Podcast appearances and mentions of Joy Division

Peter Hook reflects on 50 years of music, the emotional weight of performing Joy Division and New Order live, and the many memories and ghosts of his past. Tickets for Peter Hook & The Light, Australia 2026 Topics Include: New Order toured Australia as early as 1982, helped by Factory Australasia's local support. Hooky calls Australia the only place he never wants to leave — he still suffers leaving every time. Peter Hook and the Light played their seventh-ever gig in Melbourne on their first Australian tour. He is now working through every New Order and Joy Division album ever recorded live. Get Ready features songs never played live as New Order, with Steve Morris largely absent during recording. The band's Grammy came from Orgy's heavy metal cover of Blue Monday — Hook loves the weird covers most. He revealed a plan to stage a full New Order classical concert, eyeing the Sydney Opera House. Ian Curtis performed with absolute conviction every single night — something Bernard Sumner couldn't match early on. Hook recalls first seeing Ian smash up a venue at 2:30am, dancing through broken tables — terrifying and electrifying. That chaotic Stiff/Chiswick talent show led directly to Rob Gretton becoming Joy Division's manager. Ian's lyrics, Hook says, are heartbreaking up close — Love Will Tear Us Apart masks devastating words in euphoric music. Singing Ian's words himself has given Hook a profound new insight into what Curtis was actually expressing. Tony Wilson signed them with a handshake — no contracts — while other labels arrived with thick legal documents. Bernard Sumner found the Unknown Pleasures pulsar image in a textbook; nobody planned the iconic sleeve. Hooky was actually sued for bootlegging the Unknown Pleasures artwork — which Factory themselves had originally stolen. Ian Curtis reportedly wrote a letter complaining about how Closer sounded — a detail Hook only learned years later. During Closer sessions, Curtis was being torn apart: marriage collapsing, new love, epilepsy worsening, the band pushing forward. Hook deeply regrets not seeing Ian before his cremation — but a gravedigger privately told him where Curtis is actually buried. The inquest into Ian's death so disgusted the band they decided on the spot to continue as New Order. Joy Division was deliberately boxed away for 30 years; Bernard called playing those songs "miserable" and refused to continue. Bobby Gillespie suggested the album playback concept so Hook could faithfully recreate Martin Hannett's studio sound live. Watching his son learn Joy Division bass lines at the same age Hook was then felt like staring into the past. Performing these songs, Hook says he is "living surrounded by ghosts" of collaborators now gone. The K-93 sessions saw Killing Joke's Geordie Walker move into Hook's Manchester home for six weeks, causing complete chaos. Those lost K-93 tapes mysteriously surfaced after the label went bankrupt — and Jaz Coleman promptly went silent again. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

El Punk británico: decadencia, inconformismo… y Margaret Thatcher. Sex Pistols, The Clash, The Smiths, Joy Division, OMD… son algunos de los grupos más representativos de este movimiento que nace en 1976

We've finally made it - the pivotal Post Punk year of 1979. Well, sort of. It wouldn't be LITM without a little extra detail, so Jeremy and Tim cue up our arrival with a couple of tracks from '78 for good measure. They talk Tom Robinson Band, Undertones and the Only Ones, exploring ‘dole queue rock', everydayness and the limits of politically self-conscious music of the period. Later in the show they tuck into a couple of indie disco staples to examine emergent New Wave, de-masculination, Manchester and the Iron Lady. Finally, for the first time on the show, the guys spend time on perhaps the most iconic post punkers of all: Joy Division. This is our last main feed episode for a little while - we'll be back in mid-August. Until then, why not become a Patron and explore our LITM Extra archive, featuring dozens of bonus shows?Patreon.com/LoveMessagePodwww.loveisthemessagepod.co.ukProduced by Matt Huxley.Tracklist:Tom Robinson Band - Winter of '79The Undertones - Teenage Kicks The Only Ones - Another Girl, Another Planet Blondie - Heart of Glass Machine - There But for the Grace of God Go I The Cure - Boys Don't Cry Joy Division - Disorder

Walkman ausgepackt, Kopfhörer aufgesetzt, Play gedrückt! Mit Songs von DEVO oder Joy Division im Ohr wirft uns das narrative Adventure Mixtape mitten hinein in die emotionale Achterbahn der Adoleszenz. In unserer neuesten Retrospektiven-Folge haben sich Michi, Micha und Wolfram die spielbare Playlist des australischen Studios Beethoven & Dinosaur geschnappt, um dem faszinierenden Zusammenspiel aus Musik, Mechanik und Nostalgie für eine Zeit auf den Grund zu gehen, die sie selbst nie erlebt haben. Hosted on Acast. See acast.com/privacy for more information.

Ce 18 juin Marjorie Hache met à l'honneur Beck, The Pretenders, Stevie Ray Vaughan, Queens of the Stone Age, The Wombats avec "Let's Dance to Joy Division", Metallica, Suede, Arctic Monkeys, Nick Cave and the Bad Seeds, Cream, Metronomy, Led Zeppelin et Chelsea Wolfe. L'animatrice célèbre les quatre-vingt-quatre ans de l'inusable Paul McCartney en diffusant "Too Many People", tiré de son album "Ram". Du côté des nouveautés, Graham Coxon livre "Alright". Lana Del Rey poursuit dans sa veine James Bond avec "First Light", tandis que Korn et le groupe angeleno Gotholic complètent cette sélection. La primeur de la soirée met en lumière le dandy américain Father John Misty, avec "The Pay Off". L'album de la semaine referme la page consacrée à "I Built You A Tower", le 11e disque de Death Cab For Cutie, avec une bouleversante réflexion sur la manière dont le deuil et la douleur peuvent s'inviter à tout moment. Enfin, la reprise du jour s'annonce inattendue : A Perfect Circle, le groupe de Maynard James Keenan, s'approprie le légendaire hymne "What's Going On" de Marvin Gaye dans une poignante version rock alternatif pacifiste. Beck - Loser Graham Coxon - Alright Paul McCartney - Too Many People Stevie Ray Vaughan - Taxman Queens Of The Stone Age - Little Sister The Kinks - You Really Got Me The Wombats - Let's Dance To Joy Division Death Cab For Cutie - I Built You A Tower The Pretenders - Brass In Pocket Metallica - The Unforgiven David Bowie - Blue Jean Suede - She Still Leads On Me A Perfect Circle - What's Going On Arctic Monkeys - Fake Tales Of San Francisco Nick Cave And The Bad Seeds - Red Right Hand Gotholic - Alien Ritual Radio Cream - Sunshine Of Your Love Korn - A.D.I.D.A.S. Lana Del Rey - First Light Metronomy - The Bay Massive Attack - Unfinished Sympathy Father John Misty - The Pay Off Led Zeppelin - Immigrant Song Chelsea Wolfe - Whispers In The Echo Chambers Dropkick Murphys - The State Of Massachusetts Nightwish - Perfume Of The TimelessHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Aujourd'hui dans "Le Journal Imprévisible", Marc Bourreau revient sur les élections partielles capitales qui se tiennent aujourd'hui à Manchester. Le maire travailliste Andy Burnham est donné favori pour remplacer la Première ministre Keir Starmer.Manchester est le berceau historique du Parti travailliste, comme en témoigne le discours d'adieu de l'ancien Premier ministre Tony Blair dans cette ville en 2007. La ville a connu une riche histoire industrielle, devenant la plus industrialisée au monde au 19e siècle, avant de subir la désindustrialisation des années 70 et les émeutes sous Margaret Thatcher. Manchester est aussi connue pour ses deux clubs de football légendaires, Manchester United et Manchester City, avec des joueurs emblématiques comme George Best et Eric Cantona. La ville a également été un foyer musical majeur, avec des groupes comme Oasis, Joy Division ou les Stone Roses qui ont marqué la scène Britpop des années 80 et 90.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

