Podcast appearances and mentions of carlos dengler

Composer and musician Carlos Dengler returns to Tones & Drones to talk about his album "Private Earth". For more information visit: https://www.carlosdengler.com/music You can view the video to "Golden Dawn" here: https://www.youtube.com/watch?v=DrotkcZYK-M Tones & Drones is hosted and produced in the studios of 91.3 FM KVLU by Jason M. Miller. You can stream the station at: kvlu.org Music in this episode of the podcast was used with the permission of the artist.

Maddie went to the ADULT FILM festival and spoke with Ryan Czerwonko, George Olesky, Mia Vallet, Roman D'Ambrosio, and Carlos Dengler about the Theatre and Film Festival, art-making, being self-serious, taking initiative, and confidence. Subscribe to the EVIL THESPIAN patreon for the full episode Follow Adult Film on Instagram Follow Ryan on Instagram Follow George on Instagram Follow Mia on Instagram Follow Roman on Instagram Follow Carlos on Instagram and Twitter

What albums turn 20 in 2022? What are some of 2002's best albums?Here are some of the topics that we go over in this episode: Does "Rated R" hold a candle to "Songs for the Deaf"?Was there more of a "return to form" for rock in the 00s?What made "One by One" such a unique album for Foo Fighters?What made Coldplay's "Rush of Blood" an ultimate classic?How did Carlos Dengler's departure affect Interpol's sound?Is "Songs About Jane" Maroon 5's magnum opus?

Interpol have honed their craft over 20 years since they ‘blasted' onto the scene in 2002 with Turn On The Bright Lights - another one of those infamous overnight successes (actually the culmination of five years of hard graft). The album received a 9.5 Pitchfork review, with music journalist Eric Carr expressing unobjective fandom with some pretty colourful adjectives:“Interpol's debut full-length is wrought with emotional disconnection and faded glory, epic sweep and intimate catharsis.”Indeed. Yet this band, somewhat badged over the years as art-rock, gloom-rock and what have you - has changed over 25 years - to the extent that The Other Side Of Make Believe surprised their immediate circle of friends, management, label, publishers. Interpol has seen almost every longevity trend this podcast has discovered: the much hyped yet long-in-coming debut, the adventure with major labels and global stardom (and then being dropped), the madness of the rock & roll lifestyle, the loss of a founding member (bassist Carlos Dengler left in 2009) and the realisation that the industry they are part of isn't all it's cracked up to be. Since Interpol came on the scene, everything about the music industry has changed, yet Interpol has built on a distinctive and sturdy brand.  There is a sense of the collective unit about everything they do. As Daniel puts it: “I would bet on Paul and Sam as creative forces every time.”There are extended write-ups for all episodes at https://www.songsommelier.com/Support the show

My guest on this episode of Tones & Drones is Carlos Dengler. He is multi-instrumentalist and composer and was bassist for the band Interpol until 2010, when he left to pursue other interests, one of those interests was ambient music and the result is the beautiful album called "Aqueduct". For more information about his music visit: https://www.carlosdengler.com/music Tones & Drones is hosted and produced by Jason M. Miller in the studios of 91.3 FM KVLU. For more information visit: kvlu.org Music featured in this episode of the podcast was used with the permission of the artist.

Carlos Dengler is a composer, actor and writer from New York City. In recent years he has appeared in numerous theatre productions and short films as well as unveiling his debut one-man show, “Homo Sapiens Interruptus”, at the New York Fringe 2016 to widely positive reviews. He was the bassist and a founding member of post-punk group Interpol until his departure in 2010. He is currently working on a collection of personal essays amongst a variety of other creative projects. We talk the artist’s headspace, questions residing at the heart of creative pursuits, Scorsese, “Homo Sapiens Interruptus”, his upcoming personal essays collection, the biopic, the music press, the rise of the public intellectual, crafting personas in Interpol, falling in love with acting, artificial intelligence, gentrification and Henry Rollins. Theme Music: "Breakfast Burger" by Snack Villain See acast.com/privacy for privacy and opt-out information.

