check out Court's photo portfolio here: shop.courtwhelan.com Sign up for Court's photo, conservation and travel blog at www.courtwhelan.com Follow Court on YouTube (@courtwhelan) for more photography tips View Court's personal and recommended camera gear Sponsors and Promo Codes: ArtStorefronts.com - Mention this podcast for free photo website design. BayPhoto.com - 25% your first order (code: TWP25) LensRentals.com - WildPhoto15 for 15% off ShimodaDesigns.com - Whelan10 for 10% off Arthelper.Ai - Mention this podcast for a 6 month free trial of Pro Version

Hogyan érdemes lezárni a 2025-ös évet fotósként és tartalomgyártóként? Kíméletlenül őszintén beszélünk a szakmai kudarcokról, a kiégésről és a rossz üzleti döntésekről.Elemzzük a fotós piac változásait: miért nem bízhatjuk még mindig az AI-ra (Lightroom, AfterShoot) a képválogatást, és hogyan szűrjük ki a toxikus ügyfeleket 2026-ban. Emellett szó lesz a mentális rezilienciáról és a tudatos évtervezésről is.Kulcsgondolatok az adásból:- AI a munkafolyamatban: Hol tartunk 2026 elején? (Spoiler: a válogatás még mindig emberi feladat).- Ügyfélkezelés: Miért mondj nemet az áralkura azonnal?- Mentális egészség: A "Gamification" módszer a stresszkezelésben.Időbélyegek:00:00 - Intro 01:40 - A tavalyi ígéretek: Ki mit (nem) tartott be?03:13 - Roland "DLC Elmélete": Így éld túl a nehéz időket13:05 - Gábor vs. AI: Miért nem működik a gépi képválogatás?27:39 - Az alkudozó ügyfelek feketelistája01:41:40 - 2026 Tervezés: Üzleti tervet az életedhez!Csatlakozz a csatornatagok közé:https://www.youtube.com/channel/UCk4_upwPPBpMIJhnfdT2kbA/join✅ Iratkozz fel hogy ne maradj le a további tartalmainkról.https://www.youtube.com/channel/UCk4_upwPPBpMIJhnfdT2kbA?sub_confirmation=1Értesítünk e-mailben is az új podcast epizódokról: http://bit.ly/3qHoONu

HT2505 - Buried in Lightroom One of the most dramatic impacts of digital photography is the volume of captures that now reside on all of our hard drives. It's not uncommon at all for me to hear that a photographer has tens of thousands, even hundreds of thousands of images in their catalog that are, essentially, inaccessible to anyone except the photographer. So much creativity buried in our hard drives just waiting for their turn on stage! This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2500 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process.

HT2498 - The Natural Look Like I often do with my morning coffee, this morning I watched a few YouTube videos on processing in Lightroom. I've learned a lot from these people, but not always the ideas they think they are teaching. By coincidence, all five videos I watched today were about making images look natural. Why is this the objective? I know I keep circling back to this point, but is photography a substitute for human vision or is it a medium for artistic expression? This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2500 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process.

In this episode of That Photography Girl, we're joined by the radiant and wildly talented Hope Taylor to talk about something photographers either love… or are slightly terrified of: same-day sneak peeks.But here's the hot take…Same-day sneak peeks aren't just a “nice touch.”They are a visibility engine. A referral magnet. A repeat-client creator. And honestly? One of the fastest ways to turn dreamy clients into lifelong hype-people for your brand.Hope breaks down:how she builds sneak peeks into her workflow without burning outwhy timing matters (the emotional high = the shareability high)what types of images to select for maximum impacthow sneak peeks create instant social proof + buzzhow this strategy has shaped her brand reputation over the yearsWe also talk about the reality behind it:balancing boundaries, editing efficiently, not feeling “behind,” and avoiding people-pleasing traps. Because yes, same-day sneak peeks can be magical… but they should also be sustainable. Key TakeawaysSame-day sneak peeks aren't about pressure. They're about intention + experienceDelivering images while emotions are fresh = organic reach you cannot buySneak peeks train clients to celebrate you, credit you, and share your work

The Leica M EV1 has us a little surprised at Leica's willingness to deviate from the analog nature of their M series of cameras, and we debate whether it's the camera Leica fans have been waiting for. But before that, Lucas continues his internal struggle of how to manage and edit his photos. Also, we look at an interesting set of Lightroom presets a listener pointed us to that seem to match other brands' cameras to Fuji film simulations. If you enjoy the show, we'd welcome your support on Patreon. It's only $3 per month and helps us keep the show running. You can check it out here: https://www.patreon.com/cameragearpodcast Also, some of the product links in the notes below are affiliate links which earn us a commission if you make a purchase, at no additional cost to you. Want to send us a question or comment, or just learn more about the show? Check out our website at https://cameragearpodcast.com, or email us directly at cameragearpodcast@gmail.com. Notes: Camera RAW X [Apple App Store] Nitro [Gentlemen Coders] Photomater [Pixelmator] Mylio FUJIFILM GFX ETERNA 55 LUTs Released [CineD] Fujify.me Leica M EV1 [B&H]

Je kent het vast. Zo'n jaar waarin alles op z'n beloop blijft. Je maakt foto's, maar zonder plan. Of je loopt al maanden rond met een idee, maar komt niet in actie. In deze aflevering praten je fotografievrienden Niels en Michiel over hun omzwervingen in 2025. Wat wilden zij eigenlijk bereiken als fotograaf?—[ACTIE] De Rooij Fotografie https://www.instagram.com/derooijfotografie/ De Rooij Fotografie is een Nederlands platform met toegankelijke online cursussen over camera-instellingen, compositie, Lightroom en meer. Wij mogen namens De Rooij Fotografie eenmaal de workshop NACHTFOTOGRAFIE weggeven! Je krijgt een tegoedcode en kan dan zelf een gewenste stad/datum uitkiezen!https://www.derooijfotografie.nl/fotocursus/workshop-nachtfotografie/ In de podcast hoor je wat je daarvoor moet doen!—Of je nu droomt van een expositie, vaker portretten wilt maken of mee wilt op een fotoreis: duidelijke doelen geven houvast. We kijke terug op onze doelen, hoe groot of klein ze ook waren, en waarom het soms al genoeg is om jezelf af en toe een ongemakkelijke vraag te stellen.