On today's show, Bob Dylan does the greatest song ever recorded, Carlos Santana's biggest album debuts, along with debut albums from the Offspring and Joy Division. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:34 What happened on this date in music history12:05 Music award ceremonies that were held on this date in music history17:26 Albums released on this date in music history 36:23 Singles released on this date in music history 42:53 Birthdays of music artists on this date in music history 58:47 Passings of music artists on this date in music history 1:03:13 What's on tomorrow's episode

Interpol están de vuelta con la esperada continuación de The Other Side Of Make-Believe (2022, Matador) después de cuatro años. La banda más elegantemente sombría del post-punk del siglo XXI acaba de anunciar su noveno álbum, This Mirror Weighs a Ton, previsto para el 28 de agosto. Una excusa perfecta para repasar la trayectoria de un grupo que nunca ha dejado de ser él mismo, para bien y para mal. Aún recordamos su irrupción a principios de siglo en una etapa de transición, cuando el mundo del indie anglosajón llevaba años buscando una manera de regresar a la oscuridad de Joy Division, a la elegancia punzante de The Cure, al minimalismo tenso de Wire, sin que el resultado sonara a mera fotocopia. Hoy en día, 25 años después, debemos reconocer que la nueva generación de bandas que ha ido surgiendo desde entonces, no existirían sin su influjo. Paul Banks, Daniel Kessler, Carlos Dengler y Sam Fogarino arrancaron su carera como si esas influencias no fueran referencias sino la atmósfera que les acompañaba, como si ese post-punk impregnara el clima de Manhattan y no como un mero género musical. Les funcionó. Hoy en Conexiones MZK vamos a hacer un repaso exprés por sus 10 mejores canciones, del 10 al 1, en el que más allá de rankings intentaremos hacer un recorrido por casi todas sus entregas y sus diferentes registros.

Ce 10 juin Marjorie Hache nous fait redécouvrir Joy Division, The Who, Fleetwood Mac, Royal Blood, Nirvana, Oasis et The Dandy Warhols. L'animatrice célèbre l'anniversaire des jumelles Kim et Kelley Deal avec "Wait In The Car" de The Breeders, et honore la naissance du bluesman Howlin' Wolf avec l'incontournable "Smokestack Lightnin'". Pour les nouveautés, Lana Del Rey confirme sa passion pour l'univers de James Bond. Tahiti 80 signe son retour avec "Too Much Too Fast Too Soon", rejoint par Saint Agnes, Klangphonics et les Lambrini Girls. La primeur de la soirée met en lumière le duo pop formé par Maxwell Farrington et Le SuperHomard, qui dévoile le morceau "Window Tax". L'album de la semaine s'attarde sur le sixième disque des Danois d'Iceage, "For The Love Of Grace & The Hereafter" avec le très mélodieux titre "No Fear". Enfin, la reprise du jour s'annonce envoûtante : l'Américaine Chelsea Wolfe s'approprie "The Modern Age" des Strokes, en plongeant ce grand classique dans une atmosphère sombre et gothique. Joy Division - Love Will Tear Us Apart Lana Del Rey - First Light The Breeders - Wait In The Car The Who - Baba O'Riley Royal Blood - Figure It Out Buffalo Springfield - For What It's Worth Oasis - Stop Crying Your Heart Out Iceage - No Fear Nirvana - Drain You The Dandy Warhols & Slash - I'd Like To Help You With Your Problem Free - All Right Now Tahiti 80 - Too Much Too Fast Too Soon Chelsea Wolfe- Modern Age Goldfrapp - Ooh La La Presidents Of The USA - Peaches Klangphonics - Song For The Quiet Ones (Feat. Anna Metko) Emerson, Lake & Palmer - Lucky Man House Of Pain - Jump Around Saint Agnes - The Ghost Nancy Sinatra - These Boots Are Made For Walkin' The Last Shadow Puppets - Bad Habits Maxwell Farrington & Le SuperHomard - Window Tax Stretch - Why Did You Do It Dog Eat Dog - Who's The King Howlin' Wolf - Smokestack Lightnin' Ghinzu - Do You Read Me Lambrini Girls - Cult Of Celebrity Fleetwood Mac - Searching For MadgeHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The Dutch photographer and art director on his longtime collaboration with Depeche Mode, moving into feature films and 50 years of documenting music culture.In 1979, the 24-year-old Dutch photographer Anton Corbijn talked his way into a Joy Division shoot in a London Underground tunnel by citing a magazine assignment he didn't have. The band posed with their backs to the camera, and subsequently, no magazine accepted the photo. Within a year, Ian Curtis was dead, and the picture became one of the defining images of post-punk.Corbijn has since become one of the world's best known music photographers, capturing artists like Tom Waits, Nick Cave, Bowie, Captain Beefheart and nearly every major name to enter the pop realm. In this RA Exchange, he reflected on a life spent documenting music culture and his new retrospective at Fotografiska, Corbijn, Anton, which spans five decades of his work.He also spoke in depth about his longtime relationship with Depeche Mode. As the band's creative director, he has worked on all of their music videos, stage design, album covers and more for over 40 years. Corbijn's retrospective will be on display until September 20th, 2026, and his new feature length film, Switzerland, will land in theatres this year. Listen to the episode in full. Hosted on Acast. See acast.com/privacy for more information.

Jimmy Eadie in conversation with David Eastaugh  Into Paradise were an Irish indie rock group from Dublin, whose influences included Joy Division and Echo & the Bunnymen. They formed in 1986 as Backwards into Paradise, and released their debut EP, Blue Light, in 1989 on the independent record label, Setanta. Soon after came the EP Change, and the band's first album, Under the Water. Their most successful album and major record label debut, was the Adrian Borland-produced Churchtown. https://www.youtube.com/watch?v=2N_j7s1Ahjo