Host: Alex CrowGuest: Carlos DenglerRecorded in Los Angeles, CA and New York, NY via Zoom.Carlos Dengler - https://www.carlosdengler.comCreative Pursuits  - https://creativepursuitspodcast.tvTwitterInstagramMusic - @hideouthillThanks to our episode sponsor TeamPeople. For more information, visit - https://www.teampeople.tvFor the latest employment opportunities, visit the TeamPeople Job Board - https://teampeople.secure.force.com/careers/

Interpol es una de las bandas precursoras del rock revival de principios de siglo. Hoy revisitamos la discografía de unos de los abanderados del nuevo sonido de guitarras y repasamos las claves de su éxito, que no son más que las figuras de Paul Banks, Daniel Kessler, Sam Fogarino y, en su momento, Carlos Dengler. Además, descubrimos el proyecto de María Blaya, una joven compositora autodidacta que acaba de publicar su EP debut "Silencio". ¡Play!

Host: Alex CrowGuest: Carlos DenglerRecorded in Los Angeles, CA and New York, NY via Zoom.Carlos Dengler - https://www.carlosdengler.comCreative Pursuits  - https://creativepursuitspodcast.tvTwitterInstagramMusic - @hideouthillThanks to our episode sponsor TeamPeople. For more information, visit - https://www.teampeople.tvFor the latest employment opportunities, visit the TeamPeople Job Board - https://teampeople.secure.force.com/careers/

Hello and welcome to The Rob Burgess Show. I am, of course, your host, Rob Burgess. On this, our 141st episode, our returning guest is Carlos Dengler. You first heard Carlos Dengler on Episode 87, Episode 88, and Episode 123 of the podcast. Carlos Dengler is a freelance actor, musician, writer, and filmmaker living in New York City. Carlos is completing post-production on a festival-bound short film called Iowa. He wrote, directed and starred in the film, along with composing the score and editing. It is based on characters from Charles D'Ambrosio's short story “The Scheme of Things.” He has written for n+1, Seven Stories Press and is working with Foundry Literary + Media on writing his first memoir. He performed a critically acclaimed one person show for NY Fringe Festival in 2016, entitled Homo Sapiens Interruptus and guest performed with the Late Night with Seth Meyers house band. Carlos worked with director Terry Kinney at Lincoln Center Theater in 2016 and performed with Da Camera of Houston portraying Marcel Proust in a devised theatre piece with music in 2017. He received an MFA from NYU Grad Acting in 2015 and was the founding bass player and keyboardist for the band Interpol from 1997 to 2010. Carlos is currently developing an experimental monologue called The Importance of Ernest, loosely based on the similarly titled play by Oscar Wilde. Carlos is also an avid backpacker and amateur nature photographer. He has a Flickr album full of photos from all of his adventures and a recently edited hiking video on Vimeo shot entirely on his iPhone in the White Mountains of New Hampshire. He has raised money for the Fresh Air Fund on GoFundMe through his backpacking adventures. You can read Carlos' essay, “Motley Boo,” which we discussed in this episode, here: https://prefacingblog.tumblr.com/post/183950166754/motley-boo-the-dirt-2019-and-a-tertiary-failure And you can see the Patrick Willems video, “The Broken Formula of Musical Biopics,” which we also discussed in this episode, here: https://www.youtube.com/watch?v=K3q3LEaK7_U Join The Rob Burgess Show mailing list! Go to tinyletter.com/therobburgessshow and type in your email address. Then, respond to the automatic message. Also please make sure to comment, follow, like, subscribe, share, rate and review everywhere the podcast is available, including iTunes, YouTube, SoundCloud, Stitcher, Google Play Music, Facebook, Twitter, Internet Archive, TuneIn and RSS. The official website for the podcast is www.therobburgessshow.com. You can find more about me by visiting my website, www.thisburgess.com. If you have something to say, record a voice memo on your smartphone and send it to therobburgessshow@gmail.com. Include “voice memo” in the subject line of the email.