Daniel Buitrago & Jack Lau are joined in studio by special guests duo Ben & Ted Gatlin to talk international photography & cabin building in Alaska   Recent earthquake, lake ice impacted of quake, Binka lake access, property taxes, ski resorts open, Hilltop ski area, cross country skiing, in the need for more snow, shout out to play it again sports, night ski app, Dall rams on the highway, spirit animals, super powers, waking life and dreams, Thanksgiving and different unique preparations, this day in history, history books, a land so strange, expedition cruise ship photography in Antarctica and Alaska, Mount Arabus, timeline of photography gear, the wonderment of a 600 mm lens, improvements in camera technology, targeting ecosystems and animals photography, snow leopard Ibex story, Yellowstone photography guide, wolf stories, cold weather photography gear, close encounter in Malaysia, don't feed the wild animals, tropical weather preparedness, exotic bugs, bucket list animals to photograph, post-production in Lightroom, elusive birding birds,  Tedgatlin.com, unique animal sounds, An Immense World book, tigers and axis deer, Ben's cabin built, moving cabins, wood stoves, water wells, Trivia Time, Connoisseur Crude Trivia, upcoming events, Alaska Gun Company “Rapid Fire”,      Visit our Website - www.alaskawildproject.com Follow us on Instagram - www.instagram.com/alaskawildproject Watch on YouTube - www.youtube.com/@alaskawildproject $upport on Patreon - www.patreon.com/alaskawildproject

Je hoort het jezelf misschien weleens zeggen: “Als ik die lens had…” Of: “Mijn camera is te oud voor dat soort foto's.” Soms ligt het aan het weer, soms aan je agenda. En voor je het weet, ben je geen foto's aan het maken, maar excuses.—[ACTIE] De Rooij Fotografie https://www.instagram.com/derooijfotografie/ De Rooij Fotografie is een Nederlands platform met toegankelijke online cursussen over camera-instellingen, compositie, Lightroom en meer. Wij mogen namens De Rooij Fotografie een exemplaar van Marks boek “Eerste Hulp Bij Fotograferen weggeven! Het is “dé helpgids voor als foto's mislukken”!https://www.derooijfotografie.nl/online-fotografie-cursus-basis/ In de podcast hoor je wat je daarvoor moet doen!—In deze aflevering praten je fotografievrienden Niels en Michiel over beperkingen. Technisch, praktisch, mentaal. Want natuurlijk helpt het als je je camera begrijpt. Maar dat hoeft niet meteen een nieuwe te zijn. Ga gewoon eens langs bij Colorwood als je daar je camera hebt gekocht en stel je vragen. Of kom naar een CameraNu Experience Day en spreek direct met iemand van jouw cameramerk. Wedden dat je meer kunt dan je denkt?

Send us a textOver 221 episodes, thousands of tips, and hundreds of hours of content. Today, I've distilled everything down to the most important photography tips I've ever shared. This is the episode you'll want to bookmark.

Je ziet iemand op straat. Het licht klopt, de houding is perfect, en je voelt: dit móet ik vastleggen. Maar… durf je het te vragen? In deze aflevering praten je fotografievrienden Niels en Michiel over portretten op straat. En vooral: over het moment vóór de foto.We bespreken hoe je mensen aanspreekt, hoe je omgaat met weerstand of twijfel, en hoe je een open gesprek voert zonder te forceren. Van het eerste oogcontact tot het klikmoment zit een wereld van timing, lef en empathie. En soms hoor je gewoon “nee”. Maar soms ontstaat er iets bijzonders: als iemand die zichzelf ‘niet fotogeniek' noemt, zich tóch laat zien.—[ACTIE] De Rooij Fotografie https://www.instagram.com/derooijfotografie/ De Rooij Fotografie is een Nederlands platform met toegankelijke online cursussen over camera-instellingen, compositie, Lightroom en meer. Wij mogen namens De Rooij een Online Basiscursus Fotografie weggeven! Even weer opfrissen of juist verdiepen als je net begonnen bent.https://www.derooijfotografie.nl/online-fotografie-cursus-basis/ In de podcast hoor je wat je daarvoor moet doen!—

In this episode, I spend some time looking into what is coming up in 2026. Historically, I have done a very long blog post or podcast that is both a retrospective on the current year (the year that was) and a look forward into the new year. This year, I have decided to break it up into two more bite-sized chunks and have two separate podcasts. This episode looks ahead to 2026, with some thoughts on travel, equipment, and photography in general.In other news, I was also appointed an Adobe Community Expert for both Lightroom and Photoshop this week. Which means I will now be on the Adobe community forums to answer Lightroom questions whenever I can. Feel free to PM me there if you have anything specific you want to ask.Arctic SurvivorsSupport the showWild Nature Photo TravelPhotography Workshops and Expeditions around the Worldwww.wildnaturephototravel.comSupport the Show and fellow Nature Photographer: https://www.buymeacoffee.com/JoshuaHolko/membershipFind us on Social MediaFacebook: https://www.facebook.com/Joshuaholko/Twitter: https://twitter.com/HolkoJoshuaInstagram: https://www.instagram.com/joshuaholko/Need to Contact us? info@jholko.com

Wat laat je zien als je fotografeert en wat laat je weg? In deze aflevering praten je fotografievrienden Niels en Michiel over de vraag: hoeveel van jezelf stop je eigenlijk in je foto's? Moet het altijd persoonlijk zijn, of mag het ook gewoon mooi, technisch, veilig?—[ACTIE] De Rooij Fotografiehttps://www.instagram.com/derooijfotografie/ De Rooij Fotografie is een Nederlands platform met toegankelijke online cursussen over camera-instellingen, compositie, Lightroom en meer. Wij mogen namens De Rooij een Polarisatiefilter van Rawster Photo, hun huismerk weggeven! Natuurlijk in jouw favoriete filtermaat.https://www.derooijfotografie.nl/fotocursus/polarisatiefilter-mrc-multi-coated-kopen/In de podcast hoor je wat je daarvoor moet doen!—We hebben het over authenticiteit, over stijl, over hoe kwetsbaar je durft te zijn. En ook: of je dat überhaupt moet willen. Wanneer voelt iets écht, en wanneer is het vooral façade? En is het eigenlijk erg om een tijdje gewoon iemand anders na te doen, omdat je nog niet weet wat je zelf wil?

Para precio y disponibilidad, vaya a este vínculo: https://amzn.to/4on7YRV ogitech MX Creative Console te da el control total de tu flujo creativo con 9 teclas LCD personalizables y un dial giratorio preciso. Perfecto para edición de fotos, video y diseño — desde Adobe Photoshop hasta Premiere Pro, Lightroom o Figma — permite asignar atajos, abrir apps, ajustar herramientas o navegar con fluidez sin depender del teclado. Con solo un giro o un toque, automatizas tareas repetitivas y mantienes tu enfoque creativo. Compatible con Mac y PC, ideal para diseñadores, editores y creadores que buscan trabajar más rápido y eficiente.

