Podcast appearances and mentions of Joy Division

Let's Chat!The deepest truths aren't spoken—they're carved into riddles we leave for ourselves to find.Detective Walter Grayson has been chasing the mysterious Greenbrier through a labyrinth of riddles, but tonight, the pursuit takes a devastating turn. Under an ancient oak tree at Brockwell Asylum, he unearths a box containing items that shouldn't exist: his hospital bracelet from 1974, a knife bearing his initials, and Polaroids showing impossible scenes from a past he doesn't remember living.As Grayson and his partner Laura Black venture deeper into the abandoned asylum, they discover walls covered in riddles written in his handwriting—some fresh, some decades old. A spiral pattern leads them through haunted corridors while post-punk anthems from Joy Division, The Cure, and The Smiths emanate not from speakers but from the building itself, each lyric a piece of a confession Grayson has been avoiding.What begins as a detective story transforms into something far more profound: an excavation of memory, a confrontation with buried truths, and the terrifying realization that Grayson might not be hunting the Greenbrier—he might be the Greenbrier himself. Every riddle is a confession in disguise, every spiral a path back to the self, and every silence a truth waiting to be spoken.This episode isn't just about supernatural horror; it's about the boxes we all bury, the patterns we circle without recognizing, and the witnesses who see the truths we pretend not to know. Through five powerful reflections, you'll be challenged to examine your own riddles and face what you've been avoiding. Because as Grayson discovers, peace of mind doesn't come from cleverness or forgetting—it comes from finally speaking the words you've been afraid to say.The Greenbrier doesn't live in the shadows. He lives in the questions you refuse to answer. He will wait until you finally speak.Ready to confront your own riddles? Connect with me through the description link, email anthony@gentsjourney.com, or find me on Instagram @mygentsjourney. Remember: you create your reality."True mastery is found in the details. The way you handle the little things defines the way you handle everything."

Burn Kit: Noise with HeartGuest: Valentino (Burn Kit) • Host: Graham CoathFrom New Hampshire's Dover (yes, there's an “old” one too) to stages across Europe and the US, Valentino of Burn Kit brings raucous guitars, serious intent, and a very human pulse. In this conversation, he and Graham dig into the band's British post-punk DNA (The Damned, Joy Division, Chameleons, The Smiths), why the songs are dark but the people aren't, and how a DIY writing process becomes a full-band wildfire.They get honest about passion vs paycheque bands, why live shows deliver a feeling screens can't, and the eternal tussle between algorithm-chasing and making work from the heart. Valentino shares how Burn Kit craft energetic, person-to-person gigs that “wake people back up,” and what's next: touring now, then heads-down on their first full-length album.In this episode:The origin of the name Burn Kit (and the almost-band names that didn't make it)British influences shaping an American soundValentino's demo-to-band songwriting flow — and how each member elevates the trackSerious music, healthy humour: avoiding the “untouchable prince of darkness” actWhy some bands keep going without passion (and why Burn Kit won't)Community > virality: the live connection you can't streamAuthenticity in a saturated scene — and how to “educate the algorithm”What's next: the debut LP and how listeners can genuinely supportSupport the artist: Find Burn Kit on Bandcamp and say hello on their socials — every play, purchase, and share helps independent music thrive.If you enjoyed this chat, follow My Music, leave a quick rating/review, and pass the episode on to a friend who loves their guitars loud and their art honest.

Vanguardistas have more fun—so if you don't already subscribe to the podcast, join the Vanguard today via Apple Podcasts or extratakes.com for non-fruit-related devices. In return you'll get a whole extra Take 2 alongside Take 1 every week, with bonus reviews, more viewing recommendations from the Good Doctors and whole bonus episodes just for you. And if you're already a Vanguardista, we salute you.  Grab the popcorn, because we've got a load more sweet and salty reviews for you this week on the Take. We'll let you find out which are which. First up, ‘Honey, Don't', the neo-noir crime comedy from Ethan Coen that follows ‘Drive-Away Dolls' as the next in a soon to be trilogy. Plus, two new indie flicks: Cork-set drama Christy, following two brothers forging a new life outside the care system, and the odd-couple holiday drama ‘Signs of Life'. There's ‘The Conjuring: Last Rites' too... but is it really really the last one this time?   Our guest this week is the ever-excellent Sam Riley—a stalwart on British screens since his breakout role as Ian Curtis in the Joy Division singer's biopic ‘Control'. This time he's starring in ‘Islands', a mysterious sun-soaked thriller out next week. He plays tennis coach Tom—who seems to have the perfect life hitting rallies all day and chasing holiday flings all night—but things get complicated when he gets wrapped up in a dodgy family drama. Sam sits down with Simon to unpack his role in the movie, plus they talk middle-aged angst, holidays in the German Skegness, and that time he almost got arrested in Aberdeen... Keep an ear out for Mark's review of the film next week too.   There's top correspondence from you Wittertainees as always too, as we dive ever deeper into the cinema seating debate and beyond. Don't miss another top Take!      Timecodes (for Vanguardistas listening ad-free):  Honey, Don't: 08:15  Box Office Top Ten: 14:00  Sam Riley Interview: 26:15  The Conjuring: Last Rites: 38:49  Signs of Life Review: 52:33  Christy Review: 58:13        You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo  Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey   EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee!  A Sony Music Entertainment production.      Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts    To advertise on this show contact: podcastadsales@sonymusic.com  Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on The Wednesday Week we've got plenty to get into! We relive Tuesday night's dramatic penalty shootout win over Leeds, before looking back at a tough defeat against Swansea. There's fresh transfer news with a new face through the door, plus the latest on the ongoing takeover saga at Hillsborough. All that and more, as the Owls rollercoaster keeps rolling. Hosted on Acast. See acast.com/privacy for more information.

Just two albums, one almost-hit single, a handful of TV appearances, 100-or-so gigs: all of them 40-plus years ago. Ancient history! So, why are we - and so many others across the globe - still talking about Joy Division? Today, we at Known Pleasures attempt to disentangle Factory from fiction as we try to understand how this unassuming quartet - armed only with a startlingly brilliant array of songs, and a genius, sometimes deeply eccentric producer managed this miraculous feat.  Video version of this episode: https://www.youtube.com/watch?v=pi9fH7wcLzU Facebook: https://www.facebook.com/profile.php?id=100063297726030 Youtube: https://www.youtube.com/@KnownPleasuresPodcast Instagram: https://www.instagram.com/knownpleasurespodcast/ Twitter: @pleasuresknown The Known Pleasures Theme Song: https://www.youtube.com/watch?v=dvn2bfFxC-0

Jaime Sin is a Toronto based DJ and writer who's parties helped shape the cities nightlife. For many of our friends, they were were some our first experiences on the dance floor. Jaime sat down with us to discuss discovering house music at an early age, listening to the Twin Peaks theme song on the school bus, 'Housers', Toronto as a House music city in the 90s, Sonic Youth, Joy Division shirts making a comeback, her first rave, party hotlines, all ages parties, the post rave era, Mod nights, Roxy Blue, Vaseline at the El Mocambo, Bruce Labruce's old Exclaim! column, open format parties, Club 56, Shack Up, Nick sneaking into Jaime's parties in high school, Stillepost, the 'puke smell' at the Queenshead, not taking a copy of the Crystal Castles demo, hot guys in leather jackets, Mu's Paris Hilton, Glass Candy, her parties with Will Munro, opening for LCD Soundsystem at the ACC, The Beaver, the old Unlovable, Soul Jazz records compilations and much more!Jaime SinJosh McIntyreNick Marian----COLD PODJoin us on Patreon to access all episodes and weekly one on one pods!https://www.patreon.com/coldpod

