Podcasts about Matador Records

I may've mentioned this before, but -- more often than not -- when I open the front door to greet a guest, it's our first time meeting one another. And the vibes in that initial moment vary. Sometimes they're neutral. Occasionally they're curious. Every now and again, the good energy is palpable, and such was the case when I met John Knell on my porch.John is a local artist, a son, a husband, a father, a fantastic conversationalist, and he joined me for Episode No. 169.We chewed the fat for a good little bit a couple of weeks ago, covering family, memories, John's mixed-media art approach to pop culture and sports, and of course, a few of his favorite albums, which were these:Abbey Road (1969), The BeatlesVan Halen's Fair Warning (1981)Achtung Baby (1991), U2Many thanks to John for the time and the solid chat. Please consider checking out his work at johnknell.com, and follow him on Instagram at @johnny_kc.And many thanks to those of you that support the podcast.Cheers.Note: I was mistaken in claiming that the U2 song, "I Still Haven't Found What I'm Looking For" was the feedback/sustain king. What I meant was, "With or Without You."copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips I poached from a Kurt Vile tune called, "Lost my Head there" from his fantastic 2015 release, B'lieve I'm Goin' Down, c/o Matador Records.

Specialized platforms and social media have empowered musicians to tap into niche audiences, igniting a quiet revolution in the music industry. Despite the dominance of viral hits, a new wave of artists, labels and businesses are redefining success by building dedicated fanbases with focused, niche strategies. This conversation, live from SXSW, features Charlie leading a conversation with: LP Giobbi, a producer, jazz-trained pianist, and activist who spends 300 days a year touring between festival stages, club floors, and studios. Nabil Ayers, president of Beggar's Group, home to multiple indie labels including 4AD, Matador Records, Rough Trade, and XL Recordings. Dani Deahl, a DJ, producer, and head of communications and creator insights at BandLab, the most popular digital audio workstation worldwide. MORE Subscribe to our newsletter to receive your own bingo card! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Car Seat Headrest is a band from Seattle. Their newest record, The Scholars, is out soon on Matador Records. We spoke with Will Toledo from the band about the bizarre crime scene involving Weezer's bassist's wife, Will's antiquated ways, the muck of industry dealings, writing a rock opera, really long songs, his favorite Radiohead record, particular eating habits, histamines, we need to suffer a bit more, Will teaches Chris how to reset his chi, his gut health, autistic artwork and critters, and lastly, a disclaimer from Will: sitting with your back against the bedboard for hours is not recommended by medical or spiritual experts. A very special episode! instagram.com/notcarseatheadrest twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

"There's a long chain of people who benefit from artists making records." Nabil Ayers, the US president of Beggars Group, talks about independent artistry and how we fix a broken music economy. The independent music economy is broken. But Nabil Ayers, US President of Beggars Group—the home of independent labels 4AD, Matador Records, Rough Trade Records, XL Recordings and Young—is here to fix in. In this Exchange, he speaks with RA senior editor Nyshka Chandran about the primary issues plaguing the industry. But he also expertly articulates his efforts to address these shortcomings through research and policy initiatives from the top down. How can artists get paid more money in a world where music is a common good? And what is the role of an independent label in 2025 and beyond? Listen to the episode in full. -Chloe Lula

"There's a long chain of people who benefit from artists making records." Nabil Ayers, the US president of Beggars Group, talks about independent artistry and how we fix a broken music economy. The independent music economy is broken. But Nabil Ayers, US President of Beggars Group—the home of independent labels 4AD, Matador Records, Rough Trade Records, XL Recordings and Young—is here to fix it. In this Exchange, he speaks with RA senior editor Nyshka Chandran about the primary issues plaguing the industry. But he also expertly articulates his efforts to address these shortcomings through research and policy initiatives from the top down. How can artists get paid more money in a world where music is a common good? And what is the role of an independent label in 2025 and beyond? Listen to the episode in full. -Chloe Lula

Alien Lanes by Guided By Voices, their first for Matador Records, expanded upon the lo-fi, hook-driven bursts of songs from previous release Bee Thousand. Its chaotic, collage-like structure packs 28 tracks into just over 40 minutes, thanks to the raw, four-track production gives the album an intimate, unpolished feel. Songs end abruptly, vocals are buried, guitars are out of tune, yet the melodies emerge from the fuzz with a mix of power pop charm and punk spontaneity.Widely considered one of their best works, Alien Lanes remains a cult favorite and a defining record of '90s indie rock.   Songs In This Episode Intro - Watch Me Jumpstart 17:09 - Motor Away 20:20 - Closer You Are 30:38 - Ex-Supermodel 36:20 - Strawdogs 38:19 - My Valuable Hunting Knife Outro - Blimps Go 90   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Alien Lanes by Guided By Voices, their first for Matador Records, expanded upon the lo-fi, hook-driven bursts of songs from previous release Bee Thousand. Its chaotic, collage-like structure packs 28 tracks into just over 40 minutes, thanks to the raw, four-track production gives the album an intimate, unpolished feel. Songs end abruptly, vocals are buried, guitars are out of tune, yet the melodies emerge from the fuzz with a mix of power pop charm and punk spontaneity.Widely considered one of their best works, Alien Lanes remains a cult favorite and a defining record of '90s indie rock.   Songs In This Episode Intro - Watch Me Jumpstart 17:09 - Motor Away 20:20 - Closer You Are 30:38 - Ex-Supermodel 36:20 - Strawdogs 38:19 - My Valuable Hunting Knife Outro - Blimps Go 90   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

A Very Special Aerial View Archive from November 29, 1991, featuring Gerard Cosloy–then of Matador Records–co-hosting with me. Hosted on Acast. See acast.com/privacy for more information.

For the 30th anniversary of Superchunk's fourth album, FOOLISH, we take a detailed look at how it was made. After Superchunk got their start in Chapel Hill, North Carolina in 1989, they were becoming known for their catchy punk anthems and busy touring schedule. Mac McCaughan and Laura Ballance had been a couple and formed Merge Records initially as a way to release their early singles, while releasing their full-length albums on Matador Records. Around the time of their third album, ON THE MOUTH, McCaughan and Ballance ended their romantic relationship, causing tension and uncertainty about the future of the band, as well as Merge. The inner-band turmoil impacted the songs they were writing, as McCaughan wrote lyrics from a vulnerable place while they also worked to expand their sound, incorporating more dynamics, new guitar textures and slower tempos. They booked studio time at Pachyderm Studios in Cannon Falls, Minnesota with Brian Paulson, who they had wanted to work with after hearing records he made with Slint and Unrest. Their breakneck three-day session resulted in FOOLISH, eventually released in 1994. In this episode, Mac McCaughan describes his intention to do something different musically with this record and how he was incorporating more clean guitar tones and space than ever before. Laura Ballance talks about hearing McCaughan's lyrics for the first time in the studio and how she felt attacked as she interpreted them as being about her or about their relationship. Jim Wilbur gives his perspective on this tumultuous time in the band's history, but how they were able to remain collaborative as a unit and write many songs quickly. From treating the band like a job to losing a day in the studio to writing on acoustic guitars to an ambitious and tense video shoot to the story behind the album cover to a breakup record with some of Superchunk's most enduring songs, we'll hear the stories of how the album came together.