HT2452 - Photographing Is Not the Same Thing As Making Art I have 200,000 digital captures in my Lightroom catalog. Does that mean I have 200,000 pieces of artwork? Of course not. So I ask you, precisely, at what point in the process does the digital capture transmogrify into artwork? When you finish processing the image? When you make a print? When you use the image in a PDF? When you say, Quod Erat Faciendum (It is finished)? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

David Blatner and Theresa Jackson return from Adobe MAX 2025 with stories, insights, and a few surprises. They recap the biggest announcements, their favorite new features, and the feeling of creative inspiration that had nothing to do with Adobe. From AI showing up in nearly every app to Firefly credits, new collaboration tools, and what it all means for creative professionals, they break down the most important takeaways from Adobe's flagship event. Episode Highlights David and Theresa share their experiences at Adobe MAX 2025 —  what makes it both inspiring and overwhelming. Why David calls Adobe MAX a "double-edged sword" — part innovation showcase, part marketing machine. Theresa's favorite new Lightroom feature: AI-powered photo culling. Their cautiously optimistic thoughts about Firefly Boards and Creative Cloud Projects. An honest conversation about AI credits, ethics, and the future of Adobe's business model. What tools and gadgets inspired their friends at MAX — from painting software to portable lighting. The unexpected creative tip from Jason Hoppe that had everyone laughing (and rethinking their Halloween jack-o'-lanterns). How attending events like Adobe MAX and CreativePro Week builds real creative community. Links & Resources Adobe MAX Sneaks 2025 Escape Motions: Rebelle Painting Software Harlowe Lights Jason Hoppe's Pumpkin Carving - https://www.youtube.com/@JasonHoppe  The InDesign Conference 2025, December 9–12 The Presentation Design Conference 2026, February 17–20 ​​CreativePro Week 2026, Nashville, June 29–July 3 Next Office Hours, Friday, December 19, at 3PM ET

If you've ever stared at a “competition worthy” image and thought, “Is this actually any good, or am I just emotionally attached and mildly delusional?” then this episode is for you. In this one, I'm lifting the lid on what really happens inside a judge's head when your prints hit the panel: the mindset you need, the mistakes we see over and over again, and the tiny details that can quietly kill an otherwise beautiful image. We'll talk blown highlights, grubby greys, over sharpening, dodgy mounts, vignettes turned up to eleven, and why blindly following the latest photo trend might actually sink your chances. We'll also get into mentors, titles, paper choice, time pressure (my personal kryptonite), and why the only real failure in competitions is not to enter at all. If you're thinking about qualifications, print comps or you just want to finish your images to a higher standard, grab a drink, have a listen, and then go and do something brave with your work. Links from this episode Workshops & mentoring: Come and spend a day (or more) with us at the studio, learning lighting, posing, dogs, families, workflow and everything in between.

If your laptop is constantly full, your RAW files are scattered everywhere and Lightroom feels like chaos waiting to implode - this episode is your new best friend. Today we're breaking down our full workflow and file-handling systems as professional food photographers, so you can finally get organised and stop second-guessing yours.And the best part? We each work totally differently and we dissect these different workflows in this episode.One of us uses a fully automated system built around a Synology NAS, with seamless backups and zero manual steps. The other relies on portable SSDs, a structured folder system, and a manual (but super reliable) backup process. We walk through both workflows in detail, including how we handle working files when shooting on location, how we protect client files before we're back at our main workstation and what we recommend for photographers at different experience levels.From tethering, importing to Lightroom, through different approaches for how to work with Lightroom catalogs and image culling to long-term archiving, you'll learn exactly how to build a workflow that works for you. Whether you want automation or simplicity.Focus & Flourish is a podcast hosted by Marta and Linda, two professional food photographers and educators, each episode dives deep into the real behind-the-scenes of running a creative business. From marketing and client pitching to pricing, confidence, workflow and mindset.You'll hear honest conversations, inspiring guest interviews, and practical strategies designed to help you:​Grow your photography business with purpose and confidence​Master social media marketing and SEO for photographers​Develop a strong personal brand identity​Balance creativity with business strategy​Turn your passion for photography into long-term professional successWhether you're just starting your photography journey or ready to scale your creative business, Focus & Flourish is here to help you do it with clarity, strategy and heart.Hit play, get inspired, and start flourishing. One focused step at a time.Follow us on ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠ ⁠⁠⁠⁠⁠

Kev has lost a family heirloom, but fortunately, Neale finds the X100V he left on a car roof in Chelsea. Also today, Kev's looking to expand his photographic library, just don't tell Gemma, what makes a good photographic retreat, Kev's studio lighting workflow for portrait work, when to use Auto ISO, shutter speed choice, do you have a Gary in your life, plus correct preset and profile workflow in Lightroom. Email the show with your questions: click@fujicast.co.uk  For links go to the showpage. If you'd like to travel to far-off places with a camera: https://www.thejourneybeyond.uk/