       We listened to Turn on the Bright Lights from Interpol. Their first record released in 2002 could lazily be compared to Joy Division...we try hard not to do that but here we are and we just did. An ode to NYC which remains true - the subway IS a porno and the pavements are a mess. An intersection between indie dance rock, post punk revival, dream pop and garage according to some mixed up wiki and it's pointless to shove this into music genres. NYC was a weird time for music in this era and, "Meet Me In the Bathroom" from Lizzy Goodman is a great record of an ultimately wasted opportunity by a lot of talented bands. Email - records@harveylovesharvey.com Twitter - @welisten21 Instagram - welisten2records Leave a message on the Welisten hotline - 978-707-9899 

We spoke to Carlos Dengler, an actor, writer, musician and a former member of the band Interpol, which was founded in 1997. Interpol is a post punk revival band that has produced several critically acclaimed albums. Carlos left the band in 2010 and got his MFA in acting from NYU in 2015. Carlos has also written for n+1 and Seven Stories Press He is also working on a forthcoming memoir with Foundry Literary + Media. The memoir will be published in late 2019/early 2020 and will be a series of essays about his youth, his views on culture, and his experience as a  “famous rock star turned subsequent acting student.” 

Hello and welcome to The Rob Burgess Show. I am, of course, your host, Rob Burgess. On this, our 123rd episode, our returning guest is Carlos Dengler. You first heard Carlos Dengler on Episode 87 and Episode 88 of the podcast. Carlos Dengler is a New York City actor, writer and musician. He has written for n+1 and Seven Stories Press and is working with Foundry Literary + Media on writing his first memoir. In 2016, Carlos wrote and performed his first one person show for the New York City International Fringe Festival called Homo Sapiens Interruptus. Later in the year, he understudied for Josh Radnor at Lincoln Center Theater in a production of the Richard Greenberg play The Babylon Line. Also in 2016, Carlos appeared as a guest musician with the Late Night with Seth Meyers band. Carlos spent the better part of the aughts, from 1997 to 2010, playing bass and keyboards with the band Interpol, which he co-founded with other band members at NYU. Recently in 2015, he received an MFA from NYU Grad Acting, in addition to a BA in Philosophy, also from NYU, back in 1999. Carlos is on Twitter as @denglercarlos and on Instagram as @carlosandresdengler. Carlos is also an avid hiker and backpacker and is currently raising money for the Fresh Air Fund, a nonprofit organization that helps inner city kids experience the outdoors. To donate to his campaign, visit his website at www.carlosdengler.com and click on the donate button. This is a very special episode of The Rob Burgess Show. At the end Carlos will read his essay, “Downtown and Gentrification: Dystopia or Enlightened Future?” published by Seven Stories Press Blog. And just before that, I'm including a snippet of a June 6, 2015 recording of the podcast Weird Adults at the Comedy Attic in Bloomington, Indiana, which I covered as a journalist during the Limestone Comedy Festival. Join The Rob Burgess Show mailing list! Go to tinyletter.com/therobburgessshow and type in your email address. Then, respond to the automatic message. I have a Patreon account, which can be found at www.patreon.com/robburgessshowpatreon. I hope you'll consider supporting in any amount. Also please make sure to comment, follow, like, subscribe, share, rate and review everywhere the podcast is available, including iTunes, YouTube, SoundCloud, Stitcher, Google Play Music, Facebook, Twitter, Internet Archive, TuneIn and RSS. The official website for the podcast is www.therobburgessshow.com. You can find more about me by visiting my website, www.thisburgess.com.If you have something to say, record a voice memo on your smartphone and send it to therobburgessshow@gmail.com. Include “voice memo” in the subject line of the email.

Heavily influenced by Joy Division and other post-punk groups, Interpol are back with their newest album 'Marauder.' This is Interpol's second album without featured bass player Carlos Dengler...does this latest release still stack up to their previous work? Plus the latest news and other great music you should check out. Join your hosts, Adam and John every week as they discuss the latest music while drinking copious amounts of coffee.