Today we chat with the USA noise rock menace that is HUMAN IMPACT. The band contains ex members of Swans and Daughters but also Chris Spencer from Unsane and Jim Coleman from Cop Shoot Cop. It was awesome to chat with them both about '28 Days Later', I've been listening to their music for decades. An absolute honour.HUMAN IMPACT UNSANE COP SHOOT COP

Welcome to the Nothing Shocking Podcast 2.0 episode 260 with our guest Paul Leary of the Butthole Surfers.  We discuss the Matador Records reissues of their first two albums and one live EP plus future album reissues.  We also discuss a future Live album recorded in New York in 1992 to be released on Sunset Boulevard Records; A documentary movie - Butthole Surfers: The Hole Truth and Nothing Butt; His two solo albums the History of Dogs and Born Stupid;  His work as a Producer; and more!    For more information visit:  https://www.facebook.com/ButtholeSurfersMusic/ https://buttholesurfersmovie.com/ https://paulleary.bandcamp.com/album/born-stupid   Please like our Facebook page: https://www.facebook.com/nothingshockingpodcast/  Follow us on twitter at  https://twitter.com/hashtag/noshockpod.   Libsyn website: https://nothingshocking.libsyn.com For more info on the Hong Kong Sleepover: https://thehongkongsleepover.bandcamp.com Help support the podcast and record stores by shopping at Ragged Records. http://www.raggedrecords.org    Nothing Shocking Podcast Best of 2024 Apple Playlist: https://music.apple.com/us/playlist/nothing-shocking-podcast-2024/pl.u-NP2Ws7135YR    

What's your most loved and least favorite song on Guided By Voices' 492nd album Bee Thousand?! Adam overcame his fear of assigning a 20 song record because he felt we needed to do more indie classics. Fun to hear his three co-hosts' take on a challenging 1994 lo-fi listen that was once named by Amazon music writers as the #1 indie album of all-time. We get a surprise Zoom visit from longtime 91X program director Garett Michaels (check out an extra ten minutes of his golden throat soon on Youtube) and remote opinions from Jon Wurster (Superchunk/Mountain Goats/Best Show) and Scott McCaughey (Young Fresh Fellows).  Request episode results before the end credits! Listen at WeWillRankYouPod.com, Apple, Spotify and your local Thighland podcast shoppe.  Follow us and weigh in with your favorites on Facebook, Instagram & Threads and Twitter @wewillrankyoupod . Jon Auer, Awful Bliss, The Baseball Project, Bee Thousand, Big Fan of the Pigpen, British singing voice, Buzzards and Dreadful Crows, Cobra Verde, Dayton, Demons Are Real, drinking, Echos Myron, epicly long live shows, Ester's Day, ever-changing band lineups, ex post facto, Jason Falkner, farewells, Kevin Fennell, FM 94/9, four track, GBV, Ben Gibbard, Gold Star for Robot Boy, The Goldheart Mountaintop Queen Directory, Guided By Voices, Hardcore UFO's, Tim Heidecker, Her Psychology Today, Hot Freaks, I Am a Scientist, I Am A Tree, Kicker of Elves, lofi recording, Matador Records, Scott McCaughey, Garrett Michaels, Mincer Ray, the Minus 5, mouse ears, the National, necklace of 50 eyes, Neutral Milk Hotel, 1994, 91X, no hitter, nondairy creamer, Ohio, out of tune guitars, Peep-Hole, Bob Pollard, popular mechanics, the Posies, production manager, prolific, Queen of Cans and Jars, rapeseed, reunions, rock moves, Rookie Card, short songs, Sloan, Smothered in Hugs, the Soft Rock Renegades, Tobin Sprout, Superchunk, Suzanne & The Summerz, the Textbook Committee, Tractor Rape Chain, wayward miners, Jon Wurster, years spent teaching, You're Not an Airplane, Yours to Keep US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.com NEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com(Sam's music page) http://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

Damon Arredondo is a son, a brother, a father, an entrepreneur, a dreamer, a brewer, and -- based on the four hours I spent with him in my basement studio -- an amazing human being. He's the owner and founder of Rizoma Liquid Creations, and he's my guest for Episode No. 119.Damon and I talked about growing up, family, heritage and culture, parenthood, collaborations, mental health, and beer, to just mention a few topics.We also talked about a few of Damon's favorite records, which were these:Sunrise over the Sea (2004), The John Butler TrioBalmorhea's Stranger (2012)Pedestrian Verse (2013), Frightened RabbitDirty Heads' Sound of Change (2014)Origin (Original Motion Picture Soundtrack) (2023), Kris Bowers*Rizoma continues to search for a location to call home here in Kansas City, and -- while that search continues -- Damon has been selected to participate in the Crafted for Action Conference in Atlanta next month. And if I may speak on behalf of Damon, he needs your contribution to see this important step in the process through. If you trust me when I say that Damon is good people, or if you enjoyed our conversation here on the podcast, or if you're just a kind/giving person at your core, please take a moment to learn a little bit more about this portion of Damon's journey to seeing his dream through. You can do so here.It was a privilege to meet Damon and an honor to share some time with him. I appreciate you being here and supporting the podcast, and if you are able to support Damon, well I appreciate you for that, too. Thank you.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are samples from a tune called, "Bassackwards" by Kurt Vile. The track is from his 2018 release, Bottle It In (c/o Matador Records), and I'm not going to tell you that the album is a badass record, but I will tell you that Mr. Vile is a lifetime member on the Board of Badassery. So take those tidbits and decide for yourself.*Damon loves the Stan Walker tune, "I AM" from this soundtrack, not necessarily the entire collection. I chose to list the soundtrack as part of his list just because I'm a dork like that and couldn't have a lone track listed all by its lonesome.

Oil up your beard and break out the triple IPA because standup guy/comedian Kyle Kinane joined us from Portland to share some fun and laughs, along with a tribute to the late, great Steve Albini, a zoom from our old friend/new movie star Uncle Phil ("The People's Joker") and Tim's recap of the original "Planet of the Apes." And then hold onto your hair because it could easily be blown off from our exclusive studio session with African guitar master Mdou Moctar and his red hot band performing “Sousome Tamachek" live in our studio. Watch or listen to another hour of the show with more Kyle, another tune from Mdou Moctar, a master debate between Tim and Vic on Jerry Seinfeld's "Unfrosted" movie, Vic's Chicago band game, a surprise zoom-in from Doug and Eric Andre, and get tons of other stuff when you subscribe to OFFICE HOURS+. Get a FREE seven-day trial at patreon.com/officehourslive. Go see DJ Douggpound and Major Entertainer in London on 20 May! Get tickets here! Mdou Moctar courtesy of Matador Records. Mdou Moctar - lead guitar, vocals Ahmoudou Madassane - rhythm guitar, vocals Mikey Coltun - bass Souleymane Ibrahim - drums Recording & Mixing: Luke Burba Cameras: ZZ Satriani, Alec Rosinski VHS Camera: Alicia Sisk Editor: Chris Robison Color Correction: Wesley Knapp Monitor Mix: Chad McGillivray Produced by Producer Matt Thank you Aaron Leitko/Matador Records & Dan Oestreich/Another Management Company Find everything Office Hours including the merch store at officialofficehours.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

