Variety of the Dutch language as spoken in Flanders (Belgium)
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In this special episode, you can listen to my discussion with Kristof Slagmulder, a Flemish Member of Parliament, about his decision to deliver a speech in the Flemish Parliament condemning the "Kill the Boer" song, the feedback he received afterward, and his reasons for supporting the Afrikaners. If you would like to support this podcast please visit https://www.lexlibertas.org.za/donate/ to join as a contributor.
At Jatka78 we are meeting with two artists and one choreographer from the Flemish circus and dance company “Circumstances”. Their performance GLORIOUS BODIES is a physical, moving, and hopeful circus and dance performance about the capacity of our bodies, about seeing and being seen, about the border between classical and contemporary circus with six acrobats between 55 and 67 years old, each with a past in the (more) classical circus. Listen to Cirqueon Circus Podcast by Elvīra Avota.
During the 15th-century, citizens of Nuremberg, Germany, experienced spectacular Carnival parades highlighted by the appearance of floats known as "hells." Featuring immense figures, including dragons, ogres, and man-eating giants, these hells were also peopled with costumed performers and enhanced with mechanized effects and pyrotechnics. In this episode, adapted from a chapter of Mr. Ridenour's new book, A Season of Madness: Fools, Monsters and Marvels of the Old-World Carnival, we examine the Nuremberg parade, the Schembartlauf, as it evolves from costumed dance performances staged by the local Butcher's Guild in the mid-1 4th-century into a procession of fantastic and elaborately costumed figures, and finally -- in 1475 - into a showcase for the rolling hells. We begin, however, with an examination of a historical anecdotes sometimes presented as forerunners of the Carnival parades, and of the Schembartlauf in particular, including two sometimes put forward to support a "pagan survival" theory. The first involves a ceremonial wagon housing a figure of the putative fertility goddess, Nerthus, hauled about by Germanic peoples in the first century and mentioned in Tacitus' Germania. The second, also involving a wagon with fertility figure, is described by Gregory of Tours as being hauled through farmers' fields in the 6th-century. Period illustration of costumed figure from a Schembartbuch. Period illustration of costumed figure from a Schembartbuch. A third case involves the mysterious "land-ship," a full-scale wheeled ship hauled from Germany into Belgium, and the Netherlands in 1135. Mentioned exclusively by the Flemish abbot, composer, and chronicler Rudolf of St. Trond in his Gesta Abbatum Trudonensium (Deeds of the Abbots of Trond), it's characterized by the abbot as a sort of pagan temple on wheels and locus of orgiastic behavior, the precise purpose and nature of this peculiar incident remains largely a mystery. We then hear a comic incident imagined in the early 13th-century story of the knight Parzival as told by Wolfram von Eschenbach. By way of analogy to the character's ludicrous behavior, Carnival is mentioned for the first time, or more specifically von Eschenbach use the German word for Carnival, specifically the Carnival of Germany's southwest called "Fastnacht." Our story of the Schembartlauf concludes the show with a description of its ironic downfall through local intrigues fired by the Protestant Reformation. Worth mentioning also, in our Schembart segment, is the heated scholarly debate around objects depicted in period illustrations, which look for all the world like oversized pyrotechnic artichokes. New Patreon rewards related to Mr. Ridenour's Carnival book are also announced in this episode, along with related Carnival-themed merch in our Etsy shop, including our "Party Like it's 1598" shirts featuring Schembart figures.
Sunday afternoon Zoomies! The Notes: Live Show coming! Nelson is really good at putting things in people's mouths! Even this expert is stumped! Chyron talk! Charon, terrifying 3-headed guardian of the underworld [editor's note: yes, we accidentally confused Charon and Cerberus, oops]! Karen, terrifying 3-headed guardian of the suburbs! You only see one head, but you can hear all three! Nelson's 2 Cardinal Rules for Putting Things in People's Mouths! The ‘ol putting stuff in people's mouths game! Speaking of putting things in people's mouths! The Bayeux Tapestry, and the dicks contained within! Will's English History Corner, with special assist by Courtney Shipley! The parsing of these dicks! Is this a Flemish dick!? A brief Ollie drop-in! Andor talk! The Third Cardinal Rule is patience! See us live! Live Episode 500, the Penultimate Live Show, on Friday June 6th, at Blade & Timber in downtown Lawrence, KS! Preshow drinks at 7:30, show at 8, post-show drinks to follow! Contact Us! Follow Us! Love Us! Email: doubledeucepod@gmail.com Twitter & Instagram: @doubledeucepod Bluesky: @doubledeucepod.bsky.social Facebook: www.facebook.com/DoubleDeucePod/ Patreon: patreon.com/DoubleDeucePod Also, please subscribe/rate/review/share us! We're on Apple, Android, Libsyn, Stitcher, Google, Spotify, Amazon, Radio.com, RadioPublic, pretty much anywhere they got podcasts, you can find the Deuce! Podcast logo art by Jason Keezer! Find his art online at Keezograms! Intro & Outro featuring Rob Schulte! Check out his many podcasts! Brought to you in part by sponsorship from Courtney Shipley, Official Superfans Stefan Rider and Amber Fraley, and listeners like you! Join a tier on our Patreon! Advertise with us! If you want that good, all-natural focus and energy, our DOUBLEDEUCE20 code still works at www.magicmind.com/doubledeuce for 20% off all purchases and subscriptions. Check out the Lawrence Times's 785 Collective at https://lawrencekstimes.com/785collective/ for a list of local LFK podcasts including this one!
We searched around Systembolaget and found a couple of beers that peeked our interest. Martin found a Belgian IPA from Brouwerij-Kerkon. Hop Verdomme is a 7% ABV featuring 7 Flemish hops, which if 7 more than we were aware of. Stefan found an Irish dry stout from Sullivan's brewing. Black Marble comes in at 5.1% and give Guiness a run for it's money. It's a deeply roasted stout that really hits the spot. #beer #craftbeer #drinks #irishstout #dryirishstout #stout #ipa #belgianipa
The Execution of George van Parris under Edward VI The reign of Edward VI is often seen as a time of Protestant reform, but it was also a period of religious persecution. On 24th or 25th April 1551, George van Parris was burned at the stake—not for being Catholic, but for holding radical Protestant beliefs. A Flemish surgeon living in London, van Parris was condemned for Arianism, the belief that Jesus was created by God rather than being divine. His case was debated by some of the most powerful reformers of the time, including Archbishop Cranmer and Bishop Ridley. Even King Edward VI recorded his execution in his journal. His story is one of forgotten Tudor executions, showing that even in a Protestant England, straying too far from accepted doctrine could cost you your life. Was this execution justified, or a step too far? Let me know your thoughts in the comments! Don't forget to like, subscribe, and hit the notification bell for more Tudor history deep dives! #TudorHistory #EdwardVI #ReligiousPersecution #GeorgeVanParris #Heretic #TudorExecutions #Cranmer #Ridley #TudorEngland #History
Noah and Issam discuss the Flemish spring classics before shifting the discussion to a new partnership between Lotto and Deschacht. They discuss the deal, the broader trend this represents and where this leaves Pauwels Sauzen.00:00 Flemish classics19:40 Lotto-Deschacht partnership
Life in the Peloton is proudly brought to you by MAAP This episode is sponsored by NordVPN - get an exclusive NordVPN discount + 4 extra months with Life in the Peloton: https://nordvpn.com/pelosurf After a big weekend of racing at E3 on Friday and Wevelgem on Sunday, I gave our man Laurence Pithie a call for another catch up to find out how his races went, and how he's feeling about the big one this coming Sunday; The Tour of Flanders. First up, E3 Saxo Classic. Basically, a mini Tour of Flanders. Heaps of climbs including the Kwaremont, the Paterberg, and - Tom Boonen's favourite - the Taaienberg. If you do well at this race, you go into Flanders the following weekend as one of the favourites. Laurence's race didn't go his way, after suffering from a puncture and not being able to get back in the fight - but that's classics racing. After E3 comes Gent Wevelgem. A flatter race more suited to sprinters, but still featuring some savage cobbled ascents of climbs like the Kemmelberg. This was Pithie's ‘breakout' ride last Spring, where he got away with Van Der Poel and Pedersen and put his name on a lot of people's radar as a real future star in these races. Again, it wasn't the result Laurence came for, but he's only 3 races into this classics campaign, and I reckon once he gets his tactical nous dialled back in, he'll be right up there; he definitely has the legs for it. Talking to Laurence, I get the sense he's a real fighter, and hearing the absolutely crazy numbers he's putting out just to get up these brutal Flemish climbs without losing the wheel in front, I'm reminded once again just how hard the racing is these days. Despite being so young, he really knows his stuff about these races - he was rattling off the names to the climbs like a real seasoned Belgian. The races keep coming thick and fast, and today it's time for Dwars door Vlaanderen. This is the last hit out before De Ronde, and it's one of those races that, when I was a rider, I'd see as a chance to bag a little result for myself. It's a lot shorter than the likes of Flanders or Roubaix at just 185km, and the start list is usually slightly reduced, with the bigger favourites resting up hard for Flanders. I reckon this is Laurence's chance for a result; he's got the legs, and he's had a few races to get his eye back in, so I think he'll come out swinging. In fact, by the time you listen to this ep, he might have already got his hands in the air! After Dwars door, Laurence and his boys are going to get some recon done for Flanders, then it's time to rest up before Sunday's 6 and a half hour battle. The thing about the Spring Classics is that it's kind of like a mini Grand Tour. You're up in Belgium for about 3 weeks with the same team around you, bouncing between all these races - it definitely has a real grand atmosphere. Towards the end of my chat with Laurence, I got a chance to have a quick chat with his roommate out there in Belgium; ‘The Wombat' himself, Aussie sprinting legend Sam Welsford. Sam's dropped into Bora's classics squad for a few of the races, but also to bring some morale into the team. He's a really laid back dude, and hearing his positive attitude and relaxed demeanor, I can imagine the positive impact he'll have on the boys, some of whom have been racing out there for weeks now! Lastly, I gave my old mate Heinrich Haussler a call. Heino was a classics star in his own right when he was a pro, and now works as a DS for Red Bull Bora Hansgrohe. He gave me some great insight into how the classics have changed since he and I were riders just a few years ago; the nutrition, the tech, the schedule - it's all come on leaps and bounds in such a short space of time, and made these races harder than ever. Laurence - go well today, buddy. Show them what you're made of, and we'll catch up after Flanders! Cheers, Mitch Chapters 00:00:00 - Pre-race Nerves at E3 00:05:39 - E3 Race Debrief 00:10:54 - The Toll of Classics Racing 00:15:32 - Reset for Gent-Wevelgem 00:18:06 - In the Mix at Gent-Wevelgem 00:22:47 - Goals for Dwars door Vlaanderen 00:25:07 - Recon and Knowledge of Flanders 00:29:43 - Sam Welsford Joins the Chat 00:33:37 - Heinrich Haussler on the Modern Classics 00:50:23 - Final Recon Before De Ronde ----more---- I'VE WRITTEN A BOOK! The Life in the Peloton book is OUT NOW! Get your copy now exclusively at maap.cc! Can't wait for you to read it. JOIN US IN THE PELO Where do you sit in the PELO? Come and join the Life in the Peloton membership.