Cathi Unsworth was a teenage Goth, enthralled as much by Joy Division and the Banshees as by the Brontës, Bram Stoker and Aubrey Beardsley. We loved her book ‘Season of the Witch' and she's since put together a soundtrack album, ‘Dressed In Black', featuring the Goth divas she most admires and adores. And talks to us here about everything from murder ballads, the Industrial Revolution and Victorian literature to … … John Peel, Siouxsie, Joy Division and her teenage Goth conversion among the “hedge-goths” and “field-goths” of rural Norfolk … the phenomenal life, lyrics and mysterious disappearance of ‘Swamp-witch' Bobbie Gentry … has Goth eaten Punk? … why BBC banned Billie Holiday's “Gloomy Sunday” … the ‘death discs' of John Layton, the Shangri-Las and Twinkle … how Cabaret and Julie Driscoll coloured Siouxsie and the Banshees … Shirley Collins' Death And The Lady – “now that's what I call a pandemic!” … did Liz Fraser speak fluent Faerie? … Nico – “if I had a machine-gun I'd kill you all!” … and how Juliette Gréco looked the devil in the face. Order copies of ‘Dressed In Black: Goth Divas From The Dark Side' here: https://acerecords.co.uk/various-artists-dressed-in-blackHelp us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Cathi Unsworth was a teenage Goth, enthralled as much by Joy Division and the Banshees as by the Brontës, Bram Stoker and Aubrey Beardsley. We loved her book ‘Season of the Witch' and she's since put together a soundtrack album, ‘Dressed In Black', featuring the Goth divas she most admires and adores. And talks to us here about everything from murder ballads, the Industrial Revolution and Victorian literature to … … John Peel, Siouxsie, Joy Division and her teenage Goth conversion among the “hedge-goths” and “field-goths” of rural Norfolk … the phenomenal life, lyrics and mysterious disappearance of ‘Swamp-witch' Bobbie Gentry … has Goth eaten Punk? … why BBC banned Billie Holiday's “Gloomy Sunday” … the ‘death discs' of John Layton, the Shangri-Las and Twinkle … how Cabaret and Julie Driscoll coloured Siouxsie and the Banshees … Shirley Collins' Death And The Lady – “now that's what I call a pandemic!” … did Liz Fraser speak fluent Faerie? … Nico – “if I had a machine-gun I'd kill you all!” … and how Juliette Gréco looked the devil in the face. Order copies of ‘Dressed In Black: Goth Divas From The Dark Side' here: https://acerecords.co.uk/various-artists-dressed-in-blackHelp us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Cathi Unsworth was a teenage Goth, enthralled as much by Joy Division and the Banshees as by the Brontës, Bram Stoker and Aubrey Beardsley. We loved her book ‘Season of the Witch' and she's since put together a soundtrack album, ‘Dressed In Black', featuring the Goth divas she most admires and adores. And talks to us here about everything from murder ballads, the Industrial Revolution and Victorian literature to … … John Peel, Siouxsie, Joy Division and her teenage Goth conversion among the “hedge-goths” and “field-goths” of rural Norfolk … the phenomenal life, lyrics and mysterious disappearance of ‘Swamp-witch' Bobbie Gentry … has Goth eaten Punk? … why BBC banned Billie Holiday's “Gloomy Sunday” … the ‘death discs' of John Layton, the Shangri-Las and Twinkle … how Cabaret and Julie Driscoll coloured Siouxsie and the Banshees … Shirley Collins' Death And The Lady – “now that's what I call a pandemic!” … did Liz Fraser speak fluent Faerie? … Nico – “if I had a machine-gun I'd kill you all!” … and how Juliette Gréco looked the devil in the face. Order copies of ‘Dressed In Black: Goth Divas From The Dark Side' here: https://acerecords.co.uk/various-artists-dressed-in-blackHelp us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Author Chris Connelly (Cargo Recording Studios 1977-1985) joins us to unpack criminally underrated UK band The Chameleons and their 1983 debut album 'Script Of The Bridge'. Cargo Studios, though only active from 1977 to 1985 in Rochdale, quickly became the epicentre for post-punk and independent recording bands across the UK, including The Fall, Joy Division, OMD, Gang Of Four, Felt and many many more. Chris was THERE for some of the 'Script Of The Bridge' sessions, and offers keen insight into this fantastic record - AND this special place/time. Songs discussed in this episode: View From A Hill (acoustic version) - The Chameleons; Atmosphere - Joy Division; The Fan and the Bellows, Things I Wish I'd Said - The Chameleons; The Cutter - Echo & The Bunnymen; I Will Follow - U2; Don't Fall, Here Today, Monkeyland, Second Skin, Dreams In Celluloid (Demo), Second Skin (Live, 2000), Up The Down Escalator - The Chameleons; Untitled - Interpol; Less Than Human, Less Than Human (Demo), Pleasure and Pain - The Chameleons; Psykick Dance Hall - The Fall; Electricity (Martin Hannett Cargo Studios version) - OMD; Thursday's Child, As High As You Can Go, A Person Isn't Safe Anywhere These Days, Paper Tigers - The Chameleons; Damaged Goods, Love Like Anthrax - Gang Of Four (Damaged Goods EP 1978); Atmosphere - Joy Division;  View From A Hill - The Chameleons; Raindance - The Last Seven Days; Tomorrow Never Knows (Beatles cover) - The Chameleons

Cabaret Voltaire are no one thing. Depending on which corner of the internet you found us from, you might know them as the caustic Sheffield noise act who preceded post-punk, the sinister electro-industrial outfit with a penchant for evangelical samples and anti-fascist agitprop, or the dancefloor-adjacent act who fetched up on Factory's Belgian satellite label and made something close to club music. You're all correct.This week, we have a guide. Phil Eaglesham — P6, former front person of Stretchheads and De Salvo, current singer in OMO, musical walking tour operator, man of broad and alarming musical learnings — is here to help us navigate one of the most complex and wilfully uncommercial bands to come out of the UK, via their transitional compilation Eight Crepuscule Tracks.We trace the band's origins in a Sheffield attic in 1973, chart their debts to dub, Black American music, and the sci-fi soundscapes that shaped a generation of working-class ears, and make the case that Cabaret Voltaire — despite their apparent difficulty — were one of the most industrious and fundamentally political bands of their era. We also get into their time at Western Works Studio, which functioned less like a recording facility and more like the gravitational centre of an entire Sheffield scene; their complicated relationship with Rough Trade; and their connections to Joy Division, Lydia Lunch, Clock DVA, and the bands that would become the Human League and ABC.Along the way, Phil brings original artefacts including a signed 1979 TG/Cab Vol/Rema Rema poster from Tottenham Court Road, and the original 12-inches the album is built from. We also ask what would have happened to Cabaret Voltaire without punk — and conclude they'd likely have ended up an academic footnote rather than a foundational text. Highlights: 00:00 Intro03:56 Meet Phil Eaglesham07:47 P6 — The Name and the Character09:29 Queer Identity in the Industrial Scene12:55 Pseudonyms and Rockism17:44 Cabaret Voltaire: The Basics22:32 Sheffield, Western Works, and the Scene25:18 Rough Trade, The Fall, and Being Prolific29:10 Working-Class Roots and Industrial Culture32:33 Sci-Fi Soundscapes and Electronic Prehistory35:11 Musique Concrète to Cab Vol: How Close Were They?36:13 Dadaism, Situationism, and Confrontational Art38:40 Punk's Effect on Audiences (Not Just Music)40:11 The Counterfactual: Cab Vol Without Punk41:43 Black Music, Funk, and the DNA Nobody Talks About43:39 New Wave, No Wave, and New York Connections46:29 Factory Records, Crépuscule, and the Belgian Connection47:49 Original Artefacts: Posters, 12-Inches, and History50:31 Why Eight Crepuscule Tracks?52:54 Looking Towards Next Week and Outro

Ce 18 mai, au rayon des incontournables de Pop-Rock Station, Marjorie Hache convoque Dire Straits, Placebo, Janis Joplin, Cat Power ou encore System of a Down. L'animatrice rend deux poignants hommages à des légendes du rock disparues à cette même date : Chris Cornell avec "Black Hole Sun" de Soundgarden, et Ian Curtis avec le titre "Dead Souls" de Joy Division. S'ajoutent à cette belle sélection The Runaways, Dropkick Murphys, Jeff Buckley et Supergrass. En matière de nouveautés, Massive Attack et Tom Waits ouvrent la marche sur "Boots On The Ground". Jack White dévoile "G.O.D and the Broken Ribs", tandis que The Strokes, l'Australienne Courtney Barnett et les Lambrini Girls complètent le tableau. Le groupe londonien Fat Dog s'illustre également avec l'irrévérencieux "Go Fuck Urself". La primeur de la soirée met en lumière le trio francilien Gurl, qui offre la pépite indépendante "Forecast". L'album de la semaine se penche sur le huitième disque de l'Américain Kevin Morby, "Little Wide Open", dont on découvre aujourd'hui l'extrait "Badlands" inspiré par les vastes paysages du Midwest. Enfin, la reprise du jour s'annonce envoûtante : l'artiste électro-folk islandais Ásgeir s'approprie la célèbre chanson "Heart-Shaped Box" de Nirvana. Massive Attack & Tom Waits - Boots On The Ground Soundgarden - Black Hole Sun Joy Division - Dead Souls Placebo - Song To Say Goodbye The Runaways - Cherry Bomb The Kinks - All Day And All Of The Night Cat Power - Peace And Love Kevin Morby - Badlands Dire Straits - Love Over Gold Dropkick Murphys - Johnny, I Hardly Knew Ya The Beach Boys - Barbara Ann The Strokes - Going Shopping Asgeir - Heart Shaped Box System Of A Down - Lonely Day Courtney Barnett - Wonder Depeche Mode - Policy Of Truth Interpol - Lights Lambrini Girls - Cult Of Celebrity Them - Gloria Jeff Buckley - So Real Gurl - Forecast Janis Joplin - Cry Baby Supergrass - Strange Ones Babylon Zoo - Spaceman Fat Dog - Go Fuck Urself Iron Maiden - Fear Of The DarkHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