1984 had its share of sonically expansive punk releases, but few were as viscerally bizarre and dizzyingly unpredictable as Butthole Surfers' full-length debut, 'Psychic... Powerless... Another Man's Sac'. Former TRGMH co-host Barry Stock joins Rob as they unpack this at-times-menacing, at-times-hilarious classic. Songs discussed in this episode: The Hurdy Gurdy Man - Butthole Surfers; Crispy Brain Candy - Barry Stock; A Different View - Bill Orcutt Guitar Quartet; Hansel, Gretel & The Witch, The Mysterious Dr Worm - Barry Stock; The Shah Sleeps in Lee Harvey's Grave, Concubine - Butthole Surfers; Day Tripper - Shockabilly; Eye of the Chicken, Pepper - Butthole Surfers; Children Of The Grave - Black Sabbath; Dum Dum - Butthole Surfers; Tear It Up - The Cramps; Woly Boly, Negro Observer, Butthole Surfer, Lady Sniff, Cherub, Mexican Caravan - Butthole Surfers; Dark Entries - Bauhaus; California Uber Alles - Dead Kennedys; Cowboy Bob - Butthole Surfers; T.V. Eye - The Stooges; The Dicks Hate The Police - The Dicks; Gary Floyd - Butthole Surfers; Jesus Built My Hotrod - Ministry; The Metabolization Of Stimulants - Barry Stock

Sintonía: "Flux = Rad" - Pavement"Black Out", "Grounded", "Grave Architecture", "AT & T" y "Half A Canyon", extraídas del tercer álbum del grupo californiano titulado "Wowee Zowee" (Matador Records, 1995)"Stereo", "Shady Lane/J Vs. S", "Transport Is Arranged", "Date w/Ikea", "Old To Begin", "Type Slowly" y "Embassy Row", extraídas del 4º LP titulado "Brighten The Corners" (Domino, 1997)Todas las músicas compuestas e interpretadas por Pavement (Stephen Malkmus).Escuchar audio

I'm so excited to to share this week's episode of the Talkhouse Podcast, which features a fascinating, deep yet kind of low-key conversation between two really talented people that you might not have expected to be paired up: Bob Odenkirk and Marcellus Hall. I'm guessing most people listening to this podcast will know who Odenkirk is. A longtime comedian and writer, he and his pal David Cross gifted the world some of the funniest TV ever created in Mr. Show With Bob And David, and if that was the only thing Odenkirk ever did, it'd be plenty. But of course the other really huge thing in his career is his portrayal of Saul Goodman on both Breaking Bad and Better Call Saul, two dramas that stand among some of the best TV ever. And I haven't even mentioned his books, the movies he's produced and directed, or the many things he's starred in. Without Bob, there would be no motivational speaker Matt Foley from SNL or any Tim and Eric Awesome Show. He's a legend, and he probably wouldn't want me saying that, which makes him a legend even more. Bob has also been a huge booster for things that he loves over the course of his career, including the aforementioned Tim and Eric plus things like the Birthday Boys and the unheralded movie Girlfriends Day, which he also stars in. And Bob has been a vocal fan of today's other guest, Marcellus Hall, for many years, too. Hall's music career goes back to the 1990s, when he was the frontman of the band Railroad Jerk, a clattering blues-punk band whose self-titled debut was one of the first albums ever released by Matador Records. Railroad Jerk is one of those bands that never quite hit it big, but those who saw them play live—I did once, in Madison Wisconsin—never forgot it. After that band broke up, Hall started another one, called White Hassle, and eventually started releasing albums under his own name while simultaneously enjoying a career as an illustrator—he's done a bunch of New Yorker covers and put out a really touching graphic novel a few years back called Kaleidoscope City. But this conversation was inspired by Hall's return to music after some years away. He just released a brand new album called I Will Never Let You Down. Here's the album's title track, which these guys chat about. In this lengthy and intimate conversation, which took place at Hall's New York apartment, he and Odenkirk start and end by talking about Jack Kerouac, and in between they go to a ton of interesting places. Sometimes these Talkhouse chats really feel like you're eavesdropping, and this is definitely one of those. They talk about Hall's work as well as Odenkirk's, and they dive into the notion that it gets harder as you get older to find that spark of inspiration. Odenkirk admits to some feelings of imposter syndrome, even after all of his success, and they both come across as guys who are still seeking, even after all these years. It's contemplative, but I think ultimately inspiring. This may be the last podcast you hear Odenkirk on for a while, as he's decided to stop saying “yes” to quite as many things as he did in the past. I love that, too. So get yourself some headphones and give this one your full attention—you won't regret it. Thanks for listening to the Talkhouse Podcast, and thanks to Marcellus Hall and Bob Odenkirk for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the goodness at Talkhouse.com. This episode was recorded by Mark Yoshizumi and produced by Myron Kaplan. The Talkhouse theme is composed and performed by the Range. See you next time!

Last fall, we celebrated the 15th anniversary of Fucked Up's ‘The Chemistry of Common Life'– an era-defining punk LP that also just so happened to be the Canadian band's Matador Records debut. This Friday, our long-in-the-works orange vinyl 2xLP reissue will finally arrive on shelves. Find that ⁠HERE⁠.  Today, you can listen to a brand new digital EP, ‘44th & Vanderbilt,' which compiles three ‘ChemCom'-era session performances with No Age's excellent remix of “No Epiphany.”  This episode of the Matador Revisionist History podcast finds FU members Mike Haliechuk and Jonah Falco in conversation with former Matador employee (and current ⁠World of Echo⁠ proprietor), Natalie Judge. They discuss making the record, recording nine months of overdubs, quitting their day jobs, and asking Michael Stipe to jump on the mic for a Feelies cover at the close of their 12-hour long record release show (spoiler: he passed). 

Sintonía: "5 - 4 = Unity" - Pavement"Trigger Cut", "Zurich Is Stained", "Loretta's Scars", "Two States", "Perfume-V" y "Summer Babe (Winter Version) extraídas del primer álbum de Pavement, titulado "Slanted And Enchanted" (Matador Records,1992)"Silence Kit", "Elevate Me Later", "Cut Your Hair", "Unfair", "Gold Soundz" y "Filmore Jive", extraídas del 2º LP, "Crooked Rain Crooked Rain" (Matador Records,1994/Reedición (2xCD) 10º aniversario, Domino Recording, 2004)Bonus de la reedición: "Raft" y "Coolin´ By Sound", extraídas del single "Range Life" (Big Cat Records, 1994)"Kneeling Bus" extraída del single "Gold Soundz" (Matador Records, 1994)Escuchar audio

This week Rob sits down with a friend of 30+ years, musician Pete Gordon, to talk Chapel Hill NC indie rock titans Superchunk and their 1993 release, 'On The Mouth'. "Have you got a minute?..." Songs discussed in this episode: From The Curve (Live in Montreal 1993) - Superchunk; Worry Wart - Radiobaghdad; A New Hope - Amboog-A-Lard; Seed Toss - Superchunk; Alpha Dog - Irish Car Bomb; Precision Auto - Superchunk; Precision Auto - Jimmy Eat World; Precision Auto - Les Savy Fav; Bringin' It Down - Judge; Sometime To Return - Soul Asylum; Still Waiting - Dag Nasty; Merchandise - Fugazi; From The Curve - Superchunk; Raining Blood - Slayer; For Tension, Mower, Package Thief, Swallow That, I Guess I Remembered It Wrong - Superchunk; Helicopter - Bloc Party; New Low - Superchunk; A Weird Place To Look For Gold, But OK - Cede The Clouds; Untied - Superchunk; Undone-The Sweater Song - Weezer; The Question Is How Fast, Trash Heap, Flawless, The Only Piece That You Get - Superchunk; What's Your Theory Doctor? - Cede The Clouds

En este episodio conversamos sobre “Crooked Rain, Crooked Rain”, el segundo álbum de Pavement, lanzado el año 1994.

