Podcast appearances and mentions of chet van duzer

Frames That Speak: Cartouches on Early Modern Maps (Brill, 2023) is the first systematic exploration of cartographic cartouches, the decorated frames that surround the title, or other text or imagery, on historic maps. It addresses the history of their development, the sources cartographers used in creating them, and the political, economic, historical, and philosophical messages their symbols convey. Cartouches are the most visually appealing parts of maps, and also spaces where the cartographer uses decoration to express his or her interests--so they are key to interpreting maps. The book discusses thirty-three cartouches in detail, which range from 1569 to 1821, and were chosen for the richness of their imagery. The book will open your eyes to a new way of looking at maps. Open Access link to the book. Chet Van Duzer is an historian and project manager for the Lazarus Project at the University of Rochester. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Frames That Speak: Cartouches on Early Modern Maps (Brill, 2023) is the first systematic exploration of cartographic cartouches, the decorated frames that surround the title, or other text or imagery, on historic maps. It addresses the history of their development, the sources cartographers used in creating them, and the political, economic, historical, and philosophical messages their symbols convey. Cartouches are the most visually appealing parts of maps, and also spaces where the cartographer uses decoration to express his or her interests--so they are key to interpreting maps. The book discusses thirty-three cartouches in detail, which range from 1569 to 1821, and were chosen for the richness of their imagery. The book will open your eyes to a new way of looking at maps. Open Access link to the book. Chet Van Duzer is an historian and project manager for the Lazarus Project at the University of Rochester. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Frames That Speak: Cartouches on Early Modern Maps (Brill, 2023) is the first systematic exploration of cartographic cartouches, the decorated frames that surround the title, or other text or imagery, on historic maps. It addresses the history of their development, the sources cartographers used in creating them, and the political, economic, historical, and philosophical messages their symbols convey. Cartouches are the most visually appealing parts of maps, and also spaces where the cartographer uses decoration to express his or her interests--so they are key to interpreting maps. The book discusses thirty-three cartouches in detail, which range from 1569 to 1821, and were chosen for the richness of their imagery. The book will open your eyes to a new way of looking at maps. Open Access link to the book. Chet Van Duzer is an historian and project manager for the Lazarus Project at the University of Rochester. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Frames That Speak: Cartouches on Early Modern Maps (Brill, 2023) is the first systematic exploration of cartographic cartouches, the decorated frames that surround the title, or other text or imagery, on historic maps. It addresses the history of their development, the sources cartographers used in creating them, and the political, economic, historical, and philosophical messages their symbols convey. Cartouches are the most visually appealing parts of maps, and also spaces where the cartographer uses decoration to express his or her interests--so they are key to interpreting maps. The book discusses thirty-three cartouches in detail, which range from 1569 to 1821, and were chosen for the richness of their imagery. The book will open your eyes to a new way of looking at maps. Open Access link to the book. Chet Van Duzer is an historian and project manager for the Lazarus Project at the University of Rochester. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Frames That Speak: Cartouches on Early Modern Maps (Brill, 2023) is the first systematic exploration of cartographic cartouches, the decorated frames that surround the title, or other text or imagery, on historic maps. It addresses the history of their development, the sources cartographers used in creating them, and the political, economic, historical, and philosophical messages their symbols convey. Cartouches are the most visually appealing parts of maps, and also spaces where the cartographer uses decoration to express his or her interests--so they are key to interpreting maps. The book discusses thirty-three cartouches in detail, which range from 1569 to 1821, and were chosen for the richness of their imagery. The book will open your eyes to a new way of looking at maps. Open Access link to the book. Chet Van Duzer is an historian and project manager for the Lazarus Project at the University of Rochester. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Frames That Speak: Cartouches on Early Modern Maps (Brill, 2023) is the first systematic exploration of cartographic cartouches, the decorated frames that surround the title, or other text or imagery, on historic maps. It addresses the history of their development, the sources cartographers used in creating them, and the political, economic, historical, and philosophical messages their symbols convey. Cartouches are the most visually appealing parts of maps, and also spaces where the cartographer uses decoration to express his or her interests--so they are key to interpreting maps. The book discusses thirty-three cartouches in detail, which range from 1569 to 1821, and were chosen for the richness of their imagery. The book will open your eyes to a new way of looking at maps. Open Access link to the book. Chet Van Duzer is an historian and project manager for the Lazarus Project at the University of Rochester. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

Frames That Speak: Cartouches on Early Modern Maps (Brill, 2023) is the first systematic exploration of cartographic cartouches, the decorated frames that surround the title, or other text or imagery, on historic maps. It addresses the history of their development, the sources cartographers used in creating them, and the political, economic, historical, and philosophical messages their symbols convey. Cartouches are the most visually appealing parts of maps, and also spaces where the cartographer uses decoration to express his or her interests--so they are key to interpreting maps. The book discusses thirty-three cartouches in detail, which range from 1569 to 1821, and were chosen for the richness of their imagery. The book will open your eyes to a new way of looking at maps. Open Access link to the book. Chet Van Duzer is an historian and project manager for the Lazarus Project at the University of Rochester. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode 6. The idea that there must be a large mountain of lodestone called Rupes Nigra at the North Pole to account for the earth's magnetism goes back to at least the 13th century, not long after the invention of the compass. It was held to be surrounded by four islands with inward- flowing rivers, great mountains and inhabited by Pygmies. The source of this mythical polar geography is a lost work by an unknown author of the 14th century. The book was called the 'Inventio fortunata'. The book is said to be a travelogue written by a 14th century Franciscan friar from England who travelled the North Atlantic region in the early 1360s, conducting business on behalf of the King Edward III. He described what he found on his first journey to the islands beyond 54 degrees north in a book, "Inventio Fortunata", which he presented to the King. The geography attributed to it described bear remarkable resemblances to Hindu, Islamic and Buddhist cosmologies. The description dominated the depiction of the Polar regions on European maps with up to the 1700s, yet we know almost nothing about the contents of the book save a summary in a second text, the "Itinerarium," written by a Dutch traveller named Jacobus Cnoyen. By the late 16th century, even Cnoyen's text was missing, so most of what we know of the contents of the "Inventio Fortunata", other than its use on maps, is found in a letter from the Flemish cartographer Gerardus Mercator to the Anglo-Welsh astrologer and occultist John Dee dated April 20, 1577. Dr John Sources: Wikipedia: https://en.wikipedia.org/wiki/Rupes_N..., http://enacademic.com/dic.nsf/enwiki/... Chet Van Duzer - https://stanford.academia.edu/ChetVan... 'The Mythic Geography of the Northern Polar Regions: Inventio fortunata and Buddhist Cosmology' Music by Obliqka - https://soundcloud.com/obliqka --- Send in a voice message: https://anchor.fm/spirit-box/message

Welcome to Season 2, Belieflings! We're back in the Hole and celebrating the magic of the season by exploring icy mysteries and the hidden history of the north pole.  