Hoy te hablo de verdad, sin filtro (aunque con mocos

In this episode, Chip and Gini discuss the growing concerns surrounding AI in the agency world. They highlight the irrational fears and cyclical nature of technological disruptions, drawing comparisons to social media and content marketing trends of the past. The hosts argue against the notion that agencies should discount services due to AI efficiencies, emphasizing that AI should be seen as a tool to enhance productivity and strategic value rather than a cost-cutting measure. They stress that agencies should focus on delivering more value and maintaining regular client communication instead of simply protecting existing revenue. The discussion also touches on the importance of transparency in AI use without oversharing minute details. Finally, they underscore the benefit of quarterly planning to align agency efforts with client business goals, thus fostering stronger client relationships and ensuring mutual success. Key takeaways Chip Griffin: “Take ourselves out of the mindset that the AI is coming in and so we need to protect what we have. Instead, we should be thinking about how can we elevate, how can we produce more and better results for our clients?” Gini Dietrich: “Just because you’re faster at some mundane, laborious task does not mean that you should reduce your fees.” Chip Griffin: “Getting into the nitty gritty of your AI usage is sort of like explaining to a client whether you’re using a landline or a mobile phone to reach out to reporters. It doesn’t matter.” Gini Dietrich: “The strategy stays the same. The best practices stay the same. The tools have changed and the tools continue to change.” Related AI should be your agency's friend, not foe Agencies succeed through consistency and evolution Setting AI policies for your agency View Transcript The following is a computer-generated transcript. Please listen to the audio to confirm accuracy. Chip Griffin: Hello, and welcome to another episode of the Agency Leadership Podcast. I’m Chip Griffin. Gini Dietrich: And I am Gini Dietrich. Chip Griffin: And Gini I, I think that AI is making people crazy. They’re losing their minds and acting irrationally. Gini Dietrich: Yes, yes. I completely agree. Some of the stuff I see online, I’m like, you guys, Chip Griffin: take a deep breath. Gini Dietrich: Breath, everyone. Take a deep breath. Stop clutching your pearls. It’s okay. Chip Griffin: Well, maybe the AI really has become sentinent and – sentient – and the, the robot overlords are doing this intentionally to make us go crazy and eat each other alive. Gini Dietrich: Maybe, maybe. Although this happened with social media, it happened with content marketing. It happened with blogging. Here we are with AI. Everybody’s freaking out. Like, this is cyclical. Everyone’s gonna calm down. It will be okay. Chip Griffin: I don’t know if they’ll calm down, but eventually they’ll, they’ll come to the realization that perhaps it isn’t what they thought it, it was, and that it is, it is important. It is useful. It is valuable. It is not something that upends absolutely everything we do every moment of the day and we need to orbit around it. I mean, it just, it really does remind me of those early days of social media where, you know, you’d see these, these articles and posts about, oh my God, CEOs, they need to be blogging and they need to be blogging every day. And I don’t care how big your company is, the CEO needs to write those blog posts themselves. Ghost writing is an evil thing and we shall not do it. And if we do have it ghost written, we must disclose on that blog post or article that this was ghost written and not actually written by the CEO. Because we all believe that CEOs write their own darn stuff. Gini Dietrich: Yes. Yes. That’s why I say it’s all cyclical. Everyone calmed down. It’s going to be okay. That said, I happened upon the LinkedIn post by a second connection, who’s a chief marketing officer, and it essentially said, I’m trying to figure out how to manage my agencies who are using AI and how to ask what kind of discount and how to ask for a discount, because I know they’re using AI. and I was just like, there is no discount because you’re, they’re using AI. They’re able to focus on other things because of that, and they’re able to be more strategic in some areas because of it, but they, they should not be giving you a discount, just like the surgeon doesn’t give you a discount. Because the imaging is faster. You shouldn’t like the same. You’re not. Just because you’re faster at some mundane, laborious task does not mean that you should reduce your fees ever. Drives me freaking nuts. Chip Griffin: Yep. And I would absolutely agree with that, with the asterisk that if, for example, you are being hired to do writing and the AI does all the writing and you don’t edit and you don’t do anything else, and so you know you’re spending 10 minutes on it instead of 10 hours. You absolutely should be either figuring out how you can do more for the client, correct. Or you should be reducing your rates. Yes. Because it is, you know, I love all the talk about, you know, value-based pricing, which we talk about all the time, and certainly there are a lot of people who say, well, it doesn’t matter if I use AI to do it. They’re getting the same value out of it. Well, they are and they aren’t because they could do the work themselves if they wanted to in less time with less cost. And so. You’re not really creating that value anymore if the AI is doing it totally on its own and it doesn’t have anything to do with the prompts that you’re writing or, or the management of the whole process. And all of those things do take time, by the way. Mm-hmm. So we shouldn’t, we shouldn’t forget about that. Right. Particularly when we’re thinking about our own agencies and how we can be more efficient, the time it takes to manage the AI matters. We’ve talked about this recently. You cannot allow those things to, to be forgotten about. And so all of that does go into it. But the, I mean the comments on this post were just other worldly and there was another AI post recently as well that I saw and, and I mean, so we’ve got people out there who are like… CMOs want agencies to reduce their fees because they’re using AI. We’ve got a whole discussion around, well, we need to be transparent and tell every possible use of AI that we have and be really clear about it with our clients. This is how we’re using it exactly. And this is, and, and people say you can’t do hourly billing anymore because of AI, and so you must go to value-based pricing. And I mean, just all of this stuff. Take a breath, folks. Take Gini Dietrich: Yes. It’s a breath. Okay. Chip Griffin: Again, it is a tool, it is a valuable tool, but it is a tool. Gini Dietrich: That’s right. Chip Griffin: And it doesn’t mean that you just throw everything out and start over on either side of the agency client relationship. Gini Dietrich: Yes. Yeah, that’s absolutely right. I, I say this all the time, you know, like in other podcasts that I’m being interviewed on or webinars, whatever, the strategy stays the same. The best practices stay the same. The tools have changed and the tools continue to change. The tools have changed dramatically in the last 15 years. Use the tools to make you more effective and more productive. But like I said, the surgeon is still going to charge you what they charge you for brain surgery. Regardless of how fast the imaging is, regardless of how fast you get your MRI results back, like the, it doesn’t matter. Your expertise is over here in the surgeon bucket, not in the imaging bucket. So remember that. Like the, the stuff that you can do just because you’re faster at creating drafts or you’re faster at predicting outcomes or you’re faster at results reporting does not mean that the real value in what you provide in strategy, the creativity, the innovation, the ideas, all of that is what they’re paying for. They’re not paying for the output over here. Chip Griffin: And we need to take ourselves out of the mindset that, that the AI is coming in and so we need to protect what we have. Instead, we should be thinking about how can we elevate, how can we produce more and better results for our clients? How can we be more effective, not just how do we protect our piece of the pie? Keep doing things the way we always have. If you wanna keep doing things the way you always have, yes, you will suffer in this new environment. Absolutely. You absolutely have to grow and adapt and figure out how this helps you. But that’s no different than, as we’ve said before, you know back 30 years ago when we shifted from faxes to emails. Right, right. That made you more efficient in being able to communicate with other people. Yes. You didn’t have to be on the phone. You didn’t have to send a fax. Yes. Or a telegram or any of these kinds of things. And yes, I’m old enough to have received telegrams, so in fact, when I worked on Capitol Hill, we would get a delivery of telegrams on a regular basis. Gini Dietrich: For real? Chip Griffin: For real. For real. It was still a way. In the early 1990s, that was still a way that people communicated with Congress. They would send telegrams to express their opinions. Gini Dietrich: All right. Chip Griffin: You know, I don’t know why, but Gini Dietrich: I hate you. Stop. Please vote differently. Stop. Chip Griffin: I mean, the thing is, today if you, if you mention a telegram, people are like, what is that? They don’t. Gini Dietrich: Right. Right. Chip Griffin: They don’t, they, they, they’ve never even heard of it, you know? Yeah. Fax machine, they can at least maybe kind of halfway visualize. Yeah. I was watching a conversation on TV and there were some young people and, and someone mentioned a modem and, and that was completely beyond anybody. They didn’t have the concept of having to actually dial up to access the internet. Gini Dietrich: Right, right. Chip Griffin: Things like that. But, but I’ll ask before we continue to date ourselves by talking about all of this old technology, we need to think about how to use this new technology in order to improve what we are doing. And it is not simply about, you know, running around and, and telling people what brand of shampoo you use, because that’s how you wanna be transparent to your clients. They may ask you how you’re using AI and you might wanna have a general conversation about it. Gini Dietrich: Absolutely, yes. Chip Griffin: But for God’s sake, you do not need to be sending them an email and saying, by the way, I used AI to proofread this, or I used AI to create the first draft of this. Those are not things, unless there is some specific requirement in your contract, and please do not agree to those. But if there is a specific requirement in the contract or if there’s some special circumstance with the kind of work that’s being done. There’s always the exceptions to the rule, but 99% of you should not feel compelled to do it, and in general shouldn’t do so in detail if asked, because that’s just like telling them what kind of shampoo you use. It just doesn’t matter. Gini Dietrich: Yeah. You know, Sharon Toerek at Legal + Creative has a really good AI toolkit. I can’t remember how much it costs, but for it’s, it’s affordable for agency owners to download it and then understand like, what, and you can pick and choose like. What paragraphs or information you should include in your master standard agreement, what you might wanna include in your statements of work, but it’s, again, it’s not like we use it forever to draft this blog post. It’s really general, like we use AI. We, we use green and yellow information from our clients. We never use critical, confidential, red information ever. You know, it’s general kinds of things that you can insert into those, that documentation to help be transparent that you are using AI, and I think today people are, that’s not a surprise, like everybody’s using it. Right? But not having to, to be really specific about what kind of shampoo you’re using. Chip Griffin: Right. And, and you have to be