Plausibly Live! - The Official Podcast of The Dave Bowman Show
April 1st isn't just for pranksters—it's for historians with a wicked sense of humor. In this episode, Dave peels back the glittery nonsense of April Fools' Day to uncover its shadowy (and often fictional) past. From Chaucer's chicken to a Flemish prank poem, and the legendary hoax that duped the Associated Press, it all leads to one irresistible conclusion: we should be calling it Boskin Day. Tune in for history, hilarity, and a few paper fish stuck to your back. Trust nothing. Laugh anyway.
Before we get into some foolish April Fools pranks that didn't quite land, let's talk about the origin of April Fools Day. The oldest historical reference for April Fools Day comes from a Flemish poem written in 1561 about a nobleman who sent his servant on “fool's errands” on April 1st. In about the same era in France, the people were slow to adapt to the calendar change from the last week of March to January 1st to mark the new year. It was a move from the Julian calendar to the Gregorian calendar that was decreed by the Council of Trent. Those who struggled to adjust were called “April fools,” and many began playing tricks on them. Another reference is with the Catholic Church. In medieval France and England, a carnival of sorts, called “Feast of Fools” was held on January 1st, but was banned by the 15th century. Though, it was still held for hundreds of years, despite the ban. Then by the 19th century, April Fools' Day was a part of American culture. Mark Twain was quoted as saying, “The first of April is the day we remember what we are the other 364 days of the year.” Want access to our first 45 episodes? Grab em here! We've made them available for free to anyone who signs up! Remember, these episodes were recorded when we had no idea what we were doing, so just keep that in mind. The audio isn't the quality we would want to put out now, but the cases are on point! Visit killerqueens.link/og to download and binge all the archived episodes today! Hang with us: Follow Us on Instagram Like Us on Facebook Join our Case Discussion Group on Facebook Get Killer Queens Merch Bonus Episodes Support Our AMAZING Sponsors: goPure: Get 25% off @goPure with code QUEENS at https://www.gopurebeauty.com/QUEENS #goPurepod Prose: For 50% off your first hair care subscription and free consultation, head to prose.com/queens. Hungryroot: For a limited time, get 40% off your first box PLUS get a free item of your choice for life at hungryroot.com/QUEENS. OneSkin: Get 15% off OneSkin with the code QUEENS at https://www.oneskin.co/ #oneskinpod © 2025 Killer Queens Podcast. All Rights Reserved Audio Production by Wayfare Recording Music provided by Steven Tobi Logo designed by Sloane Williams of The Sophisticated Crayon Learn more about your ad choices. Visit podcastchoices.com/adchoices
Western countries, Arab countries and Syria's new authority are all attending. We'll also have a special report from the areas of Syria affected by last week's massacres.Also on the programme: the first official call between the US and Russia on the Ukraine conflict is confirmed to be taking place; and we hear the story of an art critic turned thief, whose theft of a painting by the Flemish artist Van Dyke has only just came to light thirty five years after his death. (Picture: Syrian troops on top of a tank. Credit: Reuters / Al Masri)
Episode covering the Age of Chivalry Flemish for SAGA by Studio Tomahawk!Leave a voicemail at: +49 6404 8030756
This hour is a special hour of content celebrating languages! Hosted (in English) and collected/edited by Jenny, close to 40 different people contributed over thirty languages to fill our airwaves in celebration of "International Mother Language Day" which is observed every year to promote linguistic and cultural diversity and multilingualism. We've included a list of languages featured, below - if your language is missing reach out to us! We'd love to do this again in the future and include even more! Contributions included one-word greetings, radio shout outs, stories, poems, and personal thoughts and reflections, interspersed with music. For languages, in our spoken sections, you will hear Tagalog, Gaelic, Slovak, Italian, Hungarian, Lik'wala, Czech, Serbian, Dutch, Korean, Arabic, Mandarin, Yoruba, Telugu, Turkish, Portuguese, Spanish, Tamil, Flemish, Vietnamese, Gujarati, Hindi, Sanskrit, Marathi, Polish, Farsi/Persian, Khmer, Russian, French, German, Hebrew, and Danish.The playlist of music on today's episode is as follows:"Sluníčko-Hřej(TheSunSong)" by Louisa Krátká (unreleased)"Assuf Ag Assuf" by Tinariwen off the album Idrache (Traces of the Past)"Woyhenna" by Songhoy Blues off the album Heritage"DE ZEE EN MIJN ZUSJE" by Hurryman (Robert Hurryman), off an upcoming album due out in April 2025"Déjà" by N NAO off the album Nouveau Language"lyenogie" by Sonia Aimy off the album LIGHT IMOLEand"Tambor Chamou" by João Selva off the album OndaFor more information about "International Mother Language Day" you can visit https://www.un.org/en/observances/mother-language-day This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit bridgingthesocialdistance.substack.com
Alexander De Croo became Belgium's prime minister in October of 2020. It's a relatively small country, with about 12 million inhabitants—slightly less than the city of Los Angeles—but it's very much the face of Europe with the European Commission, the Council of the European Union, and NATO all calling Brussels home. Prime Minister De Croo, who saw the country through the COVID pandemic, says that the geopolitical and economic upheavals already being instigated by the “America first” ethos of President Donald Trump will present another stiff test for the leadership of not only his country but the EU. In this episode of HKS PolicyCast with host Ralph Ranalli, De Croo says the key to Europe not just surviving that challenge but also thriving will depend on its ability to raise its level of economic competitiveness significantly in the coming decades. While still a powerful trading bloc, the EU's economic growth has been slowing since the year 2000 and it's an also-ran to the US and China in the vital tech sector, with only four of the world's top 50 tech companies being based in Europe. It's also facing the challenge of long-term demographic trends—by 2040 the EU's workforce is projected to shrink by 2 million workers a year. So, as the US retreats from global leadership on fronts ranging from the green energy transition to human rights, De Croo says Europe must make urgent economic policy changes to maintain both its values and its status a leader on the world stage. Programming note: As this discussion was being recorded, a coalition of five parties—led by the separatist New Flemish Alliance and not including Mr. De Croo's center-right Open VLD party—agreed to form a new government, effectively ending his tenure as prime minister.Alexander De Croo's Policy Recommendations:Eliminate excessive corporate reporting systems like CSRD (the Corporate Sustainability Reporting Directive) that add bureaucratic burdens to businesses without improving corporate behavior.Implement a non-permanent migration system that allows young people to study in Europe and stay for a set period of time, after which they are required to return to their home countries.Maintain Europe's openness to the world while protecting core European interests, and act assertively in areas—trade, climate sustainability, development, diplomacy—where the EU is already a global leader.Episode Notes:Alexander De Croo is the outgoing Prime Minister of the Kingdom of Belgium, a post he held beginning in 2020. De Croo has had a long career in politics and business, including numerous ministerial posts. As Minister of Finance, he helped create a framework for a major European recovery package. As Minister of Pensions, he carried out Belgium's first pension reform package in recent history and was involved in setting up a Pension Reform Commission. As Minister of Development Cooperation, Digital Agenda, Telecom and Postal Services, he promoted measures to strengthen human rights, enhance local economic growth in partner countries, and maximize the economic potential of the digital economy. He spent his early career as a businessman and entrepreneur, and in 2006 he founded his own company, Darts-ip, an intellectual property consulting firm that now operates around the world. He started his political career in 2009, running unsuccessfully for a seat in parliament but winning the chairmanship of the center-right Flemish political party, Open Vlaamse Liberalen en Democraten (OpenVLD). He holds an MSc in business engineering from Vrije Universiteit Brussel and an MBA from the Kellogg School of Management at Northwestern University.Ralph Ranalli of the HKS Office of Communications and Public Affairs is the host, producer, and editor of HKS PolicyCast. A former journalist, public television producer, and entrepreneur, he holds an BA in Political Science from UCLA and an MS in Journalism from Columbia University.Administrative support for PolicyCast is provided by Lilian Wainaina. Design and graphics support is provided by Laura King and the OCPA Design Team. Social media promotion and support is provided by Catherine Santrock and Natalie Montaner and the OCPA Digital Team. Editorial support is provided by Nora Delaney and Robert O'Neill of the OCPA Editorial Team.