We begin with mysterious tales of tragedy from enigmatic Antarctica, including the strange disappearance of Carl Disch from Byrd Station at the South Pole. In the second half, we dive into Mercator's mysterious map of the North Pole, which describes a magical and wondrous place made of vanishing islands, little people, and a magnetic mountain at the center of the north pole.. But was it real??? Also.. Inventio Fortunata Fever, John Dee Navigation, and Jeremy Loves Maps Listen to Part 2! Mokele-mbembe - Dinosaurs Alive Today Link: https://www.patreon.com/posts/32297374 GIVE US SOME LOVE: beliefhole.com patreon.com/beliefhole beliefhole.com/shop TIMESTAMPS: 12:20 | The disappearance of Carl Disch 27:50 | Crevice Mystery 33:45 | Patreon Stinger - Molly 40:00 | Mercator’s North Pole 01:02:08 | Patreon Stinger - Ben S. 01:07:38 | Expansion Preview MOVIE RECOMMENDATIONS: The Thing (1982) https://www.imdb.com/title/tt0084787/ SOURCES: Tragedy and Mystery in Antarctica Strange Disappearance of Carl Disch https://www.southpolestation.com/trivia/igy2/disch.html 14 October 1965: Jeremy Bailey, David Wild and John Wilson - BBC https://www.bbc.com/future/article/20180913-a-frozen-graveyard-the-sad-tales-of-antarcticas-deaths The Mystery of Mercator’s North Pole /North Pole- What is it really? Insert in Mercator's World Map (1569) | Full Res Map: https://nwcartographic.com/products/antique-map-north-pole-mercator-1628 Map historian Chet Van Duzer of Berkley University http://www.culturaspopulares.org/textos2/articulos/duzer.htm Mercator's Letter to John Dee - Earle de Blonville http://earledeblonville.com/books/pdfs/2_Mercators_letter_to_Dee.pdf Inventio Fortunatahttps://en.wikipedia.org/wiki/Inventio_Fortunata The book ‘Smokey God’ by Willis George Emerson [ 1908]https://www.stolenhistory.org/threads/mount-meru-is-there-a-magnetic-mountain-at-the-north-pole.102/ Hyperboreahttps://en.wikipedia.org/wiki/Hyperborea Frisland - Where did it go? Full Res Map Link: https://upload.wikimedia.org/wikipedia/commons/3/3d/Iceland_Coronelli.jpg Pygmei Sinking/ flooding between maps: Wikipdeia/WikiTalk - ‘Fringe Theory’https://en.wikipedia.org/wiki/Talk%3AFrisland

Chet Van Duzer's new book Martin Waldseemüller's 'Carta marina' of 1516: Study and Transcription of the Long Legends (Springer, 2019), presents the first detailed study of one of the most important masterpieces of Renaissance cartography. By transcribing, translating into English, and detailing the sources of all of the descriptive texts on the map, as well as the sources of many of the images, the book makes the map available to scholars in a wholly unprecedented way. In addition, the book provides revealing insights into how Waldseemüller went about making the map -- information that can't be found in any other source. The Carta marina is the result of Waldseemüller's radical re-evaluation of what a world map should be; he essentially started from scratch when he created it, rejecting the Ptolemaic model and other sources he had used in creating his 1507 map, and added more descriptive texts and a wealth of illustrations. Given its content, the book offers an essential reference work not only on this map, but also for anyone working in sixteenth-century European cartography. This book is available open access here. Steven Seegel is a professor of history at the University of Northern Colorado. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chet Van Duzer's new book Martin Waldseemüller’s 'Carta marina' of 1516: Study and Transcription of the Long Legends (Springer, 2019), presents the first detailed study of one of the most important masterpieces of Renaissance cartography. By transcribing, translating into English, and detailing the sources of all of the descriptive texts on the map, as well as the sources of many of the images, the book makes the map available to scholars in a wholly unprecedented way. In addition, the book provides revealing insights into how Waldseemüller went about making the map -- information that can’t be found in any other source. The Carta marina is the result of Waldseemüller’s radical re-evaluation of what a world map should be; he essentially started from scratch when he created it, rejecting the Ptolemaic model and other sources he had used in creating his 1507 map, and added more descriptive texts and a wealth of illustrations. Given its content, the book offers an essential reference work not only on this map, but also for anyone working in sixteenth-century European cartography. This book is available open access here. Steven Seegel is a professor of history at the University of Northern Colorado. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chet Van Duzer's new book Martin Waldseemüller’s 'Carta marina' of 1516: Study and Transcription of the Long Legends (Springer, 2019), presents the first detailed study of one of the most important masterpieces of Renaissance cartography. By transcribing, translating into English, and detailing the sources of all of the descriptive texts on the map, as well as the sources of many of the images, the book makes the map available to scholars in a wholly unprecedented way. In addition, the book provides revealing insights into how Waldseemüller went about making the map -- information that can’t be found in any other source. The Carta marina is the result of Waldseemüller’s radical re-evaluation of what a world map should be; he essentially started from scratch when he created it, rejecting the Ptolemaic model and other sources he had used in creating his 1507 map, and added more descriptive texts and a wealth of illustrations. Given its content, the book offers an essential reference work not only on this map, but also for anyone working in sixteenth-century European cartography. This book is available open access here. Steven Seegel is a professor of history at the University of Northern Colorado. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chet Van Duzer's new book Martin Waldseemüller’s 'Carta marina' of 1516: Study and Transcription of the Long Legends (Springer, 2019), presents the first detailed study of one of the most important masterpieces of Renaissance cartography. By transcribing, translating into English, and detailing the sources of all of the descriptive texts on the map, as well as the sources of many of the images, the book makes the map available to scholars in a wholly unprecedented way. In addition, the book provides revealing insights into how Waldseemüller went about making the map -- information that can’t be found in any other source. The Carta marina is the result of Waldseemüller’s radical re-evaluation of what a world map should be; he essentially started from scratch when he created it, rejecting the Ptolemaic model and other sources he had used in creating his 1507 map, and added more descriptive texts and a wealth of illustrations. Given its content, the book offers an essential reference work not only on this map, but also for anyone working in sixteenth-century European cartography. This book is available open access here. Steven Seegel is a professor of history at the University of Northern Colorado. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chet Van Duzer's new book Martin Waldseemüller’s 'Carta marina' of 1516: Study and Transcription of the Long Legends (Springer, 2019), presents the first detailed study of one of the most important masterpieces of Renaissance cartography. By transcribing, translating into English, and detailing the sources of all of the descriptive texts on the map, as well as the sources of many of the images, the book makes the map available to scholars in a wholly unprecedented way. In addition, the book provides revealing insights into how Waldseemüller went about making the map -- information that can’t be found in any other source. The Carta marina is the result of Waldseemüller’s radical re-evaluation of what a world map should be; he essentially started from scratch when he created it, rejecting the Ptolemaic model and other sources he had used in creating his 1507 map, and added more descriptive texts and a wealth of illustrations. Given its content, the book offers an essential reference work not only on this map, but also for anyone working in sixteenth-century European cartography. This book is available open access here. Steven Seegel is a professor of history at the University of Northern Colorado. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chet Van Duzer's new book Martin Waldseemüller’s 'Carta marina' of 1516: Study and Transcription of the Long Legends (Springer, 2019), presents the first detailed study of one of the most important masterpieces of Renaissance cartography. By transcribing, translating into English, and detailing the sources of all of the descriptive texts on the map, as well as the sources of many of the images, the book makes the map available to scholars in a wholly unprecedented way. In addition, the book provides revealing insights into how Waldseemüller went about making the map -- information that can’t be found in any other source. The Carta marina is the result of Waldseemüller’s radical re-evaluation of what a world map should be; he essentially started from scratch when he created it, rejecting the Ptolemaic model and other sources he had used in creating his 1507 map, and added more descriptive texts and a wealth of illustrations. Given its content, the book offers an essential reference work not only on this map, but also for anyone working in sixteenth-century European cartography. This book is available open access here. Steven Seegel is a professor of history at the University of Northern Colorado. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chet Van Duzer's new book Martin Waldseemüller’s 'Carta marina' of 1516: Study and Transcription of the Long Legends (Springer, 2019), presents the first detailed study of one of the most important masterpieces of Renaissance cartography. By transcribing, translating into English, and detailing the sources of all of the descriptive texts on the map, as well as the sources of many of the images, the book makes the map available to scholars in a wholly unprecedented way. In addition, the book provides revealing insights into how Waldseemüller went about making the map -- information that can’t be found in any other source. The Carta marina is the result of Waldseemüller’s radical re-evaluation of what a world map should be; he essentially started from scratch when he created it, rejecting the Ptolemaic model and other sources he had used in creating his 1507 map, and added more descriptive texts and a wealth of illustrations. Given its content, the book offers an essential reference work not only on this map, but also for anyone working in sixteenth-century European cartography. This book is available open access here. Steven Seegel is a professor of history at the University of Northern Colorado. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chet Van Duzer's new book Martin Waldseemüller’s 'Carta marina' of 1516: Study and Transcription of the Long Legends (Springer, 2019), presents the first detailed study of one of the most important masterpieces of Renaissance cartography. By transcribing, translating into English, and detailing the sources of all of the descriptive texts on the map, as well as the sources of many of the images, the book makes the map available to scholars in a wholly unprecedented way. In addition, the book provides revealing insights into how Waldseemüller went about making the map -- information that can’t be found in any other source. The Carta marina is the result of Waldseemüller’s radical re-evaluation of what a world map should be; he essentially started from scratch when he created it, rejecting the Ptolemaic model and other sources he had used in creating his 1507 map, and added more descriptive texts and a wealth of illustrations. Given its content, the book offers an essential reference work not only on this map, but also for anyone working in sixteenth-century European cartography. This book is available open access here. Steven Seegel is a professor of history at the University of Northern Colorado. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dive into the haunted seas of history as Joe chats with cartography historian Chet van Duzer about sea monsters, strange maps and the dark mysteries of the global ocean. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Chet Van Duzer, an accomplished historian of cartography, trains his sight in this book on one uniquely important map produced in early modern Europe. The 1491 world map by Henricus Martellus has long been deemed “an essentially unstudiable object,” its legends and descriptions illegible to the unaugmented eye. Now, aided by multispectral imaging technology — and a dogged team of technicians — Van Duzer has rendered Martellus legible and reproduced the map in vivid form, both in the pages of this book and, still more systematically, in an online space that accompanies the text. Van Duzer's new book Henricus Martellus's World Map at Yale (c. 1491): Multispectral Imaging, Sources, and Influence (Springer, 2019) is both an example of and an articulate argument for the possibilities of multispectral imaging. In tracing the circuits by which Martellus came to inform subsequent geographic knowledge — as manifest in Martin Behaim's 1492 globe, in Christopher Columbus's own wager that the “New World” might become accessible to European eyes, and most profoundly in Martin Waldseemüller's world map of 1507, which first applied the name “America” in its modern sense — Van Duzer argues for a radically new understanding of this period in cartographic representation. Moreover, in considering Martellus's own influences, which included inter alia African traditions of mapping the lands south of Egypt, he adds critical complexity to our understanding of how — and for how long — European and non-European geographic practices have been entwined. In its sources, its methodology, and its ultimate revisions to received narratives of cartographic priority, the book has the flavor of an early modern detective tale. It will reward scrutiny by a wide readership. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chet Van Duzer, an accomplished historian of cartography, trains his sight in this book on one uniquely important map produced in early modern Europe. The 1491 world map by Henricus Martellus has long been deemed “an essentially unstudiable object,” its legends and descriptions illegible to the unaugmented eye. Now, aided by multispectral imaging technology — and a dogged team of technicians — Van Duzer has rendered Martellus legible and reproduced the map in vivid form, both in the pages of this book and, still more systematically, in an online space that accompanies the text. Van Duzer’s new book Henricus Martellus’s World Map at Yale (c. 1491): Multispectral Imaging, Sources, and Influence (Springer, 2019) is both an example of and an articulate argument for the possibilities of multispectral imaging. In