Send us a text  -  FOLGE 93 Welcher bekannte Musiker war Mitglied bei DEAD OR ALIVE, verließ die Band aber, bevor sie mit YOU SPIN ME ROUND bekannt wurden?Gab es in den 80er Neueintritte in den berühmten Club 27, der mit 27 Jahren gestorbenen Popstars?Welcher bekannte Popstar der 80er wurde mit 83 Jahren verhältnismäßig alt?Welcher berühmte deutsche Popstar, der einen Welthit geschrieben hat, wurde anonym beigesetzt? -       Fun facts, hard facts & Nerd FactsEs ist nicht richtig, dass Michael Jackson mit 13 Mitglied der Jackson Five wurde, das geschah schon im Alter von 7 Jahren, mit 13 begann er seine Solokarriere.Im Gegensatz zur Behauptung von Thomas ist nicht eindeutig geklärt, ob es sich beim Tod von Michael Hutchence (INXS) i um einen Sexunfall oder um einen Suizid handelte. Hutchence starb mit nur 37 Jahren am 22.11.1997 und litt seit 1992 infolge einer Schlägerei und anschließender schweren Kopfverletzung an depressiven Episoden, die durch seinen Drogenkonsum verstärkt wurden.Das 9 Monate nach dem Tod der NEW WAVE IKONE STEVE STRANGE erschienene VISAGE Album DEMONS TO DIAMONDS findet ihr hier: https://tinyurl.com/mwf9kdcfVon den Ramones leben tatsächlich noch Marky Ramone, Richie Ramone und C.J. Ramone, die aber nicht zu den Gründungsmitgliedern zählten. 5 ehemalige Bandmitglieder sind hingegen verstorben.-       Unser Buchtipp:WIR KASSETTENKINDER von STEFAN BONNER und ANNE WEISS, die auch GENERATION DOOF geschrieben haben. Eine stellenweise amüsante Retrospektive über die 80er in Westdeutschland, gelesen von Stromberg CHRISTOPH MARIA HERBST: https://tinyurl.com/mrxn227w -       Unser Filmtipp:POLY STYRENE: I AM A CLICHÉ. Eine britische Doku über die bei uns weitgehend unbekannte Punkerin POLY STYRENE, das erste Riot-Girl überhaupt, lange bevor es den Begriff überhaupt gab. https://tinyurl.com/24tkrspdDen Trailer findet ihr hier: https://tinyurl.com/yvsk4883 -       Unser Konzerttipp: Die vielleicht letzte Gelegenheit, KRAFTWERK noch einmal live zu erleben. Aktuelle Konzerttermine ihrer Tour in 3-D findet ihr hier: https://kraftwerk.com/de/konzerte/index-konzerte.html-       LinksPodcast Disko 80: https://disko80.buzzsprout.comRSS-Feed: https://feeds.buzzsprout.com/1754816.rssDisko 80 bei Replay.fm: listen.replay.fm/tunein-aac-hdHomepage: http://www.purwienundkowa.comAktuelle CD von Purwien & Kowa: https://ffm.to/puk5Musik von Purwien & Kowa: https://purwienkowa.bandcamp.comBücher von Purwien & Kowa: https://amzn.to/2W9Ftj8Videos von Purwien & Kowa: https://bit.ly/3QVfTbRFollow us on Facebook: https://www.facebook.com/purwienundkowaSpotify Playlist Folge 93: https://tinyurl.com/2p89d8u   

Sofía Kourtesis, productora y DJ peruana radicada en Berlín, conversa con Albina Cabrera sobre su nuevo EP Volver en un recorrido track by track que revela su motor creativo y su compromiso social. El episodio explora la conexión entre Madres y Volver, su activismo por la comunidad LGBTQ+, y cómo su madre sigue siendo su brújula emocional y política. Su cancionero personal une clásicos de unidad latinoamericana con pilares de la música moderna: desde “Panalivio” de Susana Baca y “Latinoamérica” de Calle 13, hasta el refugio emocional que encontró en “Love Will Tear Us Apart” de Joy Division durante su adolescencia en Lima, el espíritu experimental de Kraftwerk en “Computer Liebe” y el latido profundo de “Corazón”, pieza central de Volver. Escucha este episodio en español en el feed del podcast El Sonido: Cancioneros y con subtítulos en inglés en el canal de YouTube de KEXP. Una producción original de KEXP. Cancionero curado por Sofía Kourtesis:• “Panalivio” – Susana Baca• “Latinoamérica” – Calle 13• “Love Will Tear Us Apart” – Joy Division• “Computer Liebe” – Kraftwerk• “Corazón” – Sofía Kourtesis Créditos:Producción y conducción: Albina CabreraAsistencia de producción: Dev Vasquez GonzalezEdición editorial: Dusty HenryDirección editorial: Larry Mizell Jr.Mastering: Matt OgazMúsica original del podcast: Roberto Carlos Lange (Helado Negro) Apoya El Sonido: kexp.org/el-sonido Una producción original de KEXP. Donde la música importa. Peruvian producer and DJ Sofía Kourtesis joins Albina Cabrera for a track-by-track journey through her new EP Volver, revealing her creative “motor” and her deep social commitment. The episode explores the connection between Madres and Volver, her activism for the LGBTQ+ community, and how her mother remains her emotional and political compass. Her personal songbook bridges Latin American unity classics with pillars of modern music: from Susana Baca’s “Panalivio” and Calle 13’s “Latinoamérica,” to the emotional refuge she found in Joy Division’s “Love Will Tear Us Apart” during her youth in Lima, Kraftwerk’s “Computer Liebe,” and the deep house heartbeat of “Corazón,” the centerpiece of Volver. Listen to this episode in Spanish on the El Sonido: Cancioneros podcast feed and with English subtitles on KEXP’s YouTube channel. An original KEXP production. Songbook curated by Sofía Kourtesis:• “Panalivio” – Susana Baca• “Latinoamérica” – Calle 13• “Love Will Tear Us Apart” – Joy Division• “Computer Liebe” – Kraftwerk• “Corazón” – Sofía Kourtesis Credits:Host & Producer: Albina CabreraProduction Assistant: Dev Vasquez GonzalezEditorial Editing: Dusty HenryEditorial Director: Larry Mizell Jr.Audio Mastering: Matt OgazOriginal Podcast Music: Roberto Carlos Lange (Helado Negro) Support El Sonido: kexp.org/el-sonido An original KEXP production.Support the show: http://kexp.org/elsonidoSee omnystudio.com/listener for privacy information.

On episode 423 of Friends Talking Nerdy, Professor Aubrey and Tim the Nerd dive into the sonic world of keyboards — not the clacky kind you're typing on, but the kind that can make a rock anthem soar or turn a groove into pure magic. Each host shares their personal top five tracks that showcase the power of keys.Professor Aubrey's picks span from Billy Preston's legendary turn on The Beatles' “Get Back”, to Stevie Wonder's funk-defining “Superstition”, the haunting post-punk of Joy Division's “Love Will Tear Us Apart”, MGMT's psychedelic anthem “Kids”, and the shimmering dance beat of Arcade Fire's “Sprawl II.”Tim the Nerd counters with his own heavy-hitting lineup: The Who's stadium-shaking “Baba O'Riley”, Van Halen's synth-laden “I'll Wait”, Ray Charles' groundbreaking “What'd I Say”, Queen's operatic masterpiece “Bohemian Rhapsody”, and The Doors' moody classic “Riders On The Storm.”Listeners can head over to the Friends Talking Nerdy website and cast their vote for whose playlist reigns supreme.But the episode doesn't stop there. Professor Aubrey shares her firsthand impressions of the 2025 Oregon Country Fair, bringing listeners along for the sights, sounds, and eccentricities of Oregon's most beloved countercultural gathering.Then, buckle up, because Tim the Nerd closes the show with a spoiler-packed deep dive into James Gunn's new film Superman — his take on the story, characters, surprises, and what it means for the future of DC films.From keyboards to country fairs to Krypton's last son, this episode covers it all with the trademark mix of nerdy passion and playful banter that makes Friends Talking Nerdy a must-listen.As always, we wish to thank Christopher Lazarek for his wonderful theme song. Head to his ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for information on how to purchase his EP, Here's To You, which is available on all digital platforms.Head to Friends Talking Nerdy's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠for more information on where to find us online.