really careful about this because you have to think about how does this stand up over time? Because you don’t wanna be going and, and having to revise your master services agreement, right? So, so, you know, my general advice as a non-lawyer is that you should put as little as possible to tick the boxes in there. So that you have the flexibility to adjust and adapt and do things differently over time. Because the reality is AI is baked into almost all of the software that we use now. Gini Dietrich: Yep. Yep. Chip Griffin: In one form or another. Yep. Sometimes it’s pretty much just lip service, but a lot of times it’s more substantive. And so, you know, are we now in the business that we’re gonna have to try to disclose every little, you know, we, we use Lightroom to go edit a photo that we’re putting on the website and, and we use it to remove a piece of garbage in the background. Well, that’s technically AI that did that. Do we feel like we need to now go and, and report to the client that we used AI to remove a trash can that was in the background of the environmental portrait that we took, that we’re gonna put on their website? I don’t think so. Gini Dietrich: Right? I don’t think they care. And neither should we. No. And like MuckRack or you know, one of the other media databases, if you use it, there’s AI baked into that. Do you have to say, well, I use a media database and the AI helps me do like that, that’s ridiculous. Should you be transparent about saying you use AI? Of course, but I think to your point, you don’t have to get into the nitty gritty. Chip Griffin: Yeah. I mean, and, and I think that that saying you use AI is fine, but, you know, getting into the nitty gritty is sort of like explaining to a client, whether you’re using a landline or a mobile phone to reach out to reporters. It doesn’t matter. It doesn’t matter. They’re technically different technologies. They, they, the signals get there in very different ways. I could imagine there’s probably some weird client out there who’d rather you didn’t use a cell phone ’cause they don’t want to go on up into the atmosphere and they just want it on the, the hard line, the wires, whatever. It doesn’t matter. So you don’t need to get to that level of detail again. No. You not in, in, in special circumstances, which most of them don’t apply to most of you. Gini Dietrich: Right, right, right, right. Yeah. So I would visit Legal + Creative website and, and look at that AI toolkit. Of course, have a conversation with Sharon if you need something more. Because she’s, she, they work exclusively with, with agencies and are great on that, since you and I are not attorneys. But I do wanna go back to the values based, hourly based, retainer kind of idea that, okay, so if, let’s say for shits and giggles. We, we have a client that’s $5,000 a month, and in the past we would use all of that budget on, you know, executing their webinar, taking the transcript, and creating social assets and blog assets. You know, putting some money behind page to amplify it to get more registrations there. Well, now AI can do most of that, right? Does that mean that we should reduce our retainer or does it mean that there’s probably other things that we could focus on to help that organization’s growth and use the extra retainer for that? Those kinds of things. I think that’s the conversation that you should be having internally and with your clients is, yeah, it’s made us more productive. You know, this list of stuff over here that we haven’t been able to get to because we haven’t had time. Let’s start. Check, check. Checking these off the list. Chip Griffin: I mean, the vast majority of agencies don’t have any shortage of ideas for things that they could Right. Implement with their clients. And, and most clients don’t have any shortage of things that they would like to see their agency do. Right. So, so rather than simply trying to protect what you have and, and doing the bare minimum to fulfill the existing checklist, find ways that you can continue to enhance and improve. And, and I think you mentioned webinars and, and webinars and podcasts are a great example because 10 or 15 years ago, you had to, it took a lot of work and you kind of did the bare minimum to get those things edited, produced, distributed. Nowadays because of AI and, and AI even before, you know, the current AI fad, things like automated transcription that came in mm-hmm. Within the last decade, which now gets classified as AI, didn’t get classified as AI when it was first done. But you know, that’s an argument for another day about how we define things. If you’re able to now produce transcripts, now it’s pretty standard for webinars and podcasts to have a transcript available. Gini Dietrich: Right. Chip Griffin: 15 years ago, you had to pay someone to do it. And so That’s right. It was not the kind of thing that was done routinely and, and now we can produce those kinds of things. We can edit things a lot more easily. The platform that we use for this podcast. It uses AI to do automatic camera switching. For those of you who watch the video, it cleans up the audio so that, you know, we can’t hear all the background noises in our various offices. And, and those are all great things and improve the quality of the product that we’re putting out for you, but also that you can put out for your clients. Focus on those things. Elevate the game. It’s not just about kind of doing the bare minimum. If you do that, absolutely, you’re gonna run into problems, Gini Dietrich: of course, Chip Griffin: but find those other opportunities and say to your clients, you know, here’s something else we can do for you. Here’s a way we can get better results from what we’re already doing. Whether that’s by adding a transcript to it or being faster to get something published, or having the time to go pursue a third webinar or some other brand new idea that you weren’t able to do. That’s how you continue to demonstrate value to your clients, and that’s how you continue to not just protect revenue, but actually grow it. Gini Dietrich: Yeah. And you know, and I’m sure listeners know too, that I’m a big fan of quarterly planning. So instead of doing a big annual plan, you meet with your clients every quarter. You talk about what worked, what didn’t, and what, what things you should focus on for the next quarter. Not only does it help you stay aligned with the business goals more effectively, but it also, in most cases, get, gets you more revenue or more retainer because they’re like, oh, we gotta focus on this. And yeah, they were great results from that. And you’re not having those conversations once a year. You’re having them four times a year. Right. So a big, big fan from that perspective. But I think what that allows you to do from an AI perspective is say, Hey, listen, we’re able to save 25% of our time, and I know this, this, and this, have been on the priority list that have, that keep moving down because of, you know, all these other things. Of these three, what can we bring up to the forefront for the next quarter? And you start to have those conversations where you’re part of the business planning and the business continuity. And the business workflow so that you know, you don’t have the… it happens more effectively and you don’t have to have the, gosh, we’re out of scope, or we overbuilt, we over serviced last year. It’s a, a continuous conversation that happens all between all of you and there’s no conflicts in it, and it’s really strategic and, and clients begin to see you more as, you know, someone they can count on without asking you to reduce your fees because you’re using AI. Chip Griffin: And that ongoing conversation is, is so important. It’s so critical. And one of the things that really bothered me about one of these LinkedIn threads was, was really a very much an an us versus them kind of thing. Yeah. Whether you are on the client side or the agency side, the agencies are looking to protect revenue. The clients are looking to cut costs. Have actual mutual conversations with each other and figure out how you can work together. And I’m not gonna use the word partners because I don’t like that word. Gini Dietrich: I know, I, I avoided it too, because I know you don’t. Chip Griffin: As I have said repeatedly on this show, you are not partners with your clients. You do not share in the risks and rewards. You have similar things. You can be aligned, you can work together. In any case, figure out those ways to work together. If either side of this relationship is viewing it as us versus them. I need to maximize my revenue. I need to maximize my profit, or I need to keep my costs as low as possible. I need to get as much from the agency as possible. That’s not a healthy relationship. No. And that is not gonna lead to the same kind of success where one, where you have regular ongoing conversations and quarterly planning or semi-annual planning, or even annual planning, which a lot of agencies don’t do with their clients ’cause they just charge forward Gini Dietrich: fair Chip Griffin: on autopilot. Yep. And hope that they don’t get noticed and that the revenue keeps coming in the door. So true. I mean, that’s, that’s reality. Yes. I mean, a, a lot of agencies just sort of take that head down attitude because, you know, as, as soon as you poke your head up above the fence line. You know. Yes, there’s the possibility that you can increase the size of your relationship or build or, or strengthen the, the quality of the relationship with your client. But there are also risks involved with that because you’re drawing attention to yourself, and particularly in larger organizations, it can be kind of easy to skate. So sure, I do understand there’s a risk to it, but if you’re having those conversations, you’re more likely to build that strong relationship with more of your clients, which will lead to better results. Even if occasionally putting your head up above the fence line causes a problem. Gini Dietrich: Yeah. And you know when you, when your client is going into meetings with the CFO and they’re saying, we’ve gotta cut X amount of dollars. This agency is a big piece of that. The client stands up for you and stands up for that because they can’t do their job without you. And they know that because of the ongoing relationship and, and that you’ve been building and the ongoing planning that you’ve been doing with them. If you’re just keeping your head down and hoping they don’t notice you year, year after year, it’s gonna be a lot harder for them to stick up for you. Chip Griffin: Absolutely. I mean, and, and I think this is sort of a, a common theme for how I view AI and everything that I do, which is that you’ve gotta have that intersection of the technology from the AI, but the, the human, yes. Not just expertise, but the, the ability to, to engage with other humans. Yes. If you put the best of both of those together, that’s where you will achieve the best results for both sides of the agency client relationship. And ultimately that should be what we’re looking for, right? Right. That if, if you are truly in it to be long-term successful, you want it to work for both sides. And it shouldn’t be one of these things where we’re having constant fights about transparency or pricing or these kinds of things because you know, we’re just looking out for our own self-interests. If you align yourselves well, you will get good things coming to you Gini Dietrich: every time, every single time. So do that Chip Griffin: 99% of the time. Let’s, let’s, let’s admit that, alright, fine. There are times most of the time where you do everything right, everything you know, you, and it just doesn’t work out. Gini Dietrich: Fair. Chip Griffin: That’s life. Gini Dietrich: That’s fair. That is life. Yeah. So I agree Chip Griffin: that’s life. And that’s this podcast Gini Dietrich: 99% of the time. And that’s this podcast. Chip Griffin: So we’ve completed 99% of this podcast with the final 1%. We will sign off. I’m Chip Griffin. Gini Dietrich: I’m Gini Dietrich. Chip Griffin: And it depends.