Pieter Bruegel the Elder's Landscape with the Fall of Icarus reimagines Ovid's Metamorphoses, transforming the myth of Icarus into a meditation on human indifference and folly. This episode unpacks how Bruegel intertwines visual storytelling with contemporary Dutch and Flemish proverbs, reframing Icarus' tragic fall as a subtle commentary on the world's disregard for individual suffering. Today's artwork: Pieter Bruegel the Elder, Landscape with the Fall of Icarus (c. 1560). Oil on canvas. Royal Museums of Fine Arts, Brussels. ______ New episodes every month. Let's keep in touch! Instagram: @artofhistorypodcast | @matta_of_fact YouTube | Substack: The Fascinator | TikTok Visit Ireland With Me! Email: artofhistorypod@gmail.com
rWotD Episode 2804: Fontein Welcome to Random Wiki of the Day, your journey through Wikipedia’s vast and varied content, one random article at a time.The random article for Monday, 6 January 2025 is Fontein.Fontein is a Dutch toponymic surname meaning "fountain" in modern Dutch, presumably originating with people living near a fountain, source or well. Common spelling variants are Fonteijn, Fonteyn, Fontijn and Fontyn, each pronounced [fɔnˈtɛin] in Dutch. People with this surname include:Adriaen Fonteyn (1626–1661), Flemish-born Dutch painterAndrew Fontein (born 1990), American soccer goalkeeperGeorge Salto Fontein (1890–1963), Dutch chess masterGuido Fonteyn (born 1943), Flemish journalistJacqueline Fontyn (born 1930), Belgian composer, pianist and music educatorJan Fontein (1927–2007), Dutch art historian and museum directorMaarten Fontein (born 1952), Dutch football club directorMargot Fonteyn, stage name of Margaret Evelyn de Arias (1919–1991), English ballerinaMathieu Fonteyn (born 1985), Belgian swimmerNouchka Fontijn (born 1987), Dutch boxer, European champion in women's middleweightPieter Fontijn (1773–1839), Dutch portrait and miniature painter and drawerSam Fonteyn (born Samuel Soden, c. 1925–1991), English composer-pianistThis recording reflects the Wikipedia text as of 00:47 UTC on Monday, 6 January 2025.For the full current version of the article, see Fontein on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm long-form Patrick.
What's Wrong with a 5pm snack hour? Why are the Belgium called Flemish and not the Blemish? Orny discusses more Otter news, more missing feet found, his dryer repair incident and how one country kidnapped the leader actor and director from another country and forced them to make films.
Fluent Fiction - Dutch: Art, Determination, and Festive Cheer in Amsterdam's Heart Find the full episode transcript, vocabulary words, and more:fluentfiction.com/nl/episode/2024-12-21-23-34-01-nl Story Transcript:Nl: In het hart van Amsterdam, tijdens een koude winter, ligt het majestueuze Rijksmuseum.En: In the heart of Amsterdam, during a cold winter, lies the majestic Rijksmuseum.Nl: Het museum straalt warmte uit met feestelijke versieringen.En: The museum exudes warmth with festive decorations.Nl: De geur van dennennaalden en kaneel hangt in de lucht, terwijl sneeuwvlokken sierlijk neerdaalden buiten de grote ramen.En: The scent of pine needles and cinnamon fills the air, while snowflakes gracefully descended outside the large windows.Nl: Binnen, op een zonnige decemberdag, zat Sanne in haar rolstoel.En: Inside, on a sunny December day, Sanne sat in her wheelchair.Nl: Sanne was een toegewijde kunsthistoricus, gespecialiseerd in Vlaamse schilderijen.En: Sanne was a dedicated art historian, specialized in Flemish paintings.Nl: Ze had maandenlang gewerkt aan een speciale kersttentoonstelling en keek er vol spanning naar uit.En: She had been working for months on a special Christmas exhibition and was eagerly looking forward to it.Nl: Maar nu had ze een gebroken been en moest ze vertrouwen op de hulp van haar vrienden, Joris en Maarten.En: But now she had a broken leg and had to rely on the help of her friends, Joris and Maarten.Nl: Joris en Maarten waren er om haar te assisteren.En: Joris and Maarten were there to assist her.Nl: "We gaan ervoor, Sanne," zei Maarten met een bemoedigende glimlach.En: "We can do this, Sanne," Maarten said with an encouraging smile.Nl: "Ja, we zijn er om je te helpen," voegde Joris toe terwijl hij haar rolstoel voorzichtig vooruit duwde.En: "Yes, we're here to help you," added Joris while gently pushing her wheelchair forward.Nl: De grote hallen van het museum waren druk met bezoekers, allemaal enthousiast om de kunstwerken te zien en de feestelijke sfeer te proeven.En: The grand halls of the museum were busy with visitors, all eager to see the artworks and soak in the festive atmosphere.Nl: Sanne hoopte enkel dat alles in orde was met de opstelling van de tentoonstelling.En: Sanne only hoped that everything was in order with the exhibition setup.Nl: Toen ze bij de zaal aankwamen, zag ze tot haar schrik dat een belangrijk schilderij scheef hing.En: When they reached the gallery, to her dismay, she saw that an important painting was hanging crooked.Nl: Haar hart zonk even.En: Her heart sank for a moment.Nl: Hoe kon ze dat corrigeren vanaf haar plek?En: How could she fix that from where she was?Nl: Ze ademde diep in en keek naar haar vrienden.En: She took a deep breath and looked at her friends.Nl: "Joris, Maarten, ik heb jullie nodig," zei ze vastberaden.En: "Joris, Maarten, I need you," she said determinedly.Nl: "Het moet een beetje hoger en meer naar links."En: "It needs to go a little higher and more to the left."Nl: Joris en Maarten knikten en werkten samen, luisterend naar Sanne's aanwijzingen.En: Joris and Maarten nodded and worked together, following Sanne's directions.Nl: Terwijl ze het schilderij voorzichtig recht hingen, stroomde een gevoel van voldoening door Sanne.En: As they carefully straightened the painting, a feeling of satisfaction flowed through Sanne.Nl: Dit was haar project.En: This was her project.Nl: Zij had de kennis; haar fysieke beperking zou haar niet tegenhouden.En: She had the knowledge; her physical limitation would not stop her.Nl: Toen het schilderij eindelijk goed hing, wendde Sanne haar blik van tevredenheid naar haar vrienden.En: When the painting was finally hung correctly, Sanne turned a look of gratitude toward her friends.Nl: "Bedankt, jongens.En: "Thank you, guys.Nl: Jullie hebben me echt gered."En: You really saved me."Nl: De tentoonstelling opende die avond met groot succes.En: The exhibition opened that evening with great success.Nl: Bezoekers genoten van de kunstwerken, betoverd door de combinatie van geschiedenis en kerstgedruis.En: Visitors enjoyed the artworks, enchanted by the combination of history and Christmas cheer.Nl: Sanne glimlachte tevreden vanuit haar rolstoel terwijl ze gesprekken hoorde over de kunstwerken die ze zo zorgvuldig had gekozen en opgezet.En: Sanne smiled contentedly from her wheelchair as she overheard conversations about the artworks she had so carefully selected and arranged.Nl: Ze voelde een warme tevredenheid en een nieuw begrip voor samenwerking.En: She felt a warm satisfaction and a new understanding of collaboration.Nl: Haar intelligentie en passie waren sterker dan de tijdelijke uitdagingen van haar gebroken been.En: Her intelligence and passion were stronger than the temporary challenges of her broken leg.Nl: Terwijl ze naar de lachende bezoekers keek, leerde Sanne dat haar kracht niet alleen in haar vermogen zat om te lopen, maar ook in haar vermogen om te leiden en te inspireren.En: As she watched the smiling visitors, Sanne learned that her strength was not only in her ability to walk but also in her ability to lead and inspire.Nl: En zo eindigde de dag met nieuwe inzichten en een vredige, besneeuwde Amsterdamse nacht.En: And so the day ended with new insights and a peaceful, snowy Amsterdam night. Vocabulary Words:majestic: majestueuzeexudes: straalt uitdecorations: versieringenpine needles: dennennaaldencinnamon: kaneeldescended: neerdaaldendedicated: toegewijdehistorian: historicusspecialized: gespecialiseerdrely: vertrouwenassist: assisterenencouraging: bemoedigendeforward: vooruitatmosphere: sfeersetup: opstellingdismay: schrikcrooked: scheefdeterminedly: vastberadenstraightened: rechtsatisfaction: voldoeninggratitude: tevredenheidenchanted: betoverdcheer: kerstgedruiscontentedly: tevredencollaboration: samenwerkingintelligence: intelligentiepassion: passietemporary: tijdelijkeinsights: inzichtenpeaceful: vredige
Clip: Lieven Scheire on Flemish Culture and Physics Jokes by Marwa ElDiwiny