Sneaking into punk clubs, recording with Don Zientara in high school, working with a record label run by a woman, and the intersection of time, age, and notoriety are part of Hilary's conversation with guitarist and vocalist, Thalia Zedek. Huge thanks to this episode's sponsors! EarthQuaker Devices- extra special effects pedals made by hand in Akron, OH! Stompbox Sonic- personalized pedal curation and sales in Somerville, MA! Holcomb Guitars- custom guitars and mobile guitar repair in RI/MA! Distrokid- get your music on streaming services (Mid-Riff listeners get 30% off with this link!)! THALIA's BIO Guitarist/vocalist Thalia Zedek began playing in bands and recording soon after moving to Boston from Washington D.C. in 1979. In 1986, Thalia's 3rd band, Uzi, released an EP on Homestead Records called “Sleep Asylum” which was later reissued by Gerard Cosloy on Matador Records in 1993. After Uzi broke up Thalia joined established noise rock band Live Skull on lead vocals and relocated to New York. She recorded 2 albums and an EP with them before returning to Boston and founding the band Come in 1991. Come released 4 albums and numerous EP's and singles on the Matador, Sub Pop, Domino, Glitterhouse and Placebo labels. Their full catalogue is currently being reissued on Fire Records. In 2001 Thalia started releasing solo records under her own name, first on Matador and Kimchee Records and then on the Thrill Jockey label where she continues as an active recording artist to this day. In addition to her solo work Thalia also records and performs with the Thalia Zedek Band and her newer band E, a trio that she started in 2013 with Jason Sanford of Neptune. She was also a member of the now defunct experimental group tK E has released 2 singles, a cassette, 3 LP's and an EP and are currently working on their 4th LP. Thalia continues to tour in the US and internationally with the Thalia Zedek Band and E, as well as the band Come, who reunited to tour in support of their recent reissues. Her most recent releases are 2021's “Perfect Vision” LP on Thrill Jockey by the Thalia Zedek Band, and 2022's “Any Information” EP by E on the Czech label Silver Rocket. In 2023's E released 7inch “Live at Cave 12” on the 100% Breakfast label. THALIA's MENTIONS The Cramps / Urban Verbs / Patti Smith / The Ramones / Deceits / The Razz / The Nurses / Fingers of Shame / The Shirkers / Limp Records / Stiff Records / Don Zientara / Inner Ear Studio / Jason Sanford / Alec Tisdale / Volcano Kings / Gavin McCarthy / Karate / Ernie Kim / Bob Dylan / Eric Clapton / Dave Davenport / Steve Miller Band / Berklee / Mr. Music / Bettina Richards / Thrill Jockey Records / Boston RPM / Karen Sarkisian / Handsy / Nurse and Soldier / Hidden Fountain / Cortez / Gibson / Peavey / Fender / Danelectro / Silvertone / Hagstrom / Kent / Ampeg / Music Man / Other Space Electronics / Dwarfcraft Devices / Electro-Harmonix / EarthQuaker Devices / Tokai / Ibanez / Boss THALIA's LINKS Thalia Zedek Band website Thalia Zedek Band Facebook E website E Bandcamp E Facebook tK Bandcamp tK Facebook MID-RIFF LINKS Website Instagram Facebook Newsletter Blog  Handsy Gender and Music Gear Experiences Report Thanks for rating/reviewing on Apple Podcasts! Support Mid-Riff by shopping on Reverb! Check out more from Ruinous Media! Bumper Music: “Smoked” by Thalia Zedek Band Theme Music: "Hedonism" by Towanda Artwork by Julia Gualtieri

What's on the flipside of a CD? Yo La Tengo's Georgia Hubley and Ira Kaplan are the latest inductees to the MOJO Record Club, sharing their love of Bob Marley and The Clean with Andrew Male. Then stick around for a trip deep into Bob Dylan's archives… Baby, follow us down! Tracklisting: 1. Aselestine, by Yo La Tengo, written by Ira Kaplan and Georgia Hubley and released on Matador Records 2. Concrete Jungle, by Bob Marley, released on Island Records 3. In the Dreamlife You Need A Rubber Soul, by The Clean, released on Morr Music 4. Love Sick, by Bob Dylan, originally released by Colombia / SME Records – bootleg re-released by MOJO Magazine 2023 5. She's a Fighter, song by Robert Forster, released on Tapete Records

Jay Reatard was a ferocious, prolific musician who burned hot and bright with incredible musical creativity for a decade and a half before his untimely, shocking death - just shy of his 30th birthday. Tonight, we honor him and his music. FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ GET 1000 STICKERS FOR $79  RIGHT HERE - NO PROMO CODE NEED! JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Today, we celebrate the 20th anniversary of Pretty Girls Make Graves' sophomore album, The New Romance. Originally released in 2003, this was the Seattle punk band's Matador Records debut. After more than a decade out of print, the album will return to us in a limited edition white vinyl pressing in stores on November 3. A deluxe digital version also lands today on digital services and features two b-sides “Magic Lights,” newly available on streaming, and a cover of Bow Wow Wow's home-taping anthem, “C-30 C-60 C-90 Go!” And what's more, singer Andrea Zollo and guitarist J. Clark guest on the latest installment of our Matador Revisionist History podcast series alongside producer Phil Ek and our host, Matt Sweeney.  Pretty Girls Make Graves formed in Seattle in 2001. The members – Andrea Zollo, Derek Fudesco, J. Clark, Nick Dewitt, and Nathan Thelen – were already local underground luminaries, owing to their time in punk and hardcore bands like Death Wish Kids, Area 51, and Murder City Devils. The quintet released an EP, a handful of 7” singles, and a full-length, Good Health (Lookout! Records), before getting a cold email from Matador Records founder Chris Lombardi, who may or may not have read a positive review in Pitchfork. A deal was struck and the band decamped to the bucolic Bear Creek studio to track The New Romance with Ek.  On this episode, Zollo and Clark go deep on the band's early years, talking influences (Drive Like Jehu, Ink & Dagger, Fugazi), rock band do's / don'ts, and what it's like to practice riffs in a freezing cold paper maché igloo.

Musician Sadie Dupuis (Speedy Ortiz) flips the script on Courtney and Melissa with how she ruined songs for an ex, by way of revenge micro-fame. Plus, we hear about the craft of songwriting and poetry.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's time for Luke Pennock & Brendan Flaherty to review episode 151 and 152 of ECW, from March 12th and March 19th, 1996. Discussed: the night Dave Meltzer got depressed, using the shared work printer, Dennis Miller pastiche, the Loose Cannon as Bart Simpson dynamic, gout revelations, and much more besides.  Support us on Patreon!  https://www.patreon.com/hardcorehaven/ IG & Twitter: @hcorehavenpod Contact us: hardcoreahavenpod@gmail.com Luke on Twitch: http://www.twitch.tv/pukelennock/ Logo by Raymond Biesinger Theme song by RANX

Born and raised in Iowa, Davies would soon begin playing music and finding inspiration as to what kind of art he wanted to create and make a mark with and that would eventually become TFULC282! On this podcast Davies tells us about his growing up in Iowa listening to the powerful groups coming out at the time, touring with Sun City Girls and releasing a record with them, TFULC282, being one of the earliest bands to sign to Matador Records in the 90s, his solo work and much more!