This is The Digital Story Podcast 1,024, Nov. 4, 2025. Today's theme is, "My Favorite New Features in Lightroom 9." I'm Derrick Story. Opening Monologue Lightroom Desktop continues to vie for the hearts of enthusiast photographers who aren't already locked in to Lightroom Classic. And for those of us who want a more flexible solution, the terrific tweaks in version 9 bring it steps closer to becoming a total photo management and editing solution. I'll cover new features for both Classic and Desktop in today's TDS Photography Podcast. I hope you enjoy the show.

Join the Imagen Community on Facebook to continue the discussions between episodes.Ready for a creative jumpstart in your photography workflow? Discover why portrait photographer Meg Loeks swears by analog planning, how she carves out time for creative exploration, and the secrets behind her unique painterly images. Plus, why sometimes less is actually more.Meg Loeks is a portrait photographer based in Michigan's Upper Peninsula. Inspired by motherhood, rural life, and memory, her work embraces the beauty and imperfection of domesticity, using color and nostalgia to balance tradition with individuality. A teacher and international workshop leader, she also serves as an ambassador for Imagen, Sigma, Profoto, and Lightroom, and volunteers with The Gold Hope Project, offering portraits to families facing pediatric cancer.Meg shares how her process evolved from lifestyle to intentional portraiture, reveals the surprising benefits of using a physical planner, and discusses the power of well-crafted routines. She opens up about batching, culling, editing, and how “creative play dates” keep her inspired and her photography fresh, even in the busiest seasons. Whether you're struggling to organize shoots, searching for your signature color palette, or longing for a better editing workflow, this conversation is packed with honest tips and relatable solutions.“There's something to be said about physically writing things out… It's also super satisfying to cross things off once you've accomplished something.” - Meg LoeksResourcesGolden Coil PlannersAdobe StockRadiolabMeg Loeks on Instagram @meg_nloWhy You Should ListenGet practical advice to simplify photography business organization and scheduling.Find new inspiration for client work and personal projects with creative “play day” ideas.Learn clear techniques for developing and communicating your signature style.Hear how Meg blends family life with a thriving photography business.Discover the real-life workflow tweaks that can help you save time and boost creativity, no matter your specialty.Tune in to boost your photography workflow with hands-on strategies and fresh inspiration from Meg Loeks!(00:00) - 71 (02:20) - The Importance of a Physical Planner (09:08) - Workflow and Time Management (15:48) - Creative Play and Experimentation (20:03) - Pre-Shoot Preparation Tips (21:35) - Improving Workflow Efficiency (23:11) - Composite Photography Techniques (29:14) - Embracing Color in Photography

Welcome to The Photography Pubcast (Season 6, Episode 5). This week Gary, Daz, Sam and Adam dive into patience in photography—how long to wait for the perfect light, from 3–4 hours on a Lake District fell to entire days with no keeper. We compare landscape vs street photography (reactive vs deliberate), talk wave photography addiction, wildlife hides, and practical fieldcraft. We also read your Facebook comments, share an image critique, and announce details of our ongoing photo competition (low entries = higher chance to win!)Then it kicks off: the panel debate Adobe subscriptions, Lightroom & Photoshop value, AI credits, and real-world alternatives like DxO PhotoLab and the “buy once, upgrade later” model. If you've searched for best Lightroom alternative 2025, Photoshop vs DxO, how long to wait for landscape light, or wide-angle vs intimate landscapes, this episode is for you.Subscribe, drop your questions in the Facebook group, and enter the competition—prizes incoming!