Stephan Vanfleteren's career began as a staff photographer for the Belgian newspaper De Morgen. He continued to contribute to its weekend magazine as a freelancer until 2009.His radical black and white social documentary work covers the disappearing phenomena of everyday life in his homeland, Belgium. Over the years, Stephan has worked in conflict zones such as Kosovo, Rwanda and Afghanistan and he is a six time winner of the prestigious World Press Photo awards among a number of other international prizes.Stephan's intense portrait photography captures the essence of humanity in subjects ranging from the ordinary man to top politicians, sports idols and celebrities.He has exhibited in Brussels, Amsterdam, Berlin, Paris, London, Liverpool and Verona and his books include: Elvis & Presley (Kruse Verlag, 2001) a road trip across America dressed as Elvis Presley with photographer Robert Huber; Flandrien (Mertz, 2005) on the Flemish obsession with cycling; Belgicum (Lannoo 2007) an enigmatic portrayal of Belgium and Portret 1989-2009 (Lannoo 2009). His most recent books are Atelier published by Hannibal Books, an ode to the ability to observe, represent, elevate, and ultimately, connect, and Present, a journey through his oeuvre, with expansive personal reflections and stories from three decades of encounters and photography, from street photography in world cities like New York to the genocide of Rwanda, from storefront façades to the mystical landscapes of the Atlantic wall, from still lifes to intense portraits, and Charleroi – Il est clair que le gris est noir.In episode 244, Stephan discusses, among other things:MemoryPhotographing (older) menSkin… and lightCutting his teeth in the newspaper worldFlandrien bookRwandaBeing scared of successStill getting nervousAtlantic WallThe intensity of collaboration with a subjectBeing perceived as a ‘traitor' for shooting colourHis project with Robert Huber, Elvis and PresleyDead animalsPhotographing his dad post mortemMoving to digital from filmCharloi residency and his book Charleroi – Il est clair que le gris est noirReferenced:SebastiãoSalgadoJames NachtweyGilles PeressRobert Huber Website | Instagram“I was very scared of success. That was maybe my luck. Success was something I had difficulty dealing with. People are complimenting you on your work at the beginning and I'm just accepting that but it was difficult. And it helped me because I never arrived. I was on my way and the doubts were still there. If you think you know how to do it, it's time to leave. Sometimes if I think ‘ok, I can do that pretty well, Of course other people can do it better, but it's time to change, to have another approach…' So I had that in the early beginning, that feeling that I have to change. I love to begin something new.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Troy Lamarr Chew II, a talented painter with an ongoing exhibition at San Francisco's Altman Siegel gallery. Troy pursued his passion for art, eventually studying at the California College of the Arts and receiving a prestigious residency at the Headlands Center for the Arts. His recent work explores invisibility, inspired by his time as an Uber driver. His work can be seen in notable museums and galleries. Troy discusses his artistic journey, influences, and unique approach to language and representation in his art.About Artist Troy Lamarr Chew II :Troy Lamarr Chew II explores the legacy of the African Diaspora and its reverberations throughout American culture. His work looks methodically at systems of coded communication and how this is translated and mistranslated both within the Diaspora and the mainstream.Chew's rich artistic visual language draws inspiration largely from Black culture and its history. A highly skilled realist, inspired by European painting techniques, Chew uses these art historical traditions to reframe their exclusion of Blackness. In his Out the Mud series, hand dyed and sewn cloths from West Africa are replicated in a trompe l'oeil fashion, their patterns “torn” away to reveal portrayals of contemporary Black culture and resistance. In another series, Slanguage, the artist paints Flemish style vanitas picturing everyday objects, coded in hip-hop lexicon. His Three Crowns series explores the social history of cosmetic dentistry and the use of grills in hip-hop culture. The artist's lush and luminous oil paintings embody the energy of this infinitely re-mixed yet deeply rooted genre.In 2020, Chew was awarded the prestigious Tournesol Residency at Headlands Center for the Arts after becoming a Graduate Fellow from California College of the Arts, San Francisco in 2018. Solo exhibitions include The Roof is on Fire, Altman Siegel, San Francisco, CA (2022), Yadadamean, CULT Aimee Friberg Exhibitions, San Francisco, CA (2020); Fuck the King's Horses and all the King's Men, Parker Gallery, Los Angeles, CA (2020); WWJZD, Cushion Works, San Francisco, CA (2019) and Stunt 101, Guerrero Gallery, San Francisco, CA (2019). Recent group exhibitions include Walk Against the Wind, Micki Meng and Parker Gallery, New York, NY (2023); The Culture: Hip Hop and Contemporary Art in the 21st Century, The Baltimore Museum of Art, Baltimore, MD (2023); Imperfect Paradise, Barbati Gallery, Venice, Italy (2023); Continuum, presented by the Kinsey African American Art & History Collection and Residency Art Gallery at Sofi Stadium, Inglewood, CA (2022-2023); I Yield My Time. Fuck You!, Altman Siegel, San Francisco (2020); California Winter, organized in collaboration with Hannah Hoffman at Kristina Kite Gallery, Los Angeles, CA (2019), Vanguard Revisited, San Francisco Art Institute, San Francisco, CA (2019), Graduation, Good Mother Gallery, Oakland, CA (2019) and Black Now(here), Museum of the African Diaspora, San Francisco, CA (2018). His work is included in the collections of the Kadist Foundation and the San Francisco Museum of Modern Art.See more of Troy's work at the Altman Siegel Gallery HERE. Follow Troy on Instagram: @troylamarrchewthesecondTroy at the Parker Gallery CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
The National galleries of Scotland host monthly descriptive tours and workshops for blind and partially sighted art lovers. Their next event 'Dürer to Van Dyck - Drawings from Chatsworth House' explores drawings and watercolours a spectacular group of some 50 Flemish, Dutch, Early Netherlandish, and German drawings and watercolours, spanning from about 1500 to 1700. The session takes place in person at The National Gallery on Wednesday 20 November 2024, 10.15am–3.30pm. Learn more on the NGS website - Visually Impaired Programme Live | Dürer to Van Dyck | National Galleries of Scotland Image shows RNIB Connect Radio logo. RNIB is written in bold black capital letters and underlined with a bold pink line. Underneath, 'Connect Radio' written in smaller black letters.
The story of a 14th-century Flemish pirate, merchant, and adventurer, a man who took prizes at sea and took whatever side he needed to on land, crossing paths with various counts and kings as he went. If you like what you hear and want to chip in to support the podcast, my Patreon is here. I'm on BlueSky @a-devon.bsky.social, Twitter @circus_human, Instagram @humancircuspod, and I have some things on Redbubble. Sources: Barrell, Andrew D. M. Medieval Scotland. Cambridge University Press, 2000. Cushway, Graham. Edward III and the War at Sea: The English Navy, 1327-1377. Boydell Press, 2011. Holinshed, Raphael. Chronicles of England, Scotland, and Ireland, Volume 5. J. Johnson, et. al. 1808. Lucas, Henry S. “John Crabbe: Flemish Pirate, Merchant, and Adventurer.” Speculum 20, no. 3 (1945): 334–50. Rose, Susan. Medieval Naval Warfare, 1000-1500. Routledge, 2003. Wilson, Ben. Empire of the Deep: The Rise and Fall of the British Navy. Orion, 2013. The Anonimalle Chronicle 1307 to 1334. Edited by Wendy R. Childs and John Taylor. Cambridge University Press, 2013. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Join us on the Tap Tap Cast, where apparently a new season means a variety of NEW face and winners! This week we chat with Boem20, who won the Lille regional, the very first official tournament he's every played in! The crew talk about Boem's notoriety in the grassroots scene, his thoughts on how the meta is evolving and the differences between the Dutch and Flemish language. Follow the crew! Amanda // www.twitter.com/Lundberger Martijn // www.twitter.com/InadequancePOGO Boem20 // www.twitter.com/boem20
Today, Simon Stewart is joined by former pro cyclist Joe Park to revisit the 1977 documentary, A Sunday in Hell, often regarded as the greatest bike racing film of all time. Having raced the 1988 Paris-Roubaix, Joe brings a perspective only someone who has suffered on the infamous cobbles of “The Hell of the North” can offer. Director Jørgen Leth's gritty documentary style puts you right there on the famed cobbles of northern France to witness the 1976 edition of the Paris-Rounbaix road race, while Joe's experience racing against some of the same legends in the film adds an unmistakeable layer of authenticity to the conversation.RELATED LINKS: BLISTER+ Get Yourself CoveredRead Now: Our 24/25 Digital Winter Buyer's GuideOrder Now: Our 24/25 Winter Buyer's GuideCome and Gone: Joe's bookTopics and Times:The Sherif, The Gypsy, and The Cannibal (1:47)Jørgen Leth's Documentary Style (5:08)Joe's 1988 Paris-Roubaix Race (6:34)Flemish vs Belgian (11:20)Daunting Boredom (17:17)Joe's Pie-Plate (20:37)Dust (24:06)The Chaos of the Cobbles (26:04)Race Strategy (34:37)The Broom Wagon (45:14)Roger Muffed It (51:27)New Bikes vs Old Bikes (58:43)Best Bike Race Film Ever (1:05:41)CHECK OUT OUR OTHER PODCASTS:Blister PodcastBikes & Big IdeasGEAR:30CRAFTEDOff The Couch Hosted on Acast. See acast.com/privacy for more information.