On today's show, the music world loses Ian Curtis of Joy Division and Chris Cornell of Soundgarden.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:32 What happened on this date in music history08:34 Music award ceremonies that were held on this date in music history10:03 Albums released on this date in music history 11:07 Singles released on this date in music history 11:39 Birthdays of music artists on this date in music history 13:45 Passings of music artists on this date in music history 15:22 What's on tomorrow's episode

This episode we look at the phenomena of hugely successful artists refusing to play the songs that made them!  First among these is Radiohead, whose “Creep” launched them onto the world stage.  Others include The Rolling Stones, Bob Dylan, Led Zeppelin, AC/DC, and Madonna.   Our Album You Must Hear Before You Die is The Stranglers' 1977 debut, the excellent “Rattus Norvegicus”, yet another punk record from the mid-70s. Mick loves this album for its energy and refusal to bow down to supposed “punk” rules.  We also look at some of the highlights of The Stranglers' outrageous career to this day.  In Rock News, Jeff examines the success (or otherwise) of a Quebec band called Angine de Poitrine, known for their complex, “microtonal” compositions and absurdist public image, featuring oversized papier-mâché masks and black-and-white polka-dotted costumes. Imagine! Jeff also has a look at this year's inductees to the Rock & Roll Hall of Fame, including Iron Maiden, Phil Collins, and Joy Division, and our Rod Stewart moment looks at his relaxed attitude towards death.  Plenty there for everyone!  References:  1001 Albums You Must Hear before You Die, Robert Dimery, The Stranglers, Rattus Norvegicus, Hugh Cornwell, JJ Burnel, sexism & misogyny, “(Get a) Grip (on yourself)”, “Peaches”, “Down in the Sewer”, Deep Purple, “Strange Kind of Woman”, ice cream van, "Golden Brown", harpsichord, Battersea Park Big Top Festival strippers, Radiohead, Thom Yorke, Jonny Greenwood, Colin Greenwood, Ed O'Brien, Philip Selway, Pablo Honey, Electioneering, Just, “Rolling Stone's 250 Greatest Guitarists of all Time”, “OK Computer”, Nick Cave, “Creep”, “Pavlov's Dog”, “Julia”, AC/DC, “It's a Long Way to the Top”, Bon Scott, Pat Benatar, “Hit me with your Best Shot”, Beastie Boys, “Fight for Your Right (to Party)”, Billy Joel , “Tell Her About It”, Weird Al Jankovic, “Eat It”, Rolling Stones, “Brown Sugar”, Madonna, Dylan, “Hurricane”, Robert Plant, Led Zeppelin, "Stairway to Heaven", Eric Clapton, "Tears in Heaven”, George Harrison, "My Sweet Lord", "He's So Fine"  Playlist (all the music & artists we referred to in this episode) Angine de Potrine Hugh Cornwell Send us a message, so we know what you're thinking!

Nueva entrega de Música de Contrabando, semanario de actualidad musical de Onda Regional Murcia (14/05/2026) . Con Ángel H. SopenaEntrevistas:- Toni Zenet regresa a sus recuerdos en el marco de su gira más valiente, presentando ''Las Manos y la Voz' - Santi Campillo vuelve a Vistabella con su Power Trío y una pléyade de aliados que quita el aliento. Con su acústica protagoniza una nueva Ss de Contrabando, y nos adelanta un inédito con Pedro Martini.Noticias: Joan Manuel Serrat ha sido galardonado con el Premio de Honor de la Academia de la Música de España . Se anuncia para 2027 la inauguración de un museo de los Beatles en el número 3 de Savile Row de Londres, el edificio donde dieron su último concierto. Cherry Red publicará el 3 de julio The early years Vol. 2, cuatro cedés que recopilan lasgrabaciones de Status Quo de 1970-1972. Deep Purple presentan el vídeo de “Arrogant boy”, single de adelanto de su nuevo disco, Splat!, que, producido por Bob Ezrin, será publicado el 3 de julio.Eric Clapton, Brian May, Billy Gibbons y Ronnie Wood, en el disco póstumo de Steve Cropper. Billy Corgan de The Smashing Pumpkins, presenta A Night of Mellon Collie and Infinite Sadness en Europa, con parada el próximo viernes 11 de septiembre en el Palacio Vistalegre de Madrid. Mike D, miembro de la banda Beastie Boys, no solamente ha lanzado “Switch Up”, su primera canción como artista en solitario, sino que acaba de anunciar una fecha en Barcelona .Red Hot Chili Peppers ha vendido su catálogo de música grabada a Warner Music Group por más de trescientos millones de dólares . Morrissey rinde tributo a Ramones . El concierto de Kanye West en Madrid podría cancelarse. Ian Curtis: Insight” es la nueva exposición que ofrece una mirada íntima a la vida creativa del líder de Joy Division. Netflix ha anunciado el inicio del rodaje de la adaptación de “El acercamiento de la mujer cactus y el hombre globo”, la primera novela de Rayden. El sello Subterfuge prepara su 40 aniversarioNovedades musicales:Father John Misty, Pixies, The Waterboys, Tame Impala, Caroline, The Mountain Goats, Pond, Bloc Party, Yard Act, The Strokes, Rostam, Alcalá Norte, Aiko El Grupo, The Molotovs, Repion, Lykke Li, The Last Dinner Party, Thee Sinners, Helado Negro &:Reyna Tropical, The Head and Heart, Zoh Amba, Triángulo de Amor Bizarro, Serrat, Australia Blonde, Tori Sparks, Madee, Adam Guerrero, Perdón, Alejo Stivel y Silvio Rodríguez, Sandré, Isleña y Javiera Mena, Carlos Sadness, Ave Alcaparra, La La Love You, Antonio Arias, Aldous Harding, Barder, Lambchop, París Paloma, Shinova, Norte Perdido, Adiós Noviembre, (Conga Festival y Demoleer: Verde Columbares, Arde Bogotá.Agenda de conciertos:Santi Campillo, Zenet, Amor Líquido, Non Servium, Guerrero & Muerdo, Carey, Aitana, Agoney, Sidecars...

W dzisiejszym odcinku głównym tematem jest Mixtape – najnowsza produkcja studia Beethoven & Dinosaur (twórców The Artful Escape), wydana przez Annapurna Interactive. Gra, która zadebiutowała w Xbox Game Pass oraz na PS5 i Nintendo Switch 2, wzbudziła ogromne emocje swoim podejściem do narracji i muzyki. Analizujemy, czy ta „interaktywna składanka wspomnień” to jeszcze gra wideo, czy już trzygodinny teledysk. Rozmawiamy o nostalgii za latami 90., genialnym soundtracku (Iggy Pop, Joy Division, The Cure) oraz o tym, czy brak tradycyjnych wyzwań w gameplayu jest wadą, czy zaletą tej opowieści o dorastaniu. W programie: Recenzja Mixtape – czy klimat i „vibe” wystarczą, by uznać tę grę za hit? Dyskusja o długości gier – 3 godziny zabawy za 20 dolarów: uczciwa oferta czy przesada?Soundtrack roku? – analizujemy dobór utworów i ich rolę w budowaniu onirycznych sekwencji wspomnień. Co jeszcze u nas słychać? – krótkie podsumowanie tego, w co graliśmy w ostatnim tygodniu (w tym m.in. powrót do tematów z poprzednich tygodni).Prowadzący: Paweł Typiak i Mateusz FidutRealizacja: Bartek Matla