It's so great having our buddy Nils Bernstein drop by the studio. Nils is a man of many skills, and we talk about his great new book, The Joy of Oysters. Nils is the food editor for Wine Enthusiast magazine, and he has written and developed recipes for places like Bon Appétit, Epicurious, GQ, and the New York Times. But Matt knows Nils best as a former music publicist, working with bands like Interpol, Stephen Malkmus, and Nirvana while holding key positions at Sub Pop and Matador Records. We talk about his musical past, what is was like being in the room when "Smells Like Teen Spirit" was first played live, as well as a deep love of the bivalve. We loved catching up with Nils Bernstein, and we hope you enjoy this conversation.Also on the show, Aliza and Matt talk about three things that are getting them excited right now, including chicken sandwiches at the Fly, Bawi Agua Fresca, a new NA beer, and Nightingale Ice Cream Sandwiches. MORE FROM NILS BERNSTEIN:Shell Shocked: Why It's More Important Than Ever to Consider the Oyster [Wine Enthusiast]All the Ways to Pair Pinot Grigio with Food, from Cheese to Fish [Wine Enthusiast]A Taco-Filled Eating Tour of California's Salinas Valley [Wine Enthusiast]Bad Waitress [Dirt]FOLLOW, FOLLOW, FOLLOW:instagram.com/nilsbernsteininstagram.com/mattrodbardinstagram.com/taste

This week, I wanted to go back and revisit an older episode. I recorded an interview with singer and songwriter Julien Baker in 2018. It was a few months after her second album came out. Since then, she's put out another solo album, called Little Oblivions, which was critically acclaimed. And now she's also a member of boygenius, which is the supergroup made up of Julien, Phoebe Bridgers, and Lucy Dacus. They've put out an EP and then, earlier this year, they put out their first full-length. Julien is a really interesting artist, and I think her songwriting is just heartbreaking, especially the song she takes apart for her episode. Here it is: Julien Baker is from Memphis, Tennessee. She released her second album, Turn Out The Lights, in October 2017, on Matador Records. The New York Times called her music "devastating" and Pitchfork gave the album Best New Music. In this episode, Julien tells the story of her song "Appointments," and how writing it helped her work through her thoughts around addiction, depression, and relationships. Julien also takes apart the track “Over,” which was written as part of “Appointments,” but then split off as a separate track. For more, visit songexploder.net/julien-baker.

[To follow along with English subtitles, visit our new YouTube channel, "KEXP Podcasts." Learn more about this episode at www.kexp.org/podcasts/el-sonido/.] A comienzos de los años dosmiles, Argentina sufrió una fuerte crisis económica. Ese factor, junto a la tragedia ocurrida en el local bailable República de Cromañón, los coletazos del neoliberalismo y el comienzo de una nueva era digital en la música, ayudarían a moldear un sonido nuevo para el rock sudamericano. Allí, en la ciudad de La Plata, provincia de Buenos Aires, una banda llamada El mató a un polícía motorizado, inauguraría una nueva etapa para la música independiente de ese país. En nuestro capítulo dos, Albina Cabrera viaja por las canciones que marcaron la vida de Santiago Barrionuevo, bajista y cantante de la banda de rock El Mató a un policía motorizado. El quinteto completado por Guillermo Ruiz Díaz, Agustín Spassoff, Manuel Sanchez Viamonte y Gustavo Monsalvo se transformó en un faro de autogestión y en pioneros de un sonido que marcaría una época.  Junto a los aportes de los artistas Ed Maverick, Carolina Durante, Niña Lobo y Lara 91K , junto a los periodistas musicales Walter Lezcano, Martha Estrada y Nicolas Igarzabal, el cancionero de Santiago Motorizado será el mapa que nos ayude a explicar la música de un nuevo milenio. Un cassette de Embajada Boliviana, crecer con los ecos de Matador Records y la influencia clave de Rosario Bléfari, robustecen el cancionero de Santiago y marcan el día de su independencia o mejor dicho el día donde descubre que ser independiente, libera.Support the show: http://kexp.org/elsonidoSee omnystudio.com/listener for privacy information.

With the second version of Twin Fantasy, Car Seat Headrest made the unusual choice to completely re-record a previous album. Can it still be a flawless record? Mt Nadir certainly think so.  Join our Facebook Group! In Flawless Friends and Family, you can discuss our episodes, and the albums you think are flawless.  All music samples used in this episode are copyright Matador Records. Flawless is hosted by Liam McGinniss and George Mannion, and produced by Liam McGinniss. Follow us on: Facebook: https://www.facebook.com/flawlessamp/ Twitter: https://twitter.com/flawlessamp Instagram: https://www.instagram.com/flawlessamp/

Rita Lee rainha da porra toda, barulhos de WhatsApp surpresa, a influência de Carlos Eduardo Miranda, Matador Records, mulheres à frente do rock, lo-fi gravado no quarto baixinho, dinheiro acabando na pandemia, chef Erick Jacquin e a verdadeira razão pela qual A La Minuta com feijão não é A La Minuta foram apenas alguns dos assuntos deste episódio, onde recebemos Carlinhos Carneiro (Bidê ou Balde, Império da Lã, Bife Simples e mais) e juntos ouvimos os alt rock de New Jersey do Screaming Females, a incrível Rosalía sempre inovadora, o rush de Tóquio funkeado de Haruomi Hosono e a mistura do Japão com o Norte/Nordeste brasileiro da NIWA, além do som da Império da Lã! BG: Masayoshi Takanaka – "All Of Me" (1979) Abertura por Aletrix Apoio: Porto Produções Musicais