In this episode, we explore the Battle of the Golden Spurs, a pivotal conflict in 1302 between the forces of France and Flanders during the Franco-Flemish War. The Flemish victory challenged traditional military hierarchies and fostered a strong sense of regional identity and resistance against French rule. This battle remains a significant symbol of Flemish autonomy and pride in medieval history.
Quarter-Arsed History presents: the Flemish Revolution, usually known by the name the Flemish Peasant Revolt of 1323-1328, which saw angry Flemish villagers take up arms against their hated feudal lord. Hosted on Acast. See acast.com/privacy for more information.
Ep 147 – The Global Market with Voice Talent Serge De Marre Welcome back to the Voice Over Gurus podcast! In this episode, host Linda Bruno sits down with Serge De Marre, a seasoned voice actor originally from Belgium, to discuss the highs and lows of the voiceover industry. Serge shares his journey from starting in local Belgian radio to becoming a national radio host, and eventually moving to the United States. He delves into the technical challenges and cultural differences he faced, and how he transitioned into full-time voiceover work, including his recent success with a U.S. commercial campaign for Tubi. Linda and Serge also explore the differences between European and American voiceover markets, the impact of COVID-19 on the industry, and the importance of building strong client relationships. They touch on the significance of having a professional website and the benefits of hiring a web designer. Tune in to hear Serge's inspiring story and gain valuable insights into navigating the voiceover world across different continents. About Serge: Modern. Global. Bilingual. Serge De Marre is a voice actor and voice-over artist who speaks both English and Flemish fluently, with over 20 years of experience. His contemporary, clear voice with international influences appeals to audiences from all over the world. Think fresh, smooth, cheerful, reliable, youthful. Serge is a well-known and award-nominated voice in Belgium and the Netherlands with both his English and Flemish work. With his unique international accent, he is also on the rise in the rest of the world. He has lived in Antwerp, Washington DC, Houston, Los Angeles, Dallas and Budapest. His extensive experience with different cultures and customs can be heard in his worldly voice. He has worked for big names such as Domino's Pizza, Axe, Google, Disney, Audi, Exxon Mobil, LG, Mentos, Pringles, Danone, Knex, Qatar Airways and Siemens. That is an impressive client list of international companies, but Serge also likes to work with smaller, local brands. For all projects, big or small, you can expect a fast response time and superior quality recordings. Visit Serges' Website: https://www.sergedemarre.com/ FOR MORE INFO ON THE SHOW AND THE GURUS, PLEASE VISIT: Coaching Website: https://voiceover.guru/ and https://learnwiththegurus.com/ Join our Circle Community: https://the-voiceover-gurus.circle.so/home Linda Bruno Voice Actress https://www.lindabruno.com Alyssa Jayson Actress and Musician http://www.alyssajayson.com Kevin Kilpatrick Voice Actor https://kevinkilpatrick.com/
Peter Paul Rubens (1577–1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. Prints made after the Flemish artist's designs were routinely sent from Europe to the Spanish Americas, where artists used them to make all manner of objects. Rubens in Repeat: The Logic of the Copy in Colonial Latin America (Getty Research Institute, 2021) by Dr. Aaron M. Hyman is the first comprehensive study of this transatlantic phenomenon, despite broad recognition that it was one of the most important forces to shape the artistic landscapes of the region. Copying, particularly in colonial contexts, has traditionally held negative implications that have discouraged its serious exploration. Yet analysing the interpretation of printed sources and recontextualizing the resulting works within period discourse and their original spaces of display allow a new critical reassessment of this broad category of art produced in colonial Latin America—art that has all too easily been dismissed as derivative and thus unworthy of sustained interest and investigation. This book takes a new approach to the paradigms of artistic authorship that emerged alongside these complex creative responses, focusing on the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries. It argues that the use of European prints was an essential component of the very framework in which colonial artists forged ideas about what it meant to be a creator. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Peter Paul Rubens (1577–1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. Prints made after the Flemish artist's designs were routinely sent from Europe to the Spanish Americas, where artists used them to make all manner of objects. Rubens in Repeat: The Logic of the Copy in Colonial Latin America (Getty Research Institute, 2021) by Dr. Aaron M. Hyman is the first comprehensive study of this transatlantic phenomenon, despite broad recognition that it was one of the most important forces to shape the artistic landscapes of the region. Copying, particularly in colonial contexts, has traditionally held negative implications that have discouraged its serious exploration. Yet analysing the interpretation of printed sources and recontextualizing the resulting works within period discourse and their original spaces of display allow a new critical reassessment of this broad category of art produced in colonial Latin America—art that has all too easily been dismissed as derivative and thus unworthy of sustained interest and investigation. This book takes a new approach to the paradigms of artistic authorship that emerged alongside these complex creative responses, focusing on the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries. It argues that the use of European prints was an essential component of the very framework in which colonial artists forged ideas about what it meant to be a creator. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Peter Paul Rubens (1577–1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. Prints made after the Flemish artist's designs were routinely sent from Europe to the Spanish Americas, where artists used them to make all manner of objects. Rubens in Repeat: The Logic of the Copy in Colonial Latin America (Getty Research Institute, 2021) by Dr. Aaron M. Hyman is the first comprehensive study of this transatlantic phenomenon, despite broad recognition that it was one of the most important forces to shape the artistic landscapes of the region. Copying, particularly in colonial contexts, has traditionally held negative implications that have discouraged its serious exploration. Yet analysing the interpretation of printed sources and recontextualizing the resulting works within period discourse and their original spaces of display allow a new critical reassessment of this broad category of art produced in colonial Latin America—art that has all too easily been dismissed as derivative and thus unworthy of sustained interest and investigation. This book takes a new approach to the paradigms of artistic authorship that emerged alongside these complex creative responses, focusing on the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries. It argues that the use of European prints was an essential component of the very framework in which colonial artists forged ideas about what it meant to be a creator. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies
Peter Paul Rubens (1577–1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. Prints made after the Flemish artist's designs were routinely sent from Europe to the Spanish Americas, where artists used them to make all manner of objects. Rubens in Repeat: The Logic of the Copy in Colonial Latin America (Getty Research Institute, 2021) by Dr. Aaron M. Hyman is the first comprehensive study of this transatlantic phenomenon, despite broad recognition that it was one of the most important forces to shape the artistic landscapes of the region. Copying, particularly in colonial contexts, has traditionally held negative implications that have discouraged its serious exploration. Yet analysing the interpretation of printed sources and recontextualizing the resulting works within period discourse and their original spaces of display allow a new critical reassessment of this broad category of art produced in colonial Latin America—art that has all too easily been dismissed as derivative and thus unworthy of sustained interest and investigation. This book takes a new approach to the paradigms of artistic authorship that emerged alongside these complex creative responses, focusing on the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries. It argues that the use of European prints was an essential component of the very framework in which colonial artists forged ideas about what it meant to be a creator. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices
Peter Paul Rubens (1577–1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. Prints made after the Flemish artist's designs were routinely sent from Europe to the Spanish Americas, where artists used them to make all manner of objects. Rubens in Repeat: The Logic of the Copy in Colonial Latin America (Getty Research Institute, 2021) by Dr. Aaron M. Hyman is the first comprehensive study of this transatlantic phenomenon, despite broad recognition that it was one of the most important forces to shape the artistic landscapes of the region. Copying, particularly in colonial contexts, has traditionally held negative implications that have discouraged its serious exploration. Yet analysing the interpretation of printed sources and recontextualizing the resulting works within period discourse and their original spaces of display allow a new critical reassessment of this broad category of art produced in colonial Latin America—art that has all too easily been dismissed as derivative and thus unworthy of sustained interest and investigation. This book takes a new approach to the paradigms of artistic authorship that emerged alongside these complex creative responses, focusing on the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries. It argues that the use of European prints was an essential component of the very framework in which colonial artists forged ideas about what it meant to be a creator. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Peter Paul Rubens (1577–1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. Prints made after the Flemish artist's designs were routinely sent from Europe to the Spanish Americas, where artists used them to make all manner of objects. Rubens in Repeat: The Logic of the Copy in Colonial Latin America (Getty Research Institute, 2021) by Dr. Aaron M. Hyman is the first comprehensive study of this transatlantic phenomenon, despite broad recognition that it was one of the most important forces to shape the artistic landscapes of the region. Copying, particularly in colonial contexts, has traditionally held negative implications that have discouraged its serious exploration. Yet analysing the interpretation of printed sources and recontextualizing the resulting works within period discourse and their original spaces of display allow a new critical reassessment of this broad category of art produced in colonial Latin America—art that has all too easily been dismissed as derivative and thus unworthy of sustained interest and investigation. This book takes a new approach to the paradigms of artistic authorship that emerged alongside these complex creative responses, focusing on the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries. It argues that the use of European prints was an essential component of the very framework in which colonial artists forged ideas about what it meant to be a creator. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices
Peter Paul Rubens (1577–1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. Prints made after the Flemish artist's designs were routinely sent from Europe to the Spanish Americas, where artists used them to make all manner of objects. Rubens in Repeat: The Logic of the Copy in Colonial Latin America (Getty Research Institute, 2021) by Dr. Aaron M. Hyman is the first comprehensive study of this transatlantic phenomenon, despite broad recognition that it was one of the most important forces to shape the artistic landscapes of the region. Copying, particularly in colonial contexts, has traditionally held negative implications that have discouraged its serious exploration. Yet analysing the interpretation of printed sources and recontextualizing the resulting works within period discourse and their original spaces of display allow a new critical reassessment of this broad category of art produced in colonial Latin America—art that has all too easily been dismissed as derivative and thus unworthy of sustained interest and investigation. This book takes a new approach to the paradigms of artistic authorship that emerged alongside these complex creative responses, focusing on the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries. It argues that the use of European prints was an essential component of the very framework in which colonial artists forged ideas about what it meant to be a creator. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices
Peter Paul Rubens (1577–1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. Prints made after the Flemish artist's designs were routinely sent from Europe to the Spanish Americas, where artists used them to make all manner of objects. Rubens in Repeat: The Logic of the Copy in Colonial Latin America (Getty Research Institute, 2021) by Dr. Aaron M. Hyman is the first comprehensive study of this transatlantic phenomenon, despite broad recognition that it was one of the most important forces to shape the artistic landscapes of the region. Copying, particularly in colonial contexts, has traditionally held negative implications that have discouraged its serious exploration. Yet analysing the interpretation of printed sources and recontextualizing the resulting works within period discourse and their original spaces of display allow a new critical reassessment of this broad category of art produced in colonial Latin America—art that has all too easily been dismissed as derivative and thus unworthy of sustained interest and investigation. This book takes a new approach to the paradigms of artistic authorship that emerged alongside these complex creative responses, focusing on the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries. It argues that the use of European prints was an essential component of the very framework in which colonial artists forged ideas about what it meant to be a creator. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices
Support Bionic Planet: https://www.patreon.com/bionicplanet Books referenced in this episode: "The Discovery of Global Warming" by Spencer Weart (Hypertext version): https://history.aip.org/climate/index.htm "Lavoisier in the Year One" by Madison Smartt Bell: https://wwnorton.com/books/Lavoisier-in-the-Year-One/ "The Life and Letters of Joseph Black, M. D." by William Ramsay (Hypertext version): https://archive.org/details/lifelettersofjos00ramsrich/page/n5/mode/2up In this episode of Bionic Planet, we delve into the history of the science underpinning Nature-based Climate Solutions (NbCS), beginning in the 1620s, in the Flemish village of Vilvoorde. The episode kicks off with the story of Jan Baptist van Helmont, a physician who conducted an experiment planting a five-pound baby willow tree in a 200-pound pot of soil, launching a sequence of events that solved the riddle of where trees come from, accelerated the Industrial Revolution that propelled us to our current state of ecological overshoot, and planted the seeds of our eventual salvation. The narrative then takes us through the evolution of scientific thought, from the ancient Greek philosophers to the alchemists of the Middle Ages, and eventually to the pioneers of modern chemistry like Joseph Black and Antoine Lavoisier. We explore the concepts of phlogiston, fixed air, and the discovery of oxygen, shedding light on the gradual unraveling of the mysteries of the natural world. The episode also highlights the contributions of individuals like Joseph Priestley and Jan Ingenhousz, who made key observations about the role of plants in purifying air and the process of photosynthesis. These discoveries laid the foundation for our understanding of how plants breathe in carbon dioxide and release oxygen, shaping our knowledge of the interconnectedness of ecosystems. The episode wraps up with a brief segue into the concept of latent heat, as elucidated by Joseph Black, and its pivotal role in the development of steam engines. This technological advancement sparked the Industrial Revolution, which delivered previously unimaginable wealth to the world but pushed our planet to the brink of ecological collapse. As the host, I aim to provide a comprehensive and engaging exploration of the historical milestones that have shaped our understanding of climate and biodiversity finance. By unraveling the untold story of the voluntary carbon market, I seek to dispel myths, challenge simplistic narratives, and foster a deeper appreciation for the complexities of environmental science. Join me on this enlightening journey through the annals of scientific discovery, as we uncover the threads that connect past breakthroughs to present-day challenges and solutions. Together, we can gain a deeper insight into the intricate web of relationships that sustain life on our bionic planet. Thank you for tuning in to Bionic Planet, where we explore the past to illuminate the path forward.
In Anzegem, Belgium, about 20 miles southwest of Ghent, Brouwerij 't Verzet (https://brouwerijtverzet.be) is no cover band. Sure, they could make some local waves by brewing up Citra-Mosaic hazy IPAs, but what would that mean to the strong brewing traditions in their corner of Flanders? Rather than play someone else's tunes, could they instead take the familiar, culturally significant notes that everyone around them knows, and play them with a swagger and attitude that helps people see them in a new light? Or, as cofounder Alex Lippens muses, could they drink these innovative hazy IPAs from the United States, learn from them, and inject that knowledge back into classic Belgian styles, to help move those traditions forward? Couldn't they develop their own take on a classic Flemish style such as oud bruin—but instead of making it taste like Rodenbach, make it feel cool and relevant for a younger generation of drinkers? These are among the questions that Lippens asks throughout this episode. While the answers are still in progress—check back with the Verzet team in 40 years, maybe, when their brewing careers are complete—he also touches on: pushing the borders of drinkability and excitement rethinking Michael Jackson's categorization of oud bruin and Flemish red ale brewing with a heavy caramel-malt load and 20 percent unmalted barley using techniques such as cereal mashes and extremely long boils to build flavor and texture blending parts of seven different barrel-aged base beers into Verzet Oud Bruin maintaining and using a wild-caught mixed culture promoting quicker Lactobacillus action by restricting hops and pitching on fully fermented wort building an impression of fruit flavor without using actual fruit blending to a total acidity goal And more. This episode is brought to you by: G&D Chillers (https://gdchillers.com): At G&D Chillers they always strive to Build Great Chillers. Partner with them as you Build Great Beer. Choose G&D Chillers on your next Expansion or Brewery start up and receive 1 free year of Remote control and Monitoring of your new G&D Chiller! ProBrew (https://www.probrew.com) By partnering with ProBrew, brewers can fill and seam their canned product at ranges from 100-600 cans per minute. Our unique filling process also ensures low dissolved oxygen pickup and focuses on product quality during the entire process. Visit probrew.com or email us at contactus@probrew.com. Old Orchard (https://www.oldorchard.com/brewer): Berry Blend, Blood Orange, Lemonade, and Tart Cherry are the latest additions to our lineup of flavored craft juice concentrate blends. To learn more and request your free samples, head over to oldorchard.com/brewer (https://www.oldorchard.com/brewer) Omega Yeast (https://omegayeast.com): Experience distinct transparency and juiciness with Omega Yeast's DayBreak-V. We've genetically eliminated haze in the popular British-V strain, allowing you to preserve the fruit-boosting prowess while achieving crystal clarity. Learn more at info@omegayeast.com. ABS Commercial (https://abs-commercial.com). ABS Commercial are proud to offer brewhouses, tanks, keg washers, and preventative maintenance parts to brewers across the country as well as equipment for distilling, cider-making, wine-making, and more! Contact them today at sales@abs-commercial.com to discuss your customized brewery needs. Yakima Chief Hops (https://hopandbrewschool.com). The 7th Annual Veterans Blend from Yakima Chief Hops will be available for pre-order June 24th! $3 from every pound sold of Veterans Blend will be donated to this year's non-profit Stop Soldier Suicide. Plan ahead and pre-order on June 24th! Berkeley Yeast (https://berkeleyyeast.com). Superbloom strains make classic hops flavor; Fresh strains keep diacetyl low even with large hop additions; Tropics strains make a tropical bouquet reminiscent of the finest southern hemisphere hops. Mention this podcast for 20% off your first order. Craft Spirits & Distilling Podcast (https://spiritsanddistilling.com/podcasts/): If you're a distiller or curious about it, check out the Craft Spirits & Distilling podcast. Click on the link and subscribe from your favorite podcast platform.