This week, the internet did what it always does: took something good, something that clearly resonated with real people, and turned it into a battlefield. We're talking about Mixtape — the new game from Beethoven & Dinosaur and Annapurna — and why the so-called "controversy" surrounding it tells you more about gaming culture than it does about the actual game.Because let's be honest: a 2-to-3 hour game with a 95 Metascore on Xbox, thousands of positive Steam reviews, and music from Devo, Joy Division, and the Smashing Pumpkins doesn't NEED the internet's permission to be good. But here we are. We're going to talk about why these faux controversies keep popping up, what they say about who gaming makes room for, and why some people just cannot stand it when a game dares to be an emotional experience without a fail state.Then we get into Saros — Housemarque's spiritual successor to Returnal — and yeah, we have THOUGHTS. Arjun Devraj, Rahul Kohli going absolutely OFF in this performance, cosmic horror on planet Carcosa, and a roguelite loop that somehow got MORE accessible without losing the teeth that made Returnal special. Is it better than Returnal? That's a conversation we need to have.We also sat down with Directive 8020 — the newest entry in Supermassive's Dark Pictures Anthology — which takes the series to space and has y'all fighting alien mimics in the void. Alien meets The Thing in video game form? The story and the Turning Points mechanic are genuinely doing something. The stealth sections though… we'll talk about it.And to close it out: Double Fine — Tim Schafer's legendary studio, makers of Psychonauts and the recently released Kiln — has filed a petition to unionize with the CWA. 42 workers. Microsoft taking a neutral stance. This is big, and it's part of a larger wave rolling through the industry. Workers deserve protection, and this moment matters. We're gonna break it all down.Let's get into it.Twitter/X — https://twitter.com/spawnonmeInstagram — https://instagram.com/spawnonmeYouTube — https://youtube.com/@spawnonmeTwitch — https://twitch.tv/spawnonmeSpotify — https://open.spotify.com/show/spawnonmeApple Podcasts — https://podcasts.apple.com/spawnonme

Robert meets legendary photographer ANTON CORBIJN to discuss his major retrospective opening this weekend in Berlin at Fotografiska museum.The story of Anton Corbijn begins in the quiet corners of a small Dutch island, where he grew up as the son of a vicar. For a young Corbijn, music was an escape, a passion that consumed him. His camera soon became both a tool and a companion, a way to channel his fascination with music and, perhaps more importantly, a means to navigate his own shyness.When Corbijn moved to London in 1979, the city was electric with the energy of bands like The Clash, The Jam, and Joy Division. Within ten days of arriving in England, he managed to photograph Joy Division claiming he was on assignment for a major Dutch magazine, even though he hadn't been officially commissioned.Now, having celebrated his 70th birthday last year, Corbijn looks back on over five decades of work that spans photography, music videos, and film. Corbijn, Anton celebrates his 50-year career and revisits his extensive body of work. Here, you will encounter nearly 150 pieces: iconic portraits of legends like Depeche Mode, Tom Waits, U2, the Rolling Stones, Martin Scorsese, and Marlene Dumas, as well as German icons Nina Hagen, Herbert Grönemeyer, Einstürzende Neubauten and Wim Wenders. His signature black-and-white grainy aesthetic became a defining visual language in his work.A polymath in photography, music videos, feature films, graphic design, and commercials, Dutchman Anton Corbijn is perhaps best known for immortalizing some of the greatest artists of our time. His iconic portraits of musicians, directors, and artists, such as Joy Division, Depeche Mode, Tom Waits, U2, the Rolling Stones, Martin Scorsese, Clint Eastwood, Gerhard Richter, Ai Weiwei, Marlene Dumas among others, are praised for the way they capture the soul and charisma of his subjects.Effortlessly moving in the early 80s from photography into music videos, Corbijn has since made over 80 promos for people like U2, Johnny Cash, Arcade Fire, Depeche Mode, Nirvana, Metallica, Nick Cave, Coldplay, and The Killers. He is the Artistic Director behind the visual output of Depeche Mode. For U2 he has done the principal promotion and sleeve photography for four decades.In 2006 Corbijn started working on his first feature film Control about the life, and death, of Ian Curtis, Joy Division's lead singer. The film won many awards worldwide, including 5 BIFAs and the Camera d'Or Special Mention at Cannes Film Festival 2007. Corbijn has since made The American starring George Clooney (2010), A Most Wanted Man, based on the novel by John Le Carré and featuring the late Philip Seymour Hoffman (2014), and Life, about James Dean and photographer Dennis Stock, which stars Robert Pattinson and Dane DeHaan (2015).In 2023, Corbijn released his first feature documentary Squaring The Circle about the iconic album art design studio Hipgnosis. In 2025, he directed his fifth feature film titled Switzerland starring Helen Mirren.Follow: @AntonCorbijn4RealVisit the exhibition: @Fotografiska.Berlin Hosted on Acast. See acast.com/privacy for more information.

durée : 00:59:20 - Very Good Trip - par : Michka Assayas - Manchester, 1980. Ian Curtis meurt, Joy Division disparaît. De ses cendres naît New Order, et avec lui, une autre façon d'habiter la musique : du post-punk obscur aux dancefloors lumineux. - réalisation : Vincent Godard Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

An Indian lawyer in 2000 could not have recognised the legal ecosystem of today. One firm took India marching forward into a new world. Akshay Jaitly joins Amit Varma in episode 443 of The Seen and the Unseen to describe the rise of the firm he founded, Trilegal -- and the lessons he learnt during that journey. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Akshay Jaitly on Twitter, Linkedin and Nicheless. 2. Trilegal: The Making of a Modern Indian Law Firm -- Akshay Jaitly. 3. TrustBridge. 4. Climate Change and Our Power Sector — Episode 278 of The Seen and the Unseen (w Akshay Jaitley and Ajay Shah). 5. Blood on the Tracks -- Bob Dylan. 6. The Art of Reading -- Episode 120 of Everything is Everything. 7. Scrivener. 8. The Creative Act -- Rick Rubin. 9. Testaments Betrayed — Milan Kundera. 10. Amicus Curiae: Khaitan & Co is 100 -- Aditi Roy Ghatak. 11. The Broken Script — Swapna Liddle. 12. Swapna Liddle and the Many Shades of Delhi — Episode 367 of The Seen and the Unseen. 13. The Tocqueville Effect. 14. The Age of the Partial Outsider — Janan Ganesh. 15. Rahul Matthan Seeks the Protocol — Episode 360 of The Seen and the Unseen. 16. Privacy 3.0 — Rahul Matthan. 17. Letters To A Young Poet -- Rainer Maria Rilke. 18. Shattered Lands: Five Partitions and the Making of Modern Asia -- Sam Dalrymple. 19. A Brief History of the World in 47 Borders -- Jonn Elledge. 20. The Beginning of Infinity -- David Deutsch. 21. The Fabric of Reality -- David Deutsch. 22. A Gentleman in Moscow — Amor Towles. (Also watch the series!) 23. Mobland -- Ronan Bennett. 24. The Diplomat -- Debora Cahn. 25. Fontaines DC, Joy Division, Massive Attack, St Germain, Kruder & Dorfmeister and Tosca on Spotify. 26. Rock en Seine. Amit Varma runs a course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. And have you read Amit's newsletter? It's madly active right now! Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: 'Disrupt' by Simahina.

In a market town seven miles south-east of Manchester, a recording studio opened above a shop in 1968 that became one of the most significant facilities in British music history. Strawberry Recording Studios in Stockport was where 10cc built their sound, where Paul McCartney brought Wings to record his brother Mike’s album, where Neil Sedaka revived his career, and where Joy Division and The Smiths made their early recordings. For a long time, much of this went unremarked. Peter Tattersall, the studio’s co-founder, and Peter Wadsworth, a music historian at the University of Manchester, discuss the history of Strawberry Studios. The soundproofing, Tattersall mentions, was worked out from books borrowed from Stockport Library. That detail tells you all you need to know. Further information strawberrynorth.co.uk Strawberry Studios Forever: Strawberry Studios, 10cc and the Birth of Manchester Music by Peter Tattersall with Peter Wadsworth is available in all good book shops Strawberry Studios Forever podcast tracks Support The Strange Brew Podcasts also available: Eric Stewart – Part 1, Eric Stewart – Part 2, Graham Gouldman, Kevin Godley, Harvey Lisberg, Mike McGear McCartney, Keith Hopwood – Herman’s Hermits This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms If you like what I do please support me on Ko-fi The post Strawberry Studios Forever appeared first on The Strange Brew .