In the first half-hour, Professor Angelique W. EagleWoman, (Wambdi A. Was'teWinyan), is a law professor, legal scholar, Chief Justice on the Sisseton-Wahpeton Supreme Court, and has served as a pro tempore Tribal Judge in several other Tribal Court systems. As a practicing lawyer, one of the highlights of her career was to serve as General Counsel for her own Tribe, the Sisseton-Wahpeton (Dakota) Oyate. She is a citizen of the Sisseton Wahpeton (Dakota) Oyate of the Lake Traverse Reservation and has Rosebud Lakota heritage. She graduated from Stanford University with a BA in Political Science, received her Juris Doctor degree from the University of North Dakota School of Law with distinction, and her L.L.M. in American Indian and Indigenous Law with honors from the University of Tulsa College of Law.  As a law professor, she has taught in the areas of Aboriginal Legal Issues, Indigenous Legal Traditions, Tribal Nation Economics & Law, Native American Law, Native American Natural Resources Law, Tribal Code Drafting Clinic, Contracts, The Business of Law, and Civil Procedure. Angelique presents and publishes on topics involving tribal-based economics, Indigenous sovereignty, international Indigenous principles, and the quality of life for Indigenous peoples. She is currently a professor and Director of the Native American Law and Sovereignty Institute at the Mitchell Hamline School of Law in St. Paul, Minnesota. https://www.angeliqueeaglewoman.com/. She and Tiokasin discuss a Feb. 12, 2023 New York Times article in which she was extensively quoted: “With a Land Dispute Deadlocked, a Wisconsin Tribe Blockades Streets.” Read the article: http://bit.ly/3YP8ZGf In the second half-hour, Tiffany Midge is enrolled with the Standing Rock Sioux Nation and grew up in the Pacific Northwest. She is a former humor columnist for Indian Country Today and currently writes for High Country News. She has published work in The New Yorker, McSweeney's, First American Art Magazine, World Literature Today, YES! Magazine, the Spokesman-Review, the Inlander, and more. Her book "Bury My Heart at Chuck E. Cheese's" was a finalist for a Washington State Book Award and her writing has received a Pushcart Prize, the Kenyon Review Indigenous Poetry Prize, a Western Heritage Award, the Diane Decorah Memorial Poetry Award, Submittable's Eliza So Fellowship and a Simons Public Humanities Fellowship. Tiffany resides in north Idaho, homelands of the Nimiipuu. Production Credits: Tiokasin Ghosthorse (Lakota), Host and Executive Producer Liz Hill (Red Lake Ojibwe), Producer Malcolm Burn, Studio Engineer, Radio Kingston, WKNY 1490 AM and 107.9 FM, Kingston, NY Tiokasin Ghosthorse, Audio Editor Kevin Richardson, Podcast Editor Music Selections: 1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song) Artist: Moana and the Moa Hunters Album: Tahi (1993) Label: Southside Records (Australia and New Zealand) (00:00:22) 2. Song Title: Shade of History Artist: Julian Cote feat. Pura Fe Crescioni Album: Falls Around Her (soundtrack, 2018) Label: Pine Needle Productions (00:22:25) 3. Song Title: Time Not Thinking Artist: Tiokasin Ghosthorse Single Label: Ghosthorse (00:26:28) 4. Song: I Can't Give Everything Away (David Bowie Cover) Artist: Spoon Single, 2022 Label: Headz, under exclusive license to Matador Records (00:54:48) AKANTU INSTITUTE Visit Akantu Institute, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuinstitute.org/ to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse. 

In the first half-hour, Guest Host Anne Keala Kelly (Kanaka Maoli) presents an update on Thacker Pass. Two years ago, activist-lawyer Will Falk, and activist-photographer, Max Wilbert started an occupation to stop construction of a proposed lithium mine in Thacker Pass, Nevada, known as Peehee Mu'huh in Paiute. On January 5, 2023, they, along with members from two of the affected tribes, four environmental groups and a local rancher appeared in Reno's federal court in opposition to the project. Keep updated at https://www.protectthackerpass.org/ In the second half-hour, Tiokasin speaks with Plex, an award winning hip-hop artist and producer based in Barrie, Ontario. Plex has almost 30 years of experience and has raised the bar among his Indigenous peers, while building a strong and relevant presence in Canadian Hip-Hop. He released his debut solo album in 2009 and has since toured across the U.S. and Canada performing, teaching workshops to Indigenous youth and running his independent record label, New Leaf Entertainment. In 2022, ten years after his last album release, Plex presents his latest 12-song LP, “Who Am I To Judge.” The album speaks directly about Plex's” features collaborations with many artists from both the hip-hop and Indigenous communities, including Lady Luck, Kryple, Drezus, Touch and Rellik. Most of the production was piloted by Plex but also includes three tracks produced by acclaimed artist and producer, 2oolman. Also worth noting is the song “Don't Know How” produced by Cashmere Brown, who is known for his production on Kanye West's “Donda.” Plex is a master at his craft and a visionary who is committed to his community and his artistic expression. More information at https://newleafmusic.ca/ Production Credits: Tiokasin Ghosthorse (Lakota), Host and Executive Producer Liz Hill (Red Lake Ojibwe), Producer Malcolm Burn, Studio Engineer, Radio Kingston, WKNY 1490 AM and 107.9 FM, Kingston, NY Manuel Blas, Studio Engineer, Radio Kingston Tiokasin Ghosthorse, Audio Editor Kevin Richardson, Podcast Editor Music Selections: 1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song) Artist: Moana and the Moa Hunters Album: Tahi (1993) Label: Southside Records (Australia and New Zealand) (00:00:22) 2. Song Title: Red Flags Artist: Plex (feat. Aleah Belle) Album: Who Am I to Judge (2022) Label: New Leaf Entertainment (00:31:30) 3. Song: I Can't Give Everything Away Artist: Spoon Single (2022) Label: Headz, under exclusive license to Matador Records (00:53:30) AKANTU INSTITUTE Visit Akantu Institute, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuinstitute.org/ to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse. 

For this BONUS 'Mixtape Episode', we invited drummer Sam Fogarino (Interpol) to curate a mixtape and dug into his selections. Sam's mixtape: 1.Auf Wiedersehen - Cheap Trick 2.Smash It Up - The Damned 3.Panorama - The Cars 4.Mustopha Dance - The Clash 5.Chessboards - Killing Joke 6.Disappearer - Sonic Youth  7.Carry The Zero - Built To Spill 8.Lullaby - Low 9.Dos Galaxias  - El Mato a Un Policia Motorizado 10.Rock Music - Pixies 11.Only The Strong - Midnight Oil 12.Girl Loves Me - David Bowie *Other songs featured in this episode: PDA (live, Sydney Australia 2008), Toni, Gran Hotel - Interpol; March Of The Pigs - Nine Inch Nails; Ca Plane Pour Moi - Plastic Bertrand Spotify playlist: https://open.spotify.com/playlist/3wVVi4w6ZBHnTCjDm7V6L0?si=fa958cceedfb40a2 **episode artwork: Cori Elba (On PlanetWeird)