Send us a Text Message.Linking the Travel Industry is a business travel podcast where we review the top travel industry stories that are posted on LinkedIn by LinkedIn members. We curate the top posts and discuss with them with travel industry veterans in a live session with audience members. You can join the live recording session by visiting BusinessTravel360.comYour Hosts are Riaan van Schoor, Ann Cederhall and Aash Shravah.Stories covered on this session include -Flight limitations at Schiphol Airport are introduced with night and "loud" flights banned... and it looks like Brussels airport might be next. This post by a Flemish government minister pleading for sanity makes for an interesting read.The news which dominated our LinkedIn feeds was of course the admittance by American Airlines CEO Robert Isom they "made errors" and "dug themselves a hole" with their distribution strategy and that CCO Vasu Raja was leaving the airline after all.Ryanair announces their latest OTA partner, Kiwi.comTo improve female traveller safety and comfort, IndiGo (InterGlobe Aviation Ltd) launches a "female friendly" seat selector, seating woman together. Qatar Airways shares the news they will offer complimentary ultra-fast internet access on their flights courtesy of a deal with SpaceX. Air India Limited partners with iCoupon to deliver an innovative solution for pax facing delays, in that their boarding passes carry the barcode airport suppliers can use to provide refreshments in such cases, instead of separate vouchers being issued. In a tragic accident at Schiphol airport, a person died after being sucked into the engine of an Embraer jet. Extra StoriesYou can subscribe to this podcast by searching 'BusinessTravel360' on Google Podcast, Apple Podcast, iHeart, Pandora, Spotify, Alexa or your favorite podcast player.This podcast was created, edited and distributed by BusinessTravel360. Be sure to sign up for regular updates at BusinessTravel360.com - Enjoy!Support the Show.
Two stories from Flanders (the region of Belgium, not Homer Simpson's annoyingly nice neighbor) about people who are stuck. One is a married couple who wants their long awaited dream to come true. The other is people who are literally stuck to a thing they shouldn't be touching in the first place. The creature is the Asanbosam, a pink Batman with great legs. Membership! https://www.mythpodcast.com/membership Asanbosam at the BM: https://www.britishmuseum.org/collection/object/E_Af1935-1212-1 -- Sponsor: This episode is brought to you by BetterHelp! Visit https://betterhelp.com/myths today to get 10% off your first month. -- Music: "The Spinnet" by Blue Dot Sessions "Woodbird Theme" by Blue Dot Sessions "Grumpalo" by Blue Dot Sessions
We meet author/art critic Jennifer Higgie and Sotheby's Chloe Stead to discuss an inspiring new exhibition which has just opened ‘London: An Artistic Crossroads' runs until 5th July at Sotheby's New Bond Street.Sotheby's, in partnership with Art UK and twelve museums across the country, are staging a month-long exhibition, open to the public and free of charge, shining a spotlight on the UK as a centre of creative cross-pollination.The exhibition, ‘London: An Artistic Crossroads', brings together an assemblage of remarkable works by artists who passed through or settled in the UK during their lifetime. The earliest of the works is a vivacious portrait by Flemish artist Marcus Gheeraerts the Younger, who became one of the most sought-after portraitists in England during the 16th century. It is joined by a vibrant landscape by André Derain, for whom London was a place of explosive transformation, as well as an iconicComposition by Piet Mondrian who, out of fear of German invasion and encouraged by Ben Nicholson, left Paris for Hampstead in 1938. Lucian Freud, Francis Bacon and Dame Lucie Rie are included in the line up, all émigrés, Freud from metropolitan Germany, Bacon from rural Ireland and Rie from Vienna, in addition to Frank Bowling, R.B. Kitaj and Dame Magdalene Odundo, among others.The exhibition coincides with NG200 - the Bicentenary celebrations of London's National Gallery - which it is intended to complement. As the National Gallery launches its National Treasures programme, where 12 of the nation's most iconic and well-loved paintings from the collection are lent to 12 venues across the UK, this exhibition does the reverse: bringing 12 works from major regional collections together in the capital city.The National Gallery has long provided a source of inspiration for creatives, who look to its rich collection to further enhance their own practices. Many of the artists presented in Sotheby's exhibition publicly acknowledged the museum's influence over their own styles and practice, including Bacon, Freud (the subject of a landmark National Gallery exhibition – ‘New Perspectives' – in 2022/23), Kitaj (who selected paintings for ‘The Artist's Eye' exhibition at the National Gallery in 1980), Bowling and Auerbach, who was even invited to show his interpretations of some of the National Gallery's paintings in 1995.Jennifer Higgie is an Australian writer. Previously the editor of Frieze magazine, and the presenter of Bow Down, a podcast about women in art history, she is the author of a 2021 book on women's self-portraits, 'The Mirror & The Palette: Rebellion, Revolution & Resistance, 500 Years of Women's Self Portraits'. Her latest book 'The Other Side: Women, Art and the Spirit World', was published in 2023. Jennifer has been a judge of the Paul Hamlyn Award, the Turner Prize and the John Moore's Painting Prize.Chloe Stead is Global Head of Private Sales, Old Masters Paintings for Sotheby's. She actively works with collectors, institutions, and dealers in buying and selling works of art internationally.Follow @Jennifer_Higgie and to learn more about the exhibition visit: @Sothebys‘London: An Artistic Crossroads' is open now and runs until 5th July at Sotheby's New Bond Street.Learn more: https://www.sothebys.com/en/articles/twelve-artistic-treasures-meet-in-london Hosted on Acast. See acast.com/privacy for more information.
They both lived during the Dutch Golden Age, grew up in Leiden, were taught by the same painter, shared a studio, received all the praise, and painted the rulers of their time. And yet, Jan Lievens is not as famous today as his friend Rembrandt. In this episode of The Low Countries Radio, we reconstruct the lives and works of these two giants of art, showing how trends and the zeitgeist can drive or hinder an artist's career, but how their legacy is bound to the whims of fate and fortune. Do you want to know more about Flemish and Dutch history and culture? Visit www.the-low-countries.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: The suffering of a farmed animal is equal in size to the happiness of a human, according to a survey, published by Stijn on May 21, 2024 on The Effective Altruism Forum. Author: Stijn Bruers, researcher economics KU Leuven Short summary According to a survey among a representative sample of the Belgian population, most people believe that farmed animals like chickens have the same capacity for suffering as humans, and that most farmed land animals (broiler chickens) have negative welfare levels (i.e. experience more suffering than happiness). The average suffering of a farmed land animal, estimated by people, is equal in size to the positive welfare of an average human (in Belgium) whereas the welfare level of a wild bird is zero on average. Given the fact that there are more farmed animals than humans in the world, and that the populations of small farmed animals (chickens, fish, shrimp and insects) are increasing, most people would have to come to the conclusion that net global welfare (of humans, farmed animals and wild animals combined) is negative and declining. People who care about global welfare should therefore strongly prioritize decreasing animal farming and improving farmed animal welfare conditions. Introduction How much do farmed animals such as broiler chickens suffer? How can we compare the welfare of animals and humans? These are crucially important questions, because knowing the welfare capacities and welfare levels of humans and non-human animals is necessary to prioritize strategies to improve welfare on Earth. They can also be used to estimate the global welfare state of the world, as was first done by Fish (2023). His results were very pessimistic: net global welfare may be negative and declining, due to the increased farming of small animals (chicken, fish, shrimp and possibly insects). The top-priority to improve global welfare and decrease suffering on Earth becomes very clear: decrease animal farming (or decrease the suffering of farmed animals). Fish arrived at these pessimistic results using welfare range and welfare level estimates by animal welfare experts at Rethink Priorities (the Moral Weight Project) and Charity Entrepreneurship (the Weighted Animal Welfare Index). However, the calculations by Fish may be criticized on the point that his choice of welfare ranges and welfare levels was too arbitrary, because it first involved the arbitrary choice of source or group of experts, and those experts themselves also made arbitrary choices to arrive at their welfare range and level estimates. Perhaps people believe that the welfare capacities and levels of animal suffering used by Fish were overestimated? Perhaps people won't believe his results because they don't believe that animals have such high capacities for suffering? In order to convince the general public, we can instead consider the estimates of welfare ranges and welfare levels of animals given by the wider public. To do so, a survey among a representative sample of the Flemish population in Belgium was conducted to study how much sentience people ascribe to non-human animals. The estimates of animal welfare ranges by the general public were more animal-positive than those of Rethink Priorities. Most respondents gave higher values of animal welfare ranges than those given by the animal welfare experts at Rethink Priorities. According to the general public, Rethink Priorities may have underestimated the animal welfare ranges. Furthermore, most people estimate that the welfare level of most farmed land animals (chickens) is negative, and in absolute value as large as the positive welfare level of humans (in line with the Animal Welfare Index estimates by Charity Entrepreneurship). Hence, according to the general public, the results of Fish were too optimistic. The global welfare sta...