Pat welcomes Murray to the Zoom Room to play some of their favorite songs from the 2026 Rock 'n' Roll Hall Of Fame Inductees.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us Fan MailThe Rock and Roll Hall of Fame always finds a way to start a fight, and the 2026 class is no exception. We jump from concert posters and the closing of Gallery 1988 to a full-on debate about what the Hall is supposed to reward: sales, influence, longevity, cultural disruption, or some messy mix of all four.We break down the 2026 Rock Hall inductees Phil Collins, Billy Idol, Iron Maiden, Joy Division/New Order, Oasis, Sade, Luther Vandross, and Wu-Tang Clan, then pull apart the logic behind the biggest headline: Mariah Carey getting left out again. We lay out the stats, talk through the “rock bias” that still shows up in voting, and ask why pop legends keep getting treated like side quests in a museum that claims to document music history. From there, we dig into influence as a real musical currency, from Iron Maiden's blueprint for modern metal to Joy Division and New Order shaping alternative and electronic rock for decades.The conversation widens to the definition of rock and roll itself, including hip hop's place in the Hall and why Wu-Tang's impact fits the original spirit of rebellion better than a narrow “guitars only” rule. We also get into the practical side of the ceremony: who can actually perform, why some years feel like catch-up years, and which artists we think the Hall keeps missing, especially Jeff Buckley. We wrap with what's exciting right now, including a surge of women-fronted rock and a reminder that defining live moments like Nine Inch Nails at Coachella can be as historic as any induction.If you've got a take, we want it. Subscribe, share this with the friend who always argues about the Rock Hall, and leave a review with who you think got snubbed most.www.TheTouringFanLive.commedia@TheTouringFanLive.Comwww.facebook.com/TheTouringFanLiveInstagram-@TheTouringFanLiveCopyright The Touring Fan Live 2026

Greg and Sorcerer Chromatic drink and review beers from Lagunitas Brewing Company (Petaluma, CA) and Firestone Walker Brewing Company (Paso Robles, CA). In our Beer News, we talk about Evil Genius Beer Company (Philadelphia, PA) buying 21st Amendment Brewery (San Francisco, CA). For our Cöld Brüe List, Sorcerer Chromatic runs down this year's Rock 'n Roll Hall of Fame inductees, including Wu-Tang Clan, Iron Maiden, Phil Collins, Joy Division, and Oasis. In our Drunken Shenanigans: Sorcerer Chromatic talks about his weekend in Monterey, CA, including have some Peter B's Brewpub beer. Greg talk about going to two beer events. On Saturday April 18th, he went to Sana Sana Cervercería's 1st Anniversary party in Downtown Phoenix. On Sunday April 19th, he went to Lager Fest at Brat Haus in Scottsdale, AZ.

Show Date: 4/23/26Dan and Andy review the 1979 debut album "Unknown Pleasures" by Joy Division.Link to the film "Control" Sports and Songs Podcast Links:https://www.facebook.com/sportsandsongs1https://twitter.com/SportsandSongs1https://www.instagram.com/sportsandsongs/https://www.sportsandsongspodcast.com/

What's up posers? It was Dylan's turn this week to be assigned a year, and he was given the year 1986. He decided to finally rip the band aid off and we are tackling The Fall. We are discussing their 9th studio album Bend Sinister, a record that was considered their most commercial at the time. Be warned, there will be lots of Mark E. Smith impressions. Call our voicemail line 202-688-PUNK or send us a voice note at punklottopod@gmail.com to get it played on the show Join our new $5 Patreon Producer Tier to get your name said on the show every week. You also get access to a Producer exclusive monthly bonus episode discussing a different EP, and you get to vote in the poll that determines what EP we talk about that month. You can also join our $1 tier to get access to all of our weekly bonus audio. We also have a $10 tier where you get to choose the album we discuss on an episode - patreon.com/punklottopod Major Awards EP - majorawards.bandcamp.com Merch Shop - redbubble.com/people/punk-lotto-pod/shop Podcast platforms and social media links at linktr.ee/punklottopod Leave us a review and rating on Apple Podcasts and Spotify. Song clips featured on this episode: R.O.D. by The Fall Dktr. Faustus by The Fall Mr. Pharmacist by The Fall

In Episode 97 of the miserable music podcast, Fran, Matt, and Sam review four more recently released albums and a classic album none of us know. The episode closes, as always, with one of the panel telling you about a band or artist they adore in the 'Why I Love' section.This month, the new albums are from Mitski, Yebba, By Storm and Altin Gun and the 'classic' is from 10,000 Maniacs. Fran closes the show by telling you why he loves Joy Division. Warning: this episode contains what one of the hosts calls 'their worst music take of all time.'If you enjoy the show, please do subscribe to the show on your podcast app, give us a nice review, and follow us on Instagram @thepickybastards and Bluesky @pickybs.com. Hosted on Acast. See acast.com/privacy for more information.

This week on The Metro, Rev Jeff Ivins brings more 80s tunes to your ear worm with these following artists: Berlin, Katrina And The Waves, INXS, Kik Kershaw, Joy Division, Trio, Oingo Boingo, Maria McKee, Bad Religion, 999, Buzzcocks, Ian Dury, T.S.O.L., X, and finishing up with the Germs.

The two records up for discussion in this week's podcast are both from 2006 and have at least some connection to broader post-industrial traditions, but those might be the only links between Dioxyde's aggrotech-inflected Social Phobia and the Lovecraftian ambience of Flint Glass' Nyarlathotep. It's also a news heavy week with discussion of Joy Division and New Order's inductions into the Rock and Roll Hall Of Fame, and the lineups for the Cold Waves and Absolution festivals.

durée : 00:48:53 - Affaires sensibles - par : Fabrice Drouelle - Aujourd'hui dans Affaires sensibles, La Tragédie Ian Curtis. - réalisation : Stéphane Ronxin, Valentine Chédebois, Franck Cognard, Rebecca Denantes, Claire Teisseire, Sophie Bober Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

It's Gabe's favorite time of year AGAIN! We pick over this year's crop of nominees for induction into the Rock And Roll Hall of Fame and decide which ones we love, which ones we hate the least, and which ones we're not touching with a ten foot pole. Is this Iron Maiden's year? Will Ben ever get over Joy Division being lumped in with New Order? Who keeps nominating Billy Idol? And who gives a shit??? PLUS!: Local H driver and Karen wrangler Pete Beeman checks in with a new prank call project.