Hoy en La Gran Travesía viajamos hasta el año 1979 con un programa especial donde podréis escuchar a Joy Division, Supertramp, Sugar Hill Gang, Bauhaus, Pink Floyd, Status Quo, Pretenders, Motorhead, Sister Sledge, Def Leppard, The Clash, Iron Maiden, Dead Kennedys, Boomtown Rats, Neil Young... y muchos más. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo. Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas tiendas, Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Gin1975, Alberto Velasco, Poncho C, Francisco Quintana, Gastón Nicora, Con,, Dotakon, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Javier Gonzar, Poncho C, Nacho, Javito, Alberto, Pilar Escudero, Blas, Moy, Dani Pérez, Santi Oliva, Vicente DC,, Leticia, JBSabe, Flor, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

Nos gustan las versiones. Ver cómo cómo bandas y artistas se ponen en la piel de otras y otros y hacen suyas sus canciones. Los últimos meses nos están trayendo una colección de interesantes covers que nos apetecía recopilar en las mejores versiones del momento. Los discos tributo no paran de suceder aquí y allí, músicos como Paul Weller o grupos como The Raveonettes han dedicado sus últimos trabajos a revisar canciones ajenas, por no hablar del constante goteo de versiones que nos ha sorprendido últimamente, como Suede cantando "Hungry Heart" de Bruce Springsteen, Paul Banks de Interpol apropiándose de "Sister Midnight" de Iggy Pop, Pj Harvey cantando "Love Will Tear Us Apart" de Joy Division o Lola Young acercando a su universo el "Close To Me" de The Cure. Hay muchas y muy variadas y hemos querido recopilarlas en una playlist con nuestras 20 versiones favoritas. Puedes escucharlas en Conexiones MZK, el podcast de Muzikalia que se difunde a través de Ivoox, Amazon Music y Apple Podcasts. Dirige Manuel Pinazo. Suenan: Suede - Hungry Heart (Bruce Springsteen) Magdalena Bay - Ashes To Ashes (David Bowie) Brigitte Calls Me Baby - Careless Whisper (George Michael) León Benavente - Fukushima (Triángulo de Amor Bizarro) Paul Banks - Sister Midnight (Iggy Pop) Lola Young - Close To Me (The Cure) Cigarettes After Sex - Motion Picture Soundtrack (Radiohead) Fino Oyonarte - Estrella Distante (Los Punsetes) Paul Weller - I Started A Joke (Bee Gees) Robert Plant - Everybody's Song (Low) Johnny Marr (feat. Neil Tennant) - Rebel Rebel (David Bowie) The Raveonettes - Venus In Furs (The Velvet Underground) Triángulo de Amor Bizarro - La caja del diablo (Los Planetas) Pj Harvey - Love Will Tear Us Apart (Joy Division) Pixies - Crystal Closet Queen (Leon Russell) Nouvelle Vague - Night Shift (Siouxsie & The Banshees) Fontaines D.C. - Just Like Heaven (The Cure) Arctic Monkeys - Red Right Hand (Nick Cave & The Bad Seeds) Christine and the Queens - Stayin' Alive (Bee Gees) Jordana B. - Mujer Esponja (Lori Meyers)

Christine Laskowski shares her research into how an ancient barbarian people known as the Goths came to represent everything from edgy Hot Topic fashion and the band Joy Division to the Notre Dame cathedral and Flannery O'Connor's writing. Christine is the host of the podcast T&J, a limited series about 6th century Byzantium. Listen to the T&J podcast on Apple / Spotify ⁠Become a Patron⁠⁠⁠⁠⁠⁠ to support our show and get early ad-free episodes and bonus content Or subscribe to American Hysteria on ⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠ Leave us a message on the ⁠Urban Legends Hotline⁠ Producer and Editor: ⁠⁠⁠⁠⁠⁠Miranda Zickler⁠⁠⁠⁠⁠⁠ Associate Producer: ⁠⁠⁠⁠⁠⁠Riley Swedelius-Smith⁠⁠⁠⁠⁠⁠ Hosted by Chelsey Weber-Smith Learn more about your ad choices. Visit megaphone.fm/adchoices

Want to request a song? Tell us your rating? Send us a Text Message right now! Becky G: "Shower" ★☆☆☆☆ By Someone Who's Been Held Hostage in a Sephora for 36 HoursThere are songs that change lives. There are songs that move culture. And then there is “Shower” by Becky G—a song that boldly asks, what if brushing your teeth could be a personality?Let's be clear: “Shower” isn't so much a pop song as it is a bubblegum-scented middle school diary entry set to a ringtone. Released in 2014, a simpler time when Vine was still a thing and eyebrows were still recovering from the trauma of the 2000s, “Shower” attempts to convince us that love is best expressed through aggressive hygiene metaphors. “You light me up inside like the Fourth of July,” Becky coos, presumably while standing in a CVS aisle surrounded by travel-sized shampoos.The production is so sanitized it makes a hospital operating room look like a dive bar. The ukulele-plucked beat is pure algorithmic optimism, as if Spotify's “Teens Who Just Discovered Love” playlist came to life and immediately asked to speak to the manager. And yet, buried beneath the artificial citrus zest and Instagram-filtered romance, is a strangely catchy hook that lodges in your brain like glitter in a carpet.Lyrically, “Shower” is a rollercoaster of unrelenting innocence. Becky G doesn't want to party. She doesn't want to rebel. She wants to sing in the shower. That's it. That's the climax. It's like listening to a musical episode of The Disney Channel Presents: Human Emotions 101.To her credit, Becky G delivers the vocals with all the conviction of someone holding a bottle of Herbal Essences and performing to an imaginary arena crowd of loofahs. And maybe that's the point. Maybe “Shower” isn't for us critics, sitting in our vintage Joy Division shirts sipping cold brew brewed with our own self-loathing. Maybe it's for the 13-year-olds who genuinely believe their crush will text back because the universe “totally just gave them a sign.”Still, “Shower” is the audio equivalent of a cupcake with a face on it—cloying, confusingly marketable, and somehow sold in 37 countries.Best listened to: while painting your nails with glitter polish and pretending your hairbrush is a Grammy. Sounds like: a Target commercial trying to sell you “feelings.” Final thought: Becky G has range. Unfortunately, this one's set to “bubble bath.”DUBBY DUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Buzzsprout - Let's get your podcast launched!Start for FREEBlessington Support the podcast when you buy a Blessington watch! Use the promo code “1001songs” at checkout. DUBBYDUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showFollow us on Instagram: https://www.instagram.com/1001songsthatmakeyouwanttodie/Follow us on TikTok: @the1001crew

Aaron Perrino of The Shelia Divine is the guest for this episode! Aaron talks about Joy Division's Unknown Pleasures. Host: Matt LathamGuests: Aaron Perrino------------Listen to The Spotify Hall of Fame PlaylistEmail: Pick A DiscFollow us on:Bluesky | Instagram | FacebookPick A Disc(Ord) Discord ServerListen to We Dig Podcasts Shows: @wedigpodcasts | LinktreeLogo designed by: Dan Owen

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In the third instalment of the special British Music Series, Paul Andrews takes us on a deep dive into the raw, rebellious, and energetic music scene of 1980s Britain. This episode delves into how British punk evolved into new wave, introducing iconic bands, innovative guitar techniques, and essential songs for beginner guitarists.What You'll LearnThe Rise of British Punk:Explore the roots of punk in the late '70s/early '80s with bands like The Clash, Sex Pistols, and The Damned. Discover why punk guitar is all about attitude, rhythm, and simplicity.Transition to New Wave & Post-Punk:Discover how punk evolved into the more melodic and atmospheric sounds of post-punk and new wave, exemplified by artists such as Joy Division, Siouxsie and the Banshees, The Police, Duran Duran, and The Cure.Essential Guitar Skills:Mastering power chords, barre chords, and palm mutingEmbracing rhythm and aggression in your strummingExperimenting with effects like chorus, delay, and reverbUnderstanding how to blend rhythm and melody in your playingFocusing on how your guitar sits in the band mix with synths and other instrumentsKey Bands & Songs MentionedThe Clash: “London Calling,” “Should I Stay or Should I Go”Sex Pistols: “Pretty Vacant”The Damned: “New Rose”Joy Division: “Love Will Tear Us Apart”The Police: “Every Breath You Take,” “Message in a Bottle”The Cure: “Just Like Heaven”The Jam: “Town Called Malice”Practice Tips & TakeawaysKeep It Simple, but Tight:You don't need complicated solos—focus on solid timing and feel.Play with Effects:Invest in a beginner-friendly multi-effects pedal (like the Zoom G1X) to capture true '80s tones.Blend Rhythm & Melody:Combine chord progressions with melodic hooks to develop your sound.Embrace Attitude:It's not just what you play, but how you play it!Listener ChallengePick a punk or new wave song from this episode, record yourself playing it, and share in the Beginner Guitar Academy community. Bonus: Try one of the new riffs being released in the Academy this week!Resources & ExtrasSpotify Playlist:Plug in and turn up the attitude — here's your essential guide to the wild world of 1980s British Punk & New Wave. From mohawks and mosh pits to synths and soaring choruses, discover 25 iconic tracks to inspire your playing and expand your guitar style. Best played loud! https://open.spotify.com/playlist/1nGUtAR2T6wTArc09PnKzt?si=5dqmbL_8TWak2vf6RV1ETABeginner Guitar Academy:Structured lessons, supportive community, and direct help from Paul. Try two weeks for just $1 at beginnerguitaracademy.comNext EpisodeStay tuned for the fourth and final episode in this British Music Series!Thanks for tuning in! Keep strumming, keep experimenting, and don't forget to check out the playlist for this week's musical inspiration!

rWotD Episode 2996: Astral (band) Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Thursday, 17 July 2025, is Astral (band).Astral is a shoegaze group based in San Francisco, California, United States. Astral was formed by singer-guitarist Dave Han and drummer Shawn in 1999; bassist Amy Rosenoff joined them in 2001. Their vocals are frequently compared to those of The Cure; other influences include My Bloody Valentine and Joy Division. Their music is of an ethereal, melodic nature; this ambient sound is created largely by heavy use of distortion and feedback effects in Han's guitar. Astral are also notable for incorporating improvisation into their live performances. In 2002, Astral released a self-produced EP, "Only Sometimes". In 2003, Astral released an LP, entitled "Orchids". Two songs from that album, "Raining Down" and the title-track instrumental, were preloaded in the Rio Carbon MP3 Players. In 2008 the band released their second album Sleepwalker.This recording reflects the Wikipedia text as of 00:47 UTC on Thursday, 17 July 2025.For the full current version of the article, see Astral (band) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Kendra.