We're closing out launch week with the systems photographers secretly crave and the kind that don't just “automate,” but lift mental load. Today we unpack the difference between passive admin relief vs cold, impersonal automation and how to create a client experience that feels high-touch while buying you time back.In this episode, you'll learn:What to automate first for the biggest relief + client wow-factorWhy automation helps increase client experience and personal touchEpisode Links

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Mit frischen Gedanken aus dem Kurzurlaub meldet sich Michael heute mit Regen im Kopf. Es geht um Bildbände, Lightroom, Gäste-WC-Lightpainting und Regenschirm-Verrenkungen und vor allem natürlich um die Beschäftigung mit Fotografie in allen Facetten. Wie geht es Euch mit Regenwetter und der Fotografie? Bleibt Ihr lieber drinnen und fürchtet um Euer Equipment? Oder packt Ihr das Tauchgehäuse und die Wathose aus? Wir freuen uns auf Eure Kommentare unter dem Post zur Folge bei Instagram oder in der Freundeskreis-Community!

Kev shares his memories (those he can still recall through cocktail-infused eyes) of the Judo boys-on-tour trip to Gibraltar, and Neale is wrestling with a washing machine that's doing its best to flood the house. Questions for the show include decisions on why to shoot wide open, whether a GFX will cause editing problems on an older iMac, if a GFX can be a decent travel companion, and electronic zoom or zooming in Lightroom - what's less destructive? We're still noodling over AI, we talk about Google Maps, cameras with patina, what art forms inspire your photography and why your pictures may be muddy in post-production. Email the show with your questions: click@fujicast.co.uk  For links go to the showpage. If you'd like to travel to far-off places with a camera: https://www.thejourneybeyond.uk/

What does it actually take for a thriving brick-and-mortar to make eCommerce half the business in 12 months? Morgan Lancaster breaks it down—brand, photography, Shopify setup, and the paid traffic engine that flipped the switch.

LW1475 - The Dilemma of Volume I remember a time when the creation of a single outstanding image was enough. In fact, that single great image was the goal. And it still can be. But while we are all still making single images, the mass of images that is building in our Lightroom catalogs is applying a pressure that previous generations could not imagine. This week — admittedly a spectacular week of fall colors in Colorado — I've added over 700 images of beautiful yellow, orange, red, and gold colored leaves to my asset base. This doesn't count the 900 or so images from previous trips. What do I do with them all? All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

How do you move from showing your art in group exhibitions to building a loyal circle of collectors who not only buy your work but champion it? In this conversation, we dive deep into the lived experience of an artist who has done exactly that. From humble beginnings in group shows to being invited into exhibitions in New York, Japan, and Europe, our guest shares how community, consistency, and serendipity shaped a career sustained not by social media clicks but by human connection. We explore: Building Collectors: How early supporters became long-term champions who now buy new work before it's public. Real-Life vs. Social Media: Why genuine conversations and showing up in person often outperform online likes. Printing Philosophy: Why Moab Luster paper brings photography to life like a “window into reality.” Archiving & Editing: A practical system in Lightroom to organize decades of work while leaving space for rediscovery. Film Revival: How DSLR scanning revolutionized archiving film—fast, precise, and surprisingly affordable. Creative Tools: From smart collections to Google Earth, the surprising ways digital tools fuel analog creativity.   Chapters 00:00 Introduction: The Accidental Photographer 05:10 From Marine Biology to a High School Darkroom 07:29 Finding a Focus in Skate Photography 14:59 The Evolution of a Creative Eye 17:10 Photography as a Way to Preserve the Present 21:37 A Deep Dive into Landscape and Nature 27:28 The Process: Planning, Gear, and Google Earth 33:41 The Creative Dance of Fatherhood 39:28 Building a Collector Base for Your Art 43:33 The Art of the Archive: Lightroom, Keywords, and DSLR Scanning 52:39 Final Thoughts on a Winding Journey   Connect with Darnell:   Follow Darnell on Instagram:https://darnell-scott.com/ Darnell's Website: https://www.instagram.com/_darnellscott_/?hl=en   Support the Show Website: http://www.martineseverin.comFollow on Instagram: @martine.severin | @thisishowwecreate_ Subscribe to the Newsletter: http://www.martineseverin.substack.com This is How We Create is produced by Martine Severin. This episode was edited by Daniel Espinosa.   Subscribe wherever you get your podcasts Leave a review Follow us on social media Share with fellow creatives  

From pouring drinks to lighting shots at Blue Sky to leading Adobe's Substance 3D team, Michael Tanzillo's professional path is anything but typical and his story is packed with lessons motion designers need to hear. Check out the corresponding blog post here: www.schoolofmotion.com/blog/adobe-michael-tanzillo In this episode of the School of Motion Podcast, EJ Hassenfratz sits down with Michael to talk about the state of 3D, why motion designers are impressing major animation studios, and how foundational skills (like lighting and storytelling) will outlast any software trend.