Howard Devoto and Pete Shelley read a review of the Sex Pistols in February 1976, borrowed a car, drove to London, asked the NME where they'd find the band and were told ‘try a sex shop in the King's Road'. The events that followed changed both the culture of Manchester and the course of rock history, a story mapped out in David Nolan's excellent ‘I Swear I Was There', a book as much about the audience as the band. His theory: “If the Pistols hadn't played the Lesser Free Trade Hall … no Buzzcocks, Joy Division, Factory Records, ‘indie' scene, Smiths, Fall, Nirvana, Blur, Oasis, Radiohead or Prodigy.' As the 50th anniversary looms, he talks to us here about … … those who claimed to be there and the ones who actually were … the contrast between myth and reality … the letter Morrissey sent the NME: “Maybe the Pistols will be able to afford some clothes which don't look as though they've been slept in” … punk metaphor: Howard Devoto asking a tailor to narrow his trouser legs and being told, “there's no going back” … North/South crowd violence: “a battle with a gig breaking out in the middle” … the three reels of home-movie and the photos that turned up 36 years later … Sister Rosetta Tharpe, ‘Judas' at the Free Trade Hall, Stones In The Park and other landmark Manchester moments ... the pioneering impact of Granada TV … “if you look at Manchester now, its media, its skyscrapers, its cultural prosperity, none of that would have been happened without those Pistols gigs” … “Sheffield would have admired them, Manchester thought: we can do better!” … and various bit-part players – Tony Wilson, Peter Hook, Paul Morley, Jordan and Jon the Postman. Order ‘I Swear I Was There' here: https://www.amazon.co.uk/Swear-Was-There-Pistols-Manchester/dp/1786060159 Book promotions at Walthamstow Rock & Roll Book Club, London - 25 May (link below); Nudie, Manchester – 28 May; Central Library, Manchester - 11July: https://www.eventbrite.co.uk/e/david-nolan-i-swear-i-was-there-tickets-1985356197832?utm_experiment=test_share_listing&aff=ebdsshios&sg=0713ff5cbb20ee739ec0a8803927c4228f74fda0c5bac9785b11548a1e5b7c04ba91c0af5267ba677dfafa61163636f97633016b86ba8be02a78ecdb7f234740f0be4f90136c5fd636905d294bHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Howard Devoto and Pete Shelley read a review of the Sex Pistols in February 1976, borrowed a car, drove to London, asked the NME where they'd find the band and were told ‘try a sex shop in the King's Road'. The events that followed changed both the culture of Manchester and the course of rock history, a story mapped out in David Nolan's excellent ‘I Swear I Was There', a book as much about the audience as the band. His theory: “If the Pistols hadn't played the Lesser Free Trade Hall … no Buzzcocks, Joy Division, Factory Records, ‘indie' scene, Smiths, Fall, Nirvana, Blur, Oasis, Radiohead or Prodigy.' As the 50th anniversary looms, he talks to us here about … … those who claimed to be there and the ones who actually were … the contrast between myth and reality … the letter Morrissey sent the NME: “Maybe the Pistols will be able to afford some clothes which don't look as though they've been slept in” … punk metaphor: Howard Devoto asking a tailor to narrow his trouser legs and being told, “there's no going back” … North/South crowd violence: “a battle with a gig breaking out in the middle” … the three reels of home-movie and the photos that turned up 36 years later … Sister Rosetta Tharpe, ‘Judas' at the Free Trade Hall, Stones In The Park and other landmark Manchester moments ... the pioneering impact of Granada TV … “if you look at Manchester now, its media, its skyscrapers, its cultural prosperity, none of that would have been happened without those Pistols gigs” … “Sheffield would have admired them, Manchester thought: we can do better!” … and various bit-part players – Tony Wilson, Peter Hook, Paul Morley, Jordan and Jon the Postman. Order ‘I Swear I Was There' here: https://www.amazon.co.uk/Swear-Was-There-Pistols-Manchester/dp/1786060159 Book promotions at Walthamstow Rock & Roll Book Club, London - 25 May (link below); Nudie, Manchester – 28 May; Central Library, Manchester - 11July: https://www.eventbrite.co.uk/e/david-nolan-i-swear-i-was-there-tickets-1985356197832?utm_experiment=test_share_listing&aff=ebdsshios&sg=0713ff5cbb20ee739ec0a8803927c4228f74fda0c5bac9785b11548a1e5b7c04ba91c0af5267ba677dfafa61163636f97633016b86ba8be02a78ecdb7f234740f0be4f90136c5fd636905d294bHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Howard Devoto and Pete Shelley read a review of the Sex Pistols in February 1976, borrowed a car, drove to London, asked the NME where they'd find the band and were told ‘try a sex shop in the King's Road'. The events that followed changed both the culture of Manchester and the course of rock history, a story mapped out in David Nolan's excellent ‘I Swear I Was There', a book as much about the audience as the band. His theory: “If the Pistols hadn't played the Lesser Free Trade Hall … no Buzzcocks, Joy Division, Factory Records, ‘indie' scene, Smiths, Fall, Nirvana, Blur, Oasis, Radiohead or Prodigy.' As the 50th anniversary looms, he talks to us here about … … those who claimed to be there and the ones who actually were … the contrast between myth and reality … the letter Morrissey sent the NME: “Maybe the Pistols will be able to afford some clothes which don't look as though they've been slept in” … punk metaphor: Howard Devoto asking a tailor to narrow his trouser legs and being told, “there's no going back” … North/South crowd violence: “a battle with a gig breaking out in the middle” … the three reels of home-movie and the photos that turned up 36 years later … Sister Rosetta Tharpe, ‘Judas' at the Free Trade Hall, Stones In The Park and other landmark Manchester moments ... the pioneering impact of Granada TV … “if you look at Manchester now, its media, its skyscrapers, its cultural prosperity, none of that would have been happened without those Pistols gigs” … “Sheffield would have admired them, Manchester thought: we can do better!” … and various bit-part players – Tony Wilson, Peter Hook, Paul Morley, Jordan and Jon the Postman. Order ‘I Swear I Was There' here: https://www.amazon.co.uk/Swear-Was-There-Pistols-Manchester/dp/1786060159 Book promotions at Walthamstow Rock & Roll Book Club, London - 25 May (link below); Nudie, Manchester – 28 May; Central Library, Manchester - 11July: https://www.eventbrite.co.uk/e/david-nolan-i-swear-i-was-there-tickets-1985356197832?utm_experiment=test_share_listing&aff=ebdsshios&sg=0713ff5cbb20ee739ec0a8803927c4228f74fda0c5bac9785b11548a1e5b7c04ba91c0af5267ba677dfafa61163636f97633016b86ba8be02a78ecdb7f234740f0be4f90136c5fd636905d294bHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

This week, we're going to look at the case for Joy Division New Order to be inducted into the Rock and Roll Hall of Fame, whether they want to get in or not.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters:00:00 Intro 00:17 Joy Division New Order History04:49 Joy Division New Order Commercial Success08:14 Joy Division New Order Awards10:58 Who Joy Division New Order Influenced12:27 Why Joy Division New Order Should Be Inducted15:41 Why Joy Division New Order Shouldn't Be Inducted19:57 Outro

An alternate mix i made to one of the greatest songs I've ever heard. From many years ago.

Bienvenidos Bastarnautas a un episodio más de tus Bastardos Favoritos. Deleita tus papilas auditivas con un clasicazo de Joy Division, seguido de esta banda llamada Free Whenever que es una mezcla enigmática de funk, dub, socidelia, jazz. Escucha esta perlita de funk brasileño de Diogo Strauss y a fresones rebeldes con un clásico bastardo que nunca nos falla. Así que remangate los pantalones, péinate las patillas, desabrochate el cinturón, saca la panza y suéltate la greña para sumergirte, una vez más en cabina, con los Bastrados con Suerte.

Formed by Rob McDonnell (vocals/guitar) alongside Baz Daly (bass) and Justin Capocci (drums), with former Keeley guitarist Dan Kane later completing the lineup, Kampala have quietly built a reputation as one of Ireland's most compelling underground guitar bands — balancing dark-edged atmosphere with driving, melodic immediacy. Drawing inspiration from several decades of iconic sounds, the band's music carries echoes of Depeche Mode, The Cure, Smashing Pumpkins, Suede, Seattle Grunge, Johnny Marr, Joy Division, Gang of Four, DIIV, Interpol, Foals, among others. In more recent times, the band have also been influenced by contemporary artists such as Fontaines D.C., The Murder Capital, NewDad, The Twilight Sad, Osees, Lo Moon, The War On Drugs, Deep Sea Diver to name but a few. Since 2022, Kampala have built their following through relentless gigging across Ireland and Germany, earning a reputation for intense, immersive live shows. With Madernity, Kampala step fully into their identity — a band documenting the present moment with grit, melody and intent. The album's fourth single and emotional centerpiece, “It's Not Me, It's You” explores the liberating moment of recognising toxicity in a relationship. It's both personal and universal — a sharp contrast to the album's broader social lens. Written late in the album process, the track earned its place instantly. “The chorus hook was irresistible. As soon as we heard it, we knew it had to be on the record.” Recorded in a single live take like the rest of the album, it captures Kampala at their most immediate and emotionally direct.