Peter Hook, bold pioneer of the high, clambering, tune-filled bassline, is touring this autumn with Peter Hook & the Light. We talk to him in Prestatyn - about to deejay at mate's birthday - about the first gigs he ever saw and played, heavy-handed club owners, tough crowds on dance floors, the world audience for his two old bands and few key moments of a long life onstage, which involves … … why you should never read your reviews. … how Ian Curtis was precisely the opposite of how people imagined him. ... why deejaying is “the loneliest job in the world” and three tunes to play when it all goes wrong - “and I don't play Blue Monday for obvious reasons”. … seeing the Nolans at Salford Rugby Club, aged 15. … his bell bottoms, clogs and Heavy Metal phase. … seeing Led Zeppelin and the Sex Pistols the same week – “the Pistols were so bad they were relatable. I thought I could do that!” … Stiff Kittens' first gig: “a third-rate punk band aping all the others”. … how DJs need to be “belligerent” and why people find them hard to love – and the book he's writing, ‘How Not To Be A DJ'. … how Ian Curtis's vision of an international Joy Division following has finally been realised – “and with three generations in the crowd”. … radiogram-wrecking early adventures in bass guitar. … and the reasons he wanted to leave New Order and the thrill of maintaining their legacy. Peter Hook & The Light tickets here: https://peterhookandthelight.live/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Hope you all have been having a great summer so far! Joe and Kari certainly have, and you are about to hear what they've been up to! It's been a while since the last episode, but they are back with a super-sized episode to recap most of what's been going on. Kari made a trip to STL for a few concerts, as did friend of the podcast Michael, who is also a special guest on this episode! You'll hear all about concerts from Simple Minds (along with Modern English and Soft Cell) and Peter Hook and the Light (of Joy Division and New Order). Find out what records were purchased from Vintage Vinyl, and there's even a QUIZ about R&B Songs of the 80's. Tune in and play along!Send us a text

Peter Hook, bold pioneer of the high, clambering, tune-filled bassline, is touring this autumn with Peter Hook & the Light. We talk to him in Prestatyn - about to deejay at mate's birthday - about the first gigs he ever saw and played, heavy-handed club owners, tough crowds on dance floors, the world audience for his two old bands and few key moments of a long life onstage, which involves … … why you should never read your reviews. … how Ian Curtis was precisely the opposite of how people imagined him. ... why deejaying is “the loneliest job in the world” and three tunes to play when it all goes wrong - “and I don't play Blue Monday for obvious reasons”. … seeing the Nolans at Salford Rugby Club, aged 15. … his bell bottoms, clogs and Heavy Metal phase. … seeing Led Zeppelin and the Sex Pistols the same week – “the Pistols were so bad they were relatable. I thought I could do that!” … Stiff Kittens' first gig: “a third-rate punk band aping all the others”. … how DJs need to be “belligerent” and why people find them hard to love – and the book he's writing, ‘How Not To Be A DJ'. … how Ian Curtis's vision of an international Joy Division following has finally been realised – “and with three generations in the crowd”. … radiogram-wrecking early adventures in bass guitar. … and the reasons he wanted to leave New Order and the thrill of maintaining their legacy. Peter Hook & The Light tickets here: https://peterhookandthelight.live/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Peter Hook, bold pioneer of the high, clambering, tune-filled bassline, is touring this autumn with Peter Hook & the Light. We talk to him in Prestatyn - about to deejay at mate's birthday - about the first gigs he ever saw and played, heavy-handed club owners, tough crowds on dance floors, the world audience for his two old bands and few key moments of a long life onstage, which involves … … why you should never read your reviews. … how Ian Curtis was precisely the opposite of how people imagined him. ... why deejaying is “the loneliest job in the world” and three tunes to play when it all goes wrong - “and I don't play Blue Monday for obvious reasons”. … seeing the Nolans at Salford Rugby Club, aged 15. … his bell bottoms, clogs and Heavy Metal phase. … seeing Led Zeppelin and the Sex Pistols the same week – “the Pistols were so bad they were relatable. I thought I could do that!” … Stiff Kittens' first gig: “a third-rate punk band aping all the others”. … how DJs need to be “belligerent” and why people find them hard to love – and the book he's writing, ‘How Not To Be A DJ'. … how Ian Curtis's vision of an international Joy Division following has finally been realised – “and with three generations in the crowd”. … radiogram-wrecking early adventures in bass guitar. … and the reasons he wanted to leave New Order and the thrill of maintaining their legacy. Peter Hook & The Light tickets here: https://peterhookandthelight.live/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In the fifth episode of Soundscapes N.Y.C., host Ryan Purcell talks with British music critic Jon Savage about how LGBTQ resistance shaped American popular music from the 1950s to the 1980s. Savage discusses the curious and queer roots of the word punk stretching back to the time of Shakespeare when it was used to connote ambiguous and transgressive gender and sexuality. Those meanings carried through to the 1970s though their origins may have been obscured by popular culture.  Jon Savage is the award-winning author of England's Dreaming: Sex Pistols and Punk Rock (1991) and Teenage: The Creation of Youth, 1875-1945 (2007) and his latest book, The Secret Public: How LGBTQ Resistance Shaped Popular Culture, 1955-1979 (2024). He is the writer of the award-winning film documentaries The Brian Epstein Story (1988) and Joy Division (2007), as well as the feature film Teenage (2013). His compilations include Meridian 1970 (Heavenly/EMI 2005) and Queer Noises: From the Closet to the Charts, 1961-1976 (Trikont 2006).  Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the fifth episode of Soundscapes N.Y.C., host Ryan Purcell talks with British music critic Jon Savage about how LGBTQ resistance shaped American popular music from the 1950s to the 1980s. Savage discusses the curious and queer roots of the word punk stretching back to the time of Shakespeare when it was used to connote ambiguous and transgressive gender and sexuality. Those meanings carried through to the 1970s though their origins may have been obscured by popular culture.  Jon Savage is the award-winning author of England's Dreaming: Sex Pistols and Punk Rock (1991) and Teenage: The Creation of Youth, 1875-1945 (2007) and his latest book, The Secret Public: How LGBTQ Resistance Shaped Popular Culture, 1955-1979 (2024). He is the writer of the award-winning film documentaries The Brian Epstein Story (1988) and Joy Division (2007), as well as the feature film Teenage (2013). His compilations include Meridian 1970 (Heavenly/EMI 2005) and Queer Noises: From the Closet to the Charts, 1961-1976 (Trikont 2006).  Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In the fifth episode of Soundscapes N.Y.C., host Ryan Purcell talks with British music critic Jon Savage about how LGBTQ resistance shaped American popular music from the 1950s to the 1980s. Savage discusses the curious and queer roots of the word punk stretching back to the time of Shakespeare when it was used to connote ambiguous and transgressive gender and sexuality. Those meanings carried through to the 1970s though their origins may have been obscured by popular culture.  Jon Savage is the award-winning author of England's Dreaming: Sex Pistols and Punk Rock (1991) and Teenage: The Creation of Youth, 1875-1945 (2007) and his latest book, The Secret Public: How LGBTQ Resistance Shaped Popular Culture, 1955-1979 (2024). He is the writer of the award-winning film documentaries The Brian Epstein Story (1988) and Joy Division (2007), as well as the feature film Teenage (2013). His compilations include Meridian 1970 (Heavenly/EMI 2005) and Queer Noises: From the Closet to the Charts, 1961-1976 (Trikont 2006).  Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In the fifth episode of Soundscapes N.Y.C., host Ryan Purcell talks with British music critic Jon Savage about how LGBTQ resistance shaped American popular music from the 1950s to the 1980s. Savage discusses the curious and queer roots of the word punk stretching back to the time of Shakespeare when it was used to connote ambiguous and transgressive gender and sexuality. Those meanings carried through to the 1970s though their origins may have been obscured by popular culture.  Jon Savage is the award-winning author of England's Dreaming: Sex Pistols and Punk Rock (1991) and Teenage: The Creation of Youth, 1875-1945 (2007) and his latest book, The Secret Public: How LGBTQ Resistance Shaped Popular Culture, 1955-1979 (2024). He is the writer of the award-winning film documentaries The Brian Epstein Story (1988) and Joy Division (2007), as well as the feature film Teenage (2013). His compilations include Meridian 1970 (Heavenly/EMI 2005) and Queer Noises: From the Closet to the Charts, 1961-1976 (Trikont 2006).  Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In the fifth episode of Soundscapes N.Y.C., host Ryan Purcell talks with British music critic Jon Savage about how LGBTQ resistance shaped American popular music from the 1950s to the 1980s. Savage discusses the curious and queer roots of the word punk stretching back to the time of Shakespeare when it was used to connote ambiguous and transgressive gender and sexuality. Those meanings carried through to the 1970s though their origins may have been obscured by popular culture.  Jon Savage is the award-winning author of England's Dreaming: Sex Pistols and Punk Rock (1991) and Teenage: The Creation of Youth, 1875-1945 (2007) and his latest book, The Secret Public: How LGBTQ Resistance Shaped Popular Culture, 1955-1979 (2024). He is the writer of the award-winning film documentaries The Brian Epstein Story (1988) and Joy Division (2007), as well as the feature film Teenage (2013). His compilations include Meridian 1970 (Heavenly/EMI 2005) and Queer Noises: From the Closet to the Charts, 1961-1976 (Trikont 2006).  Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The Industry Relations Podcast is now available on your favorite podcast player! Overview In this special episode of Industry Relations, Rob and Greg take a break from real estate to talk about one of their shared passions: music. They explore the most transformative artists and bands across genres from the 70s through today. Their conversation dives deep into the cultural impact of acts like Nirvana, Depeche Mode, NWA, and Metallica, and whether artists like Kanye West, Jay-Z, or Eminem changed the landscape or simply excelled within it. Key Takeaways What Makes an Artist Transformative – Rob and Greg define “transformative” as artists who changed culture or shifted their genre's direction. Rock, Pop, and Hair Metal – From The Police and Joy Division to Motley Crue and Metallica, they debate which bands truly left a mark. New Wave and Synth Pop – A back-and-forth on whether bands like Depeche Mode, Erasure, and Eurythmics defined the New Wave era. The Rise of Hip-Hop – Analysis of Public Enemy, NWA, and Biggie's role in changing rap's tone—from political to gangsta to materialistic. Female Singers and Torch Artists – Greg shares his appreciation for female vocalists, from Tori Amos and Natalie Merchant to Billie Holiday and Aretha Franklin. Jazz, EDM, and Modern Music – A look at how genres like jazz and electronica evolved—and why Rob thinks music hasn't really changed since the 2000s. Cultural Identity and Music in High School – Reflections on how music once defined high school social groups and why today's digital world may be missing that connection.   Connect with Rob and Greg Rob's Website  Greg's Website    Watch us on YouTube   Our Sponsors: Cotality  Notorious VIP The Giant Steps Job Board    Production and Editing Services by Sunbound Studios  