[Enjoy our podcast this week that we share with our sister Maremel Network podcast, Creative Innovators.] Dick Huey claims that his career jumps have been "educated luck."  "Because they they are luck. And I'm, I'm I don't ever pretend that I have more information than everybody else does. But I think I'm good at identifying opportunity. So for me, this felt like opportunity. And I jumped at it. And then of course that launched a 25-year career in digital music."  And so Dick shares with us his 25-year career, ranging from teaching software applications to getting his first music management client to building his digital music chops at Beggars Group to building Toolshed.  He works now on his three-legged stool of interests: helping big picture enhancements of the music business, working with record companies, and engaging in ed tech and new technologies. Guest: Dick Huey, Founder/President, Toolshed Dick Huey moved to New York City in 1997 to work for independent label powerhouse the Beggars Group (XL Recordings, 4AD, Matador Records, Rough Trade. He created and staffed the group's digital media department as global head of digital in the early days of digital music, determined the group's strategic direction, and licensed its groundbreaking catalog of world-class independent music from artists like the Pixies, the Prodigy, Throwing Muses, and many others.   Huey launched his NY Hudson Valley-based digital strategy company Toolshed in 2002, long before remote work was in vogue. Toolshed offered an early bespoke label and artist digital marketing, direct music service licensing, and download hosting service that created groundbreaking digital campaigns for Arcade Fire, Sufjan Stevens, Indigo Girls, Ani DiFranco, and Aimee Mann amongst hundreds of hundreds of others. Labels and distributors including Matador Records, Beggars Group, The Orchard, Touch and Go, PIAS, Righteous Babe, and Merge Records were also clients. In 2010, Toolshed expanded into music rights acquisition for consumer brands, media, tech, sports, and entertainment companies. Spotify contracted with Huey to lead its US independent label licensing efforts prior to and during Spotify's US launch in 2011. Red Bull Music Radio, SoundExchange, 8tracks, Digital Rights Agency, Red Mountain Ski Resort, Jaxsta, and Tunecore are all past clients or advisory relationships.   Huey is currently a Business Development Consultant to AIMS API, an artificial intelligence music search platform based in the Czech Republic, as well as to Entertainment Intelligence, a high end music analytics platform for direct-license content owners. He is a music license consultant to the US independent record label Merge Records and to stealth cloud radio startup HijackRadio, and an advisor to Techstars accelerator winner Paperchain and Australian personal social media monetization platform OkTY.   Outside of the music industry, Huey is a senior teaching assistant at NYU Professor Scott Galloway's two-year old educational sprint startup Section4. Huey regularly TA's online classes of up to 200 students on the topics of Subscription strategy, Brand, Platform, Product, Data Analytics, Growth Innovation (brand association with physical stores), and Storytelling. Several of the classes Huey TA's are taught by Galloway himself.   He held a 9-year board seat at SoundExchange representing Matador Records. He is a past Executive Director and board chairman of the Future of Music Coalition, based in Washington DC. He was chairman of the new media committee at the American Association of Music (A2IM) from its earliest days, as well as a consultant to independent entity the Association of Independent Music (AIM).   Huey is a USSA-certified downhill ski racing coach and committed biker and mountain biker. He moved from the New York area to the Columbia River Gorge in 2021. He began his career as a musician, then a music manager, and signed and...

Nathan has been a fan of Unsane since seeing the video for Scrape many years ago. In this episode we review the album Total Destruction by Unsane.Blender BombFollow/Subscribe:YouTube: https://www.youtube.com/c/blenderstylePodcast: https://blenderstyle.buzzsprout.comBlenderstyle Merch: https://blenderstyle.square.siteInstagram: https://www.instagram.com/blenderstylemusicFacebook: https://www.facebook.com/blenderstylemusicWebsite: http://blenderstyle.netListen to Unsane - Total Destruction and let us know what you think in the comments.Youtube Music: https://music.youtube.com/playlist?list=OLAK5uy_nET4_USwns818mPhXpKPJ9EDJunrYfjV4Spotify: https://open.spotify.com/album/4i2Zi2ruymvc5n0JGZ2KS6Apple Music: https://music.apple.com/us/album/total-destruction/1589263450Blenderstyle Hosts: Casey, Matt, NathanKeywords: Unsane Reaction, Total Destruction Reaction, Body Bomb Reaction, New York Hard Core, Trio, 1993, Matador Records#unsane #totaldestruction #albumreview #unsanereaction

This week Jeremy interviews Cody Votolato of The Blood Brothers, JR Slayer, Head Wound City, Waxwing, and more! On this episode Cody and Jeremy discuss growing up in a rural part of Texas and moving to Washington, discovering Drive Like Jehu and Jawbreaker, meeting the other members of The Blood Brothers, Gibson SG's, forming the Blood Brothers sound, the first show he ever played, recording with Jake Snyder from Minus the Bear, joining Waxwing, working with Matt Bayles, when Justin Pearson saved his band, being approached by Ross Robinson, signing to Artist Direct, the first Blood Brothers tour, the release of March on Electric Children and Burn Piano Island in the same year, getting to work with Guy Picciotto from Fugazi, Matador Records, the genesis of Head Wound City, what inspired JR Slayer and how it formed, working with Will Yip, and so much more!  SUBSCRIBE TO THE PATREON to hear a bonus episode where Cody answered questions that were submitted by subscribers! Follow the show on INSTAGRAM and TWITTER Want some First Ever Podcast merch? Click here!

Joe Strobl joined Badass Records Podcast for episode #16, and I'm not sure what we didn't cover: being engaged, smoking briskets, Anthony Bourdain, pro wrestling, Wakarusa, high school, family, Chiefs season tickets, collecting vinyl, Bruce Springsteen, Swedish visas (or the lack thereof).You know. The typical Tuesday-evening fodder.Joe chose My Morning Jacket's Z, The '59 Sound by Gaslight Anthem, and everybody's favorite Wilco record, Yankee Hotel Foxtrot, as his initial dabbles into records of badassery.Early in our conversation I called Joe, "something of a unicorn," and later supposed that perhaps he was striped. He said it was a testament to his family going through stuff together and having that bring them close together. That sentiment hasn't left me since and I don't imagine it ever will.I barely know Joe. He's a friend of my youngest younger sister and we've only really seen each other at gatherings for a number of years. He's always been a sweetheart in my mind, though, and the kind of human he has always struck me as being now resonates as certain truth, and I can't help but tie that to his upbringing. It in fact makes me hopeful that I am perhaps a little ways down the path to raising quality people that will always have a good relationship with their family and always be kind to those that they meet while out in the world.Joe owed me nothing, but he gave of his time, nonetheless.He took from the busy vault that is his soon-to-be-married life, and drove to my house to talk music for the better part of three hours, and for that I am grateful. When I really decided to roll with this project, I had an undecipherable feeling pushing me forward and I think that that feeling was this notion that talking to one another face to face about our lives and the twists and turns in them carries with it a good bit of worldly medicine. And I think a good bit of worldly medicine has felt something along the lines of necessary for the past 26 months, if not the last six years.So, that's the unconscious impetus here, I guess; the ingredients and the steps for doing a cool thing exist, and if it's potentially mutually beneficial, why not do it.Someone told me a couple of months ago that this project is "a brilliant idea and the world needs more music love and such if it's ever going to heal and thrive, again. I know you can make this something truly great and you are well on your way."I don't know how much of that is true, but I hope all of it is. I love that sentiment and love the person that delivered it.I also love Joe Strobl for hanging out with me and being a part of whatever mix this is."Thanks for stopping by. And, please: Enjoy yourself."copyright disclaimer: I do not own the rights to the intro/outro audio. They are samples from Kurt Vile's "Wedding Budz" off of his It's a Big World Out There (And I Am Scared) EP from 2013, c/o Matador Records. You should get you some Wakin On a Pretty Daze (Deluxe Daze [Post Haze]) stat. It's good for the soul.Bet.

In our final episode for Season 2, we listen to some raw tape that didn't make the Julien Baker episode. And we're joined by not one but two fans. Allison, a teenage fan, from Louisiana, shares how Julien's music helped her through her own bouts of depresson during the pandemic. And Azin Samari, a documentary editor on "The September Issue"—the award-winning film about Vogue magazine, Amazon docu-series "Lorena" and more recently, Hulu's "Sasquatch." Azin is currently working on a documentary about the refugee crisis. She discusses her experience with religion, editing for documentary, and its similairities to editing for audio.Thanks to Matador Records for use of the song "Appointments." And Katie Nelson from Grandstand Media for support with music clearance. A big, big thank you to the many Julien Baker fans that reached out. We could only pick one but feel free to record a voice message and I promise to play it on a future mini-episode. And of course to our guest Allison, thank you for sharing the music in your head with all of us in the world — it's a truly special thing. Links to the other episodes discussed — Black Belt Eagle Scout, Ezra Furman, Travis and Lucy Dacus. Julien Baker will tour with Angel Olsen and Sharon Van Etten, for the Wild Hearts Tour, from 21 July to 21 Aug 2022. Remember Season 3 will drop July 7. Write us an Apple Podcast review, or again send me a voice message. If you prefer to share your thoughts via email, drop us a line at celine.teoblockey@undertheradarmag.com See acast.com/privacy for privacy and opt-out information.