This week on The Metro, Rev. Jeff Ivins brings you the following artists for your ear worm’s enjoyment: Joy Division, The Psychedelic Furs, The Stranglers, The Human League, Undertones, Great Buildings, Falco, Altered Images, David Byrne with Ghost Train Orchestra, John Cafferty & The Beaver Brown Band, Madness, Kate Bush, Gang Of Four, Elvis Costello, […]

Mardi, Margaux Lassalle poursuit la semaine aux commandes de Pop-Rock Station sur RTL2 pendant les vacances de Marjorie Hache. L'émission s'ouvre avec Joy Division et "Love Will Tear Us Apart", avant un enchaînement mêlant figures du rock et découvertes avec Kim Gordon, Depeche Mode, Thin Lizzy, Hard-Fi ou Fleetwood Mac. Parmi les nouveautés diffusées dans la soirée figurent notamment "Bad Wolf" de Puscifer, "You Got To Lose" des Black Keys, "Out Of Control" de Ghinzu, ainsi que le nouveau titre de Foo Fighters "Your Favorite Toy". La reprise du soir met à l'honneur The Presidents of the USA qui revisite "Video Killed The Radio Star" des Buggles. La recommandation de Francis Zégut met en lumière Sofia and the Antoinettes avec "Hi My Love". La perle du jour est "Just Breathe" de Pearl Jam, tirée de l'album "Backspacer" sorti en 2009. La programmation convoque également Radiohead, The Beatles, Joan Jett, Pantera, Phoenix ou Lana Del Rey avant de conclure avec le long format de la soirée : "Roundabout" de Yes, extrait de l'album "Fragile" paru en 1971. Joy Division - Love Will Tear Us Apart Kim Gordon - Not Today Depeche Mode - Heaven Thin Lizzy - Whiskey In The Jar Hard-Fi - Cash Machine Gary Glitter - I'm The Leader Of The Gang (I Am!) The Hives - Come On ! Puscifer - Bad Wolf Fleetwood Mac - Big Love Radiohead - Paranoid Android Steely Dan - Pretzel Logic The Black Keys - You Got To Lose Eugene Mcguinness - Shotgun Presidents Of The USA - Video Killed The Radio Star Santigold - Say Aha The Beatles - Helter Skelter Foo Fighters - Your Favorite Toy Slade - Cum On Feel The Noize Sofia And The Antoinettes - Hi My Love Joan Jett - Bad Reputation Green Day - Oh Yeah Ghinzu - Out Of Control T.Rex - Children Of The Revolution Pantera - This Love Pearl Jam - Just Breathe Phoenix - Everything Is Everything Lana Del Rey - White Feather Hawk Tail Deer Hunter Yes - RoundaboutHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

"Happy Birthday, Peter Hook" There's nothing about Peter Hook that I can tell you you don't already know, so let's just do a refresher run through his musical CV. In the late '70s Hook formed Joy Division with childhood pal Bernard Sumner after the two friends saw the Sex Pistols play in Manchester. The band only put out two albums and one of those albums, the legendary Closer was put out two months after the band had ceased to b,e due to the suicide of singer Ian Curtis on the eve of Joy Division's debut US/Canada tour. Rechristened New Order and consisting of the remaining members of Joy Division plus keyboardist Gillian Gilbert, New Order blended jittery post-punk rhythms with dance music. The result? Well, you know the result. They were one of the biggest bands of the '80s, spawning hits like True Faith, The Perfect Kiss, Subculture and Blue Monday, which was the biggest selling 12-inch of all time. It might still be. New Order dominated the '80s, but the '90s weren't too shabby—they had a #1 UK hit with World In Motion in 1990 and they had their biggest US hit with “Regret” in 1993. They kept crushing it, putting out Get Ready in 2001 and collaborating with Billy Corgan and Bobby Gillespie of Primal Scream. They were given the Godlike Genius award at the 2005 NME awards and got nominated for a Grammy in 2006 for Guilt Is a Useless Emotion. Then things got a bit sour, with Hook leaving the band in 2007 and forming his own outfit Peter Hook and the Light, a band that featured his son Jack and much to his fans delight, revisited the Joy Division and New Order songbooks. Over the course of his career Hook has worked with The Stone Roses, and Perry Farrell, he toured with the Durutti Column, put out albums with Revenge and Monaco and wrote one of the best music books ever: Substance; Inside New Order. This is a partial list, btw. Almost a partial partial list because when it comes to Peter Hook, there's a lot of ground to cover. But these are the basics. Do a deeper dive after you hear the show—the guy is a titan. As for his split with New Order and his boyhood pal Bernard, we don't have time to go over the legal end of that dissolution, so let's just say this. If you're hoping for a reunion you're wasting your good hope energy. Not going to happen. As a bassist, he plays with an authoritative blend of prowl and sting and not only is he one of the all time greats, he also happens to be a nice guy. This chat covers his fractured friendship with Sumner, why the New Order/Joy Division songbooks appeal to fans across generations and what Hooky has learned from his old material. www.peterhookandthelight.live www.bombshellradio.com www.embersarts.com www.stereoembersmagazine.com www.alexgreenbooks.com Stereo Embers The Podcast Twitter: @emberseditor Instagram: @emberspodcast Email: editor@stereoembersmagazine.com

Join Johnny Galvatron as he reveals the magic behind Mixtape, a game that blends 90s nostalgia with raw creativity. Discover how music from Devo and Joy Division shapes storytelling in this unique gaming experience. All this and more only on Gamertag Radio!Send us questions - fanmail@gamertagradio.com | Speakpipe.com/gamertagradio or 786-273-7GTR. Join our Discord - https://discord.gg/gtr chat with other GTR community member.

Students of classical music know that Johann Sebastian Bach was one of the most important and influential composers of all time…his use of instruments, four-part harmonies, and use of innovative structures in his material were all brilliant… When he was alive, he commanded plenty of respect…but after he died in March 1685, he was almost forgotten…the only reason we talk about him today is that there was a Bach revival in the 19th century…he became a retro hero in the world of classical music… No one knew anything about Robert Johnson when he was alive other than some myths and legends among hardcore fans of Delta Blues…but when his records were reissued in 1961, 23 years after he died, did his reputation explode… Charles Mingus was revered by fellow jazz artists…it was only after he passed away in 1979 that his influence on jazz was celebrated… We can also talk about posthumous praise for Nick Drake, Jeff Buckley, and Elliott Smith…and although Tupac and Biggie were big stars when they were shot, they became even bigger stars in death… I'm going to add another name to this list: Ian Curtis and Joy Division…when Ian took his own life in May 1980, he and the band were so skint that he had to give his dog away because he and his wife couldn't afford to feed him… Today, though, Ian and Joy Division are acknowledged as one of the most important and most influential post-punk bands ever…why?...what was the big deal about Joy Division? And why do they continue to be a big deal?...let's examine this. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on The Metro, Rev. Jeff Ivins brings you more music from the 1980s featuring: Devo, Single Bullet Theory, Red Rider, Irene Cara, Gary Numan, Cyndi Lauper, Blondie, Q-Feel, The Cult, Joy Division, Romeo Void, The Stranglers, Yeah Yeah Yeahs, U2, and Spandau Ballet.

For founding member (and lead singer) Bernard Sumner’s 70th, let’s listen to some New Order covers, as well as some Electronic and Joy Division for good measure! (66 minutes) Check out https://www.squarespace.com/COVERVILLE to save 10% off your first purchase of a website or domain using code COVERVILLE!