In the ever-evolving landscape of entrepreneurship, there exist stories that transcend the ordinary, tales of resilience, persistence, and the pursuit of dreams against all odds. Such is the narrative woven by Philip Inghelbrecht, a seasoned entrepreneur whose journey from Bruge, the Flemish side of Belgium to the bustling streets of Silicon Valley is nothing short of remarkable.
Nikki Giovanni is one of only a handful of poets whose work has been published as a Penguin Modern Classic in their own life time. A key figure of America's Black Arts Movement as both a writer an activist, she speaks to Tom about her life and career.A well-known actor, Andrew Buchan has now turned to writing with Passenger, the new ITV crimes drama set in the gothic landscape of the Lancashire-Yorkshire border.And Oxford's Ashmolean museum has a new exhibition of Flemish drawings, Bruegel to Rubens. Artist Jonathan Yeo and critic Jonathan Jones, author of Earthly Delights: A History of the Renaissance, join to discuss.Presenter: Tom Sutcliffe Producer: Ciaran Bermingham
Ezra Eeman, the Director of Strategy & Innovation at the Dutch Public Broadcaster NPO joins Nikita Roy to discuss NPO's AI strategy, revealing the complexities of navigating this frontier within a decentralized network of 13 broadcasters. From leveraging AI for accessibility and efficiency to cautious experiments with synthetic voices and avatars, NPO's approach offers a fascinating case study in balancing innovation with public trust.With almost 20 years of experience in media, innovation, and journalism, Ezra has been at the forefront of digital transformation. Previously he was the Change Director at international media company Mediahuis, where he was responsible for coordinating newsroom transformation and digital acceleration. He also served as the Head of Digital, Transformation and Platforms at the European Broadcasting Union (EBU), and prior to that, he was head of an innovation lab and journalist at VRT, the Flemish public broadcaster.Sign up for the Newsroom Robots newsletter for episode summaries and insights from host, Nikita Roy. Hosted on Acast. See acast.com/privacy for more information.
Located in the Flemish region of Belgium, Ghent is the capital of East Flanders and a major port city. Its location makes it a convenient spot to explore both the Dutch and French-speaking parts of the country.Ghent's city center is full of historical buildings, including the majestic Castle of the Counts and the iconic St. Bavo Cathedral. The city is also home to several museums, art galleries, and theaters, making it a cultural hub.One of the city's most famous attractions is the Gravensteen Castle. The castle was built in the 12th century and served as the seat of the Counts of Flanders. Today, it's a popular tourist destination, allowing visitors to explore its ancient walls and learn more about its history.The city is known for its vibrant nightlife, with plenty of restaurants, bars, and clubs to choose from. Ghent also boasts several festivals throughout the year, including the Ghent Festival, one of Europe's most significant cultural events.Ghent is also a great place for shopping. From its bustling markets and boutiques to its designer stores and malls, Ghent has something for everyone. Whether you're looking for souvenirs or want to pick up some new clothes, Ghent has it all.Overall, Ghent is a city that has something for everyone. Whether you're looking for a cultural getaway or a night out on the town, Ghent has something to offer. With its stunning architecture, vibrant nightlife, and rich history, Ghent is a must-visit destination.
As Walloon Pierre Minuit stared into the dark eyes of those twenty-two displaced Angolans, huddled together along de Heere Wegh, alongside that fledgling "construction project" of sorts at the Island's southern tip, his refugee heart wrestled with the dutiful commitment that he had made to his employer. Because this Walloon, whose family had been in exile his entire life, had never enslaved anyone. And so, this life-long refugee and stalwart servant of God was going to need to dig deep -- into his own soul, in order to arrive at a reckoning -- one that would not only square him with the people before him -- but most ultimately with his God. And the Company, believe it or not, would actually assist him with that, when they beat the Plymouth Pilgrims to the punch by sending the first ordained minister to Manhattan. But the particular one they chose to send is no Protestant pacifist. No. Jonas Michaelius is every bit the fighting Flemish fanatic that his father was before him. And with his arrival, this wild Island is about to get a little bit wilder. Episode 10 - Minister. Climb aboard.
If anyone thinks about medieval Flanders today, it's most likely because they have an interest in the art of painters like Bruegel and Rubens. But Flanders also pioneered the art of class warfare. There was nowhere else in Europe during the Middle Ages where the popular classes posed such an effective challenge to aristocratic power. At its high point during the early fourteenth century, this wave of popular mobilization defeated some of Europe's most powerful armies.Jan Dumolyn, professor of history at Ghent University, joins Long Reads to talk about the social conditions behind this wave of uprisings.You can read Jan's piece for Jacobin, "Flanders Was the Epicenter of Class Conflict in Medieval Europe," here: https://jacobin.com/2023/07/flanders-class-conflict-medieval-europe-feudalismLong Reads is a Jacobin podcast looking in-depth at political topics and thinkers, both contemporary and historical, with the magazine's longform writers. Hosted by features editor Daniel Finn. Produced by Conor Gillies, music by Knxwledge. Hosted on Acast. See acast.com/privacy for more information.
Flemish painter Michaelina Wautier's style was realistic and detailed, with a dark, almost somber color palette. And for a long time, she remained an unknown, even among art historians. Research: Atkins, Christopher D.M. and Jeffrey Muller, editors. “Michaelina Wautier and The Five Senses: Innovation in 17th-Century Flemish Painting.” CNA Studies. December 2022. Museum of Fine Arts, Boston. 2022. Atkins, Christopher and Alyssa Trejo. Email correspondence. Center for Netherlandish Art, Museum of Fine Arts Boston. 4/12/2023. “Six Paintings by 17th-Century Artist Michaelina Wautier Sought by Rubens House.” 4/26/2017. https://www.codart.nl/art-works/six-paintings-17th-century-artist-michaelina-wautier-sought-rubens-house/ Dill, Vithória Konzen. “5 Things You Should Know About Michaelina Wautier.” Daily Art Magazine. 1/8/2023. https://www.dailyartmagazine.com/michaelina-wautier/ Esterow, Milton. “For Centuries, Her Art Was Forgotten, or Credited to Men. No More.” New York Times. 12/5/2022. https://www.nytimes.com/2022/12/02/arts/design/michaelina-wautier-artist-boston.html Kairis, Pierre-Yves. “Interview with Pierre-Yves Kairis.” MAS. https://mas.be/en/page/interview-pierre-yves-kairis Kimball, Jill. “Student-curated MFA Boston exhibition spotlights long-forgotten female Flemish painter.” Brown University. 12/7/2022. https://www.brown.edu/news/2022-12-07/wautier Kunsthistorisches Museum Wien. “Looking at the Overlooked: A live conversation on the life and work of Michaelina Woutier.” Via YouTube. 12/9/2020. https://www.youtube.com/watch?v=HJArJm9kR7Q “Michaelina Baroque's Leading Lady.” Exhibition pamphlet. 2018. McCouat, Philip. “Forgotten Women Artists #4: Michaelina Wautier: Entering the Limelight After 300 Years.” Journal of Art in Society. 2019. https://www.artinsociety.com/forgotten-women-artists-4-michaelina-wautier-entering-the-limelight-after-300-years.html Museum of Fine Arts Boston. “Michaelina Wautier and ‘The Five Senses'.” https://www.mfa.org/gallery/michaelina-wautier-and-the-five-senses Needleman, Sam. “Michaelina's Boys.” The New York Review. 3/12/2023. https://www.nybooks.com/online/2023/03/12/michaelinas-boys/ Nordenfalk, Carl. “The Five Senses in Late Medieval and Renaissance Art.” Journal of the Warburg and Courtauld Institutes , 1985, Vol. 48 (1985). Via JSTOR. https://www.jstor.org/stable/751209 Van der Stighelen, Katlijne. “CHAPTER 6 Anna Francisca de Bruyns (1604/5–1656), Artist, Wife and Mother: a Contextual Approach to Her Forgotten Artistic Career.” Women and Gender in the Early Modern Low Countries, 2019. Via JSTOR. https://www.jstor.org/stable/10.1163/j.ctvrxk3hp.12 Van der Stighelen, Katlijne. “‘Doing justice to an artist no one knows is quite an undertaking'.” Apollo Magazine. 7/2/2018. https://www.apollo-magazine.com/doing-justice-to-an-artist-no-one-knows-is-quite-an-undertaking/ Van der Stighelen, Katlijne. “Michaelina Wautier 1604-1689: Glorifying a Forgotten Talent.” Rubenshuis and BAI Publishers. Translated. 2018. See omnystudio.com/listener for privacy information.
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