tracing the circuits by which Martellus came to inform subsequent geographic knowledge — as manifest in Martin Behaim’s 1492 globe, in Christopher Columbus’s own wager that the “New World” might become accessible to European eyes, and most profoundly in Martin Waldseemüller’s world map of 1507, which first applied the name “America” in its modern sense — Van Duzer argues for a radically new understanding of this period in cartographic representation. Moreover, in considering Martellus’s own influences, which included inter alia African traditions of mapping the lands south of Egypt, he adds critical complexity to our understanding of how — and for how long — European and non-European geographic practices have been entwined. In its sources, its methodology, and its ultimate revisions to received narratives of cartographic priority, the book has the flavor of an early modern detective tale. It will reward scrutiny by a wide readership. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chet Van Duzer, an accomplished historian of cartography, trains his sight in this book on one uniquely important map produced in early modern Europe. The 1491 world map by Henricus Martellus has long been deemed “an essentially unstudiable object,” its legends and descriptions illegible to the unaugmented eye. Now, aided by multispectral imaging technology — and a dogged team of technicians — Van Duzer has rendered Martellus legible and reproduced the map in vivid form, both in the pages of this book and, still more systematically, in an online space that accompanies the text. Van Duzer’s new book Henricus Martellus’s World Map at Yale (c. 1491): Multispectral Imaging, Sources, and Influence (Springer, 2019) is both an example of and an articulate argument for the possibilities of multispectral imaging. In tracing the circuits by which Martellus came to inform subsequent geographic knowledge — as manifest in Martin Behaim’s 1492 globe, in Christopher Columbus’s own wager that the “New World” might become accessible to European eyes, and most profoundly in Martin Waldseemüller’s world map of 1507, which first applied the name “America” in its modern sense — Van Duzer argues for a radically new understanding of this period in cartographic representation. Moreover, in considering Martellus’s own influences, which included inter alia African traditions of mapping the lands south of Egypt, he adds critical complexity to our understanding of how — and for how long — European and non-European geographic practices have been entwined. In its sources, its methodology, and its ultimate revisions to received narratives of cartographic priority, the book has the flavor of an early modern detective tale. It will reward scrutiny by a wide readership. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chet Van Duzer, an accomplished historian of cartography, trains his sight in this book on one uniquely important map produced in early modern Europe. The 1491 world map by Henricus Martellus has long been deemed “an essentially unstudiable object,” its legends and descriptions illegible to the unaugmented eye. Now, aided by multispectral imaging technology — and a dogged team of technicians — Van Duzer has rendered Martellus legible and reproduced the map in vivid form, both in the pages of this book and, still more systematically, in an online space that accompanies the text. Van Duzer’s new book Henricus Martellus’s World Map at Yale (c. 1491): Multispectral Imaging, Sources, and Influence (Springer, 2019) is both an example of and an articulate argument for the possibilities of multispectral imaging. In tracing the circuits by which Martellus came to inform subsequent geographic knowledge — as manifest in Martin Behaim’s 1492 globe, in Christopher Columbus’s own wager that the “New World” might become accessible to European eyes, and most profoundly in Martin Waldseemüller’s world map of 1507, which first applied the name “America” in its modern sense — Van Duzer argues for a radically new understanding of this period in cartographic representation. Moreover, in considering Martellus’s own influences, which included inter alia African traditions of mapping the lands south of Egypt, he adds critical complexity to our understanding of how — and for how long — European and non-European geographic practices have been entwined. In its sources, its methodology, and its ultimate revisions to received narratives of cartographic priority, the book has the flavor of an early modern detective tale. It will reward scrutiny by a wide readership. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chet Van Duzer, an accomplished historian of cartography, trains his sight in this book on one uniquely important map produced in early modern Europe. The 1491 world map by Henricus Martellus has long been deemed “an essentially unstudiable object,” its legends and descriptions illegible to the unaugmented eye. Now, aided by multispectral imaging technology — and a dogged team of technicians — Van Duzer has rendered Martellus legible and reproduced the map in vivid form, both in the pages of this book and, still more systematically, in an online space that accompanies the text. Van Duzer’s new book Henricus Martellus’s World Map at Yale (c. 1491): Multispectral Imaging, Sources, and Influence (Springer, 2019) is both an example of and an articulate argument for the possibilities of multispectral imaging. In tracing the circuits by which Martellus came to inform subsequent geographic knowledge — as manifest in Martin Behaim’s 1492 globe, in Christopher Columbus’s own wager that the “New World” might become accessible to European eyes, and most profoundly in Martin Waldseemüller’s world map of 1507, which first applied the name “America” in its modern sense — Van Duzer argues for a radically new understanding of this period in cartographic representation. Moreover, in considering Martellus’s own influences, which included inter alia African traditions of mapping the lands south of Egypt, he adds critical complexity to our understanding of how — and for how long — European and non-European geographic practices have been entwined. In its sources, its methodology, and its ultimate revisions to received narratives of cartographic priority, the book has the flavor of an early modern detective tale. It will reward scrutiny by a wide readership. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chet Van Duzer, an accomplished historian of cartography, trains his sight in this book on one uniquely important map produced in early modern Europe. The 1491 world map by Henricus Martellus has long been deemed “an essentially unstudiable object,” its legends and descriptions illegible to the unaugmented eye. Now, aided by multispectral imaging technology — and a dogged team of technicians — Van Duzer has rendered Martellus legible and reproduced the map in vivid form, both in the pages of this book and, still more systematically, in an online space that accompanies the text. Van Duzer’s new book Henricus Martellus’s World Map at Yale (c. 1491): Multispectral Imaging, Sources, and Influence (Springer, 2019) is both an example of and an articulate argument for the possibilities of multispectral imaging. In tracing the circuits by which Martellus came to inform subsequent geographic knowledge — as manifest in Martin Behaim’s 1492 globe, in Christopher Columbus’s own wager that the “New World” might become accessible to European eyes, and most profoundly in Martin Waldseemüller’s world map of 1507, which first applied the name “America” in its modern sense — Van Duzer argues for a radically new understanding of this period in cartographic representation. Moreover, in considering Martellus’s own influences, which included inter alia African traditions of mapping the lands south of Egypt, he adds critical complexity to our understanding of how — and for how long — European and non-European geographic practices have been entwined. In its sources, its methodology, and its ultimate revisions to received narratives of cartographic priority, the book has the flavor of an early modern detective tale. It will reward scrutiny by a wide readership. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chet Van Duzer, an accomplished historian of cartography, trains his sight in this book on one uniquely important map produced in early modern Europe. The 1491 world map by Henricus Martellus has long been deemed “an essentially unstudiable object,” its legends and descriptions illegible to the unaugmented eye. Now, aided by multispectral imaging technology — and a dogged team of technicians — Van Duzer has rendered Martellus legible and reproduced the map in vivid form, both in the pages of this book and, still more systematically, in an online space that accompanies the text. Van Duzer’s new book Henricus Martellus’s World Map at Yale (c. 1491): Multispectral Imaging, Sources, and Influence (Springer, 2019) is both an example of and an articulate argument for the possibilities of multispectral imaging. In tracing the circuits by which Martellus came to inform subsequent geographic knowledge — as manifest in Martin Behaim’s 1492 globe, in Christopher Columbus’s own wager that the “New World” might become accessible to European eyes, and most profoundly in Martin Waldseemüller’s world map of 1507, which first applied the name “America” in its modern sense — Van Duzer argues for a radically new understanding of this period in cartographic representation. Moreover, in considering Martellus’s own influences, which included inter alia African traditions of mapping the lands south of Egypt, he adds critical complexity to our understanding of how — and for how long — European and non-European geographic practices have been entwined. In its sources, its methodology, and its ultimate revisions to received narratives of cartographic priority, the book has the flavor of an early modern detective tale. It will reward scrutiny by a wide readership. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chet Van Duzer, an accomplished historian of cartography, trains his sight in this book on one uniquely important map produced in early modern Europe. The 1491 world map by Henricus Martellus has long been deemed “an essentially unstudiable object,” its legends and descriptions illegible to the unaugmented eye. Now, aided by multispectral imaging technology — and a dogged team of technicians — Van Duzer has rendered Martellus legible and reproduced the map in vivid form, both in the pages of this book and, still more systematically, in an online space that accompanies the text. Van Duzer’s new book Henricus Martellus’s World Map at Yale (c. 1491): Multispectral Imaging, Sources, and Influence (Springer, 2019) is both an example of and an articulate argument for the possibilities of multispectral imaging. In tracing the circuits by which Martellus came to inform subsequent geographic knowledge — as manifest in Martin Behaim’s 1492 globe, in Christopher Columbus’s own wager that the “New World” might become accessible to European eyes, and most profoundly in Martin Waldseemüller’s world map of 1507, which first applied the name “America” in its modern sense — Van Duzer argues for a radically new understanding of this period in cartographic representation. Moreover, in considering Martellus’s own influences, which included inter alia African traditions of mapping the lands south of Egypt, he adds critical complexity to our understanding of how — and for how long — European and non-European geographic practices have been entwined. In its sources, its methodology, and its ultimate revisions to received narratives of cartographic priority, the book has the flavor of an early modern detective tale. It will reward scrutiny by a wide readership. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chet Van Duzer reveals secrets uncovered by multispectral imaging of the Henricus Martellus World Map, thought to be one of the most important of the 15th century. Dr Martin Woods, Curator of Maps at the National Library and Denyl Cloughley, Manager of Preservation Services, lift the veil on the history and ongoing challenges of preserving the Blaeu wall map of New Holland.

Oct. 28, 2014. John W. Hessler, Chet Van Duzer and Daniel De Simone discuss the book "Christopher Columbus Book of Privileges: Claiming of a New World." Speaker Biography: John W. Hessler is the curator of the Jay I. Kislak Collection for the Archaeology and History of the Early Americas at the Library. Speaker Biography: Daniel De Simone is a librarian at the Folger Library and a former curator of the Library's Lessing J. Rosenwald Collection. Speaker Biography: Chet Van Duzer is an invited research scholar at the John Carter Brown Library in Providence, R.I. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6654

April 3, 2014. Chet Van Duzer's analysis of four maps in the African and Middle Eastern Division at the Library of Congress included: the world map in a seventeenth-century manuscript of Ibn al-Wardi's Kharidat al-'Aja'ib wa Faridat al-Ghara'ib (The Pearl of Wonders and the Uniqueness of Strange Things); the world map in a 1553 Turkish manuscript of Zakariya al-Qazwini's 'Aja'ib al-makhluqat wa ghara'ib al-mawjudat (The Wonders of Creation and the Oddities of Existence); the world map in a 1565 Persian manuscript of the same work by al-Qaaini.; and the map of the Holy Land in the 1695 Amsterdam edition of the Haggadah. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6312

May 17, 2013. An all-day conference bringing together scholars to discuss the entire Waldseemüller body of work and that of his fellow cartographer Mathias Ringmann. Afternoon speakers included Wesley Brown, Richard Pflederer, Surekha Davies, Marguerite Ragnow and Chet Van Duzer. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6203

Join us for a fascinating look at the mysterious sea monsters that decorated medieval maps. We talk with Chet Van Duzer about his recent book Sea Monsters on Medieval and Renaissance Maps, which brings to light the remarkable sources behind the strange looking creatures which populate the seas of these beautiful old documents. Chet Van Duzer is a writer and researcher and is currently an Invited Research Scholar at the John Carter Brown Library in Rhode Island. He has published extensively on medieval maps. READ episode notes