This episode is a repeat of my 100th show from October 2016 featuring my most-downloaded interview with Carlos Dengler. In another lifetime, Carlos D was the slick-haired, style- conscious, all-black wearing bassist of the band Interpol. Since leaving the "post-punk revivalists" group in 2010, he's returned to the public consciousness as theater actor Carlos Dengler. Carlos has never spoken publicly about his departure from Interpol, but in this exclusive TMT conversation he shares why he abruptly left after four studio albums and three tours. This is his personal story of the highs, the lows and even the band therapy. In addition to his candid revelations about the band, Carlos discusses both his traumatic childhood and overcoming a drug addiction while still in Interpol. During the intervening six years, Carlos pursued a career in acting that would include receiving an MFA from NYU's Acting Program and staging his first solo show, Homo Sapiens Interruptus. In August 2016, the hour-long monologue premiered in New York to positive reviews and sold-out performances as a part of the Fringe Festival. Due to its success, the show later returned as a part of the festival's Fringe Encore series for a two-week October run.  LIVE EVENT: July 20, 2018 TMT & 33 1/3 Series at Strand Books, NYC: https://www.strandbooks.com/event/writers%2Don%2Dmusic STREAM/SUBSCRIBE ON SPOTIFY:                           http://bit.ly/TMTspotify SUBSCRIBE ON SOUNDCLOUD:                 https://soundcloud.com/thisisboice TMT APP FOR iPHONE: http://bit.ly/TMTappiOS TMT APP FOR ANDROID: http://bit.ly/TMTappANDROID SUBSCRIBE ON iTUNES: http://bit.ly/TalkMusicTalk SUBSCRIBE ON GOOGLE PLAY: http://bit.ly/TMTgoogleplay Please take a moment to leave a rating and/or review in the store. It helps increase the ranking of the podcast and exposes TMT to a new audience. Thanks! Liz (The Talk Music Talk Theme)-FULL VERSION Written and Composed on an iPad by boice. https://soundcloud.com/thisisboice/liz-talk-music-talk-theme   SURVEY It would be greatly appreciated if you would take a moment to fill out this brief demographic survey. It will be used solely to help me select advertisers/sponsors for Talk Music Talk to offset the cost to produce the podcast i.e. audio editor, podcast host, traveling to guests to record. It should take less than a minute of your time. Thanks!                                                                                                                                                                                                    http://www.talkmusictalk.com/survey

Hello and welcome to The Rob Burgess Show. I am, of course, your host, Rob Burgess. On this, our 88th episode, our guest is Carlos Dengler. You first heard Carlos Dengler on Episode 87 of the podcast. Carlos Dengler is a working actor and musician in New York City. He is currently working on his memoir detailing his time spent as bass player and keyboardist for the alt-rock group Interpol, from 1998 to 2010. After leaving the band, Carlos enrolled at Stella Adler Studio of Acting and then was fortunate to have been accepted to NYU Grad Acting, where he received his MFA in Acting in 2015. Since graduation, Carlos has been working in the theatre, creating and launching a successful one-man show called “Homo Sapiens Interruptus” for the NY International Fringe Festival of 2016, and cast in a recent production of “A Babylon Line” by the great playwright Richard Greenberg at Lincoln Center Theater featuring actor Josh Radnor in the lead. In early 2016, Carlos appeared briefly on “The Late Night with Seth Meyers” show, filling in on bass guitar with The 8G Band, the Seth Meyers house band. Carlos has also spent time crafting his approach to memoir writing. He was recently published by the literary magazine N+1 with an essay, “Stories of Excess.” He is currently finishing up the first stages of a publishing deal for his upcoming book, detailing his time in the band, his personal life and childhood, and his observations upon leaving behind life in the music industry. Carlos is an avid tweeter, with an unabashed progressive liberal swing to his thought, and is a lay but voracious consumer of current political thought. You can follow him there www.twitter.com/denglercarlos. If you enjoy this podcast, there are several ways to support it. I have a Patreon account, which can be found at www.patreon.com/robburgessshowpatreon. I hope you'll consider supporting in any amount. Also please make sure to comment, follow, like, subscribe, share, rate and review everywhere the podcast is available, including iTunes, YouTube, SoundCloud, Stitcher, Google Play Music, Facebook, Twitter, Internet Archive, TuneIn and RSS. The official website for the podcast is www.therobburgessshow.com. You can find more about me by visiting my website, www.thisburgess.com. Until next time.