If you're an avid podcast listener, you've likely heard one of Richard Fidler's Conversations. For 20 years he's been chatting with people from all walks of life, making the Conversations podcast one of the most popular in Australia. So as they mark this big 20th birthday, I thought it'd be fun to flip the mic on Richard. Because his story begins long ago, as a founding member of the Doug Anthony Allstars, and host of Race Around the World. In 2016 Richard published his first non fiction book Ghost Empire, and since then has written three more (Saga Land, Golden Maze, and The Book of Roads and Kingdoms).He is a curious soul, a master storyteller, and you're about to relish in his tales.T. Rex – Get It OnJoy Division – InterzoneThe Violent Femmes – Blister in the SunCocteau Twins – Carolyn's FingersBig Star – Kanga Roo

For this episode we're joined in our Hammersmith lair by the highly respected Chris Bohn, known better these days by his alias Biba Kopf (cue a nod to Berlin Alexanderplatz author Alfred Döblin...) The veteran NME contributor and sometime editor-in-chief of The Wire talks about his long career as a Europhile connoisseur of extreme and out-there music. We start by asking our guest about his mother's experience as a teenage refugee fleeing her native Silesia after the advance of the Red Army in 1945 – and her subsequent settling in the English Midlands. We learn about Chris' journalistic training on the Sutton Coldfield News and his subsequent travels around Europe, where he reconnected with relatives in West (and East) Germany. Chris reminisces about his first London job as a press officer for Polydor Records, for whom he chaperoned Siouxsie & the Banshees to tapings of Top of the Pops. He then talks us through his writing career from Melody Maker and NME to decades-long association with The Wire. Among the articles mentioned are his 1979 live review of Joy Division, his groundbreaking 1981 on-the-road piece "Trans-Europe Express", and his interviews with Nina Hagen (1979) and Einstürzende Neubauten (1983). Discussion of The Wire leads us into clips from an audio interview with Wire icon Ornette Coleman … by Wire mainstay David Toop. We conclude the episode by paying heartfelt tribute to two Californian geniuses who left us this week: Family Stone funk pioneer Sly Stone and the Beach Boys' "pocket symphonist" Brian Wilson. We shall not see – or hear – their like again. Many thanks to special guest Chris Bohn a.k.a. Biba Kopf. Visit the Wire's website at thewire.co.uk to subscribe digitally and in print.  Pieces discussed: Nina Hagen: West Is Best, Einstürzende Neubauten: Let's Hear It For The Untergang Show, Ornette Coleman (1995), Sly & The Family Stone: Sly Buries Underground And Has Fun!, Not Only Sly, But Sometimes Just Plain Damn Evasive, Sly Stone's Higher Power, Some Producers' Hints From Beach Boy Brian, Brian Wilson, Brian Wilson: Beach Boy, Pop Visionary, Wounded Soul, The Devil and Jerry Lee Lewis and  Group Home: Supa Group.

On the June 15 edition of the Music History Today podcast, Bob Dylan records the greatest song ever recorded, Carlos Santana's biggest hit debuts, along with debut albums from the Offspring and Joy Division. Also, it's Waylon Jennings's and Ice Cube's birthdays.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - ⁠https://allmylinks.com/musichistorytoday⁠Resources for mental health issues - https://en.wikipedia.org/wiki/List_of_suicide_crisis_lineshttps://findahelpline.comResources for substance abuse issues - https://988lifeline.orghttps://www.samhsa.gov/find-help/helplines/national-helpline

We are joined again by bassist Jack Bates as he tours the U.S. playing Joy Division and New Order songs with his Dad, Peter Hook, one of the bass greats. We discuss the gear he uses with Peter Hook & The Light and how it differs from the gear he uses with The Smashing Pumpkins.   Hosted by Todd Novak with Tony Dudzik and Billy Spitfire   #guitarpodcast #electricguitar #pedaleffects #pedalfx #theguitarknobs #guitarknobs #guitarinterview #guitaramplifier #guitarpickups #guitarsetup #fuzz #overdrive #reverb #distortion #guitartips #joydivision #neworder   Visit us at theguitarknobs.com Support our show on Patreon.com/theguitarknobs