This week on the show, we're joined by Chicago indie trio Horsegirl—Penelope Lowenstein, Nora Cheng and Gigi Reece. Their new album, Versions of Modern Performance, out now on Matador Records, echoes classic indie rock—think Sonic Youth (after all, Lee Ranaldo and Steve Shelley guest star on one song), Dinosaur Jr, The Clean, and The Breeders. But what really makes it such a compelling listen is the interplay between these three young people. Horsegirl does everything as a group, from answering emails to taking meetings, so naturally all three members join host Jason P. Woodbury to dig in, discussing high school, how the pandemic solidified their band, working at Electrical Audio with producer John Agnello, and trading off on a Bass VI instead of a standard four-string. We hope you enjoy this episode. If you do, please consider leaving us a rating and or review. It helps new folks find the show. Transmissions airs wherever you get podcasts each Wednesday. If you'd like to support the show, please consider a pledge to Aquarium Drunkard's Patreon. Transmissions is part of the Talkhouse podcast network.

Hope and Penelope grow closer, but a brutal attack on a nearby village makes it difficult for Hope to advocate for the vampire.“Church Cove," episode 8 of Impact Winter, starred Esme Creed-Miles as Hope, Himesh Patel as Felix and Liam Cunningham as Jepson Belgrave. Also appearing were Caroline Ford as Penelope Chambers, Chloe Pirrie as Dr. Gussie Blackwood, Lesley Ann Acheson as Gemma and James Kenward as Neville. It was written, directed and executive produced by Travis Beacham.Words and music for “IN THE AIR TONIGHT” were composed by Phil Collins and performed by Lucy Dacus. The song appears courtesy of Matador Records and Concord Music.

"Courtney Barnett" is a singer, songwriter, and musician from Melbourne Australia, known for her often deadpan singing style and witty lyrics.Courtney grew up in a musical household, with both her brothers playing guitar around her. When she was just 10 years old she asked her brothers to show her some chords and eventually begged her parents to buy her a guitar and lessons. As a left-handed guitar player Courtney actually started out learning on a regular right-handed guitar with conventional stringing, this basically meant she learnt how to play guitar chords backwards, which she can still do to this day. In her early career she played with a couple of indie bands around Australia, before writing her own songs and putting out her debut EP in 2012.As usual, there is a lot more to know about this fascinating artist. Join musicians Jay Purcell and Jesse Quigley as they discuss Courtney's work, life, career and spin some of their favorite tracks.To listen to the full episode, including the featured music, visit... signlradio.com"Roots to Grooves" is a production of SIGNL.https://www.signlradio.comhttps://www.instagram.com/signlradiohttps://www.twitter.com/signlradiohttps://www.facebook.com/signlradiohttps://www.mixcloud.com/signlhttps://open.spotify.com/user/96mhz6qfjoztxbl2dpm0uj903?si=aAZpsoEnRAKdx85kr1QWhg

We're joined by songwriter, producer, and legendary indie rock guitar slinger, Doug Gillard, known most widely as the longtime guitarist for Robert Pollard's Guided by Voices. Crucial matters discussed include: growing up in Ohio and why that state has produced so many incredible rock bands; the bizarre ritual of the audiences in Florida showering Guided by Voices with beer at shows; Doug's sidework with Nada Surf, Neko Case, The Hold Steady, and Oranges Band, among others; the astonishing productivity of Guided by Voices and their amazing new record, Earth Man Blues; working with Ric Okasek from The Cars on GBV's Do the Collapse and Rob Schnapf on Isolation Drills; and so much more. 

We're joined by the founder of the Richmond, Va-based indie record label Egghunt Records, Adam Henceroth. Crucial matters discussed include: the joys and perils of running a record label in these streaming times; the luck of stumbling upon the amazing Lucy Dacus and her subsequent move to Matador Records; our mutual adoration of early R.E.M.; Adam's bold attempt to put out a Morrissey record as a Record Store Day release; Artifact co-host Matt's involvement in the making of one of Adam's favorite Egghunt releases, Reveries, by Wilmington, DE's own Grace Vonderkuhn.

The amazing, headlining duo from the bygone It's A Thing! podcast, Jared Horney and Michael J. O'Connor match wits on a show all about MUSIC. We discuss the likes of the Elephant Six Collective, Matador Records, Shoegaze, Session Musicians, and the RCA Mark II. We also play a new game: Hobnobbing with Bob Pollard. But that's not all! We talk about Korn in the Korn Korner... No, the Korner... No... shoot. We also talk about Wes Scantlin, Sigur Ros, Ghost Dog Agents (well, one in particular), the It's A Thing! documentary, and the numerous lawsuits the It's A Thing! duo are currently embroiled in. This is a special one, folks!  It's literally A THING.Check out Mikey's music: http://michaeljoconnor.bandcamp.com/And check out It's A Thing!: http://www.gaslanternmedia.com/search/label/It%27s%20A%20ThingHelp animals!Black Lives Matter!Be kind to each other. Please. :D

After seeing Algiers perform the "Last Show on Earth" in Atlanta on March 14, a day in the crux of the coronavirus outbreak in the U.S., Aja catches up with Frankie & Lee over the phone a couple weeks later after they were all settled into quarantine. The three discuss how the pandemic has affected the band specifically, the music industry as a whole, and where all this might be going.That show in Atlanta was Algiers' last show in their scheduled tour, which has been postponed. Its live recording is featured in whole on the band's official Bandcamp page and their latest album 'There Is No Year' is available now on vinyl and all streaming services via Matador Records.

Often criminally overlooked among the '90s indie-rock canon, Helium's The Magic City is one of the most colorful and unpredictable albums to come out of Matador Records' reign as kings of the genre. On their second and final album, Mary Timony and crew cast aside the fuzzy, lo-fi guitars for bright, lush arrangements that explore influences as diverse as medieval folk, progressive rock, and video game music. Climb aboard your mighty unicorn and follow Dan, Amanda, and Rich into the cosmos as we travel through this musically rich landscape of aging astronauts, dragons, and Chamberlins. Cohosts: Dan Watkins, Rich Bunnell, Amanda RodgersComplete show notes: https://discordpod.com/listen/042-helium-the-magic-city-1997Discord & Rhyme's merch store: http://tee.pub/lic/discordpodSupport the podcast! https://www.patreon.com/discordpod

Endless Boogie was never supposed to become a band. It was made up of some guys who worked at Matador Records, one in particular who loved to collect old vinyl. Frontman Paul Major and guitarist Jesper Eklow tell Marc what it took to put the mother of all jam bands together and how the band's style is influenced by Paul's nearly obsessive practice of collecting rare LPs. See acast.com/privacy for privacy and opt-out information. Sign up here for WTF+ to get the full show archives and weekly bonus material! https://plus.acast.com/s/wtf-with-marc-maron-podcast.