Hello and welcome to The Rob Burgess Show. I am, of course, your host, Rob Burgess. On this, our 87th episode, our guest is Carlos Dengler. Here is his biography: “In 1998 I co-founded the band Interpol with Daniel Kessler and Paul Banks. Sam Fogarino joined in 2000, and over the next decade we went on to release four studio albums and tour the world three times, playing numerous festivals, live radio shows and late night TV. Interpol's first two albums have gone Gold in the United States and the band is regarded as a seminal indie rock band of the early millennium. “In 2007, I began experiencing personal and creative differences with my bandmates and the music industry. In 2009, the band entered group therapy to try to find a way to resolve those differences. Despite our best collective efforts over the course of a year, we could not do so, and I wasn't able to stay. I left the band just before New Year's Day 2010. “Actor training became my new focus. For the next five years I spent virtually all of my time within the privacy of conservatory classrooms, around other young students who were undergoing a similar process of discovery. In 2012, I was fortunate to be accepted to New York University Graduate Acting and received a Master of Fine Arts degree in the spring of 2015. “I made my professional acting debut in the summer of 2015 at the Dorset Theatre Festival, in the regional premiere of Katie Forgette's very funny 'Sherlock Holmes and the Case of the Jersey Lily,' playing two roles – Professor Moriarty's lackey, John Smythe and chief attendant to Queen Victoria, Abdul Karim. “I've also begun working on an essayistic memoir. I'm quite excited by some of the directions the work is taking so far. I've started soliciting publishers. It's very early in the process and I will continue to update as things progress. “In late March 2016 I had the honor of performing with the 8G Band, the house band on 'Late Night with Seth Meyers.' It truly was a special experience to play bass guitar with such incredible musicians on such a fun and exciting show. “I was very excited to have presented my solo show, 'Homo Sapiens Interruptus,' at The New York International Fringe Festival in August 2016. The show was created while I was at NYU and had been developing and workshopping it consistently since it began.” You can catch Carlos this week as he stars in “A Proust Sonata,” a “multimedia concert-theater work conceived and directed by Sarah Rothenberg, artistic and general director of Da Camera. The production is inspired by Marcel Proust's early 20th century masterpiece 'In Search of Lost Time' and interweaves text, music, and image into an innovative multi-media performance.” Performances start at 8 p.m. Thursday, Friday and Saturday at the Lois Chiles Studio Theater at the Moody Center for the Arts at Rice University, 6100 Main St., Houston, Texas. For tickets and more information call 713-348-ARTS or visit their website at https://moody.rice.edu/events/proust-sonata. If you enjoy this podcast, there are several ways to support it. I have a Patreon account, which can be found at www.patreon.com/robburgessshowpatreon. I hope you'll consider supporting in any amount. Also please make sure to comment, follow, like, subscribe, share, rate and review everywhere the podcast is available, including iTunes, YouTube, SoundCloud, Stitcher, Google Play Music, Facebook, Twitter, Internet Archive, TuneIn and RSS. The official website for the podcast is www.therobburgessshow.com. You can find more about me by visiting my website, www.thisburgess.com. Until next time.

In another lifetime, Carlos D was the slick-haired, style-conscious, all-black wearing bassist of the band Interpol. Since leaving the "post-punk revivalists" group in 2010, he's returned to the public consciousness as theater actor Carlos Dengler. Carlos has never spoken publicly about his departure from Interpol, but in this exclusive TMT conversation he shares why he abruptly left after four studio albums and three tours. This is his personal story of the highs, the lows and even the band therapy. In addition to his candid revelations about the band, Carlos discusses both his traumatic childhood and overcoming a drug addiction while still in Interpol. During the intervening six years, Carlos pursued a career in acting that would include receiving an MFA from NYU's Acting Program and staging his first solo show, Homo Sapiens Interruptus. In August, the hour-long monologue premiered in New York to positive reviews and sold-out performances as a part of the Fringe Festival. Due to its success, the show returns as a part of the festival's Fringe Encore series for a two-week October run. Visit Carlos Dengler online:                                                   http://www.carlosdengler.com   TMT APP FOR iPHONE: http://bit.ly/TMTappiOS TMT APP FOR ANDROID: http://bit.ly/TMTappANDROID SUBSCRIBE ON iTUNES: http://bit.ly/TalkMusicTalk SUBSCRIBE ON GOOGLE PLAY: http://bit.ly/TMTgoogleplay Liz (The Talk Music Talk Theme)-FULL VERSION Written and Composed on an iPad by boice. https://soundcloud.com/thisisboice/liz-talk-music-talk-theme