#589 Nick Church is a seasoned wedding and commercial photographer, educator, and the founder of the Nick Church Creative Academy. With nearly a decade of professional experience, Nick has become recognized for both his creative eye and his commitment to helping other photographers grow in their craft. Having transitioned from the software industry to full-time photography, he brings a unique blend of business acumen and technical expertise to the table.KEY TOPICS COVEREDEvolving Creativity and Staying Motivated in Wedding Photography - Nick explains how shooting countless weddings can make the experience feel routine, but emphasizes the necessity of finding fresh creative approaches and engaging in personal projects for artistic fulfillment. Changing locations, experimenting with new techniques, and even switching camera systems (like using Fujifilm for personal work) can reignite passion and broaden skills.Seven Foundational Rules for Photographers - Nick outlines crucial “rules” every photographer should keep in mind. Topics include:Avoiding GAS (Gear Acquisition Syndrome) by focusing on developing skills before investing in new equipment.Developing a critical eye, always evaluating what works in your images and areas for improvement.Not expecting post-processing to “rescue” fundamentally flawed shots.Transitioning from Hobby to Business - Nick advises beginners aspiring to start a business to focus on visible, authentic self-marketing, sharing their real passion, and building community presence. Technical prowess matters, but connecting with potential clients on a personal level is equally vital.IMPORTANT DEFINITIONS & CONCEPTSGear Acquisition Syndrome (GAS): The compulsion to continually purchase new gear in hopes of improving photography, often without a concrete reason or understanding of how it will address one's actual needs. Nick stresses articulating specific problems with current gear before making a purchase.Shooting with Intention: The practice of planning or visualizing the purpose and effect of each frame—be it emotion, composition, or storytelling—instead of just “snapping” photos. This leads to more impactful and meaningful images.DISCUSSION & REFLECTION QUESTIONSHow can you maintain creative motivation when photographing the same event or venue repeatedly?What steps can you take to evaluate whether a new piece of gear is truly necessary for your photography?Reflect on a recent photo you took: What were you trying to communicate, and did your intention come through?RESOURCES:Visit Nick Church's Website - https://www.nickchurchcreativeacademy.com/Check out the Photographer Unleashed course! (From which the 7 Rules, comes from) - https://www.nickchurchcreativeacademy.com/photographer-unleashed-online-courseFollow Nick on Instagram - https://www.instagram.com/nickchurchcreativeacademy/Sign up for your free CloudSpot Account today at www.DeliverPhotos.comConnect with Raymond! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Get your Photo Questions Answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

#586 In Today's Episode of the podcast I chat with YOU as I answer the questions that matter most to photography beginners and enthusiasts who are eager to grow both technically and creatively.This episode is all about addressing real-world challenges that come up when you're starting or growing a photography practice. I share my personal experiences, insights, and favorite tips—especially about balancing a day job with a budding side hustle in photography. I open up about my own journey of building a wedding photography business and the practical strategies I used to manage my time, keep clients happy, and avoid burnout.KEY TOPICS COVEREDStarting a Photography Side Hustle & Workflow Automation - Raymond shares his early struggles balancing a day job with building a portrait and wedding photography business. He highlights the time-saving power of using tools like CloudSpot Studio for automating bookings, contracts, invoicing, and client communication. Key takeaway: automation prevents lost opportunities and allows photographers with limited time to provide a seamless client experience.Editing Style Evolution & Managing Creative Ruts - Addressing questions about losing confidence in editing style, Raymond emphasizes that evolving tastes are normal and even healthy. He encourages experimenting with new edits and using past work to develop a style that feels authentic. Takeaway: feedback is useful, but personal satisfaction with your work is crucial for creative fulfillment.Equipment Choices for Travel, Studio, & Technical Mastery - Through specific gear-related questions, Raymond discusses how to weigh camera options for travel and studio documentation, advocating for a minimalist approach while tailoring choices to the context and desired output. He also offers a deep dive into understanding depth of field and autofocus, demystifying how they interact to produce sharp images. Takeaway: deliberate gear selection and technical competence empower photographers to adapt to any shooting situation.IMPORTANT DEFINITIONS & CONCEPTSDepth of Field (DoF): The range within a photo that appears acceptably sharp, determined by a combination of aperture, focal length, and subject distance. Raymond explains how understanding DoF helps photographers achieve their desired focus in different scenarios, especially when combined with autofocus settings.DISCUSSION & REFLECTION QUESTIONSHow might automating your business workflow free up time for more creative pursuits? What steps can you start implementing now?Have you recently felt dissatisfied with your editing style or creative output? What strategies could help you refresh your perspective?When preparing for a travel or studio shoot, how do you decide what gear is essential versus what might be excess baggage?In what ways has understanding (or misunderstanding) depth of field affected your photography?Sign up for your free CloudSpot Account today at www.DeliverPhotos.comConnect with Raymond! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Get your Photo Questions Answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

On this episode of Hands-On Tech, Mikah Sargent answers a question from Joe about getting older software, like Adobe Photoshop CS3, to run on his new M4 MacBook Air. Mikah explains why you simply can't, but offers some suggestions that could work, while offering some modern alternatives to the older applications. Send in your questions for Mikah to answer on the show! hot@twit.tv Host: Mikah Sargent Download or subscribe to Hands-On Tech at https://twit.tv/shows/hands-on-tech Want access to the ad-free video and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.

Editing more efficiently in Lightroom, using AI thoughtfully in your food photography, and developing a visual aesthetic that's uniquely yours with Roberta Dall'Alba. ----- Welcome to episode 529 of The Food Blogger Pro Podcast! This week on the podcast, Bjork interviews Roberta Dall'Alba. In this podcast interview, Bjork and Roberta discuss the importance of having your own distinct style or photography aesthetic to build your brand and why editing is such an essential part of this process. Roberta is an incredible food and travel photographer (trust me, you need to check out her food photographs!) and was a 2023 Lightroom Ambassador. Needless to say, she has spent a lot of time experimenting with Lightroom. Roberta dives into how she approaches editing food photos with integrity, efficiency, and her own unique style. From navigating AI tools responsibly to building a signature look in Lightroom, she offers practical tips to help creators stay authentic while working smarter. This is an excellent interview to help you take your photography and editing to the next level. Three episode takeaways: How to use AI thoughtfully in food photography and editing — Roberta shares her approach to using generative AI tools in editing. While she's open to retouching photos, she avoids adding anything artificial, always considering if edits will help readers successfully replicate the recipe and/or align with her values. Efficient editing leads to better results — Roberta walks through her streamlined Lightroom workflow, from importing and filtering/organizing, to color grading, taking a step back, and final reviews on mobile, to ensure efficient, high-quality results (and to avoid over-editing). Build a visual style that's truly yours — She emphasizes the importance of creating your own presets over buying someone else's, why you should deepen your understanding of color theory, and how to develop editing efficiencies that reflect your brand's unique style. Resources: Roberta Dall'Alba Photography Roberta's Lightroom Transforms Course — use code FBP10 for 10% off! Pinch of Yum Lightroom Photoshop Follow Roberta on Instagram and Other platform - facebook, youtube, tiktok, whatever seems most important for them Join the Food Blogger Pro Podcast Facebook Group Thank you to our sponsors! This episode is sponsored by Clariti and Raptive. Interested in working with us too? Learn more about our sponsorship opportunities and how to get started here. If you have any comments, questions, or suggestions for interviews, be sure to email them to podcast@foodbloggerpro.com. Learn more about joining the Food Blogger Pro community at foodbloggerpro.com/membership.