***This show is brought to you by DistroKid. Go to http://distrokid.com/vip/the500 for 30% off your first year!*** Two months after the death of Joy Division's vocalist Ian Curtis, the remaining members of the band decided to release their second and final studio album, Closer. Matt makes his third appearance on the podcast to talk about their effect on the post-punk era and the later version of the group, New Order.  Follow Matt on Social Media: https://www.instagram.com/matthewpinfield/ DistroKid Artist Of The Week: Chris Berardo https://www.youtube.com/watch?v=MDjJXH0ThW8 Follow Josh on Instagram: https://www.instagram.com/joshadammeyers/ Follow Josh on TikTok: https://www.tiktok.com/@joshadammeyers Follow Josh on Twitter: https://twitter.com/JoshAdamMeyers Follow Josh on Facebook: https://www.facebook.com/joshameyers Josh's Website: https://www.joshadammeyers.com/ Follow The 500 on Instagram: https://www.instagram.com/the500podcast/ Follow The 500 on Twitter: https://twitter.com/the500podcast Follow The 500 on Facebook: https://www.facebook.com/The500PodcastWithJAM/ Email the show: 500podcast@gmail.com Check the show's website: http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Ce soir, Marjorie Hache vous accueille sur RTL2 Pop-Rock Station pour deux heures de nouveautés et de classiques. L'émission débute avec Green Day et leur nouveau titre Fuck Off", suivi de AC/DC avec "If You Want Blood" et un clin d'œil à l'anniversaire de Noel Gallagher avec "Live Forever". Les nouveautés sont à l'honneur avec Wet Leg, Sports Team et Garbage, dont le dernier album "Let All That We Imagine Be The Light" est à découvrir. On entend aussi des classiques comme The Doors et The Smiths, ainsi qu'une reprise de T-Rex par Ty Segall. La soirée se poursuit avec Lucius, Joy Division, et un peu de Mötley Crüe, avant de se conclure avec PJ Harvey et un titre de son album culte "To Bring You My Love". Green Day - Fuck Off AC/DC - If You Want Blood Paramore - This Is Why The Doors - Love Me Two Times Sports Team - Sensible Mungo Jerry - In The Summertime Eric Clapton - My Father's Eyes Garbage - Sisyphus Tom Petty - I Won't Back Down Lucius - Old Tape (Feat Adam Granduciel) Joy Division - She's Lost Control Wet Leg - CPR MNNQNS - Material Girl Vampire Weekend - A-Punk Stiltskin - Inside Turnstile - Look Out For Me The Clash - This Is Radio Clash Gwen Stefani - Hollaback Girl Arctic Monkeys - Why'd You Only Call Me When You'r High (Live At The Royal Albert Hall) Sam & Dave - Hold On, I'm Coming Primal Scream - Rocks Shame - Cutthroat Iron Maiden - Run To The Hills PJ Harvey - Long Snake Moan The Kills - Cheap And Cheerful Foo Fighters - The Teacher Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week we travel back in time to just after the dawn of PUNK ROCK (1978-1981)! We discuss bands influenced by the 1st wave who then took punk into various sub-genres. If you don't think Punk is for you based on secondhand information, we ask that you listen with an open mind and prepare to get out some aggression.This episode features songs with the shortest track length that we've ever played; it's PUNK ROCK people! Punk is where Kevin started down his path of music fanaticism. Although, that was more based around the hardcore Punk scenes. This is the lead-up to hardcore, and what would establish punk as a lasting genre full of variety and originality. Hope you dig the 2nd wave!Songs this week include:The Dictators – “Faster And Louder” from Blood Brothers (1978)Magazine – “Shot By Both Sides” from Real Life (1978)Chelsea – “I'm On Fire” from Chelsea (1979)The Stranglers – “Dead Loss Angeles” from The Raven (1979)GG Allin – “One Man Army” from Always Was, Is, And Always Shall Be (1980)Zounds – “Can't Cheat Karma” from Curse Of The Zounds (1980)Soggy – “Waiting For The War” from Soggy (1981)The Cheifs – “Liberty” from Holly-West Crisis (1981)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it: InObscuria Store

Et on parle aussi de Michael Cimino, William Friedkin, Jacques Prévert ou Antonioni. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Episode 417, including tracks from Toxic Avenger, TJ Welch and The Wasted, Subtrash, Long Lasting Train, Fail to Follow, The Signum, Joy Division, Komintern Sect, Foreign Objects, and The Mooney Suzuki. The episode is loaded with a bunch of new music shared with us, we cover a couple great albums, with a tribute to Karl of Komintern Sect, and wrap up the show with an Alt Metal & American Garage Rock track.

Dylan was assigned the year 1982 and he selected Modern English's sophomore album, After the Snow. This album features the band's biggest hit, I Melt With You.Send your questions for an upcoming mailbag episode to punklottopod@gmail.com or our voicemail line 202-688-PUNKJoin our new $5 Patreon Producer Tier to get your name said on the show every week. You also get access to a Producer exclusive monthly bonus episode discussing a different EP, written content, outtakes, producer exclusive polls, and moreYou can also join our $1 tier to get access to all of our weekly bonus audio. We also have a $10 tier where you get to choose the album we discuss on an episode - patreon.com/punklottopodMajor Awards EP - majorawards.bandcamp.comMerch Shop  - redbubble.com/people/punk-lotto-pod/shopPodcast platforms and social media links at linktr.ee/punklottopodCall our voicemail line: 202-688-PUNKLeave us a review and rating on Apple Podcasts and Spotify.Song clips featured on this episode:Modern English - Somone's CallingModern English - I Melt With YouModern English - After the Snow

C'esr Garbage et leur nouveau single "Get Out My Face, Bad Kitty", extrait de l'album "Let All That We Imagine Be The Light" qui ouvre ce RTL2 Pop Rock Station présenté par Alexis cette semaine. Juste après, Tunde Adebimpe nous plonge dans son univers avec "Somebody New", extrait de son premier album solo "Thee Black Boltz". "Better Dreaming" de Tune Yards est toujours l'album de la semaine et ce soir, on découvre "How Big Is The Rainbow". Le choix de Francis Zégut du jour, c'est Spiritbox avec "Tsunami Sea", un single percutant signé du groupe canadien de metal. La deuxième heure démarre au Danemark avec The Asteroids Galaxy Tour et leur titre "Around The Bend". En live, Jeff Buckley résonne avec "Eternal Life", capté à New York. Jamiroquai, Bruce Springsteen, Kings of Leon ou encore Otis Redding s'enchaînent. La nouveauté Fresh est signée The Spitfires, avec le morceau "Better The Devil You Know", entre punk et rock mod. On termine la soirée avec le long format du jour "Homecoming" de Green Day. Garbage - Get Out My Face Aka Bad Kitty The Automatic - Monster Fatboy Slim - The Rockafeller Skank The Cure - Let's Go To Bed Tunde Adebimpe - Somebody New The Animals - House Of The Rising Sun Marilyn Manson - Sweet Dreams Tune Yards - How Big Is The Rainbow Joy Division - Love Will Tear Us Apart Spiritbox - Tsunami Sea Led Zeppelin - Rock N Roll Fontaines D.C - Before You I Just Forget The Asteroids Galaxy Tour - Around The Bend Jamiroquai - Deeper Underground Mss Frnce - De Plein Fouet U2 - Desire Dropkick Murphys - I'm Shipping Up To Boston Jeff Buckley - Eternal Life ((Live At Sin-E)) Otis Redding - (I Can't Get No) Satisfaction Kings Of Leon - Waste A Moment The Spitfires - Better The Devil You Know Adele - Rumour Has It Bruce Springsteen - The River Pussy Cat - Ba Ba Ba Boof Editors - Smokers Outside The Hospital Doors Green Day - Homecoming Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

We recently covered the topic of "all killer, no filler" albums, but what about the perfect single side of a record? If the physical time and space limitations of a vinyl LP or a cassette must exist, why not do something compelling? Is it all poppycock...or cockypop?!? You make the call! Our Third Lad for this exploration is frontman/saxophonist/multi-instrumentalist Dan Voznick, aka Alec Tension from underground '80s post-punk band Afterimage. Referred to in the Los Angeles Times as "LA's Joy Division" back in the day, Afterimage created a sound that was hypnotic, skittery and chilly, but is also adventurous, playful and complex. The original lineup of the band (Alec Tension, A Produce, Rich Evac and Holland DeNuzzio) only stayed together for a couple of years and released a scant discography of one single ("Strange Confession"/"The Long Walk") and an EP (Fade In), both in 1981. Those original recordings, plus a generous helping of unreleased demos and live tracks, are now available from Independent Project Records on the new retrospective compilation Faces to Hide. Out now on double LP (available in both black and opaque white), special edition CD and digital formats, Faces to Hide proves as scathing, urgent, taut, angular and gripping as Afterimage's scarce but unforgettable output must have sounded more than forty years ago. Packaged with extensive, career-spanning liner notes by noted journalist Richie Unterberger and previously unseen band photos, Faces to Hide also features Independent Project Records' signature hand letterpress-printed custom design for the vinyl and CD packaging.  Thanks to Josh Mills from It's Alive Media for the introduction and coordination! Proud members of the Pantheon Podcasts network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Falamos de uma das mais influentes bandas do movimento post punk, mais conhecida (atualmente) por aquela imagem das t-shirts que é tipo umas curvas de nível a fazer uma cordilheira.

Jim and Jimmy explore iconic cultural moments from the 70s through 90s, connecting the dots between classic films, personal memories, and music history touchpoints.• Smokey and the Bandit and its filming locations throughout Georgia• Memorial Day memories spanning from 1977 to 1990• Joy Division's tragic story and how Ian Curtis's suicide led to New Order's formation• The existence of "Callin' Oates," an emergency Hall & Oates hotline• Deep dive into Elton John's "Captain Fantastic and the Brown Dirt Cowboy" album and its autobiographical themes• The significance of They Might Be Giants' "Istanbul (Not Constantinople)" and The Clash's "Train in Vain""Music in My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldPlease like and follow the Music in my Shoes Facebook and Instagram pages and share the podcast with your friends on social media. Contact us at musicinmyshoes@gmail.com.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

C'est le freestyle du mercredi, ce qui doit arriver arrivera. Joy Division - Love Will Tear Us Apart Theodora - DO U WANNAYaya Bey - dream girl Sly & The Family Stone - Runnin' Away Leftfield - Release the Pressure Gat Decor - PassionMen I Trust - The Landkeeper Kali Uchis - Sugar! Honey! Love! Amore - don't mess with mr in-between Amore - Last Maria On Earth Morrissey - The Last of the Famous International Playboys Destin Conrad feat. Kehlani - BAD BITCHES Megan Thee Stallion - WheneverLsdxxoxo feat. Shygirl- LSDXOXO - SATISFY Batu - Seize Basil Poledouris - Conan The BarbarianBillie Eilish - All The Good Girls Goes To HellRolling Stones - Undercover of The Night (Dub Version)Beyoncéfeat. Frank Ocean - SuperpowerFrançoise Hardy - L'OmbreDetroit Grand Pubahs feat. Miss Kittin - After School SpecialMax Graef & Glenn Astro - Tape JohnsonLouis Cole - Not Needed AnymoreRedbone - Come and Get Your LoveJanelle Monàe feat. Seun Kuti & Egypt 80- Float Giorgio Moroder - ChaseRhythm is Rhythm - The DanceDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Strong by Form: From Radical Idea to JEC Sustainability WinnerWhat started as a niche academic research project has become a deep tech startup operating across Europe and Latin America, with millions raised in private funding and grants. Strong by Form developed Woodflow, a technology that turns natural timber fibers into 3D-formed structural materials, enabling strong, lightweight, and carbon-reducing alternatives to concrete, aluminum, and even steel.Their design-driven approach doesn't just replicate wood planks—it reimagines wood as a high-performance composite, shaped by nature's logic and modern computational design.Built in Chile, Designed for EuropeThough most of the founding team hails from Chile, the company was strategically incorporated in Spain to operate within Europe's innovation and regulation ecosystem. Today, the team is 27 people strong and split across Chile, Germany, and Spain.“Europe is tough on regulation—but it's also where real scale is possible,” Andres explains.How Joy Division and Sustainable Slabs Came TogetherYes, their iconic waveform-style logo was sketched in five minutes. Yes, it was inspired by Joy Division. But that aesthetic also represents the undulating structural logic behind their composite designs. Andres' co-founder Jorge, an architect-turned-engineer, originally developed the idea while studying at ETH Zurich. His mission? Create the lightest, most material-efficient structural slab possible—starting with carbon fiber but pivoting to wood for scalability and sustainability.From Friendships to FoundingStrong by Form's founding trio came together through long-standing friendships and complementary skill sets—engineering, digital fabrication, and startup acceleration. When Jorge and Daniel realized they had a revolutionary process but no path to market, they called Andres, who had just left venture capital. He joined to build the business—and soon they were securing grants, awards, and investor interest from forestry giants and mobility leaders alike.JEC Debut: The Wooden Bike Frame That Got Everyone TalkingAt JEC 2025, Strong by Form unveiled a bike frame prototype made entirely from Woodflow, designed using composite logic rather than milled timber. It's a visual and functional proof that their stamped biocomposites can handle form, function, and strength—without carbon-intensive inputs.“This bike isn't a gimmick—it's a signal. We're building with wood the way carbon fiber is used in aerospace,” says Andres.Mobility Is Back on the AgendaWhile construction remains their core focus, Strong by Form is expanding into automotive and micromobility. BMW was one of the first to express interest back in 2019—and is now working with the startup on large-scale, interior and exterior vehicle components. A million-euro grant is fueling development of their advanced pressing process, and they're now actively engaging new partners in bikes, transportation, and e-mobility.Investors, Corporates, and the New PlaybookStrong by Form's investor cap table is as unconventional as their tech: four corporate investors (including Europe's top timber producers and construction leaders) and a mix of impact-oriented VCs. Andres admits they had to throw out the startup rulebook.“The first thing you're told is to avoid corporates. Well, our first investor was a corporate,” he laughs.The result is a founder journey that doesn't follow Silicon Valley tropes—but proves that material science innovation can (and must) be funded differently.Learn MoreStrong by Form – Woodflow technology for carbon-neutral construction & mobilityJEC World – Global leader in composites innovation Be sure to follow Sesamers on Instagram, LinkedIn, and X for more cool stories from the people we catch during the best Tech events!

Macclesfield, nahe und südlich von Manchester gelegen, wurde 2004 von der britischen Zeitung The Times der wenig ruhmreiche Titel als "kulturloseste Stadt" des Landes verliehen – und das, obwohl beispielsweise Ian Curtis und Stephen Morris von Joy Division dort gelebt hatten. Wahrscheinlich würde das Urteil 2025 deutlich positiver ausfallen, hat sich doch nicht nur 2006 (auch als Reaktion auf die Schmähung) die "Literarische und philosophische Gesellschaft Macclesfield" gegründet, sondern 2019 zudem das dort beheimatete Trio Cassia sein Debütalbum "Replica" veröffentlicht. Mit dessen tanzbaren Pop-Songs, denen bei aller Energie auch immer eine gewisse Melancholie innewohnt, und zu deren Inspirationsquellen Jazz wie Afro-Beat gehören, machten Sänger und Gitarrist Rob Ellis, Bassist Lou Cotterill und Schlagzeuger Jacob Leff sich bereits viele Freunde. Der 2022 in Berlin aufgenommene Nachfolger "Why You Lacking Energy?" vergrößerte die Fan-Gemeinde unter Beibehaltung des Stils noch einmal signifikant, und nach abermals drei Jahren erschien nun am 11. April das Drittwerk "Everyone, Outside", eingespielt im eigenen Studio der drei in Macclesfield. Von dort aus ging es noch vor Veröffentlichung des Albums auf die erste Headliner-Konzertreise durch die USA und Mexiko. Momentan befinden sich Rob, Ellis und Jacob auf großer Europa-Tour, die sie am morgigen 7. Mai auch ins Neuköllner Hole 44 führen wird. Tags zuvor besuchen sie uns im studioeins, um sich im Interview vorzustellen und natürlich mit ein paar live gespielten Songs auf das "richtige" Konzert einzustimmen.

Everyone needs a Beach Boy break every now and then, and I'm happy as a clam to announce this sharp left turn with Mogwai's Stuart Braithwaite, as we take a mutual descent into the heart of darkness.  Our examination of every last triumphantly bleak release by post-punk progenitors Joy Division is a dependably in-depth celebration of this great band's “eerie spatially.”Here's just a few of the many things that Stuart discusses with Discograffiti in this podcast:The avalanche of crazily top-shelf singles Joy Division released between their two LPs, including “Love Will Tear Us Apart”;The obscure song from which Joy Division cribbed the riff for “Love Will Tear Us Apart”;The super-cool but maddening-at-the-time decision to do an exclusive release of Stuart's all-time favorite Joy Division 45 through a French fanzine;The unfortunate inverse ratio of the band's success to Ian Curtis's worsening epilepsy and suicidal urges;The crucial role that mundane conversation held in Joy Division's band rehearsals;The details surrounding Ian Curtis's tragic suicide;Stuart's favorite album of all time;And a track-by-track rundown of Joy Division's posthumous classic Closer.Listen: linktr.ee/discograffitiI support a wife and a six-year-old son with Discograffiti as my sole source of income. If you're a Joy Division & Mogwai superfan like me, you'll want The Director's Cut of this episode. It's ad-free and features 13 additional minutes of essential material. Purchase it as a one-off, get the entire Season 1 & 2 Series as a bundle (listed under Collections), or better yet…Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. And now with our 2025 Patreon Membership Drive, you'll also get an episode all about YOU and a FREE copy of Metal Machine Muzak at the Lieutenant Tier or higher: Patreon.com/DiscograffitiCONNECTJoin our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153Patreon: www.Patreon.com/DiscograffitiPodfollow: ⁠⁠https://podfollow.com/1592182331⁠⁠YouTube Channel: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhwInstagram: https://www.instagram.com/discograffitipod/Facebook: https://www.facebook.com/Discograffiti/Twitter: https://twitter.com/DiscograffitiOrder the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, & W. Cullen Hart): www.patreon.com/discograffiti/shop/197404Order the $11 Digital version of the MMM 2xLP on Bandcamp: https://discograffiti.bandcamp.com/album/metal-machine-muzakOrder the METAL MACHINE MUZAK Double Vinyl + Digital package: www.patreon.com/discograffiti/shop/169954Merch Shop: https://discograffitipod.myspreadshop.com/allVenmo Dave A Tip: @David-GebroeWeb site: http://discograffiti.com/CONTACT DAVEEmail: dave@discograffiti.comFacebook: https://www.facebook.com/hooligandaveInstagram:  https://www.instagram.com/davidgebroe/Twitter: https://twitter.com/DaveGebroeThere is no other Patreon in existence where you get more for your money. 4 shows a week is what it takes these days to successfully blot out our unacceptable reality…so do yourself a favor and give it a shot for at least one month to see what I'm talking about.  If you're already a member, please comment below about your experience.  www.Patreon.com/discograffiti#joydivision #mogwai #stuartbraithwaite #iancurtis #unknownpleasures #thebigfire #postpunk #neworder #thecure #newwave #manchester #lovewilltearusapart #thesmiths #factoryrecords #bernardsumner #stephenmorris #depechemode #closer#discograffiti #metalmachinemuzak #soldiersofsound #andyourdreamscometrue

Everyone needs a Beach Boy break every now and then, and I'm happy as a clam to announce this sharp left turn with Mogwai's Stuart Braithwaite, as we take a mutual descent into the heart of darkness.  Our examination of every last triumphantly bleak release by post-punk progenitors Joy Division is a dependably in-depth celebration of this great band's “eerie spatially.”Here's just a few of the many things that Stuart discusses with Discograffiti in this podcast:An exploration of their early punk years as Warsaw;The band's feeling that producer Martin Hannett never properly captured their real sound in the studio;A side discussion about the successful bands of the 1960s who we feel are vastly overrated;The pricelessly uncouth way in which they kicked their original drummer out of the band;Whether or not this is Stuart's favorite debut album of all time;And an in-depth rundown of Unknown Pleasures and a bunch of early singles and EPs.Listen: linktr.ee/discograffitiI support a wife and a six-year-old son with Discograffiti as my sole source of income. If you're a Joy Division & Mogwai superfan like me, you'll want The Director's Cut of this episode. It's ad-free and features 15 additional minutes of essential material. Purchase it as a one-off, get the entire Season 1 & 2 Series as a bundle (listed under Collections), or better yet…Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. And now with our 2025 Patreon Membership Drive, you'll also get an episode all about YOU and a FREE copy of Metal Machine Muzak at the Lieutenant Tier or higher: Patreon.com/DiscograffitiCONNECTJoin our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153Patreon: www.Patreon.com/DiscograffitiPodfollow: ⁠⁠https://podfollow.com/1592182331⁠⁠YouTube Channel: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhwInstagram: https://www.instagram.com/discograffitipod/Facebook: https://www.facebook.com/Discograffiti/Twitter: https://twitter.com/DiscograffitiOrder the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, & W. Cullen Hart): www.patreon.com/discograffiti/shop/197404Order the $11 Digital version of the MMM 2xLP on Bandcamp: https://discograffiti.bandcamp.com/album/metal-machine-muzakOrder the METAL MACHINE MUZAK Double Vinyl + Digital package: www.patreon.com/discograffiti/shop/169954Merch Shop: https://discograffitipod.myspreadshop.com/allVenmo Dave A Tip: @David-GebroeWeb site: http://discograffiti.com/CONTACT DAVEEmail: dave@discograffiti.comFacebook: https://www.facebook.com/hooligandaveInstagram:  https://www.instagram.com/davidgebroe/Twitter: https://twitter.com/DaveGebroeThere is no other Patreon in existence where you get more for your money. 4 shows a week is what it takes these days to successfully blot out our unacceptable reality…so do yourself a favor and give it a shot for at least one month to see what I'm talking about.  If you're already a member, please comment below about your experience.  www.Patreon.com/discograffiti#joydivision #mogwai #stuartbraithwaite #iancurtis #unknownpleasures #thebigfire #postpunk #neworder #thecure #newwave #manchester #lovewilltearusapart #thesmiths #factoryrecords #bernardsumner #stephenmorris #depechemode #closer#discograffiti #metalmachinemuzak #soldiersofsound #andyourdreamscometrue

Email Us:dbahnsen@thebahnsengroup.comwill@calpolicycenter.orgFollow Us:@DavidBahnsen@WillSwaim@TheRadioFreeCAShow Notes:Merle HaggardWhy did it take Bernie Sanders and AOC to rally California liberals?‘Not acceptable.' Not a single home building permit finalized in Altadena following Eaton FireHomeowners sue California FAIR Plan, claim it's not paying for home cleanups after wildfiresMeasure ULA is reducing apartment development in the city of L.A, report saysCA Dems pass on funding Prop. 36 as Newsom celebrates rights of crime victimsFor California's largest public union, telework poses challenge — and opportunityThe Prop 22 fight rides againCalifornia Is Preparing to Take Trump to Court to Stop His TariffsOakland mayor's race too close to call as Barbara Lee predicts ‘a long week'Trump's volatile trade policy creates new problems for California state budgetJudge allows Menendez brothers' resentencing effort to move forwardMenendez brothers' aunt hospitalized after DA shares graphic photos in court: 'We are devastated'Rosie O'Donnell says convicted killer Lyle Menendez is first 'straight man' she can 'love' and 'trust'

Hello all,A big thank you and welcome to new Patrons : Emma, M.Squike and Adam L.Join us this week as we attend the slamdown of the century in the Tea Room carpark, offer a helping hand to those in need and Keri gets tough at Bridge Farm.We've memorised the following things for our big interview:Atmosphere : Rochelle pushes Joy. Has she lost control?Culture Wars : The heart-churning HR process continues.Roadie Rescue : Emma keeps her council.Thanks for all your support.Produced by Matthew WeirBecome a beautiful patron of The Cider Shed and receive early ad-free episodes and our exclusive Patreon-only midweek specials. It really REALLY helps us out.https://www.patreon.com/thecidershedTo help us out with a lovely worded 5 star review hit the link below. Then scroll down to ‘Ratings and Reviews' and a little further below that is ‘Write a Review' (this is so much nicer than just tapping the stars

Wolfgang Flür, formerly of Kraftwerk, and musical collaborator Peter Duggal, discuss musical journeys, memories from the Kraftwerk years, collaborating with members of Daft Punk and Joy Division for the new LP "Times" and much more. Topics Include: Introduction of new album "Times" release details First 200 vinyl copies include signed postcards Peter's role as Wolfgang's longtime collaborator since 2015 Peter's musical background in 1980s electronic music Previous collaboration on album "Magazine" released in 2022 Collaborators on "Times" including Boris Blank and Daft Punk Modern vs. old technologies for music production Wolfgang's frustration with German music industry Cherry Red Records supporting Wolfgang's career in England EMI's mishandling of Wolfgang's earlier album "Time Pie" Peter's personal relationship with vinyl records Production quality of the vinyl pressing in Czechoslovakia Mastering process with different approaches for vinyl vs. CD Collaborating with Emil Schult, former Kraftwerk visual artist The track "Planet in Fever" originally written in 1993 Wolfgang's approach to revisiting and evolving older songs How Peter and Wolfgang know when a song is "done" Comparing music creation to cooking a meal Process of collaborating with Boris Blank on "Global Youth" Wolfgang's childhood in post-WWII Germany First record purchase: Khachaturian's "Sabre Dance" at age 10 Musical influences from his mother and grandmother First musical instrument was a mouth organ Discovering drums at school at age 16 Designing electronic drum pads for Kraftwerk Wolfgang's friendship with Florian Schneider until his passing Their emotional final meeting at a brewery Working with Thomas from Daft Punk Planned joint appearance at a Chicago film festival Live performance concept "Musiksoldat" as anti-war statement Wolfgang and Peter completed their 60th show together Wolfgang's last visit to Australia in 1981 Karl Bartos' importance to Kraftwerk's musical compositions Plans for future performances and promoting the album EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8